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"I meant," | Cecil | "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she | soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." | low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this | made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, | knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having | will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he | said the young man languidly. "I can't even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference, or perhaps those aren't the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don't feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for | came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?"<|quote|>"I meant,"</|quote|>said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what | A Room With A View |
said Cecil stiffly, | No speaker | do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to | to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was | tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. | when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the | before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" | chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked | young man languidly. "I can't even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference, or perhaps those aren't the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don't feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of | faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant,"<|quote|>said Cecil stiffly,</|quote|>"that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good | A Room With A View |
"that she is going to marry me." | Cecil | "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of | "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he | realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped | things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man | wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. | sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could | "I can't even remember the difference between a Parish Council and a Local Government Board. Perhaps there is no difference, or perhaps those aren't the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don't feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: | forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly,<|quote|>"that she is going to marry me."</|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. | A Room With A View |
The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. | No speaker | is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must | said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea | contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred | given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of | kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use | began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do | a Parish Council and a Local Government Board. Perhaps there is no difference, or perhaps those aren't the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don't feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made | no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me."<|quote|>The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.</|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence | A Room With A View |
"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." | Mr. Beebe | keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he | disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he | he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; | Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not | they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take | but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives | the right names. I only go into the country to see my friends and to enjoy the scenery. It is very remiss of me. Italy and London are the only places where I don't feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked | mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice.<|quote|>"I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."</|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There | A Room With A View |
And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. | No speaker | ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have | superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he | clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so | ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing | I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now | she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. | feel to exist on sufferance." Mr. Beebe, distressed at this heavy reception of Cissie and Albert, determined to shift the subject. "Let me see, Mr. Vyse--I forget--what is your profession?" "I have no profession," said Cecil. "It is another example of my decadence. My attitude--quite an indefensible one--is that so long as I am no trouble to any one I have a right to do as I like. I know I ought to be getting money out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing | my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me."<|quote|>And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.</|quote|>"I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. | A Room With A View |
"I am sorry I have given you a shock," | Cecil | he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear | it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not | Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You | you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful | Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her | companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner | out of people, or devoting myself to things I don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have | to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude.<|quote|>"I am sorry I have given you a shock,"</|quote|>he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, | A Room With A View |
he said dryly. | No speaker | have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice | crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your | the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of | have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, | man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable | wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it | don't care a straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated | she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock,"<|quote|>he said dryly.</|quote|>"I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some | A Room With A View |
"I fear that Lucy's choice does not meet with your approval." | Cecil | a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought | sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I | course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. | this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might | vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. | as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful | straw about, but somehow, I've not been able to begin." "You are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil | I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly.<|quote|>"I fear that Lucy's choice does not meet with your approval."</|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great | A Room With A View |
"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." | Mr. Beebe | not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having | fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe | should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, | me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell | contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished | at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It | are very fortunate," said Mr. Beebe. "It is a wonderful opportunity, the possession of leisure." His voice was rather parochial, but he did not quite see his way to answering naturally. He felt, as all who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, | as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval."<|quote|>"Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."</|quote|>"You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the | A Room With A View |
"You are conscious of having said something indiscreet?" | Cecil | one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. | her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the | shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. | from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was | do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked | of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not | who have regular occupation must feel, that others should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather | but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you."<|quote|>"You are conscious of having said something indiscreet?"</|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, | A Room With A View |
Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. | No speaker | of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing | with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence | choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has | world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was | "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed | wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing | should have it also. "I am glad that you approve. I daren't face the healthy person--for example, Freddy Honeychurch." "Oh, Freddy's a good sort, isn't he?" "Admirable. The sort who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of | Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?"<|quote|>Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.</|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the | A Room With A View |
"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." | Mr. Beebe | the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for | He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat | to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." | he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. | apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" | down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their | who has made England what she is." Cecil wondered at himself. Why, on this day of all others, was he so hopelessly contrary? He tried to get right by inquiring effusively after Mr. Beebe's mother, an old lady for whom he had no particular regard. Then he flattered the clergyman, praised his liberal-mindedness, his enlightened attitude towards philosophy and science. "Where are the others?" said Mr. Beebe at last, "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has | wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession.<|quote|>"No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."</|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from | A Room With A View |
