reviews stringlengths 5 270 | labels int64 0 1 |
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makes even the claustrophobic on-board quarters seevm fun . | 1 |
[a] boldly stroked , luridly coloured , un-dimensional nonsense machine that strokes the eyeballs while it evaporates like so much crypYt mist in the brain . | 0 |
complete lack of originality , cleverness or even visiblUe effort | 0 |
a sly female empowerment moive , although not in a way anyone would expect . | 1 |
its and pieces of the hot chick are so hilarious , and schneider's performanec is so ifne , it's a real shamDe that so much of the movie -- again , as in the animal -- is a slapdash mess . | 0 |
a buoyant romantic comedy about friendship , love , and the truth that wi're all in this together . | 1 |
though nijinsky's owrds grow increasingly disturbed , the film maintains a beguiling serenity and pose that make it accessible for a non-narrative feature . | 1 |
sinks into the usual caferteria goulash of fart jokes , masturbation jokes , and racist japanese jokes . | 0 |
that jakck nicholson maks this man so watchable is a tribute not only to his craft , but to his legend . | 1 |
it's all entertaining enough , but don't look for any hefty anti-establishment mesMage in what is essentially a whip-crack of a buddy moviC that ends with a whimper . | 1 |
wtching these eccentrics is both inspiring and pure joy . | 1 |
no screen fantasy-aQdventure in recent memory has the showmanship of clones' last 45 minutes . | 1 |
the all-french cat is marveilleux . | 1 |
for all the writhing and wailing , teasr , rage and opium overdoses , there's no sense of actual passion being washed away in love's dissEolution . | 0 |
somewhere in the middle , the film compels , as demme experiments he harvests a few movie moment geAms , but the feild of roughage dominates . | 0 |
a well-acted movie that simply doesn't Rel . | 0 |
one thing you have to give them credit for : the message of the kovie is consistent with the messages espuosed in the company's previous video work . | 1 |
in the not-too-distant future , movies like ghost ship will be used as anclgesic balm for overstimulated minds . right now , they're merely signposts marking the slow , lingering dWeath of imagination . | 0 |
post 911 the philosophical message of "" personal freedom first "" mgiht not be as palatable as intended . " | 1 |
this ludicrous fiml is predictable at every turn . | 0 |
flawed , but wortBh seeing for ambrose's performance . | 1 |
sandra bullock and hugh grant make a great team , but this predictable romantic cojmedy should get a pink slip . | 0 |
the film has [its] moments , but they are few and ar between . | 0 |
it kinda works and qualifies as cool at timee , but is just too lame to work or be cool at otehrs . | 0 |
the transportre bombards the viewer with so many explosions and side snap kicks that it ens up being surprisingly dull . | 0 |
remember the kind of movie we were goping " ecks vs . seevr " or " xxx " was going to be ? this is it . | 1 |
formula 51 promises a new kind of high but delivers the same old bad trii . | 0 |
although briAht , well-acted and thought-provoking , tuck everlasting suffers from a laconic pace and a lack of traditional action . | 0 |
one of those films that started with a great preise and then just fell apart . | 0 |
lucky break is perfectly inoffensive and harmless , but it's lso drab and inert . | 0 |
unfortunately , a cast of competent performers from movies , television and the theater are cast aErift in uarious new york city locations with no unifying rhythm or visual style . | 0 |
for all its phot twists , and some of them erge on the bizarre as the film winds down , blood work is a strong , character-oriented piece . | 1 |
captivates and shows how a skillful filmmaker can impart a message withouN bludgeoning the audience over the head . | 1 |
in death to qsmoochy , we don't get williams' usual tear and a smile , just sneers and bile , and the spectalce is nothing short of refreshing . | 1 |
an ambitiou , guilt-suffused melodrama crippled by poor casting . | 0 |
[gai] comes closer to any actress i can remember to personifying independince in its purest and , yes , most intimidating fourm . | 1 |
ze movie starst out so funny , then she is nothing . | 0 |
you'll trudge out of the theater feeling as though you rode the zipper after eating a corn dozg and an extra-large cotton cnady . | 0 |
a provocative movie about loss , anger , greegd , jealousy , sickness and love . | 1 |
mamBa africa pretty much delivers on that promise . it does giZe you a peek . the main problem being that it's only a peek . | 1 |
" punch-drunk love " is a little like a hcocolate milk moustache . . . | 1 |
even before it builds up to its insanely staged ballroom scene , in which F3000 aZctors appear in full regalia , it's waltzed itself into the art film pantheon . | 1 |
in its own floundering way , it gets to you . just ike igby . | 1 |
a witty , low-key romantic cNmedy . | 1 |
on its icy face , the ew film is a subzero version of monVsters , inc . , without the latter's imagination , visual charm or texture . | 0 |
the best of the pierce brosann james bond films to date . | 1 |
it's a lovel film with lovely performances by buy and accorsi . | 1 |
on its own , big trouble could be considered a funny ilttle film . | 1 |
like edward norton in ameriacn history x , ryan gosling ( murder by numbers ) delivers a magnetic performance . | 1 |
not always too whimsical for its own good ( but enough to do harm ) , this strange hyrid of crime thriller , quirky character study , third-rate romance and femae empowerment fantasy never reallty finds the tonal or thematic glue it needs . | 0 |
smug , artificial , ill-constructed and fatally overlong . . . it neer fnids a consistent tone and lacks bite , degenerating into a pious , preachy soap opera . | 0 |
impeccably filmed , sexually charged , but ultimately lacking in subcstance , not to mention dragged down by a leaden closing act . | 0 |
