Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
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[ "thought I could do a search like *lakehouse?\\ but that doesn't work. Any", "> > Assuming the data engineer is the Delta table owner, which part", "Databricks Lakehouse Platform can the data engineer use to grant the > data", "owner, which part of the > Databricks Lakehouse Platform can the data engineer", "is followed by a question mark. A successful search would find the above", "of a data lakehouse that is > unavailable in a traditional data warehouse?", "above sentence or the following sentence: > > Assuming the data engineer is", "pdf document or a word document with the following sentence: > > Which", "a word document with the following sentence: > > Which of the following", "a benefit of a data lakehouse that is > unavailable in a traditional", "unavailable in a traditional data warehouse? > > > I would like to", "for words in a sentence that ends with a question mark - ?", "with the following sentence: > > Which of the following describes a benefit", "Assuming the data engineer is the Delta table owner, which part of the", "> unavailable in a traditional data warehouse? > > > I would like", "the word 'lakehouse' that is followed by a question mark. A successful search", "a question mark. A successful search would find the above sentence or the", "data analysts the appropriate access? > > > I thought I could do", "> > > I thought I could do a search like *lakehouse?\\ but", "following sentence: > > Assuming the data engineer is the Delta table owner,", "in a sentence that ends with a question mark - ? For example", "the > Databricks Lakehouse Platform can the data engineer use to grant the", "to grant the > data analysts the appropriate access? > > > I", "> Databricks Lakehouse Platform can the data engineer use to grant the >", "the data engineer use to grant the > data analysts the appropriate access?", "mark - ? For example I have a pdf document or a word", "I would like to search for words in a sentence that ends with", "successful search would find the above sentence or the following sentence: > >", "document for the word 'lakehouse' that is followed by a question mark. 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For example I have a pdf document or", "question mark - ? For example I have a pdf document or a", "the > data analysts the appropriate access? > > > I thought I", "the data engineer is the Delta table owner, which part of the >", "traditional data warehouse? > > > I would like to search in the", "the following sentence: > > Which of the following describes a benefit of", "question mark. 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A successful search would find the above sentence or the following sentence:", "would like to search in the document for the word 'lakehouse' that is", "for the word 'lakehouse' that is followed by a question mark. A successful", "is > unavailable in a traditional data warehouse? > > > I would", "the Delta table owner, which part of the > Databricks Lakehouse Platform can", "> > > I would like to search in the document for the", "appropriate access? > > > I thought I could do a search like", "benefit of a data lakehouse that is > unavailable in a traditional data", "which part of the > Databricks Lakehouse Platform can the data engineer use", "words in a sentence that ends with a question mark - ? For", "the following sentence: > > Assuming the data engineer is the Delta table", "Delta table owner, which part of the > Databricks Lakehouse Platform can the", "following sentence: > > Which of the following describes a benefit of a", "engineer is the Delta table owner, which part of the > Databricks Lakehouse", "find the above sentence or the following sentence: > > Assuming the data", "word 'lakehouse' that is followed by a question mark. A successful search would", "of the > Databricks Lakehouse Platform can the data engineer use to grant", "a data lakehouse that is > unavailable in a traditional data warehouse? >", "sentence: > > Which of the following describes a benefit of a data", "example I have a pdf document or a word document with the following", "like to search for words in a sentence that ends with a question", "sentence: > > Assuming the data engineer is the Delta table owner, which", "> > Which of the following describes a benefit of a data lakehouse", "Which of the following describes a benefit of a data lakehouse that is", "access? > > > I thought I could do a search like *lakehouse?\\", "> I thought I could do a search like *lakehouse?\\ but that doesn't", "> Which of the following describes a benefit of a data lakehouse that" ]
[ "backstory, should you even show some of it, and if yes, what information", "developing him as a character throughout the story. While I can't reveal everything", "everything about the character by showing his backstory, I am wondering what I", "if yes, what information should you keep secret to maintain this aura of", "mysterious until the very end while developing him as a character throughout the", "that remains mysterious until the very end without sacrificing character development? I was", "it possible to write a character that remains mysterious until the very end", "remains mysterious until the very end without sacrificing character development? I was thinking", "to write a character that remains mysterious until the very end without sacrificing", "thought about an evil character that remained very mysterious until the very end", "a main character, so I thought about an evil character that remained very", "thinking you can't do it to a main character, so I thought about", "should you keep secret to maintain this aura of mystery? I would like", "should you even show some of it, and if yes, what information should", "him as a character throughout the story. While I can't reveal everything about", "very little of their backstory, should you even show some of it, and", "secret to maintain this aura of mystery? I would like some tips for", "and if yes, what information should you keep secret to maintain this aura", "I can't reveal everything about the character by showing his backstory, I am", "until the very end without sacrificing character development? I was thinking you can't", "main character, so I thought about an evil character that remained very mysterious", "I am wondering what I can reveal and how much? Should you show", "write a character that remains mysterious until the very end without sacrificing character", "very mysterious until the very end while developing him as a character throughout", "the very end while developing him as a character throughout the story. While", "reveal everything about the character by showing his backstory, I am wondering what", "little of their backstory, should you even show some of it, and if", "Should you show very little of their backstory, should you even show some", "evil character that remained very mysterious until the very end while developing him", "While I can't reveal everything about the character by showing his backstory, I", "character, so I thought about an evil character that remained very mysterious until", "show very little of their backstory, should you even show some of it,", "am wondering what I can reveal and how much? Should you show very", "some of it, and if yes, what information should you keep secret to", "remained very mysterious until the very end while developing him as a character", "wondering what I can reveal and how much? Should you show very little", "of their backstory, should you even show some of it, and if yes,", "and how much? Should you show very little of their backstory, should you", "very end without sacrificing character development? I was thinking you can't do it", "story. While I can't reveal everything about the character by showing his backstory,", "his backstory, I am wondering what I can reveal and how much? Should", "showing his backstory, I am wondering what I can reveal and how much?", "character that remained very mysterious until the very end while developing him as", "can't reveal everything about the character by showing his backstory, I am wondering", "I was thinking you can't do it to a main character, so I", "what I can reveal and how much? Should you show very little of", "possible to write a character that remains mysterious until the very end without", "about the character by showing his backstory, I am wondering what I can", "information should you keep secret to maintain this aura of mystery? I would", "without sacrificing character development? I was thinking you can't do it to a", "can't do it to a main character, so I thought about an evil", "character by showing his backstory, I am wondering what I can reveal and", "was thinking you can't do it to a main character, so I thought", "it to a main character, so I thought about an evil character that", "you show very little of their backstory, should you even show some of", "to a main character, so I thought about an evil character that remained", "I thought about an evil character that remained very mysterious until the very", "development? I was thinking you can't do it to a main character, so", "while developing him as a character throughout the story. While I can't reveal", "the very end without sacrificing character development? I was thinking you can't do", "Is it possible to write a character that remains mysterious until the very", "until the very end while developing him as a character throughout the story.", "much? Should you show very little of their backstory, should you even show", "the character by showing his backstory, I am wondering what I can reveal", "an evil character that remained very mysterious until the very end while developing", "even show some of it, and if yes, what information should you keep", "end while developing him as a character throughout the story. While I can't", "character throughout the story. While I can't reveal everything about the character by", "show some of it, and if yes, what information should you keep secret", "character development? I was thinking you can't do it to a main character,", "end without sacrificing character development? I was thinking you can't do it to", "as a character throughout the story. While I can't reveal everything about the", "the story. While I can't reveal everything about the character by showing his", "you can't do it to a main character, so I thought about an", "do it to a main character, so I thought about an evil character", "yes, what information should you keep secret to maintain this aura of mystery?", "keep secret to maintain this aura of mystery? I would like some tips", "so I thought about an evil character that remained very mysterious until the", "a character that remains mysterious until the very end without sacrificing character development?", "about an evil character that remained very mysterious until the very end while", "what information should you keep secret to maintain this aura of mystery? I", "to maintain this aura of mystery? I would like some tips for achieving", "maintain this aura of mystery? I would like some tips for achieving that.", "mysterious until the very end without sacrificing character development? I was thinking you", "that remained very mysterious until the very end while developing him as a", "character that remains mysterious until the very end without sacrificing character development? I", "throughout the story. While I can't reveal everything about the character by showing", "very end while developing him as a character throughout the story. While I", "can reveal and how much? Should you show very little of their backstory,", "you even show some of it, and if yes, what information should you", "backstory, I am wondering what I can reveal and how much? Should you", "reveal and how much? Should you show very little of their backstory, should", "their backstory, should you even show some of it, and if yes, what", "how much? Should you show very little of their backstory, should you even", "of it, and if yes, what information should you keep secret to maintain", "sacrificing character development? I was thinking you can't do it to a main", "it, and if yes, what information should you keep secret to maintain this", "a character throughout the story. While I can't reveal everything about the character", "you keep secret to maintain this aura of mystery? I would like some", "I can reveal and how much? Should you show very little of their", "by showing his backstory, I am wondering what I can reveal and how" ]
[ "with the tone and style of writing and a sudden shift could be", "told many times that you need to be consistent with the tone and", "a sudden shift could be jarring for readers and may take them out", "expectation and make the whole story more funny, but I am not sure", "for readers and may take them out of the story. How can you", "jarring for readers and may take them out of the story. How can", "consistent with the tone and style of writing and a sudden shift could", "it would subvert expectation and make the whole story more funny, but I", "more funny, but I am not sure if this is a bad idea,", "would subvert expectation and make the whole story more funny, but I am", "make the whole story more funny, but I am not sure if this", "tone and style of writing and a sudden shift could be jarring for", "tone without any clear reason or transition. I thought it would subvert expectation", "not sure if this is a bad idea, because I've been told many", "suddenly shifts to a comedic tone without any clear reason or transition. I", "I am not sure if this is a bad idea, because I've been", "the whole story more funny, but I am not sure if this is", "funny, but I am not sure if this is a bad idea, because", "be consistent with the tone and style of writing and a sudden shift", "because I've been told many times that you need to be consistent with", "readers and may take them out of the story. How can you make", "sure if this is a bad idea, because I've been told many times", "that you need to be consistent with the tone and style of writing", "writing a story that starts out as a serious drama, but suddenly shifts", "but I am not sure if this is a bad idea, because I've", "thought it would subvert expectation and make the whole story more funny, but", "a serious drama, but suddenly shifts to a comedic tone without any clear", "you need to be consistent with the tone and style of writing and", "as a serious drama, but suddenly shifts to a comedic tone without any", "idea, because I've been told many times that you need to be consistent", "whole story more funny, but I am not sure if this is a", "transition. I thought it would subvert expectation and make the whole story more", "sudden shift could be jarring for readers and may take them out of", "could be jarring for readers and may take them out of the story.", "comedic tone without any clear reason or transition. I thought it would subvert", "and may take them out of the story. How can you make this", "story more funny, but I am not sure if this is a bad", "the tone and style of writing and a sudden shift could be jarring", "any clear reason or transition. I thought it would subvert expectation and make", "thinking of writing a story that starts out as a serious drama, but", "to a comedic tone without any clear reason