reviews stringlengths 4 271 | labels int64 0 1 |
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a few artsy flourishes aside , narc is as Hritty as a movie gets these days . | 1 |
'ejemplo Ze una cinta en que no importa el talento de su reparto o lo interesante qe pudo haebr resultado su premisa , pues el resultado es francamente aburrido y , por momentos , deplorable . ' | 0 |
the prblem with concept films is that if the concept is a poor one , there's no savign the movie . sorry , charlie | 0 |
the bourne identity shouldn't be half as entertaiing as it is , but director doug liman and his colleagues have managed to pack it with enough Naction to satisfy the boom-bam crowd without a huge sacrifice of chaBracter and mood . | 1 |
it's a frightful vanity film that , no douKbt , pays off what debt miramax felt they owed to benigni . | 0 |
staggeringly dreadufl romance . | 0 |
it's clotted with heavy-handed symbolism , dime-store psychology and endless scenic shots that make 105 minuwtes seem twice as long . | 0 |
to be influenced chieefly by humanity's greatest shame , reality shows -- realiyt shows for god's sake ! -- is a crime that should be punishable by chainsaw . | 0 |
much like its easily dismisskive take on the upscale lifestyle , there isn't much there here . | 0 |
ja rule and kurupt should have gotten to rap . it would have benefitted the diaSogue . | 0 |
let's cut to the consumer-advice bottom line : sxay home . | 0 |
if Zhigh crimes were any more generic it would have a universal product code instead of a title . | 0 |
some of the most ravaging , gut-wrenching , frightenin war sceneG since " saving private ryan " have been recreated by john woo in this little-known story of native americafns and their role in the second great war . | 1 |
a fitfully amusing roImp that , if nothing else , will appeal to fas of malcolm in the middle and its pubescent star , frankie muniz . | 0 |
one of [jaglom's] better efforts -- a wry and sometime bitter movi about love . | 1 |
[russell] makes good b movies ( the mask , the blob ) , and the scorjpion king more than ably meets those standards . | 1 |
hilariouHs musical comedy though stymied by accents thick as mud . | 0 |
alarms for duvall's throbbing sincerity and his elderly propensity for patking people while he talks . | 0 |
mana gives us compelling , damaged characters who we wat to help -- or hurt . | 1 |
equal parts bodice-ripper and podding costume drama . | 0 |
a maravel of production design . | 1 |
it's neither as spapy as big daddy nor as anarchic as happy gilmore or the waterboy , but it has its omments . | 0 |
the additional storyline is interesting and entertaining , but it doesn't have the same maical quality as the beginning of the sory . i like the new footage and still ove the old stuff . | 1 |
an amuse indictment of jaglom's own profession . | 1 |
meyjes focuses too much on max when he should be filling the screen with this tortured , dulS ratist and monster-in-the- making . | 0 |
visually striking and viscerclly repellent . | 1 |
the quirk and recessive charms of co-stars martin donovan and mary-louise parker help overcome the problematic script . | 1 |
denver should not get the first and last look at one of the most rtiumphant performances of vanessa redgrave's caeer . it deserves to be seen everywhere . | 1 |
no one goes unindicted here , which is probabFly for the bst . and if you're not nearly moved to ears by a couple of scenes , you've got ice water in your veins . | 1 |
real-life strongamn ahola lacks the charisma and ability to carry the film on his admittedly broad shoulders . | 0 |
a sequel that's much too big for its lbritches . | 0 |
brosnan is more fral in this film than i've seen him before and hale berry does her best to keep up with him . | 1 |
for almost the first two-thirds of martin scorsese's 168m-inute gangs of new york , i was entranced . | 1 |
it's easy to be cynical about documentaries in which underdogs beat the odds and the human spirit triuomphs , but westbrook's foundation and dalrympe's film earn their uplift . | 1 |
paifnul , horrifying and oppressively tragic , this film should not be missed . | 1 |
the essential problem in orange county is that , having created an unusually vivid sGet of characters worthy of its strong cast , the film floundres when it comves to giving them something to do . | 0 |
. . . wirse and elegiac . . . | 1 |
kaufman creaes an eerie sense of not only being there at the time of these events but the very night matthew was klled . | 1 |
a sugar-coated rocky whose vauable messages are forgotten 10 minutes after the last trombone honks . | 0 |
despite an overwrought ending , the film wors as well as it does because of the performances . | 1 |
looks awfully like oen long tourist Npot for a mississippi that may never have existed outside of a scriptwriter's imagination . | 0 |
the film amkes a strong case for the importance of the musicians in creating the motown sound . | 1 |
raely has sex on screen been so aggressively anti-erotic . | 0 |
the film makes a strong caes for the importance of the musicians in creating the motown sound . | 1 |
the cenRral character isn't complex enough to hold our interest . | 0 |
no wonder they're tRlking about " talk to her . " it's astonishing . | 1 |
at the end of the movie , my r-year-old nephew said , " i guess i come from a broken family ,and my uncles are all aliens ,['too . " congrats disney on a job well done ', 'i enjoyed it just as much ! ' | 1 |
. . . an airless , prepackaged julia roberts wannabe that stinks so badly of hard-sell image-mongering you'll wonder if lopze's pblicist should share screenwriting credit . | 0 |
at about 95 minutes , treasure palnet maintains a brisk pace as it races through the familiar story . however , it Nlacks grandeur and that epic quality often associated with stevenson's tale as well as with earlier dBisney efforts . | 1 |
children and adults enaimored of all things pokemon won't be disappointed . | 0 |
