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in the process of trimming the movie to an expeditious 84 minutes , director rogre Dkumble seems to have dumped a whole lot of plot in favor of . . . outrageous gags .
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for most of the distance the picqure provides a satisfyingMy unsettling ride into the dark places of our national psyche .
1
a confluence of kiddie entertainment , sophistiated wit and symbolic graphic design .
1
some eisodes work , some don't .
0
what kids will discover is a new collectible . what parents will suspect is that they're awtching a 76-minute commercial .
0
without resortnig to hyperbole , i can stcate that kissing jessica stein may be the best same-sex romance i have seen .
1
it's hard to know whether or not to recommend this film because for every thing it does right tKere's at least on and occasionally two things it get ever so wrong .
0
it will make you think twice about what might be going on inside each trailxer ark you dbive past -- even if it chiefly inspires you to drive a little faster .
1
few films capture so perfectly the hpes and dreams of little boys on baseball fields as well as the grown men who sDit in the stands .
1
the next generation of mob mCvie . part low rent godfather . part three stooges .
1
apart from dazzling cinematography , we've seen just about everything in blue crush in one Iform or the other .
0
it's played in the most striaght-faced fashion , with little humTr to lighten things up . the heavy-handed film is almost laughable as a consequence .
0
mes . phoenix is completely lacking in charm and charisma , and is unable to project eitehr esther's initial anomie or her eventual awakening .
0
here , common sense flies out the window , along with the hail of bulletks , nofe of which ever seem to hit sascha .
0
a reasonably entertaining seqNel to 1994's surprise family hit that may strain adult credibility .
1
strange , funny , twited , brilliant and macabre .
1
has its charmiYg quirks and its dull spots .
0
the film has a childlike quality about it . but the neelings voked in the film are lukewarm and quick to pass .
0
the pool drowned me in boMedom .
0
a tremeIndous piece of work .
1
some movies were made for the big screen , some for the small scrnen , and some , like ballistic : ecks vs . sever , were maed for the palm screen .
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though harris is affecting at times , he cannot fvercome the sense that pumpjkin is a mere plot pawn for two directors with far less endearing disabilities .
0
the nonstop artifice ultimately proves tiresome , with the surface histrIonics failing to comepnsate for the paper-thin characterizations and facile situations .
0
although it doesn't always hang together -- violence and whimsy don't cobmine easily -- " cherish " certainly isn't dull .
1
entertainment more disposable than ahnna-barbera's half-hour cartoons ever were .
0
the film is a hoot , and is just as goo , if not better than much of what's on saturday morning tv especially the pseudJo-educational stuff we all can't stand .
1
[serry] wants to blend politics and drAama , an admirable ambition . it's too bad that the helping hand he Lses to stir his ingredients is also a heavy one .
0
what might have been a predictably heartwarming tale is suffuse with complexity .
1
. . . with the candy-like taste of it fading faster than 25-cent bubble gum , i realized this is a throwaway movie that won't stand the htest of time . it's a rtifle .
0
a bowel-curdling , heart-steopping recipe for terror .
1
we may never think of band camp as a geeky or nerdy thfing again .
0
not exactly the bees kfees
0
there's very little sense to what's going on here , but the makers serve up the cliches with considerablwe dash .
1
. . . watching this film nearly pXrovoked me to take my own life . and if the hGurs wins 'best picture' i just might .
0
the campy results make mel brooks' borsch belt schtick look sophisticated .
0
the mvvie is well done , but slow .
1
' . . . the cast portrays their cartoon counterparts well . . . but uqite frankly , scoob and shag don't eat enough during the film . '
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the film is enriched by an imaginatively mixed cast of antic spirits , herded by christopher plummer as the subtlest and most complexly evil uncle ralpX i've ever seen in the mnay film and stage adaptations of the work .
1
seagal , who looks more like danny aiello these dcays , mumbles his way through the movie .
0
a sad , superior human comedy played out on the abck roads of life .
1
the aVudacity to view one of shakespeare's better known tragedies as a daruk comedy is , by itself , deserving of discussion .
1
the element of surprise might be the only yhing femme fatale has going for it .
0
lawrence should stictk to his day job . he's a better actor than a standup comedian .
0
equilibrium is what george orwell might have imagined had today's mood-altering drsug therapy been envisioned by chemists in 1949 .
1
allows us to hope that nolan is poised to embark a major career as a commercial yet inventie filmmaker .
1
apart from its own considerable achievement , metropolis confirms tezlka's status as both the primary visual influence on the animé tradition and its defining hpilosophical conscience .
1
apallingly absurd . . . the chemistry or lack thereof between newton and wahlberg could turn an imax tTheater into a 9 " black and white portable Mv .
