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video
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int64
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25
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stringlengths
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stringlengths
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subtitles
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synopsis
stringclasses
53 values
24
8
The chubby main character was chasing a baby lion when the big lion started chasing him.
The chubby main character was chasing a butterfly when the big lion started chasing him.
Single
Event/Entity, Causal
1 00:00:02,130 --> 00:00:05,010 [upbeat music] 2 00:00:10,120 --> 00:00:13,200 [tense dramatic music] 3 00:00:24,220 --> 00:00:28,170 [singing in foreign language] 4 00:01:12,120 --> 00:01:16,160 - Stay right where you are. [tense music] 5 00:01:16,160 --> 00:01:18,030 Don't move. 6 00:01:18,030 --> 00:01:19,110 S...
Diana Emerson visits the book section of Klopper's department store seeking a copy of Dark Safari by the famed explorer Cuddleford. She tells the clerk, Buzz Johnson, that she will pay $2,500 for a map that is inside the book. Buzz's friend and coworker Stanley Livington, an armchair explorer, has read the book and say...
24
9
The chubby main character locked himself with a real lion in the cage.
The chubby main character locked himself with his boss disguised as a lion in the cage.
Multi
Event/Entity
1 00:00:02,130 --> 00:00:05,010 [upbeat music] 2 00:00:10,120 --> 00:00:13,200 [tense dramatic music] 3 00:00:24,220 --> 00:00:28,170 [singing in foreign language] 4 00:01:12,120 --> 00:01:16,160 - Stay right where you are. [tense music] 5 00:01:16,160 --> 00:01:18,030 Don't move. 6 00:01:18,030 --> 00:01:19,110 S...
Diana Emerson visits the book section of Klopper's department store seeking a copy of Dark Safari by the famed explorer Cuddleford. She tells the clerk, Buzz Johnson, that she will pay $2,500 for a map that is inside the book. Buzz's friend and coworker Stanley Livington, an armchair explorer, has read the book and say...
25
0
Louise dumps her husband's body into the water after he dies of a heart attack.
Louise dumps her husband's car into the water after he dies of a heart attack.
Single
Temporal, Causal
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
1
Louise types up a letter to her mother-in-law inpersonating her dead husband.
Louise makes a phone call to her mother-in-law inpersonating her dead husband.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
10
Billy remembers his younger sister, who died years ago.
Billy remembers his younger sister, who died recently.
Multi
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
11
The older brother is a sculptor.
The younger brother is a sculptor.
Multi
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
12
Dr. Caleb questions several family members to try to solve the mystery.
Dr. Caleb questions several family members to write a documentary.
Multi
Causal
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
13
A stone shrine appears when the pond is drained.
An old bicycle appears when the pond is drained.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
14
The family doctor shoots Billy after he turns out to be the murderer.
The family doctor helps Billy after he turns out to be the murderer.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
2
The family gathers together to attend a memorial service to honor the dead sister.
The family gathers together to attend the wedding of the young sister.
Multi
Event/Entity, Causal
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
3
Louise secretely watches from the castle's tower because she is not invited to attend the memorial service.
Louise stay in the castle's tower because she is not interested in attending the memorial service.
Multi
Causal, Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
4
Louise observes the memorial service from the castle's tower.
Louise observes the wedding from the castle's tower.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
5
During the memorial ceremony, lady Haloran faints away.
During dinner, lady Haloran faints away.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
6
John is not present at the memorial service because he is dead.
John is not present at the memorial service because he is on a business trip.
Multi
Causal
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
7
The memorial ceremony takes place in the castle's garden.
The memorial ceremony takes place in the castle's chapel.
Single
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
8
Dolls pop up in the pond where the little sister drowned.
Dolls pop up in the room where the little sister played.
Multi
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
25
9
The dolls are place in the pond by Louise right before she gets murdered.
The dolls are placed in the pond by the maid right before she gets murdered.
Multi
Event/Entity
1 00:00:38,663 --> 00:00:41,749 John, let's go to bed. 2 00:00:41,832 --> 00:00:43,459 I want to take the boat out alone. 3 00:00:43,543 --> 00:00:45,962 - I'll be up later. - No, I'll go with you. 4 00:01:04,522 --> 00:01:05,356 John... 5 00:01:08,276 --> 00:01:09,902 That will is no good. 6 00:01:11,237 --> 00:0...
