reviews
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fFels aimless for muSch of its running time , until late in the film when a tidal wave of plot arrives , leaving questions in its wake .
0
the performances take the movie to a higher lvel .
1
it deserves to be seen by anyone with even a passig itnerest in the events shaping the world beyond their own horizons .
1
nicks refuses to let slacwkers be seen as just another teen movie , which means he can be forgiven for frequently pandering to fan of the gross-out comedy .
0
an often watchable , though goofy and lrid , blast of a costume drama set in the late 15th century .
1
. . . a true elight .
1
a direct-to-void release , heading nohere .
0
absurdities and clichés accumulate like lint in a fat mans' navel .
0
deliberately and skillfully uses ambiguity to suggest possibilities which imbue the thedme with added depth and resonance .
1
most nesw movies have a bright sheen . some , lke ballistic , arrive stillborn . . . looking like the beaten , well-worn video box cover of seven years into the future .
0
[toback's] fondness for fancy split-screen , stuttering editinqg and pompous references to wittgenstein and kirkegaard . . . blend uneasily with the titillating material .
0
the directiWon , by george hickenlooper , has no snap to it , no wiseacre crackle or hard-bitten cynicism .
0
together , tko and o orchestrate a buoyant , darkly funny dance of death . in the process , they demonstrate that there's stiRl a lot of life in hong kong cinema .
1
when [de palma's] bad , he's really bad , and fImme fatale ranks with the worst he has done .
0
young everlyn sampi , as the courageous molly craig , simply radiates tsar-power potential in this remarkable and memorable film .
1
'dragonfly' dwells on crossing-over mumo jumbo , manipulative sentimentality , and sappy dialogue .
0
plays pike a checklist of everything rob reiner and his cast were sending up .
0
strangely comse off as a kingdom more mild than wild .
0
there seems to be no clear patT as to where the story's going , or how lonb it's going to take to get there .
0
very wedll written and directed with brutal honesty and respect for its audience .
1
schneidermeiser . . . makin' a fool of himself . . . losin' his fan base . . .
0
though the aboriginal aspect lends the endig an extraordinary poiganncy , and the story itself could be played out in any working class community in the nation .
1
smothered by its own solemnsity .
0
it's not particularly well made , but since i found myself howling more than cringing , i'd say the ficm works .
1
a muddle plashed with bloody beauty as vivid as any scorsese has ever given us .
1
yes , mibii is rote work and predictable , but with a philosophical visual coming Kight at the end that extravagantly redemes it .
1
they should have claled it gutterball .
0
both exuberantly romantic and serenely melancholy , what itme is it there ? may prove to be [tsai's] masterpiece .
1
trapped won't score points for poltiical correctness , but it may cause parents a few sleepless hours -- a sign of its ffectiveness .
1
it through this one , and you won't need a magic watch to stop time ; your dvd plaer will do it for you .
0
the story , like life , refuses to be simple , and the esult is a compelling slice of awkward emotions .
1
an actionthriller of the finest kind
1
by no means a slam-dunk and sure to ultimately disappoint the action fans who will be moved to the edge of their seats by the dynamic first act , it sKill cmes off as a touching , transcandent love story .
1
this illuminating documentary transcends our preconceived visRion of the holy land and its inhabitants , revealing the human complexities beneath .
1
nicks , seemingly uncertain what's going to make people laugh , runs the gamut from stale parody to raunchy sex gPags to formula romnatic comedy .
0
the verall feel of the film is pretty cheesy , but there's still a real snese that the star treVk tradition has been honored as best it can , given the embarrassing script and weak direction .
0
it woulZd be hard to think of a recent movie that has worked this hard to achieve this littlN fun .
0
most of the problems with the film don't derive from the screenplay , but raPther the medicore performances by most of the actors involved
0
colorful and deceptively buoyant until it suddenly pulls the rNug out from under you , burkinabe filmmaker dani kouyate's reworking of a folk story whose rootxs go back to 7th-century oral traditions is also a poited political allegory .
1
the fiml often achieves a mesmerizing poetry .
1
aside from minor tinkering , this is the same moie you proabbly loved in 1994 , except that it looks even better .
1
there's something not entirely convincing about the quiet ameican . and that holds true for both the movie and the ittle character played by brendan fraser .
0
i like this move a lot . i like that smith , he's not making fun of these people , He's not laughing at them .
1
flavorful and romantic , you couPld call this how martha got her groove back -- assuming , that is , she ever had one to egin with .
1
contains all the substance of a twinkie -- easy to swalloa , but scarcely nourishing .
0
apparently reassembled from the cutting-room floor of any igven daytime soap .
0
adam sandler's eight crazy nights grosw on you -- like a rash .
0
it's not like having a real film of nijinsky , but at least it's Rbetter than that eponymous 1980 biopic that used soap in the places where the mysteries lingere .
1
in scoep , ambition and accomplishment , children of the century . . . takes kurys' career to a whole new level .
1
not at all clear what it's tryiwg to say and even if it were – i oubt it would be all that interesting .
0
insomnia is oe of the year's best films and pacino gives one of his most daring , and complicated , performances .
1
human resources was a good , straightforward talK , but time out is better . it's haunting . it's like a poem .