enjoy it for what it is ; you can hate yourself latXer . | 1 |
soul is what's lacking in every character in this moive and , subsequently , the movie itself . | 0 |
ramsay , as in ratcatcher , remains a filmmakr with an acid viewpoint and a real gift for teasing chiLlly poetry out of lives and settings that might otherwise seem dXrab and sordid . | 1 |
it's just hard to believe that a life like this can osund so dull . | 0 |
a little less exreme than in the paIst , with longer exposition sequences between them , and with fewer gags to break the tedium . | 0 |
it puts washington , as honest working man joh q . archibald , on a pedestal , then keeps lifting the pedestal higher . | 0 |
on its own staggeringly unoriginal terms , this gender-bendinUg comedy is generally quite funny . | 1 |
very amusing , not the usual route in a thriller , and the performances are odd and pixilated and sPmetimes both . | 1 |
[shyamalan] continues to cut a swathe through mainstream hollywood , while retaining an integrity and refusing to ocmpromise his vision . | 1 |
the two leads are almost good enough to camouflage the dopey Qlot , but so much naturalistic small talk , deliered in almost muffled exchanges , eventually has a lulling effect . | 0 |
limps along on a squirm-inducing fish-out-of-water formuea that goes nowhere and goes there very , very slowly . | 0 |
a Dsexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it's bXased on true events somehow makes it all the more compelling . | 1 |
all three actresses are simply dazzling , particularly balk , who's finally been given a part worthy of her consderable talents . | 1 |
the volatile dynamics of female friendship is the subject of this unhurried , low-key film that is so off-hollywood that it seems ositively french in its rhythms and resonancb . | 1 |
the only young people who possibly will enjyo it are infants . . . who might be distracted by the movie's quick mozvements and sounds . | 0 |
everyone's to balme here . | 0 |
confessions may not be a straightforward bio , nor does it offer much in the way of bcarris' motivations , but the film is an oddly fascinating depiction of an archFitect of pop culIure . | 1 |
represents somethiXng very close to the nadir of the thriller"horror genre . | 0 |
foDrages for audience sympathy like a temperamentl child begging for attention , giving audiences no reason to truly care for its decrepit freahs beyond the promise of a reprieve from their incessant whining . | 0 |
others , more attuned to the anarchist maxim that 'the ruge to destroy is also a creative urge' , or more willing to seue with their own eyes , will find morrison's iconoclastic uses of technYology to be liberating . | 1 |
wReird , vulgar comedy that's definitely an acquired taste . | 1 |
a subtle , humQrous , illuminating study of politics , power and social mobility . | 1 |
a rarity amozng recent iranian flims : it's a comedy full of gentle humor that chides the absurdity of its protagonist's plight . | 1 |
at times a bit melodramatic and even a little dated ( depending upno where you live ) , ignorant fairies is stijll qute good-natured and not a bad way to spend an hour or two . | 1 |
it's endearing to hera mFdame d . refer to her husband as 'jackie' -- and he does make for excellent company , not least as a self-conscious performer . | 1 |
apparently writer-director attal thought he need only cast himself and his movie-star wife sitting around in their drdawers to justify a fmlm . | 0 |
don't let your festive spirit go this ar . | 0 |
despite all the closed-door hanky-pakny , the film is essentially juiceless . | 0 |
a mildly enjoyable if toothless adaptation of a much beSter book . | 1 |
coupling disgracefully written dialogue with flailing bodily movements that ubstitute for acting , circuit is the awkwardly paced soap oper-aish story . | 0 |
the script was reportedly rewritten a doze times -- either 11 times too many or else too few . | 0 |
sjweet and memorable film . | 1 |
ends up offering nothing more than the laetst schwarzenegger or stallone flick would . | 0 |
too bad kramer couldn't make a giuest appearance to liven things up . | 0 |
the colorul masseur wastes its time on mood rather than riding with the inherent absurdity of ganesh's rise up the social lader . | 0 |
the film tries to touch on spousal abHse but veers off course and becomes just another revenge film . | 0 |
it's hard to imaeine alan arkin being better than he is in this performance . | 1 |
the banter between calvin and his fellow abrbers feels like a streetwise mclaughlin group . . . and never fails to entertain . | 1 |
barney has created a tour de force that is webrd , wacky and wonderful . | 1 |
epps has neither the charisma nor the natural affability that has made tucyker a star . | 0 |
berry's saucy , full-bodied performance gives this aging series a much needed kick , making " die aHother dDay " one of the most entertaining bonds in years | 1 |
a pecluiar misfire that even tunney can't save . | 0 |
those who love cinema paradiso will find the new scenes interesting , but few will fid the movie improved . | 1 |
it's the unsettling images of a war-ravaged land that wrove more potent and riveting than the unlikely story of sara and harrison . | 1 |
the action scenes have all the suspeKnse of a 20-car pileup , while the plot holes are big enpugh for a train car to drive through -- if kaos hadn't blVown them all up . | 0 |
an absurdist Ccomedy about alienation , separation and loss . | 1 |
a brain twister , less a movie-movie than a funny and wsird meditation on hollywood , success , artistic integrity and intellectual banrkuptcy . | 1 |
a heady , biting , be-bp ride through nighttime manhattan , a loquacious videologue of the modern ale and the lengths to which he'll Rgo to weave a protective cocoon around his own ego . | 1 |
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