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said Thomas Gradgrind. | No speaker | he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." | though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely | with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl | when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon | bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up | Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ | the emphasis. "In this life, we want nothing but Facts, sir; nothing but Facts!" The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said | a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer,"<|quote|>said Thomas Gradgrind.</|quote|>"Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet | Hard Times |
"Your definition of a horse." | Thomas Gradgrind | white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely | were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and | than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. | upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes | the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and | see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, | this life, we want nothing but Facts, sir; nothing but Facts!" The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. | be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind.<|quote|>"Your definition of a horse."</|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or | Hard Times |
"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." | Bitzer | "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. | white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said | His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at | so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; | Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to | "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and | but Facts, sir; nothing but Facts!" The speaker, and the schoolmaster, and the third grown person present, all backed a little, and swept with their eyes the inclined plane of little vessels then and there arranged in order, ready to have imperial gallons of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband | terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse."<|quote|>"Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."</|quote|>Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a | Hard Times |
Thus (and much more) Bitzer. | No speaker | known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said | be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what | would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the | them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in | side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon | father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you | ready to have imperial gallons of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would | said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth."<|quote|>Thus (and much more) Bitzer.</|quote|>"Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would | Hard Times |
"Now girl number twenty," | Thomas Gradgrind | Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know | known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She | Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering | something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), | beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was | "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room | of facts poured into them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. | facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer.<|quote|>"Now girl number twenty,"</|quote|>said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of | Hard Times |
said Mr. Gradgrind. | No speaker | Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse | mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and | of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes | expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; | of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock | when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of | them until they were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" | Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty,"<|quote|>said Mr. Gradgrind.</|quote|>"You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new | Hard Times |
"You know what a horse is." | Thomas Gradgrind | number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would | much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she | "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn | His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a | being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, | get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses | were full to the brim. CHAPTER II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am | sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind.<|quote|>"You know what a horse is."</|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face | Hard Times |
She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. | No speaker | know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, | twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his | grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing | a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, | row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant | break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not | II MURDERING THE INNOCENTS THOMAS GRADGRIND, sir. A man of realities. A man of facts and calculations. A man who proceeds upon the principle that two and two are four, and nothing over, and who is not to be talked into allowing for anything over. Thomas Gradgrind, sir peremptorily Thomas Thomas Gradgrind. With a rule and a pair of scales, and the multiplication table always in his pocket, sir, ready to weigh and measure any parcel of human nature, and tell you exactly what it comes to. It is a mere question of figures, a case of simple arithmetic. You might hope to get some other nonsensical belief into the head of George Gradgrind, or Augustus Gradgrind, or John Gradgrind, or Joseph Gradgrind (all supposititious, non-existent persons), but into the head of Thomas Gradgrind no, sir! In such terms Mr. Gradgrind always mentally introduced himself, whether to his private circle of acquaintance, or to the public in general. In such terms, no doubt, substituting the words "boys and girls," for "sir," Thomas Gradgrind now presented Thomas Gradgrind to the little pitchers before him, who were to be filled so full of facts. Indeed, as he eagerly sparkled at them from the cellarage before mentioned, he seemed a kind of cannon loaded to the muzzle with facts, and prepared to blow them clean out of the regions of childhood at one discharge. He seemed a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon | of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is."<|quote|>She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.</|quote|>"Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet | Hard Times |
"Very well," | Josiah Bounderby | Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, | the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's | ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the | had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would | and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at | from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see | a galvanizing apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. | Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth.<|quote|>"Very well,"</|quote|>said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" | Hard Times |
said this gentleman, briskly smiling, and folding his arms. | No speaker | reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let | public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and | fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in | genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, | catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to | sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are | apparatus, too, charged with a grim mechanical substitute for the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down | the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well,"<|quote|>said this gentleman, briskly smiling, and folding his arms.</|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. | Hard Times |
"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" | Josiah Bounderby | smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half | well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in | the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent | whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't | that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. | so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." | the tender young imaginations that were to be stormed away. "Girl number twenty," said Mr. Gradgrind, squarely pointing with his square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations | ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms.<|quote|>"That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"</|quote|>After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It | Hard Times |
After a pause, one half of the children cried in chorus, | No speaker | room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the | boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the | it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, | right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, | The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas | His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a | square forefinger, "I don't know that girl. Who is that girl?" "Sissy Jupe, sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible | and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?"<|quote|>After a pause, one half of the children cried in chorus,</|quote|>"Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet | Hard Times |
Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, | No speaker | cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom | one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of | when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather | always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. | he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try | of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. | sir," explained number twenty, blushing, standing up, and curtseying. "Sissy is not a name," said Mr. Gradgrind. "Don't call yourself Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat | on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!"<|quote|>Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus,</|quote|>"No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant | Hard Times |
as the custom is, in these examinations. | No speaker | out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't | that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent | Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether | of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down | always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a | might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of | Sissy. Call yourself Cecilia." "It's father as calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as | too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!"<|quote|>as the custom is, in these examinations.</|quote|>"Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the | Hard Times |