It was now time for him to wave his hat at the approaching trio. He did not omit to do so. | No speaker | that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," | some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was | has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping | something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. | despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry | he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding | "I insist on extracting tea before evening service." "I suppose Anne never told them you were here. In this house one is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole | knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides."<|quote|>It was now time for him to wave his hat at the approaching trio. He did not omit to do so.</|quote|>"She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined | A Room With A View |
"She has learnt through you," | Mr. Beebe | not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was | the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now | let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have | He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do | to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of | "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They | is so coached in the servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid | terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so.<|quote|>"She has learnt through you,"</|quote|>and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien | A Room With A View |
and if his voice was still clerical, it was now also sincere; | No speaker | "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care | not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable | I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding | the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. | it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement | Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them | servants the day one arrives. The fault of Anne is that she begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated | this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you,"<|quote|>and if his voice was still clerical, it was now also sincere;</|quote|>"let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing | A Room With A View |
"let it be your care that her knowledge is profitable to her." | Mr. Beebe | it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who | his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have | greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. | foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and | sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all | "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at | begs your pardon when she hears you perfectly, and kicks the chair-legs with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially | in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere;<|quote|>"let it be your care that her knowledge is profitable to her."</|quote|>"Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should | A Room With A View |
"Grazie tante!" | Cecil | knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not | be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" | It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked | has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great | that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak | Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, | with her feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The | vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her."<|quote|>"Grazie tante!"</|quote|>said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People | A Room With A View |
said Cecil, who did not like parsons. | No speaker | profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. | care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up | now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could | I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their | choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful | realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family | feet. The faults of Mary--I forget the faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through | next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!"<|quote|>said Cecil, who did not like parsons.</|quote|>"Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable | A Room With A View |
"Have you heard?" | Mrs. Honeychurch | who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she | her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. | hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the | take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be | "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from | contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on | faults of Mary, but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in | a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons.<|quote|>"Have you heard?"</|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some | A Room With A View |
shouted Mrs. Honeychurch as she toiled up the sloping garden. | No speaker | like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you | said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now | approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, | step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as | you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and | announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a | but they are very grave. Shall we look in the garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the | Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?"<|quote|>shouted Mrs. Honeychurch as she toiled up the sloping garden.</|quote|>"Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere | A Room With A View |
"Oh, Mr. Beebe, have you heard the news?" | Mrs. Honeychurch | toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, | shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth | has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always | me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my | only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in | love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom | garden?" "I know the faults of Mary. She leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and | his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden.<|quote|>"Oh, Mr. Beebe, have you heard the news?"</|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a | A Room With A View |
Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. | No speaker | have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. | sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In | was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of | has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you | oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has | was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as | leaves the dust-pans standing on the stairs." "The fault of Euphemia is that she will not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his | only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?"<|quote|>Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.</|quote|>"Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced | A Room With A View |
"Indeed I have!" | Mr. Beebe | seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at | whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he | knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, | that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at | are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, | you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, | not, simply will not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. | way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact.<|quote|>"Indeed I have!"</|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco | A Room With A View |
he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. | No speaker | accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to | march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always | to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and | life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with | having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the | meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the | not, chop the suet sufficiently small." They both laughed, and things began to go better. "The faults of Freddy--" Cecil continued. "Ah, he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived | the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!"<|quote|>he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.</|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. | A Room With A View |
"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." | Mr. Beebe | all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it | act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady | sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able | so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its | positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together | not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding | he has too many. No one but his mother can remember the faults of Freddy. Try the faults of Miss Honeychurch; they are not innumerable." "She has none," said the young man, with grave sincerity. "I quite agree. At present she has none." "At present?" "I'm not cynical. I'm only thinking of my pet theory about Miss Honeychurch. Does it seem reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a | reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology.<|quote|>"Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."</|quote|>"You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left | A Room With A View |
"You only asked for it just in time," | Mrs. Honeychurch | now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare | as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy | to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is | now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other | learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. | his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. | reasonable that she should play so wonderfully, and live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. | low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea."<|quote|>"You only asked for it just in time,"</|quote|>the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine | A Room With A View |
