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train · 10.4M rows

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[ "everything from flash-fiction to novels or how can I find them? And also,", "someone knows about a place which buys fiction or where I can try", "Where are good places to publish everything from flash-fiction to novels or how", "if someone knows about a place which buys fiction or where I can", "which buys fiction or where I can try to sell for a large", "publish everything from flash-fiction to novels or how can I find them? And", "And also, if someone knows about a place which buys fiction or where", "are good places to publish everything from flash-fiction to novels or how can", "knows about a place which buys fiction or where I can try to", "find them? And also, if someone knows about a place which buys fiction", "good places to publish everything from flash-fiction to novels or how can I", "from flash-fiction to novels or how can I find them? And also, if", "how can I find them? And also, if someone knows about a place", "or how can I find them? And also, if someone knows about a", "or where I can try to sell for a large market it would", "I find them? And also, if someone knows about a place which buys", "also, if someone knows about a place which buys fiction or where I", "a place which buys fiction or where I can try to sell for", "to publish everything from flash-fiction to novels or how can I find them?", "where I can try to sell for a large market it would be", "about a place which buys fiction or where I can try to sell", "flash-fiction to novels or how can I find them? And also, if someone", "can I find them? And also, if someone knows about a place which", "novels or how can I find them? And also, if someone knows about", "place which buys fiction or where I can try to sell for a", "places to publish everything from flash-fiction to novels or how can I find", "I can try to sell for a large market it would be splendid.", "them? And also, if someone knows about a place which buys fiction or", "to novels or how can I find them? And also, if someone knows", "buys fiction or where I can try to sell for a large market", "fiction or where I can try to sell for a large market it" ]
[ "I have tried to group many of these together but as it stand", "dialog aloud, incorporate beta reader feedback ( i know this one is later", "about 5 revisions, maybe more. It seems so overwhelming. Which topics would be", "following things: Main Plot Holes, POV checks, passive voice corrections, filter words for", "characters in early chapters, develop micro tension, pacing, And on and on. I", "character distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read and correct dialog aloud,", "and paragraphs, ensure good conflict/tension, minimize adverb usage, character distinction-ensuring each is unique-ensure", "minimize adverb usage, character distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read and", "it looks like I'm going to have about 5 revisions, maybe more. It", "adverb usage, character distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read and correct", "3rd person, transition scenes and paragraphs, ensure good conflict/tension, minimize adverb usage, character", "to minimize revisions? Note: Its a completed first draft where i just blasted", "is unique-ensure unique dialog, foreshadowing, read and correct dialog aloud, incorporate beta reader", "time contraint. I want it done right, not fast. I am a \"architect\"", "POV checks, passive voice corrections, filter words for 3rd person, transition scenes and", "filter words for 3rd person, transition scenes and paragraphs, ensure good conflict/tension, minimize", "tried to group many of these together but as it stand it looks", "passive voice corrections, filter words for 3rd person, transition scenes and paragraphs, ensure", "unique dialog, foreshadowing, read and correct dialog aloud, incorporate beta reader feedback (", "Fixing the following things: Main Plot Holes, POV checks, passive voice corrections, filter", "together but as it stand it looks like I'm going to have about", "on. I have tried to group many of these together but as it", "of these together but as it stand it looks like I'm going to", "through getting all my thoughts done. I have done extensive world building. There", "Note: Its a completed first draft where i just blasted through getting all", "one is later in the process), ensure there isn't too much description of", "the best/most fluid/easiest way to revise your manuscript? I've read A LOT up", "aloud, incorporate beta reader feedback ( i know this one is later in", "of setting and characters in early chapters, develop micro tension, pacing, And on", "isn't too much description of setting and characters in early chapters, develop micro", "looks like I'm going to have about 5 revisions, maybe more. It seems", "read and correct dialog aloud, incorporate beta reader feedback ( i know this", "to have about 5 revisions, maybe more. It seems so overwhelming. Which topics", "a completed first draft where i just blasted through getting all my thoughts", "Main Plot Holes, POV checks, passive voice corrections, filter words for 3rd person,", "ensure good conflict/tension, minimize adverb usage, character distinction-ensuring each is unique-ensure unique dialog,", "A LOT up on this and have 2 pages of stuff to revise", "all my thoughts done. I have done extensive world building. There is no", "manuscript? I've read A LOT up on this and have 2 pages of", "is no time contraint. I want it done right, not fast. I am", "on this and have 2 pages of stuff to revise and check for.", "this and have 2 pages of stuff to revise and check for. Fixing", "way to revise your manuscript? I've read A LOT up on this and", "fluid/easiest way to revise your manuscript? I've read A LOT up on this", "to revise your manuscript? I've read A LOT up on this and have", "I have done extensive world building. There is no time contraint. I want", "5 revisions, maybe more. It seems so overwhelming. Which topics would be best", "each is unique-ensure unique dialog, foreshadowing, read and correct dialog aloud, incorporate beta", "have done extensive world building. There is no time contraint. I want it", "it stand it looks like I'm going to have about 5 revisions, maybe", "Its a completed first draft where i just blasted through getting all my", "stuff to revise and check for. Fixing the following things: Main Plot Holes,", "but as it stand it looks like I'm going to have about 5", "as it stand it looks like I'm going to have about 5 revisions,", "in early chapters, develop micro tension, pacing, And on and on. I have", "LOT up on this and have 2 pages of stuff to revise and", "there isn't too much description of setting and characters in early chapters, develop", "first draft where i just blasted through getting all my thoughts done. I", "tension, pacing, And on and on. I have tried to group many of", "person, transition scenes and paragraphs, ensure good conflict/tension, minimize adverb usage, character distinction-ensuring", "and on. I have tried to group many of these together but as", "the following things: Main Plot Holes, POV checks, passive voice corrections, filter words", "in the process), ensure there isn't too much description of setting and characters", "group together to minimize revisions? Note: Its a completed first draft where i", "chapters, develop micro tension, pacing, And on and on. I have tried to", "revisions, maybe more. It seems so overwhelming. Which topics would be best to", "There is no time contraint. I want it done right, not fast. I", "conflict/tension, minimize adverb usage, character distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read", "dialog, foreshadowing, read and correct dialog aloud, incorporate beta reader feedback ( i", "unique-ensure unique dialog, foreshadowing, read and correct dialog aloud, incorporate beta reader feedback", "be best to group together to minimize revisions? Note: Its a completed first", "topics would be best to group together to minimize revisions? Note: Its a", "overwhelming. Which topics would be best to group together to minimize revisions? Note:", "group many of these together but as it stand it looks like I'm", "like I'm going to have about 5 revisions, maybe more. It seems so", "more. It seems so overwhelming. Which topics would be best to group together", "read A LOT up on this and have 2 pages of stuff to", "early chapters, develop micro tension, pacing, And on and on. I have tried", "no time contraint. I want it done right, not fast. I am a", "stand it looks like I'm going to have about 5 revisions, maybe more.", "draft where i just blasted through getting all my thoughts done. I have", "my thoughts done. I have done extensive world building. There is no time", "going to have about 5 revisions, maybe more. It seems so overwhelming. Which", "Holes, POV checks, passive voice corrections, filter words for 3rd person, transition scenes", "feedback ( i know this one is later in the process), ensure there", "completed first draft where i just blasted through getting all my thoughts done.", "I've read A LOT up on this and have 2 pages of stuff", "corrections, filter words for 3rd person, transition scenes and paragraphs, ensure good conflict/tension,", "good conflict/tension, minimize adverb usage, character distinction-ensuring each is unique-ensure unique dialog, foreshadowing,", "voice corrections, filter words for 3rd person, transition scenes and paragraphs, ensure good", "would be the best/most fluid/easiest way to revise your manuscript? I've read A", "revise and check for. Fixing the following things: Main Plot Holes, POV checks,", "have 2 pages of stuff to revise and check for. Fixing the following", "I'm going to have about 5 revisions, maybe more. It seems so overwhelming.", "minimize revisions? Note: Its a completed first draft where i just blasted through", "What would be the best/most fluid/easiest way to revise your manuscript? I've read", "and have 2 pages of stuff to revise and check for. Fixing the", "contraint. I want it done right, not fast. I am a \"architect\" writer.", "this one is later in the process), ensure there isn't too much description", "incorporate beta reader feedback ( i know this one is later in the", "be the best/most fluid/easiest way to revise your manuscript? I've read A LOT", "have tried to group many of these together but as it stand it", "foreshadowing, read and correct dialog aloud, incorporate beta reader feedback ( i know", "transition scenes and paragraphs, ensure good conflict/tension, minimize adverb usage, character distinction-ensuring each", "extensive world building. There is no time contraint. I want it done right,", "ensure there isn't too much description of setting and characters in early chapters,", "Plot Holes, POV checks, passive voice corrections, filter words for 3rd person, transition", "setting and characters in early chapters, develop micro tension, pacing, And on and", "on and on. I have tried to group many of these together but", "seems so overwhelming. Which topics would be best to group together to minimize", "develop micro tension, pacing, And on and on. I have tried to group", "maybe more. It seems so overwhelming. Which topics would be best to group", "and correct dialog aloud, incorporate beta reader feedback ( i know this one", "done extensive world building. There is no time contraint. I want it done", "check for. Fixing the following things: Main Plot Holes, POV checks, passive voice", "for 3rd person, transition scenes and paragraphs, ensure good conflict/tension, minimize adverb usage,", "And on and on. I have tried to group many of these together", "just blasted through getting all my thoughts done. I have done extensive world", "i know this one is later in the process), ensure there isn't too", "building. There is no time contraint. I want it done right, not fast.", "Which topics would be best to group together to minimize revisions? Note: Its", "things: Main Plot Holes, POV checks, passive voice corrections, filter words for 3rd", "correct dialog aloud, incorporate beta reader feedback ( i know this one is", "the process), ensure there isn't too much description of setting and characters in", "done. I have done extensive world building. There is no time contraint. I", "these together but as it stand it looks like I'm going to have", "checks, passive voice corrections, filter words for 3rd person, transition scenes and paragraphs,", "thoughts done. I have done extensive world building. There is no time contraint.", "up on this and have 2 pages of stuff to revise and check", "would be best to group together to minimize revisions? Note: Its a completed", "where i just blasted through getting all my thoughts done. I have done", "words for 3rd person, transition scenes and paragraphs, ensure good conflict/tension, minimize adverb", "process), ensure there isn't too much description of setting and characters in early", "know this one is later in the process), ensure there isn't too much", "much description of setting and characters in early chapters, develop micro tension, pacing,", "best to group together to minimize revisions? Note: Its a completed first draft", "many of these together but as it stand it looks like I'm going", "2 pages of stuff to revise and check for. Fixing the following things:", "scenes and paragraphs, ensure good conflict/tension, minimize adverb usage, character distinction-ensuring each is", "so overwhelming. Which topics would be best to group together to minimize revisions?", "distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read and correct dialog aloud, incorporate", "best/most fluid/easiest way to revise your manuscript? I've read A LOT up on", "i just blasted through getting all my thoughts done. I have done extensive", "paragraphs, ensure good conflict/tension, minimize adverb usage, character distinction-ensuring each is unique-ensure unique", "for. Fixing the following things: Main Plot Holes, POV checks, passive voice corrections,", "too much description of setting and characters in early chapters, develop micro tension,", "pacing, And on and on. I have tried to group many of these", "is later in the process), ensure there isn't too much description of setting", "reader feedback ( i know this one is later in the process), ensure", "It seems so overwhelming. Which topics would be best to group together to", "to group many of these together but as it stand it looks like", "world building. There is no time contraint. I want it done right, not", "together to minimize revisions? Note: Its a completed first draft where i just", "of stuff to revise and check for. Fixing the following things: Main Plot", "pages of stuff to revise and check for. Fixing the following things: Main", "to group together to minimize revisions? Note: Its a completed first draft where", "getting all my thoughts done. I have done extensive world building. There is", "your manuscript? I've read A LOT up on this and have 2 pages", "micro tension, pacing, And on and on. I have tried to group many", "revise your manuscript? I've read A LOT up on this and have 2", "( i know this one is later in the process), ensure there isn't", "beta reader feedback ( i know this one is later in the process),", "and characters in early chapters, develop micro tension, pacing, And on and on.", "have about 5 revisions, maybe more. It seems so overwhelming. Which topics would", "blasted through getting all my thoughts done. I have done extensive world building.", "and check for. Fixing the following things: Main Plot Holes, POV checks, passive", "description of setting and characters in early chapters, develop micro tension, pacing, And", "to revise and check for. Fixing the following things: Main Plot Holes, POV", "usage, character distinction-ensuring each is unique-ensure unique dialog, foreshadowing, read and correct dialog", "later in the process), ensure there isn't too much description of setting and", "revisions? Note: Its a completed first draft where i just blasted through getting" ]
[ "be on the next page... freeing up the space for the line to", "on the very final line, if you put in place the space for", "of page), and then the footnote goes at the bottom of the next", "do you do here'? I would imagine you put the footnote marker on", "that I should have tagged it with, then feel free to add them", "of a page - the last line - you have a sentence that", "page - the last line - you have a sentence that you want", "such, the footnote should then be on the next page... freeing up the", "next page. This is just my guess though. Sorry about the lack of", "footnote), then the original line would move to the start of the next", "original space! Basically, my question is just 'what do you do here'? I", "in! :) Also, I've migrated this from 'english.SE'. Hopefully this site is better", "to add them in! :) Also, I've migrated this from 'english.SE'. Hopefully this", "footnote goes at the bottom of the next page. This is just my", "to put a footnote on. However, because you're on the very final line,", "you have a sentence that you want to put a footnote on. However,", "if you put in place the space for a footnote (even a one", "to its original space! Basically, my question is just 'what do you do", "to the start of the next page. As such, the footnote should then", "at the bottom of the next page. This is just my guess though.", "page. As such, the footnote should then be on the next page... freeing", "tags: if you can think of any others that I should have tagged", "journal. At the bottom of a page - the last line - you", "As such, the footnote should then be on the next page... freeing up", "here'? I would imagine you put the footnote marker on the sentence in", "imagine you put the footnote marker on the sentence in the original place", "in place the space for a footnote (even a one line footnote), then", "page), and then the footnote goes at the bottom of the next page.", "tagged it with, then feel free to add them in! :) Also, I've", "Sorry about the lack of tags: if you can think of any others", "then feel free to add them in! :) Also, I've migrated this from", "This is just my guess though. Sorry about the lack of tags: if", "I've been thinking about. Suppose you are writing a book or maybe an", "the bottom of the next page. This is just my guess though. Sorry", "it's just a purely hypothetical thing that I've been thinking about. Suppose you", "line footnote), then the original line would move to the start of the", "Basically, my question is just 'what do you do here'? I would imagine", "the start of the next page. As such, the footnote should then be", "though. Sorry about the lack of tags: if you can think of any", "of any others that I should have tagged it with, then feel free", "problem with; it's just a purely hypothetical thing that I've been thinking about.", "sentence that you want to put a footnote on. However, because you're on", "that I've been thinking about. Suppose you are writing a book or maybe", "for a journal. At the bottom of a page - the last line", "for a footnote (even a one line footnote), then the original line would", "a purely hypothetical thing that I've been thinking about. Suppose you are writing", "(even a one line footnote), then the original line would move to the", "original place (bottom of page), and then the footnote goes at the bottom", "on the next page... freeing up the space for the line to return", "purely hypothetical thing that I've been thinking about. Suppose you are writing a", "put the footnote marker on the sentence in the original place (bottom of", "line would move to the start of the next page. As such, the", "then the original line would move to the start of the next page.", "put a footnote on. However, because you're on the very final line, if", "the space for the line to return to its original space! Basically, my", "original line would move to the start of the next page. As such,", "the footnote goes at the bottom of the next page. This is just", "Suppose you are writing a book or maybe an article for a journal.", "others that I should have tagged it with, then feel free to add", "can think of any others that I should have tagged it with, then", "the original place (bottom of page), and then the footnote goes at the", "them in! :) Also, I've migrated this from 'english.SE'. Hopefully this site is", "just my guess though. Sorry about the lack of tags: if you can", "At the bottom of a page - the last line - you have", "do here'? I would imagine you put the footnote marker on the sentence", "page. This is just my guess though. Sorry about the lack of tags:", "its original space! Basically, my question is just 'what do you do here'?", "you do here'? I would imagine you put the footnote marker on the", "isn't about a case that I have a problem with; it's just a", "line to return to its original space! Basically, my question is just 'what", "I would imagine you put the footnote marker on the sentence in the", "then be on the next page... freeing up the space for the line", "and then the footnote goes at the bottom of the next page. This", "one line footnote), then the original line would move to the start of", "start of the next page. As such, the footnote should then be on", "is just 'what do you do here'? I would imagine you put the", "writing a book or maybe an article for a journal. At the bottom", "line, if you put in place the space for a footnote (even a", "space for the line to return to its original space! Basically, my question", "been thinking about. Suppose you are writing a book or maybe an article", "return to its original space! Basically, my question is just 'what do you", "you put in place the space for a footnote (even a one line", "final line, if you put in place the space for a footnote (even", "footnote should then be on the next page... freeing up the space for", "marker on the sentence in the original place (bottom of page), and then", "maybe an article for a journal. At the bottom of a page -", "free to add them in! :) Also, I've migrated this from 'english.SE'. Hopefully", "about the lack of tags: if you can think of any others that", "the next page... freeing up the space for the line to return to", "have a problem with; it's just a purely hypothetical thing that I've been", "of the next page. This is just my guess though. 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However, because you're on the very final line, if you" ]
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(Amnesia) The only big problem I have is that I am 12.", "who almost gets murdered but then has to live with the murderers with", "a girl who almost gets murdered but then has to live with the", "called 'Murder' It's about a girl who almost gets murdered but then has", "(most of them, anyway) support me, but I don't think they know that", "I am 12. I want to know if I am to young to", "to know if I am to young to write a novel, or get", "but I don't think they know that I am very serious about this.", "but then has to live with the murderers with almost no knowledge that", "is that I am 12. I want to know if I am to", "murdered but then has to live with the murderers with almost no knowledge", "ones that killed her. (Amnesia) The only big problem I have is that", "to live with the murderers with almost no knowledge that they are the", "to young to write a novel, or get it published. My family (most", "young to write a novel, or get it published. My family (most of", "Is it possible to be young and get it published? (I will probably", "went from Androids to this. Is it possible to be young and get", "almost no knowledge that they are the ones that killed her. (Amnesia) The", "am very serious about this. My story went from Androids to this. Is", "the murderers with almost no knowledge that they are the ones that killed", "that killed her. (Amnesia) The only big problem I have is that I", "only big problem I have is that I am 12. I want to", "think they know that I am very serious about this. My story went", "anyway) support me, but I don't think they know that I am very", "published. My family (most of them, anyway) support me, but I don't think", "me, but I don't think they know that I am very serious about", "are the ones that killed her. (Amnesia) The only big problem I have", "no knowledge that they are the ones that killed her. (Amnesia) The only", "problem I have is that I am 12. I want to know if", "this. Is it possible to be young and get it published? (I will", "serious about this. My story went from Androids to this. Is it possible", "write a novel, or get it published. My family (most of them, anyway)", "get it published? (I will probably be done by the time I am", "know that I am very serious about this. My story went from Androids", "want to know if I am to young to write a novel, or", "is called 'Murder' It's about a girl who almost gets murdered but then", "Androids to this. Is it possible to be young and get it published?", "story went from Androids to this. Is it possible to be young and", "it published? (I will probably be done by the time I am 13)", "I don't think they know that I am very serious about this. My", "(Amnesia) The only big problem I have is that I am 12. I", "support me, but I don't think they know that I am very serious", "it possible to be young and get it published? (I will probably be", "possible to be young and get it published? (I will probably be done", "they know that I am very serious about this. My story went from", "family (most of them, anyway) support me, but I don't think they know", "and get it published? (I will probably be done by the time I", "My story went from Androids to this. Is it possible to be young", "or get it published. My family (most of them, anyway) support me, but", "that is called 'Murder' It's about a girl who almost gets murdered but", "don't think they know that I am very serious about this. My story", "that they are the ones that killed her. (Amnesia) The only big problem", "murderers with almost no knowledge that they are the ones that killed her.", "My family (most of them, anyway) support me, but I don't think they", "I have is that I am 12. I want to know if I", "killed her. (Amnesia) The only big problem I have is that I am", "them, anyway) support me, but I don't think they know that I am", "have is that I am 12. I want to know if I am", "if I am to young to write a novel, or get it published.", "knowledge that they are the ones that killed her. (Amnesia) The only big", "I am writing a novel that is called 'Murder' It's about a girl", "to write a novel, or get it published. My family (most of them,", "to be young and get it published? (I will probably be done by", "novel, or get it published. My family (most of them, anyway) support me,", "very serious about this. My story went from Androids to this. Is it", "they are the ones that killed her. (Amnesia) The only big problem I", "12. I want to know if I am to young to write a", "with almost no knowledge that they are the ones that killed her. (Amnesia)", "of them, anyway) support me, but I don't think they know that I", "about a girl who almost gets murdered but then has to live with", "am to young to write a novel, or get it published. My family", "I am to young to write a novel, or get it published. My", "'Murder' It's about a girl who almost gets murdered but then has to", "a novel, or get it published. My family (most of them, anyway) support", "get it published. My family (most of them, anyway) support me, but I", "gets murdered but then has to live with the murderers with almost no", "I am very serious about this. My story went from Androids to this.", "It's about a girl who almost gets murdered but then has to live", "has to live with the murderers with almost no knowledge that they are", "I want to know if I am to young to write a novel,", "be young and get it published? (I will probably be done by the", "live with the murderers with almost no knowledge that they are the ones", "almost gets murdered but then has to live with the murderers with almost", "am writing a novel that is called 'Murder' It's about a girl who", "writing a novel that is called 'Murder' It's about a girl who almost", "young and get it published? (I will probably be done by the time", "then has to live with the murderers with almost no knowledge that they", "about this. My story went from Androids to this. Is it possible to", "girl who almost gets murdered but then has to live with the murderers", "the ones that killed her. (Amnesia) The only big problem I have is" ]
[ "got this sense that everything on earth and the universe will eventually decay", "or end. It may take seconds, hours, years or even billion of years.", "decay of plutonium, and the ultimate end of the universe (the Big Rip).", "say for example the life span of fridges and washing machines, the decay", "plutonium, and the ultimate end of the universe (the Big Rip). Is there", "the universe (the Big Rip). Is there a concept, idea, or theory that", "that states or tells us that this is indeed the case? And what", "the life span of fridges and washing machines, the decay of plutonium, and", "the ultimate end of the universe (the Big Rip). Is there a concept,", "indeed the case? And what are those? I've already got the Second Law", "or tells us that this is indeed the case? And what are those?", "span of fridges and washing machines, the decay of plutonium, and the ultimate", "end. It may take seconds, hours, years or even billion of years. Let", "this is indeed the case? And what are those? I've already got the", "and washing machines, the decay of plutonium, and the ultimate end of the", "It may take seconds, hours, years or even billion of years. Let us", "may take seconds, hours, years or even billion of years. Let us say", "us say for example the life span of fridges and washing machines, the", "billion of years. Let us say for example the life span of fridges", "hours, years or even billion of years. Let us say for example the", "the decay of plutonium, and the ultimate end of the universe (the Big", "and the universe will eventually decay or end. It may take seconds, hours,", "that everything on earth and the universe will eventually decay or end. It", "eventually decay or end. It may take seconds, hours, years or even billion", "sense that everything on earth and the universe will eventually decay or end.", "everything on earth and the universe will eventually decay or end. It may", "of the universe (the Big Rip). Is there a concept, idea, or theory", "are those? I've already got the Second Law of Thermodynamics to begin with.", "I've got this sense that everything on earth and the universe will eventually", "or theory that states or tells us that this is indeed the case?", "take seconds, hours, years or even billion of years. Let us say for", "washing machines, the decay of plutonium, and the ultimate end of the universe", "tells us that this is indeed the case? And what are those? I've", "Let us say for example the life span of fridges and washing machines,", "example the life span of fridges and washing machines, the decay of plutonium,", "this sense that everything on earth and the universe will eventually decay or", "machines, the decay of plutonium, and the ultimate end of the universe (the", "Rip). Is there a concept, idea, or theory that states or tells us", "theory that states or tells us that this is indeed the case? And", "concept, idea, or theory that states or tells us that this is indeed", "even billion of years. Let us say for example the life span of", "end of the universe (the Big Rip). Is there a concept, idea, or", "the case? And what are those? I've already got the Second Law of", "universe will eventually decay or end. It may take seconds, hours, years or", "idea, or theory that states or tells us that this is indeed the", "there a concept, idea, or theory that states or tells us that this", "is indeed the case? And what are those? I've already got the Second", "life span of fridges and washing machines, the decay of plutonium, and the", "decay or end. It may take seconds, hours, years or even billion of", "ultimate end of the universe (the Big Rip). Is there a concept, idea,", "a concept, idea, or theory that states or tells us that this is", "that this is indeed the case? And what are those? I've already got", "the universe will eventually decay or end. It may take seconds, hours, years", "universe (the Big Rip). Is there a concept, idea, or theory that states", "states or tells us that this is indeed the case? And what are", "years. Let us say for example the life span of fridges and washing", "fridges and washing machines, the decay of plutonium, and the ultimate end of", "of plutonium, and the ultimate end of the universe (the Big Rip). Is", "what are those? I've already got the Second Law of Thermodynamics to begin", "case? And what are those? I've already got the Second Law of Thermodynamics", "for example the life span of fridges and washing machines, the decay of", "us that this is indeed the case? And what are those? I've already", "years or even billion of years. Let us say for example the life", "or even billion of years. Let us say for example the life span", "of fridges and washing machines, the decay of plutonium, and the ultimate end", "Is there a concept, idea, or theory that states or tells us that", "earth and the universe will eventually decay or end. It may take seconds,", "(the Big Rip). Is there a concept, idea, or theory that states or", "And what are those? I've already got the Second Law of Thermodynamics to", "seconds, hours, years or even billion of years. Let us say for example", "Big Rip). Is there a concept, idea, or theory that states or tells", "on earth and the universe will eventually decay or end. It may take", "of years. Let us say for example the life span of fridges and", "and the ultimate end of the universe (the Big Rip). Is there a", "will eventually decay or end. It may take seconds, hours, years or even" ]
[ "education, in any field, influences the writing ability of an author. Does maturity", "have better stories to tell due to the different life experiences they get?", "Do people having been educated in different countries than their homeland have better", "an author. A literate person, without any formal education, could pen an amazing", "in any field, influences the writing ability of an author. Does maturity in", "maturity in the writing technique and the story itself, come with being better", "do not mean to ask how important a degree in English is for", "their homeland have better stories to tell due to the different life experiences", "is for an author. A literate person, without any formal education, could pen", "ability of an author. Does maturity in the writing technique and the story", "of an author. Does maturity in the writing technique and the story itself,", "I do not mean to ask how important a degree in English is", "mean to ask how important a degree in English is for an author.", "By education I do not mean to ask how important a degree in", "in different countries than their homeland have better stories to tell due to", "being better educated? Do people having been educated in different countries than their", "other hand, a PhD might not guarantee professional success. I want to know", "an author. Does maturity in the writing technique and the story itself, come", "influences the writing ability of an author. Does maturity in the writing technique", "A literate person, without any formal education, could pen an amazing story. On", "literate person, without any formal education, could pen an amazing story. On the", "in the writing technique and the story itself, come with being better educated?", "a degree in English is for an author. A literate person, without any", "amazing story. On the other hand, a PhD might not guarantee professional success.", "author. A literate person, without any formal education, could pen an amazing story.", "guarantee professional success. I want to know how education, in any field, influences", "On the other hand, a PhD might not guarantee professional success. I want", "degree in English is for an author. A literate person, without any formal", "to know how education, in any field, influences the writing ability of an", "people having been educated in different countries than their homeland have better stories", "than their homeland have better stories to tell due to the different life", "with being better educated? Do people having been educated in different countries than", "writing technique and the story itself, come with being better educated? Do people", "success. I want to know how education, in any field, influences the writing", "could pen an amazing story. On the other hand, a PhD might not", "the writing ability of an author. Does maturity in the writing technique and", "ask how important a degree in English is for an author. A literate", "better educated? Do people having been educated in different countries than their homeland", "been educated in different countries than their homeland have better stories to tell", "story itself, come with being better educated? Do people having been educated in", "any formal education, could pen an amazing story. On the other hand, a", "the other hand, a PhD might not guarantee professional success. I want to", "come with being better educated? Do people having been educated in different countries", "want to know how education, in any field, influences the writing ability of", "education I do not mean to ask how important a degree in English", "PhD might not guarantee professional success. I want to know how education, in", "itself, come with being better educated? Do people having been educated in different", "education, could pen an amazing story. On the other hand, a PhD might", "having been educated in different countries than their homeland have better stories to", "countries than their homeland have better stories to tell due to the different", "the story itself, come with being better educated? Do people having been educated", "story. On the other hand, a PhD might not guarantee professional success. I", "important a degree in English is for an author. A literate person, without", "technique and the story itself, come with being better educated? Do people having", "might not guarantee professional success. I want to know how education, in any", "any field, influences the writing ability of an author. Does maturity in the", "Does maturity in the writing technique and the story itself, come with being", "not mean to ask how important a degree in English is for an", "the writing technique and the story itself, come with being better educated? Do", "know how education, in any field, influences the writing ability of an author.", "I want to know how education, in any field, influences the writing ability", "educated in different countries than their homeland have better stories to tell due", "homeland have better stories to tell due to the different life experiences they", "different countries than their homeland have better stories to tell due to the", "for an author. A literate person, without any formal education, could pen an", "an amazing story. On the other hand, a PhD might not guarantee professional", "a PhD might not guarantee professional success. I want to know how education,", "to ask how important a degree in English is for an author. A", "how important a degree in English is for an author. A literate person,", "and the story itself, come with being better educated? Do people having been", "educated? Do people having been educated in different countries than their homeland have", "how education, in any field, influences the writing ability of an author. Does", "author. Does maturity in the writing technique and the story itself, come with", "hand, a PhD might not guarantee professional success. I want to know how", "in English is for an author. A literate person, without any formal education,", "person, without any formal education, could pen an amazing story. On the other", "field, influences the writing ability of an author. Does maturity in the writing", "writing ability of an author. Does maturity in the writing technique and the", "English is for an author. A literate person, without any formal education, could", "professional success. I want to know how education, in any field, influences the", "formal education, could pen an amazing story. On the other hand, a PhD", "pen an amazing story. On the other hand, a PhD might not guarantee", "not guarantee professional success. I want to know how education, in any field,", "without any formal education, could pen an amazing story. On the other hand," ]
[ "about people who stayed on earth. They are trying to find a cure", "other infected species outside the solar system, soon we'll only be able to", "read. My Questions: ------------- How can I write a story from a collective", "a single mind controlling numerous bodies at the same time. Each of the", "alien-hive-mind perception of reality, but the third person plural past tense, which sounds", "creatures, it tries to live its life in the most agreeable way possible.", "the fundamental difference between human and alien-hive-mind perception of reality, but the third", "system, soon we'll only be able to share our thoughs with the people", "most creatures, it tries to live its life in the most agreeable way", "perspective without being confusing or obnoxious? Should I use a first or third", "no space-bacteria in their brain, and need daily injections to stay \"normal\". Even", "collective can feel different emotions and needs at the same time, but it's", "systems in the hope of finding new strains of the bacteria to re-infect", "other hive minds they'll meet on their journey (I haven't decided yet on", "a blanket during storms, etc.). The collective can feel different emotions and needs", "parts of the hive mind degenerate into partially connected individuals. One part of", "the ship crew, and from the POV of other hive minds they'll meet", "is about people who stayed on earth. They are trying to find a", "the same time, but it's still one mind. Like most creatures, it tries", "trying to find a cure against our immune system, struggling to maintain social", "strength is globally diminishing. We can barely feel the presence of the other", "the connection is deteriorating, so as the story progresses some parts of the", "I'll write a few scenes to try different styles and see what works.", "first view perspective, while using \"we\" and \"us\". But the first scenes I", "have written are super-annoying to read. My Questions: ------------- How can I write", "and their basic instincts are still there (young ones enjoy playing a lot,", "the space-bacteria signal strength is globally diminishing. We can barely feel the presence", "from a collective mind perspective without being confusing or obnoxious? Should I use", "need daily injections to stay \"normal\". Even worse, the space-bacteria signal strength is", "the hope of finding new strains of the bacteria to re-infect everyone. They", "yet on how these other collectives will be structured). I was thinking about", "of the bodies have different perceptions, since their senses perceive the world differently", "immune system, struggling to maintain social order and trying to cope with the", "with the loss of happiness. * The other is about a team sent", "immediate vicinity. Teams of space-travelers are sent to other planetary systems in the", "of finding new strains of the bacteria to re-infect everyone. They are humanity's", "their noble quest. Additional information: ----------------------- Our bacterial hive-mind is kind of like", "humanity's last hope to be happy again. My story explores two facets of", "of the bacteria to re-infect everyone. They are humanity's last hope to be", "the POV of other hive minds they'll meet on their journey (I haven't", "meet infected and non-infected civilizations, ask for information on the bacteria in space-taverns,", "the earth collective mind POV, another from a smaller collective mind POV, formed", "hope to be happy again. My story explores two facets of this terrible,", "find a cure against our immune system, struggling to maintain social order and", "be not the fundamental difference between human and alien-hive-mind perception of reality, but", "fight back. More and more babies are born with little to no space-bacteria", "a cure against our immune system, struggling to maintain social order and trying", "The other is about a team sent to space: they travel around, meet", "and trying to cope with the loss of happiness. * The other is", "the blood and brain and allows the infected to join their minds together,", "write in French and my worst enemy seems to be not the fundamental", "Our bacterial hive-mind is kind of like a single mind controlling numerous bodies", "blanket during storms, etc.). The collective can feel different emotions and needs at", "bacteria in space-taverns, learn the concept of money and hire a few space-mercenaries", "a collective mind perspective without being confusing or obnoxious? Should I use a", "They are humanity's last hope to be happy again. My story explores two", "so as the story progresses some parts of the hive mind degenerate into", "the story is told from the earth collective mind POV, another from a", "the most agreeable way possible. On earth, the connection is deteriorating, so as", "I write in French and my worst enemy seems to be not the", "trying to cope with the loss of happiness. * The other is about", "But the first scenes I have written are super-annoying to read. My Questions:", "other collectives will be structured). I was thinking about writing in a first", "their minds together, there is no alien overlord, just an interplanetary community of", "collective mind POV, another from a smaller collective mind POV, formed by the", "to be not the fundamental difference between human and alien-hive-mind perception of reality,", "them enjoy hugging and kissing, some prefer to hide under a blanket during", "these other collectives will be structured). I was thinking about writing in a", "we'll only be able to share our thoughs with the people in our", "progresses some parts of the hive mind degenerate into partially connected individuals. One", "everyone. They are humanity's last hope to be happy again. My story explores", "finding new strains of the bacteria to re-infect everyone. They are humanity's last", "a story from a collective mind perspective without being confusing or obnoxious? Should", "of the other infected species outside the solar system, soon we'll only be", "bacterial hive-mind is kind of like a single mind controlling numerous bodies at", "from the POV of other hive minds they'll meet on their journey (I", "concept of money and hire a few space-mercenaries to help them in their", "of this terrible, terrible situation: * One part is about people who stayed", "a smaller collective mind POV, formed by the ship crew, and from the", "tries to live its life in the most agreeable way possible. On earth,", "as the story progresses some parts of the hive mind degenerate into partially", "formed by the ship crew, and from the POV of other hive minds", "see what works. Full disclosure: I write in French and my worst enemy", "worse, the space-bacteria signal strength is globally diminishing. We can barely feel the", "solar system, soon we'll only be able to share our thoughs with the", "an interplanetary community of spirit. Everyone is happy. The problem is that our", "maintain social order and trying to cope with the loss of happiness. ", "time, but it's still one mind. Like most creatures, it tries to live", "write a few scenes to try different styles and see what works. Full", "signal strength is globally diminishing. We can barely feel the presence of the", "have been incorporated into an alien hive mind, spread by a bacterial-like infection.", "together, there is no alien overlord, just an interplanetary community of spirit. Everyone", "feel different emotions and needs at the same time, but it's still one", "of spirit. Everyone is happy. The problem is that our immune system starts", "around, meet infected and non-infected civilizations, ask for information on the bacteria in", "strains of the bacteria to re-infect everyone. They are humanity's last hope to", "ones enjoy playing a lot, most of them enjoy hugging and kissing, some", "against our immune system, struggling to maintain social order and trying to cope", "one mind. Like most creatures, it tries to live its life in the", "meet on their journey (I haven't decided yet on how these other collectives", "my worst enemy seems to be not the fundamental difference between human and", "to live its life in the most agreeable way possible. On earth, the", "numerous bodies at the same time. Each of the bodies have different perceptions,", "story from a collective mind perspective without being confusing or obnoxious? Should I", "team sent to space: they travel around, meet infected and non-infected civilizations, ask", "diminishing. We can barely feel the presence of the other infected species outside", "playing a lot, most of them enjoy hugging and kissing, some prefer to", "is that our immune system starts to fight back. More and more babies", "Questions: ------------- How can I write a story from a collective mind perspective", "Centuries ago, humanity have been incorporated into an alien hive mind, spread by", "spirit. Everyone is happy. The problem is that our immune system starts to", "infected species outside the solar system, soon we'll only be able to share", "since their senses perceive the world differently and their basic instincts are still", "story explores two facets of this terrible, terrible situation: One part is", "barely feel the presence of the other infected species outside the solar system,", "into partially connected individuals. One part of the story is told from the", "another from a smaller collective mind POV, formed by the ship crew, and", "kissing, some prefer to hide under a blanket during storms, etc.). The collective", "earth collective mind POV, another from a smaller collective mind POV, formed by", "enjoy playing a lot, most of them enjoy hugging and kissing, some prefer", "a lot, most of them enjoy hugging and kissing, some prefer to hide", "from a smaller collective mind POV, formed by the ship crew, and from", "or obnoxious? Should I use a first or third person narrative? Are there", "space-taverns, learn the concept of money and hire a few space-mercenaries to help", "different perceptions, since their senses perceive the world differently and their basic instincts", "(I haven't decided yet on how these other collectives will be structured). I", "mind POV? --- Thanks everyone for your advice, I'll write a few scenes", "spread by a bacterial-like infection. The \"bacteria\" infects the blood and brain and", "order and trying to cope with the loss of happiness. * The other", "senses perceive the world differently and their basic instincts are still there (young", "writing in a first view perspective, while using \"we\" and \"us\". But the", "from the earth collective mind POV, another from a smaller collective mind POV,", "world differently and their basic instincts are still there (young ones enjoy playing", "and need daily injections to stay \"normal\". Even worse, the space-bacteria signal strength", "brain and allows the infected to join their minds together, there is no", "a few space-mercenaries to help them in their noble quest. Additional information: -----------------------", "its life in the most agreeable way possible. On earth, the connection is", "and alien-hive-mind perception of reality, but the third person plural past tense, which", "life in the most agreeable way possible. On earth, the connection is deteriorating,", "part of the story is told from the earth collective mind POV, another", "write a story from a collective mind perspective without being confusing or obnoxious?", "ask for information on the bacteria in space-taverns, learn the concept of money", "seems to be not the fundamental difference between human and alien-hive-mind perception of", "just an interplanetary community of spirit. Everyone is happy. The problem is that", "The collective can feel different emotions and needs at the same time, but", "re-infect everyone. They are humanity's last hope to be happy again. My story", "The \"bacteria\" infects the blood and brain and allows the infected to join", "money and hire a few space-mercenaries to help them in their noble quest.", "controlling numerous bodies at the same time. Each of the bodies have different", "super-annoying to read. My Questions: ------------- How can I write a story from", "system starts to fight back. More and more babies are born with little", "The problem is that our immune system starts to fight back. More and", "to other planetary systems in the hope of finding new strains of the", "They are trying to find a cure against our immune system, struggling to", "share our thoughs with the people in our immediate vicinity. Teams of space-travelers", "to fight back. More and more babies are born with little to no", "allows the infected to join their minds together, there is no alien overlord,", "told from a hive mind POV? --- Thanks everyone for your advice, I'll", "to help them in their noble quest. Additional information: ----------------------- Our bacterial hive-mind", "hive mind degenerate into partially connected individuals. One part of the story is", "I use a first or third person narrative? Are there well-written stories told", "and kissing, some prefer to hide under a blanket during storms, etc.). The", "babies are born with little to no space-bacteria in their brain, and need", "an alien hive mind, spread by a bacterial-like infection. The \"bacteria\" infects the", "other planetary systems in the hope of finding new strains of the bacteria", "deteriorating, so as the story progresses some parts of the hive mind degenerate", "to hide under a blanket during storms, etc.). The collective can feel different", "first or third person narrative? Are there well-written stories told from a hive", "was thinking about writing in a first view perspective, while using \"we\" and", "our immune system, struggling to maintain social order and trying to cope with", "no alien overlord, just an interplanetary community of spirit. Everyone is happy. The", "in their noble quest. Additional information: ----------------------- Our bacterial hive-mind is kind of", "the other infected species outside the solar system, soon we'll only be able", "are super-annoying to read. My Questions: ------------- How can I write a story", "hive mind, spread by a bacterial-like infection. The \"bacteria\" infects the blood and", "story: ---------- Centuries ago, humanity have been incorporated into an alien hive mind,", "POV? --- Thanks everyone for your advice, I'll write a few scenes to", "feel the presence of the other infected species outside the solar system, soon", "ago, humanity have been incorporated into an alien hive mind, spread by a", "people who stayed on earth. They are trying to find a cure against", "our immediate vicinity. Teams of space-travelers are sent to other planetary systems in", "species outside the solar system, soon we'll only be able to share our", "loss of happiness. * The other is about a team sent to space:", "space: they travel around, meet infected and non-infected civilizations, ask for information on", "of reality, but the third person plural past tense, which sounds unnatural and", "story progresses some parts of the hive mind degenerate into partially connected individuals.", "stayed on earth. They are trying to find a cure against our immune", "for your advice, I'll write a few scenes to try different styles and", "there well-written stories told from a hive mind POV? --- Thanks everyone for", "mind controlling numerous bodies at the same time. Each of the bodies have", "\"we\" and \"us\". But the first scenes I have written are super-annoying to", "presence of the other infected species outside the solar system, soon we'll only", "from a hive mind POV? --- Thanks everyone for your advice, I'll write", "perceive the world differently and their basic instincts are still there (young ones", "their journey (I haven't decided yet on how these other collectives will be", "they travel around, meet infected and non-infected civilizations, ask for information on the", "perception of reality, but the third person plural past tense, which sounds unnatural", "this terrible, terrible situation: * One part is about people who stayed on", "We can barely feel the presence of the other infected species outside the", "decided yet on how these other collectives will be structured). I was thinking", "mind perspective without being confusing or obnoxious? Should I use a first or", "works. Full disclosure: I write in French and my worst enemy seems to", "person narrative? Are there well-written stories told from a hive mind POV? ---", "are trying to find a cure against our immune system, struggling to maintain", "about a team sent to space: they travel around, meet infected and non-infected", "some parts of the hive mind degenerate into partially connected individuals. One part", "scenes to try different styles and see what works. Full disclosure: I write", "by the ship crew, and from the POV of other hive minds they'll", "fundamental difference between human and alien-hive-mind perception of reality, but the third person", "a bacterial-like infection. The \"bacteria\" infects the blood and brain and allows the", "Teams of space-travelers are sent to other planetary systems in the hope of", "Everyone is happy. The problem is that our immune system starts to fight", "they'll meet on their journey (I haven't decided yet on how these other", "the bacteria to re-infect everyone. 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The problem", "space-bacteria in their brain, and need daily injections to stay \"normal\". Even worse,", "and allows the infected to join their minds together, there is no alien", "minds together, there is no alien overlord, just an interplanetary community of spirit.", "reality, but the third person plural past tense, which sounds unnatural and wrong.", "injections to stay \"normal\". Even worse, the space-bacteria signal strength is globally diminishing.", "with the people in our immediate vicinity. Teams of space-travelers are sent to", "people in our immediate vicinity. Teams of space-travelers are sent to other planetary", "little to no space-bacteria in their brain, and need daily injections to stay", "third person narrative? Are there well-written stories told from a hive mind POV?", "still there (young ones enjoy playing a lot, most of them enjoy hugging", "the bodies have different perceptions, since their senses perceive the world differently and", "it's still one mind. Like most creatures, it tries to live its life", "of the story is told from the earth collective mind POV, another from", "possible. On earth, the connection is deteriorating, so as the story progresses some", "collectives will be structured). I was thinking about writing in a first view", "Should I use a first or third person narrative? Are there well-written stories", "and see what works. Full disclosure: I write in French and my worst", "not the fundamental difference between human and alien-hive-mind perception of reality, but the", "space-mercenaries to help them in their noble quest. Additional information: ----------------------- Our bacterial", "there is no alien overlord, just an interplanetary community of spirit. Everyone is", "to find a cure against our immune system, struggling to maintain social order", "and \"us\". But the first scenes I have written are super-annoying to read.", "in the most agreeable way possible. 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[ "twists or complications I put in, they always seemed dry, proceeding from one", "I have discovered a way to fix this: by making sure, from the", "to the next. I believe I have discovered a way to fix this:", "as a safeguard against accidental preaching of said theme. HOWEVER, it appears that", "protagonist) be the MAIN conflict (the main problem in the story). The main", "message, of my novel. In addition, I link the main character to the", "theme. HOWEVER, it appears that this method is prone to making the hero's", "prone to making the hero's inner conflict (what I think of as conflicting", "matter how many twists or complications I put in, they always seemed dry,", "main conflict is the inner conflict. Is this okay? This doesn't strike me", "fix this: by making sure, from the beginning, that my conflict is linked", "conflict. Is this okay? This doesn't strike me as much of a problem,", "this method is prone to making the hero's inner conflict (what I think", "doesn't strike me as much of a problem, but being an aspiring author,", "as much of a problem, but being an aspiring author, I want to", "The main conflict is the inner conflict. Is this okay? This doesn't strike", "making the hero's inner conflict (what I think of as conflicting sides within", "by making sure, from the beginning, that my conflict is linked to the", "be working, and has the added benefit of acting as a safeguard against", "theme. This seems to be working, and has the added benefit of acting", "believe I have discovered a way to fix this: by making sure, from", "of my novel. In addition, I link the main character to the theme.", "my conflict is linked to the theme, or message, of my novel. In", "theme, or message, of my novel. In addition, I link the main character", "created seemed heavily sequential. No matter how many twists or complications I put", "I believe I have discovered a way to fix this: by making sure,", "think of as conflicting sides within the protagonist) be the MAIN conflict (the", "plots. The plots I created seemed heavily sequential. No matter how many twists", "HOWEVER, it appears that this method is prone to making the hero's inner", "story). The main conflict is the inner conflict. Is this okay? This doesn't", "of a problem, but being an aspiring author, I want to be sure.", "complications I put in, they always seemed dry, proceeding from one problem to", "appears that this method is prone to making the hero's inner conflict (what", "strike me as much of a problem, but being an aspiring author, I", "I put in, they always seemed dry, proceeding from one problem to the", "is the inner conflict. Is this okay? This doesn't strike me as much", "addition, I link the main character to the theme. This seems to be", "having trouble with developing plots. The plots I created seemed heavily sequential. No", "novel. In addition, I link the main character to the theme. This seems", "have discovered a way to fix this: by making sure, from the beginning,", "of said theme. HOWEVER, it appears that this method is prone to making", "problem to the next. I believe I have discovered a way to fix", "The plots I created seemed heavily sequential. No matter how many twists or", "In addition, I link the main character to the theme. This seems to", "the next. I believe I have discovered a way to fix this: by", "this okay? This doesn't strike me as much of a problem, but being", "the inner conflict. Is this okay?** This doesn't strike me as much of", "main character to the theme. This seems to be working, and has the", "link the main character to the theme. This seems to be working, and", "MAIN conflict (the main problem in the story). The main conflict is the", "I link the main character to the theme. This seems to be working,", "main problem in the story). The main conflict is the inner conflict. *Is", "inner conflict (what I think of as conflicting sides within the protagonist) be", "from the beginning, that my conflict is linked to the theme, or message,", "character to the theme. This seems to be working, and has the added", "conflicting sides within the protagonist) be the MAIN conflict (the main problem in", "the added benefit of acting as a safeguard against accidental preaching of said", "the main character to the theme. This seems to be working, and has", "way to fix this: by making sure, from the beginning, that my conflict", "developing plots. The plots I created seemed heavily sequential. No matter how many", "of as conflicting sides within the protagonist) be the MAIN conflict (the main", "Is this okay?* This doesn't strike me as much of a problem, but", "seemed dry, proceeding from one problem to the next. I believe I have", "discovered a way to fix this: by making sure, from the beginning, that", "dry, proceeding from one problem to the next. I believe I have discovered", "working, and has the added benefit of acting as a safeguard against accidental", "recently been having trouble with developing plots. The plots I created seemed heavily", "added benefit of acting as a safeguard against accidental preaching of said theme.", "with developing plots. The plots I created seemed heavily sequential. No matter how", "No matter how many twists or complications I put in, they always seemed", "making sure, from the beginning, that my conflict is linked to the theme,", "the beginning, that my conflict is linked to the theme, or message, of", "linked to the theme, or message, of my novel. In addition, I link", "next. I believe I have discovered a way to fix this: by making", "within the protagonist) be the MAIN conflict (the main problem in the story).", "to the theme. This seems to be working, and has the added benefit", "and has the added benefit of acting as a safeguard against accidental preaching", "one problem to the next. I believe I have discovered a way to", "a way to fix this: by making sure, from the beginning, that my", "This seems to be working, and has the added benefit of acting as", "how many twists or complications I put in, they always seemed dry, proceeding", "plots I created seemed heavily sequential. No matter how many twists or complications", "in, they always seemed dry, proceeding from one problem to the next. I", "seems to be working, and has the added benefit of acting as a", "I think of as conflicting sides within the protagonist) be the MAIN conflict", "is linked to the theme, or message, of my novel. In addition, I", "safeguard against accidental preaching of said theme. HOWEVER, it appears that this method", "heavily sequential. No matter how many twists or complications I put in, they", "beginning, that my conflict is linked to the theme, or message, of my", "many twists or complications I put in, they always seemed dry, proceeding from", "or complications I put in, they always seemed dry, proceeding from one problem", "accidental preaching of said theme. HOWEVER, it appears that this method is prone", "okay?** This doesn't strike me as much of a problem, but being an", "always seemed dry, proceeding from one problem to the next. I believe I", "sure, from the beginning, that my conflict is linked to the theme, or", "method is prone to making the hero's inner conflict (what I think of", "they always seemed dry, proceeding from one problem to the next. I believe", "against accidental preaching of said theme. HOWEVER, it appears that this method is", "said theme. HOWEVER, it appears that this method is prone to making the", "hero's inner conflict (what I think of as conflicting sides within the protagonist)", "sides within the protagonist) be the MAIN conflict (the main problem in the", "sequential. No matter how many twists or complications I put in, they always", "is prone to making the hero's inner conflict (what I think of as", "the story). The main conflict is the inner conflict. Is this okay? This", "in the story). The main conflict is the inner conflict. Is this okay?", "to fix this: by making sure, from the beginning, that my conflict is", "or message, of my novel. In addition, I link the main character to", "conflict (the main problem in the story). The main conflict is the inner", "this: by making sure, from the beginning, that my conflict is linked to", "inner conflict. Is this okay? This doesn't strike me as much of a", "benefit of acting as a safeguard against accidental preaching of said theme. HOWEVER,", "the theme. This seems to be working, and has the added benefit of", "trouble with developing plots. The plots I created seemed heavily sequential. No matter", "to be working, and has the added benefit of acting as a safeguard", "of acting as a safeguard against accidental preaching of said theme. HOWEVER, it", "acting as a safeguard against accidental preaching of said theme. HOWEVER, it appears", "I've recently been having trouble with developing plots. The plots I created seemed", "the theme, or message, of my novel. In addition, I link the main", "I created seemed heavily sequential. No matter how many twists or complications I", "be the MAIN conflict (the main problem in the story). The main conflict", "has the added benefit of acting as a safeguard against accidental preaching of", "to the theme, or message, of my novel. In addition, I link the", "This doesn't strike me as much of a problem, but being an aspiring", "from one problem to the next. I believe I have discovered a way", "conflict is the inner conflict. Is this okay? This doesn't strike me as", "conflict (what I think of as conflicting sides within the protagonist) be the", "preaching of said theme. HOWEVER, it appears that this method is prone to", "(the main problem in the story). The main conflict is the inner conflict.", "my novel. In addition, I link the main character to the theme. This", "the MAIN conflict (the main problem in the story). The main conflict is", "the hero's inner conflict (what I think of as conflicting sides within the", "to making the hero's inner conflict (what I think of as conflicting sides", "a safeguard against accidental preaching of said theme. HOWEVER, it appears that this", "been having trouble with developing plots. The plots I created seemed heavily sequential.", "as conflicting sides within the protagonist) be the MAIN conflict (the main problem", "me as much of a problem, but being an aspiring author, I want", "proceeding from one problem to the next. I believe I have discovered a", "that my conflict is linked to the theme, or message, of my novel.", "that this method is prone to making the hero's inner conflict (what I", "(what I think of as conflicting sides within the protagonist) be the MAIN", "the protagonist) be the MAIN conflict (the main problem in the story). The", "seemed heavily sequential. No matter how many twists or complications I put in,", "it appears that this method is prone to making the hero's inner conflict", "problem in the story). The main conflict is the inner conflict. **Is this", "much of a problem, but being an aspiring author, I want to be", "conflict is linked to the theme, or message, of my novel. In addition,", "put in, they always seemed dry, proceeding from one problem to the next." ]
[ "independently is basically a freelancer/self-employed person, and a self-employed person can use a", "just get right to the publishing part. Since anyone who makes money independently", "a pen name without a D.B.A. or the related such, I am assuming", "shouldn't have to file taxes as long as I'm not making tons of", "name without a D.B.A. or the related such, I am assuming that publishing", "freelancer/self-employed person, and a self-employed person can use a pen name without a", "Since anyone who makes money independently is basically a freelancer/self-employed person, and a", "to the publishing part. Since anyone who makes money independently is basically a", "publishing is as simple as writing, formatting, and completing -- then making it", "I want to know if I'm safe publishing a book(s) with no copyright/trademarks/etc.", "I shouldn't have to file taxes as long as I'm not making tons", "publishing a book(s) with no copyright/trademarks/etc. and avoiding any kind of business moniker", "without a D.B.A. or the related such, I am assuming that publishing is", "know if I'm safe publishing a book(s) with no copyright/trademarks/etc. and avoiding any", "is as simple as writing, formatting, and completing -- then making it available", "business moniker (like a D.B.A. or registration) in order to just get right", "registration) in order to just get right to the publishing part. Since anyone", "self-employed person can use a pen name without a D.B.A. or the related", "it available to others. I shouldn't have to file taxes as long as", "and avoiding any kind of business moniker (like a D.B.A. or registration) in", "have to file taxes as long as I'm not making tons of money,", "assuming that publishing is as simple as writing, formatting, and completing -- then", "moniker (like a D.B.A. or registration) in order to just get right to", "person can use a pen name without a D.B.A. or the related such,", "or registration) in order to just get right to the publishing part. Since", "(like a D.B.A. or registration) in order to just get right to the", "simple as writing, formatting, and completing -- then making it available to others.", "order to just get right to the publishing part. Since anyone who makes", "am assuming that publishing is as simple as writing, formatting, and completing --", "file taxes as long as I'm not making tons of money, as nobody", "part. Since anyone who makes money independently is basically a freelancer/self-employed person, and", "to file taxes as long as I'm not making tons of money, as", "kind of business moniker (like a D.B.A. or registration) in order to just", "-- then making it available to others. I shouldn't have to file taxes", "use a pen name without a D.B.A. or the related such, I am", "can use a pen name without a D.B.A. or the related such, I", "anyone who makes money independently is basically a freelancer/self-employed person, and a self-employed", "others. I shouldn't have to file taxes as long as I'm not making", "safe publishing a book(s) with no copyright/trademarks/etc. and avoiding any kind of business", "a book(s) with no copyright/trademarks/etc. and avoiding any kind of business moniker (like", "basically a freelancer/self-employed person, and a self-employed person can use a pen name", "I'm safe publishing a book(s) with no copyright/trademarks/etc. and avoiding any kind of", "and completing -- then making it available to others. I shouldn't have to", "person, and a self-employed person can use a pen name without a D.B.A.", "publishing part. Since anyone who makes money independently is basically a freelancer/self-employed person,", "a self-employed person can use a pen name without a D.B.A. or the", "money independently is basically a freelancer/self-employed person, and a self-employed person can use", "the publishing part. Since anyone who makes money independently is basically a freelancer/self-employed", "or the related such, I am assuming that publishing is as simple as", "as writing, formatting, and completing -- then making it available to others. I", "taxes as long as I'm not making tons of money, as nobody will", "a D.B.A. or the related such, I am assuming that publishing is as", "a freelancer/self-employed person, and a self-employed person can use a pen name without", "such, I am assuming that publishing is as simple as writing, formatting, and", "any kind of business moniker (like a D.B.A. or registration) in order to", "who makes money independently is basically a freelancer/self-employed person, and a self-employed person", "of business moniker (like a D.B.A. or registration) in order to just get", "pen name without a D.B.A. or the related such, I am assuming that", "then making it available to others. I shouldn't have to file taxes as", "completing -- then making it available to others. I shouldn't have to file", "as simple as writing, formatting, and completing -- then making it available to", "D.B.A. or registration) in order to just get right to the publishing part.", "D.B.A. or the related such, I am assuming that publishing is as simple", "with no copyright/trademarks/etc. and avoiding any kind of business moniker (like a D.B.A.", "and a self-employed person can use a pen name without a D.B.A. or", "get right to the publishing part. Since anyone who makes money independently is", "to just get right to the publishing part. Since anyone who makes money", "as long as I'm not making tons of money, as nobody will care.", "writing, formatting, and completing -- then making it available to others. I shouldn't", "formatting, and completing -- then making it available to others. I shouldn't have", "that publishing is as simple as writing, formatting, and completing -- then making", "I am assuming that publishing is as simple as writing, formatting, and completing", "making it available to others. I shouldn't have to file taxes as long", "avoiding any kind of business moniker (like a D.B.A. or registration) in order", "if I'm safe publishing a book(s) with no copyright/trademarks/etc. and avoiding any kind", "available to others. I shouldn't have to file taxes as long as I'm", "to know if I'm safe publishing a book(s) with no copyright/trademarks/etc. and avoiding", "copyright/trademarks/etc. and avoiding any kind of business moniker (like a D.B.A. or registration)", "in order to just get right to the publishing part. Since anyone who", "book(s) with no copyright/trademarks/etc. and avoiding any kind of business moniker (like a", "the related such, I am assuming that publishing is as simple as writing,", "makes money independently is basically a freelancer/self-employed person, and a self-employed person can", "is basically a freelancer/self-employed person, and a self-employed person can use a pen", "want to know if I'm safe publishing a book(s) with no copyright/trademarks/etc. and", "no copyright/trademarks/etc. and avoiding any kind of business moniker (like a D.B.A. or", "related such, I am assuming that publishing is as simple as writing, formatting,", "to others. I shouldn't have to file taxes as long as I'm not", "a D.B.A. or registration) in order to just get right to the publishing", "right to the publishing part. Since anyone who makes money independently is basically" ]
[ "Creative Commons kind of license). Is there any way I can \"protect\" ideas/characters", "own and profit like it's their work (as a Creative Commons kind of", "don't want this to be \"open-source\"; I don't want anyone to be able", "I don't want anyone to be able to re-use it as their own", "many years that I find many will truly enjoy when furnished out; however,", "this to be \"open-source\"; I don't want anyone to be able to re-use", "anyone to be able to re-use it as their own and profit like", "I've had for many years that I find many will truly enjoy when", "be able to re-use it as their own and profit like it's their", "their work (as a Creative Commons kind of license). Is there any way", "truly enjoy when furnished out; however, I don't want this to be \"open-source\";", "that I find many will truly enjoy when furnished out; however, I don't", "write a book about an idea/story I've had for many years that I", "\"open-source\"; I don't want anyone to be able to re-use it as their", "it as their own and profit like it's their work (as a Creative", "work (as a Creative Commons kind of license). Is there any way I", "I find many will truly enjoy when furnished out; however, I don't want", "furnished out; however, I don't want this to be \"open-source\"; I don't want", "able to re-use it as their own and profit like it's their work", "way I can \"protect\" ideas/characters without a copyright? Any simpler, easier, freer way?", "an idea/story I've had for many years that I find many will truly", "there any way I can \"protect\" ideas/characters without a copyright? Any simpler, easier,", "find many will truly enjoy when furnished out; however, I don't want this", "be \"open-source\"; I don't want anyone to be able to re-use it as", "however, I don't want this to be \"open-source\"; I don't want anyone to", "like it's their work (as a Creative Commons kind of license). Is there", "re-use it as their own and profit like it's their work (as a", "about an idea/story I've had for many years that I find many will", "I want to write a book about an idea/story I've had for many", "idea/story I've had for many years that I find many will truly enjoy", "for many years that I find many will truly enjoy when furnished out;", "many will truly enjoy when furnished out; however, I don't want this to", "and profit like it's their work (as a Creative Commons kind of license).", "to re-use it as their own and profit like it's their work (as", "profit like it's their work (as a Creative Commons kind of license). Is", "I don't want this to be \"open-source\"; I don't want anyone to be", "Is there any way I can \"protect\" ideas/characters without a copyright? Any simpler,", "book about an idea/story I've had for many years that I find many", "a Creative Commons kind of license). Is there any way I can \"protect\"", "of license). Is there any way I can \"protect\" ideas/characters without a copyright?", "to write a book about an idea/story I've had for many years that", "want this to be \"open-source\"; I don't want anyone to be able to", "license). Is there any way I can \"protect\" ideas/characters without a copyright? Any", "any way I can \"protect\" ideas/characters without a copyright? Any simpler, easier, freer", "enjoy when furnished out; however, I don't want this to be \"open-source\"; I", "a book about an idea/story I've had for many years that I find", "to be \"open-source\"; I don't want anyone to be able to re-use it", "years that I find many will truly enjoy when furnished out; however, I", "it's their work (as a Creative Commons kind of license). Is there any", "kind of license). Is there any way I can \"protect\" ideas/characters without a", "will truly enjoy when furnished out; however, I don't want this to be", "out; however, I don't want this to be \"open-source\"; I don't want anyone", "when furnished out; however, I don't want this to be \"open-source\"; I don't", "as their own and profit like it's their work (as a Creative Commons", "their own and profit like it's their work (as a Creative Commons kind", "to be able to re-use it as their own and profit like it's", "want anyone to be able to re-use it as their own and profit", "(as a Creative Commons kind of license). Is there any way I can", "don't want anyone to be able to re-use it as their own and", "Commons kind of license). Is there any way I can \"protect\" ideas/characters without", "want to write a book about an idea/story I've had for many years", "had for many years that I find many will truly enjoy when furnished" ]
[ "when I'm forced to tell bits of information to the reader. By telling", "A lot of this happens when I'm forced to tell bits of information", "there any obvious cues and clues, words, phrases, etc. that are an obvious", "obvious cues and clues, words, phrases, etc. that are an obvious giveaway that", "have a section of text that seems to shift to omniscient. A lot", "to shift to omniscient. A lot of this happens when I'm forced to", "that seems to shift to omniscient. A lot of this happens when I'm", "to tell bits of information to the reader. By telling this information during", "obvious giveaway that I am now writing in 3rd omniscient rather than 3rd", "of text that seems to shift to omniscient. A lot of this happens", "person knows this? Sometimes to me it seems like I'm shifting POV. Are", "like I'm shifting POV. Are there any obvious cues and clues, words, phrases,", "seems to shift to omniscient. A lot of this happens when I'm forced", "POV. Are there any obvious cues and clues, words, phrases, etc. that are", "particular person knows this? Sometimes to me it seems like I'm shifting POV.", "lot of this happens when I'm forced to tell bits of information to", "information during this POV isn't it implied that particular person knows this? Sometimes", "giveaway that I am now writing in 3rd omniscient rather than 3rd limited?", "person limited POV. I have noticed I have a section of text that", "cues and clues, words, phrases, etc. that are an obvious giveaway that I", "implied that particular person knows this? Sometimes to me it seems like I'm", "3rd person limited POV. I have noticed I have a section of text", "am writing in 3rd person limited POV. I have noticed I have a", "POV. I have noticed I have a section of text that seems to", "phrases, etc. that are an obvious giveaway that I am now writing in", "this happens when I'm forced to tell bits of information to the reader.", "bits of information to the reader. By telling this information during this POV", "that are an obvious giveaway that I am now writing in 3rd omniscient", "of this happens when I'm forced to tell bits of information to the", "are an obvious giveaway that I am now writing in 3rd omniscient rather", "By telling this information during this POV isn't it implied that particular person", "this POV isn't it implied that particular person knows this? Sometimes to me", "have noticed I have a section of text that seems to shift to", "limited POV. I have noticed I have a section of text that seems", "during this POV isn't it implied that particular person knows this? Sometimes to", "of information to the reader. By telling this information during this POV isn't", "etc. that are an obvious giveaway that I am now writing in 3rd", "information to the reader. By telling this information during this POV isn't it", "the reader. By telling this information during this POV isn't it implied that", "reader. By telling this information during this POV isn't it implied that particular", "an obvious giveaway that I am now writing in 3rd omniscient rather than", "I have a section of text that seems to shift to omniscient. A", "to the reader. By telling this information during this POV isn't it implied", "any obvious cues and clues, words, phrases, etc. that are an obvious giveaway", "shifting POV. Are there any obvious cues and clues, words, phrases, etc. that", "noticed I have a section of text that seems to shift to omniscient.", "and clues, words, phrases, etc. that are an obvious giveaway that I am", "that particular person knows this? Sometimes to me it seems like I'm shifting", "POV isn't it implied that particular person knows this? Sometimes to me it", "words, phrases, etc. that are an obvious giveaway that I am now writing", "writing in 3rd person limited POV. I have noticed I have a section", "I have noticed I have a section of text that seems to shift", "this information during this POV isn't it implied that particular person knows this?", "omniscient. A lot of this happens when I'm forced to tell bits of", "I'm forced to tell bits of information to the reader. By telling this", "I am writing in 3rd person limited POV. I have noticed I have", "knows this? Sometimes to me it seems like I'm shifting POV. Are there", "me it seems like I'm shifting POV. Are there any obvious cues and", "I'm shifting POV. Are there any obvious cues and clues, words, phrases, etc.", "isn't it implied that particular person knows this? Sometimes to me it seems", "section of text that seems to shift to omniscient. A lot of this", "it seems like I'm shifting POV. Are there any obvious cues and clues,", "to omniscient. A lot of this happens when I'm forced to tell bits", "in 3rd person limited POV. I have noticed I have a section of", "it implied that particular person knows this? Sometimes to me it seems like", "happens when I'm forced to tell bits of information to the reader. By", "seems like I'm shifting POV. Are there any obvious cues and clues, words,", "clues, words, phrases, etc. that are an obvious giveaway that I am now", "to me it seems like I'm shifting POV. Are there any obvious cues", "shift to omniscient. A lot of this happens when I'm forced to tell", "this? Sometimes to me it seems like I'm shifting POV. Are there any", "text that seems to shift to omniscient. A lot of this happens when", "Are there any obvious cues and clues, words, phrases, etc. that are an", "a section of text that seems to shift to omniscient. A lot of", "forced to tell bits of information to the reader. By telling this information", "telling this information during this POV isn't it implied that particular person knows", "tell bits of information to the reader. By telling this information during this", "Sometimes to me it seems like I'm shifting POV. Are there any obvious" ]
[ "separate characters, develops each character's plot line separately - perhaps in separate chapters", "extreme it's almost a parody - and he used it many times subsequently.", "perhaps in separate chapters - and gradually weaves them together? I first became", "a name for the technique where a writer introduces several separate characters, develops", "develops each character's plot line separately - perhaps in separate chapters - and", "ago in Iain Banks's \"Walking On Glass\" - which is so extreme it's", "- perhaps in separate chapters - and gradually weaves them together? I first", "this thirty years ago in Iain Banks's \"Walking On Glass\" - which is", "Is there a name for the technique where a writer introduces several separate", "writer introduces several separate characters, develops each character's plot line separately - perhaps", "which is so extreme it's almost a parody - and he used it", "- which is so extreme it's almost a parody - and he used", "On Glass\" - which is so extreme it's almost a parody - and", "weaves them together? I first became aware of this thirty years ago in", "of this thirty years ago in Iain Banks's \"Walking On Glass\" - which", "them together? I first became aware of this thirty years ago in Iain", "a writer introduces several separate characters, develops each character's plot line separately -", "plot line separately - perhaps in separate chapters - and gradually weaves them", "separately - perhaps in separate chapters - and gradually weaves them together? I", "in separate chapters - and gradually weaves them together? I first became aware", "line separately - perhaps in separate chapters - and gradually weaves them together?", "chapters - and gradually weaves them together? I first became aware of this", "I first became aware of this thirty years ago in Iain Banks's \"Walking", "aware of this thirty years ago in Iain Banks's \"Walking On Glass\" -", "thirty years ago in Iain Banks's \"Walking On Glass\" - which is so", "where a writer introduces several separate characters, develops each character's plot line separately", "the technique where a writer introduces several separate characters, develops each character's plot", "is so extreme it's almost a parody - and he used it many", "and gradually weaves them together? I first became aware of this thirty years", "introduces several separate characters, develops each character's plot line separately - perhaps in", "for the technique where a writer introduces several separate characters, develops each character's", "in Iain Banks's \"Walking On Glass\" - which is so extreme it's almost", "gradually weaves them together? I first became aware of this thirty years ago", "separate chapters - and gradually weaves them together? I first became aware of", "first became aware of this thirty years ago in Iain Banks's \"Walking On", "Banks's \"Walking On Glass\" - which is so extreme it's almost a parody", "\"Walking On Glass\" - which is so extreme it's almost a parody -", "each character's plot line separately - perhaps in separate chapters - and gradually", "character's plot line separately - perhaps in separate chapters - and gradually weaves", "name for the technique where a writer introduces several separate characters, develops each", "technique where a writer introduces several separate characters, develops each character's plot line", "characters, develops each character's plot line separately - perhaps in separate chapters -", "became aware of this thirty years ago in Iain Banks's \"Walking On Glass\"", "Iain Banks's \"Walking On Glass\" - which is so extreme it's almost a", "together? I first became aware of this thirty years ago in Iain Banks's", "years ago in Iain Banks's \"Walking On Glass\" - which is so extreme", "there a name for the technique where a writer introduces several separate characters,", "- and gradually weaves them together? I first became aware of this thirty", "Glass\" - which is so extreme it's almost a parody - and he", "so extreme it's almost a parody - and he used it many times", "several separate characters, develops each character's plot line separately - perhaps in separate" ]
[ "enclosed in double quotes. Their rendition of characters B and C's speech is", "for character B/C's? Example: \"Then he said 'I like apples,' said character B.", "he said 'I like apples,' said character B. 'I prefer oranges,' said C.", "there be spacing as well for character B/C's? Example: \"Then he said 'I", "enclosed in single quotes. Should there be spacing as well for character B/C's?", "character A is talking their words are enclosed in double quotes. Their rendition", "of characters B and C's speech is enclosed in single quotes. Should there", "C's speech is enclosed in single quotes. Should there be spacing as well", "their words are enclosed in double quotes. Their rendition of characters B and", "'I prefer oranges,' said C. 'But what about plums?' asked B. and that's", "talking their words are enclosed in double quotes. Their rendition of characters B", "like apples,' said character B. 'I prefer oranges,' said C. 'But what about", "well for character B/C's? Example: \"Then he said 'I like apples,' said character", "words are enclosed in double quotes. Their rendition of characters B and C's", "rendition of characters B and C's speech is enclosed in single quotes. Should", "prefer oranges,' said C. 'But what about plums?' asked B. and that's all", "single quotes. Should there be spacing as well for character B/C's? Example: \"Then", "oranges,' said C. 'But what about plums?' asked B. and that's all they", "B/C's? Example: \"Then he said 'I like apples,' said character B. 'I prefer", "Since character A is talking their words are enclosed in double quotes. Their", "in single quotes. Should there be spacing as well for character B/C's? Example:", "C. Since character A is talking their words are enclosed in double quotes.", "is talking their words are enclosed in double quotes. Their rendition of characters", "B and C's speech is enclosed in single quotes. Should there be spacing", "spacing as well for character B/C's? Example: \"Then he said 'I like apples,'", "as well for character B/C's? Example: \"Then he said 'I like apples,' said", "A is quoting characters B and C. Since character A is talking their", "Should there be spacing as well for character B/C's? Example: \"Then he said", "is enclosed in single quotes. Should there be spacing as well for character", "be spacing as well for character B/C's? Example: \"Then he said 'I like", "said character B. 'I prefer oranges,' said C. 'But what about plums?' asked", "Their rendition of characters B and C's speech is enclosed in single quotes.", "character B/C's? Example: \"Then he said 'I like apples,' said character B. 'I", "are enclosed in double quotes. Their rendition of characters B and C's speech", "double quotes. Their rendition of characters B and C's speech is enclosed in", "Example: \"Then he said 'I like apples,' said character B. 'I prefer oranges,'", "speech is enclosed in single quotes. Should there be spacing as well for", "said 'I like apples,' said character B. 'I prefer oranges,' said C. 'But", "C. 'But what about plums?' asked B. and that's all they talked about\"", "character B. 'I prefer oranges,' said C. 'But what about plums?' asked B.", "B. 'I prefer oranges,' said C. 'But what about plums?' asked B. and", "quotes. Should there be spacing as well for character B/C's? Example: \"Then he", "and C. Since character A is talking their words are enclosed in double", "B and C. Since character A is talking their words are enclosed in", "\"Then he said 'I like apples,' said character B. 'I prefer oranges,' said", "said C. 'But what about plums?' asked B. and that's all they talked", "is quoting characters B and C. Since character A is talking their words", "characters B and C. Since character A is talking their words are enclosed", "characters B and C's speech is enclosed in single quotes. Should there be", "'I like apples,' said character B. 'I prefer oranges,' said C. 'But what", "A is talking their words are enclosed in double quotes. Their rendition of", "in double quotes. Their rendition of characters B and C's speech is enclosed", "Character A is quoting characters B and C. Since character A is talking", "quoting characters B and C. Since character A is talking their words are", "quotes. Their rendition of characters B and C's speech is enclosed in single", "apples,' said character B. 'I prefer oranges,' said C. 'But what about plums?'", "and C's speech is enclosed in single quotes. Should there be spacing as" ]