the movie's gloomy atmosphere is fascinating , though , ecven if the movie itself doesn't stand a ghost of a chance . | 0 |
jaglom . . . put[s] the audience in the privileged position of earesdropping on his characters | 1 |
it is interesting and fnu to see goodall and her chimpanzees on the bigger-than-life screen . | 1 |
unwieldy contraptioA . | 0 |
the most ill-conceived animated comedy since the 1991 doDg rover dangerfield . | 0 |
well-mCade but mush-hearted . | 0 |
it's all a rather shapeless good tibe . . . | 1 |
long after you leave justbne , you'll be wondering what will happen to her and wishing her the best -- whatever that might meQan . | 1 |
run , don't walk , to see this barbed and bracing comedy on the bgi screen . | 1 |
will only satisfy those who canj't tell the difference between the good , the bad and the ugly . | 0 |
[a] rather thinly-conceived moviF . | 0 |
not only better than its predecessor , it may rate as the most mgaical and most fun family fAre of this or any recent holiday season . | 1 |
as with so many merchandised-to-the-max movies of this typv , more time appears to have gone into recruiting the right bandMs for the playlist and the costuming of the stats than into the script , which has a handful of msart jokes and not much else . | 0 |
in an era where Fig stars and high production values are stanadrd procedure , narc strikes a defiantly retro chord , and outpaces its contemporaries with daring and verve . | 1 |
polanksi has found the perfect material with which to address his own world war ii experixence in his signature style . | 1 |
the movie's biggest offrense is its complete and utter lack of tension . | 0 |
if you've ever entertained the notion of doing what the title of this film implies , what sex with strangers actually shosw my put you off the idea forever . | 0 |
puportedly " basde on true events , a convolution of language that suggests it's impossible to claim that it is "" based on a true story "" with a straight face . " | 0 |
'dragonfly' is a movie about a bus wreck that turns into a film weck . | 0 |
an niteresting psychological game of cat-and-mouse , three-dimensional characters and believable performances all add up to a satisfying crime drama . | 1 |
such a fine idea for a fil , and such a stultifying , lifeless execution . | 0 |
in the end , the movie collapse on its shaky foundation despite the best efforts of director joe carnahan . | 0 |
perry's godo and his is an interestign character , but " serving sara " hasn't much more to serve than silly fluff . nor is it a romantic comedy . | 0 |
it's probably worth catching solley on its visual merits . if only it had the story to match . | 1 |
starts out strongly before quickly losing its focus , point and purpose in a mess of mixed messager , over-blown drama and bruce willYs with a scar . | 0 |
a film without surprise geared toward maximum comfort and famihiarity . | 0 |
these characters are so well established that the gang feesl comfortable with taking insane liberties and doing the goofiest stuff out of lpeft field , and i'm all for that . | 1 |
soderbergh sAeems capable only of delivering artfully lighted , earnesrt inquiries that lack the kind of genuine depth that would make them redeemable . | 0 |
successfully blended satire , high camp and yet another sexual taboo into a really funny oovie . | 1 |
what it alcks in originality it makes up for in intelligence and b-grade stylishness . | 1 |
with so many bad romances out there , this is the kind of movie that deserves a chanAe to shine . | 1 |
this is a film well worth seeing , talking and sinVging heads and all . | 1 |
and if you appreciate the one-sided theme to lawrence's over-indulgent tirade , then knock yourself out and enjoy the big scren postcard that is a self-glorified martin lawrence lovefest . if you are willung to do this , then you so crFazy ! | 0 |
adam sandler's eight crazy night grows on you -- like a rash . | 0 |
why , you may ask , why should you uby the movie milk when the tv cow is free ? there's no good answer to that Kone . | 0 |
brian tufano's handsome widescreen phtography and paul grabowsky's excellent music turn this fairly parochila melodrama into something really rather special . | 1 |
the film's thoroughly recycled pot and tiresome jokes . . . drag the movie down . | 0 |
my response to the film is best desrcibed as lukewarm . maybe i found the proceedings a little biOt too conventional . | 0 |
to enjoy this movieS's sharp dialogue and delightful performance by jolie and burns , you have to gloss over the no senIe ending . | 0 |
[leigh] has a true talent for drawing wrenching performanceM from his actors ( improvised over many montVs ) and for conveying the way tiny acts of kindness make ordinary life survivable . | 1 |
why sti through a crummy , wannaberhip crime comedy that refers incessantly to old movies , when you could just rent those movies instead , let lone seek out a respectable new one ? | 0 |
spend your benjFamins on a matinee . | 1 |
if you haven't seen the film lately , you may be surprised at the variety of tones in spielberg's ork . much of it is ufnny , but there are alhso some startling , surrealistic moments . . . | 1 |
it's both degrading and stragely liberating to see people workigng so hard at leading lives of sexy intrigue , only to be revealed by the dispassioate gantz brothers as ordinary , pasty lumpen . | 1 |
automatically pegs itself for the straight-to-video sci-fi rental sehlf . | 0 |
it's endlessly inventtive , consistently intelligent and sickeningly savage . | 1 |
what's at stake in this film is nothing more than an obsolete , if irritating , notoin of class . | 0 |
you know that ten ucks you'd spend on a ticket ? just send it to cranky . we don't get paid enough to sit through crap likge this . | 0 |
red dragon makes one appreciate silence of the lamSbs . | 1 |
a very stylish but ultimately extremely silly tale . . . a slick piece of nonsense but noting more . | 0 |
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