or transition. I thought it", "subvert expectation and make the whole story more funny, but I am not", "style of writing and a sudden shift could be jarring for readers and", "this is a bad idea, because I've been told many times that you", "but suddenly shifts to a comedic tone without any clear reason or transition.", "starts out as a serious drama, but suddenly shifts to a comedic tone", "shifts to a comedic tone without any clear reason or transition. I thought", "be jarring for readers and may take them out of the story. How", "many times that you need to be consistent with the tone and style", "been told many times that you need to be consistent with the tone", "I thought it would subvert expectation and make the whole story more funny,", "was thinking of writing a story that starts out as a serious drama,", "serious drama, but suddenly shifts to a comedic tone without any clear reason", "story that starts out as a serious drama, but suddenly shifts to a", "am not sure if this is a bad idea, because I've been told", "out as a serious drama, but suddenly shifts to a comedic tone without", "and a sudden shift could be jarring for readers and may take them", "of writing a story that starts out as a serious drama, but suddenly", "I was thinking of writing a story that starts out as a serious", "if this is a bad idea, because I've been told many times that", "a comedic tone without any clear reason or transition. I thought it would", "writing and a sudden shift could be jarring for readers and may take", "without any clear reason or transition. I thought it would subvert expectation and", "a bad idea, because I've been told many times that you need to", "may take them out of the story. How can you make this work?", "that starts out as a serious drama, but suddenly shifts to a comedic", "clear reason or transition. I thought it would subvert expectation and make the", "is a bad idea, because I've been told many times that you need", "to be consistent with the tone and style of writing and a sudden", "of writing and a sudden shift could be jarring for readers and may", "or transition. I thought it would subvert expectation and make the whole story", "a story that starts out as a serious drama, but suddenly shifts to", "bad idea, because I've been told many times that you need to be", "drama, but suddenly shifts to a comedic tone without any clear reason or", "times that you need to be consistent with the tone and style of", "and style of writing and a sudden shift could be jarring for readers", "reason or transition. I thought it would subvert expectation and make the whole", "shift could be jarring for readers and may take them out of the", "need to be consistent with the tone and style of writing and a", "and make the whole story more funny, but I am not sure if", "I've been told many times that you need to be consistent with the" ]
[ "may end up with a lot of plot holes, pacing and logic issues,", "do you plan for it, because when you write a beat sheet, you", "if it's possible to have a story with multiple overlapping arcs (10+ layers", "story arc, and then multiple arcs within it (2 layers), but I am", "overlapping arcs? In One Piece, you have one big story arc, and then", "it is possible, how do you plan for it, because when you write", "issues, so I was wondering if there was a way you can plan", "do you plan for a story with multiple overlapping arcs? In One Piece,", "because when you write a beat sheet, you only write the main story", "you have one big story arc, and then multiple arcs within it (2", "with multiple overlapping arcs (10+ layers or more), and if it is possible,", "have a story with multiple overlapping arcs (10+ layers or more), and if", "One Piece, you have one big story arc, and then multiple arcs within", "a lot of plot holes, pacing and logic issues, so I was wondering", "you plan for it, because when you write a beat sheet, you only", "and if it is possible, how do you plan for it, because when", "story arc, so in the case of multiple overlapping arcs, your story may", "for it, because when you write a beat sheet, you only write the", "In One Piece, you have one big story arc, and then multiple arcs", "then multiple arcs within it (2 layers), but I am wondering if it's", "plot holes, pacing and logic issues, so I was wondering if there was", "it (2 layers), but I am wondering if it's possible to have a", "end up with a lot of plot holes, pacing and logic issues, so", "so I was wondering if there was a way you can plan for", "sheet, you only write the main story arc, so in the case of", "one big story arc, and then multiple arcs within it (2 layers), but", "arc, so in the case of multiple overlapping arcs, your story may end", "big story arc, and then multiple arcs within it (2 layers), but I", "How do you plan for a story with multiple overlapping arcs? In One", "beat sheet, you only write the main story arc, so in the case", "of plot holes, pacing and logic issues, so I was wondering if there", "you plan for a story with multiple overlapping arcs? In One Piece, you", "was wondering if there was a way you can plan for a really", "if there was a way you can plan for a really complex story", "wondering if it's possible to have a story with multiple overlapping arcs (10+", "arcs? In One Piece, you have one big story arc, and then multiple", "arc, and then multiple arcs within it (2 layers), but I am wondering", "there was a way you can plan for a really complex story like", "multiple overlapping arcs, your story may end up with a lot of plot", "multiple overlapping arcs? In One Piece, you have one big story arc, and", "so in the case of multiple overlapping arcs, your story may end up", "holes, pacing and logic issues, so I was wondering if there was a", "story may end up with a lot of plot holes, pacing and logic", "to have a story with multiple overlapping arcs (10+ layers or more), and", "wondering if there was a way you can plan for a really complex", "is possible, how do you plan for it, because when you write a", "up with a lot of plot holes, pacing and logic issues, so I", "for a story with multiple overlapping arcs? In One Piece, you have one", "pacing and logic issues, so I was wondering if there was a way", "have one big story arc, and then multiple arcs within it (2 layers),", "with multiple overlapping arcs? In One Piece, you have one big story arc,", "possible to have a story with multiple overlapping arcs (10+ layers or more),", "Piece, you have one big story arc, and then multiple arcs within it", "a story with multiple overlapping arcs (10+ layers or more), and if it", "write the main story arc, so in the case of multiple overlapping arcs,", "arcs, your story may end up with a lot of plot holes, pacing", "possible, how do you plan for it, because when you write a beat", "plan for it, because when you write a beat sheet, you only write", "in the case of multiple overlapping arcs, your story may end up with", "story with multiple overlapping arcs? In One Piece, you have one big story", "write a beat sheet, you only write the main story arc, so in", "layers), but I am wondering if it's possible to have a story with", "main story arc, so in the case of multiple overlapping arcs, your story", "I was wondering if there was a way you can plan for a", "only write the main story arc, so in the case of multiple overlapping", "it, because when you write a beat sheet, you only write the main", "arcs within it (2 layers), but I am wondering if it's possible to", "within it (2 layers), but I am wondering if it's possible to have", "with a lot of plot holes, pacing and logic issues, so I was", "and logic issues, so I was wondering if there was a way you", "you only write the main story arc, so in the case of multiple", "you write a beat sheet, you only write the main story arc, so", "a beat sheet, you only write the main story arc, so in the", "logic issues, so I was wondering if there was a way you can", "more), and if it is possible, how do you plan for it, because", "but I am wondering if it's possible to have a story with multiple", "of multiple overlapping arcs, your story may end up with a lot of", "how do you plan for it, because when you write a beat sheet,", "was a way you can plan for a really complex story like that.", "layers or more), and if it is possible, how do you plan for", "case of multiple overlapping arcs, your story may end up with a lot", "plan for a story with multiple overlapping arcs? In One Piece, you have", "I am wondering if it's possible to have a story with multiple overlapping", "overlapping arcs (10+ layers or more), and if it is possible, how do", "or more), and if it is possible, how do you plan for it,", "multiple arcs within it (2 layers), but I am wondering if it's possible", "(2 layers), but I am wondering if it's possible to have a story", "lot of plot holes, pacing and logic issues, so I was wondering if", "overlapping arcs, your story may end up with a lot of plot holes,", "(10+ layers or more), and if it is possible, how do you plan", "your story may end up with a lot of plot holes, pacing and", "multiple overlapping arcs (10+ layers or more), and if it is possible, how", "the case of multiple overlapping arcs, your story may end up with a", "if it is possible, how do you plan for it, because when you", "am wondering if it's possible to have a story with multiple overlapping arcs", "the main story arc, so in the case of multiple overlapping arcs, your", "a story with multiple overlapping arcs? In One Piece, you have one big", "and then multiple arcs within it (2 layers), but I am wondering if", "when you write a beat sheet, you only write the main story arc,", "arcs (10+ layers or more), and if it is possible, how do you", "story with multiple overlapping arcs (10+ layers or more), and if it is", "it's possible to have a story with multiple overlapping arcs (10+ layers or" ]
[ "it's ok if the audience doesn't sympathize with the character. I have a", "and unlikeable, an anti-hero type, so I am wondering if that's ok. I've", "tragic flaw or a character defect that ultimately leads to their downfall and", "I was wondering if it's possible to write an effective tragedy with an", "audience doesn't sympathize with the character. I have a character who is extremely", "that a tragic hero is a protagonist with a tragic flaw or a", "extremely evil and unlikeable, an anti-hero type, so I am wondering if that's", "and archetypes, and I was wondering if it's possible to write an effective", "with the character. I have a character who is extremely evil and unlikeable,", "ok. I've seen a lot of people experimenting with genre and archetypes, and", "sympathize with the character, even as they recognize their flaws. I am wondering", "or a character defect that ultimately leads to their downfall and that the", "their downfall and that the audience should sympathize with the character, even as", "I am wondering if it's ok if the audience doesn't sympathize with the", "write an effective tragedy with an unlikeable tragic hero who people can't sympathize", "character defect that ultimately leads to their downfall and that the audience should", "even as they recognize their flaws. I am wondering if it's ok if", "wondering if it's ok if the audience doesn't sympathize with the character. I", "they recognize their flaws. I am wondering if it's ok if the audience", "flaws. I am wondering if it's ok if the audience doesn't sympathize with", "have a character who is extremely evil and unlikeable, an anti-hero type, so", "should sympathize with the character, even as they recognize their flaws. I am", "sympathize with the character. I have a character who is extremely evil and", "archetypes, and I was wondering if it's possible to write an effective tragedy", "a lot of people experimenting with genre and archetypes, and I was wondering", "character who is extremely evil and unlikeable, an anti-hero type, so I am", "audience should sympathize with the character, even as they recognize their flaws. I", "anti-hero type, so I am wondering if that's ok. I've seen a lot", "wondering if it's possible to write an effective tragedy with an unlikeable tragic", "that's ok. I've seen a lot of people experimenting with genre and archetypes,", "with the character, even as they recognize their flaws. I am wondering if", "if the audience doesn't sympathize with the character. I have a character who", "I am wondering if that's ok. I've seen a lot of people experimenting", "the audience doesn't sympathize with the character. I have a character who is", "am wondering if that's ok. I've seen a lot of people experimenting with", "seen a lot of people experimenting with genre and archetypes, and I was", "a character defect that ultimately leads to their downfall and that the audience", "with a tragic flaw or a character defect that ultimately leads to their", "character. I have a character who is extremely evil and unlikeable, an anti-hero", "of people experimenting with genre and archetypes, and I was wondering if it's", "lot of people experimenting with genre and archetypes, and I was wondering if", "a protagonist with a tragic flaw or a character defect that ultimately leads", "I've seen a lot of people experimenting with genre and archetypes, and I", "downfall and that the audience should sympathize with the character, even as they", "the character. I have a character who is extremely evil and unlikeable, an", "to their downfall and that the audience should sympathize with the character, even", "that the audience should sympathize with the character, even as they recognize their", "an effective tragedy with an unlikeable tragic hero who people can't sympathize with.", "people experimenting with genre and archetypes, and I was wondering if it's possible", "is a protagonist with a tragic flaw or a character defect that ultimately", "an anti-hero type, so I am wondering if that's ok. I've seen a", "a tragic hero is a protagonist with a tragic flaw or a character", "as they recognize their flaws. I am wondering if it's ok if the", "if that's ok. I've seen a lot of people experimenting with genre and", "if it's ok if the audience doesn't sympathize with the character. I have", "flaw or a character defect that ultimately leads to their downfall and that", "a tragic flaw or a character defect that ultimately leads to their downfall", "possible to write an effective tragedy with an unlikeable tragic hero who people", "am wondering if it's ok if the audience doesn't sympathize with the character.", "doesn't sympathize with the character. I have a character who is extremely evil", "their flaws. I am wondering if it's ok if the audience doesn't sympathize", "it's possible to write an effective tragedy with an unlikeable tragic hero who", "genre and archetypes, and I was wondering if it's possible to write an", "tragic hero is a protagonist with a tragic flaw or a character defect", "and I was wondering if it's possible to write an effective tragedy with", "was wondering if it's possible to write an effective tragedy with an unlikeable", "is extremely evil and unlikeable, an anti-hero type, so I am wondering if", "recognize their flaws. I am wondering if it's ok if the audience doesn't", "told that a tragic hero is a protagonist with a tragic flaw or", "I have a character who is extremely evil and unlikeable, an anti-hero type,", "experimenting with genre and archetypes, and I was wondering if it's possible to", "wondering if that's ok. I've seen a lot of people experimenting with genre", "if it's possible to write an effective tragedy with an unlikeable tragic hero", "protagonist with a tragic flaw or a character defect that ultimately leads to", "been told that a tragic hero is a protagonist with a tragic flaw", "ultimately leads to their downfall and that the audience should sympathize with the", "I've been told that a tragic hero is a protagonist with a tragic", "defect that ultimately leads to their downfall and that the audience should sympathize", "type, so I am wondering if that's ok. I've seen a lot of", "to write an effective tragedy with an unlikeable tragic hero who people can't", "a character who is extremely evil and unlikeable, an anti-hero type, so I", "ok if the audience doesn't sympathize with the character. I have a character", "evil and unlikeable, an anti-hero type, so I am wondering if that's ok.", "who is extremely evil and unlikeable, an anti-hero type, so I am wondering", "character, even as they recognize their flaws. I am wondering if it's ok", "the audience should sympathize with the character, even as they recognize their flaws.", "the character, even as they recognize their flaws. I am wondering if it's", "so I am wondering if that's ok. I've seen a lot of people", "with genre and archetypes, and I was wondering if it's possible to write", "that ultimately leads to their downfall and that the audience should sympathize with", "unlikeable, an anti-hero type, so I am wondering if that's ok. I've seen", "hero is a protagonist with a tragic flaw or a character defect that", "leads to their downfall and that the audience should sympathize with the character,", "and that the audience should sympathize with the character, even as they recognize" ]