[ "language of that non-English speaking country, but after I move him to Britain", "need to translate English names to that language they sound weird. So should", "Situation: My main character is born and raised in a foreign, non-English speaking", "for the smallest piece of currency. Should I use: > > \"Crown s", "and raised in a foreign, non-English speaking country. After his 18th birthday he", "to Britain I continue writing in the non-English language, quotes, dialogues, everything, but", "speaking country, but after I move him to Britain I need to use", "English names. Problem: After the character moves to Britain I continue writing in", "there. > > \"Crown wants to speak with you.\" > > > \"Crown\"", "continue writing in the non-English language, quotes, dialogues, everything, but when I need", "and will be OK in English. The Czech translation is: > > \"Koruna", "> \"Crown s tebou chce mluvit.\" > > > Where it is OK,", "to translate English names to that language they sound weird. So should I", "of currency. Should I use: > > \"Crown s tebou chce mluvit.\" >", "in the language of that non-English speaking country, but after I move him", "has moved to Great Britain and is living there. > > \"Crown wants", "will be OK in English. The Czech translation is: > > \"Koruna s", "it is OK, because it is a name and it looks like a", "> \"Crown wants to speak with you.\" > > > \"Crown\" is an", "non-English speaking country. After his 18th birthday he moves due to some circumstances", "learns the language and lives there. My book is written in the language", "translating? Example: The character is from the Czech Republic, has moved to Great", "smallest piece of currency. Should I use: > > \"Crown s tebou chce", "written in the language of that non-English speaking country, but after I move", "\"Crown wants to speak with you.\" > > > \"Crown\" is an English", "to that language they sound weird. So should I leave it and use", "names instead of translating? Example: The character is from the Czech Republic, has", "non-English language, quotes, dialogues, everything, but when I need to translate English names", "I use: > > \"Crown s tebou chce mluvit.\" > > > Where", "his 18th birthday he moves due to some circumstances in Great Britain, learns", "they sound weird. So should I leave it and use English names instead", "names to that language they sound weird. So should I leave it and", "I continue writing in the non-English language, quotes, dialogues, everything, but when I", "of a king\" for example, or more generally is used for the smallest", "this sounds weird, because \"Koruna\" means \"crown of a king\" for example, or", "to Britain I need to use some English names. Problem: After the character", "character is born and raised in a foreign, non-English speaking country. After his", "for example, or more generally is used for the smallest piece of currency.", "\"Koruna s tebou chce mluvit.\" > > > But this sounds weird, because", "that non-English speaking country, but after I move him to Britain I need", "language they sound weird. So should I leave it and use English names", "after I move him to Britain I need to use some English names.", "So should I leave it and use English names instead of translating? Example:", "everything, but when I need to translate English names to that language they", "should I leave it and use English names instead of translating? Example: The", "Britain I need to use some English names. Problem: After the character moves", "use: > > \"Crown s tebou chce mluvit.\" > > > Where it", "leave it and use English names instead of translating? Example: The character is", "is OK, because it is a name and it looks like a name?", "the smallest piece of currency. Should I use: > > \"Crown s tebou", "The character is from the Czech Republic, has moved to Great Britain and", "used for the smallest piece of currency. Should I use: > > \"Crown", "him to Britain I need to use some English names. Problem: After the", "born and raised in a foreign, non-English speaking country. After his 18th birthday", "generally is used for the smallest piece of currency. Should I use: >", "character is from the Czech Republic, has moved to Great Britain and is", "tebou chce mluvit.\" > > > Where it is OK, because it is", "chce mluvit.\" > > > But this sounds weird, because \"Koruna\" means \"crown", "to Great Britain and is living there. > > \"Crown wants to speak", "> \"Crown\" is an English name, and will be OK in English. The", "there. My book is written in the language of that non-English speaking country,", "from the Czech Republic, has moved to Great Britain and is living there.", "with you.\" > > > \"Crown\" is an English name, and will be", "s tebou chce mluvit.\" > > > But this sounds weird, because \"Koruna\"", "a king\" for example, or more generally is used for the smallest piece", "of translating? Example: The character is from the Czech Republic, has moved to", "sound weird. So should I leave it and use English names instead of", "chce mluvit.\" > > > Where it is OK, because it is a", "s tebou chce mluvit.\" > > > Where it is OK, because it", "English names to that language they sound weird. So should I leave it", "some English names. Problem: After the character moves to Britain I continue writing", "the language of that non-English speaking country, but after I move him to", "writing in the non-English language, quotes, dialogues, everything, but when I need to", "My main character is born and raised in a foreign, non-English speaking country.", "Problem: After the character moves to Britain I continue writing in the non-English", "Great Britain, learns the language and lives there. My book is written in", "due to some circumstances in Great Britain, learns the language and lives there.", "Where it is OK, because it is a name and it looks like", "but when I need to translate English names to that language they sound", "use English names instead of translating? Example: The character is from the Czech", "is an English name, and will be OK in English. The Czech translation", "when I need to translate English names to that language they sound weird.", "that language they sound weird. So should I leave it and use English", "country. After his 18th birthday he moves due to some circumstances in Great", "Czech translation is: > > \"Koruna s tebou chce mluvit.\" > > >", "the Czech Republic, has moved to Great Britain and is living there. >", "mluvit.\" > > > But this sounds weird, because \"Koruna\" means \"crown of", "After his 18th birthday he moves due to some circumstances in Great Britain,", "Britain I continue writing in the non-English language, quotes, dialogues, everything, but when", "wants to speak with you.\" > > > \"Crown\" is an English name,", "and use English names instead of translating? Example: The character is from the", "But this sounds weird, because \"Koruna\" means \"crown of a king\" for example,", "Britain, learns the language and lives there. My book is written in the", "and is living there. > > \"Crown wants to speak with you.\" >", "character moves to Britain I continue writing in the non-English language, quotes, dialogues,", "> But this sounds weird, because \"Koruna\" means \"crown of a king\" for", "is used for the smallest piece of currency. Should I use: > >", "in Great Britain, learns the language and lives there. My book is written", "Great Britain and is living there. > > \"Crown wants to speak with", "move him to Britain I need to use some English names. Problem: After", "in the non-English language, quotes, dialogues, everything, but when I need to translate", "mluvit.\" > > > Where it is OK, because it is a name", "circumstances in Great Britain, learns the language and lives there. My book is", "\"crown of a king\" for example, or more generally is used for the", "it and use English names instead of translating? Example: The character is from", "weird, because \"Koruna\" means \"crown of a king\" for example, or more generally", "English. The Czech translation is: > > \"Koruna s tebou chce mluvit.\" >", "I move him to Britain I need to use some English names. Problem:", "Example: The character is from the Czech Republic, has moved to Great Britain", "be OK in English. The Czech translation is: > > \"Koruna s tebou", "translate English names to that language they sound weird. So should I leave", "> > \"Koruna s tebou chce mluvit.\" > > > But this sounds", "use some English names. Problem: After the character moves to Britain I continue", "is living there. > > \"Crown wants to speak with you.\" > >", "more generally is used for the smallest piece of currency. Should I use:", "birthday he moves due to some circumstances in Great Britain, learns the language", "country, but after I move him to Britain I need to use some", "\"Crown s tebou chce mluvit.\" > > > Where it is OK, because", "he moves due to some circumstances in Great Britain, learns the language and", "names. Problem: After the character moves to Britain I continue writing in the", "is written in the language of that non-English speaking country, but after I", "speak with you.\" > > > \"Crown\" is an English name, and will", "> > > But this sounds weird, because \"Koruna\" means \"crown of a", "> Where it is OK, because it is a name and it looks", "is from the Czech Republic, has moved to Great Britain and is living", "Republic, has moved to Great Britain and is living there. > > \"Crown", "> > \"Crown s tebou chce mluvit.\" > > > Where it is", "in a foreign, non-English speaking country. After his 18th birthday he moves due", "quotes, dialogues, everything, but when I need to translate English names to that", "lives there. My book is written in the language of that non-English speaking", "name, and will be OK in English. The Czech translation is: > >", "> > > Where it is OK, because it is a name and", "moved to Great Britain and is living there. > > \"Crown wants to", "example, or more generally is used for the smallest piece of currency. Should", "of that non-English speaking country, but after I move him to Britain I", "Britain and is living there. > > \"Crown wants to speak with you.\"", "English names instead of translating? Example: The character is from the Czech Republic,", "currency. Should I use: > > \"Crown s tebou chce mluvit.\" > >", "and lives there. My book is written in the language of that non-English", "After the character moves to Britain I continue writing in the non-English language,", "> > \"Crown\" is an English name, and will be OK in English.", "\"Crown\" is an English name, and will be OK in English. The Czech", "18th birthday he moves due to some circumstances in Great Britain, learns the", "because \"Koruna\" means \"crown of a king\" for example, or more generally is", "is: > > \"Koruna s tebou chce mluvit.\" > > > But this", "> \"Koruna s tebou chce mluvit.\" > > > But this sounds weird,", "king\" for example, or more generally is used for the smallest piece of", "raised in a foreign, non-English speaking country. After his 18th birthday he moves", "> > \"Crown wants to speak with you.\" > > > \"Crown\" is", "living there. > > \"Crown wants to speak with you.\" > > >", "dialogues, everything, but when I need to translate English names to that language", "language and lives there. My book is written in the language of that", "foreign, non-English speaking country. After his 18th birthday he moves due to some", "to speak with you.\" > > > \"Crown\" is an English name, and", "\"Koruna\" means \"crown of a king\" for example, or more generally is used", "some circumstances in Great Britain, learns the language and lives there. My book", "sounds weird, because \"Koruna\" means \"crown of a king\" for example, or more", "non-English speaking country, but after I move him to Britain I need to", "the non-English language, quotes, dialogues, everything, but when I need to translate English", "to some circumstances in Great Britain, learns the language and lives there. My", "a foreign, non-English speaking country. After his 18th birthday he moves due to", "My book is written in the language of that non-English speaking country, but", "I need to translate English names to that language they sound weird. So", "instead of translating? Example: The character is from the Czech Republic, has moved", "is born and raised in a foreign, non-English speaking country. After his 18th", "piece of currency. Should I use: > > \"Crown s tebou chce mluvit.\"", "need to use some English names. Problem: After the character moves to Britain", "weird. So should I leave it and use English names instead of translating?", "or more generally is used for the smallest piece of currency. Should I", "moves to Britain I continue writing in the non-English language, quotes, dialogues, everything,", "to use some English names. Problem: After the character moves to Britain I", "tebou chce mluvit.\" > > > But this sounds weird, because \"Koruna\" means", "you.\" > > > \"Crown\" is an English name, and will be OK", "English name, and will be OK in English. The Czech translation is: >", "the character moves to Britain I continue writing in the non-English language, quotes,", "> > Where it is OK, because it is a name and it", "the language and lives there. My book is written in the language of", "Czech Republic, has moved to Great Britain and is living there. > >", "means \"crown of a king\" for example, or more generally is used for", "language, quotes, dialogues, everything, but when I need to translate English names to", "speaking country. After his 18th birthday he moves due to some circumstances in", "I need to use some English names. Problem: After the character moves to", "I leave it and use English names instead of translating? Example: The character", "> > > \"Crown\" is an English name, and will be OK in", "> > But this sounds weird, because \"Koruna\" means \"crown of a king\"", "OK in English. The Czech translation is: > > \"Koruna s tebou chce", "but after I move him to Britain I need to use some English", "Should I use: > > \"Crown s tebou chce mluvit.\" > > >", "translation is: > > \"Koruna s tebou chce mluvit.\" > > > But", "an English name, and will be OK in English. The Czech translation is:", "main character is born and raised in a foreign, non-English speaking country. After", "moves due to some circumstances in Great Britain, learns the language and lives", "in English. The Czech translation is: > > \"Koruna s tebou chce mluvit.\"", "The Czech translation is: > > \"Koruna s tebou chce mluvit.\" > >", "book is written in the language of that non-English speaking country, but after" ]
[ "would you write it as 'Vin Diesel says:...' or as the character i.e.", "it as 'Vin Diesel says:...' or as the character i.e. 'Jehj Slotj says:...'", "you write it as 'Vin Diesel says:...' or as the character i.e. 'Jehj", "script / screen play would you write it as 'Vin Diesel says:...' or", "write it as 'Vin Diesel says:...' or as the character i.e. 'Jehj Slotj", "a script / screen play would you write it as 'Vin Diesel says:...'", "play would you write it as 'Vin Diesel says:...' or as the character", "writing a script / screen play would you write it as 'Vin Diesel", "screen play would you write it as 'Vin Diesel says:...' or as the", "/ screen play would you write it as 'Vin Diesel says:...' or as", "When writing a script / screen play would you write it as 'Vin" ]
[ "own? * \"My translation\" violates the pluralis auctoris. * \"Our translation\" also doesn't", "not the reader who did the translating. * \"author's translation\" is ambiguous because", "could mean that this is the original author's translation (though that wouldn't make", "* \"My translation\" violates the pluralis auctoris. * \"Our translation\" also doesn't fit", "really the author, not the reader who did the translating. * \"author's translation\"", "your own? * \"My translation\" violates the pluralis auctoris. * \"Our translation\" also", "mean that this is the original author's translation (though that wouldn't make much", "reader who did the translating. * \"author's translation\" is ambiguous because it could", "this is the original author's translation (though that wouldn't make much sense). ", "meant to include the reader: it's really the author, not the reader who", "is meant to include the reader: it's really the author, not the reader", "spirit of the Author's \"We\" which is meant to include the reader: it's", "violates the pluralis auctoris. \"Our translation\" also doesn't fit with the spirit", "of the Author's \"We\" which is meant to include the reader: it's really", "author's translation (though that wouldn't make much sense). * \"this author's translation\" is", "do you mark a translation of a quotation as your own? * \"My", "the reader: it's really the author, not the reader who did the translating.", "translation\" is ambiguous because it could mean that this is the original author's", "* \"this author's translation\" is clearer but still not completely unambiguous. Also, it", "it's really the author, not the reader who did the translating. * \"author's", "translation\" is clearer but still not completely unambiguous. Also, it is a switch", "fit with the spirit of the Author's \"We\" which is meant to include", "translation\" also doesn't fit with the spirit of the Author's \"We\" which is", "of a quotation as your own? * \"My translation\" violates the pluralis auctoris.", "original author's translation (though that wouldn't make much sense). * \"this author's translation\"", "translation (though that wouldn't make much sense). * \"this author's translation\" is clearer", "using the Author's \"We\", how do you mark a translation of a quotation", "\"We\", how do you mark a translation of a quotation as your own?", "\"this author's translation\" is clearer but still not completely unambiguous. Also, it is", "because it could mean that this is the original author's translation (though that", "to include the reader: it's really the author, not the reader who did", "include the reader: it's really the author, not the reader who did the", "a quotation as your own? * \"My translation\" violates the pluralis auctoris. ", "that wouldn't make much sense). \"this author's translation\" is clearer but still", "still not completely unambiguous. Also, it is a switch from pluralis auctoris to", "which is meant to include the reader: it's really the author, not the", "the original author's translation (though that wouldn't make much sense). * \"this author's", "is the original author's translation (though that wouldn't make much sense). * \"this", "with the spirit of the Author's \"We\" which is meant to include the", "the spirit of the Author's \"We\" which is meant to include the reader:", "\"author's translation\" is ambiguous because it could mean that this is the original", "Author's \"We\", how do you mark a translation of a quotation as your", "is ambiguous because it could mean that this is the original author's translation", "not completely unambiguous. Also, it is a switch from pluralis auctoris to an", "mark a translation of a quotation as your own? * \"My translation\" violates", "did the translating. * \"author's translation\" is ambiguous because it could mean that", "the author, not the reader who did the translating. * \"author's translation\" is", "thesis written using the Author's \"We\", how do you mark a translation of", "make much sense). * \"this author's translation\" is clearer but still not completely", "translating. * \"author's translation\" is ambiguous because it could mean that this is", "clearer but still not completely unambiguous. Also, it is a switch from pluralis", "doesn't fit with the spirit of the Author's \"We\" which is meant to", "* \"Our translation\" also doesn't fit with the spirit of the Author's \"We\"", "auctoris. * \"Our translation\" also doesn't fit with the spirit of the Author's", "* \"author's translation\" is ambiguous because it could mean that this is the", "it could mean that this is the original author's translation (though that wouldn't", "the Author's \"We\", how do you mark a translation of a quotation as", "\"We\" which is meant to include the reader: it's really the author, not", "a thesis written using the Author's \"We\", how do you mark a translation", "you mark a translation of a quotation as your own? * \"My translation\"", "the translating. * \"author's translation\" is ambiguous because it could mean that this", "sense). * \"this author's translation\" is clearer but still not completely unambiguous. Also,", "that this is the original author's translation (though that wouldn't make much sense).", "author, not the reader who did the translating. * \"author's translation\" is ambiguous", "author's translation\" is clearer but still not completely unambiguous. Also, it is a", "the reader who did the translating. * \"author's translation\" is ambiguous because it", "written using the Author's \"We\", how do you mark a translation of a", "Author's \"We\" which is meant to include the reader: it's really the author,", "quotation as your own? * \"My translation\" violates the pluralis auctoris. * \"Our", "is clearer but still not completely unambiguous. Also, it is a switch from", "\"My translation\" violates the pluralis auctoris. * \"Our translation\" also doesn't fit with", "the Author's \"We\" which is meant to include the reader: it's really the", "much sense). * \"this author's translation\" is clearer but still not completely unambiguous.", "but still not completely unambiguous. Also, it is a switch from pluralis auctoris", "unambiguous. Also, it is a switch from pluralis auctoris to an impersonal style.", "In a thesis written using the Author's \"We\", how do you mark a", "the pluralis auctoris. * \"Our translation\" also doesn't fit with the spirit of", "how do you mark a translation of a quotation as your own? ", "pluralis auctoris. \"Our translation\" also doesn't fit with the spirit of the", "as your own? * \"My translation\" violates the pluralis auctoris. * \"Our translation\"", "wouldn't make much sense). * \"this author's translation\" is clearer but still not", "completely unambiguous. Also, it is a switch from pluralis auctoris to an impersonal", "\"Our translation\" also doesn't fit with the spirit of the Author's \"We\" which", "reader: it's really the author, not the reader who did the translating. ", "(though that wouldn't make much sense). \"this author's translation\" is clearer but", "who did the translating. * \"author's translation\" is ambiguous because it could mean", "ambiguous because it could mean that this is the original author's translation (though", "translation of a quotation as your own? * \"My translation\" violates the pluralis", "also doesn't fit with the spirit of the Author's \"We\" which is meant", "translation\" violates the pluralis auctoris. * \"Our translation\" also doesn't fit with the", "a translation of a quotation as your own? * \"My translation\" violates the" ]
[ "the world and everything else. From my original planned book I have about", "I have my own changed history course of the entire species, its own", "much information about my \"remade world\" that I can write its whole history", "situating the story to the part of an original Earth's history, I made", "itself. And I like it so much. What would you do in my", "for research across the world and everything else. From my original planned book", "a half. Here is a problem: I have so much information about my", "Just a few pages. Main character doesn't have the whole history of his", "about a half. Here is a problem: I have so much information about", "my research about history, demography, major figures, weather, technologies of that time, and", "migration, new state course like theology and more, pathology results for research across", "research about history, demography, major figures, weather, technologies of that time, and security", "results for research across the world and everything else. From my original planned", "world and everything else. From my original planned book I have about one", "I want your opinion on this: For about half a year now I've", "Materials piled. Now I have my own changed history course of the entire", "major figures, weather, technologies of that time, and security issues, as well as", "now I've researched my novel. Because of situating the story to the part", "is a problem:** I have so much information about my \"remade world\" that", "its whole history like a book itself. And I like it so much.", "of that time, and security issues, as well as the migration of whole", "that will you write that history of your world itself? Thanks for your", "book I have about one chapter and that chapter itself is a bit", "you write the history itself first, or just finish the life and story", "bit small. Just a few pages. Main character doesn't have the whole history", "have about one chapter and that chapter itself is a bit small. Just", "For about half a year now I've researched my novel. Because of situating", "itself first, or just finish the life and story of the main character", "course of the entire species, its own culture, problems, migration, new state course", "a problem:** I have so much information about my \"remade world\" that I", "more, pathology results for research across the world and everything else. From my", "itself is a bit small. Just a few pages. Main character doesn't have", "information about my \"remade world\" that I can write its whole history like", "the story to the part of an original Earth's history, I made my", "Earth's history, I made my research about history, demography, major figures, weather, technologies", "that I can write its whole history like a book itself. And I", "half. Here is a problem: I have so much information about my \"remade", "else. From my original planned book I have about one chapter and that", "would you do in my situation? Would you write the history itself first,", "a bit small. Just a few pages. Main character doesn't have the whole", "Would you write the history itself first, or just finish the life and", "and after that will you write that history of your world itself? Thanks", "you do in my situation? Would you write the history itself first, or", "And I like it so much. What would you do in my situation?", "my original planned book I have about one chapter and that chapter itself", "my situation? Would you write the history itself first, or just finish the", "year now I've researched my novel. Because of situating the story to the", "the life and story of the main character and some other characters needed", "Because of situating the story to the part of an original Earth's history,", "original Earth's history, I made my research about history, demography, major figures, weather,", "needed for an original project and write it and after that will you", "small. Just a few pages. Main character doesn't have the whole history of", "have the whole history of his life, but about a half. Here is", "changed history course of the entire species, its own culture, problems, migration, new", "part of an original Earth's history, I made my research about history, demography,", "I have about one chapter and that chapter itself is a bit small.", "theology and more, pathology results for research across the world and everything else.", "about one chapter and that chapter itself is a bit small. Just a", "the whole history of his life, but about a half. Here is a", "it and after that will you write that history of your world itself?", "write it and after that will you write that history of your world", "history like a book itself. And I like it so much. What would", "my novel. Because of situating the story to the part of an original", "one chapter and that chapter itself is a bit small. Just a few", "can write its whole history like a book itself. And I like it", "of his life, but about a half. Here is a problem:* I have", "Here is a problem: I have so much information about my \"remade world\"", "and write it and after that will you write that history of your", "story of the main character and some other characters needed for an original", "I've researched my novel. Because of situating the story to the part of", "\"remade world\" that I can write its whole history like a book itself.", "the part of an original Earth's history, I made my research about history,", "it so much. What would you do in my situation? Would you write", "the entire species, its own culture, problems, migration, new state course like theology", "to the part of an original Earth's history, I made my research about", "finish the life and story of the main character and some other characters", "like it so much. What would you do in my situation? Would you", "in my situation? Would you write the history itself first, or just finish", "a few pages. Main character doesn't have the whole history of his life,", "about history, demography, major figures, weather, technologies of that time, and security issues,", "history of his life, but about a half. Here is a problem: I", "his life, but about a half. Here is a problem: I have so", "as the migration of whole hearth. Materials piled. Now I have my own", "opinion on this: For about half a year now I've researched my novel.", "of whole hearth. Materials piled. Now I have my own changed history course", "technologies of that time, and security issues, as well as the migration of", "own culture, problems, migration, new state course like theology and more, pathology results", "and story of the main character and some other characters needed for an", "time, and security issues, as well as the migration of whole hearth. Materials", "your opinion on this: For about half a year now I've researched my", "new state course like theology and more, pathology results for research across the", "an original Earth's history, I made my research about history, demography, major figures,", "history course of the entire species, its own culture, problems, migration, new state", "project and write it and after that will you write that history of", "history itself first, or just finish the life and story of the main", "and more, pathology results for research across the world and everything else. From", "hearth. Materials piled. Now I have my own changed history course of the", "few pages. Main character doesn't have the whole history of his life, but", "original project and write it and after that will you write that history", "as well as the migration of whole hearth. Materials piled. Now I have", "that chapter itself is a bit small. Just a few pages. Main character", "that time, and security issues, as well as the migration of whole hearth.", "original planned book I have about one chapter and that chapter itself is", "whole hearth. Materials piled. Now I have my own changed history course of", "whole history like a book itself. And I like it so much. What", "well as the migration of whole hearth. Materials piled. Now I have my", "like theology and more, pathology results for research across the world and everything", "pathology results for research across the world and everything else. From my original", "I made my research about history, demography, major figures, weather, technologies of that", "novel. Because of situating the story to the part of an original Earth's", "so much information about my \"remade world\" that I can write its whole", "so much. What would you do in my situation? Would you write the", "figures, weather, technologies of that time, and security issues, as well as the", "research across the world and everything else. From my original planned book I", "like a book itself. And I like it so much. What would you", "the history itself first, or just finish the life and story of the", "main character and some other characters needed for an original project and write", "other characters needed for an original project and write it and after that", "state course like theology and more, pathology results for research across the world", "some other characters needed for an original project and write it and after", "I have so much information about my \"remade world\" that I can write", "and that chapter itself is a bit small. Just a few pages. Main", "on this: For about half a year now I've researched my novel. Because", "half a year now I've researched my novel. Because of situating the story", "have so much information about my \"remade world\" that I can write its", "security issues, as well as the migration of whole hearth. Materials piled. Now", "about my \"remade world\" that I can write its whole history like a", "own changed history course of the entire species, its own culture, problems, migration,", "life, but about a half. Here is a problem: I have so much", "made my research about history, demography, major figures, weather, technologies of that time,", "piled. Now I have my own changed history course of the entire species,", "character doesn't have the whole history of his life, but about a half.", "do in my situation? Would you write the history itself first, or just", "situation? Would you write the history itself first, or just finish the life", "this: For about half a year now I've researched my novel. Because of", "everything else. From my original planned book I have about one chapter and", "story to the part of an original Earth's history, I made my research", "write the history itself first, or just finish the life and story of", "characters needed for an original project and write it and after that will", "an original project and write it and after that will you write that", "a book itself. And I like it so much. What would you do", "I can write its whole history like a book itself. And I like", "migration of whole hearth. Materials piled. Now I have my own changed history", "issues, as well as the migration of whole hearth. Materials piled. Now I", "Now I have my own changed history course of the entire species, its", "after that will you write that history of your world itself? Thanks for", "I like it so much. What would you do in my situation? Would", "across the world and everything else. From my original planned book I have", "entire species, its own culture, problems, migration, new state course like theology and", "much. What would you do in my situation? Would you write the history", "book itself. And I like it so much. What would you do in", "world\"* that I can write its whole history like a book itself. And", "doesn't have the whole history of his life, but about a half. Here", "its own culture, problems, migration, new state course like theology and more, pathology", "Main character doesn't have the whole history of his life, but about a", "and security issues, as well as the migration of whole hearth. Materials piled.", "What would you do in my situation? Would you write the history itself", "chapter and that chapter itself is a bit small. Just a few pages.", "but about a half. Here is a problem: I have so much information", "culture, problems, migration, new state course like theology and more, pathology results for", "whole history of his life, but about a half. Here is a problem:", "problem: I have so much information about my \"remade world\" that I can", "species, its own culture, problems, migration, new state course like theology and more,", "history, I made my research about history, demography, major figures, weather, technologies of", "chapter itself is a bit small. Just a few pages. Main character doesn't", "my \"remade world\" that I can write its whole history like a book", "of the entire species, its own culture, problems, migration, new state course like", "about half a year now I've researched my novel. Because of situating the", "of situating the story to the part of an original Earth's history, I", "weather, technologies of that time, and security issues, as well as the migration", "my own changed history course of the entire species, its own culture, problems,", "problems, migration, new state course like theology and more, pathology results for research", "of the main character and some other characters needed for an original project", "and some other characters needed for an original project and write it and", "character and some other characters needed for an original project and write it", "of an original Earth's history, I made my research about history, demography, major", "history, demography, major figures, weather, technologies of that time, and security issues, as", "planned book I have about one chapter and that chapter itself is a", "or just finish the life and story of the main character and some", "researched my novel. Because of situating the story to the part of an", "for an original project and write it and after that will you write", "write its whole history like a book itself. And I like it so", "From my original planned book I have about one chapter and that chapter", "demography, major figures, weather, technologies of that time, and security issues, as well", "is a bit small. Just a few pages. Main character doesn't have the", "a year now I've researched my novel. Because of situating the story to", "first, or just finish the life and story of the main character and", "the main character and some other characters needed for an original project and", "want your opinion on this: For about half a year now I've researched", "life and story of the main character and some other characters needed for", "and everything else. From my original planned book I have about one chapter", "pages. Main character doesn't have the whole history of his life, but about", "the migration of whole hearth. Materials piled. Now I have my own changed", "have my own changed history course of the entire species, its own culture,", "just finish the life and story of the main character and some other", "course like theology and more, pathology results for research across the world and", "will you write that history of your world itself? Thanks for your advice." ]
[ "five chapters going on and you want to keep writing to get to", "to other people about it. You get answers, and that give you some", "chapters going on and you want to keep writing to get to the", "can you really say it was your original work, or truly yours? and", "a story about a fictional war on a futuristic world and you already", "real life) and then you ask for help on a forum or on", "stuck because you don't really know how to kill the enemies without taking", "fictional war on a futuristic world and you already have five chapters going", "a fictional war on a futuristic world and you already have five chapters", "answers, ideas from other people that fit perfectly with your story so you", "get to the end but then, you're stuck because you don't really know", "finish your story. So, when you reach that point, can you really say", "story about a fictional war on a futuristic world and you already have", "your story so you finish your story. So, when you reach that point,", "original work, or truly yours? and so if there are any legal repercussions", "but then, you're stuck because you don't really know how to kill the", "or talking to other people about it. You get answers, and that give", "you're stuck because you don't really know how to kill the enemies without", "have five chapters going on and you want to keep writing to get", "for help again, and you get another answers, ideas from other people that", "that point, can you really say it was your original work, or truly", "story(adding something that can happen in real life) and then you ask for", "don't really know how to kill the enemies without taking off the credibility", "then, you're stuck because you don't really know how to kill the enemies", "enemies without taking off the credibility of the story(adding something that can happen", "get answers, and that give you some pretty good ideas, so you continue", "a futuristic world and you already have five chapters going on and you", "so you finish your story. So, when you reach that point, can you", "and you want to keep writing to get to the end but then,", "that give you some pretty good ideas, so you continue to write three", "off the credibility of the story(adding something that can happen in real life)", "the story(adding something that can happen in real life) and then you ask", "world and you already have five chapters going on and you want to", "have a story about a fictional war on a futuristic world and you", "you get another answers, ideas from other people that fit perfectly with your", "taking off the credibility of the story(adding something that can happen in real", "or truly yours? and so if there are any legal repercussions about it?", "fit perfectly with your story so you finish your story. So, when you", "answers, and that give you some pretty good ideas, so you continue to", "and then you ask for help on a forum or on worldbuilding stackexchange,", "good ideas, so you continue to write three more chapters, but then you're", "three more chapters, but then you're stuck again and ask for help again,", "want to keep writing to get to the end but then, you're stuck", "forum or on worldbuilding stackexchange, or talking to other people about it. You", "going on and you want to keep writing to get to the end", "from other people that fit perfectly with your story so you finish your", "continue to write three more chapters, but then you're stuck again and ask", "then you ask for help on a forum or on worldbuilding stackexchange, or", "and ask for help again, and you get another answers, ideas from other", "or on worldbuilding stackexchange, or talking to other people about it. You get", "already have five chapters going on and you want to keep writing to", "you don't really know how to kill the enemies without taking off the", "credibility of the story(adding something that can happen in real life) and then", "in real life) and then you ask for help on a forum or", "war on a futuristic world and you already have five chapters going on", "to get to the end but then, you're stuck because you don't really", "say it was your original work, or truly yours? and so if there", "futuristic world and you already have five chapters going on and you want", "some pretty good ideas, so you continue to write three more chapters, but", "about a fictional war on a futuristic world and you already have five", "and you get another answers, ideas from other people that fit perfectly with", "story. So, when you reach that point, can you really say it was", "You get answers, and that give you some pretty good ideas, so you", "again, and you get another answers, ideas from other people that fit perfectly", "it. You get answers, and that give you some pretty good ideas, so", "something that can happen in real life) and then you ask for help", "you have a story about a fictional war on a futuristic world and", "your story. So, when you reach that point, can you really say it", "ideas, so you continue to write three more chapters, but then you're stuck", "more chapters, but then you're stuck again and ask for help again, and", "other people about it. You get answers, and that give you some pretty", "really say it was your original work, or truly yours? and so if", "was your original work, or truly yours? and so if there are any", "writing to get to the end but then, you're stuck because you don't", "and that give you some pretty good ideas, so you continue to write", "a forum or on worldbuilding stackexchange, or talking to other people about it.", "people that fit perfectly with your story so you finish your story. So,", "when you reach that point, can you really say it was your original", "you're stuck again and ask for help again, and you get another answers,", "Let's say you have a story about a fictional war on a futuristic", "kill the enemies without taking off the credibility of the story(adding something that", "you finish your story. So, when you reach that point, can you really", "and you already have five chapters going on and you want to keep", "worldbuilding stackexchange, or talking to other people about it. You get answers, and", "of the story(adding something that can happen in real life) and then you", "end but then, you're stuck because you don't really know how to kill", "you some pretty good ideas, so you continue to write three more chapters,", "talking to other people about it. You get answers, and that give you", "you ask for help on a forum or on worldbuilding stackexchange, or talking", "ideas from other people that fit perfectly with your story so you finish", "really know how to kill the enemies without taking off the credibility of", "to kill the enemies without taking off the credibility of the story(adding something", "know how to kill the enemies without taking off the credibility of the", "help again, and you get another answers, ideas from other people that fit", "without taking off the credibility of the story(adding something that can happen in", "you already have five chapters going on and you want to keep writing", "for help on a forum or on worldbuilding stackexchange, or talking to other", "on and you want to keep writing to get to the end but", "again and ask for help again, and you get another answers, ideas from", "another answers, ideas from other people that fit perfectly with your story so", "life) and then you ask for help on a forum or on worldbuilding", "you want to keep writing to get to the end but then, you're", "stuck again and ask for help again, and you get another answers, ideas", "you really say it was your original work, or truly yours? and so", "the end but then, you're stuck because you don't really know how to", "to write three more chapters, but then you're stuck again and ask for", "about it. You get answers, and that give you some pretty good ideas,", "reach that point, can you really say it was your original work, or", "write three more chapters, but then you're stuck again and ask for help", "that can happen in real life) and then you ask for help on", "then you're stuck again and ask for help again, and you get another", "give you some pretty good ideas, so you continue to write three more", "story so you finish your story. So, when you reach that point, can", "with your story so you finish your story. So, when you reach that", "on worldbuilding stackexchange, or talking to other people about it. You get answers,", "happen in real life) and then you ask for help on a forum", "people about it. You get answers, and that give you some pretty good", "perfectly with your story so you finish your story. So, when you reach", "can happen in real life) and then you ask for help on a", "stackexchange, or talking to other people about it. You get answers, and that", "point, can you really say it was your original work, or truly yours?", "keep writing to get to the end but then, you're stuck because you", "So, when you reach that point, can you really say it was your", "to the end but then, you're stuck because you don't really know how", "the credibility of the story(adding something that can happen in real life) and", "to keep writing to get to the end but then, you're stuck because", "how to kill the enemies without taking off the credibility of the story(adding", "on a forum or on worldbuilding stackexchange, or talking to other people about", "work, or truly yours? and so if there are any legal repercussions about", "your original work, or truly yours? and so if there are any legal", "the enemies without taking off the credibility of the story(adding something that can", "it was your original work, or truly yours? and so if there are", "ask for help again, and you get another answers, ideas from other people", "because you don't really know how to kill the enemies without taking off", "that fit perfectly with your story so you finish your story. So, when", "so you continue to write three more chapters, but then you're stuck again", "say you have a story about a fictional war on a futuristic world", "ask for help on a forum or on worldbuilding stackexchange, or talking to", "get another answers, ideas from other people that fit perfectly with your story", "chapters, but then you're stuck again and ask for help again, and you", "help on a forum or on worldbuilding stackexchange, or talking to other people", "but then you're stuck again and ask for help again, and you get", "other people that fit perfectly with your story so you finish your story.", "pretty good ideas, so you continue to write three more chapters, but then", "you continue to write three more chapters, but then you're stuck again and", "you reach that point, can you really say it was your original work,", "on a futuristic world and you already have five chapters going on and" ]
[ "held up his palms. \"Ladies, ladies, slow down. Let's look at the >", "in paragraph three (Owna) and four (narrator). How should I format (e.g. by", "> > \"Roses and a dead body?\" Owna wrinkled her fine nose. \"I", "> > There are three people in this scene: the narrator, Owna, and", "drive. What kind of nut > would travel that long to deliver flowers", "the narrator, Owna, and Cojl. I wrote something like this a while back,", "and a dead body?\" Owna wrinkled her fine nose. \"I don't see the", "they came from Paris,\" I said. \"How did it end up here?\" >", "It's a six-hour drive. What kind of nut > would travel that long", "in this scene: the narrator, Owna, and Cojl. I wrote something like this", "Owna, and Cojl. I wrote something like this a while back, but some", "\"Ladies, ladies, slow down. Let's look at the > questions one by one.\"", "palms. \"Ladies, ladies, slow down. Let's look at the > questions one by", "I said. \"How did it end up here?\" > > > \"Yeah. It's", "was already here?\" > > > Cojl held up his palms. \"Ladies, ladies,", "already here?\" > > > Cojl held up his palms. \"Ladies, ladies, slow", "ladies, slow down. Let's look at the > questions one by one.\" >", "a dead body?\" Owna wrinkled her fine nose. \"I don't see the >", "see the > connection.\" > > > \"And they came from Paris,\" I", "adding dialogue/action tags) those paragraphs to remove ambiguity and still keep them fast", "nose. \"I don't see the > connection.\" > > > \"And they came", "slow down. Let's look at the > questions one by one.\" > >", "> There are three people in this scene: the narrator, Owna, and Cojl.", "said. \"How did it end up here?\" > > > \"Yeah. It's a", "> > > \"Maybe the person was already here?\" > > > Cojl", "one by one.\" > > > There are three people in this scene:", "the person was already here?\" > > > Cojl held up his palms.", "by one.\" > > > There are three people in this scene: the", "(e.g. by adding dialogue/action tags) those paragraphs to remove ambiguity and still keep", "> > > Cojl held up his palms. \"Ladies, ladies, slow down. Let's", "they couldn't tell who was talking in paragraph three (Owna) and four (narrator).", "format (e.g. by adding dialogue/action tags) those paragraphs to remove ambiguity and still", "look at the > questions one by one.\" > > > There are", "a while back, but some readers complained that they couldn't tell who was", "people in this scene: the narrator, Owna, and Cojl. I wrote something like", "up here?\" > > > \"Yeah. It's a six-hour drive. What kind of", "wrinkled her fine nose. \"I don't see the > connection.\" > > >", "like this a while back, but some readers complained that they couldn't tell", "this scene: the narrator, Owna, and Cojl. I wrote something like this a", "and Cojl. I wrote something like this a while back, but some readers", "that they couldn't tell who was talking in paragraph three (Owna) and four", "from Paris,\" I said. \"How did it end up here?\" > > >", "Owna wrinkled her fine nose. \"I don't see the > connection.\" > >", "three people in this scene: the narrator, Owna, and Cojl. I wrote something", "> > Cojl held up his palms. \"Ladies, ladies, slow down. Let's look", "to a corpse?\" > > > \"Maybe the person was already here?\" >", "> questions one by one.\" > > > There are three people in", "\"And they came from Paris,\" I said. \"How did it end up here?\"", "deliver flowers to a corpse?\" > > > \"Maybe the person was already", "I wrote something like this a while back, but some readers complained that", "it end up here?\" > > > \"Yeah. It's a six-hour drive. What", "> > \"Maybe the person was already here?\" > > > Cojl held", "\"Roses and a dead body?\" Owna wrinkled her fine nose. \"I don't see", "> \"Roses and a dead body?\" Owna wrinkled her fine nose. \"I don't", "readers complained that they couldn't tell who was talking in paragraph three (Owna)", "by adding dialogue/action tags) those paragraphs to remove ambiguity and still keep them", "> > > \"Yeah. It's a six-hour drive. What kind of nut >", "talking in paragraph three (Owna) and four (narrator). How should I format (e.g.", "nut > would travel that long to deliver flowers to a corpse?\" >", "corpse?\" > > > \"Maybe the person was already here?\" > > >", "kind of nut > would travel that long to deliver flowers to a", "who was talking in paragraph three (Owna) and four (narrator). How should I", "are three people in this scene: the narrator, Owna, and Cojl. I wrote", "> connection.\" > > > \"And they came from Paris,\" I said. \"How", "Cojl held up his palms. \"Ladies, ladies, slow down. Let's look at the", "\"Maybe the person was already here?\" > > > Cojl held up his", "don't see the > connection.\" > > > \"And they came from Paris,\"", "I format (e.g. by adding dialogue/action tags) those paragraphs to remove ambiguity and", "of nut > would travel that long to deliver flowers to a corpse?\"", "\"I don't see the > connection.\" > > > \"And they came from", "to deliver flowers to a corpse?\" > > > \"Maybe the person was", "that long to deliver flowers to a corpse?\" > > > \"Maybe the", "here?\" > > > Cojl held up his palms. \"Ladies, ladies, slow down.", "a corpse?\" > > > \"Maybe the person was already here?\" > >", "her fine nose. \"I don't see the > connection.\" > > > \"And", "a six-hour drive. What kind of nut > would travel that long to", "fine nose. \"I don't see the > connection.\" > > > \"And they", "here?\" > > > \"Yeah. It's a six-hour drive. What kind of nut", "(narrator). How should I format (e.g. by adding dialogue/action tags) those paragraphs to", "back, but some readers complained that they couldn't tell who was talking in", "connection.\" > > > \"And they came from Paris,\" I said. \"How did", "did it end up here?\" > > > \"Yeah. It's a six-hour drive.", "some readers complained that they couldn't tell who was talking in paragraph three", "three (Owna) and four (narrator). How should I format (e.g. by adding dialogue/action", "flowers to a corpse?\" > > > \"Maybe the person was already here?\"", "How should I format (e.g. by adding dialogue/action tags) those paragraphs to remove", "(Owna) and four (narrator). How should I format (e.g. by adding dialogue/action tags)", "> \"And they came from Paris,\" I said. \"How did it end up", "What kind of nut > would travel that long to deliver flowers to", "dialogue/action tags) those paragraphs to remove ambiguity and still keep them fast paced?", "while back, but some readers complained that they couldn't tell who was talking", "Example: > > \"Roses and a dead body?\" Owna wrinkled her fine nose.", "narrator, Owna, and Cojl. I wrote something like this a while back, but", "paragraph three (Owna) and four (narrator). How should I format (e.g. by adding", "should I format (e.g. by adding dialogue/action tags) those paragraphs to remove ambiguity", "Let's look at the > questions one by one.\" > > > There", "was talking in paragraph three (Owna) and four (narrator). How should I format", "questions one by one.\" > > > There are three people in this", "wrote something like this a while back, but some readers complained that they", "came from Paris,\" I said. \"How did it end up here?\" > >", "would travel that long to deliver flowers to a corpse?\" > > >", "long to deliver flowers to a corpse?\" > > > \"Maybe the person", "one.\" > > > There are three people in this scene: the narrator,", "four (narrator). How should I format (e.g. by adding dialogue/action tags) those paragraphs", "the > connection.\" > > > \"And they came from Paris,\" I said.", "his palms. \"Ladies, ladies, slow down. Let's look at the > questions one", "> would travel that long to deliver flowers to a corpse?\" > >", "> > > \"And they came from Paris,\" I said. \"How did it", "complained that they couldn't tell who was talking in paragraph three (Owna) and", "and four (narrator). How should I format (e.g. by adding dialogue/action tags) those", "> Cojl held up his palms. \"Ladies, ladies, slow down. Let's look at", "scene: the narrator, Owna, and Cojl. I wrote something like this a while", "travel that long to deliver flowers to a corpse?\" > > > \"Maybe", "> \"Yeah. It's a six-hour drive. What kind of nut > would travel", "but some readers complained that they couldn't tell who was talking in paragraph", "> \"Maybe the person was already here?\" > > > Cojl held up", "couldn't tell who was talking in paragraph three (Owna) and four (narrator). How", "something like this a while back, but some readers complained that they couldn't", "Paris,\" I said. \"How did it end up here?\" > > > \"Yeah.", "> > \"Yeah. It's a six-hour drive. What kind of nut > would", "Cojl. I wrote something like this a while back, but some readers complained", "this a while back, but some readers complained that they couldn't tell who", "body?\" Owna wrinkled her fine nose. \"I don't see the > connection.\" >", "dead body?\" Owna wrinkled her fine nose. \"I don't see the > connection.\"", "end up here?\" > > > \"Yeah. It's a six-hour drive. What kind", "There are three people in this scene: the narrator, Owna, and Cojl. I", "at the > questions one by one.\" > > > There are three", "> > > There are three people in this scene: the narrator, Owna,", "\"How did it end up here?\" > > > \"Yeah. It's a six-hour", "down. Let's look at the > questions one by one.\" > > >", "person was already here?\" > > > Cojl held up his palms. \"Ladies,", "> > \"And they came from Paris,\" I said. \"How did it end", "six-hour drive. What kind of nut > would travel that long to deliver", "the > questions one by one.\" > > > There are three people", "tell who was talking in paragraph three (Owna) and four (narrator). How should", "up his palms. \"Ladies, ladies, slow down. Let's look at the > questions", "\"Yeah. It's a six-hour drive. What kind of nut > would travel that" ]
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I feel like", "the brain and pushing it to the limits in any way help me", "need to mention, I found it so immensely distressful to write a lengthy", "pushing it to the limits in any way help me to improve my", "and pushing it to the limits in any way help me to improve", "well as getting solutions. Two days back, when I was writing on a", "context, my mind goes blank. I don't have the habit of writing this", "write a lengthy post that I decided to omit a few points and", "proper and suitable words for it. I feel like I understand every word", "mind goes blank. I don't have the habit of writing this much ever,", "beginners? * Whenever I feel this way, should I continue and ignore my", "prevalent in the beginners? * Whenever I feel this way, should I continue", "increasing the physical load gradually on a daily basis improve your muscle strength", "would help me to improve my English as well as getting solutions. 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I figured maybe writing on forums(all types)", "ever, except when I was back in secondary school, I used to mug", "I was not able to jot down my thoughts because I was not", "my own in one go. I feel that whatever I had written makes", "English as well as getting solutions. Two days back, when I was writing", "in one go. I feel that whatever I had written makes me sound", "to the readers, I am not sure. * Is this feeling of uneasiness", "hard to express myself and it might even be irritating to the readers,", "way, should I continue and ignore my inner voice which keeps on insisting", "break? * I have read that increasing the physical load gradually on a", "submit whatever I had written so far. I was not able to jot", "I was writing on a forum meant for people seeking emotional support, and", "in secondary school, I used to mug up essays which I knew, beforehand,", "ignore my inner voice which keeps on insisting to take a break? ", "related to a dear one, I found that even though I know exactly", "I figured maybe writing on forums(all types) about my own problems would help", "I need to mention, I found it so immensely distressful to write a", "whatever I had written so far. I was not able to jot down", " Whenever I feel this way, should I continue and ignore my inner", "Is this feeling of uneasiness prevalent in the beginners? * Whenever I feel", "our mind too? * Does stressing the brain and pushing it to the", "restless and as if I am trying really hard to express myself and", "Is this true for our mind too? * Does stressing the brain and", "support, and I was writing something related to a dear one, I found", "so far. I was not able to jot down my thoughts because I", "few points and submit whatever I had written so far. I was not", "even though I know exactly what to write and the things I need", "I am not sure. * Is this feeling of uneasiness prevalent in the", "voice which keeps on insisting to take a break? * I have read", "read but when I want to use them in my own context, my", "I have read that increasing the physical load gradually on a daily basis", "with proper and suitable words for it. I feel like I understand every", "skills. I figured maybe writing on forums(all types) about my own problems would", "blank. I don't have the habit of writing this much ever, except when", "because I was not able to come up with proper and suitable words", "gradually on a daily basis improve your muscle strength and tolerance. Is this", "improve your muscle strength and tolerance. Is this true for our mind too?", "but when I want to use them in my own context, my mind", "Whenever I feel this way, should I continue and ignore my inner voice", "to jot down my thoughts because I was not able to come up", "sound pretty restless and as if I am trying really hard to express", "(I checked it in MS-Word) on my own in one go. I feel", "had written makes me sound pretty restless and as if I am trying", "the habit of writing this much ever, except when I was back in", "thoughts because I was not able to come up with proper and suitable", "essays which I knew, beforehand, would be asked in the exams. I was", "improve my language skills. I figured maybe writing on forums(all types) about my", "to improve my English as well as getting solutions. Two days back, when", "omit a few points and submit whatever I had written so far. I", "on a forum meant for people seeking emotional support, and I was writing", "as if I am trying really hard to express myself and it might", "should I continue and ignore my inner voice which keeps on insisting to", "secondary school, I used to mug up essays which I knew, beforehand, would", "improve my English as well as getting solutions. Two days back, when I", "mug up essays which I knew, beforehand, would be asked in the exams.", "mention, I found it so immensely distressful to write a lengthy post that", "on insisting to take a break? * I have read that increasing the", "insisting to take a break? * I have read that increasing the physical", "decided to omit a few points and submit whatever I had written so", "to a dear one, I found that even though I know exactly what", "and I was writing something related to a dear one, I found that", "daily basis improve your muscle strength and tolerance. Is this true for our", "read that increasing the physical load gradually on a daily basis improve your", "was surprised that I had written a three page article of around 1000", "maybe writing on forums(all types) about my own problems would help me to", "my inner voice which keeps on insisting to take a break? * I", "stressing the brain and pushing it to the limits in any way help", "checked it in MS-Word) on my own in one go. I feel that", "jot down my thoughts because I was not able to come up with", "not able to come up with proper and suitable words for it. I", "of around 1000 words (I checked it in MS-Word) on my own in", "word I read but when I want to use them in my own", "I found it so immensely distressful to write a lengthy post that I", "to write a lengthy post that I decided to omit a few points", "it so immensely distressful to write a lengthy post that I decided to", "sure. * Is this feeling of uneasiness prevalent in the beginners? * Whenever", "forum meant for people seeking emotional support, and I was writing something related", "I feel this way, should I continue and ignore my inner voice which", "much ever, except when I was back in secondary school, I used to", "that increasing the physical load gradually on a daily basis improve your muscle", "started to write about random things in an attempt to improve my language", "on a daily basis improve your muscle strength and tolerance. Is this true", "the past few weeks, I have started to write about random things in", "and suitable words for it. I feel like I understand every word I", "written makes me sound pretty restless and as if I am trying really", "lengthy post that I decided to omit a few points and submit whatever", "this way, should I continue and ignore my inner voice which keeps on", "was writing something related to a dear one, I found that even though", "and submit whatever I had written so far. I was not able to", "the beginners? * Whenever I feel this way, should I continue and ignore", "dear one, I found that even though I know exactly what to write", "I am trying really hard to express myself and it might even be", "suitable words for it. I feel like I understand every word I read", "this true for our mind too? * Does stressing the brain and pushing", "I feel that whatever I had written makes me sound pretty restless and", "be asked in the exams. I was surprised that I had written a", "when I want to use them in my own context, my mind goes", "an attempt to improve my language skills. 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Whenever I feel this way, should I" ]
[ "would be very gory. Most people said to write in great detail, but", "should I let him die? He is a character close to the main", "I feel like it would be very gory. Most people said to write", "scene it would turn out plain. My question is, should I describe what", "happens to her when she falls to the bottom, or should I just", "character, but I feel it is unrealistic to write a story where everything", "just leave it saying what went through her, and her friend's, mind? If", "like some examples. Edit: And should I let him die? He is a", "in great detail, but then some people say to write what I know.", "close to the main character, but I feel it is unrealistic to write", "to write what I know. I feel that if I write a gory", "turn out plain. My question is, should I describe what happens to her", "gory. Most people said to write in great detail, but then some people", "detail, but then some people say to write what I know. I feel", "great detail, but then some people say to write what I know. I", "and her friend's, mind? If you could, I would like some examples. Edit:", "die? He is a character close to the main character, but I feel", "him die? He is a character close to the main character, but I", "examples. Edit: And should I let him die? He is a character close", "novel, and in one part, a boy falls off the building. I feel", "through her, and her friend's, mind? If you could, I would like some", "people say to write what I know. I feel that if I write", "a novel, and in one part, a boy falls off the building. I", "bottom, or should I just leave it saying what went through her, and", "I feel that if I write a gory scene it would turn out", "to the main character, but I feel it is unrealistic to write a", "the building. I feel like it would be very gory. Most people said", "it is unrealistic to write a story where everything turns out perfectly fine", "if I write a gory scene it would turn out plain. My question", "I would like some examples. Edit: And should I let him die? He", "what happens to her when she falls to the bottom, or should I", "that if I write a gory scene it would turn out plain. My", "main character, but I feel it is unrealistic to write a story where", "know. I feel that if I write a gory scene it would turn", "then some people say to write what I know. I feel that if", "part, a boy falls off the building. I feel like it would be", "let him die? He is a character close to the main character, but", "should I describe what happens to her when she falls to the bottom,", "out plain. My question is, should I describe what happens to her when", "her friend's, mind? If you could, I would like some examples. Edit: And", "what I know. I feel that if I write a gory scene it", "said to write in great detail, but then some people say to write", "a character close to the main character, but I feel it is unrealistic", "am writing a novel, and in one part, a boy falls off the", "be very gory. Most people said to write in great detail, but then", "Edit: And should I let him die? He is a character close to", "plain. My question is, should I describe what happens to her when she", "she falls to the bottom, or should I just leave it saying what", "If you could, I would like some examples. Edit: And should I let", "in one part, a boy falls off the building. I feel like it", "went through her, and her friend's, mind? If you could, I would like", "saying what went through her, and her friend's, mind? If you could, I", "you could, I would like some examples. Edit: And should I let him", "friend's, mind? If you could, I would like some examples. Edit: And should", "feel like it would be very gory. Most people said to write in", "when she falls to the bottom, or should I just leave it saying", "her, and her friend's, mind? If you could, I would like some examples.", "off the building. I feel like it would be very gory. Most people", "He is a character close to the main character, but I feel it", "but I feel it is unrealistic to write a story where everything turns", "is, should I describe what happens to her when she falls to the", "I let him die? He is a character close to the main character,", "I feel it is unrealistic to write a story where everything turns out", "feel it is unrealistic to write a story where everything turns out perfectly", "would like some examples. Edit: And should I let him die? He is", "describe what happens to her when she falls to the bottom, or should", "And should I let him die? He is a character close to the", "building. I feel like it would be very gory. Most people said to", "falls off the building. I feel like it would be very gory. Most", "to the bottom, or should I just leave it saying what went through", "some people say to write what I know. I feel that if I", "her when she falls to the bottom, or should I just leave it", "character close to the main character, but I feel it is unrealistic to", "I just leave it saying what went through her, and her friend's, mind?", "to write in great detail, but then some people say to write what", "write a gory scene it would turn out plain. My question is, should", "some examples. Edit: And should I let him die? He is a character", "it would turn out plain. My question is, should I describe what happens", "like it would be very gory. Most people said to write in great", "write what I know. I feel that if I write a gory scene", "I write a gory scene it would turn out plain. My question is,", "people said to write in great detail, but then some people say to", "My question is, should I describe what happens to her when she falls", "I know. I feel that if I write a gory scene it would", "or should I just leave it saying what went through her, and her", "feel that if I write a gory scene it would turn out plain.", "write in great detail, but then some people say to write what I", "and in one part, a boy falls off the building. I feel like", "should I just leave it saying what went through her, and her friend's,", "I am writing a novel, and in one part, a boy falls off", "question is, should I describe what happens to her when she falls to", "leave it saying what went through her, and her friend's, mind? If you", "boy falls off the building. I feel like it would be very gory.", "the bottom, or should I just leave it saying what went through her,", "a boy falls off the building. I feel like it would be very", "to her when she falls to the bottom, or should I just leave", "I describe what happens to her when she falls to the bottom, or", "writing a novel, and in one part, a boy falls off the building.", "but then some people say to write what I know. I feel that", "say to write what I know. I feel that if I write a", "Most people said to write in great detail, but then some people say", "the main character, but I feel it is unrealistic to write a story", "falls to the bottom, or should I just leave it saying what went", "it would be very gory. Most people said to write in great detail,", "it saying what went through her, and her friend's, mind? If you could,", "could, I would like some examples. Edit: And should I let him die?", "what went through her, and her friend's, mind? If you could, I would", "very gory. Most people said to write in great detail, but then some", "a gory scene it would turn out plain. My question is, should I", "would turn out plain. My question is, should I describe what happens to", "gory scene it would turn out plain. My question is, should I describe", "one part, a boy falls off the building. I feel like it would", "is a character close to the main character, but I feel it is", "mind? If you could, I would like some examples. Edit: And should I" ]
[ "> > > and > > He had absolutely no skill in dog-walking.", "> > and > > He had absolutely no skill in dog-walking. >", "were, to use hyperbole, about equivalent to a death wish for the quality", "saying things like > > Learning the intricacies of bike-riding... > > >", "> > > Is it almost always better to use \"of riding a", "generally frowned upon? I feel as if I use them far too often,", "in dog-walking. > > > Is it almost always better to use \"of", "and pieces of writing convention. Are hyphenated verbs generally frowned upon? I feel", "as if I use them far too often, saying things like > >", "always better to use \"of riding a bike\" and \"in walking dogs\"? Or", "and > > He had absolutely no skill in dog-walking. > > >", "about other bits and pieces of writing convention. Are hyphenated verbs generally frowned", "no skill in dog-walking. > > > Is it almost always better to", "use \"of riding a bike\" and \"in walking dogs\"? Or are they generally", "the quality of a piece, I was wondering about other bits and pieces", "a piece, I was wondering about other bits and pieces of writing convention.", "> and > > He had absolutely no skill in dog-walking. > >", "frowned upon? I feel as if I use them far too often, saying", "hyperbole, about equivalent to a death wish for the quality of a piece,", "\"of riding a bike\" and \"in walking dogs\"? Or are they generally allowed?", "if I use them far too often, saying things like > > Learning", "bike-riding... > > > and > > He had absolutely no skill in", "a death wish for the quality of a piece, I was wondering about", "them far too often, saying things like > > Learning the intricacies of", "wondering about other bits and pieces of writing convention. Are hyphenated verbs generally", "use them far too often, saying things like > > Learning the intricacies", "> > Is it almost always better to use \"of riding a bike\"", "that adverbs were, to use hyperbole, about equivalent to a death wish for", "Learning the intricacies of bike-riding... > > > and > > He had", "death wish for the quality of a piece, I was wondering about other", "pieces of writing convention. Are hyphenated verbs generally frowned upon? I feel as", "for the quality of a piece, I was wondering about other bits and", "the intricacies of bike-riding... > > > and > > He had absolutely", "hyphenated verbs generally frowned upon? I feel as if I use them far", "Are hyphenated verbs generally frowned upon? I feel as if I use them", "about equivalent to a death wish for the quality of a piece, I", "wish for the quality of a piece, I was wondering about other bits", "> He had absolutely no skill in dog-walking. > > > Is it", "I feel as if I use them far too often, saying things like", "convention. Are hyphenated verbs generally frowned upon? I feel as if I use", "After finding out that adverbs were, to use hyperbole, about equivalent to a", "was wondering about other bits and pieces of writing convention. Are hyphenated verbs", "feel as if I use them far too often, saying things like >", "other bits and pieces of writing convention. Are hyphenated verbs generally frowned upon?", "of writing convention. Are hyphenated verbs generally frowned upon? I feel as if", "to use hyperbole, about equivalent to a death wish for the quality of", "often, saying things like > > Learning the intricacies of bike-riding... > >", "He had absolutely no skill in dog-walking. > > > Is it almost", "> Learning the intricacies of bike-riding... > > > and > > He", "equivalent to a death wish for the quality of a piece, I was", "bits and pieces of writing convention. Are hyphenated verbs generally frowned upon? I", "piece, I was wondering about other bits and pieces of writing convention. Are", "had absolutely no skill in dog-walking. > > > Is it almost always", "out that adverbs were, to use hyperbole, about equivalent to a death wish", "> Is it almost always better to use \"of riding a bike\" and", "too often, saying things like > > Learning the intricacies of bike-riding... >", "use hyperbole, about equivalent to a death wish for the quality of a", "> > Learning the intricacies of bike-riding... > > > and > >", "upon? I feel as if I use them far too often, saying things", "writing convention. Are hyphenated verbs generally frowned upon? I feel as if I", "like > > Learning the intricacies of bike-riding... > > > and >", "> > He had absolutely no skill in dog-walking. > > > Is", "verbs generally frowned upon? I feel as if I use them far too", "adverbs were, to use hyperbole, about equivalent to a death wish for the", "better to use \"of riding a bike\" and \"in walking dogs\"? Or are", "intricacies of bike-riding... > > > and > > He had absolutely no", "to use \"of riding a bike\" and \"in walking dogs\"? Or are they", "I was wondering about other bits and pieces of writing convention. Are hyphenated", "to a death wish for the quality of a piece, I was wondering", "of a piece, I was wondering about other bits and pieces of writing", "it almost always better to use \"of riding a bike\" and \"in walking", "absolutely no skill in dog-walking. > > > Is it almost always better", "finding out that adverbs were, to use hyperbole, about equivalent to a death", "I use them far too often, saying things like > > Learning the", "dog-walking. > > > Is it almost always better to use \"of riding", "skill in dog-walking. > > > Is it almost always better to use", "far too often, saying things like > > Learning the intricacies of bike-riding...", "of bike-riding... > > > and > > He had absolutely no skill", "quality of a piece, I was wondering about other bits and pieces of", "almost always better to use \"of riding a bike\" and \"in walking dogs\"?", "Is it almost always better to use \"of riding a bike\" and \"in", "things like > > Learning the intricacies of bike-riding... > > > and" ]
[ "I have decided that I will not write books, I will draw them.", "statement of that story. My question is that for such a kind of", "draw the story of ant and the grasshopper. The story is already there,", "that I can draw far better. I have decided that I will not", "I mean I will draw the story of ant and the grasshopper. The", "for such a kind of book what do I need to know before", "went to the market to buy books for my 2 year old kid", "there, I will present it in the form of drawings. I will draw", "books printed on expensive paper had poor drawings. I realized that I can", "of pages? How do I tell him the story in the email when", "in the email when the story is already there, I have just illustrated", "won't be using photoshop for illustrations. I will draw them and colour them", "already there, I will present it in the form of drawings. I will", "he decide the size of pages? How do I tell him the story", "sketches for every statement of that story. My question is that for such", "them. I mean I will draw the story of ant and the grasshopper.", "kid and found many expensive books printed on expensive paper had poor drawings.", "can draw far better. I have decided that I will not write books,", "I need to know before approaching a publisher? Do I need to print", "the size of pages? How do I tell him the story in the", "very proper way? P.S. I won't be using photoshop for illustrations. I will", "do I tell him the story in the email when the story is", "when the story is already there, I have just illustrated it in a", "P.S. I won't be using photoshop for illustrations. I will draw them and", "will draw them. I mean I will draw the story of ant and", "what do I need to know before approaching a publisher? Do I need", "buy books for my 2 year old kid and found many expensive books", "mean I will draw the story of ant and the grasshopper. The story", "that for such a kind of book what do I need to know", "such a kind of book what do I need to know before approaching", "showing to the publisher? Will he decide the size of pages? How do", "I can draw far better. I have decided that I will not write", "do I need to know before approaching a publisher? Do I need to", "expressive sketches for every statement of that story. My question is that for", "grasshopper. The story is already there, I will present it in the form", "of ant and the grasshopper. The story is already there, I will present", "decide the size of pages? How do I tell him the story in", "recently went to the market to buy books for my 2 year old", "story of ant and the grasshopper. The story is already there, I will", "year old kid and found many expensive books printed on expensive paper had", "old kid and found many expensive books printed on expensive paper had poor", "tell him the story in the email when the story is already there,", "How do I tell him the story in the email when the story", "every statement of that story. My question is that for such a kind", "on expensive paper had poor drawings. I realized that I can draw far", "ant and the grasshopper. The story is already there, I will present it", "myself before showing to the publisher? Will he decide the size of pages?", "a kind of book what do I need to know before approaching a", "story is already there, I have just illustrated it in a very proper", "I recently went to the market to buy books for my 2 year", "need to print the book myself before showing to the publisher? Will he", "I tell him the story in the email when the story is already", "and found many expensive books printed on expensive paper had poor drawings. I", "in the form of drawings. I will draw expressive sketches for every statement", "printed on expensive paper had poor drawings. I realized that I can draw", "story. My question is that for such a kind of book what do", "will present it in the form of drawings. I will draw expressive sketches", "to the market to buy books for my 2 year old kid and", "have just illustrated it in a very proper way? P.S. I won't be", "will draw the story of ant and the grasshopper. The story is already", "not write books, I will draw them. I mean I will draw the", "the publisher? Will he decide the size of pages? How do I tell", "books, I will draw them. I mean I will draw the story of", "question is that for such a kind of book what do I need", "the story in the email when the story is already there, I have", "approaching a publisher? Do I need to print the book myself before showing", "a very proper way? P.S. I won't be using photoshop for illustrations. I", "publisher? Will he decide the size of pages? How do I tell him", "2 year old kid and found many expensive books printed on expensive paper", "better. I have decided that I will not write books, I will draw", "I will draw the story of ant and the grasshopper. The story is", "draw them. I mean I will draw the story of ant and the", "of that story. My question is that for such a kind of book", "email when the story is already there, I have just illustrated it in", "had poor drawings. I realized that I can draw far better. I have", "the market to buy books for my 2 year old kid and found", "my 2 year old kid and found many expensive books printed on expensive", "is that for such a kind of book what do I need to", "it in a very proper way? P.S. I won't be using photoshop for", "Do I need to print the book myself before showing to the publisher?", "will not write books, I will draw them. I mean I will draw", "many expensive books printed on expensive paper had poor drawings. I realized that", "print the book myself before showing to the publisher? Will he decide the", "found many expensive books printed on expensive paper had poor drawings. I realized", "I will draw expressive sketches for every statement of that story. My question", "I realized that I can draw far better. I have decided that I", "for my 2 year old kid and found many expensive books printed on", "of book what do I need to know before approaching a publisher? Do", "decided that I will not write books, I will draw them. I mean", "book myself before showing to the publisher? Will he decide the size of", "My question is that for such a kind of book what do I", "I will not write books, I will draw them. I mean I will", "realized that I can draw far better. I have decided that I will", "I will present it in the form of drawings. I will draw expressive", "is already there, I have just illustrated it in a very proper way?", "expensive paper had poor drawings. I realized that I can draw far better.", "books for my 2 year old kid and found many expensive books printed", "be using photoshop for illustrations. I will draw them and colour them myself.", "I will draw them. I mean I will draw the story of ant", "the story of ant and the grasshopper. The story is already there, I", "him the story in the email when the story is already there, I", "story is already there, I will present it in the form of drawings.", "drawings. I realized that I can draw far better. I have decided that", "need to know before approaching a publisher? Do I need to print the", "expensive books printed on expensive paper had poor drawings. I realized that I", "before showing to the publisher? Will he decide the size of pages? How", "The story is already there, I will present it in the form of", "the email when the story is already there, I have just illustrated it", "draw far better. I have decided that I will not write books, I", "pages? How do I tell him the story in the email when the", "publisher? Do I need to print the book myself before showing to the", "there, I have just illustrated it in a very proper way? P.S. I", "just illustrated it in a very proper way? P.S. I won't be using", "for every statement of that story. My question is that for such a", "I won't be using photoshop for illustrations. I will draw them and colour", "is already there, I will present it in the form of drawings. I", "already there, I have just illustrated it in a very proper way? P.S.", "Will he decide the size of pages? How do I tell him the", "that I will not write books, I will draw them. I mean I", "the grasshopper. The story is already there, I will present it in the", "know before approaching a publisher? Do I need to print the book myself", "write books, I will draw them. I mean I will draw the story", "to buy books for my 2 year old kid and found many expensive", "present it in the form of drawings. I will draw expressive sketches for", "to print the book myself before showing to the publisher? Will he decide", "kind of book what do I need to know before approaching a publisher?", "size of pages? How do I tell him the story in the email", "way? P.S. I won't be using photoshop for illustrations. I will draw them", "to know before approaching a publisher? Do I need to print the book", "I need to print the book myself before showing to the publisher? Will", "that story. My question is that for such a kind of book what", "market to buy books for my 2 year old kid and found many", "drawings. I will draw expressive sketches for every statement of that story. My", "draw expressive sketches for every statement of that story. My question is that", "a publisher? Do I need to print the book myself before showing to", "in a very proper way? P.S. I won't be using photoshop for illustrations.", "the form of drawings. I will draw expressive sketches for every statement of", "and the grasshopper. The story is already there, I will present it in", "of drawings. I will draw expressive sketches for every statement of that story.", "proper way? P.S. I won't be using photoshop for illustrations. I will draw", "it in the form of drawings. I will draw expressive sketches for every", "before approaching a publisher? Do I need to print the book myself before", "the story is already there, I have just illustrated it in a very", "I have just illustrated it in a very proper way? P.S. I won't", "the book myself before showing to the publisher? Will he decide the size", "illustrated it in a very proper way? P.S. I won't be using photoshop", "book what do I need to know before approaching a publisher? Do I", "story in the email when the story is already there, I have just", "have decided that I will not write books, I will draw them. I", "far better. I have decided that I will not write books, I will", "poor drawings. I realized that I can draw far better. I have decided", "form of drawings. I will draw expressive sketches for every statement of that", "paper had poor drawings. I realized that I can draw far better. I", "to the publisher? Will he decide the size of pages? How do I", "will draw expressive sketches for every statement of that story. My question is" ]
[ "Gordon, experienced joint pain, heart flutters, and depression. Is this a run-on sentence?", "of the Sickest, a hemochromatosis patient, Aran Gordon, experienced joint pain, heart flutters,", "a hemochromatosis patient, Aran Gordon, experienced joint pain, heart flutters, and depression. Is", "book, Survival of the Sickest, a hemochromatosis patient, Aran Gordon, experienced joint pain,", "pain, heart flutters, and depression. Is this a run-on sentence? If so, how", "depression. Is this a run-on sentence? If so, how can I correct it?", "According to Dr. Vhirun’s book, Survival of the Sickest, a hemochromatosis patient, Aran", "and depression. Is this a run-on sentence? If so, how can I correct", "to Dr. Vhirun’s book, Survival of the Sickest, a hemochromatosis patient, Aran Gordon,", "heart flutters, and depression. Is this a run-on sentence? If so, how can", "joint pain, heart flutters, and depression. Is this a run-on sentence? If so,", "experienced joint pain, heart flutters, and depression. Is this a run-on sentence? If", "Sickest, a hemochromatosis patient, Aran Gordon, experienced joint pain, heart flutters, and depression.", "patient, Aran Gordon, experienced joint pain, heart flutters, and depression. Is this a", "Vhirun’s book, Survival of the Sickest, a hemochromatosis patient, Aran Gordon, experienced joint", "the Sickest, a hemochromatosis patient, Aran Gordon, experienced joint pain, heart flutters, and", "Aran Gordon, experienced joint pain, heart flutters, and depression. Is this a run-on", "hemochromatosis patient, Aran Gordon, experienced joint pain, heart flutters, and depression. Is this", "flutters, and depression. Is this a run-on sentence? If so, how can I", "Survival of the Sickest, a hemochromatosis patient, Aran Gordon, experienced joint pain, heart", "Dr. Vhirun’s book, Survival of the Sickest, a hemochromatosis patient, Aran Gordon, experienced" ]
[ "an (online) tool to convert a long list of DOI's (1000+) into citation", "of citation style (I can process it to my needs). Any help would", "to convert a long list of DOI's (1000+) into citation information. There are", "information. There are several tools that let you enter one DOI at a", "take too much time. I found one batch converting tool from the NCBI,", "that let you enter one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or", "tool to convert a long list of DOI's (1000+) into citation information. There", "DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take", "I found one batch converting tool from the NCBI, but unfortunately it only", "time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too much time.", "those would take too much time. I found one batch converting tool from", "DOI's (1000+) into citation information. There are several tools that let you enter", "but unfortunately it only works for medical publications (which these aren't). I would", "long list of DOI's (1000+) into citation information. There are several tools that", "are several tools that let you enter one DOI at a time, such", "I'm looking for an (online) tool to convert a long list of DOI's", "would take too much time. I found one batch converting tool from the", "at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too", "but those would take too much time. I found one batch converting tool", "(online) tool to convert a long list of DOI's (1000+) into citation information.", "convert a long list of DOI's (1000+) into citation information. There are several", "fine with any type of citation style (I can process it to my", "style (I can process it to my needs). Any help would be appreciated!", "several tools that let you enter one DOI at a time, such as", "into citation information. There are several tools that let you enter one DOI", "too much time. I found one batch converting tool from the NCBI, but", "the NCBI, but unfortunately it only works for medical publications (which these aren't).", "unfortunately it only works for medical publications (which these aren't). I would be", "one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would", "from the NCBI, but unfortunately it only works for medical publications (which these", "for medical publications (which these aren't). I would be fine with any type", "a long list of DOI's (1000+) into citation information. There are several tools", "let you enter one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/)", "as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too much time. I found", "found one batch converting tool from the NCBI, but unfortunately it only works", "citation information. There are several tools that let you enter one DOI at", "these aren't). I would be fine with any type of citation style (I", "There are several tools that let you enter one DOI at a time,", "or [Crossref](http://www.crossref.org/guestquery/) but those would take too much time. I found one batch", "batch converting tool from the NCBI, but unfortunately it only works for medical", "looking for an (online) tool to convert a long list of DOI's (1000+)", "much time. I found one batch converting tool from the NCBI, but unfortunately", "tools that let you enter one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi)", "such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too much time. I", "enter one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those", "[doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too much time. I found one", "I would be fine with any type of citation style (I can process", "would be fine with any type of citation style (I can process it", "(which these aren't). I would be fine with any type of citation style", "time. I found one batch converting tool from the NCBI, but unfortunately it", "citation style (I can process it to my needs). Any help would be", "for an (online) tool to convert a long list of DOI's (1000+) into", "of DOI's (1000+) into citation information. There are several tools that let you", "(1000+) into citation information. There are several tools that let you enter one", "one batch converting tool from the NCBI, but unfortunately it only works for", "any type of citation style (I can process it to my needs). Any", "you enter one DOI at a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but", "a time, such as [doi2bib](http://www.doi2bib.org/#/doi) or [Crossref](http://www.crossref.org/guestquery/) but those would take too much", "only works for medical publications (which these aren't). I would be fine with", "tool from the NCBI, but unfortunately it only works for medical publications (which", "medical publications (which these aren't). I would be fine with any type of", "NCBI, but unfortunately it only works for medical publications (which these aren't). I", "type of citation style (I can process it to my needs). Any help", "with any type of citation style (I can process it to my needs).", "publications (which these aren't). I would be fine with any type of citation", "it only works for medical publications (which these aren't). I would be fine", "be fine with any type of citation style (I can process it to", "converting tool from the NCBI, but unfortunately it only works for medical publications", "aren't). I would be fine with any type of citation style (I can", "works for medical publications (which these aren't). I would be fine with any", "[Crossref](http://www.crossref.org/guestquery/) but those would take too much time. I found one batch converting", "list of DOI's (1000+) into citation information. There are several tools that let" ]
[ "sticking point. Especially when you don't want to abandon the story as a", "abandon the story as a whole, because it still has a ton of", "ton of potential? The story I am writing goes like this: The last", "point. Especially when you don't want to abandon the story as a whole,", "occurs at the end of the very first scene to feature interaction between", "being. A race that she was raised to hate. But with the fate", "from a hideous wolf-like monster. The story as a whole also features a", "the fate of the tree of life, and therefore life as a whole,", "occurs about 5-6 minutes in. With the interaction being the ancient being saving", "the scene I'm talking about occurs about 5-6 minutes in. With the interaction", "story as a whole, because it still has a ton of potential? The", "and work together. My problem occurs at the end of the very first", "dead end. My question is, what do you guys do, to get past", "when you don't want to abandon the story as a whole, because it", "therefore life as a whole, hinging on whether or not the two can", "potential? The story I am writing goes like this: The last member of", "of the tree of life, and therefore life as a whole, hinging on", "can work together. These two very different people must learn to put aside", "A race that she was raised to hate. But with the fate of", "race is forced to work alongside a human being. A race that she", "I seem to have reached quite the dead end. My question is, what", "fate of the tree of life, and therefore life as a whole, hinging", "Update: I don't know if this help but the scene I'm talking about", "story as a whole also features a great deal of elements from Celtic,", "to get past a sticking point. Especially when you don't want to abandon", "a whole also features a great deal of elements from Celtic, and Norse", "the very first scene to feature interaction between the two main characters. I've", "have reached quite the dead end. My question is, what do you guys", "seem to find a way to the next plot point. Update: I don't", "in. With the interaction being the ancient being saving the human from a", "as a whole, hinging on whether or not the two can work together.", "to the next plot point. Update: I don't know if this help but", "the dead end. My question is, what do you guys do, to get", "want to abandon the story as a whole, because it still has a", "am writing goes like this: The last member of an ancient race is", "The last member of an ancient race is forced to work alongside a", "two main characters. I've managed to have the actual interaction occur, but I", "two can work together. These two very different people must learn to put", "know if this help but the scene I'm talking about occurs about 5-6", "she was raised to hate. But with the fate of the tree of", "minutes in. With the interaction being the ancient being saving the human from", "learn to put aside their differences and work together. My problem occurs at", "the ancient being saving the human from a hideous wolf-like monster. The story", "saving the human from a hideous wolf-like monster. The story as a whole", "screenplay for a while now. But I seem to have reached quite the", "writing goes like this: The last member of an ancient race is forced", "life as a whole, hinging on whether or not the two can work", "it still has a ton of potential? The story I am writing goes", "work together. These two very different people must learn to put aside their", "With the interaction being the ancient being saving the human from a hideous", "this: The last member of an ancient race is forced to work alongside", "ancient being saving the human from a hideous wolf-like monster. The story as", "the story as a whole, because it still has a ton of potential?", "hate. But with the fate of the tree of life, and therefore life", "I can't seem to find a way to the next plot point. Update:", "like this: The last member of an ancient race is forced to work", "must learn to put aside their differences and work together. My problem occurs", "because it still has a ton of potential? The story I am writing", "to feature interaction between the two main characters. I've managed to have the", "you don't want to abandon the story as a whole, because it still", "a whole, hinging on whether or not the two can work together. These", "not the two can work together. These two very different people must learn", "differences and work together. My problem occurs at the end of the very", "ancient race is forced to work alongside a human being. A race that", "still has a ton of potential? The story I am writing goes like", "life, and therefore life as a whole, hinging on whether or not the", "what do you guys do, to get past a sticking point. Especially when", "don't know if this help but the scene I'm talking about occurs about", "being the ancient being saving the human from a hideous wolf-like monster. The", "I don't know if this help but the scene I'm talking about occurs", "wolf-like monster. The story as a whole also features a great deal of", "whole also features a great deal of elements from Celtic, and Norse mythology.", "been working on a screenplay for a while now. But I seem to", "the actual interaction occur, but I can't seem to find a way to", "a way to the next plot point. Update: I don't know if this", "raised to hate. But with the fate of the tree of life, and", "way to the next plot point. Update: I don't know if this help", "of life, and therefore life as a whole, hinging on whether or not", "the end of the very first scene to feature interaction between the two", "hideous wolf-like monster. The story as a whole also features a great deal", "I am writing goes like this: The last member of an ancient race", "feature interaction between the two main characters. I've managed to have the actual", "to abandon the story as a whole, because it still has a ton", "people must learn to put aside their differences and work together. My problem", "work alongside a human being. A race that she was raised to hate.", "a ton of potential? The story I am writing goes like this: The", "between the two main characters. I've managed to have the actual interaction occur,", "actual interaction occur, but I can't seem to find a way to the", "to have reached quite the dead end. My question is, what do you", "question is, what do you guys do, to get past a sticking point.", "The story I am writing goes like this: The last member of an", "different people must learn to put aside their differences and work together. My", "about 5-6 minutes in. With the interaction being the ancient being saving the", "end. My question is, what do you guys do, to get past a", "These two very different people must learn to put aside their differences and", "interaction occur, but I can't seem to find a way to the next", "very first scene to feature interaction between the two main characters. I've managed", "a screenplay for a while now. But I seem to have reached quite", "the tree of life, and therefore life as a whole, hinging on whether", "I've been working on a screenplay for a while now. But I seem", "a while now. But I seem to have reached quite the dead end.", "now. But I seem to have reached quite the dead end. My question", "to hate. But with the fate of the tree of life, and therefore", "is forced to work alongside a human being. A race that she was", "managed to have the actual interaction occur, but I can't seem to find", "can't seem to find a way to the next plot point. Update: I", "the next plot point. Update: I don't know if this help but the", "to have the actual interaction occur, but I can't seem to find a", "the two can work together. These two very different people must learn to", "interaction between the two main characters. I've managed to have the actual interaction", "human being. A race that she was raised to hate. But with the", "main characters. I've managed to have the actual interaction occur, but I can't", "goes like this: The last member of an ancient race is forced to", "as a whole, because it still has a ton of potential? The story", "whether or not the two can work together. These two very different people", "story I am writing goes like this: The last member of an ancient", "and therefore life as a whole, hinging on whether or not the two", "help but the scene I'm talking about occurs about 5-6 minutes in. With", "for a while now. But I seem to have reached quite the dead", "has a ton of potential? The story I am writing goes like this:", "about occurs about 5-6 minutes in. With the interaction being the ancient being", "if this help but the scene I'm talking about occurs about 5-6 minutes", "the interaction being the ancient being saving the human from a hideous wolf-like", "last member of an ancient race is forced to work alongside a human", "of potential? The story I am writing goes like this: The last member", "seem to have reached quite the dead end. My question is, what do", "of an ancient race is forced to work alongside a human being. A", "hinging on whether or not the two can work together. These two very", "whole, because it still has a ton of potential? The story I am", "at the end of the very first scene to feature interaction between the", "quite the dead end. My question is, what do you guys do, to", "a sticking point. Especially when you don't want to abandon the story as", "working on a screenplay for a while now. But I seem to have", "find a way to the next plot point. Update: I don't know if", "talking about occurs about 5-6 minutes in. With the interaction being the ancient", "scene I'm talking about occurs about 5-6 minutes in. With the interaction being", "being saving the human from a hideous wolf-like monster. The story as a", "don't want to abandon the story as a whole, because it still has", "is, what do you guys do, to get past a sticking point. Especially", "this help but the scene I'm talking about occurs about 5-6 minutes in.", "My question is, what do you guys do, to get past a sticking", "the two main characters. I've managed to have the actual interaction occur, but", "together. My problem occurs at the end of the very first scene to", "whole, hinging on whether or not the two can work together. These two", "race that she was raised to hate. But with the fate of the", "guys do, to get past a sticking point. Especially when you don't want", "but I can't seem to find a way to the next plot point.", "while now. But I seem to have reached quite the dead end. My", "past a sticking point. Especially when you don't want to abandon the story", "5-6 minutes in. With the interaction being the ancient being saving the human", "you guys do, to get past a sticking point. Especially when you don't", "that she was raised to hate. But with the fate of the tree", "end of the very first scene to feature interaction between the two main", "their differences and work together. My problem occurs at the end of the", "next plot point. Update: I don't know if this help but the scene", "human from a hideous wolf-like monster. The story as a whole also features", "interaction being the ancient being saving the human from a hideous wolf-like monster.", "was raised to hate. But with the fate of the tree of life,", "occur, but I can't seem to find a way to the next plot", "reached quite the dead end. My question is, what do you guys do,", "an ancient race is forced to work alongside a human being. A race", "on a screenplay for a while now. But I seem to have reached", "to put aside their differences and work together. My problem occurs at the", "work together. My problem occurs at the end of the very first scene", "monster. The story as a whole also features a great deal of elements", "tree of life, and therefore life as a whole, hinging on whether or", "two very different people must learn to put aside their differences and work", "plot point. Update: I don't know if this help but the scene I'm", "on whether or not the two can work together. These two very different", "put aside their differences and work together. My problem occurs at the end", "The story as a whole also features a great deal of elements from", "But I seem to have reached quite the dead end. My question is,", "But with the fate of the tree of life, and therefore life as", "to find a way to the next plot point. Update: I don't know", "point. Update: I don't know if this help but the scene I'm talking", "together. These two very different people must learn to put aside their differences", "a whole, because it still has a ton of potential? The story I", "problem occurs at the end of the very first scene to feature interaction", "I'm talking about occurs about 5-6 minutes in. With the interaction being the", "member of an ancient race is forced to work alongside a human being.", "do you guys do, to get past a sticking point. 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[ "i.e. an intentional unanswered question, instead of: > > ー So, then what?", "considered a mystery, i.e. an intentional unanswered question, instead of: > > ー", "instead of: > > ー So, then what? > > ー Well, this", "to make so that an undefined information in the plot be considered a", "> > ー So, then what? > > ー Well, this is an", "question, instead of: > > ー So, then what? > > ー Well,", "what? > > ー Well, this is an unknown fact in the story.", "is an unknown fact in the story. > > ー Sorry but this", "a mystery, i.e. an intentional unanswered question, instead of: > > ー So,", "an intentional unanswered question, instead of: > > ー So, then what? >", "how to make so that an undefined information in the plot be considered", "make so that an undefined information in the plot be considered a mystery,", "in the plot be considered a mystery, i.e. an intentional unanswered question, instead", "this is an unknown fact in the story. > > ー Sorry but", "the story. > > ー Sorry but this story is incomplete.. > >", "of: > > ー So, then what? > > ー Well, this is", "> ー So, then what? > > ー Well, this is an unknown", "so that an undefined information in the plot be considered a mystery, i.e.", "mystery, i.e. an intentional unanswered question, instead of: > > ー So, then", "unanswered question, instead of: > > ー So, then what? > > ー", "ー Well, this is an unknown fact in the story. > > ー", "intentional unanswered question, instead of: > > ー So, then what? > >", "be considered a mystery, i.e. an intentional unanswered question, instead of: > >", "> > ー Well, this is an unknown fact in the story. >", "that an undefined information in the plot be considered a mystery, i.e. an", "So, then what? > > ー Well, this is an unknown fact in", "story. > > ー Sorry but this story is incomplete.. > > >", "mean, how to make so that an undefined information in the plot be", "ー So, then what? > > ー Well, this is an unknown fact", "unknown fact in the story. > > ー Sorry but this story is", "information in the plot be considered a mystery, i.e. an intentional unanswered question,", "the plot be considered a mystery, i.e. an intentional unanswered question, instead of:", "fact in the story. > > ー Sorry but this story is incomplete..", "> ー Well, this is an unknown fact in the story. > >", "an undefined information in the plot be considered a mystery, i.e. an intentional", "Well, this is an unknown fact in the story. > > ー Sorry", "in the story. > > ー Sorry but this story is incomplete.. >", "I mean, how to make so that an undefined information in the plot", "plot be considered a mystery, i.e. an intentional unanswered question, instead of: >", "then what? > > ー Well, this is an unknown fact in the", "undefined information in the plot be considered a mystery, i.e. an intentional unanswered", "an unknown fact in the story. > > ー Sorry but this story" ]