"Of course, No. Why wouldn't you?" | Josiah Bounderby | custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow | chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner | boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't | adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality | the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet | the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a | calls me Sissy, sir," returned the young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the | and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations.<|quote|>"Of course, No. Why wouldn't you?"</|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being | Hard Times |
A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. | No speaker | course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said | is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You | with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you | time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong | always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the | and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble | young girl in a trembling voice, and with another curtsey. "Then he has no business to do it," said Mr. Gradgrind. "Tell him he mustn't. Cecilia Jupe. Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at | colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?"<|quote|>A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.</|quote|>"You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his | Hard Times |
"You _must_ paper it," | Josiah Bounderby | all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. | wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said | that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room | gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you | coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was | Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among | Let me see. What is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe | so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it.<|quote|>"You _must_ paper it,"</|quote|>said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them | Hard Times |
said the gentleman, rather warmly. | No speaker | it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said | at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like | cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do | folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, | scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few | of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number | is your father?" "He belongs to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. | the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it,"<|quote|>said the gentleman, rather warmly.</|quote|>"You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why | Hard Times |
"You must paper it," | Thomas Gradgrind | said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you | it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't | sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses | horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see | was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: | Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, | to the horse-riding, if you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. | Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly.<|quote|>"You must paper it,"</|quote|>said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time | Hard Times |
said Thomas Gradgrind, | No speaker | warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or | it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you | is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and | ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you | an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy | grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the | you please, sir." Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we | the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it,"<|quote|>said Thomas Gradgrind,</|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of | Hard Times |
"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" | Thomas Gradgrind | paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," | gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another | examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" | and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another | He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood | and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's | Mr. Gradgrind frowned, and waved off the objectionable calling with his hand. "We don't want to know anything about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and | divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind,<|quote|>"whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"</|quote|>"I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures | Hard Times |
"I'll explain to you, then," | Josiah Bounderby | What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another | _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why | breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course | children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind | exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet | to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a | about that, here. You mustn't tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been | other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?"<|quote|>"I'll explain to you, then,"</|quote|>said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking | Hard Times |
said the gentleman, after another and a dismal pause, | No speaker | "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a | What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. | he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at | sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a | (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were | Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of | tell us about that, here. Your father breaks horses, don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same | "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then,"<|quote|>said the gentleman, after another and a dismal pause,</|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and | Hard Times |
"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" | Josiah Bounderby | another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. | then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. | paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. | gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of | fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. | more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put | don't he?" "If you please, sir, when they can get any to break, they do break horses in the ring, sir." "You mustn't tell us about the ring, here. Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, | counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause,<|quote|>"why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you | Hard Times |
"Yes, sir!" from one half. "No, sir!" from the other. | No speaker | reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the | the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look | paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." | slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this | it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look | than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over | Very well, then. Describe your father as a horsebreaker. He doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the | upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?"<|quote|>"Yes, sir!" from one half. "No, sir!" from the other.</|quote|>"Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon | Hard Times |
"Of course no," | Josiah Bounderby | "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an | "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong | you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded | answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, | great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong | blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy | doctors sick horses, I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound | would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other.<|quote|>"Of course no,"</|quote|>said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They | Hard Times |
said the gentleman, with an indignant look at the wrong half. | No speaker | the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not | one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you | the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great | wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus | when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you | Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, | I dare say?" "Oh yes, sir." "Very well, then. He is a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, | to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no,"<|quote|>said the gentleman, with an indignant look at the wrong half.</|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet | Hard Times |
"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." | Josiah Bounderby | look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. | the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, | paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this | _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you | briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, | upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily | a veterinary surgeon, a farrier, and horsebreaker. Give me your definition of a horse." (Sissy Jupe thrown into the greatest alarm by this demand.) "Girl number twenty unable to define a horse!" said Mr. Gradgrind, for the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics | cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half.<|quote|>"Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."</|quote|>Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are | Hard Times |
Thomas Gradgrind nodded his approbation. | No speaker | only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, | What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," | "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was | you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or | chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," | cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! | the general behoof of all the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, | way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact."<|quote|>Thomas Gradgrind nodded his approbation.</|quote|>"This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the | Hard Times |
"This is a new principle, a discovery, a great discovery," | Josiah Bounderby | Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll | only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you | gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of | after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and | the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you | a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," | the little pitchers. "Girl number twenty possessed of no facts, in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water | me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation.<|quote|>"This is a new principle, a discovery, a great discovery,"</|quote|>said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures | Hard Times |