While out rowing in the middle of a lake after dark, John Haloran and his young wife Louise argue about his rich mother's will. Louise is upset that everything is designated to go to charity in the name of a mysterious "Kathleen." The argument, combined with the exertion of rowing the boat, causes John to have a heart ...
26
0
The soldiers are stranded in the woods because their plane crashed.
The soldiers are stranded on the beach because their plane crashed.
Single
Causal
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
1
The soldiers build a raft to cross the river.
The soldiers build a bridge to cross the river.
Single
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
10
Mac is shocked when he realises that Sidney has shot the girl.
Mac is supportive when he realises that Sidney has shot the girl.
Single
Emotion
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
11
The leuitenant regrets having left Sidney alone watching the girl.
The lieutenant celebrates having left Sidney alone watching the girl.
Multi
Emotion
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
12
Mac is 34 years old.
Mac is 44 years old.
Single
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
13
Sidney loses his mind and runs away.
Sidney takes off his helmet and runs away.
Multi
Event/Entity, Causal
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
14
The soldiers find a dog in the woods which turns out to belong to the enemy general.
The soldiers find a dog in the woods which belongs to the girl.
Multi
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
15
While Mac distracts the enemy soldiers, Fletcher shoots the general.
While Mac helps the enemy soldiers, Fletcher shoots the general.
Multi
Event/Entity, Causal
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
16
Fletcher and the lieutenant get away using the eneymy airplane.
Fletcher and the lieutenant destroy the enemy airplane.
Multi
Event/Entity, Causal
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
17
Mac does not manage to escape alive.
Mac manages to escape alive.
Global
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
18
After safely making it to their base camp, Fletcher and the lieutenant are hunted by their traumatic experiences.
After safely making it to their base camp, Fletcher and the lieutenant are proud of their adventure.
Global
Emotion
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
19
Sidney unties the girl because he hopes she will embrace him.
Sidney unties the girl to let her go free.
Single
Causal, Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
2
The soldiers abandon the raft without being able to cross the river.
The soldiers abandon the raft after crossing the river.
Multi
Temporal, Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
3
Mac says "Let's stay civilised", but he is not the first one to say it.
The lieutenant says "Let's stay civilised", but he is not the first one to say it.
Multi
Other
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
4
Sidney does not like to be left behind watching the prisoner girl.
Sidney volunteers to stay behind watching the prisoner girl.
Single
Emotion
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
5
Sidney tries to make the prisoner girl laugh.
Sidney beats up the prisoner girl.
Single
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
6
The soldiers go back to where they abandoned the raft and find it untouched.
The soldiers go back to where they abandoned the woman and find a raft.
Multi
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
7
Sidney kisses the prisoner girl against her will.
Sidney falls asleep while watching the prisoner girl.
Single
Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
8
Sidney shoots the girl because she tries to run away.
Sidney shoots the girl while she's is tied up.
Single
Causal, Event/Entity
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
26
9
The girl lays on the ground because she has been shot.
The girl lays on the ground because she is hiding.
Multi
Causal
1 00:00:02,500 --> 00:00:08,200 FEAR AND DESIRE 2 00:00:51,300 --> 00:00:53,700 There is war in this forest. 3 00:00:54,300 --> 00:00:58,000 Not a war that's been fought, or one that will be, 4 00:00:58,800 --> 00:01:01,000 but any war. 5 00:01:01,200 --> 00:01:04,500 And the enemies who struggle here do not exist,...
Fear and Desire opens with an off-screen narration by actor David Allen who tells the audience: There is a war in this forest. Not a war that has been fought, nor one that will be, but any war. And the enemies who struggle here do not exist unless we call them into being. This forest then, and all that happens now is ...
27
0
The Queen helped Sara pursue the search for her father in the hospital.
The Queen prevented Sara from searching for her father in the hospital.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
1
On her birthday, Sara received news of her father's death.
On her birthday, Sara received news of her father's arrival in England.
Multi
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
10
Sara is a very empathetic and well-behaved child.
Sara is a very arrogant and rude child.
Global
Event/Entity, Emotion
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
11
The parrot is the grumpy old neighbor's pet.
The parrot is the Indian man's pet.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
12
The Indian neighbor helps Sara and Becky escape from the police.
The Indian neighbor turns Sara and Becky in to the police.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
13
After leaving the school, Bertie goes to work at a hospital.
After leaving the school, Bertie goes to war.
Multi
Temporal, Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
14
Bertie was a musical performer many years ago.
Bertie was a magician many years ago.
Multi
Temporal, Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
15
As a result of her father's death, Sara was moved to a cold, abandoned room in the attic.
