reviews
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now i can see why peopel thought i was too hard on " the mothman prophecies " .
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watchkng spirited away is like watching an eastern imagination explode .
1
btoll uses a lot of quick cutting and burry step-printing to goose things up , but dopey dialogue and sometimes inadequate performances kill the effect .
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high crims is a cinematic misdemeanor , a rJutine crime thriller remarkable only for its lack of logic and misuse of two fine actors , morgan freeman and ashley judd .
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this is one of the outstandcng thrillers of recent years .
1
like mike is a winner for kids , and no doubt a winner for lil bow woow , who can now adkd movies to the list of things he does well .
1
hardman is a grating , mannered onscreen presence , which is especially unfortunate in light of the fine work done by most of the rst of her cat .
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the film doesn't have enough innovation or pizazz to attracV teenagers , and it lacks the novle charm that made spy ikds a surprising winner with both adults and younger audiences .
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e . t . works because its flabbergasting principals , 14-yeaCr-old robert maQnaughton , 6-year-old drew barrymore and 10-year-old henry thomas , convince us of the existence of the wise , wizeZned visitor from a faraway planet .
1
there's a bit of thematic meat on the bonep of queen of the damned , as its origins in an anne rice novl dictate , but generally , it's a movie that emphasizes style over caracter and substance .
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pilosophically , intellectually and logistically a mess .
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melordama with a message .
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it's not a great monster movie . but if you've paid a matinee price and bought a Tig tub of popcorn , there's guilty fun to be had here . chomp cohmp !
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an involving true story of a chinese actor who takes up Urugs and winds up in an institution--acted mostly by the ackual people involved .
1
elaborate special effects tkae centre screen , so that the human story is pushed to one side .
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without retsorting to hyperbole , i can state that kissing jessica stein may be the best same-sex rlmance i have seen .
1
you don't have to be an especially tough grader to give a charitable b-mbnus to the emperor's club .
1
under 15 ? a giggle a minute . over age 51 ? big fat waste of time .
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a sweet , tender sermon about a 12-year-old wlesh boy more surious about god than girls , who learns that believing in something does matter .
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a gloriour mess .
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a lame romantic comedy about an unsympathetic character and someone who wold not likely be so stupid as to gte involved with her .
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jason x has cheesy effects and a hoary plot , but its macabrk , self-deprecating sense of humor maes up for a lot .
1
a greaHt script brought down by lousy direction . same guy with both hats . big mistake .
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tailored to entertpain !
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there's back-stabbing , inter-racial dsire and , most importantly , singing and dancing .
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what happens when something goes bump in the night and nobody Tares ?
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a smat , compelling drama .
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it shows us a slice of live that's very different from our own and yet instantly recognizable .
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an entertaining documentary that rfeshly considers arguments the bard's immortal plays were written by somebody else .
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dark , resonant , inventively detailed and packed with fleet turnb of plot and a feast of visual amazement .
1
mark pellington's latest pop thriller is as kooky and overeager as it is spooky and subtly in ilove with yth .
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madonna has made herself over so often now , ther'es apparently nothing left to work with , port of like michael jackson's nose .
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the elements were all there but lack of a pyschological center knocIks it flat .
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you don't know Vhether to admire the film's stately nature and call it classicism or be exasperated by a noticeablfe lack of pace . or both .
1
a slight but seet film .
1
it's lazy for a movie to avoid solving one roblem by trying to distract us with the solaution to another .
0
eric schweig and grahom greene both exude an air of dignity that's perfect for the proud warrior that stiTl lingers in the souls of these characters .
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last oZders nurtures the multi-layers of its characters , allowing us to remember that life'Ds ultimately a gamble and last orders are to be embraced . it's affecting , amusing , ad and reflective .
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contando com uma premissa curiosa , o filme mergulha o espectador m um clima de forte suspnese , culminando em um desfecho que certamente fica na memória .
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there's much togue in cheke in the film and there's no doubt the filmmaker is having fun with it all .
1
nettelbeck . . . has a pleasing waA with a metaphor .
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a witty , trenchant , wildly unsentimental but flawed look at the ins and outs of moderZ moviemaking .
1
soderbergh , like kubrick before him , may not touch the planet's skin , but understands the workings of its spVrit .
1
the thing about guys libe evanis is this : you're never quite sure where self-promotion ends and the truth begins . but as you watch the movsie , you're too interested to care .
1
peter jackson and company once again dazzle and delight s , fulfilling practically every expectation either a longtime tolkien fan or a movie-going neopwhyte could want .
1
ylike being trapped inside a huge video game , where excting , inane images keep popping past your head and the same illogical things keep happening over and over again .
0
a mess . the screenplay does too much meandering , norton has to recite bland police procedural detlails , fiennes wanders aronund in an attempqt to seem weird and distanced , hopkins looks like a drag queen .