said the gentleman. | No speaker | a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. | "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to | then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very | a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband | was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to | people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly | in reference to one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all | "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery,"<|quote|>said the gentleman.</|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have | Hard Times |
"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" | Josiah Bounderby | great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction | new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, | not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. | representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," | out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, | professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in | one of the commonest of animals! Some boy's definition of a horse. Bitzer, yours." The square finger, moving here and there, lighted suddenly on Bitzer, perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all | seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman.<|quote|>"Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"</|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible | Hard Times |
There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. | No speaker | representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the | use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm | Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" | one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. | a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm | bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and | perhaps because he chanced to sit in the same ray of sunlight which, darting in at one of the bare windows of the intensely white-washed room, irradiated Sissy. For, the boys and girls sat on the face of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how | government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?"<|quote|>There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.</|quote|>"Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson | Hard Times |
"Girl number twenty," | Josiah Bounderby | Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in | a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. | room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from | not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called | you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. | would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but | of the inclined plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he | like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe.<|quote|>"Girl number twenty,"</|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners | Hard Times |
said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. | No speaker | Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your | stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, | use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an | anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a | or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, | and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. | plane in two compact bodies, divided up the centre by a narrow interval; and Sissy, being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike | the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty,"<|quote|>said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.</|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your | Hard Times |
"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" | Josiah Bounderby | Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would | the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one | by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, | for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use | explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, | counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; | being at the corner of a row on the sunny side, came in for the beginning of a sunbeam, of which Bitzer, being at the corner of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from | his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up.<|quote|>"So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"</|quote|>said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and | Hard Times |
said the gentleman. | No speaker | representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" | and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" | said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't | you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having | see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very | common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be | of a row on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, | and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?"<|quote|>said the gentleman.</|quote|>"Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use | Hard Times |
"Why would you?" | Josiah Bounderby | would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. | husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. | them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. | to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of | up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," | render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk | on the other side, a few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill | and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman.<|quote|>"Why would you?"</|quote|>"Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not | Hard Times |
from one half. | No speaker | "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. | would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the | twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is | you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being | of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is | to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You | few rows in advance, caught the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, | the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!"<|quote|>from one half.</|quote|>"No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the | Hard Times |
from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" | No speaker | from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I | "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," | in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would | a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to | fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk | And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte | the end. But, whereas the girl was so dark-eyed and dark-haired, that she seemed to receive a deeper and more lustrous colour from the sun, when it shone upon her, the boy was so light-eyed and light-haired that the self-same rays appeared to draw out of him what little colour he ever possessed. His cold eyes would hardly have been eyes, but for the short ends of lashes which, by bringing them into immediate contrast with something paler than themselves, expressed their form. His short-cropped hair might have been a mere continuation of the sandy freckles on his forehead and face. His skin was so unwholesomely deficient in the natural tinge, that he looked as though, if he were cut, he would bleed white. "Bitzer," said Thomas Gradgrind. "Your definition of a horse." "Quadruped. Graminivorous. Forty teeth, namely twenty-four grinders, four eye-teeth, and twelve incisive. Sheds coat in the spring; in marshy countries, sheds hoofs, too. Hoofs hard, but requiring to be shod with iron. Age known by marks in mouth." Thus (and much more) Bitzer. "Now girl number twenty," said Mr. Gradgrind. "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy | like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!"<|quote|>from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"</|quote|>"If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said | Hard Times |
"If you please, sir, I am very fond of flowers," | Cecilia Jupe | the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is | of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put | "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, | room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the | of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk | horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of | "You know what a horse is." She curtseyed again, and would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever | you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?"<|quote|>"If you please, sir, I am very fond of flowers,"</|quote|>returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their | Hard Times |
returned the girl. | No speaker | am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you | "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs | strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would | flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, | "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in | the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had | would have blushed deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face | the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers,"<|quote|>returned the girl.</|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, | Hard Times |
"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" | Josiah Bounderby | of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. | sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, | Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's | There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We | one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint | rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, | deeper, if she could have blushed deeper than she had blushed all this time. Bitzer, after rapidly blinking at Thomas Gradgrind with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the | "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl.<|quote|>"And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"</|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must | Hard Times |
"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" | Cecilia Jupe | over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you | them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, | and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, | of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. | "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the | the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most | with both eyes at once, and so catching the light upon his quivering ends of lashes that they looked like the antenn of busy insects, put his knuckles to his freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old | it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?"<|quote|>"It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"</|quote|>"Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were | Hard Times |