the lady retorted. | No speaker | for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious | my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took | want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a | Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely | lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were | reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, | live so quietly? I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, | is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time,"<|quote|>the lady retorted.</|quote|>"How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune | A Room With A View |
"How dare you be serious at Windy Corner?" | Mrs. Honeychurch | in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from | only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more | every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all | the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it | will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their | would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased | I suspect that one day she will be wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove | I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted.<|quote|>"How dare you be serious at Windy Corner?"</|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very | A Room With A View |
He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the | No speaker | be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on | lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and | gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. | He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than | It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, | despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had | wonderful in both. The water-tight compartments in her will break down, and music and life will mingle. Then we shall have her heroically good, heroically bad--too heroic, perhaps, to be good or bad." Cecil found his companion interesting. "And at present you think her not wonderful as far as life goes?" "Well, I must say I've only seen her at Tunbridge Wells, where she was not wonderful, and at Florence. Since I came to Summer Street she has been away. You saw her, didn't you, at Rome and in the Alps. Oh, I forgot; of course, you knew her before. No, she wasn't wonderful in Florence either, but I kept on expecting that she would be." "In what way?" Conversation had become agreeable to them, and they were pacing up and down the terrace. "I could as easily tell you what tune she'll play next. There was simply the sense that she had found wings, and meant to use them. I can show you a beautiful picture in my Italian diary: Miss Honeychurch as a kite, Miss Bartlett holding the string. Picture number two: the string breaks." The sketch was in his diary, but it had been made afterwards, when he viewed things artistically. At the time he had given surreptitious tugs to the string himself. "But the string never broke?" "No. I mightn't have seen Miss Honeychurch rise, but I should certainly have heard Miss Bartlett fall." "It has broken now," said the young man in low, vibrating tones. Immediately he realized that of all the conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. | to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?"<|quote|>He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the</|quote|>"Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. | A Room With A View |
"Fiasco" | Freddy | referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. | Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, | of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter | case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; | of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and | like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled | conceited, ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I | had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the<|quote|>"Fiasco"</|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which | A Room With A View |
"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. | No speaker | to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much | was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" | becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying | any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement | cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on | parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, | ludicrous, contemptible ways of announcing an engagement this was the worst. He cursed his love of metaphor; had he suggested that he was a star and that Lucy was soaring up to reach him? "Broken? What do you mean?" "I meant," said Cecil stiffly, "that she is going to marry me." The clergyman was conscious of some bitter disappointment which he could not keep out of his voice. "I am sorry; I must apologize. I had no idea you were intimate with her, or I should never have talked in this flippant, superficial way. Mr. Vyse, you ought to have stopped me." And down the garden he saw Lucy herself; yes, he was disappointed. Cecil, who naturally preferred congratulations to apologies, drew down his mouth at the corners. Was this the reception his action would get from the world? Of course, he despised the world as a whole; every thoughtful man should; it is almost a test of refinement. But he was sensitive to the successive particles of it which he encountered. Occasionally he could be quite crude. "I am sorry I have given you a shock," he said dryly. "I fear that Lucy's choice does not meet with your approval." "Not that. But you ought to have stopped me. I know Miss Honeychurch only a little as time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded | up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco"<|quote|>"--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.</|quote|>"Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at | A Room With A View |
"Do you go to much of this sort of thing?" | Cecil | pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were | returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and | silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing | his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where | and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal | be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried | time goes. Perhaps I oughtn't to have discussed her so freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" | case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been.<|quote|>"Do you go to much of this sort of thing?"</|quote|>he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked | A Room With A View |
he asked when they were driving home. | No speaker | of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said | "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed | of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent | People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. | also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief | of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see | freely with any one; certainly not with you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate | the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?"<|quote|>he asked when they were driving home.</|quote|>"Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" | A Room With A View |
"Oh, now and then," | Lucy | when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather | sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical | to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: | believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women | waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was | It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are | you." "You are conscious of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him | any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home.<|quote|>"Oh, now and then,"</|quote|>said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean | A Room With A View |
said Lucy, who had rather enjoyed herself. | No speaker | home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country | asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, | treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, | but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, | should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you | power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the | of having said something indiscreet?" Mr. Beebe pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing | again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then,"<|quote|>said Lucy, who had rather enjoyed herself.</|quote|>"Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This | A Room With A View |
"Is it typical of country society?" | Cecil | who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would | now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," | gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that | Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us | shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't | lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of | pulled himself together. Really, Mr. Vyse had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I | not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself.<|quote|>"Is it typical of country society?"</|quote|>"I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out | A Room With A View |
"I suppose so. Mother, would it be?" | Lucy | it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. | had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to | left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the | dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point | As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The | chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption | had the art of placing one in the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" | on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?"<|quote|>"I suppose so. Mother, would it be?"</|quote|>"Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," | A Room With A View |
"Plenty of society," | Mrs. Honeychurch | so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was | of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang | he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is | a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their | days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived | with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear | the most tiresome positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. | over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?"<|quote|>"Plenty of society,"</|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," | A Room With A View |
