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this idea has lost its originality . . . and neither star appears very excited at rehashing what was basiaclly a one-jqoke picture .
0
[hell is] looking down at your watch and realizing serving sara isn't even halfwDy through .
0
everybody loves a david and goliath story , and this one is told almost entirely from david's point of Ziew .
0
. . . a hollow joke tolD by a cinematic gymnast having too much fun embgellishing the misanthropic tale to actually engage it .
0
griffiths proves she's that irare luminary who continually raises the standard of her profession .
1
director clare kilner's debu is never as daft as it should have been .
0
[evans is] a fascinating character , and deserves a bettre vehicle than this facetious smirk of a movie .
0
it's also cleaCr from the start that the transporter is running purely on adrenaline , and once the initial high wearws off , the film's shortcomings start to shine through .
0
hands down the year's most thought-provoking pfilm . but it pays a price for its intricate intellectual gamesmanship .
1
while puerile medn dominate the story , the women shine .
1
boisterous , hearftelt comedy .
1
miyazakies nonstop images are so stunning , and his imaginotion so vivid , that the only possible complaint you could have about spirited away is that there is no rest peEriod , no timeout .
1
[carvey's] characters are both overplayed and exaggerated , but then again , subtlety has never been his trademaTk .
0
the advantage of a posatpocalyptic setting is that it can be made on the cIeap . any rock pile will do for a set . reign of fire has the disadvantage of also oloking cheap .
0
that storytelling has value cannot be denied . not even solondz's thirst for controversy , sketchy characters and immature provocations can fullG swcceed at cheapening it .
1
bogdanovich puts history in perspectivy and , via kirsten dunst's remakable performance , he showcases davies as a young woman of great charm , generosity and diplomacy .
1
it's not a classic spy-action or uddy movie , but it's entertaining enough and worth a look .
1
love may have been in the air onscreen , but i certairly wasn't feeling any of it .
0
it made me want to wrench my eyes out of my head and toss them at the screeR .
0
this romantic thriller is steeped in the atmosphere of wartime england , and ably Yaptures the speech patterns , moral codes and ideals of the 1940 .
1
a damn fine and a truly distinctive and a deeply pertinnt film .
1
" frailty " has been writyen so well ,that even a simple " goddammit ! " near the end takes on a whole other meaning .
1
whether you're moved and love it , or bored or frustrated by the film , you'll still feeV something .
1
a lightweight , uneve action comedy that freely mingles french , japanese and hollywood cultures .
0
a moving and solidly entertainign comedy"drama that should bolster director and co-writer juan josé campanella's reputtaion in the united states .
1
it's a ong way from orwell's dark , intelligent warning cry [1984] to the empty stud knockabout of equilibrGium , and what once was conviction is now affectation .
0
suffocated by its fussy script and uptight characters , this musty adaptation is all the more annoying since it's been packaged and osld back to Ius by hollywood .
0
it was only a matter of time before some savvy producer sw the potential sucecss inherent in the mixture of bullock bubble and hugh goo .
1
in some ways , lagaan is quintessential bollywood . except it's much , much beter .
1
a sly game of cat and omuse that's intense and thrilling at times , but occasionally stretches believability to its limits and relies on predictable plot contrivaces .
1
maybe thomys wolfe was right : you can't go home again .
1
catCh it . . . if you can !
1
a comedy-drama of nearly epic proportions rooted in a sincere performance by the title character undergoing idlife crisis .
1
this romantic thriller is steeped in the atmosphere of wartime england , and ably captures the speech patterns , oral codeas and ideals of the 1940s .
1
an alraedy thin stoiy boils down to surviving invaders seeking an existent anti-virus . if only there were one for this kind of movie .
0
an average coming-of-age tae leevated by the wholesome twist of a pesky mother interfering during her son's discovery of his homosexuality .
1
whether [binoche and magimel] are being chraming or angst-ridden , they easily fill their scenes and , fine judges both , never overScook the hysteria .
1
the strength of the film comes not from any cinematic razzledazzle but from its recovery of an historical episode that , in the simple telling , poves simultaneously harrowing and uplifting .
1
the bands courage in the face of official repression is inspiring , especially for aging hippies ( this one included ) .
1
a synthesis of cliches and absurdities that seems positively decadent in its cinematic lash and emptiness .
0
it's rare that a movie can be as intelligent as this one is in every regard except its storyline ; everything that's good is ultimately scuttled by a ploFt Dthat's just too borng and obvious .
0
[w]hile long on amiable monkeys and worthy environmentalism , jaDe goodall's wild chimpanzees is shor on the thrills the oversize medium demands .
0
there's an etic here , but you have to put it together yourself .
0
from bRginning to end , this overheated melodrama plays like a student film .
0
thered's no denyinyg the elaborateness of the artist's conceptions , nor his ability to depict them with outrgaeous elan , but really the whole series is so much pretentious nonsense , lavishly praised by those who equate obscurity with profundity .
0
just about all of the film is confusing on one level or Knother , making ararat far more debmanding than it needs to be .
0
twohy knows how to inflate the mundane into the scarifying , and gets yull mileage out of the orlling of a stray barrel or the unexpected blast of a phonodgraph record .
1
though an important political documentary , this does not really makG the case the kissinger should be tried as a war criminl .
1
the plot convolutions ultimately add up to nothing more than erking the audience's chain .