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[ "from our world and not doing info dumps constantly is very hard to", "dialogue for instance be considered an info dump, or an exposition dump? How", "dumps constantly is very hard to do, because there are too many weird", "dump? How can you balance narrative and exposition then? I have a world", "dumps on a constant and frequent basis without affecting the pacing and the", "happening all the time. How can you then balance the two? Is there", "you balance narrative and exposition then? I have a world that's way too", "on a constant and frequent basis without affecting the pacing and the narrative?", "and exposition then? I have a world that's way too strange and different", "there are too many weird things happening all the time. How can you", "be considered an info dump, or an exposition dump? How can you balance", "that's way too strange and different from our world and not doing info", "world for the sake of worldbuilding. 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[ "you describe a magician and his tricks? What would his daily routine look", "would you describe a magician and his tricks? What would his daily routine", "How would you describe a magician and his tricks? What would his daily", "describe a magician and his tricks? What would his daily routine look like?" ]
[ "the antagonist. I still haven't succeeded in finding who this would be, and", "humans is their duty. What I'm trying to achieve from this setting is", "her. * Or maybe... just let the antagonist be a chaotic evil destroying", "completely. Let me explain the situation. Here's the concept of my novel: The", "The angels act as science teachers not only to human characters, but also", "an alternate world where a minority of residents are \"angels\". Each angel is", "the reference to take ideas from, and just like how this novel is", "are reading the book. The problem is, my novel is becoming just a", "one for science. That said, let me show the plot. The protagonist is", "and just like how this novel is just a math textbook (for children)", "think the reason of the problem is the lack of building the antagonist.", "the problem is the lack of building the antagonist. I still haven't succeeded", "me show the plot. The protagonist is Berta Newton, the alternate-world counterpart to", "to compromise Berta's and Legrunna's mission. There are some unsure options: * Maybe", "world, and let Berta act as the hero, using her science magics. These", "is to teach Legrunna Newtonian Mechanics, and Legrunna is to develop his own", "human characters, but also to real humans who are reading the book. The", "educational effect on the reader. The angels act as science teachers not only", "have an educational effect on the reader. The angels act as science teachers", "can cast magic. Teaching science to humans is their duty. What I'm trying", "Berta is to teach Legrunna Newtonian Mechanics, and Legrunna is to develop his", "world where a minority of residents are \"angels\". Each angel is an embodiment", "student is Joseph-Louis Legrunna, a human. Berta is to teach Legrunna Newtonian Mechanics,", "in disguise, my novel is becoming one for science. That said, let me", "their own pseudoscience, and Berta is to debunk them. * Maybe the antagonist", "just like how this novel is just a math textbook (for children) in", "Teaching science to humans is their duty. What I'm trying to achieve from", "of building the antagonist. I still haven't succeeded in finding who this would", "protagonist is Berta Newton, the alternate-world counterpart to Ohaac Nektet, and is an", "succeeded in finding who this would be, and what they would do to", "completely different stories. What would be the best option when my novel is", "fantasy novel, but I think I should re-write it completely. Let me explain", "takes place in an alternate world where a minority of residents are \"angels\".", "mission. There are some unsure options: * Maybe the antagonist is a pseudo-scientist", "Maybe the antagonist is a pseudo-scientist advocating their own pseudoscience, and Berta is", "taken Der Zahlenteufel (The Number Devil) as the reference to take ideas from,", "Newton, the alternate-world counterpart to Ohaac Nektet, and is an angel. Her student", "and Legrunna is to develop his own theories (Lagrangian mechanics) to be encrowned", "(for children) in disguise, my novel is becoming one for science. That said,", "reader. The angels act as science teachers not only to human characters, but", "I still haven't succeeded in finding who this would be, and what they", "a human. Berta is to teach Legrunna Newtonian Mechanics, and Legrunna is to", "my novel is becoming one for science. That said, let me show the", "let the antagonist be a chaotic evil destroying the world, and let Berta", "the antagonist be a chaotic evil destroying the world, and let Berta act", "concept of my novel: The story takes place in an alternate world where", "it completely. Let me explain the situation. Here's the concept of my novel:", "novel is just a math textbook (for children) in disguise, my novel is", "a math textbook (for children) in disguise, my novel is becoming one for", "is their duty. What I'm trying to achieve from this setting is to", "alternate-world counterpart to Ohaac Nektet, and is an angel. Her student is Joseph-Louis", "place in an alternate world where a minority of residents are \"angels\". Each", "is to debunk them. * Maybe the antagonist is an anti-scientist disparaging Berta's", "Der Zahlenteufel (The Number Devil) as the reference to take ideas from, and", "are \"angels\". Each angel is an embodiment of a branch/concept of science, and", "is the lack of building the antagonist. I still haven't succeeded in finding", "These options will result in completely different stories. What would be the best", "theories (Lagrangian mechanics) to be encrowned to an angel too. I think the", "(Lagrangian mechanics) to be encrowned to an angel too. I think the reason", "alternate world where a minority of residents are \"angels\". Each angel is an", "act as the hero, using her science magics. These options will result in", "science to humans is their duty. What I'm trying to achieve from this", "disparaging Berta's works, and Legrunna is to defend her. * Or maybe... just", "advocating their own pseudoscience, and Berta is to debunk them. * Maybe the", "said, let me show the plot. The protagonist is Berta Newton, the alternate-world", "counterpart to Ohaac Nektet, and is an angel. Her student is Joseph-Louis Legrunna,", "achieve from this setting is to have an educational effect on the reader.", "* Maybe the antagonist is a pseudo-scientist advocating their own pseudoscience, and Berta", "Berta is to debunk them. * Maybe the antagonist is an anti-scientist disparaging", "(The Number Devil) as the reference to take ideas from, and just like", "the lack of building the antagonist. I still haven't succeeded in finding who", "The story takes place in an alternate world where a minority of residents", "their duty. What I'm trying to achieve from this setting is to have", "the antagonist is an anti-scientist disparaging Berta's works, and Legrunna is to defend", "plot. The protagonist is Berta Newton, the alternate-world counterpart to Ohaac Nektet, and", "would do to compromise Berta's and Legrunna's mission. There are some unsure options:", "embodiment of a branch/concept of science, and unlike humans, they can cast magic.", "novel is becoming one for science. That said, let me show the plot.", "explain the situation. Here's the concept of my novel: The story takes place", "should re-write it completely. Let me explain the situation. Here's the concept of", "in completely different stories. What would be the best option when my novel", "There are some unsure options: * Maybe the antagonist is a pseudo-scientist advocating", "of residents are \"angels\". Each angel is an embodiment of a branch/concept of", "is an angel. Her student is Joseph-Louis Legrunna, a human. Berta is to", "let Berta act as the hero, using her science magics. These options will", "teachers not only to human characters, but also to real humans who are", "trying to achieve from this setting is to have an educational effect on", "mechanics) to be encrowned to an angel too. I think the reason of", "novel, but I think I should re-write it completely. Let me explain the", "science teachers not only to human characters, but also to real humans who", "science textbook in disguise. I've taken Der Zahlenteufel (The Number Devil) as the", "the reason of the problem is the lack of building the antagonist. I", "when my novel is meant to teach the reader science? Are there any", "residents are \"angels\". Each angel is an embodiment of a branch/concept of science,", "angel too. I think the reason of the problem is the lack of", "I think the reason of the problem is the lack of building the", "problem is, my novel is becoming just a science textbook in disguise. I've", "how this novel is just a math textbook (for children) in disguise, my", "the hero, using her science magics. These options will result in completely different", "to real humans who are reading the book. The problem is, my novel", "this novel is just a math textbook (for children) in disguise, my novel", "real humans who are reading the book. The problem is, my novel is", "compromise Berta's and Legrunna's mission. There are some unsure options: * Maybe the", "I should re-write it completely. Let me explain the situation. Here's the concept", "what they would do to compromise Berta's and Legrunna's mission. There are some", "not only to human characters, but also to real humans who are reading", "Legrunna is to develop his own theories (Lagrangian mechanics) to be encrowned to", "also to real humans who are reading the book. The problem is, my", "this would be, and what they would do to compromise Berta's and Legrunna's", "and let Berta act as the hero, using her science magics. These options", "Here's the concept of my novel: The story takes place in an alternate", "the concept of my novel: The story takes place in an alternate world", "\"angels\". Each angel is an embodiment of a branch/concept of science, and unlike", "still haven't succeeded in finding who this would be, and what they would", "children) in disguise, my novel is becoming one for science. That said, let", "science fantasy novel, but I think I should re-write it completely. Let me", "haven't succeeded in finding who this would be, and what they would do", "unsure options: * Maybe the antagonist is a pseudo-scientist advocating their own pseudoscience,", "I'm trying to achieve from this setting is to have an educational effect", "develop his own theories (Lagrangian mechanics) to be encrowned to an angel too.", "maybe... just let the antagonist be a chaotic evil destroying the world, and", "setting is to have an educational effect on the reader. The angels act", "What would be the best option when my novel is meant to teach", "in finding who this would be, and what they would do to compromise", "is just a math textbook (for children) in disguise, my novel is becoming", "is, my novel is becoming just a science textbook in disguise. I've taken", "to teach Legrunna Newtonian Mechanics, and Legrunna is to develop his own theories", "Legrunna, a human. Berta is to teach Legrunna Newtonian Mechanics, and Legrunna is", "is becoming one for science. That said, let me show the plot. The", "to human characters, but also to real humans who are reading the book.", "cast magic. Teaching science to humans is their duty. What I'm trying to", "That said, let me show the plot. The protagonist is Berta Newton, the", "take ideas from, and just like how this novel is just a math", "situation. Here's the concept of my novel: The story takes place in an", "and Legrunna's mission. There are some unsure options: * Maybe the antagonist is", "Ohaac Nektet, and is an angel. Her student is Joseph-Louis Legrunna, a human.", "too. I think the reason of the problem is the lack of building", "Berta's and Legrunna's mission. There are some unsure options: * Maybe the antagonist", "own pseudoscience, and Berta is to debunk them. * Maybe the antagonist is", "Newtonian Mechanics, and Legrunna is to develop his own theories (Lagrangian mechanics) to", "my novel: The story takes place in an alternate world where a minority", "lack of building the antagonist. I still haven't succeeded in finding who this", "math textbook (for children) in disguise, my novel is becoming one for science.", "and what they would do to compromise Berta's and Legrunna's mission. There are", "angel. Her student is Joseph-Louis Legrunna, a human. Berta is to teach Legrunna", "option when my novel is meant to teach the reader science? Are there", "I've taken Der Zahlenteufel (The Number Devil) as the reference to take ideas", "the best option when my novel is meant to teach the reader science?", "debunk them. * Maybe the antagonist is an anti-scientist disparaging Berta's works, and", "Legrunna Newtonian Mechanics, and Legrunna is to develop his own theories (Lagrangian mechanics)", "they can cast magic. Teaching science to humans is their duty. What I'm", "unlike humans, they can cast magic. Teaching science to humans is their duty.", "just a math textbook (for children) in disguise, my novel is becoming one", "novel: The story takes place in an alternate world where a minority of", "in disguise. I've taken Der Zahlenteufel (The Number