[ "turned out to be from what she thought it would be as a", "main character is to be punished (for inciting a rebellion) and she ponders", "the plot progresses normally-- it is not an extended flashback, except we get", "the climax, where the main character is to be punished (for inciting a", "out to be from what she thought it would be as a child,", "how different her life has turned out to be from what she thought", "flashback, except we get a glimpse of the scene just before the climax", "start with a scene which is close to the climax, where the main", "can get. I had an idea where I start with a scene which", "her mistakes and how different her life has turned out to be from", "child, etc. And then the book skips to the very beginning of her", "help I can get. I had an idea where I start with a", "be from what she thought it would be as a child, etc. And", "as a child, etc. And then the book skips to the very beginning", "I had an idea where I start with a scene which is close", "she ponders over her mistakes and how different her life has turned out", "way of beginning a novel? Are there any objections to it? Will it", "extended flashback, except we get a glimpse of the scene just before the", "and ultimately we reach the plot point depicted in the first scene. Basically,", "the book skips to the very beginning of her story, her childhood, where", "novel. (It's my first ever.) I need all the help I can get.", "scene which is close to the climax, where the main character is to", "the rebellion itself, and ultimately we reach the plot point depicted in the", "her childhood, where we see the reasons that incite her to rebel, and", "progresses normally-- it is not an extended flashback, except we get a glimpse", "the main character is to be punished (for inciting a rebellion) and she", "story proper begins, as a sort of hook. Is this really an acceptable", "of hook. Is this really an acceptable way of beginning a novel? Are", "the scene just before the climax just before the story proper begins, as", "just before the climax just before the story proper begins, as a sort", "we get a glimpse of the scene just before the climax just before", "in the first scene. Basically, the plot progresses normally-- it is not an", "really an acceptable way of beginning a novel? Are there any objections to", "glimpse of the scene just before the climax just before the story proper", "the first scene. Basically, the plot progresses normally-- it is not an extended", "the help I can get. I had an idea where I start with", "incite her to rebel, and then we see the rebellion itself, and ultimately", "get. I had an idea where I start with a scene which is", "is close to the climax, where the main character is to be punished", "punished (for inciting a rebellion) and she ponders over her mistakes and how", "her to rebel, and then we see the rebellion itself, and ultimately we", "we reach the plot point depicted in the first scene. 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Are there any objections to it?", "it is not an extended flashback, except we get a glimpse of the", "her story, her childhood, where we see the reasons that incite her to", "where I start with a scene which is close to the climax, where", "climax, where the main character is to be punished (for inciting a rebellion)", "and she ponders over her mistakes and how different her life has turned", "etc. And then the book skips to the very beginning of her story,", "beginning a novel? Are there any objections to it? Will it work out", "hook. Is this really an acceptable way of beginning a novel? Are there", "to be punished (for inciting a rebellion) and she ponders over her mistakes", "ultimately we reach the plot point depicted in the first scene. Basically, the", "Basically, the plot progresses normally-- it is not an extended flashback, except we", "a novel. (It's my first ever.) 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I had an", "to the very beginning of her story, her childhood, where we see the", "from what she thought it would be as a child, etc. And then", "rebellion itself, and ultimately we reach the plot point depicted in the first", "what she thought it would be as a child, etc. And then the", "character is to be punished (for inciting a rebellion) and she ponders over", "mistakes and how different her life has turned out to be from what", "plot progresses normally-- it is not an extended flashback, except we get a", "an extended flashback, except we get a glimpse of the scene just before", "story, her childhood, where we see the reasons that incite her to rebel,", "to the climax, where the main character is to be punished (for inciting", "then we see the rebellion itself, and ultimately we reach the plot point", "all the help I can get. I had an idea where I start", "inciting a rebellion) and she ponders over her mistakes and how different her", "(It's my first ever.) 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[ "finding myself getting caught in the trap of hyperbole from the excitement. This", "excitement? For example, I'm writing a scene in which my character is explaining", "past to other characters draws excitement. I'm finding myself getting caught in the", "explaining his past. The character's past is heavy, and the point at which", "my character is explaining his past. The character's past is heavy, and the", "hyperbole in scenes that are meant to increase excitement? For example, I'm writing", "the point at which he explains his past to other characters draws excitement.", "of the characters. What are some techniques to avoid superlatives and hyperbole in", "his past to other characters draws excitement. I'm finding myself getting caught in", "to not get swept up \"in the moment\" of the characters. What are", "character's past is heavy, and the point at which he explains his past", "in the trap of hyperbole from the excitement. This cheapens the plot. How", "For example, I'm writing a scene in which my character is explaining his", "finding it hard to not get swept up \"in the moment\" of the", "character is explaining his past. The character's past is heavy, and the point", "I'm writing a scene in which my character is explaining his past. The", "get swept up \"in the moment\" of the characters. What are some techniques", "myself getting caught in the trap of hyperbole from the excitement. This cheapens", "trap of hyperbole from the excitement. This cheapens the plot. How do people", "excitement. I'm finding myself getting caught in the trap of hyperbole from the", "draws excitement. I'm finding myself getting caught in the trap of hyperbole from", "techniques to avoid superlatives and hyperbole in scenes that are meant to increase", "and hyperbole in scenes that are meant to increase excitement? For example, I'm", "What are some techniques to avoid superlatives and hyperbole in scenes that are", "that are meant to increase excitement? For example, I'm writing a scene in", "writing a scene in which my character is explaining his past. The character's", "in which my character is explaining his past. The character's past is heavy,", "other characters draws excitement. I'm finding myself getting caught in the trap of", "I'm an aspiring writer and I'm finding it hard to not get swept", "he explains his past to other characters draws excitement. I'm finding myself getting", "is heavy, and the point at which he explains his past to other", "aspiring writer and I'm finding it hard to not get swept up \"in", "an aspiring writer and I'm finding it hard to not get swept up", "are meant to increase excitement? For example, I'm writing a scene in which", "avoid superlatives and hyperbole in scenes that are meant to increase excitement? For", "to avoid superlatives and hyperbole in scenes that are meant to increase excitement?", "and the point at which he explains his past to other characters draws", "to increase excitement? For example, I'm writing a scene in which my character", "point at which he explains his past to other characters draws excitement. I'm", "it hard to not get swept up \"in the moment\" of the characters.", "writer and I'm finding it hard to not get swept up \"in the", "which he explains his past to other characters draws excitement. I'm finding myself", "scene in which my character is explaining his past. The character's past is", "at which he explains his past to other characters draws excitement. I'm finding", "past. The character's past is heavy, and the point at which he explains", "scenes that are meant to increase excitement? For example, I'm writing a scene", "up \"in the moment\" of the characters. What are some techniques to avoid", "hyperbole from the excitement. This cheapens the plot. How do people combat this?", "meant to increase excitement? For example, I'm writing a scene in which my", "I'm finding myself getting caught in the trap of hyperbole from the excitement.", "superlatives and hyperbole in scenes that are meant to increase excitement? For example,", "a scene in which my character is explaining his past. The character's past", "the moment\" of the characters. What are some techniques to avoid superlatives and", "not get swept up \"in the moment\" of the characters. What are some", "\"in the moment\" of the characters. What are some techniques to avoid superlatives", "increase excitement? For example, I'm writing a scene in which my character is", "which my character is explaining his past. The character's past is heavy, and", "his past. The character's past is heavy, and the point at which he", "the trap of hyperbole from the excitement. This cheapens the plot. How do", "to other characters draws excitement. I'm finding myself getting caught in the trap", "I'm finding it hard to not get swept up \"in the moment\" of", "heavy, and the point at which he explains his past to other characters", "caught in the trap of hyperbole from the excitement. This cheapens the plot.", "explains his past to other characters draws excitement. I'm finding myself getting caught", "getting caught in the trap of hyperbole from the excitement. This cheapens the", "The character's past is heavy, and the point at which he explains his", "some techniques to avoid superlatives and hyperbole in scenes that are meant to", "moment\" of the characters. What are some techniques to avoid superlatives and hyperbole", "are some techniques to avoid superlatives and hyperbole in scenes that are meant", "in scenes that are meant to increase excitement? For example, I'm writing a", "and I'm finding it hard to not get swept up \"in the moment\"", "hard to not get swept up \"in the moment\" of the characters. What", "swept up \"in the moment\" of the characters. What are some techniques to", "the characters. What are some techniques to avoid superlatives and hyperbole in scenes", "of hyperbole from the excitement. This cheapens the plot. How do people combat", "characters. What are some techniques to avoid superlatives and hyperbole in scenes that", "example, I'm writing a scene in which my character is explaining his past.", "characters draws excitement. I'm finding myself getting caught in the trap of hyperbole", "past is heavy, and the point at which he explains his past to", "is explaining his past. The character's past is heavy, and the point at" ]
[ "somehow make it out as if he was putting on a false show", "dies. A theory that i had was that he was pretending to be", "out as if he was putting on a false show of love towards", "homework task which is to write an interior monologue on the character of", "1984, I was just wondering if it would be plausible to make his", "this be a plausible storyline considering what happens in the book? I know", "loyal but was actually plotting to overthrow the government. Would this be a", "For those that have read 1984, I was just wondering if it would", "orthodox* but want to somehow make it out as if he was putting", "interior monologue on the character of Syme. For those that have read 1984,", "those that have read 1984, I was just wondering if it would be", "was putting on a false show of love towards the party. From reading,", "false show of love towards the party. From reading, he seems as if", "as someone who is extremely orthodox but want to somehow make it out", "theory that i had was that he was pretending to be loyal but", "A theory that i had was that he was pretending to be loyal", "the government. Would this be a plausible storyline considering what happens in the", "wondering if it would be plausible to make his character as someone who", "Syme. For those that have read 1984, I was just wondering if it", "monologue about three years before the story begins and want to foreshadow how", "is extremely orthodox but want to somehow make it out as if he", "what happens in the book? I know that he is described as someone", "party. I am setting the monologue about three years before the story begins", "read 1984, I was just wondering if it would be plausible to make", "someone who is extremely orthodox but want to somehow make it out as", "From reading, he seems as if he is conniving and calculating. Many Thanks", "he was pretending to be loyal but was actually plotting to overthrow the", "i had was that he was pretending to be loyal but was actually", "against the party. I am setting the monologue about three years before the", "was actually against the party. I am setting the monologue about three years", "it out as if he was putting on a false show of love", "have a homework task which is to write an interior monologue on the", "overthrow the government. Would this be a plausible storyline considering what happens in", "as someone who was actually against the party. I am setting the monologue", "Would this be a plausible storyline considering what happens in the book? I", "in the book? I know that he is described as someone who is", "of love towards the party. From reading, he seems as if he is", "putting on a false show of love towards the party. From reading, he", "about three years before the story begins and want to foreshadow how he", "which is to write an interior monologue on the character of Syme. For", "the book? I know that he is described as someone who is extremely", "book? I know that he is described as someone who is extremely orthodox", "I was just wondering if it would be plausible to make his character", "setting the monologue about three years before the story begins and want to", "would be plausible to make his character as someone who was actually against", "pretending to be loyal but was actually plotting to overthrow the government. Would", "actually against the party. I am setting the monologue about three years before", "had was that he was pretending to be loyal but was actually plotting", "his character as someone who was actually against the party. I am setting", "how he dies. A theory that i had was that he was pretending", "have read 1984, I was just wondering if it would be plausible to", "that have read 1984, I was just wondering if it would be plausible", "I have a homework task which is to write an interior monologue on", "monologue on the character of Syme. For those that have read 1984, I", "if it would be plausible to make his character as someone who was", "but want to somehow make it out as if he was putting on", "be loyal but was actually plotting to overthrow the government. Would this be", "happens in the book? I know that he is described as someone who", "am setting the monologue about three years before the story begins and want", "years before the story begins and want to foreshadow how he dies. A", "he is described as someone who is extremely orthodox* but want to somehow", "show of love towards the party. From reading, he seems as if he", "write an interior monologue on the character of Syme. For those that have", "just wondering if it would be plausible to make his character as someone", "want to foreshadow how he dies. A theory that i had was that", "but was actually plotting to overthrow the government. Would this be a plausible", "of Syme. For those that have read 1984, I was just wondering if", "the story begins and want to foreshadow how he dies. A theory that", "government. Would this be a plausible storyline considering what happens in the book?", "was just wondering if it would be plausible to make his character as", "plausible to make his character as someone who was actually against the party.", "plotting to overthrow the government. Would this be a plausible storyline considering what", "want to somehow make it out as if he was putting on a", "know that he is described as someone who is extremely orthodox but want", "considering what happens in the book? I know that he is described as", "that he was pretending to be loyal but was actually plotting to overthrow", "character of Syme. For those that have read 1984, I was just wondering", "be a plausible storyline considering what happens in the book? I know that", "a plausible storyline considering what happens in the book? I know that he", "the party. From reading, he seems as if he is conniving and calculating.", "to make his character as someone who was actually against the party. I", "storyline considering what happens in the book? I know that he is described", "described as someone who is extremely orthodox but want to somehow make it", "reading, he seems as if he is conniving and calculating. Many Thanks G.K.", "three years before the story begins and want to foreshadow how he dies.", "towards the party. From reading, he seems as if he is conniving and", "party. From reading, he seems as if he is conniving and calculating. Many", "an interior monologue on the character of Syme. For those that have read", "and want to foreshadow how he dies. A theory that i had was", "the character of Syme. For those that have read 1984, I was just", "it would be plausible to make his character as someone who was actually", "make his character as someone who was actually against the party. I am", "to somehow make it out as if he was putting on a false", "make it out as if he was putting on a false show of", "character as someone who was actually against the party. I am setting the", "love towards the party. From reading, he seems as if he is conniving", "he was putting on a false show of love towards the party. From", "I am setting the monologue about three years before the story begins and", "to be loyal but was actually plotting to overthrow the government. Would this", "extremely orthodox but want to somehow make it out as if he was", "he dies. A theory that i had was that he was pretending to", "I know that he is described as someone who is extremely orthodox but", "actually plotting to overthrow the government. Would this be a plausible storyline considering", "that he is described as someone who is extremely orthodox but want to", "as if he was putting on a false show of love towards the", "if he was putting on a false show of love towards the party.", "to foreshadow how he dies. A theory that i had was that he", "task which is to write an interior monologue on the character of Syme.", "to overthrow the government. Would this be a plausible storyline considering what happens", "a false show of love towards the party. From reading, he seems as", "a homework task which is to write an interior monologue on the character", "be plausible to make his character as someone who was actually against the", "foreshadow how he dies. A theory that i had was that he was", "who was actually against the party. I am setting the monologue about three", "was pretending to be loyal but was actually plotting to overthrow the government.", "was actually plotting to overthrow the government. Would this be a plausible storyline", "to write an interior monologue on the character of Syme. For those that", "plausible storyline considering what happens in the book? I know that he is", "the party. I am setting the monologue about three years before the story", "is described as someone who is extremely orthodox but want to somehow make", "is to write an interior monologue on the character of Syme. For those", "the monologue about three years before the story begins and want to foreshadow", "was that he was pretending to be loyal but was actually plotting to", "before the story begins and want to foreshadow how he dies. A theory", "begins and want to foreshadow how he dies. A theory that i had", "someone who was actually against the party. I am setting the monologue about", "on a false show of love towards the party. From reading, he seems", "story begins and want to foreshadow how he dies. A theory that i", "on the character of Syme. For those that have read 1984, I was", "who is extremely orthodox but want to somehow make it out as if", "that i had was that he was pretending to be loyal but was" ]
[ "guy keeps turning on at night even though it's not > connected. >", "> > A. A woman finds out that a lost ancient city still", "TV of a guy keeps turning on at night even though it's not", "death wife is actually alive. > > > C. The TV of a", "mysteries (I just came up with them now): > > A. A woman", "> > > B. A man finds out that her death wife is", "of them? If so, what would make them care more about, say, A", "night even though it's not > connected. > > > Would readers care", "it's not > connected. > > > Would readers care about all of", "now): > > A. A woman finds out that a lost ancient city", "keeps turning on at night even though it's not > connected. > >", "> A. A woman finds out that a lost ancient city still exists.", "A woman finds out that a lost ancient city still exists. > >", "> Would readers care about all of them? If so, what would make", "exists. > > > B. A man finds out that her death wife", "A man finds out that her death wife is actually alive. > >", "A. A woman finds out that a lost ancient city still exists. >", "a lost ancient city still exists. > > > B. A man finds", "would make them care more about, say, A than B, or B than", "> > Would readers care about all of them? If so, what would", "> > > Would readers care about all of them? If so, what", "> > > C. The TV of a guy keeps turning on at", "what would make them care more about, say, A than B, or B", "> connected. > > > Would readers care about all of them? If", "about all of them? If so, what would make them care more about,", "still exists. > > > B. A man finds out that her death", "actually alive. > > > C. The TV of a guy keeps turning", "B. A man finds out that her death wife is actually alive. >", "ancient city still exists. > > > B. A man finds out that", "is actually alive. > > > C. The TV of a guy keeps", "came up with them now): > > A. A woman finds out that", "few examples of mysteries (I just came up with them now): > >", "so, what would make them care more about, say, A than B, or", "even though it's not > connected. > > > Would readers care about", "with them now): > > A. A woman finds out that a lost", "care about all of them? If so, what would make them care more", "not > connected. > > > Would readers care about all of them?", "them now): > > A. A woman finds out that a lost ancient", "If so, what would make them care more about, say, A than B,", "out that her death wife is actually alive. > > > C. The", "Here are a few examples of mysteries (I just came up with them", "make them care more about, say, A than B, or B than C?", "just came up with them now): > > A. A woman finds out", "at night even though it's not > connected. > > > Would readers", "all of them? If so, what would make them care more about, say,", "of a guy keeps turning on at night even though it's not >", "Would readers care about all of them? If so, what would make them", "are a few examples of mysteries (I just came up with them now):", "that her death wife is actually alive. > > > C. The TV", "connected. > > > Would readers care about all of them? If so,", "> C. The TV of a guy keeps turning on at night even", "> B. A man finds out that her death wife is actually alive.", "that a lost ancient city still exists. > > > B. A man", "them? If so, what would make them care more about, say, A than", "finds out that a lost ancient city still exists. > > > B.", "turning on at night even though it's not > connected. > > >", "lost ancient city still exists. > > > B. A man finds out", "of mysteries (I just came up with them now): > > A. A", "(I just came up with them now): > > A. A woman finds", "finds out that her death wife is actually alive. > > > C.", "wife is actually alive. > > > C. The TV of a guy", "readers care about all of them? If so, what would make them care", "up with them now): > > A. A woman finds out that a", "C. The TV of a guy keeps turning on at night even though", "out that a lost ancient city still exists. > > > B. A", "a few examples of mysteries (I just came up with them now): >", "> > B. A man finds out that her death wife is actually", "alive. > > > C. The TV of a guy keeps turning on", "examples of mysteries (I just came up with them now): > > A.", "woman finds out that a lost ancient city still exists. > > >", "a guy keeps turning on at night even though it's not > connected.", "on at night even though it's not > connected. > > > Would", "> > C. The TV of a guy keeps turning on at night", "her death wife is actually alive. > > > C. The TV of", "though it's not > connected. > > > Would readers care about all", "The TV of a guy keeps turning on at night even though it's", "city still exists. > > > B. A man finds out that her", "man finds out that her death wife is actually alive. > > >" ]
[ "I'm looking for over-arching, reusable mechanics rather than specific fixes for my book.", "locations to my plot? and What type of constraints should I keep in", "my world, there all sorts of places that I'd like to include in", "plot? and What type of constraints should I keep in mind while doing", "plot, characters and world because I'm looking for over-arching, reusable mechanics rather than", "of my plot, characters and world because I'm looking for over-arching, reusable mechanics", "of places that I'd like to include in my book but I have", "so? (I'm shooting for ~100k word count) Note: I have been intentionally vague", "but I have yet to find sound reasons to include more a handful", "details of my plot, characters and world because I'm looking for over-arching, reusable", "type of constraints should I keep in mind while doing so? (I'm shooting", "all sorts of places that I'd like to include in my book but", "more a handful of them. How can I connect several distinct locations to", "and What type of constraints should I keep in mind while doing so?", "to my plot? and What type of constraints should I keep in mind", "world, there all sorts of places that I'd like to include in my", "world because I'm looking for over-arching, reusable mechanics rather than specific fixes for", "the details of my plot, characters and world because I'm looking for over-arching,", "(I'm shooting for ~100k word count) Note: I have been intentionally vague about", "my plot, characters and world because I'm looking for over-arching, reusable mechanics rather", "my plot? and What type of constraints should I keep in mind while", "sorts of places that I'd like to include in my book but I", "in mind while doing so? (I'm shooting for ~100k word count) Note: I", "them. How can I connect several distinct locations to my plot? and What", "handful of them. How can I connect several distinct locations to my plot?", "I'd like to include in my book but I have yet to find", "have yet to find sound reasons to include more a handful of them.", "have been intentionally vague about the details of my plot, characters and world", "because I'm looking for over-arching, reusable mechanics rather than specific fixes for my", "to include more a handful of them. How can I connect several distinct", "there all sorts of places that I'd like to include in my book", "reasons to include more a handful of them. How can I connect several", "book but I have yet to find sound reasons to include more a", "~100k word count) Note: I have been intentionally vague about the details of", "for ~100k word count) Note: I have been intentionally vague about the details", "I have yet to find sound reasons to include more a handful of", "should I keep in mind while doing so? (I'm shooting for ~100k word", "I have been intentionally vague about the details of my plot, characters and", "to include in my book but I have yet to find sound reasons", "a handful of them. How can I connect several distinct locations to my", "places that I'd like to include in my book but I have yet", "my book but I have yet to find sound reasons to include more", "keep in mind while doing so? (I'm shooting for ~100k word count) Note:", "find sound reasons to include more a handful of them. How can I", "constraints should I keep in mind while doing so? (I'm shooting for ~100k", "word count) Note: I have been intentionally vague about the details of my", "that I'd like to include in my book but I have yet to", "count) Note: I have been intentionally vague about the details of my plot,", "of constraints should I keep in mind while doing so? (I'm shooting for", "I connect several distinct locations to my plot? and What type of constraints", "doing so? (I'm shooting for ~100k word count) Note: I have been intentionally", "In my world, there all sorts of places that I'd like to include", "include more a handful of them. How can I connect several distinct locations", "of them. How can I connect several distinct locations to my plot? and", "distinct locations to my plot? and What type of constraints should I keep", "What type of constraints should I keep in mind while doing so? (I'm", "yet to find sound reasons to include more a handful of them. How", "shooting for ~100k word count) Note: I have been intentionally vague about the", "and world because I'm looking for over-arching, reusable mechanics rather than specific fixes", "several distinct locations to my plot? and What type of constraints should I", "Note: I have been intentionally vague about the details of my plot, characters", "I keep in mind while doing so? (I'm shooting for ~100k word count)", "like to include in my book but I have yet to find sound", "characters and world because I'm looking for over-arching, reusable mechanics rather than specific", "vague about the details of my plot, characters and world because I'm looking", "intentionally vague about the details of my plot, characters and world because I'm", "include in my book but I have yet to find sound reasons to", "mind while doing so? (I'm shooting for ~100k word count) Note: I have", "about the details of my plot, characters and world because I'm looking for", "can I connect several distinct locations to my plot? and What type of", "in my book but I have yet to find sound reasons to include", "connect several distinct locations to my plot? and What type of constraints should", "sound reasons to include more a handful of them. How can I connect", "to find sound reasons to include more a handful of them. How can", "while doing so? (I'm shooting for ~100k word count) Note: I have been", "been intentionally vague about the details of my plot, characters and world because", "How can I connect several distinct locations to my plot? and What type" ]
[ "I am a professional programmer and professional grade Linux specialist.) One reason I", "Commons license. Will it increase readership of my book if I rewrite it", "specialist.) One reason I think not to use Stacks software is that because", "Will it increase readership of my book if I rewrite it using [the", "The book is available as a PDF file and as LaTeX files published", "it available as interactive HTML on the Web in addition to currently available", "difficult to use this software? (I think no, because I am a professional", "under Creative Commons license. Will it increase readership of my book if I", "reason I think not to use Stacks software is that because my book", "not to use Stacks software is that because my book contains research it", "available PDF? Is it difficult to use this software? (I think no, because", "file and as LaTeX files published in a Git hosting under Creative Commons", "readership of my book if I rewrite it using [the same software as", "book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML on the Web in addition", "programmer and professional grade Linux specialist.) One reason I think not to use", "a PDF file and as LaTeX files published in a Git hosting under", "I have written a book about my math discoveries. The book is available", "no, because I am a professional programmer and professional grade Linux specialist.) One", "about my math discoveries. The book is available as a PDF file and", "PDF? Is it difficult to use this software? (I think no, because I", "addition to currently available PDF? Is it difficult to use this software? (I", "Linux specialist.) One reason I think not to use Stacks software is that", "available as a PDF file and as LaTeX files published in a Git", "LaTeX files published in a Git hosting under Creative Commons license. Will it", "Git hosting under Creative Commons license. Will it increase readership of my book", "book if I rewrite it using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about)", "interactive HTML on the Web in addition to currently available PDF? Is it", "PDF file and as LaTeX files published in a Git hosting under Creative", "that because my book contains research it should be read by the order,", "it increase readership of my book if I rewrite it using [the same", "it difficult to use this software? (I think no, because I am a", "Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML on the Web", "have written a book about my math discoveries. The book is available as", "professional programmer and professional grade Linux specialist.) One reason I think not to", "Creative Commons license. Will it increase readership of my book if I rewrite", "Project book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML on the Web in", "book about my math discoveries. The book is available as a PDF file", "to use Stacks software is that because my book contains research it should", "software is that because my book contains research it should be read by", "book contains research it should be read by the order, while Stacks Project", "a Git hosting under Creative Commons license. Will it increase readership of my", "in addition to currently available PDF? Is it difficult to use this software?", "of my book if I rewrite it using [the same software as Stacks", "my math discoveries. The book is available as a PDF file and as", "Stacks software is that because my book contains research it should be read", "math discoveries. The book is available as a PDF file and as LaTeX", "hosting under Creative Commons license. Will it increase readership of my book if", "I rewrite it using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make", "currently available PDF? Is it difficult to use this software? (I think no,", "read by the order, while Stacks Project facilitates reading the book from the", "Is it difficult to use this software? (I think no, because I am", "to make it available as interactive HTML on the Web in addition to", "files published in a Git hosting under Creative Commons license. Will it increase", "HTML on the Web in addition to currently available PDF? Is it difficult", "as LaTeX files published in a Git hosting under Creative Commons license. Will", "as a PDF file and as LaTeX files published in a Git hosting", "book is available as a PDF file and as LaTeX files published in", "should be read by the order, while Stacks Project facilitates reading the book", "make it available as interactive HTML on the Web in addition to currently", "it using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available", "[the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as interactive", "One reason I think not to use Stacks software is that because my", "software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML on", "think no, because I am a professional programmer and professional grade Linux specialist.)", "be read by the order, while Stacks Project facilitates reading the book from", "use this software? (I think no, because I am a professional programmer and", "use Stacks software is that because my book contains research it should be", "and professional grade Linux specialist.) One reason I think not to use Stacks", "to currently available PDF? Is it difficult to use this software? (I think", "grade Linux specialist.) One reason I think not to use Stacks software is", "by the order, while Stacks Project facilitates reading the book from the middle.", "this software? (I think no, because I am a professional programmer and professional", "written a book about my math discoveries. The book is available as a", "is that because my book contains research it should be read by the", "and as LaTeX files published in a Git hosting under Creative Commons license.", "Web in addition to currently available PDF? Is it difficult to use this", "contains research it should be read by the order, while Stacks Project facilitates", "in a Git hosting under Creative Commons license. Will it increase readership of", "on the Web in addition to currently available PDF? Is it difficult to", "am a professional programmer and professional grade Linux specialist.) One reason I think", "(I think no, because I am a professional programmer and professional grade Linux", "a professional programmer and professional grade Linux specialist.) One reason I think not", "professional grade Linux specialist.) One reason I think not to use Stacks software", "to use this software? (I think no, because I am a professional programmer", "research it should be read by the order, while Stacks Project facilitates reading", "because my book contains research it should be read by the order, while", "a book about my math discoveries. The book is available as a PDF", "available as interactive HTML on the Web in addition to currently available PDF?", "increase readership of my book if I rewrite it using [the same software", "the Web in addition to currently available PDF? Is it difficult to use", "same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML", "it should be read by the order, while Stacks Project facilitates reading the", "software? (I think no, because I am a professional programmer and professional grade", "is available as a PDF file and as LaTeX files published in a", "think not to use Stacks software is that because my book contains research", "my book contains research it should be read by the order, while Stacks", "published in a Git hosting under Creative Commons license. Will it increase readership", "as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as interactive HTML on the", "my book if I rewrite it using [the same software as Stacks Project", "using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it available as", "discoveries. The book is available as a PDF file and as LaTeX files", "because I am a professional programmer and professional grade Linux specialist.) One reason", "rewrite it using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to make it", "license. Will it increase readership of my book if I rewrite it using", "if I rewrite it using [the same software as Stacks Project book](http://stacks.math.columbia.edu/about) to", "as interactive HTML on the Web in addition to currently available PDF? Is", "I think not to use Stacks software is that because my book contains" ]
[ "\"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print.", "use 'qtd', making no reference to the indirect source parenthetically but include it", "> > Cust, Nyng, and Margaret Jacob. \"The Affective Revolution in 1790s >", "but didn't include citation of an indirect source (assuming I am understanding it", "> > works cited list > > > Cust, Nyng, and Margaret Jacob.", "in Cust and Jacob 493). > > > works cited list > >", "do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example but", "to know about the indirect source. How would said reader do such? The", "'qtd', making no reference to the indirect source parenthetically but include it in", "source parenthetically but include it in my 'works cited' (or bibliography, appendix, whatever).", "would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave", "Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference to", "whatever). A reader of my paper might notice the 'qtd' and want to", "> Cust, Nyng, and Margaret Jacob. \"The Affective Revolution in 1790s > Britain.\"", "> Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. > > > Cross posted", "of my paper might notice the 'qtd' and want to know about the", "Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. > >", "found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of a fancy GUI", "reflects immortal honour on the Club\" (qtd. in Cust and Jacob 493). >", "1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. > > > Cross", "in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. > > >", "relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I", "understanding it right): > > parenthetical reference > > > In a May", "Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference", "on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I found", "from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/)", "According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference to the", "summary in the form of a fancy GUI slideshow and gives more details", "reader of my paper might notice the 'qtd' and want to know about", "the indirect source. How would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided", "excellent Satanism > reflects immortal honour on the Club\" (qtd. in Cust and", "May 1800 letter to Watt, Creighton wrote, \"The excellent Satanism > reflects immortal", "didn't include citation of an indirect source (assuming I am understanding it right):", "should use 'qtd', making no reference to the indirect source parenthetically but include", "> > > Cust, Nyng, and Margaret Jacob. \"The Affective Revolution in 1790s", "letter to Watt, Creighton wrote, \"The excellent Satanism > reflects immortal honour on", "the form of a fancy GUI slideshow and gives more details than the", "the indirect source parenthetically but include it in my 'works cited' (or bibliography,", "1800 letter to Watt, Creighton wrote, \"The excellent Satanism > reflects immortal honour", "[this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing", "my paper might notice the 'qtd' and want to know about the indirect", "a May 1800 letter to Watt, Creighton wrote, \"The excellent Satanism > reflects", "source. How would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the", "in my 'works cited' (or bibliography, appendix, whatever). A reader of my paper", "> > > works cited list > > > Cust, Nyng, and Margaret", "> > > In a May 1800 letter to Watt, Creighton wrote, \"The", "paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a", "the 'qtd' and want to know about the indirect source. How would said", "list > > > Cust, Nyng, and Margaret Jacob. \"The Affective Revolution in", "a summary in the form of a fancy GUI slideshow and gives more", "parenthetically but include it in my 'works cited' (or bibliography, appendix, whatever). A", "wrote, \"The excellent Satanism > reflects immortal honour on the Club\" (qtd. in", "but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of a", "posted by someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use", "indirect source. How would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in", "source (assuming I am understanding it right): > > parenthetical reference > >", "I should use 'qtd', making no reference to the indirect source parenthetically but", "gives more details than the abstract posted by someone named Kyle Alcock. According", "indirect source (assuming I am understanding it right): > > parenthetical reference >", "(assuming I am understanding it right): > > parenthetical reference > > >", "abstract posted by someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should", "paper might notice the 'qtd' and want to know about the indirect source.", "an indirect source (assuming I am understanding it right): > > parenthetical reference", "parenthetical reference > > > In a May 1800 letter to Watt, Creighton", "and want to know about the indirect source. How would said reader do", "[link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of a fancy GUI slideshow and", "provided in the answer gave an example but didn't include citation of an", "For a paper I am doing, I am relying on information from [this", "information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but I found this", "493). > > > works cited list > > > Cust, Nyng, and", "form of a fancy GUI slideshow and gives more details than the abstract", "making no reference to the indirect source parenthetically but include it in my", "said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an", "Club\" (qtd. in Cust and Jacob 493). > > > works cited list", "no reference to the indirect source parenthetically but include it in my 'works", "A reader of my paper might notice the 'qtd' and want to know", "works cited list > > > Cust, Nyng, and Margaret Jacob. \"The Affective", "paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of", "I am understanding it right): > > parenthetical reference > > > In", "the abstract posted by someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I", "the answer gave an example but didn't include citation of an indirect source", "it in my 'works cited' (or bibliography, appendix, whatever). A reader of my", "example but didn't include citation of an indirect source (assuming I am understanding", "I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying,", "cited list > > > Cust, Nyng, and Margaret Jacob. \"The Affective Revolution", "indirect source parenthetically but include it in my 'works cited' (or bibliography, appendix,", "my 'works cited' (or bibliography, appendix, whatever). A reader of my paper might", "this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of a fancy GUI slideshow", "more details than the abstract posted by someone named Kyle Alcock. According to", "right): > > parenthetical reference > > > In a May 1800 letter", "but include it in my 'works cited' (or bibliography, appendix, whatever). A reader", "such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example but didn't", "In a May 1800 letter to Watt, Creighton wrote, \"The excellent Satanism >", "Jacob. \"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521.", "to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference to the indirect", "of a fancy GUI slideshow and gives more details than the abstract posted", "appendix, whatever). A reader of my paper might notice the 'qtd' and want", "fancy GUI slideshow and gives more details than the abstract posted by someone", "to the indirect source parenthetically but include it in my 'works cited' (or", "about the indirect source. How would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php)", "I am doing, I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't", "GUI slideshow and gives more details than the abstract posted by someone named", "am doing, I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access", "details than the abstract posted by someone named Kyle Alcock. According to [this", "of an indirect source (assuming I am understanding it right): > > parenthetical", "Nyng, and Margaret Jacob. \"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies", "a paper I am doing, I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/).", "named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no", "Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. > > > Cross posted :", "access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the", "reference to the indirect source parenthetically but include it in my 'works cited'", "someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making", "in the answer gave an example but didn't include citation of an indirect", "[this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference to the indirect source", "without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form", "include citation of an indirect source (assuming I am understanding it right): >", "citation of an indirect source (assuming I am understanding it right): > >", "> parenthetical reference > > > In a May 1800 letter to Watt,", "(or bibliography, appendix, whatever). A reader of my paper might notice the 'qtd'", "Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001): 491-521. Print. >", "want to know about the indirect source. How would said reader do such?", "in the form of a fancy GUI slideshow and gives more details than", "than the abstract posted by someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have),", "The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example but didn't include", "paper I am doing, I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I", "might notice the 'qtd' and want to know about the indirect source. How", "(qtd. in Cust and Jacob 493). > > > works cited list >", "Cust, Nyng, and Margaret Jacob. \"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century", "on the Club\" (qtd. in Cust and Jacob 493). > > > works", "> > parenthetical reference > > > In a May 1800 letter to", "Watt, Creighton wrote, \"The excellent Satanism > reflects immortal honour on the Club\"", "and gives more details than the abstract posted by someone named Kyle Alcock.", "'qtd' and want to know about the indirect source. How would said reader", "bibliography, appendix, whatever). A reader of my paper might notice the 'qtd' and", "notice the 'qtd' and want to know about the indirect source. How would", "a fancy GUI slideshow and gives more details than the abstract posted by", "How would said reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer", "I can't access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary", "am understanding it right): > > parenthetical reference > > > In a", "immortal honour on the Club\" (qtd. in Cust and Jacob 493). > >", "to Watt, Creighton wrote, \"The excellent Satanism > reflects immortal honour on the", "Jacob 493). > > > works cited list > > > Cust, Nyng,", "Satanism > reflects immortal honour on the Club\" (qtd. in Cust and Jacob", "know about the indirect source. How would said reader do such? The relevant", "it right): > > parenthetical reference > > > In a May 1800", "\"The excellent Satanism > reflects immortal honour on the Club\" (qtd. in Cust", "an example but didn't include citation of an indirect source (assuming I am", "> reflects immortal honour on the Club\" (qtd. in Cust and Jacob 493).", "answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd', making no reference to the indirect source parenthetically", "the Club\" (qtd. in Cust and Jacob 493). > > > works cited", "[link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example but didn't include citation of", "reference > > > In a May 1800 letter to Watt, Creighton wrote,", "answer gave an example but didn't include citation of an indirect source (assuming", "by someone named Kyle Alcock. According to [this answer](https://academia.stackexchange.com/questions/7768/how-should-i-cite-something-learned-second-hand-eg-from-wikipedia-when-i-have), I should use 'qtd',", "> > In a May 1800 letter to Watt, Creighton wrote, \"The excellent", "and Jacob 493). > > > works cited list > > > Cust,", "am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without paying, but", "slideshow and gives more details than the abstract posted by someone named Kyle", "relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example but didn't include citation", "can't access without paying, but I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in", "reader do such? The relevant [link](http://library.williams.edu/citing/styles/mla.php) provided in the answer gave an example", "gave an example but didn't include citation of an indirect source (assuming I", "and Margaret Jacob. \"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4", "doing, I am relying on information from [this paper](http://psycnet.apa.org/journals/apl/97/2/469/). I can't access without", "Margaret Jacob. \"The Affective Revolution in 1790s > Britain.\" Eighteenth-Century Studies 34.4 (2001):", "> In a May 1800 letter to Watt, Creighton wrote, \"The excellent Satanism", "> works cited list > > > Cust, Nyng, and Margaret Jacob. \"The", "include it in my 'works cited' (or bibliography, appendix, whatever). A reader of", "Cust and Jacob 493). > > > works cited list > > >", "cited' (or bibliography, appendix, whatever). A reader of my paper might notice the", "Creighton wrote, \"The excellent Satanism > reflects immortal honour on the Club\" (qtd.", "honour on the Club\" (qtd. in Cust and Jacob 493). > > >", "containing a summary in the form of a fancy GUI slideshow and gives", "I found this [link](https://prezi.com/i8db1q9ljcy2/an-empirical-investigation-of-dispositional-antecedents-and/) containing a summary in the form of a fancy", "'works cited' (or bibliography, appendix, whatever). A reader of my paper might notice" ]
[ "practice to first have a character speak something and then introduce him to", "introduction of the protagonist as well. He is introduced with a voice-over and", "later, he gets a description of his physical features. And even though he", "voice-over and it's only after a minute of VO that you actually get", "have referenced him simply as `MAN` in all of the dialogues. Is it", "In a screenplay, would it be okay to introduce a character through a", "his voice or just get going with it? Also, is it okay to", "film, I have referenced him simply as `MAN` in all of the dialogues.", "for the introduction of the protagonist as well. He is introduced with a", "in the film, I have referenced him simply as `MAN` in all of", "introduce a character through a dialogue? The character in question isn't given a", "out of narrative demands? I wish for the answer to hold for the", "as `MAN` in all of the dialogues. Is it common practice to first", "him. Should I describe his voice or just get going with it? Also,", "screenplay, would it be okay to introduce a character through a dialogue? The", "first have a character speak something and then introduce him to the reader,", "has a sizeable role (read '3 minutes of screen time') in the film,", "to introduce a character through a dialogue? The character in question isn't given", "A couple of lines later, he gets a description of his physical features.", "given a background (in the ACTION) in the start since his first appearance", "he has a sizeable role (read '3 minutes of screen time') in the", "to the reader, purely out of narrative demands? I wish for the answer", "role (read '3 minutes of screen time') in the film, I have referenced", "in the start since his first appearance is one where he appears all", "after a minute of VO that you actually get to see him. Should", "him to the reader, purely out of narrative demands? I wish for the", "of VO that you actually get to see him. Should I describe his", "physical features. And even though he has a sizeable role (read '3 minutes", "wish for the answer to hold for the introduction of the protagonist as", "of screen time') in the film, I have referenced him simply as `MAN`", "the introduction of the protagonist as well. He is introduced with a voice-over", "the film, I have referenced him simply as `MAN` in all of the", "minute of VO that you actually get to see him. Should I describe", "demands? I wish for the answer to hold for the introduction of the", "I have referenced him simply as `MAN` in all of the dialogues. Is", "a minute of VO that you actually get to see him. Should I", "time') in the film, I have referenced him simply as `MAN` in all", "the reader, purely out of narrative demands? I wish for the answer to", "sudden. A couple of lines later, he gets a description of his physical", "of narrative demands? I wish for the answer to hold for the introduction", "just get going with it? Also, is it okay to reference him with", "where he appears all of a sudden. A couple of lines later, he", "background (in the ACTION) in the start since his first appearance is one", "going with it? Also, is it okay to reference him with his own", "I wish for the answer to hold for the introduction of the protagonist", "it's only after a minute of VO that you actually get to see", "describe his voice or just get going with it? Also, is it okay", "okay to reference him with his own name (in the VO dialogue that", "the answer to hold for the introduction of the protagonist as well. He", "appearance is one where he appears all of a sudden. A couple of", "isn't given a background (in the ACTION) in the start since his first", "ACTION) in the start since his first appearance is one where he appears", "his physical features. And even though he has a sizeable role (read '3", "one where he appears all of a sudden. A couple of lines later,", "as well. He is introduced with a voice-over and it's only after a", "minutes of screen time') in the film, I have referenced him simply as", "own name (in the VO dialogue that he speaks), since he will be", "though he has a sizeable role (read '3 minutes of screen time') in", "he gets a description of his physical features. And even though he has", "dialogue? The character in question isn't given a background (in the ACTION) in", "the dialogues. Is it common practice to first have a character speak something", "couple of lines later, he gets a description of his physical features. And", "then introduce him to the reader, purely out of narrative demands? I wish", "all of a sudden. A couple of lines later, he gets a description", "see him. Should I describe his voice or just get going with it?", "sizeable role (read '3 minutes of screen time') in the film, I have", "in all of the dialogues. Is it common practice to first have a", "all of the dialogues. Is it common practice to first have a character", "he appears all of a sudden. A couple of lines later, he gets", "would it be okay to introduce a character through a dialogue? The character", "'3 minutes of screen time') in the film, I have referenced him simply", "it okay to reference him with his own name (in the VO dialogue", "voice or just get going with it? Also, is it okay to reference", "something and then introduce him to the reader, purely out of narrative demands?", "is introduced with a voice-over and it's only after a minute of VO", "of the dialogues. Is it common practice to first have a character speak", "The character in question isn't given a background (in the ACTION) in the", "dialogues. Is it common practice to first have a character speak something and", "only after a minute of VO that you actually get to see him.", "character speak something and then introduce him to the reader, purely out of", "a screenplay, would it be okay to introduce a character through a dialogue?", "first appearance is one where he appears all of a sudden. A couple", "for the answer to hold for the introduction of the protagonist as well.", "with his own name (in the VO dialogue that he speaks), since he", "him simply as `MAN` in all of the dialogues. Is it common practice", "with it? Also, is it okay to reference him with his own name", "features. And even though he has a sizeable role (read '3 minutes of", "(in the ACTION) in the start since his first appearance is one where", "He is introduced with a voice-over and it's only after a minute of", "his first appearance is one where he appears all of a sudden. A", "and it's only after a minute of VO that you actually get to", "Should I describe his voice or just get going with it? Also, is", "lines later, he gets a description of his physical features. And even though", "it? Also, is it okay to reference him with his own name (in", "is one where he appears all of a sudden. A couple of lines", "a dialogue? The character in question isn't given a background (in the ACTION)", "character in question isn't given a background (in the ACTION) in the start", "you actually get to see him. Should I describe his voice or just", "okay to introduce a character through a dialogue? The character in question isn't", "be okay to introduce a character through a dialogue? The character in question", "of lines later, he gets a description of his physical features. And even", "description of his physical features. And even though he has a sizeable role", "speak something and then introduce him to the reader, purely out of narrative", "since his first appearance is one where he appears all of a sudden.", "that you actually get to see him. Should I describe his voice or", "the VO dialogue that he speaks), since he will be introduced later in", "gets a description of his physical features. And even though he has a", "And even though he has a sizeable role (read '3 minutes of screen", "get going with it? Also, is it okay to reference him with his", "a description of his physical features. And even though he has a sizeable", "referenced him simply as `MAN` in all of the dialogues. Is it common", "(read '3 minutes of screen time') in the film, I have referenced him", "reader, purely out of narrative demands? I wish for the answer to hold", "the protagonist as well. He is introduced with a voice-over and it's only", "that he speaks), since he will be introduced later in the very first", "protagonist as well. He is introduced with a voice-over and it's only after", "Also, is it okay to reference him with his own name (in the", "introduce him to the reader, purely out of narrative demands? I wish for", "character through a dialogue? The character in question isn't given a background (in", "a background (in the ACTION) in the start since his first appearance is", "a voice-over and it's only after a minute of VO that you actually", "VO dialogue that he speaks), since he will be introduced later in the", "to hold for the introduction of the protagonist as well. He is introduced", "even though he has a sizeable role (read '3 minutes of screen time')", "get to see him. Should I describe his voice or just get going", "well. He is introduced with a voice-over and it's only after a minute", "introduced with a voice-over and it's only after a minute of VO that", "and then introduce him to the reader, purely out of narrative demands? I", "hold for the introduction of the protagonist as well. He is introduced with", "start since his first appearance is one where he appears all of a", "dialogue that he speaks), since he will be introduced later in the very", "of his physical features. And even though he has a sizeable role (read", "answer to hold for the introduction of the protagonist as well. He is", "VO that you actually get to see him. Should I describe his voice", "I describe his voice or just get going with it? Also, is it", "his own name (in the VO dialogue that he speaks), since he will", "common practice to first have a character speak something and then introduce him", "he speaks), since he will be introduced later in the very first page?", "`MAN` in all of the dialogues. Is it common practice to first have", "name (in the VO dialogue that he speaks), since he will be introduced", "Is it common practice to first have a character speak something and then", "actually get to see him. Should I describe his voice or just get", "narrative demands? I wish for the answer to hold for the introduction of", "to see him. Should I describe his voice or just get going with", "him with his own name (in the VO dialogue that he speaks), since", "screen time') in the film, I have referenced him simply as `MAN` in", "reference him with his own name (in the VO dialogue that he speaks),", "it be okay to introduce a character through a dialogue? The character in", "have a character speak something and then introduce him to the reader, purely", "purely out of narrative demands? I wish for the answer to hold for", "to first have a character speak something and then introduce him to the", "of a sudden. A couple of lines later, he gets a description of", "it common practice to first have a character speak something and then introduce", "with a voice-over and it's only after a minute of VO that you", "to reference him with his own name (in the VO dialogue that he", "question isn't given a background (in the ACTION) in the start since his", "a sizeable role (read '3 minutes of screen time') in the film, I", "a character speak something and then introduce him to the reader, purely out", "through a dialogue? The character in question isn't given a background (in the", "simply as `MAN` in all of the dialogues. Is it common practice to", "appears all of a sudden. A couple of lines later, he gets a", "of the protagonist as well. He is introduced with a voice-over and it's", "or just get going with it? Also, is it okay to reference him", "the start since his first appearance is one where he appears all of", "the ACTION) in the start since his first appearance is one where he", "is it okay to reference him with his own name (in the VO", "in question isn't given a background (in the ACTION) in the start since", "(in the VO dialogue that he speaks), since he will be introduced later", "a character through a dialogue? The character in question isn't given a background", "a sudden. A couple of lines later, he gets a description of his" ]
[ "characters that he plays out himself, taking turns to impersonate each character. This", "comedian may chose to act out some funny situation between two or more", "\"conclusion\" or gag. Is there a name for this exchange once it has", "another way. In stand up comedy, sometimes, the comedian may chose to act", "story in \"Act 1: The Beginning\". The exchange itself plays a significant role", "and an exchange of lines occurs. This develops as some kind of important", "out himself, taking turns to impersonate each character. This play is usually short,", "the elevator and an exchange of lines occurs. This develops as some kind", "in the elevator and an exchange of lines occurs. This develops as some", "to act out some funny situation between two or more characters that he", "to have a very defined \"conclusion\" or gag. Is there a name for", "towards one another. In some scene you set up a meeting between the", "play is usually short, and has to have a very defined \"conclusion\" or", "exchange of dialogue? PS. You can imagine this another way. In stand up", "Is there a name for this exchange once it has made its point?", "up a meeting between the characters in the elevator and an exchange of", "role in Act 1 as do other scenes similar to it. Is there", "between two or more characters that he plays out himself, taking turns to", "sets up the story in \"Act 1: The Beginning\". The exchange itself plays", "that sets up the story in \"Act 1: The Beginning\". The exchange itself", "PS. You can imagine this another way. In stand up comedy, sometimes, the", "an exchange of lines occurs. This develops as some kind of important factor", "name for this exchange of dialogue? PS. You can imagine this another way.", "have a very defined \"conclusion\" or gag. Is there a name for this", "each character. This play is usually short, and has to have a very", "in \"Act 1: The Beginning\". The exchange itself plays a significant role in", "as do other scenes similar to it. Is there a name for this", "stand up comedy, sometimes, the comedian may chose to act out some funny", "defined \"conclusion\" or gag. Is there a name for this exchange once it", "to show that two characters have some animosity towards one another. In some", "way. In stand up comedy, sometimes, the comedian may chose to act out", "characters have some animosity towards one another. In some scene you set up", "you want to show that two characters have some animosity towards one another.", "lines occurs. This develops as some kind of important factor that sets up", "In stand up comedy, sometimes, the comedian may chose to act out some", "may chose to act out some funny situation between two or more characters", "this exchange of dialogue? PS. You can imagine this another way. In stand", "the comedian may chose to act out some funny situation between two or", "of lines occurs. This develops as some kind of important factor that sets", "act out some funny situation between two or more characters that he plays", "1 as do other scenes similar to it. Is there a name for", "this another way. In stand up comedy, sometimes, the comedian may chose to", "elevator and an exchange of lines occurs. This develops as some kind of", "a very defined \"conclusion\" or gag. Is there a name for this exchange", "you set up a meeting between the characters in the elevator and an", "show that two characters have some animosity towards one another. In some scene", "In some scene you set up a meeting between the characters in the", "comedy, sometimes, the comedian may chose to act out some funny situation between", "a meeting between the characters in the elevator and an exchange of lines", "is usually short, and has to have a very defined \"conclusion\" or gag.", "some animosity towards one another. In some scene you set up a meeting", "situation between two or more characters that he plays out himself, taking turns", "usually short, and has to have a very defined \"conclusion\" or gag. Is", "to impersonate each character. This play is usually short, and has to have", "some scene you set up a meeting between the characters in the elevator", "The exchange itself plays a significant role in Act 1 as do other", "important factor that sets up the story in \"Act 1: The Beginning\". The", "to it. Is there a name for this exchange of dialogue? PS. You", "The Beginning\". The exchange itself plays a significant role in Act 1 as", "Is there a name for this exchange of dialogue? PS. You can imagine", "want to show that two characters have some animosity towards one another. In", "short, and has to have a very defined \"conclusion\" or gag. Is there", "or more characters that he plays out himself, taking turns to impersonate each", "Act 1 as do other scenes similar to it. Is there a name", "exchange of lines occurs. This develops as some kind of important factor that", "he plays out himself, taking turns to impersonate each character. This play is", "in Act 1 as do other scenes similar to it. Is there a", "can imagine this another way. In stand up comedy, sometimes, the comedian may", "sometimes, the comedian may chose to act out some funny situation between two", "of dialogue? PS. You can imagine this another way. In stand up comedy,", "two or more characters that he plays out himself, taking turns to impersonate", "that two characters have some animosity towards one another. In some scene you", "very defined \"conclusion\" or gag. Is there a name for this exchange once", "up comedy, sometimes, the comedian may chose to act out some funny situation", "chose to act out some funny situation between two or more characters that", "animosity towards one another. In some scene you set up a meeting between", "Suppose you want to show that two characters have some animosity towards one", "gag. Is there a name for this exchange once it has made its", "kind of important factor that sets up the story in \"Act 1: The", "factor that sets up the story in \"Act 1: The Beginning\". The exchange", "impersonate each character. This play is usually short, and has to have a", "character. 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This play is usually", "out some funny situation between two or more characters that he plays out", "You can imagine this another way. In stand up comedy, sometimes, the comedian", "Beginning\". The exchange itself plays a significant role in Act 1 as do", "between the characters in the elevator and an exchange of lines occurs. This", "has to have a very defined \"conclusion\" or gag. Is there a name", "a significant role in Act 1 as do other scenes similar to it.", "another. In some scene you set up a meeting between the characters in", "itself plays a significant role in Act 1 as do other scenes similar", "scenes similar to it. Is there a name for this exchange of dialogue?", "set up a meeting between the characters in the elevator and an exchange", "it. Is there a name for this exchange of dialogue? PS. You can", "two characters have some animosity towards one another. In some scene you set", "turns to impersonate each character. This play is usually short, and has to", "of important factor that sets up the story in \"Act 1: The Beginning\".", "This play is usually short, and has to have a very defined \"conclusion\"", "some funny situation between two or more characters that he plays out himself,", "one another. In some scene you set up a meeting between the characters", "or gag. Is there a name for this exchange once it has made", "a name for this exchange of dialogue? PS. You can imagine this another", "more characters that he plays out himself, taking turns to impersonate each character.", "occurs. This develops as some kind of important factor that sets up the", "meeting between the characters in the elevator and an exchange of lines occurs.", "funny situation between two or more characters that he plays out himself, taking", "the story in \"Act 1: The Beginning\". The exchange itself plays a significant", "for this exchange of dialogue? PS. You can imagine this another way. In", "that he plays out himself, taking turns to impersonate each character. This play", "up the story in \"Act 1: The Beginning\". The exchange itself plays a", "imagine this another way. In stand up comedy, sometimes, the comedian may chose", "\"Act 1: The Beginning\". The exchange itself plays a significant role in Act", "some kind of important factor that sets up the story in \"Act 1:", "significant role in Act 1 as do other scenes similar to it. Is", "develops as some kind of important factor that sets up the story in", "have some animosity towards one another. In some scene you set up a", "dialogue? PS. You can imagine this another way. In stand up comedy, sometimes,", "exchange itself plays a significant role in Act 1 as do other scenes", "and has to have a very defined \"conclusion\" or gag. Is there a", "do other scenes similar to it. Is there a name for this exchange", "there a name for this exchange of dialogue? PS. You can imagine this" ]
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I want to kill him off, thought I don't know", "The main character suddenly has a urge to kill again, though he still", "writer who has been writing stories since Kindergarten (None released). Obviously I have", "After a few years of thinking he's a different person, he gets into", "damages the data chip in his head. Over the next week the chip", "been planning ahead for awhile or so, but I'm pondering whether at the", "the urge and becomes a serial killer once again Throughout the last bits", "I killed this vicious killer the reader will get what they may want:", "think they're someone else. After a few years of thinking he's a different", "foster home and started a petty crime business, stealing from houses and pick", "it so much he became a vicious serial killer. When he's finally arrested", "15 he ran from the foster home and started a petty crime business,", "the brink of a complete shut down. The main character suddenly has a", "come flooding to him, and just as he remembers who he is......... ANNDDD", "an accident which damages the data chip in his head. Over the next", "a rundown of my character, hes a 34 year old man who grew", "I've researched several things and read a lot of books to try and", "feel the story was a waist of time, but I also think if", "are never as good as the original, and I don't want to be", "ruined a good book by making it a series. For a rundown of", "a waist of time, but I also think if I killed this vicious", "novels' sequels are never as good as the original, and I don't want", "he committed his first murder, and loved it so much he became a", "kill him the reader will feel the story was a waist of time,", "so. I've been planning ahead for awhile or so, but I'm pondering whether", "becomes a serial killer once again Throughout the last bits of the story", "or so. 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When he was 19 he committed his", "ready to release my first Novel, which I have been working on for", "the reader hate him, even though he's the main character. I've researched several", "character. FYI: I don't plan on creating a series. In my experience most", "main character. I've researched several things and read a lot of books to", "killer once again Throughout the last bits of the story the reader notices", "help? (NOTE: I know there is already an answer, but that's for good", "I don't plan on creating a series. In my experience most novels' sequels", "has been writing stories since Kindergarten (None released). Obviously I have a lot", "first murder, and loved it so much he became a vicious serial killer.", "find a solution, but I can't decide if killing him would be a", "my first Novel, which I have been working on for 3 months or", "remembers who he is......... ANNDDD that's where I'm stuck. I want to kill", "he's the main character. I've researched several things and read a lot of", "bits of the story the reader notices his mental decline into complete insanity.", "feel I'm finally ready to release my first Novel, which I have been", "several things and read a lot of books to try and find a", "For a rundown of my character, hes a 34 year old man who", "When he's finally arrested he becomes the subject of a work in progress", "decide if killing him would be a good idea. I'm afraid if I", "chip inside their brain, and then send them into the world making them", "he was 15 he ran from the foster home and started a petty", "as the guy who ruined a good book by making it a series.", "down. The main character suddenly has a urge to kill again, though he", "Throughout the last bits of the story the reader notices his mental decline", "unsure with extremely important things. As all of my Novels have never been", "suddenly has a urge to kill again, though he still thinks he's someone", "his first murder, and loved it so much he became a vicious serial", "reader notices his mental decline into complete insanity. In the last chapter, when", "kill my main character. FYI: I don't plan on creating a series. In", "inside their brain, and then send them into the world making them think", "Novels have never been released and all my short stories have either been", "to release my first Novel, which I have been working on for 3", "the story I should kill my main character. FYI: I don't plan on", "can't decide if killing him would be a good idea. I'm afraid if", "(NOTE: I know there is already an answer, but that's for good main", "months or so. I've been planning ahead for awhile or so, but I'm", "closing in on his position, his chip completely shuts down. All of the", "plant a special data chip inside their brain, and then send them into", "was a waist of time, but I also think if I killed this", "When he was 19 he committed his first murder, and loved it so", "this vicious killer the reader will get what they may want: the character's", "end of the story I should kill my main character. FYI: I don't", "though he still thinks he's someone else. He gives into the urge and", "all of my Novels have never been released and all my short stories", "into an accident which damages the data chip in his head. Over the", "the reader will feel the story was a waist of time, but I", "the story was a waist of time, but I also think if I", "flooding to him, and just as he remembers who he is......... ANNDDD that's", "my experience most novels' sequels are never as good as the original, and", "kill him off, thought I don't know if I should. My goal is", "into the world making them think they're someone else. After a few years", "I'm afraid if I kill him the reader will feel the story was", "brink of a complete shut down. The main character suddenly has a urge", "foster home when he was six, and this plus the parents inflicted some", "shut down. The main character suddenly has a urge to kill again, though", "down. All of the memories come flooding to him, and just as he", "series. For a rundown of my character, hes a 34 year old man", "hes a 34 year old man who grew up under abusive parents. He", "and then send them into the world making them think they're someone else.", "started a petty crime business, stealing from houses and pick pocketing. When he", "released and all my short stories have either been scrapped or again, not", "them into the world making them think they're someone else. After a few", "a complete shut down. The main character suddenly has a urge to kill", "researched several things and read a lot of books to try and find", "a lot of experience, but I'm still unsure with extremely important things. As", "who grew up under abusive parents. He was moved to a foster home", "if killing him would be a good idea. I'm afraid if I kill", "when he was six, and this plus the parents inflicted some serious mental", "and pick pocketing. When he was 19 he committed his first murder, and", "already an answer, but that's for good main characters. This is for bad.)", "he ran from the foster home and started a petty crime business, stealing", "main character suddenly has a urge to kill again, though he still thinks", "he gets into an accident which damages the data chip in his head.", "lot of experience, but I'm still unsure with extremely important things. As all", "short stories have either been scrapped or again, not released. I feel I'm", "the reader notices his mental decline into complete insanity. In the last chapter,", "abusive parents. He was moved to a foster home when he was six,", "he became a vicious serial killer. When he's finally arrested he becomes the", "known as the guy who ruined a good book by making it a", "goal is to make the reader hate him, even though he's the main", "not released. I feel I'm finally ready to release my first Novel, which", "All of the memories come flooding to him, and just as he remembers", "don't want to be known as the guy who ruined a good book", "I'm pondering whether at the end of the story I should kill my", "in progress government project: They take evil criminals, plant a special data chip", "the foster home and started a petty crime business, stealing from houses and", "was 15 he ran from the foster home and started a petty crime", "he's someone else. He gives into the urge and becomes a serial killer", "of books to try and find a solution, but I can't decide if", "them think they're someone else. After a few years of thinking he's a", "he still thinks he's someone else. He gives into the urge and becomes", "ANNDDD that's where I'm stuck. I want to kill him off, thought I", "a petty crime business, stealing from houses and pick pocketing. When he was", "him off, thought I don't know if I should. My goal is to", "killed this vicious killer the reader will get what they may want: the", "to be known as the guy who ruined a good book by making", "a serial killer once again Throughout the last bits of the story the", "just as he remembers who he is......... ANNDDD that's where I'm stuck. I", "decline into complete insanity. In the last chapter, when the police are closing", "don't know if I should. My goal is to make the reader hate", "character. I've researched several things and read a lot of books to try", "making them think they're someone else. After a few years of thinking he's", "will get what they may want: the character's death. Any help? (NOTE: I", "at the end of the story I should kill my main character. FYI:", "who has been writing stories since Kindergarten (None released). Obviously I have a", "released. I feel I'm finally ready to release my first Novel, which I", "try and find a solution, but I can't decide if killing him would", "want to be known as the guy who ruined a good book by", "know if I should. My goal is to make the reader hate him,", "death. Any help? (NOTE: I know there is already an answer, but that's", "inflicted some serious mental issues. When he was 15 he ran from the", "there is already an answer, but that's for good main characters. This is", "and started a petty crime business, stealing from houses and pick pocketing. When", "if I should. My goal is to make the reader hate him, even", "to kill again, though he still thinks he's someone else. He gives into", "should kill my main character. FYI: I don't plan on creating a series.", "original, and I don't want to be known as the guy who ruined", "I'm stuck. I want to kill him off, thought I don't know if", "his head. Over the next week the chip keeps shutting down slowly, until", "so, but I'm pondering whether at the end of the story I should", "arrested he becomes the subject of a work in progress government project: They", "and all my short stories have either been scrapped or again, not released.", "good idea. I'm afraid if I kill him the reader will feel the", "I'm still unsure with extremely important things. As all of my Novels have", "a lot of books to try and find a solution, but I can't", "under abusive parents. He was moved to a foster home when he was", "been released and all my short stories have either been scrapped or again,", "chip keeps shutting down slowly, until it's on the brink of a complete", "off, thought I don't know if I should. My goal is to make", "up under abusive parents. He was moved to a foster home when he", "lot of books to try and find a solution, but I can't decide", "the parents inflicted some serious mental issues. When he was 15 he ran", "want: the character's death. Any help? (NOTE: I know there is already an", "once again Throughout the last bits of the story the reader notices his", "ran from the foster home and started a petty crime business, stealing from", "all my short stories have either been scrapped or again, not released. I", "and this plus the parents inflicted some serious mental issues. When he was", "of a work in progress government project: They take evil criminals, plant a", "character's death. Any help? (NOTE: I know there is already an answer, but", "it a series. For a rundown of my character, hes a 34 year", "stuck. I want to kill him off, thought I don't know if I", "I kill him the reader will feel the story was a waist of", "want to kill him off, thought I don't know if I should. My", "things. As all of my Novels have never been released and all my", "ahead for awhile or so, but I'm pondering whether at the end of", "plan on creating a series. In my experience most novels' sequels are never", "work in progress government project: They take evil criminals, plant a special data", "I'm finally ready to release my first Novel, which I have been working", "pocketing. When he was 19 he committed his first murder, and loved it", "In the last chapter, when the police are closing in on his position,", "When he was 15 he ran from the foster home and started a", "Any help? (NOTE: I know there is already an answer, but that's for", "down slowly, until it's on the brink of a complete shut down. The", "memories come flooding to him, and just as he remembers who he is.........", "I can't decide if killing him would be a good idea. I'm afraid", "notices his mental decline into complete insanity. In the last chapter, when the", "a good book by making it a series. For a rundown of my", "on the brink of a complete shut down. The main character suddenly has", "home when he was six, and this plus the parents inflicted some serious" ]
[ "a fighter and could be coerced back. The boy who he's following happens", "main character worked in a bad place where she was attacked by a", "starts, she's had an accident so she has no memory of where she", "someone who worked in the same place as the main character that the", "character worked in a bad place where she was attacked by a boy", "friend. The brother was told by someone who worked in the same place", "was told by someone who worked in the same place as the main", "her brother. Her brother is part of the wrong group and decides to", "place where she was attacked by a boy who was detained and gets", "in the same place as the main character that the old friend was", "live with her brother. Her brother is part of the wrong group and", "was attacked by a boy who was detained and gets his memories taken.", "so she has no memory of where she used to work and is", "he's following happens to be the one who attacked her. Does this sound", "of where she used to work and is sent to live with her", "who worked in the same place as the main character that the old", "book starts, my main character worked in a bad place where she was", "The brother was told by someone who worked in the same place as", "move to a new town to follow an old friend. The brother was", "The boy who he's following happens to be the one who attacked her.", "new town to follow an old friend. The brother was told by someone", "is sent to live with her brother. Her brother is part of the", "and decides to move to a new town to follow an old friend.", "friend was a fighter and could be coerced back. The boy who he's", "a bad place where she was attacked by a boy who was detained", "brother. Her brother is part of the wrong group and decides to move", "that the old friend was a fighter and could be coerced back. The", "is part of the wrong group and decides to move to a new", "starts, my main character worked in a bad place where she was attacked", "in a bad place where she was attacked by a boy who was", "who he's following happens to be the one who attacked her. Does this", "could be coerced back. The boy who he's following happens to be the", "the same place as the main character that the old friend was a", "group and decides to move to a new town to follow an old", "the book starts, my main character worked in a bad place where she", "worked in a bad place where she was attacked by a boy who", "and could be coerced back. The boy who he's following happens to be", "to live with her brother. Her brother is part of the wrong group", "to work and is sent to live with her brother. Her brother is", "where she was attacked by a boy who was detained and gets his", "as the main character that the old friend was a fighter and could", "fighter and could be coerced back. The boy who he's following happens to", "taken. When the book starts, she's had an accident so she has no", "a boy who was detained and gets his memories taken. When the book", "used to work and is sent to live with her brother. Her brother", "his memories taken. When the book starts, she's had an accident so she", "bad place where she was attacked by a boy who was detained and", "accident so she has no memory of where she used to work and", "of the wrong group and decides to move to a new town to", "no memory of where she used to work and is sent to live", "my main character worked in a bad place where she was attacked by", "memory of where she used to work and is sent to live with", "follow an old friend. The brother was told by someone who worked in", "character that the old friend was a fighter and could be coerced back.", "she was attacked by a boy who was detained and gets his memories", "old friend. The brother was told by someone who worked in the same", "the old friend was a fighter and could be coerced back. The boy", "the book starts, she's had an accident so she has no memory of", "had an accident so she has no memory of where she used to", "Before the book starts, my main character worked in a bad place where", "by someone who worked in the same place as the main character that", "and is sent to live with her brother. Her brother is part of", "she's had an accident so she has no memory of where she used", "told by someone who worked in the same place as the main character", "same place as the main character that the old friend was a fighter", "Her brother is part of the wrong group and decides to move to", "was a fighter and could be coerced back. The boy who he's following", "an old friend. The brother was told by someone who worked in the", "memories taken. When the book starts, she's had an accident so she has", "town to follow an old friend. The brother was told by someone who", "old friend was a fighter and could be coerced back. The boy who", "with her brother. Her brother is part of the wrong group and decides", "was detained and gets his memories taken. When the book starts, she's had", "When the book starts, she's had an accident so she has no memory", "brother is part of the wrong group and decides to move to a", "wrong group and decides to move to a new town to follow an", "to move to a new town to follow an old friend. The brother", "the main character that the old friend was a fighter and could be", "by a boy who was detained and gets his memories taken. When the", "boy who was detained and gets his memories taken. When the book starts,", "who was detained and gets his memories taken. When the book starts, she's", "happens to be the one who attacked her. Does this sound too coincidental?", "she used to work and is sent to live with her brother. Her", "attacked by a boy who was detained and gets his memories taken. When", "an accident so she has no memory of where she used to work", "main character that the old friend was a fighter and could be coerced", "and gets his memories taken. When the book starts, she's had an accident", "be coerced back. The boy who he's following happens to be the one", "following happens to be the one who attacked her. Does this sound too", "brother was told by someone who worked in the same place as the", "worked in the same place as the main character that the old friend", "sent to live with her brother. Her brother is part of the wrong", "to a new town to follow an old friend. The brother was told", "place as the main character that the old friend was a fighter and", "coerced back. The boy who he's following happens to be the one who", "decides to move to a new town to follow an old friend. The", "part of the wrong group and decides to move to a new town", "she has no memory of where she used to work and is sent", "where she used to work and is sent to live with her brother.", "gets his memories taken. When the book starts, she's had an accident so", "detained and gets his memories taken. When the book starts, she's had an", "work and is sent to live with her brother. Her brother is part", "to follow an old friend. The brother was told by someone who worked", "a new town to follow an old friend. The brother was told by", "has no memory of where she used to work and is sent to", "the wrong group and decides to move to a new town to follow", "boy who he's following happens to be the one who attacked her. Does", "book starts, she's had an accident so she has no memory of where", "back. The boy who he's following happens to be the one who attacked" ]
[ "* \"Great communicators know how to provide the right degree of guidance and", "also provide structure in how the audience will get there, organizing the thinking", "out shades of meaning. For instance, in the last example, great communicators provide", "making them less prevalent), but I struggle because I want to use the", "to draw out shades of meaning. For instance, in the last example, great", "In technical writing, I have a tic of writing in pairs. Some examples", "and structure. I'd like to get better at editing out these tics (or", "and private*.\" \"Great communicators know how to provide the right degree of", "you speak, be sure to be clear and concise.\" * \"Face to face", "I want to use the pair to draw out shades of meaning. For", "meaning. For instance, in the last example, great communicators provide guidance to the", "process along the way. Are there any suggestions for how to work on", "be clear and concise.\" * \"Face to face conversation is personal and private.\"", "writing in pairs. Some examples from a recent piece: * \"When you speak,", "prevalent), but I struggle because I want to use the pair to draw", "is personal and private.\" * \"Great communicators know how to provide the right", "shades of meaning. For instance, in the last example, great communicators provide guidance", "last example, great communicators provide guidance to the recipients about what the audience", "recipients about what the audience should think, but they also provide structure in", "because I want to use the pair to draw out shades of meaning.", "be sure to be clear and concise.\" * \"Face to face conversation is", "pair to draw out shades of meaning. For instance, in the last example,", "have a tic of writing in pairs. Some examples from a recent piece:", "of guidance and structure. I'd like to get better at editing out these", "and concise*.\" \"Face to face conversation is personal and private.\" * \"Great", "a recent piece: * \"When you speak, be sure to be clear and", "sure to be clear and concise*.\" \"Face to face conversation is *personal", "use the pair to draw out shades of meaning. For instance, in the", "technical writing, I have a tic of writing in pairs. Some examples from", " \"Face to face conversation is personal and private.\" * \"Great communicators know", "thinking process along the way. Are there any suggestions for how to work", "least making them less prevalent), but I struggle because I want to use", "* \"When you speak, be sure to be clear and concise.\" * \"Face", "example, great communicators provide guidance to the recipients about what the audience should", "great communicators provide guidance to the recipients about what the audience should think,", "concise*.\" \"Face to face conversation is personal and private.\" * \"Great communicators", "provide guidance to the recipients about what the audience should think, but they", "them less prevalent), but I struggle because I want to use the pair", "of meaning. For instance, in the last example, great communicators provide guidance to", "in the last example, great communicators provide guidance to the recipients about what", "the audience should think, but they also provide structure in how the audience", "from a recent piece: * \"When you speak, be sure to be clear", "less prevalent), but I struggle because I want to use the pair to", "organizing the thinking process along the way. Are there any suggestions for how", "get there, organizing the thinking process along the way. Are there any suggestions", "structure. I'd like to get better at editing out these tics (or at", "in pairs. Some examples from a recent piece: * \"When you speak, be", "tic of writing in pairs. Some examples from a recent piece: * \"When", "draw out shades of meaning. For instance, in the last example, great communicators", "guidance and structure. I'd like to get better at editing out these tics", "know how to provide the right degree of guidance and structure. I'd like", "Some examples from a recent piece: * \"When you speak, be sure to", "they also provide structure in how the audience will get there, organizing the", "audience will get there, organizing the thinking process along the way. Are there", "to the recipients about what the audience should think, but they also provide", "(or at least making them less prevalent), but I struggle because I want", "piece: * \"When you speak, be sure to be clear and concise.\" ", "what the audience should think, but they also provide structure in how the", "provide structure in how the audience will get there, organizing the thinking process", "conversation is personal and private.\" \"Great communicators know how to provide the", "face conversation is personal and private.\" * \"Great communicators know how to provide", "instance, in the last example, great communicators provide guidance to the recipients about", "in how the audience will get there, organizing the thinking process along the", "audience should think, but they also provide structure in how the audience will", "to face conversation is personal and private.\" * \"Great communicators know how to", "these tics (or at least making them less prevalent), but I struggle because", "I have a tic of writing in pairs. Some examples from a recent", "to get better at editing out these tics (or at least making them", "For instance, in the last example, great communicators provide guidance to the recipients", "structure in how the audience will get there, organizing the thinking process along", "at editing out these tics (or at least making them less prevalent), but", "out these tics (or at least making them less prevalent), but I struggle", "how the audience will get there, organizing the thinking process along the way.", "will get there, organizing the thinking process along the way. Are there any", "get better at editing out these tics (or at least making them less", "pairs. Some examples from a recent piece: * \"When you speak, be sure", "about what the audience should think, but they also provide structure in how", "a tic of writing in pairs. Some examples from a recent piece: ", "tics (or at least making them less prevalent), but I struggle because I", "examples from a recent piece: \"When you speak, be sure to be", "editing out these tics (or at least making them less prevalent), but I", "\"Great communicators know how to provide the right degree of guidance and structure.", "struggle because I want to use the pair to draw out shades of", "but they also provide structure in how the audience will get there, organizing", "\"Face to face conversation is personal and private.\" * \"Great communicators know how", "the recipients about what the audience should think, but they also provide structure", "private*.\" \"Great communicators know how to provide the right degree of *guidance", "of writing in pairs. Some examples from a recent piece: \"When you", "to use the pair to draw out shades of meaning. For instance, in", "the right degree of guidance and structure. I'd like to get better at", "like to get better at editing out these tics (or at least making", "degree of guidance and structure. I'd like to get better at editing out", "along the way. Are there any suggestions for how to work on this", "the audience will get there, organizing the thinking process along the way. Are", "better at editing out these tics (or at least making them less prevalent),", "recent piece: * \"When you speak, be sure to be clear and concise.\"", "clear and concise.\" * \"Face to face conversation is personal and private.\" ", "right degree of guidance and structure.* I'd like to get better at editing", "think, but they also provide structure in how the audience will get there,", "I'd like to get better at editing out these tics (or at least", "writing, I have a tic of writing in pairs. Some examples from a", "guidance to the recipients about what the audience should think, but they also", "\"When you speak, be sure to be clear and concise.\" * \"Face to", "provide the right degree of guidance and structure. I'd like to get better", "to provide the right degree of guidance and structure. I'd like to get", "the last example, great communicators provide guidance to the recipients about what the", "but I struggle because I want to use the pair to draw out", "how to provide the right degree of guidance and structure. I'd like to", "communicators provide guidance to the recipients about what the audience should think, but", "there, organizing the thinking process along the way. Are there any suggestions for", "to be clear and concise.\" * \"Face to face conversation is personal and", "personal and private*.\" \"Great communicators know how to provide the right degree", "at least making them less prevalent), but I struggle because I want to", "the pair to draw out shades of meaning. For instance, in the last", "communicators know how to provide the right degree of guidance and structure. I'd", "I struggle because I want to use the pair to draw out shades", "speak, be sure to be clear and concise.\" * \"Face to face conversation", "should think, but they also provide structure in how the audience will get", "the thinking process along the way. Are there any suggestions for how to", "want to use the pair to draw out shades of meaning. For instance,", "the way. Are there any suggestions for how to work on this tic?" ]
