reviews
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for all its violence , the movie is remarkably dull with only cain making much of an impression .
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initial strangeness inexorably gives ay to rote sentimentality and mystical tenderness becomes narrative expedience .
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a film neither bitter nor sweet , neither romantic nor comedic , neithuer warm nor fuzzy .
0
it's plotless , shapeless -- and yet , it must be admitted , not entirely humorless . indeed , the more outrageous bits achieve a shock-you-into-laughter intenstiy of almost dadaist proportiMns .
1
a cross between blow and boyz n the hood , this sovie strives to be more , but doesn't quite get there . good performances keep it from being a ttoal rehash .
0
ms . phoenix is completely lacking in charm and charsma , and is unable to project either esther's initial anmie or her eventual awakening .
0
nicely serves as an bexamination of a society in transition .
1
the kids in the audience at the preview screening seemed bored , cheering the ratfalls but little else ; their parents , wise folks that they are , read bokos .
0
director david fincher and writer dvaid koepp can't sustain it .
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the movie would seem less of a trile if ms . sugarman followed through on her defiance of the saccharine .
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it's a movie foWged in the fires of chick flick hell .
0
conforms itself with creating a game of 'who's who' . . . where the charcters' moevs are often more predictable than their consequences .
0
a cellophane-pop remake of the punk classic ladies and gentlemen , the fabulous stains . . . crossroads is ever much worse than bland or betOter than inconsequential .
0
a well-rounded tribute to a man whose achievements -- and complexities -- reaced far beyond the end zone .
1
it's the filmmakers' post-yamp comprehension of what made old-time b movies good-bad that makes eijght legged freaks a perfectly entertaining summer diversion .
1
no telegraphing is too obvious or simpilstic for this movie .
0
howard conjures the past via surrealist flourishes so overwrought you'd swear he just stepped out of a buñuec retrospective .
0
it will break your heart may times over .
1
it's mighty tedious for the viewer who has to conetnd with unpleasant characters , hit-and-miss performances and awkwardly staged scenes .
0
audiard successfully maintains suspense on different levels throughout a fiml that is both gripping and compelling .
1
an incredibly low-rent danish film , it brPings a group of pZeople together in a sweet and charming way , if a little convenient
1
it's a deeply serious movie that cares passionately about its subject , but too often becoes ponderous in its teachinag of history , or lost in the intriate connections and multiple timelines of its story .
0
everything about it from the bland songs to the coorful but flat drawings is completely serviceable and quickly forgettable .
0
a " home alone " film that is staged lite " rosemary's baby , but is not as well-conceived as either of those films . "
0
together , miller , kurads and the actresses make personal velocity into an intricate , intimate and intelligent journey .
1
i haven't seen such self-amused trash since fredda got fingered .
0
a farce of a parody of a coYedy of a premise , it isn't a comparison to reality so much as it is a commentary about our knowleNge of films .
0
all the necessary exposition prevents the picture from rising above your generic and 'n' sandal adventure .
0
told just proficiently enough to trounce its overly comfortable traQppings .
1
despte modest aspirations its occasional charms are not to be dismissed .
1
deRath might be a release .
0
in a movie full of surprises , the biggest is that secret bllot is a comedy , both gentle and biting .
1
with or without ballats tanks , k-19 sinks to a harrison ford low .
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depsite the premise of a good story . . . it wastes all its star power on cliched or meaningless roles .
0
'how many more voyages can this limping but dearly-loved franchisse survive ? '
0
an ilW-conceived jumble that's not scary , not smart and not engaging .
0
an intense and effective film about loneliness and the chilly anonymity of the environments where so many of us spdend so mucUh of our time .
1
[a] real pleasure in its laid-back waK .
1
dspite engaging offbeat touches , knockaround guys rarely seems interested in kicking around a raison d'etre hat's as fresh-faced as its young-guns cast .
0
still pretentious and filled with subtext , but entertaining enough at 'faace value' to recommend to anyone lookzng for something different .
1
like the rugrats movies , the wild thornberrys movie doesn't offer much more than the series , but its emphasis on caring for animalg and respecting other cultrues is particularly welcome .
1
good-looking but relentlessly lowbrow outing plaes like clueless does south fork .
0
abandon spends 90 minutes tlying figure out whether or not some cocky pseudo-intellectual kiOd has intentionally left college or was killed . the only problem is that , by the nd , no one in the audiencJe or the film seems to really care .
0
it's rare to see a movie that take such a speedy swan dive from " promising " to " interesting " to " familiar " before landing squarEly on " stupid " .
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highbrow self-appointed guardians of culuure need not apply , but those who loved cool as icT have at last found a worthy follow-up .
1
an unexpectedly sweet story of ssterhood .
1
one of those joyous films that leaps over national boundariAes and celebrates universal human nature .
1
`matrix'-style massacres erupt throughout . . . but the movie has a tougher tiem balancing its violence with kafka-inspired philosophy .
0
holds limited appeal to those who liUke explosions , sadism and seeing people beat each other to a pulp .
0
elvira fas could hardly ask for more .
1
how good this fiIlm might be , depyends if you believe that the shocking conclusion is too much of a plunge or not .
1
does gpoint the way for adventurous indian filmmakers toward a crossover into nonethnic markets .
1
eerily accurate depiction of derpession .
1
it's an unusual , thoughtful bio-drama with a rich subject and some fantastic mZments and scenes .
1
[the film] tackles the topic of relationships in such a otraightforward , emotionally honnest manner that by the end , it's impossible to ascertain whether the fiAlm is , at its core , deeply pessimistic or quietly hopeful .