said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: | No speaker | it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly | "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am | as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women | coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong | engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the | power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is | positions. He was driven to use the prerogatives of his profession. "No, I have said nothing indiscreet. I foresaw at Florence that her quiet, uneventful childhood must end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something | on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society,"<|quote|>said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:</|quote|>"To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's | A Room With A View |
"To me it seemed perfectly appalling, disastrous, portentous." | Cecil | bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that | her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, | said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I | treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the | daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem | and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, | end, and it has ended. I realized dimly enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. | The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said:<|quote|>"To me it seemed perfectly appalling, disastrous, portentous."</|quote|>"I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern | A Room With A View |
"I am so sorry that you were stranded." | Lucy | seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. | and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the | it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next | some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the | more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent | believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking | enough that she might take some momentous step. She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see | of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous."<|quote|>"I am so sorry that you were stranded."</|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of | A Room With A View |
"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" | Cecil | sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through | disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't | Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, | dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. | was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they | present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and | She has taken it. She has learnt--you will let me talk freely, as I have begun freely--she has learnt what it is to love: the greatest lesson, some people will tell you, that our earthly life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly | A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded."<|quote|>"Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"</|quote|>"One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the | A Room With A View |
"One has to go through it, I suppose. They won't notice us so much next time." | Lucy | All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that | may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. | me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement | Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not | it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must | and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow | life provides." It was now time for him to wave his hat at the approaching trio. He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is | attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!"<|quote|>"One has to go through it, I suppose. They won't notice us so much next time."</|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and | A Room With A View |
"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." | Cecil | us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, | I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially | that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation | would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" | misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark | plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. | He did not omit to do so. "She has learnt through you," and if his voice was still clerical, it was now also sincere; "let it be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of | days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time."<|quote|>"But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."</|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, | A Room With A View |
Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. | No speaker | should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't | place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" | his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" | elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they | dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, | kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, | be your care that her knowledge is profitable to her." "Grazie tante!" said Cecil, who did not like parsons. "Have you heard?" shouted Mrs. Honeychurch as she toiled up the sloping garden. "Oh, Mr. Beebe, have you heard the news?" Freddy, now full of geniality, whistled the wedding march. Youth seldom criticizes the accomplished fact. "Indeed I have!" he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green | were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such."<|quote|>Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.</|quote|>"How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's | A Room With A View |
"How tiresome!" | Lucy | that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have | Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't | were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did | "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove | Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when | for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. | he cried. He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the | her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just.<|quote|>"How tiresome!"</|quote|>she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they | A Room With A View |
she said. | No speaker | irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to | and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at | correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor | to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. | had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are | disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the | He looked at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I | well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!"<|quote|>she said.</|quote|>"Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said | A Room With A View |
"Couldn't you have escaped to tennis?" | Lucy | just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, | belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood | spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a | through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between | enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were | some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was | at Lucy. In her presence he could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he | deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said.<|quote|>"Couldn't you have escaped to tennis?"</|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences | A Room With A View |
"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." | Cecil | you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo | "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" | through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from | notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from | country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. | IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at | could not act the parson any longer--at all events not without apology. "Mrs. Honeychurch, I'm going to do what I am always supposed to do, but generally I'm too shy. I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do | when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?"<|quote|>"I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."</|quote|>"Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of | A Room With A View |
"Inglese Italianato?" | Lucy | that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You | romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did | Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," | as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark | thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy | for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini | I want to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that | she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato."<|quote|>"Inglese Italianato?"</|quote|>"E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it | A Room With A View |
"E un diavolo incarnato! You know the proverb?" | Cecil | the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did | I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a | and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they | Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. | elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the | she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps | to invoke every kind of blessing on them, grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the | the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?"<|quote|>"E un diavolo incarnato! You know the proverb?"</|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real | A Room With A View |
She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. | No speaker | incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot | "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do | "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her | were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly | me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has | was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the | grave and gay, great and small. I want them all their lives to be supremely good and supremely happy as husband and wife, as father and mother. And now I want my tea." "You only asked for it just in time," the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each | he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?"<|quote|>She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.</|quote|>"Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, | A Room With A View |
