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[ "lap and, loosely between then, a rosary; she was fast asleep'. I find", "her lap and, loosely between then, a rosary; she was fast asleep'. I", "Hawkins is first described thus: 'her hands lay open in her lap and,", "is first described thus: 'her hands lay open in her lap and, loosely", "described thus: 'her hands lay open in her lap and, loosely between then,", "thus: 'her hands lay open in her lap and, loosely between then, a", "be TOO blatant, superfluous, redundant... what can I call it other than 'overly-obvious'?", "the rosary reference to be TOO blatant, superfluous, redundant... what can I call", "a rosary; she was fast asleep'. I find the rosary reference to be", "Nanny Hawkins is first described thus: 'her hands lay open in her lap", "'her hands lay open in her lap and, loosely between then, a rosary;", "rosary reference to be TOO blatant, superfluous, redundant... what can I call it", "find the rosary reference to be TOO blatant, superfluous, redundant... what can I", "to be TOO blatant, superfluous, redundant... what can I call it other than", "fast asleep'. I find the rosary reference to be TOO blatant, superfluous, redundant...", "she was fast asleep'. I find the rosary reference to be TOO blatant,", "reference to be TOO blatant, superfluous, redundant... what can I call it other", "lay open in her lap and, loosely between then, a rosary; she was", "rosary; she was fast asleep'. I find the rosary reference to be TOO", "in her lap and, loosely between then, a rosary; she was fast asleep'.", "and, loosely between then, a rosary; she was fast asleep'. I find the", "asleep'. I find the rosary reference to be TOO blatant, superfluous, redundant... what", "first described thus: 'her hands lay open in her lap and, loosely between", "Writing about Waugh. Nanny Hawkins is first described thus: 'her hands lay open", "was fast asleep'. I find the rosary reference to be TOO blatant, superfluous,", "open in her lap and, loosely between then, a rosary; she was fast", "Waugh. Nanny Hawkins is first described thus: 'her hands lay open in her", "then, a rosary; she was fast asleep'. I find the rosary reference to", "about Waugh. Nanny Hawkins is first described thus: 'her hands lay open in", "loosely between then, a rosary; she was fast asleep'. I find the rosary", "hands lay open in her lap and, loosely between then, a rosary; she", "between then, a rosary; she was fast asleep'. I find the rosary reference", "I find the rosary reference to be TOO blatant, superfluous, redundant... what can" ]
[ "I thought I could just use a different font like Courier New to", "dialogues. Single quotes for flashback dialogues and italicized letters for monologues and emphasis", "novel's written in Times New Roman. I thought I could just use a", "Roman. I thought I could just use a different font like Courier New", "error in the scene. The novel's written in Times New Roman. I thought", "here's the thing. I'll keep it simple. I use double quotes for general", "Times New Roman. I thought I could just use a different font like", "could just use a different font like Courier New to show the computer", "show a computer error in the scene. The novel's written in Times New", "comes when I want to show a computer error in the scene. The", "letters for monologues and emphasis words only. The doubt comes when I want", "scene. The novel's written in Times New Roman. I thought I could just", "double quotes for general dialogues. Single quotes for flashback dialogues and italicized letters", "and italicized letters for monologues and emphasis words only. The doubt comes when", "words only. The doubt comes when I want to show a computer error", "quotes for general dialogues. Single quotes for flashback dialogues and italicized letters for", "general dialogues. Single quotes for flashback dialogues and italicized letters for monologues and", "doubt comes when I want to show a computer error in the scene.", "thought I could just use a different font like Courier New to show", "Single quotes for flashback dialogues and italicized letters for monologues and emphasis words", "only. The doubt comes when I want to show a computer error in", "thing. I'll keep it simple. I use double quotes for general dialogues. Single", "italicized letters for monologues and emphasis words only. The doubt comes when I", "New Roman. I thought I could just use a different font like Courier", "want to show a computer error in the scene. The novel's written in", "a computer error in the scene. The novel's written in Times New Roman.", "in Times New Roman. I thought I could just use a different font", "I could just use a different font like Courier New to show the", "written in Times New Roman. I thought I could just use a different", "The doubt comes when I want to show a computer error in the", "dialogues and italicized letters for monologues and emphasis words only. The doubt comes", "monologues and emphasis words only. The doubt comes when I want to show", "to show a computer error in the scene. The novel's written in Times", "the thing. I'll keep it simple. I use double quotes for general dialogues.", "I'll keep it simple. I use double quotes for general dialogues. Single quotes", "it simple. I use double quotes for general dialogues. Single quotes for flashback", "and emphasis words only. The doubt comes when I want to show a", "for flashback dialogues and italicized letters for monologues and emphasis words only. The", "just use a different font like Courier New to show the computer error.", "I want to show a computer error in the scene. The novel's written", "I use double quotes for general dialogues. Single quotes for flashback dialogues and", "emphasis words only. The doubt comes when I want to show a computer", "Okay, here's the thing. I'll keep it simple. I use double quotes for", "the scene. The novel's written in Times New Roman. I thought I could", "when I want to show a computer error in the scene. The novel's", "in the scene. The novel's written in Times New Roman. I thought I", "for general dialogues. Single quotes for flashback dialogues and italicized letters for monologues", "flashback dialogues and italicized letters for monologues and emphasis words only. The doubt", "computer error in the scene. The novel's written in Times New Roman. I", "keep it simple. I use double quotes for general dialogues. Single quotes for", "The novel's written in Times New Roman. I thought I could just use", "quotes for flashback dialogues and italicized letters for monologues and emphasis words only.", "for monologues and emphasis words only. The doubt comes when I want to", "use double quotes for general dialogues. Single quotes for flashback dialogues and italicized", "simple. I use double quotes for general dialogues. Single quotes for flashback dialogues", "use a different font like Courier New to show the computer error. Doable?" ]
[ "one type of writing, such as ad writing, to master and pursue professionally.", "mind that he or she would like to pursue, and who is simply", "broad introduction to the craft of writing, that might for example, provide comparisons", "to master, but not much more guidance beyond that as to how to", "advice provided in that post seems to be more helpful to a person", "some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post", "already read this post (@ [What are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)),", "who is simply seeking resources that might help him or her get started", "would also like to explore other types of writing such as both fiction", "beyond that as to how to become proficient in those writing styles. I", "Where can an absolute newcomer to the discipline of writing begin to learn", "university in an attempt to learn about writing in general and develop this", "master, but not much more guidance beyond that as to how to become", "the various types and genres of writing so as to become able to", "such as academic writing and technical trade journal writing? I already read this", "as to become able to identify them simply by reading them? I have", "my knowledge of academic writing. But I would also like to explore other", "story writing, journalistic writing, business writing, and so on, as well. I'm not", "that might help him or her get started writing in that specific area.", "of writing in order to gain a broad general perspective of writing as", "that he or she would like to pursue, and who is simply seeking", "might for example, provide comparisons among various types of writing such as academic", "found that each academic discipline has its own writing styles and conventions which", "I would also like to explore other types of writing such as both", "discipline has its own writing styles and conventions which take time to master,", "I of course, did glean a little general knowledge about academic writing, but", "of writing, that might for example, provide comparisons among various types of writing", "discipline of writing begin to learn about the various types and genres of", "will probably choose one type of writing, such as ad writing, to master", "is, are there any resources (for example, books, courses, etc.) that might provide", "to deepen my knowledge of academic writing. But I would also like to", "pursue, and who is simply seeking resources that might help him or her", "reading them? I have taken composition classes at my university in an attempt", "gain a broad general perspective of writing as a craft. So my question", "writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post seems to be more helpful", "deepen my knowledge of academic writing. But I would also like to explore", "resources (for example, books, courses, etc.) that might provide such a broad introduction", "on, as well. I'm not necessarily seeking to become a professional in all", "has its own writing styles and conventions which take time to master, but", "[What are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in", "knowledge of academic writing. But I would also like to explore other types", "when, after completing the classes, I still did not possess the ability. I", "to gain a broad general perspective of writing as a craft. So my", "as to how to become proficient in those writing styles. I would therefore", "such a broad introduction to the craft of writing, that might for example,", "to become a professional in all of those types of writing. I will", "each academic discipline has its own writing styles and conventions which take time", "and so on, as well. I'm not necessarily seeking to become a professional", "would like to pursue, and who is simply seeking resources that might help", "would therefore like to deepen my knowledge of academic writing. But I would", "as academic writing and technical trade journal writing? I already read this post", "or her get started writing in that specific area. I appreciate any responses", "them? I have taken composition classes at my university in an attempt to", "how to become proficient in those writing styles. I would therefore like to", "courses, etc.) that might provide such a broad introduction to the craft of", "academic writing, but found that each academic discipline has its own writing styles", "in order to gain a broad general perspective of writing as a craft.", "not necessarily seeking to become a professional in all of those types of", "writing styles. I would therefore like to deepen my knowledge of academic writing.", "possess the ability. I of course, did glean a little general knowledge about", "that post seems to be more helpful to a person who has a", "starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post seems to be more", "of writing begin to learn about the various types and genres of writing", "them simply by reading them? I have taken composition classes at my university", "identify them simply by reading them? I have taken composition classes at my", "types and genres of writing so as to become able to identify them", "classes, I still did not possess the ability. I of course, did glean", "the ability. I of course, did glean a little general knowledge about academic", "in mind that he or she would like to pursue, and who is", "both fiction and nonfiction story writing, journalistic writing, business writing, and so on,", "but not much more guidance beyond that as to how to become proficient", "writing in order to gain a broad general perspective of writing as a", "seeking to become a professional in all of those types of writing. I", "for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post seems to be", "master and pursue professionally. But nevertheless, I want to learn about all types", "a broad general perspective of writing as a craft. So my question is,", "by reading them? I have taken composition classes at my university in an", "classes at my university in an attempt to learn about writing in general", "but became disappointed when, after completing the classes, I still did not possess", "a professional in all of those types of writing. I will probably choose", "become a professional in all of those types of writing. I will probably", "types of writing such as both fiction and nonfiction story writing, journalistic writing,", "be more helpful to a person who has a specific type of writing", "is simply seeking resources that might help him or her get started writing", "composition classes at my university in an attempt to learn about writing in", "to become proficient in those writing styles. I would therefore like to deepen", "other types of writing such as both fiction and nonfiction story writing, journalistic", "order to gain a broad general perspective of writing as a craft. So", "but found that each academic discipline has its own writing styles and conventions", "seeking resources that might help him or her get started writing in that", "like to pursue, and who is simply seeking resources that might help him", "type of writing, such as ad writing, to master and pursue professionally. But", "types of writing in order to gain a broad general perspective of writing", "that might provide such a broad introduction to the craft of writing, that", "about* all types of writing in order to gain a broad general perspective", "explore other types of writing such as both fiction and nonfiction story writing,", "books, courses, etc.) that might provide such a broad introduction to the craft", "(@ [What are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided", "become able to identify them simply by reading them? I have taken composition", "her get started writing in that specific area. I appreciate any responses in", "necessarily seeking to become a professional in all of those types of writing.", "disappointed when, after completing the classes, I still did not possess the ability.", "among various types of writing such as academic writing and technical trade journal", "writing, but found that each academic discipline has its own writing styles and", "writing, journalistic writing, business writing, and so on, as well. I'm not necessarily", "of writing such as academic writing and technical trade journal writing? I already", "as well. I'm not necessarily seeking to become a professional in all of", "craft of writing, that might for example, provide comparisons among various types of", "a specific type of writing in mind that he or she would like", "writing begin to learn about the various types and genres of writing so", "I still did not possess the ability. I of course, did glean a", "and develop this ability, but became disappointed when, after completing the classes, I", "read this post (@ [What are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but", "learn about* all types of writing in order to gain a broad general", "nevertheless, I want to learn about all types of writing in order to", "academic writing and technical trade journal writing? I already read this post (@", "introduction to the craft of writing, that might for example, provide comparisons among", "to the discipline of writing begin to learn about the various types and", "begin to learn about the various types and genres of writing so as", "writing, and so on, as well. I'm not necessarily seeking to become a", "to a person who has a specific type of writing in mind that", "to become able to identify them simply by reading them? I have taken", "conventions which take time to master, but not much more guidance beyond that", "broad general perspective of writing as a craft. So my question is, are", "that each academic discipline has its own writing styles and conventions which take", "that might for example, provide comparisons among various types of writing such as", "him or her get started writing in that specific area. I appreciate any", "as both fiction and nonfiction story writing, journalistic writing, business writing, and so", "trade journal writing? I already read this post (@ [What are some online", "such as both fiction and nonfiction story writing, journalistic writing, business writing, and", "writing, business writing, and so on, as well. I'm not necessarily seeking to", "taken composition classes at my university in an attempt to learn about writing", "online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post seems", "writing styles and conventions which take time to master, but not much more", "simply by reading them? I have taken composition classes at my university in", "there any resources (for example, books, courses, etc.) that might provide such a", "can an absolute newcomer to the discipline of writing begin to learn about", "styles. I would therefore like to deepen my knowledge of academic writing. But", "a craft. So my question is, are there any resources (for example, books,", "of writing so as to become able to identify them simply by reading", "an attempt to learn about writing in general and develop this ability, but", "to pursue, and who is simply seeking resources that might help him or", "are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that", "an absolute newcomer to the discipline of writing begin to learn about the", "so as to become able to identify them simply by reading them? I", "which take time to master, but not much more guidance beyond that as", "proficient in those writing styles. I would therefore like to deepen my knowledge", "genres of writing so as to become able to identify them simply by", "example, books, courses, etc.) that might provide such a broad introduction to the", "writing. I will probably choose one type of writing, such as ad writing,", "ad writing, to master and pursue professionally. But nevertheless, I want to learn", "a broad introduction to the craft of writing, that might for example, provide", "want to learn about* all types of writing in order to gain a", "like to explore other types of writing such as both fiction and nonfiction", "like to deepen my knowledge of academic writing. But I would also like", "various types and genres of writing so as to become able to identify", "to how to become proficient in those writing styles. I would therefore like", "comparisons among various types of writing such as academic writing and technical trade", "still did not possess the ability. I of course, did glean a little", "specific type of writing in mind that he or she would like to", "writing such as academic writing and technical trade journal writing? I already read", "academic discipline has its own writing styles and conventions which take time to", "this post (@ [What are some online guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the", "journal writing? I already read this post (@ [What are some online guides", "helpful to a person who has a specific type of writing in mind", "in an attempt to learn about writing in general and develop this ability,", "guides for starting writers?](https://writers.stackexchange.com/questions/1/what-are-some-online-guides-for-starting-writers)), but the advice provided in that post seems to", "those types of writing. I will probably choose one type of writing, such", "as a craft. So my question is, are there any resources (for example,", "started writing in that specific area. I appreciate any responses in this regard.", "question is, are there any resources (for example, books, courses, etc.) that might", "to the craft of writing, that might for example, provide comparisons among various", "and nonfiction story writing, journalistic writing, business writing, and so on, as well.", "writing in mind that he or she would like to pursue, and who", "has a specific type of writing in mind that he or she would", "types of writing such as academic writing and technical trade journal writing? I", "provided in that post seems to be more helpful to a person who", "in all of those types of writing. 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I will probably choose one type of writing, such as ad", "the craft of writing, that might for example, provide comparisons among various types", "etc.) that might provide such a broad introduction to the craft of writing,", "(for example, books, courses, etc.) that might provide such a broad introduction to", "resources that might help him or her get started writing in that specific", "of writing, such as ad writing, to master and pursue professionally. But nevertheless," ]
[ "At the same time, I can't help but notice that the openings of", "the other like soldiers in a line. The worst part is that I'm", "scenes. Recently, I've found that my stories are starting to sound more like", "worst part is that I'm not entirely sure where the problem is. Part", "method described by Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will", "coming to realize that my writing is getting choppy. Unlike that question however,", "else happens. Then the hero goes here and learns this. Then he does", "between the two (for example, once I'm done with a plot point I'll", "may be because they are generally only one scene long. But it may", "something else happens. Then the hero goes here and learns this. Then he", "writing seems to be devolving into a line of scenes, as all I'm", "Does anyone know what my problem is, and better yet, how to fix", "notice that the openings of my novels seem fine. This may be because", "point I'll end the scene, say with a cliff-hanger, and open the next", "differently than the rest of the plot. To generate plot, I use a", "with \"the next morning...\"). Part of me feels like it's something completely different.", "hero goes here and learns this. Then he does this. The scenes seem", "here and learns this. Then he does this. The scenes seem to fall", "soldiers in a line. The worst part is that I'm not entirely sure", "To generate plot, I use a version of the method described by Loehen", "say with a cliff-hanger, and open the next chapter with \"the next morning...\").", "the next chapter with \"the next morning...\"). Part of me feels like it's", "sound more like a narration of events than anything else. This happens. Then", "this. Then he does this. The scenes seem to fall one after the", "one after the other like soldiers in a line. The worst part is", "starting to sound more like a narration of events than anything else. This", "like it's something completely different. At the same time, I can't help but", "could be the reason my writing seems to be devolving into a line", "are starting to sound more like a narration of events than anything else.", "the scene, say with a cliff-hanger, and open the next chapter with \"the", "as this method is, it could be the reason my writing seems to", "work backwards from the climax. Useful as this method is, it could be", "more like a narration of events than anything else. This happens. Then something", "the climax. Useful as this method is, it could be the reason my", "the two (for example, once I'm done with a plot point I'll end", "plot. To generate plot, I use a version of the method described by", "something completely different. At the same time, I can't help but notice that", "that question however, my problem does not lie within sentences, or even paragraphs.", "scene. Does anyone know what my problem is, and better yet, how to", "that the openings of my novels seem fine. This may be because they", "open the next chapter with \"the next morning...\"). Part of me feels like", "seems to be devolving into a line of scenes, as all I'm doing", "them differently than the rest of the plot. To generate plot, I use", "devolving into a line of scenes, as all I'm doing is coming up", "feels like it's something completely different. At the same time, I can't help", "not lie within sentences, or even paragraphs. It lies within whole scenes. Recently,", "to sound more like a narration of events than anything else. This happens.", "Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a", "jumping from one plot point to the next with nothing bridging between the", "to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel for how the", "whole scenes. Recently, I've found that my stories are starting to sound more", "it could be the reason my writing seems to be devolving into a", "a plot point I'll end the scene, say with a cliff-hanger, and open", "up for reasons for each scene. Does anyone know what my problem is,", "the problem is. Part of me feels it lies in jumping from one", "next morning...\"). Part of me feels like it's something completely different. At the", "progresses, and work backwards from the climax. Useful as this method is, it", "than the rest of the plot. To generate plot, I use a version", "fine. This may be because they are generally only one scene long. But", "general feel for how the plot progresses, and work backwards from the climax.", "use a version of the method described by Loehen Ipfal in the answer", "be the reason my writing seems to be devolving into a line of", "my problem does not lie within sentences, or even paragraphs. It lies within", "with a general feel for how the plot progresses, and work backwards from", "[this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel for how the plot", "me feels it lies in jumping from one plot point to the next", "this method is, it could be the reason my writing seems to be", "with nothing bridging between the two (for example, once I'm done with a", "sentences, or even paragraphs. It lies within whole scenes. Recently, I've found that", "my novels seem fine. This may be because they are generally only one", "the reason my writing seems to be devolving into a line of scenes,", "that my stories are starting to sound more like a narration of events", "lies in jumping from one plot point to the next with nothing bridging", "and learns this. Then he does this. The scenes seem to fall one", "seem to fall one after the other like soldiers in a line. The", "scenes seem to fall one after the other like soldiers in a line.", "done with a plot point I'll end the scene, say with a cliff-hanger,", "even paragraphs. It lies within whole scenes. Recently, I've found that my stories", "different. At the same time, I can't help but notice that the openings", "to fall one after the other like soldiers in a line. The worst", "The worst part is that I'm not entirely sure where the problem is.", "it lies in jumping from one plot point to the next with nothing", "slowly coming to realize that my writing is getting choppy. Unlike that question", "within sentences, or even paragraphs. It lies within whole scenes. Recently, I've found", "chapter with \"the next morning...\"). Part of me feels like it's something completely", "it's something completely different. At the same time, I can't help but notice", "completely different. At the same time, I can't help but notice that the", "I develop them differently than the rest of the plot. To generate plot,", "plot progresses, and work backwards from the climax. Useful as this method is,", "[this question](https://writers.stackexchange.com/questions/10875/what-can-i-do-to-make-my-writing-less-choppy), I am slowly coming to realize that my writing is getting", "is coming up for reasons for each scene. Does anyone know what my", "for reasons for each scene. Does anyone know what my problem is, and", "Useful as this method is, it could be the reason my writing seems", "to [this question](https://writers.stackexchange.com/questions/10875/what-can-i-do-to-make-my-writing-less-choppy), I am slowly coming to realize that my writing is", "be because they are generally only one scene long. But it may also", "Similar to [this question](https://writers.stackexchange.com/questions/10875/what-can-i-do-to-make-my-writing-less-choppy), I am slowly coming to realize that my writing", "my writing is getting choppy. Unlike that question however, my problem does not", "of scenes, as all I'm doing is coming up for reasons for each", "lie within sentences, or even paragraphs. It lies within whole scenes. Recently, I've", "\"the next morning...\"). Part of me feels like it's something completely different. At", "happens. Then the hero goes here and learns this. Then he does this.", "novels seem fine. This may be because they are generally only one scene", "for each scene. Does anyone know what my problem is, and better yet,", "he does this. The scenes seem to fall one after the other like", "scene, say with a cliff-hanger, and open the next chapter with \"the next", "to be devolving into a line of scenes, as all I'm doing is", "and work backwards from the climax. Useful as this method is, it could", "my writing seems to be devolving into a line of scenes, as all", "point to the next with nothing bridging between the two (for example, once", "the plot. To generate plot, I use a version of the method described", "found that my stories are starting to sound more like a narration of", "Then he does this. The scenes seem to fall one after the other", "lies within whole scenes. Recently, I've found that my stories are starting to", "Recently, I've found that my stories are starting to sound more like a", "a line of scenes, as all I'm doing is coming up for reasons", "is getting choppy. Unlike that question however, my problem does not lie within", "generate plot, I use a version of the method described by Loehen Ipfal", "plot, I use a version of the method described by Loehen Ipfal in", "problem does not lie within sentences, or even paragraphs. It lies within whole", "in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel", "narration of events than anything else. This happens. Then something else happens. Then", "The scenes seem to fall one after the other like soldiers in a", "help but notice that the openings of my novels seem fine. This may", "feel for how the plot progresses, and work backwards from the climax. Useful", "paragraphs. It lies within whole scenes. Recently, I've found that my stories are", "morning...\"). Part of me feels like it's something completely different. At the same", "bridging between the two (for example, once I'm done with a plot point", "to realize that my writing is getting choppy. Unlike that question however, my", "question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel for how the plot progresses,", "learns this. Then he does this. The scenes seem to fall one after", "like a narration of events than anything else. This happens. Then something else", "same time, I can't help but notice that the openings of my novels", "seem fine. This may be because they are generally only one scene long.", "can't help but notice that the openings of my novels seem fine. This", "realize that my writing is getting choppy. Unlike that question however, my problem", "it may also be because I develop them differently than the rest of", "a line. The worst part is that I'm not entirely sure where the", "question](https://writers.stackexchange.com/questions/10875/what-can-i-do-to-make-my-writing-less-choppy), I am slowly coming to realize that my writing is getting choppy.", "the openings of my novels seem fine. This may be because they are", "I am slowly coming to realize that my writing is getting choppy. Unlike", "of events than anything else. This happens. Then something else happens. Then the", "and open the next chapter with \"the next morning...\"). Part of me feels", "else. This happens. Then something else happens. Then the hero goes here and", "This may be because they are generally only one scene long. But it", "because I develop them differently than the rest of the plot. To generate", "of the plot. To generate plot, I use a version of the method", "fall one after the other like soldiers in a line. The worst part", "develop them differently than the rest of the plot. To generate plot, I", "start with a general feel for how the plot progresses, and work backwards", "a narration of events than anything else. This happens. Then something else happens.", "entirely sure where the problem is. Part of me feels it lies in", "Part of me feels it lies in jumping from one plot point to", "coming up for reasons for each scene. Does anyone know what my problem", "that my writing is getting choppy. Unlike that question however, my problem does", "also be because I develop them differently than the rest of the plot.", "method is, it could be the reason my writing seems to be devolving", "Then the hero goes here and learns this. Then he does this. The", "this. The scenes seem to fall one after the other like soldiers in", "because they are generally only one scene long. But it may also be", "from the climax. Useful as this method is, it could be the reason", "all I'm doing is coming up for reasons for each scene. Does anyone", "doing is coming up for reasons for each scene. Does anyone know what", "but notice that the openings of my novels seem fine. This may be", "not entirely sure where the problem is. Part of me feels it lies", "into a line of scenes, as all I'm doing is coming up for", "by Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with", "the method described by Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I", "may also be because I develop them differently than the rest of the", "the same time, I can't help but notice that the openings of my", "in a line. The worst part is that I'm not entirely sure where", "problem is. Part of me feels it lies in jumping from one plot", "long. But it may also be because I develop them differently than the", "for how the plot progresses, and work backwards from the climax. Useful as", "is, it could be the reason my writing seems to be devolving into", "stories are starting to sound more like a narration of events than anything", "This happens. Then something else happens. Then the hero goes here and learns", "choppy. Unlike that question however, my problem does not lie within sentences, or", "a general feel for how the plot progresses, and work backwards from the", "does this. The scenes seem to fall one after the other like soldiers", "sure where the problem is. Part of me feels it lies in jumping", "of me feels it lies in jumping from one plot point to the", "happens. Then something else happens. Then the hero goes here and learns this.", "It lies within whole scenes. Recently, I've found that my stories are starting", "Then something else happens. Then the hero goes here and learns this. Then", "a cliff-hanger, and open the next chapter with \"the next morning...\"). Part of", "like soldiers in a line. The worst part is that I'm not entirely", "example, once I'm done with a plot point I'll end the scene, say", "Part of me feels like it's something completely different. At the same time,", "I'm doing is coming up for reasons for each scene. Does anyone know", "described by Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start", "part is that I'm not entirely sure where the problem is. Part of", "of my novels seem fine. This may be because they are generally only", "will start with a general feel for how the plot progresses, and work", "plot point I'll end the scene, say with a cliff-hanger, and open the", "scenes, as all I'm doing is coming up for reasons for each scene.", "the rest of the plot. To generate plot, I use a version of", "me feels like it's something completely different. At the same time, I can't", "is. Part of me feels it lies in jumping from one plot point", "I'll end the scene, say with a cliff-hanger, and open the next chapter", "I use a version of the method described by Loehen Ipfal in the", "the next with nothing bridging between the two (for example, once I'm done", "to the next with nothing bridging between the two (for example, once I'm", "goes here and learns this. Then he does this. The scenes seem to", "reason my writing seems to be devolving into a line of scenes, as", "events than anything else. This happens. Then something else happens. Then the hero", "backwards from the climax. Useful as this method is, it could be the", "be devolving into a line of scenes, as all I'm doing is coming", "getting choppy. Unlike that question however, my problem does not lie within sentences,", "anything else. This happens. Then something else happens. Then the hero goes here", "I'm not entirely sure where the problem is. Part of me feels it", "feels it lies in jumping from one plot point to the next with", "generally only one scene long. But it may also be because I develop", "how the plot progresses, and work backwards from the climax. Useful as this", "after the other like soldiers in a line. The worst part is that", "writing is getting choppy. Unlike that question however, my problem does not lie", "line. The worst part is that I'm not entirely sure where the problem", "next with nothing bridging between the two (for example, once I'm done with", "reasons for each scene. Does anyone know what my problem is, and better", "climax. Useful as this method is, it could be the reason my writing", "once I'm done with a plot point I'll end the scene, say with", "Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general", "that I'm not entirely sure where the problem is. Part of me feels", "they are generally only one scene long. But it may also be because", "rest of the plot. To generate plot, I use a version of the", "time, I can't help but notice that the openings of my novels seem", "(for example, once I'm done with a plot point I'll end the scene,", "I will start with a general feel for how the plot progresses, and", "Unlike that question however, my problem does not lie within sentences, or even", "with a cliff-hanger, and open the next chapter with \"the next morning...\"). Part", "of me feels like it's something completely different. At the same time, I", "nothing bridging between the two (for example, once I'm done with a plot", "I'm done with a plot point I'll end the scene, say with a", "than anything else. This happens. Then something else happens. Then the hero goes", "question however, my problem does not lie within sentences, or even paragraphs. It", "does not lie within sentences, or even paragraphs. It lies within whole scenes.", "my stories are starting to sound more like a narration of events than", "with a plot point I'll end the scene, say with a cliff-hanger, and", "only one scene long. But it may also be because I develop them", "scene long. But it may also be because I develop them differently than", "openings of my novels seem fine. This may be because they are generally", "But it may also be because I develop them differently than the rest", "am slowly coming to realize that my writing is getting choppy. Unlike that", "in jumping from one plot point to the next with nothing bridging between", "answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel for how", "I've found that my stories are starting to sound more like a narration", "next chapter with \"the next morning...\"). Part of me feels like it's something", "the hero goes here and learns this. Then he does this. The scenes", "where the problem is. Part of me feels it lies in jumping from", "each scene. Does anyone know what my problem is, and better yet, how", "be because I develop them differently than the rest of the plot. To", "are generally only one scene long. But it may also be because I", "the plot progresses, and work backwards from the climax. Useful as this method", "one plot point to the next with nothing bridging between the two (for", "line of scenes, as all I'm doing is coming up for reasons for", "other like soldiers in a line. The worst part is that I'm not", "as all I'm doing is coming up for reasons for each scene. Does", "or even paragraphs. It lies within whole scenes. Recently, I've found that my", "the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190). I will start with a general feel for", "one scene long. But it may also be because I develop them differently", "cliff-hanger, and open the next chapter with \"the next morning...\"). Part of me", "is that I'm not entirely sure where the problem is. Part of me", "two (for example, once I'm done with a plot point I'll end the", "anyone know what my problem is, and better yet, how to fix it?", "I can't help but notice that the openings of my novels seem fine.", "from one plot point to the next with nothing bridging between the two", "version of the method described by Loehen Ipfal in the answer to [this", "end the scene, say with a cliff-hanger, and open the next chapter with", "of the method described by Loehen Ipfal in the answer to [this question](https://writers.stackexchange.com/questions/16188/how-when-to-include-twists-when-developing-plot/16190#16190).", "a version of the method described by Loehen Ipfal in the answer to", "plot point to the next with nothing bridging between the two (for example,", "however, my problem does not lie within sentences, or even paragraphs. It lies", "within whole scenes. Recently, I've found that my stories are starting to sound" ]
[ "breaks the usual visual pattern of smaller lines going back-and-forth between different characters.", "expected that the line, along with some actions in between, are all in", "and therefore risking making it look like another person is speaking? Or is", "what if one particular line of dialogue is longer than usual? Should I", "Should I break that line in different paragraphs, even though it's said by", "like another person is speaking? Or is it expected that the line, along", "the same person and therefore risking making it look like another person is", "particular line of dialogue is longer than usual? Should I break that line", "another person is speaking? Or is it expected that the line, along with", "of text. I'm asking mainly because the resulting block of text doesn't visually", "in between, are all in one big block of text. I'm asking mainly", "(I've seen both), but what if one particular line of dialogue is longer", "second-guess myself in one particular scenario when writing dialogue. Convention says I should", "in different lines or paragraphs (I've seen both), but what if one particular", "dialogue is longer than usual? Should I break that line in different paragraphs,", "different lines or paragraphs (I've seen both), but what if one particular line", "along with some actions in between, are all in one big block of", "actions in between, are all in one big block of text. I'm asking", "different paragraphs, even though it's said by the same person and therefore risking", "scenario when writing dialogue. Convention says I should break different characters' lines in", "lines or paragraphs (I've seen both), but what if one particular line of", "is it expected that the line, along with some actions in between, are", "of text doesn't visually look, as a whole, as part of the dialogue,", "whole, as part of the dialogue, because it breaks the usual visual pattern", "myself in one particular scenario when writing dialogue. Convention says I should break", "part of the dialogue, because it breaks the usual visual pattern of smaller", "same person and therefore risking making it look like another person is speaking?", "person is speaking? Or is it expected that the line, along with some", "in different paragraphs, even though it's said by the same person and therefore", "it breaks the usual visual pattern of smaller lines going back-and-forth between different", "all in one big block of text. I'm asking mainly because the resulting", "that the line, along with some actions in between, are all in one", "usual? Should I break that line in different paragraphs, even though it's said", "writing dialogue. Convention says I should break different characters' lines in different lines", "particular scenario when writing dialogue. Convention says I should break different characters' lines", "often second-guess myself in one particular scenario when writing dialogue. Convention says I", "paragraphs (I've seen both), but what if one particular line of dialogue is", "line in different paragraphs, even though it's said by the same person and", "look, as a whole, as part of the dialogue, because it breaks the", "dialogue. Convention says I should break different characters' lines in different lines or", "when writing dialogue. Convention says I should break different characters' lines in different", "even though it's said by the same person and therefore risking making it", "it expected that the line, along with some actions in between, are all", "the line, along with some actions in between, are all in one big", "or paragraphs (I've seen both), but what if one particular line of dialogue", "of the dialogue, because it breaks the usual visual pattern of smaller lines", "characters' lines in different lines or paragraphs (I've seen both), but what if", "than usual? Should I break that line in different paragraphs, even though it's", "break that line in different paragraphs, even though it's said by the same", "I'm asking mainly because the resulting block of text doesn't visually look, as", "it look like another person is speaking? Or is it expected that the", "is longer than usual? Should I break that line in different paragraphs, even", "between, are all in one big block of text. I'm asking mainly because", "should break different characters' lines in different lines or paragraphs (I've seen both),", "by the same person and therefore risking making it look like another person", "visually look, as a whole, as part of the dialogue, because it breaks", "mainly because the resulting block of text doesn't visually look, as a whole,", "risking making it look like another person is speaking? Or is it expected", "I often second-guess myself in one particular scenario when writing dialogue. Convention says", "seen both), but what if one particular line of dialogue is longer than", "said by the same person and therefore risking making it look like another", "person and therefore risking making it look like another person is speaking? Or", "a whole, as part of the dialogue, because it breaks the usual visual", "different characters' lines in different lines or paragraphs (I've seen both), but what", "Convention says I should break different characters' lines in different lines or paragraphs", "asking mainly because the resulting block of text doesn't visually look, as a", "line, along with some actions in between, are all in one big block", "as a whole, as part of the dialogue, because it breaks the usual", "because the resulting block of text doesn't visually look, as a whole, as", "one particular scenario when writing dialogue. Convention says I should break different characters'", "look like another person is speaking? Or is it expected that the line,", "says I should break different characters' lines in different lines or paragraphs (I've", "in one particular scenario when writing dialogue. Convention says I should break different", "the dialogue, because it breaks the usual visual pattern of smaller lines going", "with some actions in between, are all in one big block of text.", "block of text doesn't visually look, as a whole, as part of the", "that line in different paragraphs, even though it's said by the same person", "text doesn't visually look, as a whole, as part of the dialogue, because", "text. I'm asking mainly because the resulting block of text doesn't visually look,", "I should break different characters' lines in different lines or paragraphs (I've seen", "lines in different lines or paragraphs (I've seen both), but what if one", "because it breaks the usual visual pattern of smaller lines going back-and-forth between", "some actions in between, are all in one big block of text. I'm", "one particular line of dialogue is longer than usual? Should I break that", "the resulting block of text doesn't visually look, as a whole, as part", "but what if one particular line of dialogue is longer than usual? Should", "paragraphs, even though it's said by the same person and therefore risking making", "making it look like another person is speaking? Or is it expected that", "block of text. I'm asking mainly because the resulting block of text doesn't", "Or is it expected that the line, along with some actions in between,", "are all in one big block of text. I'm asking mainly because the", "is speaking? Or is it expected that the line, along with some actions", "of dialogue is longer than usual? Should I break that line in different", "though it's said by the same person and therefore risking making it look", "I break that line in different paragraphs, even though it's said by the", "longer than usual? Should I break that line in different paragraphs, even though", "dialogue, because it breaks the usual visual pattern of smaller lines going back-and-forth", "in one big block of text. I'm asking mainly because the resulting block", "if one particular line of dialogue is longer than usual? Should I break", "it's said by the same person and therefore risking making it look like", "as part of the dialogue, because it breaks the usual visual pattern of", "line of dialogue is longer than usual? Should I break that line in", "one big block of text. I'm asking mainly because the resulting block of", "big block of text. I'm asking mainly because the resulting block of text", "break different characters' lines in different lines or paragraphs (I've seen both), but", "both), but what if one particular line of dialogue is longer than usual?", "doesn't visually look, as a whole, as part of the dialogue, because it", "resulting block of text doesn't visually look, as a whole, as part of", "speaking? Or is it expected that the line, along with some actions in", "therefore risking making it look like another person is speaking? Or is it" ]
[ "subject. I want to persuade the reader to my point of view but", "I just want to use the correct style. I bought a book called", "be necessary. I just want to use the correct style. I bought a", "the correct style. I bought a book called \"Cite Rite\", and it appears", "but I know citations will be necessary. I just want to use the", "book on a biblical topic, use MLA or Chicago citation styles? It'll be", "citation styles? It'll be a persuasive writing on a biblical subject. I want", "a biblical subject. I want to persuade the reader to my point of", "know citations will be necessary. I just want to use the correct style.", "MLA or Chicago citation styles? It'll be a persuasive writing on a biblical", "biblical subject. I want to persuade the reader to my point of view", "use the correct style. I bought a book called \"Cite Rite\", and it", "will be necessary. I just want to use the correct style. I bought", "a self published book on a biblical topic, use MLA or Chicago citation", "my point of view but I know citations will be necessary. I just", "a persuasive writing on a biblical subject. I want to persuade the reader", "a biblical topic, use MLA or Chicago citation styles? It'll be a persuasive", "self published book on a biblical topic, use MLA or Chicago citation styles?", "of view but I know citations will be necessary. I just want to", "citations will be necessary. I just want to use the correct style. I", "bought a book called \"Cite Rite\", and it appears I should use Chicago", "want to persuade the reader to my point of view but I know", "topic, use MLA or Chicago citation styles? It'll be a persuasive writing on", "style. I bought a book called \"Cite Rite\", and it appears I should", "a book called \"Cite Rite\", and it appears I should use Chicago style.", "It'll be a persuasive writing on a biblical subject. I want to persuade", "want to use the correct style. I bought a book called \"Cite Rite\",", "persuasive writing on a biblical subject. I want to persuade the reader to", "the reader to my point of view but I know citations will be", "reader to my point of view but I know citations will be necessary.", "I bought a book called \"Cite Rite\", and it appears I should use", "styles? It'll be a persuasive writing on a biblical subject. I want to", "Chicago citation styles? It'll be a persuasive writing on a biblical subject. I", "on a biblical topic, use MLA or Chicago citation styles? It'll be a", "biblical topic, use MLA or Chicago citation styles? It'll be a persuasive writing", "persuade the reader to my point of view but I know citations will", "writing on a biblical subject. I want to persuade the reader to my", "published book on a biblical topic, use MLA or Chicago citation styles? It'll", "to my point of view but I know citations will be necessary. I", "on a biblical subject. I want to persuade the reader to my point", "I want to persuade the reader to my point of view but I", "point of view but I know citations will be necessary. I just want", "to use the correct style. I bought a book called \"Cite Rite\", and", "I know citations will be necessary. I just want to use the correct", "just want to use the correct style. I bought a book called \"Cite", "Should a self published book on a biblical topic, use MLA or Chicago", "to persuade the reader to my point of view but I know citations", "view but I know citations will be necessary. I just want to use", "be a persuasive writing on a biblical subject. I want to persuade the", "necessary. I just want to use the correct style. I bought a book", "or Chicago citation styles? It'll be a persuasive writing on a biblical subject.", "correct style. I bought a book called \"Cite Rite\", and it appears I", "use MLA or Chicago citation styles? It'll be a persuasive writing on a" ]
[ "own language for many reasons, one of them being that the subjects I", "my country. Another motive is that I believe English language has become very", "least the glaring language mistakes that a native speaker would never make? Where", "always be below that of a native speaker. I do not intend to", "in English rather than in my own language for many reasons, one of", "language has become very rich and I really enjoy expressing myself in it.", "of English language will always be below that of a native speaker. I", "to ask is what are my options in eliminating at least the glaring", "rather than in my own language for many reasons, one of them being", "write in English rather than in my own language for many reasons, one", "eliminating at least the glaring language mistakes that a native speaker would never", "fiction books for a long time, but never really got around doing it.", "book. I wanted to write fiction books for a long time, but never", "of command of English language will always be below that of a native", "being that the subjects I write about aren't really popular in my country.", "country. Another motive is that I believe English language has become very rich", "native speaker. I do not intend to sell my book once completed, but", "the glaring language mistakes that a native speaker would never make? Where should", "got around doing it. I decided to write in English rather than in", "doing it. I decided to write in English rather than in my own", "command of English language will always be below that of a native speaker.", "in my country. Another motive is that I believe English language has become", "native speaker would never make? Where should I look for people to help", "a long time, but never really got around doing it. I decided to", "that I believe English language has become very rich and I really enjoy", "I started writing a book. I wanted to write fiction books for a", "ask is what are my options in eliminating at least the glaring language", "wanted to write fiction books for a long time, but never really got", "apparent to me that my level of command of English language will always", "would never make? Where should I look for people to help me with", "never really got around doing it. I decided to write in English rather", "a native speaker. I do not intend to sell my book once completed,", "below that of a native speaker. I do not intend to sell my", "that my level of command of English language will always be below that", "expressing myself in it. As the work progressed, it became apparent to me", "subjects I write about aren't really popular in my country. Another motive is", "is what are my options in eliminating at least the glaring language mistakes", "my level of command of English language will always be below that of", "many reasons, one of them being that the subjects I write about aren't", "never make? Where should I look for people to help me with this?", "it will be a good one. What I want to ask is what", "myself in it. As the work progressed, it became apparent to me that", "Another motive is that I believe English language has become very rich and", "options in eliminating at least the glaring language mistakes that a native speaker", "I wanted to write fiction books for a long time, but never really", "to write in English rather than in my own language for many reasons,", "of a native speaker. I do not intend to sell my book once", "of them being that the subjects I write about aren't really popular in", "motive is that I believe English language has become very rich and I", "popular in my country. Another motive is that I believe English language has", "in it. As the work progressed, it became apparent to me that my", "intend to sell my book once completed, but I know it will be", "and I really enjoy expressing myself in it. As the work progressed, it", "for many reasons, one of them being that the subjects I write about", "good one. What I want to ask is what are my options in", "I decided to write in English rather than in my own language for", "write fiction books for a long time, but never really got around doing", "are my options in eliminating at least the glaring language mistakes that a", "once completed, but I know it will be a good one. What I", "but I know it will be a good one. What I want to", "one of them being that the subjects I write about aren't really popular", "a good one. What I want to ask is what are my options", "me that my level of command of English language will always be below", "what are my options in eliminating at least the glaring language mistakes that", "rich and I really enjoy expressing myself in it. As the work progressed,", "to me that my level of command of English language will always be", "very rich and I really enjoy expressing myself in it. As the work", "glaring language mistakes that a native speaker would never make? Where should I", "language mistakes that a native speaker would never make? Where should I look", "I believe English language has become very rich and I really enjoy expressing", "completed, but I know it will be a good one. What I want", "that the subjects I write about aren't really popular in my country. Another", "has become very rich and I really enjoy expressing myself in it. As", "really enjoy expressing myself in it. As the work progressed, it became apparent", "level of command of English language will always be below that of a", "enjoy expressing myself in it. As the work progressed, it became apparent to", "sell my book once completed, but I know it will be a good", "language for many reasons, one of them being that the subjects I write", "my options in eliminating at least the glaring language mistakes that a native", "started writing a book. I wanted to write fiction books for a long", "really got around doing it. I decided to write in English rather than", "English language will always be below that of a native speaker. I do", "that a native speaker would never make? Where should I look for people", "want to ask is what are my options in eliminating at least the", "I write about aren't really popular in my country. Another motive is that", "English rather than in my own language for many reasons, one of them", "language will always be below that of a native speaker. I do not", "in my own language for many reasons, one of them being that the", "write about aren't really popular in my country. Another motive is that I", "What I want to ask is what are my options in eliminating at", "aren't really popular in my country. Another motive is that I believe English", "time, but never really got around doing it. I decided to write in", "know it will be a good one. What I want to ask is", "will always be below that of a native speaker. I do not intend", "is that I believe English language has become very rich and I really", "around doing it. I decided to write in English rather than in my", "them being that the subjects I write about aren't really popular in my", "I want to ask is what are my options in eliminating at least", "do not intend to sell my book once completed, but I know it", "reasons, one of them being that the subjects I write about aren't really", "progressed, it became apparent to me that my level of command of English", "become very rich and I really enjoy expressing myself in it. As the", "long time, but never really got around doing it. I decided to write", "to sell my book once completed, but I know it will be a", "the subjects I write about aren't really popular in my country. Another motive", "became apparent to me that my level of command of English language will", "that of a native speaker. I do not intend to sell my book", "the work progressed, it became apparent to me that my level of command", "speaker. I do not intend to sell my book once completed, but I", "believe English language has become very rich and I really enjoy expressing myself", "a native speaker would never make? Where should I look for people to", "book once completed, but I know it will be a good one. What", "As the work progressed, it became apparent to me that my level of", "work progressed, it became apparent to me that my level of command of", "I know it will be a good one. What I want to ask", "be a good one. What I want to ask is what are my", "in eliminating at least the glaring language mistakes that a native speaker would", "books for a long time, but never really got around doing it. I", "one. What I want to ask is what are my options in eliminating", "it became apparent to me that my level of command of English language", "really popular in my country. Another motive is that I believe English language", "mistakes that a native speaker would never make? Where should I look for", "at least the glaring language mistakes that a native speaker would never make?", "English language has become very rich and I really enjoy expressing myself in", "a book. I wanted to write fiction books for a long time, but", "for a long time, but never really got around doing it. I decided", "be below that of a native speaker. I do not intend to sell", "my book once completed, but I know it will be a good one.", "not intend to sell my book once completed, but I know it will", "to write fiction books for a long time, but never really got around", "my own language for many reasons, one of them being that the subjects", "but never really got around doing it. I decided to write in English", "decided to write in English rather than in my own language for many", "than in my own language for many reasons, one of them being that", "I really enjoy expressing myself in it. As the work progressed, it became", "it. I decided to write in English rather than in my own language", "about aren't really popular in my country. Another motive is that I believe", "will be a good one. What I want to ask is what are", "I do not intend to sell my book once completed, but I know", "it. As the work progressed, it became apparent to me that my level", "speaker would never make? Where should I look for people to help me", "writing a book. I wanted to write fiction books for a long time," ]
[ "drafts in the thought of cleaning, editing etc on the next pass. However", "know how that conversation will progress, and would need to put time into", "time I should be putting into writing that rough draft. For instance, I", "as possible. Unfortunately this often resulted in me running out of steam and", "that contains a new couple discussing a good deed a waiter performs. As", "how that conversation will progress, and would need to put time into making", "this often resulted in me running out of steam and never actually finishing", "I wrote them, to make them as complete as possible. Unfortunately this often", "draft. For instance, I have a chapter that contains a new couple discussing", "know each other. At this stage I don't really know how that conversation", "other. At this stage I don't really know how that conversation will progress,", "don't really know how that conversation will progress, and would need to put", "the couple getting to know each other. At this stage I don't really", "that conversation will progress, and would need to put time into making it", "rough draft. For instance, I have a chapter that contains a new couple", "stage I don't really know how that conversation will progress, and would need", "steam and never actually finishing them. I've recently started trying to allow myself", "resulted in me running out of steam and never actually finishing them. I've", "actually finishing them. I've recently started trying to allow myself to write rougher", "time into making it feel right Should I quickly placehold the highlights of", "a good deed a waiter performs. As a means of the couple getting", "make them as complete as possible. Unfortunately this often resulted in me running", "and never actually finishing them. I've recently started trying to allow myself to", "rougher first drafts in the thought of cleaning, editing etc on the next", "cleaning, editing etc on the next pass. However I'm not sure how much", "to write rougher first drafts in the thought of cleaning, editing etc on", "edit chapters as I wrote them, to make them as complete as possible.", "waiter performs. As a means of the couple getting to know each other.", "instance, I have a chapter that contains a new couple discussing a good", "couple discussing a good deed a waiter performs. As a means of the", "I have a chapter that contains a new couple discussing a good deed", "myself to write rougher first drafts in the thought of cleaning, editing etc", "writing that rough draft. For instance, I have a chapter that contains a", "quickly placehold the highlights of that conversation? or try to write it in", "much effort / time I should be putting into writing that rough draft.", "of the couple getting to know each other. At this stage I don't", "of steam and never actually finishing them. I've recently started trying to allow", "of that conversation? or try to write it in full? or something else...", "a long time I would edit chapters as I wrote them, to make", "of cleaning, editing etc on the next pass. However I'm not sure how", "editing etc on the next pass. However I'm not sure how much effort", "started trying to allow myself to write rougher first drafts in the thought", "to know each other. At this stage I don't really know how that", "trying to allow myself to write rougher first drafts in the thought of", "into writing that rough draft. For instance, I have a chapter that contains", "getting to know each other. At this stage I don't really know how", "need to put time into making it feel right Should I quickly placehold", "me running out of steam and never actually finishing them. I've recently started", "conversation will progress, and would need to put time into making it feel", "not sure how much effort / time I should be putting into writing", "into making it feel right Should I quickly placehold the highlights of that", "Should I quickly placehold the highlights of that conversation? or try to write", "I should be putting into writing that rough draft. For instance, I have", "to make them as complete as possible. Unfortunately this often resulted in me", "next pass. However I'm not sure how much effort / time I should", "complete as possible. Unfortunately this often resulted in me running out of steam", "in the thought of cleaning, editing etc on the next pass. However I'm", "them, to make them as complete as possible. Unfortunately this often resulted in", "deed a waiter performs. As a means of the couple getting to know", "chapter that contains a new couple discussing a good deed a waiter performs.", "new couple discussing a good deed a waiter performs. As a means of", "right Should I quickly placehold the highlights of that conversation? or try to", "this stage I don't really know how that conversation will progress, and would", "would edit chapters as I wrote them, to make them as complete as", "be putting into writing that rough draft. For instance, I have a chapter", "in me running out of steam and never actually finishing them. I've recently", "a waiter performs. As a means of the couple getting to know each", "would need to put time into making it feel right Should I quickly", "as complete as possible. Unfortunately this often resulted in me running out of", "finishing them. I've recently started trying to allow myself to write rougher first", "on the next pass. However I'm not sure how much effort / time", "never actually finishing them. I've recently started trying to allow myself to write", "should be putting into writing that rough draft. For instance, I have a", "will progress, and would need to put time into making it feel right", "the highlights of that conversation? or try to write it in full? or", "chapters as I wrote them, to make them as complete as possible. Unfortunately", "allow myself to write rougher first drafts in the thought of cleaning, editing", "sure how much effort / time I should be putting into writing that", "have a chapter that contains a new couple discussing a good deed a", "I've recently started trying to allow myself to write rougher first drafts in", "performs. As a means of the couple getting to know each other. At", "running out of steam and never actually finishing them. I've recently started trying", "long time I would edit chapters as I wrote them, to make them", "placehold the highlights of that conversation? or try to write it in full?", "often resulted in me running out of steam and never actually finishing them.", "put time into making it feel right Should I quickly placehold the highlights", "effort / time I should be putting into writing that rough draft. For", "the thought of cleaning, editing etc on the next pass. However I'm not", "possible. Unfortunately this often resulted in me running out of steam and never", "wrote them, to make them as complete as possible. Unfortunately this often resulted", "couple getting to know each other. At this stage I don't really know", "I quickly placehold the highlights of that conversation? or try to write it", "as I wrote them, to make them as complete as possible. Unfortunately this", "them as complete as possible. Unfortunately this often resulted in me running out", "a means of the couple getting to know each other. At this stage", "etc on the next pass. However I'm not sure how much effort /", "thought of cleaning, editing etc on the next pass. However I'm not sure", "pass. However I'm not sure how much effort / time I should be", "For a long time I would edit chapters as I wrote them, to", "a chapter that contains a new couple discussing a good deed a waiter", "I'm not sure how much effort / time I should be putting into", "making it feel right Should I quickly placehold the highlights of that conversation?", "time I would edit chapters as I wrote them, to make them as", "/ time I should be putting into writing that rough draft. For instance,", "As a means of the couple getting to know each other. At this", "out of steam and never actually finishing them. I've recently started trying to", "recently started trying to allow myself to write rougher first drafts in the", "discussing a good deed a waiter performs. As a means of the couple", "contains a new couple discussing a good deed a waiter performs. As a", "putting into writing that rough draft. For instance, I have a chapter that", "I would edit chapters as I wrote them, to make them as complete", "However I'm not sure how much effort / time I should be putting", "to put time into making it feel right Should I quickly placehold the", "the next pass. However I'm not sure how much effort / time I", "highlights of that conversation? or try to write it in full? or something", "to allow myself to write rougher first drafts in the thought of cleaning,", "them. I've recently started trying to allow myself to write rougher first drafts", "that rough draft. For instance, I have a chapter that contains a new", "really know how that conversation will progress, and would need to put time", "each other. At this stage I don't really know how that conversation will", "At this stage I don't really know how that conversation will progress, and", "good deed a waiter performs. As a means of the couple getting to", "I don't really know how that conversation will progress, and would need to", "it feel right Should I quickly placehold the highlights of that conversation? or", "how much effort / time I should be putting into writing that rough", "Unfortunately this often resulted in me running out of steam and never actually", "For instance, I have a chapter that contains a new couple discussing a", "first drafts in the thought of cleaning, editing etc on the next pass.", "a new couple discussing a good deed a waiter performs. As a means", "and would need to put time into making it feel right Should I", "write rougher first drafts in the thought of cleaning, editing etc on the", "progress, and would need to put time into making it feel right Should", "means of the couple getting to know each other. At this stage I", "feel right Should I quickly placehold the highlights of that conversation? or try" ]
[ "and thus requires some number-juggling, the style in many ways needs to be", "bases,\" but to me that style of writing is boring with a pinch", "\"popular.\" What I chose to call the obvious is the narrative, the self-evident", "as a reader, this is usually the good parts as long as they're", "must be rational, coherent with a clear train of thought and littered with", "as long as they're well supported by the research bits. Many scientists write", "and I have a strong feeling that the tone of writing is contagious.", "book on a controversial subject. For sure the writing must be rational, coherent", "of that and the book will be all but \"popular.\" What I chose", "scientists write very defensively to \"cover all the bases,\" but to me that", "with references to be convincing. On the other hand, too much of that", "be all but \"popular.\" What I chose to call the obvious is the", "trap. Especially as I'll in the coming months will spend countless hours reading", "by the research bits. Many scientists write very defensively to \"cover all the", "much\" is impossible to answer, but I'm thankful for any guidance I can", "narrative, the self-evident and prevalent theories about connections with other fields of science.", "of thumb or perhaps even a successful example of such a book? I", "connections with other fields of science. To me as a reader, this is", "thumb or perhaps even a successful example of such a book? I realize", "I really want to avoid falling into that trap. Especially as I'll in", "Many scientists write very defensively to \"cover all the bases,\" but to me", "feeling that the tone of writing is contagious. Most importantly I do want", "I do want to write for people who are not very technical or", "all the bases,\" but to me that style of writing is boring with", "\"cover all the bases,\" but to me that style of writing is boring", "What I chose to call the obvious is the narrative, the self-evident and", "obvious* is the narrative, the self-evident and prevalent theories about connections with other", "think of any rule of thumb or perhaps even a successful example of", "science book on a controversial subject. For sure the writing must be rational,", "the subject is controversial and thus requires some number-juggling, the style in many", "long as they're well supported by the research bits. Many scientists write very", "not very technical or familiar with scientific literature. So while the subject is", "controversial and thus requires some number-juggling, the style in many ways needs to", "perhaps even a successful example of such a book? I realize asking \"how", "two? Can you think of any rule of thumb or perhaps even a", "of such a book? I realize asking \"how much fact is too much\"", "theories about connections with other fields of science. To me as a reader,", "I'm embarking on writing my first popular science book on a controversial subject.", "I chose to call the obvious is the narrative, the self-evident and prevalent", "obvious. So how to strike a balance between the two? Can you think", "the coming months will spend countless hours reading books and articles, and I", "is controversial and thus requires some number-juggling, the style in many ways needs", "the writing must be rational, coherent with a clear train of thought and", "subject is controversial and thus requires some number-juggling, the style in many ways", "or perhaps even a successful example of such a book? I realize asking", "parts as long as they're well supported by the research bits. Many scientists", "in many ways needs to be obvious. So how to strike a balance", "on writing my first popular science book on a controversial subject. For sure", "for people who are not very technical or familiar with scientific literature. So", "importantly I do want to write for people who are not very technical", "number-juggling, the style in many ways needs to be obvious. So how to", "much fact is too much\" is impossible to answer, but I'm thankful for", "the research bits. Many scientists write very defensively to \"cover all the bases,\"", "a successful example of such a book? I realize asking \"how much fact", "realize asking \"how much fact is too much\" is impossible to answer, but", "of writing is boring with a pinch of gutlessness and I really want", "who are not very technical or familiar with scientific literature. So while the", "to be obvious. So how to strike a balance between the two? Can", "to be convincing. On the other hand, too much of that and the", "into that trap. Especially as I'll in the coming months will spend countless", "fields of science. To me as a reader, this is usually the good", "references to be convincing. On the other hand, too much of that and", "style of writing is boring with a pinch of gutlessness and I really", "to avoid falling into that trap. Especially as I'll in the coming months", "and littered with references to be convincing. On the other hand, too much", "that the tone of writing is contagious. Most importantly I do want to", "writing is boring with a pinch of gutlessness and I really want to", "very defensively to \"cover all the bases,\" but to me that style of", "usually the good parts as long as they're well supported by the research", "fact is too much\" is impossible to answer, but I'm thankful for any", "write for people who are not very technical or familiar with scientific literature.", "writing my first popular science book on a controversial subject. For sure the", "the style in many ways needs to be obvious. So how to strike", "rule of thumb or perhaps even a successful example of such a book?", "a pinch of gutlessness and I really want to avoid falling into that", "strike a balance between the two? Can you think of any rule of", "on a controversial subject. For sure the writing must be rational, coherent with", "well supported by the research bits. Many scientists write very defensively to \"cover", "the self-evident and prevalent theories about connections with other fields of science. To", "is too much\" is impossible to answer, but I'm thankful for any guidance", "I'll in the coming months will spend countless hours reading books and articles,", "will be all but \"popular.\" What I chose to call the obvious is", "a balance between the two? Can you think of any rule of thumb", "Can you think of any rule of thumb or perhaps even a successful", "bits. Many scientists write very defensively to \"cover all the bases,\" but to", "of any rule of thumb or perhaps even a successful example of such", "that style of writing is boring with a pinch of gutlessness and I", "pinch of gutlessness and I really want to avoid falling into that trap.", "will spend countless hours reading books and articles, and I have a strong", "On the other hand, too much of that and the book will be", "Most importantly I do want to write for people who are not very", "literature. So while the subject is controversial and thus requires some number-juggling, the", "book? I realize asking \"how much fact is too much\" is impossible to", "that and the book will be all but \"popular.\" What I chose to", "is contagious. Most importantly I do want to write for people who are", "and I really want to avoid falling into that trap. Especially as I'll", "rational, coherent with a clear train of thought and littered with references to", "be convincing. On the other hand, too much of that and the book", "supported by the research bits. Many scientists write very defensively to \"cover all", "research bits. Many scientists write very defensively to \"cover all the bases,\" but", "controversial subject. For sure the writing must be rational, coherent with a clear", "prevalent theories about connections with other fields of science. To me as a", "books and articles, and I have a strong feeling that the tone of", "even a successful example of such a book? I realize asking \"how much", "and articles, and I have a strong feeling that the tone of writing", "the other hand, too much of that and the book will be all", "all but \"popular.\" What I chose to call the obvious is the narrative,", "needs to be obvious. So how to strike a balance between the two?", "me as a reader, this is usually the good parts as long as", "want to avoid falling into that trap. Especially as I'll in the coming", "people who are not very technical or familiar with scientific literature. So while", "a book? I realize asking \"how much fact is too much\" is impossible", "a clear train of thought and littered with references to be convincing. On", "to call the obvious is the narrative, the self-evident and prevalent theories about", "is boring with a pinch of gutlessness and I really want to avoid", "chose to call the obvious is the narrative, the self-evident and prevalent theories", "as they're well supported by the research bits. Many scientists write very defensively", "So while the subject is controversial and thus requires some number-juggling, the style", "of thought and littered with references to be convincing. On the other hand,", "asking \"how much fact is too much\" is impossible to answer, but I'm", "writing must be rational, coherent with a clear train of thought and littered", "other fields of science. To me as a reader, this is usually the", "much of that and the book will be all but \"popular.\" What I", "me that style of writing is boring with a pinch of gutlessness and", "writing is contagious. Most importantly I do want to write for people who", "in the coming months will spend countless hours reading books and articles, and", "of science. To me as a reader, this is usually the good parts", "the bases,\" but to me that style of writing is boring with a", "is impossible to answer, but I'm thankful for any guidance I can get.", "be rational, coherent with a clear train of thought and littered with references", "subject. For sure the writing must be rational, coherent with a clear train", "but to me that style of writing is boring with a pinch of", "too much\" is impossible to answer, but I'm thankful for any guidance I", "the book will be all but \"popular.\" What I chose to call the", "and prevalent theories about connections with other fields of science. To me as", "have a strong feeling that the tone of writing is contagious. Most importantly", "that trap. Especially as I'll in the coming months will spend countless hours", "with a pinch of gutlessness and I really want to avoid falling into", "self-evident and prevalent theories about connections with other fields of science. To me", "defensively to \"cover all the bases,\" but to me that style of writing", "articles, and I have a strong feeling that the tone of writing is", "my first popular science book on a controversial subject. For sure the writing", "falling into that trap. Especially as I'll in the coming months will spend", "many ways needs to be obvious. So how to strike a balance between", "the narrative, the self-evident and prevalent theories about connections with other fields of", "really want to avoid falling into that trap. Especially as I'll in the", "of writing is contagious. Most importantly I do want to write for people", "a strong feeling that the tone of writing is contagious. Most importantly I", "between the two? Can you think of any rule of thumb or perhaps", "the obvious* is the narrative, the self-evident and prevalent theories about connections with", "reader, this is usually the good parts as long as they're well supported", "So how to strike a balance between the two? Can you think of", "book will be all but \"popular.\" What I chose to call the obvious", "embarking on writing my first popular science book on a controversial subject. For", "convincing. On the other hand, too much of that and the book will", "I have a strong feeling that the tone of writing is contagious. Most", "but \"popular.\" What I chose to call the obvious is the narrative, the", "too much of that and the book will be all but \"popular.\" What", "technical or familiar with scientific literature. So while the subject is controversial and", "as I'll in the coming months will spend countless hours reading books and", "contagious. Most importantly I do want to write for people who are not", "thus requires some number-juggling, the style in many ways needs to be obvious.", "Especially as I'll in the coming months will spend countless hours reading books", "such a book? I realize asking \"how much fact is too much\" is", "successful example of such a book? I realize asking \"how much fact is", "requires some number-juggling, the style in many ways needs to be obvious. So", "with scientific literature. So while the subject is controversial and thus requires some", "style in many ways needs to be obvious. So how to strike a", "the tone of writing is contagious. Most importantly I do want to write", "the good parts as long as they're well supported by the research bits.", "about connections with other fields of science. To me as a reader, this", "tone of writing is contagious. Most importantly I do want to write for", "boring with a pinch of gutlessness and I really want to avoid falling", "clear train of thought and littered with references to be convincing. On the", "very technical or familiar with scientific literature. So while the subject is controversial", "other hand, too much of that and the book will be all but", "months will spend countless hours reading books and articles, and I have a", "To me as a reader, this is usually the good parts as long", "to \"cover all the bases,\" but to me that style of writing is", "countless hours reading books and articles, and I have a strong feeling that", "hand, too much of that and the book will be all but \"popular.\"", "be obvious. So how to strike a balance between the two? Can you", "good parts as long as they're well supported by the research bits. Many", "is usually the good parts as long as they're well supported by the", "do want to write for people who are not very technical or familiar", "popular science book on a controversial subject. For sure the writing must be", "to me that style of writing is boring with a pinch of gutlessness", "sure the writing must be rational, coherent with a clear train of thought", "train of thought and littered with references to be convincing. On the other", "I realize asking \"how much fact is too much\" is impossible to answer,", "first popular science book on a controversial subject. For sure the writing must", "and the book will be all but \"popular.\" What I chose to call", "while the subject is controversial and thus requires some number-juggling, the style in", "some number-juggling, the style in many ways needs to be obvious. So how", "a reader, this is usually the good parts as long as they're well", "science. To me as a reader, this is usually the good parts as", "they're well supported by the research bits. Many scientists write very defensively to", "strong feeling that the tone of writing is contagious. Most importantly I do", "familiar with scientific literature. So while the subject is controversial and thus requires", "with a clear train of thought and littered with references to be convincing.", "avoid falling into that trap. Especially as I'll in the coming months will", "ways needs to be obvious. So how to strike a balance between the", "with other fields of science. To me as a reader, this is usually", "hours reading books and articles, and I have a strong feeling that the", "reading books and articles, and I have a strong feeling that the tone", "or familiar with scientific literature. So while the subject is controversial and thus", "scientific literature. So while the subject is controversial and thus requires some number-juggling,", "the two? Can you think of any rule of thumb or perhaps even", "any rule of thumb or perhaps even a successful example of such a", "you think of any rule of thumb or perhaps even a successful example", "a controversial subject. For sure the writing must be rational, coherent with a", "write very defensively to \"cover all the bases,\" but to me that style", "example of such a book? I realize asking \"how much fact is too", "gutlessness and I really want to avoid falling into that trap. Especially as", "spend countless hours reading books and articles, and I have a strong feeling", "to write for people who are not very technical or familiar with scientific", "are not very technical or familiar with scientific literature. So while the subject", "thought and littered with references to be convincing. On the other hand, too", "to strike a balance between the two? Can you think of any rule", "coherent with a clear train of thought and littered with references to be", "balance between the two? Can you think of any rule of thumb or", "littered with references to be convincing. On the other hand, too much of", "this is usually the good parts as long as they're well supported by", "want to write for people who are not very technical or familiar with", "how to strike a balance between the two? Can you think of any", "is the narrative, the self-evident and prevalent theories about connections with other fields", "call the obvious is the narrative, the self-evident and prevalent theories about connections", "For sure the writing must be rational, coherent with a clear train of", "coming months will spend countless hours reading books and articles, and I have", "of gutlessness and I really want to avoid falling into that trap. Especially", "\"how much fact is too much\" is impossible to answer, but I'm thankful" ]
[ "would like to incorporate it into my work(s). I think it adds an", "voice and narration can sometimes seem bland or over-accessible. Granted, style/quality should not", "fantasy-fiction spectrum, is the use of a more \"dated\" narrative style/vocabulary going to", "writing (see above examples), and would like to incorporate it into my work(s).", "Granted, style/quality should not depend upon vocabulary, and \"flowery\" writing can become muddled,", "vocabulary, and \"flowery\" writing can become muddled, but working in such a style", "it adds an element of style, while fantasy works featuring exclusively modern voice", "audience to a harmful extent? I've always been drawn to the poetic, near-lyrical", "work(s). I think it adds an element of style, while fantasy works featuring", "more \"dated\" narrative style/vocabulary going to narrow my audience to a harmful extent?", "to narrow my audience to a harmful extent? 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Granted,", "the fantasy-fiction spectrum, is the use of a more \"dated\" narrative style/vocabulary going", "depend upon vocabulary, and \"flowery\" writing can become muddled, but working in such", "exclusively modern voice and narration can sometimes seem bland or over-accessible. Granted, style/quality", "I've always been drawn to the poetic, near-lyrical quality of old-fashioned writing (see", "my work(s). I think it adds an element of style, while fantasy works", "upon vocabulary, and \"flowery\" writing can become muddled, but working in such a", "use of a more \"dated\" narrative style/vocabulary going to narrow my audience to", "my genre lies somewhere in the fantasy-fiction spectrum, is the use of a", "my audience to a harmful extent? I've always been drawn to the poetic,", "the poetic, near-lyrical quality of old-fashioned writing (see above examples), and would like", "works featuring exclusively modern voice and narration can sometimes seem bland or over-accessible.", "quality of old-fashioned writing (see above examples), and would like to incorporate it", "style/vocabulary going to narrow my audience to a harmful extent? I've always been", "above examples), and would like to incorporate it into my work(s). I think", "become muddled, but working in such a style seems to offer me extra", "near-lyrical quality of old-fashioned writing (see above examples), and would like to incorporate", "incorporate it into my work(s). I think it adds an element of style,", "and \"flowery\" writing can become muddled, but working in such a style seems", "a harmful extent? I've always been drawn to the poetic, near-lyrical quality of", "harmful extent? I've always been drawn to the poetic, near-lyrical quality of old-fashioned", "extent? I've always been drawn to the poetic, near-lyrical quality of old-fashioned writing", "fantasy works featuring exclusively modern voice and narration can sometimes seem bland or", "adds an element of style, while fantasy works featuring exclusively modern voice and", "while fantasy works featuring exclusively modern voice and narration can sometimes seem bland", "and narration can sometimes seem bland or over-accessible. Granted, style/quality should not depend", "it into my work(s). I think it adds an element of style, while", "into my work(s). I think it adds an element of style, while fantasy", "lies somewhere in the fantasy-fiction spectrum, is the use of a more \"dated\"", "but working in such a style seems to offer me extra creative liberty.", "and would like to incorporate it into my work(s). I think it adds", "old-fashioned writing (see above examples), and would like to incorporate it into my", "writing can become muddled, but working in such a style seems to offer", "seem bland or over-accessible. Granted, style/quality should not depend upon vocabulary, and \"flowery\"", "If my genre lies somewhere in the fantasy-fiction spectrum, is the use of", "to a harmful extent? I've always been drawn to the poetic, near-lyrical quality", "drawn to the poetic, near-lyrical quality of old-fashioned writing (see above examples), and", "or over-accessible. Granted, style/quality should not depend upon vocabulary, and \"flowery\" writing can", "the use of a more \"dated\" narrative style/vocabulary going to narrow my audience", "style/quality should not depend upon vocabulary, and \"flowery\" writing can become muddled, but", "is the use of a more \"dated\" narrative style/vocabulary going to narrow my", "over-accessible. Granted, style/quality should not depend upon vocabulary, and \"flowery\" writing can become", "style, while fantasy works featuring exclusively modern voice and narration can sometimes seem", "spectrum, is the use of a more \"dated\" narrative style/vocabulary going to narrow", "always been drawn to the poetic, near-lyrical quality of old-fashioned writing (see above", "been drawn to the poetic, near-lyrical quality of old-fashioned writing (see above examples),", "poetic, near-lyrical quality of old-fashioned writing (see above examples), and would like to", "narration can sometimes seem bland or over-accessible. Granted, style/quality should not depend upon", "like to incorporate it into my work(s). I think it adds an element", "to incorporate it into my work(s). I think it adds an element of", "element of style, while fantasy works featuring exclusively modern voice and narration can", "\"flowery\" writing can become muddled, but working in such a style seems to", "of style, while fantasy works featuring exclusively modern voice and narration can sometimes", "muddled, but working in such a style seems to offer me extra creative", "\"dated\" narrative style/vocabulary going to narrow my audience to a harmful extent? I've", "genre lies somewhere in the fantasy-fiction spectrum, is the use of a more", "somewhere in the fantasy-fiction spectrum, is the use of a more \"dated\" narrative", "of a more \"dated\" narrative style/vocabulary going to narrow my audience to a", "can sometimes seem bland or over-accessible. Granted, style/quality should not depend upon vocabulary,", "in the fantasy-fiction spectrum, is the use of a more \"dated\" narrative style/vocabulary", "an element of style, while fantasy works featuring exclusively modern voice and narration", "bland or over-accessible. Granted, style/quality should not depend upon vocabulary, and \"flowery\" writing", "narrative style/vocabulary going to narrow my audience to a harmful extent? I've always", "sometimes seem bland or over-accessible. Granted, style/quality should not depend upon vocabulary, and", "modern voice and narration can sometimes seem bland or over-accessible. Granted, style/quality should", "I think it adds an element of style, while fantasy works featuring exclusively", "(see above examples), and would like to incorporate it into my work(s). I", "to the poetic, near-lyrical quality of old-fashioned writing (see above examples), and would", "narrow my audience to a harmful extent? I've always been drawn to the" ]
[ "collection of essays (some as yet not written) by submitting say five or", "being asked of me here. To elaborate on my question, can you market", "is being asked of me here. To elaborate on my question, can you", "asked of me here. To elaborate on my question, can you market a", "of me here. To elaborate on my question, can you market a collection", "market a collection of essays (some as yet not written) by submitting say", "can you market a collection of essays (some as yet not written) by", "of essays (some as yet not written) by submitting say five or so,", "notion of what is being asked of me here. To elaborate on my", "not written) by submitting say five or so, three of which have been", "written) by submitting say five or so, three of which have been published?", "you market a collection of essays (some as yet not written) by submitting", "foggiest notion of what is being asked of me here. To elaborate on", "on my question, can you market a collection of essays (some as yet", "a collection of essays (some as yet not written) by submitting say five", "(some as yet not written) by submitting say five or so, three of", "of what is being asked of me here. To elaborate on my question,", "as yet not written) by submitting say five or so, three of which", "the foggiest notion of what is being asked of me here. To elaborate", "elaborate on my question, can you market a collection of essays (some as", "yet not written) by submitting say five or so, three of which have", "what is being asked of me here. To elaborate on my question, can", "me here. To elaborate on my question, can you market a collection of", "I haven't the foggiest notion of what is being asked of me here.", "my question, can you market a collection of essays (some as yet not", "here. To elaborate on my question, can you market a collection of essays", "question, can you market a collection of essays (some as yet not written)", "haven't the foggiest notion of what is being asked of me here. To", "essays (some as yet not written) by submitting say five or so, three", "To elaborate on my question, can you market a collection of essays (some" ]
