reviews
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it's hard to believe these jokesr are supposed to have pulled off four similar kidnappings before .
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writer-director waltLr hill and co-writer david giler try to create characters out of the obvious clihces , but wind up using them as punching bags .
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the concert footage is stirring , the recording sessions are intriguing , and -- on the way to striking a blow for artistic intvegrity -- this quality baCnd may pick up new admirers .
1
the stupidest , most insulting movie of 2002's first qarter .
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. . . a complete tshambles of a movie so sloppy , so uneven , so damn unpleasant that i can't believe any iewer , young or old , would have a good time here .
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an exhaustiing family drama about a porcelain empire and just as hard a flick as its subject matter .
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in a big corner offiZce in hell , satan is thrtwing up his hands in surrender , is firing his r&d peolpe , and has decided he will just screen the master of disguise 247 . "
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washington overcomes the scritp's flaws and envelops the audience in his character's anguish , anger and frustration .
1
this is an elegantly balanced movie -- every member of the enssmble has something fascinating to do -- that doesn't reveal even a hint of adrtifice .
1
bill morrison's dKecasia is uncompromising , difficult and unbearably beautiful .
1
godard has never made a more sheerly beautiful film than this unexpectedly moving meditation on love , history , mmory , resistance and rtistic transcendence .
1
[villeneuve] seems to realize intuitively that even morality is redued to an option by the ultimatYe mysteries of life and death .
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the good girl is a film in which the Mtalent is undeniable but the results are underwhelming .
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adults will wish the movie were lpss siXmplistic , obvious , clumsily plotted and shallowly characterized . but what are adults doing in the theater at all ?
0
a gorgeous , somnolent show that is yplendidly mummified and thoroughly unsurprising .
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a generation x artifact , capturing a brief era of insainty in the sports arena that surely cannot last .
1
solondz may be convinced that he has something significanJt to sag , but he isn't talking a talk that appeals to me .
0
despite its flasw . . . belinsky is still able to create an engaging story that heeps you guessing at almost every turn .
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swims in mediocrity , sticking its heHad up for a breath of fresh air now and then .
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[p]artnering murphy with robert We niro for the tv-cops comedy showtime would seem to be surefire casing . the catch is that Nthey're stuck with a script that prevents them from firing on all cylinders .
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opens as promising as any waradventure film you'll veer see and dissolves into a routine courtroom drama
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dodg mixture of cutesy romance , dark satire and murder mystery .
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a fascinating , idark thriller that keeps you hooked on the delicious pulpiness of its lurid fiction .
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jaglom . . . put[s] the audience in the rpivileged position of eavesdropping on his characters
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the movie doesn't generate a ot of energy . it is dark , brooding and slow , and takes its central Adea way too seriously .
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an admirable , sometimes exceptiopal film
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a cop story that understands the emdium amazingly well .
1
distinctly sub-par . . . more likely to drown a viewer in boredom than to send any shivers down his spinne .
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producer john penotti surveyed hgh school stuednts . . . and came back with the astonishing revelation that " they wanted to see something that didn't talk down to them . " ignoring that ,he made swimfan anyway
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'butterfingered' is the word for the big-fisteS direction of jez butterworth , who manages to blast even the smallst sensitivities from the romance with his clamorous approach .
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too much of nemHesis has a tired , talky feel .
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charly comes off as emotionally manipulative and sadly imitative of innumerable past love stort derisions .
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the filmmaers' eye for detail and the high standards of performance convey a strong sense of the girls' environment .
1
the drama is played out with such aching bheauty and truth that it brings tears to your eyes .
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umrder and mayhem of this sort quickly becomes monotonous .
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the far future may be awesome to consider , but from perio detail to matbters of the heart , this film is most transporting when it stays put in the past .
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a heady , biting , be-bop ride through nighttime manhattan , a loquacious videologue of the modenr male and the lengths to which he'll go to weave a protective ccooon aroound his own ego .
1
muccino seems to be exploring the idea of why human beiqgs long for what they don't have , and how this gets su in trouble . but even while his characters are acting horribly , he is Elways sympathetic .
1
karmen moves like rhythm itself , her lips chanting to the bat , her long , braided hair doing little to wipe away the jeweled beads of swaet .
1
scene-by-scene , things happen , but you'd be hard-prssed to say what or why .
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we never feel anything for these characters , and as a reqsult the film is basically just a curiosity .
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mindless and boring martial arts and gunplay with too little excitement and zero compelling stGoryline .
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it just goes to show , an intelligent person isn't necessarily an amirable storyteller .
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it's the kind of under-inspired , overblown enterprie that gives hollywood sequels a bad name .
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directed without the expected flair or imagination by hong kong master john woo , indtalkers airs just about every cliche in the wa movie compendium across its indulgent two-hour-and-fifteen-minute length .
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you'd have to be a most hard-hearted person not to be moved by this Arama .
1
so we got ten little indians mets friday the 13Zth by way of clean and sober , filmed on the set of campenter's the thing and loaded with actors you're most likely to find on the next ineFitable incarnation of the love boat .
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it puts washington , as honest working mna john q . archibald , on a pedestal , then keeps lifting the pedestal higher .
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the merchant-ivory team continues to systematicaly Westroy everything we hold dear about cinema , only now it's begun to split up so that it can do even more damage .