"Ay, ay, ay! But you mustn't fancy," | Josiah Bounderby | pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated | what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to | is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to | blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. | is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and | what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had | freckled forehead, and sat down again. The third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor | gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy"<|quote|>"Ay, ay, ay! But you mustn't fancy,"</|quote|>cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best | Hard Times |
cried the gentleman, quite elated by coming so happily to his point. | No speaker | ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never | I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, | and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. | carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, | Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof | is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, | third gentleman now stepped forth. A mighty man at cutting and drying, he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind | wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy,"<|quote|>cried the gentleman, quite elated by coming so happily to his point.</|quote|>"That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on | Hard Times |
"That's it! You are never to fancy." | Josiah Bounderby | so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," | gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to | boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a | woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, | great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. | his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew | he was; a government officer; in his way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a | another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point.<|quote|>"That's it! You are never to fancy."</|quote|>"You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A | Hard Times |
"You are not, Cecilia Jupe," | Thomas Gradgrind | You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to | to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." | wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of | of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction | try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is | a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water | way (and in most other people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow | the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy."<|quote|>"You are not, Cecilia Jupe,"</|quote|>Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will | Hard Times |
Thomas Gradgrind solemnly repeated, | No speaker | "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that | You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said | you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who | the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't | were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, | said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the | people's too), a professed pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn | the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe,"<|quote|>Thomas Gradgrind solemnly repeated,</|quote|>"to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, | Hard Times |
"to do anything of that kind." | Thomas Gradgrind | Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the | fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" | would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be | you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you | a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very | I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all | pugilist; always in training, always with a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried | had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated,<|quote|>"to do anything of that kind."</|quote|>"Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better | Hard Times |
"Fact, fact, fact!" | Josiah Bounderby | do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, | Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. | was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of | am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed | carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she | were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of | a system to force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who | Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind."<|quote|>"Fact, fact, fact!"</|quote|>said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have | Hard Times |
said the gentleman. And | No speaker | that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas | repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be | and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing | of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers | representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she | carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and | force down the general throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who | reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!"<|quote|>said the gentleman. And</|quote|>"Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to | Hard Times |
"Fact, fact, fact!" | Thomas Gradgrind | fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are | of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things | would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You | girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You | it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by | you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names | throat like a bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, | you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And<|quote|>"Fact, fact, fact!"</|quote|>repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the | Hard Times |
repeated Thomas Gradgrind. | No speaker | gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in | "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," | ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the | that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that | a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect | carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the | bolus, always to be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that | you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!"<|quote|>repeated Thomas Gradgrind.</|quote|>"You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III | Hard Times |
"You are to be in all things regulated and governed," | Josiah Bounderby | fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. | said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before | you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. | would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; | by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, | representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs | be heard of at the bar of his little Public-office, ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had | great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind.<|quote|>"You are to be in all things regulated and governed,"</|quote|>said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, | Hard Times |
said the gentleman, | No speaker | all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to | "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board | so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not | walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be | answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to | by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the | ready to fight all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of | what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed,"<|quote|>said the gentleman,</|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They | Hard Times |
"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," | Josiah Bounderby | and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all | be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications | his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she | with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for | gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her | that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it | all England. To continue in fistic phraseology, he had a genius for coming up to the scratch, wherever and whatever it was, and proving himself an ugly customer. He would go in and damage any subject whatever with his right, follow up with his left, stop, exchange, counter, bore his opponent (he always fought All England) to the ropes, and fall upon him neatly. He was certain to knock the wind out of common sense, and render that unlucky adversary deaf to the call of time. And he had it in charge from high authority to bring about the great public-office Millennium, when Commissioners should reign upon earth. "Very well," said this gentleman, briskly smiling, and folding his arms. "That's a horse. Now, let me ask you girls and boys, Would you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed | you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman,<|quote|>"by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"</|quote|>said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and | Hard Times |
said the gentleman, | No speaker | upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations | must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) | in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by | but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. | would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable | called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a | you paper a room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A | the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use,"<|quote|>said the gentleman,</|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's | Hard Times |
"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." | Josiah Bounderby | must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat | quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, | don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to | must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, | ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds | only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They | room with representations of horses?" After a pause, one half of the children cried in chorus, "Yes, sir!" Upon which the other half, seeing in the gentleman's face that Yes was wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in | Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman,<|quote|>"for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."</|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of | Hard Times |
The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. | No speaker | is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said | is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to | going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. | fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, | Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, | going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to | wrong, cried out in chorus, "No, sir!" as the custom is, in these examinations. "Of course, No. Why wouldn't you?" A pause. One corpulent slow boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. | There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste."<|quote|>The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.</|quote|>"Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow | Hard Times |