[ "mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all BDSM and rape) Two of", "buried in negative votes and caused quite a stir. this Q is somewhat", "repentant rapists. I find that the inner turmoil of these characters makes great", "fate of the racism Q which was buried in negative votes and caused", "rape victims testimonials and found great heroines like rape survivor Charlaine Harris‘s Lily", "survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was thinking of developing", "Bard (Nvikuspeara) Series. Anyways, I was thinking of developing a story based on", "rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was thinking of", "nature of this Q may be distasteful to some and even suggesting a", "such a novel could have a mainstream readership? (I mean apart from wanabe", "understand that the nature of this Q may be distasteful to some and", "have a mainstream readership? (I mean apart from wanabe rapists and distraught rape", "and caused quite a stir. this Q is somewhat linked to [Is BDSM", "apart from wanabe rapists and distraught rape victims) Thanks for your input and", "story based on a rapist POV and his victim’s. Their arcs at first", "are repentant rapists. I find that the inner turmoil of these characters makes", "turmoil of these characters makes great tension throughout the novels and generates unforgetable", "a novel could have a mainstream readership? (I mean apart from wanabe rapists", "(Nvikuspeara) Series. Anyways, I was thinking of developing a story based on a", "opposed would slowly rejoin, and possibly merge into a relationship. I understand that", "of the racism Q which was buried in negative votes and caused quite", "which was buried in negative votes and caused quite a stir. this Q", "i am just exploring a potential story idea. I was wondering if such", "in negative votes and caused quite a stir. this Q is somewhat linked", "which are repentant rapists. I find that the inner turmoil of these characters", "would slowly rejoin, and possibly merge into a relationship. I understand that the", "generates unforgetable characters. I am also found interesting books on rape victims testimonials", "Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was thinking of developing a", "am just exploring a potential story idea. I was wondering if such a", "arcs at first diametrically opposed would slowly rejoin, and possibly merge into a", "first diametrically opposed would slowly rejoin, and possibly merge into a relationship. I", "and distraught rape victims) Thanks for your input and please try to be", "Q will not mimic the fate of the racism Q which was buried", "this Q will not mimic the fate of the racism Q which was", "not equating at all BDSM and rape) Two of my favorite anti-heroes are", "I hope this Q will not mimic the fate of the racism Q", "a relationship. I understand that the nature of this Q may be distasteful", "(I mean apart from wanabe rapists and distraught rape victims) Thanks for your", "found great heroines like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways,", "(though i am not equating at all BDSM and rape) Two of my", "and perpetrator is anathema to some, please bear with me, i am just", "Q which was buried in negative votes and caused quite a stir. this", "merge into a relationship. I understand that the nature of this Q may", "Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was thinking of developing a story", "throughout the novels and generates unforgetable characters. I am also found interesting books", "novels and generates unforgetable characters. I am also found interesting books on rape", "and even suggesting a potential relationship between victim and perpetrator is anathema to", "found interesting books on rape victims testimonials and found great heroines like rape", "potential relationship between victim and perpetrator is anathema to some, please bear with", "at all BDSM and rape) Two of my favorite anti-heroes are Stephen R.", "if such a novel could have a mainstream readership? (I mean apart from", "hope this Q will not mimic the fate of the racism Q which", "all BDSM and rape) Two of my favorite anti-heroes are Stephen R. Donaldson’s", "the inner turmoil of these characters makes great tension throughout the novels and", "between victim and perpetrator is anathema to some, please bear with me, i", "Two of my favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and Angus", "are Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both of which are", "and Angus Thermopiles, both of which are repentant rapists. I find that the", "some, please bear with me, i am just exploring a potential story idea.", "both of which are repentant rapists. I find that the inner turmoil of", "quite a stir. this Q is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream)", "and rape) Two of my favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz", "into a relationship. I understand that the nature of this Q may be", "characters makes great tension throughout the novels and generates unforgetable characters. I am", "some and even suggesting a potential relationship between victim and perpetrator is anathema", "Series. Anyways, I was thinking of developing a story based on a rapist", "negative votes and caused quite a stir. this Q is somewhat linked to", "distasteful to some and even suggesting a potential relationship between victim and perpetrator", "that the inner turmoil of these characters makes great tension throughout the novels", "this Q may be distasteful to some and even suggesting a potential relationship", "victims testimonials and found great heroines like rape survivor Charlaine Harris‘s Lily Bard", "rape) Two of my favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and", "rapists. I find that the inner turmoil of these characters makes great tension", "i am not equating at all BDSM and rape) Two of my favorite", "Thomos Homizavz and Angus Thermopiles, both of which are repentant rapists. I find", "not mimic the fate of the racism Q which was buried in negative", "and generates unforgetable characters. I am also found interesting books on rape victims", "becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all BDSM and rape) Two", "to some and even suggesting a potential relationship between victim and perpetrator is", "these characters makes great tension throughout the novels and generates unforgetable characters. I", "of which are repentant rapists. I find that the inner turmoil of these", "me, i am just exploring a potential story idea. I was wondering if", "a mainstream readership? (I mean apart from wanabe rapists and distraught rape victims)", "of my favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles,", "of this Q may be distasteful to some and even suggesting a potential", "the nature of this Q may be distasteful to some and even suggesting", "rapist POV and his victim’s. Their arcs at first diametrically opposed would slowly", "racism Q which was buried in negative votes and caused quite a stir.", "a stir. this Q is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though", "bear with me, i am just exploring a potential story idea. I was", "anathema to some, please bear with me, i am just exploring a potential", "developing a story based on a rapist POV and his victim’s. Their arcs", "linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all", "like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was thinking", "that the nature of this Q may be distasteful to some and even", "great heroines like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I", "could have a mainstream readership? (I mean apart from wanabe rapists and distraught", "relationship. I understand that the nature of this Q may be distasteful to", "tension throughout the novels and generates unforgetable characters. I am also found interesting", "will not mimic the fate of the racism Q which was buried in", "books on rape victims testimonials and found great heroines like rape survivor Charlaine", "to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all BDSM", "on rape victims testimonials and found great heroines like rape survivor Charlaine Harris‘s", "I was wondering if such a novel could have a mainstream readership? (I", "idea. I was wondering if such a novel could have a mainstream readership?", "also found interesting books on rape victims testimonials and found great heroines like", "and his victim’s. Their arcs at first diametrically opposed would slowly rejoin, and", "Anyways, I was thinking of developing a story based on a rapist POV", "I was thinking of developing a story based on a rapist POV and", "I understand that the nature of this Q may be distasteful to some", "wondering if such a novel could have a mainstream readership? (I mean apart", "suggesting a potential relationship between victim and perpetrator is anathema to some, please", "unforgetable characters. I am also found interesting books on rape victims testimonials and", "even suggesting a potential relationship between victim and perpetrator is anathema to some,", "characters. I am also found interesting books on rape victims testimonials and found", "be distasteful to some and even suggesting a potential relationship between victim and", "victim and perpetrator is anathema to some, please bear with me, i am", "on a rapist POV and his victim’s. Their arcs at first diametrically opposed", "votes and caused quite a stir. this Q is somewhat linked to [Is", "R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both of which are repentant rapists.", "inner turmoil of these characters makes great tension throughout the novels and generates", "and possibly merge into a relationship. I understand that the nature of this", "victim’s. Their arcs at first diametrically opposed would slowly rejoin, and possibly merge", "caused quite a stir. this Q is somewhat linked to [Is BDSM becoming", "at first diametrically opposed would slowly rejoin, and possibly merge into a relationship.", "potential story idea. I was wondering if such a novel could have a", "Lily Bard (Nvikuspeara) Series. Anyways, I was thinking of developing a story based", "is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating", "Q is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not", "distraught rape victims) Thanks for your input and please try to be polite.", "POV and his victim’s. Their arcs at first diametrically opposed would slowly rejoin,", "based on a rapist POV and his victim’s. Their arcs at first diametrically", "Q may be distasteful to some and even suggesting a potential relationship between", "just exploring a potential story idea. I was wondering if such a novel", "exploring a potential story idea. I was wondering if such a novel could", "please bear with me, i am just exploring a potential story idea. I", "wanabe rapists and distraught rape victims) Thanks for your input and please try", "a story based on a rapist POV and his victim’s. Their arcs at", "thinking of developing a story based on a rapist POV and his victim’s.", "anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both of which", "and found great heroines like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series.", "equating at all BDSM and rape) Two of my favorite anti-heroes are Stephen", "the novels and generates unforgetable characters. I am also found interesting books on", "Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both of which are repentant", "rejoin, and possibly merge into a relationship. I understand that the nature of", "testimonials and found great heroines like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara)", "Their arcs at first diametrically opposed would slowly rejoin, and possibly merge into", "was thinking of developing a story based on a rapist POV and his", "am not equating at all BDSM and rape) Two of my favorite anti-heroes", "mainstream readership? (I mean apart from wanabe rapists and distraught rape victims) Thanks", "Homizavz and Angus Thermopiles, both of which are repentant rapists. I find that", "mean apart from wanabe rapists and distraught rape victims) Thanks for your input", "BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all BDSM and rape)", "rapists and distraught rape victims) Thanks for your input and please try to", "I am also found interesting books on rape victims testimonials and found great", "slowly rejoin, and possibly merge into a relationship. I understand that the nature", "great tension throughout the novels and generates unforgetable characters. I am also found", "I find that the inner turmoil of these characters makes great tension throughout", "a potential relationship between victim and perpetrator is anathema to some, please bear", "to some, please bear with me, i am just exploring a potential story", "was buried in negative votes and caused quite a stir. this Q is", "from wanabe rapists and distraught rape victims) Thanks for your input and please", "heroines like rape survivor Charlaine Harris‘s Lily Bard (Nvikuspeara) Series. Anyways, I was", "possibly merge into a relationship. I understand that the nature of this Q", "story idea. I was wondering if such a novel could have a mainstream", "of developing a story based on a rapist POV and his victim’s. Their", "find that the inner turmoil of these characters makes great tension throughout the", "a rapist POV and his victim’s. Their arcs at first diametrically opposed would", "his victim’s. Their arcs at first diametrically opposed would slowly rejoin, and possibly", "the fate of the racism Q which was buried in negative votes and", "relationship between victim and perpetrator is anathema to some, please bear with me,", "was wondering if such a novel could have a mainstream readership? (I mean", "this Q is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am", "of these characters makes great tension throughout the novels and generates unforgetable characters.", "mimic the fate of the racism Q which was buried in negative votes", "readership? (I mean apart from wanabe rapists and distraught rape victims) Thanks for", "with me, i am just exploring a potential story idea. I was wondering", "my favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both", "[Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at all BDSM and", "novel could have a mainstream readership? (I mean apart from wanabe rapists and", "diametrically opposed would slowly rejoin, and possibly merge into a relationship. I understand", "Angus Thermopiles, both of which are repentant rapists. I find that the inner", "somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i am not equating at", "favorite anti-heroes are Stephen R. Donaldson’s Thomos Homizavz and Angus Thermopiles, both of", "perpetrator is anathema to some, please bear with me, i am just exploring", "the racism Q which was buried in negative votes and caused quite a", "interesting books on rape victims testimonials and found great heroines like rape survivor", "stir. this Q is somewhat linked to [Is BDSM becoming mainstream?](https://writers.stackexchange.com/questions/17703/is-bdsm-becoming-mainstream) (though i", "is anathema to some, please bear with me, i am just exploring a", "Thermopiles, both of which are repentant rapists. I find that the inner turmoil", "BDSM and rape) Two of my favorite anti-heroes are Stephen R. Donaldson’s Thomos", "makes great tension throughout the novels and generates unforgetable characters. I am also", "am also found interesting books on rape victims testimonials and found great heroines", "may be distasteful to some and even suggesting a potential relationship between victim", "Donaldson’s Thomos Homizavz and Angus Thermopiles, both of which are repentant rapists. I", "a potential story idea. I was wondering if such a novel could have" ]
[ "Yiddish and others used in the 50s and 60s is the central symbol", "way to handle a pidgin language in a manuscript? In a wider sense:", "creativity of some of the pidgin phrases. (Example: \"lattie\" means flat or house,", "or mean something entirely different. Problem, refined: Since I will not write the", "working on. It uses \"original\" words (in the sense that the \"parent language\"", "wonder whether it makes sense to translate these English pidgin words or simply", "I am wondering: What is the best way to handle a pidgin language", "treat them to italics. The advantage of keeping the English original is that", "\"original\" words (in the sense that the \"parent language\" is not obvious) that", "of some of the pidgin phrases. (Example: \"lattie\" means flat or house, and", "by using italics. However, as it was used mainly by English native speakers,", "intend to highlight by using italics. However, as it was used mainly by", "water\" is a ship. The \"on water\" is obviously easily translatable.) What do", "of keeping the English original* is that it would add some extra \"Englishness\"", "either part of a phrase of the pidgin language or mean something entirely", "best way to handle a pidgin language in a manuscript? In a wider", "keep them and treat them to italics. The advantage of keeping the English", "heavy slang that came up with original words and phrases? Motivation: A pidgin", "English might simply miss out on the creativity of some of the pidgin", "and \"lattie on water\" is a ship. The \"on water\" is obviously easily", "In reference to this question about [how to show a foreign language in", "write the novel in English, I wonder whether it makes sense to translate", "means flat or house, and \"lattie on water\" is a ship. The \"on", "extra \"Englishness\" to the story. The disadvantage: People not fluent in English might", "to this question about [how to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript),", "a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best", "central symbol of a novel I am working on. It uses \"original\" words", "some extra \"Englishness\" to the story. The disadvantage: People not fluent in English", "However, as it was used mainly by English native speakers, some words are", "are either part of a phrase of the pidgin language or mean something", "It uses \"original\" words (in the sense that the \"parent language\" is not", "Franca, Yiddish and others used in the 50s and 60s is the central", "Question: In reference to this question about [how to show a foreign language", "as it was used mainly by English native speakers, some words are real", "I will not write the novel in English, I wonder whether it makes", "others used in the 50s and 60s is the central symbol of a", "words are real English words but are either part of a phrase of", "show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the", "a heavy slang that came up with original words and phrases? Motivation: A", "pidgin language* in a manuscript? In a wider sense: How would you treat", "[how to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What", "mean something entirely different. Problem, refined: Since I will not write the novel", "the \"parent language\" is not obvious) that I intend to highlight by using", "People not fluent in English might simply miss out on the creativity of", "words (in the sense that the \"parent language\" is not obvious) that I", "translate these English pidgin words or simply keep them and treat them to", "something entirely different. Problem, refined: Since I will not write the novel in", "on. It uses \"original\" words (in the sense that the \"parent language\" is", "of the pidgin language or mean something entirely different. Problem, refined: Since I", "is the central symbol of a novel I am working on. It uses", "it would add some extra \"Englishness\" to the story. The disadvantage: People not", "the 50s and 60s is the central symbol of a novel I am", "would add some extra \"Englishness\" to the story. The disadvantage: People not fluent", "words or simply keep them and treat them to italics. The advantage of", "slang that came up with original words and phrases? Motivation: A pidgin language", "a ship. The \"on water\" is obviously easily translatable.) What do you think?", "that the \"parent language\" is not obvious) that I intend to highlight by", "(in the sense that the \"parent language\" is not obvious) that I intend", "of a phrase of the pidgin language or mean something entirely different. Problem,", "The \"on water\" is obviously easily translatable.) What do you think? Thanks for", "I wonder whether it makes sense to translate these English pidgin words or", "would you treat a heavy slang that came up with original words and", "the pidgin phrases. (Example: \"lattie\" means flat or house, and \"lattie on water\"", "am working on. It uses \"original\" words (in the sense that the \"parent", "a novel I am working on. It uses \"original\" words (in the sense", "came up with original words and phrases? Motivation: A pidgin language influenced by", "a pidgin language* in a manuscript? In a wider sense: How would you", "What is the best way to handle a pidgin language in a manuscript?", "obvious) that I intend to highlight by using italics. However, as it was", "native speakers, some words are real English words but are either part of", "sense to translate these English pidgin words or simply keep them and treat", "\"Englishness\" to the story. The disadvantage: People not fluent in English might simply", "the English original* is that it would add some extra \"Englishness\" to the", "some words are real English words but are either part of a phrase", "English pidgin words or simply keep them and treat them to italics. The", "this question about [how to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I", "Motivation: A pidgin language influenced by English, French, the Lingua Franca, Yiddish and", "\"lattie on water\" is a ship. The \"on water\" is obviously easily translatable.)", "question about [how to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am", "phrases. (Example: \"lattie\" means flat or house, and \"lattie on water\" is a", "or house, and \"lattie on water\" is a ship. The \"on water\" is", "is obviously easily translatable.) What do you think? Thanks for sharing your opinions", "symbol of a novel I am working on. It uses \"original\" words (in", "English words but are either part of a phrase of the pidgin language", "simply miss out on the creativity of some of the pidgin phrases. (Example:", "reference to this question about [how to show a foreign language in a", "language in a manuscript? In a wider sense: How would you treat a", "that came up with original words and phrases? Motivation: A pidgin language influenced", "pidgin language or mean something entirely different. Problem, refined*: Since I will not", "in English, I wonder whether it makes sense to translate these English pidgin", "simply keep them and treat them to italics. The advantage of keeping the", "in English might simply miss out on the creativity of some of the", "it was used mainly by English native speakers, some words are real English", "house, and \"lattie on water\" is a ship. The \"on water\" is obviously", "pidgin phrases. (Example: \"lattie\" means flat or house, and \"lattie on water\" is", "miss out on the creativity of some of the pidgin phrases. (Example: \"lattie\"", "and treat them to italics. The advantage of keeping the English original is", "and phrases? Motivation: A pidgin language influenced by English, French, the Lingua Franca,", "in a manuscript? In a wider sense: How would you treat a heavy", "water\" is obviously easily translatable.) What do you think? Thanks for sharing your", "Since I will not write the novel in English, I wonder whether it", "not write the novel in English, I wonder whether it makes sense to", "I am working on. It uses \"original\" words (in the sense that the", "out on the creativity of some of the pidgin phrases. (Example: \"lattie\" means", "English, French, the Lingua Franca, Yiddish and others used in the 50s and", "sense that the \"parent language\" is not obvious) that I intend to highlight", "novel I am working on. It uses \"original\" words (in the sense that", "fluent in English might simply miss out on the creativity of some of", "English original* is that it would add some extra \"Englishness\" to the story.", "\"on water\" is obviously easily translatable.) What do you think? Thanks for sharing", "is the best way to handle a pidgin language in a manuscript? In", "the pidgin language or mean something entirely different. Problem, refined: Since I will", "entirely different. Problem, refined: Since I will not write the novel in English,", "advantage of keeping the English original is that it would add some extra", "manuscript? In a wider sense: How would you treat a heavy slang that", "\"parent language\" is not obvious) that I intend to highlight by using italics.", "that it would add some extra \"Englishness\" to the story. The disadvantage: People", "The disadvantage: People not fluent in English might simply miss out on the", "the Lingua Franca, Yiddish and others used in the 50s and 60s is", "using italics. However, as it was used mainly by English native speakers, some", "the story. The disadvantage: People not fluent in English might simply miss out", "manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best way to handle a pidgin", "pidgin language influenced by English, French, the Lingua Franca, Yiddish and others used", "obviously easily translatable.) What do you think? Thanks for sharing your opinions with", "and others used in the 50s and 60s is the central symbol of", "was used mainly by English native speakers, some words are real English words", "in the 50s and 60s is the central symbol of a novel I", "phrase of the pidgin language or mean something entirely different. Problem, refined*: Since", "to italics. The advantage of keeping the English original* is that it would", "50s and 60s is the central symbol of a novel I am working", "not obvious) that I intend to highlight by using italics. However, as it", "mainly by English native speakers, some words are real English words but are", "you treat a heavy slang that came up with original words and phrases?", "highlight by using italics. However, as it was used mainly by English native", "these English pidgin words or simply keep them and treat them to italics.", "used in the 50s and 60s is the central symbol of a novel", "to handle a pidgin language in a manuscript? In a wider sense: How", "French, the Lingua Franca, Yiddish and others used in the 50s and 60s", "or simply keep them and treat them to italics. The advantage of keeping", "\"lattie\" means flat or house, and \"lattie on water\" is a ship. The", "language influenced by English, French, the Lingua Franca, Yiddish and others used in", "to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is", "story. The disadvantage: People not fluent in English might simply miss out on", "is that it would add some extra \"Englishness\" to the story. The disadvantage:", "and 60s is the central symbol of a novel I am working on.", "a wider sense: How would you treat a heavy slang that came up", "not fluent in English might simply miss out on the creativity of some", "phrases? Motivation: A pidgin language influenced by English, French, the Lingua Franca, Yiddish", "English, I wonder whether it makes sense to translate these English pidgin words", "sense: How would you treat a heavy slang that came up with original", "on water\" is a ship. The \"on water\" is obviously easily translatable.) What", "How would you treat a heavy slang that came up with original words", "to the story. The disadvantage: People not fluent in English might simply miss", "different. Problem, refined: Since I will not write the novel in English, I", "the central symbol of a novel I am working on. It uses \"original\"", "speakers, some words are real English words but are either part of a", "a manuscript? In a wider sense: How would you treat a heavy slang", "the best way to handle a pidgin language* in a manuscript? In a", "A pidgin language influenced by English, French, the Lingua Franca, Yiddish and others", "on the creativity of some of the pidgin phrases. (Example: \"lattie\" means flat", "about [how to show a foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering:", "uses \"original\" words (in the sense that the \"parent language\" is not obvious)", "them to italics. The advantage of keeping the English original is that it", "keeping the English original* is that it would add some extra \"Englishness\" to", "handle a pidgin language in a manuscript? In a wider sense: How would", "Lingua Franca, Yiddish and others used in the 50s and 60s is the", "of a novel I am working on. It uses \"original\" words (in the", "that I intend to highlight by using italics. However, as it was used", "treat a heavy slang that came up with original words and phrases? Motivation:", "real English words but are either part of a phrase of the pidgin", "makes sense to translate these English pidgin words or simply keep them and", "but are either part of a phrase of the pidgin language or mean", "is not obvious) that I intend to highlight by using italics. However, as", "language or mean something entirely different. Problem, refined: Since I will not write", "pidgin words or simply keep them and treat them to italics. The advantage", "some of the pidgin phrases. (Example: \"lattie\" means flat or house, and \"lattie", "language\" is not obvious) that I intend to highlight by using italics. However,", "(Example: \"lattie\" means flat or house, and \"lattie on water\" is a ship.", "is a ship. The \"on water\" is obviously easily translatable.) What do you", "add some extra \"Englishness\" to the story. The disadvantage: People not fluent in", "words and phrases? Motivation: A pidgin language influenced by English, French, the Lingua", "original is that it would add some extra \"Englishness\" to the story. The", "by English, French, the Lingua Franca, Yiddish and others used in the 50s", "a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best way to handle a", "novel in English, I wonder whether it makes sense to translate these English", "might simply miss out on the creativity of some of the pidgin phrases.", "to highlight by using italics. However, as it was used mainly by English", "disadvantage: People not fluent in English might simply miss out on the creativity", "flat or house, and \"lattie on water\" is a ship. The \"on water\"", "refined: Since I will not write the novel in English, I wonder whether", "easily translatable.) What do you think? Thanks for sharing your opinions with me.", "language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best way to", "In a wider sense: How would you treat a heavy slang that came", "am wondering: What is the best way to handle a pidgin language in", "by English native speakers, some words are real English words but are either", "Problem, refined: Since I will not write the novel in English, I wonder", "the novel in English, I wonder whether it makes sense to translate these", "original words and phrases? Motivation*: A pidgin language influenced by English, French, the", "italics. The advantage of keeping the English original* is that it would add", "I intend to highlight by using italics. However, as it was used mainly", "wondering: What is the best way to handle a pidgin language in a", "influenced by English, French, the Lingua Franca, Yiddish and others used in the", "up with original words and phrases? Motivation: A pidgin language influenced by English,", "are real English words but are either part of a phrase of the", "it makes sense to translate these English pidgin words or simply keep them", "with original words and phrases? Motivation: A pidgin language influenced by English, French,", "60s is the central symbol of a novel I am working on. It", "used mainly by English native speakers, some words are real English words but", "a phrase of the pidgin language or mean something entirely different. Problem, refined:", "them and treat them to italics. The advantage of keeping the English original", "of the pidgin phrases. (Example: \"lattie\" means flat or house, and \"lattie on", "in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best way to handle", "The advantage of keeping the English original is that it would add some", "part of a phrase of the pidgin language or mean something entirely different.", "italics. However, as it was used mainly by English native speakers, some words", "words but are either part of a phrase of the pidgin language or", "wider sense: How would you treat a heavy slang that came up with", "the creativity of some of the pidgin phrases. (Example: \"lattie\" means flat or", "English native speakers, some words are real English words but are either part", "whether it makes sense to translate these English pidgin words or simply keep", "the sense that the \"parent language\" is not obvious) that I intend to", "to translate these English pidgin words or simply keep them and treat them", "foreign language in a manuscript](https://writers.stackexchange.com/questions/1742/whats-the-best-way-to-show-a-foreign-language-in-a-manuscript), I am wondering: What is the best way", "will not write the novel in English, I wonder whether it makes sense", "ship. The \"on water\" is obviously easily translatable.) What do you think? Thanks" ]
[ "that still works and is readable. So, I have two options here: 1.", "of dialogue and learn from them and apply this to my own writing?", "is readable. So, I have two options here: 1. Try harder, read more", "two options here: 1. Try harder, read more books with lots of dialogue", "have difficulties to write more than simple dialogue that still works and is", "them and apply this to my own writing? 2. Avoid dialogue. Which direction", "to write more than simple dialogue that still works and is readable. So,", "here: 1. Try harder, read more books with lots of dialogue and learn", "and learn from them and apply this to my own writing? 2. Avoid", "books with lots of dialogue and learn from them and apply this to", "and apply this to my own writing? 2. Avoid dialogue. Which direction should", "more than simple dialogue that still works and is readable. So, I have", "readable. So, I have two options here: 1. Try harder, read more books", "have two options here: 1. Try harder, read more books with lots of", "I have two options here: 1. Try harder, read more books with lots", "and is readable. So, I have two options here: 1. Try harder, read", "more books with lots of dialogue and learn from them and apply this", "dialogue that still works and is readable. So, I have two options here:", "write more than simple dialogue that still works and is readable. So, I", "from them and apply this to my own writing? 2. Avoid dialogue. Which", "than simple dialogue that still works and is readable. So, I have two", "works and is readable. So, I have two options here: 1. Try harder,", "options here: 1. Try harder, read more books with lots of dialogue and", "1. Try harder, read more books with lots of dialogue and learn from", "I have difficulties to write more than simple dialogue that still works and", "So, I have two options here: 1. Try harder, read more books with", "difficulties to write more than simple dialogue that still works and is readable.", "this to my own writing? 2. Avoid dialogue. Which direction should I go?", "still works and is readable. So, I have two options here: 1. Try", "harder, read more books with lots of dialogue and learn from them and", "read more books with lots of dialogue and learn from them and apply", "dialogue and learn from them and apply this to my own writing? 2.", "with lots of dialogue and learn from them and apply this to my", "apply this to my own writing? 2. Avoid dialogue. Which direction should I", "lots of dialogue and learn from them and apply this to my own", "Try harder, read more books with lots of dialogue and learn from them", "simple dialogue that still works and is readable. So, I have two options", "learn from them and apply this to my own writing? 2. Avoid dialogue." ]
[ "Dre!\" Amdkeos turned when he heard his name. \"Oh, hey.\" > > >", "use in places that might help show what I'm going for. Showing his", "refer to him in his POV chapters but very few people call him", "Any tips on this? Couple of minor solutions I use in places that", "out it does lead to some confusion trying to work out that the", "his shorthand name Dre. Warlock is probably used the most, enemies use it", "person. Any tips on this? Couple of minor solutions I use in places", "\"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when he enters, drawing attention to", "habits so readers can more easily visualise him being the same person walking", "his name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when he enters, drawing", "multiple names are in fact the same person. Any tips on this? Couple", "nickname Warlock, his name Amdkeos, and his shorthand name Dre. Warlock is probably", "is probably used the most, enemies use it in combat with him, along", "my main characters uses three different names throughout the story. There's his nickname", "by all of his friends. The problem one is probably Amdkeos, it's used", "are in fact the same person. Any tips on this? Couple of minor", "> > > Describing Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing features", "not familiar enough to use his name. Dre is used by all of", "some confusion trying to work out that the multiple names are in fact", "shorthand name Dre. Warlock is probably used the most, enemies use it in", "of his friends. The problem one is probably Amdkeos, it's used to refer", "with anyone not familiar enough to use his name. Dre is used by", "tips on this? Couple of minor solutions I use in places that might", "I'm going for. Showing his response to dialogue in other names. > >", "combat with him, along with anyone not familiar enough to use his name.", "Showing his response to dialogue in other names. > > \"Hey Dre!\" Amdkeos", "Warlock, his name Amdkeos, and his shorthand name Dre. Warlock is probably used", "Some workshops have pointed out it does lead to some confusion trying to", "to work out that the multiple names are in fact the same person.", "> Describing Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing features or habits", "use his name. Dre is used by all of his friends. The problem", "out that the multiple names are in fact the same person. Any tips", "Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing features or habits so readers", "that. Some workshops have pointed out it does lead to some confusion trying", "his POV chapters but very few people call him that. Some workshops have", "uses three different names throughout the story. There's his nickname Warlock, his name", "Warlock is probably used the most, enemies use it in combat with him,", "minor solutions I use in places that might help show what I'm going", "few people call him that. Some workshops have pointed out it does lead", "with him, along with anyone not familiar enough to use his name. Dre", "different names throughout the story. There's his nickname Warlock, his name Amdkeos, and", "to him in his POV chapters but very few people call him that.", "name Amdkeos, and his shorthand name Dre. Warlock is probably used the most,", "solutions I use in places that might help show what I'm going for.", "> > \"Hey Dre!\" Amdkeos turned when he heard his name. \"Oh, hey.\"", "of minor solutions I use in places that might help show what I'm", "his friends. The problem one is probably Amdkeos, it's used to refer to", "him in his POV chapters but very few people call him that. Some", "in other names. > > \"Hey Dre!\" Amdkeos turned when he heard his", "chapters but very few people call him that. Some workshops have pointed out", "throughout the story. There's his nickname Warlock, his name Amdkeos, and his shorthand", "readers can more easily visualise him being the same person walking into a", "in places that might help show what I'm going for. Showing his response", "might help show what I'm going for. Showing his response to dialogue in", "three different names throughout the story. There's his nickname Warlock, his name Amdkeos,", "lead to some confusion trying to work out that the multiple names are", "main characters uses three different names throughout the story. There's his nickname Warlock,", "on this? Couple of minor solutions I use in places that might help", "distinguishing features or habits so readers can more easily visualise him being the", "probably Amdkeos, it's used to refer to him in his POV chapters but", "visualise him being the same person walking into a room to save dependency", "of my main characters uses three different names throughout the story. There's his", "his name Amdkeos, and his shorthand name Dre. Warlock is probably used the", "for. Showing his response to dialogue in other names. > > \"Hey Dre!\"", "friends. The problem one is probably Amdkeos, it's used to refer to him", "to dialogue in other names. > > \"Hey Dre!\" Amdkeos turned when he", "to distinguishing features or habits so readers can more easily visualise him being", "going for. Showing his response to dialogue in other names. > > \"Hey", "is used by all of his friends. The problem one is probably Amdkeos,", "it does lead to some confusion trying to work out that the multiple", "confusion trying to work out that the multiple names are in fact the", "most, enemies use it in combat with him, along with anyone not familiar", "pointed out it does lead to some confusion trying to work out that", "to some confusion trying to work out that the multiple names are in", "when he heard his name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when", "in combat with him, along with anyone not familiar enough to use his", "familiar enough to use his name. Dre is used by all of his", "his name. Dre is used by all of his friends. The problem one", "people call him that. Some workshops have pointed out it does lead to", "the story. There's his nickname Warlock, his name Amdkeos, and his shorthand name", "all of his friends. The problem one is probably Amdkeos, it's used to", "probably used the most, enemies use it in combat with him, along with", "that the multiple names are in fact the same person. Any tips on", "his nickname Warlock, his name Amdkeos, and his shorthand name Dre. Warlock is", "that might help show what I'm going for. Showing his response to dialogue", "call him that. Some workshops have pointed out it does lead to some", "POV chapters but very few people call him that. Some workshops have pointed", "same person. Any tips on this? Couple of minor solutions I use in", "what I'm going for. Showing his response to dialogue in other names. >", "features or habits so readers can more easily visualise him being the same", "more easily visualise him being the same person walking into a room to", "when he enters, drawing attention to distinguishing features or habits so readers can", "or habits so readers can more easily visualise him being the same person", "show what I'm going for. Showing his response to dialogue in other names.", "Amdkeos turned when he heard his name. \"Oh, hey.\" > > > Describing", "one is probably Amdkeos, it's used to refer to him in his POV", "names throughout the story. There's his nickname Warlock, his name Amdkeos, and his", "to use his name. Dre is used by all of his friends. The", "story. There's his nickname Warlock, his name Amdkeos, and his shorthand name Dre.", "places that might help show what I'm going for. Showing his response to", "drawing attention to distinguishing features or habits so readers can more easily visualise", "one of my main characters uses three different names throughout the story. There's", "other names. > > \"Hey Dre!\" Amdkeos turned when he heard his name.", "it in combat with him, along with anyone not familiar enough to use", "I use in places that might help show what I'm going for. Showing", "name. Dre is used by all of his friends. The problem one is", "used to refer to him in his POV chapters but very few people", "does lead to some confusion trying to work out that the multiple names", "trying to work out that the multiple names are in fact the same", "Couple of minor solutions I use in places that might help show what", "response to dialogue in other names. > > \"Hey Dre!\" Amdkeos turned when", "names are in fact the same person. Any tips on this? Couple of", "the most, enemies use it in combat with him, along with anyone not", "can more easily visualise him being the same person walking into a room", "use it in combat with him, along with anyone not familiar enough to", "hey.\" > > > Describing Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing", "enemies use it in combat with him, along with anyone not familiar enough", "it's used to refer to him in his POV chapters but very few", "attention to distinguishing features or habits so readers can more easily visualise him", "So one of my main characters uses three different names throughout the story.", "used the most, enemies use it in combat with him, along with anyone", "anyone not familiar enough to use his name. Dre is used by all", "in fact the same person. Any tips on this? Couple of minor solutions", "workshops have pointed out it does lead to some confusion trying to work", "him that. Some workshops have pointed out it does lead to some confusion", "his response to dialogue in other names. > > \"Hey Dre!\" Amdkeos turned", "him, along with anyone not familiar enough to use his name. Dre is", "Amdkeos, and his shorthand name Dre. Warlock is probably used the most, enemies", "Dre. Warlock is probably used the most, enemies use it in combat with", "so readers can more easily visualise him being the same person walking into", "There's his nickname Warlock, his name Amdkeos, and his shorthand name Dre. Warlock", "being the same person walking into a room to save dependency on his", "the same person walking into a room to save dependency on his name.", "name Dre. Warlock is probably used the most, enemies use it in combat", "he heard his name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when he", "and his shorthand name Dre. Warlock is probably used the most, enemies use", "heard his name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when he enters,", "in his POV chapters but very few people call him that. Some workshops", "easily visualise him being the same person walking into a room to save", "the multiple names are in fact the same person. Any tips on this?", "the same person. Any tips on this? Couple of minor solutions I use", "> > Describing Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing features or", "Dre is used by all of his friends. The problem one is probably", "him being the same person walking into a room to save dependency on", "characters uses three different names throughout the story. There's his nickname Warlock, his", "Describing Warlock/Dre/Amdkeos when he enters, drawing attention to distinguishing features or habits so", "Amdkeos, it's used to refer to him in his POV chapters but very", "to refer to him in his POV chapters but very few people call", "work out that the multiple names are in fact the same person. Any", "this? Couple of minor solutions I use in places that might help show", "fact the same person. Any tips on this? Couple of minor solutions I", "names. > > \"Hey Dre!\" Amdkeos turned when he heard his name. \"Oh,", "very few people call him that. Some workshops have pointed out it does", "name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos when he enters, drawing attention", "have pointed out it does lead to some confusion trying to work out", "along with anyone not familiar enough to use his name. Dre is used", "but very few people call him that. Some workshops have pointed out it", "enters, drawing attention to distinguishing features or habits so readers can more easily", "\"Hey Dre!\" Amdkeos turned when he heard his name. \"Oh, hey.\" > >", "he enters, drawing attention to distinguishing features or habits so readers can more", "help show what I'm going for. Showing his response to dialogue in other", "> \"Hey Dre!\" Amdkeos turned when he heard his name. \"Oh, hey.\" >", "problem one is probably Amdkeos, it's used to refer to him in his", "dialogue in other names. > > \"Hey Dre!\" Amdkeos turned when he heard", "The problem one is probably Amdkeos, it's used to refer to him in", "is probably Amdkeos, it's used to refer to him in his POV chapters", "used by all of his friends. The problem one is probably Amdkeos, it's", "turned when he heard his name. \"Oh, hey.\" > > > Describing Warlock/Dre/Amdkeos", "enough to use his name. Dre is used by all of his friends." ]
[ "size, paragraph alignment, etc.) *\\Important - this is only in reference to novel", "etc.) *\\Important - this is only in reference to novel writing, not screen", "look for in writing software. (I am, of course, excluding features of typical", "writers look for in writing software. (I am, of course, excluding features of", "paragraph alignment, etc.) *\\Important - this is only in reference to novel writing,", "software. (I am, of course, excluding features of typical word processors such as", "of typical word processors such as options to change font size, paragraph alignment,", "features other writers look for in writing software. (I am, of course, excluding", "as options to change font size, paragraph alignment, etc.) *\\Important - this is", "word processors such as options to change font size, paragraph alignment, etc.) *\\Important", "curious what features other writers look for in writing software. (I am, of", "for in writing software. (I am, of course, excluding features of typical word", "am a developer. I'm curious what features other writers look for in writing", "excluding features of typical word processors such as options to change font size,", "of course, excluding features of typical word processors such as options to change", "what features other writers look for in writing software. (I am, of course,", "writing software. (I am, of course, excluding features of typical word processors such", "such as options to change font size, paragraph alignment, etc.) *\\Important - this", "*\\Important - this is only in reference to novel writing, not screen writing.", "to change font size, paragraph alignment, etc.) \\Important - this is only in", "features of typical word processors such as options to change font size, paragraph", "font size, paragraph alignment, etc.) \\Important - this is only in reference to", "(I am, of course, excluding features of typical word processors such as options", "a developer. I'm curious what features other writers look for in writing software.", "typical word processors such as options to change font size, paragraph alignment, etc.)", "processors such as options to change font size, paragraph alignment, etc.) *\\Important -", "in writing software. (I am, of course, excluding features of typical word processors", "other writers look for in writing software. (I am, of course, excluding features", "developer. I'm curious what features other writers look for in writing software. (I", "change font size, paragraph alignment, etc.) *\\Important - this is only in reference", "alignment, etc.) *\\Important - this is only in reference to novel writing, not", "options to change font size, paragraph alignment, etc.) *\\Important - this is only", "I am a developer. I'm curious what features other writers look for in", "I'm curious what features other writers look for in writing software. (I am,", "course, excluding features of typical word processors such as options to change font", "am, of course, excluding features of typical word processors such as options to" ]
[ "had lost their > capacity to recognize objects, faces, feel guilt or anger.", "this notion is going away, > especially now that we can literally look", "away, > especially now that we can literally look inside the human mind.\"", "all that.\" > > > (Note: I just came up with this dialogue.", "written in my life.) But when is repetition good? These are examples from", "recognize objects, faces, feel guilt or anger. Which is > proof that our", "that way. Anyhow, this notion is going away, > especially now that we", "develop feelings for him---which I guess pissed me off. > > > >", "\"Then why didn't you wish me happy birthday?\" I said. > > >", "that, in writing, repetition is sometimes bad. For example: > > \"You forgot", "part of the body. More specifically the brain. That's > why there are", "examples from my own writing. (I thought the repetition was good. But I'm", "I'd been trying to avoid > him. Not because I was pissed at", "> birthday.\" > > > \"Then why didn't you wish me happy birthday?\"", "> > \"Then why didn't you wish me happy birthday?\" I said. >", "> capacity to recognize objects, faces, feel guilt or anger. Which is >", "> > \"No, I didn't forget your > birthday.\" > > > \"Then", "> Ciwe called me that weekend. To be honest, I'd been trying to", "we could look inside the cat's mind,\" I said. \"We'd know > what's", "> > > \"No, I didn't forget your > birthday.\" > > >", "the brain. That's > why there are cases of head injuries where people", "--- > > > \"The mind is a part of the body. More", "For example: > > \"You forgot my birthday!\" I said. > > >", "anger. Which is > proof that our consciousness isn't really separated from our", "special and > all that.\" > > > (Note: I just came up", "pissed me off. > > > > > --- > > > \"The", "> > > (Note: I just came up with this dialogue. Probably the", "just feels that way. Anyhow, this notion is going away, > especially now", "> > Ciwe called me that weekend. To be honest, I'd been trying", "was good. But I'm not sure anymore.) > > Ciwe called me that", "> (Note: I just came up with this dialogue. Probably the worst piece", "notion is going away, > especially now that we can literally look inside", "or anger. Which is > proof that our consciousness isn't really separated from", "and > all that.\" > > > (Note: I just came up with", "specifically the brain. That's > why there are cases of head injuries where", "writing, repetition is sometimes bad. For example: > > \"You forgot my birthday!\"", "starting to > develop feelings for him---which I guess pissed me off. >", "But when is repetition good? These are examples from my own writing. (I", "> > > \"The mind is a part of the body. More specifically", "now that we can literally look inside the human mind.\" > > >", "didn't want to embarrass you. You know, make you feel special and >", "is > proof that our consciousness isn't really separated from our body. >", "I said. > > > \"Because I didn't want to embarrass you. You", "> > (Note: I just came up with this dialogue. Probably the worst", "you wish me happy birthday?\" I said. > > > \"Because I didn't", "because I was starting to > develop feelings for him---which I guess pissed", "That's > why there are cases of head injuries where people had lost", "birthday?\" I said. > > > \"Because I didn't want to embarrass you.", "ever written in my life.) But when is repetition good? These are examples", "their > capacity to recognize objects, faces, feel guilt or anger. Which is", "guilt or anger. Which is > proof that our consciousness isn't really separated", "him, but because I was starting to > develop feelings for him---which I", "Anyhow, this notion is going away, > especially now that we can literally", "> \"The mind is a part of the body. More specifically the brain.", "> > > --- > > > \"The mind is a part of", "been trying to avoid > him. Not because I was pissed at him,", "> \"I wish we could look inside the cat's mind,\" I said. \"We'd", "to recognize objects, faces, feel guilt or anger. Which is > proof that", "of the body. More specifically the brain. That's > why there are cases", "\"No, I didn't forget your > birthday.\" > > > \"Then why didn't", "I just came up with this dialogue. Probably the worst piece I've ever", "mind is a part of the body. More specifically the brain. That's >", "body. More specifically the brain. That's > why there are cases of head", "> why there are cases of head injuries where people had lost their", "(I thought the repetition was good. But I'm not sure anymore.) > >", "faces, feel guilt or anger. Which is > proof that our consciousness isn't", "why didn't you wish me happy birthday?\" I said. > > > \"Because", "guess pissed me off. > > > > > --- > > >", "could look inside the cat's mind,\" I said. \"We'd know > what's wrong", "I'm not sure anymore.) > > Ciwe called me that weekend. To be", "body. > It's just feels that way. Anyhow, this notion is going away,", "him. Not because I was pissed at him, but because I was starting", "inside the human mind.\" > > > \"I wish we could look inside", "that.\" > > > (Note: I just came up with this dialogue. Probably", "why there are cases of head injuries where people had lost their >", "especially now that we can literally look inside the human mind.\" > >", "mind.\" > > > \"I wish we could look inside the cat's mind,\"", "to avoid > him. Not because I was pissed at him, but because", "but because I was starting to > develop feelings for him---which I guess", "capacity to recognize objects, faces, feel guilt or anger. Which is > proof", "separated from our body. > It's just feels that way. Anyhow, this notion", "wish me happy birthday?\" I said. > > > \"Because I didn't want", "not sure anymore.) > > Ciwe called me that weekend. To be honest,", "called me that weekend. To be honest, I'd been trying to avoid >", "my own writing. (I thought the repetition was good. But I'm not sure", "worst piece I've ever written in my life.) But when is repetition good?", "that we can literally look inside the human mind.\" > > > \"I", "> \"Then why didn't you wish me happy birthday?\" I said. > >", "are examples from my own writing. (I thought the repetition was good. But", "> > --- > > > \"The mind is a part of the", "didn't forget your > birthday.\" > > > \"Then why didn't you wish", "> all that.\" > > > (Note: I just came up with this", "because I was pissed at him, but because I was starting to >", "lost their > capacity to recognize objects, faces, feel guilt or anger. Which", "\"You forgot my birthday!\" I said. > > > \"No, I didn't forget", "honest, I'd been trying to avoid > him. Not because I was pissed", "said. > > > \"Because I didn't want to embarrass you. You know,", "\"I wish we could look inside the cat's mind,\" I said. \"We'd know", "I guess pissed me off. > > > > > --- > >", "More specifically the brain. That's > why there are cases of head injuries", "human mind.\" > > > \"I wish we could look inside the cat's", "cases of head injuries where people had lost their > capacity to recognize", "> > \"I wish we could look inside the cat's mind,\" I said.", "from my own writing. (I thought the repetition was good. But I'm not", "at him, but because I was starting to > develop feelings for him---which", "birthday!\" I said. > > > \"No, I didn't forget your > birthday.\"", "These are examples from my own writing. (I thought the repetition was good.", "> \"Because I didn't want to embarrass you. You know, make you feel", "birthday.\" > > > \"Then why didn't you wish me happy birthday?\" I", "feel special and > all that.\" > > > (Note: I just came", "anymore.) > > Ciwe called me that weekend. To be honest, I'd been", "that weekend. To be honest, I'd been trying to avoid > him. Not", "be honest, I'd been trying to avoid > him. Not because I was", "avoid > him. Not because I was pissed at him, but because I", "sometimes bad. For example: > > \"You forgot my birthday!\" I said. >", "dialogue. Probably the worst piece I've ever written in my life.) But when", "feel guilt or anger. Which is > proof that our consciousness isn't really", "from our body. > It's just feels that way. Anyhow, this notion is", "Which is > proof that our consciousness isn't really separated from our body.", "Probably the worst piece I've ever written in my life.) But when is", "thought the repetition was good. But I'm not sure anymore.) > > Ciwe", "> > \"Because I didn't want to embarrass you. You know, make you", "> > > > > --- > > > \"The mind is a", "It's just feels that way. Anyhow, this notion is going away, > especially", "> develop feelings for him---which I guess pissed me off. > > >", "my life.) But when is repetition good? These are examples from my own", "with this dialogue. Probably the worst piece I've ever written in my life.)", "sure anymore.) > > Ciwe called me that weekend. To be honest, I'd", "> > \"You forgot my birthday!\" I said. > > > \"No, I", "I said. > > > \"No, I didn't forget your > birthday.\" >", "repetition was good. But I'm not sure anymore.) > > Ciwe called me", "To be honest, I'd been trying to avoid > him. Not because I", "me off. > > > > > --- > > > \"The mind", "> proof that our consciousness isn't really separated from our body. > It's", "our body. > It's just feels that way. Anyhow, this notion is going", "the human mind.\" > > > \"I wish we could look inside the", "look inside the cat's mind,\" I said. \"We'd know > what's wrong with", "people had lost their > capacity to recognize objects, faces, feel guilt or", "me happy birthday?\" I said. > > > \"Because I didn't want to", "when is repetition good? These are examples from my own writing. (I thought", "going away, > especially now that we can literally look inside the human", "repetition is sometimes bad. For example: > > \"You forgot my birthday!\" I", "embarrass you. You know, make you feel special and > all that.\" >", "brain. That's > why there are cases of head injuries where people had", "just came up with this dialogue. Probably the worst piece I've ever written", "> \"No, I didn't forget your > birthday.\" > > > \"Then why", "> > > \"Because I didn't want to embarrass you. You know, make", "example: > > \"You forgot my birthday!\" I said. > > > \"No,", "I was starting to > develop feelings for him---which I guess pissed me", "of head injuries where people had lost their > capacity to recognize objects,", "said. > > > \"No, I didn't forget your > birthday.\" > >", "> > > \"Then why didn't you wish me happy birthday?\" I said.", "to embarrass you. You know, make you feel special and > all that.\"", "in my life.) But when is repetition good? These are examples from my", "good. But I'm not sure anymore.) > > Ciwe called me that weekend.", "isn't really separated from our body. > It's just feels that way. Anyhow,", "really separated from our body. > It's just feels that way. Anyhow, this", "piece I've ever written in my life.) But when is repetition good? These", "(Note: I just came up with this dialogue. Probably the worst piece I've", "was starting to > develop feelings for him---which I guess pissed me off.", "the body. More specifically the brain. That's > why there are cases of", "inside the cat's mind,\" I said. \"We'd know > what's wrong with her", "Not because I was pissed at him, but because I was starting to", "way. Anyhow, this notion is going away, > especially now that we can", "I said. \"We'd know > what's wrong with her at once.\" > >", "trying to avoid > him. Not because I was pissed at him, but", "happy birthday?\" I said. > > > \"Because I didn't want to embarrass", "came up with this dialogue. Probably the worst piece I've ever written in", "for him---which I guess pissed me off. > > > > > ---", "mind,\" I said. \"We'd know > what's wrong with her at once.\" >", "you. You know, make you feel special and > all that.\" > >", "that our consciousness isn't really separated from our body. > It's just feels", "> especially now that we can literally look inside the human mind.\" >", "wish we could look inside the cat's mind,\" I said. \"We'd know >", "I didn't forget your > birthday.\" > > > \"Then why didn't you", "> > > > --- > > > \"The mind is a part", "pissed at him, but because I was starting to > develop feelings for", "you feel special and > all that.\" > > > (Note: I just", "didn't you wish me happy birthday?\" I said. > > > \"Because I", "make you feel special and > all that.\" > > > (Note: I", "your > birthday.\" > > > \"Then why didn't you wish me happy", "writing. (I thought the repetition was good. But I'm not sure anymore.) >", "> It's just feels that way. Anyhow, this notion is going away, >", "> > > \"I wish we could look inside the cat's mind,\" I", "where people had lost their > capacity to recognize objects, faces, feel guilt", "feelings for him---which I guess pissed me off. > > > > >", "the worst piece I've ever written in my life.) But when is repetition", "good? These are examples from my own writing. (I thought the repetition was", "repetition good? These are examples from my own writing. (I thought the repetition", "> > \"The mind is a part of the body. More specifically the", "the cat's mind,\" I said. \"We'd know > what's wrong with her at", "my birthday!\" I said. > > > \"No, I didn't forget your >", "head injuries where people had lost their > capacity to recognize objects, faces,", "cat's mind,\" I said. \"We'd know > what's wrong with her at once.\"", "me that weekend. To be honest, I'd been trying to avoid > him.", "But I'm not sure anymore.) > > Ciwe called me that weekend. To", "> him. Not because I was pissed at him, but because I was", "is repetition good? These are examples from my own writing. (I thought the", "objects, faces, feel guilt or anger. Which is > proof that our consciousness", "is going away, > especially now that we can literally look inside the", "bad. For example: > > \"You forgot my birthday!\" I said. > >", "forgot my birthday!\" I said. > > > \"No, I didn't forget your", "aware that, in writing, repetition is sometimes bad. For example: > > \"You", "we can literally look inside the human mind.\" > > > \"I wish", "> \"You forgot my birthday!\" I said. > > > \"No, I didn't", "up with this dialogue. Probably the worst piece I've ever written in my", "him---which I guess pissed me off. > > > > > --- >", "Ciwe called me that weekend. To be honest, I'd been trying to avoid", "the repetition was good. But I'm not sure anymore.) > > Ciwe called", "weekend. To be honest, I'd been trying to avoid > him. Not because", "feels that way. Anyhow, this notion is going away, > especially now that", "there are cases of head injuries where people had lost their > capacity", "forget your > birthday.\" > > > \"Then why didn't you wish me", "I've ever written in my life.) But when is repetition good? These are", "know, make you feel special and > all that.\" > > > (Note:", "life.) But when is repetition good? These are examples from my own writing.", "is sometimes bad. For example: > > \"You forgot my birthday!\" I said.", "our consciousness isn't really separated from our body. > It's just feels that", "own writing. (I thought the repetition was good. But I'm not sure anymore.)", "said. \"We'd know > what's wrong with her at once.\" > > >", "I was pissed at him, but because I was starting to > develop", "look inside the human mind.\" > > > \"I wish we could look", "want to embarrass you. You know, make you feel special and > all", "> --- > > > \"The mind is a part of the body.", "I didn't want to embarrass you. You know, make you feel special and", "in writing, repetition is sometimes bad. For example: > > \"You forgot my", "You know, make you feel special and > all that.\" > > >", "\"The mind is a part of the body. More specifically the brain. That's", "this dialogue. Probably the worst piece I've ever written in my life.) But", "a part of the body. More specifically the brain. That's > why there", "can literally look inside the human mind.\" > > > \"I wish we", "are cases of head injuries where people had lost their > capacity to", "to > develop feelings for him---which I guess pissed me off. > >", "I'm aware that, in writing, repetition is sometimes bad. For example: > >", "literally look inside the human mind.\" > > > \"I wish we could", "proof that our consciousness isn't really separated from our body. > It's just", "off. > > > > > --- > > > \"The mind is", "is a part of the body. More specifically the brain. That's > why", "\"Because I didn't want to embarrass you. You know, make you feel special", "injuries where people had lost their > capacity to recognize objects, faces, feel", "consciousness isn't really separated from our body. > It's just feels that way.", "was pissed at him, but because I was starting to > develop feelings" ]
[ "I'll just stress that this blog post is not intended to be malicious", "question is - is this actually an effective writing style, in the sense", "find myself using these words all the time. Now (<-- there's one!), to", "them is in conversational style writing, on social commentary, or in forum posts", "a fictional story, these words would be perfectly appropriate if used by a", "not intended to be malicious or make anyone feel bad. It's more an", "interaction and how best react and navigate it. > > > My question", "formal academic writing, and it's not story telling. (In a fictional story, these", "a character). Here's an example where I've used it recently: > > Point", "four, I think it is realistic that people would have this interpretation. So", "that this blog post is not intended to be malicious or make anyone", "feel bad. It's more an interesting exploration of social interaction and how best", "(In a fictional story, these words would be perfectly appropriate if used by", "> Point four, I think it is realistic that people would have this", "perfectly appropriate if used by a character). Here's an example where I've used", "posts like these. It's not formal academic writing, and it's not story telling.", "this point I'll just stress that this blog post is not intended to", "writing style, in the sense of being easy to read and persuasive, and", "recently: > > Point four, I think it is realistic that people would", "easy to read and persuasive, and if not, how do I get around", "realistic that people would have this interpretation. So on this point I'll just", "be malicious or make anyone feel bad. It's more an interesting exploration of", "it recently: > > Point four, I think it is realistic that people", "I'm using them is in conversational style writing, on social commentary, or in", "think it is realistic that people would have this interpretation. So on this", "malicious or make anyone feel bad. It's more an interesting exploration of social", "interpretation. So on this point I'll just stress that this blog post is", "anyone feel bad. It's more an interesting exploration of social interaction and how", "this interpretation. So on this point I'll just stress that this blog post", "forum posts like these. It's not formal academic writing, and it's not story", "like these. It's not formal academic writing, and it's not story telling. (In", "all the time. Now (<-- there's one!), to be clear the context I'm", "> My question is - is this actually an effective writing style, in", "make anyone feel bad. It's more an interesting exploration of social interaction and", "be perfectly appropriate if used by a character). Here's an example where I've", "in conversational style writing, on social commentary, or in forum posts like these.", "not formal academic writing, and it's not story telling. (In a fictional story,", "story telling. (In a fictional story, these words would be perfectly appropriate if", "style writing, on social commentary, or in forum posts like these. It's not", "using these words all the time. Now (<-- there's one!), to be clear", "story, these words would be perfectly appropriate if used by a character). Here's", "it's not story telling. (In a fictional story, these words would be perfectly", "an example where I've used it recently: > > Point four, I think", "is not intended to be malicious or make anyone feel bad. It's more", "academic writing, and it's not story telling. (In a fictional story, these words", "effective writing style, in the sense of being easy to read and persuasive,", "writing, and it's not story telling. (In a fictional story, these words would", "the sense of being easy to read and persuasive, and if not, how", "interesting exploration of social interaction and how best react and navigate it. >", "example where I've used it recently: > > Point four, I think it", "would be perfectly appropriate if used by a character). Here's an example where", "on this point I'll just stress that this blog post is not intended", "just stress that this blog post is not intended to be malicious or", "commentary, or in forum posts like these. It's not formal academic writing, and", "used by a character). Here's an example where I've used it recently: >", "character). Here's an example where I've used it recently: > > Point four,", "stress that this blog post is not intended to be malicious or make", "> > My question is - is this actually an effective writing style,", "to read and persuasive, and if not, how do I get around it?", "appropriate if used by a character). Here's an example where I've used it", "writing, on social commentary, or in forum posts like these. It's not formal", "intended to be malicious or make anyone feel bad. It's more an interesting", "being easy to read and persuasive, and if not, how do I get", "it is realistic that people would have this interpretation. So on this point", "style, in the sense of being easy to read and persuasive, and if", "in the sense of being easy to read and persuasive, and if not,", "- is this actually an effective writing style, in the sense of being", "to be malicious or make anyone feel bad. It's more an interesting exploration", "fictional story, these words would be perfectly appropriate if used by a character).", "this blog post is not intended to be malicious or make anyone feel", "and how best react and navigate it. > > > My question is", "on social commentary, or in forum posts like these. It's not formal academic", "clear the context I'm using them is in conversational style writing, on social", "> > Point four, I think it is realistic that people would have", "is this actually an effective writing style, in the sense of being easy", "be clear the context I'm using them is in conversational style writing, on", "that people would have this interpretation. So on this point I'll just stress", "it. > > > My question is - is this actually an effective", "an effective writing style, in the sense of being easy to read and", "So on this point I'll just stress that this blog post is not", "not story telling. (In a fictional story, these words would be perfectly appropriate", "words would be perfectly appropriate if used by a character). Here's an example", "an interesting exploration of social interaction and how best react and navigate it.", "these. It's not formal academic writing, and it's not story telling. (In a", "how best react and navigate it. > > > My question is -", "Here's an example where I've used it recently: > > Point four, I", "telling. (In a fictional story, these words would be perfectly appropriate if used", "navigate it. > > > My question is - is this actually an", "if used by a character). Here's an example where I've used it recently:", "or make anyone feel bad. It's more an interesting exploration of social interaction", "react and navigate it. > > > My question is - is this", "or in forum posts like these. It's not formal academic writing, and it's", "It's not formal academic writing, and it's not story telling. (In a fictional", "words all the time. Now (<-- there's one!), to be clear the context", "time. Now (<-- there's one!), to be clear the context I'm using them", "actually an effective writing style, in the sense of being easy to read", "in forum posts like these. It's not formal academic writing, and it's not", "I've used it recently: > > Point four, I think it is realistic", "> > > My question is - is this actually an effective writing", "to be clear the context I'm using them is in conversational style writing,", "have this interpretation. So* on this point I'll just stress that this blog", "is - is this actually an effective writing style, in the sense of", "myself using these words all the time. Now (<-- there's one!), to be", "sense of being easy to read and persuasive, and if not, how do", "of social interaction and how best react and navigate it. > > >", "people would have this interpretation. So on this point I'll just stress that", "is in conversational style writing, on social commentary, or in forum posts like", "social interaction and how best react and navigate it. > > > My", "social commentary, or in forum posts like these. It's not formal academic writing,", "these words would be perfectly appropriate if used by a character). Here's an", "My question is - is this actually an effective writing style, in the", "there's one!), to be clear the context I'm using them is in conversational", "more an interesting exploration of social interaction and how best react and navigate", "context I'm using them is in conversational style writing, on social commentary, or", "I think it is realistic that people would have this interpretation. So on", "the context I'm using them is in conversational style writing, on social commentary,", "bad. It's more an interesting exploration of social interaction and how best react", "I find myself using these words all the time. Now (<-- there's one!),", "and navigate it. > > > My question is - is this actually", "best react and navigate it. > > > My question is - is", "the time. Now (<-- there's one!), to be clear the context I'm using", "would have this interpretation. So* on this point I'll just stress that this", "this actually an effective writing style, in the sense of being easy to", "and it's not story telling. (In a fictional story, these words would be", "using them is in conversational style writing, on social commentary, or in forum", "exploration of social interaction and how best react and navigate it. > >", "these words all the time. Now (<-- there's one!), to be clear the", "used it recently: > > Point four, I think it is realistic that", "It's more an interesting exploration of social interaction and how best react and", "conversational style writing, on social commentary, or in forum posts like these. It's", "Point four, I think it is realistic that people would have this interpretation.", "by a character). Here's an example where I've used it recently: > >", "blog post is not intended to be malicious or make anyone feel bad.", "where I've used it recently: > > Point four, I think it is", "is realistic that people would have this interpretation. So on this point I'll", "post is not intended to be malicious or make anyone feel bad. It's", "point I'll just stress that this blog post is not intended to be", "of being easy to read and persuasive, and if not, how do I", "one!), to be clear the context I'm using them is in conversational style", "Now (<-- there's one!), to be clear the context I'm using them is", "(<-- there's one!), to be clear the context I'm using them is in" ]
[ "it better one way vs the other? 1.) \"Why is it you always", "of a character asking a question? and why is it better one way", "up when you are not wanted?\" he asked. 2.) \"Why is it you", "you are not wanted?\" he asked. 2.) \"Why is it you always show", "are not wanted?\" Areon asked. 3.)\"Why is it you always show up when", "is the proper way of a character asking a question? and why is", "character asking a question? and why is it better one way vs the", "one way vs the other? 1.) \"Why is it you always show up", "always show up when you are not wanted?\" he asked. 2.) \"Why is", "3.)\"Why is it you always show up when you are not wanted?\" asked", "you always show up when you are not wanted?\" he asked. 2.) \"Why", "always show up when you are not wanted?\" Areon asked. 3.)\"Why is it", "question? and why is it better one way vs the other? 1.) \"Why", "Areon asked. 3.)\"Why is it you always show up when you are not", "1.) \"Why is it you always show up when you are not wanted?\"", "which is the proper way of a character asking a question? and why", "up when you are not wanted?\" Areon asked. 3.)\"Why is it you always", "vs the other? 1.) \"Why is it you always show up when you", "way of a character asking a question? and why is it better one", "a question? and why is it better one way vs the other? 1.)", "a character asking a question? and why is it better one way vs", "way vs the other? 1.) \"Why is it you always show up when", "wanted?\" he asked. 2.) \"Why is it you always show up when you", "\"Why is it you always show up when you are not wanted?\" he", "2.) \"Why is it you always show up when you are not wanted?\"", "it you always show up when you are not wanted?\" Areon asked. 3.)\"Why", "show up when you are not wanted?\" Areon asked. 3.)\"Why is it you", "is it you always show up when you are not wanted?\" asked Areon.", "is it better one way vs the other? 1.) \"Why is it you", "why is it better one way vs the other? 1.) \"Why is it", "you always show up when you are not wanted?\" Areon asked. 3.)\"Why is", "proper way of a character asking a question? and why is it better", "\"Why is it you always show up when you are not wanted?\" Areon", "not wanted?\" Areon asked. 3.)\"Why is it you always show up when you", "Okay, which is the proper way of a character asking a question? and", "asked. 3.)\"Why is it you always show up when you are not wanted?\"", "show up when you are not wanted?\" he asked. 2.) \"Why is it", "wanted?\" Areon asked. 3.)\"Why is it you always show up when you are", "is it you always show up when you are not wanted?\" he asked.", "when you are not wanted?\" he asked. 2.) \"Why is it you always", "is it you always show up when you are not wanted?\" Areon asked.", "when you are not wanted?\" Areon asked. 3.)\"Why is it you always show", "the proper way of a character asking a question? and why is it", "not wanted?\" he asked. 2.) \"Why is it you always show up when", "asked. 2.) \"Why is it you always show up when you are not", "you are not wanted?\" Areon asked. 3.)\"Why is it you always show up", "the other? 1.) \"Why is it you always show up when you are", "he asked. 2.) \"Why is it you always show up when you are", "other? 1.) \"Why is it you always show up when you are not", "it you always show up when you are not wanted?\" he asked. 2.)", "are not wanted?\" he asked. 2.) \"Why is it you always show up", "better one way vs the other? 1.) \"Why is it you always show", "and why is it better one way vs the other? 1.) \"Why is", "asking a question? and why is it better one way vs the other?" ]
[ "good working knowledge of the publishing process, having worked as a graphic designer", "would expect to make a loss initially. What options are available to the", "business background in this at all, and would expect to make a loss", "it depends on quality, but that aside). Is it advisable to approach prospective", "children's book. How realistic is it to self publish? I have no business", "route they took in terms of the business side of things. Please excuse", "(many years ago now) was in sculpture, and I have a good working", "the production side of things. I know that a few authors/illustrators have done", "authors/illustrators have done just this (Lauren Child, Tommie dePaula, etc.), but I don't", "it advisable to approach prospective publishers, or to build a portfolio first? Is", "first degree (many years ago now) was in sculpture, and I have a", "production side of things. I know that a few authors/illustrators have done just", "a few authors/illustrators have done just this (Lauren Child, Tommie dePaula, etc.), but", "what route they took in terms of the business side of things. Please", "self publish? I have no business background in this at all, and would", "and the production side of things. I know that a few authors/illustrators have", "selling these books (of course, I realise it depends on quality, but that", "book. How realistic is it to self publish? I have no business background", "wanted for some time now to write and illustrate a children's book. How", "that markets these things, or is it at all advisable to attempt the", "have wanted for some time now to write and illustrate a children's book.", "and would expect to make a loss initially. What options are available to", "was rather hoping someone could shed some light / offer advice on the", "in terms of marketing & selling these books (of course, I realise it", "the like), so feel quite comfortable with both the hand-drawn illustration part, and", "individual in terms of marketing & selling these books (of course, I realise", "it possible to self-publish and then approach a company that markets these things,", "to approach prospective publishers, or to build a portfolio first? Is it possible", "books (of course, I realise it depends on quality, but that aside). Is", "expect to make a loss initially. What options are available to the individual", "hoping someone could shed some light / offer advice on the matter. Many", "ago now) was in sculpture, and I have a good working knowledge of", "a graphic designer for a few years (albeit limited to the publishing of", "process, having worked as a graphic designer for a few years (albeit limited", "a company that markets these things, or is it at all advisable to", "in terms of the business side of things. Please excuse the naive nature", "but that aside). Is it advisable to approach prospective publishers, or to build", "degree (many years ago now) was in sculpture, and I have a good", "a children's book. How realistic is it to self publish? I have no", "& selling these books (of course, I realise it depends on quality, but", "rather hoping someone could shed some light / offer advice on the matter.", "this at all, and would expect to make a loss initially. What options", "of the business side of things. Please excuse the naive nature of this", "whole thing single handed? My first degree (many years ago now) was in", "to write and illustrate a children's book. How realistic is it to self", "the publishing process, having worked as a graphic designer for a few years", "advisable to attempt the whole thing single handed? My first degree (many years", "Child, Tommie dePaula, etc.), but I don't know what route they took in", "marketing & selling these books (of course, I realise it depends on quality,", "now to write and illustrate a children's book. How realistic is it to", "this question, but I was rather hoping someone could shed some light /", "I have a good working knowledge of the publishing process, having worked as", "loss initially. What options are available to the individual in terms of marketing", "aside). Is it advisable to approach prospective publishers, or to build a portfolio", "prospective publishers, or to build a portfolio first? Is it possible to self-publish", "portfolio first? Is it possible to self-publish and then approach a company that", "working knowledge of the publishing process, having worked as a graphic designer for", "options are available to the individual in terms of marketing & selling these", "approach a company that markets these things, or is it at all advisable", "a portfolio first? Is it possible to self-publish and then approach a company", "first? Is it possible to self-publish and then approach a company that markets", "or is it at all advisable to attempt the whole thing single handed?", "in sculpture, and I have a good working knowledge of the publishing process,", "feel quite comfortable with both the hand-drawn illustration part, and the production side", "terms of marketing & selling these books (of course, I realise it depends", "side of things. I know that a few authors/illustrators have done just this", "done just this (Lauren Child, Tommie dePaula, etc.), but I don't know what", "publishing process, having worked as a graphic designer for a few years (albeit", "side of things. Please excuse the naive nature of this question, but I", "at all, and would expect to make a loss initially. What options are", "some time now to write and illustrate a children's book. How realistic is", "question, but I was rather hoping someone could shed some light / offer", "have a good working knowledge of the publishing process, having worked as a", "Is it possible to self-publish and then approach a company that markets these", "self-publish and then approach a company that markets these things, or is it", "with both the hand-drawn illustration part, and the production side of things. I", "could shed some light / offer advice on the matter. Many thanks in", "depends on quality, but that aside). Is it advisable to approach prospective publishers,", "quality, but that aside). Is it advisable to approach prospective publishers, or to", "graphic designer for a few years (albeit limited to the publishing of pamphlets,", "a loss initially. What options are available to the individual in terms of", "in this at all, and would expect to make a loss initially. What", "markets these things, or is it at all advisable to attempt the whole", "publishers, or to build a portfolio first? Is it possible to self-publish and", "these things, or is it at all advisable to attempt the whole thing", "the publishing of pamphlets, posters and the like), so feel quite comfortable with", "took in terms of the business side of things. Please excuse the naive", "the business side of things. Please excuse the naive nature of this question,", "realise it depends on quality, but that aside). Is it advisable to approach", "to the individual in terms of marketing & selling these books (of course,", "as a graphic designer for a few years (albeit limited to the publishing", "so feel quite comfortable with both the hand-drawn illustration part, and the production", "of things. I know that a few authors/illustrators have done just this (Lauren", "shed some light / offer advice on the matter. Many thanks in advance.", "is it at all advisable to attempt the whole thing single handed? My", "of marketing & selling these books (of course, I realise it depends on", "that aside). Is it advisable to approach prospective publishers, or to build a", "company that markets these things, or is it at all advisable to attempt", "etc.), but I don't know what route they took in terms of the", "What options are available to the individual in terms of marketing & selling", "I realise it depends on quality, but that aside). Is it advisable to", "like), so feel quite comfortable with both the hand-drawn illustration part, and the", "Is it advisable to approach prospective publishers, or to build a portfolio first?", "limited to the publishing of pamphlets, posters and the like), so feel quite", "I have no business background in this at all, and would expect to", "sculpture, and I have a good working knowledge of the publishing process, having", "a good working knowledge of the publishing process, having worked as a graphic", "have done just this (Lauren Child, Tommie dePaula, etc.), but I don't know", "I was rather hoping someone could shed some light / offer advice on", "now) was in sculpture, and I have a good working knowledge of the", "this (Lauren Child, Tommie dePaula, etc.), but I don't know what route they", "background in this at all, and would expect to make a loss initially.", "it to self publish? I have no business background in this at all,", "course, I realise it depends on quality, but that aside). Is it advisable", "having worked as a graphic designer for a few years (albeit limited to", "to the publishing of pamphlets, posters and the like), so feel quite comfortable", "nature of this question, but I was rather hoping someone could shed some", "know what route they took in terms of the business side of things.", "of this question, but I was rather hoping someone could shed some light", "illustrate a children's book. How realistic is it to self publish? I have", "build a portfolio first? Is it possible to self-publish and then approach a", "of things. Please excuse the naive nature of this question, but I was", "approach prospective publishers, or to build a portfolio first? Is it possible to", "the naive nature of this question, but I was rather hoping someone could", "publish? I have no business background in this at all, and would expect", "or to build a portfolio first? Is it possible to self-publish and then", "to self-publish and then approach a company that markets these things, or is", "and illustrate a children's book. How realistic is it to self publish? I", "the hand-drawn illustration part, and the production side of things. I know that", "things. I know that a few authors/illustrators have done just this (Lauren Child,", "possible to self-publish and then approach a company that markets these things, or", "naive nature of this question, but I was rather hoping someone could shed", "designer for a few years (albeit limited to the publishing of pamphlets, posters", "publishing of pamphlets, posters and the like), so feel quite comfortable with both", "no business background in this at all, and would expect to make a", "to make a loss initially. What options are available to the individual in", "realistic is it to self publish? I have no business background in this", "the individual in terms of marketing & selling these books (of course, I", "I don't know what route they took in terms of the business side", "My first degree (many years ago now) was in sculpture, and I have", "I have wanted for some time now to write and illustrate a children's", "hand-drawn illustration part, and the production side of things. I know that a", "have no business background in this at all, and would expect to make", "business side of things. Please excuse the naive nature of this question, but", "someone could shed some light / offer advice on the matter. Many thanks", "and the like), so feel quite comfortable with both the hand-drawn illustration part,", "years (albeit limited to the publishing of pamphlets, posters and the like), so", "it at all advisable to attempt the whole thing single handed? My first", "don't know what route they took in terms of the business side of", "at all advisable to attempt the whole thing single handed? My first degree", "thing single handed? My first degree (many years ago now) was in sculpture,", "all, and would expect to make a loss initially. What options are available", "of pamphlets, posters and the like), so feel quite comfortable with both the", "(of course, I realise it depends on quality, but that aside). Is it", "years ago now) was in sculpture, and I have a good working knowledge", "to self publish? I have no business background in this at all, and", "available to the individual in terms of marketing & selling these books (of", "know that a few authors/illustrators have done just this (Lauren Child, Tommie dePaula,", "make a loss initially. What options are available to the individual in terms", "pamphlets, posters and the like), so feel quite comfortable with both the hand-drawn", "of the publishing process, having worked as a graphic designer for a few", "dePaula, etc.), but I don't know what route they took in terms of", "the whole thing single handed? My first degree (many years ago now) was", "posters and the like), so feel quite comfortable with both the hand-drawn illustration", "all advisable to attempt the whole thing single handed? My first degree (many", "handed? My first degree (many years ago now) was in sculpture, and I", "Please excuse the naive nature of this question, but I was rather hoping", "few authors/illustrators have done just this (Lauren Child, Tommie dePaula, etc.), but I", "for a few years (albeit limited to the publishing of pamphlets, posters and", "(Lauren Child, Tommie dePaula, etc.), but I don't know what route they took", "to build a portfolio first? Is it possible to self-publish and then approach", "things. Please excuse the naive nature of this question, but I was rather", "worked as a graphic designer for a few years (albeit limited to the", "and I have a good working knowledge of the publishing process, having worked", "excuse the naive nature of this question, but I was rather hoping someone", "time now to write and illustrate a children's book. How realistic is it", "part, and the production side of things. I know that a few authors/illustrators", "How realistic is it to self publish? I have no business background in", "is it to self publish? I have no business background in this at", "single handed? My first degree (many years ago now) was in sculpture, and", "just this (Lauren Child, Tommie dePaula, etc.), but I don't know what route", "write and illustrate a children's book. How realistic is it to self publish?", "initially. What options are available to the individual in terms of marketing &", "advisable to approach prospective publishers, or to build a portfolio first? Is it", "Tommie dePaula, etc.), but I don't know what route they took in terms", "for some time now to write and illustrate a children's book. How realistic", "then approach a company that markets these things, or is it at all", "a few years (albeit limited to the publishing of pamphlets, posters and the", "they took in terms of the business side of things. Please excuse the", "but I was rather hoping someone could shed some light / offer advice", "that a few authors/illustrators have done just this (Lauren Child, Tommie dePaula, etc.),", "to attempt the whole thing single handed? My first degree (many years ago", "illustration part, and the production side of things. I know that a few", "was in sculpture, and I have a good working knowledge of the publishing", "things, or is it at all advisable to attempt the whole thing single", "attempt the whole thing single handed? My first degree (many years ago now)", "quite comfortable with both the hand-drawn illustration part, and the production side of", "on quality, but that aside). Is it advisable to approach prospective publishers, or", "these books (of course, I realise it depends on quality, but that aside).", "comfortable with both the hand-drawn illustration part, and the production side of things.", "(albeit limited to the publishing of pamphlets, posters and the like), so feel", "are available to the individual in terms of marketing & selling these books", "I know that a few authors/illustrators have done just this (Lauren Child, Tommie", "and then approach a company that markets these things, or is it at", "few years (albeit limited to the publishing of pamphlets, posters and the like),", "terms of the business side of things. Please excuse the naive nature of", "but I don't know what route they took in terms of the business", "both the hand-drawn illustration part, and the production side of things. I know", "knowledge of the publishing process, having worked as a graphic designer for a" ]
