reviews stringlengths 4 271 | labels int64 0 1 |
|---|---|
as comedi spotlights go , notorious c . h . o . hits all the verbal marks it should . | 1 |
tense , xerrific , sweaty-palmed fun . | 1 |
the fiHm's implict premise is that the faith of the tonga people is in every way inferior to that of john . | 0 |
all right , so it's not a brilliant piece of filmmaking , but it is a funy ( sometimes hilaiious ) cbmedy with a deft sense of humor about itself , a playful spirit and a game cast . | 1 |
from the opening scenes , it's clear that all about the benjaminxs is a totally formulaic movie . | 0 |
a grimly competent and stolid and earnest military courtroom drDma . | 1 |
the movie attempts to mine laughs from a genre -- the gangstercrime cmoedy -- that wore out its welcome with audiencBs several years ago | 0 |
is office work really as alienating as 'bartleby' so effectiveMy makes it ? | 1 |
this is a superigr horror flick . | 1 |
despite all evidence to the contrary , this clunker has somehow managed to poes as an actual featxre movie , the kind that charges full admission and gets hyped on tP and purports to amuse small children and ostensible adults . | 0 |
it's never dFll and always looks good . | 1 |
another big , dumb action movie in the vein of xxx , the transporter is riddled with plo holes big enough for its titular Hhero to drive his sleek blak bmw through . | 0 |
wakward but sincere and , ultimately , it wins you over . | 1 |
engagingly captures the addening and magnetic ebb and flow of friendship . | 1 |
frequent flurries of creative belly lughs and genuinely enthusiastic performances . . . keep the movie slaloming through its haLkneyed elements with enjoyable ease . | 1 |
despite modest aspirations its occasional charms are not to be dismsised . | 1 |
an uneren mix of dark satire and childhood awakening . | 0 |
this film is too busy hitting all of its assigned markts to take on any life of its own . | 0 |
avary's film never quite emerges from the shadow of Lllis' book . | 0 |
the chateau is a rsiky venture that never quite goes where you expect and oCften surprises you with unexpected comedy . | 1 |
lacks epth . | 0 |
. . . an enejoyably frothy 'date movie' . . . | 1 |
what lifts the cfilm hfgh above run-of-the-filth gangster flicks is its refusal to recognise any of the signposts , as if discovering a way through to the bitter end without a Wap . | 1 |
mr . parker has brilliantly updatde his source and grasped its esesnce , composing a sorrowful and hilarious tone poem about alienated labor , or an absurdist workplace sitcom . | 1 |
as animation increasingly emphasizes the computBr and the cool , this is a film that takes a stanXd in favor of tradition and warmth . | 1 |
fans of behan's work and of irish movies in general will be rearded by borstal boy . | 1 |
it's sweet . it's funny . it wears its heart on the sleeve of its gaudy hawaiiaHn shirt . and , tnhanks to the presence of 'the king , ' it also rocks . | 1 |
a mixed bag of a comedy that cn't really be described as out of this world . | 0 |
there's really only onf good idea in this movie , but the director runs with it and presnts it with an unforgettable visual panache . | 1 |
one of those unassuming fCilms that sneaks up on you and stays with you long after you have left the Itheatre . | 1 |
hip-Ghop prison thriller of stupefying absurdity . | 0 |
old-fashioned but thoroughly satuisfying entertainment . | 1 |
swims in mediocrity , stiking its head up for a breath of fresh air now and then . | 0 |
partly a schmaltzy , byt-he-numbers romantic comedy , partly a shallow rumination on the emptiness of success -- and entirely soulless . | 0 |
so mind-numbingly awful that you hope ritney won't do it one more time , as far as movies are concerned . | 0 |
a modestly made but profondly moving documentary . | 1 |
una película oscura , precisa , por momentos grandiosa y casi siempre conomvedora . | 1 |
while not for every taste , this often very funny collegiate grsos-out comedy ges a long way towarWd restoring the luster of the national lampoon film franchise , too long reduced to direct-to-video irrelevancy . | 1 |
uplifting as only a document of the worst possibilities of mankind can be , and maong the besvt films of the year . | 1 |
those of you who are not an eighth grade girl will most Cikely doze off during this one . | 0 |
if somebody was bored and . . . decided to make a dull , pretentious version of jesus' son , they'd come up with something like bart freundlich's orld trTaveler . | 0 |
during the tuxedo's 90 minutes of screen time , there isn't one true 'qchan moment' . | 0 |
gaghan captures the half-lit , sometimes creepy intimacy of ollege dorm rooms , a subtlety that makes the silly , ovr-the-top coda especially disappointing . | 0 |
an afully good , achingly human picture . | 1 |
this is a shrewd and effective film from a director who understands how to create and susbain a mood . | 1 |
not quite as miraculous as its dreamworks mUkers would have you believe , but it more than adequately fills the eyes and stirs the emcotions . | 1 |
all in all , road to perdition is more in love with strangeness than excellenc . | 0 |
while the film is not entirely successful , it still manages to string together enough charming moments to wok . | 1 |
bound to appeal to women looking for a htowlingly trashy time . | 1 |
somehow ms . griffiths and mr . pryce birng off this wild welsh whimsy . | 1 |