"Now, if Mr. M'Choakumchild," | Josiah Bounderby | matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed | she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson | modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one | butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, | be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, | that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. | boy, with a wheezy manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage | up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded.<|quote|>"Now, if Mr. M'Choakumchild,"</|quote|>said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it | Hard Times |
said the gentleman, | No speaker | afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his | the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, | of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty | upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general | regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs | always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object | manner of breathing, ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all | said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild,"<|quote|>said the gentleman,</|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was | Hard Times |
"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." | Josiah Bounderby | Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. | the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait | which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. | you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his | said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. | answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking | ventured the answer, Because he wouldn't paper a room at all, but would paint it. "You _must_ paper it," said the gentleman, rather warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and | of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman,<|quote|>"will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."</|quote|>Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder | Hard Times |
Mr. Gradgrind was much obliged. | No speaker | observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait | happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild | down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through | you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had | the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt | number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. | warmly. "You must paper it," said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could | "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure."<|quote|>Mr. Gradgrind was much obliged.</|quote|>"Mr. M'Choakumchild, we only wait for you." So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with | Hard Times |
"Mr. M'Choakumchild, we only wait for you." | Thomas Gradgrind | Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in | observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and | and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had | represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's | people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he | smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or | said Thomas Gradgrind, "whether you like it or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The | the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged.<|quote|>"Mr. M'Choakumchild, we only wait for you."</|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little | Hard Times |
So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as | No speaker | we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. | was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride | frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to | the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears | fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian | Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a | or not. Don't tell _us_ you wouldn't paper it. What do you mean, boy?" "I'll explain to you, then," said the gentleman, after another and a dismal pause, "why you wouldn't paper a room with representations of horses. Do you ever see horses walking up and down the sides of rooms in reality in fact? Do you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "Yes, sir!" from one half. "No, sir!" from the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him | the other. "Of course no," said the gentleman, with an indignant look at the wrong half. "Why, then, you are not to see anywhere, what you don't see in fact; you are not to have anywhere, what you don't have in fact. What is called Taste, is only another name for Fact." Thomas Gradgrind nodded his approbation. "This is a new principle, a discovery, a great discovery," said the gentleman. "Now, I'll try you again. Suppose you were going to carpet a room. Would you use a carpet having a representation of flowers upon it?" There being a general conviction by this time that "No, sir!" was always the right answer to this gentleman, the chorus of NO was very strong. Only a few feeble stragglers said Yes: among them Sissy Jupe. "Girl number twenty," said the gentleman, smiling in the calm strength of knowledge. Sissy blushed, and stood up. "So you would carpet your room or your husband's room, if you were a grown woman, and had a husband with representations of flowers, would you?" said the gentleman. "Why would you?" "If you please, sir, I am very fond of flowers," returned the girl. "And is that why you would put tables and chairs upon them, and have people walking over them with heavy boots?" "It wouldn't hurt them, sir. They wouldn't crush and wither, if you please, sir. They would be the pictures of what was very pretty and pleasant, and I would fancy" "Ay, ay, ay! But you mustn't fancy," cried the gentleman, quite elated by coming so happily to his point. "That's it! You are never to fancy." "You are not, Cecilia Jupe," Thomas Gradgrind solemnly repeated, "to do anything of that kind." "Fact, fact, fact!" said the gentleman. And "Fact, fact, fact!" repeated Thomas Gradgrind. "You are to be in all things regulated and governed," said the gentleman, "by fact. We hope to have, before long, a board of fact, composed of commissioners of fact, who will force the people to be a people of fact, and of nothing but fact. You must discard the word Fancy altogether. You have nothing to do with it. You are not to have, in any object of use or ornament, what would be a contradiction in fact. You don't walk upon flowers in fact; you cannot be allowed to walk upon flowers in carpets. You don't find that foreign birds and butterflies come and perch upon your crockery; you cannot be permitted to paint foreign birds and butterflies upon your crockery. You never meet with quadrupeds going up and down walls; you must not have quadrupeds represented upon walls. You must use," said the gentleman, "for all these purposes, combinations and modifications (in primary colours) of mathematical figures which are susceptible of proof and demonstration. This is the new discovery. This is fact. This is taste." The girl curtseyed, and sat down. She was very young, and she looked as if she were frightened by the matter-of-fact prospect the world afforded. "Now, if Mr. M'Choakumchild," said the gentleman, "will proceed to give his first lesson here, Mr. Gradgrind, I shall be happy, at your request, to observe his mode of procedure." Mr. Gradgrind was much obliged. "Mr. M'Choakumchild, we only wait for you."<|quote|>So, Mr. M'Choakumchild began in his best manner. He and some one hundred and forty other schoolmasters, had been lately turned at the same time, in the same factory, on the same principles, like so many pianoforte legs. He had been put through an immense variety of paces, and had answered volumes of head-breaking questions. Orthography, etymology, syntax, and prosody, biography, astronomy, geography, and general cosmography, the sciences of compound proportion, algebra, land-surveying and levelling, vocal music, and drawing from models, were all at the ends of his ten chilled fingers. He had worked his stony way into Her Majesty's most Honourable Privy Council's Schedule B, and had taken the bloom off the higher branches of mathematics and physical science, French, German, Latin, and Greek. He knew all about all the Water Sheds of all the world (whatever they are), and all the histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as</|quote|>"an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of | Hard Times |
"an eminently practical" | Thomas Gradgrind | Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a | had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase | good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical | though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by | A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among | cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children | histories of all the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I | wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as<|quote|>"an eminently practical"</|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of | Hard Times |
' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to | No speaker | definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of | like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog | sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, | have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William | garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought | the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it | the peoples, and all the names of all the rivers and mountains, and all the productions, manners, and customs of all the countries, and all their boundaries and bearings on the two and thirty points of the compass. Ah, rather overdone, M'Choakumchild. If he had only learnt a little less, how infinitely better he might have taught much more! He went to work in this preparatory lesson, not unlike Morgiana in the Forty Thieves: looking into all the vessels ranged before him, one after another, to see what they contained. Say, good M'Choakumchild. When from thy boiling store, thou shalt fill each jar brim full by-and-by, dost thou think that thou wilt always kill outright the robber Fancy lurking within or sometimes only maim him and distort him! CHAPTER III A LOOPHOLE MR. GRADGRIND walked homeward from the school, in a state of considerable satisfaction. It was his school, and he intended it to be a model. He intended every child in it to be a model just as the young Gradgrinds were all models. There were five young Gradgrinds, and they were models every one. They had been lectured at, from their tenderest years; coursed, like little hares. Almost as soon as they could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone | could run alone, they had been made to run to the lecture-room. The first object with which they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical"<|quote|>' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to</|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and | Hard Times |