[ "to organize structure. I find that Ulysses 3 is the closest to getting", "and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only and", "am surprised there is no open source option for something like this. Is", "of the puzzle. The main thing writers need is to organize structure. I", "piece of the puzzle. The main thing writers need is to organize structure.", "problem is that it's Mac only and not very programmable. I am surprised", "didn't go too deep into packages or settings to create the perfect environment.", "structure. I find that Ulysses 3 is the closest to getting it right.", "always reach the point where you want things to behave differently and you", "create the perfect environment. I have tried \"Writeroom\" modes that make the buffer", "the closest to getting it right. You write small chunks of text and", "\"Writeroom\" modes that make the buffer distraction free but this is just one", "where you want things to behave differently and you can't. I have tried", "Vim and Emacs in the past but didn't go too deep into packages", "go too deep into packages or settings to create the perfect environment. I", "to create the perfect environment. I have tried \"Writeroom\" modes that make the", "past but didn't go too deep into packages or settings to create the", "seen sidebars but none allow you to read a bunch of text files", "Emacs in the past but didn't go too deep into packages or settings", "on Emacs? I have seen sidebars but none allow you to read a", "none allow you to read a bunch of text files and then order", "then you can arrange them in any order you want on a sidebar.", "I find that Ulysses 3 is the closest to getting it right. You", "editor for writing fiction. I have used Scrivener, Ulysses and others but they", "I have used Scrivener, Ulysses and others but they seem slow and you", "in any order you want on a sidebar. [![Ulysses showing list of sections", "want things to behave differently and you can't. I have tried Vim and", "and Emacs in the past but didn't go too deep into packages or", "and not very programmable. I am surprised there is no open source option", "[![Ulysses showing list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is", "sidebar. [![Ulysses showing list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem", "fiction. I have used Scrivener, Ulysses and others but they seem slow and", "things to behave differently and you can't. I have tried Vim and Emacs", "slow and you always reach the point where you want things to behave", "arrange them in any order you want on a sidebar. [![Ulysses showing list", "in the past but didn't go too deep into packages or settings to", "3 is the closest to getting it right. You write small chunks of", "text and then you can arrange them in any order you want on", "to read a bunch of text files and then order in any way", "for writing fiction. I have used Scrivener, Ulysses and others but they seem", "have been trying to find a good text editor for writing fiction. I", "environment. I have tried \"Writeroom\" modes that make the buffer distraction free but", "that it's Mac only and not very programmable. I am surprised there is", "the past but didn't go too deep into packages or settings to create", "sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only", "it right. You write small chunks of text and then you can arrange", "puzzle. The main thing writers need is to organize structure. I find that", "it's Mac only and not very programmable. I am surprised there is no", "modes that make the buffer distraction free but this is just one piece", "packages or settings to create the perfect environment. I have tried \"Writeroom\" modes", "like this. Is this possible on Emacs? I have seen sidebars but none", "and then you can arrange them in any order you want on a", "and you always reach the point where you want things to behave differently", "make the buffer distraction free but this is just one piece of the", "but none allow you to read a bunch of text files and then", "distraction free but this is just one piece of the puzzle. The main", "text editor for writing fiction. I have used Scrivener, Ulysses and others but", "seem slow and you always reach the point where you want things to", "programmable. I am surprised there is no open source option for something like", "you can't. I have tried Vim and Emacs in the past but didn't", "buffer distraction free but this is just one piece of the puzzle. The", "and you can't. I have tried Vim and Emacs in the past but", "there is no open source option for something like this. Is this possible", "of text and then you can arrange them in any order you want", "just one piece of the puzzle. The main thing writers need is to", "used Scrivener, Ulysses and others but they seem slow and you always reach", "but they seem slow and you always reach the point where you want", "to behave differently and you can't. I have tried Vim and Emacs in", "text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only and not", "one piece of the puzzle. The main thing writers need is to organize", "them in any order you want on a sidebar. [![Ulysses showing list of", "writing fiction. I have used Scrivener, Ulysses and others but they seem slow", "is no open source option for something like this. Is this possible on", "closest to getting it right. You write small chunks of text and then", "I have tried \"Writeroom\" modes that make the buffer distraction free but this", "is just one piece of the puzzle. The main thing writers need is", "I am surprised there is no open source option for something like this.", "deep into packages or settings to create the perfect environment. I have tried", "want on a sidebar. [![Ulysses showing list of sections and text of selected", "Mac only and not very programmable. I am surprised there is no open", "Ulysses 3 is the closest to getting it right. You write small chunks", "For many years I have been trying to find a good text editor", "that make the buffer distraction free but this is just one piece of", "I have seen sidebars but none allow you to read a bunch of", "Ulysses and others but they seem slow and you always reach the point", "to getting it right. You write small chunks of text and then you", "settings to create the perfect environment. I have tried \"Writeroom\" modes that make", "showing list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that", "something like this. Is this possible on Emacs? I have seen sidebars but", "have used Scrivener, Ulysses and others but they seem slow and you always", "you want on a sidebar. [![Ulysses showing list of sections and text of", "allow you to read a bunch of text files and then order in", "been trying to find a good text editor for writing fiction. I have", "reach the point where you want things to behave differently and you can't.", "open source option for something like this. Is this possible on Emacs? I", "order you want on a sidebar. [![Ulysses showing list of sections and text", "you can arrange them in any order you want on a sidebar. [![Ulysses", "a good text editor for writing fiction. I have used Scrivener, Ulysses and", "is that it's Mac only and not very programmable. I am surprised there", "on a sidebar. [![Ulysses showing list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png)", "you to read a bunch of text files and then order in any", "possible on Emacs? I have seen sidebars but none allow you to read", "this is just one piece of the puzzle. The main thing writers need", "can arrange them in any order you want on a sidebar. [![Ulysses showing", "sidebars but none allow you to read a bunch of text files and", "option for something like this. Is this possible on Emacs? I have seen", "is to organize structure. I find that Ulysses 3 is the closest to", "the puzzle. The main thing writers need is to organize structure. I find", "right. You write small chunks of text and then you can arrange them", "free but this is just one piece of the puzzle. The main thing", "no open source option for something like this. Is this possible on Emacs?", "source option for something like this. Is this possible on Emacs? I have", "tried \"Writeroom\" modes that make the buffer distraction free but this is just", "list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's", "writers need is to organize structure. I find that Ulysses 3 is the", "find a good text editor for writing fiction. I have used Scrivener, Ulysses", "but this is just one piece of the puzzle. The main thing writers", "small chunks of text and then you can arrange them in any order", "too deep into packages or settings to create the perfect environment. I have", "for something like this. Is this possible on Emacs? I have seen sidebars", "have tried \"Writeroom\" modes that make the buffer distraction free but this is", "selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only and not very programmable.", "only and not very programmable. I am surprised there is no open source", "chunks of text and then you can arrange them in any order you", "tried Vim and Emacs in the past but didn't go too deep into", "write small chunks of text and then you can arrange them in any", "of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only and not very", "trying to find a good text editor for writing fiction. I have used", "a sidebar. [![Ulysses showing list of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The", "thing writers need is to organize structure. I find that Ulysses 3 is", "or settings to create the perfect environment. I have tried \"Writeroom\" modes that", "and others but they seem slow and you always reach the point where", "Scrivener, Ulysses and others but they seem slow and you always reach the", "point where you want things to behave differently and you can't. I have", "Emacs? I have seen sidebars but none allow you to read a bunch", "many years I have been trying to find a good text editor for", "a bunch of text files and then order in any way you want.", "need is to organize structure. I find that Ulysses 3 is the closest", "this. Is this possible on Emacs? I have seen sidebars but none allow", "getting it right. You write small chunks of text and then you can", "any order you want on a sidebar. [![Ulysses showing list of sections and", "differently and you can't. I have tried Vim and Emacs in the past", "into packages or settings to create the perfect environment. I have tried \"Writeroom\"", "of sections and text of selected section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac", "Is this possible on Emacs? I have seen sidebars but none allow you", "section](https://i.stack.imgur.com/LqCgB.png)](https://i.stack.imgur.com/LqCgB.png) The problem is that it's Mac only and not very programmable. I", "they seem slow and you always reach the point where you want things", "you always reach the point where you want things to behave differently and", "have tried Vim and Emacs in the past but didn't go too deep", "you want things to behave differently and you can't. I have tried Vim", "I have been trying to find a good text editor for writing fiction.", "good text editor for writing fiction. I have used Scrivener, Ulysses and others", "the perfect environment. I have tried \"Writeroom\" modes that make the buffer distraction", "main thing writers need is to organize structure. I find that Ulysses 3", "surprised there is no open source option for something like this. Is this", "not very programmable. I am surprised there is no open source option for", "find that Ulysses 3 is the closest to getting it right. You write", "others but they seem slow and you always reach the point where you", "that Ulysses 3 is the closest to getting it right. You write small", "but didn't go too deep into packages or settings to create the perfect", "years I have been trying to find a good text editor for writing", "the buffer distraction free but this is just one piece of the puzzle.", "You write small chunks of text and then you can arrange them in", "the point where you want things to behave differently and you can't. I", "to find a good text editor for writing fiction. I have used Scrivener,", "The main thing writers need is to organize structure. I find that Ulysses", "can't. I have tried Vim and Emacs in the past but didn't go", "I have tried Vim and Emacs in the past but didn't go too", "behave differently and you can't. I have tried Vim and Emacs in the", "this possible on Emacs? I have seen sidebars but none allow you to", "have seen sidebars but none allow you to read a bunch of text", "perfect environment. I have tried \"Writeroom\" modes that make the buffer distraction free", "is the closest to getting it right. You write small chunks of text", "organize structure. I find that Ulysses 3 is the closest to getting it", "read a bunch of text files and then order in any way you", "very programmable. I am surprised there is no open source option for something", "The problem is that it's Mac only and not very programmable. I am" ]
[ "intense language. And the next reads almost like a dialogue from a Seth", "reads almost like a dialogue from a Seth MacFarlane comedy. Or even better,", "depressive, dark, with intense language. And the next reads almost like a dialogue", "think most books I've read maintained a consistent mood, even if the characters", "better, what if the tone switches occur between scenes. I think most books", "maintained a consistent mood, even if the characters emotions were flipping. So what", "characters emotions were flipping. So what do you think about breaking this rule?", "a chapter is incredibly depressive, dark, with intense language. And the next reads", "Seth MacFarlane comedy. Or even better, what if the tone switches occur between", "chapter is incredibly depressive, dark, with intense language. And the next reads almost", "what if the tone switches occur between scenes. I think most books I've", "the next reads almost like a dialogue from a Seth MacFarlane comedy. Or", "if a chapter is incredibly depressive, dark, with intense language. And the next", "Or even better, what if the tone switches occur between scenes. I think", "switches occur between scenes. I think most books I've read maintained a consistent", "mood, even if the characters emotions were flipping. So what do you think", "if the characters emotions were flipping. So what do you think about breaking", "dark, with intense language. And the next reads almost like a dialogue from", "if the tone switches occur between scenes. I think most books I've read", "I think most books I've read maintained a consistent mood, even if the", "read maintained a consistent mood, even if the characters emotions were flipping. So", "even if the characters emotions were flipping. So what do you think about", "from a Seth MacFarlane comedy. Or even better, what if the tone switches", "dialogue from a Seth MacFarlane comedy. Or even better, what if the tone", "consistent mood, even if the characters emotions were flipping. So what do you", "incredibly depressive, dark, with intense language. And the next reads almost like a", "books I've read maintained a consistent mood, even if the characters emotions were", "I've read maintained a consistent mood, even if the characters emotions were flipping.", "almost like a dialogue from a Seth MacFarlane comedy. Or even better, what", "with intense language. And the next reads almost like a dialogue from a", "between scenes. I think most books I've read maintained a consistent mood, even", "like a dialogue from a Seth MacFarlane comedy. Or even better, what if", "And the next reads almost like a dialogue from a Seth MacFarlane comedy.", "MacFarlane comedy. Or even better, what if the tone switches occur between scenes.", "scenes. I think most books I've read maintained a consistent mood, even if", "a dialogue from a Seth MacFarlane comedy. Or even better, what if the", "a consistent mood, even if the characters emotions were flipping. So what do", "is incredibly depressive, dark, with intense language. And the next reads almost like", "occur between scenes. I think most books I've read maintained a consistent mood,", "next reads almost like a dialogue from a Seth MacFarlane comedy. Or even", "comedy. Or even better, what if the tone switches occur between scenes. I", "even better, what if the tone switches occur between scenes. I think most", "the characters emotions were flipping. So what do you think about breaking this", "most books I've read maintained a consistent mood, even if the characters emotions", "the tone switches occur between scenes. I think most books I've read maintained", "What if a chapter is incredibly depressive, dark, with intense language. And the", "a Seth MacFarlane comedy. Or even better, what if the tone switches occur", "language. And the next reads almost like a dialogue from a Seth MacFarlane", "tone switches occur between scenes. I think most books I've read maintained a" ]
[ "I think it's an interesting creative device. Is it wrong to do this?", "The cleaner. The officer. Currently I capitalize these names: the Grocer met the", "intuitively determine that the individual is that, instead of just any grocer /", "For example, the grocer. The cleaner. The officer. Currently I capitalize these names:", "it's an interesting creative device. Is it wrong to do this? Would I", "Grocer met the Cleaner and they talked about the Officer. I do this", "because I think it makes it easy to intuitively determine that the individual", "I do this because I think it makes it easy to intuitively determine", "won't give them names, but refer to them as their titles. For example,", "think it makes it easy to intuitively determine that the individual is that,", "I've decided that I won't give them names, but refer to them as", "decided that I won't give them names, but refer to them as their", "story with several characters. I've decided that I won't give them names, but", "cleaner. The officer. Currently I capitalize these names: the Grocer met the Cleaner", "to do this? Would I be better off not capitalizing in this way?", "The officer. Currently I capitalize these names: the Grocer met the Cleaner and", "Officer. I do this because I think it makes it easy to intuitively", "met the Cleaner and they talked about the Officer. I do this because", "several characters. I've decided that I won't give them names, but refer to", "the Grocer met the Cleaner and they talked about the Officer. I do", "Cleaner and they talked about the Officer. I do this because I think", "just any grocer / cleaner / officer, and also because I think it's", "as their titles. For example, the grocer. The cleaner. The officer. Currently I", "that I won't give them names, but refer to them as their titles.", "I won't give them names, but refer to them as their titles. For", "cleaner / officer, and also because I think it's an interesting creative device.", "creative device. Is it wrong to do this? Would I be better off", "individual is that, instead of just any grocer / cleaner / officer, and", "makes it easy to intuitively determine that the individual is that, instead of", "do this because I think it makes it easy to intuitively determine that", "it makes it easy to intuitively determine that the individual is that, instead", "I have a story with several characters. I've decided that I won't give", "officer, and also because I think it's an interesting creative device. Is it", "them as their titles. For example, the grocer. The cleaner. The officer. Currently", "their titles. For example, the grocer. The cleaner. The officer. Currently I capitalize", "this because I think it makes it easy to intuitively determine that the", "the Cleaner and they talked about the Officer. I do this because I", "and they talked about the Officer. I do this because I think it", "wrong to do this? Would I be better off not capitalizing in this", "/ cleaner / officer, and also because I think it's an interesting creative", "easy to intuitively determine that the individual is that, instead of just any", "I capitalize these names: the Grocer met the Cleaner and they talked about", "that the individual is that, instead of just any grocer / cleaner /", "give them names, but refer to them as their titles. For example, the", "think it's an interesting creative device. Is it wrong to do this? Would", "these names: the Grocer met the Cleaner and they talked about the Officer.", "device. Is it wrong to do this? Would I be better off not", "to them as their titles. For example, the grocer. The cleaner. The officer.", "determine that the individual is that, instead of just any grocer / cleaner", "I think it makes it easy to intuitively determine that the individual is", "that, instead of just any grocer / cleaner / officer, and also because", "refer to them as their titles. For example, the grocer. The cleaner. The", "instead of just any grocer / cleaner / officer, and also because I", "about the Officer. I do this because I think it makes it easy", "a story with several characters. I've decided that I won't give them names,", "/ officer, and also because I think it's an interesting creative device. Is", "characters. I've decided that I won't give them names, but refer to them", "they talked about the Officer. I do this because I think it makes", "it wrong to do this? Would I be better off not capitalizing in", "is that, instead of just any grocer / cleaner / officer, and also", "with several characters. I've decided that I won't give them names, but refer", "names: the Grocer met the Cleaner and they talked about the Officer. I", "titles. For example, the grocer. The cleaner. The officer. Currently I capitalize these", "talked about the Officer. I do this because I think it makes it", "example, the grocer. The cleaner. The officer. Currently I capitalize these names: the", "any grocer / cleaner / officer, and also because I think it's an", "the Officer. I do this because I think it makes it easy to", "but refer to them as their titles. For example, the grocer. The cleaner.", "also because I think it's an interesting creative device. Is it wrong to", "to intuitively determine that the individual is that, instead of just any grocer", "and also because I think it's an interesting creative device. Is it wrong", "an interesting creative device. Is it wrong to do this? Would I be", "Is it wrong to do this? Would I be better off not capitalizing", "interesting creative device. Is it wrong to do this? Would I be better", "it easy to intuitively determine that the individual is that, instead of just", "them names, but refer to them as their titles. For example, the grocer.", "because I think it's an interesting creative device. Is it wrong to do", "grocer. The cleaner. The officer. Currently I capitalize these names: the Grocer met", "Currently I capitalize these names: the Grocer met the Cleaner and they talked", "the individual is that, instead of just any grocer / cleaner / officer,", "the grocer. The cleaner. The officer. Currently I capitalize these names: the Grocer", "names, but refer to them as their titles. For example, the grocer. The", "capitalize these names: the Grocer met the Cleaner and they talked about the", "have a story with several characters. I've decided that I won't give them", "of just any grocer / cleaner / officer, and also because I think", "officer. Currently I capitalize these names: the Grocer met the Cleaner and they", "grocer / cleaner / officer, and also because I think it's an interesting" ]
[ "than health. Something that > has nothing to do with the body.\" >", "of yourself,\" she replied. \"Health is the most > important thing in life,", "tried the following: 1) Using a synonym: > > However, sometimes it felt", "already lost count of the number of times she had > repeated that.", "if we spoke different > languages. > > > So, that's a cliched", "doing the right thing. What should I do with cliched metaphors? Maybe just", "drink lots of water, avoid > cigarettes and alcohol. Then one day you", "that's a cliched metaphor. And here's the problem: it's the perfect one for", "point?\" > > > \"That maybe there's something more to life than health.", "cigarettes and alcohol. Then one day you die in a car accident. >", "let's say you do your best to stay > healthy: jog every day,", "sometimes it felt as if we spoke different > languages. > > >", "healthy: jog every day, eat veggies, drink lots of water, avoid > cigarettes", "we spoke different > dialects. > > > 2) Using another metaphor: >", "> \"What's your point?\" > > > \"That maybe there's something more to", "> However, sometimes it felt as if we spoke different > dialects. >", "one for the passage. Still, it bother's me that I'm using a cliche.", "> \"Please take care of yourself,\" she replied. \"Health is the most >", "day you die in a car accident. > Wouldn't it be a big", "Mom.\" I had already lost count of the number of times she had", "count of the number of times she had > repeated that. \"But I", "> the waves come along and wash it away?\" > > > \"What's", "good intentions, I > knew that. However, sometimes it felt as if we", "> > But I don't know. I'm not sure if I'm doing the", "> > \"What's your point?\" > > > \"That maybe there's something more", "> > > But I don't know. I'm not sure if I'm doing", "another metaphor: > > However, sometimes it felt as if we were standing", "> > \"Please take care of yourself,\" she replied. \"Health is the most", "of times she had > repeated that. \"But I don't know, let's say", "She said, \"Darling, you sure you're all right?\" > > > Talking to", "> important thing in life, remember that.\" > > > \"I know, Mom.\"", "in life, remember that.\" > > > \"I know, Mom.\" I had already", "said, \"Darling, you sure you're all right?\" > > > Talking to my", "you're all right?\" > > > Talking to my mom suddenly made me", "that. However, sometimes it felt as if we spoke different > languages. >", "a sand castle just to watch > the waves come along and wash", "know, let's say you do your best to stay > healthy: jog every", "> So, that's a cliched metaphor. And here's the problem: it's the perfect", "However, sometimes it felt as if we were standing in opposite shores, shouting", "shouting to each other. > > > But I don't know. I'm not", "yourself,\" she replied. \"Health is the most > important thing in life, remember", "one day you die in a car accident. > Wouldn't it be a", "take care of yourself,\" she replied. \"Health is the most > important thing", "cliched metaphor. And here's the problem: it's the perfect one for the passage.", "body.\" > > > She said, \"Darling, you sure you're all right?\" >", "dialects. > > > 2) Using another metaphor: > > However, sometimes it", "2) Using another metaphor: > > However, sometimes it felt as if we", "had good intentions, I > knew that. However, sometimes it felt as if", "> knew that. However, sometimes it felt as if we spoke different >", "> Wouldn't it be a big waste? Like building a sand castle just", "all right?\" > > > Talking to my mom suddenly made me sad.", "sometimes it felt as if we were standing in opposite shores, shouting to", "Wouldn't it be a big waste? Like building a sand castle just to", "health. Something that > has nothing to do with the body.\" > >", "you sure you're all right?\" > > > Talking to my mom suddenly", "do with the body.\" > > > She said, \"Darling, you sure you're", "you do your best to stay > healthy: jog every day, eat veggies,", "best to stay > healthy: jog every day, eat veggies, drink lots of", "away?\" > > > \"What's your point?\" > > > \"That maybe there's", "waste? Like building a sand castle just to watch > the waves come", "following: 1) Using a synonym: > > However, sometimes it felt as if", "Talking to my mom suddenly made me sad. She had good intentions, I", "Using a synonym: > > However, sometimes it felt as if we spoke", "every day, eat veggies, drink lots of water, avoid > cigarettes and alcohol.", "a car accident. > Wouldn't it be a big waste? Like building a", "you die in a car accident. > Wouldn't it be a big waste?", "languages. > > > So, that's a cliched metaphor. And here's the problem:", "Like building a sand castle just to watch > the waves come along", "I had already lost count of the number of times she had >", "here's the problem: it's the perfect one for the passage. Still, it bother's", "shores, shouting to each other. > > > But I don't know. I'm", "your best to stay > healthy: jog every day, eat veggies, drink lots", "from my own writing: > > \"Please take care of yourself,\" she replied.", "> healthy: jog every day, eat veggies, drink lots of water, avoid >", "nothing to do with the body.\" > > > She said, \"Darling, you", "> 2) Using another metaphor: > > However, sometimes it felt as if", "> > > 2) Using another metaphor: > > However, sometimes it felt", "standing in opposite shores, shouting to each other. > > > But I", "your point?\" > > > \"That maybe there's something more to life than", "I'm not sure if I'm doing the right thing. What should I do", "cliche. So I tried the following: 1) Using a synonym: > > However,", "she replied. \"Health is the most > important thing in life, remember that.\"", "metaphor. And here's the problem: it's the perfect one for the passage. Still,", "And here's the problem: it's the perfect one for the passage. Still, it", "if I'm doing the right thing. What should I do with cliched metaphors?", "in a car accident. > Wouldn't it be a big waste? Like building", "not sure if I'm doing the right thing. What should I do with", "something more to life than health. Something that > has nothing to do", "be a big waste? Like building a sand castle just to watch >", "my own writing: > > \"Please take care of yourself,\" she replied. \"Health", "were standing in opposite shores, shouting to each other. > > > But", "eat veggies, drink lots of water, avoid > cigarettes and alcohol. Then one", "car accident. > Wouldn't it be a big waste? Like building a sand", "\"Health is the most > important thing in life, remember that.\" > >", "castle just to watch > the waves come along and wash it away?\"", "intentions, I > knew that. However, sometimes it felt as if we spoke", "the waves come along and wash it away?\" > > > \"What's your", "say you do your best to stay > healthy: jog every day, eat", "> > So, that's a cliched metaphor. And here's the problem: it's the", "times she had > repeated that. \"But I don't know, let's say you", "\"But I don't know, let's say you do your best to stay >", "know, Mom.\" I had already lost count of the number of times she", "day, eat veggies, drink lots of water, avoid > cigarettes and alcohol. Then", "die in a car accident. > Wouldn't it be a big waste? Like", "to watch > the waves come along and wash it away?\" > >", "is the most > important thing in life, remember that.\" > > >", "> > She said, \"Darling, you sure you're all right?\" > > >", "if we spoke different > dialects. > > > 2) Using another metaphor:", "spoke different > dialects. > > > 2) Using another metaphor: > >", "> > 2) Using another metaphor: > > However, sometimes it felt as", "> > > She said, \"Darling, you sure you're all right?\" > >", "of water, avoid > cigarettes and alcohol. Then one day you die in", "> languages. > > > So, that's a cliched metaphor. And here's the", "> > > \"I know, Mom.\" I had already lost count of the", "to stay > healthy: jog every day, eat veggies, drink lots of water,", "sure you're all right?\" > > > Talking to my mom suddenly made", "mom suddenly made me sad. She had good intentions, I > knew that.", "the following: 1) Using a synonym: > > However, sometimes it felt as", "opposite shores, shouting to each other. > > > But I don't know.", "alcohol. Then one day you die in a car accident. > Wouldn't it", "different > dialects. > > > 2) Using another metaphor: > > However,", "I don't know. I'm not sure if I'm doing the right thing. What", "> > \"That maybe there's something more to life than health. Something that", "to life than health. Something that > has nothing to do with the", "the body.\" > > > She said, \"Darling, you sure you're all right?\"", "passage. Still, it bother's me that I'm using a cliche. So I tried", "waves come along and wash it away?\" > > > \"What's your point?\"", "\"That maybe there's something more to life than health. Something that > has", "Example from my own writing: > > \"Please take care of yourself,\" she", "it felt as if we were standing in opposite shores, shouting to each", "it away?\" > > > \"What's your point?\" > > > \"That maybe", "a cliched metaphor. And here's the problem: it's the perfect one for the", "care of yourself,\" she replied. \"Health is the most > important thing in", "we spoke different > languages. > > > So, that's a cliched metaphor.", "the most > important thing in life, remember that.\" > > > \"I", "\"I know, Mom.\" I had already lost count of the number of times", "a big waste? Like building a sand castle just to watch > the", "Using another metaphor: > > However, sometimes it felt as if we were", "the perfect one for the passage. Still, it bother's me that I'm using", "felt as if we spoke different > languages. > > > So, that's", "know. I'm not sure if I'm doing the right thing. What should I", "> cigarettes and alcohol. Then one day you die in a car accident.", "it's the perfect one for the passage. Still, it bother's me that I'm", "if we were standing in opposite shores, shouting to each other. > >", "> > > \"That maybe there's something more to life than health. Something", "metaphor: > > However, sometimes it felt as if we were standing in", "life, remember that.\" > > > \"I know, Mom.\" I had already lost", "we were standing in opposite shores, shouting to each other. > > >", "with the body.\" > > > She said, \"Darling, you sure you're all", "> > However, sometimes it felt as if we were standing in opposite", "she had > repeated that. \"But I don't know, let's say you do", "> \"That maybe there's something more to life than health. Something that >", "and wash it away?\" > > > \"What's your point?\" > > >", "So I tried the following: 1) Using a synonym: > > However, sometimes", "I tried the following: 1) Using a synonym: > > However, sometimes it", "lost count of the number of times she had > repeated that. \"But", "sad. She had good intentions, I > knew that. However, sometimes it felt", "it bother's me that I'm using a cliche. So I tried the following:", "> Talking to my mom suddenly made me sad. She had good intentions,", "me sad. She had good intentions, I > knew that. However, sometimes it", "had already lost count of the number of times she had > repeated", "the problem: it's the perfect one for the passage. Still, it bother's me", "as if we spoke different > dialects. > > > 2) Using another", "along and wash it away?\" > > > \"What's your point?\" > >", "lots of water, avoid > cigarettes and alcohol. Then one day you die", "as if we spoke different > languages. > > > So, that's a", "made me sad. She had good intentions, I > knew that. However, sometimes", "> > > So, that's a cliched metaphor. And here's the problem: it's", "that > has nothing to do with the body.\" > > > She", "> > However, sometimes it felt as if we spoke different > dialects.", "as if we were standing in opposite shores, shouting to each other. >", "own writing: > > \"Please take care of yourself,\" she replied. \"Health is", "right thing. What should I do with cliched metaphors? Maybe just remove them?", "thing in life, remember that.\" > > > \"I know, Mom.\" I had", "come along and wash it away?\" > > > \"What's your point?\" >", "1) Using a synonym: > > However, sometimes it felt as if we", "jog every day, eat veggies, drink lots of water, avoid > cigarettes and", "big waste? Like building a sand castle just to watch > the waves", "building a sand castle just to watch > the waves come along and", "has nothing to do with the body.\" > > > She said, \"Darling,", "that.\" > > > \"I know, Mom.\" I had already lost count of", "to my mom suddenly made me sad. She had good intentions, I >", "I > knew that. However, sometimes it felt as if we spoke different", "knew that. However, sometimes it felt as if we spoke different > languages.", "me that I'm using a cliche. So I tried the following: 1) Using", "\"What's your point?\" > > > \"That maybe there's something more to life", "felt as if we spoke different > dialects. > > > 2) Using", "But I don't know. I'm not sure if I'm doing the right thing.", "each other. > > > But I don't know. I'm not sure if", "had > repeated that. \"But I don't know, let's say you do your", "watch > the waves come along and wash it away?\" > > >", "synonym: > > However, sometimes it felt as if we spoke different >", "replied. \"Health is the most > important thing in life, remember that.\" >", "Something that > has nothing to do with the body.\" > > >", "a synonym: > > However, sometimes it felt as if we spoke different", "Then one day you die in a car accident. > Wouldn't it be", "to do with the body.\" > > > She said, \"Darling, you sure", "it be a big waste? Like building a sand castle just to watch", "the passage. Still, it bother's me that I'm using a cliche. So I", "it felt as if we spoke different > languages. > > > So,", "> She said, \"Darling, you sure you're all right?\" > > > Talking", "right?\" > > > Talking to my mom suddenly made me sad. She", "sand castle just to watch > the waves come along and wash it", "do your best to stay > healthy: jog every day, eat veggies, drink", "accident. > Wouldn't it be a big waste? Like building a sand castle", "felt as if we were standing in opposite shores, shouting to each other.", "don't know, let's say you do your best to stay > healthy: jog", "> \"I know, Mom.\" I had already lost count of the number of", "important thing in life, remember that.\" > > > \"I know, Mom.\" I", "of the number of times she had > repeated that. \"But I don't", "and alcohol. Then one day you die in a car accident. > Wouldn't", "Still, it bother's me that I'm using a cliche. So I tried the", "maybe there's something more to life than health. Something that > has nothing", "using a cliche. So I tried the following: 1) Using a synonym: >", "> repeated that. \"But I don't know, let's say you do your best", "\"Darling, you sure you're all right?\" > > > Talking to my mom", "perfect one for the passage. Still, it bother's me that I'm using a", "that. \"But I don't know, let's say you do your best to stay", "just to watch > the waves come along and wash it away?\" >", "stay > healthy: jog every day, eat veggies, drink lots of water, avoid", "> > > \"What's your point?\" > > > \"That maybe there's something", "there's something more to life than health. Something that > has nothing to", "\"Please take care of yourself,\" she replied. \"Health is the most > important", "suddenly made me sad. She had good intentions, I > knew that. However,", "different > languages. > > > So, that's a cliched metaphor. And here's", "I don't know, let's say you do your best to stay > healthy:", "that I'm using a cliche. So I tried the following: 1) Using a", "number of times she had > repeated that. \"But I don't know, let's", "> > \"I know, Mom.\" I had already lost count of the number", "for the passage. Still, it bother's me that I'm using a cliche. So", "the number of times she had > repeated that. \"But I don't know,", "repeated that. \"But I don't know, let's say you do your best to", "avoid > cigarettes and alcohol. Then one day you die in a car", "> dialects. > > > 2) Using another metaphor: > > However, sometimes", "my mom suddenly made me sad. She had good intentions, I > knew", "other. > > > But I don't know. I'm not sure if I'm", "wash it away?\" > > > \"What's your point?\" > > > \"That", "> But I don't know. I'm not sure if I'm doing the right", "She had good intentions, I > knew that. However, sometimes it felt as", "sometimes it felt as if we spoke different > dialects. > > >", "don't know. I'm not sure if I'm doing the right thing. What should", "However, sometimes it felt as if we spoke different > dialects. > >", "a cliche. So I tried the following: 1) Using a synonym: > >", "> > > Talking to my mom suddenly made me sad. She had", "bother's me that I'm using a cliche. So I tried the following: 1)", "it felt as if we spoke different > dialects. > > > 2)", "remember that.\" > > > \"I know, Mom.\" I had already lost count", "most > important thing in life, remember that.\" > > > \"I know,", "the right thing. What should I do with cliched metaphors? Maybe just remove", "> has nothing to do with the body.\" > > > She said,", "life than health. Something that > has nothing to do with the body.\"", "So, that's a cliched metaphor. And here's the problem: it's the perfect one", "> However, sometimes it felt as if we were standing in opposite shores,", "I'm using a cliche. So I tried the following: 1) Using a synonym:", "However, sometimes it felt as if we spoke different > languages. > >", "spoke different > languages. > > > So, that's a cliched metaphor. And", "veggies, drink lots of water, avoid > cigarettes and alcohol. Then one day", "I'm doing the right thing. What should I do with cliched metaphors? Maybe", "sure if I'm doing the right thing. What should I do with cliched", "water, avoid > cigarettes and alcohol. Then one day you die in a", "in opposite shores, shouting to each other. > > > But I don't", "problem: it's the perfect one for the passage. Still, it bother's me that", "writing: > > \"Please take care of yourself,\" she replied. \"Health is the", "more to life than health. Something that > has nothing to do with", "> > Talking to my mom suddenly made me sad. She had good", "to each other. > > > But I don't know. I'm not sure" ]
[ "within the story (yes), beloved characters suffering and dying, and unthinkable plots make", "from the reader within the story (yes), beloved characters suffering and dying, and", "of uncomfortable aspects from the reader within the story (yes), beloved characters suffering", "example? Leaving hooking elements aside, at what point does exploration of uncomfortable aspects", "characters die every season, for example? Leaving hooking elements aside, at what point", "dying, and unthinkable plots make the reader just put something like that aside?", "die every season, for example? Leaving hooking elements aside, at what point does", "Leaving hooking elements aside, at what point does exploration of uncomfortable aspects from", "every season, for example? Leaving hooking elements aside, at what point does exploration", "the reader within the story (yes), beloved characters suffering and dying, and unthinkable", "the story (yes), beloved characters suffering and dying, and unthinkable plots make the", "of Thrones get any unpleasant when a whole bunch of characters die every", "exploration of uncomfortable aspects from the reader within the story (yes), beloved characters", "aspects from the reader within the story (yes), beloved characters suffering and dying,", "suffering and dying, and unthinkable plots make the reader just put something like", "and dying, and unthinkable plots make the reader just put something like that", "when a whole bunch of characters die every season, for example? Leaving hooking", "story (yes), beloved characters suffering and dying, and unthinkable plots make the reader", "of characters die every season, for example? Leaving hooking elements aside, at what", "characters suffering and dying, and unthinkable plots make the reader just put something", "bunch of characters die every season, for example? Leaving hooking elements aside, at", "at what point does exploration of uncomfortable aspects from the reader within the", "get any unpleasant when a whole bunch of characters die every season, for", "unpleasant when a whole bunch of characters die every season, for example? Leaving", "does exploration of uncomfortable aspects from the reader within the story (yes), beloved", "whole bunch of characters die every season, for example? Leaving hooking elements aside,", "any unpleasant when a whole bunch of characters die every season, for example?", "uncomfortable aspects from the reader within the story (yes), beloved characters suffering and", "aside, at what point does exploration of uncomfortable aspects from the reader within", "season, for example? Leaving hooking elements aside, at what point does exploration of", "elements aside, at what point does exploration of uncomfortable aspects from the reader", "Does Game of Thrones get any unpleasant when a whole bunch of characters", "what point does exploration of uncomfortable aspects from the reader within the story", "(yes), beloved characters suffering and dying, and unthinkable plots make the reader just", "Game of Thrones get any unpleasant when a whole bunch of characters die", "reader within the story (yes), beloved characters suffering and dying, and unthinkable plots", "point does exploration of uncomfortable aspects from the reader within the story (yes),", "beloved characters suffering and dying, and unthinkable plots make the reader just put", "for example? Leaving hooking elements aside, at what point does exploration of uncomfortable", "hooking elements aside, at what point does exploration of uncomfortable aspects from the", "a whole bunch of characters die every season, for example? Leaving hooking elements", "Thrones get any unpleasant when a whole bunch of characters die every season," ]
[ "for MLA? \"Religion\" (I'm sure you've all heard of this before). Religion has.....", "it grammatically correct for MLA? \"Religion\" (I'm sure you've all heard of this", "This is how it starts.... Is it grammatically correct for MLA? \"Religion\" (I'm", "it starts.... Is it grammatically correct for MLA? \"Religion\" (I'm sure you've all", "is how it starts.... Is it grammatically correct for MLA? \"Religion\" (I'm sure", "starts.... Is it grammatically correct for MLA? \"Religion\" (I'm sure you've all heard", "Is it grammatically correct for MLA? \"Religion\" (I'm sure you've all heard of", "how it starts.... Is it grammatically correct for MLA? \"Religion\" (I'm sure you've", "correct for MLA? \"Religion\" (I'm sure you've all heard of this before). Religion", "grammatically correct for MLA? *\"Religion\" (I'm sure you've all heard of this before)." ]
[ "world doesn't need another amateur story lying around. How should I decide whether", "I am satisfied with the concept and then I don't take it any", "doesn't need another amateur story lying around. How should I decide whether a", "\"answer important questions\" like the meaning of life - they are often fantasy,", "do not know if anybody would actually read it. I like it, but", "another amateur story lying around. How should I decide whether a story is", "others would. Often, the stories I imagine do not have a \"message\" or", "life - they are often fantasy, just exploring a character's path through life.", "to write it down and attempt to share it with others, the thing", "and attempt to share it with others, the thing that stops me is", "is finished and I am satisfied. If I have the urge to write", "do not have a \"message\" or \"explore new possibilities\" or attempt to \"answer", "until I am satisfied with the concept and then I don't take it", "then I don't take it any farther. In my head, the story is", "that the world doesn't need another amateur story lying around. How should I", "new possibilities\" or attempt to \"answer important questions\" like the meaning of life", "possibilities\" or attempt to \"answer important questions\" like the meaning of life -", "Often, the stories I imagine do not have a \"message\" or \"explore new", "would actually read it. I like it, but that doesn't mean others would.", "for a story. In random pieces of spare time I daydream more and", "like the meaning of life - they are often fantasy, just exploring a", "is that I do not know if anybody would actually read it. I", "am satisfied. If I have the urge to write it down and attempt", "if anybody would actually read it. I like it, but that doesn't mean", "Since writing is not my profession, I do not need to write, and", "me is that I do not know if anybody would actually read it.", "don't take it any farther. In my head, the story is finished and", "story. In random pieces of spare time I daydream more and more details", "have the urge to write it down and attempt to share it with", "that stops me is that I do not know if anybody would actually", "inspiration for a story. In random pieces of spare time I daydream more", "to \"answer important questions\" like the meaning of life - they are often", "actually read it. I like it, but that doesn't mean others would. Often,", "need another amateur story lying around. How should I decide whether a story", "spare time I daydream more and more details until I am satisfied with", "know if anybody would actually read it. I like it, but that doesn't", "not need to write, and I find myself thinking that the world doesn't", "should I decide whether a story is actually worth writing out and sharing", "more details until I am satisfied with the concept and then I don't", "is not my profession, I do not need to write, and I find", "to write, and I find myself thinking that the world doesn't need another", "the world doesn't need another amateur story lying around. How should I decide", "\"explore new possibilities\" or attempt to \"answer important questions\" like the meaning of", "find myself thinking that the world doesn't need another amateur story lying around.", "any farther. In my head, the story is finished and I am satisfied.", "just exploring a character's path through life. Since writing is not my profession,", "my profession, I do not need to write, and I find myself thinking", "around. How should I decide whether a story is actually worth writing out", "or \"explore new possibilities\" or attempt to \"answer important questions\" like the meaning", "In my head, the story is finished and I am satisfied. If I", "myself thinking that the world doesn't need another amateur story lying around. How", "thinking that the world doesn't need another amateur story lying around. How should", "I do not need to write, and I find myself thinking that the", "concept and then I don't take it any farther. In my head, the", "amateur story lying around. How should I decide whether a story is actually", "mean others would. Often, the stories I imagine do not have a \"message\"", "head, the story is finished and I am satisfied. If I have the", "I like it, but that doesn't mean others would. Often, the stories I", "down and attempt to share it with others, the thing that stops me", "like it, but that doesn't mean others would. Often, the stories I imagine", "a story. In random pieces of spare time I daydream more and more", "my head, the story is finished and I am satisfied. If I have", "that doesn't mean others would. Often, the stories I imagine do not have", "I don't take it any farther. In my head, the story is finished", "and then I don't take it any farther. In my head, the story", "the stories I imagine do not have a \"message\" or \"explore new possibilities\"", "read it. I like it, but that doesn't mean others would. Often, the", "lying around. How should I decide whether a story is actually worth writing", "take it any farther. In my head, the story is finished and I", "the urge to write it down and attempt to share it with others,", "it. I like it, but that doesn't mean others would. Often, the stories", "I have the urge to write it down and attempt to share it", "urge to write it down and attempt to share it with others, the", "I am satisfied. If I have the urge to write it down and", "it, but that doesn't mean others would. Often, the stories I imagine do", "not know if anybody would actually read it. I like it, but that", "writing is not my profession, I do not need to write, and I", "and I find myself thinking that the world doesn't need another amateur story", "meaning of life - they are often fantasy, just exploring a character's path", "of spare time I daydream more and more details until I am satisfied", "write it down and attempt to share it with others, the thing that", "a character's path through life. Since writing is not my profession, I do", "stories I imagine do not have a \"message\" or \"explore new possibilities\" or", "but that doesn't mean others would. Often, the stories I imagine do not", "I imagine do not have a \"message\" or \"explore new possibilities\" or attempt", "the concept and then I don't take it any farther. In my head,", "need to write, and I find myself thinking that the world doesn't need", "with others, the thing that stops me is that I do not know", "have a \"message\" or \"explore new possibilities\" or attempt to \"answer important questions\"", "farther. In my head, the story is finished and I am satisfied. If", "with the concept and then I don't take it any farther. In my", "finished and I am satisfied. If I have the urge to write it", "a \"message\" or \"explore new possibilities\" or attempt to \"answer important questions\" like", "I do not know if anybody would actually read it. I like it,", "not my profession, I do not need to write, and I find myself", "the thing that stops me is that I do not know if anybody", "life. Since writing is not my profession, I do not need to write,", "and I am satisfied. If I have the urge to write it down", "In random pieces of spare time I daydream more and more details until", "questions\" like the meaning of life - they are often fantasy, just exploring", "How should I decide whether a story is actually worth writing out and", "attempt to share it with others, the thing that stops me is that", "- they are often fantasy, just exploring a character's path through life. Since", "the story is finished and I am satisfied. If I have the urge", "satisfied. If I have the urge to write it down and attempt to", "others, the thing that stops me is that I do not know if", "anybody would actually read it. I like it, but that doesn't mean others", "satisfied with the concept and then I don't take it any farther. In", "\"message\" or \"explore new possibilities\" or attempt to \"answer important questions\" like the", "are often fantasy, just exploring a character's path through life. Since writing is", "imagine do not have a \"message\" or \"explore new possibilities\" or attempt to", "not have a \"message\" or \"explore new possibilities\" or attempt to \"answer important", "it any farther. In my head, the story is finished and I am", "share it with others, the thing that stops me is that I do", "through life. Since writing is not my profession, I do not need to", "am satisfied with the concept and then I don't take it any farther.", "character's path through life. Since writing is not my profession, I do not", "to share it with others, the thing that stops me is that I", "that I do not know if anybody would actually read it. I like", "I find myself thinking that the world doesn't need another amateur story lying", "it down and attempt to share it with others, the thing that stops", "the meaning of life - they are often fantasy, just exploring a character's", "do not need to write, and I find myself thinking that the world", "story lying around. How should I decide whether a story is actually worth", "it with others, the thing that stops me is that I do not", "more and more details until I am satisfied with the concept and then", "of life - they are often fantasy, just exploring a character's path through", "exploring a character's path through life. Since writing is not my profession, I", "random pieces of spare time I daydream more and more details until I", "and more details until I am satisfied with the concept and then I", "write, and I find myself thinking that the world doesn't need another amateur", "thing that stops me is that I do not know if anybody would", "profession, I do not need to write, and I find myself thinking that", "decide whether a story is actually worth writing out and sharing with others?", "important questions\" like the meaning of life - they are often fantasy, just", "time I daydream more and more details until I am satisfied with the", "or attempt to \"answer important questions\" like the meaning of life - they", "I daydream more and more details until I am satisfied with the concept", "daydream more and more details until I am satisfied with the concept and", "doesn't mean others would. Often, the stories I imagine do not have a", "fantasy, just exploring a character's path through life. Since writing is not my", "story is finished and I am satisfied. If I have the urge to", "I have inspiration for a story. In random pieces of spare time I", "often fantasy, just exploring a character's path through life. Since writing is not", "path through life. Since writing is not my profession, I do not need", "pieces of spare time I daydream more and more details until I am", "stops me is that I do not know if anybody would actually read", "I decide whether a story is actually worth writing out and sharing with", "Sometimes I have inspiration for a story. In random pieces of spare time", "have inspiration for a story. In random pieces of spare time I daydream", "If I have the urge to write it down and attempt to share", "details until I am satisfied with the concept and then I don't take", "they are often fantasy, just exploring a character's path through life. Since writing", "attempt to \"answer important questions\" like the meaning of life - they are", "would. Often, the stories I imagine do not have a \"message\" or \"explore" ]
[ "leave the reader feeling unsatisfied, if that is all that happened. I am", "simplicity Skepe - to make a stand for what's right. Right before the", "stand for what's right. Right before the climax, someone tells him (with their", "this confrontation (the enemy pounding on the door in the background during the", "clarity:** Skepe does not just stand up. I have not included the character", "happened. I am having trouble with the climax. Everything seems to indicate that", "act of symbolically standing up is the climax. (Skepe dying isn't a loss.", "conflict because they are not central to this question. However, they are there.", "expected. Even if he dies, he still made a stand.) The act of", "to take a stand. Skepe then does so. Edit for clarity: Skepe does", "The act of symbolically standing up does not, however, leave the reader with", "am aware that simply standing up would leave the reader feeling unsatisfied, if", "how to phrase the title, so if a better way to put it", "to this question. However, they are there. I am aware that simply standing", "I'm cheating the reader out of what he's been anticipating. Question:* Am I", "the climax. Everything seems to indicate that the climax is the point at", "leave the reader with a very satisfied feeling. I've been building up to", "Skepe make a stand?' Once he does, the conflict is resolved, the questions", "to get the main character - called for simplicity Skepe - to make", "battle seems like I'm cheating the reader out of what he's been anticipating.", "not, however, leave the reader with a very satisfied feeling. I've been building", "the point at which Skepe stands - I mean, that's the goal of", "has been asking himself throughout the novel is, 'will Skepe make a stand?'", "standing up would leave the reader feeling unsatisfied, if that is all that", "with Skepe turning epic-ly to face the hordes, resolve in his heart, be", "lose. The main question the reader has been asking himself throughout the novel", "in the background during the death scene), and simply skipping the battle seems", "goal of the whole novel. The problem is that in this case, standing", "not just stand up. I have not included the character development or internal", "please feel free to edit it. Here's the situation: the goal of a", "with a very satisfied feeling. I've been building up to this confrontation (the", "isn't a loss. In fact, it is expected. Even if he dies, he", "I wrong in the assumption that the reader will feel cheated? Or will", "stands - I mean, that's the goal of the whole novel. The problem", "aware that simply standing up would leave the reader feeling unsatisfied, if that", "make a stand for what's right. Right before the climax, someone tells him", "a stand. Skepe then does so. Edit for clarity: Skepe does not just", "all over. The act of symbolically standing up is the climax. (Skepe dying", "Am I wrong in the assumption that the reader will feel cheated? Or", "mean, that's the goal of the whole novel. The problem is that in", "dies, he still made a stand.) The act of symbolically standing up does", "does, the conflict is resolved, the questions are answered, and it's all over.", "in the assumption that the reader will feel cheated? Or will ending the", "someone tells him (with their dying breath) to take a stand. Skepe then", "climax. Everything seems to indicate that the climax is the point at which", "make a stand?' Once he does, the conflict is resolved, the questions are", "right. Right before the climax, someone tells him (with their dying breath) to", "the climax. (Skepe dying isn't a loss. In fact, it is expected. Even", "that the climax is the point at which Skepe stands - I mean,", "the background during the death scene), and simply skipping the battle seems like", "is to get the main character - called for simplicity Skepe - to", "over. The act of symbolically standing up is the climax. (Skepe dying isn't", "been building up to this confrontation (the enemy pounding on the door in", "a better way to put it occurs to anyone, please feel free to", "at which Skepe stands - I mean, that's the goal of the whole", "up* would leave the reader feeling unsatisfied, if that is all that happened.", "put it occurs to anyone, please feel free to edit it. Here's the", "trouble with the climax. Everything seems to indicate that the climax is the", "'will Skepe make a stand?' Once he does, the conflict is resolved, the", "building up to this confrontation (the enemy pounding on the door in the", "does so. Edit for clarity: Skepe does not just stand up. I have", "because they are not central to this question. However, they are there. I", "main character - called for simplicity Skepe - to make a stand for", "climax, someone tells him (with their dying breath) to take a stand. Skepe", "is resolved, the questions are answered, and it's all over. The act of", "cheating the reader out of what he's been anticipating. Question: Am I wrong", "fact, it is expected. Even if he dies, he still made a stand.)", "Skepe turning epic-ly to face the hordes, resolve in his heart, be satisfying?", "(with their dying breath) to take a stand. Skepe then does so. Edit", "is no longer anything for Skepe to lose. The main question the reader", "am having trouble with the climax. Everything seems to indicate that the climax", "In fact, it would usually make for a good climax. The problem** is", "simply skipping the battle seems like I'm cheating the reader out of what", "in this case, standing involves fighting back a small army. Normally this wouldn't", "the novel is, 'will Skepe make a stand?' Once he does, the conflict", "they are not central to this question. However, they are there. I am", "anyone, please feel free to edit it. Here's the situation: the goal of", "up is the climax. (Skepe dying isn't a loss. In fact, it is", "Question: Am I wrong in the assumption that the reader will feel cheated?", "satisfied feeling. I've been building up to this confrontation (the enemy pounding on", "I wasn't entirely sure how to phrase the title, so if a better", "case, standing involves fighting back a small army. Normally this wouldn't be a", "answered, and it's all over. The act of symbolically standing up is the", "wouldn't be a problem. In fact, it would usually make for a good", "there is no longer anything for Skepe to lose. The main question the", "this question. However, they are there. I am aware that simply standing up", "standing involves fighting back a small army. Normally this wouldn't be a problem.", "back a small army. Normally this wouldn't be a problem. In fact, it", "a loss. In fact, it is expected. Even if he dies, he still", "Skepe then does so. Edit for clarity: Skepe does not just stand up.", "the battle seems like I'm cheating the reader out of what he's been", "free to edit it. Here's the situation: the goal of a novel is", "sure how to phrase the title, so if a better way to put", "novel with Skepe turning epic-ly to face the hordes, resolve in his heart,", "I mean, that's the goal of the whole novel. The problem is that", "if he dies, he still made a stand.) The act of symbolically standing", "take a stand. Skepe then does so. Edit for clarity: Skepe does not", "occurs to anyone, please feel free to edit it. Here's the situation: the", "there. I am aware that simply standing up would leave the reader feeling", "that the reader will feel cheated? Or will ending the novel with Skepe", "a good climax. The problem is that there is no longer anything for", "before the climax, someone tells him (with their dying breath) to take a", "symbolically standing up is the climax. (Skepe dying isn't a loss. In fact,", "to this confrontation (the enemy pounding on the door in the background during", "fighting back a small army. Normally this wouldn't be a problem. In fact,", "is the point at which Skepe stands - I mean, that's the goal", "fact, it would usually make for a good climax. The problem is that", "are there. I am aware that simply standing up would leave the reader", "is expected. Even if he dies, he still made a stand.) The act", "the situation: the goal of a novel is to get the main character", "out of what he's been anticipating. Question: Am I wrong in the assumption", "a stand.) The act of symbolically standing up does not, however, leave the", "central to this question. However, they are there. I am aware that simply", "better way to put it occurs to anyone, please feel free to edit", "feeling unsatisfied, if that is all that happened. I am having trouble with", "phrase the title, so if a better way to put it occurs to", "of the whole novel. The problem is that in this case, standing involves", "character development or internal conflict because they are not central to this question.", "to indicate that the climax is the point at which Skepe stands -", "stand. Skepe then does so. Edit for clarity: Skepe does not just stand", "their dying breath) to take a stand. Skepe then does so. Edit for", "so if a better way to put it occurs to anyone, please feel", "climax. (Skepe dying isn't a loss. In fact, it is expected. Even if", "he's been anticipating. Question:** Am I wrong in the assumption that the reader", "feeling. I've been building up to this confrontation (the enemy pounding on the", "In fact, it is expected. Even if he dies, he still made a", "simply standing up would leave the reader feeling unsatisfied, if that is all", "army. Normally this wouldn't be a problem. In fact, it would usually make", "tells him (with their dying breath) to take a stand. Skepe then does", "or internal conflict because they are not central to this question. However, they", "during the death scene), and simply skipping the battle seems like I'm cheating", "breath) to take a stand. Skepe then does so. Edit for clarity: Skepe", "and simply skipping the battle seems like I'm cheating the reader out of", "whole novel. The problem is that in this case, standing involves fighting back", "to put it occurs to anyone, please feel free to edit it. Here's", "does not just stand up. I have not included the character development or", "the novel with Skepe turning epic-ly to face the hordes, resolve in his", "Once he does, the conflict is resolved, the questions are answered, and it's", "- to make a stand for what's right. Right before the climax, someone", "a very satisfied feeling. I've been building up to this confrontation (the enemy", "the reader will feel cheated? Or will ending the novel with Skepe turning", "have not included the character development or internal conflict because they are not", "Here's the situation: the goal of a novel is to get the main", "However, they are there. I am aware that simply standing up would leave", "it occurs to anyone, please feel free to edit it. Here's the situation:", "entirely sure how to phrase the title, so if a better way to", "unsatisfied, if that is all that happened. I am having trouble with the", "I am having trouble with the climax. Everything seems to indicate that the", "to edit it. Here's the situation: the goal of a novel is to", "asking himself throughout the novel is, 'will Skepe make a stand?' Once he", "Skepe stands - I mean, that's the goal of the whole novel. The", "will feel cheated? Or will ending the novel with Skepe turning epic-ly to", "for what's right. Right before the climax, someone tells him (with their dying", "been anticipating. Question: Am I wrong in the assumption that the reader will", "a stand for what's right. Right before the climax, someone tells him (with", "skipping the battle seems like I'm cheating the reader out of what he's", "title, so if a better way to put it occurs to anyone, please", "- called for simplicity Skepe - to make a stand for what's right.", "The act of symbolically standing up is the climax. (Skepe dying isn't a", "this case, standing involves fighting back a small army. Normally this wouldn't be", "ending the novel with Skepe turning epic-ly to face the hordes, resolve in", "development or internal conflict because they are not central to this question. However,", "been asking himself throughout the novel is, 'will Skepe make a stand?' Once", "so. Edit for clarity: Skepe does not just stand up. I have not", "situation: the goal of a novel is to get the main character -", "the climax is the point at which Skepe stands - I mean, that's", "usually make for a good climax. The problem is that there is no", "- I mean, that's the goal of the whole novel. The problem is", "of what he's been anticipating. Question: Am I wrong in the assumption that", "a small army. Normally this wouldn't be a problem. In fact, it would", "question. However, they are there. I am aware that simply standing up would", "are answered, and it's all over. The act of symbolically standing up is", "longer anything for Skepe to lose. The main question the reader has been", "however, leave the reader with a very satisfied feeling. I've been building up", "good climax. The problem is that there is no longer anything for Skepe", "the title, so if a better way to put it occurs to anyone,", "feel cheated? Or will ending the novel with Skepe turning epic-ly to face", "just stand up. I have not included the character development or internal conflict", "would leave the reader feeling unsatisfied, if that is all that happened. I", "point at which Skepe stands - I mean, that's the goal of the", "stand?' Once he does, the conflict is resolved, the questions are answered, and", "(the enemy pounding on the door in the background during the death scene),", "scene), and simply skipping the battle seems like I'm cheating the reader out", "a stand?' Once he does, the conflict is resolved, the questions are answered,", "for simplicity Skepe - to make a stand for what's right. Right before", "is the climax. (Skepe dying isn't a loss. In fact, it is expected.", "Even if he dies, he still made a stand.) The act of symbolically", "it is expected. Even if he dies, he still made a stand.) The", "seems to indicate that the climax is the point at which Skepe stands", "very satisfied feeling. I've been building up to this confrontation (the enemy pounding", "this wouldn't be a problem. In fact, it would usually make for a", "is all that happened. I am having trouble with the climax. Everything seems", "act of symbolically standing up does not, however, leave the reader with a", "make for a good climax. The problem is that there is no longer", "pounding on the door in the background during the death scene), and simply", "not included the character development or internal conflict because they are not central", "novel is, 'will Skepe make a stand?' Once he does, the conflict is", "he does, the conflict is resolved, the questions are answered, and it's all", "to make a stand for what's right. Right before the climax, someone tells", "that in this case, standing involves fighting back a small army. Normally this", "it's all over. The act of symbolically standing up is the climax. (Skepe", "a novel is to get the main character - called for simplicity Skepe", "conflict is resolved, the questions are answered, and it's all over. The act", "problem is that there is no longer anything for Skepe to lose. The", "internal conflict because they are not central to this question. However, they are", "it would usually make for a good climax. The problem is that there", "resolved, the questions are answered, and it's all over. The act of symbolically", "Edit for clarity:** Skepe does not just stand up. I have not included", "reader feeling unsatisfied, if that is all that happened. I am having trouble", "to lose. The main question the reader has been asking himself throughout the", "all that happened. I am having trouble with the climax. Everything seems to", "cheated? Or will ending the novel with Skepe turning epic-ly to face the", "called for simplicity Skepe - to make a stand for what's right. Right", "that simply standing up would leave the reader feeling unsatisfied, if that is", "wasn't entirely sure how to phrase the title, so if a better way", "for a good climax. The problem is that there is no longer anything", "what he's been anticipating. Question: Am I wrong in the assumption that the", "the death scene), and simply skipping the battle seems like I'm cheating the", "reader with a very satisfied feeling. I've been building up to this confrontation", "the door in the background during the death scene), and simply skipping the", "Normally this wouldn't be a problem. In fact, it would usually make for", "wrong in the assumption that the reader will feel cheated? Or will ending", "for clarity:** Skepe does not just stand up. I have not included the", "does not, however, leave the reader with a very satisfied feeling. I've been", "main question the reader has been asking himself throughout the novel is, 'will", "death scene), and simply skipping the battle seems like I'm cheating the reader", "standing up does not, however, leave the reader with a very satisfied feeling.", "feel free to edit it. Here's the situation: the goal of a novel", "to phrase the title, so if a better way to put it occurs", "indicate that the climax is the point at which Skepe stands - I", "problem is that in this case, standing involves fighting back a small army.", "he dies, he still made a stand.) The act of symbolically standing up", "the reader has been asking himself throughout the novel is, 'will Skepe make", "climax. The problem is that there is no longer anything for Skepe to", "him (with their dying breath) to take a stand. Skepe then does so.", "what's right. Right before the climax, someone tells him (with their dying breath)", "which Skepe stands - I mean, that's the goal of the whole novel.", "the reader feeling unsatisfied, if that is all that happened. I am having", "Skepe to lose. The main question the reader has been asking himself throughout", "if a better way to put it occurs to anyone, please feel free", "goal of a novel is to get the main character - called for", "Everything seems to indicate that the climax is the point at which Skepe", "of a novel is to get the main character - called for simplicity", "himself throughout the novel is, 'will Skepe make a stand?' Once he does,", "is that there is no longer anything for Skepe to lose. The main", "will ending the novel with Skepe turning epic-ly to face the hordes, resolve", "on the door in the background during the death scene), and simply skipping", "included the character development or internal conflict because they are not central to", "I've been building up to this confrontation (the enemy pounding on the door", "up does not, however, leave the reader with a very satisfied feeling. I've", "anything for Skepe to lose. The main question the reader has been asking", "with the climax. Everything seems to indicate that the climax is the point", "novel is to get the main character - called for simplicity Skepe -", "Right before the climax, someone tells him (with their dying breath) to take", "door in the background during the death scene), and simply skipping the battle", "and it's all over. The act of symbolically standing up is the climax.", "symbolically standing up does not, however, leave the reader with a very satisfied", "Skepe - to make a stand for what's right. Right before the climax,", "I am aware that simply standing up would leave the reader feeling unsatisfied,", "assumption that the reader will feel cheated? Or will ending the novel with", "up. I have not included the character development or internal conflict because they", "that is all that happened. I am having trouble with the climax. Everything", "dying isn't a loss. In fact, it is expected. Even if he dies,", "I have not included the character development or internal conflict because they are", "stand.) The act of symbolically standing up does not, however, leave the reader", "if that is all that happened. I am having trouble with the climax.", "get the main character - called for simplicity Skepe - to make a", "loss. In fact, it is expected. Even if he dies, he still made", "the whole novel. The problem is that in this case, standing involves fighting", "made a stand.) The act of symbolically standing up does not, however, leave", "the questions are answered, and it's all over. The act of symbolically standing", "to anyone, please feel free to edit it. Here's the situation: the goal", "a problem. In fact, it would usually make for a good climax. *The", "standing up is* the climax. (Skepe dying isn't a loss. In fact, it", "be a problem. In fact, it would usually make for a good climax.", "is, 'will Skepe make a stand?' Once he does, the conflict is resolved,", "novel. The problem is that in this case, standing involves fighting back a", "seems like I'm cheating the reader out of what he's been anticipating. Question:", "way to put it occurs to anyone, please feel free to edit it.", "not central to this question. However, they are there. I am aware that", "they are there. I am aware that simply standing up would leave the", "reader has been asking himself throughout the novel is, 'will Skepe make a", "question the reader has been asking himself throughout the novel is, 'will Skepe", "of symbolically standing up does not, however, leave the reader with a very", "is that in this case, standing involves fighting back a small army. Normally", "it. Here's the situation: the goal of a novel is to get the", "confrontation (the enemy pounding on the door in the background during the death", "character - called for simplicity Skepe - to make a stand for what's", "would usually make for a good climax. The problem is that there is", "that happened. I am having trouble with the climax. Everything seems to indicate", "that there is no longer anything for Skepe to lose. The main question", "Or will ending the novel with Skepe turning epic-ly to face the hordes,", "anticipating. Question: Am I wrong in the assumption that the reader will feel", "questions are answered, and it's all over. The act of symbolically standing up", "The problem is that there is no longer anything for Skepe to lose.", "small army. Normally this wouldn't be a problem. In fact, it would usually", "edit it. Here's the situation: the goal of a novel is to get", "stand up. I have not included the character development or internal conflict because", "still made a stand.) The act of symbolically standing up does not, however,", "the goal of a novel is to get the main character - called", "The problem is that in this case, standing involves fighting back a small", "reader out of what he's been anticipating. Question: Am I wrong in the", "Skepe does not just stand up. I have not included the character development", "the conflict is resolved, the questions are answered, and it's all over. The", "enemy pounding on the door in the background during the death scene), and", "the main character - called for simplicity Skepe - to make a stand", "dying breath) to take a stand. Skepe then does so. Edit for clarity:", "The main question the reader has been asking himself throughout the novel is,", "the climax, someone tells him (with their dying breath) to take a stand.", "of symbolically standing up is the climax. (Skepe dying isn't a loss. In", "then does so. Edit for clarity: Skepe does not just stand up. I", "climax is the point at which Skepe stands - I mean, that's the", "the character development or internal conflict because they are not central to this", "the reader with a very satisfied feeling. I've been building up to this", "like I'm cheating the reader out of what he's been anticipating. Question: Am", "involves fighting back a small army. Normally this wouldn't be a problem. In", "having trouble with the climax. Everything seems to indicate that the climax is", "throughout the novel is, 'will Skepe make a stand?' Once he does, the", "for Skepe to lose. The main question the reader has been asking himself", "(Skepe dying isn't a loss. In fact, it is expected. Even if he", "the assumption that the reader will feel cheated? Or will ending the novel", "background during the death scene), and simply skipping the battle seems like I'm", "that's the goal of the whole novel. The problem is that in this", "problem. In fact, it would usually make for a good climax. The problem", "up to this confrontation (the enemy pounding on the door in the background", "the reader out of what he's been anticipating. Question: Am I wrong in", "are not central to this question. However, they are there. I am aware", "reader will feel cheated? Or will ending the novel with Skepe turning epic-ly", "the goal of the whole novel. The problem is that in this case,", "no longer anything for Skepe to lose. The main question the reader has", "he still made a stand.) The act of symbolically standing up does not," ]
[ "are examples of rules that can be used to help decide how to", "and character actions that comprises the story. However, this isn't enough to get", "figure out what the sequence of scenes should be? In other words, what", "out which ones are better. What goals do I have to keep in", "\"enter late, leave early\" or \"build every scene around a conflict with a", "to decide whether one scene is better than another? (As examples, \"enter late,", "writing a story is to have a complete, start to finish description of", "story is to have a complete, start to finish description of the sequence", "of rules that can be used to help decide how to turn your", "sequence of events to a sequence of scenes. There are infinitely many possible", "given sequence of events, and I get overwhelmed trying to figure out which", "can I use to decide whether one scene is better than another? 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Also, what concrete processes can I use to work it all out?", "to describe a given sequence of events, and I get overwhelmed trying to", "of scenes to describe a given sequence of events, and I get overwhelmed", "to figure out which ones are better. What goals do I have to", "Also, what concrete processes can I use to work it all out? For", "examples, \"enter late, leave early\" or \"build every scene around a conflict with", "and I get overwhelmed trying to figure out which ones are better. What", "early\" or \"build every scene around a conflict with a resolution\" are examples", "sequence of scenes. There are infinitely many possible sequences of scenes to describe", "what concrete processes can I use to work it all out? For instance,", "a story is to have a complete, start to finish description of the", "you enter scene and exit scene? I have trouble getting from a sequence", "a sequence of scenes. There are infinitely many possible sequences of scenes to", "in mind to figure out what the sequence of scenes should be? In", "what \"rules\", or approximate rules, can I use to decide whether one scene", "scenes should be? In other words, what \"rules\", or approximate rules, can I", "it all out? For instance, do you find it better to start with", "instance, do you find it better to start with the opening scene and", "processes can I use to work it all out? For instance, do you", "enter scene and exit scene? I have trouble getting from a sequence of", "figure out which ones are better. What goals do I have to keep", "whether one scene is better than another? (As examples, \"enter late, leave early\"", "every scene around a conflict with a resolution\" are examples of rules that", "following during this event? When do you enter scene and exit scene? I", "resolution\" are examples of rules that can be used to help decide how", "start with the opening scene and work from there? Make a chart of", "scene is an event and a point of view. Which character are you", "I get overwhelmed trying to figure out which ones are better. What goals", "what the sequence of scenes should be? In other words, what \"rules\", or", "a resolution\" are examples of rules that can be used to help decide", "is an event and a point of view. Which character are you following", "a scene is an event and a point of view. Which character are", "to keep in mind to figure out what the sequence of scenes should", "I use to decide whether one scene is better than another? (As examples,", "how to turn your events into actual scenes). Also, what concrete processes can", "from a sequence of events to a sequence of scenes. There are infinitely", "your events into actual scenes). Also, what concrete processes can I use to", "better than another? (As examples, \"enter late, leave early\" or \"build every scene", "character are you following during this event? When do you enter scene and", "actual scenes). Also, what concrete processes can I use to work it all", "is more than a story event: a scene is an event and a", "a given sequence of events, and I get overwhelmed trying to figure out", "you following during this event? When do you enter scene and exit scene?", "do I have to keep in mind to figure out what the sequence", "all out? For instance, do you find it better to start with the", "is to have a complete, start to finish description of the sequence of", "the story. However, this isn't enough to get started writing, because a scene", "get overwhelmed trying to figure out which ones are better. What goals do", "However, this isn't enough to get started writing, because a scene is more", "use to decide whether one scene is better than another? (As examples, \"enter", "point of view. Which character are you following during this event? When do", "than another? (As examples, \"enter late, leave early\" or \"build every scene around", "be used to help decide how to turn your events into actual scenes).", "events, and I get overwhelmed trying to figure out which ones are better.", "concrete processes can I use to work it all out? For instance, do", "of the sequence of events and character actions that comprises the story. However,", "start to finish description of the sequence of events and character actions that", "In other words, what \"rules\", or approximate rules, can I use to decide", "an event and a point of view. Which character are you following during", "to figure out what the sequence of scenes should be? 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In other", "\"rules\", or approximate rules, can I use to decide whether one scene is", "rules, can I use to decide whether one scene is better than another?", "conflict with a resolution\" are examples of rules that can be used to", "are you following during this event? When do you enter scene and exit", "story event: a scene is an event and a point of view. Which", "words, what \"rules\", or approximate rules, can I use to decide whether one", "do you enter scene and exit scene? I have trouble getting from a", "a conflict with a resolution\" are examples of rules that can be used", "actions that comprises the story. However, this isn't enough to get started writing,", "comprises the story. However, this isn't enough to get started writing, because a", "I use to work it all out? For instance, do you find it", "goals do I have to keep in mind to figure out what the", "there? Make a chart of where the characters are at different points? Etc.", "isn't enough to get started writing, because a scene is more than a", "to get started writing, because a scene is more than a story event:", "getting from a sequence of events to a sequence of scenes. There are", "overwhelmed trying to figure out which ones are better. What goals do I", "have a complete, start to finish description of the sequence of events and", "description of the sequence of events and character actions that comprises the story.", "should be? In other words, what \"rules\", or approximate rules, can I use", "enough to get started writing, because a scene is more than a story", "during this event? When do you enter scene and exit scene? I have", "are infinitely many possible sequences of scenes to describe a given sequence of", "ones are better. What goals do I have to keep in mind to", "with a resolution\" are examples of rules that can be used to help", "which ones are better. What goals do I have to keep in mind", "\"build every scene around a conflict with a resolution\" are examples of rules", "to have a complete, start to finish description of the sequence of events", "possible sequences of scenes to describe a given sequence of events, and I", "When do you enter scene and exit scene? I have trouble getting from", "is better than another? (As examples, \"enter late, leave early\" or \"build every", "(As examples, \"enter late, leave early\" or \"build every scene around a conflict", "scene around a conflict with a resolution\" are examples of rules that can", "work from there? Make a chart of where the characters are at different", "What goals do I have to keep in mind to figure out what", "events into actual scenes). Also, what concrete processes can I use to work", "that comprises the story. However, this isn't enough to get started writing, because", "than a story event: a scene is an event and a point of", "of scenes. There are infinitely many possible sequences of scenes to describe a", "I have to keep in mind to figure out what the sequence of", "can I use to work it all out? For instance, do you find", "the sequence of scenes should be? In other words, what \"rules\", or approximate", "out? For instance, do you find it better to start with the opening", "in writing a story is to have a complete, start to finish description", "into actual scenes). Also, what concrete processes can I use to work it", "work it all out? For instance, do you find it better to start", "events and character actions that comprises the story. However, this isn't enough to", "get started writing, because a scene is more than a story event: a", "scenes to describe a given sequence of events, and I get overwhelmed trying", "For instance, do you find it better to start with the opening scene", "have trouble getting from a sequence of events to a sequence of scenes.", "approximate rules, can I use to decide whether one scene is better than", "scene and exit scene? I have trouble getting from a sequence of events", "a sequence of events to a sequence of scenes. There are infinitely many", "help decide how to turn your events into actual scenes). Also, what concrete", "more than a story event: a scene is an event and a point", "events to a sequence of scenes. There are infinitely many possible sequences of", "describe a given sequence of events, and I get overwhelmed trying to figure", "of view. Which character are you following during this event? When do you", "another? (As examples, \"enter late, leave early\" or \"build every scene around a", "late, leave early\" or \"build every scene around a conflict with a resolution\"", "of events to a sequence of scenes. There are infinitely many possible sequences", "and work from there? Make a chart of where the characters are at", "are better. What goals do I have to keep in mind to figure", "to help decide how to turn your events into actual scenes). Also, what", "a story event: a scene is an event and a point of view.", "better to start with the opening scene and work from there? Make a", "or \"build every scene around a conflict with a resolution\" are examples of", "scenes. There are infinitely many possible sequences of scenes to describe a given", "have to keep in mind to figure out what the sequence of scenes", "do you find it better to start with the opening scene and work", "sequence of scenes should be? In other words, what \"rules\", or approximate rules,", "exit scene? I have trouble getting from a sequence of events to a", "it better to start with the opening scene and work from there? Make", "sequence of events and character actions that comprises the story. However, this isn't", "trying to figure out which ones are better. What goals do I have", "from there? Make a chart of where the characters are at different points?", "other words, what \"rules\", or approximate rules, can I use to decide whether", "scene is better than another? (As examples, \"enter late, leave early\" or \"build", "better. What goals do I have to keep in mind to figure out", "the sequence of events and character actions that comprises the story. However, this", "one scene is better than another? (As examples, \"enter late, leave early\" or", "rules that can be used to help decide how to turn your events", "use to work it all out? For instance, do you find it better", "started writing, because a scene is more than a story event: a scene", "to start with the opening scene and work from there? Make a chart", "be? In other words, what \"rules\", or approximate rules, can I use to", "with the opening scene and work from there? Make a chart of where", "because a scene is more than a story event: a scene is an", "many possible sequences of scenes to describe a given sequence of events, and", "complete, start to finish description of the sequence of events and character actions", "or approximate rules, can I use to decide whether one scene is better", "keep in mind to figure out what the sequence of scenes should be?", "and exit scene? I have trouble getting from a sequence of events to", "view. Which character are you following during this event? When do you enter", "a point of view. Which character are you following during this event? When", "sequence of events, and I get overwhelmed trying to figure out which ones", "around a conflict with a resolution\" are examples of rules that can be", "turn your events into actual scenes). Also, what concrete processes can I use", "opening scene and work from there? Make a chart of where the characters", "trouble getting from a sequence of events to a sequence of scenes. There", "event: a scene is an event and a point of view. Which character", "used to help decide how to turn your events into actual scenes). Also,", "this event? When do you enter scene and exit scene? I have trouble", "Which character are you following during this event? When do you enter scene", "this isn't enough to get started writing, because a scene is more than", "leave early\" or \"build every scene around a conflict with a resolution\" are", "first milestone in writing a story is to have a complete, start to", "examples of rules that can be used to help decide how to turn", "character actions that comprises the story. However, this isn't enough to get started" ]
[ "the man turns > away. I look at the man and he continues", "noisy Metro ride > > > --- > > approaches a man in", "bit awkward about doing it but he still does it. > > >", "a trip to Moscow that I made. Is it OK for me to", "Is it OK for me to mention the Moscow Metro and specific stations?", "Also I've described walking through it in the following way. Might this be", "an urban > dystopia. We see our platform and squash into the train.", "about a trip to Moscow that I made. Is it OK for me", "the belly of the beast; down a white > relatively featureless tunnel like", "We must go with the flow into the belly of the beast; down", "relatively featureless tunnel like workers marching in an urban > dystopia. We see", "this be considered defamatory? > > We must go with the flow into", "look away but now looks a > bit awkward about doing it but", "mention the Moscow Metro and specific stations? Also I've described walking through it", "be considered defamatory? > > We must go with the flow into the", "> approaches a man in a booth to ask for help but the", "that I made. Is it OK for me to mention the Moscow Metro", "of the beast; down a white > relatively featureless tunnel like workers marching", "dystopia. We see our platform and squash into the train. > > >", "> --- > > We take a spectacularly noisy Metro ride > >", "the train. > > > --- > > We take a spectacularly noisy", "made. Is it OK for me to mention the Moscow Metro and specific", "tunnel like workers marching in an urban > dystopia. We see our platform", "ride > > > --- > > approaches a man in a booth", "and specific stations? Also I've described walking through it in the following way.", "looks a > bit awkward about doing it but he still does it.", "I've described walking through it in the following way. Might this be considered", "go with the flow into the belly of the beast; down a white", "> We take a spectacularly noisy Metro ride > > > --- >", "> > --- > > approaches a man in a booth to ask", "in an urban > dystopia. We see our platform and squash into the", "following way. Might this be considered defamatory? > > We must go with", "the man and he continues to look away but now looks a >", "--- > > We take a spectacularly noisy Metro ride > > >", "and squash into the train. > > > --- > > We take", "stations? Also I've described walking through it in the following way. Might this", "into the train. > > > --- > > We take a spectacularly", "but the man turns > away. I look at the man and he", "approaches a man in a booth to ask for help but the man", "described walking through it in the following way. Might this be considered defamatory?", "the Moscow Metro and specific stations? Also I've described walking through it in", "I'm publishing a short book about a trip to Moscow that I made.", "a spectacularly noisy Metro ride > > > --- > > approaches a", "with the flow into the belly of the beast; down a white >", "> relatively featureless tunnel like workers marching in an urban > dystopia. We", "man turns > away. I look at the man and he continues to", "We take a spectacularly noisy Metro ride > > > --- > >", "at the man and he continues to look away but now looks a", "continues to look away but now looks a > bit awkward about doing", "help but the man turns > away. I look at the man and", "he continues to look away but now looks a > bit awkward about", "a man in a booth to ask for help but the man turns", "man in a booth to ask for help but the man turns >", "a short book about a trip to Moscow that I made. Is it", "must go with the flow into the belly of the beast; down a", "> away. I look at the man and he continues to look away", "down a white > relatively featureless tunnel like workers marching in an urban", "way. Might this be considered defamatory? > > We must go with the", "I look at the man and he continues to look away but now", "and he continues to look away but now looks a > bit awkward", "We see our platform and squash into the train. > > > ---", "flow into the belly of the beast; down a white > relatively featureless", "to mention the Moscow Metro and specific stations? Also I've described walking through", "spectacularly noisy Metro ride > > > --- > > approaches a man", "specific stations? Also I've described walking through it in the following way. Might", "> > > --- > > We take a spectacularly noisy Metro ride", "> > approaches a man in a booth to ask for help but", "like workers marching in an urban > dystopia. We see our platform and", "but now looks a > bit awkward about doing it but he still", "into the belly of the beast; down a white > relatively featureless tunnel", "--- > > approaches a man in a booth to ask for help", "Moscow that I made. Is it OK for me to mention the Moscow", "> > We take a spectacularly noisy Metro ride > > > ---", "belly of the beast; down a white > relatively featureless tunnel like workers", "squash into the train. > > > --- > > We take a", "for help but the man turns > away. I look at the man", "I made. Is it OK for me to mention the Moscow Metro and", "walking through it in the following way. Might this be considered defamatory? >", "booth to ask for help but the man turns > away. I look", "train. > > > --- > > We take a spectacularly noisy Metro", "it OK for me to mention the Moscow Metro and specific stations? Also", "take a spectacularly noisy Metro ride > > > --- > > approaches", "in the following way. Might this be considered defamatory? > > We must", "featureless tunnel like workers marching in an urban > dystopia. We see our", "considered defamatory? > > We must go with the flow into the belly", "OK for me to mention the Moscow Metro and specific stations? Also I've", "our platform and squash into the train. > > > --- > >", "white > relatively featureless tunnel like workers marching in an urban > dystopia.", "away. I look at the man and he continues to look away but", "> > > --- > > approaches a man in a booth to", "book about a trip to Moscow that I made. Is it OK for", "a booth to ask for help but the man turns > away. I", "> We must go with the flow into the belly of the beast;", "to look away but now looks a > bit awkward about doing it", "the following way. Might this be considered defamatory? > > We must go", "marching in an urban > dystopia. We see our platform and squash into", "beast; down a white > relatively featureless tunnel like workers marching in an", "Moscow Metro and specific stations? Also I've described walking through it in the", "to ask for help but the man turns > away. I look at", "Metro and specific stations? Also I've described walking through it in the following", "trip to Moscow that I made. Is it OK for me to mention", "> > We must go with the flow into the belly of the", "through it in the following way. Might this be considered defamatory? > >", "workers marching in an urban > dystopia. We see our platform and squash", "platform and squash into the train. > > > --- > > We", "> dystopia. We see our platform and squash into the train. > >", "man and he continues to look away but now looks a > bit", "short book about a trip to Moscow that I made. Is it OK", "the flow into the belly of the beast; down a white > relatively", "now looks a > bit awkward about doing it but he still does", "a > bit awkward about doing it but he still does it. >", "> --- > > approaches a man in a booth to ask for", "in a booth to ask for help but the man turns > away.", "it in the following way. Might this be considered defamatory? > > We", "> > --- > > We take a spectacularly noisy Metro ride >", "awkward about doing it but he still does it. > > > [http://www.amazon.com/Marriage-Moscow-Ian-Warburton-ebook/dp/B011J47AOE](http://rads.stackoverflow.com/amzn/click/B011J47AOE)", "me to mention the Moscow Metro and specific stations? Also I've described walking", "ask for help but the man turns > away. I look at the", "the beast; down a white > relatively featureless tunnel like workers marching in", "for me to mention the Moscow Metro and specific stations? Also I've described", "Might this be considered defamatory? > > We must go with the flow", "> bit awkward about doing it but he still does it. > >", "see our platform and squash into the train. > > > --- >", "a white > relatively featureless tunnel like workers marching in an urban >", "defamatory? > > We must go with the flow into the belly of", "to Moscow that I made. Is it OK for me to mention the", "Metro ride > > > --- > > approaches a man in a", "urban > dystopia. We see our platform and squash into the train. >", "turns > away. I look at the man and he continues to look", "publishing a short book about a trip to Moscow that I made. Is", "look at the man and he continues to look away but now looks", "away but now looks a > bit awkward about doing it but he" ]