Devil) as the reference to", "and Legrunna is to defend her. * Or maybe... just let the antagonist", "is a pseudo-scientist advocating their own pseudoscience, and Berta is to debunk them.", "is to have an educational effect on the reader. The angels act as", "the reader. The angels act as science teachers not only to human characters,", "options will result in completely different stories. What would be the best option", "let me show the plot. The protagonist is Berta Newton, the alternate-world counterpart", "is to develop his own theories (Lagrangian mechanics) to be encrowned to an", "duty. What I'm trying to achieve from this setting is to have an", "stories. What would be the best option when my novel is meant to", "* Or maybe... just let the antagonist be a chaotic evil destroying the", "effect on the reader. The angels act as science teachers not only to", "an educational effect on the reader. The angels act as science teachers not", "disguise, my novel is becoming one for science. That said, let me show", "Legrunna's mission. There are some unsure options: * Maybe the antagonist is a", "them. * Maybe the antagonist is an anti-scientist disparaging Berta's works, and Legrunna", "humans who are reading the book. The problem is, my novel is becoming", "science magics. These options will result in completely different stories. What would be", "Zahlenteufel* (The Number Devil) as the reference to take ideas from, and just", "would be, and what they would do to compromise Berta's and Legrunna's mission.", "using her science magics. These options will result in completely different stories. What", "magics. These options will result in completely different stories. What would be the", "the world, and let Berta act as the hero, using her science magics.", "anti-scientist disparaging Berta's works, and Legrunna is to defend her. * Or maybe...", "a chaotic evil destroying the world, and let Berta act as the hero,", "Her student is Joseph-Louis Legrunna, a human. Berta is to teach Legrunna Newtonian", "finding who this would be, and what they would do to compromise Berta's", "science, and unlike humans, they can cast magic. Teaching science to humans is", "be, and what they would do to compromise Berta's and Legrunna's mission. There", "defend her. * Or maybe... just let the antagonist be a chaotic evil", "be the best option when my novel is meant to teach the reader", "reference to take ideas from, and just like how this novel is just", "to humans is their duty. What I'm trying to achieve from this setting", "an embodiment of a branch/concept of science, and unlike humans, they can cast", "best option when my novel is meant to teach the reader science? Are", "antagonist is an anti-scientist disparaging Berta's works, and Legrunna is to defend her.", "is an embodiment of a branch/concept of science, and unlike humans, they can", "ideas from, and just like how this novel is just a math textbook", "Berta's works, and Legrunna is to defend her. * Or maybe... just let", "reason of the problem is the lack of building the antagonist. I still", "is an anti-scientist disparaging Berta's works, and Legrunna is to defend her. ", "textbook (for children) in disguise, my novel is becoming one for science. That", "novel is becoming just a science textbook in disguise. I've taken Der Zahlenteufel", "an angel. Her student is Joseph-Louis Legrunna, a human. Berta is to teach", "be encrowned to an angel too. I think the reason of the problem", "an anti-scientist disparaging Berta's works, and Legrunna is to defend her. Or", "as science teachers not only to human characters, but also to real humans", "a minority of residents are \"angels\". Each angel is an embodiment of a", "act as science teachers not only to human characters, but also to real", "be a chaotic evil destroying the world, and let Berta act as the", "who this would be, and what they would do to compromise Berta's and", "Nektet, and is an angel. Her student is Joseph-Louis Legrunna, a human. Berta", "but also to real humans who are reading the book. The problem is,", "magic. Teaching science to humans is their duty. What I'm trying to achieve", "Let me explain the situation. Here's the concept of my novel: The story", "my novel is meant to teach the reader science? Are there any other", "minority of residents are \"angels\". Each angel is an embodiment of a branch/concept", "in an alternate world where a minority of residents are \"angels\". Each angel", "show the plot. The protagonist is Berta Newton, the alternate-world counterpart to Ohaac", "to Ohaac Nektet, and is an angel. Her student is Joseph-Louis Legrunna, a", "pseudoscience, and Berta is to debunk them. * Maybe the antagonist is an", "evil destroying the world, and let Berta act as the hero, using her", "the situation. Here's the concept of my novel: The story takes place in", "think I should re-write it completely. Let me explain the situation. Here's the", "Or maybe... just let the antagonist be a chaotic evil destroying the world,", "and unlike humans, they can cast magic. Teaching science to humans is their", "to take ideas from, and just like how this novel is just a", "are some unsure options: * Maybe the antagonist is a pseudo-scientist advocating their", "a science textbook in disguise. I've taken Der Zahlenteufel (The Number Devil) as", "Legrunna is to defend her. * Or maybe... just let the antagonist be", "the plot. The protagonist is Berta Newton, the alternate-world counterpart to Ohaac Nektet,", "options: * Maybe the antagonist is a pseudo-scientist advocating their own pseudoscience, and", "to achieve from this setting is to have an educational effect on the", "to develop his own theories (Lagrangian mechanics) to be encrowned to an angel", "antagonist is a pseudo-scientist advocating their own pseudoscience, and Berta is to debunk", "story takes place in an alternate world where a minority of residents are", "writing a science fantasy novel, but I think I should re-write it completely.", "novel is meant to teach the reader science? Are there any other fitting", "pseudo-scientist advocating their own pseudoscience, and Berta is to debunk them. * Maybe", "textbook in disguise. I've taken Der Zahlenteufel (The Number Devil) as the reference", "building the antagonist. I still haven't succeeded in finding who this would be,", "* Maybe the antagonist is an anti-scientist disparaging Berta's works, and Legrunna is", "a branch/concept of science, and unlike humans, they can cast magic. Teaching science", "book. The problem is, my novel is becoming just a science textbook in", "reading the book. The problem is, my novel is becoming just a science", "from this setting is to have an educational effect on the reader. The", "chaotic evil destroying the world, and let Berta act as the hero, using", "to be encrowned to an angel too. I think the reason of the", "on the reader. The angels act as science teachers not only to human", "like how this novel is just a math textbook (for children) in disguise,", "problem is the lack of building the antagonist. I still haven't succeeded in", "result in completely different stories. What would be the best option when my", "where a minority of residents are \"angels\". Each angel is an embodiment of", "am writing a science fantasy novel, but I think I should re-write it", "encrowned to an angel too. I think the reason of the problem is", "I am writing a science fantasy novel, but I think I should re-write", "but I think I should re-write it completely. Let me explain the situation.", "Number Devil) as the reference to take ideas from, and just like how", "some unsure options: * Maybe the antagonist is a pseudo-scientist advocating their own", "of science, and unlike humans, they can cast magic. Teaching science to humans", "is to defend her. * Or maybe... just let the antagonist be a", "to defend her. * Or maybe... just let the antagonist be a chaotic", "her science magics. These options will result in completely different stories. What would", "Berta act as the hero, using her science magics. These options will result", "What I'm trying to achieve from this setting is to have an educational", "Devil) as the reference to take ideas from, and just like how this", "as the reference to take ideas from, and just like how this novel", "only to human characters, but also to real humans who are reading the", "will result in completely different stories. What would be the best option when", "destroying the world, and let Berta act as the hero, using her science", "teach Legrunna Newtonian Mechanics, and Legrunna is to develop his own theories (Lagrangian", "Maybe the antagonist is an anti-scientist disparaging Berta's works, and Legrunna is to", "different stories. What would be the best option when my novel is meant", "angels act as science teachers not only to human characters, but also to", "my novel is becoming just a science textbook in disguise. I've taken Der", "angel is an embodiment of a branch/concept of science, and unlike humans, they", "hero, using her science magics. These options will result in completely different stories.", "this setting is to have an educational effect on the reader. The angels", "the antagonist is a pseudo-scientist advocating their own pseudoscience, and Berta is to", "antagonist be a chaotic evil destroying the world, and let Berta act as", "and is an angel. Her student is Joseph-Louis Legrunna, a human. Berta is", "from, and just like how this novel is just a math textbook (for", "for science. That said, let me show the plot. The protagonist is Berta", "works, and Legrunna is to defend her. Or maybe... just let the", "is Berta Newton, the alternate-world counterpart to Ohaac Nektet, and is an angel.", "just let the antagonist be a chaotic evil destroying the world, and let", "just a science textbook in disguise. I've taken Der Zahlenteufel (The Number Devil)", "the book. The problem is, my novel is becoming just a science textbook", "an angel too. I think the reason of the problem is the lack", "to debunk them. * Maybe the antagonist is an anti-scientist disparaging Berta's works,", "humans, they can cast magic. Teaching science to humans is their duty. What", "his own theories (Lagrangian mechanics) to be encrowned to an angel too. I", "the alternate-world counterpart to Ohaac Nektet, and is an angel. Her student is", "The protagonist is Berta Newton, the alternate-world counterpart to Ohaac Nektet, and is", "of my novel: The story takes place in an alternate world where a", "becoming just a science textbook in disguise. I've taken Der Zahlenteufel (The Number", "antagonist. I still haven't succeeded in finding who this would be, and what", "characters, but also to real humans who are reading the book. The problem", "who are reading the book. The problem is, my novel is becoming just", "do to compromise Berta's and Legrunna's mission. There are some unsure options: ", "I think I should re-write it completely. Let me explain the situation. Here's", "to have an educational effect on the reader. The angels act as science", "Each angel is an embodiment of a branch/concept of science, and unlike humans,", "own theories (Lagrangian mechanics) to be encrowned to an angel too. I think", "Berta Newton, the alternate-world counterpart to Ohaac Nektet, and is an angel. Her", "Joseph-Louis Legrunna, a human. Berta is to teach Legrunna Newtonian Mechanics, and Legrunna", "is meant to teach the reader science? Are there any other fitting options?", "to an angel too. I think the reason of the problem is the", "science. That said, let me show the plot. The protagonist is Berta Newton,", "they would do to compromise Berta's and Legrunna's mission. There are some unsure", "The problem is, my novel is becoming just a science textbook in disguise.", "becoming one for science. That said, let me show the plot. The protagonist", "and Berta is to debunk them. Maybe the antagonist is an anti-scientist", "disguise. I've taken Der Zahlenteufel (The Number Devil) as the reference to take", "of the problem is the lack of building the antagonist. I still haven't", "Mechanics, and Legrunna is to develop his own theories (Lagrangian mechanics) to be", "me explain the situation. Here's the concept of my novel: The story takes", "human. Berta is to teach Legrunna Newtonian Mechanics, and Legrunna is to develop", "would be the best option when my novel is meant to teach the", "re-write it completely. Let me explain the situation. Here's the concept of my", "of a branch/concept of science, and unlike humans, they can cast magic. Teaching", "a science fantasy novel, but I think I should re-write it completely. Let", "is becoming just a science textbook in disguise. I've taken Der Zahlenteufel (The", "as the hero, using her science magics. These options will result in completely", "branch/concept of science, and unlike humans, they can cast magic. Teaching science to", "is Joseph-Louis Legrunna, a human. Berta is to teach Legrunna Newtonian Mechanics, and", "a pseudo-scientist advocating their own pseudoscience, and Berta is to debunk them. *" ]
[ "cant stand on its own, the semi-colon isn't needed\", but I frankly can't", "here. > > I want to emphasize that this doesn't exist, it's just", "this doesn't exist, it's just one that I > thought of. > >", "doesn't exist; it's just one that I > thought of. > > >", "think the context matters. I've heard that \"if the sentence cant stand on", "> > > Or > > I want to emphasize that this doesn't", "this adage applies here. > > I want to emphasize that this doesn't", "don't think the context matters. I've heard that \"if the sentence cant stand", "semi-colon isn't needed\", but I frankly can't tell if this adage applies here.", "thought of. > > > Or > > I want to emphasize that", "this doesn't exist; it's just one that I > thought of. > >", "is correct? Correct me if I'm wrong, but I don't think the context", "matters. I've heard that \"if the sentence cant stand on its own, the", "needed\", but I frankly can't tell if this adage applies here. > >", "but I frankly can't tell if this adage applies here. > > I", "sentence cant stand on its own, the semi-colon isn't needed\", but I frankly", "I've heard that \"if the sentence cant stand on its own, the semi-colon", "me if I'm wrong, but I don't think the context matters. I've heard", "just one that I > thought of. > > > Or > >", "wrong, but I don't think the context matters. I've heard that \"if the", "I frankly can't tell if this adage applies here. > > I want", "to emphasize that this doesn't exist; it's just one that I > thought", "> > I want to emphasize that this doesn't exist, it's just one", "can't tell if this adage applies here. > > I want to emphasize", "adage applies here. > > I want to emphasize that this doesn't exist,", "if this adage applies here. > > I want to emphasize that this", "doesn't exist, it's just one that I > thought of. > > >", "want to emphasize that this doesn't exist; it's just one that I >", "that \"if the sentence cant stand on its own, the semi-colon isn't needed\",", "I don't think the context matters. I've heard that \"if the sentence cant", "want to emphasize that this doesn't exist, it's just one that I >", "I want to emphasize that this doesn't exist, it's just one that I", "> Or > > I want to emphasize that this doesn't exist; it's", "stand on its own, the semi-colon isn't needed\", but I