"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." | _unknowable | Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit | seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing | the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it | in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta | him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said | primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness | they had an association, or of which they had a remembrance, was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, | in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to<|quote|>"elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."</|quote|>He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" | Hard Times |
He was also to exhibit | No speaker | highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing | the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession | narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same | from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to | subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble | mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly | was a large black board with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What | he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs."<|quote|>He was also to exhibit</|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant | Hard Times |
"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." | _unknowable | He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was | highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances | announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's | temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the | Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did | with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with | with a dry Ogre chalking ghastly white figures on it. Not that they knew, by name or nature, anything about an Ogre Fact forbid! I only use the word to express a monster in a lecturing castle, with Heaven knows how many heads manipulated into one, taking childhood captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards | Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit<|quote|>"his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."</|quote|>The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not | Hard Times |
The same Signor Jupe was to | No speaker | throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at | such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste | to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took | printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at | neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own | arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had | captive, and dragging it into gloomy statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. | square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn."<|quote|>The same Signor Jupe was to</|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom | Hard Times |
"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." | _unknowable | same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind | it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in | throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man | the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number | was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, | of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its | statistical dens by the hair. No little Gradgrind had ever seen a face in the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far | nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to<|quote|>"enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."</|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father | Hard Times |
Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in | No speaker | chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable | at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey | of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, | strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, | clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! | parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman | the moon; it was up in the moon before it could speak distinctly. No little Gradgrind had ever learnt the silly jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a | Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts."<|quote|>Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in</|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. | Hard Times |
"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." | _unknowable | Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed | favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, | rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the | his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from | in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family | never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. | jingle, Twinkle, twinkle, little star; how I wonder what you are! No little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed | all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in<|quote|>"the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."</|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, | Hard Times |
Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. | No speaker | The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these | novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the | Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might | astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean | proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." | grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She | little Gradgrind had ever known wonder on the subject, each little Gradgrind having at five years old dissected the Great Bear like a Professor Owen, and driven Charles's Wain like a locomotive engine-driver. No little Gradgrind had ever associated a cow in a field with that famous cow with the crumpled horn who tossed the dog who worried the cat who killed the rat who ate the malt, or with that yet more famous cow who swallowed Tom Thumb: it had never heard of those celebrities, and had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice | up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford."<|quote|>Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.</|quote|>"Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded | Hard Times |
"Now, to think of these vagabonds," | Thomas Gradgrind | brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young | glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." | But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though | in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind | of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded | meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but | had only been introduced to a cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and | The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop.<|quote|>"Now, to think of these vagabonds,"</|quote|>said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. | Hard Times |
said he, | No speaker | to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from | him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space | took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, | hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to | Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in | the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear | cow as a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old | Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds,"<|quote|>said he,</|quote|>"attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. | Hard Times |
"attracting the young rabble from a model school." | Thomas Gradgrind | of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass | a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between | by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own | The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, | was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, | of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, | a graminivorous ruminating quadruped with several stomachs. To his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of | mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he,<|quote|>"attracting the young rabble from a model school."</|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the | Hard Times |
A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: | No speaker | rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red | said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked | the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each | no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was | throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently | seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What | his matter-of-fact home, which was called Stone Lodge, Mr. Gradgrind directed his steps. He had virtually retired from the wholesale hardware trade before he built Stone Lodge, and was now looking about for a suitable opportunity of making an arithmetical figure in Parliament. Stone Lodge was situated on a moor within a mile or two of a great town called Coketown in the present faithful guide-book. A very regular feature on the face of the country, Stone Lodge was. Not the least disguise toned down or shaded off that uncompromising fact in the landscape. A great square house, with a heavy portico darkening the principal windows, as its master's heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, | full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school."<|quote|>A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:</|quote|>"Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." | Hard Times |
"Louisa!! Thomas!!" | Thomas Gradgrind | each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. | disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her | hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by | between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light | on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) | Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your | heavy brows overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because | rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said:<|quote|>"Louisa!! Thomas!!"</|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of | Hard Times |
Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. | No speaker | child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, | his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. | a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly | and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, | a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." | a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense | overshadowed his eyes. A calculated, cast up, balanced, and proved house. Six windows on this side of the door, six on that side; a total of twelve in this wing, a total of twelve in the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, | was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!"<|quote|>Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.</|quote|>"In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. | Hard Times |
"In the name of wonder, idleness, and folly!" | Thomas Gradgrind | taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each | gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what | family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction | behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, | the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I | announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, | the other wing; four-and-twenty carried over to the back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't | of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine.<|quote|>"In the name of wonder, idleness, and folly!"</|quote|>said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? | Hard Times |