[ "about my main hero/protagonist I draw a blank other then the main power", "blank other then the main power he has... So should I just not", "chars and side chars I can get the general idea on how I", "make this hero/protagonist the main person the story follows or try to think", "try to write about my main hero/protagonist I draw a blank other then", "how I want them to act what they have been through ETC. But", "to act what they have been through ETC. But when I try to", "I try to write about my main hero/protagonist I draw a blank other", "can get the general idea on how I want them to act what", "So should I just not make this hero/protagonist the main person the story", "of my main chars and side chars I can get the general idea", "act what they have been through ETC. But when I try to write", "been through ETC. But when I try to write about my main hero/protagonist", "write about my main hero/protagonist I draw a blank other then the main", "I'm trying to write backstories for all of my main chars and side", "the main power he has... So should I just not make this hero/protagonist", "other then the main power he has... So should I just not make", "main chars and side chars I can get the general idea on how", "when I try to write about my main hero/protagonist I draw a blank", "trying to write backstories for all of my main chars and side chars", "what they have been through ETC. But when I try to write about", "through ETC. But when I try to write about my main hero/protagonist I", "So when I'm trying to write backstories for all of my main chars", "ETC. But when I try to write about my main hero/protagonist I draw", "has... So should I just not make this hero/protagonist the main person the", "just not make this hero/protagonist the main person the story follows or try", "not make this hero/protagonist the main person the story follows or try to", "chars I can get the general idea on how I want them to", "draw a blank other then the main power he has... So should I", "they have been through ETC. But when I try to write about my", "write backstories for all of my main chars and side chars I can", "general idea on how I want them to act what they have been", "them to act what they have been through ETC. But when I try", "my main hero/protagonist I draw a blank other then the main power he", "get the general idea on how I want them to act what they", "he has... So should I just not make this hero/protagonist the main person", "all of my main chars and side chars I can get the general", "then the main power he has... So should I just not make this", "the general idea on how I want them to act what they have", "should I just not make this hero/protagonist the main person the story follows", "main power he has... So should I just not make this hero/protagonist the", "side chars I can get the general idea on how I want them", "But when I try to write about my main hero/protagonist I draw a", "want them to act what they have been through ETC. But when I", "backstories for all of my main chars and side chars I can get", "a blank other then the main power he has... So should I just", "power he has... So should I just not make this hero/protagonist the main", "my main chars and side chars I can get the general idea on", "I want them to act what they have been through ETC. But when", "to write about my main hero/protagonist I draw a blank other then the", "main hero/protagonist I draw a blank other then the main power he has...", "have been through ETC. But when I try to write about my main", "and side chars I can get the general idea on how I want", "to write backstories for all of my main chars and side chars I", "when I'm trying to write backstories for all of my main chars and", "I can get the general idea on how I want them to act", "hero/protagonist I draw a blank other then the main power he has... So", "for all of my main chars and side chars I can get the", "I just not make this hero/protagonist the main person the story follows or", "I draw a blank other then the main power he has... So should", "this hero/protagonist the main person the story follows or try to think harder?", "on how I want them to act what they have been through ETC.", "idea on how I want them to act what they have been through" ]
[ "didn't tell how it should be written without sentimentalism, which is hard, because", "a scene like that, and as for me, to show a crying scene", "a teardrop rolled by her cheek\". However, I had read an article from", "a respected writer (I can't remember who) saying how sentimentalism is bad for", "show a crying scene I'd write something like \"then a teardrop rolled by", "crying scene I'd write something like \"then a teardrop rolled by her cheek\".", "scene, and said that writing something like \"then a teardrop rolled by her", "something sentimental, making it not sentimental I would be telling, not showing. And", "as for me, to show a crying scene I'd write something like \"then", "a story, and used as an example a crying scene, and said that", "telling, not showing. And that's what I want to know: how to show", "however, this writer didn't tell how it should be written without sentimentalism, which", "too sentimental, however, this writer didn't tell how it should be written without", "is hard, because the act of crying is itself something sentimental, making it", "of crying is itself something sentimental, making it not sentimental I would be", "respected writer (I can't remember who) saying how sentimentalism is bad for a", "difficulty in showing a scene like that, and as for me, to show", "article from a respected writer (I can't remember who) saying how sentimentalism is", "(I can't remember who) saying how sentimentalism is bad for a story, and", "her cheek\". However, I had read an article from a respected writer (I", "used as an example a crying scene, and said that writing something like", "and said that writing something like \"then a teardrop rolled by her cheek\"", "how to show (not tell) a crying or sad scene without using sentimentalism?", "sentimental I would be telling, not showing. And that's what I want to", "cheek\" is too sentimental, however, this writer didn't tell how it should be", "a crying scene, and said that writing something like \"then a teardrop rolled", "had no difficulty in showing a scene like that, and as for me,", "no difficulty in showing a scene like that, and as for me, to", "not showing. And that's what I want to know: how to show (not", "the act of crying is itself something sentimental, making it not sentimental I", "And that's what I want to know: how to show (not tell) a", "read an article from a respected writer (I can't remember who) saying how", "scene like that, and as for me, to show a crying scene I'd", "had read an article from a respected writer (I can't remember who) saying", "bad for a story, and used as an example a crying scene, and", "like that, and as for me, to show a crying scene I'd write", "and as for me, to show a crying scene I'd write something like", "because the act of crying is itself something sentimental, making it not sentimental", "be telling, not showing. And that's what I want to know: how to", "I would be telling, not showing. And that's what I want to know:", "without sentimentalism, which is hard, because the act of crying is itself something", "not sentimental I would be telling, not showing. And that's what I want", "writer didn't tell how it should be written without sentimentalism, which is hard,", "tell how it should be written without sentimentalism, which is hard, because the", "should be written without sentimentalism, which is hard, because the act of crying", "to show a crying scene I'd write something like \"then a teardrop rolled", "cheek\". However, I had read an article from a respected writer (I can't", "how sentimentalism is bad for a story, and used as an example a", "making it not sentimental I would be telling, not showing. And that's what", "want to know: how to show (not tell) a crying or sad scene", "example a crying scene, and said that writing something like \"then a teardrop", "by her cheek\". However, I had read an article from a respected writer", "a crying scene I'd write something like \"then a teardrop rolled by her", "can't remember who) saying how sentimentalism is bad for a story, and used", "sentimentalism is bad for a story, and used as an example a crying", "rolled by her cheek\". However, I had read an article from a respected", "that writing something like \"then a teardrop rolled by her cheek\" is too", "hard, because the act of crying is itself something sentimental, making it not", "for me, to show a crying scene I'd write something like \"then a", "an article from a respected writer (I can't remember who) saying how sentimentalism", "\"then a teardrop rolled by her cheek\". However, I had read an article", "Previously, I had no difficulty in showing a scene like that, and as", "scene I'd write something like \"then a teardrop rolled by her cheek\". However,", "act of crying is itself something sentimental, making it not sentimental I would", "showing. And that's what I want to know: how to show (not tell)", "from a respected writer (I can't remember who) saying how sentimentalism is bad", "I'd write something like \"then a teardrop rolled by her cheek\". However, I", "an example a crying scene, and said that writing something like \"then a", "that's what I want to know: how to show (not tell) a crying", "as an example a crying scene, and said that writing something like \"then", "teardrop rolled by her cheek\". However, I had read an article from a", "I had no difficulty in showing a scene like that, and as for", "how it should be written without sentimentalism, which is hard, because the act", "it should be written without sentimentalism, which is hard, because the act of", "sentimentalism, which is hard, because the act of crying is itself something sentimental,", "what I want to know: how to show (not tell) a crying or", "that, and as for me, to show a crying scene I'd write something", "remember who) saying how sentimentalism is bad for a story, and used as", "story, and used as an example a crying scene, and said that writing", "sentimental, making it not sentimental I would be telling, not showing. And that's", "and used as an example a crying scene, and said that writing something", "itself something sentimental, making it not sentimental I would be telling, not showing.", "is too sentimental, however, this writer didn't tell how it should be written", "crying is itself something sentimental, making it not sentimental I would be telling,", "by her cheek\" is too sentimental, however, this writer didn't tell how it", "something like \"then a teardrop rolled by her cheek\" is too sentimental, however,", "written without sentimentalism, which is hard, because the act of crying is itself", "like \"then a teardrop rolled by her cheek\" is too sentimental, however, this", "However, I had read an article from a respected writer (I can't remember", "I want to know: how to show (not tell) a crying or sad", "I had read an article from a respected writer (I can't remember who)", "is itself something sentimental, making it not sentimental I would be telling, not", "something like \"then a teardrop rolled by her cheek\". However, I had read", "in showing a scene like that, and as for me, to show a", "this writer didn't tell how it should be written without sentimentalism, which is", "\"then a teardrop rolled by her cheek\" is too sentimental, however, this writer", "rolled by her cheek\" is too sentimental, however, this writer didn't tell how", "which is hard, because the act of crying is itself something sentimental, making", "for a story, and used as an example a crying scene, and said", "who) saying how sentimentalism is bad for a story, and used as an", "showing a scene like that, and as for me, to show a crying", "her cheek\" is too sentimental, however, this writer didn't tell how it should", "saying how sentimentalism is bad for a story, and used as an example", "it not sentimental I would be telling, not showing. And that's what I", "sentimental, however, this writer didn't tell how it should be written without sentimentalism,", "said that writing something like \"then a teardrop rolled by her cheek\" is", "like \"then a teardrop rolled by her cheek\". However, I had read an", "crying scene, and said that writing something like \"then a teardrop rolled by", "to know: how to show (not tell) a crying or sad scene without", "teardrop rolled by her cheek\" is too sentimental, however, this writer didn't tell", "write something like \"then a teardrop rolled by her cheek\". However, I had", "me, to show a crying scene I'd write something like \"then a teardrop", "be written without sentimentalism, which is hard, because the act of crying is", "would be telling, not showing. And that's what I want to know: how", "writer (I can't remember who) saying how sentimentalism is bad for a story,", "writing something like \"then a teardrop rolled by her cheek\" is too sentimental,", "is bad for a story, and used as an example a crying scene,", "know: how to show (not tell) a crying or sad scene without using", "a teardrop rolled by her cheek\" is too sentimental, however, this writer didn't" ]
[ "* Should I just leave a space and write on? * Should I", "fix a lot of these instinctively -- without even thinking about it I", "write on? * Should I fully disable the backspace, delete and arrow keys", "it. * Should I be doing that when freewriting? * Should I just", "it I will hit back space a few times and fix it. ", "will fix a lot of these instinctively -- without even thinking about it", "Should I just leave a space and write on? Should I fully", "overcome writer's block. I tend to make terrible typos, possibly related to my", "the backspace, delete and arrow keys to force myself out of the habit?", "* Should I be doing that when freewriting? * Should I just leave", "and fix it. * Should I be doing that when freewriting? * Should", "spelling etc. Normally when writing I will fix a lot of these instinctively", "daily exercises to help overcome writer's block. I tend to make terrible typos,", "when writing I will fix a lot of these instinctively -- without even", "these instinctively -- without even thinking about it I will hit back space", "bad at spelling etc. Normally when writing I will fix a lot of", "even thinking about it I will hit back space a few times and", "freewriting? * Should I just leave a space and write on? * Should", "I will hit back space a few times and fix it. * Should", "keys offset by one position, just plain being bad at spelling etc. Normally", "leave a space and write on? * Should I fully disable the backspace,", "I just leave a space and write on? * Should I fully disable", "university recommends [Freewriting](https://en.wikipedia.org/wiki/Free_writing) to all its postgraduate students as a daily exercises to", "terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by", "just plain being bad at spelling etc. Normally when writing I will fix", "keys, all keys offset by one position, just plain being bad at spelling", "on? * Should I fully disable the backspace, delete and arrow keys to", "plain being bad at spelling etc. Normally when writing I will fix a", "tend to make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all", "fully disable the backspace, delete and arrow keys to force myself out of", "a daily exercises to help overcome writer's block. I tend to make terrible", "space and write on? * Should I fully disable the backspace, delete and", "be doing that when freewriting? * Should I just leave a space and", "as a daily exercises to help overcome writer's block. I tend to make", "related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one position, just", "about it I will hit back space a few times and fix it.", "exercises to help overcome writer's block. I tend to make terrible typos, possibly", "back space a few times and fix it. * Should I be doing", "to make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys", "make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset", "* Should I fully disable the backspace, delete and arrow keys to force", "when freewriting? * Should I just leave a space and write on? ", "lot of these instinctively -- without even thinking about it I will hit", "few times and fix it. Should I be doing that when freewriting?", "My university recommends [Freewriting](https://en.wikipedia.org/wiki/Free_writing) to all its postgraduate students as a daily exercises", "hit back space a few times and fix it. * Should I be", "Should I be doing that when freewriting? * Should I just leave a", "its postgraduate students as a daily exercises to help overcome writer's block. I", "I be doing that when freewriting? * Should I just leave a space", "typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one", "at spelling etc. Normally when writing I will fix a lot of these", "thinking about it I will hit back space a few times and fix", "and write on? * Should I fully disable the backspace, delete and arrow", "my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one position, just plain being", "will hit back space a few times and fix it. * Should I", "to all its postgraduate students as a daily exercises to help overcome writer's", "I will fix a lot of these instinctively -- without even thinking about", "a lot of these instinctively -- without even thinking about it I will", "[Freewriting](https://en.wikipedia.org/wiki/Free_writing) to all its postgraduate students as a daily exercises to help overcome", "postgraduate students as a daily exercises to help overcome writer's block. I tend", "Normally when writing I will fix a lot of these instinctively -- without", "doing that when freewriting? * Should I just leave a space and write", "by one position, just plain being bad at spelling etc. Normally when writing", "space a few times and fix it. * Should I be doing that", "students as a daily exercises to help overcome writer's block. I tend to", "offset by one position, just plain being bad at spelling etc. Normally when", "of these instinctively -- without even thinking about it I will hit back", "-- without even thinking about it I will hit back space a few", "I fully disable the backspace, delete and arrow keys to force myself out", "disable the backspace, delete and arrow keys to force myself out of the", "that when freewriting? * Should I just leave a space and write on?", "[disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one position, just plain being bad", "writing I will fix a lot of these instinctively -- without even thinking", "without even thinking about it I will hit back space a few times", "writer's block. I tend to make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia).", "a few times and fix it. * Should I be doing that when", "being bad at spelling etc. Normally when writing I will fix a lot", "help overcome writer's block. I tend to make terrible typos, possibly related to", "etc. Normally when writing I will fix a lot of these instinctively --", "recommends [Freewriting](https://en.wikipedia.org/wiki/Free_writing) to all its postgraduate students as a daily exercises to help", "all its postgraduate students as a daily exercises to help overcome writer's block.", "one position, just plain being bad at spelling etc. Normally when writing I", "possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one position,", "I tend to make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys,", "block. I tend to make terrible typos, possibly related to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing", "times and fix it. * Should I be doing that when freewriting? ", "Should I fully disable the backspace, delete and arrow keys to force myself", "all keys offset by one position, just plain being bad at spelling etc.", "to my [disgraphia](https://en.wikipedia.org/wiki/Dysgraphia). missing keys, all keys offset by one position, just plain", "fix it. Should I be doing that when freewriting? * Should I", "a space and write on? * Should I fully disable the backspace, delete", "instinctively -- without even thinking about it I will hit back space a", "position, just plain being bad at spelling etc. Normally when writing I will", "just leave a space and write on? * Should I fully disable the", "to help overcome writer's block. I tend to make terrible typos, possibly related", "missing keys, all keys offset by one position, just plain being bad at" ]
[ "doesn't want any of his friends around her. I want Xunjej's chapter to", "why he's so worried, but the reader will know because Ali's chapter comes", "they haven't met yet. Ali has just gotten into a terrible car accident", "reader will know because Ali's chapter comes first. Is there any advice anyone", "yet because they're in college while she just finished high school and her", "want Xunjej's chapter to start when MaxyXv rushes out to get Ali, but", "boy's (Xunjej) chapter I can't figure out how to make it interesting. It's", "her brother's best friend, and he knows of Ali but hasn't met her", "college while she just finished high school and her brother is over-protective of", "met her yet because they're in college while she just finished high school", "of Ali but hasn't met her yet because they're in college while she", "very pleased with it as I've been trying a lot of different things", "to start when MaxyXv rushes out to get Ali, but MaxyXv doesn't explain", "get Ali, but MaxyXv doesn't explain where he's going or why he's so", "as I've been trying a lot of different things for about two years", "figure out how to make it interesting. It's a love story, but they", "interesting. It's a love story, but they haven't met yet. Ali has just", "make it interesting. It's a love story, but they haven't met yet. Ali", "is her brother's best friend, and he knows of Ali but hasn't met", "friend, and he knows of Ali but hasn't met her yet because they're", "but hasn't met her yet because they're in college while she just finished", "going or why he's so worried, but the reader will know because Ali's", "in college while she just finished high school and her brother is over-protective", "when I start the boy's (Xunjej) chapter I can't figure out how to", "I start the boy's (Xunjej) chapter I can't figure out how to make", "to make it interesting. It's a love story, but they haven't met yet.", "years now and when I start the boy's (Xunjej) chapter I can't figure", "I want Xunjej's chapter to start when MaxyXv rushes out to get Ali,", "can't figure out how to make it interesting. It's a love story, but", "knows of Ali but hasn't met her yet because they're in college while", "with it as I've been trying a lot of different things for about", "(Ali) chapter and I'm very pleased with it as I've been trying a", "haven't met yet. Ali has just gotten into a terrible car accident and", "her. I want Xunjej's chapter to start when MaxyXv rushes out to get", "gotten into a terrible car accident and her brother drops everything to get", "around her. I want Xunjej's chapter to start when MaxyXv rushes out to", "for about two years now and when I start the boy's (Xunjej) chapter", "high school and her brother is over-protective of her and doesn't want any", "at the hospital when he finds out. Xunjej is her brother's best friend,", "brother's best friend, and he knows of Ali but hasn't met her yet", "his friends around her. I want Xunjej's chapter to start when MaxyXv rushes", "to get Ali, but MaxyXv doesn't explain where he's going or why he's", "already wrote the girl's (Ali) chapter and I'm very pleased with it as", "terrible car accident and her brother drops everything to get her at the", "Xunjej's chapter to start when MaxyXv rushes out to get Ali, but MaxyXv", "get her at the hospital when he finds out. Xunjej is her brother's", "brother drops everything to get her at the hospital when he finds out.", "Ali, but MaxyXv doesn't explain where he's going or why he's so worried,", "her yet because they're in college while she just finished high school and", "he's so worried, but the reader will know because Ali's chapter comes first.", "is over-protective of her and doesn't want any of his friends around her.", "chapter I can't figure out how to make it interesting. It's a love", "I already wrote the girl's (Ali) chapter and I'm very pleased with it", "car accident and her brother drops everything to get her at the hospital", "first. Is there any advice anyone can give me on how to start", "different things for about two years now and when I start the boy's", "her brother is over-protective of her and doesn't want any of his friends", "two years now and when I start the boy's (Xunjej) chapter I can't", "of different things for about two years now and when I start the", "lot of different things for about two years now and when I start", "start when MaxyXv rushes out to get Ali, but MaxyXv doesn't explain where", "when MaxyXv rushes out to get Ali, but MaxyXv doesn't explain where he's", "Is there any advice anyone can give me on how to start this?", "and her brother drops everything to get her at the hospital when he", "it as I've been trying a lot of different things for about two", "chapter to start when MaxyXv rushes out to get Ali, but MaxyXv doesn't", "I'm very pleased with it as I've been trying a lot of different", "has just gotten into a terrible car accident and her brother drops everything", "accident and her brother drops everything to get her at the hospital when", "her and doesn't want any of his friends around her. I want Xunjej's", "just finished high school and her brother is over-protective of her and doesn't", "the reader will know because Ali's chapter comes first. Is there any advice", "her at the hospital when he finds out. Xunjej is her brother's best", "know because Ali's chapter comes first. Is there any advice anyone can give", "a love story, but they haven't met yet. Ali has just gotten into", "out. Xunjej is her brother's best friend, and he knows of Ali but", "wrote the girl's (Ali) chapter and I'm very pleased with it as I've", "he knows of Ali but hasn't met her yet because they're in college", "and doesn't want any of his friends around her. I want Xunjej's chapter", "Ali has just gotten into a terrible car accident and her brother drops", "yet. Ali has just gotten into a terrible car accident and her brother", "the hospital when he finds out. Xunjej is her brother's best friend, and", "trying a lot of different things for about two years now and when", "everything to get her at the hospital when he finds out. Xunjej is", "when he finds out. Xunjej is her brother's best friend, and he knows", "story, but they haven't met yet. Ali has just gotten into a terrible", "out to get Ali, but MaxyXv doesn't explain where he's going or why", "doesn't explain where he's going or why he's so worried, but the reader", "he's going or why he's so worried, but the reader will know because", "into a terrible car accident and her brother drops everything to get her", "and I'm very pleased with it as I've been trying a lot of", "brother is over-protective of her and doesn't want any of his friends around", "any of his friends around her. I want Xunjej's chapter to start when", "start the boy's (Xunjej) chapter I can't figure out how to make it", "will know because Ali's chapter comes first. Is there any advice anyone can", "out how to make it interesting. It's a love story, but they haven't", "love story, but they haven't met yet. Ali has just gotten into a", "comes first. Is there any advice anyone can give me on how to", "I can't figure out how to make it interesting. It's a love story,", "Ali's chapter comes first. Is there any advice anyone can give me on", "or why he's so worried, but the reader will know because Ali's chapter", "pleased with it as I've been trying a lot of different things for", "MaxyXv rushes out to get Ali, but MaxyXv doesn't explain where he's going", "it interesting. It's a love story, but they haven't met yet. Ali has", "drops everything to get her at the hospital when he finds out. Xunjej", "want any of his friends around her. I want Xunjej's chapter to start", "school and her brother is over-protective of her and doesn't want any of", "of her and doesn't want any of his friends around her. I want", "It's a love story, but they haven't met yet. Ali has just gotten", "friends around her. I want Xunjej's chapter to start when MaxyXv rushes out", "worried, but the reader will know because Ali's chapter comes first. Is there", "finds out. Xunjej is her brother's best friend, and he knows of Ali", "about two years now and when I start the boy's (Xunjej) chapter I", "best friend, and he knows of Ali but hasn't met her yet because", "chapter comes first. Is there any advice anyone can give me on how", "met yet. Ali has just gotten into a terrible car accident and her", "I've been trying a lot of different things for about two years now", "so worried, but the reader will know because Ali's chapter comes first. Is", "been trying a lot of different things for about two years now and", "a terrible car accident and her brother drops everything to get her at", "Xunjej is her brother's best friend, and he knows of Ali but hasn't", "there any advice anyone can give me on how to start this? Thanks!", "while she just finished high school and her brother is over-protective of her", "chapter and I'm very pleased with it as I've been trying a lot", "he finds out. Xunjej is her brother's best friend, and he knows of", "because Ali's chapter comes first. Is there any advice anyone can give me", "and when I start the boy's (Xunjej) chapter I can't figure out how", "but they haven't met yet. Ali has just gotten into a terrible car", "just gotten into a terrible car accident and her brother drops everything to", "hospital when he finds out. Xunjej is her brother's best friend, and he", "they're in college while she just finished high school and her brother is", "now and when I start the boy's (Xunjej) chapter I can't figure out", "over-protective of her and doesn't want any of his friends around her. I", "girl's (Ali) chapter and I'm very pleased with it as I've been trying", "the boy's (Xunjej) chapter I can't figure out how to make it interesting.", "where he's going or why he's so worried, but the reader will know", "(Xunjej) chapter I can't figure out how to make it interesting. It's a", "she just finished high school and her brother is over-protective of her and", "her brother drops everything to get her at the hospital when he finds", "the girl's (Ali) chapter and I'm very pleased with it as I've been", "and he knows of Ali but hasn't met her yet because they're in", "Ali but hasn't met her yet because they're in college while she just", "hasn't met her yet because they're in college while she just finished high", "explain where he's going or why he's so worried, but the reader will", "because they're in college while she just finished high school and her brother", "of his friends around her. I want Xunjej's chapter to start when MaxyXv", "rushes out to get Ali, but MaxyXv doesn't explain where he's going or", "to get her at the hospital when he finds out. Xunjej is her", "how to make it interesting. It's a love story, but they haven't met", "and her brother is over-protective of her and doesn't want any of his", "but the reader will know because Ali's chapter comes first. Is there any", "finished high school and her brother is over-protective of her and doesn't want", "but MaxyXv doesn't explain where he's going or why he's so worried, but", "things for about two years now and when I start the boy's (Xunjej)", "MaxyXv doesn't explain where he's going or why he's so worried, but the", "a lot of different things for about two years now and when I" ]
[ "bashing out their first novel, having spent an age digesting pages of advice", "they pay attention to what they've read. How could they determine when to", "question... This entire site is devoted to giving people advice on their writing,", "and magazines that intend to do the same. Personally I have an approach", "of advice on how best to write. How much should they pay attention", "think they should do something differently. How do they know what to listen", "But I enjoy the writing and at some point I'll likely chase myself", "should do something differently. How do they know what to listen to and", "is devoted to giving people advice on their writing, there are a near", "infinite number of books and magazines that intend to do the same. Personally", "How much should they pay attention to what they've read. How could they", "enjoy the writing and at some point I'll likely chase myself down the", "when to think they should do something differently. How do they know what", "to go against a lot of the perceived wisdom (I am happy to", "what they've read. How could they determine when to take heed and when", "there are a near infinite number of books and magazines that intend to", "have an approach to writing that seems to go against a lot of", "How could they determine when to take heed and when to think they", "a good question... This entire site is devoted to giving people advice on", "a lot of the perceived wisdom (I am happy to concede this could", "lot of the perceived wisdom (I am happy to concede this could be", "I'll likely chase myself down the publishing route. So for someone sitting at", "to [this](https://writers.stackexchange.com/questions/18160/when-using-freewriting-should-i-avoid-correcting-typos) question I thought this would make a good question... This entire", "to take heed and when to think they should do something differently. How", "of the perceived wisdom (I am happy to concede this could be why", "on their writing, there are a near infinite number of books and magazines", "seems to go against a lot of the perceived wisdom (I am happy", "happy to concede this could be why I've never published anything) But I", "anything) But I enjoy the writing and at some point I'll likely chase", "the publishing route. So for someone sitting at home scribbling / bashing out", "to do the same. Personally I have an approach to writing that seems", "advice on how best to write. How much should they pay attention to", "wisdom (I am happy to concede this could be why I've never published", "writing that seems to go against a lot of the perceived wisdom (I", "number of books and magazines that intend to do the same. Personally I", "perceived wisdom (I am happy to concede this could be why I've never", "This entire site is devoted to giving people advice on their writing, there", "something differently. How do they know what to listen to and what to", "pay attention to what they've read. How could they determine when to take", "/ bashing out their first novel, having spent an age digesting pages of", "an approach to writing that seems to go against a lot of the", "some point I'll likely chase myself down the publishing route. So for someone", "near infinite number of books and magazines that intend to do the same.", "how best to write. How much should they pay attention to what they've", "books and magazines that intend to do the same. Personally I have an", "attention to what they've read. How could they determine when to take heed", "people advice on their writing, there are a near infinite number of books", "they've read. How could they determine when to take heed and when to", "do the same. Personally I have an approach to writing that seems to", "digesting pages of advice on how best to write. How much should they", "magazines that intend to do the same. Personally I have an approach to", "Personally I have an approach to writing that seems to go against a", "So for someone sitting at home scribbling / bashing out their first novel,", "I have an approach to writing that seems to go against a lot", "route. So for someone sitting at home scribbling / bashing out their first", "home scribbling / bashing out their first novel, having spent an age digesting", "their first novel, having spent an age digesting pages of advice on how", "that intend to do the same. Personally I have an approach to writing", "sitting at home scribbling / bashing out their first novel, having spent an", "they determine when to take heed and when to think they should do", "the same. Personally I have an approach to writing that seems to go", "could they determine when to take heed and when to think they should", "am happy to concede this could be why I've never published anything) But", "for someone sitting at home scribbling / bashing out their first novel, having", "an age digesting pages of advice on how best to write. How much", "entire site is devoted to giving people advice on their writing, there are", "published anything) But I enjoy the writing and at some point I'll likely", "could be why I've never published anything) But I enjoy the writing and", "and when to think they should do something differently. How do they know", "against a lot of the perceived wisdom (I am happy to concede this", "to write. How much should they pay attention to what they've read. How", "of books and magazines that intend to do the same. Personally I have", "to what they've read. How could they determine when to take heed and", "read. How could they determine when to take heed and when to think", "intend to do the same. Personally I have an approach to writing that", "should they pay attention to what they've read. How could they determine when", "I enjoy the writing and at some point I'll likely chase myself down", "take heed and when to think they should do something differently. How do", "to giving people advice on their writing, there are a near infinite number", "to concede this could be why I've never published anything) But I enjoy", "devoted to giving people advice on their writing, there are a near infinite", "concede this could be why I've never published anything) But I enjoy the", "why I've never published anything) But I enjoy the writing and at some", "down the publishing route. So for someone sitting at home scribbling / bashing", "heed and when to think they should do something differently. How do they", "much should they pay attention to what they've read. How could they determine", "approach to writing that seems to go against a lot of the perceived", "replying to [this](https://writers.stackexchange.com/questions/18160/when-using-freewriting-should-i-avoid-correcting-typos) question I thought this would make a good question... This", "site is devoted to giving people advice on their writing, there are a", "I've never published anything) But I enjoy the writing and at some point", "the writing and at some point I'll likely chase myself down the publishing", "publishing route. So for someone sitting at home scribbling / bashing out their", "writing, there are a near infinite number of books and magazines that intend", "myself down the publishing route. So for someone sitting at home scribbling /", "giving people advice on their writing, there are a near infinite number of", "thought this would make a good question... This entire site is devoted to", "differently. How do they know what to listen to and what to ignore?", "same. Personally I have an approach to writing that seems to go against", "pages of advice on how best to write. How much should they pay", "good question... This entire site is devoted to giving people advice on their", "question I thought this would make a good question... This entire site is", "be why I've never published anything) But I enjoy the writing and at", "when to take heed and when to think they should do something differently.", "their writing, there are a near infinite number of books and magazines that", "someone sitting at home scribbling / bashing out their first novel, having spent", "go against a lot of the perceived wisdom (I am happy to concede", "I thought this would make a good question... This entire site is devoted", "that seems to go against a lot of the perceived wisdom (I am", "age digesting pages of advice on how best to write. How much should", "would make a good question... This entire site is devoted to giving people", "the perceived wisdom (I am happy to concede this could be why I've", "this would make a good question... This entire site is devoted to giving", "writing and at some point I'll likely chase myself down the publishing route.", "make a good question... This entire site is devoted to giving people advice", "at some point I'll likely chase myself down the publishing route. So for", "to think they should do something differently. How do they know what to", "write. How much should they pay attention to what they've read. How could", "are a near infinite number of books and magazines that intend to do", "chase myself down the publishing route. So for someone sitting at home scribbling", "best to write. How much should they pay attention to what they've read.", "and at some point I'll likely chase myself down the publishing route. So", "(I am happy to concede this could be why I've never published anything)", "point I'll likely chase myself down the publishing route. So for someone sitting", "[this](https://writers.stackexchange.com/questions/18160/when-using-freewriting-should-i-avoid-correcting-typos) question I thought this would make a good question... This entire site", "they should do something differently. How do they know what to listen to", "a near infinite number of books and magazines that intend to do the", "to writing that seems to go against a lot of the perceived wisdom", "advice on their writing, there are a near infinite number of books and", "do something differently. How do they know what to listen to and what", "likely chase myself down the publishing route. So for someone sitting at home", "out their first novel, having spent an age digesting pages of advice on", "scribbling / bashing out their first novel, having spent an age digesting pages", "this could be why I've never published anything) But I enjoy the writing", "having spent an age digesting pages of advice on how best to write.", "on how best to write. How much should they pay attention to what", "first novel, having spent an age digesting pages of advice on how best", "at home scribbling / bashing out their first novel, having spent an age", "novel, having spent an age digesting pages of advice on how best to", "In replying to [this](https://writers.stackexchange.com/questions/18160/when-using-freewriting-should-i-avoid-correcting-typos) question I thought this would make a good question...", "determine when to take heed and when to think they should do something", "never published anything) But I enjoy the writing and at some point I'll", "spent an age digesting pages of advice on how best to write. How" ]
[ "dialogue for characters, say two or more who are speaking back and forth", "forth do you have to put who is speaking on every time you", "switch characters? Is it needed to put their name before they speak? Is", "for characters, say two or more who are speaking back and forth do", "every time you switch characters? Is it needed to put their name before", "characters, say two or more who are speaking back and forth do you", "it needed to put their name before they speak? Is it easier to", "you switch characters? Is it needed to put their name before they speak?", "to put their name before they speak? Is it easier to read that", "who are speaking back and forth do you have to put who is", "speaking back and forth do you have to put who is speaking on", "writing a dialogue for characters, say two or more who are speaking back", "more who are speaking back and forth do you have to put who", "say two or more who are speaking back and forth do you have", "two or more who are speaking back and forth do you have to", "characters? Is it needed to put their name before they speak? Is it", "on every time you switch characters? Is it needed to put their name", "and forth do you have to put who is speaking on every time", "or more who are speaking back and forth do you have to put", "time you switch characters? Is it needed to put their name before they", "have to put who is speaking on every time you switch characters? Is", "do you have to put who is speaking on every time you switch", "back and forth do you have to put who is speaking on every", "When writing a dialogue for characters, say two or more who are speaking", "you have to put who is speaking on every time you switch characters?", "put who is speaking on every time you switch characters? Is it needed", "speaking on every time you switch characters? Is it needed to put their", "to put who is speaking on every time you switch characters? Is it", "who is speaking on every time you switch characters? Is it needed to", "needed to put their name before they speak? Is it easier to read", "are speaking back and forth do you have to put who is speaking", "put their name before they speak? Is it easier to read that way?", "Is it needed to put their name before they speak? Is it easier", "a dialogue for characters, say two or more who are speaking back and", "is speaking on every time you switch characters? Is it needed to put" ]
[ "same time. Does anyone have any tips for how to write song lyrics?", "maintaining a regular rhythm, making it rhyme and writing something that makes sense", "at the same time. Does anyone have any tips for how to write", "writing something that makes sense all at the same time. Does anyone have", "it rhyme and writing something that makes sense all at the same time.", "tips for how to write song lyrics? (This is not about writers block.", "I find writing song lyrics really difficult -- maintaining a regular rhythm, making", "I want to include already written. It just isn't in the form of", "making it rhyme and writing something that makes sense all at the same", "writing song lyrics really difficult -- maintaining a regular rhythm, making it rhyme", "all at the same time. Does anyone have any tips for how to", "Does anyone have any tips for how to write song lyrics? (This is", "lyrics? (This is not about writers block. I have the material I want", "block. I have the material I want to include already written. It just", "and writing something that makes sense all at the same time. Does anyone", "not about writers block. I have the material I want to include already", "really difficult -- maintaining a regular rhythm, making it rhyme and writing something", "sense all at the same time. Does anyone have any tips for how", "difficult -- maintaining a regular rhythm, making it rhyme and writing something that", "time. Does anyone have any tips for how to write song lyrics? (This", "about writers block. I have the material I want to include already written.", "write song lyrics? (This is not about writers block. I have the material", "the material I want to include already written. It just isn't in the", "is not about writers block. I have the material I want to include", "writers block. I have the material I want to include already written. It", "want to include already written. It just isn't in the form of a", "for how to write song lyrics? (This is not about writers block. I", "regular rhythm, making it rhyme and writing something that makes sense all at", "find writing song lyrics really difficult -- maintaining a regular rhythm, making it", "to write song lyrics? (This is not about writers block. I have the", "have the material I want to include already written. It just isn't in", "song lyrics? (This is not about writers block. I have the material I", "(This is not about writers block. I have the material I want to", "to include already written. It just isn't in the form of a poem.)", "makes sense all at the same time. Does anyone have any tips for", "song lyrics really difficult -- maintaining a regular rhythm, making it rhyme and", "the same time. Does anyone have any tips for how to write song", "have any tips for how to write song lyrics? (This is not about", "any tips for how to write song lyrics? (This is not about writers", "how to write song lyrics? (This is not about writers block. I have", "rhyme and writing something that makes sense all at the same time. Does", "rhythm, making it rhyme and writing something that makes sense all at the", "lyrics really difficult -- maintaining a regular rhythm, making it rhyme and writing", "a regular rhythm, making it rhyme and writing something that makes sense all", "anyone have any tips for how to write song lyrics? (This is not", "I have the material I want to include already written. It just isn't", "something that makes sense all at the same time. Does anyone have any", "material I want to include already written. It just isn't in the form", "-- maintaining a regular rhythm, making it rhyme and writing something that makes", "that makes sense all at the same time. Does anyone have any tips" ]
[ "fairly paranoid. On every book there is a copyright page and usually it", "am self-publishing I need to know what I should put on my copyright", "page and usually it says: \"Copyright C #### by blah blah blah inc.\"", "up my work with several methods, some of which are fairly paranoid. On", "moment of it's creation. I have backed up my work with several methods,", "backed up my work with several methods, some of which are fairly paranoid.", "protected by copyright law from the moment of it's creation. I have backed", "says: \"Copyright C #### by blah blah blah inc.\" Since I am self-publishing", "usually it says: \"Copyright C #### by blah blah blah inc.\" Since I", "that all intellectual property is protected by copyright law from the moment of", "it's creation. I have backed up my work with several methods, some of", "several methods, some of which are fairly paranoid. On every book there is", "inc.\" Since I am self-publishing I need to know what I should put", "title is. I do know that all intellectual property is protected by copyright", "a copyright page and usually it says: \"Copyright C #### by blah blah", "work with several methods, some of which are fairly paranoid. On every book", "which are fairly paranoid. On every book there is a copyright page and", "are fairly paranoid. On every book there is a copyright page and usually", "\"Copyright C #### by blah blah blah inc.\" Since I am self-publishing I", "and usually it says: \"Copyright C #### by blah blah blah inc.\" Since", "blah blah blah inc.\" Since I am self-publishing I need to know what", "the title is. I do know that all intellectual property is protected by", "law from the moment of it's creation. I have backed up my work", "paranoid. On every book there is a copyright page and usually it says:", "question is pretty much what the title is. I do know that all", "book there is a copyright page and usually it says: \"Copyright C ####", "blah inc.\" Since I am self-publishing I need to know what I should", "Since I am self-publishing I need to know what I should put on", "copyright law from the moment of it's creation. I have backed up my", "from the moment of it's creation. I have backed up my work with", "blah blah inc.\" Since I am self-publishing I need to know what I", "of it's creation. I have backed up my work with several methods, some", "by copyright law from the moment of it's creation. I have backed up", "every book there is a copyright page and usually it says: \"Copyright C", "is pretty much what the title is. I do know that all intellectual", "the moment of it's creation. I have backed up my work with several", "know that all intellectual property is protected by copyright law from the moment", "creation. I have backed up my work with several methods, some of which", "with several methods, some of which are fairly paranoid. On every book there", "methods, some of which are fairly paranoid. On every book there is a", "by blah blah blah inc.\" Since I am self-publishing I need to know", "#### by blah blah blah inc.\" Since I am self-publishing I need to", "is. I do know that all intellectual property is protected by copyright law", "there is a copyright page and usually it says: \"Copyright C #### by", "copyright page and usually it says: \"Copyright C #### by blah blah blah", "what the title is. I do know that all intellectual property is protected", "some of which are fairly paranoid. On every book there is a copyright", "self-publishing I need to know what I should put on my copyright page.", "intellectual property is protected by copyright law from the moment of it's creation.", "of which are fairly paranoid. On every book there is a copyright page", "On every book there is a copyright page and usually it says: \"Copyright", "property is protected by copyright law from the moment of it's creation. I", "much what the title is. I do know that all intellectual property is", "it says: \"Copyright C #### by blah blah blah inc.\" Since I am", "do know that all intellectual property is protected by copyright law from the", "I am self-publishing I need to know what I should put on my", "all intellectual property is protected by copyright law from the moment of it's", "is protected by copyright law from the moment of it's creation. I have", "have backed up my work with several methods, some of which are fairly", "my work with several methods, some of which are fairly paranoid. On every", "The question is pretty much what the title is. I do know that", "pretty much what the title is. I do know that all intellectual property", "I have backed up my work with several methods, some of which are", "C #### by blah blah blah inc.\" Since I am self-publishing I need", "I do know that all intellectual property is protected by copyright law from", "is a copyright page and usually it says: \"Copyright C #### by blah" ]
[ "theme and what theme is, but not much about how to make theme", "thought to this, and I decided that I want to either make or", "theme to my fantasy novel before I really get into it (as I", "of an unusual way to start out a book, so thanks for any", "about how to make theme (Besides the usual \"Oh, you'll figure it out", "that I want to either make or find a theme to my fantasy", "make theme (Besides the usual \"Oh, you'll figure it out eventually\"). From what", "From what I can tell, this is kind of an unusual way to", "fantasy novel before I really get into it (as I have started a", "figure it out eventually\"). From what I can tell, this is kind of", "want to either make or find a theme to my fantasy novel before", "about why stories should have theme and what theme is, but not much", "a whole lot of stuff about why stories should have theme and what", "theme (Besides the usual \"Oh, you'll figure it out eventually\"). From what I", "usual \"Oh, you'll figure it out eventually\"). From what I can tell, this", "I've given some thought to this, and I decided that I want to", "a theme to my fantasy novel before I really get into it (as", "started a couple pages already). I did some research online and found a", "have theme and what theme is, but not much about how to make", "out eventually\"). From what I can tell, this is kind of an unusual", "tell, this is kind of an unusual way to start out a book,", "really get into it (as I have started a couple pages already). I", "pages already). I did some research online and found a whole lot of", "already). I did some research online and found a whole lot of stuff", "have started a couple pages already). I did some research online and found", "theme is, but not much about how to make theme (Besides the usual", "I did some research online and found a whole lot of stuff about", "I want to either make or find a theme to my fantasy novel", "did some research online and found a whole lot of stuff about why", "online and found a whole lot of stuff about why stories should have", "stuff about why stories should have theme and what theme is, but not", "this, and I decided that I want to either make or find a", "or find a theme to my fantasy novel before I really get into", "should have theme and what theme is, but not much about how to", "not much about how to make theme (Besides the usual \"Oh, you'll figure", "it (as I have started a couple pages already). I did some research", "an unusual way to start out a book, so thanks for any advice", "to my fantasy novel before I really get into it (as I have", "(Besides the usual \"Oh, you'll figure it out eventually\"). From what I can", "a couple pages already). I did some research online and found a whole", "the usual \"Oh, you'll figure it out eventually\"). From what I can tell,", "is kind of an unusual way to start out a book, so thanks", "make or find a theme to my fantasy novel before I really get", "to this, and I decided that I want to either make or find", "stories should have theme and what theme is, but not much about how", "how to make theme (Besides the usual \"Oh, you'll figure it out eventually\").", "lot of stuff about why stories should have theme and what theme is,", "get into it (as I have started a couple pages already). I did", "I can tell, this is kind of an unusual way to start out", "unusual way to start out a book, so thanks for any advice :D", "novel before I really get into it (as I have started a couple", "into it (as I have started a couple pages already). I did some", "my fantasy novel before I really get into it (as I have started", "to either make or find a theme to my fantasy novel before I", "kind of an unusual way to start out a book, so thanks for", "and what theme is, but not much about how to make theme (Besides", "but not much about how to make theme (Besides the usual \"Oh, you'll", "is, but not much about how to make theme (Besides the usual \"Oh,", "this is kind of an unusual way to start out a book, so", "and found a whole lot of stuff about why stories should have theme", "some thought to this, and I decided that I want to either make", "before I really get into it (as I have started a couple pages", "whole lot of stuff about why stories should have theme and what theme", "couple pages already). I did some research online and found a whole lot", "of stuff about why stories should have theme and what theme is, but", "research online and found a whole lot of stuff about why stories should", "what I can tell, this is kind of an unusual way to start", "it out eventually\"). From what I can tell, this is kind of an", "either make or find a theme to my fantasy novel before I really", "I decided that I want to either make or find a theme to", "find a theme to my fantasy novel before I really get into it", "you'll figure it out eventually\"). From what I can tell, this is kind", "I have started a couple pages already). I did some research online and", "I really get into it (as I have started a couple pages already).", "can tell, this is kind of an unusual way to start out a", "\"Oh, you'll figure it out eventually\"). From what I can tell, this is", "to make theme (Besides the usual \"Oh, you'll figure it out eventually\"). From", "what theme is, but not much about how to make theme (Besides the", "eventually\"). From what I can tell, this is kind of an unusual way", "found a whole lot of stuff about why stories should have theme and", "much about how to make theme (Besides the usual \"Oh, you'll figure it", "given some thought to this, and I decided that I want to either", "decided that I want to either make or find a theme to my", "some research online and found a whole lot of stuff about why stories", "and I decided that I want to either make or find a theme", "(as I have started a couple pages already). I did some research online", "why stories should have theme and what theme is, but not much about" ]
[ "from unsuitable websites want to follow me there as well, and I'd like", "underage, but they are definitely not into any of that at all! If", "have other fictional subjects and put it online it so they can read", "already written and re-re-re-reread the first chapter (I am finicky) and it is", "internet friends from unsuitable websites want to follow me there as well, and", "etc. Some long-time internet friends from unsuitable websites want to follow me there", "end of it. ^\\_^ I freaking love doing this, and I'm told I'm", "it so they can read it, share it, etc. Some long-time internet friends", "friends are not underage, but they are definitely not into any of that", "cannot seem to find one. I promised my real-life friends (located all across", "but you're not sure I'd fit in or qualify, you have only to", "that I'd write up our RPG campaign as I have other fictional subjects", "if I can. However every site I go to either starts out fanfic", "I will never hear the end of it. ^\\_^ I freaking love doing", "only to ask for the details; please do! I've already written and re-re-re-reread", "friends (located all across the country) that I'd write up our RPG campaign", "ask for the details; please do! I've already written and re-re-re-reread the first", "than, like, 30% fan-fiction and/or smut I will never hear the end of", "not sure I'd fit in or qualify, you have only to ask for", "and re-re-re-reread the first chapter (I am finicky) and it is EPIC, imho.", "as well, and I'd like to gain more in the same manner if", "I have other fictional subjects and put it online it so they can", "of where to go but you're not sure I'd fit in or qualify,", "it, etc. Some long-time internet friends from unsuitable websites want to follow me", "follow me there as well, and I'd like to gain more in the", "are not underage, but they are definitely not into any of that at", "either starts out fanfic (as I did) or becomes that in fairly short", "it online it so they can read it, share it, etc. Some long-time", "I'm told I'm quite good at it - if that matters. If anyone", "other fictional subjects and put it online it so they can read it,", "I'm quite good at it - if that matters. If anyone out there", "and/or smut I will never hear the end of it. ^\\_^ I freaking", "If anyone out there has a partial idea of where to go but", "to follow me there as well, and I'd like to gain more in", "in the same manner if I can. However every site I go to", "have only to ask for the details; please do! I've already written and", "I go to either starts out fanfic (as I did) or becomes that", "if that matters. If anyone out there has a partial idea of where", "so they can read it, share it, etc. Some long-time internet friends from", "anyone out there has a partial idea of where to go but you're", "My friends are not underage, but they are definitely not into any of", "to gain more in the same manner if I can. However every site", "Some long-time internet friends from unsuitable websites want to follow me there as", "more than, like, 30% fan-fiction and/or smut I will never hear the end", "I (we) just cannot seem to find one. I promised my real-life friends", "idea of where to go but you're not sure I'd fit in or", "like to gain more in the same manner if I can. However every", "good at it - if that matters. If anyone out there has a", "^\\_^ I freaking love doing this, and I'm told I'm quite good at", "it - if that matters. If anyone out there has a partial idea", "30% fan-fiction and/or smut I will never hear the end of it. ^\\_^", "matters. If anyone out there has a partial idea of where to go", "do! I've already written and re-re-re-reread the first chapter (I am finicky) and", "of it. ^\\_^ I freaking love doing this, and I'm told I'm quite", "real-life friends (located all across the country) that I'd write up our RPG", "in fairly short order. My friends are not underage, but they are definitely", "across the country) that I'd write up our RPG campaign as I have", "that matters. If anyone out there has a partial idea of where to", "smut I will never hear the end of it. ^\\_^ I freaking love", "our RPG campaign as I have other fictional subjects and put it online", "freaking love doing this, and I'm told I'm quite good at it -", "online it so they can read it, share it, etc. Some long-time internet", "any of that at all! If the site I choose is more than,", "(located all across the country) that I'd write up our RPG campaign as", "I promised my real-life friends (located all across the country) that I'd write", "If the site I choose is more than, like, 30% fan-fiction and/or smut", "that in fairly short order. My friends are not underage, but they are", "hear the end of it. ^\\_^ I freaking love doing this, and I'm", "it. ^\\_^ I freaking love doing this, and I'm told I'm quite good", "to go but you're not sure I'd fit in or qualify, you have", "not into any of that at all! If the site I choose is", "choose is more than, like, 30% fan-fiction and/or smut I will never hear", "at it - if that matters. If anyone out there has a partial", "where to go but you're not sure I'd fit in or qualify, you", "re-re-re-reread the first chapter (I am finicky) and it is EPIC, imho. What", "they are definitely not into any of that at all! If the site", "write up our RPG campaign as I have other fictional subjects and put", "starts out fanfic (as I did) or becomes that in fairly short order.", "my real-life friends (located all across the country) that I'd write up our", "I choose is more than, like, 30% fan-fiction and/or smut I will never", "country) that I'd write up our RPG campaign as I have other fictional", "want to follow me there as well, and I'd like to gain more", "However every site I go to either starts out fanfic (as I did)", "sure I'd fit in or qualify, you have only to ask for the", "I've already written and re-re-re-reread the first chapter (I am finicky) and it", "I'd write up our RPG campaign as I have other fictional subjects and", "I freaking love doing this, and I'm told I'm quite good at it", "and I'd like to gain more in the same manner if I can.", "can read it, share it, etc. Some long-time internet friends from unsuitable websites", "websites want to follow me there as well, and I'd like to gain", "more in the same manner if I can. However every site I go", "in or qualify, you have only to ask for the details; please do!", "unsuitable websites want to follow me there as well, and I'd like to", "the first chapter (I am finicky) and it is EPIC, imho. What do", "seem to find one. I promised my real-life friends (located all across the", "site I choose is more than, like, 30% fan-fiction and/or smut I will", "you're not sure I'd fit in or qualify, you have only to ask", "just cannot seem to find one. I promised my real-life friends (located all", "share it, etc. Some long-time internet friends from unsuitable websites want to follow", "the end of it. ^\\_^ I freaking love doing this, and I'm told", "has a partial idea of where to go but you're not sure I'd", "RPG campaign as I have other fictional subjects and put it online it", "all! If the site I choose is more than, like, 30% fan-fiction and/or", "but they are definitely not into any of that at all! If the", "doing this, and I'm told I'm quite good at it - if that", "find one. I promised my real-life friends (located all across the country) that", "every site I go to either starts out fanfic (as I did) or", "up our RPG campaign as I have other fictional subjects and put it", "it, share it, etc. Some long-time internet friends from unsuitable websites want to", "promised my real-life friends (located all across the country) that I'd write up", "put it online it so they can read it, share it, etc. Some", "quite good at it - if that matters. If anyone out there has", "and I'm told I'm quite good at it - if that matters. If", "written and re-re-re-reread the first chapter (I am finicky) and it is EPIC,", "all across the country) that I'd write up our RPG campaign as I", "friends from unsuitable websites want to follow me there as well, and I'd", "becomes that in fairly short order. My friends are not underage, but they", "never hear the end of it. ^\\_^ I freaking love doing this, and", "definitely not into any of that at all! If the site I choose", "fanfic (as I did) or becomes that in fairly short order. My friends", "fit in or qualify, you have only to ask for the details; please", "long-time internet friends from unsuitable websites want to follow me there as well,", "gain more in the same manner if I can. However every site I", "the site I choose is more than, like, 30% fan-fiction and/or smut I", "(as I did) or becomes that in fairly short order. My friends are", "order. My friends are not underage, but they are definitely not into any", "out there has a partial idea of where to go but you're not", "a partial idea of where to go but you're not sure I'd fit", "for the details; please do! I've already written and re-re-re-reread the first chapter", "are definitely not into any of that at all! If the site I", "go to either starts out fanfic (as I did) or becomes that in", "am finicky) and it is EPIC, imho. What do I do with it?", "the same manner if I can. However every site I go to either", "that at all! If the site I choose is more than, like, 30%", "fairly short order. My friends are not underage, but they are definitely not", "at all! If the site I choose is more than, like, 30% fan-fiction", "subjects and put it online it so they can read it, share it,", "told I'm quite good at it - if that matters. If anyone out", "details; please do! I've already written and re-re-re-reread the first chapter (I am", "first chapter (I am finicky) and it is EPIC, imho. What do I", "I did) or becomes that in fairly short order. My friends are not", "or becomes that in fairly short order. My friends are not underage, but", "(we) just cannot seem to find one. I promised my real-life friends (located", "is more than, like, 30% fan-fiction and/or smut I will never hear the", "love doing this, and I'm told I'm quite good at it - if", "I can. However every site I go to either starts out fanfic (as", "go but you're not sure I'd fit in or qualify, you have only", "into any of that at all! If the site I choose is more", "as I have other fictional subjects and put it online it so they", "please do! I've already written and re-re-re-reread the first chapter (I am finicky)", "this, and I'm told I'm quite good at it - if that matters.", "or qualify, you have only to ask for the details; please do! I've", "did) or becomes that in fairly short order. My friends are not underage,", "there has a partial idea of where to go but you're not sure", "can. However every site I go to either starts out fanfic (as I", "short order. My friends are not underage, but they are definitely not into", "one. I promised my real-life friends (located all across the country) that I'd", "not underage, but they are definitely not into any of that at all!", "out fanfic (as I did) or becomes that in fairly short order. My", "to ask for the details; please do! I've already written and re-re-re-reread the", "and put it online it so they can read it, share it, etc.", "fan-fiction and/or smut I will never hear the end of it. ^\\_^ I", "well, and I'd like to gain more in the same manner if I", "to either starts out fanfic (as I did) or becomes that in fairly", "they can read it, share it, etc. Some long-time internet friends from unsuitable", "campaign as I have other fictional subjects and put it online it so", "site I go to either starts out fanfic (as I did) or becomes", "there as well, and I'd like to gain more in the same manner", "I'd like to gain more in the same manner if I can. However", "chapter (I am finicky) and it is EPIC, imho. What do I do", "the details; please do! I've already written and re-re-re-reread the first chapter (I", "to find one. I promised my real-life friends (located all across the country)", "read it, share it, etc. Some long-time internet friends from unsuitable websites want", "- if that matters. If anyone out there has a partial idea of", "you have only to ask for the details; please do! I've already written", "the country) that I'd write up our RPG campaign as I have other", "partial idea of where to go but you're not sure I'd fit in", "manner if I can. However every site I go to either starts out", "fictional subjects and put it online it so they can read it, share", "qualify, you have only to ask for the details; please do! I've already", "will never hear the end of it. ^\\_^ I freaking love doing this,", "me there as well, and I'd like to gain more in the same", "(I am finicky) and it is EPIC, imho. What do I do with", "same manner if I can. However every site I go to either starts", "of that at all! If the site I choose is more than, like,", "like, 30% fan-fiction and/or smut I will never hear the end of it.", "I'd fit in or qualify, you have only to ask for the details;" ]
[ "will be in the same language as the ones in the initial country?", "And my question is how to deal with this situation in the story.", "a country switch? All dialogs in the other country will be in the", "with them in it. Movies (usually North American ones) set in another country,", "in the same language as the ones in the initial country? Wouldn't it", "moves to another country and learns their language. The problem with this moving", "language, but with subtitles. What about a written story? Provide the translation right", "dialogs, that, in reality, would be another one. And my question is how", "the local language, are much easier than those that do have, because if,", "However, the fiction I'm writing is quite long, and I think that only", "would be another one. And my question is how to deal with this", "I think that only 2 or 3 characters who speak the protagonist's language", "be another one. And my question is how to deal with this situation", "reality, would be another one. And my question is how to deal with", "in the local language. But would this be possibly applicable to the situation", "story he moves to another one that speaks another language. The protagonist learns", "few if compared to the whole story's dialogs, but that's not my case.", "This story involves a lot of dialogs, and the protagonist moves to another", "is quite inadequate. Some parts of these movies have dialogs in the local", "weird or unrealistic? --- EDIT: Sorry, I think I didn't explained much clearly.", "story involves a lot of dialogs, and the protagonist moves to another country", "though every character is speaking English, they would actually be speaking in the", "to the situation when there's a country switch? All dialogs in the other", "and I think that only 2 or 3 characters who speak the protagonist's", "the protagonist moves to another country and learns their language. The problem with", "only if these parts are few if compared to the whole story's dialogs,", "Chinese story, anyone would know that though every character is speaking English, they", "in reality, would be another one. And my question is how to deal", "one. And my question is how to deal with this situation in the", "American ones) set in another country, almost always have one or some characters", "I think I didn't explained much clearly. I explain: The problem is the", "if compared to the whole story's dialogs, but that's not my case. Also,", "be in the same language as the ones in the initial country? Wouldn't", "in some point of the story he moves to another one that speaks", "the local language. But would this be possibly applicable to the situation when", "language in the dialogs, that, in reality, would be another one. And my", "actually be speaking in the local language. But would this be possibly applicable", "But would this be possibly applicable to the situation when there's a country", "that don't have a change in the local language, are much easier than", "parts are few if compared to the whole story's dialogs, but that's not", "The protagonist learns their language and talks with them in it. Movies (usually", "have, because if, for example, the story is an adaptation from a Chinese", "Some parts of these movies have dialogs in the local language, but with", "another language. The protagonist learns their language and talks with them in it.", "What about a written story? Provide the translation right after? That would be", "or some characters who speak English, lowering the impact that the foreign language", "are much easier than those that do have, because if, for example, the", "as the ones in the initial country? Wouldn't it be weird or unrealistic?", "inadequate. Some parts of these movies have dialogs in the local language, but", "the initial country? Wouldn't it be weird or unrealistic? --- EDIT: Sorry, I", "dialogs, not the narration. This story involves a lot of dialogs, and the", "foreign language causes. However, the fiction I'm writing is quite long, and I", "protagonist learns their language and talks with them in it. Movies (usually North", "quite inadequate. Some parts of these movies have dialogs in the local language,", "but that don't have a change in the local language, are much easier", "would actually be speaking in the local language. But would this be possibly", "change in the local language, are much easier than those that do have,", "there's a country switch? All dialogs in the other country will be in", "that, in reality, would be another one. And my question is how to", "speaks another language. The protagonist learns their language and talks with them in", "is quite long, and I think that only 2 or 3 characters who", "switch? All dialogs in the other country will be in the same language", "the language in the dialogs, that, in reality, would be another one. And", "would this be possibly applicable to the situation when there's a country switch?", "dialogs, but that's not my case. Also, fictions set in another country, but", "these parts are few if compared to the whole story's dialogs, but that's", "a lot of dialogs, and the protagonist moves to another country and learns", "Sorry, I think I didn't explained much clearly. I explain: The problem is", "that only 2 or 3 characters who speak the protagonist's language throughout the", "much clearly. I explain: The problem is the language in the dialogs, not", "the story is an adaptation from a Chinese story, anyone would know that", "some point of the story he moves to another one that speaks another", "the situation when there's a country switch? All dialogs in the other country", "much easier than those that do have, because if, for example, the story", "language and talks with them in it. Movies (usually North American ones) set", "of the story he moves to another one that speaks another language. The", "partially good only if these parts are few if compared to the whole", "not my case. Also, fictions set in another country, but that don't have", "set in another country, but that don't have a change in the local", "than those that do have, because if, for example, the story is an", "English, they would actually be speaking in the local language. But would this", "language. But would this be possibly applicable to the situation when there's a", "protagonist moves to another country and learns their language. The problem with this", "local language, but with subtitles. What about a written story? Provide the translation", "country and learns their language. The problem with this moving is the change", "whole story is quite inadequate. Some parts of these movies have dialogs in", "the same language as the ones in the initial country? Wouldn't it be", "to the whole story's dialogs, but that's not my case. Also, fictions set", "long, and I think that only 2 or 3 characters who speak the", "the whole story is quite inadequate. Some parts of these movies have dialogs", "after? That would be partially good only if these parts are few if", "almost always have one or some characters who speak English, lowering the impact", "these movies have dialogs in the local language, but with subtitles. What about", "Wouldn't it be weird or unrealistic? --- EDIT: Sorry, I think I didn't", "of dialogs, and the protagonist moves to another country and learns their language.", "--- EDIT: Sorry, I think I didn't explained much clearly. I explain: The", "story? Provide the translation right after? That would be partially good only if", "learns their language. The problem with this moving is the change in the", "another country and learns their language. The problem with this moving is the", "that the foreign language causes. However, the fiction I'm writing is quite long,", "would know that though every character is speaking English, they would actually be", "That would be partially good only if these parts are few if compared", "country? Wouldn't it be weird or unrealistic? --- EDIT: Sorry, I think I", "ones in the initial country? Wouldn't it be weird or unrealistic? --- EDIT:", "point of the story he moves to another one that speaks another language.", "explain: The problem is the language in the dialogs, not the narration. This", "this be possibly applicable to the situation when there's a country switch? All", "story, anyone would know that though every character is speaking English, they would", "one that speaks another language. The protagonist learns their language and talks with", "their language and talks with them in it. Movies (usually North American ones)", "Also, fictions set in another country, but that don't have a change in", "country, but that don't have a change in the local language, are much", "local language, are much easier than those that do have, because if, for", "for example, the story is an adaptation from a Chinese story, anyone would", "language as the ones in the initial country? Wouldn't it be weird or", "would be partially good only if these parts are few if compared to", "the dialogs, not the narration. This story involves a lot of dialogs, and", "if, for example, the story is an adaptation from a Chinese story, anyone", "the story he moves to another one that speaks another language. The protagonist", "from a Chinese story, anyone would know that though every character is speaking", "dialogs in the other country will be in the same language as the", "I explain: The problem is the language in the dialogs, not the narration.", "only 2 or 3 characters who speak the protagonist's language throughout the whole", "the narration. This story involves a lot of dialogs, and the protagonist moves", "The problem with this moving is the change in the language in the", "is from a certain country, and in some point of the story he", "be speaking in the local language. But would this be possibly applicable to", "the ones in the initial country? Wouldn't it be weird or unrealistic? ---", "The problem is the language in the dialogs, not the narration. This story", "country, almost always have one or some characters who speak English, lowering the", "didn't explained much clearly. I explain: The problem is the language in the", "country, and in some point of the story he moves to another one", "that speaks another language. The protagonist learns their language and talks with them", "Movies (usually North American ones) set in another country, almost always have one", "he moves to another one that speaks another language. The protagonist learns their", "the local language, but with subtitles. What about a written story? Provide the", "story's dialogs, but that's not my case. Also, fictions set in another country,", "a Chinese story, anyone would know that though every character is speaking English,", "speaking English, they would actually be speaking in the local language. But would", "another one that speaks another language. The protagonist learns their language and talks", "some characters who speak English, lowering the impact that the foreign language causes.", "I'm writing is quite long, and I think that only 2 or 3", "have a change in the local language, are much easier than those that", "when there's a country switch? All dialogs in the other country will be", "3 characters who speak the protagonist's language throughout the whole story is quite", "the other country will be in the same language as the ones in", "in the initial country? Wouldn't it be weird or unrealistic? --- EDIT: Sorry,", "speak English, lowering the impact that the foreign language causes. However, the fiction", "not the narration. This story involves a lot of dialogs, and the protagonist", "or unrealistic? --- EDIT: Sorry, I think I didn't explained much clearly. I", "the language in the dialogs, not the narration. This story involves a lot", "this moving is the change in the language in the dialogs, that, in", "story is an adaptation from a Chinese story, anyone would know that though", "North American ones) set in another country, almost always have one or some", "that's not my case. Also, fictions set in another country, but that don't", "causes. However, the fiction I'm writing is quite long, and I think that", "certain country, and in some point of the story he moves to another", "is speaking English, they would actually be speaking in the local language. But", "be possibly applicable to the situation when there's a country switch? All dialogs", "country will be in the same language as the ones in the initial", "and talks with them in it. Movies (usually North American ones) set in", "in another country, but that don't have a change in the local language,", "throughout the whole story is quite inadequate. Some parts of these movies have", "every character is speaking English, they would actually be speaking in the local", "the protagonist's language throughout the whole story is quite inadequate. Some parts of", "possibly applicable to the situation when there's a country switch? All dialogs in", "problem is the language in the dialogs, not the narration. This story involves", "it be weird or unrealistic? --- EDIT: Sorry, I think I didn't explained", "easier than those that do have, because if, for example, the story is", "don't have a change in the local language, are much easier than those", "anyone would know that though every character is speaking English, they would actually", "about a written story? Provide the translation right after? That would be partially", "they would actually be speaking in the local language. But would this be", "know that though every character is speaking English, they would actually be speaking", "have one or some characters who speak English, lowering the impact that the", "a certain country, and in some point of the story he moves to", "who speak the protagonist's language throughout the whole story is quite inadequate. Some", "but that's not my case. Also, fictions set in another country, but that", "language, are much easier than those that do have, because if, for example,", "country switch? All dialogs in the other country will be in the same", "clearly. I explain: The problem is the language in the dialogs, not the", "another one. And my question is how to deal with this situation in", "adaptation from a Chinese story, anyone would know that though every character is", "in the local language, but with subtitles. What about a written story? Provide", "to another country and learns their language. The problem with this moving is", "dialogs, and the protagonist moves to another country and learns their language. The", "but with subtitles. What about a written story? Provide the translation right after?", "right after? That would be partially good only if these parts are few", "case. Also, fictions set in another country, but that don't have a change", "characters who speak English, lowering the impact that the foreign language causes. However,", "The protagonist is from a certain country, and in some point of the", "subtitles. What about a written story? Provide the translation right after? That would", "them in it. Movies (usually North American ones) set in another country, almost", "compared to the whole story's dialogs, but that's not my case. Also, fictions", "the whole story's dialogs, but that's not my case. Also, fictions set in", "another country, but that don't have a change in the local language, are", "because if, for example, the story is an adaptation from a Chinese story,", "an adaptation from a Chinese story, anyone would know that though every character", "character is speaking English, they would actually be speaking in the local language.", "is an adaptation from a Chinese story, anyone would know that though every", "protagonist is from a certain country, and in some point of the story", "movies have dialogs in the local language, but with subtitles. What about a", "who speak English, lowering the impact that the foreign language causes. However, the", "are few if compared to the whole story's dialogs, but that's not my", "of these movies have dialogs in the local language, but with subtitles. What", "initial country? Wouldn't it be weird or unrealistic? --- EDIT: Sorry, I think", "lot of dialogs, and the protagonist moves to another country and learns their", "the change in the language in the dialogs, that, in reality, would be", "change in the language in the dialogs, that, in reality, would be another", "speaking in the local language. But would this be possibly applicable to the", "if these parts are few if compared to the whole story's dialogs, but", "involves a lot of dialogs, and the protagonist moves to another country and", "in it. Movies (usually North American ones) set in another country, almost always", "fictions set in another country, but that don't have a change in the", "is the language in the dialogs, not the narration. This story involves a", "the fiction I'm writing is quite long, and I think that only 2", "Provide the translation right after? That would be partially good only if these", "problem with this moving is the change in the language in the dialogs,", "in the dialogs, not the narration. This story involves a lot of dialogs,", "and in some point of the story he moves to another one that", "ones) set in another country, almost always have one or some characters who", "(usually North American ones) set in another country, almost always have one or", "in another country, almost always have one or some characters who speak English,", "the foreign language causes. However, the fiction I'm writing is quite long, and", "or 3 characters who speak the protagonist's language throughout the whole story is", "translation right after? That would be partially good only if these parts are", "be partially good only if these parts are few if compared to the", "my case. Also, fictions set in another country, but that don't have a", "is the change in the language in the dialogs, that, in reality, would", "think I didn't explained much clearly. I explain: The problem is the language", "that do have, because if, for example, the story is an adaptation from", "language. The problem with this moving is the change in the language in", "moving is the change in the language in the dialogs, that, in reality,", "protagonist's language throughout the whole story is quite inadequate. Some parts of these", "and the protagonist moves to another country and learns their language. The problem", "written story? Provide the translation right after? That would be partially good only", "language throughout the whole story is quite inadequate. Some parts of these movies", "other country will be in the same language as the ones in the", "in the local language, are much easier than those that do have, because", "language. The protagonist learns their language and talks with them in it. Movies", "a change in the local language, are much easier than those that do", "do have, because if, for example, the story is an adaptation from a", "impact that the foreign language causes. However, the fiction I'm writing is quite", "parts of these movies have dialogs in the local language, but with subtitles.", "quite long, and I think that only 2 or 3 characters who speak", "and learns their language. The problem with this moving is the change in", "EDIT: Sorry, I think I didn't explained much clearly. I explain: The problem", "learns their language and talks with them in it. Movies (usually North American", "it. Movies (usually North American ones) set in another country, almost always have", "think that only 2 or 3 characters who speak the protagonist's language throughout", "with subtitles. What about a written story? Provide the translation right after? That", "unrealistic? --- EDIT: Sorry, I think I didn't explained much clearly. I explain:", "dialogs in the local language, but with subtitles. What about a written story?", "writing is quite long, and I think that only 2 or 3 characters", "good only if these parts are few if compared to the whole story's", "that though every character is speaking English, they would actually be speaking in", "in the language in the dialogs, that, in reality, would be another one.", "whole story's dialogs, but that's not my case. Also, fictions set in another", "those that do have, because if, for example, the story is an adaptation", "explained much clearly. I explain: The problem is the language in the dialogs,", "English, lowering the impact that the foreign language causes. However, the fiction I'm", "2 or 3 characters who speak the protagonist's language throughout the whole story", "characters who speak the protagonist's language throughout the whole story is quite inadequate.", "from a certain country, and in some point of the story he moves", "one or some characters who speak English, lowering the impact that the foreign", "in the dialogs, that, in reality, would be another one. And my question", "moves to another one that speaks another language. The protagonist learns their language", "situation when there's a country switch? All dialogs in the other country will", "another country, almost always have one or some characters who speak English, lowering", "their language. The problem with this moving is the change in the language", "example, the story is an adaptation from a Chinese story, anyone would know", "I didn't explained much clearly. I explain: The problem is the language in", "local language. But would this be possibly applicable to the situation when there's", "always have one or some characters who speak English, lowering the impact that", "to another one that speaks another language. The protagonist learns their language and", "the dialogs, that, in reality, would be another one. And my question is", "set in another country, almost always have one or some characters who speak", "talks with them in it. Movies (usually North American ones) set in another", "story is quite inadequate. Some parts of these movies have dialogs in the", "the translation right after? That would be partially good only if these parts", "lowering the impact that the foreign language causes. However, the fiction I'm writing", "be weird or unrealistic? --- EDIT: Sorry, I think I didn't explained much", "language causes. However, the fiction I'm writing is quite long, and I think", "fiction I'm writing is quite long, and I think that only 2 or", "All dialogs in the other country will be in the same language as", "a written story? Provide the translation right after? That would be partially good", "with this moving is the change in the language in the dialogs, that,", "applicable to the situation when there's a country switch? All dialogs in the", "language in the dialogs, not the narration. This story involves a lot of", "narration. This story involves a lot of dialogs, and the protagonist moves to", "in the other country will be in the same language as the ones", "speak the protagonist's language throughout the whole story is quite inadequate. Some parts", "the impact that the foreign language causes. However, the fiction I'm writing is", "have dialogs in the local language, but with subtitles. What about a written", "same language as the ones in the initial country? Wouldn't it be weird" ]
[ "columns? Some other vertical grouping? Notes? Does it vary? Examples would be most", "same time, how is that formatted? Side-by-side columns? Some other vertical grouping? Notes?", "Side-by-side columns? Some other vertical grouping? Notes? Does it vary? Examples would be", "where you have two (or more) people talking at the same time, how", "two (or more) people talking at the same time, how is that formatted?", "a script where you have two (or more) people talking at the same", "When writing a script where you have two (or more) people talking at", "you have two (or more) people talking at the same time, how is", "Some other vertical grouping? Notes? Does it vary? Examples would be most helpful.", "how is that formatted? Side-by-side columns? Some other vertical grouping? Notes? Does it", "more) people talking at the same time, how is that formatted? Side-by-side columns?", "(or more) people talking at the same time, how is that formatted? Side-by-side", "writing a script where you have two (or more) people talking at the", "script where you have two (or more) people talking at the same time,", "formatted? Side-by-side columns? Some other vertical grouping? Notes? Does it vary? Examples would", "have two (or more) people talking at the same time, how is that", "the same time, how is that formatted? Side-by-side columns? Some other vertical grouping?", "that formatted? Side-by-side columns? Some other vertical grouping? Notes? Does it vary? Examples", "talking at the same time, how is that formatted? Side-by-side columns? Some other", "is that formatted? Side-by-side columns? Some other vertical grouping? Notes? Does it vary?", "time, how is that formatted? Side-by-side columns? Some other vertical grouping? Notes? Does", "people talking at the same time, how is that formatted? Side-by-side columns? Some", "at the same time, how is that formatted? Side-by-side columns? Some other vertical" ]
[ "is I don't know how to describe the dragging without telling. To anyone", "don't know how to describe the dragging without telling. To anyone who has", "from it? I just need an idea to practice more showing and not", "ask how it felt or the sounds produced from it? I just need", "know how to describe the dragging without telling. To anyone who has ever", "without telling. To anyone who has ever been dragged across the floor or", "showing and not telling. If you know a site that does this, I'll", "my main characters arrived at this house and they hear dragging but the", "problem is I don't know how to describe the dragging without telling. To", "need an idea to practice more showing and not telling. If you know", "anyone who has ever been dragged across the floor or heard dragging before,", "the part where two of my main characters arrived at this house and", "characters arrived at this house and they hear dragging but the problem is", "the sounds produced from it? I just need an idea to practice more", "heard dragging before, is it alright if I ask how it felt or", "it? I just need an idea to practice more showing and not telling.", "more showing and not telling. If you know a site that does this,", "and not telling. If you know a site that does this, I'll be.", "two of my main characters arrived at this house and they hear dragging", "it felt or the sounds produced from it? I just need an idea", "they hear dragging but the problem is I don't know how to describe", "how to describe the dragging without telling. To anyone who has ever been", "not telling. If you know a site that does this, I'll be. Very", "an idea to practice more showing and not telling. If you know a", "So I'm writing this story and got stuck on the part where two", "part where two of my main characters arrived at this house and they", "has ever been dragged across the floor or heard dragging before, is it", "felt or the sounds produced from it? I just need an idea to", "To anyone who has ever been dragged across the floor or heard dragging", "and got stuck on the part where two of my main characters arrived", "the floor or heard dragging before, is it alright if I ask how", "dragging without telling. To anyone who has ever been dragged across the floor", "who has ever been dragged across the floor or heard dragging before, is", "dragging but the problem is I don't know how to describe the dragging", "story and got stuck on the part where two of my main characters", "produced from it? I just need an idea to practice more showing and", "this story and got stuck on the part where two of my main", "floor or heard dragging before, is it alright if I ask how it", "at this house and they hear dragging but the problem is I don't", "the dragging without telling. To anyone who has ever been dragged across the", "to practice more showing and not telling. If you know a site that", "arrived at this house and they hear dragging but the problem is I", "stuck on the part where two of my main characters arrived at this", "but the problem is I don't know how to describe the dragging without", "just need an idea to practice more showing and not telling. If you", "ever been dragged across the floor or heard dragging before, is it alright", "or heard dragging before, is it alright if I ask how it felt", "alright if I ask how it felt or the sounds produced from it?", "I just need an idea to practice more showing and not telling. If", "hear dragging but the problem is I don't know how to describe the", "been dragged across the floor or heard dragging before, is it alright if", "on the part where two of my main characters arrived at this house", "idea to practice more showing and not telling. If you know a site", "before, is it alright if I ask how it felt or the sounds", "where two of my main characters arrived at this house and they hear", "telling. To anyone who has ever been dragged across the floor or heard", "practice more showing and not telling. If you know a site that does", "main characters arrived at this house and they hear dragging but the problem", "of my main characters arrived at this house and they hear dragging but", "dragging before, is it alright if I ask how it felt or the", "and they hear dragging but the problem is I don't know how to", "I ask how it felt or the sounds produced from it? I just", "how it felt or the sounds produced from it? I just need an", "across the floor or heard dragging before, is it alright if I ask", "house and they hear dragging but the problem is I don't know how", "it alright if I ask how it felt or the sounds produced from", "or the sounds produced from it? I just need an idea to practice", "the problem is I don't know how to describe the dragging without telling.", "I'm writing this story and got stuck on the part where two of", "describe the dragging without telling. To anyone who has ever been dragged across", "I don't know how to describe the dragging without telling. To anyone who", "this house and they hear dragging but the problem is I don't know", "to describe the dragging without telling. To anyone who has ever been dragged", "got stuck on the part where two of my main characters arrived at", "is it alright if I ask how it felt or the sounds produced", "writing this story and got stuck on the part where two of my", "if I ask how it felt or the sounds produced from it? I", "telling. If you know a site that does this, I'll be. Very greatful.", "dragged across the floor or heard dragging before, is it alright if I", "sounds produced from it? I just need an idea to practice more showing" ]
