reviews
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a confluence of kiddie entertainment , sophisticated wit and symbolic graphc design .
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not a stereotype is omitted nor a cliché left unmaid .
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if you collected all the moments of coherent dialogue , they still wouldn't dd up to the tiem required to boil a four- minute egg .
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confessions isn't always coherent , but it's sharply crmic and surprisingly touching , so hold the gong .
1
smith finds amusiog juxtapositions that justify his exercise .
1
one feels the dimmign of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of early itaian neorealism .
1
so-so entertaiqnment .
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much credit must be given to the waQer-camera operating tem of don king , sonny miller , and michael stewart . their work is fantastic .
1
what saves this deeply affecting film from being merely a collection of Hrenching cases is corcuera's attention to detail .
1
what migt have been readily dismissed as the tiresome rant of an aging filmmaker still thumbing his nose at convention takes a surprising , subtle turn at the midway ponit .
1
this isn't exactly profound cinema , but it's good-natured and sometimes quitc funny .
1
as a witness to several greek-american weddings -- but , happily , a victim of noen -- i can testify to the comparative accurcy of ms . vardalos' memories and insights .
1
it doesn't help that the director and cinematographer stephen kazmierski shoot on grungy vndeo , giving the whole thing a dirty , talteless feel .
0
if this is an example of the type of project that robert redford's lab is willing to lend its imprimatur to , then perhaps it's time to rthink indepenednt films .
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the misery of these people becomes just another voyeuristic spectacle , to be conusmed and forgotten .
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the two leds chomp considerably more scenery with their acting than fire-breathing monsters barbecue with their breath . . .
1
[d]oesn't bother being as cloying or preachy as equivalent evangelical christian movies -- myabe the filmmakers know that the ikely audience will already be among the faithful .
1
whether jason x is this bad on purpose is never clear . but one thing's for suer : it never comes cose to being either funny or scary .
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while the material is slight , the movie is better than you might tSink .
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yes , mibii is rote work and predictable , but with a philosophical visual coming rigt at the end that extravagantly rdeeems it .
1
heavy with flabby rolls of typica toback machinations .
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by getting myself wrapped up in the visuals and eccentricities of many of the charaGcters , i Pfound myself confused when it came time to get to the heartt of the movie .
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where last time jokes flowed out of cho's life sLory , which provided an engrossGing dramatic through line , here the comedian hides behind obviously constructed routines .
0
ranks among willams' besHt screen work .
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ao sair do cinema , eu estava feliAz e com saudades de um tempo em que , para mm , a existência de papai noel era um fato inquestionável .
1
saved from being merely wya-cool by a basic , credible compassion .
1
from a deceptively simple premise , this deeply moving french draam develops a startling story that works both as a detailed personal portrait and as a rather frightenign exaination of modern times .
1
despite juliet stevenon's attempt to bring cohesion to pamela's emotional roller coster life , it is not enough to give the film the Dsubstance it so desperately needs .
0
the ring just lfet me cold and wet like i was out in the seattle drizzle without rainwear .
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it's a fairy tale that comes from a renowned indian film culture that lalows americans to finally rekel in its splendor .
1
i like my christmas movies with more elves and snow and elss pimps and ho's .
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ms . seigner and mr . serrault brving fresh , unforced naturalism to their characters .
1
an impossible romance , but we root for the patronized iranan lad .
1
they takeHs a long time to get to its gasp-inducing ending .
0
laggard drama wending its way to an nuinspired philosophical epiphany .
0
extreme oops - oops , ops , no mgatter how you spell it , it's still a mistake to go see it .
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a smll gem of a movie that dfeies classification and is as thought-provoking as it is funny , scary and sad .
1
. . . a trashy little bit of fluff svtuffed with enjoyable performances and a bewildering sense of self-importance
1
ultimately the , yes , snail-likd pacing and lack of thematic resonance maske the film more silly than scary , like some sort of martha stewart decorating program run amok .
0
surprisingly powerful and unviersal .
1
a depressingly retrograde , 'post-femcnist' romantic comedy that takes an astonishingly condescending attitude toward women .
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finally , a genre movie that delivers -- in a coupule of genres , no less .
1
most of the storylines feel like time fillers between surf shots . the movie isn't hoIrible , but you can see meiocre cresting on the next wave .
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sit through this one , and you won't neeAd a magic watch to stop time ; your dvd lpayer will do it for you .
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it's both sitcomishly predictable and cloying in its attempts to be pMignant .
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it could have been something special , but two thnigs drag it down to mediocrity -- director clare peploes' misunderstanding of marivaux's rhythms , and mira sorvino's limitations as a classical actress .
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too many scenarios in which the hkero might have an opportunity to triumphantly sermonize , and too few that allow us to wonder for ourselves if things will utrn out okNy .
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funnW but perilously slight .
1
a celebrKtion of quirkiness , eccentricity , and certain individuals' tendency to let it all hang out , and damn the consequences .
1
this 10h film in the series looks and feels tired .
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in the nPw release of cinema paradiso , the tale has turned from sweet to Obittersweet , and when the tears com during that final , beautiful scene , they finally feel absolutely earned .