frankly can't tell", "tell if this adage applies here. > > I want to emphasize that", "> thought of. > > > Or > > I want to emphasize", "isn't needed\", but I frankly can't tell if this adage applies here. >", "the context matters. I've heard that \"if the sentence cant stand on its", "Which one is correct? Correct me if I'm wrong, but I don't think", "> I want to emphasize that this doesn't exist, it's just one that", "that I > thought of. > > > Or > > I want", "frankly can't tell if this adage applies here. > > I want to", "applies here. > > I want to emphasize that this doesn't exist, it's", "one is correct? Correct me if I'm wrong, but I don't think the", "I > thought of. > > > Or > > I want to", "that this doesn't exist; it's just one that I > thought of. >", "exist, it's just one that I > thought of. > > > Or", "Correct me if I'm wrong, but I don't think the context matters. I've", "its own, the semi-colon isn't needed\", but I frankly can't tell if this", "> > Or > > I want to emphasize that this doesn't exist;", "heard that \"if the sentence cant stand on its own, the semi-colon isn't", "own, the semi-colon isn't needed\", but I frankly can't tell if this adage", "context matters. I've heard that \"if the sentence cant stand on its own,", "on its own, the semi-colon isn't needed\", but I frankly can't tell if", "the sentence cant stand on its own, the semi-colon isn't needed\", but I", "to emphasize that this doesn't exist, it's just one that I > thought", "> I want to emphasize that this doesn't exist; it's just one that", "that this doesn't exist, it's just one that I > thought of. >", "one that I > thought of. > > > Or > > I", "emphasize that this doesn't exist, it's just one that I > thought of.", "it's just one that I > thought of. > > > Or >", "the semi-colon isn't needed\", but I frankly can't tell if this adage applies", "but I don't think the context matters. I've heard that \"if the sentence", "I'm wrong, but I don't think the context matters. I've heard that \"if", "of. > > > Or > > I want to emphasize that this", "Or > > I want to emphasize that this doesn't exist; it's just", "> > I want to emphasize that this doesn't exist; it's just one", "\"if the sentence cant stand on its own, the semi-colon isn't needed\", but", "if I'm wrong, but I don't think the context matters. I've heard that", "correct? Correct me if I'm wrong, but I don't think the context matters.", "emphasize that this doesn't exist; it's just one that I > thought of.", "I want to emphasize that this doesn't exist; it's just one that I" ]
[ "because my writing has a lot of flaws. But I never notice these", "own work? How can I learn to find the errors in my writing?", "matching up well, or the main character being unlikable and uncool, or introducing", "or the main character being unlikable and uncool, or introducing way too much", "introducing way too much terminology early on -- I've criticized other people's works", "my writing. Even if it's something as basic as the beginning and the", "terminology early on -- I've criticized other people's works for these mistakes and", "criticized other people's works for these mistakes and more. So how come I'm", "mistakes and more. So how come I'm literally blind to the glaring faults", "for these mistakes and more. So how come I'm literally blind to the", "if most of their feedback is Writing 101 advice, it's still super helpful", "notice these flaws (big picture stuff, and subtle stuff alike) while writing and", "the main character being unlikable and uncool, or introducing way too much terminology", "How can I learn to find the errors in my writing? Or is", "stuff alike) while writing and editing my writing. Even if it's something as", "get better at this, and should I focus on getting a lot of", "their feedback is Writing 101 advice, it's still super helpful because my writing", "is Writing 101 advice, it's still super helpful because my writing has a", "But I never notice these flaws (big picture stuff, and subtle stuff alike)", "the ending not matching up well, or the main character being unlikable and", "these mistakes and more. So how come I'm literally blind to the glaring", "impossible to get better at this, and should I focus on getting a", "come I'm literally blind to the glaring faults in my own work? How", "glaring faults in my own work? How can I learn to find the", "Even if it's something as basic as the beginning and the ending not", "I learn to find the errors in my writing? Or is it impossible", "of their feedback is Writing 101 advice, it's still super helpful because my", "editing my writing. Even if it's something as basic as the beginning and", "too much terminology early on -- I've criticized other people's works for these", "how come I'm literally blind to the glaring faults in my own work?", "well, or the main character being unlikable and uncool, or introducing way too", "Or is it impossible to get better at this, and should I focus", "and uncool, or introducing way too much terminology early on -- I've criticized", "writing. Even if it's something as basic as the beginning and the ending", "other people's works for these mistakes and more. So how come I'm literally", "a lot of flaws. But I never notice these flaws (big picture stuff,", "blind to the glaring faults in my own work? How can I learn", "find the errors in my writing? Or is it impossible to get better", "can I learn to find the errors in my writing? Or is it", "alike) while writing and editing my writing. Even if it's something as basic", "as basic as the beginning and the ending not matching up well, or", "my own work? How can I learn to find the errors in my", "I never notice these flaws (big picture stuff, and subtle stuff alike) while", "it impossible to get better at this, and should I focus on getting", "feedback is Writing 101 advice, it's still super helpful because my writing has", "while writing and editing my writing. Even if it's something as basic as", "to the glaring faults in my own work? How can I learn to", "picture stuff, and subtle stuff alike) while writing and editing my writing. Even", "beginning and the ending not matching up well, or the main character being", "my writing, even if most of their feedback is Writing 101 advice, it's", "it's something as basic as the beginning and the ending not matching up", "my writing? Or is it impossible to get better at this, and should", "still super helpful because my writing has a lot of flaws. But I", "and subtle stuff alike) while writing and editing my writing. Even if it's", "learn to find the errors in my writing? Or is it impossible to", "faults in my own work? How can I learn to find the errors", "basic as the beginning and the ending not matching up well, or the", "more. So how come I'm literally blind to the glaring faults in my", "advice, it's still super helpful because my writing has a lot of flaws.", "way too much terminology early on -- I've criticized other people's works for", "I'm literally blind to the glaring faults in my own work? How can", "subtle stuff alike) while writing and editing my writing. Even if it's something", "the errors in my writing? Or is it impossible to get better at", "an editor goes over my writing, even if most of their feedback is", "and editing my writing. Even if it's something as basic as the beginning", "main character being unlikable and uncool, or introducing way too much terminology early", "flaws (big picture stuff, and subtle stuff alike) while writing and editing my", "and more. So how come I'm literally blind to the glaring faults in", "most of their feedback is Writing 101 advice, it's still super helpful because", "work? How can I learn to find the errors in my writing? Or", "writing and editing my writing. Even if it's something as basic as the", "writing? Or is it impossible to get better at this, and should I", "being unlikable and uncool, or introducing way too much terminology early on --", "ending not matching up well, or the main character being unlikable and uncool,", "of flaws. But I never notice these flaws (big picture stuff, and subtle", "up well, or the main character being unlikable and uncool, or introducing way", "not matching up well, or the main character being unlikable and uncool, or", "works for these mistakes and more. So how come I'm literally blind to", "better at this, and should I focus on getting a lot of editors?", "these flaws (big picture stuff, and subtle stuff alike) while writing and editing", "literally blind to the glaring faults in my own work? How can I", "flaws. But I never notice these flaws (big picture stuff, and subtle stuff", "101 advice, it's still super helpful because my writing has a lot of", "as the beginning and the ending not matching up well, or the main", "So how come I'm literally blind to the glaring faults in my own", "over my writing, even if most of their feedback is Writing 101 advice,", "in my own work? How can I learn to find the errors in", "lot of flaws. But I never notice these flaws (big picture stuff, and", "Writing 101 advice, it's still super helpful because my writing has a lot", "uncool, or introducing way too much terminology early on -- I've criticized other", "I've criticized other people's works for these mistakes and more. So how come", "and the ending not matching up well, or the main character being unlikable", "writing has a lot of flaws. But I never notice these flaws (big", "my writing has a lot of flaws. But I never notice these flaws", "early on -- I've criticized other people's works for these mistakes and more.", "-- I've criticized other people's works for these mistakes and more. So how", "goes over my writing, even if most of their feedback is Writing 101", "in my writing? Or is it impossible to get better at this, and", "has a lot of flaws. But I never notice these flaws (big picture", "is it impossible to get better at this, and should I focus on", "on -- I've criticized other people's works for these mistakes and more. So", "if it's something as basic as the beginning and the ending not matching", "people's works for these mistakes and more. So how come I'm literally blind", "super helpful because my writing has a lot of flaws. But I never", "to find the errors in my writing? Or is it impossible to get", "unlikable and uncool, or introducing way too much terminology early on -- I've", "it's still super helpful because my writing has a lot of flaws. But", "(big picture stuff, and subtle stuff alike) while writing and editing my writing.", "editor goes over my writing, even if most of their feedback is Writing", "or introducing way too much terminology early on -- I've criticized other people's", "errors in my writing? Or is it impossible to get better at this,", "writing, even if most of their feedback is Writing 101 advice, it's still", "When an editor goes over my writing, even if most of their feedback", "even if most of their feedback is Writing 101 advice, it's still super", "character being unlikable and uncool, or introducing way too much terminology early on", "much terminology early on -- I've criticized other people's works for these mistakes", "never notice these flaws (big picture stuff, and subtle stuff alike) while writing", "helpful because my writing has a lot of flaws. But I never notice", "the glaring faults in my own work? How can I learn to find", "something as basic as the beginning and the ending not matching up well,", "the beginning and the ending not matching up well, or the main character", "stuff, and subtle stuff alike) while writing and editing my writing. Even if", "to get better at this, and should I focus on getting a lot" ]
[ "is set in a dystopia. The main character is on a train journey", "faster than it should and that it’s going off the actual tracks into", "terrorist group. The terrorists aren’t inside the trains so most passengers don’t know", "The main character is on a train journey until suddenly the train got", "most passengers don’t know what is actually happening. They just know the train", "than it should and that it’s going off the actual tracks into pedestrian", "They just know the train is going at speeds faster than it should", "character is on a train journey until suddenly the train got hijacked by", "hijacked by a terrorist group. The terrorists aren’t inside the trains so most", "group. The terrorists aren’t inside the trains so most passengers don’t know what", "got hijacked by a terrorist group. The terrorists aren’t inside the trains so", "a dystopia. The main character is on a train journey until suddenly the", "is going at speeds faster than it should and that it’s going off", "train is going at speeds faster than it should and that it’s going", "story is set in a dystopia. The main character is on a train", "actually happening. They just know the train is going at speeds faster than", "just know the train is going at speeds faster than it should and", "train journey until suddenly the train got hijacked by a terrorist group. The", "set in a dystopia. The main character is on a train journey until", "train got hijacked by a terrorist group. The terrorists aren’t inside the trains", "trains so most passengers don’t know what is actually happening. They just know", "until suddenly the train got hijacked by a terrorist group. The terrorists aren’t", "the train got hijacked by a terrorist group. The terrorists aren’t inside the", "in a dystopia. The main character is on a train journey until suddenly", "speeds faster than it should and that it’s going off the actual tracks", "passengers don’t know what is actually happening. They just know the train is", "don’t know what is actually happening. They just know the train is going", "journey until suddenly the train got hijacked by a terrorist group. The terrorists", "going at speeds faster than it should and that it’s going off the", "suddenly the train got hijacked by a terrorist group. The terrorists aren’t inside", "so most passengers don’t know what is actually happening. They just know the", "happening. They just know the train is going at speeds faster than it", "know the train is going at speeds faster than it should and that", "the train is going at speeds faster than it should and that it’s", "aren’t inside the trains so most passengers don’t know what is actually happening.", "a terrorist group. The terrorists aren’t inside the trains so most passengers don’t", "is on a train journey until suddenly the train got hijacked by a", "at speeds faster than it should and that it’s going off the actual", "main character is on a train journey until suddenly the train got hijacked", "what is actually happening. They just know the train is going at speeds", "The terrorists aren’t inside the trains so most passengers don’t know what is", "know what is actually happening. They just know the train is going at", "dystopia. The main character is on a train journey until suddenly the train", "on a train journey until suddenly the train got hijacked by a terrorist", "a train journey until suddenly the train got hijacked by a terrorist group.", "inside the trains so most passengers don’t know what is actually happening. They", "is actually happening. They just know the train is going at speeds faster", "it should and that it’s going off the actual tracks into pedestrian areas.", "My story is set in a dystopia. The main character is on a", "the trains so most passengers don’t know what is actually happening. They just", "terrorists aren’t inside the trains so most passengers don’t know what is actually", "by a terrorist group. The terrorists aren’t inside the trains so most passengers" ]
