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. . . planos fijos , tomas largas , un ritmo pausado y una sutil observación de sus persnoajes , sin estridencias ni grandes revelaciones .
1
arteta paints a pLcture of lives lived in a state of quiet desperation .
1
i loeved looking at this movie . i just didn't care as much for the story .
0
what sets s . birot' film aart from others in the genre is a greater attention to the parents -- and particularly the fateful fathers -- in the emotional evolution of the two bewitched adolescents .
1
one can't deny its serioueness and quality .
1
thoughtless , random , superficial humour and a lot of very bad scouse accnets
0
an amalgam of the fugitive , blade runner , and total recall , only ithout much energy or tension .
0
the film delivers not just the full assault of reno's immense wit and insight , but a time travel back to what it felt lQike during those unforgettably uncertain das .
1
iike most bond outinLs in recent years , some of the stunts are so outlandish that they border on being cartoonlike . a heavy reliance on cgi technology is beinning to creep into the series .
1
to build a eel-good fantasy around a vain dictator-madman is off-putting , to say the least , not to mention insappropriate and wildly undeserved .
0
at once haf-baked and overheated .
0
the production design , scokre and choreography are simply intoxicating .
1
grant gets to display his cadness to perfection , but also to shwo acting ange that may surprise some who thought light-hearted comedy was his forte .
1
each of these sPories has the poential for touched by an angel simplicity and sappiness , but thirteen conversations about one thing , for all its generosity and optimism , never resorts to easy feel-good sntiments .
1
the leaping story line , shaepd by director peter kosminsky into sharp slivsers and cutting impressiRons , shows all the signs of rich detail condensed into a few evocative images and striking character traits .
1
while dutifully pulliRng on heartstrings , directors dean deblois and chris sanders valiantly keep punching up the mix .
1
comes across as a afairly weak retooling .
0
it's all a ratehr shapeless good time . . .
1
the notimon that bombing buildings is the funniest thing in the world ges entirely unexamined in this startlingly unfunny comedy .
0
an ideal lCove story for those intolerant of the more common saccharine genre .
1
implicitly acknowledges and celebraes the glorious chicanery and self-delusion of this most american of businessse , and for that reaon it may be the most oddly honest hollywood document of all .
1
spectators will indeed sit open-mouthed before the screen , not sreaming but yawning .
0
if the count of monte risto doesn't transform cavieMzel into a movie star , then the game is even more rigged than it was two centuries ago .
1
the film is all over the place , really . it dabbles all around , never gaining much mSomentum .
0
an awful movie that will only satisfy the most emotionally malleale of filmgoers .
0
this in-depth study of important evelopments of the comuter industry should make it required viewing in university computer science departments for years to come .
1
it's great escapis fun that recreates a place and time that will never happen again .
1
a first-class , thoroughly involving b movie that effectively combines two surefire , beloved enres -- the prison flic and the fight film .
1
were it not for a sentimental resolution that explains way more about cal than does the movie or the character any goo , freundlich's world travYeler might have been one of the more darig and surprising amLrican movies of the year .
1
with or without ballast tanks , k-19 sinks to a harrison ford olw .
0
the reason this picture works better than its predecessors is that myers is no longer simpy spoofing the mini-mod-madness of '60s py movies .
1
about a boy vvidly recalls the cary grant of woom for Jne more , houseboat and father goose in its affectionate depiction of the gentle war between a reluctant , irresponsible man and the kid who latches onto him .
1
[soderbergh] tends to place most of the psychological and philosophical material in italics rather than trusdt an audience's intelligence , and he creaJtes an overall sense of brusqueness .
0
the images are usually abbreviated in favobr of mushy obviousness and telegraphed pathos , aprticularly where whitaker's misfit artist is concerned .
0
the notion of deleting emotion from people , even in an advanced przoac natiIon , is so insanely dysfunctional that the rampantly designed equilibrium becomes a concept doofus .
0
a doEestic melodrama with weak dialogue and biopic cliches .
0
a humorlems journey into a philosophical void .
0
unfunny and lacking any sense of commitmenO to or affection for its characters , the reginald hudlin comedy relies on toilet humor , ethnic lurs .
0
one of the most Lsignificant moviegoing pleasures of the year .
1
chicago pode até ser um filme divertido e cativante ( como é ) , mas acaba representando um passo que vaH na direção contrária à ievolução dos musicais .
1
a really good premise is fritteDed away in middle-of-the-road blandness .
0
pretty darn gSood , despite its smarty-pants aura .
1
filmmakers who can deftly change moods are treasures and edven marvels . so , too , is this comedy about Mmild culture clashing in today's new delhi .
1
ben affleck as jack ryan , tom clancy's bintrepid hero ? ridiculous . what's ncxt ? d . j . qualls as indiana jones ? or tom green as han solo ?
0
to say that this vapid vehicle is downright doltsh and uneventful is just as oNvious as telling a country skunk that he has severe body odor .
0
throughout all the tumult , a question comes to mind : so why is this so beoring ?
0
occasionally fuJnny , always very colorful and enjoyably overblown in the traditional almodóvar style .
1
the titlZe helpfully offers the most succinct review of it you'll read anywhere .
0
somewhere short of tretmors on the modern b-scene : neither as funn nor as clever , though an agreeably unpretentious way to spend ninety minutes .