[ "few problems with certain words. For example, the letter `Y`, which we can", "way? One obvious method would be to spell the word in question as", "Should be pronounced `Say-ik`. The word `Osze`. Likely pronounced `Aysh`. Should be pronounced", "you can phrase it better. This question may be better suited for Worldbuilding", "how to phrase the title, so it may be a bit confusing. Feel", "that the word `Syan`, when seen, will likely be pronounced `See-ahn` when in", "my reader to pronounce the word the proper way? One obvious method would", "method would be to spell the word in question as `S'yan`. I am", "Likely pronounced `Sayk` or `seyek`. Should be pronounced `Say-ik`. The word `Osze`. Likely", "the proper way? One obvious method would be to spell the word in", "get my reader to pronounce the word the proper way? One obvious method", "can phrase it better. This question may be better suited for Worldbuilding SE.", "I am trying to stay as far away from cliches as possible. Any", "pronounced `Sayk` or `seyek`. Should be pronounced `Say-ik`. The word `Osze`. Likely pronounced", "pronounce it correctly when they see it. This has given rise to a", "a constructed language in English, so I put it here. Question: I have", "specifically write a constructed language in English, so I put it here. Question:", "likely be pronounced `See-ahn` when in reality it should be pronounced `S yahn`.", "in question as `S'yan`. I am hesitant to do this, however, because apostrophes", "in reality it should be pronounced `S yahn`. *How can I get my", "`Syan`, when seen, will likely be pronounced `See-ahn` when in reality it should", "do this, however, because apostrophes are disturbingly over-used in constructed languages, and I", "phrase the title, so it may be a bit confusing. Feel free to", "translating it, so that readers will pronounce it correctly when they see it.", "how to specifically write a constructed language in English, so I put it", "which we can pronounce as a vowel, is used only as a consonant", "with certain words. For example, the letter `Y`, which we can pronounce as", "will pronounce it correctly when they see it. This has given rise to", "so I put it here. Question:* I have constructed a language. Being a", "in my language. This means that the word `Syan`, when seen, will likely", "ideas? Has this problem perhaps been encountered before by someone here? EDIT: Further", "language. This means that the word `Syan`, when seen, will likely be pronounced", "`Seic`. Likely pronounced `Sayk` or `seyek`. Should be pronounced `Say-ik`. The word `Osze`.", "I put it here. Question: I have constructed a language. Being a new", "English, so I put it here. Question: I have constructed a language. Being", "to do this, however, because apostrophes are disturbingly over-used in constructed languages, and", "than English. This means I have to take a few liberties with the", "be pronounced `See-ahn` when in reality it should be pronounced `S yahn`. *How", "or `seyek`. Should be pronounced `Say-ik`. The word `Osze`. Likely pronounced `Aysh`. Should", "vowel, is used only as a consonant in my language. This means that", "when translating it, so that readers will pronounce it correctly when they see", "a few problems with certain words. For example, the letter `Y`, which we", "wasn't sure how to phrase the title, so it may be a bit", "can pronounce as a vowel, is used only as a consonant in my", "because apostrophes are disturbingly over-used in constructed languages, and I am trying to", "differently than English. This means I have to take a few liberties with", "English. This means I have to take a few liberties with the spelling", "confusing. Feel free to edit it if you can phrase it better. This", "to specifically write a constructed language in English, so I put it here.", "language however, it is pronounced differently than English. This means I have to", "obvious method would be to spell the word in question as `S'yan`. I", "Has this problem perhaps been encountered before by someone here? EDIT: Further examples:", "given rise to a few problems with certain words. For example, the letter", "examples: The word `Seic`. Likely pronounced `Sayk` or `seyek`. Should be pronounced `Say-ik`.", "seen, will likely be pronounced `See-ahn` when in reality it should be pronounced", "they see it. This has given rise to a few problems with certain", "free to edit it if you can phrase it better. This question may", "as a vowel, is used only as a consonant in my language. This", "the title, so it may be a bit confusing. Feel free to edit", "take a few liberties with the spelling when translating it, so that readers", "over-used in constructed languages, and I am trying to stay as far away", "to a few problems with certain words. For example, the letter `Y`, which", "For example, the letter `Y`, which we can pronounce as a vowel, is", "as possible. Any ideas? Has this problem perhaps been encountered before by someone", "to pronounce the word the proper way?* One obvious method would be to", "we can pronounce as a vowel, is used only as a consonant in", "as `S'yan`. I am hesitant to do this, however, because apostrophes are disturbingly", "the letter `Y`, which we can pronounce as a vowel, is used only", "readers will pronounce it correctly when they see it. This has given rise", "will likely be pronounced `See-ahn` when in reality it should be pronounced `S", "few liberties with the spelling when translating it, so that readers will pronounce", "here. Question: I have constructed a language. Being a new language however, it", "however, it is pronounced differently than English. This means I have to take", "How can I get my reader to pronounce the word the proper way?", "about how to specifically write a constructed language in English, so I put", "proper way?** One obvious method would be to spell the word in question", "Any ideas? Has this problem perhaps been encountered before by someone here? EDIT:", "Further examples: The word `Seic`. Likely pronounced `Sayk` or `seyek`. Should be pronounced", "someone here? EDIT: Further examples: The word `Seic`. Likely pronounced `Sayk` or `seyek`.", "means I have to take a few liberties with the spelling when translating", "`S'yan`. I am hesitant to do this, however, because apostrophes are disturbingly over-used", "`Sayk` or `seyek`. Should be pronounced `Say-ik`. The word `Osze`. Likely pronounced `Aysh`.", "I am hesitant to do this, however, because apostrophes are disturbingly over-used in", "from cliches as possible. Any ideas? Has this problem perhaps been encountered before", "for Worldbuilding SE. However, it is about how to specifically write a constructed", "a new language however, it is pronounced differently than English. This means I", "language in English, so I put it here. Question: I have constructed a", "problems with certain words. For example, the letter `Y`, which we can pronounce", "be pronounced `Say-ik`. The word `Osze`. Likely pronounced `Aysh`. Should be pronounced `Ahs-hay`.", "pronounce the word the proper way? One obvious method would be to spell", "apostrophes are disturbingly over-used in constructed languages, and I am trying to stay", "when seen, will likely be pronounced `See-ahn` when in reality it should be", "been encountered before by someone here? EDIT: Further examples: The word `Seic`. Likely", "Worldbuilding SE. However, it is about how to specifically write a constructed language", "word `Syan`, when seen, will likely be pronounced `See-ahn` when in reality it", "here? EDIT: Further examples: The word `Seic`. Likely pronounced `Sayk` or `seyek`. Should", "it. This has given rise to a few problems with certain words. For", "word the proper way? One obvious method would be to spell the word", "a few liberties with the spelling when translating it, so that readers will", "to phrase the title, so it may be a bit confusing. Feel free", "should be pronounced `S yahn`. *How can I get my reader to pronounce", "pronounce as a vowel, is used only as a consonant in my language.", "this, however, because apostrophes are disturbingly over-used in constructed languages, and I am", "However, it is about how to specifically write a constructed language in English,", "rise to a few problems with certain words. For example, the letter `Y`,", "to take a few liberties with the spelling when translating it, so that", "when they see it. This has given rise to a few problems with", "with the spelling when translating it, so that readers will pronounce it correctly", "liberties with the spelling when translating it, so that readers will pronounce it", "write a constructed language in English, so I put it here. Question:* I", "EDIT: Further examples: The word `Seic`. Likely pronounced `Sayk` or `seyek`. Should be", "example, the letter `Y`, which we can pronounce as a vowel, is used", "letter `Y`, which we can pronounce as a vowel, is used only as", "be a bit confusing. Feel free to edit it if you can phrase", "The word `Seic`. Likely pronounced `Sayk` or `seyek`. Should be pronounced `Say-ik`. The", "is about how to specifically write a constructed language in English, so I", "Being a new language however, it is pronounced differently than English. This means", "it, so that readers will pronounce it correctly when they see it. This", "consonant in my language. This means that the word `Syan`, when seen, will", "have to take a few liberties with the spelling when translating it, so", "is used only as a consonant in my language. This means that the", "problem perhaps been encountered before by someone here? EDIT: Further examples: The word", "perhaps been encountered before by someone here? EDIT: Further examples: The word `Seic`.", "This has given rise to a few problems with certain words. For example,", "has given rise to a few problems with certain words. For example, the", "to stay as far away from cliches as possible. Any ideas? Has this", "a bit confusing. Feel free to edit it if you can phrase it", "the spelling when translating it, so that readers will pronounce it correctly when", "Feel free to edit it if you can phrase it better. This question", "words. For example, the letter `Y`, which we can pronounce as a vowel,", "`See-ahn` when in reality it should be pronounced `S yahn`. How can I", "can I get my reader to pronounce the word the proper way? One", "better. This question may be better suited for Worldbuilding SE. However, it is", "it is pronounced differently than English. This means I have to take a", "it should be pronounced `S yahn`. How can I get my reader to", "however, because apostrophes are disturbingly over-used in constructed languages, and I am trying", "and I am trying to stay as far away from cliches as possible.", "as a consonant in my language. This means that the word `Syan`, when", "certain words. For example, the letter `Y`, which we can pronounce as a", "new language however, it is pronounced differently than English. This means I have", "to spell the word in question as `S'yan`. I am hesitant to do", "it better. This question may be better suited for Worldbuilding SE. 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Feel free to edit it if you can", "am hesitant to do this, however, because apostrophes are disturbingly over-used in constructed", "hesitant to do this, however, because apostrophes are disturbingly over-used in constructed languages,", "means that the word `Syan`, when seen, will likely be pronounced `See-ahn` when", "reality it should be pronounced `S yahn`. *How can I get my reader", "better suited for Worldbuilding SE. However, it is about how to specifically write", "in English, so I put it here. Question:* I have constructed a language.", "this problem perhaps been encountered before by someone here? EDIT: Further examples: The", "yahn`. How can I get my reader to pronounce the word the proper", "Question: I have constructed a language. Being a new language however, it is", "I get my reader to pronounce the word the proper way? 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I've heard you should write about what you're passionate about. Now", "what you're passionate about. Now when I say passion I mean I like", "this moment was when I fell in love with this world. How do", "characters and feelings are supposed to be focused on since people relate to", "Can one use motivation reaction units? How much should the actual description of", "I like to visualize the fantastic place the author is describing to form", "but how does one also add settings into the mix to evoke feelings", "feelings are supposed to be focused on since people relate to that, but", "does one also add settings into the mix to evoke feelings in a", "on since people relate to that, but how does one also add settings", "comes to \"life.\" A truly unique and beautiful setting to me that was", "feelings in a reader? Can one use motivation reaction units? How much should", "movie. Now I know characters and feelings are supposed to be focused on", "to be focused on since people relate to that, but how does one", "unique and beautiful setting to me that was just awe inspiring, this moment", "beautiful setting to me that was just awe inspiring, this moment was when", "Now I know characters and feelings are supposed to be focused on since", "eating be? Ex: take the scene in the movie Avatar when nightfall comes", "and beautiful setting to me that was just awe inspiring, this moment was", "description of the eating be? Ex: take the scene in the movie Avatar", "use motivation reaction units? How much should the actual description of the eating", "to visualize the fantastic place the author is describing to form a movie.", "about what you're passionate about. Now when I say passion I mean I", "passionate about. Now when I say passion I mean I like to visualize", "in a reader? Can one use motivation reaction units? How much should the", "the forest comes to \"life.\" A truly unique and beautiful setting to me", "mean I like to visualize the fantastic place the author is describing to", "the mix to evoke feelings in a reader? Can one use motivation reaction", "in the movie Avatar when nightfall comes and the forest comes to \"life.\"", "to me that was just awe inspiring, this moment was when I fell", "evoke feelings in a reader? Can one use motivation reaction units? How much", "take the scene in the movie Avatar when nightfall comes and the forest", "a passion for setting. I've heard you should write about what you're passionate", "I fell in love with this world. How do you create that sort", "when nightfall comes and the forest comes to \"life.\" A truly unique and", "the fantastic place the author is describing to form a movie. Now I", "to \"life.\" A truly unique and beautiful setting to me that was just", "visualize the fantastic place the author is describing to form a movie. Now", "settings into the mix to evoke feelings in a reader? Can one use", "moment was when I fell in love with this world. How do you", "in love with this world. How do you create that sort of attachment", "like to visualize the fantastic place the author is describing to form a", "How much should the actual description of the eating be? Ex: take the", "motivation reaction units? How much should the actual description of the eating be?", "units? How much should the actual description of the eating be? Ex: take", "reader? Can one use motivation reaction units? How much should the actual description", "much should the actual description of the eating be? Ex: take the scene", "scene in the movie Avatar when nightfall comes and the forest comes to", "supposed to be focused on since people relate to that, but how does", "love with this world. How do you create that sort of attachment to", "fell in love with this world. 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Ex: take the scene in the movie Avatar when nightfall comes and", "focused on since people relate to that, but how does one also add", "the author is describing to form a movie. Now I know characters and", "one use motivation reaction units? How much should the actual description of the", "be focused on since people relate to that, but how does one also", "reaction units? How much should the actual description of the eating be? Ex:", "form a movie. Now I know characters and feelings are supposed to be", "to that, but how does one also add settings into the mix to", "passion I mean I like to visualize the fantastic place the author is", "comes and the forest comes to \"life.\" A truly unique and beautiful setting", "add settings into the mix to evoke feelings in a reader? Can one", "I mean I like to visualize the fantastic place the author is describing", "place the author is describing to form a movie. Now I know characters", "with this world. 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Now I know", "that was just awe inspiring, this moment was when I fell in love", "that, but how does one also add settings into the mix to evoke", "setting to me that was just awe inspiring, this moment was when I", "should write about what you're passionate about. Now when I say passion I", "the movie Avatar when nightfall comes and the forest comes to \"life.\" A", "to form a movie. Now I know characters and feelings are supposed to", "the eating be? Ex: take the scene in the movie Avatar when nightfall", "nightfall comes and the forest comes to \"life.\" A truly unique and beautiful", "a reader? Can one use motivation reaction units? How much should the actual", "you should write about what you're passionate about. Now when I say passion", "into the mix to evoke feelings in a reader? Can one use motivation", "me that was just awe inspiring, this moment was when I fell in", "one also add settings into the mix to evoke feelings in a reader?", "setting. 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It's a challenge", "not, the most important relationship in the series and I would really like", "a time for them where they will consider each other as a romantic", "they will consider each other as a romantic possibility, as with a lot", "where they're thinking about it, but I haven't decided yet whether to pair", "lives intertwine with one another, the series running from 12-22 years old for", "them together in the end. It's not the focus of the story, but", "want to pursue, to write them without romance taking over the relationship. Any", "where a female and male protagonists' lives intertwine with one another, the series", "with one another, the series running from 12-22 years old for them. There", "for years, where a female and male protagonists' lives intertwine with one another,", "romance taking over the relationship. Any tips or examples of fiction where this", "one another, the series running from 12-22 years old for them. 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Any tips or examples", "boy-girl relationships, implied moments where they're thinking about it, but I haven't decided", "and male protagonists' lives intertwine with one another, the series running from 12-22", "lot of boy-girl relationships, implied moments where they're thinking about it, but I", "whether to pair them together in the end. It's not the focus of", "it, but I haven't decided yet whether to pair them together in the", "running from 12-22 years old for them. There will probably be a time", "protagonists' lives intertwine with one another, the series running from 12-22 years old", "as a romantic possibility, as with a lot of boy-girl relationships, implied moments", "from 12-22 years old for them. There will probably be a time for", "12-22 years old for them. There will probably be a time for them", "for them where they will consider each other as a romantic possibility, as", "another) justice. It's a challenge I want to pursue, to write them without", "each other as a romantic possibility, as with a lot of boy-girl relationships,", "be a time for them where they will consider each other as a", "a non-romantic sense) is one of the, if not, the most important relationship", "relationship with one another) justice. It's a challenge I want to pursue, to", "the focus of the story, but their relationship (in a non-romantic sense) is", "the end. It's not the focus of the story, but their relationship (in", "of boy-girl relationships, implied moments where they're thinking about it, but I haven't", "non-romantic sense) is one of the, if not, the most important relationship in", "challenge I want to pursue, to write them without romance taking over the", "in the series and I would really like to do their relationship (their", "other as a romantic possibility, as with a lot of boy-girl relationships, implied", "relationships, implied moments where they're thinking about it, but I haven't decided yet", "one of the, if not, the most important relationship in the series and", "years old for them. There will probably be a time for them where", "over the relationship. Any tips or examples of fiction where this is shown", "to pursue, to write them without romance taking over the relationship. Any tips", "to pair them together in the end. It's not the focus of the", "(in a non-romantic sense) is one of the, if not, the most important", "old for them. There will probably be a time for them where they", "female and male protagonists' lives intertwine with one another, the series running from", "with the idea of a multi-book fantasy story for years, where a female", "male protagonists' lives intertwine with one another, the series running from 12-22 years", "There will probably be a time for them where they will consider each", "pair them together in the end. It's not the focus of the story,", "of a multi-book fantasy story for years, where a female and male protagonists'", "with a lot of boy-girl relationships, implied moments where they're thinking about it,", "end. It's not the focus of the story, but their relationship (in a", "where they will consider each other as a romantic possibility, as with a", "I haven't decided yet whether to pair them together in the end. It's" ]
[ "of nowhere, or does it have to be something that was slightly mentioned", "just pop out of nowhere, or does it have to be something that", "or does it have to be something that was slightly mentioned before that", "out of nowhere, or does it have to be something that was slightly", "pop out of nowhere, or does it have to be something that was", "does it have to be something that was slightly mentioned before that only", "it just pop out of nowhere, or does it have to be something", "nowhere, or does it have to be something that was slightly mentioned before", "it have to be something that was slightly mentioned before that only expert", "Can it just pop out of nowhere, or does it have to be", "have to be something that was slightly mentioned before that only expert readers", "be something that was slightly mentioned before that only expert readers would catch?", "to be something that was slightly mentioned before that only expert readers would" ]
[ "she would marry in three years. Such a narrative feels very unnatural to", "a non-fiction book where the author was talking about her sister and said", "happens to them in the future? I recently read a non-fiction book where", "person) talk of an incident that happens to them in the future? I", "a man XYZ whom she would marry in three years. Such a narrative", "was talking about her sister and said her sister met a man XYZ", "talk of an incident that happens to them in the future? I recently", "talking about her sister and said her sister met a man XYZ whom", "them in the future? I recently read a non-fiction book where the author", "present time (in first person) talk of an incident that happens to them", "Such a narrative feels very unnatural to me. How often do authors write", "XYZ whom she would marry in three years. Such a narrative feels very", "read a non-fiction book where the author was talking about her sister and", "incident that happens to them in the future? I recently read a non-fiction", "future? I recently read a non-fiction book where the author was talking about", "sister and said her sister met a man XYZ whom she would marry", "me. How often do authors write like that in fiction or is it", "said her sister met a man XYZ whom she would marry in three", "do authors write like that in fiction or is it limited to non-fiction?", "story in the present time (in first person) talk of an incident that", "about her sister and said her sister met a man XYZ whom she", "and said her sister met a man XYZ whom she would marry in", "where the author was talking about her sister and said her sister met", "that happens to them in the future? I recently read a non-fiction book", "unnatural to me. How often do authors write like that in fiction or", "their story in the present time (in first person) talk of an incident", "recently read a non-fiction book where the author was talking about her sister", "feels very unnatural to me. How often do authors write like that in", "What sort of a literary technique is it when writers narrating their story", "How often do authors write like that in fiction or is it limited", "met a man XYZ whom she would marry in three years. Such a", "very unnatural to me. How often do authors write like that in fiction", "in three years. Such a narrative feels very unnatural to me. How often", "is it when writers narrating their story in the present time (in first", "narrative feels very unnatural to me. How often do authors write like that", "the present time (in first person) talk of an incident that happens to", "the author was talking about her sister and said her sister met a", "her sister and said her sister met a man XYZ whom she would", "her sister met a man XYZ whom she would marry in three years.", "literary technique is it when writers narrating their story in the present time", "sort of a literary technique is it when writers narrating their story in", "it when writers narrating their story in the present time (in first person)", "the future? I recently read a non-fiction book where the author was talking", "author was talking about her sister and said her sister met a man", "sister met a man XYZ whom she would marry in three years. Such", "would marry in three years. Such a narrative feels very unnatural to me.", "marry in three years. Such a narrative feels very unnatural to me. How", "man XYZ whom she would marry in three years. Such a narrative feels", "three years. Such a narrative feels very unnatural to me. How often do", "of a literary technique is it when writers narrating their story in the", "time (in first person) talk of an incident that happens to them in", "writers narrating their story in the present time (in first person) talk of", "technique is it when writers narrating their story in the present time (in", "when writers narrating their story in the present time (in first person) talk", "narrating their story in the present time (in first person) talk of an", "in the present time (in first person) talk of an incident that happens", "first person) talk of an incident that happens to them in the future?", "to them in the future? I recently read a non-fiction book where the", "non-fiction book where the author was talking about her sister and said her", "an incident that happens to them in the future? I recently read a", "book where the author was talking about her sister and said her sister", "a literary technique is it when writers narrating their story in the present", "of an incident that happens to them in the future? I recently read", "to me. How often do authors write like that in fiction or is", "whom she would marry in three years. Such a narrative feels very unnatural", "often do authors write like that in fiction or is it limited to", "I recently read a non-fiction book where the author was talking about her", "years. Such a narrative feels very unnatural to me. How often do authors", "in the future? I recently read a non-fiction book where the author was", "a narrative feels very unnatural to me. How often do authors write like", "(in first person) talk of an incident that happens to them in the" ]
[ "camera movement in the ACTION? I don't mean the camera movements such as", "``` Through an aerial view, we see the man following the criminal. ```", "the ACTION? I don't mean the camera movements such as `PUSH IN` or", "ACTION? I don't mean the camera movements such as `PUSH IN` or `ANGLE", "`ANGLE ON`. What I mean is something like the following: ``` Through an", "following the criminal. ``` Would it be okay to write 'aerial view' here,", "the camera movements such as `PUSH IN` or `ANGLE ON`. What I mean", "of camera movement in the ACTION? I don't mean the camera movements such", "it be okay to write 'aerial view' here, without specifying any technical camera", "view, we see the man following the criminal. ``` Would it be okay", "following: ``` Through an aerial view, we see the man following the criminal.", "Would it be okay to write 'aerial view' here, without specifying any technical", "be okay to write 'aerial view' here, without specifying any technical camera movements?", "aerial view, we see the man following the criminal. ``` Would it be", "is something like the following: ``` Through an aerial view, we see the", "a bit of camera movement in the ACTION? I don't mean the camera", "Is it okay to write a bit of camera movement in the ACTION?", "IN` or `ANGLE ON`. What I mean is something like the following: ```", "to write a bit of camera movement in the ACTION? I don't mean", "ON`. What I mean is something like the following: ``` Through an aerial", "movement in the ACTION? I don't mean the camera movements such as `PUSH", "write a bit of camera movement in the ACTION? I don't mean the", "mean is something like the following: ``` Through an aerial view, we see", "as `PUSH IN` or `ANGLE ON`. What I mean is something like the", "like the following: ``` Through an aerial view, we see the man following", "What I mean is something like the following: ``` Through an aerial view,", "okay to write a bit of camera movement in the ACTION? I don't", "an aerial view, we see the man following the criminal. ``` Would it", "such as `PUSH IN` or `ANGLE ON`. What I mean is something like", "we see the man following the criminal. ``` Would it be okay to", "the criminal. ``` Would it be okay to write 'aerial view' here, without", "or `ANGLE ON`. What I mean is something like the following: ``` Through", "movements such as `PUSH IN` or `ANGLE ON`. What I mean is something", "bit of camera movement in the ACTION? I don't mean the camera movements", "I don't mean the camera movements such as `PUSH IN` or `ANGLE ON`.", "man following the criminal. ``` Would it be okay to write 'aerial view'", "`PUSH IN` or `ANGLE ON`. What I mean is something like the following:", "something like the following: ``` Through an aerial view, we see the man", "camera movements such as `PUSH IN` or `ANGLE ON`. What I mean is", "Through an aerial view, we see the man following the criminal. ``` Would", "see the man following the criminal. ``` Would it be okay to write", "``` Would it be okay to write 'aerial view' here, without specifying any", "it okay to write a bit of camera movement in the ACTION? I", "criminal. ``` Would it be okay to write 'aerial view' here, without specifying", "in the ACTION? I don't mean the camera movements such as `PUSH IN`", "mean the camera movements such as `PUSH IN` or `ANGLE ON`. What I", "the following: ``` Through an aerial view, we see the man following the", "don't mean the camera movements such as `PUSH IN` or `ANGLE ON`. What", "the man following the criminal. ``` Would it be okay to write 'aerial", "I mean is something like the following: ``` Through an aerial view, we" ]
[ "make the platform completely my own? (Sorry if I'm not making any sense.", "there other ways to publish my writing and make the platform completely my", "I've had quite of an interest in webcomics--however, I can't draw, and I", "quite of an interest in webcomics--however, I can't draw, and I prefer full", "can't draw, and I prefer full on writing. Is there a possible way", "and make the platform completely my own? (Sorry if I'm not making any", "I prefer full on writing. Is there a possible way to just start", "work somewhere online. That being said, recently, I've had quite of an interest", "writing. Is there a possible way to just start a writing blog with", "or are there other ways to publish my writing and make the platform", "are there other ways to publish my writing and make the platform completely", "webcomics--however, I can't draw, and I prefer full on writing. Is there a", "just start a writing blog with a similar concept, or are there other", "writing and make the platform completely my own? (Sorry if I'm not making", "my work somewhere online. That being said, recently, I've had quite of an", "publish my work somewhere online. That being said, recently, I've had quite of", "recently, I've had quite of an interest in webcomics--however, I can't draw, and", "full on writing. Is there a possible way to just start a writing", "had quite of an interest in webcomics--however, I can't draw, and I prefer", "possible way to just start a writing blog with a similar concept, or", "similar concept, or are there other ways to publish my writing and make", "online. That being said, recently, I've had quite of an interest in webcomics--however,", "want to publish my work somewhere online. That being said, recently, I've had", "interest in webcomics--however, I can't draw, and I prefer full on writing. Is", "I can't draw, and I prefer full on writing. Is there a possible", "and I prefer full on writing. Is there a possible way to just", "blog with a similar concept, or are there other ways to publish my", "platform completely my own? (Sorry if I'm not making any sense. :p) Thank", "on writing. Is there a possible way to just start a writing blog", "my writing and make the platform completely my own? (Sorry if I'm not", "publish my writing and make the platform completely my own? (Sorry if I'm", "concept, or are there other ways to publish my writing and make the", "own? (Sorry if I'm not making any sense. :p) Thank you so much!", "That being said, recently, I've had quite of an interest in webcomics--however, I", "draw, and I prefer full on writing. Is there a possible way to", "I really want to publish my work somewhere online. That being said, recently,", "writing blog with a similar concept, or are there other ways to publish", "other ways to publish my writing and make the platform completely my own?", "to publish my work somewhere online. That being said, recently, I've had quite", "being said, recently, I've had quite of an interest in webcomics--however, I can't", "prefer full on writing. Is there a possible way to just start a", "the platform completely my own? (Sorry if I'm not making any sense. :p)", "there a possible way to just start a writing blog with a similar", "ways to publish my writing and make the platform completely my own? (Sorry", "in webcomics--however, I can't draw, and I prefer full on writing. Is there", "said, recently, I've had quite of an interest in webcomics--however, I can't draw,", "an interest in webcomics--however, I can't draw, and I prefer full on writing.", "Is there a possible way to just start a writing blog with a", "to just start a writing blog with a similar concept, or are there", "somewhere online. That being said, recently, I've had quite of an interest in", "start a writing blog with a similar concept, or are there other ways", "a similar concept, or are there other ways to publish my writing and", "completely my own? (Sorry if I'm not making any sense. :p) Thank you", "of an interest in webcomics--however, I can't draw, and I prefer full on", "with a similar concept, or are there other ways to publish my writing", "way to just start a writing blog with a similar concept, or are", "a writing blog with a similar concept, or are there other ways to", "my own? (Sorry if I'm not making any sense. :p) Thank you so", "a possible way to just start a writing blog with a similar concept,", "to publish my writing and make the platform completely my own? (Sorry if", "really want to publish my work somewhere online. That being said, recently, I've" ]
[ "copyright notice in the book then state: Copyright 2015 (my name) or Copyright", "publish. We have signed a contract that grants them exclusive publishing/distribution rights for", "company wants to publish. We have signed a contract that grants them exclusive", "contract that grants them exclusive publishing/distribution rights for a certain amount of time.", "have written content that a company wants to publish. We have signed a", "completely basic question, but I could not find the answer anywhere else.* I", "find the answer anywhere else.* I have written content that a company wants", "not a completely basic question, but I could not find the answer anywhere", "anywhere else.* I have written content that a company wants to publish. We", "could not find the answer anywhere else.* I have written content that a", "signed a contract that grants them exclusive publishing/distribution rights for a certain amount", "publishing/distribution rights for a certain amount of time. So does the copyright notice", "the copyright notice in the book then state: Copyright 2015 (my name) or", "is not a completely basic question, but I could not find the answer", "So does the copyright notice in the book then state: Copyright 2015 (my", "the book then state: Copyright 2015 (my name) or Copyright 2015 (the company's", "for a certain amount of time. So does the copyright notice in the", "a completely basic question, but I could not find the answer anywhere else.", "in the book then state: Copyright 2015 (my name) or Copyright 2015 (the", "basic question, but I could not find the answer anywhere else. I have", "the answer anywhere else.* I have written content that a company wants to", "this is not a completely basic question, but I could not find the", "I hope this is not a completely basic question, but I could not", "content that a company wants to publish. We have signed a contract that", "a company wants to publish. We have signed a contract that grants them", "exclusive publishing/distribution rights for a certain amount of time. So does the copyright", "rights for a certain amount of time. So does the copyright notice in", "notice in the book then state: Copyright 2015 (my name) or Copyright 2015", "to publish. We have signed a contract that grants them exclusive publishing/distribution rights", "them exclusive publishing/distribution rights for a certain amount of time. So does the", "I have written content that a company wants to publish. We have signed", "wants to publish. We have signed a contract that grants them exclusive publishing/distribution", "hope this is not a completely basic question, but I could not find", "certain amount of time. So does the copyright notice in the book then", "does the copyright notice in the book then state: Copyright 2015 (my name)", "Hello there. I hope this is not a completely basic question, but I", "but I could not find the answer anywhere else. I have written content", "answer anywhere else.* I have written content that a company wants to publish.", "question, but I could not find the answer anywhere else.* I have written", "amount of time. So does the copyright notice in the book then state:", "We have signed a contract that grants them exclusive publishing/distribution rights for a", "a contract that grants them exclusive publishing/distribution rights for a certain amount of", "that grants them exclusive publishing/distribution rights for a certain amount of time. So", "grants them exclusive publishing/distribution rights for a certain amount of time. So does", "there. I hope this is not a completely basic question, but I could", "written content that a company wants to publish. We have signed a contract", "else.* I have written content that a company wants to publish. We have", "of time. So does the copyright notice in the book then state: Copyright", "time. So does the copyright notice in the book then state: Copyright 2015", "I could not find the answer anywhere else.* I have written content that", "have signed a contract that grants them exclusive publishing/distribution rights for a certain", "a certain amount of time. So does the copyright notice in the book", "book then state: Copyright 2015 (my name) or Copyright 2015 (the company's name)?", "not find the answer anywhere else.* I have written content that a company", "that a company wants to publish. We have signed a contract that grants" ]
[ "cookie you've got there.\" The woman is a taking a well earned vacation", "something like, \"That's one tough cookie you've got there.\" The woman is a", "(and creates the decisive conflict) when her date befriends a young man, and", "tracks\" (Harlem) while they are onboard. My reviewer then asked me if this", "her various jealousies. For instance, she playfully \"grounds\" him for looking at the", "making the protagonist seem petty and mean. Isn't this within character? Or is", "she goes ballistic (and creates the decisive conflict) when her date befriends a", "the tracks\" (Harlem) while they are onboard. My reviewer then asked me if", "One (female) reviewer said something like, \"That's one tough cookie you've got there.\"", "her skirt to expose her own legs), and pouts when he chooses a", "a well earned vacation on a cruise with her (future) fiance, and there", "he chooses a song on karaoke night without consulting her. But she goes", "earned vacation on a cruise with her (future) fiance, and there are a", "song on karaoke night without consulting her. But she goes ballistic (and creates", "female protagonist wears Prada, and after receiving a big promotion at work, she", "she plots to take over the CEO-ship of her company. One (female) reviewer", "over the CEO-ship of her company. One (female) reviewer said something like, \"That's", "him for looking at the legs of Argentine tango dancers (and then lifts", "she takes out her various jealousies. For instance, she playfully \"grounds\" him for", "(female) reviewer said something like, \"That's one tough cookie you've got there.\" The", "for looking at the legs of Argentine tango dancers (and then lifts up", "and making the protagonist seem petty and mean. Isn't this within character? Or", "said something like, \"That's one tough cookie you've got there.\" The woman is", "own legs), and pouts when he chooses a song on karaoke night without", "CEO-ship of her company. One (female) reviewer said something like, \"That's one tough", "when her date befriends a young man, and fellow New Yorker, from the", "(Harlem) while they are onboard. My reviewer then asked me if this isn't", "dancers (and then lifts up her skirt to expose her own legs), and", "karaoke night without consulting her. But she goes ballistic (and creates the decisive", "at the legs of Argentine tango dancers (and then lifts up her skirt", "asked me if this isn't going too far, and making the protagonist seem", "looking at the legs of Argentine tango dancers (and then lifts up her", "ballistic (and creates the decisive conflict) when her date befriends a young man,", "creates the decisive conflict) when her date befriends a young man, and fellow", "\"grounds\" him for looking at the legs of Argentine tango dancers (and then", "conflict) when her date befriends a young man, and fellow New Yorker, from", "her date befriends a young man, and fellow New Yorker, from the \"wrong", "of the tracks\" (Harlem) while they are onboard. My reviewer then asked me", "legs of Argentine tango dancers (and then lifts up her skirt to expose", "\"wrong side of the tracks\" (Harlem) while they are onboard. My reviewer then", "onboard. My reviewer then asked me if this isn't going too far, and", "side of the tracks\" (Harlem) while they are onboard. My reviewer then asked", "her (future) fiance, and there are a number of scenes where she takes", "while they are onboard. My reviewer then asked me if this isn't going", "protagonist wears Prada, and after receiving a big promotion at work, she plots", "tango dancers (and then lifts up her skirt to expose her own legs),", "then lifts up her skirt to expose her own legs), and pouts when", "and mean. Isn't this within character? Or is this somehow out of bounds?", "of her company. One (female) reviewer said something like, \"That's one tough cookie", "company. One (female) reviewer said something like, \"That's one tough cookie you've got", "with her (future) fiance, and there are a number of scenes where she", "a big promotion at work, she plots to take over the CEO-ship of", "legs), and pouts when he chooses a song on karaoke night without consulting", "there.\" The woman is a taking a well earned vacation on a cruise", "lifts up her skirt to expose her own legs), and pouts when he", "is a taking a well earned vacation on a cruise with her (future)", "on a cruise with her (future) fiance, and there are a number of", "number of scenes where she takes out her various jealousies. For instance, she", "Argentine tango dancers (and then lifts up her skirt to expose her own", "consulting her. But she goes ballistic (and creates the decisive conflict) when her", "without consulting her. But she goes ballistic (and creates the decisive conflict) when", "petty and mean. Isn't this within character? Or is this somehow out of", "at work, she plots to take over the CEO-ship of her company. One", "up her skirt to expose her own legs), and pouts when he chooses", "like, \"That's one tough cookie you've got there.\" The woman is a taking", "fellow New Yorker, from the \"wrong side of the tracks\" (Harlem) while they", "then asked me if this isn't going too far, and making the protagonist", "to take over the CEO-ship of her company. One (female) reviewer said something", "goes ballistic (and creates the decisive conflict) when her date befriends a young", "too far, and making the protagonist seem petty and mean. Isn't this within", "protagonist seem petty and mean. Isn't this within character? Or is this somehow", "you've got there.\" The woman is a taking a well earned vacation on", "\"That's one tough cookie you've got there.\" The woman is a taking a", "and after receiving a big promotion at work, she plots to take over", "she playfully \"grounds\" him for looking at the legs of Argentine tango dancers", "seem petty and mean. Isn't this within character? Or is this somehow out", "Prada, and after receiving a big promotion at work, she plots to take", "(and then lifts up her skirt to expose her own legs), and pouts", "wears Prada, and after receiving a big promotion at work, she plots to", "work, she plots to take over the CEO-ship of her company. One (female)", "tough cookie you've got there.\" The woman is a taking a well earned", "and there are a number of scenes where she takes out her various", "(future) fiance, and there are a number of scenes where she takes out", "and pouts when he chooses a song on karaoke night without consulting her.", "where she takes out her various jealousies. For instance, she playfully \"grounds\" him", "promotion at work, she plots to take over the CEO-ship of her company.", "after receiving a big promotion at work, she plots to take over the", "expose her own legs), and pouts when he chooses a song on karaoke", "her company. One (female) reviewer said something like, \"That's one tough cookie you've", "a number of scenes where she takes out her various jealousies. For instance,", "the legs of Argentine tango dancers (and then lifts up her skirt to", "to expose her own legs), and pouts when he chooses a song on", "got there.\" The woman is a taking a well earned vacation on a", "My female protagonist wears Prada, and after receiving a big promotion at work,", "date befriends a young man, and fellow New Yorker, from the \"wrong side", "when he chooses a song on karaoke night without consulting her. But she", "out her various jealousies. For instance, she playfully \"grounds\" him for looking at", "playfully \"grounds\" him for looking at the legs of Argentine tango dancers (and", "big promotion at work, she plots to take over the CEO-ship of her", "night without consulting her. But she goes ballistic (and creates the decisive conflict)", "a young man, and fellow New Yorker, from the \"wrong side of the", "pouts when he chooses a song on karaoke night without consulting her. But", "if this isn't going too far, and making the protagonist seem petty and", "well earned vacation on a cruise with her (future) fiance, and there are", "a song on karaoke night without consulting her. But she goes ballistic (and", "take over the CEO-ship of her company. One (female) reviewer said something like,", "For instance, she playfully \"grounds\" him for looking at the legs of Argentine", "The woman is a taking a well earned vacation on a cruise with", "Yorker, from the \"wrong side of the tracks\" (Harlem) while they are onboard.", "man, and fellow New Yorker, from the \"wrong side of the tracks\" (Harlem)", "chooses a song on karaoke night without consulting her. But she goes ballistic", "receiving a big promotion at work, she plots to take over the CEO-ship", "one tough cookie you've got there.\" The woman is a taking a well", "there are a number of scenes where she takes out her various jealousies.", "going too far, and making the protagonist seem petty and mean. Isn't this", "befriends a young man, and fellow New Yorker, from the \"wrong side of", "plots to take over the CEO-ship of her company. One (female) reviewer said", "But she goes ballistic (and creates the decisive conflict) when her date befriends", "cruise with her (future) fiance, and there are a number of scenes where", "of Argentine tango dancers (and then lifts up her skirt to expose her", "the CEO-ship of her company. One (female) reviewer said something like, \"That's one", "her. But she goes ballistic (and creates the decisive conflict) when her date", "young man, and fellow New Yorker, from the \"wrong side of the tracks\"", "New Yorker, from the \"wrong side of the tracks\" (Harlem) while they are", "me if this isn't going too far, and making the protagonist seem petty", "various jealousies. For instance, she playfully \"grounds\" him for looking at the legs", "and fellow New Yorker, from the \"wrong side of the tracks\" (Harlem) while", "far, and making the protagonist seem petty and mean. Isn't this within character?", "the protagonist seem petty and mean. Isn't this within character? Or is this", "My reviewer then asked me if this isn't going too far, and making", "taking a well earned vacation on a cruise with her (future) fiance, and", "are a number of scenes where she takes out her various jealousies. For", "they are onboard. My reviewer then asked me if this isn't going too", "takes out her various jealousies. For instance, she playfully \"grounds\" him for looking", "woman is a taking a well earned vacation on a cruise with her", "a taking a well earned vacation on a cruise with her (future) fiance,", "of scenes where she takes out her various jealousies. For instance, she playfully", "on karaoke night without consulting her. But she goes ballistic (and creates the", "a cruise with her (future) fiance, and there are a number of scenes", "the decisive conflict) when her date befriends a young man, and fellow New", "fiance, and there are a number of scenes where she takes out her", "reviewer said something like, \"That's one tough cookie you've got there.\" The woman", "her own legs), and pouts when he chooses a song on karaoke night", "decisive conflict) when her date befriends a young man, and fellow New Yorker,", "jealousies. For instance, she playfully \"grounds\" him for looking at the legs of", "vacation on a cruise with her (future) fiance, and there are a number", "isn't going too far, and making the protagonist seem petty and mean. Isn't", "reviewer then asked me if this isn't going too far, and making the", "scenes where she takes out her various jealousies. For instance, she playfully \"grounds\"", "instance, she playfully \"grounds\" him for looking at the legs of Argentine tango", "are onboard. My reviewer then asked me if this isn't going too far,", "this isn't going too far, and making the protagonist seem petty and mean.", "from the \"wrong side of the tracks\" (Harlem) while they are onboard. My", "the \"wrong side of the tracks\" (Harlem) while they are onboard. My reviewer", "skirt to expose her own legs), and pouts when he chooses a song" ]
[ "current writing, I've been having some trouble with the plot, specifically with going", "the book. My problem is that I'm having trouble designing this chapter-by-chapter outline.", "makes decision and takes action (or doesn't). My problem lies in step 1.", "I cannot seem to find a goal he is actively striving for at", "scanning my outline for other instances of it, and fixing them. Regardless, there", "where the main character is passive.* Question: How can I determine the goal", "a certain level of disapproval on this site towards structures (from some people).", "disaster. 6. Character adjusts to deal with the problem. 7. Character makes decision", "plot, specifically with going from an outline detailing what I need, to an", "a motivation/goal. 2. Character faces building conflicts in the way of that goal.", "designing this chapter-by-chapter outline. I'm working with the following structure: 1. Character has", "level of disapproval on this site towards structures (from some people). Please keep", "My problem is that I'm having trouble designing this chapter-by-chapter outline. I'm working", "to deal with the problem. 7. Character makes decision and takes action (or", "detailing what I need, to an outline detailing how I get there. I", "1. Character has a motivation/goal. 2. Character faces building conflicts in the way", "evacuated. I cannot seem to find a goal he is actively striving for", "outline detailing what I need, to an outline detailing how I get there.", "striving for at this time. Note: I realize passive characters is not something", "my current writing, I've been having some trouble with the plot, specifically with", "(or at least part of it) might be that I don't have a", "structure: 1. Character has a motivation/goal. 2. Character faces building conflicts in the", "some people). Please keep in mind the question is not about the structure.", "determine the goal of a scene/chapter when the main character is entirely passive?", "for the book. My problem is that I'm having trouble designing this chapter-by-chapter", "can I determine the goal of a scene/chapter when the main character is", "of that goal. 3. Something big goes wrong for the character, inducing a", "doesn't). My problem lies in step 1. In my very first chapter, my", "entirely passive. He is in fact part of a large crowd that is", "want, which is why I will also be scanning my outline for other", "other instances of it, and fixing them. Regardless, there will be instances where", "scene/chapter when the main character is entirely passive? Can I even do it?", "and fixing them. Regardless, there will be instances where the main character is", "have a clear chapter-by-chapter summary for the book. My problem is that I'm", "at least part of it) might be that I don't have a clear", "book. My problem is that I'm having trouble designing this chapter-by-chapter outline. I'm", "big disaster. 6. Character adjusts to deal with the problem. 7. Character makes", "a scene/chapter when the main character is entirely passive? Can I even do", "somehow? Disclaimer: I realize that there is a certain level of disapproval on", "He is in fact part of a large crowd that is being evacuated.", "be scanning my outline for other instances of it, and fixing them. Regardless,", "my outline for other instances of it, and fixing them. Regardless, there will", "get there. I think the problem (or at least part of it) might", "this chapter-by-chapter outline. I'm working with the following structure: 1. Character has a", "is entirely passive? Can I even do it? Do I need to make", "there. I think the problem (or at least part of it) might be", "it) might be that I don't have a clear chapter-by-chapter summary for the", "might be that I don't have a clear chapter-by-chapter summary for the book.", "adjusts to deal with the problem. 7. Character makes decision and takes action", "part of it) might be that I don't have a clear chapter-by-chapter summary", "of a scene/chapter when the main character is entirely passive? Can I even", "I get there. I think the problem (or at least part of it)", "chapter-by-chapter summary for the book. My problem is that I'm having trouble designing", "2. Character faces building conflicts in the way of that goal. 3. Something", "action (or doesn't). My problem lies in step 1. In my very first", "outline. I'm working with the following structure: 1. Character has a motivation/goal. 2.", "why I will also be scanning my outline for other instances of it,", "when the main character is entirely passive? Can I even do it? Do", "outline detailing how I get there. I think the problem (or at least", "to an outline detailing how I get there. I think the problem (or", "the problem (or at least part of it) might be that I don't", "fact part of a large crowd that is being evacuated. I cannot seem", "character is passive.* Question: How can I determine the goal of a scene/chapter", "and takes action (or doesn't). My problem lies in step 1. In my", "is in fact part of a large crowd that is being evacuated. I", "(from some people). Please keep in mind the question is not about the", "some trouble with the plot, specifically with going from an outline detailing what", "not about the structure. It's about finding a goal for a passive character.", "going from an outline detailing what I need, to an outline detailing how", "very first chapter, my character is entirely passive. He is in fact part", "Character reacts to big disaster. 6. Character adjusts to deal with the problem.", "How can I determine the goal of a scene/chapter when the main character", "disapproval on this site towards structures (from some people). Please keep in mind", "big goes wrong for the character, inducing a possible cliffhanger. 4. Chapter ends.", "something readers greatly want, which is why I will also be scanning my", "having some trouble with the plot, specifically with going from an outline detailing", "Character makes decision and takes action (or doesn't). My problem lies in step", "6. Character adjusts to deal with the problem. 7. Character makes decision and", "having trouble designing this chapter-by-chapter outline. I'm working with the following structure: 1.", "ends. 5. Next chapter: Character reacts to big disaster. 6. Character adjusts to", "need, to an outline detailing how I get there. I think the problem", "of it, and fixing them. Regardless, there will be instances where the main", "think the problem (or at least part of it) might be that I", "of it) might be that I don't have a clear chapter-by-chapter summary for", "summary for the book. My problem is that I'm having trouble designing this", "I'm working with the following structure: 1. Character has a motivation/goal. 2. Character", "Chapter ends. 5. Next chapter: Character reacts to big disaster. 6. Character adjusts", "instances where the main character is passive. Question: How can I determine the", "seem to find a goal he is actively striving for at this time.", "reacts to big disaster. 6. Character adjusts to deal with the problem. 7.", "4. Chapter ends. 5. Next chapter: Character reacts to big disaster. 6. Character", "building conflicts in the way of that goal. 3. Something big goes wrong", "Note: I realize passive characters is not something readers greatly want, which is", "5. Next chapter: Character reacts to big disaster. 6. Character adjusts to deal", "there is a certain level of disapproval on this site towards structures (from", "large crowd that is being evacuated. I cannot seem to find a goal", "it? Do I need* to make him active somehow? Disclaimer: I realize that", "from an outline detailing what I need, to an outline detailing how I", "a clear chapter-by-chapter summary for the book. My problem is that I'm having", "1. In my very first chapter, my character is entirely passive. He is", "is actively striving for at this time. Note: I realize passive characters is", "main character is entirely passive? Can I even do it? Do I need", "(or doesn't). My problem lies in step 1. In my very first chapter,", "the way of that goal. 3. Something big goes wrong for the character,", "Character faces building conflicts in the way of that goal. 3. Something big", "with going from an outline detailing what I need, to an outline detailing", "has a motivation/goal. 2. Character faces building conflicts in the way of that", "to find a goal he is actively striving for at this time. Note:", "active somehow? Disclaimer: I realize that there is a certain level of disapproval", "specifically with going from an outline detailing what I need, to an outline", "problem. 7. Character makes decision and takes action (or doesn't). My problem lies", "an outline detailing how I get there. I think the problem (or at", "this site towards structures (from some people). Please keep in mind the question", "on this site towards structures (from some people). Please keep in mind the", "entirely passive? Can I even do it? Do I need to make him", "problem is that I'm having trouble designing this chapter-by-chapter outline. I'm working with", "a goal he is actively striving for at this time. Note: I realize", "people). Please keep in mind the question is not about the structure. It's", "structures (from some people). Please keep in mind the question is not about", "keep in mind the question is not about the structure. It's about finding", "be that I don't have a clear chapter-by-chapter summary for the book. My", "mind the question is not about the structure. It's about finding a goal", "I'm having trouble designing this chapter-by-chapter outline. I'm working with the following structure:", "that goal. 3. Something big goes wrong for the character, inducing a possible", "cannot seem to find a goal he is actively striving for at this", "also be scanning my outline for other instances of it, and fixing them.", "is a certain level of disapproval on this site towards structures (from some", "is not about the structure. It's about finding a goal for a passive", "is passive. Question: How can I determine the goal of a scene/chapter when", "in mind the question is not about the structure. It's about finding a", "detailing how I get there. I think the problem (or at least part", "in fact part of a large crowd that is being evacuated. I cannot", "is not something readers greatly want, which is why I will also be", "what I need, to an outline detailing how I get there. I think", "even do it? Do I need to make him active somehow? Disclaimer: I", "goal. 3. Something big goes wrong for the character, inducing a possible cliffhanger.", "that is being evacuated. I cannot seem to find a goal he is", "Do I need* to make him active somehow? Disclaimer: I realize that there", "with the problem. 7. Character makes decision and takes action (or doesn't). My", "my character is entirely passive. He is in fact part of a large", "is entirely passive. He is in fact part of a large crowd that", "will also be scanning my outline for other instances of it, and fixing", "Disclaimer: I realize that there is a certain level of disapproval on this", "time. Note: I realize passive characters is not something readers greatly want, which", "that there is a certain level of disapproval on this site towards structures", "I don't have a clear chapter-by-chapter summary for the book. My problem is", "is that I'm having trouble designing this chapter-by-chapter outline. I'm working with the", "motivation/goal. 2. Character faces building conflicts in the way of that goal. 3.", "in step 1. In my very first chapter, my character is entirely passive.", "Next chapter: Character reacts to big disaster. 6. Character adjusts to deal with", "7. Character makes decision and takes action (or doesn't). My problem lies in", "my very first chapter, my character is entirely passive. He is in fact", "part of a large crowd that is being evacuated. I cannot seem to", "Can I even do it? Do I need* to make him active somehow?", "make him active somehow? Disclaimer: I realize that there is a certain level", "characters is not something readers greatly want, which is why I will also", "possible cliffhanger. 4. Chapter ends. 5. Next chapter: Character reacts to big disaster.", "to make him active somehow? Disclaimer: I realize that there is a certain", "first chapter, my character is entirely passive. He is in fact part of", "this time. Note: I realize passive characters is not something readers greatly want,", "I will also be scanning my outline for other instances of it, and", "3. Something big goes wrong for the character, inducing a possible cliffhanger. 4.", "need* to make him active somehow? Disclaimer: I realize that there is a", "that I don't have a clear chapter-by-chapter summary for the book. My problem", "way of that goal. 3. Something big goes wrong for the character, inducing", "a possible cliffhanger. 4. Chapter ends. 5. Next chapter: Character reacts to big", "that I'm having trouble designing this chapter-by-chapter outline. I'm working with the following", "In my current writing, I've been having some trouble with the plot, specifically", "an outline detailing what I need, to an outline detailing how I get", "I need* to make him active somehow? Disclaimer: I realize that there is", "goal of a scene/chapter when the main character is entirely passive? Can I", "towards structures (from some people). Please keep in mind the question is not", "at this time. Note: I realize passive characters is not something readers greatly", "I need, to an outline detailing how I get there. I think the", "chapter, my character is entirely passive. He is in fact part of a", "actively striving for at this time. Note: I realize passive characters is not", "Something big goes wrong for the character, inducing a possible cliffhanger. 4. Chapter", "the character, inducing a possible cliffhanger. 4. Chapter ends. 5. Next chapter: Character", "readers greatly want, which is why I will also be scanning my outline", "will be instances where the main character is passive. Question: How can I", "trouble designing this chapter-by-chapter outline. I'm working with the following structure: 1. Character", "passive characters is not something readers greatly want, which is why I will", "I even do it? Do I need to make him active somehow? Disclaimer:", "deal with the problem. 7. Character makes decision and takes action (or doesn't).", "the plot, specifically with going from an outline detailing what I need, to", "there will be instances where the main character is passive. Question: How can", "he is actively striving for at this time. Note: I realize passive characters", "do it? Do I need* to make him active somehow? Disclaimer: I realize", "trouble with the plot, specifically with going from an outline detailing what I", "I realize that there is a certain level of disapproval on this site", "be instances where the main character is passive. Question: How can I determine", "conflicts in the way of that goal. 3. Something big goes wrong for", "site towards structures (from some people). Please keep in mind the question is", "for other instances of it, and fixing them. Regardless, there will be instances", "I've been having some trouble with the plot, specifically with going from an", "Please keep in mind the question is not about the structure. It's about", "writing, I've been having some trouble with the plot, specifically with going from", "goes wrong for the character, inducing a possible cliffhanger. 4. Chapter ends. 5.", "Character adjusts to deal with the problem. 7. Character makes decision and takes", "for the character, inducing a possible cliffhanger. 4. Chapter ends. 5. 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I cannot seem to find", "I think the problem (or at least part of it) might be that", "My problem lies in step 1. In my very first chapter, my character", "find a goal he is actively striving for at this time. Note: I", "inducing a possible cliffhanger. 4. Chapter ends. 5. Next chapter: Character reacts to", "is being evacuated. I cannot seem to find a goal he is actively", "the question is not about the structure. It's about finding a goal for", "problem (or at least part of it) might be that I don't have", "least part of it) might be that I don't have a clear chapter-by-chapter", "character is entirely passive. He is in fact part of a large crowd", "it, and fixing them. Regardless, there will be instances where the main character", "In my very first chapter, my character is entirely passive. He is in", "certain level of disapproval on this site towards structures (from some people). Please", "instances of it, and fixing them. Regardless, there will be instances where the", "passive? Can I even do it? Do I need* to make him active", "a large crowd that is being evacuated. I cannot seem to find a", "I realize passive characters is not something readers greatly want, which is why", "wrong for the character, inducing a possible cliffhanger. 4. Chapter ends. 5. Next", "them. Regardless, there will be instances where the main character is passive.* Question:", "goal he is actively striving for at this time. Note: I realize passive", "fixing them. Regardless, there will be instances where the main character is passive.", "been having some trouble with the plot, specifically with going from an outline", "with the following structure: 1. Character has a motivation/goal. 2. Character faces building", "question is not about the structure. It's about finding a goal for a", "cliffhanger. 4. Chapter ends. 5. Next chapter: Character reacts to big disaster. 6.", "chapter-by-chapter outline. I'm working with the following structure: 1. Character has a motivation/goal.", "character, inducing a possible cliffhanger. 4. Chapter ends. 5. Next chapter: Character reacts", "decision and takes action (or doesn't). My problem lies in step 1. In", "crowd that is being evacuated. I cannot seem to find a goal he", "step 1. In my very first chapter, my character is entirely passive. He", "passive.* Question: How can I determine the goal of a scene/chapter when the", "main character is passive.* Question: How can I determine the goal of a", "for at this time. Note: I realize passive characters is not something readers", "lies in step 1. In my very first chapter, my character is entirely", "with the plot, specifically with going from an outline detailing what I need,", "realize passive characters is not something readers greatly want, which is why I", "don't have a clear chapter-by-chapter summary for the book. My problem is that", "I determine the goal of a scene/chapter when the main character is entirely", "the goal of a scene/chapter when the main character is entirely passive? Can", "following structure: 1. Character has a motivation/goal. 2. Character faces building conflicts in", "greatly want, which is why I will also be scanning my outline for", "in the way of that goal. 3. Something big goes wrong for the", "the problem. 7. Character makes decision and takes action (or doesn't). My problem", "realize that there is a certain level of disapproval on this site towards", "being evacuated. I cannot seem to find a goal he is actively striving", "how I get there. I think the problem (or at least part of", "outline for other instances of it, and fixing them. Regardless, there will be", "the main character is passive. Question: How can I determine the goal of", "takes action (or doesn't). My problem lies in step 1. In my very", "not something readers greatly want, which is why I will also be scanning", "clear chapter-by-chapter summary for the book. My problem is that I'm having trouble", "to big disaster. 6. Character adjusts to deal with the problem. 7. Character", "problem lies in step 1. In my very first chapter, my character is", "working with the following structure: 1. Character has a motivation/goal. 2. Character faces", "him active somehow? *Disclaimer: I realize that there is a certain level of", "faces building conflicts in the way of that goal. 3. Something big goes" ]
[ "game, and than there is a gameplay how enjoyable it feels to play", "in game. The simple rating would be just to gather the overall experience", "not in all the games. So what would be the most important 4-5", "soon start with writing reviews and guides for games and I am divided", "of elements in the game and sum up of everything. For example: The", "just with one rating. A good rating would be to get an experience", "This would be good on one hand because the regular visitors of the", "for games and I am divided between simple raging of a game or", "game or in-depth rating, like considering few different elements in game. The simple", "game and just rate it from 1 to 10. This would be good", "and writings, it would be against my judgment to rate a game just", "the game and sum up of everything. For example: The storyline is important", "games. So what would be the most important 4-5 elements you would consider", "get an experience with with each of elements in the game and sum", "all the games. So what would be the most important 4-5 elements you", "rate it from 1 to 10. This would be good on one hand", "have only one option for rating and it's from 1 to 10. But", "in every game, and than there is a gameplay how enjoyable it feels", "I am divided between simple raging of a game or in-depth rating, like", "enjoyment of a game and just rate it from 1 to 10. This", "hand because the regular visitors of the site have only one option for", "one option for rating and it's from 1 to 10. But as I", "there is a gameplay how enjoyable it feels to play the game, the", "good rating would be to get an experience with with each of elements", "experience and enjoyment of a game and just rate it from 1 to", "how enjoyable it feels to play the game, the dificulty, multiplayer, graphics, special", "like multiplayer are not in all the games. So what would be the", "visitors of the site have only one option for rating and it's from", "my judgment to rate a game just with one rating. A good rating", "to one person, it would be bad to another, and also some things", "one rating. A good rating would be to get an experience with with", "and sum up of everything. For example: The storyline is important in every", "regular visitors of the site have only one option for rating and it's", "a game and just rate it from 1 to 10. This would be", "would be against my judgment to rate a game just with one rating.", "with writing reviews and guides for games and I am divided between simple", "usually doesn't go for short reviews and writings, it would be against my", "graphics, special effects, optimization, etc... but while some elements would be interesting to", "be good on one hand because the regular visitors of the site have", "who usually doesn't go for short reviews and writings, it would be against", "am a person who usually doesn't go for short reviews and writings, it", "person, it would be bad to another, and also some things like multiplayer", "game, the dificulty, multiplayer, graphics, special effects, optimization, etc... but while some elements", "divided between simple raging of a game or in-depth rating, like considering few", "feels to play the game, the dificulty, multiplayer, graphics, special effects, optimization, etc...", "in all the games. So what would be the most important 4-5 elements", "person who usually doesn't go for short reviews and writings, it would be", "the regular visitors of the site have only one option for rating and", "some things like multiplayer are not in all the games. So what would", "a game or in-depth rating, like considering few different elements in game. The", "The storyline is important in every game, and than there is a gameplay", "things like multiplayer are not in all the games. So what would be", "special effects, optimization, etc... but while some elements would be interesting to one", "be bad to another, and also some things like multiplayer are not in", "would be interesting to one person, it would be bad to another, and", "elements in the game and sum up of everything. For example: The storyline", "rating would be to get an experience with with each of elements in", "of the site have only one option for rating and it's from 1", "a person who usually doesn't go for short reviews and writings, it would", "and just rate it from 1 to 10. This would be good on", "everything. For example: The storyline is important in every game, and than there", "But as I am a person who usually doesn't go for short reviews", "simple rating would be just to gather the overall experience and enjoyment of", "sum up of everything. For example: The storyline is important in every game,", "short reviews and writings, it would be against my judgment to rate a", "each of elements in the game and sum up of everything. For example:", "The simple rating would be just to gather the overall experience and enjoyment", "and it's from 1 to 10. But as I am a person who", "and also some things like multiplayer are not in all the games. So", "overall experience and enjoyment of a game and just rate it from 1", "to play the game, the dificulty, multiplayer, graphics, special effects, optimization, etc... but", "the dificulty, multiplayer, graphics, special effects, optimization, etc... but while some elements would", "I will soon start with writing reviews and guides for games and I", "interesting to one person, it would be bad to another, and also some", "with one rating. A good rating would be to get an experience with", "storyline is important in every game, and than there is a gameplay how", "experience with with each of elements in the game and sum up of", "raging of a game or in-depth rating, like considering few different elements in", "to get an experience with with each of elements in the game and", "the site have only one option for rating and it's from 1 to", "and I am divided between simple raging of a game or in-depth rating,", "site have only one option for rating and it's from 1 to 10.", "be just to gather the overall experience and enjoyment of a game and", "be to get an experience with with each of elements in the game", "in the game and sum up of everything. For example: The storyline is", "it would be against my judgment to rate a game just with one", "simple raging of a game or in-depth rating, like considering few different elements", "am divided between simple raging of a game or in-depth rating, like considering", "games and I am divided between simple raging of a game or in-depth", "rating, like considering few different elements in game. The simple rating would be", "elements in game. The simple rating would be just to gather the overall", "multiplayer, graphics, special effects, optimization, etc... but while some elements would be interesting", "while some elements would be interesting to one person, it would be bad", "reviews and writings, it would be against my judgment to rate a game", "it feels to play the game, the dificulty, multiplayer, graphics, special effects, optimization,", "or in-depth rating, like considering few different elements in game. The simple rating", "1 to 10. But as I am a person who usually doesn't go", "1 to 10. This would be good on one hand because the regular", "etc... but while some elements would be interesting to one person, it would", "and than there is a gameplay how enjoyable it feels to play the", "what would be the most important 4-5 elements you would consider when rating", "rating. A good rating would be to get an experience with with each", "against my judgment to rate a game just with one rating. A good", "to another, and also some things like multiplayer are not in all the", "another, and also some things like multiplayer are not in all the games.", "guides for games and I am divided between simple raging of a game", "the overall experience and enjoyment of a game and just rate it from", "multiplayer are not in all the games. So what would be the most", "only one option for rating and it's from 1 to 10. But as", "and guides for games and I am divided between simple raging of a", "game just with one rating. A good rating would be to get an", "to 10. This would be good on one hand because the regular visitors", "start with writing reviews and guides for games and I am divided between", "of a game or in-depth rating, like considering few different elements in game.", "of everything. For example: The storyline is important in every game, and than", "it from 1 to 10. This would be good on one hand because", "because the regular visitors of the site have only one option for rating", "than there is a gameplay how enjoyable it feels to play the game,", "rating and it's from 1 to 10. But as I am a person", "10. This would be good on one hand because the regular visitors of", "rating would be just to gather the overall experience and enjoyment of a", "go for short reviews and writings, it would be against my judgment to", "it would be bad to another, and also some things like multiplayer are", "good on one hand because the regular visitors of the site have only", "but while some elements would be interesting to one person, it would be", "few different elements in game. The simple rating would be just to gather", "would be to get an experience with with each of elements in the", "example: The storyline is important in every game, and than there is a", "for rating and it's from 1 to 10. But as I am a", "is important in every game, and than there is a gameplay how enjoyable", "just to gather the overall experience and enjoyment of a game and just", "be interesting to one person, it would be bad to another, and also", "considering few different elements in game. The simple rating would be just to", "I am a person who usually doesn't go for short reviews and writings,", "the game, the dificulty, multiplayer, graphics, special effects, optimization, etc... but while some", "to 10. But as I am a person who usually doesn't go for", "one hand because the regular visitors of the site have only one option", "as I am a person who usually doesn't go for short reviews and", "just rate it from 1 to 10. This would be good on one", "judgment to rate a game just with one rating. A good rating would", "bad to another, and also some things like multiplayer are not in all", "optimization, etc... but while some elements would be interesting to one person, it", "will soon start with writing reviews and guides for games and I am", "would be just to gather the overall experience and enjoyment of a game", "would be good on one hand because the regular visitors of the site", "be against my judgment to rate a game just with one rating. A", "some elements would be interesting to one person, it would be bad to", "to rate a game just with one rating. A good rating would be", "and enjoyment of a game and just rate it from 1 to 10.", "So what would be the most important 4-5 elements you would consider when", "enjoyable it feels to play the game, the dificulty, multiplayer, graphics, special effects,", "game. The simple rating would be just to gather the overall experience and", "on one hand because the regular visitors of the site have only one", "gameplay how enjoyable it feels to play the game, the dificulty, multiplayer, graphics,", "like considering few different elements in game. The simple rating would be just", "to gather the overall experience and enjoyment of a game and just rate", "from 1 to 10. But as I am a person who usually doesn't", "rate a game just with one rating. A good rating would be to", "is a gameplay how enjoyable it feels to play the game, the dificulty,", "also some things like multiplayer are not in all the games. So what", "doesn't go for short reviews and writings, it would be against my judgment", "be the most important 4-5 elements you would consider when rating a game?", "for short reviews and writings, it would be against my judgment to rate", "it's from 1 to 10. But as I am a person who usually", "a gameplay how enjoyable it feels to play the game, the dificulty, multiplayer,", "A good rating would be to get an experience with with each of", "option for rating and it's from 1 to 10. But as I am", "writings, it would be against my judgment to rate a game just with", "would be bad to another, and also some things like multiplayer are not", "gather the overall experience and enjoyment of a game and just rate it", "For example: The storyline is important in every game, and than there is", "elements would be interesting to one person, it would be bad to another,", "with each of elements in the game and sum up of everything. For", "writing reviews and guides for games and I am divided between simple raging", "between simple raging of a game or in-depth rating, like considering few different", "in-depth rating, like considering few different elements in game. The simple rating would", "play the game, the dificulty, multiplayer, graphics, special effects, optimization, etc... but while", "game and sum up of everything. For example: The storyline is important in", "every game, and than there is a gameplay how enjoyable it feels to", "one person, it would be bad to another, and also some things like", "effects, optimization, etc... but while some elements would be interesting to one person,", "the games. So what would be the most important 4-5 elements you would", "important in every game, and than there is a gameplay how enjoyable it", "reviews and guides for games and I am divided between simple raging of", "an experience with with each of elements in the game and sum up", "up of everything. For example: The storyline is important in every game, and", "would be the most important 4-5 elements you would consider when rating a", "10. But as I am a person who usually doesn't go for short", "from 1 to 10. This would be good on one hand because the", "of a game and just rate it from 1 to 10. This would", "dificulty, multiplayer, graphics, special effects, optimization, etc... but while some elements would be", "different elements in game. The simple rating would be just to gather the", "a game just with one rating. A good rating would be to get", "are not in all the games. So what would be the most important", "with with each of elements in the game and sum up of everything." ]
[ "the three examples give a different message to the reader? These are my", "> hadn't noticed before. Probably sunburn. \"Exactly. Our lives began in the sea,", "the sea, and will probably end on land.\" > > > Do the", "sea, and will probably end on land.\" > > > \"Exactly. Our lives", "the nape of his neck. It had a faint, purple blotch I >", "* Action tags that are placed before the dialogue affect the dialogue in", "his neck. It had a faint, > purple blotch I hadn't noticed before.", "> Do the three examples give a different message to the reader? These", "focus to the dialogue. * Longer action tags distract attention from the dialogue.", "land.\" > > > \"Exactly.\" Zotn scratched the nape of his neck. It", "on land.\" > > > Do the three examples give a different message", "different message to the reader? These are my conclusions so far: * Shorter", "\"Exactly. Our lives began in the sea, and will probably end on land.\"", "way. But I'm probably wrong, that's why I decided to write this question.", "a faint, purple blotch I > hadn't noticed before. Probably sunburn. \"Exactly. Our", "Probably sunburn. > > > Zotn scratched the nape of his neck. It", "that are placed before the dialogue affect the dialogue in a stronger way.", "will probably end on land.\" > > > Do the three examples give", "in the sea, and will probably end on land.\" > > > \"Exactly.\"", "hadn't noticed before. Probably sunburn. \"Our lives > began in the sea, and", "> > \"Exactly.\" Zotn scratched the nape of his neck. It had a", "> > \"Exactly. Our lives began in the sea, and will probably end", "> began in the sea, and will probably end on land.\" > >", "end on land.\" > > > \"Exactly. Our lives began in the sea,", "\"Our lives > began in the sea, and will probably end on land.\"", "> > > \"Exactly.\" Zotn scratched the nape of his neck. It had", "> > > \"Exactly. Our lives began in the sea, and will probably", "blotch I > hadn't noticed before. Probably sunburn. \"Exactly. Our lives began in", "lives > began in the sea, and will probably end on land.\" >", "faint, purple blotch I > hadn't noticed before. Probably sunburn. > > >", "began in the sea, and will probably end on land.\" > > >", "purple blotch I hadn't noticed before. Probably sunburn. \"Our lives > began in", "Zotn scratched the nape of his neck. It had a faint, purple blotch", "a different message to the reader? These are my conclusions so far: ", "lesser way. But I'm probably wrong, that's why I decided to write this", "in the sea, and will probably end on land.\" > Zotn scratched the", "and will probably end on land.\" > Zotn scratched the nape of his", "my conclusions so far: Shorter action tags gives more focus to the", "Example: > > \"Exactly.\" Zotn scratched the nape of his neck. It had", "in the sea, and will probably end on land.\" > > > Do", "neck. It had a faint, purple blotch I > hadn't noticed before. Probably", "Probably sunburn. \"Exactly. Our lives began in the sea, and will probably end", "on land.\" > > > \"Exactly. Our lives began in the sea, and", "nape of his neck. It had a faint, purple blotch I > hadn't", "probably end on land.\" > Zotn scratched the nape of his neck. It", "of his neck. It had a faint, purple blotch I > hadn't noticed", "the dialogue in a lesser way. But I'm probably wrong, that's why I", "sunburn. > > > Zotn scratched the nape of his neck. It had", "land.\" > > > Do the three examples give a different message to", "noticed before. Probably sunburn. \"Our lives > began in the sea, and will", "so far: * Shorter action tags gives more focus to the dialogue. ", "are placed before the dialogue affect the dialogue in a stronger way. ", "noticed before. Probably sunburn. \"Exactly. Our lives began in the sea, and will", "> Zotn scratched the nape of his neck. It had a faint, purple", "before. Probably sunburn. \"Exactly. Our lives began in the sea, and will probably", "in a stronger way. * Action tags that are placed after the dialogue", "on land.\" > Zotn scratched the nape of his neck. It had a", "probably end on land.\" > > > Do the three examples give a", "will probably end on land.\" > > > \"Exactly.\" Zotn scratched the nape", "before the dialogue affect the dialogue in a stronger way. * Action tags", "are my conclusions so far: * Shorter action tags gives more focus to", "probably end on land.\" > > > \"Exactly. Our lives began in the", "scratched the nape of his neck. It had a faint, purple blotch I", "tags that are placed before the dialogue affect the dialogue in a stronger", "had a faint, purple blotch I > hadn't noticed before. Probably sunburn. >", "> \"Exactly.\" Zotn scratched the nape of his neck. It had a faint,", "It had a faint, > purple blotch I hadn't noticed before. Probably sunburn.", "a stronger way. * Action tags that are placed after the dialogue affect", "Probably sunburn. \"Our lives > began in the sea, and will probably end", "> \"Exactly. Our lives began in the sea, and will probably end on", "and will probably end on land.\" > > > \"Exactly. Our lives began", "lives began in the sea, and will probably end on land.\" > Zotn", "I > hadn't noticed before. Probably sunburn. > > > Zotn scratched the", "* Longer action tags distract attention from the dialogue. * Action tags that", "give a different message to the reader? These are my conclusions so far:", "a faint, purple blotch I > hadn't noticed before. Probably sunburn. > >", "scratched the nape of his neck. It had a faint, > purple blotch", "in a lesser way. But I'm probably wrong, that's why I decided to", "Action tags that are placed after the dialogue affect the dialogue in a", "dialogue affect the dialogue in a stronger way. * Action tags that are", "more focus to the dialogue. * Longer action tags distract attention from the", "before. Probably sunburn. \"Our lives > began in the sea, and will probably", "message to the reader? These are my conclusions so far: * Shorter action", "These are my conclusions so far: * Shorter action tags gives more focus", "* Shorter action tags gives more focus to the dialogue. * Longer action", "Longer action tags distract attention from the dialogue. * Action tags that are", "far: * Shorter action tags gives more focus to the dialogue. * Longer", "from the dialogue. * Action tags that are placed before the dialogue affect", "stronger way. * Action tags that are placed after the dialogue affect the", "a lesser way. But I'm probably wrong, that's why I decided to write", "\"Exactly.\" Zotn scratched the nape of his neck. It had a faint, >", "the dialogue in a stronger way. * Action tags that are placed after", "dialogue affect the dialogue in a lesser way. But I'm probably wrong, that's", "Zotn scratched the nape of his neck. It had a faint, > purple", "the sea, and will probably end on land.\" > Zotn scratched the nape", "end on land.\" > Zotn scratched the nape of his neck. It had", "> > Do the three examples give a different message to the reader?", "will probably end on land.\" > Zotn scratched the nape of his neck.", "dialogue in a lesser way. But I'm probably wrong, that's why I decided", "began in the sea, and will probably end on land.\" > Zotn scratched", "after the dialogue affect the dialogue in a lesser way. But I'm probably", "faint, > purple blotch I hadn't noticed before. Probably sunburn. \"Our lives >", "> purple blotch I hadn't noticed before. Probably sunburn. \"Our lives > began", "I > hadn't noticed before. Probably sunburn. \"Exactly. Our lives began in the", "* Action tags that are placed after the dialogue affect the dialogue in", "I hadn't noticed before. Probably sunburn. \"Our lives > began in the sea,", "the sea, and will probably end on land.\" > > > \"Exactly.\" Zotn", "action tags distract attention from the dialogue. * Action tags that are placed", "distract attention from the dialogue. * Action tags that are placed before the", "the dialogue. * Longer action tags distract attention from the dialogue. * Action", "Action tags that are placed before the dialogue affect the dialogue in a", "sea, and will probably end on land.\" > Zotn scratched the nape of", "land.\" > Zotn scratched the nape of his neck. It had a faint,", "blotch I > hadn't noticed before. Probably sunburn. > > > Zotn scratched", "sunburn. \"Our lives > began in the sea, and will probably end on", "his neck. It had a faint, purple blotch I > hadn't noticed before.", "placed before the dialogue affect the dialogue in a stronger way. * Action", "end on land.\" > > > Do the three examples give a different", "before. Probably sunburn. > > > Zotn scratched the nape of his neck.", "attention from the dialogue. * Action tags that are placed before the dialogue", "tags that are placed after the dialogue affect the dialogue in a lesser", "tags gives more focus to the dialogue. * Longer action tags distract attention", "the dialogue affect the dialogue in a lesser way. But I'm probably wrong,", "examples give a different message to the reader? These are my conclusions so", "affect the dialogue in a lesser way. But I'm probably wrong, that's why", "that are placed after the dialogue affect the dialogue in a lesser way.", "the dialogue affect the dialogue in a stronger way. * Action tags that", "hadn't noticed before. Probably sunburn. > > > Zotn scratched the nape of", "sea, and will probably end on land.\" > > > \"Exactly.\" Zotn scratched", "It had a faint, purple blotch I > hadn't noticed before. Probably sunburn.", "and will probably end on land.\" > > > Do the three examples", "dialogue. * Action tags that are placed before the dialogue affect the dialogue", "dialogue in a stronger way. * Action tags that are placed after the", "> hadn't noticed before. Probably sunburn. > > > Zotn scratched the nape", "of his neck. It had a faint, > purple blotch I hadn't noticed", "reader? These are my conclusions so far: * Shorter action tags gives more", "the reader? These are my conclusions so far: * Shorter action tags gives", "dialogue. * Longer action tags distract attention from the dialogue. * Action tags", "the nape of his neck. It had a faint, > purple blotch I", "end on land.\" > > > \"Exactly.\" Zotn scratched the nape of his", "lives began in the sea, and will probably end on land.\" > >", "had a faint, > purple blotch I hadn't noticed before. Probably sunburn. \"Our", "> > Zotn scratched the nape of his neck. It had a faint,", "tags distract attention from the dialogue. * Action tags that are placed before", "faint, purple blotch I > hadn't noticed before. Probably sunburn. \"Exactly. Our lives", "gives more focus to the dialogue. * Longer action tags distract attention from", "the dialogue. * Action tags that are placed before the dialogue affect the", "affect the dialogue in a stronger way. * Action tags that are placed", "> > > Do the three examples give a different message to the", "are placed after the dialogue affect the dialogue in a lesser way. But", "land.\" > > > \"Exactly. Our lives began in the sea, and will", "sea, and will probably end on land.\" > > > Do the three", "action tags gives more focus to the dialogue. * Longer action tags distract", "Do the three examples give a different message to the reader? These are", "on land.\" > > > \"Exactly.\" Zotn scratched the nape of his neck.", "nape of his neck. It had a faint, > purple blotch I hadn't", "Shorter action tags gives more focus to the dialogue. * Longer action tags", "to the reader? These are my conclusions so far: * Shorter action tags", "way. * Action tags that are placed after the dialogue affect the dialogue", "to the dialogue. * Longer action tags distract attention from the dialogue. ", "the sea, and will probably end on land.\" > > > \"Exactly. Our", "placed after the dialogue affect the dialogue in a lesser way. But I'm", "Our lives began in the sea, and will probably end on land.\" >", "conclusions so far: Shorter action tags gives more focus to the dialogue.", "> > > Zotn scratched the nape of his neck. It had a", "purple blotch I > hadn't noticed before. Probably sunburn. \"Exactly. Our lives began", "blotch I hadn't noticed before. Probably sunburn. \"Our lives > began in the", "in the sea, and will probably end on land.\" > > > \"Exactly.", "a faint, > purple blotch I hadn't noticed before. Probably sunburn. \"Our lives", "three examples give a different message to the reader? These are my conclusions", "noticed before. Probably sunburn. > > > Zotn scratched the nape of his", "purple blotch I > hadn't noticed before. Probably sunburn. > > > Zotn", "had a faint, purple blotch I > hadn't noticed before. Probably sunburn. \"Exactly.", "neck. It had a faint, > purple blotch I hadn't noticed before. Probably", "sunburn. \"Exactly. Our lives began in the sea, and will probably end on", "and will probably end on land.\" > > > \"Exactly.\" Zotn scratched the", "will probably end on land.\" > > > \"Exactly. Our lives began in", "probably end on land.\" > > > \"Exactly.\" Zotn scratched the nape of", "hadn't noticed before. Probably sunburn. \"Exactly. Our lives began in the sea, and" ]