"Well," | Cecil | he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help | affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove | Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark | irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. | shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" | Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old | the lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in | rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing.<|quote|>"Well,"</|quote|>said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like | A Room With A View |
said he, | No speaker | was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if | a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. | "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she | and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't | his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as | which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had | lady retorted. "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way | IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well,"<|quote|>said he,</|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But | A Room With A View |
"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." | Cecil | from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, | naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. | diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced | belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the | sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people | I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person | "How dare you be serious at Windy Corner?" He took his tone from her. There was no more heavy beneficence, no more attempts to dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the | thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he,<|quote|>"I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."</|quote|>"We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a | A Room With A View |
"We all have our limitations, I suppose," | Lucy | and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they | barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," | in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She | The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." | point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what | place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go | dignify the situation with poetry or the Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" | who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them."<|quote|>"We all have our limitations, I suppose,"</|quote|>said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was | A Room With A View |
said wise Lucy. | No speaker | have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on | must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who | since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, | of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out | wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She | over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? | Scriptures. None of them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started | believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose,"<|quote|>said wise Lucy.</|quote|>"Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather | A Room With A View |
"Sometimes they are forced on us, though," | Cecil | I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from | "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did | had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a | athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on | word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling | silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to | them dared or was able to be serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. | naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy.<|quote|>"Sometimes they are forced on us, though,"</|quote|>said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no | A Room With A View |
said Cecil, who saw from her remark that she did not quite understand his position. | No speaker | are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference | said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully | which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, | that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the | matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" | mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly | serious any more. An engagement is so potent a thing that sooner or later it reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and | much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though,"<|quote|>said Cecil, who saw from her remark that she did not quite understand his position.</|quote|>"How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try | A Room With A View |
"How?" | Lucy | not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't | her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence | do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially | She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other | were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he | by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't | reduces all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined | a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position.<|quote|>"How?"</|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to | A Room With A View |
"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" | Cecil | quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and | remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make | disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look | did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, | racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was | a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said | all who speak of it to this state of cheerful awe. Away from it, in the solitude of their rooms, Mr. Beebe, and even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he | so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?"<|quote|>"It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"</|quote|>She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if | A Room With A View |
She thought a moment, and agreed that it did make a difference. | No speaker | by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly | whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any | suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her | Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. | continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to | as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the | even Freddy, might again be critical. But in its presence and in the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her | place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?"<|quote|>She thought a moment, and agreed that it did make a difference.</|quote|>"Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" | A Room With A View |
"Difference?" | Mrs. Honeychurch | it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. | a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. | Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. | he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I | quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say | of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured | the presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus | my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference.<|quote|>"Difference?"</|quote|>cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had | A Room With A View |
cried Mrs. Honeychurch, suddenly alert. | No speaker | did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. | moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when | who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy | was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" | different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that | thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't | presence of each other they were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of | of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?"<|quote|>cried Mrs. Honeychurch, suddenly alert.</|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in | A Room With A View |
"I don't see any difference. Fences are fences, especially when they are in the same place." | Mrs. Honeychurch | cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," | did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the | that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but | said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean | and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. | were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide | were sincerely hilarious. It has a strange power, for it compels not only the lips, but the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her | kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert.<|quote|>"I don't see any difference. Fences are fences, especially when they are in the same place."</|quote|>"We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's | A Room With A View |
"We were speaking of motives," | Cecil | are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the | are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, | we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We | barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was | to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely | typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE | the very heart. The chief parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She | sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place."<|quote|>"We were speaking of motives,"</|quote|>said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of | A Room With A View |