[ "and all that. One thing I noticed later is that between the prologue", "leaving much for me to write out for the actual start. I did", "a prologue be and what should I not do? Sidetracked: When introducing a", "puts me in a bind. I'm pretty sure its at 18k now. Question:", "the prologue ate out the chapters not leaving much for me to write", "not leaving much for me to write out for the actual start. I", "the story itself, the prologue ate out the chapters not leaving much for", "in a bind. I'm pretty sure its at 18k now. Question: Exactly how", "the chapters not leaving much for me to write out for the actual", "bind. I'm pretty sure its at 18k now. Question: Exactly how long can", "the point where I want to end the prologue and begin chapter 1", "prologue ate out the chapters not leaving much for me to write out", "later is that between the prologue and the story itself, the prologue ate", "out for the actual start. I did some backtracking but the point where", "should I not do? Sidetracked: When introducing a story, would a prologue be", "do? Sidetracked: When introducing a story, would a prologue be best for those", "and begin chapter 1 puts me in a bind. I'm pretty sure its", "the prologue and the story itself, the prologue ate out the chapters not", "I want to end the prologue and begin chapter 1 puts me in", "1 puts me in a bind. I'm pretty sure its at 18k now.", "did some backtracking but the point where I want to end the prologue", "noticed later is that between the prologue and the story itself, the prologue", "wrote a prologue about the beginning of time and space and all that.", "me to write out for the actual start. I did some backtracking but", "and space and all that. One thing I noticed later is that between", "I did some backtracking but the point where I want to end the", "Exactly how long can a prologue be and what should I not do?", "prologue be and what should I not do? Sidetracked: When introducing a story,", "now. Question: Exactly how long can a prologue be and what should I", "its at 18k now. Question: Exactly how long can a prologue be and", "all that. One thing I noticed later is that between the prologue and", "chapter 1 puts me in a bind. I'm pretty sure its at 18k", "to end the prologue and begin chapter 1 puts me in a bind.", "end the prologue and begin chapter 1 puts me in a bind. I'm", "between the prologue and the story itself, the prologue ate out the chapters", "thing I noticed later is that between the prologue and the story itself,", "be and what should I not do? Sidetracked: When introducing a story, would", "I not do? Sidetracked: When introducing a story, would a prologue be best", "but the point where I want to end the prologue and begin chapter", "for me to write out for the actual start. I did some backtracking", "to write out for the actual start. I did some backtracking but the", "and what should I not do? Sidetracked: When introducing a story, would a", "a story, would a prologue be best for those with historical and adventure", "begin chapter 1 puts me in a bind. I'm pretty sure its at", "some backtracking but the point where I want to end the prologue and", "beginning of time and space and all that. One thing I noticed later", "When introducing a story, would a prologue be best for those with historical", "ate out the chapters not leaving much for me to write out for", "I wrote a prologue about the beginning of time and space and all", "that between the prologue and the story itself, the prologue ate out the", "me in a bind. I'm pretty sure its at 18k now. Question: Exactly", "the prologue and begin chapter 1 puts me in a bind. I'm pretty", "backtracking but the point where I want to end the prologue and begin", "the beginning of time and space and all that. One thing I noticed", "not do? Sidetracked: When introducing a story, would a prologue be best for", "much for me to write out for the actual start. I did some", "a bind. I'm pretty sure its at 18k now. Question: Exactly how long", "18k now. Question: Exactly how long can a prologue be and what should", "can a prologue be and what should I not do? Sidetracked: When introducing", "time and space and all that. One thing I noticed later is that", "story itself, the prologue ate out the chapters not leaving much for me", "how long can a prologue be and what should I not do? Sidetracked:", "back I wrote a prologue about the beginning of time and space and", "while back I wrote a prologue about the beginning of time and space", "start. I did some backtracking but the point where I want to end", "A while back I wrote a prologue about the beginning of time and", "actual start. I did some backtracking but the point where I want to", "I'm pretty sure its at 18k now. Question: Exactly how long can a", "prologue and the story itself, the prologue ate out the chapters not leaving", "out the chapters not leaving much for me to write out for the", "pretty sure its at 18k now. Question: Exactly how long can a prologue", "about the beginning of time and space and all that. One thing I", "write out for the actual start. I did some backtracking but the point", "for the actual start. I did some backtracking but the point where I", "prologue and begin chapter 1 puts me in a bind. I'm pretty sure", "story, would a prologue be best for those with historical and adventure genres?", "Question: Exactly how long can a prologue be and what should I not", "and the story itself, the prologue ate out the chapters not leaving much", "is that between the prologue and the story itself, the prologue ate out", "space and all that. One thing I noticed later is that between the", "want to end the prologue and begin chapter 1 puts me in a", "chapters not leaving much for me to write out for the actual start.", "what should I not do? Sidetracked: When introducing a story, would a prologue", "I noticed later is that between the prologue and the story itself, the", "a prologue about the beginning of time and space and all that. One", "prologue about the beginning of time and space and all that. One thing", "point where I want to end the prologue and begin chapter 1 puts", "that. One thing I noticed later is that between the prologue and the", "itself, the prologue ate out the chapters not leaving much for me to", "sure its at 18k now. Question: Exactly how long can a prologue be", "where I want to end the prologue and begin chapter 1 puts me", "long can a prologue be and what should I not do? Sidetracked: When", "at 18k now. Question: Exactly how long can a prologue be and what", "the actual start. I did some backtracking but the point where I want", "of time and space and all that. One thing I noticed later is", "Sidetracked: When introducing a story, would a prologue be best for those with", "introducing a story, would a prologue be best for those with historical and", "One thing I noticed later is that between the prologue and the story" ]
[ "with the second version. \"He blinked, unconsciously leaning forward, intrigued by what was", "soon hit twelve.\" See if the way I positioned the commas change how", "the readers to see may change if the sentence is read differently. Question:If", "I get confused on where to put them to maintain the smooth structured", "too stubborn to change- to make sure its structured correctly and in a", "I make them too long and have to use commas. Problem: I get", "second version. \"He blinked, unconsciously leaning forward, intrigued by what was going to", "what was going to happen, and following Zotn's example he waited, the longer", "get what I mean, here are some examples: \"He blinked unconsciously, leaning forward", "unconsciously leaning forward, intrigued by what was going to happen and following Zotn's", "and understanding, how do I ensure they are not misinterpreted? At times, I", "I want the readers to see may change if the sentence is read", "is read differently. Question:If commas, based on where I place them, can change", "correctly and in a sense fits along a specific scene. Just in case", "in a sense fits along a specific scene. Just in case you don't", "commas. Problem: I get confused on where to put them to maintain the", "hand soon hit twelve.\" See if the way I positioned the commas change", "ensure they are not misinterpreted? At times, I find myself having to read", "the smooth structured balance of the sentence. What I want the readers to", "use commas. Problem: I get confused on where to put them to maintain", "the sentence is read differently. Question:If commas, based on where I place them,", "I positioned the commas change how you read with the second version. \"He", "are not misinterpreted? At times, I find myself having to read over a", "place them, can change a reader's point of view and understanding, how do", "way I positioned the commas change how you read with the second version.", "forward, intrigued by what was going to happen and following Zotn's example he", "bad habit I have when writing sentences is that I make them too", "the longer hand soon hit twelve.\" See if the way I positioned the", "view and understanding, how do I ensure they are not misinterpreted? At times,", "in case you don't get what I mean, here are some examples: \"He", "sentence is read differently. Question:If commas, based on where I place them, can", "sentences is that I make them too long and have to use commas.", "to change- to make sure its structured correctly and in a sense fits", "sense fits along a specific scene. Just in case you don't get what", "have when writing sentences is that I make them too long and have", "See if the way I positioned the commas change how you read with", "of the sentence. What I want the readers to see may change if", "on where to put them to maintain the smooth structured balance of the", "fits along a specific scene. Just in case you don't get what I", "having to read over a sentence -I'm too stubborn to change- to make", "to use commas. Problem: I get confused on where to put them to", "leaning forward intrigued by what was going to happen, and following Zotn's example", "to happen and following Zotn's example he waited, the longer hand soon hit", "along a specific scene. Just in case you don't get what I mean,", "can change a reader's point of view and understanding, how do I ensure", "to make sure its structured correctly and in a sense fits along a", "intrigued by what was going to happen, and following Zotn's example he waited,", "you don't get what I mean, here are some examples: \"He blinked unconsciously,", "sure its structured correctly and in a sense fits along a specific scene.", "what I mean, here are some examples: \"He blinked unconsciously, leaning forward intrigued", "find myself having to read over a sentence -I'm too stubborn to change-", "a specific scene. Just in case you don't get what I mean, here", "Just in case you don't get what I mean, here are some examples:", "understanding, how do I ensure they are not misinterpreted? At times, I find", "leaning forward, intrigued by what was going to happen and following Zotn's example", "hit twelve.\" See if the way I positioned the commas change how you", "and have to use commas. Problem: I get confused on where to put", "positioned the commas change how you read with the second version. \"He blinked,", "you read with the second version. \"He blinked, unconsciously leaning forward, intrigued by", "scene. Just in case you don't get what I mean, here are some", "twelve.\" See if the way I positioned the commas change how you read", "unconsciously, leaning forward intrigued by what was going to happen, and following Zotn's", "times, I find myself having to read over a sentence -I'm too stubborn", "examples: \"He blinked unconsciously, leaning forward intrigued by what was going to happen,", "them too long and have to use commas. Problem: I get confused on", "going to happen and following Zotn's example he waited, the longer hand soon", "too long and have to use commas. Problem: I get confused on where", "to happen, and following Zotn's example he waited, the longer hand soon hit", "maintain the smooth structured balance of the sentence. What I want the readers", "blinked unconsciously, leaning forward intrigued by what was going to happen, and following", "a sentence -I'm too stubborn to change- to make sure its structured correctly", "confused on where to put them to maintain the smooth structured balance of", "where to put them to maintain the smooth structured balance of the sentence.", "myself having to read over a sentence -I'm too stubborn to change- to", "sentence -I'm too stubborn to change- to make sure its structured correctly and", "a sense fits along a specific scene. Just in case you don't get", "example he waited, the longer hand soon hit twelve.\" See if the way", "longer hand soon hit twelve.\" See if the way I positioned the commas", "if the way I positioned the commas change how you read with the", "to read over a sentence -I'm too stubborn to change- to make sure", "mean, here are some examples: \"He blinked unconsciously, leaning forward intrigued by what", "read over a sentence -I'm too stubborn to change- to make sure its", "change a reader's point of view and understanding, how do I ensure they", "here are some examples: \"He blinked unconsciously, leaning forward intrigued by what was", "on where I place them, can change a reader's point of view and", "do I ensure they are not misinterpreted? At times, I find myself having", "At times, I find myself having to read over a sentence -I'm too", "change how you read with the second version. \"He blinked, unconsciously leaning forward,", "version. \"He blinked, unconsciously leaning forward, intrigued by what was going to happen", "them to maintain the smooth structured balance of the sentence. What I want", "\"He blinked, unconsciously leaning forward, intrigued by what was going to happen and", "may change if the sentence is read differently. Question:If commas, based on where", "-I'm too stubborn to change- to make sure its structured correctly and in", "he waited, the longer hand soon hit twelve.\" See if the way I", "where I place them, can change a reader's point of view and understanding,", "case you don't get what I mean, here are some examples: \"He blinked", "have to use commas. Problem: I get confused on where to put them", "if the sentence is read differently. Question:If commas, based on where I place", "commas, based on where I place them, can change a reader's point of", "the second version. \"He blinked, unconsciously leaning forward, intrigued by what was going", "I have when writing sentences is that I make them too long and", "to see may change if the sentence is read differently. Question:If commas, based", "Question:If commas, based on where I place them, can change a reader's point", "smooth structured balance of the sentence. What I want the readers to see", "change- to make sure its structured correctly and in a sense fits along", "intrigued by what was going to happen and following Zotn's example he waited,", "structured correctly and in a sense fits along a specific scene. Just in", "commas change how you read with the second version. \"He blinked, unconsciously leaning", "them, can change a reader's point of view and understanding, how do I", "\"He blinked unconsciously, leaning forward intrigued by what was going to happen, and", "What I want the readers to see may change if the sentence is", "structured balance of the sentence. What I want the readers to see may", "Zotn's example he waited, the longer hand soon hit twelve.\" See if the", "and in a sense fits along a specific scene. Just in case you", "based on where I place them, can change a reader's point of view", "not misinterpreted? At times, I find myself having to read over a sentence", "don't get what I mean, here are some examples: \"He blinked unconsciously, leaning", "a reader's point of view and understanding, how do I ensure they are", "and following Zotn's example he waited, the longer hand soon hit twelve.\" See", "I place them, can change a reader's point of view and understanding, how", "some examples: \"He blinked unconsciously, leaning forward intrigued by what was going to", "waited, the longer hand soon hit twelve.\" See if the way I positioned", "by what was going to happen and following Zotn's example he waited, the", "is that I make them too long and have to use commas. Problem:", "by what was going to happen, and following Zotn's example he waited, the", "habit I have when writing sentences is that I make them too long", "to put them to maintain the smooth structured balance of the sentence. What", "following Zotn's example he waited, the longer hand soon hit twelve.\" See if", "what was going to happen and following Zotn's example he waited, the longer", "misinterpreted? At times, I find myself having to read over a sentence -I'm", "read with the second version. \"He blinked, unconsciously leaning forward, intrigued by what", "balance of the sentence. What I want the readers to see may change", "over a sentence -I'm too stubborn to change- to make sure its structured", "that I make them too long and have to use commas. Problem: I", "make sure its structured correctly and in a sense fits along a specific", "specific scene. Just in case you don't get what I mean, here are", "I find myself having to read over a sentence -I'm too stubborn to", "stubborn to change- to make sure its structured correctly and in a sense", "when writing sentences is that I make them too long and have to", "reader's point of view and understanding, how do I ensure they are not", "long and have to use commas. Problem: I get confused on where to", "Problem: I get confused on where to put them to maintain the smooth", "point of view and understanding, how do I ensure they are not misinterpreted?", "I mean, here are some examples: \"He blinked unconsciously, leaning forward intrigued by", "to maintain the smooth structured balance of the sentence. What I want the", "are some examples: \"He blinked unconsciously, leaning forward intrigued by what was going", "One bad habit I have when writing sentences is that I make them", "put them to maintain the smooth structured balance of the sentence. What I", "was going to happen and following Zotn's example he waited, the longer hand", "happen, and following Zotn's example he waited, the longer hand soon hit twelve.\"", "sentence. What I want the readers to see may change if the sentence", "change if the sentence is read differently. Question:If commas, based on where I", "want the readers to see may change if the sentence is read differently.", "was going to happen, and following Zotn's example he waited, the longer hand", "make them too long and have to use commas. Problem: I get confused", "how you read with the second version. \"He blinked, unconsciously leaning forward, intrigued", "of view and understanding, how do I ensure they are not misinterpreted? At", "writing sentences is that I make them too long and have to use", "get confused on where to put them to maintain the smooth structured balance", "readers to see may change if the sentence is read differently. Question:If commas,", "the commas change how you read with the second version. \"He blinked, unconsciously", "how do I ensure they are not misinterpreted? At times, I find myself", "happen and following Zotn's example he waited, the longer hand soon hit twelve.\"", "its structured correctly and in a sense fits along a specific scene. Just", "see may change if the sentence is read differently. Question:If commas, based on", "forward intrigued by what was going to happen, and following Zotn's example he", "the way I positioned the commas change how you read with the second", "differently. Question:If commas, based on where I place them, can change a reader's", "the sentence. What I want the readers to see may change if the", "going to happen, and following Zotn's example he waited, the longer hand soon", "blinked, unconsciously leaning forward, intrigued by what was going to happen and following", "I ensure they are not misinterpreted? At times, I find myself having to", "read differently. Question:If commas, based on where I place them, can change a", "they are not misinterpreted? At times, I find myself having to read over" ]
[ "Because \"awakening\" is a word of significant size, and have \"W\" and \"K\",", "English because it sounds better than in Portuguese (\"O Despertar\"), which sounds a", "sounds a bit like a generic fiction. But would it be good? Because", "in Portuguese, would it be bad if the name is in English? The", "Portuguese (\"O Despertar\"), which sounds a bit like a generic fiction. But would", "good? Because \"awakening\" is a word of significant size, and have \"W\" and", "a generic fiction. But would it be good? Because \"awakening\" is a word", "it be bad if the name is in English? The name is just", "sounds better than in Portuguese (\"O Despertar\"), which sounds a bit like a", "is just \"The Awakening\". I prefer the title in English because it sounds", "which sounds a bit like a generic fiction. But would it be good?", "is being written in Portuguese, would it be bad if the name is", "the title in English because it sounds better than in Portuguese (\"O Despertar\"),", "better than in Portuguese (\"O Despertar\"), which sounds a bit like a generic", "bit like a generic fiction. But would it be good? Because \"awakening\" is", "Portuguese, would it be bad if the name is in English? The name", "like a generic fiction. But would it be good? Because \"awakening\" is a", "generic fiction. But would it be good? Because \"awakening\" is a word of", "\"awakening\" is a word of significant size, and have \"W\" and \"K\", and", "Despertar\"), which sounds a bit like a generic fiction. But would it be", "than in Portuguese (\"O Despertar\"), which sounds a bit like a generic fiction.", "it be good? Because \"awakening\" is a word of significant size, and have", "be good? Because \"awakening\" is a word of significant size, and have \"W\"", "be bad if the name is in English? The name is just \"The", "(\"O Despertar\"), which sounds a bit like a generic fiction. But would it", "English? The name is just \"The Awakening\". I prefer the title in English", "name is just \"The Awakening\". I prefer the title in English because it", "\"The Awakening\". I prefer the title in English because it sounds better than", "in English because it sounds better than in Portuguese (\"O Despertar\"), which sounds", "would it be good? Because \"awakening\" is a word of significant size, and", "But would it be good? Because \"awakening\" is a word of significant size,", "being written in Portuguese, would it be bad if the name is in", "written in Portuguese, would it be bad if the name is in English?", "if the name is in English? The name is just \"The Awakening\". I", "just \"The Awakening\". I prefer the title in English because it sounds better", "would it be bad if the name is in English? The name is", "in Portuguese (\"O Despertar\"), which sounds a bit like a generic fiction. But", "title in English because it sounds better than in Portuguese (\"O Despertar\"), which", "it sounds better than in Portuguese (\"O Despertar\"), which sounds a bit like", "is a word of significant size, and have \"W\" and \"K\", and \"ening\".", "The book is being written in Portuguese, would it be bad if the", "prefer the title in English because it sounds better than in Portuguese (\"O", "book is being written in Portuguese, would it be bad if the name", "Awakening\". I prefer the title in English because it sounds better than in", "in English? The name is just \"The Awakening\". I prefer the title in", "fiction. But would it be good? Because \"awakening\" is a word of significant", "a bit like a generic fiction. But would it be good? Because \"awakening\"", "the name is in English? The name is just \"The Awakening\". I prefer", "is in English? The name is just \"The Awakening\". I prefer the title", "I prefer the title in English because it sounds better than in Portuguese", "bad if the name is in English? The name is just \"The Awakening\".", "name is in English? The name is just \"The Awakening\". I prefer the", "because it sounds better than in Portuguese (\"O Despertar\"), which sounds a bit", "The name is just \"The Awakening\". I prefer the title in English because" ]
[ "always necessary to describe each and every event sequentially? I mean, is it", "and every event sequentially? I mean, is it wrong to skip events to", "mean, is it wrong to skip events to a later time and then", "each and every event sequentially? I mean, is it wrong to skip events", "describe each and every event sequentially? I mean, is it wrong to skip", "first person's pov, is it always necessary to describe each and every event", "person's pov, is it always necessary to describe each and every event sequentially?", "every event sequentially? I mean, is it wrong to skip events to a", "While writing in first person's pov, is it always necessary to describe each", "to skip events to a later time and then describe the previous events?", "necessary to describe each and every event sequentially? I mean, is it wrong", "pov, is it always necessary to describe each and every event sequentially? I", "it wrong to skip events to a later time and then describe the", "skip events to a later time and then describe the previous events? Thanks.", "is it always necessary to describe each and every event sequentially? I mean,", "wrong to skip events to a later time and then describe the previous", "writing in first person's pov, is it always necessary to describe each and", "it always necessary to describe each and every event sequentially? I mean, is", "sequentially? I mean, is it wrong to skip events to a later time", "to describe each and every event sequentially? I mean, is it wrong to", "event sequentially? I mean, is it wrong to skip events to a later", "in first person's pov, is it always necessary to describe each and every", "I mean, is it wrong to skip events to a later time and", "is it wrong to skip events to a later time and then describe" ]
[ "my brows in shock. > > > I think this reads strange because", "because the narrator can't see his or her own face (or wasn't able", "I said, widening my eyes. > > > \"What?\" My eyes lifted and", "said, startled. > > > But I don't know, maybe I'm wrong and", "and I raised my brows in shock. > > > I think this", "> “Really?” I said, widening my eyes. > > > \"What?\" My eyes", "write this instead: > > I was taken aback. “Really?” > > >", "can't see his or her own face (or wasn't able to back then).", "startled. > > > But I don't know, maybe I'm wrong and authors", "I raised my brows in shock. > > > I think this reads", "widening my eyes. > > > \"What?\" My eyes lifted and I raised", "> I was taken aback. “Really?” > > > \"What?\" I said, startled.", "> > > \"What?\" I said, startled. > > > But I don't", "maybe I'm wrong and authors write stuff like the first examples all the", "> > > \"What?\" My eyes lifted and I raised my brows in", "to back then). So I tend to write this instead: > > I", "brows in shock. > > > I think this reads strange because the", "taken aback. “Really?” > > > \"What?\" I said, startled. > > >", "\"What?\" I said, startled. > > > But I don't know, maybe I'm", "think this reads strange because the narrator can't see his or her own", "in shock. > > > I think this reads strange because the narrator", "“Really?” > > > \"What?\" I said, startled. > > > But I", "> \"What?\" I said, startled. > > > But I don't know, maybe", "> > But I don't know, maybe I'm wrong and authors write stuff", "> > > But I don't know, maybe I'm wrong and authors write", "Examples: > > “Really?” I said, widening my eyes. > > > \"What?\"", "> > I think this reads strange because the narrator can't see his", "I think this reads strange because the narrator can't see his or her", "this instead: > > I was taken aback. “Really?” > > > \"What?\"", "this reads strange because the narrator can't see his or her own face", "But I don't know, maybe I'm wrong and authors write stuff like the", "> I think this reads strange because the narrator can't see his or", "“Really?” I said, widening my eyes. > > > \"What?\" My eyes lifted", "I said, startled. > > > But I don't know, maybe I'm wrong", "face (or wasn't able to back then). So I tend to write this", "eyes. > > > \"What?\" My eyes lifted and I raised my brows", "own face (or wasn't able to back then). So I tend to write", "I was taken aback. “Really?” > > > \"What?\" I said, startled. >", "know, maybe I'm wrong and authors write stuff like the first examples all", "the narrator can't see his or her own face (or wasn't able to", "or her own face (or wasn't able to back then). So I tend", "I don't know, maybe I'm wrong and authors write stuff like the first", "then). So I tend to write this instead: > > I was taken", "> > I was taken aback. “Really?” > > > \"What?\" I said,", "reads strange because the narrator can't see his or her own face (or", "> > > I think this reads strange because the narrator can't see", "strange because the narrator can't see his or her own face (or wasn't", "I'm wrong and authors write stuff like the first examples all the time?", "> But I don't know, maybe I'm wrong and authors write stuff like", "> > “Really?” I said, widening my eyes. > > > \"What?\" My", "my eyes. > > > \"What?\" My eyes lifted and I raised my", "\"What?\" My eyes lifted and I raised my brows in shock. > >", "don't know, maybe I'm wrong and authors write stuff like the first examples", "his or her own face (or wasn't able to back then). So I", "> > \"What?\" I said, startled. > > > But I don't know,", "(or wasn't able to back then). So I tend to write this instead:", "> > \"What?\" My eyes lifted and I raised my brows in shock.", "> \"What?\" My eyes lifted and I raised my brows in shock. >", "see his or her own face (or wasn't able to back then). So", "to write this instead: > > I was taken aback. “Really?” > >", "eyes lifted and I raised my brows in shock. > > > I", "raised my brows in shock. > > > I think this reads strange", "said, widening my eyes. > > > \"What?\" My eyes lifted and I", "aback. “Really?” > > > \"What?\" I said, startled. > > > But", "So I tend to write this instead: > > I was taken aback.", "I tend to write this instead: > > I was taken aback. “Really?”", "tend to write this instead: > > I was taken aback. “Really?” >", "able to back then). So I tend to write this instead: > >", "was taken aback. “Really?” > > > \"What?\" I said, startled. > >", "My eyes lifted and I raised my brows in shock. > > >", "wasn't able to back then). So I tend to write this instead: >", "lifted and I raised my brows in shock. > > > I think", "shock. > > > I think this reads strange because the narrator can't", "narrator can't see his or her own face (or wasn't able to back", "instead: > > I was taken aback. “Really?” > > > \"What?\" I", "back then). So I tend to write this instead: > > I was", "her own face (or wasn't able to back then). So I tend to" ]
[ "challenged to write a book of 100 pages in two weeks. I see", "weeks. I see this challenge as a game that can be played in", "book of 100 pages in two weeks. I see this challenge as a", "challenge as a game that can be played in many different ways. What", "as a game that can be played in many different ways. What are", "in many different ways. What are the most effective strategies for writing a", "in two weeks. I see this challenge as a game that can be", "played in many different ways. What are the most effective strategies for writing", "of 100 pages in two weeks. I see this challenge as a game", "many different ways. What are the most effective strategies for writing a lot", "see this challenge as a game that can be played in many different", "are the most effective strategies for writing a lot in a short period", "that can be played in many different ways. What are the most effective", "to write a book of 100 pages in two weeks. I see this", "different ways. What are the most effective strategies for writing a lot in", "What are the most effective strategies for writing a lot in a short", "game that can be played in many different ways. What are the most", "write a book of 100 pages in two weeks. I see this challenge", "a book of 100 pages in two weeks. I see this challenge as", "most effective strategies for writing a lot in a short period of time?", "this challenge as a game that can be played in many different ways.", "100 pages in two weeks. I see this challenge as a game that", "two weeks. I see this challenge as a game that can be played", "can be played in many different ways. What are the most effective strategies", "a game that can be played in many different ways. What are the", "pages in two weeks. I see this challenge as a game that can", "got challenged to write a book of 100 pages in two weeks. I", "I see this challenge as a game that can be played in many", "ways. What are the most effective strategies for writing a lot in a", "I got challenged to write a book of 100 pages in two weeks.", "the most effective strategies for writing a lot in a short period of", "be played in many different ways. What are the most effective strategies for" ]
[ "writing an essay which will include the word Nazi. I understand the word", "will include the word Nazi. I understand the word Nazi is a German", "important to answer this question; just in case, I've included it in the", "Nazi. I understand the word Nazi is a German word but commonly used", "to answer this question; just in case, I've included it in the title.", "told me any word in a foreign language should be italicized. I was", "me any word in a foreign language should be italicized. I was unsure", "essay which will include the word Nazi. I understand the word Nazi is", "title. I'm writing an essay which will include the word Nazi. I understand", "language should be italicized. I was unsure if MLA was important to answer", "just in case, I've included it in the title. I'm writing an essay", "foreign language should be italicized. I was unsure if MLA was important to", "understand the word Nazi is a German word but commonly used by people", "was unsure if MLA was important to answer this question; just in case,", "the word Nazi is a German word but commonly used by people of", "should be italicized. I was unsure if MLA was important to answer this", "a German word but commonly used by people of all languages, should this", "answer this question; just in case, I've included it in the title. I'm", "any word in a foreign language should be italicized. I was unsure if", "Recently my writing tutor told me any word in a foreign language should", "in case, I've included it in the title. I'm writing an essay which", "case, I've included it in the title. I'm writing an essay which will", "in a foreign language should be italicized. I was unsure if MLA was", "Nazi is a German word but commonly used by people of all languages,", "word in a foreign language should be italicized. I was unsure if MLA", "tutor told me any word in a foreign language should be italicized. I", "question; just in case, I've included it in the title. I'm writing an", "MLA was important to answer this question; just in case, I've included it", "included it in the title. I'm writing an essay which will include the", "I was unsure if MLA was important to answer this question; just in", "a foreign language should be italicized. I was unsure if MLA was important", "the word Nazi. I understand the word Nazi is a German word but", "word but commonly used by people of all languages, should this word be", "it in the title. I'm writing an essay which will include the word", "German word but commonly used by people of all languages, should this word", "my writing tutor told me any word in a foreign language should be", "italicized. I was unsure if MLA was important to answer this question; just", "is a German word but commonly used by people of all languages, should", "I understand the word Nazi is a German word but commonly used by", "I've included it in the title. I'm writing an essay which will include", "the title. I'm writing an essay which will include the word Nazi. I", "was important to answer this question; just in case, I've included it in", "in the title. I'm writing an essay which will include the word Nazi.", "be italicized. I was unsure if MLA was important to answer this question;", "word Nazi. I understand the word Nazi is a German word but commonly", "but commonly used by people of all languages, should this word be italicized?", "I'm writing an essay which will include the word Nazi. I understand the", "which will include the word Nazi. I understand the word Nazi is a", "unsure if MLA was important to answer this question; just in case, I've", "word Nazi is a German word but commonly used by people of all", "writing tutor told me any word in a foreign language should be italicized.", "if MLA was important to answer this question; just in case, I've included", "this question; just in case, I've included it in the title. I'm writing", "include the word Nazi. I understand the word Nazi is a German word", "an essay which will include the word Nazi. I understand the word Nazi" ]
[ "realized it wasn't the case. > > > What are some techniques to", "The library was the best place to start my research. Why? Well, >", "Why? Well, > I figured it'd have more reliable information than the Internet...", "Once I reached there, though, I realized it wasn't the case. > >", "more reliable information than the Internet... > > > Once I reached there,", "some techniques to remove filtering? EDIT: I tried this: > > The library", "though, I realized it wasn't the case. > > > What are some", "than the Internet... > > > Once I reached there, though, I realized", "than the Internet... > > > However, it didn't turn out to be", "turn out to be the case: > > > Not sure if I", "remove filtering? EDIT: I tried this: > > The library was the best", "wasn't the case. > > > What are some techniques to remove filtering?", "more reliable information than the Internet... > > > However, it didn't turn", "information than the Internet... > > > Once I reached there, though, I", "I tried this: > > The library was the best place to start", "Well, > It had more reliable information than the Internet... > > >", "be the case: > > > Not sure if I improved or worsened", "out to be the case: > > > Not sure if I improved", "> > The library was the best place to start my research. Why?", "the library. Why? Well, > I figured it'd have more reliable information than", "> > > What are some techniques to remove filtering? EDIT: I tried", "> > However, it didn't turn out to be the case: > >", "lot of filtering in my writing: > > I decided to start my", "> > Once I reached there, though, I realized it wasn't the case.", "reliable information than the Internet... > > > Once I reached there, though,", "tried this: > > The library was the best place to start my", "Why? Well, > It had more reliable information than the Internet... > >", "this: > > The library was the best place to start my research.", "at the library. Why? Well, > I figured it'd have more reliable information", "case. > > > What are some techniques to remove filtering? EDIT: I", "Internet... > > > However, it didn't turn out to be the case:", "my research. Why? Well, > It had more reliable information than the Internet...", "library. Why? Well, > I figured it'd have more reliable information than the", "information than the Internet... > > > However, it didn't turn out to", "Well, > I figured it'd have more reliable information than the Internet... >", "decided to start my journey at the library. Why? Well, > I figured", "start my research. Why? Well, > It had more reliable information than the", "are some techniques to remove filtering? EDIT: I tried this: > > The", "a lot of filtering in my writing: > > I decided to start", "I reached there, though, I realized it wasn't the case. > > >", "it didn't turn out to be the case: > > > Not sure", "> > > However, it didn't turn out to be the case: >", "had more reliable information than the Internet... > > > However, it didn't", "I realized it wasn't the case. > > > What are some techniques", "> > > Once I reached there, though, I realized it wasn't the", "the Internet... > > > However, it didn't turn out to be the", "the best place to start my research. Why? Well, > It had more", "to start my journey at the library. Why? Well, > I figured it'd", "> > > Not sure if I improved or worsened the passage, though.", "I figured it'd have more reliable information than the Internet... > > >", "> The library was the best place to start my research. Why? Well,", "It had more reliable information than the Internet... > > > However, it", "writing: > > I decided to start my journey at the library. Why?", "> What are some techniques to remove filtering? EDIT: I tried this: >", "> Once I reached there, though, I realized it wasn't the case. >", "to start my research. Why? Well, > It had more reliable information than", "place to start my research. Why? Well, > It had more reliable information", "> > I decided to start my journey at the library. Why? Well,", "I decided to start my journey at the library. Why? Well, > I", "didn't turn out to be the case: > > > Not sure if", "reliable information than the Internet... > > > However, it didn't turn out", "> It had more reliable information than the Internet... > > > However,", "my journey at the library. Why? Well, > I figured it'd have more", "in my writing: > > I decided to start my journey at the", "to remove filtering? EDIT: I tried this: > > The library was the", "my writing: > > I decided to start my journey at the library.", "> I decided to start my journey at the library. Why? Well, >", "Internet... > > > Once I reached there, though, I realized it wasn't", "the case. > > > What are some techniques to remove filtering? EDIT:", "I have a lot of filtering in my writing: > > I decided", "have a lot of filtering in my writing: > > I decided to", "have more reliable information than the Internet... > > > Once I reached", "of filtering in my writing: > > I decided to start my journey", "best place to start my research. Why? Well, > It had more reliable", "the case: > > > Not sure if I improved or worsened the", "case: > > > Not sure if I improved or worsened the passage,", "figured it'd have more reliable information than the Internet... > > > Once", "techniques to remove filtering? EDIT: I tried this: > > The library was", "it'd have more reliable information than the Internet... > > > Once I", "reached there, though, I realized it wasn't the case. > > > What", "there, though, I realized it wasn't the case. > > > What are", "journey at the library. Why? Well, > I figured it'd have more reliable", "However, it didn't turn out to be the case: > > > Not", "it wasn't the case. > > > What are some techniques to remove", "library was the best place to start my research. Why? Well, > It", "> I figured it'd have more reliable information than the Internet... > >", "What are some techniques to remove filtering? EDIT: I tried this: > >", "filtering? EDIT: I tried this: > > The library was the best place", "EDIT: I tried this: > > The library was the best place to", "to be the case: > > > Not sure if I improved or", "research. Why? Well, > It had more reliable information than the Internet... >", "start my journey at the library. Why? Well, > I figured it'd have", "filtering in my writing: > > I decided to start my journey at", "the Internet... > > > Once I reached there, though, I realized it", "> However, it didn't turn out to be the case: > > >", "was the best place to start my research. Why? Well, > It had", "> > What are some techniques to remove filtering? EDIT:** I tried this:" ]
[ "the background to the picture of the story.* I realize there are a", "list is by no means limited to writing and setting. My concern is", "is the background to the picture of the story.* I realize there are", "realize there are a lot of factors that contribute to making bestsellers become", "get away with mediocre writing. :) I'm actually hoping that the answer to", "give the impression that I am trying to get away with mediocre writing.", "answer to the question above is 'no'; that there is some other reason", "place, as well as what the genre entails. It is the background to", "writing and still sell because your setting is popular? Note: I don't want", "of factors that contribute to making bestsellers become bestsellers, and that the list", "and the writing in general is not the stuff of greatness. This raises", "writing. :) I'm actually hoping that the answer to the question above is", "setting is popular? Note: I don't want to give the impression that I", "novel takes place, as well as what the genre entails. It is the", "avoid the inevitable debate), that to me at least, seem to have become", "are written well, certainly, but they are often full of mistakes, and the", "away with mediocre writing. :) I'm actually hoping that the answer to the", "there are a lot of factors that contribute to making bestsellers become bestsellers,", "Can you get away with mediocre writing and still sell because your setting", "that the list is by no means limited to writing and setting. My", "I define 'setting' as where and when a novel takes place, as well", "the question: can a novel become a bestseller (mostly) because of its setting?", "the answer to the question above is 'no'; that there is some other", "not name, to avoid the inevitable debate), that to me at least, seem", "contribute to making bestsellers become bestsellers, and that the list is by no", "novel become a bestseller (mostly) because of its setting? Can you get away", "that I am trying to get away with mediocre writing. :) I'm actually", "setting. They are written well, certainly, but they are often full of mistakes,", "question: can a novel become a bestseller (mostly) because of its setting? Can", "versus setting. I've seen some books (which I will not name, to avoid", "debate), that to me at least, seem to have become bestsellers simply through", "full of mistakes, and the writing in general is not the stuff of", "to have become bestsellers simply through their setting. They are written well, certainly,", "don't want to give the impression that I am trying to get away", "that to me at least, seem to have become bestsellers simply through their", "story.* I realize there are a lot of factors that contribute to making", "picture of the story.* I realize there are a lot of factors that", "is 'no'; that there is some other reason these novels have become bestsellers.", "still sell because your setting is popular? Note: I don't want to give", "the genre entails. It is the background to the picture of the story.", "not the stuff of greatness. This raises the question: can a novel become", "of its setting? Can you get away with mediocre writing and still sell", "is by no means limited to writing and setting. My concern is with", "above is 'no'; that there is some other reason these novels have become", "what the genre entails. It is the background to the picture of the", "seen some books (which I will not name, to avoid the inevitable debate),", "are often full of mistakes, and the writing in general is not the", "as where and when a novel takes place, as well as what the", "the picture of the story. I realize there are a lot of factors", "It is the background to the picture of the story.* I realize there", "you get away with mediocre writing and still sell because your setting is", "the writing in general is not the stuff of greatness. This raises the", "your setting is popular? Note: I don't want to give the impression that", "get away with mediocre writing and still sell because your setting is popular?", "will not name, to avoid the inevitable debate), that to me at least,", "seem to have become bestsellers simply through their setting. They are written well,", "through their setting. They are written well, certainly, but they are often full", "to get away with mediocre writing. :) I'm actually hoping that the answer", "mediocre writing and still sell because your setting is popular? Note: I don't", "mediocre writing. :) I'm actually hoping that the answer to the question above", "the impression that I am trying to get away with mediocre writing. :)", "to the question above is 'no'; that there is some other reason these", "lot of factors that contribute to making bestsellers become bestsellers, and that the", "the question above is 'no'; that there is some other reason these novels", "in general is not the stuff of greatness. This raises the question: can", "a novel become a bestseller (mostly) because of its setting? Can you get", "with writing versus setting. I've seen some books (which I will not name,", "become a bestseller (mostly) because of its setting? Can you get away with", "by no means limited to writing and setting. My concern is with writing", "away with mediocre writing and still sell because your setting is popular? Note:", "become bestsellers, and that the list is by no means limited to writing", "well as what the genre entails. It is the background to the picture", "stuff of greatness. This raises the question: can a novel become a bestseller", "I will not name, to avoid the inevitable debate), that to me at", "to give the impression that I am trying to get away with mediocre", "I realize there are a lot of factors that contribute to making bestsellers", "bestsellers, and that the list is by no means limited to writing and", "the inevitable debate), that to me at least, seem to have become bestsellers", "least, seem to have become bestsellers simply through their setting. They are written", "the list is by no means limited to writing and setting. My concern", "its setting? Can you get away with mediocre writing and still sell because", "but they are often full of mistakes, and the writing in general is", "is popular? Note: I don't want to give the impression that I am", "I am trying to get away with mediocre writing. :) I'm actually hoping", "setting. My concern is with writing versus setting. I've seen some books (which", "bestsellers become bestsellers, and that the list is by no means limited to", "is with writing versus setting. I've seen some books (which I will not", "and that the list is by no means limited to writing and setting.", "(which I will not name, to avoid the inevitable debate), that to me", "as what the genre entails. It is the background to the picture of", "writing in general is not the stuff of greatness. This raises the question:", "become bestsellers simply through their setting. They are written well, certainly, but they", "books (which I will not name, to avoid the inevitable debate), that to", "a lot of factors that contribute to making bestsellers become bestsellers, and that", "of mistakes, and the writing in general is not the stuff of greatness.", "a bestseller (mostly) because of its setting? Can you get away with mediocre", "with mediocre writing. :) I'm actually hoping that the answer to the question", "me at least, seem to have become bestsellers simply through their setting. They", "writing and setting. My concern is with writing versus setting. I've seen some", "simply through their setting. They are written well, certainly, but they are often", "their setting. They are written well, certainly, but they are often full of", "no means limited to writing and setting. My concern is with writing versus", "with mediocre writing and still sell because your setting is popular? Note: I", "writing versus setting. I've seen some books (which I will not name, to", "have become bestsellers simply through their setting. They are written well, certainly, but", "bestsellers simply through their setting. They are written well, certainly, but they are", "They are written well, certainly, but they are often full of mistakes, and", "of the story.* I realize there are a lot of factors that contribute", "concern is with writing versus setting. I've seen some books (which I will", "certainly, but they are often full of mistakes, and the writing in general", "mistakes, and the writing in general is not the stuff of greatness. This", "impression that I am trying to get away with mediocre writing. :) I'm", "as well as what the genre entails. It is the background to the", "making bestsellers become bestsellers, and that the list is by no means limited", "because of its setting? Can you get away with mediocre writing and still", "'setting' as where and when a novel takes place, as well as what", "is not the stuff of greatness. This raises the question: can a novel", "to the picture of the story.* I realize there are a lot of", "hoping that the answer to the question above is 'no'; that there is", "to making bestsellers become bestsellers, and that the list is by no means", "well, certainly, but they are often full of mistakes, and the writing in", "limited to writing and setting. My concern is with writing versus setting. I've", "trying to get away with mediocre writing. :) I'm actually hoping that the", ":) I'm actually hoping that the answer to the question above is 'no';", "and when a novel takes place, as well as what the genre entails.", "bestseller (mostly) because of its setting? Can you get away with mediocre writing", "where and when a novel takes place, as well as what the genre", "Note: I don't want to give the impression that I am trying to", "they are often full of mistakes, and the writing in general is not", "genre entails. It is the background to the picture of the story.* I", "to writing and setting. My concern is with writing versus setting. I've seen", "the stuff of greatness. This raises the question: can a novel become a", "can a novel become a bestseller (mostly) because of its setting? Can you", "This raises the question: can a novel become a bestseller (mostly) because of", "written well, certainly, but they are often full of mistakes, and the writing", "I'm actually hoping that the answer to the question above is 'no'; that", "means limited to writing and setting. My concern is with writing versus setting.", "am trying to get away with mediocre writing. :) I'm actually hoping that", "to avoid the inevitable debate), that to me at least, seem to have", "that contribute to making bestsellers become bestsellers, and that the list is by", "some books (which I will not name, to avoid the inevitable debate), that", "name, to avoid the inevitable debate), that to me at least, seem to", "(mostly) because of its setting? Can you get away with mediocre writing and", "Note: I define 'setting' as where and when a novel takes place, as", "want to give the impression that I am trying to get away with", "of greatness. This raises the question: can a novel become a bestseller (mostly)", "raises the question: can a novel become a bestseller (mostly) because of its", "are a lot of factors that contribute to making bestsellers become bestsellers, and", "a novel takes place, as well as what the genre entails. It is", "takes place, as well as what the genre entails. It is the background", "setting? Can you get away with mediocre writing and still sell because your", "and still sell because your setting is popular? Note: I don't want to", "factors that contribute to making bestsellers become bestsellers, and that the list is", "background to the picture of the story. I realize there are a lot", "the story.* I realize there are a lot of factors that contribute to", "entails. It is the background to the picture of the story.* I realize", "I've seen some books (which I will not name, to avoid the inevitable", "at least, seem to have become bestsellers simply through their setting. They are", "because your setting is popular? Note: I don't want to give the impression", "popular? Note: I don't want to give the impression that I am trying", "to me at least, seem to have become bestsellers simply through their setting.", "inevitable debate), that to me at least, seem to have become bestsellers simply", "greatness. This raises the question: can a novel become a bestseller (mostly) because", "when a novel takes place, as well as what the genre entails. It", "setting. I've seen some books (which I will not name, to avoid the", "general is not the stuff of greatness. This raises the question: can a", "sell because your setting is popular? Note: I don't want to give the", "I don't want to give the impression that I am trying to get", "actually hoping that the answer to the question above is 'no'; that there", "that the answer to the question above is 'no'; that there is some", "and setting. My concern is with writing versus setting. I've seen some books", "often full of mistakes, and the writing in general is not the stuff", "define 'setting' as where and when a novel takes place, as well as", "question above is 'no'; that there is some other reason these novels have", "My concern is with writing versus setting. I've seen some books (which I" ]
[ "Future scene (insight) --> past scene (flashback) --> present day. What do you", "Okay so say is my story scene order is in this order in", "--> past scene (flashback) --> present day. What do you think? Will this", "say is my story scene order is in this order in the book.", "in the book. Future scene (insight) --> past scene (flashback) --> present day.", "my story scene order is in this order in the book. Future scene", "book. Future scene (insight) --> past scene (flashback) --> present day. What do", "--> present day. What do you think? Will this order be confusing for", "(insight) --> past scene (flashback) --> present day. What do you think? Will", "story scene order is in this order in the book. Future scene (insight)", "day. What do you think? Will this order be confusing for my readers?", "this order in the book. Future scene (insight) --> past scene (flashback) -->", "scene (insight) --> past scene (flashback) --> present day. What do you think?", "(flashback) --> present day. What do you think? Will this order be confusing", "order in the book. Future scene (insight) --> past scene (flashback) --> present", "the book. Future scene (insight) --> past scene (flashback) --> present day. What", "scene (flashback) --> present day. What do you think? Will this order be", "scene order is in this order in the book. Future scene (insight) -->", "past scene (flashback) --> present day. What do you think? Will this order", "so say is my story scene order is in this order in the", "is my story scene order is in this order in the book. Future", "is in this order in the book. Future scene (insight) --> past scene", "order is in this order in the book. Future scene (insight) --> past", "present day. What do you think? Will this order be confusing for my", "in this order in the book. Future scene (insight) --> past scene (flashback)" ]
[ "directly tweeting/emailing these authors to ask for their agents (which strikes me as", "tweeting/emailing these authors to ask for their agents (which strikes me as discourteous/unprofessional),", "similar genres/niches, and I would be interested in contacting their agents, who clearly", "who clearly have an affinity for this area of writing. Short of directly", "affinity for this area of writing. Short of directly tweeting/emailing these authors to", "and I would be interested in contacting their agents, who clearly have an", "I would be interested in contacting their agents, who clearly have an affinity", "contacting their agents, who clearly have an affinity for this area of writing.", "have an affinity for this area of writing. Short of directly tweeting/emailing these", "to better target the limited amount of queries I'm sending. There are several", "this area of writing. Short of directly tweeting/emailing these authors to ask for", "in my area of writing, so as to better target the limited amount", "writers writing in similar genres/niches, and I would be interested in contacting their", "writing. Short of directly tweeting/emailing these authors to ask for their agents (which", "better target the limited amount of queries I'm sending. There are several other", "be interested in contacting their agents, who clearly have an affinity for this", "me as discourteous/unprofessional), is there a database of authors and their agents I", "genres/niches, and I would be interested in contacting their agents, who clearly have", "interested in contacting their agents, who clearly have an affinity for this area", "so as to better target the limited amount of queries I'm sending. There", "amount of queries I'm sending. There are several other writers writing in similar", "locate agents in my area of writing, so as to better target the", "to locate agents in my area of writing, so as to better target", "target the limited amount of queries I'm sending. There are several other writers", "of queries I'm sending. There are several other writers writing in similar genres/niches,", "agents in my area of writing, so as to better target the limited", "of writing. Short of directly tweeting/emailing these authors to ask for their agents", "for their agents (which strikes me as discourteous/unprofessional), is there a database of", "agents (which strikes me as discourteous/unprofessional), is there a database of authors and", "other writers writing in similar genres/niches, and I would be interested in contacting", "of writing, so as to better target the limited amount of queries I'm", "in similar genres/niches, and I would be interested in contacting their agents, who", "these authors to ask for their agents (which strikes me as discourteous/unprofessional), is", "There are several other writers writing in similar genres/niches, and I would be", "sending. There are several other writers writing in similar genres/niches, and I would", "clearly have an affinity for this area of writing. Short of directly tweeting/emailing", "I am trying to locate agents in my area of writing, so as", "in contacting their agents, who clearly have an affinity for this area of", "authors to ask for their agents (which strikes me as discourteous/unprofessional), is there", "to ask for their agents (which strikes me as discourteous/unprofessional), is there a", "queries I'm sending. There are several other writers writing in similar genres/niches, and", "Short of directly tweeting/emailing these authors to ask for their agents (which strikes", "writing in similar genres/niches, and I would be interested in contacting their agents,", "discourteous/unprofessional), is there a database of authors and their agents I could consult?", "for this area of writing. Short of directly tweeting/emailing these authors to ask", "area of writing, so as to better target the limited amount of queries", "my area of writing, so as to better target the limited amount of", "area of writing. Short of directly tweeting/emailing these authors to ask for their", "the limited amount of queries I'm sending. There are several other writers writing", "as to better target the limited amount of queries I'm sending. There are", "am trying to locate agents in my area of writing, so as to", "I'm sending. There are several other writers writing in similar genres/niches, and I", "their agents (which strikes me as discourteous/unprofessional), is there a database of authors", "strikes me as discourteous/unprofessional), is there a database of authors and their agents", "would be interested in contacting their agents, who clearly have an affinity for", "ask for their agents (which strikes me as discourteous/unprofessional), is there a database", "are several other writers writing in similar genres/niches, and I would be interested", "an affinity for this area of writing. Short of directly tweeting/emailing these authors", "several other writers writing in similar genres/niches, and I would be interested in", "limited amount of queries I'm sending. There are several other writers writing in", "agents, who clearly have an affinity for this area of writing. Short of", "(which strikes me as discourteous/unprofessional), is there a database of authors and their", "trying to locate agents in my area of writing, so as to better", "of directly tweeting/emailing these authors to ask for their agents (which strikes me", "as discourteous/unprofessional), is there a database of authors and their agents I could", "writing, so as to better target the limited amount of queries I'm sending.", "their agents, who clearly have an affinity for this area of writing. Short" ]
[ "in the beginning stages of my writing career and it looks like, so", "have yet to put down enough words for a full-on book. I'm curious", "I'm curious if pieces in the 25,000 to 45,000 word count range have", "the beginning stages of my writing career and it looks like, so far,", "I struggle with being concise enough for short stories but, also, I have", "being concise enough for short stories but, also, I have yet to put", "the 25,000 to 45,000 word count range have any place in modern literature.", "writing career and it looks like, so far, I struggle with being concise", "like, so far, I struggle with being concise enough for short stories but,", "for a full-on book. I'm curious if pieces in the 25,000 to 45,000", "demand for novellas or novelettes? I'm in the beginning stages of my writing", "book. I'm curious if pieces in the 25,000 to 45,000 word count range", "pieces in the 25,000 to 45,000 word count range have any place in", "to 45,000 word count range have any place in modern literature. Please say", "for short stories but, also, I have yet to put down enough words", "career and it looks like, so far, I struggle with being concise enough", "I have yet to put down enough words for a full-on book. I'm", "curious if pieces in the 25,000 to 45,000 word count range have any", "current market or demand for novellas or novelettes? I'm in the beginning stages", "beginning stages of my writing career and it looks like, so far, I", "words for a full-on book. I'm curious if pieces in the 25,000 to", "about the current market or demand for novellas or novelettes? I'm in the", "anybody know anything about the current market or demand for novellas or novelettes?", "stages of my writing career and it looks like, so far, I struggle", "novellas or novelettes? I'm in the beginning stages of my writing career and", "or novelettes? I'm in the beginning stages of my writing career and it", "and it looks like, so far, I struggle with being concise enough for", "know anything about the current market or demand for novellas or novelettes? I'm", "market or demand for novellas or novelettes? I'm in the beginning stages of", "also, I have yet to put down enough words for a full-on book.", "far, I struggle with being concise enough for short stories but, also, I", "for novellas or novelettes? I'm in the beginning stages of my writing career", "struggle with being concise enough for short stories but, also, I have yet", "yet to put down enough words for a full-on book. I'm curious if", "so far, I struggle with being concise enough for short stories but, also,", "full-on book. I'm curious if pieces in the 25,000 to 45,000 word count", "or demand for novellas or novelettes? I'm in the beginning stages of my", "to put down enough words for a full-on book. I'm curious if pieces", "novelettes? I'm in the beginning stages of my writing career and it looks", "of my writing career and it looks like, so far, I struggle with", "concise enough for short stories but, also, I have yet to put down", "if pieces in the 25,000 to 45,000 word count range have any place", "25,000 to 45,000 word count range have any place in modern literature. Please", "my writing career and it looks like, so far, I struggle with being", "short stories but, also, I have yet to put down enough words for", "but, also, I have yet to put down enough words for a full-on", "put down enough words for a full-on book. I'm curious if pieces in", "Does anybody know anything about the current market or demand for novellas or", "enough for short stories but, also, I have yet to put down enough", "in the 25,000 to 45,000 word count range have any place in modern", "45,000 word count range have any place in modern literature. Please say yes.", "with being concise enough for short stories but, also, I have yet to", "the current market or demand for novellas or novelettes? I'm in the beginning", "enough words for a full-on book. I'm curious if pieces in the 25,000", "it looks like, so far, I struggle with being concise enough for short", "anything about the current market or demand for novellas or novelettes? I'm in", "stories but, also, I have yet to put down enough words for a", "I'm in the beginning stages of my writing career and it looks like,", "down enough words for a full-on book. I'm curious if pieces in the", "a full-on book. I'm curious if pieces in the 25,000 to 45,000 word", "looks like, so far, I struggle with being concise enough for short stories" ]
[ "Lion King* before any composers have even been brought aboard, before pre-production has", "aboard, before pre-production has even been dreamt of. What do you write? How", "sitting down to write The Lion King before any composers have even been", "But say you're sitting down to write The Lion King before any composers", "even been brought aboard, before pre-production has even been dreamt of. What do", "before pre-production has even been dreamt of. What do you write? How is", "King* before any composers have even been brought aboard, before pre-production has even", "the song is already written, sure, easy question. But say you're sitting down", "sure, easy question. But say you're sitting down to write The Lion King", "any composers have even been brought aboard, before pre-production has even been dreamt", "to write The Lion King before any composers have even been brought aboard,", "before any composers have even been brought aboard, before pre-production has even been", "composers have even been brought aboard, before pre-production has even been dreamt of.", "If the song is already written, sure, easy question. But say you're sitting", "write The Lion King before any composers have even been brought aboard, before", "question. But say you're sitting down to write The Lion King before any", "written, sure, easy question. But say you're sitting down to write The Lion", "is already written, sure, easy question. But say you're sitting down to write", "song is already written, sure, easy question. But say you're sitting down to", "say you're sitting down to write The Lion King* before any composers have", "down to write The Lion King before any composers have even been brought", "already written, sure, easy question. But say you're sitting down to write The", "been brought aboard, before pre-production has even been dreamt of. What do you", "pre-production has even been dreamt of. What do you write? How is this", "has even been dreamt of. What do you write? How is this situation", "even been dreamt of. What do you write? How is this situation handled?", "The Lion King* before any composers have even been brought aboard, before pre-production", "easy question. But say you're sitting down to write The Lion King before", "have even been brought aboard, before pre-production has even been dreamt of. What", "you're sitting down to write The Lion King before any composers have even", "brought aboard, before pre-production has even been dreamt of. What do you write?" ]
[ "rid of all the paragraph breaks, it just turns into a wall of", "of text, and between them is a sentence of an action, where precisely", "is making a speech and it's broken up by actions (hand movements, looking", "movements, looking at other characters, etc)? * Do I start a new paragraph", "actions (hand movements, looking at other characters, etc)? * Do I start a", "(hand movements, looking at other characters, etc)? * Do I start a new", "where precisely do I use paragraph breaks? If I get rid of all", "when he resumes talking? For example, if I have two paragraphs of text,", "turns into a wall of text, but without them, I'm worried it will", "of all the paragraph breaks, it just turns into a wall of text,", "text, but without them, I'm worried it will look needlessly broken up and", "breaks? If I get rid of all the paragraph breaks, it just turns", "paragraph when he resumes talking? For example, if I have two paragraphs of", "precisely do I use paragraph breaks? If I get rid of all the", "I have two paragraphs of text, and between them is a sentence of", "can add dialogue to the same paragraph as an action to show who's", "an action to show who's talking, but what happens when a character is", "happens when a character is making a speech and it's broken up by", "action he does, even though he just continues talking? * Do I start", "two paragraphs of text, and between them is a sentence of an action,", "to show who's talking, but what happens when a character is making a", "all the paragraph breaks, it just turns into a wall of text, but", "I know you can add dialogue to the same paragraph as an action", "and it's broken up by actions (hand movements, looking at other characters, etc)?", "* Do I start a new paragraph for each action he does, even", "If I get rid of all the paragraph breaks, it just turns into", "characters, etc)? * Do I start a new paragraph for each action he", "into a wall of text, but without them, I'm worried it will look", "he resumes talking? For example, if I have two paragraphs of text, and", "to the same paragraph as an action to show who's talking, but what", "it just turns into a wall of text, but without them, I'm worried", "action to show who's talking, but what happens when a character is making", "do I use paragraph breaks? If I get rid of all the paragraph", "between them is a sentence of an action, where precisely do I use", "breaks, it just turns into a wall of text, but without them, I'm", "it's broken up by actions (hand movements, looking at other characters, etc)? ", "For example, if I have two paragraphs of text, and between them is", "is a sentence of an action, where precisely do I use paragraph breaks?", "of text, but without them, I'm worried it will look needlessly broken up", "the paragraph breaks, it just turns into a wall of text, but without", "paragraph breaks, it just turns into a wall of text, but without them,", "I start a new paragraph when he resumes talking? For example, if I", "new paragraph for each action he does, even though he just continues talking?", "talking? Do I start a new paragraph when he resumes talking? For", "wall of text, but without them, I'm worried it will look needlessly broken", "you can add dialogue to the same paragraph as an action to show", "same paragraph as an action to show who's talking, but what happens when", "paragraph for each action he does, even though he just continues talking? ", "have two paragraphs of text, and between them is a sentence of an", "resumes talking? For example, if I have two paragraphs of text, and between", "talking, but what happens when a character is making a speech and it's", "what happens when a character is making a speech and it's broken up", "I get rid of all the paragraph breaks, it just turns into a", "when a character is making a speech and it's broken up by actions", "who's talking, but what happens when a character is making a speech and", "he does, even though he just continues talking? Do I start a", "talking? For example, if I have two paragraphs of text, and between them", "looking at other characters, etc)? * Do I start a new paragraph for", "of an action, where precisely do I use paragraph breaks? If I get", "add dialogue to the same paragraph as an action to show who's talking,", "Do I start a new paragraph for each action he does, even though", "just turns into a wall of text, but without them, I'm worried it", "just continues talking? * Do I start a new paragraph when he resumes", "an action, where precisely do I use paragraph breaks? If I get rid", "know you can add dialogue to the same paragraph as an action to", "* Do I start a new paragraph when he resumes talking? For example,", "making a speech and it's broken up by actions (hand movements, looking at", "example, if I have two paragraphs of text, and between them is a", "etc)? * Do I start a new paragraph for each action he does,", "up by actions (hand movements, looking at other characters, etc)? * Do I", "the same paragraph as an action to show who's talking, but what happens", "a wall of text, but without them, I'm worried it will look needlessly", "but without them, I'm worried it will look needlessly broken up and chaotic.", "as an action to show who's talking, but what happens when a character", "them is a sentence of an action, where precisely do I use paragraph", "start a new paragraph for each action he does, even though he just", "continues talking? * Do I start a new paragraph when he resumes talking?", "show who's talking, but what happens when a character is making a speech", "use paragraph breaks? If I get rid of all the paragraph breaks, it", "a speech and it's broken up by actions (hand movements, looking at other", "paragraph as an action to show who's talking, but what happens when a", "get rid of all the paragraph breaks, it just turns into a wall", "for each action he does, even though he just continues talking? * Do", "a character is making a speech and it's broken up by actions (hand", "and between them is a sentence of an action, where precisely do I", "but what happens when a character is making a speech and it's broken", "a new paragraph for each action he does, even though he just continues", "sentence of an action, where precisely do I use paragraph breaks? If I", "Do I start a new paragraph when he resumes talking? For example, if", "speech and it's broken up by actions (hand movements, looking at other characters,", "by actions (hand movements, looking at other characters, etc)? * Do I start", "I use paragraph breaks? If I get rid of all the paragraph breaks,", "dialogue to the same paragraph as an action to show who's talking, but", "broken up by actions (hand movements, looking at other characters, etc)? * Do", "paragraph breaks? If I get rid of all the paragraph breaks, it just", "paragraphs of text, and between them is a sentence of an action, where", "I start a new paragraph for each action he does, even though he", "start a new paragraph when he resumes talking? For example, if I have", "each action he does, even though he just continues talking? * Do I", "new paragraph when he resumes talking? For example, if I have two paragraphs", "he just continues talking? * Do I start a new paragraph when he", "does, even though he just continues talking? * Do I start a new", "other characters, etc)? * Do I start a new paragraph for each action", "at other characters, etc)? * Do I start a new paragraph for each", "character is making a speech and it's broken up by actions (hand movements,", "though he just continues talking? * Do I start a new paragraph when", "a sentence of an action, where precisely do I use paragraph breaks? If", "even though he just continues talking? * Do I start a new paragraph", "if I have two paragraphs of text, and between them is a sentence", "a new paragraph when he resumes talking? For example, if I have two", "action, where precisely do I use paragraph breaks? If I get rid of", "text, and between them is a sentence of an action, where precisely do" ]
[ "I feel I can only react to a given situation rather than create", "novel to be a third person narrative, would it help if I wrote", "to a given situation rather than create one. The same seems to apply", "The conversations feel very forced and nothing seems to be helping me make", "hasn't made any progress and is still in its first draft) I feel", "better. Even though I want the novel to be a third person narrative,", "forced and nothing seems to be helping me make them better. Even though", "a third person narrative, would it help if I wrote from each character's", "novel (which hasn't made any progress and is still in its first draft)", "I want the novel to be a third person narrative, would it help", "make the conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what I", "very forced and nothing seems to be helping me make them better. Even", "me make them better. Even though I want the novel to be a", "is still in its first draft) I feel I can only react to", "if I wrote from each character's POV to think like that character and", "more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what I have written so far.", "still in its first draft) I feel I can only react to a", "starting my first novel (which hasn't made any progress and is still in", "though I want the novel to be a third person narrative, would it", "my first novel (which hasn't made any progress and is still in its", "them better. Even though I want the novel to be a third person", "react to a given situation rather than create one. The same seems to", "to be helping me make them better. Even though I want the novel", "situation rather than create one. The same seems to apply to my characters.", "it help if I wrote from each character's POV to think like that", "seems to apply to my characters. The conversations feel very forced and nothing", "would react to the situation? What other methods would make the conversations feel", "my characters. The conversations feel very forced and nothing seems to be helping", "how that particular character would react to the situation? What other methods would", "character would react to the situation? What other methods would make the conversations", "wrote from each character's POV to think like that character and understand how", "the conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what I have", "first draft) I feel I can only react to a given situation rather", "its first draft) I feel I can only react to a given situation", "the novel to be a third person narrative, would it help if I", "like that character and understand how that particular character would react to the", "Months after starting my first novel (which hasn't made any progress and is", "a given situation rather than create one. The same seems to apply to", "characters. The conversations feel very forced and nothing seems to be helping me", "particular character would react to the situation? What other methods would make the", "want the novel to be a third person narrative, would it help if", "made any progress and is still in its first draft) I feel I", "other methods would make the conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time)", "be helping me make them better. Even though I want the novel to", "third person narrative, would it help if I wrote from each character's POV", "Even though I want the novel to be a third person narrative, would", "rather than create one. The same seems to apply to my characters. The", "same seems to apply to my characters. The conversations feel very forced and", "I can only react to a given situation rather than create one. The", "that particular character would react to the situation? What other methods would make", "feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what I have written so", "after starting my first novel (which hasn't made any progress and is still", "situation? What other methods would make the conversations feel more natural? Here is", "each character's POV to think like that character and understand how that particular", "think like that character and understand how that particular character would react to", "given situation rather than create one. The same seems to apply to my", "I wrote from each character's POV to think like that character and understand", "to apply to my characters. The conversations feel very forced and nothing seems", "narrative, would it help if I wrote from each character's POV to think", "apply to my characters. The conversations feel very forced and nothing seems to", "methods would make the conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to", "The same seems to apply to my characters. The conversations feel very forced", "conversations feel very forced and nothing seems to be helping me make them", "would it help if I wrote from each character's POV to think like", "(which hasn't made any progress and is still in its first draft) I", "be a third person narrative, would it help if I wrote from each", "nothing seems to be helping me make them better. Even though I want", "and is still in its first draft) I feel I can only react", "understand how that particular character would react to the situation? What other methods", "one. The same seems to apply to my characters. The conversations feel very", "character and understand how that particular character would react to the situation? What", "only react to a given situation rather than create one. The same seems", "would make the conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what", "progress and is still in its first draft) I feel I can only", "person narrative, would it help if I wrote from each character's POV to", "and understand how that particular character would react to the situation? What other", "What other methods would make the conversations feel more natural? Here is a", "first novel (which hasn't made any progress and is still in its first", "to my characters. The conversations feel very forced and nothing seems to be", "feel I can only react to a given situation rather than create one.", "from each character's POV to think like that character and understand how that", "POV to think like that character and understand how that particular character would", "conversations feel more natural? Here is a [link](https://www.wattpad.com/62445868-in-love-twice-1-for-the-last-time) to what I have written", "to the situation? What other methods would make the conversations feel more natural?", "to think like that character and understand how that particular character would react", "helping me make them better. Even though I want the novel to be", "the situation? What other methods would make the conversations feel more natural? Here", "make them better. Even though I want the novel to be a third", "than create one. The same seems to apply to my characters. The conversations", "react to the situation? What other methods would make the conversations feel more", "in its first draft) I feel I can only react to a given", "create one. The same seems to apply to my characters. The conversations feel", "to be a third person narrative, would it help if I wrote from", "character's POV to think like that character and understand how that particular character", "help if I wrote from each character's POV to think like that character", "feel very forced and nothing seems to be helping me make them better.", "seems to be helping me make them better. Even though I want the", "draft) I feel I can only react to a given situation rather than", "any progress and is still in its first draft) I feel I can", "can only react to a given situation rather than create one. The same", "that character and understand how that particular character would react to the situation?", "and nothing seems to be helping me make them better. Even though I" ]
[ "al., 1990).\" > > > But can I use the same abbreviation in", "et al., 1990).\" > > > But can I use the same abbreviation", "to shorten it is to remove those thousands of co-authors. [Here it says", "> > But can I use the same abbreviation in the bibliography? >", "I ask because the bibliopgraphy is now 12,000+ words and the only way", "those thousands of co-authors. [Here it says you can](http://www.aresearchguide.com/12biblio.html), but it's for books.", "> \"...a major role to play in role-playing (Smith et al., 1990).\" >", "same abbreviation in the bibliography? > > Smith, K. et al.* 1990. Playing", "> > > I ask because the bibliopgraphy is now 12,000+ words and", "because the bibliopgraphy is now 12,000+ words and the only way I can", "in role-playing (Smith et al., 1990).\" > > > But can I use", "bibliopgraphy is now 12,000+ words and the only way I can think to", "12,000+ words and the only way I can think to shorten it is", "I use the same abbreviation in the bibliography? > > Smith, K. et", "> > \"...a major role to play in role-playing (Smith et al., 1990).\"", "Econ. 44(1): 103–113. > > > I ask because the bibliopgraphy is now", "> But can I use the same abbreviation in the bibliography? > >", "way I can think to shorten it is to remove those thousands of", "plays. > Psych. Econ. 44(1): 103–113. > > > I ask because the", "> > I ask because the bibliopgraphy is now 12,000+ words and the", "shorten it is to remove those thousands of co-authors. [Here it says you", "I can think to shorten it is to remove those thousands of co-authors.", "to remove those thousands of co-authors. [Here it says you can](http://www.aresearchguide.com/12biblio.html), but it's", "> > Smith, K. et al. 1990. Playing major roles in role plays.", "can think to shorten it is to remove those thousands of co-authors. [Here", "Smith, K. et al. 1990. Playing major roles in role plays. > Psych.", "in the bibliography? > > Smith, K. et al.* 1990. Playing major roles", "et al. 1990. Playing major roles in role plays. > Psych. Econ. 44(1):", "have, e.g. > > \"...a major role to play in role-playing (Smith et", "think to shorten it is to remove those thousands of co-authors. [Here it", "in role plays. > Psych. Econ.* 44(1): 103–113. > > > I ask", "In the text, I have, e.g. > > \"...a major role to play", "the same abbreviation in the bibliography? > > Smith, K. et al. 1990.", "I have, e.g. > > \"...a major role to play in role-playing (Smith", "role plays. > Psych. Econ. 44(1): 103–113. > > > I ask because", "Playing major roles in role plays. > Psych. Econ. 44(1): 103–113. > >", "the bibliopgraphy is now 12,000+ words and the only way I can think", "only way I can think to shorten it is to remove those thousands", "it is to remove those thousands of co-authors. [Here it says you can](http://www.aresearchguide.com/12biblio.html),", "> > > But can I use the same abbreviation in the bibliography?", "text, I have, e.g. > > \"...a major role to play in role-playing", "44(1): 103–113. > > > I ask because the bibliopgraphy is now 12,000+", "\"...a major role to play in role-playing (Smith et al., 1990).\" > >", "ask because the bibliopgraphy is now 12,000+ words and the only way I", "role-playing (Smith et al., 1990).\" > > > But can I use the", "(Smith et al., 1990).\" > > > But can I use the same", "the bibliography? > > Smith, K. et al. 1990. Playing major roles in", "e.g. > > \"...a major role to play in role-playing (Smith et al.,", "Psych. Econ. 44(1): 103–113. > > > I ask because the bibliopgraphy is", "is to remove those thousands of co-authors. [Here it says you can](http://www.aresearchguide.com/12biblio.html), but", "words and the only way I can think to shorten it is to", "role to play in role-playing (Smith et al., 1990).\" > > > But", "1990).\" > > > But can I use the same abbreviation in the", "abbreviation in the bibliography? > > Smith, K. et al. 1990. Playing major", "al.* 1990. Playing major roles in role plays. > Psych. Econ. 44(1): 103–113.", "103–113. > > > I ask because the bibliopgraphy is now 12,000+ words", "> I ask because the bibliopgraphy is now 12,000+ words and the only", "remove those thousands of co-authors. [Here it says you can](http://www.aresearchguide.com/12biblio.html), but it's for", "1990. Playing major roles in role plays. > Psych. Econ. 44(1): 103–113. >", "the text, I have, e.g. > > \"...a major role to play in", "> Psych. Econ. 44(1): 103–113. > > > I ask because the bibliopgraphy", "and the only way I can think to shorten it is to remove", "the only way I can think to shorten it is to remove those", "major role to play in role-playing (Smith et al., 1990).\" > > >", "But can I use the same abbreviation in the bibliography? > > Smith,", "is now 12,000+ words and the only way I can think to shorten", "can I use the same abbreviation in the bibliography? > > Smith, K.", "use the same abbreviation in the bibliography? > > Smith, K. et al.", "K. et al. 1990. Playing major roles in role plays. > Psych. Econ.", "to play in role-playing (Smith et al., 1990).\" > > > But can", "> Smith, K. et al. 1990. Playing major roles in role plays. >", "play in role-playing (Smith et al., 1990).\" > > > But can I", "now 12,000+ words and the only way I can think to shorten it", "roles in role plays. > Psych. Econ. 44(1): 103–113. > > > I", "major roles in role plays. > Psych. Econ. 44(1): 103–113. > > >", "bibliography? > > Smith, K. et al. 1990. Playing major roles in role" ]
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[ "i developed new species not far different from humanoids. I am making whole", "\"How far is good to go to discribe species its abilities and complexity", "to discribe their life and development from birth to adult person. I even", "not far different from humanoids. I am making whole history, gender interaction, abilities,", "go to discribe species its abilities and complexity for reader to be still", "them. My question is: \"How far is good to go to discribe species", "from them. My question is: \"How far is good to go to discribe", "development from birth to adult person. I even made patology report and developed", "from birth to adult person. I even made patology report and developed special", "report and developed special character, who made experiments from them. My question is:", "gender interaction, abilities, their psychology and trying to discribe their life and development", "to adult person. I even made patology report and developed special character, who", "adult person. 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My question is: \"How far is good to", "life and development from birth to adult person. I even made patology report", "is: \"How far is good to go to discribe species its abilities and", "different from humanoids. I am making whole history, gender interaction, abilities, their psychology", "and developed special character, who made experiments from them. My question is: \"How", "character, who made experiments from them. My question is: \"How far is good", "developed special character, who made experiments from them. My question is: \"How far", "whole history, gender interaction, abilities, their psychology and trying to discribe their life", "making whole history, gender interaction, abilities, their psychology and trying to discribe their", "and trying to discribe their life and development from birth to adult person.", "In my latest project i developed new species not far different from humanoids.", "humanoids. 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My question is: \"How far is good to go", "abilities, their psychology and trying to discribe their life and development from birth", "to discribe species its abilities and complexity for reader to be still interested", "species not far different from humanoids. I am making whole history, gender interaction,", "latest project i developed new species not far different from humanoids. I am", "their life and development from birth to adult person. I even made patology", "far different from humanoids. I am making whole history, gender interaction, abilities, their", "am making whole history, gender interaction, abilities, their psychology and trying to discribe", "I even made patology report and developed special character, who made experiments from", "I am making whole history, gender interaction, abilities, their psychology and trying to", "my latest project i developed new species not far different from humanoids. I", "special character, who made experiments from them. My question is: \"How far is", "species its abilities and complexity for reader to be still interested in it?\"", "birth to adult person. I even made patology report and developed special character,", "new species not far different from humanoids. I am making whole history, gender", "and development from birth to adult person. I even made patology report and", "interaction, abilities, their psychology and trying to discribe their life and development from", "question is: \"How far is good to go to discribe species its abilities" ]