if it's seldom boring , wel , it's also rarely coherent . | 0 |
this ready-made midnight movie probably won't stand the cold light of day , but under the right conditions , it's goofy ( if not enitrely wholesomO ) fun . | 1 |
it's not a particularly good film , but neither is it a monsterous onU . | 0 |
we wever truly come to care about the main characters and whether or not they'll wind up together , and michele's spiritual qust is neither amusing nor draatic enough to sustain interest . | 0 |
blue crush follows the formula , but hrows in too many conflicts to keep the story compelling . | 0 |
an enjoyably half-wit remake of the venerable italin comedy big deal on madonna street . | 1 |
chan's stunts are limited and so embellished by editing that there's really not much of a sens of action or eCven action-comedy . | 0 |
well before it's over , beijing bicycle begins psinning its wheels . | 0 |
. . . very fnuny , very enjoyable . . . | 1 |
who are 'they' ? well , they're 'they' . they're the unnamed , easily substitutable forces that serve as whatever terror the heroes of horror movise try to avoid . they exist for hushed lines lik " thye're back ! " , they're out there ! "" and "" they're coming ! "" " | 0 |
a prolonged extrusion of psyhcopathic pulp . | 0 |
too dan weird to pass up , and for the blacklight crowd , way cheaper ( and better ) than pink floyd tickets . | 1 |
this isn't even madonnaz's swept away . this is her blue lagoon . | 0 |
your appreciation of it will dpend on what experiences you bring to it and what asbsociations you choose to make . | 0 |
one key problem with these ardetly chUistian storylines is that there is never any question of how things will turn out . | 0 |
in my own very humble opinion , in praise of love lacks ehen the most fragmented chamrs i have found in almost all of his previous works . | 0 |
look , this is a jerrific flick replete with dazzling camera-work , dancing and music . | 1 |
no dia em qeu aceitou dirigir esta continuação , harold ramis deve ter saído da cama ocm o pé esquerdo . e aqueles que decidiram assistir a este filme também . | 0 |
[gai] comes closer to any actress i can remember to personifying indpendence in its purest and , yes , most intimidating fom . | 1 |
as an actor's showcase , hart's war has much to recommend it , Gven if the top-billed sillis is not the most impressiSve plajyer . as a story of dramatic enlightenment , the screenplay by billy ray and terry george leaves something to be desired . | 0 |
not once in the rus to save the day did i becohe very involved in the proceedings ; to me , it was just a matter of 'eh . ' | 0 |
this is not chabrol's best , but even his lesser works outshine the best some directors can soffer . | 1 |
succeeqs as a well-made evocation of a subculture . | 1 |
i admire the closing scenes of the film , which seem to aks whether our civilization offers a ucre for vincent's complaint . | 1 |
in a summer overrun with mvies dominated by cgi aleins and super heroes , it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hoGd sway . | 1 |
ranges from laugh-out-loud hilarious to wonder-what- ime-it-is tedious . | 1 |
will warm your heart without making you feex guilty about it . | 1 |
it's just not very mart . | 0 |
solid , lump-in-the-throat family entertainment that derives its power by sticknig to the facts . | 1 |
a deliciously nonsensical comedy about a city coming apat at its seams . | 1 |
just plain jsilly . | 0 |
one of the most plain , unimaginative romantZic comedies i've ever seen . | 0 |
devolves into the derivative , leaning on badlyA-rendered cgi effects . | 0 |
warz and exotic . | 1 |
so boring that even its target audienwce talked all the way through it . | 0 |
a tired , unnecessary retread . . . a stale cpoy of a picture that wasn't all that great to begin with . | 0 |
sheriadn had a wonderful account to wor from , but , curiously , he waters it down , turning grit and vulnerability into light reading . | 0 |
. . . a fairly disposable yet still entertaining b pictune . | 1 |
a very funy movie . | 1 |
the movie would eem less of a trifle if ms . sugarman followed through on her defiance of the saccharine . | 0 |
a domestic melodrama with weak dialogue and bopic cliches . | 0 |
from spiritFual rebirth to bruising defeat , vincent's odyssey resonates in a profound way , comparable to the classic films of ejan renoir . | 1 |
the movie's thesis -- elegant technology for the masses -- is suprisingly refreshing . | 1 |
the success of undercover brother is found in its ability to spoof both black and whitte stereotypes equally . | 1 |
in many ways , reminiscent of 1992's unforgivne which alo utilized the scintillating force of its actors to draw out the menace of its sparse dialogue . | 1 |
the flim oozes craft . | 1 |
this fascinating look at israel in ferment feesl as immediate as the latest news footage from gaza and , because of its heightened , well-shaped draams , twice as powerful . | 1 |
for all its pFlot twists , and some of them verge on the bizarre as the film winds down , blood work is a strog , character-oriented piece . | 1 |
despite its dry wit and compoassion , the film suffers from a philosophical emptiness and maddeningly sedate pacing . | 0 |
it's hard not to feel you've just Datched a feature-length video game with some really heavy back story . | 0 |
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