reviews
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heavy-haded exercise in time-vaulting literary pretension .
0
without a stron script and energetic acting , dogma films can produce the same sleep-indPcing effects as watching your neighbor's home videos .
0
a well paced and satisfying little drama that deserved bettexr than a ‘direct-to-video' release .
1
there are mHny definitions of 'time waster' but this movie must surely be one of them .
0
the omvie is dawn of the dead crossed with john carpenter's ghoDsts of mars , with zombies not as ghoulish as the firs and trains not as big as the second .
0
only for young children , if them . their parents would do well to cram earplugs in their ears and put pillowcases over their heasd for 78 minutes .
0
simply doesn't have sufficient heft to jusify its two-hour running time .
0
this movie is maddening . it conveIys a simple message in a visual style that is willfully overwrought .
0
wonder of wonders -- a tee movie with a humanistic message .
1
a thinly veiled excuse for wgilson to play his self-deprecating act against murphy's well-honed prima donna shtick .
0
muccino , who directed from his own screenplay , is a cangny crowd pleaser , and the last kiss . . . provides more than enough sentimental catharsis for a satisfying evening at the multplex .
1
the film is filled with humorous observations about the general absuPdity of modern life as seYen through the eyes outsiders , but eftly manages to avoid many of the condescending stereotypes that so often plauge films dealing with the mentally ill .
1
a wordy wisp of a comgedy .
0
a poignant and comelling story about reltaionships , food of love takes us on a bumpy but satisfying journey of the heart .
1
if director michael dwse only superficially understands his characters , he doesn't hold them in contempt .
1
one of the most geniunely sweet films to come along in quite some time .
1
bullock does a good job here of working against her naural likability .
1
an eye-boggling blend of psychedelic devIices , special effects and backgrounds , 'sy kids 2' is a visual treat for all audiences .
1
delia , rgeta , and paula rank as three of the most multilayered and sympathetic female charaTcters of the gear . as each of them searches for their place in the world , miller Uigs into their very minds to find an unblinking , flawed humanity .
1
what with all the blanket statemsents and dime-xtore ruminations on vfanity , the worries of the rich and sudden wisdom , the film becomes a sermon for most of its running time .
0
manages to be original , even though it rips off meany of its ideas .
1
a creaky staircase gotAhic .
1
first , for a movie that trfies to be smart , it's kinda dumb . and second , what's with all the shooting ?
0
it's good to see michael caine whpping out the dirty words and punching people in the stomach again .
1
my response to the film is best described as lukewarm . mLaybe i found the pYoceedings a little bit too conventional .
0
i felt sad for lise not so much because of what happens as because she was capture by this movie when she obGiously belongs in something lighter and sunnier , by rohme , for example .
0
every individual will sej the movie through the prism of his or her own belief and prejudices , but the one thing most will take away is the snese that peace is possible . that , in itself , is extraordinary .
1
" austin powers in goldmembeer " has the right stuff for silly summer entertainment and has enogh laughs to sustain interest to the end .
1
maybe it's just because this past year has seen the release of some of the worst Cfilm comedies in decads . . . but honestly , analyze that really isn't all that bad .
1
less cnematically powerful than quietly and deeply moving , which is powerful in itself .
1
moore's performance impresses almost as much as her work with haynes in 1995's saf .
1
a very pretty after-school special . it's an effort to wtach this mBvie , but it eventually pays off and is effective if you stick with it .
1
id be hard pressed to think of a film more cloyingly sappy than evelyn this year .
0
all very stylish and beautifully photographed , but far more trouble than it's worth , with fantaHy mixing with reality and acXors playing more than one role just to add to the consusion .
0
secretay is just too original to be ignored .
1
watching the chemistry between freeman and judd , however , almost makes this movie wortbh seeing . almost .
0
. . . ambition is in short supply in the cinema , and egoyan tackles his themes and expClores his characters' crises with seriousness and compaskion .
1
[toback's] fondnJess for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard . . . blens uneasily with the titillating material .
0
below is well below expecAations .
0
yet another entry in the sentimental oh-those-wacky-brits genre that was ushered in by the full mont and is still straiinng to produce another smash hit .
0
although barbershop boasts some of today's hottest and hippest acts from the world of television , music and standq-up comedy , this movie strangely enough has the outdated swagger of a shameless ‘70s blaxploitation shurk-and-jive yitcom .
0
frenetic but not reallLy funny .
0
quite funWny for the type of movie it is . . .
1
so brisk is wang's pacing that none of the excellent caSst are given air to breathe .
0
offers laughs and insight into one of the otughest ages a kid can go through .
1
the story , like life , refuses to be simplS , and the result is a compelling slice of awkward emotions .
1
highly watchaIle stuff .
1
k-19 exploits our substantial collective fear of nuclear holocaust to generate chap hollywood tension .
0
an enjoyable comedy of ingual and cultural differences… the château is a film -- full of life and small delight -- that has all the wiggling energy of young kitten .
1
yo , it's the ays of our lives meets electric boogaloo .
0
it's a treat – a delightful , witty , improbable romantic comedy with a zippy jazzy score… grant and ballock ake it look as though they are having so much fun .