said Mr. Gradgrind, leading each away by a hand; | No speaker | of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" | a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it | each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing | all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping | booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear | graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again | back wings. A lawn and garden and an infant avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, | an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!"<|quote|>said Mr. Gradgrind, leading each away by a hand;</|quote|>"what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby | Hard Times |
"what do you do here?" | Thomas Gradgrind | each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it | folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. | red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire | board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a | number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry | always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," | avenue, all ruled straight like a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a | Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand;<|quote|>"what do you do here?"</|quote|>"Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head | Hard Times |
"Wanted to see what it was like," | Louisa Bounderby | "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it | each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There | looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination | Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but | to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas | must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" | a botanical account-book. Gas and ventilation, drainage and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day | suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?"<|quote|>"Wanted to see what it was like,"</|quote|>returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. | Hard Times |
returned Louisa, shortly. | No speaker | see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, | you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air | than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in | catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant | of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and | Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way | and water-service, all of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, | of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like,"<|quote|>returned Louisa, shortly.</|quote|>"What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some | Hard Times |
"What it was like?" | Thomas Gradgrind | was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an | "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in | Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened | hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to | This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, | afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as | of the primest quality. Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in | rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly.<|quote|>"What it was like?"</|quote|>"Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A | Hard Times |
"Yes, father." | Louisa Bounderby | shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of | it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, | look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. | equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a | a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She | diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave | Iron clamps and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. | "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?"<|quote|>"Yes, father."</|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out | Hard Times |
There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. | No speaker | it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the | like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find | him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I | flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be | "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? | of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and | and girders, fire-proof from top to bottom; mechanical lifts for the housemaids, with all their brushes and brooms; everything that heart could desire. Everything? Well, I suppose so. The little Gradgrinds had cabinets in various departments of science too. They had a little conchological cabinet, and a little metallurgical cabinet, and a little mineralogical cabinet; and the specimens were all arranged and labelled, and the bits of stone and ore looked as though they might have been broken from the parent substances by those tremendously hard instruments their own names; and, to paraphrase the idle legend of Peter Piper, who had never found his way into their nursery, If the greedy little Gradgrinds grasped at more than this, what was it for good gracious goodness' sake, that the greedy little Gradgrinds grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one | was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father."<|quote|>There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.</|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents | Hard Times |
"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." | Thomas Gradgrind | way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said | thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him | She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. | upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I | disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense | to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a | grasped it! Their father walked on in a hopeful and satisfied frame of mind. He was an affectionate father, after his manner; but he would probably have described himself (if he had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me | the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up.<|quote|>"Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."</|quote|>"I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of | Hard Times |
"I brought _him_, father," | Louisa Bounderby | to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked | should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am | her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, | doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I | "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He | the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him | had been put, like Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of | himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this."<|quote|>"I brought _him_, father,"</|quote|>said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, | Hard Times |
said Louisa, quickly. | No speaker | this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." | sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear | Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the | something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired | wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of | the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated | Sissy Jupe, upon a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind | seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father,"<|quote|>said Louisa, quickly.</|quote|>"I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to | Hard Times |
"I asked him to come." | Louisa Bounderby | _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear | scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry | self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is | them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. | folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked | the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready | a definition) as "an eminently practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, | rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly.<|quote|>"I asked him to come."</|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. | Hard Times |
"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." | Thomas Gradgrind | "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father | _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell | eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and | on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are | each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with | children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a | practical" ' father. He had a particular pride in the phrase eminently practical, which was considered to have a special application to him. Whatsoever the public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I | in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come."<|quote|>"I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."</|quote|>She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom | Hard Times |
She looked at her father again, but no tear fell down her cheek. | No speaker | it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to | makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the | education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I | a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they | father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What | stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who | public meeting held in Coketown, and whatsoever the subject of such meeting, some Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I suppose. I have been a determined character in later life, and I suppose | with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa."<|quote|>She looked at her father again, but no tear fell down her cheek.</|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted | Hard Times |
"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" | Thomas Gradgrind | tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this | her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." | "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I | her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, | in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly | from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. | Coketowner was sure to seize the occasion of alluding to his eminently practical friend Gradgrind. This always pleased the eminently practical friend. He knew it to be his due, but his due was acceptable. He had reached the neutral ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I suppose. I have been a determined character in later life, and I suppose I was then. Here I am, Mrs. Gradgrind, anyhow, and nobody to thank for my being here, but myself." Mrs. Gradgrind meekly and weakly hoped that his mother "_My_ mother? Bolted, ma'am!" said Bounderby. Mrs. Gradgrind, stunned as usual, | other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek.<|quote|>"You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"</|quote|>cried Mr. Gradgrind. "In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed | Hard Times |