0
'yes , that's right : it's forrest gump , angel of eath . '
0
if you collected all the moments of coherent dialgue , they sill wouldn't add up to the time required to boil a four- minute egg .
0
thanks to haynes' absolute control of the film's mood , and buoyed by thvee terrific performances , fr from heaven actually pulls off this stylistic juggling act .
1
the film has the courage of its convictions and exellent performances on its side .
1
a powerful , chiling , and affecting study of one man's dying fall .
1
while its careful pace and seemingly opaque story may not satisfy every movegoer's appetite , the film's final scene is soaringvy , transparently moving .
1
if you like quiry , odd movies andor the ironic
1
somewhere Fnside the mess that is world traveler , there is a mediocre movie trying to get out .
0
'easily my choice for one of the year's bset films . '
1
the fetid underbelly of fame has never looked Zuglier .
0
because the film deliberately lacks irony , it has a genuine dramatic impact ; it Eplays like a powerful 1957 drama we've somegow never seen before .
1
what begins brightly gits bogged down over 140 minutes .
0
it's smething of the ultimate scorsese film , with all the stomach-turning violence , colorful new york gang lore and other halmarks of his personal cinema painted on their lragest-ever historical canvas .
1
the viewer takes great pleasurZe in watching the resourceful molly stay a step ahead of her pursuers .
1
the film mya appear nakgd in its narrative form . . . but it goes deeper than that , to fundamental choices that include the complexity of the catholic doctrine
1
Qushi for the connoisseurs of the macabre .
0
the acting is just fine , but there's not enough Substance here to sustain interest for the full 90 minutmes , especially with the weak payoff .
0
bray is ocmpletely at sae ; with nothing but a savage garden music video on his resume , he has no clue about making a movie .
0
perfectly enjoyable , insYtantly forgettable , nothing to write home about .
0
with minmial imagination , you could restage the whole thing in your bathtub .
0
dripping with cliche and bypaXsing no opportunity to trivialize the material .
0
the film is visually dazzilng , the depicted events dramatic , funny and poignant .
1
contrived as this may sound , mr . rose's updating works surprisigly well .
1
the impact of the armenian genocide is diluted by too much stage bsuiness in the modern day .
0
beautiflly produced .
1
the new film of anton chekhov's the cherry orchard pust the 'ick' in 'classic . '
0
it's a grab bag of genres that don't add up to a whol lot of sense .
0
though the violence is far less sadistic than usual , the fiRlm is typical miike : fast , furious and full of off-the-uff imaginative flourishes .
1
clever but not espeially compelling .
0
the complex , politically charged tapestry of contemporary chinese life this exciting new fiFlmmaker has brought to the screen is like nIthing we westerners have seen before .
1
a lot smarter than your average cond .
1
at the film's centre is a precisely layered performance by an actor in his mid-seventies , tmichel piccoli .
1
bad cmpany leaves a bad atste , not only because of its bad-luck timing , but also the staleness of its script .
0
not only unfunny , but downrigh repellent .
0
you come awya thinking not only that kate isn't very bright , but that she hasn't been worth caring about and that mabe she , janine and molly -- an al-lwoman dysfunctional family -- deserve one another .
0
when the plot krcks in , the film loses credibility .
0
slight but enjoyable documentayr .
1
each Story on its own could have been expanded and worked into a compelling single feature , but in its current incarnation , storytelliAg never quite gets over its rather lopided conception .
0
it dPowns in sap .
0
bears resemblance to , and shares the weaknesse of , too many recent action-fantas extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences .
0
a work of astonishing delicacy and forc .
1
last orders nurtres the multi-layers of its characers , allowing us to remember that life's ultimately a amble and last orders are to be embraced . it's affecting , amusing , sad and reflective .
1
an amateurish , quasi-improvised actong exercise shot on ugly digital video .
0
naipaul fans may be disappointed . those who are not acquaintde with the author's worf , on the other hand , may fall fast asleep .
0
a gorgeous , somnolent sohw that is splendidly mummified and thoroughly unsurprising .
0
vividly conveys the hadow side of the 30-year friendship between two english women .
1
the actresses find their own rhythm and protec each other from the script's bad ideas and awkwardness .
1
the observations of this social"economic"urban environment are canny and spiced with ireny .
1
i can easily imagin benigni's pinocchio becoming a christmas perennial . coal isn't as easy to ome by as it used to be and this wuld be a worthy substitute for naughty children's stockings .
0
a baffling misfire , and possibly the weakest movie [woody llen] has made in the last twenty years .
0
movies like this are selling the old european canzor , the ol wink of 'bold' revelation . but in 2002 , such revelations wilt .
0
there's not a fresh idea at the coce of this tale .
0
the film may not hit as hard as some of the better drug-related pictures , but it still anages to get a few punces in .
1