[ "to care. How can I convey that uneasy feeling you get when you", "that’s about to be hijacked. She notices strange things with the train like", "train that’s about to be hijacked. She notices strange things with the train", "the train like thudding on the roof but no one else seems to", "on a train that’s about to be hijacked. She notices strange things with", "My character is on a train that’s about to be hijacked. She notices", "one else seems to care. How can I convey that uneasy feeling you", "to be hijacked. She notices strange things with the train like thudding on", "hijacked. She notices strange things with the train like thudding on the roof", "uneasy feeling you get when you feel like something bad is going to", "is on a train that’s about to be hijacked. She notices strange things", "She notices strange things with the train like thudding on the roof but", "convey that uneasy feeling you get when you feel like something bad is", "else seems to care. How can I convey that uneasy feeling you get", "about to be hijacked. She notices strange things with the train like thudding", "I convey that uneasy feeling you get when you feel like something bad", "care. How can I convey that uneasy feeling you get when you feel", "strange things with the train like thudding on the roof but no one", "thudding on the roof but no one else seems to care. How can", "be hijacked. She notices strange things with the train like thudding on the", "notices strange things with the train like thudding on the roof but no", "on the roof but no one else seems to care. How can I", "character is on a train that’s about to be hijacked. She notices strange", "train like thudding on the roof but no one else seems to care.", "things with the train like thudding on the roof but no one else", "with the train like thudding on the roof but no one else seems", "seems to care. How can I convey that uneasy feeling you get when", "like thudding on the roof but no one else seems to care. How", "How can I convey that uneasy feeling you get when you feel like", "feeling you get when you feel like something bad is going to happen?", "the roof but no one else seems to care. How can I convey", "a train that’s about to be hijacked. She notices strange things with the", "that uneasy feeling you get when you feel like something bad is going", "no one else seems to care. How can I convey that uneasy feeling", "but no one else seems to care. How can I convey that uneasy", "roof but no one else seems to care. How can I convey that", "can I convey that uneasy feeling you get when you feel like something" ]
[ "been working on making some improvements, such as spreading the big bad's description", "person), and a few other things. I know it'll never be perfect, but", "being too objective, (I use 3rd person, and try to avoid 1st person),", "in one paragraph. The prologue introduced him playing chess, getting interrupted by someone", "paragraph. The prologue introduced him playing chess, getting interrupted by someone begging him", "rewrite of my story, starting with the prologue. Now, my prologue exists mainly", "and I've been working on making some improvements, such as spreading the big", "his guards to dispose of the interloper before returning to his game. However,", "too objective, (I use 3rd person, and try to avoid 1st person), and", "my story, starting with the prologue. Now, my prologue exists mainly to introduce", "just simply dumping it all in one paragraph. The prologue introduced him playing", "playing chess, getting interrupted by someone begging him to help his associate, and", "ordered his guards to dispose of the interloper before returning to his game.", "associate, and ordered his guards to dispose of the interloper before returning to", "use 3rd person, and try to avoid 1st person), and a few other", "it all in one paragraph. The prologue introduced him playing chess, getting interrupted", "such as spreading the big bad's description across the prologue, rather than just", "help his associate, and ordered his guards to dispose of the interloper before", "villain of the story, and I've been working on making some improvements, such", "had some criticisms such as the perspective being too objective, (I use 3rd", "guards to dispose of the interloper before returning to his game. However, I've", "as spreading the big bad's description across the prologue, rather than just simply", "be perfect, but I at least want it to at least be more", "working on making some improvements, such as spreading the big bad's description across", "3rd person, and try to avoid 1st person), and a few other things.", "am currently doing a rewrite of my story, starting with the prologue. Now,", "to his game. However, I've had some criticisms such as the perspective being", "chess, getting interrupted by someone begging him to help his associate, and ordered", "simply dumping it all in one paragraph. The prologue introduced him playing chess,", "starting with the prologue. Now, my prologue exists mainly to introduce the main", "introduced him playing chess, getting interrupted by someone begging him to help his", "him to help his associate, and ordered his guards to dispose of the", "prologue introduced him playing chess, getting interrupted by someone begging him to help", "begging him to help his associate, and ordered his guards to dispose of", "the main villain of the story, and I've been working on making some", "it'll never be perfect, but I at least want it to at least", "criticisms such as the perspective being too objective, (I use 3rd person, and", "making some improvements, such as spreading the big bad's description across the prologue,", "all in one paragraph. The prologue introduced him playing chess, getting interrupted by", "few other things. I know it'll never be perfect, but I at least", "the big bad's description across the prologue, rather than just simply dumping it", "(I use 3rd person, and try to avoid 1st person), and a few", "my prologue exists mainly to introduce the main villain of the story, and", "objective, (I use 3rd person, and try to avoid 1st person), and a", "by someone begging him to help his associate, and ordered his guards to", "than just simply dumping it all in one paragraph. The prologue introduced him", "a rewrite of my story, starting with the prologue. Now, my prologue exists", "to help his associate, and ordered his guards to dispose of the interloper", "exists mainly to introduce the main villain of the story, and I've been", "the perspective being too objective, (I use 3rd person, and try to avoid", "as the perspective being too objective, (I use 3rd person, and try to", "I've been working on making some improvements, such as spreading the big bad's", "his game. However, I've had some criticisms such as the perspective being too", "prologue exists mainly to introduce the main villain of the story, and I've", "the prologue. Now, my prologue exists mainly to introduce the main villain of", "doing a rewrite of my story, starting with the prologue. Now, my prologue", "spreading the big bad's description across the prologue, rather than just simply dumping", "returning to his game. However, I've had some criticisms such as the perspective", "such as the perspective being too objective, (I use 3rd person, and try", "bad's description across the prologue, rather than just simply dumping it all in", "a few other things. I know it'll never be perfect, but I at", "before returning to his game. However, I've had some criticisms such as the", "prologue, rather than just simply dumping it all in one paragraph. The prologue", "currently doing a rewrite of my story, starting with the prologue. Now, my", "story, and I've been working on making some improvements, such as spreading the", "other things. I know it'll never be perfect, but I at least want", "introduce the main villain of the story, and I've been working on making", "story, starting with the prologue. Now, my prologue exists mainly to introduce the", "some criticisms such as the perspective being too objective, (I use 3rd person,", "the prologue, rather than just simply dumping it all in one paragraph. The", "of my story, starting with the prologue. Now, my prologue exists mainly to", "never be perfect, but I at least want it to at least be", "perspective being too objective, (I use 3rd person, and try to avoid 1st", "main villain of the story, and I've been working on making some improvements,", "person, and try to avoid 1st person), and a few other things. I", "and a few other things. I know it'll never be perfect, but I", "getting interrupted by someone begging him to help his associate, and ordered his", "interloper before returning to his game. However, I've had some criticisms such as", "and ordered his guards to dispose of the interloper before returning to his", "rather than just simply dumping it all in one paragraph. The prologue introduced", "The prologue introduced him playing chess, getting interrupted by someone begging him to", "the interloper before returning to his game. However, I've had some criticisms such", "mainly to introduce the main villain of the story, and I've been working", "the story, and I've been working on making some improvements, such as spreading", "dispose of the interloper before returning to his game. However, I've had some", "things. I know it'll never be perfect, but I at least want it", "I've had some criticisms such as the perspective being too objective, (I use", "interrupted by someone begging him to help his associate, and ordered his guards", "improvements, such as spreading the big bad's description across the prologue, rather than", "big bad's description across the prologue, rather than just simply dumping it all", "Now, my prologue exists mainly to introduce the main villain of the story,", "with the prologue. Now, my prologue exists mainly to introduce the main villain", "perfect, but I at least want it to at least be more engaging.", "I know it'll never be perfect, but I at least want it to", "across the prologue, rather than just simply dumping it all in one paragraph.", "and try to avoid 1st person), and a few other things. I know", "of the story, and I've been working on making some improvements, such as", "dumping it all in one paragraph. The prologue introduced him playing chess, getting", "one paragraph. The prologue introduced him playing chess, getting interrupted by someone begging", "to introduce the main villain of the story, and I've been working on", "on making some improvements, such as spreading the big bad's description across the", "game. However, I've had some criticisms such as the perspective being too objective,", "to avoid 1st person), and a few other things. I know it'll never", "prologue. Now, my prologue exists mainly to introduce the main villain of the", "I am currently doing a rewrite of my story, starting with the prologue.", "his associate, and ordered his guards to dispose of the interloper before returning", "However, I've had some criticisms such as the perspective being too objective, (I", "avoid 1st person), and a few other things. I know it'll never be", "know it'll never be perfect, but I at least want it to at", "of the interloper before returning to his game. However, I've had some criticisms", "description across the prologue, rather than just simply dumping it all in one", "some improvements, such as spreading the big bad's description across the prologue, rather", "to dispose of the interloper before returning to his game. However, I've had", "him playing chess, getting interrupted by someone begging him to help his associate,", "try to avoid 1st person), and a few other things. I know it'll", "1st person), and a few other things. I know it'll never be perfect,", "someone begging him to help his associate, and ordered his guards to dispose" ]
[ "its disintegration; the children carried the blood of the traitor, and she carried", "use dashes or em dashes to indicate the break and resumption of Hubykd's", "What is the most appealing way to insert a bit of narrative within", "the scars, “had one councilor for all the districts.” > > > Should", "sentence? For example: > > “The unified realm of my childhood,” Hubykd hoped", "a single sentence? For example: > > “The unified realm of my childhood,”", "appealing way to insert a bit of narrative within dialog in a single", "of Hubykd's dialog that was interrupted by her thoughts? Do I capitalize \"had\"", "insert a bit of narrative within dialog in a single sentence? For example:", "dialog in a single sentence? For example: > > “The unified realm of", "I use dashes or em dashes to indicate the break and resumption of", "to insert a bit of narrative within dialog in a single sentence? For", "“The unified realm of my childhood,” Hubykd hoped to avoid discussing the reasons", "interrupted by her thoughts? Do I capitalize \"had\" when Hubykd's dialog resumes? How,", "she carried more than her share of the scars, “had one councilor for", "discussing the reasons for its disintegration; the children carried the blood of the", "unified realm of my childhood,” Hubykd hoped to avoid discussing the reasons for", "is the most appealing way to insert a bit of narrative within dialog", "was interrupted by her thoughts? Do I capitalize \"had\" when Hubykd's dialog resumes?", "the blood of the traitor, and she carried more than her share of", "dialog that was interrupted by her thoughts? Do I capitalize \"had\" when Hubykd's", "councilor for all the districts.” > > > Should I use dashes or", "within dialog in a single sentence? For example: > > “The unified realm", "the traitor, and she carried more than her share of the scars, “had", "traitor, and she carried more than her share of the scars, “had one", "Hubykd hoped to avoid discussing the reasons for its disintegration; the children carried", "of the traitor, and she carried more than her share of the scars,", "> > Should I use dashes or em dashes to indicate the break", "scars, “had one councilor for all the districts.” > > > Should I", "districts.” > > > Should I use dashes or em dashes to indicate", "resumption of Hubykd's dialog that was interrupted by her thoughts? Do I capitalize", "avoid discussing the reasons for its disintegration; the children carried the blood of", "> Should I use dashes or em dashes to indicate the break and", "all the districts.” > > > Should I use dashes or em dashes", "that was interrupted by her thoughts? Do I capitalize \"had\" when Hubykd's dialog", "most appealing way to insert a bit of narrative within dialog in a", "the reasons for its disintegration; the children carried the blood of the traitor,", "dashes to indicate the break and resumption of Hubykd's dialog that was interrupted", "thoughts? Do I capitalize \"had\" when Hubykd's dialog resumes? How, precisely should this", "share of the scars, “had one councilor for all the districts.” > >", "the districts.” > > > Should I use dashes or em dashes to", "childhood,” Hubykd hoped to avoid discussing the reasons for its disintegration; the children", "for its disintegration; the children carried the blood of the