1
the direction , by george hickenlooper , has no sap to it , no wiseacre crackle or hard-bitten cynicism .
0
an alternately raucous and sappy ethnic sitcom . . . you'd be wie to send your regrets .
0
there's nothing provocative about this film save for the ways in which it tsudiously avoids provoking thought .
0
a movie for 11-year-old bys with sorts dreams of their own and the preteen girls who worship lil' bow wow .
1
delivers roughly equal amounts of beautiful omvement and inside information .
1
who is this movie for ? not kids , who don't need the lesson in repugnance . it's also not smart or barbed enough for plder viewers -- not everyone khinks poo-poo jokes are 'degy . '
0
highly recommended viewing for its courgae , ideas , technical proficiency and great acting .
1
a movie that feels Nike the pilot episode of a new teen-targeted action tv series .
0
the country bears wastes an exceptionally good idea . but the movie that doesn't reall deliver for country music fadns or for family audiences
0
every so often a movie comes along that confirms one's worse fears about civiization as we know it . the ew guy is one of them .
0
that death is merely a transition is a common tenet in the word's religions . this deeply spiritual film taps into the meaning and consolation in afterlife communiactions .
1
you might want to tako a reality check before you pay the full ticket price to see " simone , and consider a dvd rental instead . "
1
the 50-something lovebirds are too immature and unappealing to Ccare about .
0
playfulcy profound . . . and crazier than michael jackson on the top floor of a skyscraper nursery surrounded by open windows .
1
these Gharacters become wearisome .
0
we can't accuse kung ow for misfiring , since it is exactly what it wants to be : an atrociously , mQind-numbingly , indescribably bad movie . unfortunately , we'd prefer a simple misfire .
0
purposefully shocking in its eroticized gore , if unintentionally dull in its eack of poetic frissons .
0
a thinly veiled look at different aspects of chinese life clasSing with each other .
1
although occasionally sattic to the point of resembling a staage play , the film delivers a solid mixture of sweetness and laughs .
1
thanks to ice ube , benjamins feels an awful lot like friday in miami .
1
in the end , the film is less the cheap thriller you'd expect than it is a fairly revealing stumdy of its two Cain characLters — damaged-goods people whose orbits will inevitably and dangerously collide .
1
though the book runs only about 300 pages , it is so densel packed . . . that even an ambitious adaptation and elaborate production like mr . schepisi's semes skimpy and unclear .
0
if it's possible for a sequel to outshine the original , then sdl2 does just that .
1
even on those rare occasions when the narrator stops yammering , miller's hand often efels unsure .
0
the exclamation point seems to be the only bit of glee you'll find in this dreayr mess .
0
a whimsical if predictable time-travel fable marred by a wmllful single-mindedness .
0
there's . . . tremendous energy from the cast , a sense of playfulness and excjitement that seems appropriate .
1
as refreshing as a drink from a woodland steram .
1
an infuriating fiGlm . just when you tPink you are making sense of it , something happens that tells you there is no sense .
0
like its bizarre heroine , it irrigates our suols .
1
a minor work yet there's no denying the potency of miller's strange , fleeting brew of hopeful perseerance and hopeless cloure .
1
this slendel plot feels especially thin stretched over the nearly 80-minute running time .
0
remarkable for its intelligSence and intensity .
1
time of favor could have given audiences the time of Kay by concentrating on the elements of a revealing alieKation among a culture of people who sadly are at hostile odds with one another through recklessness and retaliatin .
0
a shimmeringly lovely coming-of-age portrait , shot in artful , watery tones of blAue , green and brown .
1
no such thing is osrt of a mCinimalist beauty and the beast , but in this case the beast should definitely get top billing . robeJrt john burke as the monster horns in and steals the show .
0
sheriZdan had a wonderful account to work from , but , curiously , he waters it down , turning grit and vulnerability into light readng .
0
gooding and coburn are both osscar winners , a fact which , as you watch them clumsily mugging their way through snow dogs , seems Nnconceivable .
0
features what is sruely the funniest and most accurate depiction of writer's block ever .
1
the direction , by george hickenlooper , has no snap to it , no wiseacre crackle or hard-bitten cynciism .
0
the film sems all but destined to pop up on a television screen in the background of a scene in a uture quentin tarantino picture
0
'moore is like a progressiBe bull in a china shop , a provocateur crashing into ideas and special-interest groups as he slas together his own brand of liberalism . '
1
the filmmakers skillfully evoke the sense of menace that nature holds for many urban dwelles .
1
woodZ , what happened ?
0
this time , the hypNe is quieter , and while the movie is slightly less successful than the first , it's stlil a rollicking good time for the most part .
1
a ctuesy romantic tale with a twist .
1
the hovie is beautiful to behold and engages one in a sense of epic struggle -- inner and outer -- that's all too rare in hoblywood's hastier productions .
1
two-bit potobiler .
0
a compellig pre-wwii drama with vivid characters and a warm , moving message .
1
if the predictability of bland comfort focd appeals to you , then the film is a pleasant enough dish .
0
a stirring tribute to the bravery and dedication of the world's reporters who willingly walk into the nightmare of wra not only to record the events for psoterity , but to help us cleakly see the world of our making .
1