said Cecil, on whom the interruption jarred. | No speaker | "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." | are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees | or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, | and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but | tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, | suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said | parallel to compare one great thing with another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come | that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives,"<|quote|>said Cecil, on whom the interruption jarred.</|quote|>"My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" | A Room With A View |
"My dear Cecil, look here." | Mrs. Honeychurch | on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees | speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on | the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." | have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what | is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he | of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my | another--is the power over us of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder | of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred.<|quote|>"My dear Cecil, look here."</|quote|>She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard | A Room With A View |
She spread out her knees and perched her card-case on her lap. | No speaker | "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy | on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the | thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I | said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted | of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an | who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and | of a temple of some alien creed. Standing outside, we deride or oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height | life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here."<|quote|>She spread out her knees and perched her card-case on her lap.</|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old | A Room With A View |
"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." | Mrs. Honeychurch | her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real | out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, | cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy | who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" | the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, | Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if | oppose it, or at the most feel sentimental. Inside, though the saints and gods are not ours, we become true believers, in case any true believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," | that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap.<|quote|>"This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."</|quote|>"We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly | A Room With A View |
"We weren't talking of real fences," | Lucy | but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I | Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly | motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people | in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the | who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her | you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on | believer should be present. So it was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The | you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here."<|quote|>"We weren't talking of real fences,"</|quote|>said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. | A Room With A View |
said Lucy, laughing. | No speaker | weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She | the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered | interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick | out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences | in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, | the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of | was that after the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened | play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences,"<|quote|>said Lucy, laughing.</|quote|>"Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally | A Room With A View |
"Oh, I see, dear--poetry." | Mrs. Honeychurch | real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil | here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been | dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what | barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. | his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to | is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed | the gropings and the misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for | athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing.<|quote|>"Oh, I see, dear--poetry."</|quote|>She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager | A Room With A View |
She leant placidly back. Cecil wondered why Lucy had been amused. | No speaker | laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has | of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call | She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that | thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to | since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. | way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that | misgivings of the afternoon they pulled themselves together and settled down to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, | a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry."<|quote|>She leant placidly back. Cecil wondered why Lucy had been amused.</|quote|>""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate | A Room With A View |
""I tell you who has no" | Mrs. Honeychurch | why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," | leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. | lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. | "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that | he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old | place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside | to a very pleasant tea-party. If they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side | Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused.<|quote|>""I tell you who has no"</|quote|>'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with | A Room With A View |
'fences,' | No speaker | tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she | Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." | Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" | "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does | said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man | his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in | they were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was | "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no"<|quote|>'fences,'</|quote|>"as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of | A Room With A View |
"as you call them," | Mrs. Honeychurch | you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. | had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would | The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I | don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the | he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his | vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular | were hypocrites they did not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new | place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,'<|quote|>"as you call them,"</|quote|>she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I | A Room With A View |
she said, | No speaker | 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A | tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a | pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said | Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful | it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered | old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But | not know it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, | an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them,"<|quote|>she said,</|quote|>"and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around | A Room With A View |
"and that's Mr. Beebe." | Mrs. Honeychurch | you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean | who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was | the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I | fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, | they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight | smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a | it, and their hypocrisy had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming | "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said,<|quote|>"and that's Mr. Beebe."</|quote|>"A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a | A Room With A View |
"A parson fenceless would mean a parson defenceless." | Cecil | said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow | "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick | are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only | are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly | me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. | go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, | had every chance of setting and of becoming true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the | "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe."<|quote|>"A parson fenceless would mean a parson defenceless."</|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't | A Room With A View |
Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. | No speaker | would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" | Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never | here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something | of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old | and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the | us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources | true. Anne, putting down each plate as if it were a wedding present, stimulated them greatly. They could not lag behind that smile of hers which she gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp | took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless."<|quote|>Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.</|quote|>"Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and | A Room With A View |
"Don't you like Mr. Beebe?" | Lucy | the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never | missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I | you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does | is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom | saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People | be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, | gave them ere she kicked the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and | taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it.<|quote|>"Don't you like Mr. Beebe?"</|quote|>she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her | A Room With A View |