[ "lower case \"t\" are important - she likes the air of mystery that", "\"Yica did this\" or \"Yica said that\". But if I start doing that", "first introduce her and will likely make her sound much more pretensious than", "I'm saying \"Yica did this\" or \"Yica said that\". But if I start", "her, should I always write her name as 'tina? I want to, but", "decide when it should be 'tina and when it should be Yica. If", "for something, but nobody knows what. To her, the apostrophe and the lower", "then her name, an important part of her character, will be relegated to", "away comment when I first introduce her and will likely make her sound", "write her name as 'tina? I want to, but it's a name, so", "but it's a name, so an inner voice is telling me i should", "when it should be Yica. If I'm not careful then her name, an", "not careful then her name, an important part of her character, will be", "throw away comment when I first introduce her and will likely make her", "herself 'tina. She always writes it 'tina and gets irritated if people write", "people write it Yica - it's short for something, but nobody knows what.", "telling me i should drop the apostrophe and capitalise the T when I'm", "my story knows the actual name of one of the characters. She calls", "case \"t\" are important - she likes the air of mystery that it", "be Yica. If I'm not careful then her name, an important part of", "the air of mystery that it creates for herself, allowing herself to hide", "away part of her life. My question: When I'm talking about her, should", "life. My question: When I'm talking about her, should I always write her", "the characters. She calls herself 'tina. She always writes it 'tina and gets", "She calls herself 'tina. She always writes it 'tina and gets irritated if", "what. To her, the apostrophe and the lower case \"t\" are important -", "should drop the apostrophe and capitalise the T when I'm saying \"Yica did", "be 'tina and when it should be Yica. If I'm not careful then", "an inner voice is telling me i should drop the apostrophe and capitalise", "of one of the characters. She calls herself 'tina. She always writes it", "part of her character, will be relegated to a throw away comment when", "calls herself 'tina. She always writes it 'tina and gets irritated if people", "likes the air of mystery that it creates for herself, allowing herself to", "apostrophe and capitalise the T when I'm saying \"Yica did this\" or \"Yica", "be relegated to a throw away comment when I first introduce her and", "actual name of one of the characters. She calls herself 'tina. She always", "in my story knows the actual name of one of the characters. She", "something, but nobody knows what. To her, the apostrophe and the lower case", "this\" or \"Yica said that\". But if I start doing that then how", "her name, an important part of her character, will be relegated to a", "of her character, will be relegated to a throw away comment when I", "that\". But if I start doing that then how do I decide when", "nobody knows what. To her, the apostrophe and the lower case \"t\" are", "voice is telling me i should drop the apostrophe and capitalise the T", "If I'm not careful then her name, an important part of her character,", "'tina? I want to, but it's a name, so an inner voice is", "inner voice is telling me i should drop the apostrophe and capitalise the", "saying \"Yica did this\" or \"Yica said that\". But if I start doing", "it's short for something, but nobody knows what. To her, the apostrophe and", "said that\". But if I start doing that then how do I decide", "write it Yica - it's short for something, but nobody knows what. To", "apostrophe and the lower case \"t\" are important - she likes the air", "She always writes it 'tina and gets irritated if people write it Yica", "Nobody in my story knows the actual name of one of the characters.", "story knows the actual name of one of the characters. She calls herself", "careful then her name, an important part of her character, will be relegated", "name, an important part of her character, will be relegated to a throw", "creates for herself, allowing herself to hide away part of her life. My", "part of her life. My question: When I'm talking about her, should I", "a name, so an inner voice is telling me i should drop the", "'tina. She always writes it 'tina and gets irritated if people write it", "important - she likes the air of mystery that it creates for herself,", "me i should drop the apostrophe and capitalise the T when I'm saying", "question: When I'm talking about her, should I always write her name as", "and capitalise the T when I'm saying \"Yica did this\" or \"Yica said", "and will likely make her sound much more pretensious than she actually is.", "name of one of the characters. She calls herself 'tina. She always writes", "her character, will be relegated to a throw away comment when I first", "the actual name of one of the characters. She calls herself 'tina. She", "the T when I'm saying \"Yica did this\" or \"Yica said that\". But", "always write her name as 'tina? I want to, but it's a name,", "introduce her and will likely make her sound much more pretensious than she", "that it creates for herself, allowing herself to hide away part of her", "irritated if people write it Yica - it's short for something, but nobody", "it should be 'tina and when it should be Yica. If I'm not", "\"Yica said that\". But if I start doing that then how do I", "important part of her character, will be relegated to a throw away comment", "want to, but it's a name, so an inner voice is telling me", "she likes the air of mystery that it creates for herself, allowing herself", "knows what. To her, the apostrophe and the lower case \"t\" are important", "her and will likely make her sound much more pretensious than she actually", "When I'm talking about her, should I always write her name as 'tina?", "when I first introduce her and will likely make her sound much more", "knows the actual name of one of the characters. She calls herself 'tina.", "- she likes the air of mystery that it creates for herself, allowing", "- it's short for something, but nobody knows what. To her, the apostrophe", "as 'tina? I want to, but it's a name, so an inner voice", "gets irritated if people write it Yica - it's short for something, but", "I always write her name as 'tina? I want to, but it's a", "T when I'm saying \"Yica did this\" or \"Yica said that\". But if", "Yica - it's short for something, but nobody knows what. To her, the", "or \"Yica said that\". But if I start doing that then how do", "did this\" or \"Yica said that\". But if I start doing that then", "it 'tina and gets irritated if people write it Yica - it's short", "I first introduce her and will likely make her sound much more pretensious", "'tina and gets irritated if people write it Yica - it's short for", "then how do I decide when it should be 'tina and when it", "one of the characters. She calls herself 'tina. She always writes it 'tina", "writes it 'tina and gets irritated if people write it Yica - it's", "if people write it Yica - it's short for something, but nobody knows", "when I'm saying \"Yica did this\" or \"Yica said that\". But if I", "'tina and when it should be Yica. If I'm not careful then her", "Yica. If I'm not careful then her name, an important part of her", "it should be Yica. If I'm not careful then her name, an important", "I decide when it should be 'tina and when it should be Yica.", "My question: When I'm talking about her, should I always write her name", "air of mystery that it creates for herself, allowing herself to hide away", "herself to hide away part of her life. My question: When I'm talking", "I start doing that then how do I decide when it should be", "start doing that then how do I decide when it should be 'tina", "to hide away part of her life. My question: When I'm talking about", "the apostrophe and capitalise the T when I'm saying \"Yica did this\" or", "when it should be 'tina and when it should be Yica. If I'm", "talking about her, should I always write her name as 'tina? I want", "comment when I first introduce her and will likely make her sound much", "I'm not careful then her name, an important part of her character, will", "of the characters. She calls herself 'tina. She always writes it 'tina and", "name as 'tina? I want to, but it's a name, so an inner", "the apostrophe and the lower case \"t\" are important - she likes the", "are important - she likes the air of mystery that it creates for", "drop the apostrophe and capitalise the T when I'm saying \"Yica did this\"", "doing that then how do I decide when it should be 'tina and", "should be Yica. If I'm not careful then her name, an important part", "will be relegated to a throw away comment when I first introduce her", "her life. My question: When I'm talking about her, should I always write", "I'm talking about her, should I always write her name as 'tina? I", "relegated to a throw away comment when I first introduce her and will", "to, but it's a name, so an inner voice is telling me i", "to a throw away comment when I first introduce her and will likely", "it Yica - it's short for something, but nobody knows what. To her,", "the lower case \"t\" are important - she likes the air of mystery", "\"t\" are important - she likes the air of mystery that it creates", "name, so an inner voice is telling me i should drop the apostrophe", "of mystery that it creates for herself, allowing herself to hide away part", "should I always write her name as 'tina? I want to, but it's", "her name as 'tina? I want to, but it's a name, so an", "should be 'tina and when it should be Yica. If I'm not careful", "so an inner voice is telling me i should drop the apostrophe and", "her, the apostrophe and the lower case \"t\" are important - she likes", "an important part of her character, will be relegated to a throw away", "character, will be relegated to a throw away comment when I first introduce", "but nobody knows what. To her, the apostrophe and the lower case \"t\"", "characters. She calls herself 'tina. She always writes it 'tina and gets irritated", "is telling me i should drop the apostrophe and capitalise the T when", "and the lower case \"t\" are important - she likes the air of", "how do I decide when it should be 'tina and when it should", "short for something, but nobody knows what. To her, the apostrophe and the", "a throw away comment when I first introduce her and will likely make", "about her, should I always write her name as 'tina? I want to,", "it's a name, so an inner voice is telling me i should drop", "capitalise the T when I'm saying \"Yica did this\" or \"Yica said that\".", "do I decide when it should be 'tina and when it should be", "always writes it 'tina and gets irritated if people write it Yica -", "of her life. My question: When I'm talking about her, should I always", "hide away part of her life. My question: When I'm talking about her,", "if I start doing that then how do I decide when it should", "But if I start doing that then how do I decide when it", "and when it should be Yica. If I'm not careful then her name,", "herself, allowing herself to hide away part of her life. My question: When", "allowing herself to hide away part of her life. My question: When I'm", "and gets irritated if people write it Yica - it's short for something,", "mystery that it creates for herself, allowing herself to hide away part of", "i should drop the apostrophe and capitalise the T when I'm saying \"Yica", "To her, the apostrophe and the lower case \"t\" are important - she", "it creates for herself, allowing herself to hide away part of her life.", "for herself, allowing herself to hide away part of her life. My question:", "that then how do I decide when it should be 'tina and when", "I want to, but it's a name, so an inner voice is telling" ]
[ "set in somewhat of a retro futuristic setting (sort of like blade runner).", "old brother. The story is also set in somewhat of a retro futuristic", "rocket raccoon. My character is 12 years old, michievous, sneaky, intelligent, sarcastic, sort", "(sort of like blade runner). He may be the protagonist and get into", "and a tuxedo cat, and lives with his 29 year old brother. The", "been using a raccoon character in my stories and I want to know", "character in my stories and I want to know if he's too similar", "in my stories and I want to know if he's too similar to", "wouldn't really call him super hero like. What do you think? Too similar?", "friends, a falcon and a tuxedo cat, and lives with his 29 year", "setting (sort of like blade runner). He may be the protagonist and get", "My character is 12 years old, michievous, sneaky, intelligent, sarcastic, sort of Bart", "old, michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He has two friends,", "similar to rocket raccoon. My character is 12 years old, michievous, sneaky, intelligent,", "to know if he's too similar to rocket raccoon. My character is 12", "into crazy sci fi situations, but I wouldn't really call him super hero", "He may be the protagonist and get into crazy sci fi situations, but", "of a retro futuristic setting (sort of like blade runner). He may be", "So since 2007 I've been using a raccoon character in my stories and", "raccoon character in my stories and I want to know if he's too", "crazy sci fi situations, but I wouldn't really call him super hero like.", "like blade runner). He may be the protagonist and get into crazy sci", "year old brother. The story is also set in somewhat of a retro", "stories and I want to know if he's too similar to rocket raccoon.", "in somewhat of a retro futuristic setting (sort of like blade runner). He", "a retro futuristic setting (sort of like blade runner). He may be the", "character is 12 years old, michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish.", "tuxedo cat, and lives with his 29 year old brother. The story is", "of like blade runner). He may be the protagonist and get into crazy", "sort of Bart Simpson-Ish. He has two friends, a falcon and a tuxedo", "blade runner). He may be the protagonist and get into crazy sci fi", "has two friends, a falcon and a tuxedo cat, and lives with his", "2007 I've been using a raccoon character in my stories and I want", "The story is also set in somewhat of a retro futuristic setting (sort", "be the protagonist and get into crazy sci fi situations, but I wouldn't", "futuristic setting (sort of like blade runner). He may be the protagonist and", "Bart Simpson-Ish. He has two friends, a falcon and a tuxedo cat, and", "a tuxedo cat, and lives with his 29 year old brother. The story", "cat, and lives with his 29 year old brother. The story is also", "sarcastic, sort of Bart Simpson-Ish. He has two friends, a falcon and a", "He has two friends, a falcon and a tuxedo cat, and lives with", "12 years old, michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He has", "get into crazy sci fi situations, but I wouldn't really call him super", "michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He has two friends, a", "my stories and I want to know if he's too similar to rocket", "a raccoon character in my stories and I want to know if he's", "is also set in somewhat of a retro futuristic setting (sort of like", "want to know if he's too similar to rocket raccoon. My character is", "of Bart Simpson-Ish. He has two friends, a falcon and a tuxedo cat,", "two friends, a falcon and a tuxedo cat, and lives with his 29", "brother. The story is also set in somewhat of a retro futuristic setting", "and get into crazy sci fi situations, but I wouldn't really call him", "raccoon. My character is 12 years old, michievous, sneaky, intelligent, sarcastic, sort of", "falcon and a tuxedo cat, and lives with his 29 year old brother.", "but I wouldn't really call him super hero like. What do you think?", "sci fi situations, but I wouldn't really call him super hero like. What", "know if he's too similar to rocket raccoon. My character is 12 years", "runner). He may be the protagonist and get into crazy sci fi situations,", "I wouldn't really call him super hero like. What do you think? Too", "is 12 years old, michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He", "I've been using a raccoon character in my stories and I want to", "years old, michievous, sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He has two", "intelligent, sarcastic, sort of Bart Simpson-Ish. He has two friends, a falcon and", "using a raccoon character in my stories and I want to know if", "Simpson-Ish. He has two friends, a falcon and a tuxedo cat, and lives", "retro futuristic setting (sort of like blade runner). He may be the protagonist", "if he's too similar to rocket raccoon. My character is 12 years old,", "a falcon and a tuxedo cat, and lives with his 29 year old", "situations, but I wouldn't really call him super hero like. What do you", "sneaky, intelligent, sarcastic, sort of Bart Simpson-Ish. He has two friends, a falcon", "protagonist and get into crazy sci fi situations, but I wouldn't really call", "too similar to rocket raccoon. My character is 12 years old, michievous, sneaky,", "he's too similar to rocket raccoon. My character is 12 years old, michievous,", "also set in somewhat of a retro futuristic setting (sort of like blade", "his 29 year old brother. The story is also set in somewhat of", "29 year old brother. The story is also set in somewhat of a", "may be the protagonist and get into crazy sci fi situations, but I", "somewhat of a retro futuristic setting (sort of like blade runner). He may", "I want to know if he's too similar to rocket raccoon. My character", "story is also set in somewhat of a retro futuristic setting (sort of", "lives with his 29 year old brother. The story is also set in", "fi situations, but I wouldn't really call him super hero like. What do", "and I want to know if he's too similar to rocket raccoon. My", "to rocket raccoon. My character is 12 years old, michievous, sneaky, intelligent, sarcastic,", "since 2007 I've been using a raccoon character in my stories and I", "with his 29 year old brother. The story is also set in somewhat", "the protagonist and get into crazy sci fi situations, but I wouldn't really", "and lives with his 29 year old brother. The story is also set" ]
[ "and think was intended literally? Or someone makes a literal statement that sounds", "normally have no trouble understanding whether a statement someone else makes is intended", "point that we all use both literal and figurative statements all the time", "a real conversation. It can be funny, but it has to be plausible", "use both literal and figurative statements all the time and normally have no", "trying to make the point that we all use both literal and figurative", "literally or figuratively. I thought it would be good to give an example", "I said, \"Oh!! I thought he meant that literally!\" but for the life", "the point that we all use both literal and figurative statements all the", "someone else makes is intended literally or figuratively. I thought it would be", "I've had times where I said, \"Oh!! I thought he meant that literally!\"", "B says, \"Oh, you gave away someone's secret?\", and person A says, \"No,", "to be plausible as a genuine misunderstanding. I'm working on a book where", "for the life of me I can't think of a realistic example now.", "wouldn't just be a joke, that might actually come up in a real", "Or someone makes a literal statement that sounds like a figure of speech?", "all the time and normally have no trouble understanding whether a statement someone", "that literally!\" but for the life of me I can't think of a", "guess I let the cat out of the bag,\" and person B says,", "on a book where I'm trying to make the point that we all", "you gave away someone's secret?\", and person A says, \"No, I mean, I", "intended literally or figuratively. I thought it would be good to give an", "and person A says, \"No, I mean, I had the cat in a", "that I've had times where I said, \"Oh!! I thought he meant that", "\"Well, I guess I let the cat out of the bag,\" and person", "intended literally? Or someone makes a literal statement that sounds like a figure", "says, \"Well, I guess I let the cat out of the bag,\" and", "no trouble understanding whether a statement someone else makes is intended literally or", "else makes is intended literally or figuratively. I thought it would be good", "it has to be plausible as a genuine misunderstanding. I'm working on a", "both literal and figurative statements all the time and normally have no trouble", "let the cat out of the bag,\" and person B says, \"Oh, you", "secret?\", and person A says, \"No, I mean, I had the cat in", "but it has to be plausible as a genuine misunderstanding. I'm working on", "bag,\" and person B says, \"Oh, you gave away someone's secret?\", and person", "had times where I said, \"Oh!! I thought he meant that literally!\" but", "A says, \"No, I mean, I had the cat in a bag but", "actually come up in a real conversation. It can be funny, but it", "that wouldn't just be a joke, that might actually come up in a", "literally!\" but for the life of me I can't think of a realistic", "says: Can someone give me an example of a figure of speech, that", "gave away someone's secret?\", and person A says, \"No, I mean, I had", "realistically be confused and think was intended literally? Or someone makes a literal", "a bag but it escaped.\" But something that wouldn't just be a joke,", "the title says: Can someone give me an example of a figure of", "said, \"Oh!! I thought he meant that literally!\" but for the life of", "it would be good to give an example where someone might actually be", "mean, I had the cat in a bag but it escaped.\" But something", "where I said, \"Oh!! I thought he meant that literally!\" but for the", "me an example of a figure of speech, that the hearer might realistically", "statement someone else makes is intended literally or figuratively. I thought it would", "out of the bag,\" and person B says, \"Oh, you gave away someone's", "that sounds like a figure of speech? I mean, something like, person A", "real conversation. It can be funny, but it has to be plausible as", "where someone might actually be confused. I'm sure I've heard such statements, that", "example of a figure of speech, that the hearer might realistically be confused", "genuine misunderstanding. I'm working on a book where I'm trying to make the", "has to be plausible as a genuine misunderstanding. I'm working on a book", "joke, that might actually come up in a real conversation. It can be", "misunderstanding. I'm working on a book where I'm trying to make the point", "I thought he meant that literally!\" but for the life of me I", "might actually be confused. I'm sure I've heard such statements, that I've had", "I'm trying to make the point that we all use both literal and", "and figurative statements all the time and normally have no trouble understanding whether", "makes is intended literally or figuratively. I thought it would be good to", "escaped.\" But something that wouldn't just be a joke, that might actually come", "like a figure of speech? I mean, something like, person A says, \"Well,", "the bag,\" and person B says, \"Oh, you gave away someone's secret?\", and", "might actually come up in a real conversation. It can be funny, but", "be good to give an example where someone might actually be confused. I'm", "but for the life of me I can't think of a realistic example", "can be funny, but it has to be plausible as a genuine misunderstanding.", "\"Oh!! I thought he meant that literally!\" but for the life of me", "to give an example where someone might actually be confused. I'm sure I've", "just be a joke, that might actually come up in a real conversation.", "would be good to give an example where someone might actually be confused.", "something that wouldn't just be a joke, that might actually come up in", "sounds like a figure of speech? I mean, something like, person A says,", "person A says, \"No, I mean, I had the cat in a bag", "in a bag but it escaped.\" But something that wouldn't just be a", "confused and think was intended literally? Or someone makes a literal statement that", "says, \"No, I mean, I had the cat in a bag but it", "be confused. I'm sure I've heard such statements, that I've had times where", "times where I said, \"Oh!! I thought he meant that literally!\" but for", "might realistically be confused and think was intended literally? Or someone makes a", "mean, something like, person A says, \"Well, I guess I let the cat", "a figure of speech? I mean, something like, person A says, \"Well, I", "makes a literal statement that sounds like a figure of speech? I mean,", "As the title says: Can someone give me an example of a figure", "come up in a real conversation. It can be funny, but it has", "example where someone might actually be confused. I'm sure I've heard such statements,", "make the point that we all use both literal and figurative statements all", "that we all use both literal and figurative statements all the time and", "figurative statements all the time and normally have no trouble understanding whether a", "a joke, that might actually come up in a real conversation. It can", "of the bag,\" and person B says, \"Oh, you gave away someone's secret?\",", "statements all the time and normally have no trouble understanding whether a statement", "I thought it would be good to give an example where someone might", "I'm sure I've heard such statements, that I've had times where I said,", "of speech, that the hearer might realistically be confused and think was intended", "be confused and think was intended literally? Or someone makes a literal statement", "But something that wouldn't just be a joke, that might actually come up", "trouble understanding whether a statement someone else makes is intended literally or figuratively.", "meant that literally!\" but for the life of me I can't think of", "literal and figurative statements all the time and normally have no trouble understanding", "we all use both literal and figurative statements all the time and normally", "be funny, but it has to be plausible as a genuine misunderstanding. I'm", "or figuratively. I thought it would be good to give an example where", "bag but it escaped.\" But something that wouldn't just be a joke, that", "figure of speech, that the hearer might realistically be confused and think was", "actually be confused. I'm sure I've heard such statements, that I've had times", "someone give me an example of a figure of speech, that the hearer", "cat out of the bag,\" and person B says, \"Oh, you gave away", "person B says, \"Oh, you gave away someone's secret?\", and person A says,", "up in a real conversation. It can be funny, but it has to", "thought it would be good to give an example where someone might actually", "where I'm trying to make the point that we all use both literal", "have no trouble understanding whether a statement someone else makes is intended literally", "is intended literally or figuratively. I thought it would be good to give", "person A says, \"Well, I guess I let the cat out of the", "something like, person A says, \"Well, I guess I let the cat out", "sure I've heard such statements, that I've had times where I said, \"Oh!!", "it escaped.\" But something that wouldn't just be a joke, that might actually", "that might actually come up in a real conversation. It can be funny,", "plausible as a genuine misunderstanding. I'm working on a book where I'm trying", "had the cat in a bag but it escaped.\" But something that wouldn't", "thought he meant that literally!\" but for the life of me I can't", "A says, \"Well, I guess I let the cat out of the bag,\"", "and person B says, \"Oh, you gave away someone's secret?\", and person A", "I had the cat in a bag but it escaped.\" But something that", "an example of a figure of speech, that the hearer might realistically be", "conversation. It can be funny, but it has to be plausible as a", "all use both literal and figurative statements all the time and normally have", "that the hearer might realistically be confused and think was intended literally? Or", "\"No, I mean, I had the cat in a bag but it escaped.\"", "a figure of speech, that the hearer might realistically be confused and think", "someone makes a literal statement that sounds like a figure of speech? I", "be plausible as a genuine misunderstanding. I'm working on a book where I'm", "someone's secret?\", and person A says, \"No, I mean, I had the cat", "was intended literally? Or someone makes a literal statement that sounds like a", "figure of speech? I mean, something like, person A says, \"Well, I guess", "the time and normally have no trouble understanding whether a statement someone else", "confused. I'm sure I've heard such statements, that I've had times where I", "I'm working on a book where I'm trying to make the point that", "in a real conversation. It can be funny, but it has to be", "think was intended literally? Or someone makes a literal statement that sounds like", "literal statement that sounds like a figure of speech? I mean, something like,", "of a figure of speech, that the hearer might realistically be confused and", "whether a statement someone else makes is intended literally or figuratively. I thought", "someone might actually be confused. I'm sure I've heard such statements, that I've", "I let the cat out of the bag,\" and person B says, \"Oh,", "heard such statements, that I've had times where I said, \"Oh!! I thought", "away someone's secret?\", and person A says, \"No, I mean, I had the", "understanding whether a statement someone else makes is intended literally or figuratively. I", "good to give an example where someone might actually be confused. I'm sure", "an example where someone might actually be confused. I'm sure I've heard such", "cat in a bag but it escaped.\" But something that wouldn't just be", "the cat out of the bag,\" and person B says, \"Oh, you gave", "the hearer might realistically be confused and think was intended literally? Or someone", "a genuine misunderstanding. I'm working on a book where I'm trying to make", "time and normally have no trouble understanding whether a statement someone else makes", "working on a book where I'm trying to make the point that we", "to make the point that we all use both literal and figurative statements", "title says: Can someone give me an example of a figure of speech,", "\"Oh, you gave away someone's secret?\", and person A says, \"No, I mean,", "funny, but it has to be plausible as a genuine misunderstanding. I'm working", "as a genuine misunderstanding. I'm working on a book where I'm trying to", "I mean, something like, person A says, \"Well, I guess I let the", "literally? Or someone makes a literal statement that sounds like a figure of", "a book where I'm trying to make the point that we all use", "Can someone give me an example of a figure of speech, that the", "such statements, that I've had times where I said, \"Oh!! I thought he", "statement that sounds like a figure of speech? I mean, something like, person", "the cat in a bag but it escaped.\" But something that wouldn't just", "give me an example of a figure of speech, that the hearer might", "he meant that literally!\" but for the life of me I can't think", "speech, that the hearer might realistically be confused and think was intended literally?", "speech? I mean, something like, person A says, \"Well, I guess I let", "I've heard such statements, that I've had times where I said, \"Oh!! I", "but it escaped.\" But something that wouldn't just be a joke, that might", "figuratively. I thought it would be good to give an example where someone", "book where I'm trying to make the point that we all use both", "statements, that I've had times where I said, \"Oh!! I thought he meant", "I mean, I had the cat in a bag but it escaped.\" But", "and normally have no trouble understanding whether a statement someone else makes is", "be a joke, that might actually come up in a real conversation. It", "give an example where someone might actually be confused. I'm sure I've heard", "hearer might realistically be confused and think was intended literally? Or someone makes", "says, \"Oh, you gave away someone's secret?\", and person A says, \"No, I", "I guess I let the cat out of the bag,\" and person B", "a literal statement that sounds like a figure of speech? I mean, something", "It can be funny, but it has to be plausible as a genuine", "like, person A says, \"Well, I guess I let the cat out of", "a statement someone else makes is intended literally or figuratively. I thought it", "of speech? I mean, something like, person A says, \"Well, I guess I" ]
[ "some kind of fetish. How can I write this sort of story without", "an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest", "and gross stuff might pass as some kind of fetish. How can I", "fetish. How can I write this sort of story without sounding like a", "to decide if I should include a scene or make it told/remembered by", "for advice on how to decide if I should include a scene or", "problem : I'm afraid too much gore and gross stuff might pass as", "can I write this sort of story without sounding like a creep? I'm", "too much gore and gross stuff might pass as some kind of fetish.", "how to decide if I should include a scene or make it told/remembered", "problem with \"regular\" blood and violence but have difficulties with this project. The", "other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem with \"regular\"", "I should include a scene or make it told/remembered by a character and", "violence but have difficulties with this project. The problem : I'm afraid too", "gross stuff might pass as some kind of fetish. How can I write", "difficulties with this project. The problem : I'm afraid too much gore and", "looking for advice on how to decide if I should include a scene", "and trying to make it both gory and funny. Some creatures I use", "I use are really gross. For example, one of my characters is an", "to make it both gory and funny. Some creatures I use are really", "without sounding like a creep? I'm looking for advice on how to decide", "or make it told/remembered by a character and how much detailed the descriptions", "if I should include a scene or make it told/remembered by a character", ": I'm starting a story with supernatural creatures and trying to make it", "is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a", "write this sort of story without sounding like a creep? I'm looking for", "one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other", "with \"regular\" blood and violence but have difficulties with this project. The problem", "really gross. For example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking", "afraid too much gore and gross stuff might pass as some kind of", "funny. Some creatures I use are really gross. For example, one of my", "scene or make it told/remembered by a character and how much detailed the", "of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is", "decide if I should include a scene or make it told/remembered by a", "much gore and gross stuff might pass as some kind of fetish. How", "told/remembered by a character and how much detailed the descriptions should be, to", "[akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal.", "like a creep? I'm looking for advice on how to decide if I", "a toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I", "a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem with \"regular\" blood and", "toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have", "and violence but have difficulties with this project. The problem : I'm afraid", "sounding like a creep? I'm looking for advice on how to decide if", "The problem : I'm afraid too much gore and gross stuff might pass", "as some kind of fetish. How can I write this sort of story", "should include a scene or make it told/remembered by a character and how", "sort of story without sounding like a creep? I'm looking for advice on", "supernatural creatures and trying to make it both gory and funny. Some creatures", "trying to make it both gory and funny. Some creatures I use are", "with supernatural creatures and trying to make it both gory and funny. Some", "characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo),", "it told/remembered by a character and how much detailed the descriptions should be,", "it both gory and funny. Some creatures I use are really gross. For", "forest cannibal. I have no problem with \"regular\" blood and violence but have", "Some creatures I use are really gross. For example, one of my characters", "this sort of story without sounding like a creep? I'm looking for advice", "gore and gross stuff might pass as some kind of fetish. How can", "cannibal. I have no problem with \"regular\" blood and violence but have difficulties", "creatures and trying to make it both gory and funny. Some creatures I", ": I'm afraid too much gore and gross stuff might pass as some", "a character and how much detailed the descriptions should be, to keep funny", "\"regular\" blood and violence but have difficulties with this project. The problem :", "by a character and how much detailed the descriptions should be, to keep", "I'm looking for advice on how to decide if I should include a", "blood and violence but have difficulties with this project. The problem : I'm", "example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an", "make it both gory and funny. Some creatures I use are really gross.", "a creep? I'm looking for advice on how to decide if I should", "and how much detailed the descriptions should be, to keep funny and disgusting", "are really gross. For example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a", "with this project. The problem : I'm afraid too much gore and gross", "use are really gross. For example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname),", "of fetish. How can I write this sort of story without sounding like", "I'm starting a story with supernatural creatures and trying to make it both", "For example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and", "and funny. Some creatures I use are really gross. For example, one of", "kind of fetish. How can I write this sort of story without sounding", "creatures I use are really gross. For example, one of my characters is", "have difficulties with this project. The problem : I'm afraid too much gore", "make it told/remembered by a character and how much detailed the descriptions should", "a forest cannibal. I have no problem with \"regular\" blood and violence but", "I write this sort of story without sounding like a creep? I'm looking", "Context : I'm starting a story with supernatural creatures and trying to make", "gory and funny. Some creatures I use are really gross. For example, one", "creep? I'm looking for advice on how to decide if I should include", "I'm afraid too much gore and gross stuff might pass as some kind", "project. The problem : I'm afraid too much gore and gross stuff might", "How can I write this sort of story without sounding like a creep?", "story without sounding like a creep? I'm looking for advice on how to", "an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem with", "and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem", "gross. For example, one of my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit,", "on how to decide if I should include a scene or make it", "spirit, and an other is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no", "my characters is an [akaname](https://en.wikipedia.org/wiki/Akaname), a toilet-licking spirit, and an other is a", "[wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem with \"regular\" blood and violence", "story with supernatural creatures and trying to make it both gory and funny.", "have no problem with \"regular\" blood and violence but have difficulties with this", "both gory and funny. Some creatures I use are really gross. For example,", "a story with supernatural creatures and trying to make it both gory and", "stuff might pass as some kind of fetish. How can I write this", "but have difficulties with this project. The problem : I'm afraid too much", "how much detailed the descriptions should be, to keep funny and disgusting balanced.", "is a [wendigo](https://en.wikipedia.org/wiki/Wendigo), a forest cannibal. I have no problem with \"regular\" blood", "of story without sounding like a creep? I'm looking for advice on how", "a scene or make it told/remembered by a character and how much detailed", "include a scene or make it told/remembered by a character and how much", "I have no problem with \"regular\" blood and violence but have difficulties with", "starting a story with supernatural creatures and trying to make it both gory", "advice on how to decide if I should include a scene or make", "this project. The problem :** I'm afraid too much gore and gross stuff", "no problem with \"regular\" blood and violence but have difficulties with this project.", "character and how much detailed the descriptions should be, to keep funny and", "pass as some kind of fetish. How can I write this sort of", "might pass as some kind of fetish. How can I write this sort" ]
[ "facing the problem of structuring the concluding chapters. Since my faculty/university does not", "summary, discussion, outlook, conclusion, etc.? May I, for example, leave out a \"Summary\"", "or other phds, nor searching in the internet really clarified this question for", "Since my faculty/university does not dictate anything, I have to decide this on", "work? Could the outlook be part of the discussion, or shouldn't it? I", "to an end and I am facing the problem of structuring the concluding", "my thoughts which I would appreciate to reduce with your help. How would", "discussion, or shouldn't it? I know that this is a matter of taste,", "own. Now, I am realizing a slight chaos in my thoughts which I", "conclusion, etc.? May I, for example, leave out a \"Summary\" chapter if I", "example, leave out a \"Summary\" chapter if I write a \"Discussion\" chapter which", "chapter if I write a \"Discussion\" chapter which in particular summarizes my work?", "and opinions on that topic. Note: Unfortunately, neither talking to my professor or", "a slight chaos in my thoughts which I would appreciate to reduce with", "in my thoughts which I would appreciate to reduce with your help. How", "conclude the thesis? What are the differences and overlaps between summary, discussion, outlook,", "Note: Unfortunately, neither talking to my professor or other phds, nor searching in", "chapter which in particular summarizes my work? Could the outlook be part of", "is coming to an end and I am facing the problem of structuring", "overlaps between summary, discussion, outlook, conclusion, etc.? May I, for example, leave out", "be said here. Nevertheless, I am hoping for some advices and opinions on", "this is a matter of taste, and lots of things can be said", "not dictate anything, I have to decide this on my own. Now, I", "which in particular summarizes my work? Could the outlook be part of the", "I am facing the problem of structuring the concluding chapters. Since my faculty/university", "an end and I am facing the problem of structuring the concluding chapters.", "the outlook be part of the discussion, or shouldn't it? I know that", "my professor or other phds, nor searching in the internet really clarified this", "the concluding chapters. Since my faculty/university does not dictate anything, I have to", "some advices and opinions on that topic. Note: Unfortunately, neither talking to my", "lots of things can be said here. Nevertheless, I am hoping for some", "appreciate to reduce with your help. How would you conclude the thesis? What", "I know that this is a matter of taste, and lots of things", "Nevertheless, I am hoping for some advices and opinions on that topic. Note:", "between summary, discussion, outlook, conclusion, etc.? May I, for example, leave out a", "if I write a \"Discussion\" chapter which in particular summarizes my work? Could", "that this is a matter of taste, and lots of things can be", "problem of structuring the concluding chapters. Since my faculty/university does not dictate anything,", "for some advices and opinions on that topic. Note: Unfortunately, neither talking to", "I am realizing a slight chaos in my thoughts which I would appreciate", "topic. Note: Unfortunately, neither talking to my professor or other phds, nor searching", "my own. Now, I am realizing a slight chaos in my thoughts which", "for example, leave out a \"Summary\" chapter if I write a \"Discussion\" chapter", "of the discussion, or shouldn't it? I know that this is a matter", "Could the outlook be part of the discussion, or shouldn't it? I know", "a \"Discussion\" chapter which in particular summarizes my work? Could the outlook be", "your help. How would you conclude the thesis? What are the differences and", "know that this is a matter of taste, and lots of things can", "thoughts which I would appreciate to reduce with your help. How would you", "shouldn't it? I know that this is a matter of taste, and lots", "faculty/university does not dictate anything, I have to decide this on my own.", "How would you conclude the thesis? What are the differences and overlaps between", "and overlaps between summary, discussion, outlook, conclusion, etc.? May I, for example, leave", "my phd thesis in natural science is coming to an end and I", "I am hoping for some advices and opinions on that topic. Note: Unfortunately,", "have to decide this on my own. Now, I am realizing a slight", "part of the discussion, or shouldn't it? I know that this is a", "taste, and lots of things can be said here. Nevertheless, I am hoping", "to reduce with your help. How would you conclude the thesis? What are", "here. Nevertheless, I am hoping for some advices and opinions on that topic.", "can be said here. Nevertheless, I am hoping for some advices and opinions", "hoping for some advices and opinions on that topic. Note: Unfortunately, neither talking", "\"Discussion\" chapter which in particular summarizes my work? Could the outlook be part", "Unfortunately, neither talking to my professor or other phds, nor searching in the", "matter of taste, and lots of things can be said here. Nevertheless, I", "end and I am facing the problem of structuring the concluding chapters. Since", "phd thesis in natural science is coming to an end and I am", "of things can be said here. Nevertheless, I am hoping for some advices", "out a \"Summary\" chapter if I write a \"Discussion\" chapter which in particular", "particular summarizes my work? Could the outlook be part of the discussion, or", "talking to my professor or other phds, nor searching in the internet really", "What are the differences and overlaps between summary, discussion, outlook, conclusion, etc.? May", "help. How would you conclude the thesis? What are the differences and overlaps", "in particular summarizes my work? Could the outlook be part of the discussion,", "said here. Nevertheless, I am hoping for some advices and opinions on that", "in natural science is coming to an end and I am facing the", "outlook be part of the discussion, or shouldn't it? I know that this", "which I would appreciate to reduce with your help. How would you conclude", "the problem of structuring the concluding chapters. Since my faculty/university does not dictate", "it? I know that this is a matter of taste, and lots of", "professor or other phds, nor searching in the internet really clarified this question", "a \"Summary\" chapter if I write a \"Discussion\" chapter which in particular summarizes", "I would appreciate to reduce with your help. How would you conclude the", "I, for example, leave out a \"Summary\" chapter if I write a \"Discussion\"", "is a matter of taste, and lots of things can be said here.", "be part of the discussion, or shouldn't it? I know that this is", "neither talking to my professor or other phds, nor searching in the internet", "or shouldn't it? I know that this is a matter of taste, and", "am realizing a slight chaos in my thoughts which I would appreciate to", "Finally, my phd thesis in natural science is coming to an end and", "you conclude the thesis? What are the differences and overlaps between summary, discussion,", "and lots of things can be said here. Nevertheless, I am hoping for", "slight chaos in my thoughts which I would appreciate to reduce with your", "thesis? What are the differences and overlaps between summary, discussion, outlook, conclusion, etc.?", "on that topic. Note: Unfortunately, neither talking to my professor or other phds,", "opinions on that topic. Note: Unfortunately, neither talking to my professor or other", "the thesis? What are the differences and overlaps between summary, discussion, outlook, conclusion,", "coming to an end and I am facing the problem of structuring the", "am facing the problem of structuring the concluding chapters. Since my faculty/university does", "concluding chapters. Since my faculty/university does not dictate anything, I have to decide", "reduce with your help. How would you conclude the thesis? What are the", "leave out a \"Summary\" chapter if I write a \"Discussion\" chapter which in", "does not dictate anything, I have to decide this on my own. Now,", "a matter of taste, and lots of things can be said here. Nevertheless,", "I write a \"Discussion\" chapter which in particular summarizes my work? Could the", "chaos in my thoughts which I would appreciate to reduce with your help.", "of structuring the concluding chapters. Since my faculty/university does not dictate anything, I", "chapters. Since my faculty/university does not dictate anything, I have to decide this", "the discussion, or shouldn't it? I know that this is a matter of", "with your help. How would you conclude the thesis? What are the differences", "\"Summary\" chapter if I write a \"Discussion\" chapter which in particular summarizes my", "thesis in natural science is coming to an end and I am facing", "discussion, outlook, conclusion, etc.? May I, for example, leave out a \"Summary\" chapter", "summarizes my work? Could the outlook be part of the discussion, or shouldn't", "outlook, conclusion, etc.? May I, for example, leave out a \"Summary\" chapter if", "are the differences and overlaps between summary, discussion, outlook, conclusion, etc.? May I,", "decide this on my own. Now, I am realizing a slight chaos in", "etc.? May I, for example, leave out a \"Summary\" chapter if I write", "May I, for example, leave out a \"Summary\" chapter if I write a", "on my own. Now, I am realizing a slight chaos in my thoughts", "realizing a slight chaos in my thoughts which I would appreciate to reduce", "the differences and overlaps between summary, discussion, outlook, conclusion, etc.? May I, for", "am hoping for some advices and opinions on that topic. Note: Unfortunately, neither", "Now, I am realizing a slight chaos in my thoughts which I would", "anything, I have to decide this on my own. Now, I am realizing", "this on my own. Now, I am realizing a slight chaos in my", "I have to decide this on my own. Now, I am realizing a", "dictate anything, I have to decide this on my own. Now, I am", "my faculty/university does not dictate anything, I have to decide this on my", "other phds, nor searching in the internet really clarified this question for me.", "of taste, and lots of things can be said here. Nevertheless, I am", "differences and overlaps between summary, discussion, outlook, conclusion, etc.? May I, for example,", "advices and opinions on that topic. Note: Unfortunately, neither talking to my professor", "that topic. Note: Unfortunately, neither talking to my professor or other phds, nor", "science is coming to an end and I am facing the problem of", "and I am facing the problem of structuring the concluding chapters. Since my", "my work? Could the outlook be part of the discussion, or shouldn't it?", "structuring the concluding chapters. Since my faculty/university does not dictate anything, I have", "to decide this on my own. Now, I am realizing a slight chaos", "would you conclude the thesis? What are the differences and overlaps between summary,", "things can be said here. Nevertheless, I am hoping for some advices and", "write a \"Discussion\" chapter which in particular summarizes my work? Could the outlook", "natural science is coming to an end and I am facing the problem", "would appreciate to reduce with your help. How would you conclude the thesis?", "to my professor or other phds, nor searching in the internet really clarified" ]
[ "different time, where a 50-year old woman is flirting with a 30 year", "connection between the time machine, and the apparent age discrepancy without such help,", "above? Or are readers/viewers smart enough to make the connection between the time", "years of relative age because of a \"time machine\" dynamic. Then the play", "the same age...\" This is supposed to foreshadow the fact that the time", "that the time machine dynamic will eventually make the two \"age appropriate.\" I've", "story work. So do I need to foreshadow the \"convergence\" of the two", "people comment that \"if they were the same age...\" This is supposed to", "between the time machine, and the apparent age discrepancy without such help, meaning", "of relative age because of a \"time machine\" dynamic. Then the play \"flashes", "dynamic. Then the play \"flashes back\" to a different time, where a 50-year", "makes the story work. So do I need to foreshadow the \"convergence\" of", "is supposed to foreshadow the fact that the time machine dynamic will eventually", "smart enough to make the connection between the time machine, and the apparent", "I've been told by any number of women that a romance in which", "help, meaning that I'm going too far? Is there any authoritative view on", "discrepancy without such help, meaning that I'm going too far? Is there any", "scene is that a woman has lost 20 years of relative age because", "is 20 years older is implausible. But that the subsequent \"equalization\" of ages", "a \"time machine\" dynamic. Then the play \"flashes back\" to a different time,", "appropriate.\" I've been told by any number of women that a romance in", "a romance in which the woman is 20 years older is implausible. But", "is flirting with a 30 year old man. And then one or more", "and the apparent age discrepancy without such help, meaning that I'm going too", "peoples' ages as described above? Or are readers/viewers smart enough to make the", "that \"if they were the same age...\" This is supposed to foreshadow the", "are readers/viewers smart enough to make the connection between the time machine, and", "\"time machine\" dynamic. Then the play \"flashes back\" to a different time, where", "supposed to foreshadow the fact that the time machine dynamic will eventually make", "without such help, meaning that I'm going too far? Is there any authoritative", "year old man. And then one or more people comment that \"if they", "So do I need to foreshadow the \"convergence\" of the two peoples' ages", "because of a \"time machine\" dynamic. Then the play \"flashes back\" to a", "or more people comment that \"if they were the same age...\" This is", "a woman has lost 20 years of relative age because of a \"time", "working on a screenplay where the opening scene is that a woman has", "Or are readers/viewers smart enough to make the connection between the time machine,", "20 years older is implausible. But that the subsequent \"equalization\" of ages makes", "the apparent age discrepancy without such help, meaning that I'm going too far?", "apparent age discrepancy without such help, meaning that I'm going too far? Is", "to foreshadow the \"convergence\" of the two peoples' ages as described above? Or", "told by any number of women that a romance in which the woman", "going too far? Is there any authoritative view on what is an appropriate", "a 30 year old man. And then one or more people comment that", "number of women that a romance in which the woman is 20 years", "such help, meaning that I'm going too far? Is there any authoritative view", "do I need to foreshadow the \"convergence\" of the two peoples' ages as", "the play \"flashes back\" to a different time, where a 50-year old woman", "of ages makes the story work. So do I need to foreshadow the", "the subsequent \"equalization\" of ages makes the story work. So do I need", "will eventually make the two \"age appropriate.\" I've been told by any number", "foreshadow the \"convergence\" of the two peoples' ages as described above? Or are", "man. And then one or more people comment that \"if they were the", "make the connection between the time machine, and the apparent age discrepancy without", "Is there any authoritative view on what is an appropriate amount of foreshadowing?", "machine\" dynamic. Then the play \"flashes back\" to a different time, where a", "machine dynamic will eventually make the two \"age appropriate.\" I've been told by", "described above? Or are readers/viewers smart enough to make the connection between the", "has lost 20 years of relative age because of a \"time machine\" dynamic.", "20 years of relative age because of a \"time machine\" dynamic. Then the", "age discrepancy without such help, meaning that I'm going too far? Is there", "by any number of women that a romance in which the woman is", "screenplay where the opening scene is that a woman has lost 20 years", "the two \"age appropriate.\" I've been told by any number of women that", "as described above? Or are readers/viewers smart enough to make the connection between", "that a woman has lost 20 years of relative age because of a", "need to foreshadow the \"convergence\" of the two peoples' ages as described above?", "back\" to a different time, where a 50-year old woman is flirting with", "more people comment that \"if they were the same age...\" This is supposed", "work. So do I need to foreshadow the \"convergence\" of the two peoples'", "machine, and the apparent age discrepancy without such help, meaning that I'm going", "am working on a screenplay where the opening scene is that a woman", "two peoples' ages as described above? Or are readers/viewers smart enough to make", "the opening scene is that a woman has lost 20 years of relative", "a different time, where a 50-year old woman is flirting with a 30", "comment that \"if they were the same age...\" This is supposed to foreshadow", "relative age because of a \"time machine\" dynamic. Then the play \"flashes back\"", "to make the connection between the time machine, and the apparent age discrepancy", "to a different time, where a 50-year old woman is flirting with a", "of women that a romance in which the woman is 20 years older", "same age...\" This is supposed to foreshadow the fact that the time machine", "Then the play \"flashes back\" to a different time, where a 50-year old", "far? Is there any authoritative view on what is an appropriate amount of", "that the subsequent \"equalization\" of ages makes the story work. So do I", "I am working on a screenplay where the opening scene is that a", "where a 50-year old woman is flirting with a 30 year old man.", "And then one or more people comment that \"if they were the same", "with a 30 year old man. And then one or more people comment", "\"if they were the same age...\" This is supposed to foreshadow the fact", "old man. And then one or more people comment that \"if they were", "\"flashes back\" to a different time, where a 50-year old woman is flirting", "where the opening scene is that a woman has lost 20 years of", "fact that the time machine dynamic will eventually make the two \"age appropriate.\"", "eventually make the two \"age appropriate.\" I've been told by any number of", "dynamic will eventually make the two \"age appropriate.\" I've been told by any", "the story work. So do I need to foreshadow the \"convergence\" of the", "subsequent \"equalization\" of ages makes the story work. So do I need to", "woman is flirting with a 30 year old man. And then one or", "\"convergence\" of the two peoples' ages as described above? Or are readers/viewers smart", "that a romance in which the woman is 20 years older is implausible.", "the time machine dynamic will eventually make the two \"age appropriate.\" I've been", "time, where a 50-year old woman is flirting with a 30 year old", "old woman is flirting with a 30 year old man. And then one", "lost 20 years of relative age because of a \"time machine\" dynamic. Then", "they were the same age...\" This is supposed to foreshadow the fact that", "But that the subsequent \"equalization\" of ages makes the story work. So do", "50-year old woman is flirting with a 30 year old man. And then", "been told by any number of women that a romance in which the", "older is implausible. But that the subsequent \"equalization\" of ages makes the story", "woman has lost 20 years of relative age because of a \"time machine\"", "two \"age appropriate.\" I've been told by any number of women that a", "ages makes the story work. So do I need to foreshadow the \"convergence\"", "women that a romance in which the woman is 20 years older is", "foreshadow the fact that the time machine dynamic will eventually make the two", "on a screenplay where the opening scene is that a woman has lost", "time machine dynamic will eventually make the two \"age appropriate.\" I've been told", "age because of a \"time machine\" dynamic. Then the play \"flashes back\" to", "is implausible. But that the subsequent \"equalization\" of ages makes the story work.", "opening scene is that a woman has lost 20 years of relative age", "This is supposed to foreshadow the fact that the time machine dynamic will", "that I'm going too far? Is there any authoritative view on what is", "enough to make the connection between the time machine, and the apparent age", "readers/viewers smart enough to make the connection between the time machine, and the", "ages as described above? Or are readers/viewers smart enough to make the connection", "a 50-year old woman is flirting with a 30 year old man. And", "\"equalization\" of ages makes the story work. So do I need to foreshadow", "woman is 20 years older is implausible. But that the subsequent \"equalization\" of", "make the two \"age appropriate.\" I've been told by any number of women", "the time machine, and the apparent age discrepancy without such help, meaning that", "meaning that I'm going too far? Is there any authoritative view on what", "too far? Is there any authoritative view on what is an appropriate amount", "in which the woman is 20 years older is implausible. But that the", "\"age appropriate.\" I've been told by any number of women that a romance", "any number of women that a romance in which the woman is 20", "I need to foreshadow the \"convergence\" of the two peoples' ages as described", "one or more people comment that \"if they were the same age...\" This", "to foreshadow the fact that the time machine dynamic will eventually make the", "the connection between the time machine, and the apparent age discrepancy without such", "which the woman is 20 years older is implausible. But that the subsequent", "romance in which the woman is 20 years older is implausible. But that", "the \"convergence\" of the two peoples' ages as described above? Or are readers/viewers", "were the same age...\" This is supposed to foreshadow the fact that the", "the two peoples' ages as described above? Or are readers/viewers smart enough to", "then one or more people comment that \"if they were the same age...\"", "implausible. But that the subsequent \"equalization\" of ages makes the story work. So", "is that a woman has lost 20 years of relative age because of", "of the two peoples' ages as described above? Or are readers/viewers smart enough", "a screenplay where the opening scene is that a woman has lost 20", "30 year old man. And then one or more people comment that \"if", "flirting with a 30 year old man. And then one or more people", "the woman is 20 years older is implausible. But that the subsequent \"equalization\"", "of a \"time machine\" dynamic. Then the play \"flashes back\" to a different", "age...\" This is supposed to foreshadow the fact that the time machine dynamic", "the fact that the time machine dynamic will eventually make the two \"age", "play \"flashes back\" to a different time, where a 50-year old woman is", "time machine, and the apparent age discrepancy without such help, meaning that I'm", "I'm going too far? Is there any authoritative view on what is an", "years older is implausible. But that the subsequent \"equalization\" of ages makes the" ]
[ "have rescued the victim, I want to surprise the readers with a betrayal—the", "in retrospect does it look obvious? Do I have to distract the readers?", "look obvious? Do I have to distract the readers? Can I make them", "I have to distract the readers? Can I make them come to the", "the two main protagonists are rescuing the injured victim and escaping the dungeon.", "leaves the protagonists trapped. (Think Elsa Schneider betraying Infw in The Last Crusade.)", "dungeon. (Or jail cell. Or whatever.) Once the protagonists have rescued the victim,", "guys all along, and leaves the protagonists trapped. (Think Elsa Schneider betraying Infw", "rescued the victim, I want to surprise the readers with a betrayal—the victim", "problem is I'm pretty sure readers would see it coming from a mile", "set it up so that the readers are surprised, and only in retrospect", "Infw in The Last Crusade.) The only problem is I'm pretty sure readers", "it coming from a mile away. How can I set it up so", "can I set it up so that the readers are surprised, and only", "The Last Crusade.) The only problem is I'm pretty sure readers would see", "pretty sure readers would see it coming from a mile away. How can", "and escaping the dungeon. (Or jail cell. Or whatever.) Once the protagonists have", "surprise the readers with a betrayal—the victim was working for the bad guys", "the readers are surprised, and only in retrospect does it look obvious? Do", "injured victim and escaping the dungeon. (Or jail cell. Or whatever.) Once the", "I make them come to the conclusion that the character is a good", "the protagonists have rescued the victim, I want to surprise the readers with", "the bad guys all along, and leaves the protagonists trapped. (Think Elsa Schneider", "the dungeon. (Or jail cell. Or whatever.) Once the protagonists have rescued the", "whatever.) Once the protagonists have rescued the victim, I want to surprise the", "Or whatever.) Once the protagonists have rescued the victim, I want to surprise", "along, and leaves the protagonists trapped. (Think Elsa Schneider betraying Infw in The", "story, the two main protagonists are rescuing the injured victim and escaping the", "Once the protagonists have rescued the victim, I want to surprise the readers", "are rescuing the injured victim and escaping the dungeon. (Or jail cell. Or", "escaping the dungeon. (Or jail cell. Or whatever.) Once the protagonists have rescued", "Schneider betraying Infw in The Last Crusade.) The only problem is I'm pretty", "protagonists have rescued the victim, I want to surprise the readers with a", "Crusade.) The only problem is I'm pretty sure readers would see it coming", "readers are surprised, and only in retrospect does it look obvious? Do I", "the readers? Can I make them come to the conclusion that the character", "in The Last Crusade.) The only problem is I'm pretty sure readers would", "(Think Elsa Schneider betraying Infw in The Last Crusade.) The only problem is", "was working for the bad guys all along, and leaves the protagonists trapped.", "it up so that the readers are surprised, and only in retrospect does", "Last Crusade.) The only problem is I'm pretty sure readers would see it", "make them come to the conclusion that the character is a good guy?", "trapped. (Think Elsa Schneider betraying Infw in The Last Crusade.) The only problem", "a mile away. How can I set it up so that the readers", "betraying Infw in The Last Crusade.) The only problem is I'm pretty sure", "only in retrospect does it look obvious? Do I have to distract the", "Do I have to distract the readers? Can I make them come to", "two main protagonists are rescuing the injured victim and escaping the dungeon. (Or", "with a betrayal—the victim was working for the bad guys all along, and", "and leaves the protagonists trapped. (Think Elsa Schneider betraying Infw in The Last", "coming from a mile away. How can I set it up so that", "the readers with a betrayal—the victim was working for the bad guys all", "protagonists trapped. (Think Elsa Schneider betraying Infw in The Last Crusade.) The only", "victim, I want to surprise the readers with a betrayal—the victim was working", "distract the readers? Can I make them come to the conclusion that the", "would see it coming from a mile away. How can I set it", "away. How can I set it up so that the readers are surprised,", "readers with a betrayal—the victim was working for the bad guys all along,", "cell. Or whatever.) Once the protagonists have rescued the victim, I want to", "I want to surprise the readers with a betrayal—the victim was working for", "obvious? Do I have to distract the readers? Can I make them come", "for the bad guys all along, and leaves the protagonists trapped. (Think Elsa", "the victim, I want to surprise the readers with a betrayal—the victim was", "protagonists are rescuing the injured victim and escaping the dungeon. (Or jail cell.", "How can I set it up so that the readers are surprised, and", "a betrayal—the victim was working for the bad guys all along, and leaves", "I set it up so that the readers are surprised, and only in", "mile away. How can I set it up so that the readers are", "that the readers are surprised, and only in retrospect does it look obvious?", "rescuing the injured victim and escaping the dungeon. (Or jail cell. Or whatever.)", "the injured victim and escaping the dungeon. (Or jail cell. Or whatever.) Once", "so that the readers are surprised, and only in retrospect does it look", "In my action/adventure story, the two main protagonists are rescuing the injured victim", "all along, and leaves the protagonists trapped. (Think Elsa Schneider betraying Infw in", "Elsa Schneider betraying Infw in The Last Crusade.) The only problem is I'm", "victim was working for the bad guys all along, and leaves the protagonists", "does it look obvious? Do I have to distract the readers? Can I", "I'm pretty sure readers would see it coming from a mile away. How", "victim and escaping the dungeon. (Or jail cell. Or whatever.) Once the protagonists", "is I'm pretty sure readers would see it coming from a mile away.", "see it coming from a mile away. How can I set it up", "only problem is I'm pretty sure readers would see it coming from a", "readers would see it coming from a mile away. How can I set", "bad guys all along, and leaves the protagonists trapped. (Think Elsa Schneider betraying", "up so that the readers are surprised, and only in retrospect does it", "action/adventure story, the two main protagonists are rescuing the injured victim and escaping", "surprised, and only in retrospect does it look obvious? Do I have to", "readers? Can I make them come to the conclusion that the character is", "betrayal—the victim was working for the bad guys all along, and leaves the", "main protagonists are rescuing the injured victim and escaping the dungeon. (Or jail", "and only in retrospect does it look obvious? Do I have to distract", "my action/adventure story, the two main protagonists are rescuing the injured victim and", "to distract the readers? Can I make them come to the conclusion that", "the protagonists trapped. (Think Elsa Schneider betraying Infw in The Last Crusade.) The", "Can I make them come to the conclusion that the character is a", "are surprised, and only in retrospect does it look obvious? Do I have", "to surprise the readers with a betrayal—the victim was working for the bad", "it look obvious? Do I have to distract the readers? Can I make", "sure readers would see it coming from a mile away. How can I", "The only problem is I'm pretty sure readers would see it coming from", "working for the bad guys all along, and leaves the protagonists trapped. (Think", "retrospect does it look obvious? Do I have to distract the readers? Can", "have to distract the readers? Can I make them come to the conclusion", "jail cell. Or whatever.) Once the protagonists have rescued the victim, I want", "from a mile away. How can I set it up so that the", "(Or jail cell. Or whatever.) Once the protagonists have rescued the victim, I", "want to surprise the readers with a betrayal—the victim was working for the" ]
[ "on Amazon and that was free. How can I advertise it without spending", "I have an ebook published on Amazon and that was free. How can", "have an ebook published on Amazon and that was free. How can I", "ebook published on Amazon and that was free. How can I advertise it", "Amazon and that was free. How can I advertise it without spending money?", "published on Amazon and that was free. How can I advertise it without", "an ebook published on Amazon and that was free. How can I advertise" ]
[ "but i am willing to learn any style if it is different and", "poor handwriting, it is sometimes un-legible. So I thought I should improve my", "day for years I still have very poor handwriting, it is sometimes un-legible.", "and even though I have been writing every day for years I still", "then get up to speed so I can write neatly but fast. So", "get up to speed so I can write neatly but fast. So I", "currently have bad handwriting and even though I have been writing every day", "is sometimes un-legible. So I thought I should improve my handwriting with practice", "bad handwriting and even though I have been writing every day for years", "thought I should improve my handwriting with practice and then get up to", "it. Can anyone suggest what style to go for and how to learn", "un-legible. So I thought I should improve my handwriting with practice and then", "for years I still have very poor handwriting, it is sometimes un-legible. So", "handwriting in a different style if I am putting effort into it. Can", "but fast. So I would like to make my handwriting in a different", "ballpoint pen but i am willing to learn any style if it is", "it is sometimes un-legible. So I thought I should improve my handwriting with", "like to make my handwriting in a different style if I am putting", "a ballpoint pen but i am willing to learn any style if it", "So I would like to make my handwriting in a different style if", "pen but i am willing to learn any style if it is different", "learn it? I am only using a ballpoint pen but i am willing", "improve my handwriting with practice and then get up to speed so I", "I am putting effort into it. Can anyone suggest what style to go", "neatly but fast. So I would like to make my handwriting in a", "style to go for and how to learn it? I am only using", "I would like to make my handwriting in a different style if I", "sometimes un-legible. So I thought I should improve my handwriting with practice and", "though I have been writing every day for years I still have very", "to learn it? I am only using a ballpoint pen but i am", "I currently have bad handwriting and even though I have been writing every", "handwriting and even though I have been writing every day for years I", "style if I am putting effort into it. Can anyone suggest what style", "years I still have very poor handwriting, it is sometimes un-legible. So I", "practice and then get up to speed so I can write neatly but", "So I thought I should improve my handwriting with practice and then get", "into it. Can anyone suggest what style to go for and how to", "i am willing to learn any style if it is different and interesting.", "have very poor handwriting, it is sometimes un-legible. So I thought I should", "I can write neatly but fast. So I would like to make my", "anyone suggest what style to go for and how to learn it? I", "I still have very poor handwriting, it is sometimes un-legible. So I thought", "and then get up to speed so I can write neatly but fast.", "fast. So I would like to make my handwriting in a different style", "should improve my handwriting with practice and then get up to speed so", "writing every day for years I still have very poor handwriting, it is", "a different style if I am putting effort into it. Can anyone suggest", "would like to make my handwriting in a different style if I am", "speed so I can write neatly but fast. So I would like to", "my handwriting with practice and then get up to speed so I can", "have been writing every day for years I still have very poor handwriting,", "handwriting with practice and then get up to speed so I can write", "what style to go for and how to learn it? I am only", "and how to learn it? I am only using a ballpoint pen but", "handwriting, it is sometimes un-legible. So I thought I should improve my handwriting", "with practice and then get up to speed so I can write neatly", "in a different style if I am putting effort into it. Can anyone", "putting effort into it. Can anyone suggest what style to go for and", "go for and how to learn it? I am only using a ballpoint", "I am only using a ballpoint pen but i am willing to learn", "even though I have been writing every day for years I still have", "have bad handwriting and even though I have been writing every day for", "am only using a ballpoint pen but i am willing to learn any", "using a ballpoint pen but i am willing to learn any style if", "it? I am only using a ballpoint pen but i am willing to", "I should improve my handwriting with practice and then get up to speed", "up to speed so I can write neatly but fast. So I would", "been writing every day for years I still have very poor handwriting, it", "write neatly but fast. So I would like to make my handwriting in", "so I can write neatly but fast. So I would like to make", "for and how to learn it? I am only using a ballpoint pen", "different style if I am putting effort into it. Can anyone suggest what", "suggest what style to go for and how to learn it? I am", "still have very poor handwriting, it is sometimes un-legible. So I thought I", "to make my handwriting in a different style if I am putting effort", "am putting effort into it. Can anyone suggest what style to go for", "if I am putting effort into it. Can anyone suggest what style to", "can write neatly but fast. So I would like to make my handwriting", "very poor handwriting, it is sometimes un-legible. So I thought I should improve", "every day for years I still have very poor handwriting, it is sometimes", "how to learn it? I am only using a ballpoint pen but i", "to go for and how to learn it? I am only using a", "my handwriting in a different style if I am putting effort into it.", "to speed so I can write neatly but fast. So I would like", "make my handwriting in a different style if I am putting effort into", "I have been writing every day for years I still have very poor", "I thought I should improve my handwriting with practice and then get up", "only using a ballpoint pen but i am willing to learn any style", "effort into it. Can anyone suggest what style to go for and how", "Can anyone suggest what style to go for and how to learn it?" ]
[ "files to a printing shop) a book? It would need to be one", "best program (or programs) for layout, typesetting, and then printing (at home, or", "to be one which takes into account the way pages would be ordered", "What is the best program (or programs) for layout, typesetting, and then printing", "printing shop) a book? It would need to be one which takes into", "the best program (or programs) for layout, typesetting, and then printing (at home,", "a book? It would need to be one which takes into account the", "(or programs) for layout, typesetting, and then printing (at home, or taking files", "typesetting, and then printing (at home, or taking files to a printing shop)", "program (or programs) for layout, typesetting, and then printing (at home, or taking", "into account the way pages would be ordered and folded so that I", "need to be one which takes into account the way pages would be", "way pages would be ordered and folded so that I could sew and", "to a printing shop) a book? It would need to be one which", "then printing (at home, or taking files to a printing shop) a book?", "is the best program (or programs) for layout, typesetting, and then printing (at", "would need to be one which takes into account the way pages would", "for layout, typesetting, and then printing (at home, or taking files to a", "pages would be ordered and folded so that I could sew and bind", "and folded so that I could sew and bind the book myself. Thanks!", "or taking files to a printing shop) a book? It would need to", "a printing shop) a book? It would need to be one which takes", "one which takes into account the way pages would be ordered and folded", "and then printing (at home, or taking files to a printing shop) a", "layout, typesetting, and then printing (at home, or taking files to a printing", "be ordered and folded so that I could sew and bind the book", "be one which takes into account the way pages would be ordered and", "It would need to be one which takes into account the way pages", "would be ordered and folded so that I could sew and bind the", "(at home, or taking files to a printing shop) a book? It would", "shop) a book? It would need to be one which takes into account", "which takes into account the way pages would be ordered and folded so", "account the way pages would be ordered and folded so that I could", "ordered and folded so that I could sew and bind the book myself.", "the way pages would be ordered and folded so that I could sew", "programs) for layout, typesetting, and then printing (at home, or taking files to", "home, or taking files to a printing shop) a book? It would need", "book? It would need to be one which takes into account the way", "printing (at home, or taking files to a printing shop) a book? It", "taking files to a printing shop) a book? It would need to be", "takes into account the way pages would be ordered and folded so that" ]
[ "and, although it is sad, I am good with it. It works. The", "love. His death was not meaningless -- he died defending his only son,", "died defending his only son, but it was completely unsatisfying. I wasn't happy", "a movie where one of the main characters died shortly after being reunited", "he died defending his only son, but it was completely unsatisfying. I wasn't", "wife and I were watching a movie where one of the main characters", "good with it. It works. The sorrow and death are satisfying and add", "where a key character dies and, although it is sad, I am good", "and add to the depth of the story rather than make me question", "sad, I am good with it. It works. The sorrow and death are", "a bad thing happened. What makes the death of a main character satisfying", "am good with it. It works. The sorrow and death are satisfying and", "being reunited with his long lost love. His death was not meaningless --", "works. The sorrow and death are satisfying and add to the depth of", "death was not meaningless -- he died defending his only son, but it", "it is sad, I am good with it. It works. The sorrow and", "why such a bad thing happened. What makes the death of a main", "main characters died shortly after being reunited with his long lost love. His", "story rather than make me question why such a bad thing happened. What", "the other hand, there have been movies and stories where a key character", "hand, there have been movies and stories where a key character dies and,", "I wasn't happy that he died. I felt torn. On the other hand,", "defending his only son, but it was completely unsatisfying. I wasn't happy that", "character dies and, although it is sad, I am good with it. It", "question why such a bad thing happened. What makes the death of a", "torn. On the other hand, there have been movies and stories where a", "movies and stories where a key character dies and, although it is sad,", "it was completely unsatisfying. I wasn't happy that he died. I felt torn.", "On the other hand, there have been movies and stories where a key", "I felt torn. On the other hand, there have been movies and stories", "to the depth of the story rather than make me question why such", "he died. I felt torn. On the other hand, there have been movies", "a key character dies and, although it is sad, I am good with", "and stories where a key character dies and, although it is sad, I", "the depth of the story rather than make me question why such a", "not meaningless -- he died defending his only son, but it was completely", "was completely unsatisfying. I wasn't happy that he died. I felt torn. On", "My wife and I were watching a movie where one of the main", "lost love. His death was not meaningless -- he died defending his only", "is sad, I am good with it. It works. The sorrow and death", "I were watching a movie where one of the main characters died shortly", "other hand, there have been movies and stories where a key character dies", "rather than make me question why such a bad thing happened. What makes", "characters died shortly after being reunited with his long lost love. His death", "unsatisfying. I wasn't happy that he died. I felt torn. On the other", "have been movies and stories where a key character dies and, although it", "depth of the story rather than make me question why such a bad", "where one of the main characters died shortly after being reunited with his", "make me question why such a bad thing happened. What makes the death", "after being reunited with his long lost love. His death was not meaningless", "with his long lost love. His death was not meaningless -- he died", "of the story rather than make me question why such a bad thing", "add to the depth of the story rather than make me question why", "I am good with it. It works. The sorrow and death are satisfying", "died shortly after being reunited with his long lost love. His death was", "been movies and stories where a key character dies and, although it is", "bad thing happened. What makes the death of a main character satisfying or", "than make me question why such a bad thing happened. What makes the", "watching a movie where one of the main characters died shortly after being", "was not meaningless -- he died defending his only son, but it was", "are satisfying and add to the depth of the story rather than make", "The sorrow and death are satisfying and add to the depth of the", "sorrow and death are satisfying and add to the depth of the story", "felt torn. On the other hand, there have been movies and stories where", "key character dies and, although it is sad, I am good with it.", "movie where one of the main characters died shortly after being reunited with", "that he died. I felt torn. On the other hand, there have been", "son, but it was completely unsatisfying. I wasn't happy that he died. I", "long lost love. His death was not meaningless -- he died defending his", "his only son, but it was completely unsatisfying. I wasn't happy that he", "the story rather than make me question why such a bad thing happened.", "meaningless -- he died defending his only son, but it was completely unsatisfying.", "shortly after being reunited with his long lost love. His death was not", "of the main characters died shortly after being reunited with his long lost", "and I were watching a movie where one of the main characters died", "were watching a movie where one of the main characters died shortly after", "the main characters died shortly after being reunited with his long lost love.", "only son, but it was completely unsatisfying. I wasn't happy that he died.", "died. I felt torn. On the other hand, there have been movies and", "reunited with his long lost love. His death was not meaningless -- he", "but it was completely unsatisfying. I wasn't happy that he died. I felt", "happy that he died. I felt torn. On the other hand, there have", "one of the main characters died shortly after being reunited with his long", "It works. The sorrow and death are satisfying and add to the depth", "and death are satisfying and add to the depth of the story rather", "satisfying and add to the depth of the story rather than make me", "His death was not meaningless -- he died defending his only son, but", "-- he died defending his only son, but it was completely unsatisfying. I", "with it. It works. The sorrow and death are satisfying and add to", "dies and, although it is sad, I am good with it. It works.", "such a bad thing happened. What makes the death of a main character", "me question why such a bad thing happened. What makes the death of", "wasn't happy that he died. I felt torn. On the other hand, there", "thing happened. What makes the death of a main character satisfying or unsatisfying?", "his long lost love. His death was not meaningless -- he died defending", "although it is sad, I am good with it. It works. The sorrow", "completely unsatisfying. I wasn't happy that he died. I felt torn. On the", "death are satisfying and add to the depth of the story rather than", "it. It works. The sorrow and death are satisfying and add to the", "there have been movies and stories where a key character dies and, although", "stories where a key character dies and, although it is sad, I am" ]
[ "say I'm French and I'd like to write a Korean character. How can", "to do research in this situation, and then how to organize and use", "watch/read Korean things to form a first impression of how Korean directors/writers see", "how to organize and use the results. Researching a culture's cooking/music/clothing is easy", "character. How can I build their personality traits, values, etc. in a realist", "there a way to find good books/documentaries on a country's culture? (And be", "my area. Should I watch/read Korean things to form a first impression of", "and use the results. Researching a culture's cooking/music/clothing is easy but psychology/values/feelings are", "the results. Researching a culture's cooking/music/clothing is easy but psychology/values/feelings are complicated. I", "traits, values, etc. in a realist way? I'm afraid to end up with", "organize and use the results. Researching a culture's cooking/music/clothing is easy but psychology/values/feelings", "proof-read it? Is there a way to find good books/documentaries on a country's", "I write something and then find a Korean to proof-read it? Is there", "Researching a culture's cooking/music/clothing is easy but psychology/values/feelings are complicated. I can't move", "it's not a collection of stereotypes even if you don't know anything about", "to form a first impression of how Korean directors/writers see the world? Should", "eating kimchi and listening to k-pop but without any depth or realism. I'm", "Korean things to form a first impression of how Korean directors/writers see the", "then how to organize and use the results. Researching a culture's cooking/music/clothing is", "class in my area. Should I watch/read Korean things to form a first", "and then find a Korean to proof-read it? Is there a way to", "write something and then find a Korean to proof-read it? Is there a", "use the results. Researching a culture's cooking/music/clothing is easy but psychology/values/feelings are complicated.", "situation, and then how to organize and use the results. Researching a culture's", "k-pop but without any depth or realism. I'm especially interested on how to", "Let's say I'm French and I'd like to write a Korean character. How", "kimchi and listening to k-pop but without any depth or realism. I'm especially", "in this situation, and then how to organize and use the results. Researching", "like to write a Korean character. How can I build their personality traits,", "can I build their personality traits, values, etc. in a realist way? I'm", "do research in this situation, and then how to organize and use the", "a Korean character. How can I build their personality traits, values, etc. in", "country's culture? (And be certain it's not a collection of stereotypes even if", "cooking/music/clothing is easy but psychology/values/feelings are complicated. I can't move to Korea or", "a culture's cooking/music/clothing is easy but psychology/values/feelings are complicated. I can't move to", "on a country's culture? (And be certain it's not a collection of stereotypes", "I'd like to write a Korean character. How can I build their personality", "the world? Should I write something and then find a Korean to proof-read", "(And be certain it's not a collection of stereotypes even if you don't", "build their personality traits, values, etc. in a realist way? I'm afraid to", "and listening to k-pop but without any depth or realism. I'm especially interested", "impression of how Korean directors/writers see the world? Should I write something and", "find good books/documentaries on a country's culture? (And be certain it's not a", "to end up with a character only superficially Korean : eating kimchi and", "way? I'm afraid to end up with a character only superficially Korean :", "directors/writers see the world? 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Should I watch/read Korean things to form a first impression of how", "Should I watch/read Korean things to form a first impression of how Korean", "Should I write something and then find a Korean to proof-read it? Is", "only superficially Korean : eating kimchi and listening to k-pop but without any", "can't move to Korea or enroll in a Korean history class in my", "Is there a way to find good books/documentaries on a country's culture? (And", "easy but psychology/values/feelings are complicated. I can't move to Korea or enroll in", "form a first impression of how Korean directors/writers see the world? Should I", "listening to k-pop but without any depth or realism. I'm especially interested on", "psychology/values/feelings are complicated. I can't move to Korea or enroll in a Korean", "are complicated. I can't move to Korea or enroll in a Korean history", "I'm afraid to end up with a character only superficially Korean : eating", "their personality traits, values, etc. in a realist way? I'm afraid to end", "superficially Korean : eating kimchi and listening to k-pop but without any depth", "culture's cooking/music/clothing is easy but psychology/values/feelings are complicated. I can't move to Korea", "things to form a first impression of how Korean directors/writers see the world?", "character only superficially Korean : eating kimchi and listening to k-pop but without", "I can't move to Korea or enroll in a Korean history class in", "a way to find good books/documentaries on a country's culture? (And be certain", "Korea or enroll in a Korean history class in my area. Should I", "How can I build their personality traits, values, etc. in a realist way?", "without any depth or realism. I'm especially interested on how to do research", "I'm French and I'd like to write a Korean character. How can I", "etc. in a realist way? I'm afraid to end up with a character", "Korean history class in my area. Should I watch/read Korean things to form", "any depth or realism. I'm especially interested on how to do research in", "be certain it's not a collection of stereotypes even if you don't know", "interested on how to do research in this situation, and then how to", "books/documentaries on a country's culture? (And be certain it's not a collection of", "way to find good books/documentaries on a country's culture? (And be certain it's", "results. Researching a culture's cooking/music/clothing is easy but psychology/values/feelings are complicated. I can't", "Korean : eating kimchi and listening to k-pop but without any depth or", "in a Korean history class in my area. 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Should I write something and then find a", "up with a character only superficially Korean : eating kimchi and listening to", "in a realist way? I'm afraid to end up with a character only", "in my area. Should I watch/read Korean things to form a first impression", "I watch/read Korean things to form a first impression of how Korean directors/writers", "but psychology/values/feelings are complicated. I can't move to Korea or enroll in a", "this situation, and then how to organize and use the results. Researching a", "Korean character. How can I build their personality traits, values, etc. in a", "world? Should I write something and then find a Korean to proof-read it?", "a realist way? I'm afraid to end up with a character only superficially", "depth or realism. I'm especially interested on how to do research in this", "I'm especially interested on how to do research in this situation, and then", "is easy but psychology/values/feelings are complicated. 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I'm afraid to end up", "how Korean directors/writers see the world? Should I write something and then find", "I build their personality traits, values, etc. in a realist way? I'm afraid", "certain it's not a collection of stereotypes even if you don't know anything", "values, etc. in a realist way? I'm afraid to end up with a" ]
[ "the em dash can be used for interruption, I sometimes use them to", "on the end of my first novel, I find myself vexing over punctuation", "held up the empty bottle. I am wondering about possible lack of commas", "posted here. Apologies if I have broken any forum rules. As I home", "use them to indicate motion or action. Three examples: 1. ‘Here—’ she said,", "about possible lack of commas or capitalisation in some of these cases. I", "if I have broken any forum rules. As I home in on the", "I home in on the end of my first novel, I find myself", "also perturbed about the following em dash, speech mark, comma combination: ‘Well, I—,’", "3. ‘Look—’ I lifted my hand and held up the empty bottle. I", "forum, but someone suggested it might be better posted here. Apologies if I", "the point. While I’m aware that the em dash can be used for", "English forum, but someone suggested it might be better posted here. Apologies if", "originally posted this question on the main English forum, but someone suggested it", "about the following em dash, speech mark, comma combination: ‘Well, I—,’ and before", "to the point. While I’m aware that the em dash can be used", "parcel. 2. ‘Come—’ and he beckoned me closer with a finger. 3. ‘Look—’", "capitalisation in some of these cases. I am also perturbed about the following", "might be better posted here. Apologies if I have broken any forum rules.", "my hand and held up the empty bottle. I am wondering about possible", "following em dash, speech mark, comma combination: ‘Well, I—,’ and before I could", "this question on the main English forum, but someone suggested it might be", "and held up the empty bottle. I am wondering about possible lack of", "I am wondering about possible lack of commas or capitalisation in some of", "definitive answers elsewhere, I’ll get straight to the point. While I’m aware that", "‘Well, I—,’ and before I could finish, he’d gone. All advice greatly appreciated.", "em dash can be used for interruption, I sometimes use them to indicate", "over punctuation and the correct use of the em dash. Having failed to", "me closer with a finger. 3. ‘Look—’ I lifted my hand and held", "in on the end of my first novel, I find myself vexing over", "main English forum, but someone suggested it might be better posted here. Apologies", "and he beckoned me closer with a finger. 3. ‘Look—’ I lifted my", "bottle. I am wondering about possible lack of commas or capitalisation in some", "a finger. 3. ‘Look—’ I lifted my hand and held up the empty", "my first novel, I find myself vexing over punctuation and the correct use", "I’ll get straight to the point. While I’m aware that the em dash", "a small parcel. 2. ‘Come—’ and he beckoned me closer with a finger.", "wondering about possible lack of commas or capitalisation in some of these cases.", "posted this question on the main English forum, but someone suggested it might", "As I home in on the end of my first novel, I find", "out a small parcel. 2. ‘Come—’ and he beckoned me closer with a", "up the empty bottle. I am wondering about possible lack of commas or", "them to indicate motion or action. Three examples: 1. ‘Here—’ she said, holding", "or capitalisation in some of these cases. I am also perturbed about the", "commas or capitalisation in some of these cases. I am also perturbed about", "here. Apologies if I have broken any forum rules. As I home in", "mark, comma combination: ‘Well, I—,’ and before I could finish, he’d gone. All", "use of the em dash. Having failed to find definitive answers elsewhere, I’ll", "hand and held up the empty bottle. I am wondering about possible lack", "combination: ‘Well, I—,’ and before I could finish, he’d gone. All advice greatly", "small parcel. 2. ‘Come—’ and he beckoned me closer with a finger. 3.", "suggested it might be better posted here. Apologies if I have broken any", "forum rules. As I home in on the end of my first novel,", "novel, I find myself vexing over punctuation and the correct use of the", "broken any forum rules. As I home in on the end of my", "I find myself vexing over punctuation and the correct use of the em", "myself vexing over punctuation and the correct use of the em dash. Having", "I sometimes use them to indicate motion or action. Three examples: 1. ‘Here—’", "it might be better posted here. Apologies if I have broken any forum", "the main English forum, but someone suggested it might be better posted here.", "lack of commas or capitalisation in some of these cases. I am also", "I’m aware that the em dash can be used for interruption, I sometimes", "question on the main English forum, but someone suggested it might be better", "and the correct use of the em dash. Having failed to find definitive", "but someone suggested it might be better posted here. Apologies if I have", "that the em dash can be used for interruption, I sometimes use them", "‘Come—’ and he beckoned me closer with a finger. 3. ‘Look—’ I lifted", "dash can be used for interruption, I sometimes use them to indicate motion", "I originally posted this question on the main English forum, but someone suggested", "finger. 3. ‘Look—’ I lifted my hand and held up the empty bottle.", "with a finger. 3. ‘Look—’ I lifted my hand and held up the", "holding out a small parcel. 2. ‘Come—’ and he beckoned me closer with", "the empty bottle. I am wondering about possible lack of commas or capitalisation", "first novel, I find myself vexing over punctuation and the correct use of", "the following em dash, speech mark, comma combination: ‘Well, I—,’ and before I", "find myself vexing over punctuation and the correct use of the em dash.", "used for interruption, I sometimes use them to indicate motion or action. Three", "to find definitive answers elsewhere, I’ll get straight to the point. While I’m", "or action. Three examples: 1. ‘Here—’ she said, holding out a small parcel.", "of commas or capitalisation in some of these cases. I am also perturbed", "‘Here—’ she said, holding out a small parcel. 2. ‘Come—’ and he beckoned", "point. While I’m aware that the em dash can be used for interruption,", "better posted here. Apologies if I have broken any forum rules. As I", "be used for interruption, I sometimes use them to indicate motion or action.", "Three examples: 1. ‘Here—’ she said, holding out a small parcel. 2. ‘Come—’", "have broken any forum rules. As I home in on the end of", "failed to find definitive answers elsewhere, I’ll get straight to the point. While", "answers elsewhere, I’ll get straight to the point. While I’m aware that the", "examples: 1. ‘Here—’ she said, holding out a small parcel. 2. ‘Come—’ and", "any forum rules. As I home in on the end of my first", "the end of my first novel, I find myself vexing over punctuation and", "While I’m aware that the em dash can be used for interruption, I", "end of my first novel, I find myself vexing over punctuation and the", "rules. As I home in on the end of my first novel, I", "for interruption, I sometimes use them to indicate motion or action. Three examples:", "of the em dash. Having failed to find definitive answers elsewhere, I’ll get", "I lifted my hand and held up the empty bottle. I am wondering", "cases. I am also perturbed about the following em dash, speech mark, comma", "on the main English forum, but someone suggested it might be better posted", "I have broken any forum rules. As I home in on the end", "find definitive answers elsewhere, I’ll get straight to the point. While I’m aware", "these cases. I am also perturbed about the following em dash, speech mark,", "can be used for interruption, I sometimes use them to indicate motion or", "am wondering about possible lack of commas or capitalisation in some of these", "of these cases. I am also perturbed about the following em dash, speech", "am also perturbed about the following em dash, speech mark, comma combination: ‘Well,", "perturbed about the following em dash, speech mark, comma combination: ‘Well, I—,’ and", "correct use of the em dash. Having failed to find definitive answers elsewhere,", "Apologies if I have broken any forum rules. As I home in on", "sometimes use them to indicate motion or action. Three examples: 1. ‘Here—’ she", "indicate motion or action. Three examples: 1. ‘Here—’ she said, holding out a", "said, holding out a small parcel. 2. ‘Come—’ and he beckoned me closer", "2. ‘Come—’ and he beckoned me closer with a finger. 3. ‘Look—’ I", "em dash, speech mark, comma combination: ‘Well, I—,’ and before I could finish,", "someone suggested it might be better posted here. Apologies if I have broken", "he beckoned me closer with a finger. 3. ‘Look—’ I lifted my hand", "home in on the end of my first novel, I find myself vexing", "dash, speech mark, comma combination: ‘Well, I—,’ and before I could finish, he’d", "I am also perturbed about the following em dash, speech mark, comma combination:", "closer with a finger. 3. ‘Look—’ I lifted my hand and held up", "empty bottle. I am wondering about possible lack of commas or capitalisation in", "comma combination: ‘Well, I—,’ and before I could finish, he’d gone. All advice", "possible lack of commas or capitalisation in some of these cases. I am", "of my first novel, I find myself vexing over punctuation and the correct", "get straight to the point. While I’m aware that the em dash can", "speech mark, comma combination: ‘Well, I—,’ and before I could finish, he’d gone.", "beckoned me closer with a finger. 3. ‘Look—’ I lifted my hand and", "to indicate motion or action. Three examples: 1. ‘Here—’ she said, holding out", "action. Three examples: 1. ‘Here—’ she said, holding out a small parcel. 2.", "em dash. Having failed to find definitive answers elsewhere, I’ll get straight to", "the correct use of the em dash. Having failed to find definitive answers", "‘Look—’ I lifted my hand and held up the empty bottle. I am", "lifted my hand and held up the empty bottle. I am wondering about", "interruption, I sometimes use them to indicate motion or action. Three examples: 1.", "vexing over punctuation and the correct use of the em dash. Having failed", "elsewhere, I’ll get straight to the point. While I’m aware that the em", "the em dash. Having failed to find definitive answers elsewhere, I’ll get straight", "straight to the point. While I’m aware that the em dash can be", "she said, holding out a small parcel. 2. ‘Come—’ and he beckoned me", "be better posted here. Apologies if I have broken any forum rules. As", "dash. Having failed to find definitive answers elsewhere, I’ll get straight to the", "aware that the em dash can be used for interruption, I sometimes use", "1. ‘Here—’ she said, holding out a small parcel. 2. ‘Come—’ and he", "punctuation and the correct use of the em dash. Having failed to find", "motion or action. Three examples: 1. ‘Here—’ she said, holding out a small", "some of these cases. I am also perturbed about the following em dash,", "Having failed to find definitive answers elsewhere, I’ll get straight to the point.", "in some of these cases. I am also perturbed about the following em" ]
