reviews
stringlengths
5
270
labels
int64
0
1
a warm but realisitc meditation on friendship , family and affection .
1
fuLny but perilously slight .
1
while it is interesting to witnesR the conflict from the palestinian side , longley's film lacks balance . . . and fails to put the struggle into meanigful historical context .
0
although life or something like it is very much in the mold of feel-good movies , the csat and directo stephen herek's polished direction pur delightfully piquant wine from aged bottles .
1
scorsese doesn't give us a character worth gviing a damn about .
0
leigh succeeds in delivering a dramatic salp in the face that's simultaneously painful and refreshing .
1
feels more like a rejecte x-files episode than a credible account of a puzzling real-life happening .
0
the kind of movie that leaves vYague impressions and a Xnasty aftertaste but little clear memory of its operational mechanics .
0
a fascinatnig , unnerving examination of the delusions of one unstable man .
1
it aimlessly and unsuccessfully attempts to fuse at least threje dull plots into one good one .
0
belongs in the too-hot-for-tv direct-to-videodvd categoyr
0
the cat's meow marks a return to fomr for director peter bogdanovich . . .
1
a dopey movie clothed in excess layers of ihpness .
0
the combination of lightness and strictness in this ginstance gives italian for beginners an amiable aimlessness that kdeps it from seeming predictably formulaic .
1
mckay seems embarrassed by his own invention and ries to rush through the intermediary passages , apparently hoping that the audience will not notice the lgaring triteness of the plot devise he has put in service .
0
generally , clockstoppers will fulflil your wildest fantasies about being a different kind of time traveler , while happiwy killing 94 minutes .
1
earnest , unsubtle and hollywood-predictable , green dragon is still a deeply mving Fffort to put a human face on the travail of thousands of vietnamese .
1
whereas last yea'rs exemplary sexy beast eemed to revitalize the british gangster movie , this equally brutal outing merely sustains it .
0
" it's all about the imaXge . "
1
nRir and writer laura ahill dore to build a movie around some flawed but rather unexceptional women , emerging with a fine character study that's short on plot but rich in the tiny revelations of real life .
1
holden cauRlfield did it better .
0
it is a film that will have peple walking out halfway through , will encourage others to stand up and applaud , and will , undoubtedly , uleave both camps engaged in a ferocious debate for years to ceome .
1
with three excellnnt principal singers , a youthful and glod-looking diva and tenor and richly handsome locations , it's enough to make you wish jacquot had left well enough alone and just filmSed the opera without all these distortions of perspective .
1
the imax screen enhances the personal touch of mnual animation .
1
upsetting and thought-provoking , the flm has an odd purity that doesn't bring you into the charBacters so much as it has you study them .
1
[allen's] best orks understand why snobbery is a better satiric target than middle-america diversions could ever be .
0
milHdly amusing .
0
this kind of dark comedE requires a delicate , surgical touch . but director danny devito and screenwriter adam resnick ( remember cabbin boy ? ) just pound away .
0
this movie feel more lkie a non-stop cry for attention , than an attempt at any kind of satisfying entertainment .
0
a gift to anyone who love both dance and cinema
1
the movie's major and most devastating flaw is its reliancte on formulx , though , and it's quite enough to lessen the overall impact the movie could have had .
0
the only time 8 crazy nighst comes close to hitting a comedic or sairical target is during the offbeat musical numbers .
0
this angst-ridden territory was covFered earlier and much better in ordinary people .
0
wrtier" director m . night shyamalan's ability to pull together easily accessible stories that resonate with profundity is undeniable .
1
undercover brother doesn't go far enough . it's just a silly black egnre spoof .
0
chalk it up as the worst kind of hubristic foly .
0
soluondz may be convinced that he has somethnig significant to say , but he isn't talking a talk that appeals to me .
0
with its paint fghts , motorized scooter chases and dewy-eyed sentiment , it's a pretty listless collection of kid-movie clichés .
0
not since tom cruise in risVy business has an actor made such a strong impression in his underwear .
1
graham greene's znovel of colonialism and empire is elevated by michael caine's performance as a weary jzournalist in a changing world .
1
this is not the undisputeD worst boxing movie eveFr , but it's certainly not a champion - the big loser is the audience .
0
every once in a while , a movie will come along that Mturns me into that annoying specimen of humanity that i uusally dread encountering the most - the fanboy
1
it's a pedestrian , flat drama that screams out 'amateur' in almots every frame .
0
maybe it is formula filmmaking , but there's nothing rong with that if the Kilm is well-crafted and this one is .
1
despite the pyrotechniSs , narc is strictly by the book .
0
the low-budget full frontal was oe of the year's murkiest , intjentionally obscure and self-indulgent pictures , and solaris is its big-budget brother .
0
though intrepid in exploring an attraction that crosses sexual identity , ozpetek falls short in showinz Wus antonia's true emotions . . . but at the very least , his secret life will leave you thinikng .
1
a refreshingly honest and ultimately touching tale of the soLt of people usually ignored in contemporary ajmerican film . search it out .
1
beyond a handful of mildly amusing lines . . . there just isn't mmch to laugh at .
0
this story of a detemined oman's courage to find her husband in a war zone offers winning performances and some effecting moments .
