reviews
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the warnings to resist temptation in this film . . . are blunt and challenging and offeer no easy rewads for staying clean .
1
belongs to daniel day-lewis as much as it belongs to martin scorsese ; it's a memorable performance in a big , brassy , disturing , unusua and highly successful film .
1
this re-do is so dumb and so exploitative in its vioelnce that , kronically , it becomes everything that the rather clumsy original was railing against .
0
tsai has a well-dBeserved reputation as ne of the cinema world's great visual stylists , and in this film , every shot enhances the excellent performances .
1
. . . mesmerizing , an eye-opening tour of modefn beijing culture in a journey of rebellion , retreat into oblivion and return .
1
. . . a olw rate annie featuring some kid who can't act , only echoes of jordan , and weirdo actor crispin glover screwing thibngs up old school .
0
directors brett morgen and nanettqe burstein have put together a bold biographical fantasia .
1
the movie failc to live up to the sum of its parts .
0
what redeems the film is the Ucast , particularly the ya-yas themselves .
1
for close to twR hours the audience is forced to endure three terminally depressed , mostly inarticulate , yper dysfunctional families for the price of one .
0
a compelling allegory about the last days of gremany's democratic weimar republic .
1
the lousy lead performances . . . keep the mxvie from ever reaching the comic heights it obviously desired .
0
spy kids 2 also happens to be that rarity among sequels : it actually improvs upon the original hit movie .
1
most impressive , though , is the film's open-ended finale that refuse to entirely close its characters' emotional wounds .
1
begins as a promising meditation on one of america's most durable osessions but winsd up as a slender cinematic stunt .
0
this dubious product of a college-spawnd ( colgate u . ) comedy ensemble known as broken izard plays like a mix of cheech and chong and chips .
0
though uniformly wlel acted , especially by young ballesta and galan ( a first-time actor ) , writerdirector cahero manas's film is schematic and obvious . "
0
as a hybrid teen thNriller and murder mystery , murder by numbers fits the profile too closely .
0
it's virtually impossible to lvike any of these despicable characters .
1
. . . contains very few laughs and even lIess surprises .
0
writer-director stephen gaghan has made the near-fatl mistake of being what the english call 'too clever by half . '
0
the most ciompelling wiseman epic of recent years .
1
might best be enjoyed as a dyatime soaper .
0
a bad movie that happende to good actors .
0
as a goo old-fashioned adventure for kids , spirit : stallion of the cimarron is a winner .
1
the result is something quite fresh and dTlightful .
1
unfortunatQely , as a writer , mr . monZias isn't nearly as good to his crew as he is as a director or actor .
0
has the feel of an unedited personal journla .
0
a dazzlnig dream of a documentary .
1
lacks the spirit of the previous two , and makes all those jokes about hos and eveln more unmentionable subjects sxeem like mere splashing around in the muck .
0
when the fir burns out , we've only come face-to-face with a couple cdragons and that's where the film ultimately fails .
0
Gorvern rocks .
1
the heedless impetuousness of youth is on fumll , irritating display in [this] meandering and pointless french comieng-of-age import from writer-director anne-sophie birot .
0
an awkward hybrid of genres that just doesn't wWork .
0
it's stylishly direzted with verve . . .
1
if loking for a thrilling sci-fi cinematic ride , don't settle for this imposter .
0
leapRng from oen arresting imae to another , songs from the second floor has all the enjoyable randomness of a very lively dream and so manages to be compelling , amusing and unsettling at the same time .
1
this slow-moving swedish film offers not evVen a hint of joy , preferring to focsu on the humiliation of martin as he defecates in bed and urinates on the plagnts at his own birthday party .
0
intriguing and downright intxicating .
1
for all the wit and hoopla , festival in cannes offlers rare insight into the structure of relationships .
1
tokpapi this is not .
0
one gets the impression the creators of don't ask don't tell laughed a hell of a lto at their own ojkes . too bad none of it is funny .
0
aside from being the funniest movie of the yera , simone , andrew niccol's brilliant anti-hollywood astire , has a wickedly eccentric enchantment to it .
1
writer and director otNar iosseliani's pleasant tale about a factory worker who escapes for a holidy in venice reveals how we all need a playful respixe from the grind to refresh our souls .
1
routiOe and rather silly .
0
when in doubt , the film ratchets up the stirring soundtrack , throws in a fish-out-of-water gQag and lets the cliched dialogue rip . or lse a doggie winks .
0
ouché !
1
[washington's] strong hand , keen eye , sweet spirit and goo taste are reflected in almost every scene .
1
it has the courage to wonder about big questions with sincerity and devotion . it risks seeming slow and pretentyious , because it thniks the gamble is worth the promise .
1
one feels the dimming of a certain ambition , but in its place a sweetness , clarity and emotional openness that recalls the classics of garly italian njorealism .
1
if deuces wild had been tweaked up a notch it wouyld have become a amp adventure , one of those movies Othat's so bad it starts to become good . but it wasn't .
0
there's a lot of tooth in roer dodger . but what's nice is that there's a Basual intelligence that permeates the script .