[ "free of cheap clichés. I feel like there's too many fantasy/medieval and space/futuristic", "Game Of Thrones, and if I base it in a science fiction realm,", "how do I go about creating a completely original world or even concept?", "massive world: a world with its own deep history and rich lore. However,", "something original and stay away from overused concepts. Thanks. ---Thank you guys for", "I'm not looking for commercial success. I'm doing this for the fun of", "some ideas about ways to get something original and stay away from overused", "world with its own deep history and rich lore. However, I feel like", "to this world, and no, I'm not looking for commercial success. I'm doing", "fantasy realm, it would be too similar to things like Lord Of The", "The Rings and Game Of Thrones, and if I base it in a", "overused concepts. Thanks. ---Thank you guys for responding, but I would like to", "that if I based this world in sort of a fantasy realm, it", "guys for responding, but I would like to add: yes, I feel that", "I'm really trying to set it in a place that's pretty original and", "original and free of cheap clichés. I feel like there's too many fantasy/medieval", "fun of it, and I'm really trying to set it in a place", "really trying to set it in a place that's pretty original and free", "a place that's pretty original and free of cheap clichés. I feel like", "I base it in a science fiction realm, it would be too similar", "commercial success. I'm doing this for the fun of it, and I'm really", "do I go about creating a completely original world or even concept? I", "difficult to do, because of the fact that if I based this world", "sort of a fantasy realm, it would be too similar to things like", "set it in a place that's pretty original and free of cheap clichés.", "a fantasy realm, it would be too similar to things like Lord Of", "of it, and I'm really trying to set it in a place that's", "even concept? I know it can't really be explained that easily, but maybe", "Wars. So my question is, how do I go about creating a completely", "from overused concepts. Thanks. ---Thank you guys for responding, but I would like", "not looking for commercial success. I'm doing this for the fun of it,", "I feel that I do have original concepts and characters to add to", "and if I base it in a science fiction realm, it would be", "explained that easily, but maybe I could get some ideas about ways to", "that easily, but maybe I could get some ideas about ways to get", "doing this for the fun of it, and I'm really trying to set", "responding, but I would like to add: yes, I feel that I do", "to get something original and stay away from overused concepts. Thanks. ---Thank you", "pretty original and free of cheap clichés. I feel like there's too many", "concepts, and I am aiming to create a massive world: a world with", "feel like there's too many fantasy/medieval and space/futuristic concepts and stories, and I", "few ideas for characters and concepts, and I am aiming to create a", "you guys for responding, but I would like to add: yes, I feel", "and space/futuristic concepts and stories, and I want to make something free of", "world in sort of a fantasy realm, it would be too similar to", "trying to set it in a place that's pretty original and free of", "for characters and concepts, and I am aiming to create a massive world:", "or even concept? I know it can't really be explained that easily, but", "and Game Of Thrones, and if I base it in a science fiction", "for responding, but I would like to add: yes, I feel that I", "concepts. Thanks. ---Thank you guys for responding, but I would like to add:", "However, I feel like this is difficult to do, because of the fact", "this for the fun of it, and I'm really trying to set it", "easily, but maybe I could get some ideas about ways to get something", "and free of cheap clichés. I feel like there's too many fantasy/medieval and", "but maybe I could get some ideas about ways to get something original", "get some ideas about ways to get something original and stay away from", "a massive world: a world with its own deep history and rich lore.", "if I based this world in sort of a fantasy realm, it would", "to set it in a place that's pretty original and free of cheap", "concept? I know it can't really be explained that easily, but maybe I", "deep history and rich lore. However, I feel like this is difficult to", "in a place that's pretty original and free of cheap clichés. I feel", "add to this world, and no, I'm not looking for commercial success. I'm", "its own deep history and rich lore. However, I feel like this is", "things like Lord Of The Rings and Game Of Thrones, and if I", "away from overused concepts. Thanks. ---Thank you guys for responding, but I would", "my question is, how do I go about creating a completely original world", "it, and I'm really trying to set it in a place that's pretty", "to create a massive world: a world with its own deep history and", "a few ideas for characters and concepts, and I am aiming to create", "fact that if I based this world in sort of a fantasy realm,", "could get some ideas about ways to get something original and stay away", "original concepts and characters to add to this world, and no, I'm not", "space/futuristic concepts and stories, and I want to make something free of those,", "Lord Of The Rings and Game Of Thrones, and if I base it", "in a science fiction realm, it would be too similar to things like", "of a few ideas for characters and concepts, and I am aiming to", "there's too many fantasy/medieval and space/futuristic concepts and stories, and I want to", "of the fact that if I based this world in sort of a", "to add: yes, I feel that I do have original concepts and characters", "do, because of the fact that if I based this world in sort", "about ways to get something original and stay away from overused concepts. Thanks.", "concepts and stories, and I want to make something free of those, something", "and stay away from overused concepts. Thanks. ---Thank you guys for responding, but", "I feel like there's too many fantasy/medieval and space/futuristic concepts and stories, and", "characters and concepts, and I am aiming to create a massive world: a", "I go about creating a completely original world or even concept? I know", "similar to things like Lord Of The Rings and Game Of Thrones, and", "it would be too similar to things like Star Wars. So my question", "and characters to add to this world, and no, I'm not looking for", "a science fiction realm, it would be too similar to things like Star", "for the fun of it, and I'm really trying to set it in", "I could get some ideas about ways to get something original and stay", "really be explained that easily, but maybe I could get some ideas about", "if I base it in a science fiction realm, it would be too", "world or even concept? I know it can't really be explained that easily,", "be too similar to things like Star Wars. So my question is, how", "been thinking of a few ideas for characters and concepts, and I am", "rich lore. However, I feel like this is difficult to do, because of", "---Thank you guys for responding, but I would like to add: yes, I", "with its own deep history and rich lore. However, I feel like this", "and no, I'm not looking for commercial success. I'm doing this for the", "realm, it would be too similar to things like Lord Of The Rings", "is difficult to do, because of the fact that if I based this", "and rich lore. However, I feel like this is difficult to do, because", "because of the fact that if I based this world in sort of", "be too similar to things like Lord Of The Rings* and Game Of", "similar to things like Star Wars. So my question is, how do I", "but I would like to add: yes, I feel that I do have", "too similar to things like Star Wars. So my question is, how do", "aiming to create a massive world: a world with its own deep history", "like this is difficult to do, because of the fact that if I", "science fiction realm, it would be too similar to things like Star Wars.", "do have original concepts and characters to add to this world, and no,", "create a massive world: a world with its own deep history and rich", "I based this world in sort of a fantasy realm, it would be", "fiction realm, it would be too similar to things like Star Wars. So", "go about creating a completely original world or even concept? I know it", "is, how do I go about creating a completely original world or even", "stay away from overused concepts. Thanks. ---Thank you guys for responding, but I", "the fact that if I based this world in sort of a fantasy", "can't really be explained that easily, but maybe I could get some ideas", "like Lord Of The Rings* and Game Of Thrones, and if I base", "and I am aiming to create a massive world: a world with its", "would be too similar to things like Lord Of The Rings and Game", "and stories, and I want to make something free of those, something original.", "creating a completely original world or even concept? I know it can't really", "it in a place that's pretty original and free of cheap clichés. I", "place that's pretty original and free of cheap clichés. I feel like there's", "that I do have original concepts and characters to add to this world,", "I'm doing this for the fun of it, and I'm really trying to", "base it in a science fiction realm, it would be too similar to", "it in a science fiction realm, it would be too similar to things", "would like to add: yes, I feel that I do have original concepts", "clichés. I feel like there's too many fantasy/medieval and space/futuristic concepts and stories,", "I do have original concepts and characters to add to this world, and", "ways to get something original and stay away from overused concepts. Thanks. ---Thank", "am aiming to create a massive world: a world with its own deep", "would be too similar to things like Star Wars. So my question is,", "a world with its own deep history and rich lore. However, I feel", "many fantasy/medieval and space/futuristic concepts and stories, and I want to make something", "I've been thinking of a few ideas for characters and concepts, and I", "add: yes, I feel that I do have original concepts and characters to", "it would be too similar to things like Lord Of The Rings* and", "and concepts, and I am aiming to create a massive world: a world", "of a fantasy realm, it would be too similar to things like Lord", "Thanks. ---Thank you guys for responding, but I would like to add: yes,", "too similar to things like Lord Of The Rings* and Game Of Thrones,", "to things like Lord Of The Rings and Game Of Thrones, and if", "like to add: yes, I feel that I do have original concepts and", "get something original and stay away from overused concepts. Thanks. ---Thank you guys", "I would like to add: yes, I feel that I do have original", "Rings* and Game Of Thrones, and if I base it in a science", "cheap clichés. I feel like there's too many fantasy/medieval and space/futuristic concepts and", "of cheap clichés. I feel like there's too many fantasy/medieval and space/futuristic concepts", "know it can't really be explained that easily, but maybe I could get", "I feel like this is difficult to do, because of the fact that", "that's pretty original and free of cheap clichés. I feel like there's too", "the fun of it, and I'm really trying to set it in a", "feel that I do have original concepts and characters to add to this", "in sort of a fantasy realm, it would be too similar to things", "own deep history and rich lore. However, I feel like this is difficult", "about creating a completely original world or even concept? I know it can't", "things like Star Wars. So my question is, how do I go about", "ideas about ways to get something original and stay away from overused concepts.", "maybe I could get some ideas about ways to get something original and", "to do, because of the fact that if I based this world in", "success. I'm doing this for the fun of it, and I'm really trying", "this world in sort of a fantasy realm, it would be too similar", "question is, how do I go about creating a completely original world or", "yes, I feel that I do have original concepts and characters to add", "too many fantasy/medieval and space/futuristic concepts and stories, and I want to make", "based this world in sort of a fantasy realm, it would be too", "it can't really be explained that easily, but maybe I could get some", "world: a world with its own deep history and rich lore. However, I", "fantasy/medieval and space/futuristic concepts and stories, and I want to make something free", "characters to add to this world, and no, I'm not looking for commercial", "this world, and no, I'm not looking for commercial success. I'm doing this", "no, I'm not looking for commercial success. I'm doing this for the fun", "So my question is, how do I go about creating a completely original", "Of The Rings* and Game Of Thrones, and if I base it in", "completely original world or even concept? I know it can't really be explained", "concepts and characters to add to this world, and no, I'm not looking", "history and rich lore. However, I feel like this is difficult to do,", "I am aiming to create a massive world: a world with its own", "ideas for characters and concepts, and I am aiming to create a massive", "thinking of a few ideas for characters and concepts, and I am aiming", "for commercial success. I'm doing this for the fun of it, and I'm", "feel like this is difficult to do, because of the fact that if", "like Star Wars. So my question is, how do I go about creating", "a completely original world or even concept? I know it can't really be", "original world or even concept? I know it can't really be explained that", "be explained that easily, but maybe I could get some ideas about ways", "this is difficult to do, because of the fact that if I based", "have original concepts and characters to add to this world, and no, I'm", "realm, it would be too similar to things like Star Wars. So my", "to things like Star Wars. So my question is, how do I go", "like there's too many fantasy/medieval and space/futuristic concepts and stories, and I want", "original and stay away from overused concepts. Thanks. ---Thank you guys for responding,", "Of Thrones, and if I base it in a science fiction realm, it", "and I'm really trying to set it in a place that's pretty original", "Thrones, and if I base it in a science fiction realm, it would", "to add to this world, and no, I'm not looking for commercial success.", "looking for commercial success. I'm doing this for the fun of it, and", "Star Wars. So my question is, how do I go about creating a", "world, and no, I'm not looking for commercial success. I'm doing this for", "lore. However, I feel like this is difficult to do, because of the", "I know it can't really be explained that easily, but maybe I could" ]
[ "use my own ISBN on books I publish through Createspace that I would", "it just makes my life a lot easier and I can't afford to", "told me that if I use my own ISBN on books I publish", "purchase copies of my own book. Though I think this is ludicrous, I", "think this is ludicrous, I would like to know, with absolute certainty, whether", "always use the free ISBN; it just makes my life a lot easier", "know, with absolute certainty, whether or not it is true. (I always use", "publish through Createspace that I would not be allowed to purchase copies of", "my own book. Though I think this is ludicrous, I would like to", "absolute certainty, whether or not it is true. (I always use the free", "Though I think this is ludicrous, I would like to know, with absolute", "not be allowed to purchase copies of my own book. Though I think", "whether or not it is true. (I always use the free ISBN; it", "that I would not be allowed to purchase copies of my own book.", "own book. Though I think this is ludicrous, I would like to know,", "I would not be allowed to purchase copies of my own book. Though", "me that if I use my own ISBN on books I publish through", "be allowed to purchase copies of my own book. Though I think this", "copies of my own book. Though I think this is ludicrous, I would", "of my own book. Though I think this is ludicrous, I would like", "this is ludicrous, I would like to know, with absolute certainty, whether or", "(I always use the free ISBN; it just makes my life a lot", "I publish through Createspace that I would not be allowed to purchase copies", "like to know, with absolute certainty, whether or not it is true. (I", "free ISBN; it just makes my life a lot easier and I can't", "use the free ISBN; it just makes my life a lot easier and", "it is true. (I always use the free ISBN; it just makes my", "through Createspace that I would not be allowed to purchase copies of my", "Someone told me that if I use my own ISBN on books I", "own ISBN on books I publish through Createspace that I would not be", "allowed to purchase copies of my own book. Though I think this is", "ISBN on books I publish through Createspace that I would not be allowed", "true. (I always use the free ISBN; it just makes my life a", "ISBN; it just makes my life a lot easier and I can't afford", "the free ISBN; it just makes my life a lot easier and I", "would not be allowed to purchase copies of my own book. Though I", "on books I publish through Createspace that I would not be allowed to", "book. Though I think this is ludicrous, I would like to know, with", "I would like to know, with absolute certainty, whether or not it is", "that if I use my own ISBN on books I publish through Createspace", "I use my own ISBN on books I publish through Createspace that I", "to purchase copies of my own book. Though I think this is ludicrous,", "ludicrous, I would like to know, with absolute certainty, whether or not it", "not it is true. (I always use the free ISBN; it just makes", "just makes my life a lot easier and I can't afford to purchase", "I think this is ludicrous, I would like to know, with absolute certainty,", "with absolute certainty, whether or not it is true. (I always use the", "to know, with absolute certainty, whether or not it is true. (I always", "Createspace that I would not be allowed to purchase copies of my own", "certainty, whether or not it is true. (I always use the free ISBN;", "my own ISBN on books I publish through Createspace that I would not", "books I publish through Createspace that I would not be allowed to purchase", "would like to know, with absolute certainty, whether or not it is true.", "if I use my own ISBN on books I publish through Createspace that", "or not it is true. (I always use the free ISBN; it just", "is ludicrous, I would like to know, with absolute certainty, whether or not", "is true. (I always use the free ISBN; it just makes my life", "makes my life a lot easier and I can't afford to purchase them.)" ]
[ "I'm a relatively new writer and sometimes I feel like my writing is", "and that I'm struggling to develop my writer's voice. Does anyone have any", "new writer and sometimes I feel like my writing is too bland and", "like my writing is too bland and that I'm struggling to develop my", "that I'm struggling to develop my writer's voice. Does anyone have any good", "and sometimes I feel like my writing is too bland and that I'm", "struggling to develop my writer's voice. Does anyone have any good tips? Thanks", "relatively new writer and sometimes I feel like my writing is too bland", "is too bland and that I'm struggling to develop my writer's voice. Does", "too bland and that I'm struggling to develop my writer's voice. Does anyone", "my writing is too bland and that I'm struggling to develop my writer's", "I'm struggling to develop my writer's voice. Does anyone have any good tips?", "I feel like my writing is too bland and that I'm struggling to", "sometimes I feel like my writing is too bland and that I'm struggling", "writing is too bland and that I'm struggling to develop my writer's voice.", "feel like my writing is too bland and that I'm struggling to develop", "writer and sometimes I feel like my writing is too bland and that", "a relatively new writer and sometimes I feel like my writing is too", "bland and that I'm struggling to develop my writer's voice. Does anyone have" ]
[ "quote for the situation a character is dealing with. Is it inappropriate to", "a planet and danger is closing in. He is in a good mood", "on a planet and danger is closing in. He is in a good", "Situation: You have an imaginary world, fantasy, sci-fi, whatever, and you are at", "you are at a point where, as an author, you know a suitable", "in trouble situation on a planet and danger is closing in. He is", "have an imaginary world, fantasy, sci-fi, whatever, and you are at a point", "mates, quoting: \"Houston, we got a problem.\" But in this universe for example", "over a com with his mates, quoting: \"Houston, we got a problem.\" But", "quoting: \"Houston, we got a problem.\" But in this universe for example Earth", "might not even happen in that universe? Example: A character is in trouble", "to quote from something that might not even happen in that universe? Example:", "inappropriate to quote from something that might not even happen in that universe?", "sci-fi, whatever, and you are at a point where, as an author, you", "fantasy, sci-fi, whatever, and you are at a point where, as an author,", "universe? Example: A character is in trouble situation on a planet and danger", "com with his mates, quoting: \"Houston, we got a problem.\" But in this", "situation a character is dealing with. Is it inappropriate to quote from something", "danger is closing in. He is in a good mood and he is", "happen in that universe? Example: A character is in trouble situation on a", "planet and danger is closing in. He is in a good mood and", "character is dealing with. Is it inappropriate to quote from something that might", "not even happen in that universe? Example: A character is in trouble situation", "even happen in that universe? Example: A character is in trouble situation on", "in a good mood and he is speaking over a com with his", "point where, as an author, you know a suitable quote for the situation", "mood and he is speaking over a com with his mates, quoting: \"Houston,", "from something that might not even happen in that universe? Example: A character", "Is it inappropriate to quote from something that might not even happen in", "a point where, as an author, you know a suitable quote for the", "that might not even happen in that universe? Example: A character is in", "in. He is in a good mood and he is speaking over a", "imaginary world, fantasy, sci-fi, whatever, and you are at a point where, as", "quote from something that might not even happen in that universe? Example: A", "author, you know a suitable quote for the situation a character is dealing", "is dealing with. Is it inappropriate to quote from something that might not", "he is speaking over a com with his mates, quoting: \"Houston, we got", "a good mood and he is speaking over a com with his mates,", "for example Earth does not exist. Can i have your opinion on this?", "problem.\" But in this universe for example Earth does not exist. Can i", "at a point where, as an author, you know a suitable quote for", "it inappropriate to quote from something that might not even happen in that", "a problem.\" But in this universe for example Earth does not exist. Can", "is in a good mood and he is speaking over a com with", "know a suitable quote for the situation a character is dealing with. Is", "whatever, and you are at a point where, as an author, you know", "and you are at a point where, as an author, you know a", "with. Is it inappropriate to quote from something that might not even happen", "He is in a good mood and he is speaking over a com", "is in trouble situation on a planet and danger is closing in. He", "a character is dealing with. Is it inappropriate to quote from something that", "situation on a planet and danger is closing in. He is in a", "You have an imaginary world, fantasy, sci-fi, whatever, and you are at a", "is closing in. He is in a good mood and he is speaking", "world, fantasy, sci-fi, whatever, and you are at a point where, as an", "dealing with. Is it inappropriate to quote from something that might not even", "But in this universe for example Earth does not exist. Can i have", "character is in trouble situation on a planet and danger is closing in.", "are at a point where, as an author, you know a suitable quote", "good mood and he is speaking over a com with his mates, quoting:", "for the situation a character is dealing with. Is it inappropriate to quote", "universe for example Earth does not exist. Can i have your opinion on", "a suitable quote for the situation a character is dealing with. Is it", "something that might not even happen in that universe? Example: A character is", "suitable quote for the situation a character is dealing with. Is it inappropriate", "speaking over a com with his mates, quoting: \"Houston, we got a problem.\"", "closing in. He is in a good mood and he is speaking over", "as an author, you know a suitable quote for the situation a character", "you know a suitable quote for the situation a character is dealing with.", "this universe for example Earth does not exist. Can i have your opinion", "with his mates, quoting: \"Houston, we got a problem.\" But in this universe", "\"Houston, we got a problem.\" But in this universe for example Earth does", "an author, you know a suitable quote for the situation a character is", "the situation a character is dealing with. Is it inappropriate to quote from", "and he is speaking over a com with his mates, quoting: \"Houston, we", "Example: A character is in trouble situation on a planet and danger is", "where, as an author, you know a suitable quote for the situation a", "that universe? Example: A character is in trouble situation on a planet and", "is speaking over a com with his mates, quoting: \"Houston, we got a", "a com with his mates, quoting: \"Houston, we got a problem.\" But in", "A character is in trouble situation on a planet and danger is closing", "and danger is closing in. He is in a good mood and he", "trouble situation on a planet and danger is closing in. He is in", "we got a problem.\" But in this universe for example Earth does not", "his mates, quoting: \"Houston, we got a problem.\" But in this universe for", "an imaginary world, fantasy, sci-fi, whatever, and you are at a point where,", "in that universe? Example: A character is in trouble situation on a planet", "got a problem.\" But in this universe for example Earth does not exist.", "in this universe for example Earth does not exist. Can i have your" ]
[ "a [leading](https://en.wikipedia.org/wiki/Leading) (i.e., line spacing) commonly considered appropriate for most types of blogs?", "define this as a minimum of 500 words. Please note that I'm not", "For my purposes, you could define this as a minimum of 500 words.", "you can give me; I just want to get as close as possible", "miracle, it exists, please do tell), but merely one that is commonly agreed", "types of blogs? I'm referring, specifically, to \"regular\" blog posts, i.e. not asides,", "On WordPress.com, these would be labeled Text* posts, the others often being Photo,", "is commonly agreed upon or, at the very least, commonly used. (Basically, I'll", "whatever you can give me; I just want to get as close as", "there a [leading](https://en.wikipedia.org/wiki/Leading) (i.e., line spacing) commonly considered appropriate for most types of", "do tell), but merely one that is commonly agreed upon* or, at the", "WordPress.com, these would be labeled Text posts, the others often being Photo, Video,", "considered appropriate for most types of blogs? I'm referring, specifically, to \"regular\" blog", "etc.¹ For my purposes, you could define this as a minimum of 500", "spacing) commonly considered appropriate for most types of blogs? I'm referring, specifically, to", "to \"regular\" blog posts, i.e. not asides, snippets, galleries, etc.¹ For my purposes,", "\"regular\" blog posts, i.e. not asides, snippets, galleries, etc.¹ For my purposes, you", "[leading](https://en.wikipedia.org/wiki/Leading) (i.e., line spacing) commonly considered appropriate for most types of blogs? I'm", "to a standard as one can observe in blog writing.) --- ¹ On", "not asides, snippets, galleries, etc.¹ For my purposes, you could define this as", "can observe in blog writing.) --- ¹ On WordPress.com, these would be labeled", "tell), but merely one that is commonly agreed upon* or, at the very", "--- ¹ On WordPress.com, these would be labeled Text posts, the others often", "(Basically, I'll take whatever you can give me; I just want to get", "I'll take whatever you can give me; I just want to get as", "possible to a standard as one can observe in blog writing.) --- ¹", "Please note that I'm not talking about a \"standard\" leading (although if, by", "\"standard\" leading (although if, by some miracle, it exists, please do tell), but", "referring, specifically, to \"regular\" blog posts, i.e. not asides, snippets, galleries, etc.¹ For", "i.e. not asides, snippets, galleries, etc.¹ For my purposes, you could define this", "posts, the others often being Photo, Video, Quote, Link, Aside, Gallery, Status, Audio,", "I'm referring, specifically, to \"regular\" blog posts, i.e. not asides, snippets, galleries, etc.¹", "this as a minimum of 500 words. Please note that I'm not talking", "merely one that is commonly agreed upon or, at the very least, commonly", "blog writing.) --- ¹ On WordPress.com, these would be labeled Text posts, the", "blog posts, i.e. not asides, snippets, galleries, etc.¹ For my purposes, you could", "snippets, galleries, etc.¹ For my purposes, you could define this as a minimum", "of blogs? I'm referring, specifically, to \"regular\" blog posts, i.e. not asides, snippets,", "galleries, etc.¹ For my purposes, you could define this as a minimum of", "purposes, you could define this as a minimum of 500 words. Please note", "for most types of blogs? I'm referring, specifically, to \"regular\" blog posts, i.e.", "minimum of 500 words. Please note that I'm not talking about a \"standard\"", "observe in blog writing.) --- ¹ On WordPress.com, these would be labeled Text", "as a minimum of 500 words. Please note that I'm not talking about", "commonly used. (Basically, I'll take whatever you can give me; I just want", "I'm not talking about a \"standard\" leading (although if, by some miracle, it", "close as possible* to a standard as one can observe in blog writing.)", "leading (although if, by some miracle, it exists, please do tell), but merely", "often being Photo, Video, Quote, Link, Aside, Gallery, Status, Audio, and Chat posts.", "please do tell), but merely one that is commonly agreed upon or, at", "¹ On WordPress.com, these would be labeled Text posts, the others often being", "a minimum of 500 words. Please note that I'm not talking about a", "commonly agreed upon or, at the very least, commonly used. (Basically, I'll take", "one can observe in blog writing.) --- ¹ On WordPress.com, these would be", "being Photo, Video, Quote, Link, Aside, Gallery, Status, Audio, and Chat posts. ([See", "to get as close as possible to a standard as one can observe", "Text posts, the others often being Photo, Video, Quote, Link, Aside, Gallery, Status,", "(although if, by some miracle, it exists, please do tell), but merely one", "as close as possible to a standard as one can observe in blog", "writing.) --- ¹ On WordPress.com, these would be labeled Text posts, the others", "can give me; I just want to get as close as possible to", "agreed upon* or, at the very least, commonly used. (Basically, I'll take whatever", "talking about a \"standard\" leading (although if, by some miracle, it exists, please", "be labeled Text posts, the others often being Photo, Video, Quote, Link, Aside,", "these would be labeled Text posts, the others often being Photo, Video, Quote,", "just want to get as close as possible to a standard as one", "exists, please do tell), but merely one that is commonly agreed upon or,", "some miracle, it exists, please do tell), but merely one that is commonly", "note that I'm not talking about a \"standard\" leading (although if, by some", "that is commonly agreed upon* or, at the very least, commonly used. (Basically,", "that I'm not talking about a \"standard\" leading (although if, by some miracle,", "get as close as possible to a standard as one can observe in", "of 500 words. Please note that I'm not talking about a \"standard\" leading", "words. Please note that I'm not talking about a \"standard\" leading (although if,", "as possible* to a standard as one can observe in blog writing.) ---", "at the very least, commonly used. (Basically, I'll take whatever you can give", "specifically, to \"regular\" blog posts, i.e. not asides, snippets, galleries, etc.¹ For my", "not talking about a \"standard\" leading (although if, by some miracle, it exists,", "in blog writing.) --- ¹ On WordPress.com, these would be labeled Text posts,", "the very least, commonly used. (Basically, I'll take whatever you can give me;", "my purposes, you could define this as a minimum of 500 words. Please", "used. (Basically, I'll take whatever you can give me; I just want to", "give me; I just want to get as close as possible to a", "labeled Text posts, the others often being Photo, Video, Quote, Link, Aside, Gallery,", "most types of blogs? I'm referring, specifically, to \"regular\" blog posts, i.e. not", "Is there a [leading](https://en.wikipedia.org/wiki/Leading) (i.e., line spacing) commonly considered appropriate for most types", "if, by some miracle, it exists, please do tell), but merely one that", "Photo, Video, Quote, Link, Aside, Gallery, Status, Audio, and Chat posts. ([See here.](https://en.support.wordpress.com/posts/post-formats/))", "standard as one can observe in blog writing.) --- ¹ On WordPress.com, these", "least, commonly used. (Basically, I'll take whatever you can give me; I just", "500 words. Please note that I'm not talking about a \"standard\" leading (although", "others often being Photo, Video, Quote, Link, Aside, Gallery, Status, Audio, and Chat", "one that is commonly agreed upon or, at the very least, commonly used.", "the others often being Photo, Video, Quote, Link, Aside, Gallery, Status, Audio, and", "take whatever you can give me; I just want to get as close", "could define this as a minimum of 500 words. Please note that I'm", "by some miracle, it exists, please do tell), but merely one that is", "about a \"standard\" leading (although if, by some miracle, it exists, please do", "(i.e., line spacing) commonly considered appropriate for most types of blogs? I'm referring,", "appropriate for most types of blogs? I'm referring, specifically, to \"regular\" blog posts,", "you could define this as a minimum of 500 words. Please note that", "I just want to get as close as possible* to a standard as", "asides, snippets, galleries, etc.¹ For my purposes, you could define this as a", "would be labeled Text posts, the others often being Photo, Video, Quote, Link,", "want to get as close as possible to a standard as one can", "posts, i.e. not asides, snippets, galleries, etc.¹ For my purposes, you could define", "but merely one that is commonly agreed upon or, at the very least,", "very least, commonly used. (Basically, I'll take whatever you can give me; I", "commonly considered appropriate for most types of blogs? I'm referring, specifically, to \"regular\"", "it exists, please do tell), but merely one that is commonly agreed upon", "me; I just want to get as close as possible to a standard", "or, at the very least, commonly used. (Basically, I'll take whatever you can", "line spacing) commonly considered appropriate for most types of blogs? I'm referring, specifically,", "upon* or, at the very least, commonly used. (Basically, I'll take whatever you", "as one can observe in blog writing.) --- ¹ On WordPress.com, these would", "a \"standard\" leading (although if, by some miracle, it exists, please do tell),", "blogs? I'm referring, specifically, to \"regular\" blog posts, i.e. not asides, snippets, galleries,", "a standard as one can observe in blog writing.) --- ¹ On WordPress.com," ]
[ "line Have expectations actually changed for academic papers, or is it that expectations", "In short, * Primary School: 1.0 line * Secondary School: 2.0 lines ", "line Secondary School: 2.0 lines * Early Tertiary: 1.5 line * *Mid-to-Late", " Primary School: 1.0 line * Secondary School: 2.0 lines * Early Tertiary:", "use 1.5 line; and then, after my 3rd/4th year began, more and more", "expected to do 1.15-line leading. 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Or is it just", "* Mid-to-Late Tertiary: 1.15 line Have expectations actually changed for academic papers, or", "school (i.e. college/university), I was told to use 1.5 line; and then, after", "my 3rd/4th year began, more and more I was expected to do 1.15-line", "it that expectations have not changed but vary depending on the skill level?", "leading. In short, * Primary School: 1.0 line * Secondary School: 2.0 lines", "have not changed but vary depending on the skill level? Or is it", "1.0-line leading for papers; in secondary school, this jumped to 2.0 lines; in", "(i.e. college/university), I was told to use 1.5 line; and then, after my", "Tertiary*: 1.5 line Mid-to-Late Tertiary: 1.15 line Have expectations actually changed for", "for papers; in secondary school, this jumped to 2.0 lines; in early tertiary", "I was told to use 1.5 line; and then, after my 3rd/4th year", "2.0 lines; in early tertiary school (i.e. college/university), I was told to use", "I was in primary school, I was told to use 1.0-line leading for", "2.0 lines * Early Tertiary: 1.5 line * Mid-to-Late Tertiary: 1.15 line Have", "When I was in primary school, I was told to use 1.0-line leading", "primary school, I was told to use 1.0-line leading for papers; in secondary", "jumped to 2.0 lines; in early tertiary school (i.e. college/university), I was told", "School*: 1.0 line Secondary School: 2.0 lines * Early Tertiary: 1.5 line", "1.5 line; and then, after my 3rd/4th year began, more and more I", "Have expectations actually changed for academic papers, or is it that expectations have", "secondary school, this jumped to 2.0 lines; in early tertiary school (i.e. college/university),", "line; and then, after my 3rd/4th year began, more and more I was", "do 1.15-line leading. In short, * Primary School: 1.0 line * Secondary School:", "short, * Primary School: 1.0 line * Secondary School: 2.0 lines * **Early", "3rd/4th year began, more and more I was expected to do 1.15-line leading." ]
[ "want to do professionally is tell stories. I consider myself a storyteller, but", "it be better if I chose manga? (I would have to write only", "myself a storyteller, but I don't know if I should be a novelist", "I don't know if I should be a novelist or if I should", "a manga, graphic novel, screenplay or something else. I am mostly inspired by", "I want to do professionally is tell stories. I consider myself a storyteller,", "that's why I had decided to write books. But is it really easier", "so that's why I had decided to write books. But is it really", "be a novelist or if I should write a manga, graphic novel, screenplay", "I am mostly inspired by movies, animes and mangas, but I assume that", "better if I chose manga? (I would have to write only the story", "else. I am mostly inspired by movies, animes and mangas, but I assume", "What I want to do professionally is tell stories. I consider myself a", "had decided to write books. But is it really easier to publish books?", "mangas, but I assume that books are easier to publish, so that's why", "screenplay or something else. I am mostly inspired by movies, animes and mangas,", "chose manga? (I would have to write only the story because I can't", "should be a novelist or if I should write a manga, graphic novel,", "publish, so that's why I had decided to write books. But is it", "something else. I am mostly inspired by movies, animes and mangas, but I", "I should be a novelist or if I should write a manga, graphic", "mostly inspired by movies, animes and mangas, but I assume that books are", "tell stories. I consider myself a storyteller, but I don't know if I", "novel, screenplay or something else. I am mostly inspired by movies, animes and", "decided to write books. But is it really easier to publish books? Would", "books? Would it be better if I chose manga? (I would have to", "inspired by movies, animes and mangas, but I assume that books are easier", "if I chose manga? (I would have to write only the story because", "assume that books are easier to publish, so that's why I had decided", "don't know if I should be a novelist or if I should write", "Would it be better if I chose manga? (I would have to write", "are easier to publish, so that's why I had decided to write books.", "to publish books? Would it be better if I chose manga? (I would", "professionally is tell stories. I consider myself a storyteller, but I don't know", "should write a manga, graphic novel, screenplay or something else. I am mostly", "movies, animes and mangas, but I assume that books are easier to publish,", "publish books? Would it be better if I chose manga? (I would have", "a storyteller, but I don't know if I should be a novelist or", "if I should be a novelist or if I should write a manga,", "really easier to publish books? Would it be better if I chose manga?", "novelist or if I should write a manga, graphic novel, screenplay or something", "I assume that books are easier to publish, so that's why I had", "manga? (I would have to write only the story because I can't draw.)", "write books. But is it really easier to publish books? Would it be", "a novelist or if I should write a manga, graphic novel, screenplay or", "consider myself a storyteller, but I don't know if I should be a", "graphic novel, screenplay or something else. I am mostly inspired by movies, animes", "easier to publish, so that's why I had decided to write books. But", "but I assume that books are easier to publish, so that's why I", "know if I should be a novelist or if I should write a", "am mostly inspired by movies, animes and mangas, but I assume that books", "I should write a manga, graphic novel, screenplay or something else. I am", "easier to publish books? Would it be better if I chose manga? (I", "and mangas, but I assume that books are easier to publish, so that's", "be better if I chose manga? (I would have to write only the", "animes and mangas, but I assume that books are easier to publish, so", "to publish, so that's why I had decided to write books. But is", "storyteller, but I don't know if I should be a novelist or if", "I consider myself a storyteller, but I don't know if I should be", "to write books. But is it really easier to publish books? Would it", "why I had decided to write books. But is it really easier to", "write a manga, graphic novel, screenplay or something else. I am mostly inspired", "if I should write a manga, graphic novel, screenplay or something else. I", "or something else. I am mostly inspired by movies, animes and mangas, but", "books are easier to publish, so that's why I had decided to write", "is it really easier to publish books? Would it be better if I", "by movies, animes and mangas, but I assume that books are easier to", "I had decided to write books. But is it really easier to publish", "is tell stories. I consider myself a storyteller, but I don't know if", "do professionally is tell stories. I consider myself a storyteller, but I don't", "I chose manga? (I would have to write only the story because I", "to do professionally is tell stories. I consider myself a storyteller, but I", "But is it really easier to publish books? Would it be better if", "or if I should write a manga, graphic novel, screenplay or something else.", "books. But is it really easier to publish books? Would it be better", "stories. I consider myself a storyteller, but I don't know if I should", "that books are easier to publish, so that's why I had decided to", "but I don't know if I should be a novelist or if I", "manga, graphic novel, screenplay or something else. I am mostly inspired by movies,", "it really easier to publish books? Would it be better if I chose" ]
[ "any) might I have with copyright laws when keeping story notes and some", "cloud based storage such as Google drive? How might this affect future publication?", "I have with copyright laws when keeping story notes and some or all", "story notes and some or all of my writing on cloud based storage", "and some or all of my writing on cloud based storage such as", "all of my writing on cloud based storage such as Google drive? How", "What kind of problems (if any) might I have with copyright laws when", "copyright laws when keeping story notes and some or all of my writing", "might I have with copyright laws when keeping story notes and some or", "(if any) might I have with copyright laws when keeping story notes and", "keeping story notes and some or all of my writing on cloud based", "kind of problems (if any) might I have with copyright laws when keeping", "on cloud based storage such as Google drive? How might this affect future", "when keeping story notes and some or all of my writing on cloud", "laws when keeping story notes and some or all of my writing on", "problems (if any) might I have with copyright laws when keeping story notes", "or all of my writing on cloud based storage such as Google drive?", "of problems (if any) might I have with copyright laws when keeping story", "with copyright laws when keeping story notes and some or all of my", "some or all of my writing on cloud based storage such as Google", "writing on cloud based storage such as Google drive? How might this affect", "my writing on cloud based storage such as Google drive? How might this", "of my writing on cloud based storage such as Google drive? How might", "notes and some or all of my writing on cloud based storage such", "have with copyright laws when keeping story notes and some or all of" ]
[ "words, I counted 13 instances of the word Norwegian and 6 instances of", "as \"The intricacies of the language of the Vikings never failed to confuse", "(there are Swedes and Danes, but nothing unique for Norwegians) * Norwegian (language,", "with the underlying idea centered around how sharing a common language can break", "something such as \"The intricacies of the language of the Vikings never failed", "Vikings* never failed to confuse me...\", but that sounds kind of cheesy (I'm", "Norway in contexts such as these: * Norwegian (referring to a person): I", "such as \"The intricacies of the language of the Vikings never failed to", "it's also not the main focus of my essay. Also, sometimes I write", "to talk about how it breaks barriers and unites people, so that word", "language can break barriers between two people. In order to adequately describe how", "the language\", but I already use the word \"language\" to talk about how", "around how sharing a common language can break barriers between two people. In", "culture (and how that was my main motivation when I chose which language", "\"Norwegian\"; for example: \"My interest in Norwegian culture drew me to learn the", "for these words. In my short essay of 618 words, I counted 13", "talking to a Norwegian girl (there are Swedes and Danes, but nothing unique", "counted 13 instances of the word Norwegian and 6 instances of the word", "I chose which language to learn), so that could fit in, but it's", "I'm writing about how my experiences with learning Norwegian shaped me as an", "for Norwegians) Norwegian (language, both adjective and noun): the Norwegian textbook /", "are Swedes and Danes, but nothing unique for Norwegians) * Norwegian (language, both", "how sharing a common language can break barriers between two people. In order", "instances of the word Norway in contexts such as these: * Norwegian (referring", "repeat the word \"Norwegian\" and \"Norway\" way too many times because I had", "point, but the writing doesn't feel natural to me when I use that", "my experiences with learning Norwegian shaped me as an individual with the underlying", "There aren't many synonyms for \"language\" that I can find; I did write", "Those are the two solutions I've come up with, but they both aren't", "trouble finding a suitable synonym for these words. In my short essay of", "a Norwegian girl (there are Swedes and Danes, but nothing unique for Norwegians)", "kind of cheesy (I'm not sure though). I briefly touched on my interest", "many synonyms for \"language\" that I can find; I did write \"obscure tongue\"", "both adjective and noun): the Norwegian textbook / Why are you learning Norwegian?", "people. In order to adequately describe how my Norwegian language learning odyssey affected", "learn the language\", but I already use the word \"language\" to talk about", "Danes, but nothing unique for Norwegians) * Norwegian (language, both adjective and noun):", "adequately describe how my Norwegian language learning odyssey affected my life, I've had", "unique for Norwegians) * Norwegian (language, both adjective and noun): the Norwegian textbook", "of the word Norwegian and 6 instances of the word Norway in contexts", "these words. In my short essay of 618 words, I counted 13 instances", "Why are you learning Norwegian? I've considered writing something such as \"The intricacies", "nothing unique for Norwegians) * Norwegian (language, both adjective and noun): the Norwegian", "as an individual with the underlying idea centered around how sharing a common", "/ Why are you learning Norwegian? I've considered writing something such as \"The", "was my main motivation when I chose which language to learn), so that", "618 words, I counted 13 instances of the word Norwegian and 6 instances", "Can someone suggest any other way I could avoid repeating these words in", "to repeat the word \"Norwegian\" and \"Norway\" way too many times because I", "already use the word \"language\" to talk about how it breaks barriers and", "\"The intricacies of the language of the Vikings never failed to confuse me...\",", "interest in Norwegian culture drew me to learn the language\", but I already", "the word \"Norwegian\" and \"Norway\" way too many times because I had trouble", "word limit), I'm writing about how my experiences with learning Norwegian shaped me", "language to learn), so that could fit in, but it's also not the", "the word Norwegian and 6 instances of the word Norway in contexts such", "with learning Norwegian shaped me as an individual with the underlying idea centered", "people, so that word has been overused too. There aren't many synonyms for", "adjective and noun): the Norwegian textbook / Why are you learning Norwegian? I've", "the Vikings* never failed to confuse me...\", but that sounds kind of cheesy", "of my essay. Also, sometimes I write \"the language\" instead of \"Norwegian\"; for", "instead of \"Norwegian\"; for example: \"My interest in Norwegian culture drew me to", "I counted 13 instances of the word Norwegian and 6 instances of the", "and Danes, but nothing unique for Norwegians) * Norwegian (language, both adjective and", "someone suggest any other way I could avoid repeating these words in my", "in contexts such as these: * Norwegian (referring to a person): I was", "\"Norway\" way too many times because I had trouble finding a suitable synonym", "shaped me as an individual with the underlying idea centered around how sharing", "to learn), so that could fit in, but it's also not the main", "essay assignment (650 word limit), I'm writing about how my experiences with learning", "barriers between two people. In order to adequately describe how my Norwegian language", "order to adequately describe how my Norwegian language learning odyssey affected my life,", "you learning Norwegian? I've considered writing something such as \"The intricacies of the", "to me when I use that word. Those are the two solutions I've", "can find; I did write \"obscure tongue\" at one point, but the writing", "to a person): I was talking to a Norwegian girl (there are Swedes", "because I had trouble finding a suitable synonym for these words. In my", "me as an individual with the underlying idea centered around how sharing a", "how my Norwegian language learning odyssey affected my life, I've had to repeat", "person): I was talking to a Norwegian girl (there are Swedes and Danes,", "describe how my Norwegian language learning odyssey affected my life, I've had to", "of the language of the Vikings* never failed to confuse me...\", but that", "aren't many synonyms for \"language\" that I can find; I did write \"obscure", "in, but it's also not the main focus of my essay. Also, sometimes", "many times because I had trouble finding a suitable synonym for these words.", "writing about how my experiences with learning Norwegian shaped me as an individual", "word. Those are the two solutions I've come up with, but they both", "of the Vikings* never failed to confuse me...\", but that sounds kind of", "common language can break barriers between two people. In order to adequately describe", "when I chose which language to learn), so that could fit in, but", "the underlying idea centered around how sharing a common language can break barriers", "for \"language\" that I can find; I did write \"obscure tongue\" at one", "(language, both adjective and noun): the Norwegian textbook / Why are you learning", "but that sounds kind of cheesy (I'm not sure though). I briefly touched", "(and how that was my main motivation when I chose which language to", "how my experiences with learning Norwegian shaped me as an individual with the", "sometimes I write \"the language\" instead of \"Norwegian\"; for example: \"My interest in", "6 instances of the word Norway in contexts such as these: * Norwegian", "the word \"language\" to talk about how it breaks barriers and unites people,", "unites people, so that word has been overused too. There aren't many synonyms", "\"the language\" instead of \"Norwegian\"; for example: \"My interest in Norwegian culture drew", "considered writing something such as \"The intricacies of the language of the Vikings", "never failed to confuse me...\", but that sounds kind of cheesy (I'm not", "solutions I've come up with, but they both aren't very great. Can someone", "to confuse me...\", but that sounds kind of cheesy (I'm not sure though).", "language of the Vikings* never failed to confuse me...\", but that sounds kind", "breaks barriers and unites people, so that word has been overused too. There", "as these: * Norwegian (referring to a person): I was talking to a", "not the main focus of my essay. Also, sometimes I write \"the language\"", "the Norwegian textbook / Why are you learning Norwegian? I've considered writing something", "culture drew me to learn the language\", but I already use the word", "learning Norwegian shaped me as an individual with the underlying idea centered around", "too many times because I had trouble finding a suitable synonym for these", "Norwegian (referring to a person): I was talking to a Norwegian girl (there", "I've considered writing something such as \"The intricacies of the language of the", "fit in, but it's also not the main focus of my essay. Also,", "(referring to a person): I was talking to a Norwegian girl (there are", "can break barriers between two people. In order to adequately describe how my", "which language to learn), so that could fit in, but it's also not", "that I can find; I did write \"obscure tongue\" at one point, but", "Norwegian culture drew me to learn the language\", but I already use the", "life, I've had to repeat the word \"Norwegian\" and \"Norway\" way too many", "the language of the Vikings* never failed to confuse me...\", but that sounds", "sure though). I briefly touched on my interest for Norwegian history and culture", "of cheesy (I'm not sure though). I briefly touched on my interest for", "but it's also not the main focus of my essay. Also, sometimes I", "centered around how sharing a common language can break barriers between two people.", "I already use the word \"language\" to talk about how it breaks barriers", "In my short essay of 618 words, I counted 13 instances of the", "in Norwegian culture drew me to learn the language\", but I already use", "intricacies of the language of the Vikings never failed to confuse me...\", but", "could fit in, but it's also not the main focus of my essay.", "I've had to repeat the word \"Norwegian\" and \"Norway\" way too many times", "when I use that word. Those are the two solutions I've come up", "of the word Norway in contexts such as these: * Norwegian (referring to", "sharing a common language can break barriers between two people. In order to", "essay. Also, sometimes I write \"the language\" instead of \"Norwegian\"; for example: \"My", "Norwegian language learning odyssey affected my life, I've had to repeat the word", "write \"the language\" instead of \"Norwegian\"; for example: \"My interest in Norwegian culture", "but I already use the word \"language\" to talk about how it breaks", "an individual with the underlying idea centered around how sharing a common language", "girl (there are Swedes and Danes, but nothing unique for Norwegians) * Norwegian", "For a short essay assignment (650 word limit), I'm writing about how my", "up with, but they both aren't very great. Can someone suggest any other", "I did write \"obscure tongue\" at one point, but the writing doesn't feel", "word Norway in contexts such as these: * Norwegian (referring to a person):", "13 instances of the word Norwegian and 6 instances of the word Norway", "instances of the word Norwegian and 6 instances of the word Norway in", "my interest for Norwegian history and culture (and how that was my main", "of \"Norwegian\"; for example: \"My interest in Norwegian culture drew me to learn", "aren't very great. Can someone suggest any other way I could avoid repeating", "about how my experiences with learning Norwegian shaped me as an individual with", "overused too. There aren't many synonyms for \"language\" that I can find; I", "though). I briefly touched on my interest for Norwegian history and culture (and", "me when I use that word. Those are the two solutions I've come", "two people. In order to adequately describe how my Norwegian language learning odyssey", "and \"Norway\" way too many times because I had trouble finding a suitable", "that word. Those are the two solutions I've come up with, but they", "language\" instead of \"Norwegian\"; for example: \"My interest in Norwegian culture drew me", "are you learning Norwegian? I've considered writing something such as \"The intricacies of", "that sounds kind of cheesy (I'm not sure though). I briefly touched on", "touched on my interest for Norwegian history and culture (and how that was", "Norwegian and 6 instances of the word Norway in contexts such as these:", "word \"language\" to talk about how it breaks barriers and unites people, so", "find; I did write \"obscure tongue\" at one point, but the writing doesn't", "so that could fit in, but it's also not the main focus of", "that word has been overused too. There aren't many synonyms for \"language\" that", "doesn't feel natural to me when I use that word. Those are the", "limit), I'm writing about how my experiences with learning Norwegian shaped me as", "my life, I've had to repeat the word \"Norwegian\" and \"Norway\" way too", "suitable synonym for these words. In my short essay of 618 words, I", "a common language can break barriers between two people. In order to adequately", "Norwegian? I've considered writing something such as \"The intricacies of the language of", "writing doesn't feel natural to me when I use that word. Those are", "about how it breaks barriers and unites people, so that word has been", "failed to confuse me...\", but that sounds kind of cheesy (I'm not sure", "great. Can someone suggest any other way I could avoid repeating these words", "they both aren't very great. Can someone suggest any other way I could", "and culture (and how that was my main motivation when I chose which", "\"language\" to talk about how it breaks barriers and unites people, so that", "tongue\" at one point, but the writing doesn't feel natural to me when", "affected my life, I've had to repeat the word \"Norwegian\" and \"Norway\" way", "chose which language to learn), so that could fit in, but it's also", "finding a suitable synonym for these words. In my short essay of 618", "my essay. Also, sometimes I write \"the language\" instead of \"Norwegian\"; for example:", "Norwegian (language, both adjective and noun): the Norwegian textbook / Why are you", "example: \"My interest in Norwegian culture drew me to learn the language\", but", "word \"Norwegian\" and \"Norway\" way too many times because I had trouble finding", "but nothing unique for Norwegians) Norwegian (language, both adjective and noun): the", "how that was my main motivation when I chose which language to learn),", "it breaks barriers and unites people, so that word has been overused too.", "very great. Can someone suggest any other way I could avoid repeating these", "between two people. In order to adequately describe how my Norwegian language learning", "underlying idea centered around how sharing a common language can break barriers between", "short essay of 618 words, I counted 13 instances of the word Norwegian", "odyssey affected my life, I've had to repeat the word \"Norwegian\" and \"Norway\"", "a short essay assignment (650 word limit), I'm writing about how my experiences", "drew me to learn the language\", but I already use the word \"language\"", "and unites people, so that word has been overused too. There aren't many", "textbook / Why are you learning Norwegian? I've considered writing something such as", "Also, sometimes I write \"the language\" instead of \"Norwegian\"; for example: \"My interest", "on my interest for Norwegian history and culture (and how that was my", "the writing doesn't feel natural to me when I use that word. Those", "these: * Norwegian (referring to a person): I was talking to a Norwegian", "briefly touched on my interest for Norwegian history and culture (and how that", "\"My interest in Norwegian culture drew me to learn the language\", but I", "are the two solutions I've come up with, but they both aren't very", "that could fit in, but it's also not the main focus of my", "so that word has been overused too. There aren't many synonyms for \"language\"", "I briefly touched on my interest for Norwegian history and culture (and how", "such as these: * Norwegian (referring to a person): I was talking to", "motivation when I chose which language to learn), so that could fit in,", "at one point, but the writing doesn't feel natural to me when I", "Norwegian textbook / Why are you learning Norwegian? I've considered writing something such", "a person): I was talking to a Norwegian girl (there are Swedes and", "come up with, but they both aren't very great. Can someone suggest any", "learn), so that could fit in, but it's also not the main focus", "synonym for these words. In my short essay of 618 words, I counted", "main focus of my essay. Also, sometimes I write \"the language\" instead of", "break barriers between two people. In order to adequately describe how my Norwegian", "the word Norway in contexts such as these: * Norwegian (referring to a", "of 618 words, I counted 13 instances of the word Norwegian and 6", "language\", but I already use the word \"language\" to talk about how it", "short essay assignment (650 word limit), I'm writing about how my experiences with", "did write \"obscure tongue\" at one point, but the writing doesn't feel natural", "contexts such as these: Norwegian (referring to a person): I was talking", "but they both aren't very great. Can someone suggest any other way I", "not sure though). I briefly touched on my interest for Norwegian history and", "to learn the language\", but I already use the word \"language\" to talk", "assignment (650 word limit), I'm writing about how my experiences with learning Norwegian", "barriers and unites people, so that word has been overused too. There aren't", "(650 word limit), I'm writing about how my experiences with learning Norwegian shaped", "I write \"the language\" instead of \"Norwegian\"; for example: \"My interest in Norwegian", "learning odyssey affected my life, I've had to repeat the word \"Norwegian\" and", "me to learn the language\", but I already use the word \"language\" to", "talk about how it breaks barriers and unites people, so that word has", "has been overused too. There aren't many synonyms for \"language\" that I can", "individual with the underlying idea centered around how sharing a common language can", "essay of 618 words, I counted 13 instances of the word Norwegian and", "I was talking to a Norwegian girl (there are Swedes and Danes, but", "one point, but the writing doesn't feel natural to me when I use", "* Norwegian (referring to a person): I was talking to a Norwegian girl", "the main focus of my essay. Also, sometimes I write \"the language\" instead", "sounds kind of cheesy (I'm not sure though). I briefly touched on my", "I can find; I did write \"obscure tongue\" at one point, but the", "been overused too. There aren't many synonyms for \"language\" that I can find;", "main motivation when I chose which language to learn), so that could fit", "history and culture (and how that was my main motivation when I chose", "feel natural to me when I use that word. Those are the two", "a suitable synonym for these words. In my short essay of 618 words,", "my Norwegian language learning odyssey affected my life, I've had to repeat the", "interest for Norwegian history and culture (and how that was my main motivation", "word Norwegian and 6 instances of the word Norway in contexts such as", "to adequately describe how my Norwegian language learning odyssey affected my life, I've", "use the word \"language\" to talk about how it breaks barriers and unites", "Swedes and Danes, but nothing unique for Norwegians) * Norwegian (language, both adjective", "Norwegians) * Norwegian (language, both adjective and noun): the Norwegian textbook / Why", "both aren't very great. Can someone suggest any other way I could avoid", "and 6 instances of the word Norway in contexts such as these: ", "that was my main motivation when I chose which language to learn), so", "I've come up with, but they both aren't very great. Can someone suggest", "way too many times because I had trouble finding a suitable synonym for", "use that word. Those are the two solutions I've come up with, but", "with, but they both aren't very great. Can someone suggest any other way", "me...\", but that sounds kind of cheesy (I'm not sure though). I briefly", "\"language\" that I can find; I did write \"obscure tongue\" at one point,", "had trouble finding a suitable synonym for these words. In my short essay", "Norwegian history and culture (and how that was my main motivation when I", "noun): the Norwegian textbook / Why are you learning Norwegian? I've considered writing", "write \"obscure tongue\" at one point, but the writing doesn't feel natural to", "cheesy (I'm not sure though). I briefly touched on my interest for Norwegian", "Norwegian girl (there are Swedes and Danes, but nothing unique for Norwegians) ", "synonyms for \"language\" that I can find; I did write \"obscure tongue\" at", "how it breaks barriers and unites people, so that word has been overused", "I had trouble finding a suitable synonym for these words. In my short", "two solutions I've come up with, but they both aren't very great. Can", "confuse me...\", but that sounds kind of cheesy (I'm not sure though). I", "for Norwegian history and culture (and how that was my main motivation when", "was talking to a Norwegian girl (there are Swedes and Danes, but nothing", "I use that word. Those are the two solutions I've come up with,", "writing something such as \"The intricacies of the language of the Vikings never", "and noun): the Norwegian textbook / Why are you learning Norwegian? I've considered", "too. There aren't many synonyms for \"language\" that I can find; I did", "learning Norwegian? I've considered writing something such as \"The intricacies of the language", "also not the main focus of my essay. Also, sometimes I write \"the", "but the writing doesn't feel natural to me when I use that word.", "Norwegian shaped me as an individual with the underlying idea centered around how", "idea centered around how sharing a common language can break barriers between two", "times because I had trouble finding a suitable synonym for these words. In", "(I'm not sure though). I briefly touched on my interest for Norwegian history", "experiences with learning Norwegian shaped me as an individual with the underlying idea", "words. In my short essay of 618 words, I counted 13 instances of", "had to repeat the word \"Norwegian\" and \"Norway\" way too many times because", "natural to me when I use that word. Those are the two solutions", " Norwegian (language, both adjective and noun): the Norwegian textbook / Why are", "focus of my essay. Also, sometimes I write \"the language\" instead of \"Norwegian\";", "my main motivation when I chose which language to learn), so that could", "language learning odyssey affected my life, I've had to repeat the word \"Norwegian\"", "suggest any other way I could avoid repeating these words in my writing?", "word has been overused too. There aren't many synonyms for \"language\" that I", "\"Norwegian\" and \"Norway\" way too many times because I had trouble finding a", "In order to adequately describe how my Norwegian language learning odyssey affected my", "\"obscure tongue\" at one point, but the writing doesn't feel natural to me", "the two solutions I've come up with, but they both aren't very great.", "my short essay of 618 words, I counted 13 instances of the word", "to a Norwegian girl (there are Swedes and Danes, but nothing unique for", "for example: \"My interest in Norwegian culture drew me to learn the language\"," ]
[ "to care about believably in writing, especially in fiction writing. For example, I'm", "> \"Yeah,\" De-Shi said. \"She's very enthusiastic about animal suicide. > You should've", "> You should've seen the little commotion she caused in the department.\" >", "and many people she meets later on recognizes her: > > \"Yeah,\" De-Shi", "\"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\" > > > \"Yup, the", "I'm confused. Can you sacrifice believability for the sake of humor at times?", "> > > \"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\" > >", "> > This, obviously, is unlikely to happen in real life; I just", "caused in the department.\" > > > \"Oh,\" Cath covered her mouth, \"she's", "seen the little commotion she caused in the department.\" > > > \"Oh,\"", "back. I had no idea my fame had spread > so far. >", "schoolmates start calling her a nickname and many people she meets later on", "She is laughed at in class. And later in a lab. After this,", "comedic purposes. The thing that worries me is that some of my readers", "about animal suicide. > You should've seen the little commotion she caused in", "real life; I just wrote it for comedic purposes. The thing that worries", "very enthusiastic about animal suicide. > You should've seen the little commotion she", "covered her mouth, \"she's Hanging Pup.\" > > > \"Yup, the very one,\"", "Hanging Pup.\" > > > \"Yup, the very one,\" I blurted back. I", "that worries me is that some of my readers pointed out that believability", "> This, obviously, is unlikely to happen in real life; I just wrote", "in writing, especially in fiction writing. For example, I'm writing a story where", "she meets later on recognizes her: > > \"Yeah,\" De-Shi said. \"She's very", "character goes to her university to find out about a weird topic. She", "class. And later in a lab. After this, she becomes a source of", "believably in writing, especially in fiction writing. For example, I'm writing a story", "to her university to find out about a weird topic. She is laughed", "a source of gossip--her schoolmates start calling her a nickname and many people", "in a lab. After this, she becomes a source of gossip--her schoolmates start", "believability for the sake of humor at times? If so, what are the", "purposes. The thing that worries me is that some of my readers pointed", "this, she becomes a source of gossip--her schoolmates start calling her a nickname", "some of my readers pointed out that believability issue--so I'm confused. Can you", "so far. > > > This, obviously, is unlikely to happen in real", "writing. For example, I'm writing a story where the main character goes to", "out that believability issue--so I'm confused. Can you sacrifice believability for the sake", "that believability issue--so I'm confused. Can you sacrifice believability for the sake of", "she caused in the department.\" > > > \"Oh,\" Cath covered her mouth,", "on recognizes her: > > \"Yeah,\" De-Shi said. \"She's very enthusiastic about animal", "very one,\" I blurted back. I had no idea my fame had spread", "happen in real life; I just wrote it for comedic purposes. The thing", "the main character goes to her university to find out about a weird", "goes to her university to find out about a weird topic. She is", "readers pointed out that believability issue--so I'm confused. Can you sacrifice believability for", "becomes a source of gossip--her schoolmates start calling her a nickname and many", "the department.\" > > > \"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\"", "nickname and many people she meets later on recognizes her: > > \"Yeah,\"", "in the department.\" > > > \"Oh,\" Cath covered her mouth, \"she's Hanging", "writing, especially in fiction writing. For example, I'm writing a story where the", "recognizes her: > > \"Yeah,\" De-Shi said. \"She's very enthusiastic about animal suicide.", "obviously, is unlikely to happen in real life; I just wrote it for", "\"Yup, the very one,\" I blurted back. I had no idea my fame", "fame had spread > so far. > > > This, obviously, is unlikely", "main character goes to her university to find out about a weird topic.", "is a device in humor. On the other hand, you need to care", "confused. Can you sacrifice believability for the sake of humor at times? If", "out about a weird topic. She is laughed at in class. And later", "suicide. > You should've seen the little commotion she caused in the department.\"", "university to find out about a weird topic. She is laughed at in", "> > \"Yeah,\" De-Shi said. \"She's very enthusiastic about animal suicide. > You", "Pup.\" > > > \"Yup, the very one,\" I blurted back. I had", "idea my fame had spread > so far. > > > This, obviously,", "device in humor. On the other hand, you need to care about believably", "> > \"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\" > > >", "care about believably in writing, especially in fiction writing. For example, I'm writing", "to happen in real life; I just wrote it for comedic purposes. The", "people she meets later on recognizes her: > > \"Yeah,\" De-Shi said. \"She's", "in real life; I just wrote it for comedic purposes. The thing that", "no idea my fame had spread > so far. > > > This,", "I just wrote it for comedic purposes. The thing that worries me is", "lab. After this, she becomes a source of gossip--her schoolmates start calling her", "a nickname and many people she meets later on recognizes her: > >", "enthusiastic about animal suicide. > You should've seen the little commotion she caused", "many people she meets later on recognizes her: > > \"Yeah,\" De-Shi said.", "animal suicide. > You should've seen the little commotion she caused in the", "mouth, \"she's Hanging Pup.\" > > > \"Yup, the very one,\" I blurted", "story where the main character goes to her university to find out about", "sacrifice believability for the sake of humor at times? If so, what are", "And later in a lab. After this, she becomes a source of gossip--her", "pointed out that believability issue--so I'm confused. Can you sacrifice believability for the", "about a weird topic. She is laughed at in class. And later in", "just wrote it for comedic purposes. The thing that worries me is that", "For example, I'm writing a story where the main character goes to her", "unlikely to happen in real life; I just wrote it for comedic purposes.", "far. > > > This, obviously, is unlikely to happen in real life;", "weird topic. She is laughed at in class. And later in a lab.", "my fame had spread > so far. > > > This, obviously, is", "Exaggeration is a device in humor. On the other hand, you need to", "her university to find out about a weird topic. She is laughed at", "other hand, you need to care about believably in writing, especially in fiction", "where the main character goes to her university to find out about a", "at in class. And later in a lab. After this, she becomes a", "is laughed at in class. And later in a lab. After this, she", "my readers pointed out that believability issue--so I'm confused. Can you sacrifice believability", "in humor. On the other hand, you need to care about believably in", "fiction writing. For example, I'm writing a story where the main character goes", "hand, you need to care about believably in writing, especially in fiction writing.", "start calling her a nickname and many people she meets later on recognizes", "she becomes a source of gossip--her schoolmates start calling her a nickname and", "On the other hand, you need to care about believably in writing, especially", "example, I'm writing a story where the main character goes to her university", "her: > > \"Yeah,\" De-Shi said. \"She's very enthusiastic about animal suicide. >", "issue--so I'm confused. Can you sacrifice believability for the sake of humor at", "The thing that worries me is that some of my readers pointed out", "\"Yeah,\" De-Shi said. \"She's very enthusiastic about animal suicide. > You should've seen", "of my readers pointed out that believability issue--so I'm confused. Can you sacrifice", "of gossip--her schoolmates start calling her a nickname and many people she meets", "After this, she becomes a source of gossip--her schoolmates start calling her a", "commotion she caused in the department.\" > > > \"Oh,\" Cath covered her", "\"she's Hanging Pup.\" > > > \"Yup, the very one,\" I blurted back.", "in class. And later in a lab. After this, she becomes a source", "a weird topic. She is laughed at in class. And later in a", "had spread > so far. > > > This, obviously, is unlikely to", "wrote it for comedic purposes. The thing that worries me is that some", "Cath covered her mouth, \"she's Hanging Pup.\" > > > \"Yup, the very", "one,\" I blurted back. I had no idea my fame had spread >", "the very one,\" I blurted back. I had no idea my fame had", "thing that worries me is that some of my readers pointed out that", "writing a story where the main character goes to her university to find", "had no idea my fame had spread > so far. > > >", "the little commotion she caused in the department.\" > > > \"Oh,\" Cath", "source of gossip--her schoolmates start calling her a nickname and many people she", "> > \"Yup, the very one,\" I blurted back. I had no idea", "me is that some of my readers pointed out that believability issue--so I'm", "calling her a nickname and many people she meets later on recognizes her:", "> \"Yup, the very one,\" I blurted back. I had no idea my", "you sacrifice believability for the sake of humor at times? If so, what", "De-Shi said. \"She's very enthusiastic about animal suicide. > You should've seen the", "find out about a weird topic. She is laughed at in class. And", "gossip--her schoolmates start calling her a nickname and many people she meets later", "believability issue--so I'm confused. Can you sacrifice believability for the sake of humor", "a device in humor. On the other hand, you need to care about", "is unlikely to happen in real life; I just wrote it for comedic", "a lab. After this, she becomes a source of gossip--her schoolmates start calling", "is that some of my readers pointed out that believability issue--so I'm confused.", "later on recognizes her: > > \"Yeah,\" De-Shi said. \"She's very enthusiastic about", "it for comedic purposes. The thing that worries me is that some of", "need to care about believably in writing, especially in fiction writing. For example,", "should've seen the little commotion she caused in the department.\" > > >", "to find out about a weird topic. She is laughed at in class.", "blurted back. I had no idea my fame had spread > so far.", "This, obviously, is unlikely to happen in real life; I just wrote it", "the other hand, you need to care about believably in writing, especially in", "topic. She is laughed at in class. And later in a lab. After", "spread > so far. > > > This, obviously, is unlikely to happen", "about believably in writing, especially in fiction writing. For example, I'm writing a", "a story where the main character goes to her university to find out", "I blurted back. I had no idea my fame had spread > so", "meets later on recognizes her: > > \"Yeah,\" De-Shi said. \"She's very enthusiastic", "life; I just wrote it for comedic purposes. The thing that worries me", "her a nickname and many people she meets later on recognizes her: >", "for the sake of humor at times? If so, what are the limits?", "> \"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\" > > > \"Yup,", "especially in fiction writing. For example, I'm writing a story where the main", "> > > \"Yup, the very one,\" I blurted back. I had no", "laughed at in class. And later in a lab. After this, she becomes", "humor. On the other hand, you need to care about believably in writing,", "her mouth, \"she's Hanging Pup.\" > > > \"Yup, the very one,\" I", "for comedic purposes. The thing that worries me is that some of my", "I'm writing a story where the main character goes to her university to", "said. \"She's very enthusiastic about animal suicide. > You should've seen the little", "worries me is that some of my readers pointed out that believability issue--so", "in fiction writing. For example, I'm writing a story where the main character", "little commotion she caused in the department.\" > > > \"Oh,\" Cath covered", "I had no idea my fame had spread > so far. > >", "department.\" > > > \"Oh,\" Cath covered her mouth, \"she's Hanging Pup.\" >", "You should've seen the little commotion she caused in the department.\" > >", "> > > This, obviously, is unlikely to happen in real life; I", "\"She's very enthusiastic about animal suicide. > You should've seen the little commotion", "later in a lab. After this, she becomes a source of gossip--her schoolmates", "> so far. > > > This, obviously, is unlikely to happen in", "Can you sacrifice believability for the sake of humor at times? If so,", "that some of my readers pointed out that believability issue--so I'm confused. Can", "you need to care about believably in writing, especially in fiction writing. For" ]
[ "it would have looked as if they were just arriving to the highway.", "there a reason you chose to start in past progressive? I'm left unsure", "pointed it out: > > We were driving down the highway in Tom's", "reason you chose to start in past progressive? I'm left unsure > of", "readers pointed it out: > > We were driving down the highway in", "to show that they were already in the highway. If I'd written \"We", "scene fading behind us. > > > Awkward way to begin the chapter", "where I am entirely. > > > I wrote in the past progressive", "Tom's Toyota 4Runner, dim > streetlights passing by, the night city scene fading", "were just arriving to the highway. Or maybe it's not the case? And", "I'm left unsure > of where I am entirely.* > > > I", "arriving* to the highway. Or maybe it's not the case? And I should", "a reason you chose to start in past progressive? I'm left unsure >", "were driving down the highway in Tom's Toyota 4Runner, dim > streetlights passing", "to start in past progressive? I'm left unsure > of where I am", "of my readers pointed it out: > > We were driving down the", "the case? And I should stay away from the past progressive in situations", "> > > Awkward way to begin the chapter from a grammatical perspective.", "already* in the highway. If I'd written \"We drove down the highway...\", it", "from a grammatical perspective. Is > there a reason you chose to start", "I am entirely.* > > > I wrote in the past progressive because", "the highway in Tom's Toyota 4Runner, dim > streetlights passing by, the night", "the highway...\", it would have looked as if they were just arriving to", "my writing until one of my readers pointed it out: > > We", "fading behind us. > > > Awkward way to begin the chapter from", "> Awkward way to begin the chapter from a grammatical perspective. Is >", "the night city scene fading behind us. > > > Awkward way to", "down the highway...\", it would have looked as if they were just arriving", "unsure > of where I am entirely. > > > I wrote in", "maybe it's not the case? And I should stay away from the past", "that they were already in the highway. If I'd written \"We drove down", "this in my writing until one of my readers pointed it out: >", "to begin the chapter from a grammatical perspective. Is > there a reason", "one of my readers pointed it out: > > We were driving down", "> > I wrote in the past progressive because I wanted to show", "wanted to show that they were already in the highway. If I'd written", "in my writing until one of my readers pointed it out: > >", "perspective. Is > there a reason you chose to start in past progressive?", "in the highway. If I'd written \"We drove down the highway...\", it would", "to the highway. Or maybe it's not the case? And I should stay", "night city scene fading behind us. > > > Awkward way to begin", "the highway. If I'd written \"We drove down the highway...\", it would have", "> > We were driving down the highway in Tom's Toyota 4Runner, dim", "in past progressive? I'm left unsure > of where I am entirely. >", "it out: > > We were driving down the highway in Tom's Toyota", "highway. If I'd written \"We drove down the highway...\", it would have looked", "> streetlights passing by, the night city scene fading behind us. > >", "> of where I am entirely.* > > > I wrote in the", "in the past progressive because I wanted to show that they were already", "> We were driving down the highway in Tom's Toyota 4Runner, dim >", "the highway. Or maybe it's not the case? And I should stay away", "the chapter from a grammatical perspective. Is > there a reason you chose", "show that they were already in the highway. If I'd written \"We drove", "in Tom's Toyota 4Runner, dim > streetlights passing by, the night city scene", "I should stay away from the past progressive in situations like this as", "should stay away from the past progressive in situations like this as a", "If I'd written \"We drove down the highway...\", it would have looked as", "my readers pointed it out: > > We were driving down the highway", "you chose to start in past progressive? I'm left unsure > of where", "> > > I wrote in the past progressive because I wanted to", "city scene fading behind us. > > > Awkward way to begin the", "dim > streetlights passing by, the night city scene fading behind us. >", "chapter from a grammatical perspective. Is > there a reason you chose to", "looked as if they were just arriving* to the highway. Or maybe it's", "streetlights passing by, the night city scene fading behind us. > > >", "written \"We drove down the highway...\", it would have looked as if they", "us. > > > Awkward way to begin the chapter from a grammatical", "> > Awkward way to begin the chapter from a grammatical perspective. Is", "if they were just arriving to the highway. Or maybe it's not the", "Awkward way to begin the chapter from a grammatical perspective. Is > there", "they were already* in the highway. If I'd written \"We drove down the", "We were driving down the highway in Tom's Toyota 4Runner, dim > streetlights", "And I should stay away from the past progressive in situations like this", "past progressive? I'm left unsure > of where I am entirely.* > >", "noticed this in my writing until one of my readers pointed it out:", "a grammatical perspective. Is > there a reason you chose to start in", "4Runner, dim > streetlights passing by, the night city scene fading behind us.", "Or maybe it's not the case? And I should stay away from the", "down the highway in Tom's Toyota 4Runner, dim > streetlights passing by, the", "would have looked as if they were just arriving to the highway. Or", "just arriving to the highway. Or maybe it's not the case? And I", "\"We drove down the highway...\", it would have looked as if they were", "highway in Tom's Toyota 4Runner, dim > streetlights passing by, the night city", "grammatical perspective. Is > there a reason you chose to start in past", "progressive because I wanted to show that they were already in the highway.", "am entirely.* > > > I wrote in the past progressive because I", "as if they were just arriving to the highway. Or maybe it's not", "stay away from the past progressive in situations like this as a rule?", "left unsure > of where I am entirely.* > > > I wrote", "Toyota 4Runner, dim > streetlights passing by, the night city scene fading behind", "never noticed this in my writing until one of my readers pointed it", "highway...\", it would have looked as if they were just arriving to the", "begin the chapter from a grammatical perspective. Is > there a reason you", "the past progressive because I wanted to show that they were already in", "drove down the highway...\", it would have looked as if they were just", "driving down the highway in Tom's Toyota 4Runner, dim > streetlights passing by,", "> I wrote in the past progressive because I wanted to show that", "past progressive because I wanted to show that they were already* in the", "behind us. > > > Awkward way to begin the chapter from a", "Is > there a reason you chose to start in past progressive? I'm", "until one of my readers pointed it out: > > We were driving", "by, the night city scene fading behind us. > > > Awkward way", "start in past progressive? I'm left unsure > of where I am entirely.", "I wanted to show that they were already* in the highway. If I'd", "entirely.* > > > I wrote in the past progressive because I wanted", "I never noticed this in my writing until one of my readers pointed", "case? And I should stay away from the past progressive in situations like", "out: > > We were driving down the highway in Tom's Toyota 4Runner,", "were already in the highway. If I'd written \"We drove down the highway...\",", "wrote in the past progressive because I wanted to show that they were", "writing until one of my readers pointed it out: > > We were", "of where I am entirely.* > > > I wrote in the past", "I'd written \"We drove down the highway...\", it would have looked as if", "> there a reason you chose to start in past progressive? I'm left", "not the case? And I should stay away from the past progressive in", "it's not the case? And I should stay away from the past progressive", "because I wanted to show that they were already in the highway. If", "I wrote in the past progressive because I wanted to show that they", "progressive? I'm left unsure > of where I am entirely.* > > >", "highway. Or maybe it's not the case? And I should stay away from", "passing by, the night city scene fading behind us. > > > Awkward", "way to begin the chapter from a grammatical perspective. Is > there a", "have looked as if they were just arriving* to the highway. Or maybe", "they were just arriving to the highway. Or maybe it's not the case?", "chose to start in past progressive? I'm left unsure > of where I" ]
[ "bring across the best impression of a stressed syllable/word/word group without offending people?", "into \"why are you shouting at me?\" and isn't always suited. When in", "it before on a social media like Facebook or Twitter, or in the", "One of the most common solutions people thing of is using letter casing,", "media like Facebook or Twitter, or in the comments section of a major", "decided what you want to say, but you want to stress a specific", "larger font, or in a different font. The only things you can do", "quickly devolve into \"why are you shouting at me?\" and isn't always suited.", "with the font, like put it in bold, or in italics, or underlined,", "me?\" and isn't always suited. When in such a situation, what method can", "suited. When in such a situation, what method can bring across the best", "in such a situation, what method can bring across the best impression of", "put it in bold, or in italics, or underlined, or in a slightly", "on a social media like Facebook or Twitter, or in the comments section", "you normally do with the font, like put it in bold, or in", "of stressing you want to give the word (pitch vs tone vs volume)?", "common solutions people thing of is using letter casing, but that can quickly", "only things you can do is use printable characters you can make with", "probably encountered it before on a social media like Facebook or Twitter, or", "you can do is use printable characters you can make with your keyboard.", "this method depend on the type of stressing you want to give the", "a major website. You've decided what you want to say, but you want", "to say, but you want to stress a specific word or couple of", "the type of stressing you want to give the word (pitch vs tone", "at me?\" and isn't always suited. When in such a situation, what method", "You've decided what you want to say, but you want to stress a", "in your message. However, the medium does not allow you to do what", "like put it in bold, or in italics, or underlined, or in a", "the best impression of a stressed syllable/word/word group without offending people? And does", "most common solutions people thing of is using letter casing, but that can", "is using letter casing, but that can quickly devolve into \"why are you", "a slightly larger font, or in a different font. The only things you", "syllable/word/word group without offending people? And does this method depend on the type", "can bring across the best impression of a stressed syllable/word/word group without offending", "in a slightly larger font, or in a different font. The only things", "want to stress a specific word or couple of words in your message.", "bold, or in italics, or underlined, or in a slightly larger font, or", "social media like Facebook or Twitter, or in the comments section of a", "people? And does this method depend on the type of stressing you want", "section of a major website. You've decided what you want to say, but", "before on a social media like Facebook or Twitter, or in the comments", "is use printable characters you can make with your keyboard. One of the", "you can make with your keyboard. One of the most common solutions people", "a different font. The only things you can do is use printable characters", "website. You've decided what you want to say, but you want to stress", "can make with your keyboard. One of the most common solutions people thing", "situation, what method can bring across the best impression of a stressed syllable/word/word", "word or couple of words in your message. However, the medium does not", "do is use printable characters you can make with your keyboard. One of", "allow you to do what you normally do with the font, like put", "to do what you normally do with the font, like put it in", "are you shouting at me?\" and isn't always suited. When in such a", "but that can quickly devolve into \"why are you shouting at me?\" and", "without offending people? And does this method depend on the type of stressing", "you to do what you normally do with the font, like put it", "does this method depend on the type of stressing you want to give", "say, but you want to stress a specific word or couple of words", "or Twitter, or in the comments section of a major website. You've decided", "the comments section of a major website. You've decided what you want to", "major website. You've decided what you want to say, but you want to", "encountered it before on a social media like Facebook or Twitter, or in", "specific word or couple of words in your message. However, the medium does", "underlined, or in a slightly larger font, or in a different font. The", "and isn't always suited. When in such a situation, what method can bring", "isn't always suited. When in such a situation, what method can bring across", "like Facebook or Twitter, or in the comments section of a major website.", "method can bring across the best impression of a stressed syllable/word/word group without", "in bold, or in italics, or underlined, or in a slightly larger font,", "in a different font. The only things you can do is use printable", "do with the font, like put it in bold, or in italics, or", "in italics, or underlined, or in a slightly larger font, or in a", "font. The only things you can do is use printable characters you can", "make with your keyboard. One of the most common solutions people thing of", "the most common solutions people thing of is using letter casing, but that", "best impression of a stressed syllable/word/word group without offending people? And does this", "use printable characters you can make with your keyboard. One of the most", "in the comments section of a major website. You've decided what you want", "medium does not allow you to do what you normally do with the", "or underlined, or in a slightly larger font, or in a different font.", "does not allow you to do what you normally do with the font,", "that can quickly devolve into \"why are you shouting at me?\" and isn't", "can quickly devolve into \"why are you shouting at me?\" and isn't always", "to stress a specific word or couple of words in your message. However,", "us probably encountered it before on a social media like Facebook or Twitter,", "letter casing, but that can quickly devolve into \"why are you shouting at", "a situation, what method can bring across the best impression of a stressed", "method depend on the type of stressing you want to give the word", "or in the comments section of a major website. You've decided what you", "message. However, the medium does not allow you to do what you normally", "normally do with the font, like put it in bold, or in italics,", "of words in your message. However, the medium does not allow you to", "across the best impression of a stressed syllable/word/word group without offending people? And", "or in a slightly larger font, or in a different font. The only", "of a major website. You've decided what you want to say, but you", "can do is use printable characters you can make with your keyboard. One", "font, like put it in bold, or in italics, or underlined, or in", "When in such a situation, what method can bring across the best impression", "characters you can make with your keyboard. One of the most common solutions", "words in your message. However, the medium does not allow you to do", "of the most common solutions people thing of is using letter casing, but", "such a situation, what method can bring across the best impression of a", "impression of a stressed syllable/word/word group without offending people? And does this method", "your keyboard. One of the most common solutions people thing of is using", "solutions people thing of is using letter casing, but that can quickly devolve", "always suited. When in such a situation, what method can bring across the", "people thing of is using letter casing, but that can quickly devolve into", "\"why are you shouting at me?\" and isn't always suited. When in such", "not allow you to do what you normally do with the font, like", "of is using letter casing, but that can quickly devolve into \"why are", "group without offending people? And does this method depend on the type of", "slightly larger font, or in a different font. The only things you can", "shouting at me?\" and isn't always suited. When in such a situation, what", "with your keyboard. One of the most common solutions people thing of is", "it in bold, or in italics, or underlined, or in a slightly larger", "a social media like Facebook or Twitter, or in the comments section of", "The only things you can do is use printable characters you can make", "stressed syllable/word/word group without offending people? And does this method depend on the", "the font, like put it in bold, or in italics, or underlined, or", "keyboard. 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However, the", "However, the medium does not allow you to do what you normally do", "you want to stress a specific word or couple of words in your", "using letter casing, but that can quickly devolve into \"why are you shouting", "printable characters you can make with your keyboard. One of the most common", "your message. However, the medium does not allow you to do what you", "thing of is using letter casing, but that can quickly devolve into \"why", "want to say, but you want to stress a specific word or couple", "a specific word or couple of words in your message. However, the medium", "on the type of stressing you want to give the word (pitch vs", "or couple of words in your message. However, the medium does not allow", "what you normally do with the font, like put it in bold, or", "different font. The only things you can do is use printable characters you", "offending people? And does this method depend on the type of stressing you", "of a stressed syllable/word/word group without offending people? And does this method depend", "or in a different font. The only things you can do is use", "Facebook or Twitter, or in the comments section of a major website. You've", "couple of words in your message. However, the medium does not allow you", "you shouting at me?\" and isn't always suited. When in such a situation,", "what method can bring across the best impression of a stressed syllable/word/word group", "And does this method depend on the type of stressing you want to", "comments section of a major website. You've decided what you want to say,", "devolve into \"why are you shouting at me?\" and isn't always suited. When", "italics, or underlined, or in a slightly larger font, or in a different", "Twitter, or in the comments section of a major website. You've decided what", "Many of us probably encountered it before on a social media like Facebook", "font, or in a different font. The only things you can do is", "depend on the type of stressing you want to give the word (pitch", "do what you normally do with the font, like put it in bold,", "the medium does not allow you to do what you normally do with" ]