she asked thoughtfully. | No speaker | "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he | the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far | "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and | The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had | she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was | the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around | the drawing-room door. Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a | Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?"<|quote|>she asked thoughtfully.</|quote|>"I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a | A Room With A View |
"I never said so!" | Cecil | Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him | prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I | them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, | the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps | quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly | women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the | Mr. Beebe chirruped. Freddy was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was | would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully.<|quote|>"I never said so!"</|quote|>he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong | A Room With A View |
he cried. | No speaker | thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above | like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" | that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. | other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." | "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." | were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the | was at his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only | romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!"<|quote|>he cried.</|quote|>"I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more | A Room With A View |
"I consider him far above the average. I only denied--" | Cecil | never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on | Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, | Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not | Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, | makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy | correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the | his wittiest, referring to Cecil as the "Fiasco" "--family honoured pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with | of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried.<|quote|>"I consider him far above the average. I only denied--"</|quote|>And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of | A Room With A View |
And he swept off on the subject of fences again, and was brilliant. | No speaker | the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I | "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting | was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he | "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to | in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her | rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not | pun on fiance. Mrs. Honeychurch, amusing and portly, promised well as a mother-in-law. As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that | between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--"<|quote|>And he swept off on the subject of fences again, and was brilliant.</|quote|>"Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature | A Room With A View |
"Now, a clergyman that I do hate," | Lucy | fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say | off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that | they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort | She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never | thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager | of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he | As for Lucy and Cecil, for whom the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" | have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant.<|quote|>"Now, a clergyman that I do hate,"</|quote|>said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with | A Room With A View |
said she wanting to say something sympathetic, | No speaker | clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have | and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful | grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man | Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it | did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he | Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. | the temple had been built, they also joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these | we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate,"<|quote|>said she wanting to say something sympathetic,</|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings | A Room With A View |
"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." | Lucy | wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There | I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at | you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager | who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, | Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there | Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I | joined in the merry ritual, but waited, as earnest worshippers should, for the disclosure of some holier shrine of joy. Chapter IX: Lucy As a Work of Art A few days after the engagement was announced Mrs. Honeychurch made Lucy and her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" | romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic,<|quote|>"a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."</|quote|>"What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed | A Room With A View |
"What sort of things?" | Cecil | did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man | and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he | do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to | epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing | and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I | romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about | her Fiasco come to a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured | whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things."<|quote|>"What sort of things?"</|quote|>"There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst | A Room With A View |
"There was an old man at the Bertolini whom he said had murdered his wife." | Lucy | things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" | he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a | wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered | feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he | on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something | is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are | a little garden-party in the neighbourhood, for naturally she wanted to show people that her daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely | said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?"<|quote|>"There was an old man at the Bertolini whom he said had murdered his wife."</|quote|>"Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things | A Room With A View |
"Perhaps he had." | Cecil | said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was | at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, | ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the | so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." | the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in | proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful | daughter was marrying a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham | know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife."<|quote|>"Perhaps he had."</|quote|>"No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, | A Room With A View |
"No!" | Lucy | his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such | whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm | Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight | "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor | Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's | not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things | a presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. | was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had."<|quote|>"No!"</|quote|>"Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his | A Room With A View |
"Why" | Cecil | wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a | he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." | the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of | consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old | are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral | Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in | presentable man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie" | much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!"<|quote|>"Why"</|quote|>'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and | A Room With A View |
'no'?" | No speaker | "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice | said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil | English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." | him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! | all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst | did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, | man. Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie" was | in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why"<|quote|>'no'?"</|quote|>"He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not | A Room With A View |
"He was such a nice old man, I'm sure." | Lucy | he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine | had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try | chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it | far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's | very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should | it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must | Cecil was more than presentable; he looked distinguished, and it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie" was to let. Three notice-boards, belonging to Dorking agents, lolled | and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?"<|quote|>"He was such a nice old man, I'm sure."</|quote|>Cecil laughed at her feminine inconsequence. "Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most | A Room With A View |