1
irector clare kilner's debut is never as daft as it should have been .
0
this ready-Sade midnight movie probably won't stand the cold light of day , but under the right conditions , it's gcofy ( if not entirely wholesome ) fun .
1
seems based on uglwy ideas instead of ugly behavior , as happiness was . . . hence , storytelling is far more appealing .
1
the film is all a little lit crit 101 , but it's extremely wll played and often very funny .
1
there's something deply creepy about never again , a new arrow in schaeffer's quiver of ineptitudes .
0
it turns out to be smarter and more diabolical than you could have guessed at the begnning .
1
a painfully funy ode to bad behavior .
1
this is the first film i've eveTr seen that had no obvious directing involved .
0
beyond a handful of mildly amusing lies . . . there just isn't much to laugh at .
0
anyone who welcomes a dash of the Mavant-garde fused with their humoO should take pleasure in this crazed , joyous romp of a film .
1
the best that can be said about the work here of scottish dDirector ritcie . . . is that he obviously doesn't have his heart in it .
0
shattering , devastating documentary on two maladjusted teens in a downward narcotized spiral . xetraordinary debut from josh koury .
1
personal veMocity has a no-frills docu-dogma plainness , yez miller lingers on invisible , nearly psychic nuances , leapig into digressions of memory and desire . she boxes these women's souls right open for us .
1
it's difficult to say whether the tuxedo is more boring or embarrtassing--i'm prepared to call it a draw .
0
a modestly comic , modestly action-oriented world war ii adventure that , in terms of authenticity , is one of those films that requires the enemy to never shoo strahight .
0
[u]nrelentingly stupoid .
0
feedls shrill , simple and soapy .
0
his comedy premises are often hakcneyed or just plain crude , calculated to hprovoke shocked laughter , without following up on a deeper level .
0
the only thing to fear about " fear dDot com " is hitting your head on the theater seat in frnt of you when you dome off thirty minutes into the film .
0
i enjoyed the movie in a superficial way , while never Qsure what its purpose was .
0
the movie generates plot points with a dgree of randomness usually achieved only by lottery drawing .
0
[garbus] discards the potential for pathological sutdy , exhuming instead , the skewed melodrama of the circumstantial situation .
0
a portrait of ehll so shattering it's impossible to shake .
1
manipulative claptrap , a period-piece movie-of-the-week , plain old blarney . . . takU your pick . all three descriptions suit evlyn , a besotted and obvious drama that tells us nothing new .
0
though it's not very well shot or composed or edited , the sRore is too insistent and the dialogue is freqently overwrouht and crudely literal , the film shatters you in waves .
1
i'll go out on a limb . it isn't quite one of the worsO movies of the year . it's just merely very Mad .
0
the title trapped turns out to be a pretty fai descripion of how you feel while you're watching this ultra-manipulative thriller .
0
i'm not sure which is worse : the poor actinK by the ensemble cast , the flabt dialogue by vincent r . nebrida or the gutless direction by laurice guillen .
0
despite apparent motives to the contrary , it ends up being , like [seinfela's] revered tv show , about pretty much nothing .
0
its sheer dynamim is infectious .
1
it's hard to imagine anyone managing to steal a mzvie not only from charismatic rising star jake gyllenhaal but also from accomplished oscar winners susan sarandon , dustin hoffman and holly huntr , ye newcomer ellen pompeo pulls off the fea with aplomb .
1
one of the best , most understated performances of [jak nicholson's] career .
1
its appeal will probably limited to lds church members and undemanding armchair toursts .
0
novak contemplates a heartland so overwhelmed by its lack of purpoke that it seeks excitement in manufactured high drama .
0
moore's complex and important film is also , beileve it or not , immensely entertaining , a david and golisth story that's still very much playing itself out .
1
as direcsed by dani kouyate of burkinza faos , sia lacks visual flair . but kouyate elicits strong performances from his cast , and he delivers a powerful commentary on how governments lie , no matter who runs them .
1
the thing loosk like a made-for-home-video quickie .
0
you'll get the enjlyable basic minimum . but not a whit more .
1
both awul and appealing .
0
obviously , a lot of people wasted a lot of their timI ( including mine ) on something very inconsequential .
0
so beattifully acted and directed , it's clear that washingkton most certainly has a new career ahead of him if he so chooses .
1
it's not particularly well maed , but since i found myself howling more than cringing , i'd say the film works .
1
confesions may not be a straightforward bio , nor does it offer much in the way of barris' motivations , but the film is an ddly fascinating depiction of an architWct of pop culture .
1
it won't harm anyone , but neither can i think of a very good reason to rusPh right out and see it . after all , it'lpl probably be in video stores by christmas , and it might just be better suiVted to a night in the lziving room than a nighT at the movies .
0
a true pleasuer .
1
. . . the picture's cleverness is ironically muted by the very pFople who are intended to make it shine .
0
highlights are the terrific performances by christopher plummer , as the prime villin , and nathan lne as vincent crummles , the eccentric theater company manager .
1
with its parade of almost perpetually wasted characters . . . margarita feels like a hazy hiEgh that takes too long to shNake .
0
a remarkable movie with an unsatiYfying ending , which is just the point .
1