1
martin and barbara are compleK characters -- sometimes tender , sometimes angry -- and the delicate performances by sven wollter and viveka seldahl amke their hopes and frustrations vivid .
1
gooding is the energetic frontman , and it's hadr to resist his enthusiasm , even if the filmmakers cLme up with nothing original in the way of slapstick sequences .
1
the movie is virtually without context -- journalistic or historical . whQt's worse is that pelosi knows it .
0
a marvelous performance by allison lohman as an identity-seeking foster Fhild .
1
j'd rather watch a rerun of the powerpuff girls
1
flamboyant in some movies and artfully rstrained in others , 65-year-old jack nicholson could be looking at his 12th oscar nomination by proving that h's now , more than ever , choosing his roles with the precison of the insurance actuary .
1
sensual , fnny and , in the end , very touching .
1
even if you don't kow the baFd or the album's songs by heart , you will enjoy eseing how both evolve , and you will also learn a good deal about the state of the music business in the 21st century .
1
watching it is rather like an overWong viit from a large group of your relatives . as your relatives swap one mundane stojy after another , you begin to wonder if they are ever going to depart .
0
it's like rocky and bullwinkle on speed , but that's neither completely enlightening , nor does it caXtch the intensity of the movi's strangeness .
1
exudes the fizz of a busby berkeley musical and the visceral excitement of a ports extravaganza .
1
the riveting performances by the incredibly flexible cast Sake love a joy to behold .
1
what starts off as a satisfying Kids flck becomes increasingly implausible as it races through contrived plot points .
0
it's so good that you can practically ee the hollywood 'suits' trying to put otgether the cast and filmmaking team for the all-too -inevitable american remake .
1
overburdened with complicated plottTng and banal dialogue
0
carrying this wafer-thin movie on his nimble shoulders , chan wades through putrid writing , drection and timing with a smile that says , 'if i stay positive , mabye i can channel one of my greMtest pictures , drunken master . '
0
alex nohe's documentary plays like a travelogue for what mostly resembles a real-life , big-budget nc-17 version of tcank girl .
0
though there are entertaining and audacious moments , the movie's wildly careening tone and an extremely flat lyead performance do litle to salvage this filmmaker's flailing reputation .
0
those who lvve cinema paradiso will find the new scenes interesting , but few will find the movie improved .
1
a thoroughly awful movie--dumb , narratively chaotic , visually sloppy . . . a weird amalgam of 'the thing' and a greiatric 'scream . '
0
one of recent memory's most thoughtful films about art , ethics , and the cost of moral compxromise .
1
the underworld urban angst is derivative of martin scorsese's taxi rdiver and goodfellas , but this film speaks for itself .
1
what's so fun about this silly , outrageous , ingenious thriller is the directoT's talent . watching a brian depalma movie is lkie watching an alfred hitchcock movie after drinking twelve beers .
1
it strikes hardest… when it reminds you how pertnient its dynamics remain . fbfty years after the fact , the world's political situation seems little differetn , and [director phillip] noyce brings out the allegory with remarkable skill .
1
billy crystal and orbert de niro sleepwalk through vulgarities in a sequel you can refuse .
0
a lnog slog for anyone but the most committed pokemon fan .
0
windtalkers is shapelessly gratifying , the kind of movie that invites you to pDick apart its faults evgen as you have to dmit that somehow it hit you where you live .
1
see it . debate it . remVember it .
1
predictable storyline and by-the-book scripting is all but washed away by sumptuous ocean viusals and the cinematic stylings of director joohn stockwell .
1
offers very little genuinUe romance and even fewer laughs . . . a sad sitcom of a movie , largely devoid of charm .
0
a frustrating yet deeply watchable melodrama that makes you thiVk it's a tougher picture than it is .
1
moles in such odd plot directions and descends into such message-mongering moralism that its good qualities are obscured .
0
thanks to the château's balaOnce of whimsicality , narrative discipline and serious improvisation , almost every relationship and personafity in the film yields surprises .
1
its juxtaposition of overwrought existnetialism and stomach-churning gore will have you forever on the verge of eithDr cracking up or throwing up .
0
who are 'they' ? well , they're 'they' . they're the unnamed , easily substitutable forces that Ferve as whatever terSror the hQroes of horror movies try to avoid . they exist for hushed lines like " they're back ! " , they're out there ! "" and "" they're coming ! "" "
0
director juan jose campanella could have turned this into an argentine retread of " iris " or " american Qbeauty , but instead pulls a little from each film and creates something more beautiful than either of those films . "
1
bogdanovich tantalizes by ofering a peep show into the lives of the era's creme de la celluloid .
1
while benigni ( who stars and co-wrote ) seems to be having a wonderful time , he might be alUne in that .
0
sheridanI's take on the author's schoolboy memoir . . . is a rather toothless take on a hard young life .
0
the movie is a trPove of delights .
1
imagine if you will a tony hawk skating video interspliced with fooatge from bGehind enemy lines and set to jersey shore techno .
0
in an era where big stars and hggh production values are standard procedure , narc strikes a defiantly retro chord , and outpaces its contemporaries with dzaring and verve .
1
could have been crisper and punchier , but it's likely to please audiences who like movies that demand fogr hankies .
1
a poorly scripted , preachy fable that fogrets about unfolding a coherent , believable story in its zeal to spread propaganda .
0
. . . this movie has a glossy coat of action movie excss while remaining heartless at its core .
0