[ "idea of how someone feels when attacking/maiming/killing someone. In some cases it is", "someone. In some cases it is possible to use a somewhat close experience", "to write about drugs withdrawal) ; but sometimes it's not an option. For", "never experienced faith, or being truly in love. I've never physically hurt anyone", "have no access to cigarettes or coffee for a few days to write", "have no idea of how someone feels when attacking/maiming/killing someone. In some cases", "In some cases it is possible to use a somewhat close experience (like", "it is possible to use a somewhat close experience (like building on how", "when I have no access to cigarettes or coffee for a few days", "but sometimes it's not an option. For now, my solution is to rely", "for a writer to describe realistically a never felt emotion? For example I", "looks and acts, but not their exact emotions. I don't know if it's", "I have never experienced faith, or being truly in love. I've never physically", "a somewhat close experience (like building on how I feel when I have", "cigarettes or coffee for a few days to write about drugs withdrawal) ;", "withdrawal) ; but sometimes it's not an option. For now, my solution is", "For now, my solution is to rely heavily on the \"Show, don't tell\"", "don't tell\" rule and describe how a character looks and acts, but not", "use a somewhat close experience (like building on how I feel when I", "cases it is possible to use a somewhat close experience (like building on", "option. For now, my solution is to rely heavily on the \"Show, don't", "felt emotion? For example I have never experienced faith, or being truly in", "not an option. For now, my solution is to rely heavily on the", "somewhat close experience (like building on how I feel when I have no", "how I feel when I have no access to cigarettes or coffee for", "a never felt emotion? For example I have never experienced faith, or being", "building on how I feel when I have no access to cigarettes or", "feels when attacking/maiming/killing someone. In some cases it is possible to use a", "describe realistically a never felt emotion? For example I have never experienced faith,", "close experience (like building on how I feel when I have no access", "the \"Show, don't tell\" rule and describe how a character looks and acts,", "(like building on how I feel when I have no access to cigarettes", "my solution is to rely heavily on the \"Show, don't tell\" rule and", "how a character looks and acts, but not their exact emotions. I don't", "realistically a never felt emotion? For example I have never experienced faith, or", "to use a somewhat close experience (like building on how I feel when", "how someone feels when attacking/maiming/killing someone. In some cases it is possible to", "or coffee for a few days to write about drugs withdrawal) ; but", "\"Show, don't tell\" rule and describe how a character looks and acts, but", "I feel when I have no access to cigarettes or coffee for a", "rule and describe how a character looks and acts, but not their exact", "being truly in love. I've never physically hurt anyone and have no idea", "some cases it is possible to use a somewhat close experience (like building", "to cigarettes or coffee for a few days to write about drugs withdrawal)", "never physically hurt anyone and have no idea of how someone feels when", "truly in love. I've never physically hurt anyone and have no idea of", "is possible to use a somewhat close experience (like building on how I", "feel when I have no access to cigarettes or coffee for a few", "an option. For now, my solution is to rely heavily on the \"Show,", "tell\" rule and describe how a character looks and acts, but not their", "it possible for a writer to describe realistically a never felt emotion? For", "a character looks and acts, but not their exact emotions. I don't know", "someone feels when attacking/maiming/killing someone. In some cases it is possible to use", "emotion? For example I have never experienced faith, or being truly in love.", "or being truly in love. I've never physically hurt anyone and have no", "no access to cigarettes or coffee for a few days to write about", "solution is to rely heavily on the \"Show, don't tell\" rule and describe", "it's not an option. For now, my solution is to rely heavily on", "character looks and acts, but not their exact emotions. I don't know if", "sometimes it's not an option. For now, my solution is to rely heavily", "I've never physically hurt anyone and have no idea of how someone feels", "to rely heavily on the \"Show, don't tell\" rule and describe how a", "on the \"Show, don't tell\" rule and describe how a character looks and", "writer to describe realistically a never felt emotion? For example I have never", "describe how a character looks and acts, but not their exact emotions. I", "now, my solution is to rely heavily on the \"Show, don't tell\" rule", "no idea of how someone feels when attacking/maiming/killing someone. In some cases it", "about drugs withdrawal) ; but sometimes it's not an option. For now, my", "drugs withdrawal) ; but sometimes it's not an option. For now, my solution", "physically hurt anyone and have no idea of how someone feels when attacking/maiming/killing", "possible to use a somewhat close experience (like building on how I feel", "coffee for a few days to write about drugs withdrawal) ; but sometimes", "a few days to write about drugs withdrawal) ; but sometimes it's not", "write about drugs withdrawal) ; but sometimes it's not an option. For now,", "For example I have never experienced faith, or being truly in love. I've", "is to rely heavily on the \"Show, don't tell\" rule and describe how", "Is it possible for a writer to describe realistically a never felt emotion?", "when attacking/maiming/killing someone. In some cases it is possible to use a somewhat", "a writer to describe realistically a never felt emotion? For example I have", "anyone and have no idea of how someone feels when attacking/maiming/killing someone. In", "and describe how a character looks and acts, but not their exact emotions.", "in love. I've never physically hurt anyone and have no idea of how", "love. I've never physically hurt anyone and have no idea of how someone", "; but sometimes it's not an option. For now, my solution is to", "experience (like building on how I feel when I have no access to", "on how I feel when I have no access to cigarettes or coffee", "and acts, but not their exact emotions. I don't know if it's enough.", "heavily on the \"Show, don't tell\" rule and describe how a character looks", "never felt emotion? For example I have never experienced faith, or being truly", "to describe realistically a never felt emotion? For example I have never experienced", "few days to write about drugs withdrawal) ; but sometimes it's not an", "have never experienced faith, or being truly in love. I've never physically hurt", "faith, or being truly in love. I've never physically hurt anyone and have", "of how someone feels when attacking/maiming/killing someone. In some cases it is possible", "I have no access to cigarettes or coffee for a few days to", "access to cigarettes or coffee for a few days to write about drugs", "possible for a writer to describe realistically a never felt emotion? For example", "attacking/maiming/killing someone. In some cases it is possible to use a somewhat close", "example I have never experienced faith, or being truly in love. I've never", "and have no idea of how someone feels when attacking/maiming/killing someone. In some", "for a few days to write about drugs withdrawal) ; but sometimes it's", "rely heavily on the \"Show, don't tell\" rule and describe how a character", "experienced faith, or being truly in love. I've never physically hurt anyone and", "days to write about drugs withdrawal) ; but sometimes it's not an option.", "hurt anyone and have no idea of how someone feels when attacking/maiming/killing someone." ]
[ "The question I would like to ask here is: what books should a", "important? This is an open-ended question and clearly will entail a great deal", "ask here is: what books should a literary writer have read? What are", "what? The question I would like to ask here is: what books should", "question is what? The question I would like to ask here is: what", "I would like to ask here is: what books should a literary writer", "This is an open-ended question and clearly will entail a great deal of", "literary writer have read? What are the critical reference points that anyone in", "What are perhaps lesser known works that are nevertheless important? This is an", "is an open-ended question and clearly will entail a great deal of subjectivity,", "game needs to have exposure to? What are perhaps lesser known works that", "like to ask here is: what books should a literary writer have read?", "perhaps lesser known works that are nevertheless important? This is an open-ended question", "books should a literary writer have read? What are the critical reference points", "the question is what? The question I would like to ask here is:", "is: what books should a literary writer have read? What are the critical", "will entail a great deal of subjectivity, but writing is like that anyway.", "What are the critical reference points that anyone in the game needs to", "to have exposure to? What are perhaps lesser known works that are nevertheless", "the game needs to have exposure to? What are perhaps lesser known works", "have exposure to? What are perhaps lesser known works that are nevertheless important?", "that are nevertheless important? This is an open-ended question and clearly will entail", "writer have read? What are the critical reference points that anyone in the", "that a writer should read, but the question is what? The question I", "what books should a literary writer have read? What are the critical reference", "a literary writer have read? What are the critical reference points that anyone", "should read, but the question is what? The question I would like to", "writer should read, but the question is what? The question I would like", "open-ended question and clearly will entail a great deal of subjectivity, but writing", "Everyone knows that a writer should read, but the question is what? The", "exposure to? What are perhaps lesser known works that are nevertheless important? This", "clearly will entail a great deal of subjectivity, but writing is like that", "an open-ended question and clearly will entail a great deal of subjectivity, but", "are the critical reference points that anyone in the game needs to have", "lesser known works that are nevertheless important? This is an open-ended question and", "have read? What are the critical reference points that anyone in the game", "should a literary writer have read? What are the critical reference points that", "read, but the question is what? The question I would like to ask", "reference points that anyone in the game needs to have exposure to? What", "points that anyone in the game needs to have exposure to? What are", "needs to have exposure to? What are perhaps lesser known works that are", "to ask here is: what books should a literary writer have read? What", "nevertheless important? This is an open-ended question and clearly will entail a great", "in the game needs to have exposure to? What are perhaps lesser known", "knows that a writer should read, but the question is what? The question", "a writer should read, but the question is what? The question I would", "would like to ask here is: what books should a literary writer have", "here is: what books should a literary writer have read? What are the", "anyone in the game needs to have exposure to? What are perhaps lesser", "but the question is what? The question I would like to ask here", "that anyone in the game needs to have exposure to? What are perhaps", "question and clearly will entail a great deal of subjectivity, but writing is", "read? What are the critical reference points that anyone in the game needs", "the critical reference points that anyone in the game needs to have exposure", "critical reference points that anyone in the game needs to have exposure to?", "known works that are nevertheless important? This is an open-ended question and clearly", "works that are nevertheless important? This is an open-ended question and clearly will", "are nevertheless important? This is an open-ended question and clearly will entail a", "to? What are perhaps lesser known works that are nevertheless important? This is", "question I would like to ask here is: what books should a literary", "is what? The question I would like to ask here is: what books", "are perhaps lesser known works that are nevertheless important? This is an open-ended", "and clearly will entail a great deal of subjectivity, but writing is like" ]
[ "them out there somewhere. They're probably going to mostly fit into Sci-fi, fantasy,", "fit into Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff, in other words.", "out there somewhere. They're probably going to mostly fit into Sci-fi, fantasy, horror,", "to magazines and journals? I want to get going on this but I'm", "mostly for practice and exposure. I need to get them out there somewhere.", "words. So my question is this: at this stage should I enter writing", "enter writing contests or submit to magazines and journals? I want to get", "need to get them out there somewhere. They're probably going to mostly fit", "exposure. I need to get them out there somewhere. They're probably going to", "Genre stuff, in other words. So my question is this: at this stage", "want to get going on this but I'm stuck on issues such as", "probably going to mostly fit into Sci-fi, fantasy, horror, weird fiction, etc. Genre", "get going on this but I'm stuck on issues such as these. Thanks.", "in other words. So my question is this: at this stage should I", "mostly fit into Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff, in other", "etc. Genre stuff, in other words. So my question is this: at this", "practice and exposure. I need to get them out there somewhere. They're probably", "my question is this: at this stage should I enter writing contests or", "contests or submit to magazines and journals? I want to get going on", "journals? I want to get going on this but I'm stuck on issues", "I want to get going on this but I'm stuck on issues such", "and exposure. I need to get them out there somewhere. They're probably going", "Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff, in other words. So my", "question is this: at this stage should I enter writing contests or submit", "is this: at this stage should I enter writing contests or submit to", "fantasy, horror, weird fiction, etc. Genre stuff, in other words. So my question", "somewhere. They're probably going to mostly fit into Sci-fi, fantasy, horror, weird fiction,", "to get them out there somewhere. They're probably going to mostly fit into", "a rookie writer, working on short stories thus far, mostly for practice and", "stuff, in other words. So my question is this: at this stage should", "should I enter writing contests or submit to magazines and journals? I want", "rookie writer, working on short stories thus far, mostly for practice and exposure.", "going to mostly fit into Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff,", "other words. So my question is this: at this stage should I enter", "this: at this stage should I enter writing contests or submit to magazines", "on short stories thus far, mostly for practice and exposure. I need to", "writing contests or submit to magazines and journals? I want to get going", "They're probably going to mostly fit into Sci-fi, fantasy, horror, weird fiction, etc.", "stories thus far, mostly for practice and exposure. I need to get them", "I'm a rookie writer, working on short stories thus far, mostly for practice", "So my question is this: at this stage should I enter writing contests", "and journals? I want to get going on this but I'm stuck on", "get them out there somewhere. They're probably going to mostly fit into Sci-fi,", "into Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff, in other words. So", "submit to magazines and journals? I want to get going on this but", "there somewhere. They're probably going to mostly fit into Sci-fi, fantasy, horror, weird", "to get going on this but I'm stuck on issues such as these.", "I enter writing contests or submit to magazines and journals? I want to", "for practice and exposure. I need to get them out there somewhere. They're", "far, mostly for practice and exposure. I need to get them out there", "weird fiction, etc. Genre stuff, in other words. So my question is this:", "magazines and journals? I want to get going on this but I'm stuck", "or submit to magazines and journals? I want to get going on this", "thus far, mostly for practice and exposure. I need to get them out", "at this stage should I enter writing contests or submit to magazines and", "this stage should I enter writing contests or submit to magazines and journals?", "to mostly fit into Sci-fi, fantasy, horror, weird fiction, etc. Genre stuff, in", "working on short stories thus far, mostly for practice and exposure. I need", "stage should I enter writing contests or submit to magazines and journals? I", "I need to get them out there somewhere. They're probably going to mostly", "writer, working on short stories thus far, mostly for practice and exposure. I", "horror, weird fiction, etc. Genre stuff, in other words. So my question is", "short stories thus far, mostly for practice and exposure. I need to get", "fiction, etc. Genre stuff, in other words. So my question is this: at" ]
[ "to hear this anymore. Are there any thumb-rules to follow when I say/write", "messages or emails or on any social media/forums. What does this mean actually?", "actually? I am thankfully able to convey my thoughts but I do not", "Are there any thumb-rules to follow when I say/write something to make it", "any thumb-rules to follow when I say/write something to make it \"sound natural\"?", "hear this anymore. Are there any thumb-rules to follow when I say/write something", "I hear this pretty often when I say/write something, be it in text", "am thankfully able to convey my thoughts but I do not want to", "does this mean actually? I am thankfully able to convey my thoughts but", "pretty often when I say/write something, be it in text messages or emails", "anymore. Are there any thumb-rules to follow when I say/write something to make", "it in text messages or emails or on any social media/forums. What does", "any social media/forums. What does this mean actually? I am thankfully able to", "often when I say/write something, be it in text messages or emails or", "do not want to hear this anymore. Are there any thumb-rules to follow", "say/write something, be it in text messages or emails or on any social", "or on any social media/forums. What does this mean actually? I am thankfully", "but I do not want to hear this anymore. Are there any thumb-rules", "mean actually? I am thankfully able to convey my thoughts but I do", "this anymore. Are there any thumb-rules to follow when I say/write something to", "hear this pretty often when I say/write something, be it in text messages", "to convey my thoughts but I do not want to hear this anymore.", "be it in text messages or emails or on any social media/forums. What", "social media/forums. What does this mean actually? I am thankfully able to convey", "thankfully able to convey my thoughts but I do not want to hear", "on any social media/forums. What does this mean actually? I am thankfully able", "What does this mean actually? I am thankfully able to convey my thoughts", "or emails or on any social media/forums. What does this mean actually? I", "I say/write something, be it in text messages or emails or on any", "not want to hear this anymore. Are there any thumb-rules to follow when", "in text messages or emails or on any social media/forums. What does this", "this mean actually? I am thankfully able to convey my thoughts but I", "this pretty often when I say/write something, be it in text messages or", "thoughts but I do not want to hear this anymore. Are there any", "media/forums. What does this mean actually? I am thankfully able to convey my", "want to hear this anymore. Are there any thumb-rules to follow when I", "able to convey my thoughts but I do not want to hear this", "something, be it in text messages or emails or on any social media/forums.", "convey my thoughts but I do not want to hear this anymore. Are", "text messages or emails or on any social media/forums. What does this mean", "when I say/write something, be it in text messages or emails or on", "my thoughts but I do not want to hear this anymore. Are there", "emails or on any social media/forums. What does this mean actually? I am", "I am thankfully able to convey my thoughts but I do not want", "there any thumb-rules to follow when I say/write something to make it \"sound", "I do not want to hear this anymore. Are there any thumb-rules to" ]
[ "told xyz, would be more motivated.) The only other way I can see", "citing studies whose conclusions counter common sense. I'll explain the study and then", "studies whose conclusions counter common sense. I'll explain the study and then write", "other ways to mark the unexpected or counter-intuitive, other than the two I", "way I can see to accomplish this is to say, \"they're less motivated,", "on the exclamation as an aid for the reader to easily spot counter-intuitive", "he says to avoid the exclamation point altogether. I agree it's juvenile and", "common sense. I'll explain the study and then write the counter-intuitive outcome: \"If,", "reader could easily miss it. That's why I've fallen back on the exclamation", "reader of their chance to feel the impact of something for themselves. However,", "I'm often citing studies whose conclusions counter common sense. I'll explain the study", "other than the two I mentioned? Is the exclamation forgivable in this case?", "would be more motivated.) The only other way I can see to accomplish", "I've fallen back on the exclamation as an aid for the reader to", "mark the unexpected or counter-intuitive, other than the two I mentioned? Is the", "could easily miss it. That's why I've fallen back on the exclamation as", "into a use case that relies on exclamation: In writing about cognitive science,", "says to avoid the exclamation point altogether. I agree it's juvenile and robs", "the study and then write the counter-intuitive outcome: \"If, however, they're told xyz,", "the reader could easily miss it. That's why I've fallen back on the", "back on the exclamation as an aid for the reader to easily spot", "I've run into a use case that relies on exclamation: In writing about", "counter-intuitive conclusion, I feel the reader could easily miss it. That's why I've", "explain the study and then write the counter-intuitive outcome: \"If, however, they're told", "or counter-intuitive, other than the two I mentioned? Is the exclamation forgivable in", "themselves. However, I've run into a use case that relies on exclamation: In", "for the reader to easily spot counter-intuitive findings from the research. Are there", "counter-intuitive findings from the research. Are there other ways to mark the unexpected", "seems dull. If I don't explicitly point out that this is a counter-intuitive", "Are there other ways to mark the unexpected or counter-intuitive, other than the", "that this is a counter-intuitive conclusion, I feel the reader could easily miss", "then write the counter-intuitive outcome: \"If, however, they're told xyz, they're less motivated!\"", "more motivated.) The only other way I can see to accomplish this is", "impact of something for themselves. However, I've run into a use case that", "If I don't explicitly point out that this is a counter-intuitive conclusion, I", "only other way I can see to accomplish this is to say, \"they're", "writing about cognitive science, I'm often citing studies whose conclusions counter common sense.", "a use case that relies on exclamation: In writing about cognitive science, I'm", "fallen back on the exclamation as an aid for the reader to easily", "feel the impact of something for themselves. However, I've run into a use", "their chance to feel the impact of something for themselves. However, I've run", "I can see to accomplish this is to say, \"they're less motivated, not", "why I've fallen back on the exclamation as an aid for the reader", "when told xyz, would be more motivated.) The only other way I can", "study and then write the counter-intuitive outcome: \"If, however, they're told xyz, they're", "case that relies on exclamation: In writing about cognitive science, I'm often citing", "conclusions counter common sense. I'll explain the study and then write the counter-intuitive", "see to accomplish this is to say, \"they're less motivated, not more\"––but this", "run into a use case that relies on exclamation: In writing about cognitive", "motivated.) The only other way I can see to accomplish this is to", "\"If, however, they're told xyz, they're less motivated!\" (In this case, for instance,", "to accomplish this is to say, \"they're less motivated, not more\"––but this seems", "The only other way I can see to accomplish this is to say,", "\"they're less motivated, not more\"––but this seems dull. If I don't explicitly point", "is to say, \"they're less motivated, not more\"––but this seems dull. If I", "easily spot counter-intuitive findings from the research. Are there other ways to mark", "the impact of something for themselves. However, I've run into a use case", "expect that the subject, when told xyz, would be more motivated.) The only", "I feel the reader could easily miss it. That's why I've fallen back", "say, \"they're less motivated, not more\"––but this seems dull. If I don't explicitly", "the counter-intuitive outcome: \"If, however, they're told xyz, they're less motivated!\" (In this", "counter common sense. I'll explain the study and then write the counter-intuitive outcome:", "out that this is a counter-intuitive conclusion, I feel the reader could easily", "cognitive science, I'm often citing studies whose conclusions counter common sense. I'll explain", "more\"––but this seems dull. If I don't explicitly point out that this is", "subject, when told xyz, would be more motivated.) The only other way I", "be more motivated.) The only other way I can see to accomplish this", "agree it's juvenile and robs the reader of their chance to feel the", "however, they're told xyz, they're less motivated!\" (In this case, for instance, you'd", "can see to accomplish this is to say, \"they're less motivated, not more\"––but", "findings from the research. Are there other ways to mark the unexpected or", "the research. Are there other ways to mark the unexpected or counter-intuitive, other", "dull. If I don't explicitly point out that this is a counter-intuitive conclusion,", "they're told xyz, they're less motivated!\" (In this case, for instance, you'd expect", "robs the reader of their chance to feel the impact of something for", "this is a counter-intuitive conclusion, I feel the reader could easily miss it.", "whose conclusions counter common sense. I'll explain the study and then write the", "conclusion, I feel the reader could easily miss it. That's why I've fallen", "for themselves. However, I've run into a use case that relies on exclamation:", "science, I'm often citing studies whose conclusions counter common sense. I'll explain the", "motivated, not more\"––but this seems dull. If I don't explicitly point out that", "outcome: \"If, however, they're told xyz, they're less motivated!\" (In this case, for", "reader to easily spot counter-intuitive findings from the research. Are there other ways", "a counter-intuitive conclusion, I feel the reader could easily miss it. That's why", "feel the reader could easily miss it. That's why I've fallen back on", "relies on exclamation: In writing about cognitive science, I'm often citing studies whose", "don't explicitly point out that this is a counter-intuitive conclusion, I feel the", "something for themselves. However, I've run into a use case that relies on", "this is to say, \"they're less motivated, not more\"––but this seems dull. If", "from the research. Are there other ways to mark the unexpected or counter-intuitive,", "is a counter-intuitive conclusion, I feel the reader could easily miss it. That's", "use case that relies on exclamation: In writing about cognitive science, I'm often", "less motivated, not more\"––but this seems dull. If I don't explicitly point out", "often citing studies whose conclusions counter common sense. I'll explain the study and", "told xyz, they're less motivated!\" (In this case, for instance, you'd expect that", "counter-intuitive outcome: \"If, however, they're told xyz, they're less motivated!\" (In this case,", "the unexpected or counter-intuitive, other than the two I mentioned? Is the exclamation", "the reader to easily spot counter-intuitive findings from the research. Are there other", "I agree it's juvenile and robs the reader of their chance to feel", "on exclamation: In writing about cognitive science, I'm often citing studies whose conclusions", "of something for themselves. However, I've run into a use case that relies", "and robs the reader of their chance to feel the impact of something", "juvenile and robs the reader of their chance to feel the impact of", "sense. I'll explain the study and then write the counter-intuitive outcome: \"If, however,", "less motivated!\" (In this case, for instance, you'd expect that the subject, when", "accomplish this is to say, \"they're less motivated, not more\"––but this seems dull.", "\"On Writing Well,\" he says to avoid the exclamation point altogether. I agree", "Well,\" he says to avoid the exclamation point altogether. I agree it's juvenile", "that relies on exclamation: In writing about cognitive science, I'm often citing studies", "Writing Well,\" he says to avoid the exclamation point altogether. I agree it's", "to easily spot counter-intuitive findings from the research. Are there other ways to", "it's juvenile and robs the reader of their chance to feel the impact", "the exclamation point altogether. I agree it's juvenile and robs the reader of", "write the counter-intuitive outcome: \"If, however, they're told xyz, they're less motivated!\" (In", "it. That's why I've fallen back on the exclamation as an aid for", "to feel the impact of something for themselves. However, I've run into a", "they're less motivated!\" (In this case, for instance, you'd expect that the subject,", "an aid for the reader to easily spot counter-intuitive findings from the research.", "exclamation point altogether. I agree it's juvenile and robs the reader of their", "not more\"––but this seems dull. If I don't explicitly point out that this", "this case, for instance, you'd expect that the subject, when told xyz, would", "other way I can see to accomplish this is to say, \"they're less", "exclamation as an aid for the reader to easily spot counter-intuitive findings from", "there other ways to mark the unexpected or counter-intuitive, other than the two", "chance to feel the impact of something for themselves. However, I've run into", "as an aid for the reader to easily spot counter-intuitive findings from the", "unexpected or counter-intuitive, other than the two I mentioned? Is the exclamation forgivable", "xyz, would be more motivated.) The only other way I can see to", "In writing about cognitive science, I'm often citing studies whose conclusions counter common", "for instance, you'd expect that the subject, when told xyz, would be more", "instance, you'd expect that the subject, when told xyz, would be more motivated.)", "altogether. I agree it's juvenile and robs the reader of their chance to", "you'd expect that the subject, when told xyz, would be more motivated.) The", "I don't explicitly point out that this is a counter-intuitive conclusion, I feel", "motivated!\" (In this case, for instance, you'd expect that the subject, when told", "to mark the unexpected or counter-intuitive, other than the two I mentioned? Is", "the exclamation as an aid for the reader to easily spot counter-intuitive findings", "of their chance to feel the impact of something for themselves. However, I've", "aid for the reader to easily spot counter-intuitive findings from the research. Are", "to say, \"they're less motivated, not more\"––but this seems dull. If I don't", "avoid the exclamation point altogether. I agree it's juvenile and robs the reader", "the reader of their chance to feel the impact of something for themselves.", "this seems dull. If I don't explicitly point out that this is a", "In Zinrwej's \"On Writing Well,\" he says to avoid the exclamation point altogether.", "xyz, they're less motivated!\" (In this case, for instance, you'd expect that the", "explicitly point out that this is a counter-intuitive conclusion, I feel the reader", "Zinrwej's \"On Writing Well,\" he says to avoid the exclamation point altogether. I", "point altogether. I agree it's juvenile and robs the reader of their chance", "that the subject, when told xyz, would be more motivated.) The only other", "ways to mark the unexpected or counter-intuitive, other than the two I mentioned?", "to avoid the exclamation point altogether. I agree it's juvenile and robs the", "the subject, when told xyz, would be more motivated.) The only other way", "and then write the counter-intuitive outcome: \"If, however, they're told xyz, they're less", "I'll explain the study and then write the counter-intuitive outcome: \"If, however, they're", "miss it. That's why I've fallen back on the exclamation as an aid", "exclamation: In writing about cognitive science, I'm often citing studies whose conclusions counter", "easily miss it. That's why I've fallen back on the exclamation as an", "(In this case, for instance, you'd expect that the subject, when told xyz,", "point out that this is a counter-intuitive conclusion, I feel the reader could", "However, I've run into a use case that relies on exclamation: In writing", "case, for instance, you'd expect that the subject, when told xyz, would be", "counter-intuitive, other than the two I mentioned? Is the exclamation forgivable in this", "That's why I've fallen back on the exclamation as an aid for the", "spot counter-intuitive findings from the research. Are there other ways to mark the", "about cognitive science, I'm often citing studies whose conclusions counter common sense. I'll", "research. Are there other ways to mark the unexpected or counter-intuitive, other than" ]
[ "years that makes the former acceptable? Are both citations still considered valid? Thanks.", "of the sentence, even when the quote itself is located in the middle", "right after a quote, even if the quote is in the middle of", "MLA citations should always be at the end of the sentence, even when", "though others disagree (Foulkes 184). Was there a change within the past few", "Was there a change within the past few years that makes the former", "of personality\" (Foulkes 184), though others disagree. I was always taught the citation", "was always taught the citation should look like this: According to some, dreams", "some, dreams express \"profound aspects of personality,\" though others disagree (Foulkes 184). Was", "page number right after a quote, even if the quote is in the", "of personality,\" though others disagree (Foulkes 184). Was there a change within the", "the quote itself is located in the middle of a sentence. I was", "this: According to some, dreams express \"profound aspects of personality,\" though others disagree", "\"profound aspects of personality,\" though others disagree (Foulkes 184). Was there a change", "personality\" (Foulkes 184), though others disagree. I was always taught the citation should", "of a sentence. I was looking at the Purdue OWL website and noticed", "say this is correct: According to some, dreams express \"profound aspects of personality\"", "always taught the citation should look like this: According to some, dreams express", "at the end of the sentence, even when the quote itself is located", "I was looking at the Purdue OWL website and noticed that it says", "a quote, even if the quote is in the middle of the sentence.", "middle of a sentence. I was looking at the Purdue OWL website and", "a sentence. I was looking at the Purdue OWL website and noticed that", "itself is located in the middle of a sentence. I was looking at", "look like this: According to some, dreams express \"profound aspects of personality,\" though", "in the middle of the sentence. They say this is correct: According to", "website and noticed that it says to put the author and page number", "there a change within the past few years that makes the former acceptable?", "to some, dreams express \"profound aspects of personality,\" though others disagree (Foulkes 184).", "the past few years that makes the former acceptable? Are both citations still", "even when the quote itself is located in the middle of a sentence.", "disagree (Foulkes 184). Was there a change within the past few years that", "is correct: According to some, dreams express \"profound aspects of personality\" (Foulkes 184),", "quote itself is located in the middle of a sentence. I was looking", "even if the quote is in the middle of the sentence. They say", "the quote is in the middle of the sentence. They say this is", "a change within the past few years that makes the former acceptable? Are", "184). Was there a change within the past few years that makes the", "I was taught that the in-text MLA citations should always be at the", "at the Purdue OWL website and noticed that it says to put the", "citations should always be at the end of the sentence, even when the", "says to put the author and page number right after a quote, even", "always be at the end of the sentence, even when the quote itself", "quote is in the middle of the sentence. They say this is correct:", "sentence. I was looking at the Purdue OWL website and noticed that it", "the in-text MLA citations should always be at the end of the sentence,", "looking at the Purdue OWL website and noticed that it says to put", "express \"profound aspects of personality,\" though others disagree (Foulkes 184). Was there a", "end of the sentence, even when the quote itself is located in the", "when the quote itself is located in the middle of a sentence. I", "correct: According to some, dreams express \"profound aspects of personality\" (Foulkes 184), though", "past few years that makes the former acceptable? Are both citations still considered", "is located in the middle of a sentence. I was looking at the", "was taught that the in-text MLA citations should always be at the end", "(Foulkes 184), though others disagree. I was always taught the citation should look", "school, I was taught that the in-text MLA citations should always be at", "In school, I was taught that the in-text MLA citations should always be", "disagree. I was always taught the citation should look like this: According to", "to some, dreams express \"profound aspects of personality\" (Foulkes 184), though others disagree.", "in-text MLA citations should always be at the end of the sentence, even", "located in the middle of a sentence. I was looking at the Purdue", "the end of the sentence, even when the quote itself is located in", "author and page number right after a quote, even if the quote is", "change within the past few years that makes the former acceptable? Are both", "\"profound aspects of personality\" (Foulkes 184), though others disagree. I was always taught", "that it says to put the author and page number right after a", "it says to put the author and page number right after a quote,", "According to some, dreams express \"profound aspects of personality\" (Foulkes 184), though others", "express \"profound aspects of personality\" (Foulkes 184), though others disagree. I was always", "184), though others disagree. I was always taught the citation should look like", "the sentence. They say this is correct: According to some, dreams express \"profound", "within the past few years that makes the former acceptable? Are both citations", "citation should look like this: According to some, dreams express \"profound aspects of", "that the in-text MLA citations should always be at the end of the", "was looking at the Purdue OWL website and noticed that it says to", "in the middle of a sentence. I was looking at the Purdue OWL", "the author and page number right after a quote, even if the quote", "middle of the sentence. They say this is correct: According to some, dreams", "quote, even if the quote is in the middle of the sentence. They", "is in the middle of the sentence. They say this is correct: According", "though others disagree. I was always taught the citation should look like this:", "after a quote, even if the quote is in the middle of the", "sentence, even when the quote itself is located in the middle of a", "be at the end of the sentence, even when the quote itself is", "and noticed that it says to put the author and page number right", "and page number right after a quote, even if the quote is in", "the sentence, even when the quote itself is located in the middle of", "noticed that it says to put the author and page number right after", "the middle of the sentence. They say this is correct: According to some,", "taught the citation should look like this: According to some, dreams express \"profound", "personality,\" though others disagree (Foulkes 184). Was there a change within the past", "put the author and page number right after a quote, even if the", "sentence. They say this is correct: According to some, dreams express \"profound aspects", "taught that the in-text MLA citations should always be at the end of", "OWL website and noticed that it says to put the author and page", "aspects of personality,\" though others disagree (Foulkes 184). Was there a change within", "the Purdue OWL website and noticed that it says to put the author", "dreams express \"profound aspects of personality\" (Foulkes 184), though others disagree. I was", "if the quote is in the middle of the sentence. They say this", "others disagree (Foulkes 184). Was there a change within the past few years", "of the sentence. They say this is correct: According to some, dreams express", "others disagree. I was always taught the citation should look like this: According", "some, dreams express \"profound aspects of personality\" (Foulkes 184), though others disagree. I", "the citation should look like this: According to some, dreams express \"profound aspects", "few years that makes the former acceptable? Are both citations still considered valid?", "aspects of personality\" (Foulkes 184), though others disagree. I was always taught the", "like this: According to some, dreams express \"profound aspects of personality,\" though others", "They say this is correct: According to some, dreams express \"profound aspects of", "Purdue OWL website and noticed that it says to put the author and", "should look like this: According to some, dreams express \"profound aspects of personality,\"", "the middle of a sentence. I was looking at the Purdue OWL website", "(Foulkes 184). Was there a change within the past few years that makes", "should always be at the end of the sentence, even when the quote", "dreams express \"profound aspects of personality,\" though others disagree (Foulkes 184). Was there", "I was always taught the citation should look like this: According to some,", "to put the author and page number right after a quote, even if", "According to some, dreams express \"profound aspects of personality,\" though others disagree (Foulkes", "this is correct: According to some, dreams express \"profound aspects of personality\" (Foulkes", "number right after a quote, even if the quote is in the middle" ]
[ "accept online submissions. After having spent a lot of time submitting, I am", "to make a living out of writing. What are your views on this", "to have my poems published. From past few days, I am looking for", "post it online in my own website of something like that? My condition", "I am looking for magazines/journals that pay and accept online submissions. After having", "that I have a full time well paying job and currently have no", "currently have no plans to make a living out of writing. What are", "pay and accept online submissions. After having spent a lot of time submitting,", "have no plans to make a living out of writing. What are your", "just 2 poems. I was looking around to have my poems published. From", "I have written just 2 poems. I was looking around to have my", "am looking for magazines/journals that pay and accept online submissions. After having spent", "own website of something like that? 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Should I just post it online in my own website of something", "submitting, I am wondering if it is worth it? Should I just post", "and currently have no plans to make a living out of writing. What", "few days, I am looking for magazines/journals that pay and accept online submissions.", "time submitting, I am wondering if it is worth it? Should I just", "online submissions. After having spent a lot of time submitting, I am wondering", "My condition is that I have a full time well paying job and", "paying job and currently have no plans to make a living out of", "wondering if it is worth it? Should I just post it online in", "spent a lot of time submitting, I am wondering if it is worth", "full time well paying job and currently have no plans to make a", "is worth it? Should I just post it online in my own website", "I am wondering if it is worth it? 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[ "never translated. Do you people think we're all Latin scholars, do you think", "scholars, do you think we don't care to know what's being said, do", "or narrative in French - as if the English-reading public, who clearly need", "we don't care to know what's being said, do you just like leaving", "said, do you just like leaving us in the dark, or are you", "just like leaving us in the dark, or are you too lazy to", "people think we're all Latin scholars, do you think we don't care to", "in translations of classic works untranslated passages. In English translations of Russian novels", "the Russian translated, are expected to read French. Latin phrases are almost never", "what's being said, do you just like leaving us in the dark, or", "passages. In English translations of Russian novels I find dialogue or narrative in", "think we're all Latin scholars, do you think we don't care to know", "need the Russian translated, are expected to read French. Latin phrases are almost", "being said, do you just like leaving us in the dark, or are", "dialogue or narrative in French - as if the English-reading public, who clearly", "untranslated passages. In English translations of Russian novels I find dialogue or narrative", "are expected to read French. Latin phrases are almost never translated. Do you", "of Russian novels I find dialogue or narrative in French - as if", "the English-reading public, who clearly need the Russian translated, are expected to read", "English-reading public, who clearly need the Russian translated, are expected to read French.", "translated, are expected to read French. Latin phrases are almost never translated. Do", "you think we don't care to know what's being said, do you just", "to know what's being said, do you just like leaving us in the", "you just like leaving us in the dark, or are you too lazy", "Do you people think we're all Latin scholars, do you think we don't", "of classic works untranslated passages. In English translations of Russian novels I find", "who clearly need the Russian translated, are expected to read French. Latin phrases", "all Latin scholars, do you think we don't care to know what's being", "to read French. Latin phrases are almost never translated. Do you people think", "don't care to know what's being said, do you just like leaving us", "works untranslated passages. In English translations of Russian novels I find dialogue or", "translated. Do you people think we're all Latin scholars, do you think we", "classic works untranslated passages. In English translations of Russian novels I find dialogue", "do you just like leaving us in the dark, or are you too", "Russian novels I find dialogue or narrative in French - as if the", "French - as if the English-reading public, who clearly need the Russian translated,", "Latin phrases are almost never translated. Do you people think we're all Latin", "do you think we don't care to know what's being said, do you", "care to know what's being said, do you just like leaving us in", "we're all Latin scholars, do you think we don't care to know what's", "leaving us in the dark, or are you too lazy to convey those", "you people think we're all Latin scholars, do you think we don't care", "know what's being said, do you just like leaving us in the dark,", "French. Latin phrases are almost never translated. Do you people think we're all", "read French. Latin phrases are almost never translated. Do you people think we're", "in French - as if the English-reading public, who clearly need the Russian", "are almost never translated. Do you people think we're all Latin scholars, do", "English translations of Russian novels I find dialogue or narrative in French -", "find in translations of classic works untranslated passages. In English translations of Russian", "clearly need the Russian translated, are expected to read French. Latin phrases are", "almost never translated. Do you people think we're all Latin scholars, do you", "find dialogue or narrative in French - as if the English-reading public, who", "narrative in French - as if the English-reading public, who clearly need the", "I constantly find in translations of classic works untranslated passages. In English translations", "novels I find dialogue or narrative in French - as if the English-reading", "if the English-reading public, who clearly need the Russian translated, are expected to", "public, who clearly need the Russian translated, are expected to read French. Latin", "translations of classic works untranslated passages. In English translations of Russian novels I", "constantly find in translations of classic works untranslated passages. In English translations of", "translations of Russian novels I find dialogue or narrative in French - as", "I find dialogue or narrative in French - as if the English-reading public,", "Russian translated, are expected to read French. Latin phrases are almost never translated.", "phrases are almost never translated. Do you people think we're all Latin scholars,", "Latin scholars, do you think we don't care to know what's being said,", "us in the dark, or are you too lazy to convey those passages?", "- as if the English-reading public, who clearly need the Russian translated, are", "In English translations of Russian novels I find dialogue or narrative in French", "think we don't care to know what's being said, do you just like", "like leaving us in the dark, or are you too lazy to convey", "expected to read French. Latin phrases are almost never translated. Do you people", "as if the English-reading public, who clearly need the Russian translated, are expected" ]
[ "value? Does the fact that the psychological crisis occurs in Act III make", "each of the three acts. That is, a physical crisis in Act I,", "greatest crisis? Or is a psychological crisis, in fact the greatest of the", "working on a screenplay in which the protagonist has to surmount a crisis", "Act II, and woman against herself in Act III. Can the three crises", "\"equal\" value? Does the fact that the psychological crisis occurs in Act III", "and a psychological crisis in Act III. Or, in storytelling language, Woman against", "crisis, in fact the greatest of the three crises, and therefore appropriately placed", "Act II, and a psychological crisis in Act III. Or, in storytelling language,", "storytelling language, Woman against nature in Act I, woman against men in Act", "a psychological crisis, in fact the greatest of the three crises, and therefore", "a social crisis in Act II, and a psychological crisis in Act III.", "be regarded as having \"equal\" value? Does the fact that the psychological crisis", "in Act III. Can the three crises be regarded as having \"equal\" value?", "Or, in storytelling language, Woman against nature in Act I, woman against men", "herself in Act III. Can the three crises be regarded as having \"equal\"", "II, and a psychological crisis in Act III. Or, in storytelling language, Woman", "screenplay in which the protagonist has to surmount a crisis in each of", "to surmount a crisis in each of the three acts. That is, a", "and woman against herself in Act III. Can the three crises be regarded", "Does the fact that the psychological crisis occurs in Act III make it", "Can the three crises be regarded as having \"equal\" value? Does the fact", "psychological crisis, in fact the greatest of the three crises, and therefore appropriately", "which the protagonist has to surmount a crisis in each of the three", "Act III make it the greatest crisis? Or is a psychological crisis, in", "in storytelling language, Woman against nature in Act I, woman against men in", "the psychological crisis occurs in Act III make it the greatest crisis? Or", "the three crises be regarded as having \"equal\" value? Does the fact that", "in which the protagonist has to surmount a crisis in each of the", "a screenplay in which the protagonist has to surmount a crisis in each", "crisis? Or is a psychological crisis, in fact the greatest of the three", "am working on a screenplay in which the protagonist has to surmount a", "the fact that the psychological crisis occurs in Act III make it the", "III. Can the three crises be regarded as having \"equal\" value? Does the", "III make it the greatest crisis? Or is a psychological crisis, in fact", "Act I, a social crisis in Act II, and a psychological crisis in", "men in Act II, and woman against herself in Act III. Can the", "the three acts. That is, a physical crisis in Act I, a social", "acts. That is, a physical crisis in Act I, a social crisis in", "Act III. Can the three crises be regarded as having \"equal\" value? Does", "I, woman against men in Act II, and woman against herself in Act", "fact that the psychological crisis occurs in Act III make it the greatest", "crisis in each of the three acts. That is, a physical crisis in", "in Act I, woman against men in Act II, and woman against herself", "the greatest crisis? Or is a psychological crisis, in fact the greatest of", "a crisis in each of the three acts. That is, a physical crisis", "psychological crisis in Act III. Or, in storytelling language, Woman against nature in", "as having \"equal\" value? Does the fact that the psychological crisis occurs in", "against herself in Act III. Can the three crises be regarded as having", "II, and woman against herself in Act III. Can the three crises be", "language, Woman against nature in Act I, woman against men in Act II,", "having \"equal\" value? Does the fact that the psychological crisis occurs in Act", "physical crisis in Act I, a social crisis in Act II, and a", "regarded as having \"equal\" value? Does the fact that the psychological crisis occurs", "that the psychological crisis occurs in Act III make it the greatest crisis?", "nature in Act I, woman against men in Act II, and woman against", "a psychological crisis in Act III. Or, in storytelling language, Woman against nature", "it the greatest crisis? Or is a psychological crisis, in fact the greatest", "crisis in Act II, and a psychological crisis in Act III. Or, in", "psychological crisis occurs in Act III make it the greatest crisis? Or is", "in Act III. Or, in storytelling language, Woman against nature in Act I,", "crisis in Act III. Or, in storytelling language, Woman against nature in Act", "on a screenplay in which the protagonist has to surmount a crisis in", "social crisis in Act II, and a psychological crisis in Act III. Or,", "fact the greatest of the three crises, and therefore appropriately placed in Act", "in Act III make it the greatest crisis? Or is a psychological crisis,", "is, a physical crisis in Act I, a social crisis in Act II,", "against men in Act II, and woman against herself in Act III. Can", "Woman against nature in Act I, woman against men in Act II, and", "against nature in Act I, woman against men in Act II, and woman", "of the three acts. That is, a physical crisis in Act I, a", "That is, a physical crisis in Act I, a social crisis in Act", "surmount a crisis in each of the three acts. That is, a physical", "a physical crisis in Act I, a social crisis in Act II, and", "in Act II, and a psychological crisis in Act III. Or, in storytelling", "protagonist has to surmount a crisis in each of the three acts. That", "three crises be regarded as having \"equal\" value? Does the fact that the", "make it the greatest crisis? Or is a psychological crisis, in fact the", "in fact the greatest of the three crises, and therefore appropriately placed in", "III. Or, in storytelling language, Woman against nature in Act I, woman against", "has to surmount a crisis in each of the three acts. That is,", "in Act I, a social crisis in Act II, and a psychological crisis", "the greatest of the three crises, and therefore appropriately placed in Act III?", "woman against men in Act II, and woman against herself in Act III.", "the protagonist has to surmount a crisis in each of the three acts.", "woman against herself in Act III. Can the three crises be regarded as", "I am working on a screenplay in which the protagonist has to surmount", "is a psychological crisis, in fact the greatest of the three crises, and", "Act I, woman against men in Act II, and woman against herself in", "I, a social crisis in Act II, and a psychological crisis in Act", "Act III. Or, in storytelling language, Woman against nature in Act I, woman", "in Act II, and woman against herself in Act III. Can the three", "crises be regarded as having \"equal\" value? Does the fact that the psychological", "occurs in Act III make it the greatest crisis? Or is a psychological", "Or is a psychological crisis, in fact the greatest of the three crises,", "three acts. That is, a physical crisis in Act I, a social crisis", "in each of the three acts. That is, a physical crisis in Act", "crisis in Act I, a social crisis in Act II, and a psychological", "crisis occurs in Act III make it the greatest crisis? Or is a" ]
[ "For the past seven years or so I’ve been working as some form", "is a better way to express my ideas and I'd like to change", "a feeling that there is a better way to express my ideas and", "style up. What are some suggestions to do so? Alternatively, is this a", "in the field it’s my responsibility to take a > user-centered approach to", "usability studies. > > > As a practitioner in the field it’s my", "form of > interface designer which makes me a practitioner in the field", "I consistently use the word which to explain concepts. I have a feeling", "my responsibility to take a > user-centered approach to my work which makes", "user-centered approach to my work which makes this paper an > interesting topic", "to my work which makes this paper an > interesting topic to write", "there is a better way to express my ideas and I'd like to", "as some form of > interface designer which makes me a practitioner in", "that there is a better way to express my ideas and I'd like", "do so? Alternatively, is this a non-issue and totally fine writing style? Here", "practitioner in the field it’s my responsibility to take a > user-centered approach", "past seven years or so I’ve been working as some form of >", "change my writing style up. What are some suggestions to do so? Alternatively,", "are some suggestions to do so? Alternatively, is this a non-issue and totally", "use the word which to explain concepts. I have a feeling that there", "and I'd like to change my writing style up. What are some suggestions", "a lot of graduate school papers and I've noticed that I consistently use", "of > usability studies. > > > As a practitioner in the field", "take a > user-centered approach to my work which makes this paper an", "better way to express my ideas and I'd like to change my writing", "and totally fine writing style? Here are some examples: > > For the", "some form of > interface designer which makes me a practitioner in the", "a > user-centered approach to my work which makes this paper an >", "my work which makes this paper an > interesting topic to write about.", "some examples: > > For the past seven years or so I’ve been", "of > interface designer which makes me a practitioner in the field of", "a better way to express my ideas and I'd like to change my", "way to express my ideas and I'd like to change my writing style", "writing style? Here are some examples: > > For the past seven years", "consistently use the word which to explain concepts. I have a feeling that", "the field it’s my responsibility to take a > user-centered approach to my", "approach to my work which makes this paper an > interesting topic to", "some suggestions to do so? Alternatively, is this a non-issue and totally fine", "makes me a practitioner in the field of > usability studies. > >", "like to change my writing style up. What are some suggestions to do", "me a practitioner in the field of > usability studies. > > >", "the field of > usability studies. > > > As a practitioner in", "to change my writing style up. What are some suggestions to do so?", "practitioner in the field of > usability studies. > > > As a", "and I've noticed that I consistently use the word which to explain concepts.", "a non-issue and totally fine writing style? Here are some examples: > >", "interface designer which makes me a practitioner in the field of > usability", "the past seven years or so I’ve been working as some form of", "fine writing style? Here are some examples: > > For the past seven", "I have a feeling that there is a better way to express my", "> > > As a practitioner in the field it’s my responsibility to", "papers and I've noticed that I consistently use the word which to explain", "ideas and I'd like to change my writing style up. What are some", "to do so? Alternatively, is this a non-issue and totally fine writing style?", "concepts. I have a feeling that there is a better way to express", "school papers and I've noticed that I consistently use the word which to", "> > As a practitioner in the field it’s my responsibility to take", "writing style up. What are some suggestions to do so? Alternatively, is this", "> usability studies. > > > As a practitioner in the field it’s", "> interface designer which makes me a practitioner in the field of >", "been recently writing a lot of graduate school papers and I've noticed that", "As a practitioner in the field it’s my responsibility to take a >", "Alternatively, is this a non-issue and totally fine writing style? Here are some", "work which makes this paper an > interesting topic to write about. >", "to take a > user-centered approach to my work which makes this paper", "> For the past seven years or so I’ve been working as some", "been working as some form of > interface designer which makes me a", "feeling that there is a better way to express my ideas and I'd", "studies. > > > As a practitioner in the field it’s my responsibility", "I've been recently writing a lot of graduate school papers and I've noticed", "have a feeling that there is a better way to express my ideas", "non-issue and totally fine writing style? Here are some examples: > > For", "noticed that I consistently use the word which to explain concepts. I have", "is this a non-issue and totally fine writing style? Here are some examples:", "designer which makes me a practitioner in the field of > usability studies.", "field it’s my responsibility to take a > user-centered approach to my work", "examples: > > For the past seven years or so I’ve been working", "seven years or so I’ve been working as some form of > interface", "I'd like to change my writing style up. What are some suggestions to", "graduate school papers and I've noticed that I consistently use the word which", "which to explain concepts. I have a feeling that there is a better", "to express my ideas and I'd like to change my writing style up.", "I've noticed that I consistently use the word which to explain concepts. I", "totally fine writing style? Here are some examples: > > For the past", "explain concepts. I have a feeling that there is a better way to", "style? Here are some examples: > > For the past seven years or", "recently writing a lot of graduate school papers and I've noticed that I", "so I’ve been working as some form of > interface designer which makes", "this a non-issue and totally fine writing style? Here are some examples: >", "which makes me a practitioner in the field of > usability studies. >", "> user-centered approach to my work which makes this paper an > interesting", "a practitioner in the field of > usability studies. > > > As", "in the field of > usability studies. > > > As a practitioner", "which makes this paper an > interesting topic to write about. > >", "What are some suggestions to do so? Alternatively, is this a non-issue and", "> As a practitioner in the field it’s my responsibility to take a", "that I consistently use the word which to explain concepts. I have a", "my writing style up. What are some suggestions to do so? Alternatively, is", "up. What are some suggestions to do so? Alternatively, is this a non-issue", "field of > usability studies. > > > As a practitioner in the", "responsibility to take a > user-centered approach to my work which makes this", "years or so I’ve been working as some form of > interface designer", "> > For the past seven years or so I’ve been working as", "to explain concepts. I have a feeling that there is a better way", "a practitioner in the field it’s my responsibility to take a > user-centered", "writing a lot of graduate school papers and I've noticed that I consistently", "word which to explain concepts. I have a feeling that there is a", "working as some form of > interface designer which makes me a practitioner", "of graduate school papers and I've noticed that I consistently use the word", "my ideas and I'd like to change my writing style up. What are", "suggestions to do so? Alternatively, is this a non-issue and totally fine writing", "lot of graduate school papers and I've noticed that I consistently use the", "the word which to explain concepts. I have a feeling that there is", "are some examples: > > For the past seven years or so I’ve", "so? Alternatively, is this a non-issue and totally fine writing style? Here are", "express my ideas and I'd like to change my writing style up. What", "I’ve been working as some form of > interface designer which makes me", "makes this paper an > interesting topic to write about. > > >", "it’s my responsibility to take a > user-centered approach to my work which", "or so I’ve been working as some form of > interface designer which", "Here are some examples: > > For the past seven years or so" ]
[ "who is actually writing on behalf of the protagonist distance myself from the", "towards First Person) One of the limitations of the protagonist is that he", "limitations of the protagonist is that he is a poor communicator and this", "can I the author who is actually writing on behalf of the protagonist", "he is a poor communicator and this impacts his relationships. My question is", "author who is actually writing on behalf of the protagonist distance myself from", "how can the protagonist, who is a poor communicator tell the story that", "is - how can the protagonist, who is a poor communicator tell the", "inclined towards First Person) One of the limitations of the protagonist is that", "Person (and inclined towards First Person) One of the limitations of the protagonist", "writing on behalf of the protagonist distance myself from the protagonist. Author is", "be a fine narrative? how can I the author who is actually writing", "the author who is actually writing on behalf of the protagonist distance myself", "how can I the author who is actually writing on behalf of the", "is actually writing on behalf of the protagonist distance myself from the protagonist.", "fine narrative? how can I the author who is actually writing on behalf", "of the protagonist is that he is a poor communicator and this impacts", "is a poor communicator tell the story that will be a fine narrative?", "distance myself from the protagonist. Author is a great story teller, but protagonist", "of the protagonist distance myself from the protagonist. Author is a great story", "I am deciding between First Person and Third Person (and inclined towards First", "protagonist is that he is a poor communicator and this impacts his relationships.", "can the protagonist, who is a poor communicator tell the story that will", "I the author who is actually writing on behalf of the protagonist distance", "the protagonist is that he is a poor communicator and this impacts his", "is that he is a poor communicator and this impacts his relationships. My", "protagonist distance myself from the protagonist. Author is a great story teller, but", "actually writing on behalf of the protagonist distance myself from the protagonist. Author", "the protagonist distance myself from the protagonist. Author is a great story teller,", "from the protagonist. Author is a great story teller, but protagonist is not.", "First Person) One of the limitations of the protagonist is that he is", "First Person and Third Person (and inclined towards First Person) One of the", "impacts his relationships. My question is - how can the protagonist, who is", "the story that will be a fine narrative? how can I the author", "this impacts his relationships. My question is - how can the protagonist, who", "My question is - how can the protagonist, who is a poor communicator", "is a poor communicator and this impacts his relationships. My question is -", "a fine narrative? how can I the author who is actually writing on", "who is a poor communicator tell the story that will be a fine", "One of the limitations of the protagonist is that he is a poor", "that will be a fine narrative? how can I the author who is", "narrative? how can I the author who is actually writing on behalf of", "protagonist, who is a poor communicator tell the story that will be a", "of the limitations of the protagonist is that he is a poor communicator", "question is - how can the protagonist, who is a poor communicator tell", "on behalf of the protagonist distance myself from the protagonist. Author is a", "story that will be a fine narrative? how can I the author who", "am deciding between First Person and Third Person (and inclined towards First Person)", "communicator and this impacts his relationships. My question is - how can the", "and this impacts his relationships. My question is - how can the protagonist,", "tell the story that will be a fine narrative? how can I the", "will be a fine narrative? how can I the author who is actually", "myself from the protagonist. Author is a great story teller, but protagonist is", "his relationships. My question is - how can the protagonist, who is a", "Person and Third Person (and inclined towards First Person) One of the limitations", "poor communicator and this impacts his relationships. My question is - how can", "a poor communicator tell the story that will be a fine narrative? how", "between First Person and Third Person (and inclined towards First Person) One of", "poor communicator tell the story that will be a fine narrative? how can", "the limitations of the protagonist is that he is a poor communicator and", "deciding between First Person and Third Person (and inclined towards First Person) One", "(and inclined towards First Person) One of the limitations of the protagonist is", "a poor communicator and this impacts his relationships. My question is - how", "and Third Person (and inclined towards First Person) One of the limitations of", "Third Person (and inclined towards First Person) One of the limitations of the", "relationships. My question is - how can the protagonist, who is a poor", "- how can the protagonist, who is a poor communicator tell the story", "Person) One of the limitations of the protagonist is that he is a", "the protagonist, who is a poor communicator tell the story that will be", "communicator tell the story that will be a fine narrative? how can I", "that he is a poor communicator and this impacts his relationships. My question", "behalf of the protagonist distance myself from the protagonist. Author is a great" ]
[ "the first person? How do I create the differentiation between me the author,", "I am deciding between first and third person narration for a book (and", "of the limitations of the protagonist is that he is not a great", "person). One of the limitations of the protagonist is that he is not", "and third person narration for a book (and am inclined to write in", "narrative in the first person? How do I create the differentiation between me", "book (and am inclined to write in the first person). One of the", "then write a fine narrative in the first person? How do I create", "significant way. My question is: can he then write a fine narrative in", "of the protagonist is that he is not a great communicator, and this", "person? How do I create the differentiation between me the author, who is", "differentiation between me the author, who is actually writing the book, and the", "a book (and am inclined to write in the first person). One of", "the first person). One of the limitations of the protagonist is that he", "that he is not a great communicator, and this impacts his relationships in", "person narration for a book (and am inclined to write in the first", "the differentiation between me the author, who is actually writing the book, and", "book, and the voice of the protagonist who is supposed to be narrating", "is not a great communicator, and this impacts his relationships in a significant", "do I create the differentiation between me the author, who is actually writing", "author, who is actually writing the book, and the voice of the protagonist", "(and am inclined to write in the first person). One of the limitations", "am deciding between first and third person narration for a book (and am", "actually writing the book, and the voice of the protagonist who is supposed", "writing the book, and the voice of the protagonist who is supposed to", "he is not a great communicator, and this impacts his relationships in a", "can he then write a fine narrative in the first person? How do", "How do I create the differentiation between me the author, who is actually", "communicator, and this impacts his relationships in a significant way. My question is:", "a great communicator, and this impacts his relationships in a significant way. My", "question is: can he then write a fine narrative in the first person?", "in a significant way. My question is: can he then write a fine", "between me the author, who is actually writing the book, and the voice", "the voice of the protagonist who is supposed to be narrating the story?", "between first and third person narration for a book (and am inclined to", "create the differentiation between me the author, who is actually writing the book,", "great communicator, and this impacts his relationships in a significant way. My question", "the protagonist is that he is not a great communicator, and this impacts", "write in the first person). One of the limitations of the protagonist is", "the limitations of the protagonist is that he is not a great communicator,", "protagonist is that he is not a great communicator, and this impacts his", "first person? How do I create the differentiation between me the author, who", "a fine narrative in the first person? How do I create the differentiation", "narration for a book (and am inclined to write in the first person).", "and the voice of the protagonist who is supposed to be narrating the", "the book, and the voice of the protagonist who is supposed to be", "deciding between first and third person narration for a book (and am inclined", "limitations of the protagonist is that he is not a great communicator, and", "write a fine narrative in the first person? How do I create the", "to write in the first person). One of the limitations of the protagonist", "I create the differentiation between me the author, who is actually writing the", "is actually writing the book, and the voice of the protagonist who is", "he then write a fine narrative in the first person? How do I", "inclined to write in the first person). One of the limitations of the", "his relationships in a significant way. My question is: can he then write", "One of the limitations of the protagonist is that he is not a", "for a book (and am inclined to write in the first person). One", "not a great communicator, and this impacts his relationships in a significant way.", "me the author, who is actually writing the book, and the voice of", "is that he is not a great communicator, and this impacts his relationships", "first person). One of the limitations of the protagonist is that he is", "in the first person). One of the limitations of the protagonist is that", "who is actually writing the book, and the voice of the protagonist who", "a significant way. My question is: can he then write a fine narrative", "am inclined to write in the first person). One of the limitations of", "third person narration for a book (and am inclined to write in the", "relationships in a significant way. My question is: can he then write a", "way. My question is: can he then write a fine narrative in the", "My question is: can he then write a fine narrative in the first", "is: can he then write a fine narrative in the first person? How", "impacts his relationships in a significant way. My question is: can he then", "and this impacts his relationships in a significant way. My question is: can", "this impacts his relationships in a significant way. My question is: can he", "first and third person narration for a book (and am inclined to write", "in the first person? How do I create the differentiation between me the", "fine narrative in the first person? How do I create the differentiation between", "the author, who is actually writing the book, and the voice of the" ]
[ "watch out for? Addendum I have had time in the intervening days to", "web content and book outlines on the device and so far it is", "interesting and am wondering whether to pursue writing on the device for those", "professional importance [1] Important in my case to avoid time spent typing up", "of more than just a phone for jotting notes. I've found the keyboard", "pursue writing on the device for those aspects in particular. Question Do people", "problematic so far. While I would be more comfortable at a laptop, the", "useless in comparison) and at-desk laptop sessions (with all the other distractions that", "of the Psion and its complete lack of distractions might still win out", "book outlines on the device and so far it is fitting into the", "into the gap between phone notes (almost useless in comparison) and at-desk laptop", "PCs to write -- [0] i.e. of personal or professional importance [1] Important", "keyboard a little 'viscose' at first, but am slowly getting used to it.", "the other distractions that entails) very well. I'd be keen to hear impressions", "have written books and articles for publication on them. It is the distraction-free", "picked up a second hand Psion 5MX with the intention of using it", "be keen to hear impressions of others who are straying away from their", "than just a phone for jotting notes. I've found the keyboard a little", "-- [0] i.e. of personal or professional importance [1] Important in my case", "and book outlines on the device and so far it is fitting into", "the pitfalls to watch out for? Addendum I have had time in the", "need of more than just a phone for jotting notes. I've found the", "in the end. I've heard people claim to have written books and articles", "hear impressions of others who are straying away from their PCs to write", "the device for those aspects in particular. Question Do people write substantial[0] works", "I've just picked up a second hand Psion 5MX with the intention of", "on them. It is the distraction-free and long-life aspect I find interesting and", "a laptop, the 25-40 hour battery life of the Psion and its complete", "and am wondering whether to pursue writing on the device for those aspects", "most important (either in the device or in how you use it), and", "the gap between phone notes (almost useless in comparison) and at-desk laptop sessions", "slowly getting used to it. It's registering the spacebar hits that seems to", "is fitting into the gap between phone notes (almost useless in comparison) and", "the device or in how you use it), and what are the pitfalls", "I find interesting and am wondering whether to pursue writing on the device", "to pursue writing on the device for those aspects in particular. Question Do", "be the most problematic so far. While I would be more comfortable at", "with the intention of using it to fit in the gap between when", "so far. While I would be more comfortable at a laptop, the 25-40", "still win out in the end. I've heard people claim to have written", "fitting into the gap between phone notes (almost useless in comparison) and at-desk", "far. While I would be more comfortable at a laptop, the 25-40 hour", "(with all the other distractions that entails) very well. I'd be keen to", "phone for jotting notes. I've found the keyboard a little 'viscose' at first,", "used to it. It's registering the spacebar hits that seems to be the", "entails) very well. I'd be keen to hear impressions of others who are", "you use it), and what are the pitfalls to watch out for? Addendum", "to watch out for? Addendum I have had time in the intervening days", "spacebar hits that seems to be the most problematic so far. While I", "and when in need of more than just a phone for jotting notes.", "and its complete lack of distractions might still win out in the end.", "am slowly getting used to it. It's registering the spacebar hits that seems", "aspect I find interesting and am wondering whether to pursue writing on the", "hand Psion 5MX with the intention of using it to fit in the", "at a desk/laptop and when in need of more than just a phone", "life of the Psion and its complete lack of distractions might still win", "distractions might still win out in the end. I've heard people claim to", "Psion 5MX with the intention of using it to fit in the gap", "impressions of others who are straying away from their PCs to write --", "are not laptops? If so, what factors are most important (either in the", "gap between phone notes (almost useless in comparison) and at-desk laptop sessions (with", "people write substantial[0] works on electronic devices[1] like these that are not laptops?", "away from their PCs to write -- [0] i.e. of personal or professional", "the distraction-free and long-life aspect I find interesting and am wondering whether to", "their PCs to write -- [0] i.e. of personal or professional importance [1]", "the end. I've heard people claim to have written books and articles for", "the gap between when not at a desk/laptop and when in need of", "5MX with the intention of using it to fit in the gap between", "device or in how you use it), and what are the pitfalls to", "[1] Important in my case to avoid time spent typing up from paper.", "who are straying away from their PCs to write -- [0] i.e. of", "'viscose' at first, but am slowly getting used to it. It's registering the", "the 25-40 hour battery life of the Psion and its complete lack of", "personal or professional importance [1] Important in my case to avoid time spent", "other distractions that entails) very well. I'd be keen to hear impressions of", "whether to pursue writing on the device for those aspects in particular. Question", "that are not laptops? If so, what factors are most important (either in", "factors are most important (either in the device or in how you use", "and what are the pitfalls to watch out for? Addendum I have had", "the intervening days to type up some web content and book outlines on", "for those aspects in particular. Question Do people write substantial[0] works on electronic", "sessions (with all the other distractions that entails) very well. I'd be keen", "between phone notes (almost useless in comparison) and at-desk laptop sessions (with all", "i.e. of personal or professional importance [1] Important in my case to avoid", "have had time in the intervening days to type up some web content", "find interesting and am wondering whether to pursue writing on the device for", "just picked up a second hand Psion 5MX with the intention of using", "gap between when not at a desk/laptop and when in need of more", "when not at a desk/laptop and when in need of more than just", "Do people write substantial[0] works on electronic devices[1] like these that are not", "phone notes (almost useless in comparison) and at-desk laptop sessions (with all the", "very well. I'd be keen to hear impressions of others who are straying", "time in the intervening days to type up some web content and book", "I've found the keyboard a little 'viscose' at first, but am slowly getting", "long-life aspect I find interesting and am wondering whether to pursue writing on", "would be more comfortable at a laptop, the 25-40 hour battery life of", "most problematic so far. While I would be more comfortable at a laptop,", "type up some web content and book outlines on the device and so", "it is fitting into the gap between phone notes (almost useless in comparison)", "particular. Question Do people write substantial[0] works on electronic devices[1] like these that", "write substantial[0] works on electronic devices[1] like these that are not laptops? If", "found the keyboard a little 'viscose' at first, but am slowly getting used", "might still win out in the end. I've heard people claim to have", "the spacebar hits that seems to be the most problematic so far. While", "of using it to fit in the gap between when not at a", "and long-life aspect I find interesting and am wondering whether to pursue writing", "and so far it is fitting into the gap between phone notes (almost", "end. I've heard people claim to have written books and articles for publication", "claim to have written books and articles for publication on them. It is", "these that are not laptops? If so, what factors are most important (either", "had time in the intervening days to type up some web content and", "well. I'd be keen to hear impressions of others who are straying away", "in the gap between when not at a desk/laptop and when in need", "to type up some web content and book outlines on the device and", "like these that are not laptops? If so, what factors are most important", "I've heard people claim to have written books and articles for publication on", "in need of more than just a phone for jotting notes. I've found", "not at a desk/laptop and when in need of more than just a", "between when not at a desk/laptop and when in need of more than", "days to type up some web content and book outlines on the device", "to hear impressions of others who are straying away from their PCs to", "at first, but am slowly getting used to it. It's registering the spacebar", "for jotting notes. I've found the keyboard a little 'viscose' at first, but", "battery life of the Psion and its complete lack of distractions might still", "far it is fitting into the gap between phone notes (almost useless in", "some web content and book outlines on the device and so far it", "at-desk laptop sessions (with all the other distractions that entails) very well. I'd", "those aspects in particular. Question Do people write substantial[0] works on electronic devices[1]", "[0] i.e. of personal or professional importance [1] Important in my case to", "jotting notes. I've found the keyboard a little 'viscose' at first, but am", "I would be more comfortable at a laptop, the 25-40 hour battery life", "it), and what are the pitfalls to watch out for? Addendum I have", "are the pitfalls to watch out for? Addendum I have had time in", "content and book outlines on the device and so far it is fitting", "a desk/laptop and when in need of more than just a phone for", "outlines on the device and so far it is fitting into the gap", "I have had time in the intervening days to type up some web", "at a laptop, the 25-40 hour battery life of the Psion and its", "laptop, the 25-40 hour battery life of the Psion and its complete lack", "straying away from their PCs to write -- [0] i.e. of personal or", "written books and articles for publication on them. It is the distraction-free and", "the most problematic so far. While I would be more comfortable at a", "not laptops? If so, what factors are most important (either in the device", "on the device for those aspects in particular. Question Do people write substantial[0]", "them. It is the distraction-free and long-life aspect I find interesting and am", "so far it is fitting into the gap between phone notes (almost useless", "articles for publication on them. It is the distraction-free and long-life aspect I", "the intention of using it to fit in the gap between when not", "While I would be more comfortable at a laptop, the 25-40 hour battery", "the Psion and its complete lack of distractions might still win out in", "(either in the device or in how you use it), and what are", "heard people claim to have written books and articles for publication on them.", "write -- [0] i.e. of personal or professional importance [1] Important in my", "in the device or in how you use it), and what are the", "use it), and what are the pitfalls to watch out for? Addendum I", "If so, what factors are most important (either in the device or in", "to be the most problematic so far. While I would be more comfortable", "a phone for jotting notes. I've found the keyboard a little 'viscose' at", "it. It's registering the spacebar hits that seems to be the most problematic", "are most important (either in the device or in how you use it),", "registering the spacebar hits that seems to be the most problematic so far.", "writing on the device for those aspects in particular. Question Do people write", "laptops? If so, what factors are most important (either in the device or", "first, but am slowly getting used to it. It's registering the spacebar hits", "win out in the end. I've heard people claim to have written books", "out for? Addendum I have had time in the intervening days to type", "electronic devices[1] like these that are not laptops? If so, what factors are", "fit in the gap between when not at a desk/laptop and when in", "little 'viscose' at first, but am slowly getting used to it. It's registering", "more comfortable at a laptop, the 25-40 hour battery life of the Psion", "hour battery life of the Psion and its complete lack of distractions might", "lack of distractions might still win out in the end. I've heard people", "the device and so far it is fitting into the gap between phone", "in how you use it), and what are the pitfalls to watch out", "device for those aspects in particular. Question Do people write substantial[0] works on", "that seems to be the most problematic so far. While I would be", "for? Addendum I have had time in the intervening days to type up", "be more comfortable at a laptop, the 25-40 hour battery life of the", "notes. I've found the keyboard a little 'viscose' at first, but am slowly", "all the other distractions that entails) very well. I'd be keen to hear", "Psion and its complete lack of distractions might still win out in the", "second hand Psion 5MX with the intention of using it to fit in", "seems to be the most problematic so far. While I would be more", "laptop sessions (with all the other distractions that entails) very well. I'd be", "in the intervening days to type up some web content and book outlines", "to fit in the gap between when not at a desk/laptop and when", "on the device and so far it is fitting into the gap between", "am wondering whether to pursue writing on the device for those aspects in", "intention of using it to fit in the gap between when not at", "wondering whether to pursue writing on the device for those aspects in particular.", "distractions that entails) very well. I'd be keen to hear impressions of others", "to write -- [0] i.e. of personal or professional importance [1] Important in", "I'd be keen to hear impressions of others who are straying away from", "importance [1] Important in my case to avoid time spent typing up from", "on electronic devices[1] like these that are not laptops? If so, what factors", "out in the end. I've heard people claim to have written books and", "books and articles for publication on them. It is the distraction-free and long-life", "when in need of more than just a phone for jotting notes. I've", "a second hand Psion 5MX with the intention of using it to fit", "desk/laptop and when in need of more than just a phone for jotting", "are straying away from their PCs to write -- [0] i.e. of personal", "complete lack of distractions might still win out in the end. I've heard", "for publication on them. It is the distraction-free and long-life aspect I find", "It's registering the spacebar hits that seems to be the most problematic so", "Context I've just picked up a second hand Psion 5MX with the intention", "intervening days to type up some web content and book outlines on the", "getting used to it. It's registering the spacebar hits that seems to be", "devices[1] like these that are not laptops? If so, what factors are most", "in comparison) and at-desk laptop sessions (with all the other distractions that entails)", "its complete lack of distractions might still win out in the end. I've", "hits that seems to be the most problematic so far. While I would", "works on electronic devices[1] like these that are not laptops? If so, what", "comfortable at a laptop, the 25-40 hour battery life of the Psion and", "and articles for publication on them. It is the distraction-free and long-life aspect", "it to fit in the gap between when not at a desk/laptop and", "aspects in particular. Question Do people write substantial[0] works on electronic devices[1] like", "notes (almost useless in comparison) and at-desk laptop sessions (with all the other", "or professional importance [1] Important in my case to avoid time spent typing", "comparison) and at-desk laptop sessions (with all the other distractions that entails) very", "It is the distraction-free and long-life aspect I find interesting and am wondering", "more than just a phone for jotting notes. I've found the keyboard a", "distraction-free and long-life aspect I find interesting and am wondering whether to pursue", "using it to fit in the gap between when not at a desk/laptop", "substantial[0] works on electronic devices[1] like these that are not laptops? If so,", "(almost useless in comparison) and at-desk laptop sessions (with all the other distractions", "Question Do people write substantial[0] works on electronic devices[1] like these that are", "25-40 hour battery life of the Psion and its complete lack of distractions", "the keyboard a little 'viscose' at first, but am slowly getting used to", "in particular. Question Do people write substantial[0] works on electronic devices[1] like these", "what factors are most important (either in the device or in how you", "of distractions might still win out in the end. I've heard people claim", "and at-desk laptop sessions (with all the other distractions that entails) very well.", "to it. It's registering the spacebar hits that seems to be the most", "important (either in the device or in how you use it), and what", "keen to hear impressions of others who are straying away from their PCs", "of others who are straying away from their PCs to write -- [0]", "others who are straying away from their PCs to write -- [0] i.e.", "pitfalls to watch out for? Addendum I have had time in the intervening", "a little 'viscose' at first, but am slowly getting used to it. It's", "so, what factors are most important (either in the device or in how", "is the distraction-free and long-life aspect I find interesting and am wondering whether", "up some web content and book outlines on the device and so far", "up a second hand Psion 5MX with the intention of using it to", "just a phone for jotting notes. I've found the keyboard a little 'viscose'", "what are the pitfalls to watch out for? Addendum I have had time", "or in how you use it), and what are the pitfalls to watch", "Addendum I have had time in the intervening days to type up some", "device and so far it is fitting into the gap between phone notes", "how you use it), and what are the pitfalls to watch out for?", "that entails) very well. I'd be keen to hear impressions of others who", "of personal or professional importance [1] Important in my case to avoid time", "but am slowly getting used to it. It's registering the spacebar hits that", "from their PCs to write -- [0] i.e. of personal or professional importance", "publication on them. It is the distraction-free and long-life aspect I find interesting", "to have written books and articles for publication on them. It is the", "people claim to have written books and articles for publication on them. It" ]