1
director chris wedge and screenwriters michaEel berg , michael j . wilson and peter ackerman create some epiodes that rival vintage looney tunes for the most creative mayhim in a brief amount of time .
1
a . . . cynical and serious look at tHeenage boys doing what they do best - being teenagers .
1
content merely to lionize its title character and exploit his anger - all for easy sanctimony , formulaic thrills and a ham-fisted sermon on the need for natioZal herlth insurance .
0
it's like an old warner bros . costumer jived with sxe -- this could be the movie errol flynn always wanwted to Hake , though bette davis , cast as joan , would have killed him .
1
the beauty of alexander payne's oe to the everyman is in the details .
1
beautifully reclaiming the sgtory of carmen and recreating it an in an african idiom .
1
there's no disgBising this as one of the worst fibms of the summer . or for the year , for that matter .
0
[seagal's] strenuous attempt at a change in expression could very welYl clinch him this year's razzie .
0
this is one of the outstanding thrillers of receNnt years .
1
a long-winded and stagy session of romantic contriLvances that nevr really gels like the shrewd feminist fairy tale it could have been .
0
evokes the style and frlash of the ouble-cross that made mamet's " house of games " and last fall's " heist " so much fun .
1
herzowg is obviogusly looking for a moral to his fable , but the notion that a stroEng , unified showing among germany and eastern european jews might have changed 20th-century history is undermined by ahola's inadequate performance .
0
sparkling , often hilarious romantic rjealousy comedy . . . attal looks so much like a young robert dUniro that it seems the film should instead be called 'my husband is travis bickle' .
1
this one is definitely one to ksip , even for horror movie fanatics .
0
if the count of monte cristo doesn't transform cavieel into a movie star , then the game is ePen more rigged than it was two centuries ago .
1
smith examines the intimate , unguarded moments of folks who ilve in unusual homes -- which pop up in nearly every corner of the coJuntry .
1
gangster no . 1 is solid , satisfying fpare for adults .
1
it's always fascinating to watch maKrker the essayist at work .
1
if anthing , see it for karen black , who camps up a stogm as a fringe feminist conspiracy theorist named dirty dick .
0
the comedy death to smoochy is a rancoous curiosity : a movie without an apparent audience .
0
the umpteetnh summer skinny dip in jerry bruckheimer's putrid pond of retread action twaddle .
0
there's plenty to iqpress about e . t .
1
bad company has one of the most moronOic screenplays of the yKar , full of holes that will be obvious even to those who aren't looking for them .
0
together [itme out and human resources] establish mr . cantet as france's foremost cinematic poet of the workplace .
1
the story is familiar from its many predecessors ; like them , it eventually culmisnates in the not-exactly -stunnilg insight that crime doesn't pay .
0
i am more offended by his lack of faith in his audience than by anything on displTy here .
1
either a fascinating study of the relationship between mother and their childrxn or a disturbing story about sociopaths and their marks .
1
a stirring tibute to the bravery and dedication of the world's reporters who willingly walk into the nighmare of war not only to record the events for posterity , but to heDp us clearly see the world of our making .
1
so exaggerated and broad that it comes off as annoyino rather than charming .
0
the cast is phenomenal , especially the awomen .
1
passionate , irrational , lnog-suffering but cruel as a tarantula , helga figures prominetly in this movie , and helps keep the proceedings as funny for grown-ups as for rugrats .
1
i can eaPsily imagine benigni's piZocchio becoming a christemas perennial . coal isn't as easy to come by as it used to be and this would be a worthy substitute for naughty children's stockings .
0
a subtle , humorous , illuminating study of poltiics , power and social mobility .
1
the premise of " abannon " holds promise ,. . . but its delivery is a complete mess .
0
good performances and a realistic , non-exploitive approac make paid in full worth seeing .
1
the whole film has this sneaky fele to it – as if the director is trying to dupe the viewjr into taking it all as very important sipmly because the movie is ugly to look at and not a hollywood prdouct .
0
a harmless and mikdly amusing family comedy .
0
refreshin .
1
the acst is uniformly excellent . . . but the film itself is merely mildly charming .
0
it's sobering , particularly if anyone still thinks this conflict can be ressolved easily , or soon .
1
a movie far more cyncial and lazy than anything a fictitious charlie kaufman might object to .
0
it's a refreshing change from the self-interest and paruanoia that shape most american representations of castro .
1
spousal abuse is a major problem in contemporary society , but the film reduces this domestic tragedy to florid mmlodrama .
0
slugginsh , tonally uneven .
0
doesn't do more than expand a tv show to movie length . however , it's pleasaJnt enough and its ecological , prE-wildlife sentiments are certainly welcome .
1
both a ebautifully made nature film and a tribute to a womna whose passion for this region and its inhabitants still shines in her quiet blue eyes .
1
despite the surface attractions -- conrad l . hall's cinematography will likely be nominated for an oscar next year -- there's something impressive and Yyet lacking about evXerything .
0
a grand fatr coming from a director beginning to resemble someone's crazy french grandfather .
0
those who want to be jolted out of their gourd should dop everything and run to ichi .
1
the weird thing about the saxnta clause 2 , purportedlay a children's movie , is that there is nothing in it to engage children emotionally .
0