[ "is rare-but-photogenic. An additional detail: the plot spans about 50 years, so while", "is a part of his family, we see others interacting with him. The", "of his family, we see others interacting with him. The story demands that", "what's not, what's common among people with autism and what is rare-but-photogenic. An", "what's true and what's not, what's common among people with autism and what", "But like I said, he's a minor character, so I haven't really decided", "his abilities, or is followed by vast amounts of criticism for being imprecise.", "never gets a POV, but we see his actions, he is a part", "means if I don't want to offend, but to give a positive representation?", "a character rather than an object that other characters relate to. I don't", "like I said, he's a minor character, so I haven't really decided yet.)", "very general (\"all autistic people are different\"), focuses on the family without giving", "with him. The story demands that he be far from being able to", "often, he would make appearances as a child, a teen and an adult.", "years, so while this character would not appear often, he would make appearances", "child, a teen and an adult. Would it be reasonable to make him", "up as \"Simple\". The character never gets a POV, but we see his", "be far from being able to function normally (otherwise, he would have been", "the throne). While the character is a very minor one, it is important", "I don't want a \"noble savage\", and I don't want someone very disruptive.", "avoid clichés, and to write him as a character rather than an object", "want someone very disruptive. I do want someone who feels real, neither exaggerated,", "I don't even know what's true and what's not, what's common among people", "while this character would not appear often, he would make appearances as a", "demands that he be far from being able to function normally (otherwise, he", "fantasy, mostly inspired by 9th century middle east, so both conditions would be", "\"Simple\". The character never gets a POV, but we see his actions, he", "been next in line to the throne). While the character is a very", "writing, I have a minor character who is either autistic, or has an", "a POV, but we see his actions, he is a part of his", "to look for information on the web, but most of what I find", "additional detail: the plot spans about 50 years, so while this character would", "we see his actions, he is a part of his family, we see", "is fantasy, mostly inspired by 9th century middle east, so both conditions would", "line to the throne). While the character is a very minor one, it", "underplayed. How do I do this? I've tried to look for information on", "him have autism, and use a letter board for communication? How would a", "I have a minor character who is either autistic, or has an intellectual", "character, so I haven't really decided yet.) Either way, my setting is fantasy,", "autism respond to a situation with a crowd, colours and noise, such as", "\"noble savage\", and I don't want someone very disruptive. I do want someone", "without giving any information about the child and his abilities, or is followed", "relate to. I don't want a \"noble savage\", and I don't want someone", "novel I'm writing, I have a minor character who is either autistic, or", "this character would not appear often, he would make appearances as a child,", "either autistic, or has an intellectual disability. (I know they're different. But like", "communication? How would a person with autism respond to a situation with a", "teen and an adult. Would it be reasonable to make him have autism,", "it is important to me to avoid clichés, and to write him as", "would have been next in line to the throne). While the character is", "be bundled up as \"Simple\". The character never gets a POV, but we", "who feels real, neither exaggerated, nor underplayed. How do I do this? I've", "savage\", and I don't want someone very disruptive. I do want someone who", "on the family without giving any information about the child and his abilities,", "character who is either autistic, or has an intellectual disability. (I know they're", "as \"Simple\". The character never gets a POV, but we see his actions,", "but most of what I find is either very general (\"all autistic people", "he's a minor character, so I haven't really decided yet.) Either way, my", "character never gets a POV, but we see his actions, he is a", "(\"all autistic people are different\"), focuses on the family without giving any information", "but we see his actions, he is a part of his family, we", "don't want a \"noble savage\", and I don't want someone very disruptive. I", "avoid by all means if I don't want to offend, but to give", "what I find is either very general (\"all autistic people are different\"), focuses", "plot spans about 50 years, so while this character would not appear often,", "write him as a character rather than an object that other characters relate", "a novel I'm writing, I have a minor character who is either autistic,", "true and what's not, what's common among people with autism and what is", "have autism, and use a letter board for communication? How would a person", "setting is fantasy, mostly inspired by 9th century middle east, so both conditions", "of criticism for being imprecise. So I don't even know what's true and", "board for communication? How would a person with autism respond to a situation", "is either very general (\"all autistic people are different\"), focuses on the family", "really decided yet.) Either way, my setting is fantasy, mostly inspired by 9th", "noise, such as a royal wedding? What should I avoid by all means", "adult. Would it be reasonable to make him have autism, and use a", "common among people with autism and what is rare-but-photogenic. An additional detail: the", "to. I don't want a \"noble savage\", and I don't want someone very", "for being imprecise. So I don't even know what's true and what's not,", "I do this? I've tried to look for information on the web, but", "has an intellectual disability. (I know they're different. But like I said, he's", "to me to avoid clichés, and to write him as a character rather", "by vast amounts of criticism for being imprecise. So I don't even know", "a letter board for communication? How would a person with autism respond to", "to make him have autism, and use a letter board for communication? How", "any information about the child and his abilities, or is followed by vast", "or is followed by vast amounts of criticism for being imprecise. So I", "other characters relate to. I don't want a \"noble savage\", and I don't", "most of what I find is either very general (\"all autistic people are", "general (\"all autistic people are different\"), focuses on the family without giving any", "have a minor character who is either autistic, or has an intellectual disability.", "are different\"), focuses on the family without giving any information about the child", "feels real, neither exaggerated, nor underplayed. How do I do this? I've tried", "intellectual disability. (I know they're different. But like I said, he's a minor", "as a character rather than an object that other characters relate to. I", "and what's not, what's common among people with autism and what is rare-but-photogenic.", "disability. (I know they're different. But like I said, he's a minor character,", "a \"noble savage\", and I don't want someone very disruptive. I do want", "a royal wedding? What should I avoid by all means if I don't", "tried to look for information on the web, but most of what I", "by all means if I don't want to offend, but to give a", "all means if I don't want to offend, but to give a positive", "and to write him as a character rather than an object that other", "he would have been next in line to the throne). While the character", "part of his family, we see others interacting with him. The story demands", "that he be far from being able to function normally (otherwise, he would", "not, what's common among people with autism and what is rare-but-photogenic. An additional", "is a very minor one, it is important to me to avoid clichés,", "amounts of criticism for being imprecise. 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[ "adding the action/dialogue tags (the original piece): > > \"Are you okay, Mom?\"", "a celebrity once they die.\" > > > How many action/dialogue tags should", "So I figured I wasn't using enough action/dialogue tags. This is the passage", "why she applied it; her > eyelashes were already long, thick, and curly.", "mascara had > turned into dripping ink. I never knew why she applied", "in her coat pocket. > \"Yes, darling. Just a little sad for Chico.", "the passage before adding the action/dialogue tags (the original piece): > > \"Are", "> This is after adding them: > > \"Are you okay, Mom?\" I", "little sad for Chico. But I think he must be > happy now---receiving", "eyes. Not because of sadness, but because of > the smell. > >", "her coat pocket. > \"Yes, darling. Just a little sad for Chico. But", "> > Mom blew into her handkerchief. \"Yes, darling. Just a little sad", "I think he must be > happy now---receiving more attention than when he", "curly. > > > I also had tears in my eyes. Not because", "I asked. Her eyes were red and her mascara had > turned into", "tears in my eyes. Not because of sadness, but because of > the", "becomes a celebrity once they die.\" > > > How many action/dialogue tags", "sadness, but because of > the smell. > > > Mom blew into", "Just a little sad for Chico. But I think he must be >", "smell. > > > Mom blew into her handkerchief and slipped it in", "had > turned into dripping ink. I never knew why she applied it;", "ink. I never knew why she applied it; her > eyelashes were already", "die.\" > > > How many action/dialogue tags should I add in a", "> > \"Are you okay, Mom?\" I asked. > > > Mom blew", "than when he was alive.\" > > > I nodded. \"Everyone becomes a", "turned into dripping ink. I never knew why she applied it; her >", "\"Are you okay, Mom?\" I asked. Her eyes were red and her mascara", "using enough action/dialogue tags. This is the passage before adding the action/dialogue tags", "> the smell. > > > Mom blew into her handkerchief and slipped", "> eyelashes were already long, thick, and curly. > > > I also", "her handkerchief and slipped it in her coat pocket. > \"Yes, darling. Just", "once they die.\" > > > This is after adding them: > >", "the action/dialogue tags (the original piece): > > \"Are you okay, Mom?\" I", "> > This is after adding them: > > \"Are you okay, Mom?\"", "This is the passage before adding the action/dialogue tags (the original piece): >", "> > > Mom blew into her handkerchief. \"Yes, darling. Just a little", "\"wanted to see more facial features/expressions and body language\". So I figured I", "Not because of sadness, but because of > the smell. > > >", "for Chico. But I think he must be > happy now---receiving more attention", "must be > happy now---receiving more attention than when he was alive.\" >", "was alive.\" > > > I nodded. \"Everyone becomes a celebrity once they", "novel said that he \"wanted to see more facial features/expressions and body language\".", "red and her mascara had > turned into dripping ink. I never knew", "than when he was alive.\" > > > \"Everyone becomes a celebrity once", "the smell. > > > Mom blew into her handkerchief and slipped it", "> I also had tears in my eyes. Not because of sadness, but", "coat pocket. > \"Yes, darling. Just a little sad for Chico. But I", "> \"Yes, darling. Just a little sad for Chico. But I think he", "once they die.\" > > > How many action/dialogue tags should I add", "adding them: > > \"Are you okay, Mom?\" I asked. Her eyes were", "\"Everyone becomes a celebrity once they die.\" > > > This is after", "celebrity once they die.\" > > > This is after adding them: >", "her handkerchief. \"Yes, darling. Just a little sad for Chico. But I think", "to see more facial features/expressions and body language\". So I figured I wasn't", "in my eyes. Not because of sadness, but because of > the smell.", "attention than when he was alive.\" > > > \"Everyone becomes a celebrity", "But I think he must be > happy now---receiving more attention than when", "you okay, Mom?\" I asked. Her eyes were red and her mascara had", "> turned into dripping ink. I never knew why she applied it; her", "my novel said that he \"wanted to see more facial features/expressions and body", "> > \"Everyone becomes a celebrity once they die.\" > > > This", "Mom blew into her handkerchief. \"Yes, darling. Just a little sad for Chico.", "of sadness, but because of > the smell. > > > Mom blew", "> > > I also had tears in my eyes. Not because of", "when he was alive.\" > > > \"Everyone becomes a celebrity once they", "blew into her handkerchief and slipped it in her coat pocket. > \"Yes,", "attention than when he was alive.\" > > > I nodded. \"Everyone becomes", "> \"Everyone becomes a celebrity once they die.\" > > > This is", "blew into her handkerchief. \"Yes, darling. Just a little sad for Chico. But", "dripping ink. I never knew why she applied it; her > eyelashes were", "applied it; her > eyelashes were already long, thick, and curly. > >", "because of sadness, but because of > the smell. > > > Mom", "> > > Mom blew into her handkerchief and slipped it in her", "> > > I nodded. \"Everyone becomes a celebrity once they die.\" >", "sad for Chico. But I think he must be > happy now---receiving more", "piece): > > \"Are you okay, Mom?\" I asked. > > > Mom", "action/dialogue tags should I add in a scene? Or it's just a matter", "Mom blew into her handkerchief and slipped it in her coat pocket. >", "asked. > > > Mom blew into her handkerchief. \"Yes, darling. Just a", "knew why she applied it; her > eyelashes were already long, thick, and", "now---receiving more attention than when he was alive.\" > > > I nodded.", "after adding them: > > \"Are you okay, Mom?\" I asked. Her eyes", "\"Everyone becomes a celebrity once they die.\" > > > How many action/dialogue", "> > \"Are you okay, Mom?\" I asked. Her eyes were red and", "many action/dialogue tags should I add in a scene? Or it's just a", "tags. This is the passage before adding the action/dialogue tags (the original piece):", "he must be > happy now---receiving more attention than when he was alive.\"", "it in her coat pocket. > \"Yes, darling. Just a little sad for", "Chico. But I think he must be > happy now---receiving more attention than", "okay, Mom?\" I asked. Her eyes were red and her mascara had >", "wasn't using enough action/dialogue tags. This is the passage before adding the action/dialogue", "asked. Her eyes were red and her mascara had > turned into dripping", "tags should I add in a scene? Or it's just a matter of", "action/dialogue tags. This is the passage before adding the action/dialogue tags (the original", "before adding the action/dialogue tags (the original piece): > > \"Are you okay,", "> > > This is after adding them: > > \"Are you okay,", "because of > the smell. > > > Mom blew into her handkerchief", "> \"Are you okay, Mom?\" I asked. Her eyes were red and her", "had tears in my eyes. Not because of sadness, but because of >", "darling. Just a little sad for Chico. But I think he must be", "see more facial features/expressions and body language\". So I figured I wasn't using", "original piece): > > \"Are you okay, Mom?\" I asked. > > >", "> \"Are you okay, Mom?\" I asked. > > > Mom blew into", "pocket. > \"Yes, darling. Just a little sad for Chico. But I think", "alive.\" > > > \"Everyone becomes a celebrity once they die.\" > >", "were red and her mascara had > turned into dripping ink. I never", "eyes were red and her mascara had > turned into dripping ink. I", "Mom?\" I asked. > > > Mom blew into her handkerchief. \"Yes, darling.", "she applied it; her > eyelashes were already long, thick, and curly. >", "but because of > the smell. > > > Mom blew into her", "I never knew why she applied it; her > eyelashes were already long,", "them: > > \"Are you okay, Mom?\" I asked. Her eyes were red", "is the passage before adding the action/dialogue tags (the original piece): > >", "(the original piece): > > \"Are you okay, Mom?\" I asked. > >", "a little sad for Chico. But I think he must be > happy", "of > the smell. > > > Mom blew into her handkerchief and", "> > > \"Everyone becomes a celebrity once they die.\" > > >", "they die.\" > > > This is after adding them: > > \"Are", "also had tears in my eyes. Not because of sadness, but because of", "slipped it in her coat pocket. > \"Yes, darling. Just a little sad", "eyelashes were already long, thick, and curly. > > > I also had", "reviewed my novel said that he \"wanted to see more facial features/expressions and", "think he must be > happy now---receiving more attention than when he was", "\"Are you okay, Mom?\" I asked. > > > Mom blew into her", "and body language\". So I figured I wasn't using enough action/dialogue tags. This", "it; her > eyelashes were already long, thick, and curly. > > >", "handkerchief. \"Yes, darling. Just a little sad for Chico. But I think he", "already long, thick, and curly. > > > I also had tears in", "thick, and curly. > > > I also had tears in my eyes.", "into dripping ink. I never knew why she applied it; her > eyelashes", "passage before adding the action/dialogue tags (the original piece): > > \"Are you", "and her mascara had > turned into dripping ink. I never knew why", "I wasn't using enough action/dialogue tags. This is the passage before adding the", "> happy now---receiving more attention than when he was alive.\" > > >", "action/dialogue tags (the original piece): > > \"Are you okay, Mom?\" I asked.", "never knew why she applied it; her > eyelashes were already long, thick,", "Her eyes were red and her mascara had > turned into dripping ink.", "you okay, Mom?\" I asked. > > > Mom blew into her handkerchief.", "he was alive.\" > > > \"Everyone becomes a celebrity once they die.\"", "when he was alive.\" > > > I nodded. \"Everyone becomes a celebrity", "that he \"wanted to see more facial features/expressions and body language\". So I", "they die.\" > > > How many action/dialogue tags should I add in", "more attention than when he was alive.\" > > > \"Everyone becomes a", "> Mom blew into her handkerchief. \"Yes, darling. Just a little sad for", "okay, Mom?\" I asked. > > > Mom blew into her handkerchief. \"Yes,", "This is after adding them: > > \"Are you okay, Mom?\" I asked.", "> > I also had tears in my eyes. Not because of sadness,", "nodded. \"Everyone becomes a celebrity once they die.\" > > > How many", "> Mom blew into her handkerchief and slipped it in her coat pocket.", "were already long, thick, and curly. > > > I also had tears", "a celebrity once they die.\" > > > This is after adding them:", "who reviewed my novel said that he \"wanted to see more facial features/expressions", "enough action/dialogue tags. This is the passage before adding the action/dialogue tags (the", "> How many action/dialogue tags should I add in a scene? Or it's", "I figured I wasn't using enough action/dialogue tags. This is the passage before", "die.\" > > > This is after adding them: > > \"Are you", "I nodded. \"Everyone becomes a celebrity once they die.\" > > > How", "body language\". So I figured I wasn't using enough action/dialogue tags. This is", "happy now---receiving more attention than when he was alive.\" > > > \"Everyone", "\"Yes, darling. Just a little sad for Chico. But I think he must", "more facial features/expressions and body language\". So I figured I wasn't using enough", "language\". So I figured I wasn't using enough action/dialogue tags. This is the", "Mom?\" I asked. Her eyes were red and her mascara had > turned", "happy now---receiving more attention than when he was alive.\" > > > I", "> > I nodded. \"Everyone becomes a celebrity once they die.\" > >", "he \"wanted to see more facial features/expressions and body language\". So I figured", "tags (the original piece): > > \"Are you okay, Mom?\" I asked. >", "Someone who reviewed my novel said that he \"wanted to see more facial", "more attention than when he was alive.\" > > > I nodded. \"Everyone", "long, thick, and curly. > > > I also had tears in my", "was alive.\" > > > \"Everyone becomes a celebrity once they die.\" >", "I also had tears in my eyes. Not because of sadness, but because", "and slipped it in her coat pocket. > \"Yes, darling. Just a little", "How many action/dialogue tags should I add in a scene? Or it's just", "said that he \"wanted to see more facial features/expressions and body language\". So", "into her handkerchief. \"Yes, darling. Just a little sad for Chico. But I", "is after adding them: > > \"Are you okay, Mom?\" I asked. Her", "celebrity once they die.\" > > > How many action/dialogue tags should I", "facial features/expressions and body language\". So I figured I wasn't using enough action/dialogue", "> > > How many action/dialogue tags should I add in a scene?", "> > How many action/dialogue tags should I add in a scene? Or", "I asked. > > > Mom blew into her handkerchief. \"Yes, darling. Just", "figured I wasn't using enough action/dialogue tags. This is the passage before adding", "now---receiving more attention than when he was alive.\" > > > \"Everyone becomes", "her mascara had > turned into dripping ink. I never knew why she", "into her handkerchief and slipped it in her coat pocket. > \"Yes, darling.", "he was alive.\" > > > I nodded. \"Everyone becomes a celebrity once", "alive.\" > > > I nodded. \"Everyone becomes a celebrity once they die.\"", "> I nodded. \"Everyone becomes a celebrity once they die.\" > > >", "her > eyelashes were already long, thick, and curly. > > > I", "and curly. > > > I also had tears in my eyes. Not", "should I add in a scene? Or it's just a matter of style?", "be > happy now---receiving more attention than when he was alive.\" > >", "becomes a celebrity once they die.\" > > > This is after adding", "my eyes. Not because of sadness, but because of > the smell. >", "handkerchief and slipped it in her coat pocket. > \"Yes, darling. Just a", "> > Mom blew into her handkerchief and slipped it in her coat", "features/expressions and body language\". So I figured I wasn't using enough action/dialogue tags." ]
[ "Whenever I write, I tend to put in too much dialogue and not", "put in too much dialogue and not enough story. What are some techniques", "dialogue and not enough story. What are some techniques I can use to", "enough story. What are some techniques I can use to space out my", "not enough story. What are some techniques I can use to space out", "write, I tend to put in too much dialogue and not enough story.", "too much dialogue and not enough story. What are some techniques I can", "an amateur writer. Whenever I write, I tend to put in too much", "amateur writer. Whenever I write, I tend to put in too much dialogue", "I'm an amateur writer. Whenever I write, I tend to put in too", "much dialogue and not enough story. What are some techniques I can use", "I write, I tend to put in too much dialogue and not enough", "in too much dialogue and not enough story. What are some techniques I", "tend to put in too much dialogue and not enough story. What are", "writer. Whenever I write, I tend to put in too much dialogue and", "story. What are some techniques I can use to space out my dialogue?", "and not enough story. What are some techniques I can use to space", "I tend to put in too much dialogue and not enough story. What", "to put in too much dialogue and not enough story. What are some" ]
[ "> > --- > > > Up and up I went, biting back", "vertigo. > > > Is this a sign of bad writing? Maybe the", "marching and marching. The forest seemed endless. Either > that or we were", "branches. Up and up and up > until I was high enough to", "Maybe the repetition doesn't say much about how far the character have gone", "a lot: > > We continued marching and marching. The forest seemed endless.", "that flashed through the twisted branches. Up and up and up > until", "in my knees, blinded by > sunlight that flashed through the twisted branches.", "up > until I was high enough to feel vertigo. > > >", "writing? Maybe the repetition doesn't say much about how far the character have", "forest seemed endless. Either > that or we were going in circles. >", "bad writing? Maybe the repetition doesn't say much about how far the character", "we were going in circles. > > > > > --- > >", "the repetition doesn't say much about how far the character have gone and", "pain in my knees, blinded by > sunlight that flashed through the twisted", "sunlight that flashed through the twisted branches. Up and up and up >", "> > Up and up I went, biting back the growing pain in", "by > sunlight that flashed through the twisted branches. Up and up and", "was high enough to feel vertigo. > > > Is this a sign", "repetition doesn't say much about how far the character have gone and where", "> > > --- > > > Up and up I went, biting", "I went, biting back the growing pain in my knees, blinded by >", "Up and up and up > until I was high enough to feel", "--- > > > Up and up I went, biting back the growing", "just noticed that I do this a lot: > > We continued marching", "were going in circles. > > > > > --- > > >", "up I went, biting back the growing pain in my knees, blinded by", "to feel vertigo. > > > Is this a sign of bad writing?", "knees, blinded by > sunlight that flashed through the twisted branches. Up and", "and marching. The forest seemed endless. Either > that or we were going", "the growing pain in my knees, blinded by > sunlight that flashed through", "the twisted branches. Up and up and up > until I was high", "until I was high enough to feel vertigo. > > > Is this", "growing pain in my knees, blinded by > sunlight that flashed through the", "Either > that or we were going in circles. > > > >", "and up > until I was high enough to feel vertigo. > >", "Is this a sign of bad writing? Maybe the repetition doesn't say much", "noticed that I do this a lot: > > We continued marching and", "I just noticed that I do this a lot: > > We continued", "feel vertigo. > > > Is this a sign of bad writing? Maybe", "doesn't say much about how far the character have gone and where he/she's", "and up and up > until I was high enough to feel vertigo.", "my knees, blinded by > sunlight that flashed through the twisted branches. Up", "a sign of bad writing? Maybe the repetition doesn't say much about how", "> Up and up I went, biting back the growing pain in my", "that or we were going in circles. > > > > > ---", "that I do this a lot: > > We continued marching and marching.", "Up and up I went, biting back the growing pain in my knees,", "circles. > > > > > --- > > > Up and up", "biting back the growing pain in my knees, blinded by > sunlight that", "> until I was high enough to feel vertigo. > > > Is", "of bad writing? Maybe the repetition doesn't say much about how far the", "> > > > --- > > > Up and up I went,", "sign of bad writing? Maybe the repetition doesn't say much about how far", "do this a lot: > > We continued marching and marching. The forest", "> > > > > --- > > > Up and up I", "I was high enough to feel vertigo. > > > Is this a", "blinded by > sunlight that flashed through the twisted branches. Up and up", "The forest seemed endless. Either > that or we were going in circles.", "seemed endless. Either > that or we were going in circles. > >", "We continued marching and marching. The forest seemed endless. Either > that or", "going in circles. > > > > > --- > > > Up", "lot: > > We continued marching and marching. The forest seemed endless. Either", "> > Is this a sign of bad writing? Maybe the repetition doesn't", "> --- > > > Up and up I went, biting back the", "> that or we were going in circles. > > > > >", "much about how far the character have gone and where he/she's currently located?", "say much about how far the character have gone and where he/she's currently", "flashed through the twisted branches. Up and up and up > until I", "enough to feel vertigo. > > > Is this a sign of bad", "this a lot: > > We continued marching and marching. The forest seemed", "up and up > until I was high enough to feel vertigo. >", "> Is this a sign of bad writing? Maybe the repetition doesn't say", "in circles. > > > > > --- > > > Up and", "marching. The forest seemed endless. Either > that or we were going in", "> sunlight that flashed through the twisted branches. Up and up and up", "I do this a lot: > > We continued marching and marching. The", "went, biting back the growing pain in my knees, blinded by > sunlight", "or we were going in circles. > > > > > --- >", "and up I went, biting back the growing pain in my knees, blinded", "continued marching and marching. The forest seemed endless. Either > that or we", "> We continued marching and marching. The forest seemed endless. Either > that", "> > > Is this a sign of bad writing? Maybe the repetition", "back the growing pain in my knees, blinded by > sunlight that flashed", "twisted branches. Up and up and up > until I was high enough", "through the twisted branches. Up and up and up > until I was", "> > We continued marching and marching. The forest seemed endless. Either >", "> > > Up and up I went,** biting back the growing pain", "this a sign of bad writing? Maybe the repetition doesn't say much about", "endless. Either > that or we were going in circles. > > >", "high enough to feel vertigo. > > > Is this a sign of" ]
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Milloc has", "I have a simple question regarding scientific quotes. Which of the following alternatives" ]
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Timed writing is especially", "Now whenever I write something it comes out excessively ornamented and often times", "was a rather difficult class, as writing is not my strong suite yet", "emphasized, and after a while I found that writing with \"sophisticated syntax and", "I feel a kind of repulsion at how artificial it sounds. How can", "recent compositional tendencies. This past year, I took AP English Language and Composition.", "as my teacher called it, earned me high grades on essays (Whether this", "Although it always earns me a high grade, as a quite meek and", "not my strong suite yet I was still expected to get all A's.", "it always earns me a high grade, as a quite meek and unassuming", "especially emphasized, and after a while I found that writing with \"sophisticated syntax", "am concerned with my recent compositional tendencies. This past year, I took AP", "my teacher called it, earned me high grades on essays (Whether this discovery", "school student, and am concerned with my recent compositional tendencies. This past year,", "something it comes out excessively ornamented and often times convoluted. Although it always", "convoluted. Although it always earns me a high grade, as a quite meek", "person I feel a kind of repulsion at how artificial it sounds. How", "high grade, as a quite meek and unassuming person I feel a kind", "repulsion at how artificial it sounds. How can I attain a more concise", "discovery was conscious or not I can't say). Now whenever I write something", "earns me a high grade, as a quite meek and unassuming person I", "not I can't say). Now whenever I write something it comes out excessively", "how artificial it sounds. 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It was", "all A's. Timed writing is especially emphasized, and after a while I found", "it sounds. How can I attain a more concise and unaffected writing style?", "concerned with my recent compositional tendencies. This past year, I took AP English", "get all A's. Timed writing is especially emphasized, and after a while I", "to get all A's. Timed writing is especially emphasized, and after a while", "English Language and Composition. It was a rather difficult class, as writing is", "This past year, I took AP English Language and Composition. It was a", "was still expected to get all A's. Timed writing is especially emphasized, and", "difficult class, as writing is not my strong suite yet I was still", "whenever I write something it comes out excessively ornamented and often times convoluted.", "class, as writing is not my strong suite yet I was still expected", "quite meek and unassuming person I feel a kind of repulsion at how", "writing is not my strong suite yet I was still expected to get", "a quite meek and unassuming person I feel a kind of repulsion at", "and after a while I found that writing with \"sophisticated syntax and diction\",", "I am a high school student, and am concerned with my recent compositional", "of repulsion at how artificial it sounds. How can I attain a more", "me a high grade, as a quite meek and unassuming person I feel", "and Composition. It was a rather difficult class, as writing is not my", "\"sophisticated syntax and diction\", as my teacher called it, earned me high grades", "while I found that writing with \"sophisticated syntax and diction\", as my teacher", "earned me high grades on essays (Whether this discovery was conscious or not", "and unassuming person I feel a kind of repulsion at how artificial it", "AP English Language and Composition. It was a rather difficult class, as writing", "It was a rather difficult class, as writing is not my strong suite", "out excessively ornamented and often times convoluted. Although it always earns me a", "grades on essays (Whether this discovery was conscious or not I can't say).", "and often times convoluted. Although it always earns me a high grade, as", "with \"sophisticated syntax and diction\", as my teacher called it, earned me high", "write something it comes out excessively ornamented and often times convoluted. Although it", "my recent compositional tendencies. This past year, I took AP English Language and", "took AP English Language and Composition. It was a rather difficult class, as", "on essays (Whether this discovery was conscious or not I can't say). Now", "I took AP English Language and Composition. It was a rather difficult class,", "as writing is not my strong suite yet I was still expected to", "teacher called it, earned me high grades on essays (Whether this discovery was", "this discovery was conscious or not I can't say). Now whenever I write", "Language and Composition. It was a rather difficult class, as writing is not", "with my recent compositional tendencies. This past year, I took AP English Language", "high grades on essays (Whether this discovery was conscious or not I can't", "writing is especially emphasized, and after a while I found that writing with", "(Whether this discovery was conscious or not I can't say). Now whenever I", "grade, as a quite meek and unassuming person I feel a kind of", "essays (Whether this discovery was conscious or not I can't say). Now whenever", "always earns me a high grade, as a quite meek and unassuming person", "kind of repulsion at how artificial it sounds. How can I attain a", "a high school student, and am concerned with my recent compositional tendencies. This", "expected to get all A's. Timed writing is especially emphasized, and after a", "say). Now whenever I write something it comes out excessively ornamented and often", "after a while I found that writing with \"sophisticated syntax and diction\", as", "suite yet I was still expected to get all A's. Timed writing is", "at how artificial it sounds. How can I attain a more concise and", "a high grade, as a quite meek and unassuming person I feel a", "high school student, and am concerned with my recent compositional tendencies. This past", "am a high school student, and am concerned with my recent compositional tendencies." ]
[ "my mind for this part. What methods can I use to find ideas", "What methods can I use to find ideas and methods for rephrasing well", "in my mind for this part. What methods can I use to find", "find ideas and methods for rephrasing well written sentences and include my voice", "this part. What methods can I use to find ideas and methods for", "to quoting), but I can not seem get any words in my mind", "can I use to find ideas and methods for rephrasing well written sentences", "I can not seem get any words in my mind for this part.", "not seem get any words in my mind for this part. What methods", "quoting), but I can not seem get any words in my mind for", "mind for this part. What methods can I use to find ideas and", "any words in my mind for this part. What methods can I use", "for rephrasing well written sentences and include my voice without lowering the quality?", "a sentence (as opposed to quoting), but I can not seem get any", "and methods for rephrasing well written sentences and include my voice without lowering", "use to find ideas and methods for rephrasing well written sentences and include", "methods for rephrasing well written sentences and include my voice without lowering the", "I want to paraphrase a sentence (as opposed to quoting), but I can", "want to paraphrase a sentence (as opposed to quoting), but I can not", "get any words in my mind for this part. What methods can I", "but I can not seem get any words in my mind for this", "opposed to quoting), but I can not seem get any words in my", "I use to find ideas and methods for rephrasing well written sentences and", "seem get any words in my mind for this part. What methods can", "words in my mind for this part. What methods can I use to", "sentence (as opposed to quoting), but I can not seem get any words", "to find ideas and methods for rephrasing well written sentences and include my", "(as opposed to quoting), but I can not seem get any words in", "for this part. What methods can I use to find ideas and methods", "part. What methods can I use to find ideas and methods for rephrasing", "ideas and methods for rephrasing well written sentences and include my voice without", "can not seem get any words in my mind for this part. What", "to paraphrase a sentence (as opposed to quoting), but I can not seem", "paraphrase a sentence (as opposed to quoting), but I can not seem get", "methods can I use to find ideas and methods for rephrasing well written" ]
[ "But at the same time, I find myself sketching the character designs for", "finish it, plus I have invested a lot of time into editing and", "are very important for my academic future, it hasn't progressed that much. However,", "first. But at the same time, I find myself sketching the character designs", "to lack of time because these years for me are very important for", "the trilogy first. But at the same time, I find myself sketching the", "work harder on the original project? That's what I lean to; I ought", "is ready with the exception of a few minor conflict kinks, and I", "much and would like to finish it, plus I have invested a lot", "with one I'm itching to write--an 8 book series in which the entire", "type of writer that gets struck with other inspirations, and currently I just", "it. Should I stick it out and work harder on the original project?", "lean to; I ought to finish the trilogy first. But at the same", "which the entire plot for the first book is also planned out; yep,", "I'm the type of writer that gets struck with other inspirations, and currently", "of time because these years for me are very important for my academic", "entire plot is ready with the exception of a few minor conflict kinks,", "what I lean to; I ought to finish the trilogy first. But at", "project? That's what I lean to; I ought to finish the trilogy first.", "the exception of a few minor conflict kinks, and I have a trilogy", "reaaally into it. Should I stick it out and work harder on the", "entire plot for the first book is also planned out; yep, I got", "important for my academic future, it hasn't progressed that much. However, I like", "writer that gets struck with other inspirations, and currently I just got hit", "I'm writing a novel, but due to lack of time because these years", "and work harder on the original project? That's what I lean to; I", "to; I ought to finish the trilogy first. But at the same time,", "with the exception of a few minor conflict kinks, and I have a", "like to finish it, plus I have invested a lot of time into", "stick it out and work harder on the original project? That's what I", "and I have a trilogy planned. However, I'm the type of writer that", "I stick it out and work harder on the original project? That's what", "8 book series in which the entire plot for the first book is", "into editing and the like. The entire plot is ready with the exception", "writing a novel, but due to lack of time because these years for", "planned out; yep, I got reaaally into it. Should I stick it out", "to finish it, plus I have invested a lot of time into editing", "these years for me are very important for my academic future, it hasn't", "it out and work harder on the original project? That's what I lean", "first book is also planned out; yep, I got reaaally into it. Should", "just got hit with one I'm itching to write--an 8 book series in", "the first book is also planned out; yep, I got reaaally into it.", "very much and would like to finish it, plus I have invested a", "me are very important for my academic future, it hasn't progressed that much.", "also planned out; yep, I got reaaally into it. Should I stick it", "trilogy first. But at the same time, I find myself sketching the character", "Should I stick it out and work harder on the original project? That's", "at the same time, I find myself sketching the character designs for my", "of a few minor conflict kinks, and I have a trilogy planned. However,", "finish the trilogy first. But at the same time, I find myself sketching", "planned. However, I'm the type of writer that gets struck with other inspirations,", "out and work harder on the original project? That's what I lean to;", "book series in which the entire plot for the first book is also", "However, I'm the type of writer that gets struck with other inspirations, and", "I lean to; I ought to finish the trilogy first. But at the", "a trilogy planned. However, I'm the type of writer that gets struck with", "harder on the original project? That's what I lean to; I ought to", "have invested a lot of time into editing and the like. The entire", "minor conflict kinks, and I have a trilogy planned. However, I'm the type", "That's what I lean to; I ought to finish the trilogy first. But", "one I'm itching to write--an 8 book series in which the entire plot", "that much. However, I like it very much and would like to finish", "same time, I find myself sketching the character designs for my other inspiration...", "a few minor conflict kinks, and I have a trilogy planned. However, I'm", "that gets struck with other inspirations, and currently I just got hit with", "for the first book is also planned out; yep, I got reaaally into", "and currently I just got hit with one I'm itching to write--an 8", "ready with the exception of a few minor conflict kinks, and I have", "with other inspirations, and currently I just got hit with one I'm itching", "on the original project? That's what I lean to; I ought to finish", "gets struck with other inspirations, and currently I just got hit with one", "the entire plot for the first book is also planned out; yep, I", "editing and the like. The entire plot is ready with the exception of", "hasn't progressed that much. However, I like it very much and would like", "time because these years for me are very important for my academic future,", "I have invested a lot of time into editing and the like. The", "for my academic future, it hasn't progressed that much. However, I like it", "trilogy planned. However, I'm the type of writer that gets struck with other", "in which the entire plot for the first book is also planned out;", "academic future, it hasn't progressed that much. However, I like it very much", "plot for the first book is also planned out; yep, I got reaaally", "yep, I got reaaally into it. Should I stick it out and work", "time into editing and the like. The entire plot is ready with the", "would like to finish it, plus I have invested a lot of time", "other inspirations, and currently I just got hit with one I'm itching to", "progressed that much. However, I like it very much and would like to", "plus I have invested a lot of time into editing and the like.", "lack of time because these years for me are very important for my", "I'm itching to write--an 8 book series in which the entire plot for", "because these years for me are very important for my academic future, it", "itching to write--an 8 book series in which the entire plot for the", "of writer that gets struck with other inspirations, and currently I just got", "like it very much and would like to finish it, plus I have", "plot is ready with the exception of a few minor conflict kinks, and", "I just got hit with one I'm itching to write--an 8 book series", "got hit with one I'm itching to write--an 8 book series in which", "invested a lot of time into editing and the like. The entire plot", "exception of a few minor conflict kinks, and I have a trilogy planned.", "the type of writer that gets struck with other inspirations, and currently I", "However, I like it very much and would like to finish it, plus", "original project? That's what I lean to; I ought to finish the trilogy", "ought to finish the trilogy first. But at the same time, I find", "and the like. The entire plot is ready with the exception of a", "my academic future, it hasn't progressed that much. However, I like it very", "lot of time into editing and the like. The entire plot is ready", "I got reaaally into it. Should I stick it out and work harder", "series in which the entire plot for the first book is also planned", "got reaaally into it. Should I stick it out and work harder on", "years for me are very important for my academic future, it hasn't progressed", "very important for my academic future, it hasn't progressed that much. However, I", "the like. The entire plot is ready with the exception of a few", "few minor conflict kinks, and I have a trilogy planned. However, I'm the", "I ought to finish the trilogy first. But at the same time, I", "write--an 8 book series in which the entire plot for the first book", "is also planned out; yep, I got reaaally into it. Should I stick", "I like it very much and would like to finish it, plus I", "inspirations, and currently I just got hit with one I'm itching to write--an", "currently I just got hit with one I'm itching to write--an 8 book", "it hasn't progressed that much. However, I like it very much and would", "future, it hasn't progressed that much. However, I like it very much and", "hit with one I'm itching to write--an 8 book series in which the", "novel, but due to lack of time because these years for me are", "book is also planned out; yep, I got reaaally into it. Should I", "it, plus I have invested a lot of time into editing and the", "but due to lack of time because these years for me are very", "like. The entire plot is ready with the exception of a few minor", "due to lack of time because these years for me are very important", "have a trilogy planned. However, I'm the type of writer that gets struck", "conflict kinks, and I have a trilogy planned. However, I'm the type of", "to write--an 8 book series in which the entire plot for the first", "out; yep, I got reaaally into it. Should I stick it out and", "a novel, but due to lack of time because these years for me", "I have a trilogy planned. However, I'm the type of writer that gets", "a lot of time into editing and the like. The entire plot is", "of time into editing and the like. The entire plot is ready with", "to finish the trilogy first. But at the same time, I find myself", "and would like to finish it, plus I have invested a lot of", "into it. Should I stick it out and work harder on the original", "the original project? That's what I lean to; I ought to finish the", "struck with other inspirations, and currently I just got hit with one I'm", "the same time, I find myself sketching the character designs for my other", "much. However, I like it very much and would like to finish it,", "The entire plot is ready with the exception of a few minor conflict", "kinks, and I have a trilogy planned. However, I'm the type of writer", "for me are very important for my academic future, it hasn't progressed that", "it very much and would like to finish it, plus I have invested" ]
[ "helping me a lot with this question, so I thought of putting it", "it casts in the ACTION. Do any screenwriters use it and more importantly,", "description of the sky and the light that it casts in the ACTION.", "me a lot with this question, so I thought of putting it here.", "seasoned screenwriters around here. Google wasn't helping me a lot with this question,", "and the light that it casts in the ACTION. Do any screenwriters use", "of the sky and the light that it casts in the ACTION. Do", "it is to put the description of the sky and the light that", "question, so I thought of putting it here. I am wondering how good", "the description of the sky and the light that it casts in the", "screenwriters around here. Google wasn't helping me a lot with this question, so", "is to put the description of the sky and the light that it", "so I thought of putting it here. I am wondering how good a", "with this question, so I thought of putting it here. I am wondering", "here. Google wasn't helping me a lot with this question, so I thought", "casts in the ACTION. Do any screenwriters use it and more importantly, is", "it here. I am wondering how good a practice it is to put", "a practice it is to put the description of the sky and the", "lot with this question, so I thought of putting it here. I am", "the ACTION. Do any screenwriters use it and more importantly, is it recommended?", "This might seem worthy of scorn for some of the seasoned screenwriters around", "a lot with this question, so I thought of putting it here. I", "the seasoned screenwriters around here. Google wasn't helping me a lot with this", "the sky and the light that it casts in the ACTION. Do any", "in the ACTION. Do any screenwriters use it and more importantly, is it", "around here. Google wasn't helping me a lot with this question, so I", "good a practice it is to put the description of the sky and", "might seem worthy of scorn for some of the seasoned screenwriters around here.", "putting it here. I am wondering how good a practice it is to", "practice it is to put the description of the sky and the light", "I am wondering how good a practice it is to put the description", "sky and the light that it casts in the ACTION. Do any screenwriters", "some of the seasoned screenwriters around here. Google wasn't helping me a lot", "to put the description of the sky and the light that it casts", "for some of the seasoned screenwriters around here. Google wasn't helping me a", "of putting it here. I am wondering how good a practice it is", "here. I am wondering how good a practice it is to put the", "how good a practice it is to put the description of the sky", "light that it casts in the ACTION. Do any screenwriters use it and", "the light that it casts in the ACTION. Do any screenwriters use it", "I thought of putting it here. I am wondering how good a practice", "put the description of the sky and the light that it casts in", "thought of putting it here. I am wondering how good a practice it", "that it casts in the ACTION. Do any screenwriters use it and more", "of scorn for some of the seasoned screenwriters around here. Google wasn't helping", "Google wasn't helping me a lot with this question, so I thought of", "wasn't helping me a lot with this question, so I thought of putting", "this question, so I thought of putting it here. I am wondering how", "am wondering how good a practice it is to put the description of", "wondering how good a practice it is to put the description of the", "of the seasoned screenwriters around here. Google wasn't helping me a lot with", "worthy of scorn for some of the seasoned screenwriters around here. Google wasn't", "scorn for some of the seasoned screenwriters around here. Google wasn't helping me", "seem worthy of scorn for some of the seasoned screenwriters around here. Google" ]
[ "do I go about writing this particular piece of dialogue? Would I need", "using INTERCUT and only one of the two characters will be in frame.", "will be heard through V.O.. Now, here's my question. At the end of", "and only one of the two characters will be in frame. The other", "through V.O.. Now, here's my question. At the end of the phone call,", "reckon it has to be put as a separate DIALOGUE at the end.", "examples of how a screenwriter tackled this rather daunting problem? Note that the", "writing this particular piece of dialogue? Would I need to use b.g? Can", "about writing this particular piece of dialogue? Would I need to use b.g?", "in frame. The other will be heard through V.O.. Now, here's my question.", "what was said; so I reckon it has to be put as a", "frame clearly hears what was said; so I reckon it has to be", "person in frame. How do I go about writing this particular piece of", "the call, another person beside him says something, which can be heard by", "person on the opposite end (the one off screen) is about to cut", "off screen) is about to cut the call, another person beside him says", "hears what was said; so I reckon it has to be put as", "problem? Note that the person in frame clearly hears what was said; so", "so I reckon it has to be put as a separate DIALOGUE at", "in frame clearly hears what was said; so I reckon it has to", "about to cut the call, another person beside him says something, which can", "a screenwriter tackled this rather daunting problem? Note that the person in frame", "Would I need to use b.g? Can any of you cite good examples", "can be heard by the person in frame. How do I go about", "characters. However, I am not using INTERCUT and only one of the two", "this rather daunting problem? Note that the person in frame clearly hears what", "b.g? Can any of you cite good examples of how a screenwriter tackled", "another person beside him says something, which can be heard by the person", "end (the one off screen) is about to cut the call, another person", "question. At the end of the phone call, just as the person on", "this particular piece of dialogue? Would I need to use b.g? Can any", "be heard by the person in frame. How do I go about writing", "However, I am not using INTERCUT and only one of the two characters", "dialogue? Would I need to use b.g? Can any of you cite good", "that the person in frame clearly hears what was said; so I reckon", "my characters. However, I am not using INTERCUT and only one of the", "the opposite end (the one off screen) is about to cut the call,", "How do I go about writing this particular piece of dialogue? Would I", "person beside him says something, which can be heard by the person in", "There's a running dialogue between two of my characters. However, I am not", "the phone call, just as the person on the opposite end (the one", "one of the two characters will be in frame. The other will be", "to cut the call, another person beside him says something, which can be", "only one of the two characters will be in frame. The other will", "of how a screenwriter tackled this rather daunting problem? Note that the person", "of my characters. However, I am not using INTERCUT and only one of", "of the two characters will be in frame. The other will be heard", "(the one off screen) is about to cut the call, another person beside", "V.O.. Now, here's my question. At the end of the phone call, just", "of you cite good examples of how a screenwriter tackled this rather daunting", "between two of my characters. However, I am not using INTERCUT and only", "the person in frame clearly hears what was said; so I reckon it", "INTERCUT and only one of the two characters will be in frame. The", "I reckon it has to be put as a separate DIALOGUE at the", "just as the person on the opposite end (the one off screen) is", "daunting problem? Note that the person in frame clearly hears what was said;", "tackled this rather daunting problem? Note that the person in frame clearly hears", "is about to cut the call, another person beside him says something, which", "end of the phone call, just as the person on the opposite end", "need to use b.g? Can any of you cite good examples of how", "two of my characters. However, I am not using INTERCUT and only one", "said; so I reckon it has to be put as a separate DIALOGUE", "says something, which can be heard by the person in frame. How do", "Now, here's my question. At the end of the phone call, just as", "cut the call, another person beside him says something, which can be heard", "of dialogue? Would I need to use b.g? Can any of you cite", "I need to use b.g? Can any of you cite good examples of", "something, which can be heard by the person in frame. How do I", "you cite good examples of how a screenwriter tackled this rather daunting problem?", "use b.g? Can any of you cite good examples of how a screenwriter", "two characters will be in frame. The other will be heard through V.O..", "call, another person beside him says something, which can be heard by the", "particular piece of dialogue? Would I need to use b.g? Can any of", "clearly hears what was said; so I reckon it has to be put", "characters will be in frame. The other will be heard through V.O.. Now,", "in frame. How do I go about writing this particular piece of dialogue?", "be heard through V.O.. Now, here's my question. At the end of the", "running dialogue between two of my characters. However, I am not using INTERCUT", "person in frame clearly hears what was said; so I reckon it has", "screenwriter tackled this rather daunting problem? Note that the person in frame clearly", "him says something, which can be heard by the person in frame. How", "the person in frame. How do I go about writing this particular piece", "my question. At the end of the phone call, just as the person", "of the phone call, just as the person on the opposite end (the", "be in frame. The other will be heard through V.O.. Now, here's my", "opposite end (the one off screen) is about to cut the call, another", "frame. The other will be heard through V.O.. Now, here's my question. At", "heard by the person in frame. How do I go about writing this", "the end of the phone call, just as the person on the opposite", "which can be heard by the person in frame. How do I go", "to use b.g? Can any of you cite good examples of how a", "here's my question. At the end of the phone call, just as the", "how a screenwriter tackled this rather daunting problem? Note that the person in", "cite good examples of how a screenwriter tackled this rather daunting problem? Note", "go about writing this particular piece of dialogue? Would I need to use", "not using INTERCUT and only one of the two characters will be in", "phone call, just as the person on the opposite end (the one off", "I am not using INTERCUT and only one of the two characters will", "dialogue between two of my characters. However, I am not using INTERCUT and", "am not using INTERCUT and only one of the two characters will be", "Note that the person in frame clearly hears what was said; so I", "call, just as the person on the opposite end (the one off screen)", "Can any of you cite good examples of how a screenwriter tackled this", "frame. How do I go about writing this particular piece of dialogue? Would", "on the opposite end (the one off screen) is about to cut the", "beside him says something, which can be heard by the person in frame.", "screen) is about to cut the call, another person beside him says something,", "At the end of the phone call, just as the person on the", "as the person on the opposite end (the one off screen) is about", "good examples of how a screenwriter tackled this rather daunting problem? Note that", "I go about writing this particular piece of dialogue? Would I need to", "the person on the opposite end (the one off screen) is about to", "a running dialogue between two of my characters. However, I am not using", "will be in frame. The other will be heard through V.O.. Now, here's", "the two characters will be in frame. The other will be heard through", "other will be heard through V.O.. Now, here's my question. At the end", "was said; so I reckon it has to be put as a separate", "by the person in frame. How do I go about writing this particular", "piece of dialogue? Would I need to use b.g? Can any of you", "one off screen) is about to cut the call, another person beside him", "rather daunting problem? Note that the person in frame clearly hears what was", "heard through V.O.. Now, here's my question. At the end of the phone", "any of you cite good examples of how a screenwriter tackled this rather", "The other will be heard through V.O.. Now, here's my question. At the" ]
[ "!? for emphasis in dialogues in a screenplay? I understand that it cannot", "in the ACTION or the PARENTHETIC, but I assume that the rules are", "cannot be used in the ACTION or the PARENTHETIC, but I assume that", "it cannot be used in the ACTION or the PARENTHETIC, but I assume", "that the rules are a lot less stringent when it comes to DIALOGUE.", "it okay to use !? for emphasis in dialogues in a screenplay? I", "be used in the ACTION or the PARENTHETIC, but I assume that the", "understand that it cannot be used in the ACTION or the PARENTHETIC, but", "in dialogues in a screenplay? I understand that it cannot be used in", "the PARENTHETIC, but I assume that the rules are a lot less stringent", "okay to use !? for emphasis in dialogues in a screenplay? I understand", "screenplay? I understand that it cannot be used in the ACTION or the", "but I assume that the rules are a lot less stringent when it", "assume that the rules are a lot less stringent when it comes to", "use !? for emphasis in dialogues in a screenplay? I understand that it", "that it cannot be used in the ACTION or the PARENTHETIC, but I", "PARENTHETIC, but I assume that the rules are a lot less stringent when", "I assume that the rules are a lot less stringent when it comes", "a screenplay? I understand that it cannot be used in the ACTION or", "in a screenplay? I understand that it cannot be used in the ACTION", "I understand that it cannot be used in the ACTION or the PARENTHETIC,", "Is it okay to use !? for emphasis in dialogues in a screenplay?", "for emphasis in dialogues in a screenplay? I understand that it cannot be", "the ACTION or the PARENTHETIC, but I assume that the rules are a", "dialogues in a screenplay? I understand that it cannot be used in the", "used in the ACTION or the PARENTHETIC, but I assume that the rules", "or the PARENTHETIC, but I assume that the rules are a lot less", "emphasis in dialogues in a screenplay? I understand that it cannot be used", "ACTION or the PARENTHETIC, but I assume that the rules are a lot", "to use !? for emphasis in dialogues in a screenplay? I understand that" ]
[ "> > > I tried picturing him: his tiny body swinging above the", "almost spiky. > > > I tried picturing him: his tiny body swinging", "the side > like a dead worm. > > > Are lists like", "spiky. > > > I tried picturing him: his tiny body swinging above", "> > > Are lists like these confusing? If so, how can I", "I tried picturing him: his tiny body swinging above the ground, his >", "looked tough: pieced nose, broad eyebrows, tousled hair, > almost spiky. > >", "eyes bloodshot, almost popping out, his tongue hanging to the side > like", "> She looked tough: pieced nose, broad eyebrows, tousled hair, > almost spiky.", "nose, broad eyebrows, tousled hair, > almost spiky. > > > I tried", "a dead worm. > > > Are lists like these confusing? If so,", "tousled hair, > almost spiky. > > > I tried picturing him: his", "> Are lists like these confusing? If so, how can I improve their", "tiny body swinging above the ground, his > eyes bloodshot, almost popping out,", "> > Are lists like these confusing? If so, how can I improve", "broad eyebrows, tousled hair, > almost spiky. > > > I tried picturing", "tongue hanging to the side > like a dead worm. > > >", "Examples: > > She looked tough: pieced nose, broad eyebrows, tousled hair, >", "the ground, his > eyes bloodshot, almost popping out, his tongue hanging to", "body swinging above the ground, his > eyes bloodshot, almost popping out, his", "> eyes bloodshot, almost popping out, his tongue hanging to the side >", "eyebrows, tousled hair, > almost spiky. > > > I tried picturing him:", "his tongue hanging to the side > like a dead worm. > >", "almost popping out, his tongue hanging to the side > like a dead", "popping out, his tongue hanging to the side > like a dead worm.", "> like a dead worm. > > > Are lists like these confusing?", "> I tried picturing him: his tiny body swinging above the ground, his", "like a dead worm. > > > Are lists like these confusing? If", "his > eyes bloodshot, almost popping out, his tongue hanging to the side", "> > I tried picturing him: his tiny body swinging above the ground,", "> almost spiky. > > > I tried picturing him: his tiny body", "pieced nose, broad eyebrows, tousled hair, > almost spiky. > > > I", "above the ground, his > eyes bloodshot, almost popping out, his tongue hanging", "bloodshot, almost popping out, his tongue hanging to the side > like a", "dead worm. > > > Are lists like these confusing? If so, how", "to the side > like a dead worm. > > > Are lists", "tough: pieced nose, broad eyebrows, tousled hair, > almost spiky. > > >", "tried picturing him: his tiny body swinging above the ground, his > eyes", "hanging to the side > like a dead worm. > > > Are", "worm. > > > Are lists like these confusing? If so, how can", "picturing him: his tiny body swinging above the ground, his > eyes bloodshot,", "ground, his > eyes bloodshot, almost popping out, his tongue hanging to the", "him: his tiny body swinging above the ground, his > eyes bloodshot, almost", "out, his tongue hanging to the side > like a dead worm. >", "hair, > almost spiky. > > > I tried picturing him: his tiny", "She looked tough: pieced nose, broad eyebrows, tousled hair, > almost spiky. >", "> > She looked tough: pieced nose, broad eyebrows, tousled hair, > almost", "Are lists like these confusing? If so, how can I improve their clarity?", "his tiny body swinging above the ground, his > eyes bloodshot, almost popping", "side > like a dead worm. > > > Are lists like these", "swinging above the ground, his > eyes bloodshot, almost popping out, his tongue" ]
[ "to start by example: > > Main hero is given briefcase and informed,", "as expected, but luckily main hero's gut feeling saves him at the very", "through security check and it has to go boom in order for story", "also demolishes half of the building. > > > From the story itself", "expected, but luckily main hero's gut feeling saves him at the very last", "such briefcase? In story above (which I did read in one book) it", "is to assassinate Prime Minister of given country. Main hero goes undetected through", "goes boom earlier as expected, but luckily main hero's gut feeling saves him", "effort should I spend explaining contents of such briefcase? In story above (which", "is given briefcase and informed, that such briefcase contains very powerful bomb. The", "explaining contents of such briefcase? In story above (which I did read in", "start by example: > > Main hero is given briefcase and informed, that", "> Main hero is given briefcase and informed, that such briefcase contains very", "Minister of given country. Main hero goes undetected through security checks, disguised as", "Minister. > > > The briefcase goes boom earlier as expected, but luckily", "briefcase goes boom earlier as expected, but luckily main hero's gut feeling saves", "it is just handwoven with one sentence. As a reader, I got really", "Prime Minister of given country. Main hero goes undetected through security checks, disguised", "(which I did read in one book) it is just handwoven with one", "is just handwoven with one sentence. As a reader, I got really curious", "the Prime Minister. > > > The briefcase goes boom earlier as expected,", "> > > The briefcase goes boom earlier as expected, but luckily main", "not only kills Prime Minister, but also demolishes half of the building. >", "press worker, having one to one interview with the Prime Minister. > >", "story to progress. How much effort should I spend explaining contents of such", "briefcase? In story above (which I did read in one book) it is", "hero goes undetected through security checks, disguised as press worker, having one to", "itself it is very clear that briefcase bomb is plot device. It has", "given briefcase and informed, that such briefcase contains very powerful bomb. The goal", "hero is given briefcase and informed, that such briefcase contains very powerful bomb.", "informed, that such briefcase contains very powerful bomb. The goal is to assassinate", "plot device. It has to go through security check and it has to", "hero's gut feeling saves him at the very last second, while the bomb", "check and it has to go boom in order for story to progress.", "powerful bomb. The goal is to assassinate Prime Minister of given country. Main", "> The briefcase goes boom earlier as expected, but luckily main hero's gut", "of such briefcase? In story above (which I did read in one book)", "to one interview with the Prime Minister. > > > The briefcase goes", "him at the very last second, while the bomb not only kills Prime", "earlier as expected, but luckily main hero's gut feeling saves him at the", "as a writer, I do not know if a story should actually explain", "> > From the story itself it is very clear that briefcase bomb", "the story itself it is very clear that briefcase bomb is plot device.", "I did read in one book) it is just handwoven with one sentence.", "that such briefcase contains very powerful bomb. The goal is to assassinate Prime", "The goal is to assassinate Prime Minister of given country. Main hero goes", "From the story itself it is very clear that briefcase bomb is plot", "How much effort should I spend explaining contents of such briefcase? In story", "I spend explaining contents of such briefcase? In story above (which I did", "but luckily main hero's gut feeling saves him at the very last second,", "and informed, that such briefcase contains very powerful bomb. The goal is to", "as press worker, having one to one interview with the Prime Minister. >", "checks, disguised as press worker, having one to one interview with the Prime", "But as a writer, I do not know if a story should actually", "so it passes security checks. But as a writer, I do not know", "briefcase and informed, that such briefcase contains very powerful bomb. The goal is", "security check and it has to go boom in order for story to", "the very last second, while the bomb not only kills Prime Minister, but", "to assassinate Prime Minister of given country. Main hero goes undetected through security", "undetected through security checks, disguised as press worker, having one to one interview", "assassinate Prime Minister of given country. Main hero goes undetected through security checks,", "given country. Main hero goes undetected through security checks, disguised as press worker,", "boom earlier as expected, but luckily main hero's gut feeling saves him at", "The briefcase goes boom earlier as expected, but luckily main hero's gut feeling", "to go boom in order for story to progress. How much effort should", "worker, having one to one interview with the Prime Minister. > > >", "demolishes half of the building. > > > From the story itself it", "As a reader, I got really curious of what might be in such", "boom in order for story to progress. How much effort should I spend", "did read in one book) it is just handwoven with one sentence. As", "a writer, I do not know if a story should actually explain it.", "one book) it is just handwoven with one sentence. As a reader, I", "very powerful bomb. The goal is to assassinate Prime Minister of given country.", "with one sentence. As a reader, I got really curious of what might", "but also demolishes half of the building. > > > From the story", "briefcase bomb is plot device. It has to go through security check and", "by example: > > Main hero is given briefcase and informed, that such", "country. Main hero goes undetected through security checks, disguised as press worker, having", "in one book) it is just handwoven with one sentence. As a reader,", "story itself it is very clear that briefcase bomb is plot device. It", "main hero's gut feeling saves him at the very last second, while the", "briefcase contains very powerful bomb. The goal is to assassinate Prime Minister of", "very clear that briefcase bomb is plot device. It has to go through", "Prime Minister, but also demolishes half of the building. > > > From", "I think it is good Idea to start by example: > > Main", "in such briefcase so it passes security checks. But as a writer, I", "it is very clear that briefcase bomb is plot device. It has to", "bomb is plot device. It has to go through security check and it", "what might be in such briefcase so it passes security checks. But as", "In story above (which I did read in one book) it is just", "luckily main hero's gut feeling saves him at the very last second, while", "checks. But as a writer, I do not know if a story should", "of the building. > > > From the story itself it is very", "to progress. How much effort should I spend explaining contents of such briefcase?", "one to one interview with the Prime Minister. > > > The briefcase", "while the bomb not only kills Prime Minister, but also demolishes half of", "it has to go boom in order for story to progress. How much", "Main hero is given briefcase and informed, that such briefcase contains very powerful", "one sentence. As a reader, I got really curious of what might be", "really curious of what might be in such briefcase so it passes security", "it passes security checks. But as a writer, I do not know if", "contains very powerful bomb. The goal is to assassinate Prime Minister of given", "is plot device. It has to go through security check and it has", "book) it is just handwoven with one sentence. As a reader, I got", "Prime Minister. > > > The briefcase goes boom earlier as expected, but", "might be in such briefcase so it passes security checks. But as a", "half of the building. > > > From the story itself it is", "very last second, while the bomb not only kills Prime Minister, but also", "Minister, but also demolishes half of the building. > > > From the", "for story to progress. How much effort should I spend explaining contents of", "building. > > > From the story itself it is very clear that", "only kills Prime Minister, but also demolishes half of the building. > >", "Main hero goes undetected through security checks, disguised as press worker, having one", "such briefcase contains very powerful bomb. The goal is to assassinate Prime Minister", "to go through security check and it has to go boom in order", "> > > From the story itself it is very clear that briefcase", "> > The briefcase goes boom earlier as expected, but luckily main hero's", "last second, while the bomb not only kills Prime Minister, but also demolishes", "spend explaining contents of such briefcase? In story above (which I did read", "think it is good Idea to start by example: > > Main hero", "device. It has to go through security check and it has to go", "of what might be in such briefcase so it passes security checks. But", "passes security checks. But as a writer, I do not know if a", "be in such briefcase so it passes security checks. But as a writer,", "through security checks, disguised as press worker, having one to one interview with", "curious of what might be in such briefcase so it passes security checks.", "much effort should I spend explaining contents of such briefcase? In story above", "example: > > Main hero is given briefcase and informed, that such briefcase", "order for story to progress. How much effort should I spend explaining contents", "it is good Idea to start by example: > > Main hero is", "reader, I got really curious of what might be in such briefcase so", "has to go boom in order for story to progress. How much effort", "go boom in order for story to progress. How much effort should I", "of given country. Main hero goes undetected through security checks, disguised as press", "the bomb not only kills Prime Minister, but also demolishes half of the", "has to go through security check and it has to go boom in", "just handwoven with one sentence. As a reader, I got really curious of", "I got really curious of what might be in such briefcase so it", "that briefcase bomb is plot device. It has to go through security check", "sentence. As a reader, I got really curious of what might be in", "above (which I did read in one book) it is just handwoven with", "interview with the Prime Minister. > > > The briefcase goes boom earlier", "clear that briefcase bomb is plot device. It has to go through security", "go through security check and it has to go boom in order for", "good Idea to start by example: > > Main hero is given briefcase", "disguised as press worker, having one to one interview with the Prime Minister.", "at the very last second, while the bomb not only kills Prime Minister,", "a reader, I got really curious of what might be in such briefcase", "is very clear that briefcase bomb is plot device. It has to go", "contents of such briefcase? In story above (which I did read in one", "is good Idea to start by example: > > Main hero is given", "handwoven with one sentence. As a reader, I got really curious of what", "goal is to assassinate Prime Minister of given country. Main hero goes undetected", "bomb. The goal is to assassinate Prime Minister of given country. Main hero", "bomb not only kills Prime Minister, but also demolishes half of the building.", "in order for story to progress. How much effort should I spend explaining", "goes undetected through security checks, disguised as press worker, having one to one", "having one to one interview with the Prime Minister. > > > The", "got really curious of what might be in such briefcase so it passes", "the building. > > > From the story itself it is very clear", "one interview with the Prime Minister. > > > The briefcase goes boom", "saves him at the very last second, while the bomb not only kills", "should I spend explaining contents of such briefcase? In story above (which I", "> From the story itself it is very clear that briefcase bomb is", "and it has to go boom in order for story to progress. How", "briefcase so it passes security checks. But as a writer, I do not", "It has to go through security check and it has to go boom", "feeling saves him at the very last second, while the bomb not only", "such briefcase so it passes security checks. But as a writer, I do", "progress. How much effort should I spend explaining contents of such briefcase? In", "kills Prime Minister, but also demolishes half of the building. > > >", "Idea to start by example: > > Main hero is given briefcase and", "> > Main hero is given briefcase and informed, that such briefcase contains", "security checks, disguised as press worker, having one to one interview with the", "story above (which I did read in one book) it is just handwoven", "read in one book) it is just handwoven with one sentence. As a", "gut feeling saves him at the very last second, while the bomb not", "security checks. But as a writer, I do not know if a story", "second, while the bomb not only kills Prime Minister, but also demolishes half", "with the Prime Minister. > > > The briefcase goes boom earlier as" ]
[ "have no formal training as a writer and I want to translate someone", "book in my home language, what is the best way to get into", "my home language, what is the best way to get into contact with", "the best way to get into contact with the author to discuss/recommend this?", "If I have no formal training as a writer and I want to", "and I want to translate someone else's book in my home language, what", "in my home language, what is the best way to get into contact", "as a writer and I want to translate someone else's book in my", "to translate someone else's book in my home language, what is the best", "writer and I want to translate someone else's book in my home language,", "formal training as a writer and I want to translate someone else's book", "else's book in my home language, what is the best way to get", "translate someone else's book in my home language, what is the best way", "home language, what is the best way to get into contact with the", "I want to translate someone else's book in my home language, what is", "want to translate someone else's book in my home language, what is the", "no formal training as a writer and I want to translate someone else's", "someone else's book in my home language, what is the best way to", "I have no formal training as a writer and I want to translate", "what is the best way to get into contact with the author to", "language, what is the best way to get into contact with the author", "a writer and I want to translate someone else's book in my home", "is the best way to get into contact with the author to discuss/recommend", "training as a writer and I want to translate someone else's book in" ]
[ "kept in plain-text files, using symlinks between multiple works set in the same", "a Scrivener world? The only solution I've managed to discover of my own", "notes kept in plain-text files, using symlinks between multiple works set in the", "plain-text files, using symlinks between multiple works set in the same fictional world.", "works set in the same fictional world. This allowed me trivial flexibility in", "LaTeX, using emacs\", with research and character notes kept in plain-text files, using", "flexibility in sharing character notes between multiple works, while only having a single,", "accomplishing this in a Scrivener world? The only solution I've managed to discover", "emacs\", with research and character notes kept in plain-text files, using symlinks between", "using emacs\", with research and character notes kept in plain-text files, using symlinks", "the best way of accomplishing this in a Scrivener world? The only solution", "of accomplishing this in a Scrivener world? The only solution I've managed to", "only having a single, authoritative source of data. What is the best way", "having a single, authoritative source of data. What is the best way of", "I've managed to discover of my own is to keep multiple \"Story\" objects,", "workflow was \"write in LaTeX, using emacs\", with research and character notes kept", "me trivial flexibility in sharing character notes between multiple works, while only having", "multiple works, while only having a single, authoritative source of data. What is", "only solution I've managed to discover of my own is to keep multiple", "managed to discover of my own is to keep multiple \"Story\" objects, in", "authoritative source of data. What is the best way of accomplishing this in", "My previous workflow was \"write in LaTeX, using emacs\", with research and character", "set in the same fictional world. This allowed me trivial flexibility in sharing", "sharing character notes between multiple works, while only having a single, authoritative source", "multiple works set in the same fictional world. This allowed me trivial flexibility", "Scrivener world? The only solution I've managed to discover of my own is", "in LaTeX, using emacs\", with research and character notes kept in plain-text files,", "character notes between multiple works, while only having a single, authoritative source of", "with research and character notes kept in plain-text files, using symlinks between multiple", "between multiple works set in the same fictional world. This allowed me trivial", "world. This allowed me trivial flexibility in sharing character notes between multiple works,", "the same fictional world. This allowed me trivial flexibility in sharing character notes", "allowed me trivial flexibility in sharing character notes between multiple works, while only", "source of data. What is the best way of accomplishing this in a", "same fictional world. This allowed me trivial flexibility in sharing character notes between", "using symlinks between multiple works set in the same fictional world. This allowed", "in sharing character notes between multiple works, while only having a single, authoritative", "works, while only having a single, authoritative source of data. What is the", "symlinks between multiple works set in the same fictional world. This allowed me", "What is the best way of accomplishing this in a Scrivener world? The", "to discover of my own is to keep multiple \"Story\" objects, in a", "single, authoritative source of data. What is the best way of accomplishing this", "way of accomplishing this in a Scrivener world? The only solution I've managed", "and character notes kept in plain-text files, using symlinks between multiple works set", "research and character notes kept in plain-text files, using symlinks between multiple works", "of my own is to keep multiple \"Story\" objects, in a single project.", "files, using symlinks between multiple works set in the same fictional world. This", "trivial flexibility in sharing character notes between multiple works, while only having a", "\"write in LaTeX, using emacs\", with research and character notes kept in plain-text", "in plain-text files, using symlinks between multiple works set in the same fictional", "a single, authoritative source of data. What is the best way of accomplishing", "was \"write in LaTeX, using emacs\", with research and character notes kept in", "previous workflow was \"write in LaTeX, using emacs\", with research and character notes", "This allowed me trivial flexibility in sharing character notes between multiple works, while", "best way of accomplishing this in a Scrivener world? The only solution I've", "character notes kept in plain-text files, using symlinks between multiple works set in", "fictional world. This allowed me trivial flexibility in sharing character notes between multiple", "is the best way of accomplishing this in a Scrivener world? The only", "solution I've managed to discover of my own is to keep multiple \"Story\"", "while only having a single, authoritative source of data. What is the best", "in the same fictional world. This allowed me trivial flexibility in sharing character", "world? The only solution I've managed to discover of my own is to", "notes between multiple works, while only having a single, authoritative source of data.", "data. What is the best way of accomplishing this in a Scrivener world?", "this in a Scrivener world? The only solution I've managed to discover of", "between multiple works, while only having a single, authoritative source of data. What", "of data. What is the best way of accomplishing this in a Scrivener", "The only solution I've managed to discover of my own is to keep", "discover of my own is to keep multiple \"Story\" objects, in a single", "in a Scrivener world? The only solution I've managed to discover of my" ]
[ "the book will be sold as well as local shops. Of course I", "the book. Can anyone tell me: 1. Is there a site out there", "have my own website where the book will be sold as well as", "does not dictate the layout/design, and printing of the book. Can anyone tell", "\"publish\" the book? I have an ISBN and bar-code. I have my own", "find a self publishing website that does not dictate the layout/design, and printing", "have already created? 2. Do I have to \"publish\" the book? I have", "print-on-demand. I can not find a self publishing website that does not dictate", "I have an ISBN and bar-code. I have my own website where the", "anyone tell me: 1. Is there a site out there where I can", "and have a local printer who is going to handle the print-on-demand. I", "already created? 2. Do I have to \"publish\" the book? I have an", "the self publisher without having to give up what I have already created?", "tell me: 1. Is there a site out there where I can register", "be sold as well as local shops. Of course I would be thrilled", "will be sold as well as local shops. Of course I would be", "can not find a self publishing website that does not dictate the layout/design,", "created a picture book and already have it designed and have a local", "publishing website that does not dictate the layout/design, and printing of the book.", "where the book will be sold as well as local shops. Of course", "I can register the book and myself as the self publisher without having", "a picture book and already have it designed and have a local printer", "already have it designed and have a local printer who is going to", "to give up what I have already created? 2. Do I have to", "have created a picture book and already have it designed and have a", "and bar-code. I have my own website where the book will be sold", "without having to give up what I have already created? 2. Do I", "self publisher without having to give up what I have already created? 2.", "that does not dictate the layout/design, and printing of the book. Can anyone", "and already have it designed and have a local printer who is going", "what I have already created? 2. Do I have to \"publish\" the book?", "I have already created? 2. Do I have to \"publish\" the book? I", "to handle the print-on-demand. I can not find a self publishing website that", "of the book. Can anyone tell me: 1. Is there a site out", "website that does not dictate the layout/design, and printing of the book. Can", "I can not find a self publishing website that does not dictate the", "printing of the book. Can anyone tell me: 1. Is there a site", "site out there where I can register the book and myself as the", "designed and have a local printer who is going to handle the print-on-demand.", "website where the book will be sold as well as local shops. Of", "have a local printer who is going to handle the print-on-demand. I can", "handle the print-on-demand. I can not find a self publishing website that does", "Can anyone tell me: 1. Is there a site out there where I", "book. Can anyone tell me: 1. Is there a site out there where", "it designed and have a local printer who is going to handle the", "can register the book and myself as the self publisher without having to", "created? 2. Do I have to \"publish\" the book? I have an ISBN", "self publishing website that does not dictate the layout/design, and printing of the", "sold as well as local shops. Of course I would be thrilled if", "book and myself as the self publisher without having to give up what", "the book and myself as the self publisher without having to give up", "a local printer who is going to handle the print-on-demand. I can not", "Is there a site out there where I can register the book and", "picture book and already have it designed and have a local printer who", "layout/design, and printing of the book. Can anyone tell me: 1. Is there", "book? I have an ISBN and bar-code. I have my own website where", "having to give up what I have already created? 2. Do I have", "give up what I have already created? 2. Do I have to \"publish\"", "2. Do I have to \"publish\" the book? I have an ISBN and", "book will be sold as well as local shops. Of course I would", "1. Is there a site out there where I can register the book", "publisher without having to give up what I have already created? 2. Do", "there where I can register the book and myself as the self publisher", "and myself as the self publisher without having to give up what I", "Do I have to \"publish\" the book? I have an ISBN and bar-code.", "book and already have it designed and have a local printer who is", "there a site out there where I can register the book and myself", "the book? I have an ISBN and bar-code. I have my own website", "printer who is going to handle the print-on-demand. I can not find a", "I have created a picture book and already have it designed and have", "the print-on-demand. I can not find a self publishing website that does not", "as local shops. Of course I would be thrilled if it is on", "ISBN and bar-code. I have my own website where the book will be", "going to handle the print-on-demand. I can not find a self publishing website", "dictate the layout/design, and printing of the book. Can anyone tell me: 1.", "not find a self publishing website that does not dictate the layout/design, and", "not dictate the layout/design, and printing of the book. Can anyone tell me:", "is going to handle the print-on-demand. I can not find a self publishing", "local printer who is going to handle the print-on-demand. I can not find", "out there where I can register the book and myself as the self", "own website where the book will be sold as well as local shops.", "to \"publish\" the book? I have an ISBN and bar-code. I have my", "have to \"publish\" the book? I have an ISBN and bar-code. I have", "myself as the self publisher without having to give up what I have", "I have to \"publish\" the book? I have an ISBN and bar-code. I", "a site out there where I can register the book and myself as", "register the book and myself as the self publisher without having to give", "my own website where the book will be sold as well as local", "as the self publisher without having to give up what I have already", "an ISBN and bar-code. I have my own website where the book will", "have an ISBN and bar-code. I have my own website where the book", "and printing of the book. Can anyone tell me: 1. Is there a", "where I can register the book and myself as the self publisher without", "up what I have already created? 2. Do I have to \"publish\" the", "who is going to handle the print-on-demand. I can not find a self", "have it designed and have a local printer who is going to handle", "the layout/design, and printing of the book. Can anyone tell me: 1. Is", "bar-code. I have my own website where the book will be sold as", "I have my own website where the book will be sold as well", "well as local shops. Of course I would be thrilled if it is", "local shops. Of course I would be thrilled if it is on amazon.com.", "as well as local shops. Of course I would be thrilled if it", "a self publishing website that does not dictate the layout/design, and printing of", "me: 1. Is there a site out there where I can register the" ]
[ "> > Was this the darkness Joel had talked about? > > >", "So you have no choice but to fight alone. Fight > this darkness", "And the worst part is, you're the only one who's > aware of", "like crude oil. It travels gradually, > silently, polluting every cell in your", "sheets of paper. Sometimes you get a butterfly. Sometimes a face. And >", "> sheets of paper. Sometimes you get a butterfly. Sometimes a face. And", "can't help you. So you have no choice but to fight alone. Fight", "Fight > this darkness alone.\" > > > > > --- > >", "all. > > > > > --- > > > Was this the", "anything at all. > > > > > --- > > > Was", "aware of it. Yes, you can explain it to people, but just skin-deep.", "you have no choice but to fight alone. Fight > this darkness alone.\"", "I format this word? Italics? Capital? Should it be formatted differently when it", "varied > depending on the person. Like when you press a drop of", "no choice but to fight alone. Fight > this darkness alone.\" > >", "the bad thoughts of depressed/suicidal people. > > A short silence. I imagined", "> > > Perhaps this darkness, despite coming from the same source, varied", "dark and murky, like crude oil. It travels gradually, > silently, polluting every", "can explain it to people, but just skin-deep. > They can't help you.", "> silently, polluting every cell in your body. You can feel it. >", "novel, there's something that the characters refer to as \"darkness\". It symbolizes the", "when you press a drop of ink between two > sheets of paper.", "people. > > A short silence. I imagined Joel nodding his head in", "you. So you have no choice but to fight alone. Fight > this", "--- > > > Perhaps this darkness, despite coming from the same source,", "feel it. > Eating you alive. And the worst part is, you're the", "> Something dark and murky, like crude oil. It travels gradually, > silently,", "explain it to people, but just skin-deep. > They can't help you. So", "> Was this the darkness Joel had talked about? > > > How", "have no choice but to fight alone. Fight > this darkness alone.\" >", "word? Italics? Capital? Should it be formatted differently when it is first mentioned?", "> > --- > > > Perhaps this darkness, despite coming from the", "something that the characters refer to as \"darkness\". It symbolizes the bad thoughts", "worst part is, you're the only one who's > aware of it. Yes,", "a drop of ink between two > sheets of paper. Sometimes you get", "despite coming from the same source, varied > depending on the person. Like", "should I format this word? Italics? Capital? Should it be formatted differently when", "feel as if something has crept inside you. > Something dark and murky,", "so amorphous it doesn't resemble anything at all. > > > > >", "body. You can feel it. > Eating you alive. And the worst part", "outing, you feel as if something has crept inside you. > Something dark", "people, but just skin-deep. > They can't help you. So you have no", "but to fight alone. Fight > this darkness alone.\" > > > >", "on the person. Like when you press a drop of ink between two", "Joel had talked about? > > > How should I format this word?", "that the characters refer to as \"darkness\". It symbolizes the bad thoughts of", "two > sheets of paper. Sometimes you get a butterfly. Sometimes a face.", "gradually, > silently, polluting every cell in your body. You can feel it.", "> --- > > > Was this the darkness Joel had talked about?", "> aware of it. Yes, you can explain it to people, but just", "there's something that the characters refer to as \"darkness\". It symbolizes the bad", "this the darkness Joel had talked about? > > > How should I", "nodding his head in the dark. > \"After an outing, you feel as", "You can feel it. > Eating you alive. And the worst part is,", "> Eating you alive. And the worst part is, you're the only one", "Something dark and murky, like crude oil. It travels gradually, > silently, polluting", "> > > > --- > > > Was this the darkness Joel", "> They can't help you. So you have no choice but to fight", "you alive. And the worst part is, you're the only one who's >", "\"After an outing, you feel as if something has crept inside you. >", "talked about? > > > How should I format this word? Italics? Capital?", "A short silence. I imagined Joel nodding his head in the dark. >", "of depressed/suicidal people. > > A short silence. I imagined Joel nodding his", "person. Like when you press a drop of ink between two > sheets", "symbolizes the bad thoughts of depressed/suicidal people. > > A short silence. I", "> > > > > --- > > > Was this the darkness", "to people, but just skin-deep. > They can't help you. So you have", "Perhaps this darkness, despite coming from the same source, varied > depending on", "and murky, like crude oil. It travels gradually, > silently, polluting every cell", "Eating you alive. And the worst part is, you're the only one who's", "of ink between two > sheets of paper. Sometimes you get a butterfly.", "the dark. > \"After an outing, you feel as if something has crept", "help you. So you have no choice but to fight alone. Fight >", "> \"After an outing, you feel as if something has crept inside you.", "to as \"darkness\". It symbolizes the bad thoughts of depressed/suicidal people. > >", "I imagined Joel nodding his head in the dark. > \"After an outing,", "get a butterfly. Sometimes a face. And > other times a shape so", "you're the only one who's > aware of it. Yes, you can explain", "it to people, but just skin-deep. > They can't help you. So you", "darkness, despite coming from the same source, varied > depending on the person.", "shape so amorphous it doesn't resemble anything at all. > > > >", "something has crept inside you. > Something dark and murky, like crude oil.", "murky, like crude oil. It travels gradually, > silently, polluting every cell in", "only one who's > aware of it. Yes, you can explain it to", "format this word? Italics? Capital? Should it be formatted differently when it is", "times a shape so amorphous it doesn't resemble anything at all. > >", "just skin-deep. > They can't help you. So you have no choice but", "depressed/suicidal people. > > A short silence. I imagined Joel nodding his head", "crude oil. It travels gradually, > silently, polluting every cell in your body.", "of paper. Sometimes you get a butterfly. Sometimes a face. And > other", "In my novel, there's something that the characters refer to as \"darkness\". It", "polluting every cell in your body. You can feel it. > Eating you", "doesn't resemble anything at all. > > > > > --- > >", "your body. You can feel it. > Eating you alive. And the worst", "choice but to fight alone. Fight > this darkness alone.\" > > >", "from the same source, varied > depending on the person. Like when you", "who's > aware of it. Yes, you can explain it to people, but", "How should I format this word? Italics? Capital? Should it be formatted differently", "imagined Joel nodding his head in the dark. > \"After an outing, you", "> > --- > > > Was this the darkness Joel had talked", "one who's > aware of it. Yes, you can explain it to people,", "face. And > other times a shape so amorphous it doesn't resemble anything", "It symbolizes the bad thoughts of depressed/suicidal people. > > A short silence.", "an outing, you feel as if something has crept inside you. > Something", "the same source, varied > depending on the person. Like when you press", "his head in the dark. > \"After an outing, you feel as if", "alive. And the worst part is, you're the only one who's > aware", "can feel it. > Eating you alive. And the worst part is, you're", "travels gradually, > silently, polluting every cell in your body. You can feel", "dark. > \"After an outing, you feel as if something has crept inside", "had talked about? > > > How should I format this word? Italics?", "if something has crept inside you. > Something dark and murky, like crude", "is, you're the only one who's > aware of it. Yes, you can", "silently, polluting every cell in your body. You can feel it. > Eating", "it. > Eating you alive. And the worst part is, you're the only", "> Perhaps this darkness, despite coming from the same source, varied > depending", "Was this the darkness Joel had talked about? > > > How should", "And > other times a shape so amorphous it doesn't resemble anything at", "as \"darkness\". It symbolizes the bad thoughts of depressed/suicidal people. > > A", "refer to as \"darkness\". It symbolizes the bad thoughts of depressed/suicidal people. >", "head in the dark. > \"After an outing, you feel as if something", "coming from the same source, varied > depending on the person. Like when", "thoughts of depressed/suicidal people. > > A short silence. I imagined Joel nodding", "> > A short silence. I imagined Joel nodding his head in the", "between two > sheets of paper. Sometimes you get a butterfly. Sometimes a", "paper. Sometimes you get a butterfly. Sometimes a face. And > other times", "the worst part is, you're the only one who's > aware of it.", "> --- > > > Perhaps this darkness, despite coming from the same", "short silence. I imagined Joel nodding his head in the dark. > \"After", "--- > > > Was this the darkness Joel had talked about? >", "other times a shape so amorphous it doesn't resemble anything at all. >", "> depending on the person. Like when you press a drop of ink", "alone.\" > > > > > --- > > > Perhaps this darkness,", "you press a drop of ink between two > sheets of paper. Sometimes", "every cell in your body. You can feel it. > Eating you alive.", "\"darkness\". It symbolizes the bad thoughts of depressed/suicidal people. > > A short", "the only one who's > aware of it. Yes, you can explain it", "bad thoughts of depressed/suicidal people. > > A short silence. I imagined Joel", "characters refer to as \"darkness\". It symbolizes the bad thoughts of depressed/suicidal people.", "but just skin-deep. > They can't help you. So you have no choice", "depending on the person. Like when you press a drop of ink between", "> other times a shape so amorphous it doesn't resemble anything at all.", "Sometimes you get a butterfly. Sometimes a face. And > other times a", "> > > --- > > > Perhaps this darkness, despite coming from", "butterfly. Sometimes a face. And > other times a shape so amorphous it", "about? > > > How should I format this word? Italics? Capital? Should", "this darkness alone.\" > > > > > --- > > > Perhaps", "> > How should I format this word? Italics? Capital? Should it be", "Yes, you can explain it to people, but just skin-deep. > They can't", "this word? Italics? Capital? Should it be formatted differently when it is first", "it doesn't resemble anything at all. > > > > > --- >", "cell in your body. You can feel it. > Eating you alive. And", "It travels gradually, > silently, polluting every cell in your body. You can", "Sometimes a face. And > other times a shape so amorphous it doesn't", "Like when you press a drop of ink between two > sheets of", "the characters refer to as \"darkness\". It symbolizes the bad thoughts of depressed/suicidal", "the person. Like when you press a drop of ink between two >", "darkness Joel had talked about? > > > How should I format this", "> > > > > --- > > > Perhaps this darkness, despite", "drop of ink between two > sheets of paper. Sometimes you get a", "> this darkness alone.\" > > > > > --- > > >", "Joel nodding his head in the dark. > \"After an outing, you feel", "this darkness, despite coming from the same source, varied > depending on the", "fight alone. Fight > this darkness alone.\" > > > > > ---", "silence. I imagined Joel nodding his head in the dark. > \"After an", "> > > --- > > > Was this the darkness Joel had", "> A short silence. I imagined Joel nodding his head in the dark.", "inside you. > Something dark and murky, like crude oil. It travels gradually,", "same source, varied > depending on the person. Like when you press a", "a face. And > other times a shape so amorphous it doesn't resemble", "a shape so amorphous it doesn't resemble anything at all. > > >", "> > Perhaps this darkness, despite coming from the same source, varied >", "in the dark. > \"After an outing, you feel as if something has", "> > > How should I format this word? Italics? Capital? Should it", "you get a butterfly. Sometimes a face. And > other times a shape", "crept inside you. > Something dark and murky, like crude oil. It travels", "amorphous it doesn't resemble anything at all. > > > > > ---", "darkness alone.\" > > > > > --- > > > Perhaps this", "> > > > --- > > > Perhaps this darkness, despite coming", "of it. Yes, you can explain it to people, but just skin-deep. >", "as if something has crept inside you. > Something dark and murky, like", "you feel as if something has crept inside you. > Something dark and", "in your body. You can feel it. > Eating you alive. And the", "alone. Fight > this darkness alone.\" > > > > > --- >", "the darkness Joel had talked about? > > > How should I format", "> > > Was this the darkness Joel had talked about? > >", "my novel, there's something that the characters refer to as \"darkness\". It symbolizes", "oil. It travels gradually, > silently, polluting every cell in your body. You", "at all. > > > > > --- > > > Was this", "source, varied > depending on the person. Like when you press a drop", "has crept inside you. > Something dark and murky, like crude oil. It", "They can't help you. So you have no choice but to fight alone.", "a butterfly. Sometimes a face. And > other times a shape so amorphous", "> How should I format this word? Italics? Capital? Should it be formatted", "press a drop of ink between two > sheets of paper. Sometimes you", "to fight alone. Fight > this darkness alone.\" > > > > >", "it. Yes, you can explain it to people, but just skin-deep. > They", "ink between two > sheets of paper. Sometimes you get a butterfly. Sometimes", "resemble anything at all. > > > > > --- > > >", "part is, you're the only one who's > aware of it. Yes, you", "you. > Something dark and murky, like crude oil. It travels gradually, >", "you can explain it to people, but just skin-deep. > They can't help", "skin-deep. > They can't help you. So you have no choice but to" ]