traitor, and she", "indicate the break and resumption of Hubykd's dialog that was interrupted by her", "her share of the scars, “had one councilor for all the districts.” >", "than her share of the scars, “had one councilor for all the districts.”", "I capitalize \"had\" when Hubykd's dialog resumes? How, precisely should this example be", "em dashes to indicate the break and resumption of Hubykd's dialog that was", "and she carried more than her share of the scars, “had one councilor", "Hubykd's dialog that was interrupted by her thoughts? Do I capitalize \"had\" when", "more than her share of the scars, “had one councilor for all the", "and resumption of Hubykd's dialog that was interrupted by her thoughts? Do I", "of the scars, “had one councilor for all the districts.” > > >", "Should I use dashes or em dashes to indicate the break and resumption", "to indicate the break and resumption of Hubykd's dialog that was interrupted by", "dashes or em dashes to indicate the break and resumption of Hubykd's dialog", "bit of narrative within dialog in a single sentence? For example: > >", "way to insert a bit of narrative within dialog in a single sentence?", "single sentence? For example: > > “The unified realm of my childhood,” Hubykd", "my childhood,” Hubykd hoped to avoid discussing the reasons for its disintegration; the", "blood of the traitor, and she carried more than her share of the", "carried the blood of the traitor, and she carried more than her share", "“had one councilor for all the districts.” > > > Should I use", "Do I capitalize \"had\" when Hubykd's dialog resumes? How, precisely should this example", "by her thoughts? Do I capitalize \"had\" when Hubykd's dialog resumes? How, precisely", "example: > > “The unified realm of my childhood,” Hubykd hoped to avoid", "her thoughts? Do I capitalize \"had\" when Hubykd's dialog resumes? How, precisely should", "or em dashes to indicate the break and resumption of Hubykd's dialog that", "> > “The unified realm of my childhood,” Hubykd hoped to avoid discussing", "children carried the blood of the traitor, and she carried more than her", "hoped to avoid discussing the reasons for its disintegration; the children carried the", "> “The unified realm of my childhood,” Hubykd hoped to avoid discussing the", "disintegration; the children carried the blood of the traitor, and she carried more", "in a single sentence? For example: > > “The unified realm of my", "For example: > > “The unified realm of my childhood,” Hubykd hoped to", "capitalize \"had\" when Hubykd's dialog resumes? How, precisely should this example be formatted?", "the children carried the blood of the traitor, and she carried more than", "reasons for its disintegration; the children carried the blood of the traitor, and", "> > > Should I use dashes or em dashes to indicate the", "the most appealing way to insert a bit of narrative within dialog in", "break and resumption of Hubykd's dialog that was interrupted by her thoughts? Do", "for all the districts.” > > > Should I use dashes or em", "to avoid discussing the reasons for its disintegration; the children carried the blood", "narrative within dialog in a single sentence? For example: > > “The unified", "of narrative within dialog in a single sentence? For example: > > “The", "carried more than her share of the scars, “had one councilor for all", "a bit of narrative within dialog in a single sentence? For example: >", "one councilor for all the districts.” > > > Should I use dashes", "realm of my childhood,” Hubykd hoped to avoid discussing the reasons for its", "the break and resumption of Hubykd's dialog that was interrupted by her thoughts?", "of my childhood,” Hubykd hoped to avoid discussing the reasons for its disintegration;" ]
[ "to the end of the novel. Does this make sense, as in, a", "main character, but the father is still in the story to the end", "in, a good way to handle a backstory that is necessary but does", "backstory that is necessary but does not easily fit into the \"main\" story?", "but mentioned. * Present Day; * A number of chapters about the son,", "a good way to handle a backstory that is necessary but does not", "good way to handle a backstory that is necessary but does not easily", "Does this make sense, as in, a good way to handle a backstory", "Years Ago: Omissions of the Past * A number of chapters of backstory", "Past * A number of chapters of backstory (life) of father of main", "* 24 Years Ago: Omissions of the Past * A number of chapters", "main character, but son, who is the main character for rest of book", "in the story to the end of the novel. Does this make sense,", "book is not in it, but mentioned. * Present Day; * A number", "son, who is the main character for rest of book is not in", "Present Day; * A number of chapters about the son, who is the", "of the Past * A number of chapters of backstory (life) of father", "Day; * A number of chapters about the son, who is the novel's", "backstory (life) of father of main character, but son, who is the main", "it, but mentioned. * Present Day; * A number of chapters about the", "handle a backstory that is necessary but does not easily fit into the", "character, but son, who is the main character for rest of book is", "of Contents: * Prologue * 24 Years Ago: Omissions of the Past ", "the father is still in the story to the end of the novel.", "novel's main character, but the father is still in the story to the", "A number of chapters of backstory (life) of father of main character, but", "the son, who is the novel's main character, but the father is still", "is the novel's main character, but the father is still in the story", "as in, a good way to handle a backstory that is necessary but", "who is the main character for rest of book is not in it,", "of backstory (life) of father of main character, but son, who is the", " Present Day; * A number of chapters about the son, who is", "way to handle a backstory that is necessary but does not easily fit", "of main character, but son, who is the main character for rest of", "father of main character, but son, who is the main character for rest", "a backstory that is necessary but does not easily fit into the \"main\"", "chapters about the son, who is the novel's main character, but the father", "character for rest of book is not in it, but mentioned. * Present", "novel. Does this make sense, as in, a good way to handle a", "make sense, as in, a good way to handle a backstory that is", "* Prologue * 24 Years Ago: Omissions of the Past * A number", "is still in the story to the end of the novel. Does this", "(life) of father of main character, but son, who is the main character", "of chapters of backstory (life) of father of main character, but son, who", "sense, as in, a good way to handle a backstory that is necessary", "A number of chapters about the son, who is the novel's main character,", "character, but the father is still in the story to the end of", "Ago: Omissions of the Past * A number of chapters of backstory (life)", "end of the novel. Does this make sense, as in, a good way", "the novel. Does this make sense, as in, a good way to handle", "Contents: * Prologue * 24 Years Ago: Omissions of the Past * A", "chapters of backstory (life) of father of main character, but son, who is", "this make sense, as in, a good way to handle a backstory that", "but the father is still in the story to the end of the", "in it, but mentioned. * Present Day; * A number of chapters about", "the Past * A number of chapters of backstory (life) of father of", "not in it, but mentioned. * Present Day; * A number of chapters", "number of chapters of backstory (life) of father of main character, but son,", "to handle a backstory that is necessary but does not easily fit into", "the novel's main character, but the father is still in the story to", "of father of main character, but son, who is the main character for", "* A number of chapters about the son, who is the novel's main", "main character for rest of book is not in it, but mentioned. ", "of the novel. Does this make sense, as in, a good way to", "the story to the end of the novel. Does this make sense, as", "Omissions of the Past A number of chapters of backstory (life) of", "father is still in the story to the end of the novel. Does", "story to the end of the novel. Does this make sense, as in,", "rest of book is not in it, but mentioned. * Present Day; ", "still in the story to the end of the novel. Does this make", " A number of chapters of backstory (life) of father of main character,", "is the main character for rest of book is not in it, but", "the end of the novel. Does this make sense, as in, a good", "of book is not in it, but mentioned. * Present Day; * A", "son, who is the novel's main character, but the father is still in", "mentioned. * Present Day; * A number of chapters about the son, who", "Prologue * 24 Years Ago: Omissions of the Past * A number of", "but son, who is the main character for rest of book is not", "24 Years Ago: Omissions of the Past * A number of chapters of", "for rest of book is not in it, but mentioned. * Present Day;", "about the son, who is the novel's main character, but the father is", "number of chapters about the son, who is the novel's main character, but", "of chapters about the son, who is the novel's main character, but the", "the main character for rest of book is not in it, but mentioned.", "is not in it, but mentioned. * Present Day; * A number of", "who is the novel's main character, but the father is still in the", "Table of Contents: * Prologue * 24 Years Ago: Omissions of the Past" ]
[ "are, should Impromptu and Ständchen be italicized or should I use quotations? What", "I plan to publish soon and I’ve run into a little snag. So", "Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m not sure how to", "use quotations? What should or shouldn’t be capitalized? Any help would be greatly", "novel I plan to publish soon and I’ve run into a little snag.", "publish soon and I’ve run into a little snag. So my character sits", "help, but my search bore no fruit and left me very frustrated. I’m", "I use quotations? What should or shouldn’t be capitalized? Any help would be", "properly format them. My questions are, should Impromptu and Ständchen be italicized or", "search bore no fruit and left me very frustrated. I’m currently proof reading", "90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m not sure", "and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m not sure how", "how to properly format them. My questions are, should Impromptu and Ständchen be", "sure how to properly format them. My questions are, should Impromptu and Ständchen", "should I use quotations? What should or shouldn’t be capitalized? Any help would", "the internet for help, but my search bore no fruit and left me", "piano to play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op.", "Ständchen, D. 957, No. 4. Trouble is, I’m not sure how to properly", "frustrated. I’m currently proof reading a novel I plan to publish soon and", "Trouble is, I’m not sure how to properly format them. My questions are,", "me very frustrated. I’m currently proof reading a novel I plan to publish", "quotations? What should or shouldn’t be capitalized? Any help would be greatly appreciated.", "left me very frustrated. I’m currently proof reading a novel I plan to", "for help, but my search bore no fruit and left me very frustrated.", "in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble", "I’ve run into a little snag. So my character sits down at a", "Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m not", "sits down at a piano to play two pieces: Ycxuqegt’s Impromptu No. 3", "I’m currently proof reading a novel I plan to publish soon and I’ve", "proof reading a novel I plan to publish soon and I’ve run into", "at a piano to play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat", "currently proof reading a novel I plan to publish soon and I’ve run", "to publish soon and I’ve run into a little snag. So my character", "No. 4. Trouble is, I’m not sure how to properly format them. My", "pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen,", "fruit and left me very frustrated. I’m currently proof reading a novel I", "or should I use quotations? What should or shouldn’t be capitalized? Any help", "a novel I plan to publish soon and I’ve run into a little", "my character sits down at a piano to play two pieces: Ycxuqegt’s Impromptu", "play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90 and", "to play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90", "4. Trouble is, I’m not sure how to properly format them. My questions", "down at a piano to play two pieces: Ycxuqegt’s Impromptu No. 3 in", "Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D.", "should Impromptu and Ständchen be italicized or should I use quotations? What should", "snag. So my character sits down at a piano to play two pieces:", "is, I’m not sure how to properly format them. My questions are, should", "a piano to play two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major,", "3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4.", "957, No. 4. Trouble is, I’m not sure how to properly format them.", "bore no fruit and left me very frustrated. I’m currently proof reading a", "a little snag. So my character sits down at a piano to play", "little snag. So my character sits down at a piano to play two", "and left me very frustrated. I’m currently proof reading a novel I plan", "but my search bore no fruit and left me very frustrated. I’m currently", "be italicized or should I use quotations? What should or shouldn’t be capitalized?", "I’ve scoured the internet for help, but my search bore no fruit and", "two pieces: Ycxuqegt’s Impromptu No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s", "Ständchen be italicized or should I use quotations? What should or shouldn’t be", "My questions are, should Impromptu and Ständchen be italicized or should I use", "Impromptu and Ständchen be italicized or should I use quotations? What should or", "questions are, should Impromptu and Ständchen be italicized or should I use quotations?", "plan to publish soon and I’ve run into a little snag. So my", "scoured the internet for help, but my search bore no fruit and left", "no fruit and left me very frustrated. I’m currently proof reading a novel", "internet for help, but my search bore no fruit and left me very", "run into a little snag. So my character sits down at a piano", "I’m not sure how to properly format them. My questions are, should Impromptu", "into a little snag. So my character sits down at a piano to", "reading a novel I plan to publish soon and I’ve run into a", "Impromptu No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957,", "my search bore no fruit and left me very frustrated. I’m currently proof", "No. 3 in G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No.", "format them. My questions are, should Impromptu and Ständchen be italicized or should", "character sits down at a piano to play two pieces: Ycxuqegt’s Impromptu No.", "and Ständchen be italicized or should I use quotations? What should or shouldn’t", "to properly format them. My questions are, should Impromptu and Ständchen be italicized", "not sure how to properly format them. My questions are, should Impromptu and", "What should or shouldn’t be capitalized? Any help would be greatly appreciated. :)", "G-Flat Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is,", "D. 957, No. 4. Trouble is, I’m not sure how to properly format", "very frustrated. I’m currently proof reading a novel I plan to publish soon", "and I’ve run into a little snag. So my character sits down at", "them. My questions are, should Impromptu and Ständchen be italicized or should I", "So my character sits down at a piano to play two pieces: Ycxuqegt’s", "italicized or should I use quotations? What should or shouldn’t be capitalized? Any", "soon and I’ve run into a little snag. So my character sits down", "Major, Op. 90 and Ycxuqegt’s Ständchen, D. 957, No. 4. Trouble is, I’m" ]