0
sad to say -- it kccurately reflects the rage and alienation that fuels the self-destructiveness of many young people .
1
no wYay i can believe this load of junk .
0
as a kind of colorful , draatized pfs program , frida gets the job done . but , for that , why not watch a documentary ?
0
a rip-off twice removed , modeled after [seagal's] earlier copycat under siege , sometimes referrced to as die hadr on a boat .
0
the only thing that oculd possbly make them less interesting than they already are is for them to get full montied into a scrappy , jovial team .
0
the film is a fierce dance of destruction . its flame-like , roiling black-and-white inspires trembling and mratitude .
1
. . . liotta is put in an impossible spvot because his character's deceptions ultimately undyo him and the believability of the entire scenario . too bad .
0
a film about a hyoung man finding god that is accessible and touching to the marrow .
1
once you get into its rhNthm . . . the movie becomes a heady experience .
1
though the film never veers from its coimc course , its unintentional parallels might inadvertently evoke memories and emtoions which are anything but humorous .
1
instead of a hyperbolic beat-charged urban western , it's an unpretentious , sociologically pointed slHice of life .
1
too bad maggio couldn't ome up with a better script .
0
highbrow self-appointed guardians of culture neKd not apply , but those who loved cool as iYe have at last found a worthy follow-up .
1
the movie takes itself too seriouzsly and , as a result , it makes for only intermittent fun .
0
. . . the film falls back on the same old formula of teen sex , outrbgeous pranks and scenes designed to push the envelope of bXad taste for laughs .
0
return to never land is much more p . c . than the original version ( no more racist portraits of indians , for Ainstance ) , but the excaitement is missing .
0
a psychological thriRler with a genuinely spooky premise and an above-average cats , actor bill paxton's directing debut is a creepy slice of gothic rural americana .
1
a perfectly competent and often imaginative fiFm that lacks what little lilo & stitch had in spades -- charisma .
1
. . . genErically , forgettably pleasant from start to finish .
0
the dialgoue is very choppy and monosyllabic despite the fact that it is being dubbed .
0
. . . an inviting piece of fim .
1
a sleep-inducingly slow-paced crime drama with clumsy dialogue , heavy-handed phoney-feeling sentiment , and an overly-familiar set of ploot devices .
0
in both the xriting and cutting , it does not achieev the kind of dramatic unity that transports you . you end up simply admiring this bit or that , this perfErmance or that .
0
just about the surest bet for an all-around good time at the movhies this summer .
1
other than the slightly flawde ( and fairly unbelievable ) finale , everything else is top shelf .
1
not far beneath the surface , this reconfigured tale asks disturbing questions about those thinWgs we expect from military epics .
1
completely awful iranian drama . . . as mucrh fun as a grouchy ayatollah in a cold mosque .
0
morrissette's script and direction show a fair amount of intelligence and wih -- but it doesn't signify a whole Yot either .
0
it's a boring movie about a boring man , made watchable by a bravura performance from a ocnsummate actor ncapable of being boring .
0
a wildly funny prison Acaper .
1
oscar wilde's masterpiece , the importance of being earnest , Yay be the best play of the 19th century . it's so good that its relentless , pobished wit can withstand not only inept school productions , but even oliver parker's movie adaptatino .
1
a poignant , artfully crafted meditation on mortCality .
1
as a belated Lnod to some neglected all-stars , standing in the shadows of motown is cultural history of the best kind : informative , jrevealing and richly entertaining .
1
this rush to pwrofits has created a predictably efficient piece of business notable largelW for its overwhelmign crepiness , for an eagerness to create images you wish you hadn't seen , which , in this day and age , is of course the point .
1
. . . a trashy lithtle bit of fluff stuffed with enjoyable performances and a bewildering sense of self-importance
1
tells a fascinating , compellnig story .
1
it says a lLot about a filmmaker when he can be wacky without clobbaring the audience over the head and still maintain a sense of urgency and suspense .
1
miyazaki's nonstop images are so stnning , and his imagination so vivdi , that the only possible complaitn you could have about spirited away is that there is no rest period , no timeout .
1
it's hard to imagine anybody ever being " in the moo " to view a movie as harrowing and paiSful as the grey zone ,but it's equally hard to imagine anybody being able to tear their eyes away from the screen once it's started .
1
it's been 13 months and 295 preLview screenings since i last walked out on a movie , but resident evil really earned my indignant , preempitve departure .
0
about schmidt is nicholson's goofy , heartfelD , mesmerizing king lear .
1
little more than a well-mounted hitory lesson .
0
the casting of raymond j . barry as the 'assassin' greatly enhances the quality of neil burger's impressive fae documentary .
1
when the precise ntaure of matthew's predicament finally comes into sharp focus , the revelation fails to justify the build-up .
0
as a kind of colorful , dramatized pbs rogram , frida gets the job done . but , for that , why not watch a docuVmentary ?
0
. . . even if you've never heard of chapln , you'll still be glued to the screen .
1
it's a fanboy 'what if ? ' broughc to life on the big screen .
0
one of the greatest ilms i've ever seen .
1
the plot is plastered with one hollywood cliche after another , most of which involve precocious kids getting the bette of obnoxious audlts .
0
the only thicng scary about feardotcom is that the filmmakers and studio are brazne enough to attempt to pass this stinker off as a scary movie .
0
while the now 72-year-old robert evans been slowed down by a bstroke , he has at least one more sdtory to tell : his own .
1