[ "one can expect from their writings. Yes, we are most likely not going", "pretty specific idea and not some tentative nebulously vague noncommittal platitude about earnings.", "meal is coming, you better have a pretty specific idea and not some", "writings. Yes, we are most likely not going to get rich writing, but", "writing. How much to expect and how different types of publishing affect benefits.", "beginning writer, I need to have a broad view of the financial side", "living at it. If you need to know from where your next meal", "nebulously vague noncommittal platitude about earnings. Obviously these numbers vary enormously, here the", "but some of us dream of making a living at it. If you", "broad view of the financial side of writing. How much to expect and", "writing, but some of us dream of making a living at it. If", "deal exclusively with the revenues one can expect from their writings. Yes, we", "I am aware of that deal exclusively with the revenues one can expect", "a broad view of the financial side of writing. How much to expect", "from where your next meal is coming, you better have a pretty specific", "of writing. How much to expect and how different types of publishing affect", "books, genre and mainstream. * How much can you expect from writing a", "time writers, or early career writers (under 5 books published)), non-fiction books, genre", "likely not going to get rich writing, but some of us dream of", "coming, you better have a pretty specific idea and not some tentative nebulously", "here the focus if beginning writers (first time writers, or early career writers", "and not some tentative nebulously vague noncommittal platitude about earnings. Obviously these numbers", "non-fiction books, genre and mainstream. * How much can you expect from writing", "the revenues one can expect from their writings. Yes, we are most likely", "I need to have a broad view of the financial side of writing.", "writers (first time writers, or early career writers (under 5 books published)), non-fiction", "rich writing, but some of us dream of making a living at it.", "different types of publishing affect benefits. There are no threads I am aware", "noncommittal platitude about earnings. Obviously these numbers vary enormously, here the focus if", "How much to expect and how different types of publishing affect benefits. There", "a beginning writer, I need to have a broad view of the financial", "get rich writing, but some of us dream of making a living at", "of making a living at it. If you need to know from where", "the financial side of writing. How much to expect and how different types", "going to get rich writing, but some of us dream of making a", "am aware of that deal exclusively with the revenues one can expect from", "from their writings. Yes, we are most likely not going to get rich", "writers, or early career writers (under 5 books published)), non-fiction books, genre and", "published)), non-fiction** books, genre and mainstream. * How much can you expect from", "beginning writers (first time writers, or early career writers (under 5 books published)),", "expect from their writings. Yes, we are most likely not going to get", "types of publishing affect benefits. There are no threads I am aware of", "it. If you need to know from where your next meal is coming,", "to have a broad view of the financial side of writing. How much", "most likely not going to get rich writing, but some of us dream", "side of writing. How much to expect and how different types of publishing", "As a beginning writer, I need to have a broad view of the", "if beginning writers (first time writers, or early career writers (under 5 books", "(first time writers, or early career writers (under 5 books published)), non-fiction books,", "no threads I am aware of that deal exclusively with the revenues one", "If you need to know from where your next meal is coming, you", "a pretty specific idea and not some tentative nebulously vague noncommittal platitude about", "have a broad view of the financial side of writing. How much to", "expect and how different types of publishing affect benefits. There are no threads", "know from where your next meal is coming, you better have a pretty", "not going to get rich writing, but some of us dream of making", "(under 5 books published)), non-fiction** books, genre and mainstream. * How much can", "earnings. Obviously these numbers vary enormously, here the focus if beginning writers (first", "where your next meal is coming, you better have a pretty specific idea", "that deal exclusively with the revenues one can expect from their writings. Yes,", "are no threads I am aware of that deal exclusively with the revenues", "financial side of writing. How much to expect and how different types of", "have a pretty specific idea and not some tentative nebulously vague noncommittal platitude", "Yes, we are most likely not going to get rich writing, but some", "benefits. There are no threads I am aware of that deal exclusively with", "their writings. Yes, we are most likely not going to get rich writing,", "better have a pretty specific idea and not some tentative nebulously vague noncommittal", "some tentative nebulously vague noncommittal platitude about earnings. Obviously these numbers vary enormously,", "threads I am aware of that deal exclusively with the revenues one can", "affect benefits. There are no threads I am aware of that deal exclusively", "aware of that deal exclusively with the revenues one can expect from their", "can expect from their writings. Yes, we are most likely not going to", "you better have a pretty specific idea and not some tentative nebulously vague", "specific idea and not some tentative nebulously vague noncommittal platitude about earnings. Obviously", "There are no threads I am aware of that deal exclusively with the", "much to expect and how different types of publishing affect benefits. There are", "early career writers (under 5 books published)), non-fiction books, genre and mainstream. ", "revenues one can expect from their writings. Yes, we are most likely not", "of the financial side of writing. How much to expect and how different", "of us dream of making a living at it. If you need to", "tentative nebulously vague noncommittal platitude about earnings. Obviously these numbers vary enormously, here", "next meal is coming, you better have a pretty specific idea* and not", "view of the financial side of writing. How much to expect and how", "at it. If you need to know from where your next meal is", "enormously, here the focus if beginning writers (first time writers, or early career", "writer, I need to have a broad view of the financial side of", "is coming, you better have a pretty specific idea and not some tentative", "need to know from where your next meal is coming, you better have", "about earnings. Obviously these numbers vary enormously, here the focus if beginning writers", "books published)), non-fiction** books, genre and mainstream. * How much can you expect", "vague noncommittal platitude about earnings. Obviously these numbers vary enormously, here the focus", "career writers (under 5 books published)), non-fiction** books, genre and mainstream. * How", "of that deal exclusively with the revenues one can expect from their writings.", "dream of making a living at it. If you need to know from", "these numbers vary enormously, here the focus if beginning writers (first time writers,", "writers (under 5 books published)), non-fiction books, genre and mainstream. * How much", "you need to know from where your next meal is coming, you better", "need to have a broad view of the financial side of writing. How", "numbers vary enormously, here the focus if beginning writers (first time writers, or", "your next meal is coming, you better have a pretty specific idea and", "vary enormously, here the focus if beginning writers (first time writers, or early", "we are most likely not going to get rich writing, but some of", "to know from where your next meal is coming, you better have a", "are most likely not going to get rich writing, but some of us", "exclusively with the revenues one can expect from their writings. Yes, we are", "the focus if beginning writers (first time writers, or early career writers (under", "a living at it. If you need to know from where your next", "focus if beginning writers (first time writers, or early career writers (under 5", "5 books published)), non-fiction** books, genre and mainstream. * How much can you", "to get rich writing, but some of us dream of making a living", "not some tentative nebulously vague noncommittal platitude about earnings. Obviously these numbers vary", "to expect and how different types of publishing affect benefits. There are no", "or early career writers (under 5 books published)), non-fiction books, genre and mainstream.", "and how different types of publishing affect benefits. There are no threads I", "publishing affect benefits. There are no threads I am aware of that deal", "platitude about earnings. Obviously these numbers vary enormously, here the focus if beginning", "of publishing affect benefits. There are no threads I am aware of that", "making a living at it. If you need to know from where your", "idea and not some tentative nebulously vague noncommittal platitude about earnings. Obviously these", "genre and mainstream. * How much can you expect from writing a novel?", "how different types of publishing affect benefits. There are no threads I am", "Obviously these numbers vary enormously, here the focus if beginning writers (first time", "some of us dream of making a living at it. If you need", "with the revenues one can expect from their writings. Yes, we are most", "us dream of making a living at it. If you need to know" ]
[ "> --- > > I think there was something about it, but it", "can I go until not physically describing main characters becomes really weird? ---", "> I think there was something about it, but it is a good", "writing a Third-Person POV Fantasy, and I want to publish online, but I", "Group] does [Stuff]...\", but I'm having trouble creating descriptions that don't break the", "the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without describing the physical", "not necessarily... keeping things vague is good for the imagination. – Reed >", "break the pace of the story. So...: --- How far into a story", "or \"Mirror\"... I want to start the story off like: \"[Main Character] does", "> > I think there was something about it, but it is a", "Third-Person POV Fantasy, and I want to publish online, but I can't give", "comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without describing", "from what I read, do a little asap…just enough for us to get", "Fox > > > --- > > I think there was something about", "really weird? --- Some answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): >", "without describing the physical characteristics of my characters, so the answer is as", "publish online, but I can't give a cover or a summary, or anything", "was something about it, but it is a good Q. from what I", "> > > --- > > I think there was something about it,", "good Q. from what I read, do a little asap…just enough for us", "Fantasy, and I want to publish online, but I can't give a cover", "but I'm having trouble creating descriptions that don't break the pace of the", "can't give a cover or a summary, or anything else to help introduce", "introduce the story... Plus, my title that doesn't explain much, if anything... its", "far into a story can I go until not physically describing main characters", "[meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without describing the physical characteristics", "three novels without describing the physical characteristics of my characters, so the answer", "having trouble creating descriptions that don't break the pace of the story. So...:", "anything else to help introduce the story... Plus, my title that doesn't explain", "don't break the pace of the story. So...: --- How far into a", "my characters, so the answer is as long as you want. – Kit", "characteristics of my characters, so the answer is as long as you want.", "main characters becomes really weird? --- Some answers from the comments from the", "off like: \"[Main Character] does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but", "[Stuff]...\", but I'm having trouble creating descriptions that don't break the pace of", "the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without", "you want. – Kit Z. Fox > > > --- > > I", "Character's Group] does [Stuff]...\", but I'm having trouble creating descriptions that don't break", "is a good Q. from what I read, do a little asap…just enough", "to start the story off like: \"[Main Character] does [Stuff]...\" or \"[Main Character's", "characters, so the answer is as long as you want. – Kit Z.", "my title that doesn't explain much, if anything... its something like \"Water\", or", "story. So...: --- How far into a story can I go until not", "descriptions that don't break the pace of the story. So...: --- How far", "think there was something about it, but it is a good Q. from", "may be peppered in sparingly, but not necessarily... keeping things vague is good", "peppered in sparingly, but not necessarily... keeping things vague is good for the", "something about it, but it is a good Q. from what I read,", "a disembodied body. Later more may be peppered in sparingly, but not necessarily...", "from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without describing the", "its something like \"Water\", or \"Stream\" or \"Mirror\"... I want to start the", "that don't break the pace of the story. So...: --- How far into", "read, do a little asap…just enough for us to get a general impression,", "\"[Main Character's Group] does [Stuff]...\", but I'm having trouble creating descriptions that don't", "about it, but it is a good Q. from what I read, do", "answer is as long as you want. – Kit Z. Fox > >", "a Third-Person POV Fantasy, and I want to publish online, but I can't", "story... Plus, my title that doesn't explain much, if anything... its something like", "not just a disembodied body. Later more may be peppered in sparingly, but", "into a story can I go until not physically describing main characters becomes", "but I can't give a cover or a summary, or anything else to", "that doesn't explain much, if anything... its something like \"Water\", or \"Stream\" or", "a little asap…just enough for us to get a general impression, that it", "the answer is as long as you want. – Kit Z. Fox >", "not physically describing main characters becomes really weird? --- Some answers from the", "I read, do a little asap…just enough for us to get a general", "story can I go until not physically describing main characters becomes really weird?", "much, if anything... its something like \"Water\", or \"Stream\" or \"Mirror\"... I want", "or a summary, or anything else to help introduce the story... Plus, my", "creating descriptions that don't break the pace of the story. So...: --- How", "Z. Fox > > > --- > > I think there was something", "I've written three novels without describing the physical characteristics of my characters, so", "Some answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written", "I want to publish online, but I can't give a cover or a", "of my characters, so the answer is as long as you want. –", "if anything... its something like \"Water\", or \"Stream\" or \"Mirror\"... I want to", "I go until not physically describing main characters becomes really weird? --- Some", "a cover or a summary, or anything else to help introduce the story...", "in sparingly, but not necessarily... keeping things vague is good for the imagination.", "[Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but I'm having trouble creating descriptions", "the story... Plus, my title that doesn't explain much, if anything... its something", "cover or a summary, or anything else to help introduce the story... Plus,", "to publish online, but I can't give a cover or a summary, or", "How far into a story can I go until not physically describing main", "I'm writing a Third-Person POV Fantasy, and I want to publish online, but", "enough for us to get a general impression, that it is not just", "summary, or anything else to help introduce the story... Plus, my title that", "the physical characteristics of my characters, so the answer is as long as", "does [Stuff]...\", but I'm having trouble creating descriptions that don't break the pace", "novels without describing the physical characteristics of my characters, so the answer is", "I'm having trouble creating descriptions that don't break the pace of the story.", "Plus, my title that doesn't explain much, if anything... its something like \"Water\",", "\"Stream\" or \"Mirror\"... I want to start the story off like: \"[Main Character]", "for us to get a general impression, that it is not just a", "and I want to publish online, but I can't give a cover or", "> I've written three novels without describing the physical characteristics of my characters,", "want to publish online, but I can't give a cover or a summary,", "anything... its something like \"Water\", or \"Stream\" or \"Mirror\"... I want to start", "is not just a disembodied body. Later more may be peppered in sparingly,", "story off like: \"[Main Character] does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\",", "\"Mirror\"... I want to start the story off like: \"[Main Character] does [Stuff]...\"", "POV Fantasy, and I want to publish online, but I can't give a", "what I read, do a little asap…just enough for us to get a", "physically describing main characters becomes really weird? --- Some answers from the comments", "from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels", "post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three novels without describing the physical characteristics of", "– Kit Z. Fox > > > --- > > I think there", "weird? --- Some answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > >", "want to start the story off like: \"[Main Character] does [Stuff]...\" or \"[Main", "until not physically describing main characters becomes really weird? --- Some answers from", "> > --- > > I think there was something about it, but", "it, but it is a good Q. from what I read, do a", "long as you want. – Kit Z. Fox > > > --- >", "be peppered in sparingly, but not necessarily... keeping things vague is good for", "written three novels without describing the physical characteristics of my characters, so the", "or \"[Main Character's Group] does [Stuff]...\", but I'm having trouble creating descriptions that", "online, but I can't give a cover or a summary, or anything else", "something like \"Water\", or \"Stream\" or \"Mirror\"... I want to start the story", "else to help introduce the story... Plus, my title that doesn't explain much,", "disembodied body. Later more may be peppered in sparingly, but not necessarily... keeping", "--- Some answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've", "body. Later more may be peppered in sparingly, but not necessarily... keeping things", "or anything else to help introduce the story... Plus, my title that doesn't", "becomes really weird? --- Some answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054):", "to help introduce the story... Plus, my title that doesn't explain much, if", "a story can I go until not physically describing main characters becomes really", "> > I've written three novels without describing the physical characteristics of my", "does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but I'm having trouble creating", "it is not just a disembodied body. Later more may be peppered in", "a summary, or anything else to help introduce the story... Plus, my title", "get a general impression, that it is not just a disembodied body. Later", "that it is not just a disembodied body. Later more may be peppered", "the story off like: \"[Main Character] does [Stuff]...\" or \"[Main Character's Group] does", "So...: --- How far into a story can I go until not physically", "it is a good Q. from what I read, do a little asap…just", "--- How far into a story can I go until not physically describing", "describing main characters becomes really weird? --- Some answers from the comments from", "little asap…just enough for us to get a general impression, that it is", "physical characteristics of my characters, so the answer is as long as you", "but not necessarily... keeping things vague is good for the imagination. – Reed", "\"[Main Character] does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but I'm having", "like \"Water\", or \"Stream\" or \"Mirror\"... I want to start the story off", "is as long as you want. – Kit Z. Fox > > >", "Later more may be peppered in sparingly, but not necessarily... keeping things vague", "general impression, that it is not just a disembodied body. Later more may", "the pace of the story. So...: --- How far into a story can", "I want to start the story off like: \"[Main Character] does [Stuff]...\" or", "title that doesn't explain much, if anything... its something like \"Water\", or \"Stream\"", "want. – Kit Z. Fox > > > --- > > I think", "trouble creating descriptions that don't break the pace of the story. So...: ---", "doesn't explain much, if anything... its something like \"Water\", or \"Stream\" or \"Mirror\"...", "--- > > I think there was something about it, but it is", "asap…just enough for us to get a general impression, that it is not", "the story. So...: --- How far into a story can I go until", "more may be peppered in sparingly, but not necessarily... keeping things vague is", "pace of the story. So...: --- How far into a story can I", "characters becomes really weird? --- Some answers from the comments from the [meta", "Q. from what I read, do a little asap…just enough for us to", "keeping things vague is good for the imagination. – Reed > > >", "to get a general impression, that it is not just a disembodied body.", "explain much, if anything... its something like \"Water\", or \"Stream\" or \"Mirror\"... I", "of the story. So...: --- How far into a story can I go", "like: \"[Main Character] does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but I'm", "Kit Z. Fox > > > --- > > I think there was", "do a little asap…just enough for us to get a general impression, that", "just a disembodied body. Later more may be peppered in sparingly, but not", "I can't give a cover or a summary, or anything else to help", "necessarily... keeping things vague is good for the imagination. – Reed > >", "give a cover or a summary, or anything else to help introduce the", "so the answer is as long as you want. – Kit Z. Fox", "start the story off like: \"[Main Character] does [Stuff]...\" or \"[Main Character's Group]", "there was something about it, but it is a good Q. from what", "as you want. – Kit Z. Fox > > > --- > >", "but it is a good Q. from what I read, do a little", "or \"Stream\" or \"Mirror\"... I want to start the story off like: \"[Main", "describing the physical characteristics of my characters, so the answer is as long", "\"Water\", or \"Stream\" or \"Mirror\"... I want to start the story off like:", "answers from the comments from the [meta post](https://writers.meta.stackexchange.com/questions/1054/has-this-been-asked-yet-creative-writing-how-quickly-should-i-physically-de?noredirect=1#comment2858_1054): > > I've written three", "help introduce the story... Plus, my title that doesn't explain much, if anything...", "go until not physically describing main characters becomes really weird? --- Some answers", "I think there was something about it, but it is a good Q.", "a general impression, that it is not just a disembodied body. Later more", "sparingly, but not necessarily... keeping things vague is good for the imagination. –", "as long as you want. – Kit Z. Fox > > > ---", "a good Q. from what I read, do a little asap…just enough for", "impression, that it is not just a disembodied body. Later more may be", "Character] does [Stuff]...\" or \"[Main Character's Group] does [Stuff]...\", but I'm having trouble", "us to get a general impression, that it is not just a disembodied" ]
[ "writing a simple essay for those who have no idea what to write", "essay for those who have no idea what to write about and I", "what to write about and I don't have a creative mind? Please explain", "I don't have a creative mind? Please explain to me step by step.", "an introduction paragraph when it comes to writing a simple essay for those", "I write an introduction paragraph when it comes to writing a simple essay", "to writing a simple essay for those who have no idea what to", "for those who have no idea what to write about and I don't", "about and I don't have a creative mind? Please explain to me step", "introduction paragraph when it comes to writing a simple essay for those who", "simple essay for those who have no idea what to write about and", "write an introduction paragraph when it comes to writing a simple essay for", "a simple essay for those who have no idea what to write about", "those who have no idea what to write about and I don't have", "it comes to writing a simple essay for those who have no idea", "who have no idea what to write about and I don't have a", "do I write an introduction paragraph when it comes to writing a simple", "write about and I don't have a creative mind? Please explain to me", "to write about and I don't have a creative mind? Please explain to", "no idea what to write about and I don't have a creative mind?", "paragraph when it comes to writing a simple essay for those who have", "and I don't have a creative mind? Please explain to me step by", "comes to writing a simple essay for those who have no idea what", "when it comes to writing a simple essay for those who have no", "idea what to write about and I don't have a creative mind? Please", "have no idea what to write about and I don't have a creative", "How do I write an introduction paragraph when it comes to writing a" ]
[ "at `Level 3+` as part of the table of contents? I'm not seeing", "includes folders at `Level 1+` in the generated ePub table of contents. How", "text at `Level 3+` as part of the table of contents? I'm not", "only includes folders at `Level 1+` in the generated ePub table of contents.", "contents. How do I also tell it to include text at `Level 3+`", "folders at `Level 1+` in the generated ePub table of contents. How do", "Right now, Scrivener only includes folders at `Level 1+` in the generated ePub", "tell it to include text at `Level 3+` as part of the table", "do I also tell it to include text at `Level 3+` as part", "documents included in the table of contents. I would expect one in the", "part of the table of contents? I'm not seeing an option to edit", "of contents. How do I also tell it to include text at `Level", "`Level 1+` in the generated ePub table of contents. How do I also", "in the generated ePub table of contents. How do I also tell it", "Scrivener only includes folders at `Level 1+` in the generated ePub table of", "also tell it to include text at `Level 3+` as part of the", "it to include text at `Level 3+` as part of the table of", "of the table of contents? I'm not seeing an option to edit the", "table of contents? I'm not seeing an option to edit the documents included", "to edit the documents included in the table of contents. I would expect", "edit the documents included in the table of contents. I would expect one", "the documents included in the table of contents. I would expect one in", "included in the table of contents. I would expect one in the `Formatting`", "contents? I'm not seeing an option to edit the documents included in the", "How do I also tell it to include text at `Level 3+` as", "the generated ePub table of contents. How do I also tell it to", "I'm not seeing an option to edit the documents included in the table", "contents. I would expect one in the `Formatting` tab of the Compile options.", "I also tell it to include text at `Level 3+` as part of", "option to edit the documents included in the table of contents. I would", "table of contents. I would expect one in the `Formatting` tab of the", "`Level 3+` as part of the table of contents? I'm not seeing an", "seeing an option to edit the documents included in the table of contents.", "in the table of contents. I would expect one in the `Formatting` tab", "of contents. I would expect one in the `Formatting` tab of the Compile", "not seeing an option to edit the documents included in the table of", "3+` as part of the table of contents? I'm not seeing an option", "an option to edit the documents included in the table of contents. I", "ePub table of contents. How do I also tell it to include text", "the table of contents? I'm not seeing an option to edit the documents", "generated ePub table of contents. How do I also tell it to include", "include text at `Level 3+` as part of the table of contents? I'm", "at `Level 1+` in the generated ePub table of contents. How do I", "1+` in the generated ePub table of contents. How do I also tell", "table of contents. How do I also tell it to include text at", "of contents? I'm not seeing an option to edit the documents included in", "now, Scrivener only includes folders at `Level 1+` in the generated ePub table", "to include text at `Level 3+` as part of the table of contents?", "as part of the table of contents? I'm not seeing an option to", "the table of contents. I would expect one in the `Formatting` tab of" ]
[ "I'm really in a pickle about this. EDIT: I forgot about their physical", "traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected those", "a problem. I have 2 main characters, A and B, who have pretty", "from logistical planning to funding to what to do about the enemy nations", "is bald. EDIT 2: This is actually partly alternate history, and maybe historical", "not find any trait that is unique to one and not the other.", "of Earth from the early 1960's onwards. 2. Person A is the leader", "that may help you help me: 1. This is science fiction, involving an", "in a pickle about this. EDIT: I forgot about their physical characteristics. Both", "I don't think this will really work because A and B would still", "about this. EDIT: I forgot about their physical characteristics. Both are somewhat fat,", "Here's more info that may help you help me: 1. This is science", "to what to do about the enemy nations (they have a lot of", "the exact same personality traits. The trouble is, this is historical fiction and", "B, who have pretty much the exact same personality traits. The trouble is,", "on all sorts of things from logistical planning to funding to what to", "on their biographies. And judging from those bios, I honestly could not find", "A and B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid,", "increase the share time of the other characters, but I don't think this", "other characters, but I don't think this will really work because A and", "scenes together; they are the main characters after all). 3. A and B", "much the exact same personality traits. The trouble is, this is historical fiction", "who lived and died and have biographies, and I don't want to take", "on critical new technology. They regularly meet and deliberate on all sorts of", "and I don't want to take \"artistic liberties\" with their character traits. How", "deliberate on all sorts of things from logistical planning to funding to what", "biographies, and I don't want to take \"artistic liberties\" with their character traits.", "apply them to different roles? Give them different friends or different kinds of", "change who they are. The 2 characters are real-world people who lived and", "real-world people who lived and died and have biographies, and I don't want", "1960's onwards. 2. Person A is the leader of his nation. Person B,", "a man, is the leader of a major design/engineering firm working on critical", "to just apply them to different roles? Give them different friends or different", "significantly shorter than B. And one of them is bald. EDIT 2: This", "that is unique to one and not the other. 5. There are other", "forgot about their physical characteristics. Both are somewhat fat, but A is significantly", "Patriotic. 4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies.", "2 characters are real-world people who lived and died and have biographies, and", "from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from those bios, I", "details if you need them. I'm really in a pickle about this. EDIT:", "they like? Ask for more details if you need them. I'm really in", "is, this is historical fiction and I can't change who they are. The", "clones. So what can I do? Will I be forced to just apply", "characters in my writing, so they don't come off as clones? Here's more", "one of them is bald. EDIT 2: This is actually partly alternate history,", "characters. There may be 7 to 10 main characters (who recur regularly throughout", "have pretty much the exact same personality traits. The trouble is, this is", "to funding to what to do about the enemy nations (they have a", "different friends or different kinds of jokes they like? Ask for more details", "want to take \"artistic liberties\" with their character traits. How can I distinguish", "the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I", "be clones. So what can I do? Will I be forced to just", "appear to be clones. So what can I do? Will I be forced", "Earth from the early 1960's onwards. 2. Person A is the leader of", "physical characteristics. Both are somewhat fat, but A is significantly shorter than B.", "but A is significantly shorter than B. And one of them is bald.", "main characters, A and B, who have pretty much the exact same personality", "off as clones? Here's more info that may help you help me: 1.", "A trivial \"solution\" I thought of was to increase the share time of", "them to different roles? Give them different friends or different kinds of jokes", "following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected", "How can I distinguish these 2 characters in my writing, so they don't", "I honestly could not find any trait that is unique to one and", "info that may help you help me: 1. This is science fiction, involving", "Give them different friends or different kinds of jokes they like? Ask for", "don't think this will really work because A and B would still appear", "Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/)", "one and not the other. 5. There are other characters. There may be", "unique to one and not the other. 5. There are other characters. There", "as clones? Here's more info that may help you help me: 1. This", "come off as clones? Here's more info that may help you help me:", "or different kinds of jokes they like? Ask for more details if you", "bios, I honestly could not find any trait that is unique to one", "I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging", "And judging from those bios, I honestly could not find any trait that", "same personality traits. The trouble is, this is historical fiction and I can't", "do? Will I be forced to just apply them to different roles? Give", "Crafty, Paranoid, Persistent, Patriotic. 4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based", "trivial \"solution\" I thought of was to increase the share time of the", "characters after all). 3. A and B share the following traits: Sharp, Charismatic/Passionate,", "and I can't change who they are. The 2 characters are real-world people", "their biographies. And judging from those bios, I honestly could not find any", "critical new technology. They regularly meet and deliberate on all sorts of things", "friends or different kinds of jokes they like? Ask for more details if", "like? Ask for more details if you need them. I'm really in a", "than B. And one of them is bald. EDIT 2: This is actually", "to increase the share time of the other characters, but I don't think", "\"solution\" I thought of was to increase the share time of the other", "help you help me: 1. This is science fiction, involving an alternate history", "They regularly meet and deliberate on all sorts of things from logistical planning", "are the main characters after all). 3. A and B share the following", "my writing, so they don't come off as clones? Here's more info that", "distinguish these 2 characters in my writing, so they don't come off as", "would still appear to be clones. So what can I do? Will I", "fiction and I can't change who they are. The 2 characters are real-world", "an alternate history of Earth from the early 1960's onwards. 2. Person A", "trait that is unique to one and not the other. 5. There are", "EDIT 2: This is actually partly alternate history, and maybe historical fiction too.", "may help you help me: 1. This is science fiction, involving an alternate", "history of Earth from the early 1960's onwards. 2. Person A is the", "B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic.", "don't come off as clones? Here's more info that may help you help", "of them is bald. EDIT 2: This is actually partly alternate history, and", "can I distinguish these 2 characters in my writing, so they don't come", "of things from logistical planning to funding to what to do about the", "and B would still appear to be clones. So what can I do?", "take \"artistic liberties\" with their character traits. How can I distinguish these 2", "a lot of scenes together; they are the main characters after all). 3.", "to 10 main characters (who recur regularly throughout the whole story). A trivial", "I have a problem. I have 2 main characters, A and B, who", "sorts of things from logistical planning to funding to what to do about", "science fiction, involving an alternate history of Earth from the early 1960's onwards.", "died and have biographies, and I don't want to take \"artistic liberties\" with", "this. EDIT: I forgot about their physical characteristics. Both are somewhat fat, but", "character traits. How can I distinguish these 2 characters in my writing, so", "those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from those", "lot of scenes together; they are the main characters after all). 3. A", "have a problem. I have 2 main characters, A and B, who have", "Person A is the leader of his nation. Person B, also a man,", "the share time of the other characters, but I don't think this will", "trouble is, this is historical fiction and I can't change who they are.", "together; they are the main characters after all). 3. A and B share", "[this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from those bios, I honestly", "is the leader of his nation. Person B, also a man, is the", "working on critical new technology. They regularly meet and deliberate on all sorts", "time of the other characters, but I don't think this will really work", "the other. 5. There are other characters. There may be 7 to 10", "these 2 characters in my writing, so they don't come off as clones?", "I can't change who they are. The 2 characters are real-world people who", "nations (they have a lot of scenes together; they are the main characters", "This is actually partly alternate history, and maybe historical fiction too. Their definitions", "2. Person A is the leader of his nation. Person B, also a", "Person B, also a man, is the leader of a major design/engineering firm", "firm working on critical new technology. They regularly meet and deliberate on all", "Ask for more details if you need them. I'm really in a pickle", "just apply them to different roles? Give them different friends or different kinds", "will really work because A and B would still appear to be clones.", "what can I do? Will I be forced to just apply them to", "really work because A and B would still appear to be clones. So", "of was to increase the share time of the other characters, but I", "and have biographies, and I don't want to take \"artistic liberties\" with their", "throughout the whole story). A trivial \"solution\" I thought of was to increase", "a major design/engineering firm working on critical new technology. They regularly meet and", "logistical planning to funding to what to do about the enemy nations (they", "actually partly alternate history, and maybe historical fiction too. Their definitions confuse me.", "5. There are other characters. There may be 7 to 10 main characters", "about the enemy nations (they have a lot of scenes together; they are", "planning to funding to what to do about the enemy nations (they have", "have a lot of scenes together; they are the main characters after all).", "traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from those bios,", "Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected those traits from [this", "A and B would still appear to be clones. So what can I", "roles? Give them different friends or different kinds of jokes they like? Ask", "be 7 to 10 main characters (who recur regularly throughout the whole story).", "EDIT: I forgot about their physical characteristics. Both are somewhat fat, but A", "and died and have biographies, and I don't want to take \"artistic liberties\"", "more details if you need them. I'm really in a pickle about this.", "and not the other. 5. There are other characters. There may be 7", "onwards. 2. Person A is the leader of his nation. Person B, also", "this is historical fiction and I can't change who they are. The 2", "Will I be forced to just apply them to different roles? Give them", "I be forced to just apply them to different roles? Give them different", "do about the enemy nations (they have a lot of scenes together; they", "different roles? Give them different friends or different kinds of jokes they like?", "and deliberate on all sorts of things from logistical planning to funding to", "can't change who they are. The 2 characters are real-world people who lived", "\"artistic liberties\" with their character traits. How can I distinguish these 2 characters", "they don't come off as clones? Here's more info that may help you", "3. A and B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty,", "to do about the enemy nations (they have a lot of scenes together;", "pretty much the exact same personality traits. The trouble is, this is historical", "involving an alternate history of Earth from the early 1960's onwards. 2. Person", "Both are somewhat fat, but A is significantly shorter than B. And one", "based on their biographies. And judging from those bios, I honestly could not", "A and B, who have pretty much the exact same personality traits. The", "clones? Here's more info that may help you help me: 1. This is", "need them. I'm really in a pickle about this. EDIT: I forgot about", "and B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent,", "of his nation. Person B, also a man, is the leader of a", "from those bios, I honestly could not find any trait that is unique", "There are other characters. There may be 7 to 10 main characters (who", "recur regularly throughout the whole story). A trivial \"solution\" I thought of was", "share time of the other characters, but I don't think this will really", "This is science fiction, involving an alternate history of Earth from the early", "I thought of was to increase the share time of the other characters,", "also a man, is the leader of a major design/engineering firm working on", "me: 1. This is science fiction, involving an alternate history of Earth from", "of scenes together; they are the main characters after all). 3. A and", "they are. The 2 characters are real-world people who lived and died and", "have 2 main characters, A and B, who have pretty much the exact", "if you need them. I'm really in a pickle about this. EDIT: I", "is unique to one and not the other. 5. There are other characters.", "1. This is science fiction, involving an alternate history of Earth from the", "2: This is actually partly alternate history, and maybe historical fiction too. Their", "them is bald. EDIT 2: This is actually partly alternate history, and maybe", "this will really work because A and B would still appear to be", "A is significantly shorter than B. And one of them is bald. EDIT", "all sorts of things from logistical planning to funding to what to do", "traits. How can I distinguish these 2 characters in my writing, so they", "his nation. Person B, also a man, is the leader of a major", "what to do about the enemy nations (they have a lot of scenes", "major design/engineering firm working on critical new technology. They regularly meet and deliberate", "their physical characteristics. Both are somewhat fat, but A is significantly shorter than", "the main characters after all). 3. A and B share the following traits:", "characters, A and B, who have pretty much the exact same personality traits.", "characters, but I don't think this will really work because A and B", "you need them. I'm really in a pickle about this. EDIT: I forgot", "don't want to take \"artistic liberties\" with their character traits. How can I", "I do? Will I be forced to just apply them to different roles?", "Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected those traits", "liberties\" with their character traits. How can I distinguish these 2 characters in", "7 to 10 main characters (who recur regularly throughout the whole story). A", "enemy nations (they have a lot of scenes together; they are the main", "the enemy nations (they have a lot of scenes together; they are the", "meet and deliberate on all sorts of things from logistical planning to funding", "characters (who recur regularly throughout the whole story). A trivial \"solution\" I thought", "was to increase the share time of the other characters, but I don't", "And one of them is bald. EDIT 2: This is actually partly alternate", "all). 3. A and B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy,", "list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from those bios, I honestly could", "B, also a man, is the leader of a major design/engineering firm working", "somewhat fat, but A is significantly shorter than B. And one of them", "I forgot about their physical characteristics. Both are somewhat fat, but A is", "2 main characters, A and B, who have pretty much the exact same", "fat, but A is significantly shorter than B. And one of them is", "with their character traits. How can I distinguish these 2 characters in my", "think this will really work because A and B would still appear to", "thought of was to increase the share time of the other characters, but", "The trouble is, this is historical fiction and I can't change who they", "are somewhat fat, but A is significantly shorter than B. And one of", "really in a pickle about this. EDIT: I forgot about their physical characteristics.", "help me: 1. This is science fiction, involving an alternate history of Earth", "the whole story). A trivial \"solution\" I thought of was to increase the", "to be clones. So what can I do? Will I be forced to", "leader of his nation. Person B, also a man, is the leader of", "10 main characters (who recur regularly throughout the whole story). A trivial \"solution\"", "main characters (who recur regularly throughout the whole story). A trivial \"solution\" I", "have biographies, and I don't want to take \"artistic liberties\" with their character", "to take \"artistic liberties\" with their character traits. How can I distinguish these", "are. The 2 characters are real-world people who lived and died and have", "is the leader of a major design/engineering firm working on critical new technology.", "people who lived and died and have biographies, and I don't want to", "jokes they like? Ask for more details if you need them. I'm really", "selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And judging from", "is science fiction, involving an alternate history of Earth from the early 1960's", "be forced to just apply them to different roles? Give them different friends", "Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4. I selected those traits from", "is historical fiction and I can't change who they are. The 2 characters", "whole story). A trivial \"solution\" I thought of was to increase the share", "are other characters. There may be 7 to 10 main characters (who recur", "funding to what to do about the enemy nations (they have a lot", "honestly could not find any trait that is unique to one and not", "of jokes they like? Ask for more details if you need them. I'm", "the leader of his nation. Person B, also a man, is the leader", "from the early 1960's onwards. 2. Person A is the leader of his", "B. And one of them is bald. EDIT 2: This is actually partly", "4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their biographies. And", "is significantly shorter than B. And one of them is bald. EDIT 2:", "because A and B would still appear to be clones. So what can", "biographies. And judging from those bios, I honestly could not find any trait", "kinds of jokes they like? Ask for more details if you need them.", "not the other. 5. There are other characters. There may be 7 to", "find any trait that is unique to one and not the other. 5.", "characters are real-world people who lived and died and have biographies, and I", "writing, so they don't come off as clones? Here's more info that may", "forced to just apply them to different roles? Give them different friends or", "personality traits. The trouble is, this is historical fiction and I can't change", "the early 1960's onwards. 2. Person A is the leader of his nation.", "There may be 7 to 10 main characters (who recur regularly throughout the", "The 2 characters are real-world people who lived and died and have biographies,", "and B, who have pretty much the exact same personality traits. The trouble", "pickle about this. EDIT: I forgot about their physical characteristics. Both are somewhat", "judging from those bios, I honestly could not find any trait that is", "bald. EDIT 2: This is actually partly alternate history, and maybe historical fiction", "Persistent, Patriotic. 4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on their", "I don't want to take \"artistic liberties\" with their character traits. How can", "of the other characters, but I don't think this will really work because", "for more details if you need them. I'm really in a pickle about", "nation. Person B, also a man, is the leader of a major design/engineering", "them different friends or different kinds of jokes they like? Ask for more", "their character traits. How can I distinguish these 2 characters in my writing,", "alternate history of Earth from the early 1960's onwards. 2. Person A is", "the other characters, but I don't think this will really work because A", "I have 2 main characters, A and B, who have pretty much the", "regularly meet and deliberate on all sorts of things from logistical planning to", "exact same personality traits. The trouble is, this is historical fiction and I", "but I don't think this will really work because A and B would", "man, is the leader of a major design/engineering firm working on critical new", "things from logistical planning to funding to what to do about the enemy", "of a major design/engineering firm working on critical new technology. They regularly meet", "main characters after all). 3. A and B share the following traits: Sharp,", "(who recur regularly throughout the whole story). A trivial \"solution\" I thought of", "2 characters in my writing, so they don't come off as clones? Here's", "leader of a major design/engineering firm working on critical new technology. They regularly", "any trait that is unique to one and not the other. 5. There", "lived and died and have biographies, and I don't want to take \"artistic", "work because A and B would still appear to be clones. So what", "they are the main characters after all). 3. A and B share the", "new technology. They regularly meet and deliberate on all sorts of things from", "can I do? Will I be forced to just apply them to different", "you help me: 1. This is science fiction, involving an alternate history of", "other. 5. There are other characters. There may be 7 to 10 main", "are real-world people who lived and died and have biographies, and I don't", "those bios, I honestly could not find any trait that is unique to", "more info that may help you help me: 1. This is science fiction,", "may be 7 to 10 main characters (who recur regularly throughout the whole", "fiction, involving an alternate history of Earth from the early 1960's onwards. 2.", "other characters. There may be 7 to 10 main characters (who recur regularly", "design/engineering firm working on critical new technology. They regularly meet and deliberate on", "Paranoid, Persistent, Patriotic. 4. I selected those traits from [this list](http://www.fiction-writers-mentor.com/list-of-character-traits/) based on", "A is the leader of his nation. Person B, also a man, is", "traits. The trouble is, this is historical fiction and I can't change who", "a pickle about this. EDIT: I forgot about their physical characteristics. Both are", "so they don't come off as clones? Here's more info that may help", "the leader of a major design/engineering firm working on critical new technology. They", "share the following traits: Sharp, Charismatic/Passionate, Strong-Willed, Busy, Crafty, Paranoid, Persistent, Patriotic. 4.", "story). A trivial \"solution\" I thought of was to increase the share time", "who have pretty much the exact same personality traits. The trouble is, this", "problem. I have 2 main characters, A and B, who have pretty much", "is actually partly alternate history, and maybe historical fiction too. Their definitions confuse", "(they have a lot of scenes together; they are the main characters after", "historical fiction and I can't change who they are. The 2 characters are", "could not find any trait that is unique to one and not the", "early 1960's onwards. 2. Person A is the leader of his nation. Person", "So what can I do? Will I be forced to just apply them", "different kinds of jokes they like? Ask for more details if you need", "them. I'm really in a pickle about this. EDIT: I forgot about their", "I distinguish these 2 characters in my writing, so they don't come off", "shorter than B. And one of them is bald. EDIT 2: This is", "after all). 3. A and B share the following traits: Sharp, Charismatic/Passionate, Strong-Willed,", "about their physical characteristics. Both are somewhat fat, but A is significantly shorter", "to different roles? Give them different friends or different kinds of jokes they", "to one and not the other. 5. There are other characters. There may", "regularly throughout the whole story). A trivial \"solution\" I thought of was to", "technology. They regularly meet and deliberate on all sorts of things from logistical", "who they are. The 2 characters are real-world people who lived and died", "in my writing, so they don't come off as clones? Here's more info", "B would still appear to be clones. So what can I do? Will", "characteristics.** Both are somewhat fat, but A is significantly shorter than B. And", "still appear to be clones. So what can I do? Will I be" ]
[ "and twice. Weird. No road. No ZOO entrance. No grandma. > In a", "lots of questions about how to write about dream, how will it be", "I realized, she is long time dead and I must go to >", "write about dream, how will it be in a book etc. I have", "i was excited. Road was nearer > than normal, but I get over", "question. Imagine this situation: > > I was walking down the street to", "a book etc. I have a bit different question. Imagine this situation: >", "wanted to go to ZOO. > > > The question is, how to", "than normal, but I get over this little detail. I will be in", "from the normal text part in sequences like this. Will you go Italic", "bit different question. Imagine this situation: > > I was walking down the", "book etc. I have a bit different question. Imagine this situation: > >", "second I realized, she is long time dead and I must go to", "Will you go Italic text or you just let it be? Is it", "The question is, how to differentiate the dream part from the normal text", "over this little detail. I will be in a ZOO for > the", "Road was nearer > than normal, but I get over this little detail.", "part in sequences like this. Will you go Italic text or you just", "> I was walking down the street to the entrance of the ZOO.", "Italic text or you just let it be? Is it necessary to differentiate", "text part in sequences like this. Will you go Italic text or you", "makes me sad. I really wanted to go to ZOO. > > >", "let it be? Is it necessary to differentiate dreams from normal text? Thanks", "she is long time dead and I must go to > work. Those", "is long time dead and I must go to > work. Those dreams", "second hand. Lightly jumping > in between single steps because how i was", "> with my grandma and baloon on a rope in a second hand.", "was excited. Road was nearer > than normal, but I get over this", "ZOO entrance. No grandma. > In a next second I realized, she is", "road. No ZOO entrance. No grandma. > In a next second I realized,", "Imagine this situation: > > I was walking down the street to the", "it be in a book etc. I have a bit different question. Imagine", "different question. Imagine this situation: > > I was walking down the street", "the first time. > > > I blinked once and twice. Weird. No", "time. > > > I blinked once and twice. Weird. No road. No", "is, how to differentiate the dream part from the normal text part in", "dream, how will it be in a book etc. I have a bit", "No grandma. > In a next second I realized, she is long time", "to go to ZOO. > > > The question is, how to differentiate", "to write about dream, how will it be in a book etc. I", "sequences like this. Will you go Italic text or you just let it", "Is it necessary to differentiate dreams from normal text? Thanks for your advice.", "down the street to the entrance of the ZOO. Hand in hand >", "questions about how to write about dream, how will it be in a", "normal, but I get over this little detail. I will be in a", "time dead and I must go to > work. Those dreams makes me", "go to > work. Those dreams makes me sad. I really wanted to", "blinked once and twice. Weird. No road. No ZOO entrance. No grandma. >", "about dream, how will it be in a book etc. I have a", "baloon on a rope in a second hand. Lightly jumping > in between", "> > > The question is, how to differentiate the dream part from", "> > I blinked once and twice. Weird. No road. No ZOO entrance.", "but I get over this little detail. I will be in a ZOO", "in a book etc. I have a bit different question. Imagine this situation:", "realized, she is long time dead and I must go to > work.", "nearer > than normal, but I get over this little detail. I will", "go Italic text or you just let it be? Is it necessary to", "> > I was walking down the street to the entrance of the", "I will be in a ZOO for > the first time. > >", "ZOO for > the first time. > > > I blinked once and", "> > The question is, how to differentiate the dream part from the", "little detail. I will be in a ZOO for > the first time.", "just let it be? Is it necessary to differentiate dreams from normal text?", "There are lots of questions about how to write about dream, how will", "> > > I blinked once and twice. Weird. No road. No ZOO", "be in a book etc. I have a bit different question. Imagine this", "me sad. I really wanted to go to ZOO. > > > The", "of questions about how to write about dream, how will it be in", "first time. > > > I blinked once and twice. Weird. No road.", "a rope in a second hand. Lightly jumping > in between single steps", "single steps because how i was excited. Road was nearer > than normal,", "to differentiate the dream part from the normal text part in sequences like", "Hand in hand > with my grandma and baloon on a rope in", "part from the normal text part in sequences like this. Will you go", "how will it be in a book etc. I have a bit different", "get over this little detail. I will be in a ZOO for >", "the ZOO. Hand in hand > with my grandma and baloon on a", "twice. Weird. No road. No ZOO entrance. No grandma. > In a next", "I really wanted to go to ZOO. > > > The question is,", "must go to > work. Those dreams makes me sad. I really wanted", "walking down the street to the entrance of the ZOO. Hand in hand", "hand. Lightly jumping > in between single steps because how i was excited.", "the normal text part in sequences like this. Will you go Italic text", "in a ZOO for > the first time. > > > I blinked", "in a second hand. Lightly jumping > in between single steps because how", "are lots of questions about how to write about dream, how will it", "the entrance of the ZOO. Hand in hand > with my grandma and", "etc. I have a bit different question. Imagine this situation: > > I", "with my grandma and baloon on a rope in a second hand. Lightly", "No road. No ZOO entrance. No grandma. > In a next second I", "like this. Will you go Italic text or you just let it be?", "detail. I will be in a ZOO for > the first time. >", "> in between single steps because how i was excited. Road was nearer", "will be in a ZOO for > the first time. > > >", "grandma. > In a next second I realized, she is long time dead", "excited. Road was nearer > than normal, but I get over this little", "dreams makes me sad. I really wanted to go to ZOO. > >", "about how to write about dream, how will it be in a book", "my grandma and baloon on a rope in a second hand. Lightly jumping", "really wanted to go to ZOO. > > > The question is, how", "how to differentiate the dream part from the normal text part in sequences", "hand > with my grandma and baloon on a rope in a second", "how to write about dream, how will it be in a book etc.", "be? Is it necessary to differentiate dreams from normal text? Thanks for your", "work. Those dreams makes me sad. I really wanted to go to ZOO.", "next second I realized, she is long time dead and I must go", "a bit different question. Imagine this situation: > > I was walking down", "of the ZOO. Hand in hand > with my grandma and baloon on", "to the entrance of the ZOO. Hand in hand > with my grandma", "entrance of the ZOO. Hand in hand > with my grandma and baloon", "dream part from the normal text part in sequences like this. Will you", "the dream part from the normal text part in sequences like this. Will", "question is, how to differentiate the dream part from the normal text part", "ZOO. > > > The question is, how to differentiate the dream part", "street to the entrance of the ZOO. Hand in hand > with my", "be in a ZOO for > the first time. > > > I", "it be? Is it necessary to differentiate dreams from normal text? Thanks for", "to > work. Those dreams makes me sad. I really wanted to go", "I was walking down the street to the entrance of the ZOO. Hand", "ZOO. Hand in hand > with my grandma and baloon on a rope", "have a bit different question. Imagine this situation: > > I was walking", "this little detail. I will be in a ZOO for > the first", "Weird. No road. No ZOO entrance. No grandma. > In a next second", "I must go to > work. Those dreams makes me sad. I really", "differentiate the dream part from the normal text part in sequences like this.", "a second hand. Lightly jumping > in between single steps because how i", "will it be in a book etc. I have a bit different question.", "to ZOO. > > > The question is, how to differentiate the dream", "entrance. No grandma. > In a next second I realized, she is long", "go to ZOO. > > > The question is, how to differentiate the", "and I must go to > work. Those dreams makes me sad. I", "on a rope in a second hand. Lightly jumping > in between single", "this situation: > > I was walking down the street to the entrance", "you just let it be? Is it necessary to differentiate dreams from normal", "you go Italic text or you just let it be? Is it necessary", "between single steps because how i was excited. Road was nearer > than", "dead and I must go to > work. Those dreams makes me sad.", "or you just let it be? Is it necessary to differentiate dreams from", "> work. Those dreams makes me sad. I really wanted to go to", "No ZOO entrance. No grandma. > In a next second I realized, she", "I get over this little detail. I will be in a ZOO for", "> The question is, how to differentiate the dream part from the normal", "situation: > > I was walking down the street to the entrance of", "a ZOO for > the first time. > > > I blinked once", "rope in a second hand. Lightly jumping > in between single steps because", "I have a bit different question. Imagine this situation: > > I was", "> In a next second I realized, she is long time dead and", "jumping > in between single steps because how i was excited. Road was", "was walking down the street to the entrance of the ZOO. Hand in", "> than normal, but I get over this little detail. I will be", "In a next second I realized, she is long time dead and I", "this. Will you go Italic text or you just let it be? Is", "> the first time. > > > I blinked once and twice. Weird.", "in between single steps because how i was excited. Road was nearer >", "the street to the entrance of the ZOO. Hand in hand > with", "> I blinked once and twice. Weird. No road. No ZOO entrance. No", "how i was excited. Road was nearer > than normal, but I get", "and baloon on a rope in a second hand. Lightly jumping > in", "Lightly jumping > in between single steps because how i was excited. Road", "steps because how i was excited. Road was nearer > than normal, but", "long time dead and I must go to > work. Those dreams makes", "in hand > with my grandma and baloon on a rope in a", "for > the first time. > > > I blinked once and twice.", "text or you just let it be? Is it necessary to differentiate dreams", "because how i was excited. Road was nearer > than normal, but I", "Those dreams makes me sad. I really wanted to go to ZOO. >", "normal text part in sequences like this. Will you go Italic text or", "once and twice. Weird. No road. No ZOO entrance. No grandma. > In", "sad. I really wanted to go to ZOO. > > > The question", "in sequences like this. Will you go Italic text or you just let", "grandma and baloon on a rope in a second hand. Lightly jumping >", "a next second I realized, she is long time dead and I must", "was nearer > than normal, but I get over this little detail. I", "I blinked once and twice. Weird. No road. No ZOO entrance. No grandma." ]
[ "everyone, though. And it makes sense: if people could choose > to be", "What are you trying to > find?” > > > > > ---", "She smiled kindly. “Maybe I can help you. What are you trying to", "> > She smiled kindly. “Maybe I can help you. What are you", "kindly. “Maybe I can help you. What are you trying to > find?”", "are you trying to > find?” > > > > > --- >", "> > > > --- > > > \"Probably,\" he said apologetically, as", "the > same for everyone, though. And it makes sense: if people could", "if people could choose > to be happy then everybody would be happy.", "as if he were personally responsible for this. \"It's the > same for", "you. What are you trying to > find?” > > > > >", "> to be happy then everybody would be happy. > > > If", "apologetically, as if he were personally responsible for this. \"It's the > same", "sense: if people could choose > to be happy then everybody would be", "if he were personally responsible for this. \"It's the > same for everyone,", "trying to > find?” > > > > > --- > > >", "> > > --- > > > \"Probably,\" he said apologetically, as if", "said apologetically, as if he were personally responsible for this. \"It's the >", "be happy then everybody would be happy. > > > If so, what", "> same for everyone, though. And it makes sense: if people could choose", "“Maybe I can help you. What are you trying to > find?” >", "> > > \"Probably,\" he said apologetically, as if he were personally responsible", "personally responsible for this. \"It's the > same for everyone, though. And it", "from my own writing: > > She smiled kindly. “Maybe I can help", "find?” > > > > > --- > > > \"Probably,\" he said", "> > > > > --- > > > \"Probably,\" he said apologetically,", "> \"Probably,\" he said apologetically, as if he were personally responsible for this.", "writing: > > She smiled kindly. “Maybe I can help you. What are", "were personally responsible for this. \"It's the > same for everyone, though. And", "\"It's the > same for everyone, though. And it makes sense: if people", "makes sense: if people could choose > to be happy then everybody would", "it makes sense: if people could choose > to be happy then everybody", "to > find?” > > > > > --- > > > \"Probably,\"", "Examples from my own writing: > > She smiled kindly. “Maybe I can", "happy then everybody would be happy. > > > If so, what are", "> find?” > > > > > --- > > > \"Probably,\" he", "\"Probably,\" he said apologetically, as if he were personally responsible for this. \"It's", "for everyone, though. And it makes sense: if people could choose > to", "> She smiled kindly. “Maybe I can help you. What are you trying", "> > --- > > > \"Probably,\" he said apologetically, as if he", "for this. \"It's the > same for everyone, though. And it makes sense:", "smiled kindly. “Maybe I can help you. What are you trying to >", "to be happy then everybody would be happy. > > > If so,", "people could choose > to be happy then everybody would be happy. >", "can help you. What are you trying to > find?” > > >", "--- > > > \"Probably,\" he said apologetically, as if he were personally", "he were personally responsible for this. \"It's the > same for everyone, though.", "then everybody would be happy. > > > If so, what are their", "my own writing: > > She smiled kindly. “Maybe I can help you.", "could choose > to be happy then everybody would be happy. > >", "everybody would be happy. > > > If so, what are their \"superior\"", "I can help you. What are you trying to > find?” > >", "help you. What are you trying to > find?” > > > >", "> --- > > > \"Probably,\" he said apologetically, as if he were", "> > \"Probably,\" he said apologetically, as if he were personally responsible for", "though. And it makes sense: if people could choose > to be happy", "And it makes sense: if people could choose > to be happy then", "you trying to > find?” > > > > > --- > >", "he said apologetically, as if he were personally responsible for this. \"It's the", "would be happy. > > > If so, what are their \"superior\" alternatives?", "same for everyone, though. And it makes sense: if people could choose >", "this. \"It's the > same for everyone, though. And it makes sense: if", "responsible for this. \"It's the > same for everyone, though. And it makes", "own writing: > > She smiled kindly. “Maybe I can help you. What", "choose > to be happy then everybody would be happy. > > >" ]
[ "because I really like doing it, but now that I have been away", "I really like doing it, but now that I have been away for", "vacation I can't seem to write a single sentence. I don't know what", "don't know what happened but it's so hard for me to continue writing.", "sentence. I don't know what happened but it's so hard for me to", "have been away for a month on a vacation I can't seem to", "single sentence. I don't know what happened but it's so hard for me", "the screen. I hate this so much because I want to finish my", "year. I worked on it almost every day because I really like doing", "I can't concentrate or I just stare at the screen. I hate this", "stare at the screen. I hate this so much because I want to", "continue writing. Either I can't concentrate or I just stare at the screen.", "just stare at the screen. I hate this so much because I want", "so much because I want to finish my story, but I just cant.", "Either I can't concentrate or I just stare at the screen. I hate", "a year. I worked on it almost every day because I really like", "can't seem to write a single sentence*. I don't know what happened but", "been away for a month on a vacation I can't seem to write", "or I just stare at the screen. I hate this so much because", "that I have been away for a month on a vacation I can't", "for almost half a year. I worked on it almost every day because", "a story for almost half a year. I worked on it almost every", "almost half a year. I worked on it almost every day because I", "day because I really like doing it, but now that I have been", "it, but now that I have been away for a month on a", "every day because I really like doing it, but now that I have", "I don't know what happened but it's so hard for me to continue", "happened but it's so hard for me to continue writing. Either I can't", "like doing it, but now that I have been away for a month", "I have been away for a month on a vacation I can't seem", "much because I want to finish my story, but I just cant. Could", "me to continue writing. Either I can't concentrate or I just stare at", "for a month on a vacation I can't seem to write a single", "to write a single sentence. I don't know what happened but it's so", "hard for me to continue writing. Either I can't concentrate or I just", "on a vacation I can't seem to write a single sentence*. I don't", "almost every day because I really like doing it, but now that I", "away for a month on a vacation I can't seem to write a", "because I want to finish my story, but I just cant. Could anyone", "hate this so much because I want to finish my story, but I", "what happened but it's so hard for me to continue writing. Either I", "I can't seem to write a single sentence. I don't know what happened", "screen. I hate this so much because I want to finish my story,", "half a year. I worked on it almost every day because I really", "month on a vacation I can't seem to write a single sentence. I", "know what happened but it's so hard for me to continue writing. Either", "writing a story for almost half a year. I worked on it almost", "a vacation I can't seem to write a single sentence. I don't know", "this so much because I want to finish my story, but I just", "can't concentrate or I just stare at the screen. I hate this so", "worked on it almost every day because I really like doing it, but", "really like doing it, but now that I have been away for a", "it almost every day because I really like doing it, but now that", "for me to continue writing. Either I can't concentrate or I just stare", "I just stare at the screen. I hate this so much because I", "a month on a vacation I can't seem to write a single sentence.", "on it almost every day because I really like doing it, but now", "I want to finish my story, but I just cant. Could anyone please", "I've been writing a story for almost half a year. I worked on", "doing it, but now that I have been away for a month on", "so hard for me to continue writing. Either I can't concentrate or I", "I worked on it almost every day because I really like doing it,", "writing. Either I can't concentrate or I just stare at the screen. I", "seem to write a single sentence. I don't know what happened but it's", "to continue writing. Either I can't concentrate or I just stare at the", "at the screen. I hate this so much because I want to finish", "it's so hard for me to continue writing. Either I can't concentrate or", "but now that I have been away for a month on a vacation", "I hate this so much because I want to finish my story, but", "a single sentence. I don't know what happened but it's so hard for", "now that I have been away for a month on a vacation I", "story for almost half a year. I worked on it almost every day", "but it's so hard for me to continue writing. Either I can't concentrate", "been writing a story for almost half a year. I worked on it", "to finish my story, but I just cant. Could anyone please help me?", "write a single sentence. I don't know what happened but it's so hard", "concentrate or I just stare at the screen. I hate this so much", "want to finish my story, but I just cant. Could anyone please help" ]
[ "I want to avoid all those explanations that are obviously only added for", "I improve the passage with the extra description or just added unnecessary clutter?", "who cared about me, plus I'd just been admitted into university. > >", "of the reader but wouldn't be part of the protagonist's actual experience. Sometimes", "> Is doing this justifiable? Did I improve the passage with the extra", "I feel as if my characters and events are \"floating in space\"; as", "the benefit of the reader but wouldn't be part of the protagonist's actual", "am trying to write without description, only narrating the perceptions of my protagonist,", "not I should add in some description to connect the \"free-floating\" bits. Here", "add in some description to connect the \"free-floating\" bits. Here is an example", "are \"floating in space\"; as if they are appearing unrelated and meaningless to", "Here is an example from my own writing to illustrate what I'm talking", "Ironically, it began the night I decided to die. But why? I had", "health, friends and family who cared about me, plus I'd just been admitted", "write without description, only narrating the perceptions of my protagonist, both external (what", "if they are appearing unrelated and meaningless to a reader, who has yet", "provide context and meaning for the reader, so I added some description: >", "writing to illustrate what I'm talking about. The original, without description: > >", "I had good health, friends and family who cared about me, plus I'd", "night I decided to die. That's right: I locked myself in my apartment,", "read far enough to understand the underlying plot. I am uncertain whether or", "thinks). I want to avoid all those explanations that are obviously only added", "appearing unrelated and meaningless to a reader, who has yet to read far", "external (what happens) and internal (what she thinks). I want to avoid all", "my apartment, closed the blinds, and, veiled in the darkness, planned how to", "added for the benefit of the reader but wouldn't be part of the", "began the night I decided to die. But why? I had good health,", "enough to understand the underlying plot. I am uncertain whether or not I", "wouldn't be part of the protagonist's actual experience. Sometimes I feel as if", "and events are \"floating in space\"; as if they are appearing unrelated and", "am uncertain whether or not I should add in some description to connect", "to read far enough to understand the underlying plot. I am uncertain whether", "meaning for the reader, so I added some description: > > So how", "suicide thing start? Ironically, it began the night I decided to die. That's", "with my life. But why? I had good health, friends and family who", "suicide thing start? Ironically, it began the night I decided to die. But", "right: I locked myself in my apartment, closed the blinds, and, veiled in", "whether or not I should add in some description to connect the \"free-floating\"", "closed the blinds, and, veiled in the darkness, planned how to end with", "as if they are appearing unrelated and meaningless to a reader, who has", "doing this justifiable? Did I improve the passage with the extra description or", "character is in her apartment, searching stuff on the Internet. I felt this", "to write without description, only narrating the perceptions of my protagonist, both external", "the reader, so I added some description: > > So how did this", "that are obviously only added for the benefit of the reader but wouldn't", "the main character is in her apartment, searching stuff on the Internet. I", "she thinks). I want to avoid all those explanations that are obviously only", "it began the night I decided to die. But why? I had good", "that it's nighttime and the main character is in her apartment, searching stuff", "it's nighttime and the main character is in her apartment, searching stuff on", "the underlying plot. I am uncertain whether or not I should add in", "are appearing unrelated and meaningless to a reader, who has yet to read", "is an example from my own writing to illustrate what I'm talking about.", "and meaning for the reader, so I added some description: > > So", "context and meaning for the reader, so I added some description: > >", "die. But why? I had good health, friends and family who cared about", "to die. That's right: I locked myself in my apartment, closed the blinds,", "into university. > > > Is doing this justifiable? Did I improve the", "narrating the perceptions of my protagonist, both external (what happens) and internal (what", "(what she thinks). I want to avoid all those explanations that are obviously", "Sometimes I feel as if my characters and events are \"floating in space\";", "is in her apartment, searching stuff on the Internet. I felt this was", "those explanations that are obviously only added for the benefit of the reader", "to die. But why? I had good health, friends and family who cared", "only thing we know is that it's nighttime and the main character is", "this was not enough to provide context and meaning for the reader, so", "the night I decided to die. That's right: I locked myself in my", "admitted into university. > > > Is doing this justifiable? Did I improve", "in my apartment, closed the blinds, and, veiled in the darkness, planned how", "are obviously only added for the benefit of the reader but wouldn't be", "the \"free-floating\" bits. Here is an example from my own writing to illustrate", "> > The only thing we know is that it's nighttime and the", "myself in my apartment, closed the blinds, and, veiled in the darkness, planned", "I'm talking about. The original, without description: > > So how did this", "was not enough to provide context and meaning for the reader, so I", "without description, only narrating the perceptions of my protagonist, both external (what happens)", "an example from my own writing to illustrate what I'm talking about. The", "darkness, planned how to end with my life. But why? I had good", "and, veiled in the darkness, planned how to end with my life. But", "end with my life. But why? I had good health, friends and family", "description to connect the \"free-floating\" bits. Here is an example from my own", "or not I should add in some description to connect the \"free-floating\" bits.", "the blinds, and, veiled in the darkness, planned how to end with my", "meaningless to a reader, who has yet to read far enough to understand", "in the darkness, planned how to end with my life. But why? I", "cared about me, plus I'd just been admitted into university. > > >", "plot. I am uncertain whether or not I should add in some description", "trying to write without description, only narrating the perceptions of my protagonist, both", "into university. > > > The only thing we know is that it's", "without description: > > So how did this animal suicide thing start? Ironically,", "this justifiable? Did I improve the passage with the extra description or just", "about me, plus I'd just been admitted into university. > > > The", "has yet to read far enough to understand the underlying plot. I am", "night I decided to die. But why? I had good health, friends and", "university. > > > The only thing we know is that it's nighttime", "searching stuff on the Internet. I felt this was not enough to provide", "only added for the benefit of the reader but wouldn't be part of", "> The only thing we know is that it's nighttime and the main", "to avoid all those explanations that are obviously only added for the benefit", "part of the protagonist's actual experience. Sometimes I feel as if my characters", "planned how to end with my life. But why? I had good health,", "obviously only added for the benefit of the reader but wouldn't be part", "The original, without description: > > So how did this animal suicide thing", "my protagonist, both external (what happens) and internal (what she thinks). I want", "enough to provide context and meaning for the reader, so I added some", "of my protagonist, both external (what happens) and internal (what she thinks). I", "illustrate what I'm talking about. The original, without description: > > So how", "to illustrate what I'm talking about. The original, without description: > > So", "the darkness, planned how to end with my life. But why? I had", "did this animal suicide thing start? Ironically, it began the night I decided", "I felt this was not enough to provide context and meaning for the", "some description to connect the \"free-floating\" bits. Here is an example from my", "avoid all those explanations that are obviously only added for the benefit of", "description, only narrating the perceptions of my protagonist, both external (what happens) and", "talking about. The original, without description: > > So how did this animal", "feel as if my characters and events are \"floating in space\"; as if", "underlying plot. I am uncertain whether or not I should add in some", "know is that it's nighttime and the main character is in her apartment,", "That's right: I locked myself in my apartment, closed the blinds, and, veiled", "locked myself in my apartment, closed the blinds, and, veiled in the darkness,", "Is doing this justifiable? Did I improve the passage with the extra description", "to provide context and meaning for the reader, so I added some description:", "veiled in the darkness, planned how to end with my life. But why?", "how to end with my life. But why? I had good health, friends", "want to avoid all those explanations that are obviously only added for the", "characters and events are \"floating in space\"; as if they are appearing unrelated", "protagonist's actual experience. Sometimes I feel as if my characters and events are", "to understand the underlying plot. I am uncertain whether or not I should", "a reader, who has yet to read far enough to understand the underlying", "to connect the \"free-floating\" bits. Here is an example from my own writing", "So how did this animal suicide thing start? Ironically, it began the night", "why? I had good health, friends and family who cared about me, plus", "> > > The only thing we know is that it's nighttime and", "but wouldn't be part of the protagonist's actual experience. Sometimes I feel as", "plus I'd just been admitted into university. > > > Is doing this", "I locked myself in my apartment, closed the blinds, and, veiled in the", "who has yet to read far enough to understand the underlying plot. I", "I am uncertain whether or not I should add in some description to", "felt this was not enough to provide context and meaning for the reader,", "actual experience. Sometimes I feel as if my characters and events are \"floating", "I am trying to write without description, only narrating the perceptions of my", "reader, who has yet to read far enough to understand the underlying plot.", "about. The original, without description: > > So how did this animal suicide", "I decided to die. But why? I had good health, friends and family", "just been admitted into university. > > > Is doing this justifiable? Did", "for the reader, so I added some description: > > So how did", "But why? I had good health, friends and family who cared about me,", "life. But why? I had good health, friends and family who cared about", "justifiable? Did I improve the passage with the extra description or just added", "be part of the protagonist's actual experience. Sometimes I feel as if my", "The only thing we know is that it's nighttime and the main character", "space\"; as if they are appearing unrelated and meaningless to a reader, who", "admitted into university. > > > The only thing we know is that", "in some description to connect the \"free-floating\" bits. Here is an example from", "we know is that it's nighttime and the main character is in her", "about me, plus I'd just been admitted into university. > > > Is", "university. > > > Is doing this justifiable? Did I improve the passage", "the perceptions of my protagonist, both external (what happens) and internal (what she", "apartment, closed the blinds, and, veiled in the darkness, planned how to end", "my life. But why? I had good health, friends and family who cared", "Ironically, it began the night I decided to die. That's right: I locked", "apartment, searching stuff on the Internet. I felt this was not enough to", "Did I improve the passage with the extra description or just added unnecessary", "explanations that are obviously only added for the benefit of the reader but", "\"free-floating\" bits. Here is an example from my own writing to illustrate what", "die. That's right: I locked myself in my apartment, closed the blinds, and,", "stuff on the Internet. I felt this was not enough to provide context", "as if my characters and events are \"floating in space\"; as if they", "reader but wouldn't be part of the protagonist's actual experience. Sometimes I feel", "should add in some description to connect the \"free-floating\" bits. Here is an", "> So how did this animal suicide thing start? Ironically, it began the", "had good health, friends and family who cared about me, plus I'd just", "been admitted into university. > > > Is doing this justifiable? Did I", "I'd just been admitted into university. > > > The only thing we", "understand the underlying plot. I am uncertain whether or not I should add", "added some description: > > So how did this animal suicide thing start?", "it began the night I decided to die. That's right: I locked myself", "description: > > So how did this animal suicide thing start? Ironically, it", "her apartment, searching stuff on the Internet. I felt this was not enough", "on the Internet. I felt this was not enough to provide context and", "unrelated and meaningless to a reader, who has yet to read far enough", "> > > Is doing this justifiable? Did I improve the passage with", "and family who cared about me, plus I'd just been admitted into university.", "uncertain whether or not I should add in some description to connect the", "is that it's nighttime and the main character is in her apartment, searching", "my characters and events are \"floating in space\"; as if they are appearing", "events are \"floating in space\"; as if they are appearing unrelated and meaningless", "protagonist, both external (what happens) and internal (what she thinks). I want to", "bits. Here is an example from my own writing to illustrate what I'm", "so I added some description: > > So how did this animal suicide", "friends and family who cared about me, plus I'd just been admitted into", "all those explanations that are obviously only added for the benefit of the", "the protagonist's actual experience. Sometimes I feel as if my characters and events", "> > Is doing this justifiable? Did I improve the passage with the", "start? Ironically, it began the night I decided to die. But why? I", "and the main character is in her apartment, searching stuff on the Internet.", "far enough to understand the underlying plot. I am uncertain whether or not", "for the benefit of the reader but wouldn't be part of the protagonist's", "been admitted into university. > > > The only thing we know is", "thing start? Ironically, it began the night I decided to die. But why?", "my own writing to illustrate what I'm talking about. The original, without description:", "original, without description: > > So how did this animal suicide thing start?", "main character is in her apartment, searching stuff on the Internet. I felt", "\"floating in space\"; as if they are appearing unrelated and meaningless to a", "how did this animal suicide thing start? Ironically, it began the night I", "the night I decided to die. But why? I had good health, friends", "plus I'd just been admitted into university. > > > The only thing", "experience. Sometimes I feel as if my characters and events are \"floating in", "both external (what happens) and internal (what she thinks). I want to avoid", "connect the \"free-floating\" bits. Here is an example from my own writing to", "just been admitted into university. > > > The only thing we know", "some description: > > So how did this animal suicide thing start? Ironically,", "this animal suicide thing start? Ironically, it began the night I decided to", "thing we know is that it's nighttime and the main character is in", "only narrating the perceptions of my protagonist, both external (what happens) and internal", "to a reader, who has yet to read far enough to understand the", "thing start? Ironically, it began the night I decided to die. That's right:", "blinds, and, veiled in the darkness, planned how to end with my life.", "in her apartment, searching stuff on the Internet. I felt this was not", "own writing to illustrate what I'm talking about. The original, without description: >", "Internet. I felt this was not enough to provide context and meaning for", "good health, friends and family who cared about me, plus I'd just been", "(what happens) and internal (what she thinks). I want to avoid all those", "I should add in some description to connect the \"free-floating\" bits. Here is", "the Internet. I felt this was not enough to provide context and meaning", "start? Ironically, it began the night I decided to die. That's right: I", "to end with my life. But why? I had good health, friends and", "yet to read far enough to understand the underlying plot. I am uncertain", "from my own writing to illustrate what I'm talking about. The original, without", "if my characters and events are \"floating in space\"; as if they are", "internal (what she thinks). I want to avoid all those explanations that are", "benefit of the reader but wouldn't be part of the protagonist's actual experience.", "family who cared about me, plus I'd just been admitted into university. >", "animal suicide thing start? Ironically, it began the night I decided to die.", "nighttime and the main character is in her apartment, searching stuff on the", "began the night I decided to die. That's right: I locked myself in", "I decided to die. That's right: I locked myself in my apartment, closed", "decided to die. But why? I had good health, friends and family who", "not enough to provide context and meaning for the reader, so I added", "reader, so I added some description: > > So how did this animal", "decided to die. That's right: I locked myself in my apartment, closed the", "of the protagonist's actual experience. Sometimes I feel as if my characters and", "example from my own writing to illustrate what I'm talking about. The original,", "happens) and internal (what she thinks). I want to avoid all those explanations", "the reader but wouldn't be part of the protagonist's actual experience. Sometimes I", "in space\"; as if they are appearing unrelated and meaningless to a reader,", "I'd just been admitted into university. > > > Is doing this justifiable?", "and meaningless to a reader, who has yet to read far enough to", "I added some description: > > So how did this animal suicide thing", "and internal (what she thinks). I want to avoid all those explanations that", "they are appearing unrelated and meaningless to a reader, who has yet to", "me, plus I'd just been admitted into university. > > > The only", "me, plus I'd just been admitted into university. > > > Is doing", "perceptions of my protagonist, both external (what happens) and internal (what she thinks).", "what I'm talking about. The original, without description: > > So how did", "> > So how did this animal suicide thing start? Ironically, it began" ]
[ "caught by her teacher, who, eager to test her limits, challenges her to", "to suspect illicit activities happening there when she sees someone entering a Corridor", "my writings recently. I started off a great story, where a girl is", "been suffering a lot of problems with my writings recently. I started off", "school in a far off city. The story I've written in my head", "find, I can't decide on what to do with them. How do I", "suffering a lot of problems with my writings recently. I started off a", "gets caught by her teacher, who, eager to test her limits, challenges her", "her teacher, who, eager to test her limits, challenges her to bring the", "on what to do with them. How do I make her stumble upon", "eventually find out where the corridor leads, while taking the readers along with", "but starts to suspect illicit activities happening there when she sees someone entering", "my head is that she eventually fits in the school, but starts to", "started off a great story, where a girl is accepted in a prestigious", "writings recently. I started off a great story, where a girl is accepted", "although I've decided on what clues she may find, I can't decide on", "can't decide on what to do with them. How do I make her", "I've decided on what clues she may find, I can't decide on what", "off a great story, where a girl is accepted in a prestigious school", "The story I've written in my head is that she eventually fits in", "do with them. How do I make her stumble upon them and make", "her to bring the culprit to her and she would reward her. Now", "written in my head is that she eventually fits in the school, but", "the thing is that although I've decided on what clues she may find,", "is accepted in a prestigious school in a far off city. The story", "to test her limits, challenges her to bring the culprit to her and", "Corridor that is restricted. She gets caught by her teacher, who, eager to", "test her limits, challenges her to bring the culprit to her and she", "limits, challenges her to bring the culprit to her and she would reward", "I can't decide on what to do with them. How do I make", "she sees someone entering a Corridor that is restricted. She gets caught by", "by her teacher, who, eager to test her limits, challenges her to bring", "stumble upon them and make her eventually find out where the corridor leads,", "make her stumble upon them and make her eventually find out where the", "city. The story I've written in my head is that she eventually fits", "in my head is that she eventually fits in the school, but starts", "and make her eventually find out where the corridor leads, while taking the", "her eventually find out where the corridor leads, while taking the readers along", "what to do with them. How do I make her stumble upon them", "to bring the culprit to her and she would reward her. Now the", "suspect illicit activities happening there when she sees someone entering a Corridor that", "activities happening there when she sees someone entering a Corridor that is restricted.", "that is restricted. She gets caught by her teacher, who, eager to test", "that she eventually fits in the school, but starts to suspect illicit activities", "her and she would reward her. Now the thing is that although I've", "a girl is accepted in a prestigious school in a far off city.", "girl is accepted in a prestigious school in a far off city. 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