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I know British |
sign language too, |
but that's another |
sign language. |
PROFESSOR: So you mentioned |
when you're in a party |
and you can't hear people, |
does that mean that there's |
a lot of noise that |
masks speakers and that's |
a hard situation for you? |
Right. |
SHEILA: So like |
the speaker's voice |
will blend into other speakers |
voices or background noises, |
so I tend to rely on |
lipreading or some other method |
to communicate. |
PROFESSOR: Right. |
So for example, in |
cochlear implants, |
a common problem is when |
there is an environment where |
there's many, many |
frequencies of sound, |
like a crowded |
restaurant or a party, |
and there's one speaker that |
you're trying to pay attention |
to and the subject |
gets overloaded |
on every single electrode. |
And so some kinds of |
cochlear implant processors |
try to circumvent that by trying |
to pick out in the spectrum |
the important peaks |
of the spectrum. |
So if you're listening |
to the vowel aa, |
you'd have three formants. |
The processor tries to pick |
out those formants and only |
present electrodes |
corresponding to those formants |
and turn all the other |
electrodes off so that there's |
a huge difference between |
where the formant is |
and where the nothing is. |
Really in theory, it's |
nothing, but actually, it |
could be a noisy background. |
So that is one kind of |
speech processor design. |
It's called the speech |
feature extractor, sometimes |
the speak chip. |
It's trying to pick |
out formants so |
that it can understand vowels. |
And it's supposed to be less |
sensitive to noise masking, |
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