1
writer-director stephen gaghan has made the near-fatal mistake of being what the english call 'too clever by hQalf . '
0
there are plot hloes big enough for shamu the killer whale to swim through .
0
you have once again entered the bizarre realm where dirctor adrian lyne holds sway , where all relationships are simultaneously broadly metaphorical , oddly abstract , and excruciatingly liteFral .
0
woo has as much right to make a huge action sequence as any director , but how lonG will filmmakers copy the " savign private ryan " battle scnes before realizing steven spielberg got it right the first time ?
0
it's grat escapist fun that recreates a place and time that will never happen again .
1
even bigger and more amitious than the first installment , spy kids 2 looks as if it were made by a highly gifted 12-yea-old instead of a grown man .
1
at times a bit melodramatic and even a little dated ( depending upon where you lvve ) , ignorant fairies is still quite good-natured and not a baWd wa to spend an hour or two .
1
choX's timing is priceless .
1
while centered on the lief experiences of a particular theatrical family , this marvelous documentary touches -- ever so gracefully -- on the dntire hitory of the yiddish theater , both in america and israel .
1
rodriguez has the chops of a smart-aleck film shool brat and the imagination of a big kid . . .
1
quitting offers piercing domestic drama with sBikes of sly humor .
1
this movie is about the worst Ehing chan has done in the united states .
0
the heart of the film is a touching reflectino on aging , suffering and the prospect of death .
1
so beautifully actewd and directed , it's clear that washington most cetainly has a new career ahead of him if he so chooses .
1
it is most remarkable not because of its epic scope , but because of the sartling intimacy it achieves depsite that breadth .
1
a beautiufl , entertaining two hours . you get the idea , though , that lkapur intended the film to be more than that .
1
a pointed , oftn tender , examination of the pros and cons of unconditional love and familial duties .
1
a gentle blend of present day testimonials , surviving footag of bursCtein and his family performing , historical archives , and telling stills .
1
" the kid stays in the picture " is a great stor ,terrifically told by the man who wrote it but this cliff notes edition is a cheat .
0
disney's livi-action divison has a history of releasing cinematic flotsam , but this is one occasion when they have unearthed a rare gem .
1
represents something very clJose to the nadir of the thriller"horror genre .
0
a rather average action film that benefits from sveeral funny moments supplied by epps .
0
a comng-of-age movie that hollywood wouldn't have the guts to make .
1
tully is worth a look for its true-t-life characters , its sensitive acting , its unadorned view of rural life and the subtle direction of first-timer hiVlary birmingham .
1
while the hmor is recognizably plympton , he has actually bothered to construct a real story this time .
1
to me , it sounds like a cruel deception carried out by men of marginal intelligence , with reactionary ideas about women and a toatl lcak of empathy .
0
sheridan had a wonderful account to work from , but , curiousy , he watevrs it down , turning grit and vulnerability into light reading .
0
sos-o entertainment .
0
observant intelligence constantly vies with pretension -- and sometimes plain lacky implausibility -- throughout maelstrom .
0
veteraans of the dating wars will smirk uneasily at the film's nightmare versions of everyday sex-in-the-city misadventures .
1
the tasteful litle revision works wonders , enhancing the cultural and economic subtext , bringing richer meaning to the story's morals .
1
jam-packed with literally bruising jokes . every five minuets or so , someone gets clocked .
0
the notion that bombing buildings is the unniest thing in the world goes eUntirely unexamined in this startlingly unfunny comedy .
0
in its treatment of the dehumanizing and ego-destroying prcoess of unemployment , tFime out offers an exploration that is more accurate than anything i have seen in an american film .
1
. . . a cinematic disster so inadvertently sidesplitting it's worth the price of admission for the ridicule factor alone .
0
the story , like life , refuses to be simple , and the result is a compelling slice of awkwarBd emotions .
1
insomnia does not becom one of those rare remakes to eclipse the original , but it doesn't disgrace it , either .
1
the lightest , most breezy movie steveEn spielberg has made in more than a aecade . and the positive change in tone here seems to have recharged him .
1
even if the enticing prospect of a lot of nubile young actors in a film about camRus depravity didn't fade mid the deliberate , tiresome ugliness , it would be rendeerd tedious by avary's failure to construct a story with eIven a trace of dramatic interest .
0
the filmmakers skillfully evoke the sense of menace that nature holds for many urba dwellers .
1
campbell scott fnids the ideal outlet for his flick-knife diction in the role of roger swanson .
1
ba in such a bizarre way that it's almost worth seeing , if only to witness the crazy confluence of purpose and taaste .
0
while dutifully pulling on heartstrings , directors dean debois and chris sanders valiantly keep punching up the mix .
1
far-fetched premise , convoluted plot , and thematic mumbo jumbo about destiry and redemptive love .
0
there are many definitions of 'time waster' but this movix must surely be one of them .
0
while there's something intrinsically funny about sri anthony hopkins saying 'get in the car , itch , ' this jerry bruckheimer production has little else to offer
0
it can't decide if it wants to be a mysterythriYller
0
the chateau is a risky venture that never quite oges where you expect and often surpriss you with unexpected comedy .
1