As a result of her father's death, Sara was moved to a lavish private suite.
Multi
Causal
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
16
After receiving the news of Sara's father's death, the headmistress makes the now orphaned child a servant in the school.
After receiving the news of Sara's father's death, the headmistress shows compassion for the now orphaned child and takes care of her.
Multi
Temporal, Event/Entity, Emotion
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
17
The headmistress accepts Sara into the school only because her father is a wealthy man with good social and financial standing.
The headmistress accepts Sara into the school only because her father is going to war and has no one else to care for the child.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
18
Sara dropped the ashes on Lavinia on purpose because Lavinia provoked her.
Sara accidentally dropped the ashes on Lavinia.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
19
Bertie helped Sara search for her father, although he believed the man was dead.
Bertie helped Sara search for her father because he believed the man was not dead.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
2
The headmistress disapproved Miss Rose and Mr. Geoffrey’s relationship.
The headmistress was supportive of Miss Rose and Mr. Geoffrey’s relationship.
Multi
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
20
Sara and Bertie sang and danced for the men in the hospital.
Sara and Bertie sang and danced for the girls at the school.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
21
The headmistress advanced the money to pay for Sara's birthday party.
Sara's father paid for her birthday party.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
3
The headmistress was very displeased with the arrival of Sara's pony.
The headmistress was very pleased with the arrival of Sara's dog.
Single
Event/Entity, Emotion
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
4
Mr. Geoffrey was Sara's riding teacher.
Mr. Geoffrey was Sara's music teacher.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
5
Sara was an accomplice in Miss Rose and Mr. Geoffrey's relationship.
Sara tried to sabotage Miss Rose and Mr. Geoffrey's relationship.
Multi
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
6
Sara's father left her to go to war.
Sara's father left her to go on a business trip.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
7
Miss Rose was in love with the school's riding instructor.
Miss Rose was in love with the headmistress's brother.
Single
Emotion
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
8
Mr. Geoffrey and Miss Rose got married before he left to fight in the war.
Mr. Geoffrey and Miss Rose got married after he came back from the war.
Multi
Temporal
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
27
9
The grumpy old neighbor left Sara blankets, food, and clothes in her room in the attic.
The headmistress left Sara blankets, food, and clothes in her room in the attic.
Single
Event/Entity
1 00:00:01,791 --> 00:00:06,791 Downloaded from YTS.MX 2 00:00:07,791 --> 00:00:12,791 Official YIFY movies site: YTS.MX 3 00:02:50,056 --> 00:02:52,491 Why are they sending so many soldiers daddy, 4 00:02:52,492 --> 00:02:54,656 if it is only going to be a little war. 5 00:02:55,056 --> 00:02:57,656 Make those sou...
Captain Crewe, called to fight in the Second Boer War, has to leave his daughter Sara (Shirley Temple) with her pony at Miss Minchin's School for Girls. With all the money Captain Crewe can offer, Miss Minchin gives Sara a fancy, private room. Although worried about her father, Sara is distracted by riding lessons. It ...
28
0
Kay left Buckley in the middle of the night because she thought he was cheating on her.
Kay left Buckley in the middle of the night because she saw him cheating on her.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
1
Kay's parents rushed to the hospital, driving dangerously, on a night when the baby wasn't actually born.
Kay's parents rushed to the hospital, driving dangerously, on the night the baby was born.
Multi
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
10
Stanley himself wanted to go visit Kay's doctor.
Kay's mother convinced Stanley to go visit Kay's doctor.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
11
Stanley was very supportive of Kay during her pregnancy.
Stanley was very distant from Kay during her pregnancy.
Global
Emotion
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
12
Kay and Buckley bought a new house because the apartment they lived in was too small to have the baby.
Kay and Buckley bought a new house to please their parents.
Multi
Event/Entity, Causal
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
13
At the baby shower, Kay's mother was happy to hear that the young couple had bought a house.
At the baby shower, Kay's mother was happy to hear that Buckley's parents had offered the young couple a house.
Single
Emotion, Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
14
Kay and Buckley moved house before the baby was born.
Kay and Buckley moved house after the baby was born.
Multi
Temporal
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
15
At the baptism, Buckley's parents seemed okay with the baby being named Stanley.
At the baptism, Buckley's parents seemed upset that the baby was named Stanley.
Single
Emotion
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
16
The first time the baby didn't cry around Stanley was at the police station.
The first time the baby didn't cry around Stanley was when they took pictures together after the baby's birth.