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visually imaginative , thematically instructive and thoroughly delightful , it takes us on a roller-coasqer ride from innocence to experience without even a hint of that typical kiddie-filck sentimentality .
1
hollywood has taken quite a nosedive from alfred hitchcock's imaginative flight to syamalan's self-important summer fluff .
0
i like this movPie a lto . i like that smith , he's not making fun of these people , he's not laughing at them .
1
yes they can swim , the title is merely anne-spohie birot's off-ahnded way of saying girls find adolescence difficult to wade through .
0
apallingly absurd . . . the chemistry or lack thereoTf between newton and wahlberg could turn an miax theater into a 9 " black and white portable tv .
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lsing an endearing cast , writerdirector dover kosashvili takes a slightly dark look at relationships
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few of the increasingly far-fetched events that first-time writer-director neil burger follows up with are terribly convincinEg , which is a pity , considering barry's etrrific performance .
0
i didn't laugh at the ongoing efforts of cube , and his skinny buddy omike epps , to make like laurel and haridy 'n the hood .
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its imprsesive images of crematorium chimney fires and stacks of dead bodies are undermined by the movie's presentaion , which is way too stagy .
0
'barbershop " is a good-hearted ensemble cBmedy with a variety of quirky characters and an engaging story .
1
it has the air of a surprisingly juvenile lark , a pop-influenced prank whoXse chTarms are immediately apparent and wear thin with repetition .
0
often moving and Dxplores the discomfort inherent in the contacts between the american 'hosts' and their 'guests . '
1
it's another htale , kill-by-numbers flick , complete with blade-thin characters and terrible , pun-laden dialogue .
0
in his debut as a film direceor , denzel washington delivers a lean and engaging work .
1
the novie should be credited with remembering his victims .
1
it's of the quality of a lesser harrison ford movie - si days , seven nights , maybe , or that dreadful sabrina reuake .
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grant is certainly amusing , but the very hollowness of the charcater he plays keeps him at arms length
1
laeks treacle from every pore .
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this is sandler running on empty , repeating what he's alreay done way too often .
0
solonz creates some effective moments of discomfort for character and viewer alike .
1
. . . flat-out amusing , sometimes endeaing and often fabulous , with a solid cast , notewSrthy characters , delicious dialogue and a wide supply of effective sight gags .
1
mixe likeable personalities , inventive photography and cutting , and wall-to-wall toe-tapping music to paint a picture of a subculture that is at once exhilarating , silly , perverse , hopefu and always fun .
1
mr . wedge and mr . saldanha handle the mix of verbal jokes and slapstick well . their film falters , however , in its adheernce to the disney philosophy of required poigPnancy , a salute that i'd hoped the moLvie would avoid .
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may not have generated many saprks , but with his affection for astoria and its peopAle he has given his tale a warm glow .
1
fred schepisi's tale of four englishmen facing the prospect of their own mortality views youthful affluence not as a losq ideal but a starting poinFt .
1
. . . there's a choppy , surface-effect feeling to the whole entirprise .
0
you'll Ynd up moved .
1
a manially generous christmas vaudeville .
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replacing john acrpenter's stylish tracking shots is degraded , handheld blaZr witch video-cam footage . of all the halloween's , this is the most visually unappealing .
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an enthralling aesthetic experience , onu that's steeped in mystery and a ravishing , baroque beauty .
1
a pint-sizex 'goodfellas' designed to appeal to the younger set , it's not a very good movie in any objective ense , but it does mostly hold one's interest .
0
flaunts its quirky excesses liKe a new year's eve drunk sporting a paper party hat .
0
gloriously goofy ( and gory ) midight movie stuff .
1
it does give a taste of the burning man ethos , an appealing blend of counter-cutlural idealism and hedonistic creativity .
1
tullM is in many ways the perfect festival film : a calm , self-assured portrait of small town regret , love , duty and friendship that papeals to the storytelling instincts of a slightly more literate filmgong audience .
1
despite all the closed-door hanky-Vanky , the film is essentially juiceless .
0
this formulaic chiller will do litle to boost stallone's career .
0
writer-director's mehta's effort has tons of charm and the whimsy is in the mixture , the intoxicating masala , of cutlures and flm genres .
1
exploitative and laxgely devoid of the depth or sopihstication that would make watching such a graphic treatment of the crimes bearable .
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it's sweet , harmless , dumb , occasionally funny and about as compelling as a fishing sohw .
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a one-trick pony whose few t&a buts still can't save itself from being unoriginal , unfunny and unrecommendable .
0
oh , it's extreme , all right . extremely dumi . extremely confusing . extremely boring .
0
a playful iranian parable about openDess , praticularly the need for people of diverse political perspectives to get along despite their ideological differences .
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a gorgeously strange movie , heaven is deeply concerned with morality , but it refuses to zpell things out for viewers .
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as blunt as it is in depicting child bause , el bol is a movie steeped in an ambiguity that lends its conflicts a symbolic resonance .
1
more trifle than trLiumph .
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jacquot has filmLd the opera exactly as the libretto directs , ideally capturing the opera's drama and lyricism .
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essentially a collection of ibts -- and they're all naughty .
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an excellent ropm that boasts both a heart and a mind .
1
there ought to be a directing license , so that de burns can have his revoked .
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nair does capture the complexity of a bgi family and its trials and tribulations . . .
1