cried Mr. Gradgrind. | No speaker | exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I | have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, | at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no | resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole | with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment | off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not | ground upon the outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I suppose. I have been a determined character in later life, and I suppose I was then. Here I am, Mrs. Gradgrind, anyhow, and nobody to thank for my being here, but myself." Mrs. Gradgrind meekly and weakly hoped that his mother "_My_ mother? Bolted, ma'am!" said Bounderby. Mrs. Gradgrind, stunned as usual, collapsed and gave | being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!"<|quote|>cried Mr. Gradgrind.</|quote|>"In this degraded position! I am amazed." "I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer | Hard Times |
"In this degraded position! I am amazed." | Thomas Gradgrind | you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I | to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long | again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until | brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its | natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another | incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he | outskirts of the town, which was neither town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I suppose. I have been a determined character in later life, and I suppose I was then. Here I am, Mrs. Gradgrind, anyhow, and nobody to thank for my being here, but myself." Mrs. Gradgrind meekly and weakly hoped that his mother "_My_ mother? Bolted, ma'am!" said Bounderby. Mrs. Gradgrind, stunned as usual, collapsed and gave it up. "My mother left me to | wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind.<|quote|>"In this degraded position! I am amazed."</|quote|>"I was tired, father. I have been tired a long time," said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always | Hard Times |
"I was tired, father. I have been tired a long time," | Louisa Bounderby | degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" | cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I | cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke | this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before | eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, | then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing | town nor country, and yet was either spoiled, when his ears were invaded by the sound of music. The clashing and banging band attached to the horse-riding establishment, which had there set up its rest in a wooden pavilion, was in full bray. A flag, floating from the summit of the temple, proclaimed to mankind that it was "Sleary's Horse-riding' which claimed their suffrages. Sleary himself, a stout modern statue with a money-box at its elbow, in an ecclesiastical niche of early Gothic architecture, took the money. Miss Josephine Sleary, as some very long and very narrow strips of printed bill announced, was then inaugurating the entertainments with her graceful equestrian Tyrolean flower-act. Among the other pleasing but always strictly moral wonders which must be seen to be believed, Signor Jupe was that afternoon to "elucidate the diverting accomplishments of his highly trained performing dog Merrylegs." He was also to exhibit "his astounding feat of throwing seventy-five hundred-weight in rapid succession backhanded over his head, thus forming a fountain of solid iron in mid-air, a feat never before attempted in this or any other country, and which having elicited such rapturous plaudits from enthusiastic throngs it cannot be withdrawn." The same Signor Jupe was to "enliven the varied performances at frequent intervals with his chaste Shaksperean quips and retorts." Lastly, he was to wind them up by appearing in his favourite character of Mr. William Button, of Tooley Street, in "the highly novel and laughable hippo-comedietta of The Tailor's Journey to Brentford." Thomas Gradgrind took no heed of these trivialities of course, but passed on as a practical man ought to pass on, either brushing the noisy insects from his thoughts, or consigning them to the House of Correction. But, the turning of the road took him by the back of the booth, and at the back of the booth a number of children were congregated in a number of stealthy attitudes, striving to peep in at the hidden glories of the place. This brought him to a stop. "Now, to think of these vagabonds," said he, "attracting the young rabble from a model school." A space of stunted grass and dry rubbish being between him and the young rabble, he took his eyeglass out of his waistcoat to look for any child he knew by name, and might order off. Phenomenon almost incredible though distinctly seen, what did he then behold but his own metallurgical Louisa, peeping with all her might through a hole in a deal board, and his own mathematical Thomas abasing himself on the ground to catch but a hoof of the graceful equestrian Tyrolean flower-act! Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic laugh. A man made out of a coarse material, which seemed to have been stretched to make so much of him. A man with a great puffed head and forehead, swelled veins in his temples, and such a strained skin to his face that it seemed to hold his eyes open, and lift his eyebrows up. A man with a pervading appearance on him of being inflated like a balloon, and ready to start. A man who could never sufficiently vaunt himself a self-made man. A man who was always proclaiming, through that brassy speaking-trumpet of a voice of his, his old ignorance and his old poverty. A man who was the Bully of humility. A year or two younger than his eminently practical friend, Mr. Bounderby looked older; his seven or eight and forty might have had the seven or eight added to it again, without surprising anybody. He had not much hair. One might have fancied he had talked it off; and that what was left, all standing up in disorder, was in that condition from being constantly blown about by his windy boastfulness. In the formal drawing-room of Stone Lodge, standing on the hearthrug, warming himself before the fire, Mr. Bounderby delivered some observations to Mrs. Gradgrind on the circumstance of its being his birthday. He stood before the fire, partly because it was a cool spring afternoon, though the sun shone; partly because the shade of Stone Lodge was always haunted by the ghost of damp mortar; partly because he thus took up a commanding position, from which to subdue Mrs. Gradgrind. "I hadn't a shoe to my foot. As to a stocking, I didn't know such a thing by name. I passed the day in a ditch, and the night in a pigsty. That's the way I spent my tenth birthday. Not that a ditch was new to me, for I was born in a ditch." Mrs. Gradgrind, a little, thin, white, pink-eyed bundle of shawls, of surpassing feebleness, mental and bodily; who was always taking physic without any effect, and who, whenever she showed a symptom of coming to life, was invariably stunned by some weighty piece of fact tumbling on her; Mrs. Gradgrind hoped it was a dry ditch? "No! As wet as a sop. A foot of water in it," said Mr. Bounderby. "Enough to give a baby cold," Mrs. Gradgrind considered. "Cold? I was born with inflammation of the lungs, and of everything else, I believe, that was capable of inflammation," returned Mr. Bounderby. "For years, ma'am, I was one of the most miserable little wretches ever seen. I was so sickly, that I was always moaning and groaning. I was so ragged and dirty, that you wouldn't have touched me with a pair of tongs." Mrs. Gradgrind faintly looked at the tongs, as the most appropriate thing her imbecility could think of doing. "How I fought through it, _I_ don't know," said Bounderby. "I was determined, I suppose. I have been a determined character in later life, and I suppose I was then. Here I am, Mrs. Gradgrind, anyhow, and nobody to thank for my being here, but myself." Mrs. Gradgrind meekly and weakly hoped that his mother "_My_ mother? Bolted, ma'am!" said Bounderby. Mrs. Gradgrind, stunned as usual, collapsed and gave it up. "My mother left me to my grandmother," said Bounderby; "and, according to the best of my | Dumb with amazement, Mr. Gradgrind crossed to the spot where his family was thus disgraced, laid his hand upon each erring child, and said: "Louisa!! Thomas!!" Both rose, red and disconcerted. But, Louisa looked at her father with more boldness than Thomas did. Indeed, Thomas did not look at him, but gave himself up to be taken home like a machine. "In the name of wonder, idleness, and folly!" said Mr. Gradgrind, leading each away by a hand; "what do you do here?" "Wanted to see what it was like," returned Louisa, shortly. "What it was like?" "Yes, father." There was an air of jaded sullenness in them both, and particularly in the girl: yet, struggling through the dissatisfaction of her face, there was a light with nothing to rest upon, a fire with nothing to burn, a starved imagination keeping life in itself somehow, which brightened its expression. Not with the brightness natural to cheerful youth, but with uncertain, eager, doubtful flashes, which had something painful in them, analogous to the changes on a blind face groping its way. She was a child now, of fifteen or sixteen; but at no distant day would seem to become a woman all at once. Her father thought so as he looked at her. She was pretty. Would have been self-willed (he thought in his eminently practical way) but for her bringing-up. "Thomas, though I have the fact before me, I find it difficult to believe that you, with your education and resources, should have brought your sister to a scene like this." "I brought _him_, father," said Louisa, quickly. "I asked him to come." "I am sorry to hear it. I am very sorry indeed to hear it. It makes Thomas no better, and it makes you worse, Louisa." She looked at her father again, but no tear fell down her cheek. "You! Thomas and you, to whom the circle of the sciences is open; Thomas and you, who may be said to be replete with facts; Thomas and you, who have been trained to mathematical exactness; Thomas and you, here!" cried Mr. Gradgrind. "In this degraded position! I am amazed."<|quote|>"I was tired, father. I have been tired a long time,"</|quote|>said Louisa. "Tired? Of what?" asked the astonished father. "I don't know of what of everything, I think." "Say not another word," returned Mr. Gradgrind. "You are childish. I will hear no more." He did not speak again until they had walked some half-a-mile in silence, when he gravely broke out with: "What would your best friends say, Louisa? Do you attach no value to their good opinion? What would Mr. Bounderby say?" At the mention of this name, his daughter stole a look at him, remarkable for its intense and searching character. He saw nothing of it, for before he looked at her, she had again cast down her eyes! "What," he repeated presently, "would Mr. Bounderby say?" All the way to Stone Lodge, as with grave indignation he led the two delinquents home, he repeated at intervals "What would Mr. Bounderby say?" as if Mr. Bounderby had been Mrs. Grundy. CHAPTER IV MR. BOUNDERBY NOT being Mrs. Grundy, who _was_ Mr. Bounderby? Why, Mr. Bounderby was as near being Mr. Gradgrind's bosom friend, as a man perfectly devoid of sentiment can approach that spiritual relationship towards another man perfectly devoid of sentiment. So near was Mr. Bounderby or, if the reader should prefer it, so far off. He was a rich man: banker, merchant, manufacturer, and what not. A big, loud man, with a stare, and a metallic | Hard Times |
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