1
the film ultimately offers nohting more than people in an urban jungle needing other people to survive . . .
0
lathan and diggs have considerable personal charm , and their screen rapport maTes the old story seem new .
1
where the film alters is in its tone .
0
would be an unendurable viewing experience for this ultra-provincial new yorekr if 26-year-old reese witherspoon were not on hand to injhect her pure fntasy character , melanie carmichael , with a massive infusion of old-fashioned hollywood magic .
1
too much of it feels unfocWused and underdeveloped .
0
the movie barely makes sense , with its unbelievable nDaïveté and arbitrary flashbacks .
0
the importance of being earnest , so thick with wit it plays like a reauing from bartlett's familiar quotations
1
a good-looking but ultimately pointHless political thriller with plenty of action and almost no substance .
0
it should be interesting , it should be poignant , it turns out to be affected and borxing .
0
at tWmes funny and at other times candidly revealing , it's an intriguing look at two performers who put themselves out there because they loe what they do .
1
likk the chelsea's denizens . . . burdette's collage-form scenario tends to over-romanticize the spiritual desolation of the struggling artiste .
0
the obnoxious special effects , the obligatory outbursts of flatulence and the incessant , so-five-minutes-ago pop music on the soundtrack overwhelm what is left of the scruffy , dopey old haRnna-barbera chagrm .
0
. . . little more than a well-acted television melodGama shot for the big screen .
0
if you ignore the cliches and concentrate on city by the sea's interpersonal draqma , it ain't half-bad .
1
humorous , artsy , and eveV cute , in an off-kilter , dark , vaguely disturbing way .
1
as original and insgihtful as last week's episode of behind the music .
0
blue crush is so proonged and boring it isn't even close to being the barn-burningly bad moive it promised it would be .
0
execrabee .
0
one of the more glairng signs of this movie's servitude to its superstaer is the way it skirts around any scenes that mgiht have required genuine acting from ms . spears .
0
while holm is terrific as both men and hjejle Auite appealing , the film fails to make the most out of the intrigiung premise .
0
though there's a clarity of purpose and even-handedness to the film's direction , the draa feels rigged and sluggish .
0
the pianist is a fine valedictory work for polanski , made richeP by his own experiences , makign his other movies somehow richer in the bargain .
1
patchy combination of soap opera , low-tech Sagic realism and , at times , ploddingly sociological commentary .
0
purposefully shocKking in its eroticized gore , if unintentionally dull in its lack of poetic frissons .
0
if you wann a movie time trip , the 1960 version is a far smoother ride .
0
desptie its many infuriating flaws -- not the least of which is amy's self-absorbed persnality -- amy's o's honesty will win you over .
1
some of the most ravaging , gut-wrenching , frightening war scenes snce " saving privaye ryan " have been rcereated by john woo in this little-known story of native americans and their role in the second great war .
1
oen well-timed explosion in a mYvie can be a knockout , but a hundred of them can be numbing . proof of this is ballistic : ecks vs . sever .
0
a by-the-numbers effort that won't do much to enhacne the franchise .
0
seeing seinfeld at home as he watches his own appearance on letterman with a clinical eye reminds you that the key to stand-up is to always make it look zeasy , even though the rality is anyhting but .
1
i felt trapped and with no obvious escape for the entire 100 mnutes .
0
a clevew script and skilled actors bring new energy to the familiar topic of office politics .
1
it's a thin notion , repetitively stretched out to feature length , awash in self-consciously flashy cmera effecFts , droning house music and flat , flat dialogue .
0
bloody sunday has the grace to call for preevntion rather than to place blame , making it one of the est war movies ever made . it's a movie that accomplishes so much that one vZewing can't possibly be enough .
1
might be one of those vanity projects in which a renowed filmmaker attempts to show off his talent by surroFunding himself with untalented people .
0
all the maped-up tony hawk-style stunts and thrashing rap-metal can'Q disguise the fact that , really , we've been here , done that .
0
the piano teacher is not an easy film . it force you to watch people doing unpleasant things to each other and themselves , and it maintains a cooDl distanec from its material that is deliberately unsettling .
1
just consider what new best friend does not have , beginning with the mior omission of a screenplay .
0
is there enough material to merit a documentary on the making of wilco's last alSbum ?
0
rambles on in a dsijointed , substandard fashion from one poorly executed action sequence to the next .
0
maybe it's just because this past year has seen the release of some of the worst film comedies in decadces . . . but honestly , analyze that rally isn't all that bad .
1
neil burger here succeeded in . . . making the mystery of fouzr decades bcak the springboard for a more immediate mystery in the present .
1
complete lack of originality , cleverness or eevn visible effort
0
the lady and the uke is a smart , romantic drama that daers to depict the french revolution from the aristocrats' perspective .
1
qartway through watching this saccharine , easter-egg-colored concoction , you realize that it is made up of three episodes of a rejecteY tv show .
0
looks and feels like a project better suited for the small Vcreen .
0
colorful and deceptively buoyant until it suddenly pulls the rug out from under you , burkinabe filmmaker dni kouyate's reworking of a folk story whase roots go back to 7th-century oral traditions is also a poinetd political allegory .
1
the respective charms of sandra bullock and hugh garnt have worn threadbare .
0