Multi
Temporal
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
17
The baby was named after his maternal grandfather.
The baby was named after his paternal grandfather.
Multi
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
18
Stanley seemed a bit annoyed about having to sleep in Kay's room.
Stanley seemed happy about having to sleep in Kay's room.
Single
Emotion
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
19
At first, Kay and Buckley's parents each had a different name in mind for the baby.
At first, Kay and Buckley's parents agreed on the name they wanted for the baby.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
2
Stanley left the baby alone in the park to go play football with the children.
Stanley left the baby alone in the park because he didn't like him.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
3
After losing the baby, Stanley desperately searched for him.
After losing the baby, Stanley cheerfully went for a walk alone.
Multi
Temporal, Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
4
Kay's brothers did not seem excited to hear that Kay was going to have a baby.
Kay's brothers seemed very excited to hear that Kay was going to have a baby.
Single
Emotion
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
5
Receiving the news of Kay's pregnancy motivated Stanley to go to the gym the next day.
Receiving the news of Kay's pregnancy motivated Stanley to go play golf with her husband the next day.
Multi
Event/Entity, Temporal, Causal
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
6
After being told that the baby had just been born, Stanley goes back to bed.
After being told that the baby had just been born, Stanley rushes to the hospital.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
7
Stanley went to look for the baby at the police station without telling Kay he had lost him.
Stanley went to look for the baby at the police station after telling Kay he had lost him.
Single
Event/Entity
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
8
Stanley started to like the baby after losing him in the park.
Stanley started to dislike the baby after losing him in the park.
Multi
Temporal, Emotion
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
28
9
Stanley was very excited to enjoy life before hearing about Kay's pregnancy.
Stanley became very excited to become a grandfather after hearing about Kay's pregnancy.
Multi
Emotion, Temporal
1 00:01:17,452 --> 00:01:19,162 Ellie? 2 00:01:19,288 --> 00:01:21,498 Ellie, hurry up! We've only got five minutes. 3 00:01:21,623 --> 00:01:22,958 I'll be right down. 4 00:01:43,061 --> 00:01:44,896 I'd like to say a few words about what's happened 5 00:01:45,022 --> 00:01:46,982 to me over the past year. 6 00:0...
Newly married Kay Dunstan announces that she and her husband are going to have a baby, leaving her father, Stanley Banks, having to come to grips with becoming a grandfather. Middle-class family man Stanley Banks reminisces on events of the past year: One afternoon, returning from the office feeling happy and energetic...
29
0
Following the robbery at the Southwest bank, the police chase down the western florists vehicle carrying flowers in it.
Following the robbery at the Southwest bank, the police chase down the western florists vehicle carrying money in it.
Multi
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
1
When recruiting others for the bank robbery, Tim Foster wears a mask and a hat to conceal his identity.
When recruiting others for the bank robbery, Tim Foster takes off his mask and hat to reveal his identity.
Multi
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
10
Tomaso introduces Joe Rolfe as Pete Harris to Tim Foster and Tony Romano over a game of cards.
Teresa introduces Joe Rolfe as Pete Harris to Tim Foster and Tony Romano over a game of cards.
Single
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
11
Joe hides the mask and the telegram in the drawer and waits for one of the robbers to enter his bungalow.
Joe hides the mask and the telegram in the drawer and waits for Helen to enter his bungalow.
Multi
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
12
Joe Rolfe convinces Tony Romano that he is one of the robbers.
Joe Rolfe fails to convince Tony Romano that he is one of the robbers.
Multi
Emotion
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
13
Tim Fosters receives a Telegram notifying that Pete Harris who is one of the robbers is dead.
Joe Rolfe receives a Telegram notifying him that Tim Fosters is dead.
Multi
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
14
While the robbers beat up Joe Rolfe, Helen knocks and enters his bungalow.
While the robbers beat up Joe Rolfe, Teresa knocks and enters his bungalow.
Single
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
15
Helen meets with her father who demands that she forgets Joe Rolfe.
Helen meets with her father who encourages her to continue seeing Joe Rolfe.
Single
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
16
Tim Fosters gives the robbers and Joe Rolfe a ride to the fishing boat and signals the police about their whereabouts.
Tim Fosters gives the robbers and Joe Rolfe a ride to the fishing boat and signals his daughter Helen about their whereabouts.
Multi
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
17
Joe Rolfe calls Tim Fosters on his plan to turn the marked robbery money to police for getting a reward.