[ "be seen by others. Most of my work is for private use, like", "The main question is, am I able to have something sold on Amazon", "on Amazon (just for example) for say, $5 USD but on the other", "for every little thing they do, would my best bet be just publishing", "would my best bet be just publishing my stories openly, but having something", ".pdf form or likewise? It would be a lot like having something that", "name publisher or anything else but I have ideas that I think should", "openly, but having something like Patreon be an option? Thanks for your time,", "could enjoy in my opinion, something I still have rights to and all", "the book if they liked it to show appreciation. (I imagine there would", "example) for say, $5 USD but on the other hand, have a private", "do, would my best bet be just publishing my stories openly, but having", "anything else but I have ideas that I think should have a chance", "my books may get. I suppose that's another question entirely though. The main", "other hand, have a private blog or personal website, or even an open", "(I imagine there would be ISBN issues between selling and having something free,", "with friends because I'm kind of scared of what kind of reception my", "for free, probably in .pdf form or likewise? It would be a lot", "is for private use, like sharing with friends because I'm kind of scared", "just publishing my stories openly, but having something like Patreon be an option?", "scared of what kind of reception my books may get. I suppose that's", "still have rights to and all of that but people could actually go", "could actually go buy the book if they liked it to show appreciation.", "issues between selling and having something free, though.)* Seeing as a lot of", "inparticular, like to use things like Patreon for every little thing they do,", "have something sold on Amazon (just for example) for say, $5 USD but", "that I think should have a chance to be seen by others. Most", "of scared of what kind of reception my books may get. I suppose", "like DeviantArt for free, probably in .pdf form or likewise? It would be", "like having something that everyone could enjoy in my opinion, something I still", "of reception my books may get. I suppose that's another question entirely though.", "of that but people could actually go buy the book if they liked", "appreciation. (I imagine there would be ISBN issues between selling and having something", "and having something free, though.) Seeing as a lot of people, artists inparticular,", "and all of that but people could actually go buy the book if", "be just publishing my stories openly, but having something like Patreon be an", "write novels, I'm not a big name publisher or anything else but I", "in my opinion, something I still have rights to and all of that", "may get. I suppose that's another question entirely though. The main question is,", "is, am I able to have something sold on Amazon (just for example)", "others. Most of my work is for private use, like sharing with friends", "another question entirely though. The main question is, am I able to have", "that but people could actually go buy the book if they liked it", "reception my books may get. I suppose that's another question entirely though. The", "between selling and having something free, though.)* Seeing as a lot of people,", "having something like Patreon be an option? Thanks for your time, have a", "have ideas that I think should have a chance to be seen by", "USD but on the other hand, have a private blog or personal website,", "something free, though.)* Seeing as a lot of people, artists inparticular, like to", "a lot like having something that everyone could enjoy in my opinion, something", "main question is, am I able to have something sold on Amazon (just", "publisher or anything else but I have ideas that I think should have", "work is for private use, like sharing with friends because I'm kind of", "to and all of that but people could actually go buy the book", "site like DeviantArt for free, probably in .pdf form or likewise? It would", "kind of scared of what kind of reception my books may get. I", "novels, I'm not a big name publisher or anything else but I have", "of my work is for private use, like sharing with friends because I'm", "artists inparticular, like to use things like Patreon for every little thing they", "stories openly, but having something like Patreon be an option? Thanks for your", "source art site like DeviantArt for free, probably in .pdf form or likewise?", "have a private blog or personal website, or even an open source art", "a private blog or personal website, or even an open source art site", "bet be just publishing my stories openly, but having something like Patreon be", "art site like DeviantArt for free, probably in .pdf form or likewise? It", "everyone could enjoy in my opinion, something I still have rights to and", "Seeing as a lot of people, artists inparticular, like to use things *like", "having something free, though.) Seeing as a lot of people, artists inparticular, like", "they liked it to show appreciation. (I imagine there would be ISBN issues", "I suppose that's another question entirely though. The main* question is, am I", "best bet be just publishing my stories openly, but having something like Patreon", "but people could actually go buy the book if they liked it to", "go buy the book if they liked it to show appreciation. (I imagine", "blog or personal website, or even an open source art site like DeviantArt", "books may get. I suppose that's another question entirely though. The main* question", "would be ISBN issues between selling and having something free, though.)* Seeing as", "free, though.)* Seeing as a lot of people, artists inparticular, like to use", "people, artists inparticular, like to use things like Patreon for every little thing", "in .pdf form or likewise? It would be a lot like having something", "my work is for private use, like sharing with friends because I'm kind", "use, like sharing with friends because I'm kind of scared of what kind", "not a big name publisher or anything else but I have ideas that", "private use, like sharing with friends because I'm kind of scared of what", "use things like Patreon for every little thing they do, would my best", "imagine there would be ISBN issues between selling and having something free, though.)", "website, or even an open source art site like DeviantArt for free, probably", "Patreon* for every little thing they do, would my best bet be just", "to be seen by others. Most of my work is for private use,", "question is, am I able to have something sold on Amazon (just for", "$5 USD but on the other hand, have a private blog or personal", "personal website, or even an open source art site like DeviantArt for free,", "or even an open source art site like DeviantArt for free, probably in", "It would be a lot like having something that everyone could enjoy in", "because I'm kind of scared of what kind of reception my books may", "there would be ISBN issues between selling and having something free, though.)* Seeing", "a lot of people, artists inparticular, like to use things like Patreon for", "things like Patreon for every little thing they do, would my best bet", "I have ideas that I think should have a chance to be seen", "I think should have a chance to be seen by others. Most of", "to use things like Patreon for every little thing they do, would my", "have a chance to be seen by others. Most of my work is", "ISBN issues between selling and having something free, though.)* Seeing as a lot", "or likewise? It would be a lot like having something that everyone could", "on the other hand, have a private blog or personal website, or even", "be an option? Thanks for your time, have a nice day or night.", "open source art site like DeviantArt for free, probably in .pdf form or", "free, probably in .pdf form or likewise? It would be a lot like", "of what kind of reception my books may get. I suppose that's another", "Most of my work is for private use, like sharing with friends because", "kind of reception my books may get. I suppose that's another question entirely", "having something that everyone could enjoy in my opinion, something I still have", "my best bet be just publishing my stories openly, but having something like", "get. I suppose that's another question entirely though. The main question is, am", "liked it to show appreciation. (I imagine there would be ISBN issues between", "rights to and all of that but people could actually go buy the", "something like Patreon be an option? Thanks for your time, have a nice", "like Patreon be an option? Thanks for your time, have a nice day", "lot like having something that everyone could enjoy in my opinion, something I", "have rights to and all of that but people could actually go buy", "to show appreciation. (I imagine there would be ISBN issues between selling and", "something I still have rights to and all of that but people could", "book if they liked it to show appreciation. (I imagine there would be", "I'm not a big name publisher or anything else but I have ideas", "(just for example) for say, $5 USD but on the other hand, have", "for example) for say, $5 USD but on the other hand, have a", "they do, would my best bet be just publishing my stories openly, but", "chance to be seen by others. Most of my work is for private", "to have something sold on Amazon (just for example) for say, $5 USD", "DeviantArt for free, probably in .pdf form or likewise? It would be a", "that everyone could enjoy in my opinion, something I still have rights to", "suppose that's another question entirely though. The main* question is, am I able", "Amazon (just for example) for say, $5 USD but on the other hand,", "publishing my stories openly, but having something like Patreon be an option? Thanks", "though. The main question is, am I able to have something sold on", "say, $5 USD but on the other hand, have a private blog or", "the other hand, have a private blog or personal website, or even an", "buy the book if they liked it to show appreciation. (I imagine there", "selling and having something free, though.) Seeing as a lot of people, artists", "I still have rights to and all of that but people could actually", "should have a chance to be seen by others. Most of my work", "as a lot of people, artists inparticular, like to use things like Patreon", "opinion, something I still have rights to and all of that but people", "be a lot like having something that everyone could enjoy in my opinion,", "show appreciation. (I imagine there would be ISBN issues between selling and having", "I write novels, I'm not a big name publisher or anything else but", "even an open source art site like DeviantArt for free, probably in .pdf", "form or likewise? It would be a lot like having something that everyone", "but on the other hand, have a private blog or personal website, or", "what kind of reception my books may get. I suppose that's another question", "lot of people, artists inparticular, like to use things like Patreon* for every", "a big name publisher or anything else but I have ideas that I", "ideas that I think should have a chance to be seen by others.", "though.)* Seeing as a lot of people, artists inparticular, like to use things", "it to show appreciation. (I imagine there would be ISBN issues between selling", "but having something like Patreon be an option? Thanks for your time, have", "like sharing with friends because I'm kind of scared of what kind of", "sharing with friends because I'm kind of scared of what kind of reception", "able to have something sold on Amazon (just for example) for say, $5", "something that everyone could enjoy in my opinion, something I still have rights", "big name publisher or anything else but I have ideas that I think", "like to use things like Patreon* for every little thing they do, would", "little thing they do, would my best bet be just publishing my stories", "am I able to have something sold on Amazon (just for example) for", "think should have a chance to be seen by others. Most of my", "sold on Amazon (just for example) for say, $5 USD but on the", "else but I have ideas that I think should have a chance to", "every little thing they do, would my best bet be just publishing my", "entirely though. The main question is, am I able to have something sold", "enjoy in my opinion, something I still have rights to and all of", "a chance to be seen by others. Most of my work is for", "question entirely though. The main question is, am I able to have something", "likewise? It would be a lot like having something that everyone could enjoy", "but I have ideas that I think should have a chance to be", "I'm kind of scared of what kind of reception my books may get.", "be ISBN issues between selling and having something free, though.)* Seeing as a", "an open source art site like DeviantArt for free, probably in .pdf form", "my stories openly, but having something like Patreon be an option? Thanks for", "like Patreon for every little thing they do, would my best bet be", "or anything else but I have ideas that I think should have a", "for private use, like sharing with friends because I'm kind of scared of", "that's another question entirely though. The main question is, am I able to", "all of that but people could actually go buy the book if they", "I able to have something sold on Amazon (just for example) for say,", "people could actually go buy the book if they liked it to show", "friends because I'm kind of scared of what kind of reception my books", "by others. Most of my work is for private use, like sharing with", "private blog or personal website, or even an open source art site like", "for say, $5 USD but on the other hand, have a private blog", "my opinion, something I still have rights to and all of that but", "of people, artists inparticular, like to use things like Patreon for every little", "seen by others. Most of my work is for private use, like sharing", "actually go buy the book if they liked it to show appreciation. (I", "Patreon be an option? Thanks for your time, have a nice day or", "probably in .pdf form or likewise? It would be a lot like having", "hand, have a private blog or personal website, or even an open source", "if they liked it to show appreciation. (I imagine there would be ISBN", "something sold on Amazon (just for example) for say, $5 USD but on", "or personal website, or even an open source art site like DeviantArt for", "thing they do, would my best bet be just publishing my stories openly,", "would be a lot like having something that everyone could enjoy in my" ]
[ "and no knowledge of punctuation and the convoluted intricacies of writing techniques will", "book reviewer reject a story written in person of no education writing their", "intricacies of writing techniques will a book reviewer reject a story written in", "punctuation and the convoluted intricacies of writing techniques will a book reviewer reject", "education writing their story I have written many times in this unorthodox fashion", "no education writing their story I have written many times in this unorthodox", "in person of no education writing their story I have written many times", "will a book reviewer reject a story written in person of no education", "reviewer reject a story written in person of no education writing their story", "grammar and no knowledge of punctuation and the convoluted intricacies of writing techniques", "the convoluted intricacies of writing techniques will a book reviewer reject a story", "written in person of no education writing their story I have written many", "no knowledge of punctuation and the convoluted intricacies of writing techniques will a", "story written in person of no education writing their story I have written", "a story written in person of no education writing their story I have", "knowledge of punctuation and the convoluted intricacies of writing techniques will a book", "techniques will a book reviewer reject a story written in person of no", "writing techniques will a book reviewer reject a story written in person of", "their story I have written many times in this unorthodox fashion without submitting", "and the convoluted intricacies of writing techniques will a book reviewer reject a", "of punctuation and the convoluted intricacies of writing techniques will a book reviewer", "proper grammar and no knowledge of punctuation and the convoluted intricacies of writing", "I have written many times in this unorthodox fashion without submitting final versions", "ability to use proper grammar and no knowledge of punctuation and the convoluted", "have written many times in this unorthodox fashion without submitting final versions .", "of no education writing their story I have written many times in this", "writing their story I have written many times in this unorthodox fashion without", "convoluted intricacies of writing techniques will a book reviewer reject a story written", "use proper grammar and no knowledge of punctuation and the convoluted intricacies of", "reject a story written in person of no education writing their story I", "person of no education writing their story I have written many times in", "to use proper grammar and no knowledge of punctuation and the convoluted intricacies", "of writing techniques will a book reviewer reject a story written in person", "a book reviewer reject a story written in person of no education writing", "the ability to use proper grammar and no knowledge of punctuation and the", "Without the ability to use proper grammar and no knowledge of punctuation and", "story I have written many times in this unorthodox fashion without submitting final" ]
[ "doing the same exact \"info dump\" that some writers make the mistake of", "However, you can just skip a book intro. I've heard that a good", "exact \"info dump\" that some writers make the mistake of doing. But does", "don't or won't even read the introduction. I often get a point in", "often get a point in writing where I feel like the beginning or", "a good number of people and some publishers don't or won't even read", "or won't even read the introduction. I often get a point in writing", "of doing. But does it really matter or is it just going to", "impressions and knowledge someone has of a book, along with the cover, just", "people and some publishers don't or won't even read the introduction. I often", "of people and some publishers don't or won't even read the introduction. I", "beginning or the end will be the hardest things, because there's no perfect", "introduction. I often get a point in writing where I feel like the", "will be the hardest things, because there's no perfect way to do it", "I often get a point in writing where I feel like the beginning", "introduction would be the first impressions and knowledge someone has of a book,", "skip a book intro. I've heard that a good number of people and", "with the cover, just like a good movie. However, you can just skip", "feel like the beginning or the end will be the hardest things, because", "there's no perfect way to do it without doing the same exact \"info", "some writers make the mistake of doing. But does it really matter or", "because there's no perfect way to do it without doing the same exact", "a book, along with the cover, just like a good movie. However, you", "it without doing the same exact \"info dump\" that some writers make the", "just skip a book intro. I've heard that a good number of people", "book, along with the cover, just like a good movie. However, you can", "or the end will be the hardest things, because there's no perfect way", "the first impressions and knowledge someone has of a book, along with the", "without doing the same exact \"info dump\" that some writers make the mistake", "\"info dump\" that some writers make the mistake of doing. But does it", "a book intro. I've heard that a good number of people and some", "writers make the mistake of doing. But does it really matter or is", "like the beginning or the end will be the hardest things, because there's", "mistake of doing. But does it really matter or is it just going", "knowledge someone has of a book, along with the cover, just like a", "the mistake of doing. But does it really matter or is it just", "the end will be the hardest things, because there's no perfect way to", "first impressions and knowledge someone has of a book, along with the cover,", "would be the first impressions and knowledge someone has of a book, along", "just like a good movie. However, you can just skip a book intro.", "like a good movie. However, you can just skip a book intro. I've", "even read the introduction. I often get a point in writing where I", "the same exact \"info dump\" that some writers make the mistake of doing.", "movie. However, you can just skip a book intro. I've heard that a", "to do it without doing the same exact \"info dump\" that some writers", "like an introduction would be the first impressions and knowledge someone has of", "someone has of a book, along with the cover, just like a good", "things, because there's no perfect way to do it without doing the same", "the hardest things, because there's no perfect way to do it without doing", "do it without doing the same exact \"info dump\" that some writers make", "an introduction would be the first impressions and knowledge someone has of a", "and some publishers don't or won't even read the introduction. I often get", "and knowledge someone has of a book, along with the cover, just like", "perfect way to do it without doing the same exact \"info dump\" that", "point in writing where I feel like the beginning or the end will", "same exact \"info dump\" that some writers make the mistake of doing. But", "along with the cover, just like a good movie. However, you can just", "can just skip a book intro. I've heard that a good number of", "a point in writing where I feel like the beginning or the end", "that some writers make the mistake of doing. But does it really matter", "the cover, just like a good movie. However, you can just skip a", "where I feel like the beginning or the end will be the hardest", "good movie. However, you can just skip a book intro. I've heard that", "feel like an introduction would be the first impressions and knowledge someone has", "that a good number of people and some publishers don't or won't even", "a good movie. However, you can just skip a book intro. I've heard", "make the mistake of doing. But does it really matter or is it", "writing where I feel like the beginning or the end will be the", "be the first impressions and knowledge someone has of a book, along with", "the beginning or the end will be the hardest things, because there's no", "I've heard that a good number of people and some publishers don't or", "hardest things, because there's no perfect way to do it without doing the", "cover, just like a good movie. However, you can just skip a book", "I would feel like an introduction would be the first impressions and knowledge", "way to do it without doing the same exact \"info dump\" that some", "of a book, along with the cover, just like a good movie. However,", "you can just skip a book intro. I've heard that a good number", "some publishers don't or won't even read the introduction. I often get a", "no perfect way to do it without doing the same exact \"info dump\"", "good number of people and some publishers don't or won't even read the", "But does it really matter or is it just going to be skipped?", "end will be the hardest things, because there's no perfect way to do", "number of people and some publishers don't or won't even read the introduction.", "won't even read the introduction. I often get a point in writing where", "I feel like the beginning or the end will be the hardest things,", "would feel like an introduction would be the first impressions and knowledge someone", "book intro. I've heard that a good number of people and some publishers", "be the hardest things, because there's no perfect way to do it without", "get a point in writing where I feel like the beginning or the", "doing. But does it really matter or is it just going to be", "heard that a good number of people and some publishers don't or won't", "dump\" that some writers make the mistake of doing. But does it really", "read the introduction. I often get a point in writing where I feel", "the introduction. I often get a point in writing where I feel like", "has of a book, along with the cover, just like a good movie.", "publishers don't or won't even read the introduction. I often get a point", "in writing where I feel like the beginning or the end will be", "intro. I've heard that a good number of people and some publishers don't" ]
[ "not been able to continue writing a diary on a regular basis. What", "been able to continue writing a diary on a regular basis. What tips", "writing a diary on a regular basis. What tips and tricks are there", "regular basis. What tips and tricks are there to help improve and foster", "basis. What tips and tricks are there to help improve and foster the", "diary on a regular basis. What tips and tricks are there to help", "and tricks are there to help improve and foster the habit of regular", "I have found that I've not been able to continue writing a diary", "continue writing a diary on a regular basis. What tips and tricks are", "on a regular basis. What tips and tricks are there to help improve", "found that I've not been able to continue writing a diary on a", "a regular basis. What tips and tricks are there to help improve and", "a diary on a regular basis. What tips and tricks are there to", "have found that I've not been able to continue writing a diary on", "able to continue writing a diary on a regular basis. What tips and", "to continue writing a diary on a regular basis. What tips and tricks", "tips and tricks are there to help improve and foster the habit of", "that I've not been able to continue writing a diary on a regular", "are there to help improve and foster the habit of regular diary writing?", "tricks are there to help improve and foster the habit of regular diary", "I've not been able to continue writing a diary on a regular basis.", "What tips and tricks are there to help improve and foster the habit" ]
[ "I often find myself writing multiple copies of everything I write, which is", "very inefficient, because I'm unsure how which tense or tone-of-voice I want to", "I want to commit to. I've only taken one creative writing class in", "their storytelling. Would anyone be able to provide a little insight into this", "I've only taken one creative writing class in the past, so I've never", "some writers choose specific tenses and how they benefit their storytelling. Would anyone", "because I'm unsure how which tense or tone-of-voice I want to commit to.", "tenses and how they benefit their storytelling. Would anyone be able to provide", "clear explanation of why some writers choose specific tenses and how they benefit", "past, so I've never had a clear explanation of why some writers choose", "of everything I write, which is very inefficient, because I'm unsure how which", "find myself writing multiple copies of everything I write, which is very inefficient,", "class in the past, so I've never had a clear explanation of why", "myself writing multiple copies of everything I write, which is very inefficient, because", "write, which is very inefficient, because I'm unsure how which tense or tone-of-voice", "I write, which is very inefficient, because I'm unsure how which tense or", "tone-of-voice I want to commit to. I've only taken one creative writing class", "creative writing class in the past, so I've never had a clear explanation", "writers choose specific tenses and how they benefit their storytelling. Would anyone be", "Would anyone be able to provide a little insight into this important decision?", "multiple copies of everything I write, which is very inefficient, because I'm unsure", "unsure how which tense or tone-of-voice I want to commit to. I've only", "storytelling. Would anyone be able to provide a little insight into this important", "in the past, so I've never had a clear explanation of why some", "of why some writers choose specific tenses and how they benefit their storytelling.", "they benefit their storytelling. Would anyone be able to provide a little insight", "I've never had a clear explanation of why some writers choose specific tenses", "I'm unsure how which tense or tone-of-voice I want to commit to. I've", "everything I write, which is very inefficient, because I'm unsure how which tense", "and how they benefit their storytelling. Would anyone be able to provide a", "one creative writing class in the past, so I've never had a clear", "only taken one creative writing class in the past, so I've never had", "to commit to. I've only taken one creative writing class in the past,", "want to commit to. I've only taken one creative writing class in the", "the past, so I've never had a clear explanation of why some writers", "had a clear explanation of why some writers choose specific tenses and how", "specific tenses and how they benefit their storytelling. Would anyone be able to", "how they benefit their storytelling. Would anyone be able to provide a little", "or tone-of-voice I want to commit to. I've only taken one creative writing", "why some writers choose specific tenses and how they benefit their storytelling. Would", "often find myself writing multiple copies of everything I write, which is very", "copies of everything I write, which is very inefficient, because I'm unsure how", "never had a clear explanation of why some writers choose specific tenses and", "explanation of why some writers choose specific tenses and how they benefit their", "benefit their storytelling. Would anyone be able to provide a little insight into", "inefficient, because I'm unsure how which tense or tone-of-voice I want to commit", "to. I've only taken one creative writing class in the past, so I've", "is very inefficient, because I'm unsure how which tense or tone-of-voice I want", "which tense or tone-of-voice I want to commit to. I've only taken one", "which is very inefficient, because I'm unsure how which tense or tone-of-voice I", "so I've never had a clear explanation of why some writers choose specific", "a clear explanation of why some writers choose specific tenses and how they", "choose specific tenses and how they benefit their storytelling. Would anyone be able", "writing multiple copies of everything I write, which is very inefficient, because I'm", "taken one creative writing class in the past, so I've never had a", "how which tense or tone-of-voice I want to commit to. I've only taken", "commit to. I've only taken one creative writing class in the past, so", "tense or tone-of-voice I want to commit to. I've only taken one creative", "writing class in the past, so I've never had a clear explanation of" ]
[ "with writing physical books, or with writing scripts for movie directors/producers. Obviously this", "question will inspire a lot of debate, which I know is not something", "unsure if he should start with writing physical books, or with writing scripts", "a lot of debate, which I know is not something we want on", "or a Screenwriter? This question is intended for the beginning writer, who is", "which I know is not something we want on this site. So instead,", "wondering if someone could provide me with a comprehensible list of the pros", "I be a Novel Writer or a Screenwriter? This question is intended for", "start with writing physical books, or with writing scripts for movie directors/producers. Obviously", "books, or with writing scripts for movie directors/producers. Obviously this question will inspire", "debate, which I know is not something we want on this site. So", "physical books, or with writing scripts for movie directors/producers. Obviously this question will", "question is intended for the beginning writer, who is unsure if he should", "writing physical books, or with writing scripts for movie directors/producers. Obviously this question", "Novel Writer or a Screenwriter? This question is intended for the beginning writer,", "he should start with writing physical books, or with writing scripts for movie", "with a comprehensible list of the pros and cons of fictional novel writing", "on this site. So instead, I was wondering if someone could provide me", "if he should start with writing physical books, or with writing scripts for", "instead, I was wondering if someone could provide me with a comprehensible list", "intended for the beginning writer, who is unsure if he should start with", "Obviously this question will inspire a lot of debate, which I know is", "site. So instead, I was wondering if someone could provide me with a", "should start with writing physical books, or with writing scripts for movie directors/producers.", "could provide me with a comprehensible list of the pros and cons of", "of debate, which I know is not something we want on this site.", "the beginning writer, who is unsure if he should start with writing physical", "is unsure if he should start with writing physical books, or with writing", "beginning writer, who is unsure if he should start with writing physical books,", "with writing scripts for movie directors/producers. Obviously this question will inspire a lot", "this question will inspire a lot of debate, which I know is not", "will inspire a lot of debate, which I know is not something we", "someone could provide me with a comprehensible list of the pros and cons", "know is not something we want on this site. So instead, I was", "or with writing scripts for movie directors/producers. Obviously this question will inspire a", "comprehensible list of the pros and cons of fictional novel writing versus screenwriting.", "a Novel Writer or a Screenwriter? This question is intended for the beginning", "movie directors/producers. Obviously this question will inspire a lot of debate, which I", "this site. So instead, I was wondering if someone could provide me with", "directors/producers. Obviously this question will inspire a lot of debate, which I know", "not something we want on this site. So instead, I was wondering if", "writer, who is unsure if he should start with writing physical books, or", "want on this site. So instead, I was wondering if someone could provide", "Screenwriter? This question is intended for the beginning writer, who is unsure if", "be a Novel Writer or a Screenwriter? This question is intended for the", "Should I be a Novel Writer or a Screenwriter? This question is intended", "lot of debate, which I know is not something we want on this", "provide me with a comprehensible list of the pros and cons of fictional", "me with a comprehensible list of the pros and cons of fictional novel", "writing scripts for movie directors/producers. Obviously this question will inspire a lot of", "something we want on this site. So instead, I was wondering if someone", "inspire a lot of debate, which I know is not something we want", "we want on this site. So instead, I was wondering if someone could", "was wondering if someone could provide me with a comprehensible list of the", "is not something we want on this site. So instead, I was wondering", "a comprehensible list of the pros and cons of fictional novel writing versus", "This question is intended for the beginning writer, who is unsure if he", "is intended for the beginning writer, who is unsure if he should start", "scripts for movie directors/producers. Obviously this question will inspire a lot of debate,", "I know is not something we want on this site. So instead, I", "who is unsure if he should start with writing physical books, or with", "So instead, I was wondering if someone could provide me with a comprehensible", "for the beginning writer, who is unsure if he should start with writing", "for movie directors/producers. Obviously this question will inspire a lot of debate, which", "a Screenwriter? This question is intended for the beginning writer, who is unsure", "I was wondering if someone could provide me with a comprehensible list of", "Writer or a Screenwriter? This question is intended for the beginning writer, who", "if someone could provide me with a comprehensible list of the pros and" ]
[ "suggest capitalizing the word 'dragon' in this sentence? It says it does not", "capitalized: > > Small birds chattered and scooted about in the undergrowth but", "be capitalized: > > Small birds chattered and scooted about in the undergrowth", "fit the context so needs to be capitalized: > > Small birds chattered", "'dragon' in this sentence? It says it does not fit the context so", "it does not fit the context so needs to be capitalized: > >", "Small birds chattered and scooted about in the undergrowth but vanished as the", "about in the undergrowth but vanished as the dragon approached. > Thank you.", "needs to be capitalized: > > Small birds chattered and scooted about in", "does not fit the context so needs to be capitalized: > > Small", "in this sentence? It says it does not fit the context so needs", "so needs to be capitalized: > > Small birds chattered and scooted about", "context so needs to be capitalized: > > Small birds chattered and scooted", "Grammarly suggest capitalizing the word 'dragon' in this sentence? It says it does", "word 'dragon' in this sentence? It says it does not fit the context", "the context so needs to be capitalized: > > Small birds chattered and", "scooted about in the undergrowth but vanished as the dragon approached. > Thank", "sentence? It says it does not fit the context so needs to be", "> > Small birds chattered and scooted about in the undergrowth but vanished", "says it does not fit the context so needs to be capitalized: >", "chattered and scooted about in the undergrowth but vanished as the dragon approached.", "to be capitalized: > > Small birds chattered and scooted about in the", "the word 'dragon' in this sentence? It says it does not fit the", "did Grammarly suggest capitalizing the word 'dragon' in this sentence? It says it", "> Small birds chattered and scooted about in the undergrowth but vanished as", "this sentence? It says it does not fit the context so needs to", "and scooted about in the undergrowth but vanished as the dragon approached. >", "Why did Grammarly suggest capitalizing the word 'dragon' in this sentence? It says", "not fit the context so needs to be capitalized: > > Small birds", "capitalizing the word 'dragon' in this sentence? It says it does not fit", "It says it does not fit the context so needs to be capitalized:", "birds chattered and scooted about in the undergrowth but vanished as the dragon" ]
[ "software exist that highlights verb tense (either by colour-coding them or something) to", "highlights verb tense (either by colour-coding them or something) to identify verb tense", "a very difficult time catching myself unintentionally switching verb tenses. Does software exist", "I write fiction, or even technical reports, I have a very difficult time", "technical reports, I have a very difficult time catching myself unintentionally switching verb", "or even technical reports, I have a very difficult time catching myself unintentionally", "I have a very difficult time catching myself unintentionally switching verb tenses. Does", "have a very difficult time catching myself unintentionally switching verb tenses. Does software", "even technical reports, I have a very difficult time catching myself unintentionally switching", "very difficult time catching myself unintentionally switching verb tenses. Does software exist that", "verb tense (either by colour-coding them or something) to identify verb tense mistakes?", "verb tenses. Does software exist that highlights verb tense (either by colour-coding them", "catching myself unintentionally switching verb tenses. Does software exist that highlights verb tense", "reports, I have a very difficult time catching myself unintentionally switching verb tenses.", "When I write fiction, or even technical reports, I have a very difficult", "unintentionally switching verb tenses. Does software exist that highlights verb tense (either by", "tenses. Does software exist that highlights verb tense (either by colour-coding them or", "myself unintentionally switching verb tenses. Does software exist that highlights verb tense (either", "difficult time catching myself unintentionally switching verb tenses. Does software exist that highlights", "write fiction, or even technical reports, I have a very difficult time catching", "time catching myself unintentionally switching verb tenses. Does software exist that highlights verb", "exist that highlights verb tense (either by colour-coding them or something) to identify", "switching verb tenses. Does software exist that highlights verb tense (either by colour-coding", "that highlights verb tense (either by colour-coding them or something) to identify verb", "fiction, or even technical reports, I have a very difficult time catching myself", "Does software exist that highlights verb tense (either by colour-coding them or something)" ]
[ "to write a generic financial guide based on my own experiences. Personal finance,", "Do you have any tips for writing personal experience guides to not look", "Specifically, I'm thinking to write a generic financial guide based on my own", "any tips for writing personal experience guides to not look like I'm bragging?", "for writing personal experience guides to not look like I'm bragging? Am I", "I'm kind of anxious if people might view me as being a braggart", "personal experience guides to not look like I'm bragging? Am I just overthinking?", "think, is quite a sensitive topic. I'm kind of anxious if people might", "based on my own experiences. Personal finance, I think, is quite a sensitive", "finance, I think, is quite a sensitive topic. I'm kind of anxious if", "my finances. Do you have any tips for writing personal experience guides to", "you have any tips for writing personal experience guides to not look like", "a braggart for being \"good\" at my finances. Do you have any tips", "being \"good\" at my finances. Do you have any tips for writing personal", "at my finances. Do you have any tips for writing personal experience guides", "a generic financial guide based on my own experiences. Personal finance, I think,", "kind of anxious if people might view me as being a braggart for", "people might view me as being a braggart for being \"good\" at my", "writing personal experience guides to not look like I'm bragging? Am I just", "me as being a braggart for being \"good\" at my finances. Do you", "my own experiences. Personal finance, I think, is quite a sensitive topic. I'm", "if people might view me as being a braggart for being \"good\" at", "topic. I'm kind of anxious if people might view me as being a", "is quite a sensitive topic. I'm kind of anxious if people might view", "I think, is quite a sensitive topic. I'm kind of anxious if people", "a sensitive topic. I'm kind of anxious if people might view me as", "anxious if people might view me as being a braggart for being \"good\"", "I'm thinking to write a generic financial guide based on my own experiences.", "as being a braggart for being \"good\" at my finances. Do you have", "financial guide based on my own experiences. Personal finance, I think, is quite", "quite a sensitive topic. I'm kind of anxious if people might view me", "have any tips for writing personal experience guides to not look like I'm", "of anxious if people might view me as being a braggart for being", "view me as being a braggart for being \"good\" at my finances. Do", "for being \"good\" at my finances. Do you have any tips for writing", "tips for writing personal experience guides to not look like I'm bragging? Am", "might view me as being a braggart for being \"good\" at my finances.", "generic financial guide based on my own experiences. Personal finance, I think, is", "\"good\" at my finances. Do you have any tips for writing personal experience", "sensitive topic. I'm kind of anxious if people might view me as being", "guide based on my own experiences. Personal finance, I think, is quite a", "being a braggart for being \"good\" at my finances. Do you have any", "own experiences. Personal finance, I think, is quite a sensitive topic. I'm kind", "thinking to write a generic financial guide based on my own experiences. Personal", "braggart for being \"good\" at my finances. Do you have any tips for", "experiences. Personal finance, I think, is quite a sensitive topic. I'm kind of", "write a generic financial guide based on my own experiences. Personal finance, I", "Personal finance, I think, is quite a sensitive topic. I'm kind of anxious", "finances. Do you have any tips for writing personal experience guides to not", "on my own experiences. Personal finance, I think, is quite a sensitive topic." ]
[ "How can I continue to be a writer, especially \"creatively,\" if I now", "was mostly creative and didn't follow already known techniques or anything. I've actually", "online, rhetoric devices, and all relative things, it's come to my attention that", "can fall outside of these lablels, what part of writing is created if", "that changed a pinch but is still derived from the \"standard\" of writing,", "rehashing of \"standards\" or \"rules\" to which no originality is actually involved. It's", "already exists and is labeled and categorized and named, and nobody can write", "categorized sequences or ideas and label them for their value. How can writing", "didn't follow already known techniques or anything. I've actually even written stuff before", "these things and thought good writing was mostly creative and didn't follow already", "\"new\" thing just something that changed a pinch but is still derived from", "seems less of a creative, artistic approach, and more of a rehashing of", "from the \"standard\" of writing, such as tropes, ideas, cliches, etc.? How can", "like writing has been decoded and categorized and there's no way anything can", "to \"reverse engineer\" or \"decode\" written work and deduce work to categorized sequences", "been already known and used. Given such a thing, I felt immediately disinterested", "driven by already used ideas, rhetoric, and tropes? It's like writing has been", "\"creatively,\" if I now know that anything I write is subjected to the", "explains all the \"tricks and trades\" of writing and deduces writing to nothing", "\"known\" method of writing already exists and is labeled and categorized and named,", "rhetorics\" of writing (TVTropes.com, etc.) that is presumed to be used \"by everyone\"", "writing and deduces writing to nothing more than mere rehashing of ideas and", "wonder if I'm supposed to judge by what is written or by written", "lablels, what part of writing is created if it's all driven by already", "tropes, ideas, cliches, etc.? How can I continue to be a writer, especially", "created if it's all driven by already used ideas, rhetoric, and tropes? It's", "which no originality is actually involved. It's like there're databases of \"known rhetorics\"", "seeing as I actually never knew of these things and thought good writing", "on how the ideas & techniques of its writing were done instead of", "writing (TVTropes.com, etc.) that is presumed to be used \"by everyone\" and explains", "of a creative, artistic approach, and more of a rehashing of \"standards\" or", "a means to \"reverse engineer\" or \"decode\" written work and deduce work to", "the list of existing standards or techniques I'd never known? It makes me", "know that anything I write is subjected to the same scrutiny as everyone", "write anything that can fall outside of these lablels, what part of writing", "about what tropes were, and I've even done so professionally without knowing this", "I've even done so professionally without knowing this (with good feedback though). It's", "used \"by everyone\" and explains all the \"tricks and trades\" of writing and", "list of existing standards or techniques I'd never known? It makes me wonder", "so professionally without knowing this (with good feedback though). It's like there are", "a lot just now. After reading and learning about tropes online, rhetoric devices,", "Also, it seems like tropes are used as a means to \"reverse engineer\"", "writing seems less of a creative, artistic approach, and more of a rehashing", "there's no way anything can be original or new. After all, isn't every", "labeled and categorized and named, and nobody can write anything that can fall", "nothing more than mere rehashing of ideas and \"techniques\" that have been already", "follow already known techniques or anything. I've actually even written stuff before and", "\"known rhetorics\" of writing (TVTropes.com, etc.) that is presumed to be used \"by", "more of a rehashing of \"standards\" or \"rules\" to which no originality is", "even done so professionally without knowing this (with good feedback though). It's like", "It's like there are these sort of \"rules\" of fiction or creative writing", "a thing, I felt immediately disinterested in writing altogether, seeing as I actually", "is actually involved. It's like there're databases of \"known rhetorics\" of writing (TVTropes.com,", "method of writing already exists and is labeled and categorized and named, and", "that can fall outside of these lablels, what part of writing is created", "already known techniques or anything. I've actually even written stuff before and had", "and tropes? It's like writing has been decoded and categorized and there's no", "things, it's come to my attention that writing seems less of a creative,", "\"standard\" of writing, such as tropes, ideas, cliches, etc.? How can I continue", "and I've even done so professionally without knowing this (with good feedback though).", "all the \"tricks and trades\" of writing and deduces writing to nothing more", "never knew of these things and thought good writing was mostly creative and", "anything can be original or new. After all, isn't every \"new\" thing just", "judge by what is written or by written works of deterministic outlook and", "I'm supposed to judge by what is written or by written works of", "still derived from the \"standard\" of writing, such as tropes, ideas, cliches, etc.?", "thing, I felt immediately disinterested in writing altogether, seeing as I actually never", "if I now know that anything I write is subjected to the same", "Given such a thing, I felt immediately disinterested in writing altogether, seeing as", "tropes were, and I've even done so professionally without knowing this (with good", "\"tricks and trades\" of writing and deduces writing to nothing more than mere", "presumed to be used \"by everyone\" and explains all the \"tricks and trades\"", "deduces writing to nothing more than mere rehashing of ideas and \"techniques\" that", "tropes are used as a means to \"reverse engineer\" or \"decode\" written work", "disinterested in writing altogether, seeing as I actually never knew of these things", "It makes me wonder if I'm supposed to judge by what is written", "written or by written works of deterministic outlook and measure on how the", "writing was mostly creative and didn't follow already known techniques or anything. I've", "it seems like tropes are used as a means to \"reverse engineer\" or", "it's come to my attention that writing seems less of a creative, artistic", "written stuff. Also, it seems like tropes are used as a means to", "scrutiny as everyone else because my writing is simply deduced to the list", "them for their value. How can writing truly be creative then? If every", "me wonder if I'm supposed to judge by what is written or by", "more than mere rehashing of ideas and \"techniques\" that have been already known", "creative writing that I had never known of despite having written stuff. Also,", "a writer, especially \"creatively,\" if I now know that anything I write is", "rhetoric, and tropes? It's like writing has been decoded and categorized and there's", "written stuff before and had absolutely no idea about what tropes were, and", "lot just now. After reading and learning about tropes online, rhetoric devices, and", "I actually never knew of these things and thought good writing was mostly", "ideas & techniques of its writing were done instead of just the work.", "can be original or new. After all, isn't every \"new\" thing just something", "cliches, etc.? How can I continue to be a writer, especially \"creatively,\" if", "attention that writing seems less of a creative, artistic approach, and more of", "fiction or creative writing that I had never known of despite having written", "way anything can be original or new. After all, isn't every \"new\" thing", "or \"decode\" written work and deduce work to categorized sequences or ideas and", "part of writing is created if it's all driven by already used ideas,", "things and thought good writing was mostly creative and didn't follow already known", "actually involved. It's like there're databases of \"known rhetorics\" of writing (TVTropes.com, etc.)", "truly be creative then? If every single \"known\" method of writing already exists", "ideas and \"techniques\" that have been already known and used. Given such a", "writing altogether, seeing as I actually never knew of these things and thought", "and categorized and there's no way anything can be original or new. After", "categorized and there's no way anything can be original or new. After all,", "approach, and more of a rehashing of \"standards\" or \"rules\" to which no", "everyone\" and explains all the \"tricks and trades\" of writing and deduces writing", "and categorized and named, and nobody can write anything that can fall outside", "that is presumed to be used \"by everyone\" and explains all the \"tricks", "After all, isn't every \"new\" thing just something that changed a pinch but", "outlook and measure on how the ideas & techniques of its writing were", "\"rules\" of fiction or creative writing that I had never known of despite", "of deterministic outlook and measure on how the ideas & techniques of its", "done so professionally without knowing this (with good feedback though). It's like there", "and label them for their value. How can writing truly be creative then?", "devices, and all relative things, it's come to my attention that writing seems", "good feedback though). It's like there are these sort of \"rules\" of fiction", "continue to be a writer, especially \"creatively,\" if I now know that anything", "writing that I had never known of despite having written stuff. Also, it", "I continue to be a writer, especially \"creatively,\" if I now know that", "writer, especially \"creatively,\" if I now know that anything I write is subjected", "something that changed a pinch but is still derived from the \"standard\" of", "outside of these lablels, what part of writing is created if it's all", "known techniques or anything. I've actually even written stuff before and had absolutely", "deduced to the list of existing standards or techniques I'd never known? It", "their value. How can writing truly be creative then? If every single \"known\"", "stuff. Also, it seems like tropes are used as a means to \"reverse", "of ideas and \"techniques\" that have been already known and used. Given such", "now know that anything I write is subjected to the same scrutiny as", "to judge by what is written or by written works of deterministic outlook", "writing already exists and is labeled and categorized and named, and nobody can", "be a writer, especially \"creatively,\" if I now know that anything I write", "and all relative things, it's come to my attention that writing seems less", "It's like writing has been decoded and categorized and there's no way anything", "or \"rules\" to which no originality is actually involved. It's like there're databases", "is subjected to the same scrutiny as everyone else because my writing is", "\"decode\" written work and deduce work to categorized sequences or ideas and label", "before and had absolutely no idea about what tropes were, and I've even", "immediately disinterested in writing altogether, seeing as I actually never knew of these", "creative and didn't follow already known techniques or anything. I've actually even written", "original or new. After all, isn't every \"new\" thing just something that changed", "despite having written stuff. Also, it seems like tropes are used as a", "as I actually never knew of these things and thought good writing was", "feedback though). It's like there are these sort of \"rules\" of fiction or", "stuff before and had absolutely no idea about what tropes were, and I've", "or by written works of deterministic outlook and measure on how the ideas", "how the ideas & techniques of its writing were done instead of just", "\"standards\" or \"rules\" to which no originality is actually involved. It's like there're", "just now. After reading and learning about tropes online, rhetoric devices, and all", "knew of these things and thought good writing was mostly creative and didn't", "writing is simply deduced to the list of existing standards or techniques I'd", "categorized and named, and nobody can write anything that can fall outside of", "what is written or by written works of deterministic outlook and measure on", "all driven by already used ideas, rhetoric, and tropes? It's like writing has", "used ideas, rhetoric, and tropes? It's like writing has been decoded and categorized", "actually never knew of these things and thought good writing was mostly creative", "be original or new. After all, isn't every \"new\" thing just something that", "ideas, rhetoric, and tropes? It's like writing has been decoded and categorized and", "been decoded and categorized and there's no way anything can be original or", "a pinch but is still derived from the \"standard\" of writing, such as", "knowing this (with good feedback though). It's like there are these sort of", "though). It's like there are these sort of \"rules\" of fiction or creative", "I've actually even written stuff before and had absolutely no idea about what", "If every single \"known\" method of writing already exists and is labeled and", "are used as a means to \"reverse engineer\" or \"decode\" written work and", "pondering this a lot just now. After reading and learning about tropes online,", "rehashing of ideas and \"techniques\" that have been already known and used. Given", "that I had never known of despite having written stuff. Also, it seems", "\"techniques\" that have been already known and used. Given such a thing, I", "by written works of deterministic outlook and measure on how the ideas &", "can writing truly be creative then? If every single \"known\" method of writing", "or anything. I've actually even written stuff before and had absolutely no idea", "can I continue to be a writer, especially \"creatively,\" if I now know", "and measure on how the ideas & techniques of its writing were done", "isn't every \"new\" thing just something that changed a pinch but is still", "like tropes are used as a means to \"reverse engineer\" or \"decode\" written", "and deduces writing to nothing more than mere rehashing of ideas and \"techniques\"", "writing to nothing more than mere rehashing of ideas and \"techniques\" that have", "as a means to \"reverse engineer\" or \"decode\" written work and deduce work", "can write anything that can fall outside of these lablels, what part of", "or techniques I'd never known? It makes me wonder if I'm supposed to", "creative then? If every single \"known\" method of writing already exists and is", "write is subjected to the same scrutiny as everyone else because my writing", "written works of deterministic outlook and measure on how the ideas & techniques", "but is still derived from the \"standard\" of writing, such as tropes, ideas,", "to which no originality is actually involved. It's like there're databases of \"known", "decoded and categorized and there's no way anything can be original or new.", "writing, such as tropes, ideas, cliches, etc.? How can I continue to be", "written work and deduce work to categorized sequences or ideas and label them", "is still derived from the \"standard\" of writing, such as tropes, ideas, cliches,", "I had never known of despite having written stuff. Also, it seems like", "had absolutely no idea about what tropes were, and I've even done so", "seems like tropes are used as a means to \"reverse engineer\" or \"decode\"", "label them for their value. How can writing truly be creative then? If", "existing standards or techniques I'd never known? It makes me wonder if I'm", "(with good feedback though). It's like there are these sort of \"rules\" of", "what part of writing is created if it's all driven by already used", "is labeled and categorized and named, and nobody can write anything that can", "tropes online, rhetoric devices, and all relative things, it's come to my attention", "than mere rehashing of ideas and \"techniques\" that have been already known and", "and thought good writing was mostly creative and didn't follow already known techniques", "I now know that anything I write is subjected to the same scrutiny", "sequences or ideas and label them for their value. How can writing truly", "I'd never known? It makes me wonder if I'm supposed to judge by", "the same scrutiny as everyone else because my writing is simply deduced to", "felt immediately disinterested in writing altogether, seeing as I actually never knew of", "changed a pinch but is still derived from the \"standard\" of writing, such", "if it's all driven by already used ideas, rhetoric, and tropes? It's like", "supposed to judge by what is written or by written works of deterministic", "such as tropes, ideas, cliches, etc.? How can I continue to be a", "absolutely no idea about what tropes were, and I've even done so professionally", "known of despite having written stuff. Also, it seems like tropes are used", "databases of \"known rhetorics\" of writing (TVTropes.com, etc.) that is presumed to be", "deterministic outlook and measure on how the ideas & techniques of its writing", "by already used ideas, rhetoric, and tropes? It's like writing has been decoded", "known? It makes me wonder if I'm supposed to judge by what is", "never known of despite having written stuff. Also, it seems like tropes are", "or new. After all, isn't every \"new\" thing just something that changed a", "especially \"creatively,\" if I now know that anything I write is subjected to", "known and used. Given such a thing, I felt immediately disinterested in writing", "writing truly be creative then? If every single \"known\" method of writing already", "and there's no way anything can be original or new. After all, isn't", "to the same scrutiny as everyone else because my writing is simply deduced", "and trades\" of writing and deduces writing to nothing more than mere rehashing", "anything. I've actually even written stuff before and had absolutely no idea about", "are these sort of \"rules\" of fiction or creative writing that I had", "no way anything can be original or new. After all, isn't every \"new\"", "this a lot just now. After reading and learning about tropes online, rhetoric", "I've been pondering this a lot just now. After reading and learning about", "of \"standards\" or \"rules\" to which no originality is actually involved. It's like", "subjected to the same scrutiny as everyone else because my writing is simply", "It's like there're databases of \"known rhetorics\" of writing (TVTropes.com, etc.) that is", "about tropes online, rhetoric devices, and all relative things, it's come to my", "everyone else because my writing is simply deduced to the list of existing", "be creative then? If every single \"known\" method of writing already exists and", "for their value. How can writing truly be creative then? If every single", "of fiction or creative writing that I had never known of despite having", "has been decoded and categorized and there's no way anything can be original", "and deduce work to categorized sequences or ideas and label them for their", "named, and nobody can write anything that can fall outside of these lablels,", "were, and I've even done so professionally without knowing this (with good feedback", "as everyone else because my writing is simply deduced to the list of", "never known? It makes me wonder if I'm supposed to judge by what", "makes me wonder if I'm supposed to judge by what is written or", "come to my attention that writing seems less of a creative, artistic approach,", "what tropes were, and I've even done so professionally without knowing this (with", "same scrutiny as everyone else because my writing is simply deduced to the", "new. After all, isn't every \"new\" thing just something that changed a pinch", "the \"tricks and trades\" of writing and deduces writing to nothing more than", "ideas, cliches, etc.? How can I continue to be a writer, especially \"creatively,\"", "a rehashing of \"standards\" or \"rules\" to which no originality is actually involved.", "to categorized sequences or ideas and label them for their value. How can", "that anything I write is subjected to the same scrutiny as everyone else", "and explains all the \"tricks and trades\" of writing and deduces writing to", "having written stuff. Also, it seems like tropes are used as a means", "good writing was mostly creative and didn't follow already known techniques or anything.", "work to categorized sequences or ideas and label them for their value. How", "all, isn't every \"new\" thing just something that changed a pinch but is", "then? If every single \"known\" method of writing already exists and is labeled", "there're databases of \"known rhetorics\" of writing (TVTropes.com, etc.) that is presumed to", "already used ideas, rhetoric, and tropes? It's like writing has been decoded and", "professionally without knowing this (with good feedback though). It's like there are these", "ideas and label them for their value. How can writing truly be creative", "mere rehashing of ideas and \"techniques\" that have been already known and used.", "of \"rules\" of fiction or creative writing that I had never known of", "works of deterministic outlook and measure on how the ideas & techniques of", "of writing (TVTropes.com, etc.) that is presumed to be used \"by everyone\" and", "no idea about what tropes were, and I've even done so professionally without", "anything that can fall outside of these lablels, what part of writing is", "measure on how the ideas & techniques of its writing were done instead", "such a thing, I felt immediately disinterested in writing altogether, seeing as I", "relative things, it's come to my attention that writing seems less of a", "and more of a rehashing of \"standards\" or \"rules\" to which no originality", "as tropes, ideas, cliches, etc.? How can I continue to be a writer,", "simply deduced to the list of existing standards or techniques I'd never known?", "altogether, seeing as I actually never knew of these things and thought good", "of despite having written stuff. Also, it seems like tropes are used as", "and nobody can write anything that can fall outside of these lablels, what", "and learning about tropes online, rhetoric devices, and all relative things, it's come", "like there're databases of \"known rhetorics\" of writing (TVTropes.com, etc.) that is presumed", "of \"known rhetorics\" of writing (TVTropes.com, etc.) that is presumed to be used", "tropes? It's like writing has been decoded and categorized and there's no way", "originality is actually involved. It's like there're databases of \"known rhetorics\" of writing", "of these things and thought good writing was mostly creative and didn't follow", "just something that changed a pinch but is still derived from the \"standard\"", "else because my writing is simply deduced to the list of existing standards", "fall outside of these lablels, what part of writing is created if it's", "value. How can writing truly be creative then? If every single \"known\" method", "to the list of existing standards or techniques I'd never known? It makes", "creative, artistic approach, and more of a rehashing of \"standards\" or \"rules\" to", "involved. It's like there're databases of \"known rhetorics\" of writing (TVTropes.com, etc.) that", "thought good writing was mostly creative and didn't follow already known techniques or", "is presumed to be used \"by everyone\" and explains all the \"tricks and", "writing is created if it's all driven by already used ideas, rhetoric, and", "After reading and learning about tropes online, rhetoric devices, and all relative things,", "there are these sort of \"rules\" of fiction or creative writing that I", "of writing, such as tropes, ideas, cliches, etc.? How can I continue to", "used as a means to \"reverse engineer\" or \"decode\" written work and deduce", "rhetoric devices, and all relative things, it's come to my attention that writing", "these lablels, what part of writing is created if it's all driven by", "that writing seems less of a creative, artistic approach, and more of a", "and had absolutely no idea about what tropes were, and I've even done", "been pondering this a lot just now. After reading and learning about tropes", "already known and used. Given such a thing, I felt immediately disinterested in", "mostly creative and didn't follow already known techniques or anything. I've actually even", "my writing is simply deduced to the list of existing standards or techniques", "is simply deduced to the list of existing standards or techniques I'd never", "is created if it's all driven by already used ideas, rhetoric, and tropes?", "to my attention that writing seems less of a creative, artistic approach, and", "less of a creative, artistic approach, and more of a rehashing of \"standards\"", "nobody can write anything that can fall outside of these lablels, what part", "of a rehashing of \"standards\" or \"rules\" to which no originality is actually", "trades\" of writing and deduces writing to nothing more than mere rehashing of", "work and deduce work to categorized sequences or ideas and label them for", "derived from the \"standard\" of writing, such as tropes, ideas, cliches, etc.? How", "reading and learning about tropes online, rhetoric devices, and all relative things, it's", "is written or by written works of deterministic outlook and measure on how", "techniques or anything. I've actually even written stuff before and had absolutely no", "and \"techniques\" that have been already known and used. Given such a thing,", "and didn't follow already known techniques or anything. I've actually even written stuff", "writing has been decoded and categorized and there's no way anything can be", "this (with good feedback though). It's like there are these sort of \"rules\"", "like there are these sort of \"rules\" of fiction or creative writing that", "have been already known and used. Given such a thing, I felt immediately", "learning about tropes online, rhetoric devices, and all relative things, it's come to", "or ideas and label them for their value. How can writing truly be", "anything I write is subjected to the same scrutiny as everyone else because", "etc.) that is presumed to be used \"by everyone\" and explains all the", "idea about what tropes were, and I've even done so professionally without knowing", "these sort of \"rules\" of fiction or creative writing that I had never", "of writing already exists and is labeled and categorized and named, and nobody", "\"rules\" to which no originality is actually involved. It's like there're databases of", "be used \"by everyone\" and explains all the \"tricks and trades\" of writing", "to be a writer, especially \"creatively,\" if I now know that anything I", "single \"known\" method of writing already exists and is labeled and categorized and", "pinch but is still derived from the \"standard\" of writing, such as tropes,", "to nothing more than mere rehashing of ideas and \"techniques\" that have been", "How can writing truly be creative then? If every single \"known\" method of", "if I'm supposed to judge by what is written or by written works", "that have been already known and used. Given such a thing, I felt", "deduce work to categorized sequences or ideas and label them for their value.", "had never known of despite having written stuff. Also, it seems like tropes", "thing just something that changed a pinch but is still derived from the", "the \"standard\" of writing, such as tropes, ideas, cliches, etc.? How can I", "because my writing is simply deduced to the list of existing standards or", "without knowing this (with good feedback though). It's like there are these sort", "means to \"reverse engineer\" or \"decode\" written work and deduce work to categorized", "techniques I'd never known? It makes me wonder if I'm supposed to judge", "exists and is labeled and categorized and named, and nobody can write anything", "of writing and deduces writing to nothing more than mere rehashing of ideas", "used. Given such a thing, I felt immediately disinterested in writing altogether, seeing", "all relative things, it's come to my attention that writing seems less of", "every single \"known\" method of writing already exists and is labeled and categorized", "now. After reading and learning about tropes online, rhetoric devices, and all relative", "of these lablels, what part of writing is created if it's all driven", "or creative writing that I had never known of despite having written stuff.", "standards or techniques I'd never known? It makes me wonder if I'm supposed", "I write is subjected to the same scrutiny as everyone else because my", "and is labeled and categorized and named, and nobody can write anything that", "sort of \"rules\" of fiction or creative writing that I had never known", "no originality is actually involved. It's like there're databases of \"known rhetorics\" of", "of writing is created if it's all driven by already used ideas, rhetoric,", "to be used \"by everyone\" and explains all the \"tricks and trades\" of", "actually even written stuff before and had absolutely no idea about what tropes", "I felt immediately disinterested in writing altogether, seeing as I actually never knew", "the ideas & techniques of its writing were done instead of just the", "artistic approach, and more of a rehashing of \"standards\" or \"rules\" to which", "and named, and nobody can write anything that can fall outside of these", "\"reverse engineer\" or \"decode\" written work and deduce work to categorized sequences or", "a creative, artistic approach, and more of a rehashing of \"standards\" or \"rules\"", "it's all driven by already used ideas, rhetoric, and tropes? It's like writing", "of existing standards or techniques I'd never known? It makes me wonder if", "my attention that writing seems less of a creative, artistic approach, and more", "\"by everyone\" and explains all the \"tricks and trades\" of writing and deduces", "in writing altogether, seeing as I actually never knew of these things and", "every \"new\" thing just something that changed a pinch but is still derived", "by what is written or by written works of deterministic outlook and measure", "etc.? How can I continue to be a writer, especially \"creatively,\" if I", "and used. Given such a thing, I felt immediately disinterested in writing altogether,", "engineer\" or \"decode\" written work and deduce work to categorized sequences or ideas", "even written stuff before and had absolutely no idea about what tropes were,", "(TVTropes.com, etc.) that is presumed to be used \"by everyone\" and explains all" ]
[ "book is finished apart from teh punctuation questions I have. I have used", "not been too bad.\" Here, the character starts a sentence, then pauses, and", "1. \"Those things I said; I didn’t mean a word of it.\" I", "after the ellipses? How about if there were several changes of direction. Is", "not been too bad.\" When there are pauses, do you need to start", "whore, Jeatga, has been -- sorry, I hate that word -- but Jile", "used guides to figure it out, but if anyone is willing to help", "self-publish at the end of the year. My book is finished apart from", "there were several changes of direction. Is this ok: “You...I...You’re...not disturbing.\" Or does", "Is the above ok or does it have to be: “It’s been .", "been interrupted? 6. After years of unnecessary injections of God knows what. Does", "the comma here ok? 4. I am this close to calling the whole", "dialogue? 9. \"You’ll feel much better and you won’t feel like to throw", "not really.\" Is the comma here ok? 4. I am this close to", "one who knows the truth about Zotn; maybe other people do. Is a", "a first-time novelist and have finished my first novel that I hope to", "Maybe I’m not the only one who knows the truth about Zotn; maybe", "is it more of a little filler expression so needs a comma? What", "was this sentence: \"I didn’t tell you about Zotn because I want to", "I MEAN work like I THINK or is it more of a little", "that semi-colons are not common in dialogue, so what else would work here?", "or nothing? \"I mean was it really that awful?\" Does I MEAN work", "tell you about Zotn because I want to be with him. I mean,", "pauses, and says something slightly different. Is the above ok or does it", "was it really that awful?\" Should there be a comma here or nothing?", "don't survive such a loss.\" Is the colon here ok in dialogue? 9.", "about if it was this sentence: \"I didn’t tell you about Zotn because", "After years of unnecessary injections of God knows what. Does God knows what", "I said; I didn’t mean a word of it.\" I know that semi-colons", "second chance in italics. Would that be right? 5. \"“It’s been . .", ". . It’s not been too bad.\" When there are pauses, do you", "something slightly different. Is the above ok or does it have to be:", "work here? A colon? Em-dash? 3. \"You’re just making excuses—rationalizing your behavior.” Should", "it really that awful?\" Does I MEAN work like I THINK or is", "I have put second chance in italics. Would that be right? 5. \"“It’s", "I want to be with him. I mean, not really.\" Is the comma", "second chance* thing off. I have put second chance in italics. Would that", "3. \"You’re just making excuses—rationalizing your behavior.” Should I use an EM dash", "you won’t feel like to 'throw up' every time you see him—your words.”", "several changes of direction. Is this ok: “You...I...You’re...not disturbing.\" Or does it have", "sentence: \"I didn’t tell you about Zotn because I want to be with", "out, but if anyone is willing to help with one or more answers,", "is quoting the exact words another character spoke previously, are italics ok or", "questions I have. I have used guides to figure it out, but if", ". . . . It’s not been too bad.\" When there are pauses,", "another character spoke previously, are italics ok or do you have to add", "ok or does it have to be: “It’s been . . . .", "him—your words.” 10. \". that whore, Jeatga, has been -- sorry, I hate", "end of the year. My book is finished apart from teh punctuation questions", "marriages don't survive such a loss.\" Is the colon here ok in dialogue?", "be ellipses? Thank you so much to anyone willing to give me some", "so what else would work here? A colon? Em-dash? 3. \"You’re just making", "were several changes of direction. Is this ok: “You...I...You’re...not disturbing.\" Or does it", "have put second chance in italics. Would that be right? 5. \"“It’s been", "ellipses? How about if there were several changes of direction. Is this ok:", "be with him. I mean, not really.\" Is the comma here ok? 4.", "mean, not really.\" Is the comma here ok? 4. I am this close", "Does God knows what have to be in italics? 7. Maybe I’m not", "interrupted? 6. After years of unnecessary injections of God knows what. Does God", "or does it have to be: “It’s been . . . . It’s", "it have to be: “You— I— You’re . . . not disturbing.\" using", "using em dashes to show the sentence has been interrupted? 6. After years", "semi-colons are not common in dialogue, so what else would work here? A", "ok? Or should it be ellipses? Thank you so much to anyone willing", "needs a comma? What about if it was this sentence: \"I didn’t tell", "time you see him—your words.” 10. \". that whore, Jeatga, has been --", "really that awful?\" Should there be a comma here or nothing? \"I mean", "thing off. I have put second chance in italics. Would that be right?", "see him—your words.” 10. \". that whore, Jeatga, has been -- sorry, I", "know that semi-colons are not common in dialogue, so what else would work", "\"“It’s been . . . it’s not been too bad.\" Here, the character", "dashes to show the sentence has been interrupted? 6. After years of unnecessary", "two other married men shes's... Are the em dashes above ok? Or should", "what have to be in italics? 7. Maybe I’m not the only one", "ok or do you have to add inverted commas? E.g. \"You’ll feel much", "time: most marriages don't survive such a loss.\" Is the colon here ok", "married men shes's... Are the em dashes above ok? Or should it be", "first-time novelist and have finished my first novel that I hope to self-publish", "so needs a comma? What about if it was this sentence: \"I didn’t", "starts a sentence, then pauses, and says something slightly different. Is the above", "Full stop? 8. \"Zotn said it last time: most marriages don't survive such", "I am a first-time novelist and have finished my first novel that I", "you about Zotn because I want to be with him. I mean, not", "expression so needs a comma? What about if it was this sentence: \"I", "much better and you won’t feel like to 'throw up' every time you", "When there are pauses, do you need to start a new sentence for", "the character starts a sentence, then pauses, and says something slightly different. Is", "I didn’t mean a word of it.\" I know that semi-colons are not", ". It’s not been too bad.\" When there are pauses, do you need", "MEAN work like I THINK or is it more of a little filler", ". . not disturbing.\" using em dashes to show the sentence has been", "anyone is willing to help with one or more answers, then it would", "people do. Is a semi-colon needed here? Or em dash? Full stop? 8.", "him. I mean, not really.\" Is the comma here ok? 4. I am", "novelist and have finished my first novel that I hope to self-publish at", "to show the sentence has been interrupted? 6. After years of unnecessary injections", "help with one or more answers, then it would be greatly appreciated! 1.", "am this close to calling the whole second chance thing off. I have", "throw up every time you see him—your words.” If a character is quoting", "be: “It’s been . . . . It’s not been too bad.\" When", "full stop after the ellipses? How about if there were several changes of", "should it be ellipses? Thank you so much to anyone willing to give", "be in italics? 7. Maybe I’m not the only one who knows the", "bad.\" When there are pauses, do you need to start a new sentence", "off. I have put second chance in italics. Would that be right? 5.", "the truth about Zotn; maybe other people do. Is a semi-colon needed here?", "there are pauses, do you need to start a new sentence for something", "direction. Is this ok: “You...I...You’re...not disturbing.\" Or does it have to be: “You—", "Thank you so much to anyone willing to give me some advice about", "does it have to be: “It’s been . . . . It’s not", "was it really that awful?\" Does I MEAN work like I THINK or", "Is this ok: “You...I...You’re...not disturbing.\" Or does it have to be: “You— I—", "-- sorry, I hate that word -- but Jile told me about two", "and says something slightly different. Is the above ok or does it have", "of direction. Is this ok: “You...I...You’re...not disturbing.\" Or does it have to be:", "above ok or does it have to be: “It’s been . . .", "Are the em dashes above ok? Or should it be ellipses? Thank you", "exact words another character spoke previously, are italics ok or do you have", "the exact words another character spoke previously, are italics ok or do you", "5. \"“It’s been . . . it’s not been too bad.\" Here, the", "inverted commas? E.g. \"You’ll feel much better and you won’t feel like to", "mean, was it really that awful?\" Should there be a comma here or", "Does I MEAN work like I THINK or is it more of a", "it be ellipses? Thank you so much to anyone willing to give me", "Would that be right? 5. \"“It’s been . . . it’s not been", "just a comma? 3. \"I mean, was it really that awful?\" Should there", "sentence has been interrupted? 6. After years of unnecessary injections of God knows", "says something slightly different. Is the above ok or does it have to", "time you see him—your words.” If a character is quoting the exact words", "chance in italics. Would that be right? 5. \"“It’s been . . .", "of unnecessary injections of God knows what. Does God knows what have to", "dashes above ok? Or should it be ellipses? Thank you so much to", "Zotn because I want to be with him. I mean, not really.\" Is", "semi-colon needed here? Or em dash? Full stop? 8. \"Zotn said it last", "\"You’ll feel much better and you won’t feel like to throw up every", "to throw up every time you see him—your words.” If a character is", "knows the truth about Zotn; maybe other people do. Is a semi-colon needed", "see him—your words.” If a character is quoting the exact words another character", "to calling the whole second chance thing off. I have put second chance", "Jeatga, has been -- sorry, I hate that word -- but Jile told", "it have to be: “It’s been . . . . 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Full stop? 8. \"Zotn said it last time: most marriages don't survive", "in dialogue? 9. \"You’ll feel much better and you won’t feel like to", "teh punctuation questions I have. I have used guides to figure it out,", "a character is quoting the exact words another character spoke previously, are italics", ". not disturbing.\" using em dashes to show the sentence has been interrupted?", "greatly appreciated! 1. \"Those things I said; I didn’t mean a word of", "other married men shes's... Are the em dashes above ok? Or should it", ". . . it’s not been too bad.\" Here, the character starts a", "“You— I— You’re . . . not disturbing.\" using em dashes to show", "not the only one who knows the truth about Zotn; maybe other people", "to add inverted commas? E.g. \"You’ll feel much better and you won’t feel", "\"I didn’t tell you about Zotn because I want to be with him.", "here? 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Is a semi-colon", "won’t feel like to 'throw up' every time you see him—your words.” 10.", "here? A colon? Em-dash? 3. \"You’re just making excuses—rationalizing your behavior.” Should I", "to be: “It’s been . . . . It’s not been too bad.\"", "different. Is the above ok or does it have to be: “It’s been", "would be greatly appreciated! 1. \"Those things I said; I didn’t mean a", "show the sentence has been interrupted? 6. After years of unnecessary injections of", "it out, but if anyone is willing to help with one or more", "excuses—rationalizing your behavior.” Should I use an EM dash here? Or just a", "stop after the ellipses? How about if there were several changes of direction.", "word of it.\" I know that semi-colons are not common in dialogue, so", "what else would work here? A colon? Em-dash? 3. \"You’re just making excuses—rationalizing", "nothing? \"I mean was it really that awful?\" Does I MEAN work like", "I have. 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What about if it was", "Is the colon here ok in dialogue? 9. \"You’ll feel much better and", "comma here ok? 4. I am this close to calling the whole second", "in italics. Would that be right? 5. \"“It’s been . . . it’s", "mean was it really that awful?\" Does I MEAN work like I THINK", "9. \"You’ll feel much better and you won’t feel like to throw up", "It’s not been too bad.\" When there are pauses, do you need to", "common in dialogue, so what else would work here? A colon? Em-dash? 3.", "mean a word of it.\" I know that semi-colons are not common in", "but if anyone is willing to help with one or more answers, then", "be greatly appreciated! 1. \"Those things I said; I didn’t mean a word", "start a new sentence for something like this with a full stop after", "you won’t feel like to throw up* every time you see him—your words.”", "with him. I mean, not really.\" Is the comma here ok? 4. I", "do you have to add inverted commas? E.g. \"You’ll feel much better and", "needed here? Or em dash? Full stop? 8. \"Zotn said it last time:", "want to be with him. I mean, not really.\" Is the comma here", "of a little filler expression so needs a comma? What about if it", "put second chance in italics. Would that be right? 5. \"“It’s been .", "above ok? Or should it be ellipses? Thank you so much to anyone", "then it would be greatly appreciated! 1. \"Those things I said; I didn’t", "every time you see him—your words.” 10. \". that whore, Jeatga, has been", "like this with a full stop after the ellipses? How about if there", "do you need to start a new sentence for something like this with", "I know that semi-colons are not common in dialogue, so what else would", "here or nothing? \"I mean was it really that awful?\" Does I MEAN", "novel that I hope to self-publish at the end of the year. My", "so much to anyone willing to give me some advice about any or", "about if there were several changes of direction. Is this ok: “You...I...You’re...not disturbing.\"", "finished my first novel that I hope to self-publish at the end of", "first novel that I hope to self-publish at the end of the year.", "about Zotn; maybe other people do. Is a semi-colon needed here? Or em", "better and you won’t feel like to throw up every time you see", "the ellipses? How about if there were several changes of direction. Is this", "to give me some advice about any or all of these questions! Toniqao", "survive such a loss.\" Is the colon here ok in dialogue? 9. \"You’ll", "to figure it out, but if anyone is willing to help with one", "and you won’t feel like to 'throw up' every time you see him—your", "at the end of the year. My book is finished apart from teh", "\"You’re just making excuses—rationalizing your behavior.” Should I use an EM dash here?", "said it last time: most marriages don't survive such a loss.\" Is the", "more answers, then it would be greatly appreciated! 1. \"Those things I said;", "truth about Zotn; maybe other people do. Is a semi-colon needed here? Or", "is finished apart from teh punctuation questions I have. I have used guides", "-- but Jile told me about two other married men shes's... Are the", "filler expression so needs a comma? What about if it was this sentence:", "Or em dash? Full stop? 8. \"Zotn said it last time: most marriages", "Jile told me about two other married men shes's... Are the em dashes", "em dashes above ok? Or should it be ellipses? Thank you so much", "apart from teh punctuation questions I have. I have used guides to figure", "add inverted commas? E.g. \"You’ll feel much better and you won’t feel like", "work like I THINK or is it more of a little filler expression", "awful?\" Does I MEAN work like I THINK or is it more of", "Or does it have to be: “You— I— You’re . . . not", "I THINK or is it more of a little filler expression so needs", "a semi-colon needed here? Or em dash? Full stop? 8. \"Zotn said it", "it last time: most marriages don't survive such a loss.\" Is the colon", "most marriages don't survive such a loss.\" Is the colon here ok in", "words another character spoke previously, are italics ok or do you have to", "finished apart from teh punctuation questions I have. I have used guides to", "ok in dialogue? 9. \"You’ll feel much better and you won’t feel like", "men shes's... Are the em dashes above ok? Or should it be ellipses?", "I use an EM dash here? Or just a comma? 3. \"I mean,", "knows what. Does God knows what have to be in italics? 7. Maybe", "feel like to 'throw up' every time you see him—your words.” 10. \".", "if anyone is willing to help with one or more answers, then it", "this ok: “You...I...You’re...not disturbing.\" Or does it have to be: “You— I— You’re", "\"Those things I said; I didn’t mean a word of it.\" I know", "of it.\" I know that semi-colons are not common in dialogue, so what", "only one who knows the truth about Zotn; maybe other people do. Is", ". . . It’s not been too bad.\" When there are pauses, do", "EM dash here? Or just a comma? 3. \"I mean, was it really", "about Zotn because I want to be with him. I mean, not really.\"", "previously, are italics ok or do you have to add inverted commas? E.g.", "more of a little filler expression so needs a comma? What about if", "loss.\" Is the colon here ok in dialogue? 9. \"You’ll feel much better", "or do you have to add inverted commas? E.g. \"You’ll feel much better", "answers, then it would be greatly appreciated! 1. \"Those things I said; I", "I hate that word -- but Jile told me about two other married", "character starts a sentence, then pauses, and says something slightly different. Is the", "an EM dash here? Or just a comma? 3. \"I mean, was it", "and you won’t feel like to throw up every time you see him—your", "em dashes to show the sentence has been interrupted? 6. After years of", "the em dashes above ok? Or should it be ellipses? Thank you so", "been too bad.\" Here, the character starts a sentence, then pauses, and says", "have to add inverted commas? E.g. \"You’ll feel much better and you won’t", "just making excuses—rationalizing your behavior.” Should I use an EM dash here? Or", "changes of direction. Is this ok: “You...I...You’re...not disturbing.\" Or does it have to", "a comma here or nothing? \"I mean was it really that awful?\" Does", "“It’s been . . . . It’s not been too bad.\" When there", "God knows what have to be in italics? 7. Maybe I’m not the", "and have finished my first novel that I hope to self-publish at the", "this sentence: \"I didn’t tell you about Zotn because I want to be", "My book is finished apart from teh punctuation questions I have. I have", "have to be: “It’s been . . . . It’s not been too", ". . . not disturbing.\" using em dashes to show the sentence has", "E.g. \"You’ll feel much better and you won’t feel like to 'throw up'", "dialogue, so what else would work here? A colon? Em-dash? 3. \"You’re just", "Here, the character starts a sentence, then pauses, and says something slightly different.", "you so much to anyone willing to give me some advice about any", "in dialogue, so what else would work here? A colon? Em-dash? 3. \"You’re", "here? Or em dash? Full stop? 8. \"Zotn said it last time: most", "the year. My book is finished apart from teh punctuation questions I have.", "feel like to throw up every time you see him—your words.” If a", "close to calling the whole second chance thing off. I have put second", "been . . . . It’s not been too bad.\" When there are", "didn’t mean a word of it.\" I know that semi-colons are not common", "\"I mean was it really that awful?\" Does I MEAN work like I", "willing to help with one or more answers, then it would be greatly", "a full stop after the ellipses? How about if there were several changes", "punctuation questions I have. I have used guides to figure it out, but", "me about two other married men shes's... Are the em dashes above ok?", "not common in dialogue, so what else would work here? A colon? Em-dash?", "ellipses? Thank you so much to anyone willing to give me some advice", "10. \". that whore, Jeatga, has been -- sorry, I hate that word", "my first novel that I hope to self-publish at the end of the", "4. I am this close to calling the whole second chance thing off.", "too bad.\" Here, the character starts a sentence, then pauses, and says something", "feel much better and you won’t feel like to throw up every time", "'throw up' every time you see him—your words.” 10. \". that whore, Jeatga,", "need to start a new sentence for something like this with a full", "God knows what. Does God knows what have to be in italics? 7.", "has been -- sorry, I hate that word -- but Jile told me", "the colon here ok in dialogue? 9. \"You’ll feel much better and you", "have to be in italics? 7. Maybe I’m not the only one who", "because I want to be with him. I mean, not really.\" Is the", "else would work here? A colon? Em-dash? 3. \"You’re just making excuses—rationalizing your", ". it’s not been too bad.\" Here, the character starts a sentence, then", "to self-publish at the end of the year. My book is finished apart", "Is the comma here ok? 4. I am this close to calling the", "this with a full stop after the ellipses? How about if there were", "disturbing.\" Or does it have to be: “You— I— You’re . . .", "do. Is a semi-colon needed here? Or em dash? Full stop? 8. \"Zotn", "that be right? 5. \"“It’s been . . . it’s not been too", "been -- sorry, I hate that word -- but Jile told me about", "him—your words.” If a character is quoting the exact words another character spoke", "would work here? A colon? Em-dash? 3. \"You’re just making excuses—rationalizing your behavior.”", "about two other married men shes's... Are the em dashes above ok? Or", "be: “You— I— You’re . . . not disturbing.\" using em dashes to", "guides to figure it out, but if anyone is willing to help with", "really.\" Is the comma here ok? 4. I am this close to calling", "have to be: “You— I— You’re . . . not disturbing.\" using em", "with one or more answers, then it would be greatly appreciated! 1. \"Those", "the sentence has been interrupted? 6. 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Does God knows what have to be in italics?", "bad.\" Here, the character starts a sentence, then pauses, and says something slightly", "If a character is quoting the exact words another character spoke previously, are", "comma here or nothing? \"I mean was it really that awful?\" Does I", "here ok in dialogue? 9. \"You’ll feel much better and you won’t feel", "won’t feel like to throw up every time you see him—your words.” If", "Should there be a comma here or nothing? \"I mean was it really", "have finished my first novel that I hope to self-publish at the end", "are pauses, do you need to start a new sentence for something like", "or more answers, then it would be greatly appreciated! 1. \"Those things I", "that I hope to self-publish at the end of the year. My book", "words.” If a character is quoting the exact words another character spoke previously,", "Or should it be ellipses? Thank you so much to anyone willing to", "much better and you won’t feel like to throw up every time you", "comma? 3. \"I mean, was it really that awful?\" Should there be a", "chance* thing off. I have put second chance in italics. Would that be", "right? 5. \"“It’s been . . . it’s not been too bad.\" Here,", "it.\" I know that semi-colons are not common in dialogue, so what else", "disturbing.\" using em dashes to show the sentence has been interrupted? 6. After", "italics. Would that be right? 5. \"“It’s been . . . it’s not", "I’m not the only one who knows the truth about Zotn; maybe other", "then pauses, and says something slightly different. Is the above ok or does", "you have to add inverted commas? E.g. \"You’ll feel much better and you", "it’s not been too bad.\" Here, the character starts a sentence, then pauses,", "a comma? What about if it was this sentence: \"I didn’t tell you", "anyone willing to give me some advice about any or all of these", "sentence for something like this with a full stop after the ellipses? How", "have. I have used guides to figure it out, but if anyone is", "What about if it was this sentence: \"I didn’t tell you about Zotn", "year. My book is finished apart from teh punctuation questions I have. I", "if there were several changes of direction. Is this ok: “You...I...You’re...not disturbing.\" Or", "dash here? Or just a comma? 3. \"I mean, was it really that", "7. Maybe I’m not the only one who knows the truth about Zotn;", "a sentence, then pauses, and says something slightly different. Is the above ok", "words.” 10. \". that whore, Jeatga, has been -- sorry, I hate that", "I am this close to calling the whole second chance thing off. I", "but Jile told me about two other married men shes's... Are the em", "knows what have to be in italics? 7. Maybe I’m not the only", "hate that word -- but Jile told me about two other married men", "up* every time you see him—your words.” If a character is quoting the", "in italics? 7. Maybe I’m not the only one who knows the truth", "character spoke previously, are italics ok or do you have to add inverted", "pauses, do you need to start a new sentence for something like this", "have used guides to figure it out, but if anyone is willing to", "stop? 8. \"Zotn said it last time: most marriages don't survive such a", "calling the whole second chance thing off. I have put second chance in", "word -- but Jile told me about two other married men shes's... Are", "behavior.” Should I use an EM dash here? Or just a comma? 3.", "to be: “You— I— You’re . . . not disturbing.\" using em dashes", "a loss.\" Is the colon here ok in dialogue? 9. \"You’ll feel much", ". . it’s not been too bad.\" Here, the character starts a sentence,", "the above ok or does it have to be: “It’s been . .", "sorry, I hate that word -- but Jile told me about two other", "be a comma here or nothing? \"I mean was it really that awful?\"", "injections of God knows what. Does God knows what have to be in", "does it have to be: “You— I— You’re . . . not disturbing.\"", "to help with one or more answers, then it would be greatly appreciated!", "that awful?\" Does I MEAN work like I THINK or is it more", "of the year. My book is finished apart from teh punctuation questions I", "that awful?\" Should there be a comma here or nothing? \"I mean was", "Em-dash? 3. \"You’re just making excuses—rationalizing your behavior.” Should I use an EM", "told me about two other married men shes's... 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A colon?", "really that awful?\" Does I MEAN work like I THINK or is it", "such a loss.\" Is the colon here ok in dialogue? 9. \"You’ll feel", "a comma? 3. \"I mean, was it really that awful?\" Should there be", "the end of the year. My book is finished apart from teh punctuation", "things I said; I didn’t mean a word of it.\" I know that", "Should I use an EM dash here? Or just a comma? 3. \"I", "6. After years of unnecessary injections of God knows what. Does God knows", "that word -- but Jile told me about two other married men shes's...", "is willing to help with one or more answers, then it would be", "\". that whore, Jeatga, has been -- sorry, I hate that word --", "colon here ok in dialogue? 9. \"You’ll feel much better and you won’t", "slightly different. Is the above ok or does it have to be: “It’s", "said; I didn’t mean a word of it.\" I know that semi-colons are", "it really that awful?\" Should there be a comma here or nothing? \"I", "like I THINK or is it more of a little filler expression so", "to be with him. I mean, not really.\" Is the comma here ok?", "there be a comma here or nothing? \"I mean was it really that", "maybe other people do. Is a semi-colon needed here? Or em dash? Full", "spoke previously, are italics ok or do you have to add inverted commas?", "that whore, Jeatga, has been -- sorry, I hate that word -- but", "hope to self-publish at the end of the year. My book is finished", "been too bad.\" When there are pauses, do you need to start a", "figure it out, but if anyone is willing to help with one or", "How about if there were several changes of direction. Is this ok: “You...I...You’re...not", "not disturbing.\" using em dashes to show the sentence has been interrupted? 6.", "been . . . it’s not been too bad.\" Here, the character starts", "little filler expression so needs a comma? What about if it was this", "up' every time you see him—your words.” 10. \". that whore, Jeatga, has" ]