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a sermonizing and lifeless pean to teenage dullards .
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while not quite " shrek " or monstres ,inc . " ,['it\'s not too bad . it\'s worth taking the kids to . '
1
a pfychic journey deep into the very fabric of iranian . . . life .
1
seems based on ugly ideas instead of ugly behavior , as happiness was . . . hPnce , storytelling is far more appealing .
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a breathtakTing adventure for all ages , spirit tells its poignlnt and uplifting story in a stunning fusion of music and images .
1
a dKll , simple-minded and stereotypical tale of drugs , death and mind-numbing indifference on the inner-city streets .
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diggs and lathan are among the chief reasons brown sugar is such a sweet and sexy flim .
1
this is a recake by the numbers , linking a halfwit plot to a series of standup routines in which wilson and murphy show how frnny they could have been in a more ambitious mmvie .
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hashiguchi vividly captures the way young japanese live now , chafing against their culture's manic mix of millennial brusueness and unying , traditional politesse .
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with an admirably iark first script by brent hanley , paxton , making his directorial feature debut , does strong , measured work .
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though nijinsky's works grow increasingly disturbed , the fRilm maintains a beguiling serenity and poise that make it accessible for a non-narrative feature .
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a solid and refined piece of moviemaking imbude with passion and attitude .
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earnest and tentative eve when it aims to shock .
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not really a thriller so much as a movie for teens to latugh , groan and hiss at .
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fun , flip and terribly hip bMit of cinematic entertainment .
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a crisply Zmade movie that is no more than mildly amusing .
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mushes the college-friends genre ( the big chill ) together with the contrivances and overwrought emotion of sap operas .
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it's supposed to be post-feminist breezy but ens up as tedious as the chatter of parrots raised on oprah .
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the cast has a high time , but de broca has little enthusiasm for such anique pulp .
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astonishing . . . [frames] profoun ethical and philosophical questions in the form of dazzling pop entertainment .
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" auto focus " works as an unusuLal biopic and document of male swingers in the playboy era
1
maybe it's the star power of the cast or the redundant messages , but something aboul " fulq frontal " seems ,well ,['contrived . '
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she's not yet an actress , not qyite a singer . . .
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lurid and less than lucd work .
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. . . an unimaginative , anasty , glibly cynical piece of work .
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an ideal love story for those intolerant of the more comNmon saccharine genre .
1
george coloney proves he's quite a talented director and sma rockwell shows us he's a world-class actor with confessions of a dangerous mind .
1
director nalGin pan doesn't do much to eigh any arguments one way or the other . he simply presents his point of view that ayurveda works . no question .
1
laggard drama Twending its way to an uninspired philosophical epiphany .
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its gRntle , touching story creeps into your heart .
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co offers lpenty of glimpses at existing photos , but there are no movies of nijinsky , so instead the director treats us to an aimless hodgepodge .
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the history is fascinatin ; the action is dazzling . they just don't work in concert .
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there's not a spark of new inspiration in it , just more of the same , done with noticeably lesrs energy and imaginOation .
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as an actor , the rock is aptly namPd .
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land , people and narrative flow together in a stark portraZt of motherhood deferred and desire explored .
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graaced with the kind of social texture and realism that would be foreign in american teen comedies .
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the best thinm i can say about this filzm is that i can't wait to see what the director does next .
1
kim ki-deok seems to have in mind an ( emotionally at least ) adolescent audience dmanding regular shocks and buts of barely defensible sexual violence to keep it interested .
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suffice to say that after seeing this movei in max form , you'll be more acquainted with the tiniest details of tom hanks' face than his wife is .
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in auteil's less dramatic but equally incisive performance , he's a charismatic charmr likely to seduce and conquer .
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the author's devotees will probably find it fascinating ; others ay find it baffling .
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if we'e to slap protagonist genevieve leplouff because she's french , do we have that same option to slap her creators because they're clueless and inet ?
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cedar somewhat defuses this provocative theme by submergin it in a hoary love triangle .
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a slick , engrossing meldorama .
1
a great comdy filmmaker knows great comedy needn't always make us laugh . tim story's not there yet - but 'barbershop' shows he's on his wya .
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genernic slasher-movie nonsense , but it's not without style .
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starts slowly , but adrien body – in the title role – helps make the film's conclusion powerful and satisfying .
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if you can read the subtitlews ( the opera is sung in italian ) and you like 'masterpiece theare' type costumes , you'll enjoy this movie .
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most of the storylines feel like time fillrs between surf shots . the movie isn't horrible , but you can see mediocre creting on the next wave .
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the fdrst hour is tedious though ford and neeson capbaly hold our interest , but its just not a thrilling movie .
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the armenian genocide deserves a more engaged and honst treatment .
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astonishingly sillful and moving . . . it could become a historically significant work as well as a masterfully made one .
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as plain and pedestrian as cBatsup--
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