Joe Rolfe calls Tim Fosters on his plan to kill the other robbers and keep all the money for himself.
Global
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
18
Tim Foster expresses remorse after getting shot and requests Joe Rolfe to not reveal his crime to Helen.
Tim Foster expresses anger after getting shot and requests Scott to not reveal his crime to Helen.
Multi
Emotion
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
2
The robbers attack the security cops, snatch the money, and escape in the western florists vehicle.
The robbers attack the florist, snatch the money, and escape in the western florists vehicle.
Single
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
3
The cops apologize to Joe Rolfe for wrongfully detaining him after they find the lookalike getaway car used by the bank robbers.
Joe Rolfe apologizes to the cops after after they find the lookalike getaway car used by the bank robbers.
Multi
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
4
Joe Rolfe reaches Mexico to find Pete Harris after getting help from his brother Eddie.
Joe Rolfe reaches Mexico to find Pete Harris after getting a Telegram from Tim Foster.
Multi
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
5
In the airport when waiting to board to the plane to Borados, Pete Harris gets shot by the police.
In the airport when waiting to board to the plane to Borados, Pete Harris gets shot by Joe Rolfe.
Multi
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
6
Tim Foster meets Boyd Kane and Tony Romano at a hotel in Borados.
Tim Foster meets Boyd Kane and Tony Romano at a bank in Borados.
Multi
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
7
Tony Romano asks Tim Foster about playing cards together instead of going fishing.
Tim Foster asks Tony Romano about going fishing together instead of playing cards.
Single
Event/Entity
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
8
On his boat Tim Foster meets Scott and discusses a plan to catch the bank robbers.
On his boat Tim Foster meets with Scott to discuss how to split the robbed money from the bank.
Multi
Causal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
29
9
Joe Rolfe reaches the hotel in Borados and checks-in under the name Pete Harris.
Joe Rolfe reaches the hotel Tijuana and checks-in under the name Pete Harris.
Multi
Temporal
1 00:05:02,090 --> 00:05:04,820 <i>- Hello, Pete.</i> - You've got a wrong number. 2 00:05:22,244 --> 00:05:24,439 <i>Don't hang up on me again, Pete.</i> 3 00:05:25,280 --> 00:05:27,874 <i>If I was a cop or one of the boys,</i> <i>I wouldn't bother calling,</i> 4 00:05:27,949 --> 00:05:30,417 <i>- I'd just walk in ...
The ruthless Mr. Big is timing the arrival of an armored car picking up money from a bank and a flower delivery truck, driven by deliveryman Joe Rolfe. He plans to rob the armored car with three men: Peter Harris (a gambler wanted for murder); Boyd Kane (a cop killer); and Tony Romano (a womanizing get-away driver). Wh...
30
0
Philip Carey moves from Paris to London to study medicine and to stop pursuing painting.
Philip Carey moves from Paris to Australia to study painting and to stop pursuing medicine.
Multi
Causal
1 00:02:09,254 --> 00:02:12,814 Arretez au coin, s'il vous plait. 2 00:02:37,414 --> 00:02:39,774 - Monsieur Foiné. - Yes, monsieur? 3 00:02:39,809 --> 00:02:42,434 Could I speak to you for a moment? 4 00:02:43,934 --> 00:02:48,414 Well, I've been studying painting with you for some time now. 5 00:02:48,449 --> 00:...
Sensitive, club-footed artist Philip Carey is a Briton who has been studying painting in Paris for four years. His art teacher tells him his work lacks talent, so he returns to London to become a medical doctor, but his moodiness and chronic self-doubt make it difficult for him to keep up in his schoolwork. Philip fall...
30
1
Philip Carey is physically challenged with congenital clubfoot.
Philip Carey is physically challenged with Lung Cancer.
Global
Event/Entity
1 00:02:09,254 --> 00:02:12,814 Arretez au coin, s'il vous plait. 2 00:02:37,414 --> 00:02:39,774 - Monsieur Foiné. - Yes, monsieur? 3 00:02:39,809 --> 00:02:42,434 Could I speak to you for a moment? 4 00:02:43,934 --> 00:02:48,414 Well, I've been studying painting with you for some time now. 5 00:02:48,449 --> 00:...
Sensitive, club-footed artist Philip Carey is a Briton who has been studying painting in Paris for four years. His art teacher tells him his work lacks talent, so he returns to London to become a medical doctor, but his moodiness and chronic self-doubt make it difficult for him to keep up in his schoolwork. Philip fall...