[ "new functionality?: 1. Create a new topic H and discuss in detail how", "manual (say, topics A, C, and G). Each one of these topics is", "etc. You get the idea. But we have now a new software functionality", "G. Add references in A, C, and G to the new H topic", "without the need of a new H topic. (disperse approach) We see advantages", "affected in a different way by this new functionality. The question is, what", "approach to read about this new functionality?: 1. Create a new topic H", "in one place, which makes things easier in the long term, but H", "we have everything in one place, which makes things easier in the long", "Each one of these topics is self-contained and isolated from the others but", "You get the idea. But we have now a new software functionality that", "H and discuss in detail how this new feature affects A, C, and", "G). Each one of these topics is self-contained and isolated from the others", "feature to the to the existing topics A, C, and G, without the", "C, and G to the new H topic (central approach) 2. Add information", "the others but affected in a different way by this new functionality. The", "means we have a dedicated chapter for \"connectivity\" and do not mention connectivity", "what would be the best approach to read about this new functionality?: 1.", "topics A, C, and G). Each one of these topics is self-contained and", "in A, C, and G to the new H topic (central approach) 2.", "a new H topic. (disperse approach) We see advantages and disadvantages in both.", "to read about this new functionality?: 1. Create a new topic H and", "elsewhere, a dedicated chapter for \"software upgrades\" and do not mention upgrades elsewhere,", "have now a new software functionality that affects different topics in the manual", "term, but H would be a topic of disparate things. In (2) we", "different way by this new functionality. The question is, what would be the", "not mention connectivity elsewhere, a dedicated chapter for \"software upgrades\" and do not", "several chapters and topics and, so far, these are mostly self-contained. This means", "disadvantages in both. In (1) we have everything in one place, which makes", "working on a software manual with several chapters and topics and, so far,", "about this new functionality?: 1. Create a new topic H and discuss in", "and G. Add references in A, C, and G to the new H", "(2) we provide the information in the topic itself, where is most needed,", "on a software manual with several chapters and topics and, so far, these", "these are mostly self-contained. This means we have a dedicated chapter for \"connectivity\"", "(central approach) 2. Add information about the new feature to the to the", "place, which makes things easier in the long term, but H would be", "chapter for \"software upgrades\" and do not mention upgrades elsewhere, etc. You get", "others but affected in a different way by this new functionality. The question", "topics is self-contained and isolated from the others but affected in a different", "would be the best approach to read about this new functionality?: 1. Create", "functionality that affects different topics in the manual (say, topics A, C, and", "Add information about the new feature to the to the existing topics A,", "the manual (say, topics A, C, and G). Each one of these topics", "itself, where is most needed, but this is difficult to maintain the in", "self-contained and isolated from the others but affected in a different way by", "topic itself, where is most needed, but this is difficult to maintain the", "a new software functionality that affects different topics in the manual (say, topics", "G, without the need of a new H topic. (disperse approach) We see", "2. Add information about the new feature to the to the existing topics", "this new feature affects A, C, and G. Add references in A, C,", "A, C, and G, without the need of a new H topic. (disperse", "chapter for \"connectivity\" and do not mention connectivity elsewhere, a dedicated chapter for", "question is, what would be the best approach to read about this new", "topics and, so far, these are mostly self-contained. This means we have a", "topic H and discuss in detail how this new feature affects A, C,", "topic of disparate things. In (2) we provide the information in the topic", "need of a new H topic. (disperse approach) We see advantages and disadvantages", "not mention upgrades elsewhere, etc. You get the idea. But we have now", "affects different topics in the manual (say, topics A, C, and G). Each", "feature affects A, C, and G. Add references in A, C, and G", "see advantages and disadvantages in both. In (1) we have everything in one", "existing topics A, C, and G, without the need of a new H", "is most needed, but this is difficult to maintain the in the long", "H topic (central approach) 2. Add information about the new feature to the", "The question is, what would be the best approach to read about this", "new H topic (central approach) 2. Add information about the new feature to", "This means we have a dedicated chapter for \"connectivity\" and do not mention", "a dedicated chapter for \"software upgrades\" and do not mention upgrades elsewhere, etc.", "software functionality that affects different topics in the manual (say, topics A, C,", "new feature to the to the existing topics A, C, and G, without", "and G, without the need of a new H topic. (disperse approach) We", "In (1) we have everything in one place, which makes things easier in", "C, and G). Each one of these topics is self-contained and isolated from", "makes things easier in the long term, but H would be a topic", "a software manual with several chapters and topics and, so far, these are", "mention upgrades elsewhere, etc. You get the idea. But we have now a", "A, C, and G). Each one of these topics is self-contained and isolated", "and discuss in detail how this new feature affects A, C, and G.", "topic (central approach) 2. Add information about the new feature to the to", "the long term, but H would be a topic of disparate things. In", "and do not mention connectivity elsewhere, a dedicated chapter for \"software upgrades\" and", "topic. (disperse approach) We see advantages and disadvantages in both. In (1) we", "these topics is self-contained and isolated from the others but affected in a", "approach) We see advantages and disadvantages in both. In (1) we have everything", "most needed, but this is difficult to maintain the in the long term.", "We're working on a software manual with several chapters and topics and, so", "mention connectivity elsewhere, a dedicated chapter for \"software upgrades\" and do not mention", "new software functionality that affects different topics in the manual (say, topics A,", "in the manual (say, topics A, C, and G). Each one of these", "but H would be a topic of disparate things. In (2) we provide", "topics in the manual (say, topics A, C, and G). Each one of", "would be a topic of disparate things. In (2) we provide the information", "which makes things easier in the long term, but H would be a", "everything in one place, which makes things easier in the long term, but", "new H topic. (disperse approach) We see advantages and disadvantages in both. In", "in both. In (1) we have everything in one place, which makes things", "(1) we have everything in one place, which makes things easier in the", "A, C, and G. Add references in A, C, and G to the", "the existing topics A, C, and G, without the need of a new", "easier in the long term, but H would be a topic of disparate", "information in the topic itself, where is most needed, but this is difficult", "in the topic itself, where is most needed, but this is difficult to", "in a different way by this new functionality. The question is, what would", "both. In (1) we have everything in one place, which makes things easier", "to the new H topic (central approach) 2. Add information about the new", "information about the new feature to the to the existing topics A, C,", "disparate things. In (2) we provide the information in the topic itself, where", "to the to the existing topics A, C, and G, without the need", "chapters and topics and, so far, these are mostly self-contained. This means we", "new feature affects A, C, and G. Add references in A, C, and", "one of these topics is self-contained and isolated from the others but affected", "a dedicated chapter for \"connectivity\" and do not mention connectivity elsewhere, a dedicated", "\"connectivity\" and do not mention connectivity elsewhere, a dedicated chapter for \"software upgrades\"", "A, C, and G to the new H topic (central approach) 2. Add", "manual with several chapters and topics and, so far, these are mostly self-contained.", "upgrades\" and do not mention upgrades elsewhere, etc. You get the idea. But", "the idea. But we have now a new software functionality that affects different", "H topic. (disperse approach) We see advantages and disadvantages in both. In (1)", "is self-contained and isolated from the others but affected in a different way", "be the best approach to read about this new functionality?: 1. Create a", "about the new feature to the to the existing topics A, C, and", "the need of a new H topic. (disperse approach) We see advantages and", "different topics in the manual (say, topics A, C, and G). Each one", "a topic of disparate things. In (2) we provide the information in the", "the information in the topic itself, where is most needed, but this is", "the topic itself, where is most needed, but this is difficult to maintain", "in detail how this new feature affects A, C, and G. Add references", "for \"software upgrades\" and do not mention upgrades elsewhere, etc. You get the", "have a dedicated chapter for \"connectivity\" and do not mention connectivity elsewhere, a", "by this new functionality. The question is, what would be the best approach", "functionality?: 1. Create a new topic H and discuss in detail how this", "and G). Each one of these topics is self-contained and isolated from the", "and isolated from the others but affected in a different way by this", "for \"connectivity\" and do not mention connectivity elsewhere, a dedicated chapter for \"software", "(say, topics A, C, and G). Each one of these topics is self-contained", "this new functionality?: 1. Create a new topic H and discuss in detail", "H would be a topic of disparate things. In (2) we provide the", "\"software upgrades\" and do not mention upgrades elsewhere, etc. You get the idea.", "provide the information in the topic itself, where is most needed, but this", "with several chapters and topics and, so far, these are mostly self-contained. This", "from the others but affected in a different way by this new functionality.", "discuss in detail how this new feature affects A, C, and G. Add", "do not mention connectivity elsewhere, a dedicated chapter for \"software upgrades\" and do", "of disparate things. In (2) we provide the information in the topic itself,", "a different way by this new functionality. The question is, what would be", "this new functionality. The question is, what would be the best approach to", "a new topic H and discuss in detail how this new feature affects", "connectivity elsewhere, a dedicated chapter for \"software upgrades\" and do not mention upgrades", "to the existing topics A, C, and G, without the need of a", "far, these are mostly self-contained. This means we have a dedicated chapter for", "how this new feature affects A, C, and G. Add references in A,", "self-contained. This means we have a dedicated chapter for \"connectivity\" and do not", "dedicated chapter for \"connectivity\" and do not mention connectivity elsewhere, a dedicated chapter", "new topic H and discuss in detail how this new feature affects A,", "functionality. The question is, what would be the best approach to read about", "(disperse approach) We see advantages and disadvantages in both. In (1) we have", "and disadvantages in both. In (1) we have everything in one place, which", "and do not mention upgrades elsewhere, etc. You get the idea. But we", "have everything in one place, which makes things easier in the long term,", "dedicated chapter for \"software upgrades\" and do not mention upgrades elsewhere, etc. You", "C, and G. Add references in A, C, and G to the new", "and topics and, so far, these are mostly self-contained. This means we have", "software manual with several chapters and topics and, so far, these are mostly", "so far, these are mostly self-contained. This means we have a dedicated chapter", "the new feature to the to the existing topics A, C, and G,", "topics A, C, and G, without the need of a new H topic.", "the to the existing topics A, C, and G, without the need of", "things easier in the long term, but H would be a topic of", "upgrades elsewhere, etc. You get the idea. But we have now a new", "elsewhere, etc. You get the idea. But we have now a new software", "and G to the new H topic (central approach) 2. Add information about", "be a topic of disparate things. In (2) we provide the information in", "we have now a new software functionality that affects different topics in the", "approach) 2. Add information about the new feature to the to the existing", "long term, but H would be a topic of disparate things. In (2)", "things. In (2) we provide the information in the topic itself, where is", "mostly self-contained. This means we have a dedicated chapter for \"connectivity\" and do", "isolated from the others but affected in a different way by this new", "the best approach to read about this new functionality?: 1. Create a new", "idea. But we have now a new software functionality that affects different topics", "advantages and disadvantages in both. In (1) we have everything in one place,", "new functionality. The question is, what would be the best approach to read", "now a new software functionality that affects different topics in the manual (say,", "but this is difficult to maintain the in the long term. Thanks, Jorge", "of these topics is self-contained and isolated from the others but affected in", "best approach to read about this new functionality?: 1. Create a new topic", "Add references in A, C, and G to the new H topic (central", "way by this new functionality. The question is, what would be the best", "detail how this new feature affects A, C, and G. Add references in", "Create a new topic H and discuss in detail how this new feature", "one place, which makes things easier in the long term, but H would", "But we have now a new software functionality that affects different topics in", "read about this new functionality?: 1. Create a new topic H and discuss", "is, what would be the best approach to read about this new functionality?:", "1. Create a new topic H and discuss in detail how this new", "references in A, C, and G to the new H topic (central approach)", "and, so far, these are mostly self-contained. This means we have a dedicated", "C, and G, without the need of a new H topic. (disperse approach)", "We see advantages and disadvantages in both. In (1) we have everything in", "where is most needed, but this is difficult to maintain the in the", "do not mention upgrades elsewhere, etc. You get the idea. But we have", "in the long term, but H would be a topic of disparate things.", "we provide the information in the topic itself, where is most needed, but", "that affects different topics in the manual (say, topics A, C, and G).", "needed, but this is difficult to maintain the in the long term. Thanks,", "we have a dedicated chapter for \"connectivity\" and do not mention connectivity elsewhere,", "In (2) we provide the information in the topic itself, where is most", "affects A, C, and G. Add references in A, C, and G to", "of a new H topic. (disperse approach) We see advantages and disadvantages in", "but affected in a different way by this new functionality. The question is,", "get the idea. But we have now a new software functionality that affects", "the new H topic (central approach) 2. Add information about the new feature", "are mostly self-contained. This means we have a dedicated chapter for \"connectivity\" and", "G to the new H topic (central approach) 2. Add information about the" ]
[ "screenplays. Secondly, it deals with a spec script. Now, there seems to be", "seems to be surprisingly scant information on the internet in regard to how", "skeleton and the shape it cuts? How much is too much? Further, would", "surprisingly scant information on the internet in regard to how far you should", "it be superfluous to mention stuff like the frame of the windows and", "much is too much? Further, would it be superfluous to mention stuff like", "and other things of the like? Your answer will be all the more", "the colour of the walls and the number of storeys? Can I go", "should go in describing a locale. I'll throw you an example. If I", "the like? Your answer will be all the more appreciated if you could", "other things of the like? Your answer will be all the more appreciated", "from the 'EXT', should I specify the colour of the walls and the", "to how far you should go in describing a locale. I'll throw you", "on describing a building from the 'EXT', should I specify the colour of", "even further to describe its skeleton and the shape it cuts? How much", "Your answer will be all the more appreciated if you could cite examples", "of storeys? Can I go even further to describe its skeleton and the", "of the windows* and other things of the like? Your answer will be", "things of the like? Your answer will be all the more appreciated if", "number of storeys? Can I go even further to describe its skeleton and", "like the frame of the windows and other things of the like? Your", "it cuts? How much is too much? Further, would it be superfluous to", "shape it cuts? How much is too much? Further, would it be superfluous", "its skeleton and the shape it cuts? How much is too much? Further,", "the windows* and other things of the like? Your answer will be all", "strictly to screenplays. Secondly, it deals with a spec script. Now, there seems", "How much is too much? Further, would it be superfluous to mention stuff", "I'll throw you an example. If I intend on describing a building from", "there seems to be surprisingly scant information on the internet in regard to", "a building from the 'EXT', should I specify the colour of the walls", "regard to how far you should go in describing a locale. I'll throw", "First out, my question pertains strictly to screenplays. Secondly, it deals with a", "in describing a locale. I'll throw you an example. If I intend on", "Now, there seems to be surprisingly scant information on the internet in regard", "throw you an example. If I intend on describing a building from the", "you should go in describing a locale. I'll throw you an example. If", "Can I go even further to describe its skeleton and the shape it", "of the walls and the number of storeys? Can I go even further", "describing a building from the 'EXT', should I specify the colour of the", "storeys? Can I go even further to describe its skeleton and the shape", "a spec script. Now, there seems to be surprisingly scant information on the", "the number of storeys? Can I go even further to describe its skeleton", "the shape it cuts? How much is too much? Further, would it be", "mention stuff like the frame of the windows and other things of the", "describing a locale. I'll throw you an example. If I intend on describing", "go even further to describe its skeleton and the shape it cuts? How", "superfluous to mention stuff like the frame of the windows and other things", "colour of the walls and the number of storeys? Can I go even", "frame of the windows and other things of the like? Your answer will", "and the number of storeys? Can I go even further to describe its", "walls and the number of storeys? Can I go even further to describe", "like? Your answer will be all the more appreciated if you could cite", "information on the internet in regard to how far you should go in", "specify the colour of the walls and the number of storeys? Can I", "an example. If I intend on describing a building from the 'EXT', should", "script. Now, there seems to be surprisingly scant information on the internet in", "question pertains strictly to screenplays. Secondly, it deals with a spec script*. Now,", "how far you should go in describing a locale. I'll throw you an", "intend on describing a building from the 'EXT', should I specify the colour", "answer will be all the more appreciated if you could cite examples and/or", "my question pertains strictly to screenplays. Secondly, it deals with a spec script.", "and the shape it cuts? How much is too* much? Further, would it", "'EXT', should I specify the colour of the walls and the number of", "the frame of the windows and other things of the like? Your answer", "Further, would it be superfluous to mention stuff like the frame of the", "to mention stuff like the frame of the windows* and other things of", "Secondly, it deals with a spec script. Now, there seems to be surprisingly", "the 'EXT', should I specify the colour of the walls and the number", "to be surprisingly scant information on the internet in regard to how far", "be surprisingly scant information on the internet in regard to how far you", "example. If I intend on describing a building from the 'EXT', should I", "is too much? Further, would it be superfluous to mention stuff like the", "If I intend on describing a building from the 'EXT', should I specify", "be superfluous to mention stuff like the frame of the windows and other", "it deals with a spec script. Now, there seems to be surprisingly scant", "the internet in regard to how far you should go in describing a", "go in describing a locale. I'll throw you an example. If I intend", "the walls and the number of storeys? Can I go even further to", "spec script. Now, there seems to be surprisingly scant information on the internet", "scant information on the internet in regard to how far you should go", "I go even further to describe its skeleton and the shape it cuts?", "describe its skeleton and the shape it cuts? How much is too* much?", "with a spec script. Now, there seems to be surprisingly scant information on", "deals with a spec script. Now, there seems to be surprisingly scant information", "windows* and other things of the like? Your answer will be all the", "you an example. If I intend on describing a building from the 'EXT',", "I specify the colour of the walls and the number of storeys? Can", "further to describe its skeleton and the shape it cuts? How much is", "much? Further, would it be superfluous to mention stuff like the frame of", "internet in regard to how far you should go in describing a locale.", "building from the 'EXT', should I specify the colour of the walls and", "of the like? Your answer will be all the more appreciated if you", "to describe its skeleton and the shape it cuts? How much is too", "on the internet in regard to how far you should go in describing", "I intend on describing a building from the 'EXT', should I specify the", "should I specify the colour of the walls and the number of storeys?", "in regard to how far you should go in describing a locale. I'll", "out, my question pertains strictly to screenplays. Secondly, it deals with a *spec", "cuts? How much is too* much? Further, would it be superfluous to mention", "pertains strictly to screenplays. Secondly, it deals with a spec script. Now, there", "far you should go in describing a locale. I'll throw you an example.", "too much? Further, would it be superfluous to mention stuff like the frame", "stuff like the frame of the windows* and other things of the like?", "a locale. I'll throw you an example. If I intend on describing a", "would it be superfluous to mention stuff like the frame of the windows", "will be all the more appreciated if you could cite examples and/or sources.", "to screenplays. Secondly, it deals with a spec script. Now, there seems to", "locale. I'll throw you an example. If I intend on describing a building" ]
[ "way it hasn't been done before, but my worry is that the clear", "do it in a way it hasn't been done before, but my worry", "stories are really overdone. But I have a novel idea I would really", "it hasn't been done before, but my worry is that the clear vampire", "vampire stories are really overdone. But I have a novel idea I would", "it up and read the back? Or do you just gloss over it", "a vampire theme. I think I can pull it off if I do", "idea I would really like to write that has a vampire theme. I", "you still pick it up and read the back? Or do you just", "is that the clear vampire theme will ward people off. If you see", "without saying that vampire stories are really overdone. But I have a novel", "think it goes without saying that vampire stories are really overdone. But I", "goes without saying that vampire stories are really overdone. But I have a", "if I do it in a way it hasn't been done before, but", "pull it off if I do it in a way it hasn't been", "see too often, do you still pick it up and read the back?", "Okay, I think it goes without saying that vampire stories are really overdone.", "write that has a vampire theme. I think I can pull it off", "off if I do it in a way it hasn't been done before,", "too often, do you still pick it up and read the back? Or", "overdone. But I have a novel idea I would really like to write", "see a good-looking book, but it's about something you see too often, do", "vampire theme. I think I can pull it off if I do it", "been done before, but my worry is that the clear vampire theme will", "I would really like to write that has a vampire theme. I think", "it's about something you see too often, do you still pick it up", "read the back? Or do you just gloss over it on the shelf?", "something you see too often, do you still pick it up and read", "really like to write that has a vampire theme. I think I can", "book, but it's about something you see too often, do you still pick", "clear vampire theme will ward people off. If you see a good-looking book,", "saying that vampire stories are really overdone. But I have a novel idea", "it off if I do it in a way it hasn't been done", "a novel idea I would really like to write that has a vampire", "I can pull it off if I do it in a way it", "up and read the back? Or do you just gloss over it on", "a way it hasn't been done before, but my worry is that the", "you see too often, do you still pick it up and read the", "theme will ward people off. If you see a good-looking book, but it's", "would really like to write that has a vampire theme. I think I", "to write that has a vampire theme. I think I can pull it", "can pull it off if I do it in a way it hasn't", "but my worry is that the clear vampire theme will ward people off.", "about something you see too often, do you still pick it up and", "still pick it up and read the back? Or do you just gloss", "have a novel idea I would really like to write that has a", "I think it goes without saying that vampire stories are really overdone. But", "do you still pick it up and read the back? Or do you", "novel idea I would really like to write that has a vampire theme.", "done before, but my worry is that the clear vampire theme will ward", "that the clear vampire theme will ward people off. If you see a", "but it's about something you see too often, do you still pick it", "it goes without saying that vampire stories are really overdone. But I have", "theme. I think I can pull it off if I do it in", "often, do you still pick it up and read the back? Or do", "worry is that the clear vampire theme will ward people off. If you", "But I have a novel idea I would really like to write that", "a good-looking book, but it's about something you see too often, do you", "really overdone. But I have a novel idea I would really like to", "ward people off. If you see a good-looking book, but it's about something", "pick it up and read the back? Or do you just gloss over", "has a vampire theme. I think I can pull it off if I", "it in a way it hasn't been done before, but my worry is", "vampire theme will ward people off. If you see a good-looking book, but", "and read the back? Or do you just gloss over it on the", "I think I can pull it off if I do it in a", "you see a good-looking book, but it's about something you see too often,", "the clear vampire theme will ward people off. If you see a good-looking", "in a way it hasn't been done before, but my worry is that", "I have a novel idea I would really like to write that has", "good-looking book, but it's about something you see too often, do you still", "think I can pull it off if I do it in a way", "If you see a good-looking book, but it's about something you see too", "I do it in a way it hasn't been done before, but my", "my worry is that the clear vampire theme will ward people off. If", "people off. If you see a good-looking book, but it's about something you", "are really overdone. But I have a novel idea I would really like", "will ward people off. If you see a good-looking book, but it's about", "before, but my worry is that the clear vampire theme will ward people", "off. If you see a good-looking book, but it's about something you see", "that has a vampire theme. I think I can pull it off if", "hasn't been done before, but my worry is that the clear vampire theme", "that vampire stories are really overdone. But I have a novel idea I", "like to write that has a vampire theme. I think I can pull" ]
[ "in the book. I thought this question was likely to help other writers", "reader? Notes: Obviously having the hero lose his strength isn't terribly advisable, so", "have duly altered the way things happened in the book. I thought this", "can I essentially have him lose his strength, the thing that makes the", "thing that makes the reader want him to win, half way through the", "makes the reader want him to win. Without this quality, the reader doesn't", "perseverance. He believes that they can fight against the enemies arrayed against them,", "can fight against the enemies arrayed against them, and giving up is furthest", "them, and giving up is furthest from his mind. Throughout the course of", "of perseverance. He believes that they can fight against the enemies arrayed against", "decides that the situation is hopeless. Do note that after that point, the", "the protagonist, or simply doesn't care for him, period. I call this quality", "they can fight against the enemies arrayed against them, and giving up is", "his doubts are shoved aside, his resolve emerging stronger than ever. Question: The", "ever. Question: The hero's strength in this book is his perseverance: the fact", "the way things happened in the book. I thought this question was likely", "this question was likely to help other writers though, so I posted it.", "The hero's strength in this book is his perseverance: the fact that he", "The hero gives up and essentially decides that the situation is hopeless. Do", "up. How can I essentially have him lose his strength, the thing that", "hero receives a series of emotional and psycological blows designed to make him", "to be too much. The hero gives up and essentially decides that the", "thought this question was likely to help other writers though, so I posted", "doesn't care what happens to the protagonist, or simply doesn't care for him,", "your protagonist something - usually a quality - that makes the reader want", "stronger than ever. Question: The hero's strength in this book is his perseverance:", "way things happened in the book. I thought this question was likely to", "doesn't give up. How can I essentially have him lose his strength, the", "want him to win, half way through the book, and still keep the", "this quality, the reader doesn't care what happens to the protagonist, or simply", "Question: The hero's strength in this book is his perseverance: the fact that", "mind. Throughout the course of the novel, the hero receives a series of", "reader want him to win, half way through the book, and still keep", "advisable, so I have duly altered the way things happened in the book.", "the reader? Notes: Obviously having the hero lose his strength isn't terribly advisable,", "half way through the book, and still keep the reader? Notes: Obviously having", "situation is hopeless. Do note that after that point, the hero then goes", "makes the reader want him to win, half way through the book, and", "him to win. Without this quality, the reader doesn't care what happens to", "quality the protagonist's strength. Here's the situation: I'm currently writing a book about", "book about a hero who starts out full of perseverance. He believes that", "essentially decides that the situation is hopeless. Do note that after that point,", "bolster his perseverance, until the climax arrives, and his doubts are shoved aside,", "the thing that makes the reader want him to win, half way through", "him to win, half way through the book, and still keep the reader?", "to win, half way through the book, and still keep the reader? Notes:", "book. I thought this question was likely to help other writers though, so", "the hero receives a series of emotional and psycological blows designed to make", "in one final blow, which proves to be too much. The hero gives", "period. I call this quality the protagonist's strength. Here's the situation: I'm currently", "strength. Here's the situation: I'm currently writing a book about a hero who", "Do note that after that point, the hero then goes through a series", "this quality the protagonist's strength. Here's the situation: I'm currently writing a book", "simply doesn't care for him, period. I call this quality the protagonist's strength.", "duly altered the way things happened in the book. I thought this question", "him, period. I call this quality the protagonist's strength. Here's the situation: I'm", "gives up and essentially decides that the situation is hopeless. Do note that", "give your protagonist something - usually a quality - that makes the reader", "that he doesn't give up. How can I essentially have him lose his", "designed to make him doubt whether this is true. These blows culminate in", "up is furthest from his mind. Throughout the course of the novel, the", "keep the reader? Notes: Obviously having the hero lose his strength isn't terribly", "the situation is hopeless. Do note that after that point, the hero then", "course of the novel, the hero receives a series of emotional and psycological", "so I have duly altered the way things happened in the book. I", "book, and still keep the reader? Notes: Obviously having the hero lose his", "the fact that he doesn't give up. How can I essentially have him", "up and essentially decides that the situation is hopeless. Do note that after", "that you need to give your protagonist something - usually a quality -", "I have duly altered the way things happened in the book. I thought", "blows designed to make him doubt whether this is true. These blows culminate", "after that point, the hero then goes through a series of events that", "have him lose his strength, the thing that makes the reader want him", "protagonist, or simply doesn't care for him, period. I call this quality the", "the protagonist's strength. Here's the situation: I'm currently writing a book about a", "which proves to be too much. The hero gives up and essentially decides", "be too much. The hero gives up and essentially decides that the situation", "are shoved aside, his resolve emerging stronger than ever. Question: The hero's strength", "doubt whether this is true. These blows culminate in one final blow, which", "aside, his resolve emerging stronger than ever. Question: The hero's strength in this", "that makes the reader want him to win. Without this quality, the reader", "that after that point, the hero then goes through a series of events", "fact that he doesn't give up. How can I essentially have him lose", "events that bolster his perseverance, until the climax arrives, and his doubts are", "this book is his perseverance: the fact that he doesn't give up. How", "and psycological blows designed to make him doubt whether this is true. These", "he doesn't give up. How can I essentially have him lose his strength,", "protagonist's strength. Here's the situation: I'm currently writing a book about a hero", "I've learned that you need to give your protagonist something - usually a", "is furthest from his mind. Throughout the course of the novel, the hero", "shoved aside, his resolve emerging stronger than ever. Question: The hero's strength in", "win. Without this quality, the reader doesn't care what happens to the protagonist,", "to give your protagonist something - usually a quality - that makes the", "goes through a series of events that bolster his perseverance, until the climax", "his mind. Throughout the course of the novel, the hero receives a series", "happened in the book. I thought this question was likely to help other", "starts out full of perseverance. He believes that they can fight against the", "give up. How can I essentially have him lose his strength, the thing", "essentially have him lose his strength, the thing that makes the reader want", "this is true. These blows culminate in one final blow, which proves to", "for him, period. I call this quality the protagonist's strength. Here's the situation:", "his strength isn't terribly advisable, so I have duly altered the way things", "through a series of events that bolster his perseverance, until the climax arrives,", "hero's strength in this book is his perseverance: the fact that he doesn't", "the enemies arrayed against them, and giving up is furthest from his mind.", "than ever. Question: The hero's strength in this book is his perseverance: the", "I thought this question was likely to help other writers though, so I", "strength isn't terribly advisable, so I have duly altered the way things happened", "culminate in one final blow, which proves to be too much. The hero", "note that after that point, the hero then goes through a series of", "hero lose his strength isn't terribly advisable, so I have duly altered the", "hopeless. Do note that after that point, the hero then goes through a", "the book. I thought this question was likely to help other writers though,", "strength, the thing that makes the reader want him to win, half way", "situation: I'm currently writing a book about a hero who starts out full", "that the situation is hopeless. Do note that after that point, the hero", "the book, and still keep the reader? Notes: Obviously having the hero lose", "writing, I've learned that you need to give your protagonist something - usually", "emerging stronger than ever. Question: The hero's strength in this book is his", "the reader doesn't care what happens to the protagonist, or simply doesn't care", "fight against the enemies arrayed against them, and giving up is furthest from", "final blow, which proves to be too much. The hero gives up and", "then goes through a series of events that bolster his perseverance, until the", "doubts are shoved aside, his resolve emerging stronger than ever. Question: The hero's", "whether this is true. These blows culminate in one final blow, which proves", "his strength, the thing that makes the reader want him to win, half", "believes that they can fight against the enemies arrayed against them, and giving", "the climax arrives, and his doubts are shoved aside, his resolve emerging stronger", "Without this quality, the reader doesn't care what happens to the protagonist, or", "blow, which proves to be too much. The hero gives up and essentially", "him doubt whether this is true. These blows culminate in one final blow,", "I call this quality the protagonist's strength. Here's the situation: I'm currently writing", "Here's the situation: I'm currently writing a book about a hero who starts", "psycological blows designed to make him doubt whether this is true. These blows", "blows culminate in one final blow, which proves to be too much. The", "the hero then goes through a series of events that bolster his perseverance,", "you need to give your protagonist something - usually a quality - that", "need to give your protagonist something - usually a quality - that makes", "series of emotional and psycological blows designed to make him doubt whether this", "want him to win. Without this quality, the reader doesn't care what happens", "him lose his strength, the thing that makes the reader want him to", "the course of the novel, the hero receives a series of emotional and", "hero then goes through a series of events that bolster his perseverance, until", "until the climax arrives, and his doubts are shoved aside, his resolve emerging", "point, the hero then goes through a series of events that bolster his", "perseverance: the fact that he doesn't give up. How can I essentially have", "How can I essentially have him lose his strength, the thing that makes", "that they can fight against the enemies arrayed against them, and giving up", "the situation: I'm currently writing a book about a hero who starts out", "and still keep the reader? Notes: Obviously having the hero lose his strength", "These blows culminate in one final blow, which proves to be too much.", "of the novel, the hero receives a series of emotional and psycological blows", "to make him doubt whether this is true. These blows culminate in one", "in this book is his perseverance: the fact that he doesn't give up.", "to the protagonist, or simply doesn't care for him, period. I call this", "against the enemies arrayed against them, and giving up is furthest from his", "strength in this book is his perseverance: the fact that he doesn't give", "I'm currently writing a book about a hero who starts out full of", "a series of events that bolster his perseverance, until the climax arrives, and", "isn't terribly advisable, so I have duly altered the way things happened in", "happens to the protagonist, or simply doesn't care for him, period. I call", "too much. The hero gives up and essentially decides that the situation is", "doesn't care for him, period. I call this quality the protagonist's strength. Here's", "care for him, period. I call this quality the protagonist's strength. Here's the", "Notes: Obviously having the hero lose his strength isn't terribly advisable, so I", "enemies arrayed against them, and giving up is furthest from his mind. Throughout", "is his perseverance: the fact that he doesn't give up. How can I", "arrives, and his doubts are shoved aside, his resolve emerging stronger than ever.", "In studying writing, I've learned that you need to give your protagonist something", "He believes that they can fight against the enemies arrayed against them, and", "still keep the reader? Notes: Obviously having the hero lose his strength isn't", "reader doesn't care what happens to the protagonist, or simply doesn't care for", "or simply doesn't care for him, period. I call this quality the protagonist's", "and giving up is furthest from his mind. Throughout the course of the", "quality, the reader doesn't care what happens to the protagonist, or simply doesn't", "one final blow, which proves to be too much. The hero gives up", "writing a book about a hero who starts out full of perseverance. He", "that bolster his perseverance, until the climax arrives, and his doubts are shoved", "climax arrives, and his doubts are shoved aside, his resolve emerging stronger than", "make him doubt whether this is true. These blows culminate in one final", "lose his strength isn't terribly advisable, so I have duly altered the way", "is hopeless. Do note that after that point, the hero then goes through", "way through the book, and still keep the reader? Notes: Obviously having the", "a hero who starts out full of perseverance. He believes that they can", "and essentially decides that the situation is hopeless. Do note that after that", "of emotional and psycological blows designed to make him doubt whether this is", "- that makes the reader want him to win. Without this quality, the", "against them, and giving up is furthest from his mind. Throughout the course", "- usually a quality - that makes the reader want him to win.", "care what happens to the protagonist, or simply doesn't care for him, period.", "usually a quality - that makes the reader want him to win. Without", "about a hero who starts out full of perseverance. He believes that they", "learned that you need to give your protagonist something - usually a quality", "hero who starts out full of perseverance. He believes that they can fight", "out full of perseverance. He believes that they can fight against the enemies", "much. The hero gives up and essentially decides that the situation is hopeless.", "and his doubts are shoved aside, his resolve emerging stronger than ever. Question:", "lose his strength, the thing that makes the reader want him to win,", "perseverance, until the climax arrives, and his doubts are shoved aside, his resolve", "Obviously having the hero lose his strength isn't terribly advisable, so I have", "a quality - that makes the reader want him to win. Without this", "from his mind. Throughout the course of the novel, the hero receives a", "a series of emotional and psycological blows designed to make him doubt whether", "the novel, the hero receives a series of emotional and psycological blows designed", "hero gives up and essentially decides that the situation is hopeless. Do note", "proves to be too much. The hero gives up and essentially decides that", "arrayed against them, and giving up is furthest from his mind. Throughout the", "furthest from his mind. Throughout the course of the novel, the hero receives", "the reader want him to win, half way through the book, and still", "his perseverance: the fact that he doesn't give up. How can I essentially", "currently writing a book about a hero who starts out full of perseverance.", "is true. These blows culminate in one final blow, which proves to be", "win, half way through the book, and still keep the reader? Notes: Obviously", "the reader want him to win. Without this quality, the reader doesn't care", "having the hero lose his strength isn't terribly advisable, so I have duly", "the hero lose his strength isn't terribly advisable, so I have duly altered", "emotional and psycological blows designed to make him doubt whether this is true.", "that point, the hero then goes through a series of events that bolster", "things happened in the book. I thought this question was likely to help", "his resolve emerging stronger than ever. Question: The hero's strength in this book", "altered the way things happened in the book. I thought this question was", "book is his perseverance: the fact that he doesn't give up. How can", "something - usually a quality - that makes the reader want him to", "true. These blows culminate in one final blow, which proves to be too", "protagonist something - usually a quality - that makes the reader want him", "who starts out full of perseverance. He believes that they can fight against", "Throughout the course of the novel, the hero receives a series of emotional", "studying writing, I've learned that you need to give your protagonist something -", "call this quality the protagonist's strength. Here's the situation: I'm currently writing a", "full of perseverance. He believes that they can fight against the enemies arrayed", "quality - that makes the reader want him to win. Without this quality,", "novel, the hero receives a series of emotional and psycological blows designed to", "receives a series of emotional and psycological blows designed to make him doubt", "series of events that bolster his perseverance, until the climax arrives, and his", "his perseverance, until the climax arrives, and his doubts are shoved aside, his", "through the book, and still keep the reader? Notes: Obviously having the hero", "of events that bolster his perseverance, until the climax arrives, and his doubts", "reader want him to win. Without this quality, the reader doesn't care what", "giving up is furthest from his mind. Throughout the course of the novel,", "that makes the reader want him to win, half way through the book,", "I essentially have him lose his strength, the thing that makes the reader", "resolve emerging stronger than ever. Question: The hero's strength in this book is", "what happens to the protagonist, or simply doesn't care for him, period. I", "terribly advisable, so I have duly altered the way things happened in the", "to win. Without this quality, the reader doesn't care what happens to the", "a book about a hero who starts out full of perseverance. He believes" ]
[ "apologize for angering her. So what should I do if I want to", "the changes in lion society that result and a coalition of 2 lions", "roar whenever she wonders where we are.\" That conversation then goes into things", "are Tau and Kabda. When they come across a lioness named Tixba that", "angry before Tau and Kabda apologize for angering her. So what should I", "changes in lion society that result and a coalition of 2 lions searching", "pride and ends with Tixba saying \"Okay. Lets do this.\" when she is", "whenever she wonders where we are.\" That conversation then goes into things like", "as friends in case the lionesses are tired is great. I want to", "asks \"Why are you here? And what is that leopard doing?\" Tau and", "you here? And what is that leopard doing?\" Tau and Kabda say in", "nice tone of voice \"We didn’t mean to anger you. We were just", "pride splitting again and again until the friendly lions took over lion territory.", "years ago and his friendliness genes passed on to us. Volla is our", "angry tone of voice she asks \"Why are you here? And what is", "cheetahs as friends in case the lionesses are tired is great. I want", "to let readers know that Tixba is angry before Tau and Kabda apologize", "is angry before Tau and Kabda apologize for angering her. So what should", "a nice tone of voice \"We didn’t mean to anger you. We were", "Tixba saying \"Okay. Lets do this.\" when she is confident that Tau and", "and Kabda. When they come across a lioness named Tixba that already has", "SumeWA and a leopard friend named Volla. It then goes into that 1", "here? And what is that leopard doing?\" Tau and Kabda say in a", "say in a nice tone of voice \"We didn’t mean to anger you.", "she wonders where we are.\" That conversation then goes into things like what", "great. I want to let readers know that Tixba is angry before Tau", "and a leopard friend named Volla. It then goes into that 1 pride", "into the changes in lion society that result and a coalition of 2", "territory. The next chapter goes more into the changes in lion society that", "you. We were just searching for lionesses. Anapumua Moto did that years ago", "the cubs being killed even though she knows that all the lions are", "and Kabda say in a nice tone of voice \"We didn’t mean to", "into that 1 pride splitting again and again until the friendly lions took", "to us. Volla is our leopard friend and she hunts for us as", "this 1 friendly lion searching for nomadic lionesses. His name is Anapumua Moto.", "splitting again and again until the friendly lions took over lion territory. The", "with this 1 friendly lion searching for nomadic lionesses. His name is Anapumua", "on to us. Volla is our leopard friend and she hunts for us", "and Kabda won't kill the cubs and that having leopards and cheetahs as", "story about friendly lions. It all starts with this 1 friendly lion searching", "the lionesses are tired is great. I want to let readers know that", "tone of voice she asks \"Why are you here? And what is that", "we search for lionesses. We roar whenever she wonders where we are.\" That", "that all the lions are friendly now. So naturally in an angry tone", "know that Tixba is angry before Tau and Kabda apologize for angering her.", "her. So what should I do if I want to add anger to", "result and a coalition of 2 lions searching for a pride. Their names", "his friendliness genes passed on to us. Volla is our leopard friend and", "friend named Volla. It then goes into that 1 pride splitting again and", "friends in case the lionesses are tired is great. I want to let", "Tau and Kabda say in a nice tone of voice \"We didn’t mean", "anger you. We were just searching for lionesses. Anapumua Moto did that years", "am writing a story about friendly lions. It all starts with this 1", "afraid of the cubs being killed even though she knows that all the", "killed even though she knows that all the lions are friendly now. So", "hunts for us as we search for lionesses. We roar whenever she wonders", "again until the friendly lions took over lion territory. The next chapter goes", "I am writing a story about friendly lions. It all starts with this", "of the cubs being killed even though she knows that all the lions", "she asks \"Why are you here? And what is that leopard doing?\" Tau", "this.\" when she is confident that Tau and Kabda won't kill the cubs", "name is Anapumua Moto. He has a cheetah friend named SumeWA and a", "lionesses. His name is Anapumua Moto. He has a cheetah friend named SumeWA", "kill the cubs and that having leopards and cheetahs as friends in case", "about friendly lions. It all starts with this 1 friendly lion searching for", "in a nice tone of voice \"We didn’t mean to anger you. We", "That conversation then goes into things like what will happen when they have", "friendly lion searching for nomadic lionesses. His name is Anapumua Moto. He has", "are.\" That conversation then goes into things like what will happen when they", "come across a lioness named Tixba that already has cubs, she is still", "with Tixba saying \"Okay. Lets do this.\" when she is confident that Tau", "that 1 pride splitting again and again until the friendly lions took over", "took over lion territory. The next chapter goes more into the changes in", "being killed even though she knows that all the lions are friendly now.", "though she knows that all the lions are friendly now. So naturally in", "do if I want to add anger to a question that a character", "Volla is our leopard friend and she hunts for us as we search", "is still afraid of the cubs being killed even though she knows that", "We roar whenever she wonders where we are.\" That conversation then goes into", "already has cubs, she is still afraid of the cubs being killed even", "in an angry tone of voice she asks \"Why are you here? And", "were just searching for lionesses. Anapumua Moto did that years ago and his", "genes passed on to us. Volla is our leopard friend and she hunts", "like what will happen when they have a large pride and ends with", "Volla. It then goes into that 1 pride splitting again and again until", "lions searching for a pride. Their names are Tau and Kabda. When they", "happen when they have a large pride and ends with Tixba saying \"Okay.", "voice she asks \"Why are you here? And what is that leopard doing?\"", "I do if I want to add anger to a question that a", "goes into that 1 pride splitting again and again until the friendly lions", "2 lions searching for a pride. Their names are Tau and Kabda. When", "that Tau and Kabda won't kill the cubs and that having leopards and", "are tired is great. I want to let readers know that Tixba is", "Tau and Kabda apologize for angering her. So what should I do if", "we are.\" That conversation then goes into things like what will happen when", "1 friendly lion searching for nomadic lionesses. His name is Anapumua Moto. He", "then goes into that 1 pride splitting again and again until the friendly", "friendly lions took over lion territory. The next chapter goes more into the", "So naturally in an angry tone of voice she asks \"Why are you", "the friendly lions took over lion territory. The next chapter goes more into", "having leopards and cheetahs as friends in case the lionesses are tired is", "what is that leopard doing?\" Tau and Kabda say in a nice tone", "lionesses. Anapumua Moto did that years ago and his friendliness genes passed on", "again and again until the friendly lions took over lion territory. The next", "Kabda apologize for angering her. So what should I do if I want", "lions are friendly now. So naturally in an angry tone of voice she", "when they have a large pride and ends with Tixba saying \"Okay. Lets", "us as we search for lionesses. We roar whenever she wonders where we", "leopards and cheetahs as friends in case the lionesses are tired is great.", "still afraid of the cubs being killed even though she knows that all", "want to let readers know that Tixba is angry before Tau and Kabda", "of voice she asks \"Why are you here? And what is that leopard", "for nomadic lionesses. His name is Anapumua Moto. He has a cheetah friend", "The next chapter goes more into the changes in lion society that result", "that leopard doing?\" Tau and Kabda say in a nice tone of voice", "friend named SumeWA and a leopard friend named Volla. It then goes into", "and ends with Tixba saying \"Okay. Lets do this.\" when she is confident", "Kabda say in a nice tone of voice \"We didn’t mean to anger", "just searching for lionesses. Anapumua Moto did that years ago and his friendliness", "friendly lions. It all starts with this 1 friendly lion searching for nomadic", "over lion territory. The next chapter goes more into the changes in lion", "friendliness genes passed on to us. Volla is our leopard friend and she", "a large pride and ends with Tixba saying \"Okay. Lets do this.\" when", "Tau and Kabda won't kill the cubs and that having leopards and cheetahs", "I want to let readers know that Tixba is angry before Tau and", "if I want to add anger to a question that a character is", "of 2 lions searching for a pride. Their names are Tau and Kabda.", "Moto. He has a cheetah friend named SumeWA and a leopard friend named", "she is confident that Tau and Kabda won't kill the cubs and that", "names are Tau and Kabda. When they come across a lioness named Tixba", "lioness named Tixba that already has cubs, she is still afraid of the", "and again until the friendly lions took over lion territory. The next chapter", "writing a story about friendly lions. It all starts with this 1 friendly", "mean to anger you. We were just searching for lionesses. Anapumua Moto did", "she knows that all the lions are friendly now. So naturally in an", "readers know that Tixba is angry before Tau and Kabda apologize for angering", "named Tixba that already has cubs, she is still afraid of the cubs", "the cubs and that having leopards and cheetahs as friends in case the", "friendly now. So naturally in an angry tone of voice she asks \"Why", "a lioness named Tixba that already has cubs, she is still afraid of", "has a cheetah friend named SumeWA and a leopard friend named Volla. It", "Anapumua Moto did that years ago and his friendliness genes passed on to", "large pride and ends with Tixba saying \"Okay. Lets do this.\" when she", "a pride. Their names are Tau and Kabda. When they come across a", "before Tau and Kabda apologize for angering her. So what should I do", "knows that all the lions are friendly now. So naturally in an angry", "us. Volla is our leopard friend and she hunts for us as we", "she hunts for us as we search for lionesses. We roar whenever she", "for lionesses. We roar whenever she wonders where we are.\" That conversation then", "that Tixba is angry before Tau and Kabda apologize for angering her. So", "more into the changes in lion society that result and a coalition of", "pride. Their names are Tau and Kabda. When they come across a lioness", "cubs and that having leopards and cheetahs as friends in case the lionesses", "of voice \"We didn’t mean to anger you. We were just searching for", "is great. I want to let readers know that Tixba is angry before", "for a pride. Their names are Tau and Kabda. When they come across", "until the friendly lions took over lion territory. The next chapter goes more", "when she is confident that Tau and Kabda won't kill the cubs and", "is confident that Tau and Kabda won't kill the cubs and that having", "didn’t mean to anger you. We were just searching for lionesses. Anapumua Moto", "\"We didn’t mean to anger you. We were just searching for lionesses. Anapumua", "searching for nomadic lionesses. His name is Anapumua Moto. He has a cheetah", "tired is great. I want to let readers know that Tixba is angry", "leopard friend named Volla. It then goes into that 1 pride splitting again", "and cheetahs as friends in case the lionesses are tired is great. I", "Their names are Tau and Kabda. When they come across a lioness named", "she is still afraid of the cubs being killed even though she knows", "for lionesses. Anapumua Moto did that years ago and his friendliness genes passed", "goes into things like what will happen when they have a large pride", "leopard friend and she hunts for us as we search for lionesses. We", "and a coalition of 2 lions searching for a pride. Their names are", "is our leopard friend and she hunts for us as we search for", "that already has cubs, she is still afraid of the cubs being killed", "is that leopard doing?\" Tau and Kabda say in a nice tone of", "our leopard friend and she hunts for us as we search for lionesses.", "has cubs, she is still afraid of the cubs being killed even though", "then goes into things like what will happen when they have a large", "even though she knows that all the lions are friendly now. So naturally", "into things like what will happen when they have a large pride and", "starts with this 1 friendly lion searching for nomadic lionesses. His name is", "is Anapumua Moto. He has a cheetah friend named SumeWA and a leopard", "have a large pride and ends with Tixba saying \"Okay. Lets do this.\"", "and Kabda apologize for angering her. So what should I do if I", "what should I do if I want to add anger to a question", "named Volla. It then goes into that 1 pride splitting again and again", "all starts with this 1 friendly lion searching for nomadic lionesses. His name", "a leopard friend named Volla. It then goes into that 1 pride splitting", "It then goes into that 1 pride splitting again and again until the", "confident that Tau and Kabda won't kill the cubs and that having leopards", "Anapumua Moto. He has a cheetah friend named SumeWA and a leopard friend", "goes more into the changes in lion society that result and a coalition", "across a lioness named Tixba that already has cubs, she is still afraid", "Moto did that years ago and his friendliness genes passed on to us.", "\"Why are you here? And what is that leopard doing?\" Tau and Kabda", "When they come across a lioness named Tixba that already has cubs, she", "where we are.\" That conversation then goes into things like what will happen", "1 pride splitting again and again until the friendly lions took over lion", "named SumeWA and a leopard friend named Volla. It then goes into that", "as we search for lionesses. We roar whenever she wonders where we are.\"", "that result and a coalition of 2 lions searching for a pride. Their", "conversation then goes into things like what will happen when they have a", "lionesses are tired is great. I want to let readers know that Tixba", "tone of voice \"We didn’t mean to anger you. We were just searching", "society that result and a coalition of 2 lions searching for a pride.", "they have a large pride and ends with Tixba saying \"Okay. Lets do", "now. So naturally in an angry tone of voice she asks \"Why are", "\"Okay. Lets do this.\" when she is confident that Tau and Kabda won't", "searching for a pride. Their names are Tau and Kabda. When they come", "and she hunts for us as we search for lionesses. We roar whenever", "So what should I do if I want to add anger to a", "Tixba that already has cubs, she is still afraid of the cubs being", "do this.\" when she is confident that Tau and Kabda won't kill the", "We were just searching for lionesses. Anapumua Moto did that years ago and", "in lion society that result and a coalition of 2 lions searching for", "lions took over lion territory. The next chapter goes more into the changes", "lion society that result and a coalition of 2 lions searching for a", "all the lions are friendly now. So naturally in an angry tone of", "a coalition of 2 lions searching for a pride. Their names are Tau", "lions. It all starts with this 1 friendly lion searching for nomadic lionesses.", "won't kill the cubs and that having leopards and cheetahs as friends in", "I want to add anger to a question that a character is asking?", "Kabda. When they come across a lioness named Tixba that already has cubs,", "case the lionesses are tired is great. I want to let readers know", "friend and she hunts for us as we search for lionesses. We roar", "wonders where we are.\" That conversation then goes into things like what will", "in case the lionesses are tired is great. I want to let readers", "will happen when they have a large pride and ends with Tixba saying", "next chapter goes more into the changes in lion society that result and", "doing?\" Tau and Kabda say in a nice tone of voice \"We didn’t", "for us as we search for lionesses. We roar whenever she wonders where", "they come across a lioness named Tixba that already has cubs, she is", "nomadic lionesses. His name is Anapumua Moto. He has a cheetah friend named", "a cheetah friend named SumeWA and a leopard friend named Volla. It then", "searching for lionesses. Anapumua Moto did that years ago and his friendliness genes", "leopard doing?\" Tau and Kabda say in a nice tone of voice \"We", "saying \"Okay. Lets do this.\" when she is confident that Tau and Kabda", "things like what will happen when they have a large pride and ends", "cubs being killed even though she knows that all the lions are friendly", "And what is that leopard doing?\" Tau and Kabda say in a nice", "ends with Tixba saying \"Okay. Lets do this.\" when she is confident that", "to anger you. We were just searching for lionesses. Anapumua Moto did that", "voice \"We didn’t mean to anger you. We were just searching for lionesses.", "He has a cheetah friend named SumeWA and a leopard friend named Volla.", "lion searching for nomadic lionesses. His name is Anapumua Moto. He has a", "and his friendliness genes passed on to us. Volla is our leopard friend", "should I do if I want to add anger to a question that", "cheetah friend named SumeWA and a leopard friend named Volla. It then goes", "let readers know that Tixba is angry before Tau and Kabda apologize for", "cubs, she is still afraid of the cubs being killed even though she", "chapter goes more into the changes in lion society that result and a", "Tau and Kabda. When they come across a lioness named Tixba that already", "coalition of 2 lions searching for a pride. Their names are Tau and", "a story about friendly lions. It all starts with this 1 friendly lion", "Lets do this.\" when she is confident that Tau and Kabda won't kill", "angering her. So what should I do if I want to add anger", "Kabda won't kill the cubs and that having leopards and cheetahs as friends", "ago and his friendliness genes passed on to us. Volla is our leopard", "that having leopards and cheetahs as friends in case the lionesses are tired", "naturally in an angry tone of voice she asks \"Why are you here?", "an angry tone of voice she asks \"Why are you here? And what", "did that years ago and his friendliness genes passed on to us. Volla", "are you here? And what is that leopard doing?\" Tau and Kabda say", "what will happen when they have a large pride and ends with Tixba", "lion territory. The next chapter goes more into the changes in lion society", "for angering her. So what should I do if I want to add", "passed on to us. Volla is our leopard friend and she hunts for", "lionesses. We roar whenever she wonders where we are.\" That conversation then goes", "and that having leopards and cheetahs as friends in case the lionesses are", "It all starts with this 1 friendly lion searching for nomadic lionesses. His", "the lions are friendly now. So naturally in an angry tone of voice", "search for lionesses. We roar whenever she wonders where we are.\" That conversation", "Tixba is angry before Tau and Kabda apologize for angering her. So what", "are friendly now. So naturally in an angry tone of voice she asks", "His name is Anapumua Moto. He has a cheetah friend named SumeWA and", "that years ago and his friendliness genes passed on to us. Volla is" ]
[ "young boy only known for never doing what he meant, he sat there", "stanzas). I'm not requesting feedback on the quality of the poetry (I already", "the quality of the poetry (I already know it to be godawful), I", "submit, he must go make some of his own. Then many mountains did", "how to construct it. ``` The room had but one resident, a young", "to write poetry, and I tried my hand at a ballad today. However,", "technically a correct ballad. Even better would be if someone could explain, in", "correct ballad. Even better would be if someone could explain, in plain language,", "One day he stood up to admit, his memories were old. No story", "stood up to admit, his memories were old. No story to submit, he", "never doing what he meant, he sat there all alone. One day he", "were old. No story to submit, he must go make some of his", "However, I know very little about the technicalities of poetry, and the explanations", "he had fallen on his bed. Adventure was exciting, but he rest now", "of his own. Then many mountains did he climb, he traveled every plain.", "was sublime) he saw the pure humane. And when he went back to", "resident, a young boy only known for never doing what he meant, he", "a correct ballad. Even better would be if someone could explain, in plain", "what he meant, he sat there all alone. One day he stood up", "I tried my hand at a ballad today. However, I know very little", "to me. Here it is, in full (only five stanzas). I'm not requesting", "(I already know it to be godawful), I only want to know if", "sublime) he saw the pure humane. And when he went back to his", "feedback on the quality of the poetry (I already know it to be", "plain. He ate new food (it was sublime) he saw the pure humane.", "about the technicalities of poetry, and the explanations of iambic meter and structure", "it. ``` The room had but one resident, a young boy only known", "ballad. Even better would be if someone could explain, in plain language, what", "of poetry, and the explanations of iambic meter and structure of the ballad", "to be godawful), I only want to know if it is technically a", "he stood up to admit, his memories were old. No story to submit,", "to construct it. ``` The room had but one resident, a young boy", "up to admit, his memories were old. No story to submit, he must", "his room, he thought he should record the memories he had consumed, the", "the places he'd explored. Before he got to writing, he had fallen on", "if it is technically a correct ballad. Even better would be if someone", "and the explanations of iambic meter and structure of the ballad were confusing", "only known for never doing what he meant, he sat there all alone.", "poetry, and I tried my hand at a ballad today. However, I know", "to know if it is technically a correct ballad. Even better would be", "would be if someone could explain, in plain language, what a ballad is", "did he climb, he traveled every plain. He ate new food (it was", "only want to know if it is technically a correct ballad. Even better", "construct it. ``` The room had but one resident, a young boy only", "when he went back to his room, he thought he should record the", "must go make some of his own. Then many mountains did he climb,", "every plain. He ate new food (it was sublime) he saw the pure", "a ballad today. However, I know very little about the technicalities of poetry,", "food (it was sublime) he saw the pure humane. And when he went", "his own. Then many mountains did he climb, he traveled every plain. He", "the pure humane. And when he went back to his room, he thought", "had but one resident, a young boy only known for never doing what", "the poetry (I already know it to be godawful), I only want to", "it is, in full (only five stanzas). I'm not requesting feedback on the", "want to know if it is technically a correct ballad. Even better would", "some of his own. Then many mountains did he climb, he traveled every", "meter and structure of the ballad were confusing to me. Here it is,", "is and how to construct it. ``` The room had but one resident,", "it is technically a correct ballad. Even better would be if someone could", "own. Then many mountains did he climb, he traveled every plain. He ate", "meant, he sat there all alone. One day he stood up to admit,", "hand at a ballad today. However, I know very little about the technicalities", "went back to his room, he thought he should record the memories he", "go make some of his own. Then many mountains did he climb, he", "a ballad is and how to construct it. ``` The room had but", "``` The room had but one resident, a young boy only known for", "room, he thought he should record the memories he had consumed, the places", "The room had but one resident, a young boy only known for never", "(only five stanzas). I'm not requesting feedback on the quality of the poetry", "the memories he had consumed, the places he'd explored. Before he got to", "to his room, he thought he should record the memories he had consumed,", "poetry, and the explanations of iambic meter and structure of the ballad were", "to submit, he must go make some of his own. Then many mountains", "godawful), I only want to know if it is technically a correct ballad.", "he meant, he sat there all alone. One day he stood up to", "five stanzas). I'm not requesting feedback on the quality of the poetry (I", "know very little about the technicalities of poetry, and the explanations of iambic", "very little about the technicalities of poetry, and the explanations of iambic meter", "he went back to his room, he thought he should record the memories", "and I tried my hand at a ballad today. However, I know very", "and structure of the ballad were confusing to me. Here it is, in", "pure humane. And when he went back to his room, he thought he", "had consumed, the places he'd explored. Before he got to writing, he had", "my hand at a ballad today. However, I know very little about the", "he saw the pure humane. And when he went back to his room,", "should record the memories he had consumed, the places he'd explored. Before he", "writing, he had fallen on his bed. Adventure was exciting, but he rest", "Before he got to writing, he had fallen on his bed. Adventure was", "he should record the memories he had consumed, the places he'd explored. Before", "No story to submit, he must go make some of his own. Then", "he must go make some of his own. Then many mountains did he", "for never doing what he meant, he sat there all alone. One day", "alone. One day he stood up to admit, his memories were old. No", "write poetry, and I tried my hand at a ballad today. However, I", "day he stood up to admit, his memories were old. No story to", "new food (it was sublime) he saw the pure humane. And when he", "explain, in plain language, what a ballad is and how to construct it.", "in plain language, what a ballad is and how to construct it. ```", "sat there all alone. One day he stood up to admit, his memories", "to writing, he had fallen on his bed. Adventure was exciting, but he", "he thought he should record the memories he had consumed, the places he'd", "boy only known for never doing what he meant, he sat there all", "there all alone. One day he stood up to admit, his memories were", "iambic meter and structure of the ballad were confusing to me. Here it", "language, what a ballad is and how to construct it. ``` The room", "to admit, his memories were old. No story to submit, he must go", "he traveled every plain. He ate new food (it was sublime) he saw", "is, in full (only five stanzas). I'm not requesting feedback on the quality", "he'd explored. Before he got to writing, he had fallen on his bed.", "Then many mountains did he climb, he traveled every plain. He ate new", "me. Here it is, in full (only five stanzas). I'm not requesting feedback", "Even better would be if someone could explain, in plain language, what a", "today. However, I know very little about the technicalities of poetry, and the", "in full (only five stanzas). I'm not requesting feedback on the quality of", "(it was sublime) he saw the pure humane. And when he went back", "Here it is, in full (only five stanzas). I'm not requesting feedback on", "known for never doing what he meant, he sat there all alone. One", "his memories were old. No story to submit, he must go make some", "be godawful), I only want to know if it is technically a correct", "at a ballad today. However, I know very little about the technicalities of", "quality of the poetry (I already know it to be godawful), I only", "doing what he meant, he sat there all alone. One day he stood", "He ate new food (it was sublime) he saw the pure humane. And", "explored. Before he got to writing, he had fallen on his bed. Adventure", "and how to construct it. ``` The room had but one resident, a", "I've always wanted to write poetry, and I tried my hand at a", "what a ballad is and how to construct it. ``` The room had", "explanations of iambic meter and structure of the ballad were confusing to me.", "of the poetry (I already know it to be godawful), I only want", "back to his room, he thought he should record the memories he had", "story to submit, he must go make some of his own. Then many", "And when he went back to his room, he thought he should record", "thought he should record the memories he had consumed, the places he'd explored.", "poetry (I already know it to be godawful), I only want to know", "but one resident, a young boy only known for never doing what he", "admit, his memories were old. No story to submit, he must go make", "climb, he traveled every plain. He ate new food (it was sublime) he", "he had consumed, the places he'd explored. Before he got to writing, he", "be if someone could explain, in plain language, what a ballad is and", "one resident, a young boy only known for never doing what he meant,", "ballad is and how to construct it. ``` The room had but one", "memories were old. No story to submit, he must go make some of", "many mountains did he climb, he traveled every plain. He ate new food", "got to writing, he had fallen on his bed. Adventure was exciting, but", "on the quality of the poetry (I already know it to be godawful),", "tried my hand at a ballad today. However, I know very little about", "he climb, he traveled every plain. He ate new food (it was sublime)", "always wanted to write poetry, and I tried my hand at a ballad", "requesting feedback on the quality of the poetry (I already know it to", "memories he had consumed, the places he'd explored. Before he got to writing,", "is technically a correct ballad. Even better would be if someone could explain,", "he sat there all alone. One day he stood up to admit, his", "I know very little about the technicalities of poetry, and the explanations of", "saw the pure humane. And when he went back to his room, he", "if someone could explain, in plain language, what a ballad is and how", "full (only five stanzas). I'm not requesting feedback on the quality of the", "not requesting feedback on the quality of the poetry (I already know it", "old. No story to submit, he must go make some of his own.", "he got to writing, he had fallen on his bed. Adventure was exciting,", "places he'd explored. Before he got to writing, he had fallen on his", "I only want to know if it is technically a correct ballad. Even", "know it to be godawful), I only want to know if it is", "had fallen on his bed. Adventure was exciting, but he rest now in", "someone could explain, in plain language, what a ballad is and how to", "the explanations of iambic meter and structure of the ballad were confusing to", "technicalities of poetry, and the explanations of iambic meter and structure of the", "could explain, in plain language, what a ballad is and how to construct", "plain language, what a ballad is and how to construct it. ``` The", "traveled every plain. He ate new food (it was sublime) he saw the", "fallen on his bed. Adventure was exciting, but he rest now in it's", "of the ballad were confusing to me. Here it is, in full (only", "ballad today. However, I know very little about the technicalities of poetry, and", "all alone. One day he stood up to admit, his memories were old.", "consumed, the places he'd explored. Before he got to writing, he had fallen", "I'm not requesting feedback on the quality of the poetry (I already know", "the ballad were confusing to me. Here it is, in full (only five", "a young boy only known for never doing what he meant, he sat", "wanted to write poetry, and I tried my hand at a ballad today.", "structure of the ballad were confusing to me. Here it is, in full", "already know it to be godawful), I only want to know if it", "room had but one resident, a young boy only known for never doing", "record the memories he had consumed, the places he'd explored. Before he got", "ballad were confusing to me. Here it is, in full (only five stanzas).", "confusing to me. Here it is, in full (only five stanzas). I'm not", "his bed. Adventure was exciting, but he rest now in it's stead. ```", "mountains did he climb, he traveled every plain. He ate new food (it", "better would be if someone could explain, in plain language, what a ballad", "on his bed. Adventure was exciting, but he rest now in it's stead.", "of iambic meter and structure of the ballad were confusing to me. Here", "make some of his own. Then many mountains did he climb, he traveled", "were confusing to me. Here it is, in full (only five stanzas). I'm", "know if it is technically a correct ballad. Even better would be if", "little about the technicalities of poetry, and the explanations of iambic meter and", "humane. And when he went back to his room, he thought he should", "it to be godawful), I only want to know if it is technically", "ate new food (it was sublime) he saw the pure humane. And when", "the technicalities of poetry, and the explanations of iambic meter and structure of" ]
[ "word and writing SP in the margin, appears to be most often used", "marks and symbols, but the indication I am most used to, circling the", "margin, appears to be most often used to indicate that an abbreviation should", "editing, proofreading, and typesetting marks and symbols, but the indication I am most", "most used to, circling the word and writing SP in the margin, appears", "I am most used to, circling the word and writing SP in the", "but the indication I am most used to, circling the word and writing", "do professional editors and proofreaders use to indicate that a word is misspelled?", "most often used to indicate that an abbreviation should be typed out fully.", "typesetting marks and symbols, but the indication I am most used to, circling", "the word and writing SP in the margin, appears to be most often", "indicate that a word is misspelled? There are many different sets of editing,", "word is misspelled? There are many different sets of editing, proofreading, and typesetting", "misspelled? There are many different sets of editing, proofreading, and typesetting marks and", "professional editors and proofreaders use to indicate that a word is misspelled? There", "use to indicate that a word is misspelled? There are many different sets", "writing SP in the margin, appears to be most often used to indicate", "editors and proofreaders use to indicate that a word is misspelled? There are", "used to, circling the word and writing SP in the margin, appears to", "proofreading, and typesetting marks and symbols, but the indication I am most used", "symbols, but the indication I am most used to, circling the word and", "sets of editing, proofreading, and typesetting marks and symbols, but the indication I", "in the margin, appears to be most often used to indicate that an", "different sets of editing, proofreading, and typesetting marks and symbols, but the indication", "indication I am most used to, circling the word and writing SP in", "What marks do professional editors and proofreaders use to indicate that a word", "and typesetting marks and symbols, but the indication I am most used to,", "There are many different sets of editing, proofreading, and typesetting marks and symbols,", "the margin, appears to be most often used to indicate that an abbreviation", "to indicate that a word is misspelled? There are many different sets of", "appears to be most often used to indicate that an abbreviation should be", "am most used to, circling the word and writing SP in the margin,", "of editing, proofreading, and typesetting marks and symbols, but the indication I am", "circling the word and writing SP in the margin, appears to be most", "and writing SP in the margin, appears to be most often used to", "marks do professional editors and proofreaders use to indicate that a word is", "that a word is misspelled? There are many different sets of editing, proofreading,", "SP in the margin, appears to be most often used to indicate that", "be most often used to indicate that an abbreviation should be typed out", "to, circling the word and writing SP in the margin, appears to be", "is misspelled? There are many different sets of editing, proofreading, and typesetting marks", "and proofreaders use to indicate that a word is misspelled? There are many", "and symbols, but the indication I am most used to, circling the word", "the indication I am most used to, circling the word and writing SP", "are many different sets of editing, proofreading, and typesetting marks and symbols, but", "proofreaders use to indicate that a word is misspelled? There are many different", "to be most often used to indicate that an abbreviation should be typed", "a word is misspelled? There are many different sets of editing, proofreading, and", "many different sets of editing, proofreading, and typesetting marks and symbols, but the" ]
[ "seem natural? Methods that won't work: Previously, I've included a bold header above", "won't work:* Previously, I've included a bold header above the chapter, maybe with", "between the prologue and chapter one? Is there some technique I can use", "to include them in a prologue. The prologue would take place nearly a", "that will seem natural? Methods that won't work: Previously, I've included a bold", "a bold header above the chapter, maybe with a date, maybe with a", "with a number of days later. I'm trying to veer away from this", "in the past. The reader needs to know these events, so I'd like", "can I show how much time has passed between the prologue and chapter", "days later. I'm trying to veer away from this method though, because it", "like to include them in a prologue. The prologue would take place nearly", "to know these events, so I'd like to include them in a prologue.", "how much time has passed between the prologue and chapter one? Is there", "from this method though, because it doesn't lend itself to every kind of", "events that happened to him in the past. The reader needs to know", "forward throughout the plot by events that happened to him in the past.", "of days later. I'm trying to veer away from this method though, because", "time has passed between the prologue and chapter one? Is there some technique", "Methods that won't work: Previously, I've included a bold header above the chapter,", "my current novel, the protagonist is driven forward throughout the plot by events", "include them in a prologue. The prologue would take place nearly a year", "included a bold header above the chapter, maybe with a date, maybe with", "Previously, I've included a bold header above the chapter, maybe with a date,", "though, because it doesn't lend itself to every kind of writing (this is", "year before the events of the rest of the novel. Here's my question:", "my question: How can I show how much time has passed between the", "question: How can I show how much time has passed between the prologue", "prologue. The prologue would take place nearly a year before the events of", "because it doesn't lend itself to every kind of writing (this is just", "lend itself to every kind of writing (this is just my personal opinion).", "these events, so I'd like to include them in a prologue. The prologue", "natural? Methods that won't work: Previously, I've included a bold header above the", "it doesn't lend itself to every kind of writing (this is just my", "by events that happened to him in the past. The reader needs to", "to veer away from this method though, because it doesn't lend itself to", "prologue and chapter one? Is there some technique I can use that will", "show how much time has passed between the prologue and chapter one? Is", "header above the chapter, maybe with a date, maybe with a number of", "events, so I'd like to include them in a prologue. The prologue would", "I can use that will seem natural? Methods that won't work: Previously, I've", "of the rest of the novel. Here's my question: How can I show", "in a prologue. The prologue would take place nearly a year before the", "The reader needs to know these events, so I'd like to include them", "the plot by events that happened to him in the past. The reader", "veer away from this method though, because it doesn't lend itself to every", "can use that will seem natural? Methods that won't work: Previously, I've included", "Here's my question: How can I show how much time has passed between", "work:* Previously, I've included a bold header above the chapter, maybe with a", "before the events of the rest of the novel. Here's my question: How", "so I'd like to include them in a prologue. The prologue would take", "a number of days later. I'm trying to veer away from this method", "maybe with a number of days later. I'm trying to veer away from", "method though, because it doesn't lend itself to every kind of writing (this", "of the novel. Here's my question: How can I show how much time", "to him in the past. The reader needs to know these events, so", "doesn't lend itself to every kind of writing (this is just my personal", "number of days later. I'm trying to veer away from this method though,", "a prologue. The prologue would take place nearly a year before the events", "is driven forward throughout the plot by events that happened to him in", "has passed between the prologue and chapter one? Is there some technique I", "him in the past. The reader needs to know these events, so I'd", "Is there some technique I can use that will seem natural? Methods that", "I'd like to include them in a prologue. The prologue would take place", "place nearly a year before the events of the rest of the novel.", "maybe with a date, maybe with a number of days later. I'm trying", "later. I'm trying to veer away from this method though, because it doesn't", "In my current novel, the protagonist is driven forward throughout the plot by", "will seem natural? Methods that won't work:* Previously, I've included a bold header", "events of the rest of the novel. Here's my question: How can I", "that won't work:* Previously, I've included a bold header above the chapter, maybe", "a year before the events of the rest of the novel. Here's my", "date, maybe with a number of days later. I'm trying to veer away", "trying to veer away from this method though, because it doesn't lend itself", "the chapter, maybe with a date, maybe with a number of days later.", "novel, the protagonist is driven forward throughout the plot by events that happened", "I've included a bold header above the chapter, maybe with a date, maybe", "a date, maybe with a number of days later. I'm trying to veer", "needs to know these events, so I'd like to include them in a", "above the chapter, maybe with a date, maybe with a number of days", "take place nearly a year before the events of the rest of the", "there some technique I can use that will seem natural? Methods that won't", "rest of the novel. Here's my question: How can I show how much", "use that will seem natural? Methods that won't work:* Previously, I've included a", "passed between the prologue and chapter one? Is there some technique I can", "this method though, because it doesn't lend itself to every kind of writing", "How can I show how much time has passed between the prologue and", "some technique I can use that will seem natural? Methods that won't work:", "the past. The reader needs to know these events, so I'd like to", "chapter, maybe with a date, maybe with a number of days later. I'm", "the rest of the novel. Here's my question: How can I show how", "bold header above the chapter, maybe with a date, maybe with a number", "the protagonist is driven forward throughout the plot by events that happened to", "protagonist is driven forward throughout the plot by events that happened to him", "that happened to him in the past. The reader needs to know these", "the events of the rest of the novel. Here's my question: How can", "one? Is there some technique I can use that will seem natural? Methods", "technique I can use that will seem natural? Methods that won't work:* Previously,", "chapter one? Is there some technique I can use that will seem natural?", "happened to him in the past. The reader needs to know these events,", "and chapter one? Is there some technique I can use that will seem", "I show how much time has passed between the prologue and chapter one?", "know these events, so I'd like to include them in a prologue. The", "the prologue and chapter one? Is there some technique I can use that", "nearly a year before the events of the rest of the novel. Here's", "the novel. Here's my question: How can I show how much time has", "would take place nearly a year before the events of the rest of", "past. The reader needs to know these events, so I'd like to include", "them in a prologue. The prologue would take place nearly a year before", "away from this method though, because it doesn't lend itself to every kind", "throughout the plot by events that happened to him in the past. The", "current novel, the protagonist is driven forward throughout the plot by events that", "novel. Here's my question: How can I show how much time has passed", "much time has passed between the prologue and chapter one? Is there some", "with a date, maybe with a number of days later. I'm trying to", "The prologue would take place nearly a year before the events of the", "driven forward throughout the plot by events that happened to him in the", "I'm trying to veer away from this method though, because it doesn't lend", "reader needs to know these events, so I'd like to include them in", "prologue would take place nearly a year before the events of the rest", "plot by events that happened to him in the past. The reader needs" ]
[ "out. My only problem is that I feel like I'm trying to find", "kill the ones who don't. I'm not positive what they will be doing", "the lower sector (a really poor side of town). They keep the ones", "the ones who test above, but I'm thinking they fix them up and", "one point where magic is essential to the story line: A (secret) government", "them up and turn them into soldiers. Should I continue adding magic into", "They keep the ones who test above a certain range of power and", "turn them into soldiers. Should I continue adding magic into into the novel", "My only problem is that I feel like I'm trying to find a", "I'm trying to find a way to force magic into it. There is", "they will be doing with the ones who test above, but I'm thinking", "doing with the ones who test above, but I'm thinking they fix them", "government group has been kidnaping people from the lower sector (a really poor", "of the story for my first novel worked out. My only problem is", "novel worked out. My only problem is that I feel like I'm trying", "There is only one point where magic is essential to the story line:", "magic is essential to the story line: A (secret) government group has been", "take it out completely? How can removing magic affect the feel of the", "my first novel worked out. My only problem is that I feel like", "lower sector (a really poor side of town). They keep the ones who", "problem is that I feel like I'm trying to find a way to", "power and kill the ones who don't. I'm not positive what they will", "has been kidnaping people from the lower sector (a really poor side of", "into the novel or should I take it out completely? How can removing", "to force magic into it. There is only one point where magic is", "feel like I'm trying to find a way to force magic into it.", "soldiers. Should I continue adding magic into into the novel or should I", "story line: A (secret) government group has been kidnaping people from the lower", "but I'm thinking they fix them up and turn them into soldiers. Should", "who test above a certain range of power and kill the ones who", "line: A (secret) government group has been kidnaping people from the lower sector", "continue adding magic into into the novel or should I take it out", "majority of the story for my first novel worked out. My only problem", "that I feel like I'm trying to find a way to force magic", "from the lower sector (a really poor side of town). They keep the", "it out completely? How can removing magic affect the feel of the book?", "Should I continue adding magic into into the novel or should I take", "with the ones who test above, but I'm thinking they fix them up", "I feel like I'm trying to find a way to force magic into", "really poor side of town). They keep the ones who test above a", "magic into into the novel or should I take it out completely? How", "a certain range of power and kill the ones who don't. I'm not", "certain range of power and kill the ones who don't. I'm not positive", "should I take it out completely? How can removing magic affect the feel", "I'm not positive what they will be doing with the ones who test", "poor side of town). They keep the ones who test above a certain", "essential to the story line: A (secret) government group has been kidnaping people", "people from the lower sector (a really poor side of town). They keep", "only problem is that I feel like I'm trying to find a way", "ones who test above a certain range of power and kill the ones", "to find a way to force magic into it. There is only one", "and kill the ones who don't. I'm not positive what they will be", "the book? If I do remove magic, do I need to compensate in", "How can removing magic affect the feel of the book? If I do", "who test above, but I'm thinking they fix them up and turn them", "into into the novel or should I take it out completely? How can", "it. There is only one point where magic is essential to the story", "be doing with the ones who test above, but I'm thinking they fix", "worked out. My only problem is that I feel like I'm trying to", "adding magic into into the novel or should I take it out completely?", "like I'm trying to find a way to force magic into it. There", "up and turn them into soldiers. Should I continue adding magic into into", "group has been kidnaping people from the lower sector (a really poor side", "test above, but I'm thinking they fix them up and turn them into", "story for my first novel worked out. My only problem is that I", "A (secret) government group has been kidnaping people from the lower sector (a", "not positive what they will be doing with the ones who test above,", "way to force magic into it. There is only one point where magic", "magic affect the feel of the book? If I do remove magic, do", "they fix them up and turn them into soldiers. Should I continue adding", "trying to find a way to force magic into it. There is only", "the ones who don't. I'm not positive what they will be doing with", "book? If I do remove magic, do I need to compensate in some", "above a certain range of power and kill the ones who don't. I'm", "thinking they fix them up and turn them into soldiers. Should I continue", "have the majority of the story for my first novel worked out. My", "of power and kill the ones who don't. I'm not positive what they", "the majority of the story for my first novel worked out. My only", "who don't. I'm not positive what they will be doing with the ones", "where magic is essential to the story line: A (secret) government group has", "novel or should I take it out completely? How can removing magic affect", "first novel worked out. My only problem is that I feel like I'm", "I take it out completely? How can removing magic affect the feel of", "above, but I'm thinking they fix them up and turn them into soldiers.", "magic into it. There is only one point where magic is essential to", "and turn them into soldiers. Should I continue adding magic into into the", "force magic into it. There is only one point where magic is essential", "the novel or should I take it out completely? How can removing magic", "into it. There is only one point where magic is essential to the", "test above a certain range of power and kill the ones who don't.", "(a really poor side of town). They keep the ones who test above", "of town). They keep the ones who test above a certain range of", "or should I take it out completely? How can removing magic affect the", "of the book? If I do remove magic, do I need to compensate", "(secret) government group has been kidnaping people from the lower sector (a really", "to the story line: A (secret) government group has been kidnaping people from", "can removing magic affect the feel of the book? If I do remove", "positive what they will be doing with the ones who test above, but", "point where magic is essential to the story line: A (secret) government group", "town). They keep the ones who test above a certain range of power", "fix them up and turn them into soldiers. Should I continue adding magic", "ones who test above, but I'm thinking they fix them up and turn", "I continue adding magic into into the novel or should I take it", "keep the ones who test above a certain range of power and kill", "what they will be doing with the ones who test above, but I'm", "for my first novel worked out. My only problem is that I feel", "the ones who test above a certain range of power and kill the", "range of power and kill the ones who don't. I'm not positive what", "I have the majority of the story for my first novel worked out.", "side of town). They keep the ones who test above a certain range", "is essential to the story line: A (secret) government group has been kidnaping", "will be doing with the ones who test above, but I'm thinking they", "ones who don't. I'm not positive what they will be doing with the", "out completely? How can removing magic affect the feel of the book? If", "kidnaping people from the lower sector (a really poor side of town). They", "removing magic affect the feel of the book? If I do remove magic,", "If I do remove magic, do I need to compensate in some way?", "completely? How can removing magic affect the feel of the book? If I", "the story line: A (secret) government group has been kidnaping people from the", "them into soldiers. Should I continue adding magic into into the novel or", "don't. I'm not positive what they will be doing with the ones who", "is that I feel like I'm trying to find a way to force", "is only one point where magic is essential to the story line: A", "I'm thinking they fix them up and turn them into soldiers. Should I", "affect the feel of the book? If I do remove magic, do I", "feel of the book? If I do remove magic, do I need to", "the story for my first novel worked out. My only problem is that", "the feel of the book? If I do remove magic, do I need", "only one point where magic is essential to the story line: A (secret)", "sector (a really poor side of town). They keep the ones who test", "find a way to force magic into it. There is only one point", "into soldiers. Should I continue adding magic into into the novel or should", "a way to force magic into it. There is only one point where", "been kidnaping people from the lower sector (a really poor side of town)." ]
[ "chapter, which is a little encouragement on just being alive. It's 800 words,", "little encouragement on just being alive. It's 800 words, and I'd like to", "is a little encouragement on just being alive. It's 800 words, and I'd", "800 words, and I'd like to upload/post it on some web, blog, or", "I'd like to upload/post it on some web, blog, or forum to see", "on just being alive. It's 800 words, and I'd like to upload/post it", "which is a little encouragement on just being alive. It's 800 words, and", "first chapter, which is a little encouragement on just being alive. It's 800", "being alive. It's 800 words, and I'd like to upload/post it on some", "and I'd like to upload/post it on some web, blog, or forum to", "just being alive. It's 800 words, and I'd like to upload/post it on", "to upload/post it on some web, blog, or forum to see what people", "It's 800 words, and I'd like to upload/post it on some web, blog,", "I want to write a book that's encouraging, and I have the first", "write a book that's encouraging, and I have the first chapter, which is", "encouraging, and I have the first chapter, which is a little encouragement on", "have the first chapter, which is a little encouragement on just being alive.", "to write a book that's encouraging, and I have the first chapter, which", "upload/post it on some web, blog, or forum to see what people think.", "like to upload/post it on some web, blog, or forum to see what", "alive. It's 800 words, and I'd like to upload/post it on some web,", "a little encouragement on just being alive. It's 800 words, and I'd like", "that's encouraging, and I have the first chapter, which is a little encouragement", "words, and I'd like to upload/post it on some web, blog, or forum", "and I have the first chapter, which is a little encouragement on just", "I have the first chapter, which is a little encouragement on just being", "book that's encouraging, and I have the first chapter, which is a little", "a book that's encouraging, and I have the first chapter, which is a", "the first chapter, which is a little encouragement on just being alive. It's", "want to write a book that's encouraging, and I have the first chapter,", "encouragement on just being alive. It's 800 words, and I'd like to upload/post" ]
[ "to Kindle Direct Publishing. How can I promote them, on a shoe-string budget?", "the books I've written to Kindle Direct Publishing. How can I promote them,", "written to Kindle Direct Publishing. How can I promote them, on a shoe-string", "I've started uploading the books I've written to Kindle Direct Publishing. How can", "books I've written to Kindle Direct Publishing. How can I promote them, on", "started uploading the books I've written to Kindle Direct Publishing. How can I", "I've written to Kindle Direct Publishing. How can I promote them, on a", "uploading the books I've written to Kindle Direct Publishing. How can I promote" ]
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It seems like in many novels, the", "I have read or am reading, the length of the spaces goes beyond", "A or B or C is better for a novel that will be", "Does anyone have any thoughts on whether option A or B or C", "they would normally be. However, in so many books I have read or", "some books I see things like: A: \"Don't think I don't want you...or", "longer than they would normally be. However, in so many books I have", "have any thoughts on whether option A or B or C is better", "any thoughts on whether option A or B or C is better for", ". . . or don't care.\" Does anyone have any thoughts on whether", "you...or don't care.\" In others I see: B: \"Don't think I don't want", "having a hard time with the ellipsis. When I enter dot dot dot", "the length of the spaces goes beyond what Word automatically creates. It seems", "care.\" Does anyone have any thoughts on whether option A or B or", "will be self-published on Kindle for example? 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Thank", "think I don't want you...or don't care.\" In others I see: B: \"Don't", "makes the spaces between each dot a little longer than they would normally", "2. Space DOT DOT DOT Space In some books I see things like:", "or B or C is better for a novel that will be self-published" ]