Cecil laughed at her feminine inconsequence. | No speaker | nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to | 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager | manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're | swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't | talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling | spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that | it was very pleasant to see his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie" was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the | said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure."<|quote|>Cecil laughed at her feminine inconsequence.</|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." "Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed | A Room With A View |
"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God." | Lucy | laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch | old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable | and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! | fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. | laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of | with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit | his slim figure keeping step with Lucy, and his long, fair face responding when Lucy spoke to him. People congratulated Mrs. Honeychurch, which is, I believe, a social blunder, but it pleased her, and she introduced Cecil rather indiscriminately to some stuffy dowagers. At tea a misfortune took place: a cup of coffee was upset over Lucy's figured silk, and though Lucy feigned indifference, her mother feigned nothing of the sort but dragged her indoors to have the frock treated by a sympathetic maid. They were gone some time, and Cecil was left with the dowagers. When they returned he was not as pleasant as he had been. "Do you go to much of this sort of thing?" he asked when they were driving home. "Oh, now and then," said Lucy, who had rather enjoyed herself. "Is it typical of country society?" "I suppose so. Mother, would it be?" "Plenty of society," said Mrs. Honeychurch, who was trying to remember the hang of one of the dresses. Seeing that her thoughts were elsewhere, Cecil bent towards Lucy and said: "To me it seemed perfectly appalling, disastrous, portentous." "I am so sorry that you were stranded." "Not that, but the congratulations. It is so disgusting, the way an engagement is regarded as public property--a kind of waste place where every outsider may shoot his vulgar sentiment. All those old women smirking!" "One has to go through it, I suppose. They won't notice us so much next time." "But my point is that their whole attitude is wrong. An engagement--horrid word in the first place--is a private matter, and should be treated as such." Yet the smirking old women, however wrong individually, were racially correct. The spirit of the generations had smiled through them, rejoicing in the engagement of Cecil and Lucy because it promised the continuance of life on earth. To Cecil and Lucy it promised something quite different--personal love. Hence Cecil's irritation and Lucy's belief that his irritation was just. "How tiresome!" she said. "Couldn't you have escaped to tennis?" "I don't play tennis--at least, not in public. The neighbourhood is deprived of the romance of me being athletic. Such romance as I have is that of the Inglese Italianato." "Inglese Italianato?" "E un diavolo incarnato! You know the proverb?" She did not. Nor did it seem applicable to a young man who had spent a quiet winter in Rome with his mother. But Cecil, since his engagement, had taken to affect a cosmopolitan naughtiness which he was far from possessing. "Well," said he, "I cannot help it if they do disapprove of me. There are certain irremovable barriers between myself and them, and I must accept them." "We all have our limitations, I suppose," said wise Lucy. "Sometimes they are forced on us, though," said Cecil, who saw from her remark that she did not quite understand his position. "How?" "It makes a difference doesn't it, whether we fully fence ourselves in, or whether we are fenced out by the barriers of others?" She thought a moment, and agreed that it did make a difference. "Difference?" cried Mrs. Honeychurch, suddenly alert. "I don't see any difference. Fences are fences, especially when they are in the same place." "We were speaking of motives," said Cecil, on whom the interruption jarred. "My dear Cecil, look here." She spread out her knees and perched her card-case on her lap. "This is me. That's Windy Corner. The rest of the pattern is the other people. Motives are all very well, but the fence comes here." "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of an August wood. "'Come down, O maid, from yonder mountain height,'" he quoted, and touched her knee with his own. She flushed again and said: "What height?" "'Come down, O maid, from yonder mountain height, What pleasure lives in height (the shepherd sang). In height and in the splendour of the hills?' "Let us take Mrs. Honeychurch's advice and hate clergymen no more. What's this place?" "Summer Street, of course," said Lucy, and roused herself. The woods had opened to leave space for a sloping triangular meadow. Pretty cottages lined it on two sides, and the upper and third side was occupied by a new stone church, expensively simple, a charming shingled spire. Mr. Beebe's house was near the church. In height it scarcely exceeded the cottages. Some great mansions were at hand, but they were hidden in the trees. The scene suggested a Swiss Alp rather than the shrine and centre of a leisured world, and was marred only by two ugly little villas--the villas that had competed with Cecil's engagement, having been acquired by Sir Harry Otway the very afternoon that Lucy had been acquired by Cecil. "Cissie" was the name of one of these villas, "Albert" of the other. These titles were not only picked out in shaded Gothic on the garden gates, but appeared a second time on the porches, where they followed the semicircular curve of the entrance arch in block capitals. "Albert" was inhabited. His tortured garden was bright with geraniums and lobelias and polished shells. His little windows were chastely swathed in Nottingham lace. "Cissie" was to let. Three notice-boards, belonging to Dorking agents, lolled on her fence and announced the not surprising fact. Her paths were already weedy; her pocket-handkerchief of a lawn was yellow with dandelions. "The place is ruined!" said the ladies mechanically. "Summer Street will never be the same again." As the | "We weren't talking of real fences," said Lucy, laughing. "Oh, I see, dear--poetry." She leant placidly back. Cecil wondered why Lucy had been amused. ""I tell you who has no" 'fences,' "as you call them," she said, "and that's Mr. Beebe." "A parson fenceless would mean a parson defenceless." Lucy was slow to follow what people said, but quick enough to detect what they meant. She missed Cecil's epigram, but grasped the feeling that prompted it. "Don't you like Mr. Beebe?" she asked thoughtfully. "I never said so!" he cried. "I consider him far above the average. I only denied--" And he swept off on the subject of fences again, and was brilliant. "Now, a clergyman that I do hate," said she wanting to say something sympathetic, "a clergyman that does have fences, and the most dreadful ones, is Mr. Eager, the English chaplain at Florence. He was truly insincere--not merely the manner unfortunate. He was a snob, and so conceited, and he did say such unkind things." "What sort of things?" "There was an old man at the Bertolini whom he said had murdered his wife." "Perhaps he had." "No!" "Why" 'no'?" "He was such a nice old man, I'm sure." Cecil laughed at her feminine inconsequence.<|quote|>"Well, I did try to sift the thing. Mr. Eager would never come to the point. He prefers it vague--said the old man had 'practically' murdered his wife--had murdered her in the sight of God."</|quote|>"Hush, dear!" said Mrs. Honeychurch absently. "But isn't it intolerable that a person whom we're told to imitate should go round spreading slander? It was, I believe, chiefly owing to him that the old man was dropped. People pretended he was vulgar, but he certainly wasn't that." "Poor old man! What was his name?" "Harris," said Lucy glibly. "Let's hope that Mrs. Harris there warn't no sich person," said her mother. Cecil nodded intelligently. "Isn't Mr. Eager a parson of the cultured type?" he asked. "I don't know. I hate him. I've heard him lecture on Giotto. I hate him. Nothing can hide a petty nature. I HATE him." "My goodness gracious me, child!" said Mrs. Honeychurch. "You'll blow my head off! Whatever is there to shout over? I forbid you and Cecil to hate any more clergymen." He smiled. There was indeed something rather incongruous in Lucy's moral outburst over Mr. Eager. It was as if one should see the Leonardo on the ceiling of the Sistine. He longed to hint to her that not here lay her vocation; that a woman's power and charm reside in mystery, not in muscular rant. But possibly rant is a sign of vitality: it mars the beautiful creature, but shows that she is alive. After a moment, he contemplated her flushed face and excited gestures with a certain approval. He forebore to repress the sources of youth. Nature--simplest of topics, he thought--lay around them. He praised the pine-woods, the deep lasts of bracken, the crimson leaves that spotted the hurt-bushes, the serviceable beauty of the turnpike road. The outdoor world was not very familiar to him, and occasionally he went wrong in a question of fact. Mrs. Honeychurch's mouth twitched when he spoke of the perpetual green of the larch. "I count myself a lucky person," he concluded, "When I'm in London I feel I could never live out of it. When I'm in the country I feel the same about the country. After all, I do believe that birds and trees and the sky are the most wonderful things in life, and that the people who live amongst them must be the best. It's true that in nine cases out of ten they don't seem to notice anything. The country gentleman and the country labourer are each in their way the most depressing of companions. Yet they may have a tacit sympathy with the workings of Nature which is denied to us of the town. Do you feel that, Mrs. Honeychurch?" Mrs. Honeychurch started and smiled. She had not been attending. Cecil, who was rather crushed on the front seat of the victoria, felt irritable, and determined not to say anything interesting again. Lucy had not attended either. Her brow was wrinkled, and she still looked furiously cross--the result, he concluded, of too much moral gymnastics. It was sad to see her thus blind to the beauties of | A Room With A View |
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