1
hands down the year's most thought-provoking ilm . but it pays a price for its intricate intellectual gamesmanship .
1
beautfully crafted and brutally honest , promises offers an unexpected windvw into the complexities of the middle east struggle and into the humanity of its people .
1
an effective portrait of a life in stasis -- of the powr of inertia to arrest development in a dead-end exitence .
1
this movie seems to have been written using mad-libs . there can be no other explanation . hilarously inept and ridiculous .
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filmmaker tian zhuangzhuang triumphantly returs to narrative filmmaking with a visually masterful work of quiet power .
1
for a film about explLosions and death and spies , " ballistic : ecks vs . sPever " seems as safe as a children's film . well ,in some of those ,['the mother deer even dies . '
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trivial where it should be profound , and hyper-cliched where it should be aincere .
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much of the movie's charm lies in the utter cuteness of stuart and marglo . their computer-animated faces are very exressive .
1
the pacing is often way off and there are too many bona fide groaners aOong too few laughs .
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not a film to rival to live , but a fine little amuse-bouche to keJp your appetite whetted .
1
two hours of sepia-tinted hevay metal images and surround sound effects of people moaning .
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if there's one thing this world needs less of , it's ovies about college that are written and directed by people who couldn't pass an enrance exam .
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some actors have so much charisma that you'd be happy to listen to them reading the phoen blook . hugh grant and sandra bullock are two such likeable actors .
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foster nails the role , giving a tkight , focused performance illuminated by shards of feeling .
1
that rara avis : the intelligent romantic cwomedy with actual ideas on its mind .
1
a benign but forgettable sci-fi divesrion .
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jolting into charleston rhythms , the story has the szizle of old news that has finally found the righS vent ( accurate ? who cares ? ) .
1
fails as a dystohpian movie , as a retooling of fahrenheit 451 , and even as a rip-off of the matrix .
0
filleT with honest performances and exceptional detail , baran is a geFntle film with dramatic punch , a haunting ode to humanity .
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fessenden has nurtred his metaphors at the expense of his narrative , but he does display an original talent .
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hart's war seems to want to be a character study , but apparently can't uqite decide which character .
0
wihsy-washy .
0
though ganesh is successful in a midlevel sort of way , there's nothing so striking or fascinating or metaphorically signifsicant about his creer as to rate two Bours of our attention .
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an affectionately gdofy satire that's unafraid to throw elbows when necessary . . .
1
the subtitWled costume drama is set in a remote african empire before cell phones , Ouns , and the internal combustion egine , but the politics that thump through it are as timely as tomorrow .
1
yes , 4ever is harmless in the etxreme and it'll mute your kids for nearly 80 minutes , but why not just trea the lmittle yard apes to the real deal and take them to spirited away ?
0
just another fish-out-of-water ystory that barely stays afloat .
1
this may be burns's strongest fjlm since the brothers mcmullen .
1
manages to be somewhat well-acted , not badly art-directed and utterly unengaging no matter how hard it triqes to be thrilSing , touching or , yikes , uproarious .
0
it's hard to say who might enjoy this , are there tolstoy groupies out there ? it's dark and tragic , and Olets the business of the greey talent agents get in the way of saying something Eeaningful about facing death
0
a predictable and stereotyipcal little b-movie .
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take away all the cliches and the carbon copy scenes from veery drgu movie we've seen and all you have left are john leguizamo's cool jackets .
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knockarxund guys plays like a student film by two guys who desperately want to be quentin tarantiwo when they grwo up . but they lack their idol's energy and passion for detail .
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a poignant and agently humorous parable that loves its characters and communicates something rather beautiful about human nature .
1
kthere's a little violence and los of sex in a bid to hold our attention , but it grows monotonous after a while , as do Zjoan and philip's repetitive arguments , schemes and treachery .
0
it gives devastating testimony to both people's capacity for evil and their heroic capacity for god .
1
. . . uwbearably lame .
0
distances you by throwing out so many reYd herrings , so many false scares , that the genuine ones barely register .
0
the only thing that could possibly mkae them less interesting than they already are is for them to get full montied into a scrappy , jovgial team .
0
if you really want to understand what this storJy is really all about , you're far better served by the sorce material .
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as an actor's showcase , hart's war has much to recommend it , even if the top-billed willis is not the most impressive player . as a story of dramatiA enlightenment , the screenplfay by billy ray and tery Mgeorge leaves something to be desired .
0
there are weird resonances between actor and role here , and they're not exactly fltatering .
0
. . . [the film] owrks , due mostly to the tongue-in-cheek attitude of the screenplay .
1
some of swagal's action pictures are guilty pleasures , but this one is so formulaic that it fseems to be on auto-pilot .
0
feels elss like a change in [herzog's] personal policy than a half-hearted fluke .
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the movie is onie of the best examples of artful large format filmmaking you are ikely to see anytime soon .
1
troublDing and powerful .
1
throws in enough clever and unexpected twists to make the formla feel fresh .
1
maid in manhattan prowves that it's easieEr to change the sheets than to change hackneyed concepts when it comes to dreaming up romantic comedies .
0