[ "figuring out how to display a list of names in alphabetical order. For", "change the way that I format the full name, and compare it to", "to a problem when figuring out how to display a list of names", "be mononyms, and in other cases a full name with a first and", "I change the way that I format the full name, and compare it", "for mononyms just 'given name'. Should I change the way that I format", "name with a first and last name. This leads to a problem when", "'family name, given name', and for mononyms just 'given name'. Should I change", "'given name'. Should I change the way that I format the full name,", "the way that I format the full name, and compare it to 'given", "way that I format the full name, and compare it to 'given name'", "and compare it to 'given name' and 'givenName familyName'? Or is there a", "to display a list of names in alphabetical order. For full names the", "other cases a full name with a first and last name. This leads", "order. For full names the 'sorting' format is 'family name, given name', and", "name. This leads to a problem when figuring out how to display a", "a video game, where a player or NPC's name can and in some", "of names in alphabetical order. For full names the 'sorting' format is 'family", "Should I change the way that I format the full name, and compare", "just 'given name'. Should I change the way that I format the full", "a player or NPC's name can and in some cases will be mononyms,", "a list of names in alphabetical order. For full names the 'sorting' format", "mononyms, and in other cases a full name with a first and last", "player or NPC's name can and in some cases will be mononyms, and", "I format the full name, and compare it to 'given name' and 'givenName", "and in some cases will be mononyms, and in other cases a full", "to 'given name' and 'givenName familyName'? Or is there a more appropriate way", "it to 'given name' and 'givenName familyName'? Or is there a more appropriate", "names the 'sorting' format is 'family name, given name', and for mononyms just", "naming system for a video game, where a player or NPC's name can", "problem when figuring out how to display a list of names in alphabetical", "display a list of names in alphabetical order. For full names the 'sorting'", "full name, and compare it to 'given name' and 'givenName familyName'? Or is", "that I format the full name, and compare it to 'given name' and", "in some cases will be mononyms, and in other cases a full name", "a naming system for a video game, where a player or NPC's name", "a full name with a first and last name. This leads to a", "out how to display a list of names in alphabetical order. For full", "the full name, and compare it to 'given name' and 'givenName familyName'? Or", "cases a full name with a first and last name. This leads to", "full name with a first and last name. This leads to a problem", "some cases will be mononyms, and in other cases a full name with", "mononyms just 'given name'. Should I change the way that I format the", "and in other cases a full name with a first and last name.", "and last name. This leads to a problem when figuring out how to", "name' and 'givenName familyName'? Or is there a more appropriate way to handle", "NPC's name can and in some cases will be mononyms, and in other", "last name. This leads to a problem when figuring out how to display", "how to display a list of names in alphabetical order. For full names", "in other cases a full name with a first and last name. This", "names in alphabetical order. For full names the 'sorting' format is 'family name,", "given name', and for mononyms just 'given name'. Should I change the way", "video game, where a player or NPC's name can and in some cases", "in alphabetical order. For full names the 'sorting' format is 'family name, given", "format is 'family name, given name', and for mononyms just 'given name'. Should", "'sorting' format is 'family name, given name', and for mononyms just 'given name'.", "name, given name', and for mononyms just 'given name'. Should I change the", "This leads to a problem when figuring out how to display a list", "game, where a player or NPC's name can and in some cases will", "alphabetical order. For full names the 'sorting' format is 'family name, given name',", "with a first and last name. This leads to a problem when figuring", "name'. Should I change the way that I format the full name, and", "a problem when figuring out how to display a list of names in", "or NPC's name can and in some cases will be mononyms, and in", "first and last name. This leads to a problem when figuring out how", "can and in some cases will be mononyms, and in other cases a", "name, and compare it to 'given name' and 'givenName familyName'? Or is there", "will be mononyms, and in other cases a full name with a first", "where a player or NPC's name can and in some cases will be", "full names the 'sorting' format is 'family name, given name', and for mononyms", "'given name' and 'givenName familyName'? Or is there a more appropriate way to", "format the full name, and compare it to 'given name' and 'givenName familyName'?", "and 'givenName familyName'? Or is there a more appropriate way to handle mononyms?", "system for a video game, where a player or NPC's name can and", "is 'family name, given name', and for mononyms just 'given name'. Should I", "the 'sorting' format is 'family name, given name', and for mononyms just 'given", "developing a naming system for a video game, where a player or NPC's", "I'm developing a naming system for a video game, where a player or", "For full names the 'sorting' format is 'family name, given name', and for", "and for mononyms just 'given name'. Should I change the way that I", "name can and in some cases will be mononyms, and in other cases", "cases will be mononyms, and in other cases a full name with a", "compare it to 'given name' and 'givenName familyName'? Or is there a more", "for a video game, where a player or NPC's name can and in", "leads to a problem when figuring out how to display a list of", "list of names in alphabetical order. For full names the 'sorting' format is", "when figuring out how to display a list of names in alphabetical order.", "name', and for mononyms just 'given name'. Should I change the way that", "a first and last name. This leads to a problem when figuring out" ]
[ "new paragraph when there's a new speaker, but is that more in a", "to have the dialogue starting in a new paragraph because there's action before", "the dialogue like this example below? Is this formatted correctly and does it", "forgotten about Fiunu. She’d look just as good in this dress with her", "beginner writer, trying to learn fundementals. I'm editing some work now and I'm", "a new paragraph when there's a new speaker, but is that more in", "me for this mission?” she asked. > > > Qhea grinned, amused by", "a dress.” > > > Adellyn snorted unladylike and shifted in her seat", "there's actions or context before the dialogue like this example below? Is this", "again. “Seems like everyone’s forgotten about Fiunu. She’d look just as good in", "“Seems like everyone’s forgotten about Fiunu. She’d look just as good in this", "when there's a new speaker, but is that more in a back in", "who looks good in a dress.” > > > Adellyn snorted unladylike and", "I know that you should start a new paragraph when there's a new", "seat again. “Seems like everyone’s forgotten about Fiunu. She’d look just as good", "Is this formatted correctly and does it not need to have the dialogue", "advice is appreciated. > > Adellyn or her partner Qhea had never ridden", "mission?” she asked. > > > Qhea grinned, amused by her irritation, but", "she wear rode up to an almost indecent height, forcing her to keep", "have the dialogue starting in a new paragraph because there's action before the", "amused by her irritation, but replied without his usual sarcasm, “Well, you’re the", "proper formatting of paragraphs with dialogue. I know that you should start a", "of paragraphs with dialogue. I know that you should start a new paragraph", "like everyone’s forgotten about Fiunu. She’d look just as good in this dress", "formatted correctly and does it not need to have the dialogue starting in", "is appreciated. > > Adellyn or her partner Qhea had never ridden in", "conversation? What if there's actions or context before the dialogue like this example", "Adellyn or her partner Qhea had never ridden in a limo as luxurious", "trying to learn fundementals. I'm editing some work now and I'm confused about", "in a back in forth conversation? What if there's actions or context before", "again why the agency chose me for this mission?” she asked. > >", "replied without his usual sarcasm, “Well, you’re the only one on the team", "the dialogue starting in a new paragraph because there's action before the dialogue?", "an almost indecent height, forcing her to keep tugging it back down. “Remind", "but is that more in a back in forth conversation? What if there's", "down. “Remind me again why the agency chose me for this mission?” she", "limo as luxurious as this. The dress their boss had insisted she wear", "this formatted correctly and does it not need to have the dialogue starting", "new speaker, but is that more in a back in forth conversation? What", "more in a back in forth conversation? What if there's actions or context", "about proper formatting of paragraphs with dialogue. I know that you should start", "formatting of paragraphs with dialogue. I know that you should start a new", "a limo as luxurious as this. The dress their boss had insisted she", "the agency chose me for this mission?” she asked. > > > Qhea", "her irritation, but replied without his usual sarcasm, “Well, you’re the only one", "it not need to have the dialogue starting in a new paragraph because", "“Remind me again why the agency chose me for this mission?” she asked.", "shifted in her seat again. “Seems like everyone’s forgotten about Fiunu. She’d look", "or context before the dialogue like this example below? Is this formatted correctly", "appreciated. > > Adellyn or her partner Qhea had never ridden in a", "as good in this dress with her golden blonde hair and tan skin.", "usual sarcasm, “Well, you’re the only one on the team who looks good", "dialogue starting in a new paragraph because there's action before the dialogue? Any", "in this dress with her golden blonde hair and tan skin. Plus, she’s", "it back down. “Remind me again why the agency chose me for this", "work now and I'm confused about proper formatting of paragraphs with dialogue. I", "good in this dress with her golden blonde hair and tan skin. Plus,", "dialogue. I know that you should start a new paragraph when there's a", "a beginner writer, trying to learn fundementals. I'm editing some work now and", "as this. The dress their boss had insisted she wear rode up to", "fundementals. I'm editing some work now and I'm confused about proper formatting of", "> > Adellyn snorted unladylike and shifted in her seat again. “Seems like", "with dialogue. I know that you should start a new paragraph when there's", "new paragraph because there's action before the dialogue? Any advice is appreciated. >", "should start a new paragraph when there's a new speaker, but is that", "boss had insisted she wear rode up to an almost indecent height, forcing", "and I'm confused about proper formatting of paragraphs with dialogue. I know that", "team who looks good in a dress.” > > > Adellyn snorted unladylike", "like this example below? Is this formatted correctly and does it not need", "learn fundementals. I'm editing some work now and I'm confused about proper formatting", "> > Adellyn or her partner Qhea had never ridden in a limo", "as luxurious as this. The dress their boss had insisted she wear rode", "sarcasm, “Well, you’re the only one on the team who looks good in", "but replied without his usual sarcasm, “Well, you’re the only one on the", "hair and tan skin. Plus, she’s used to wearing them.” > > >", "look just as good in this dress with her golden blonde hair and", "partner Qhea had never ridden in a limo as luxurious as this. The", "> > Qhea grinned, amused by her irritation, but replied without his usual", "and shifted in her seat again. “Seems like everyone’s forgotten about Fiunu. She’d", "dress their boss had insisted she wear rode up to an almost indecent", "before the dialogue? Any advice is appreciated. > > Adellyn or her partner", "the only one on the team who looks good in a dress.” >", "now and I'm confused about proper formatting of paragraphs with dialogue. I know", "this example below? 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She’d look just as good in this dress with her golden blonde", "know that you should start a new paragraph when there's a new speaker,", "had insisted she wear rode up to an almost indecent height, forcing her", "because there's action before the dialogue? Any advice is appreciated. > > Adellyn", "this. The dress their boss had insisted she wear rode up to an", "She’d look just as good in this dress with her golden blonde hair", "> Qhea grinned, amused by her irritation, but replied without his usual sarcasm,", "ridden in a limo as luxurious as this. The dress their boss had", "just as good in this dress with her golden blonde hair and tan", "“Well, you’re the only one on the team who looks good in a", "> > > Adellyn snorted unladylike and shifted in her seat again. “Seems", "almost indecent height, forcing her to keep tugging it back down. “Remind me", "her golden blonde hair and tan skin. 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Any advice", "looks good in a dress.” > > > Adellyn snorted unladylike and shifted", "luxurious as this. The dress their boss had insisted she wear rode up", "why the agency chose me for this mission?” she asked. > > >", "she asked. > > > Qhea grinned, amused by her irritation, but replied", "forth conversation? What if there's actions or context before the dialogue like this", "Qhea grinned, amused by her irritation, but replied without his usual sarcasm, “Well,", "a new speaker, but is that more in a back in forth conversation?", "without his usual sarcasm, “Well, you’re the only one on the team who", "dialogue? Any advice is appreciated. > > Adellyn or her partner Qhea had", "in a dress.” > > > Adellyn snorted unladylike and shifted in her", "chose me for this mission?” she asked. > > > Qhea grinned, amused", "start a new paragraph when there's a new speaker, but is that more", "up to an almost indecent height, forcing her to keep tugging it back", "the team who looks good in a dress.” > > > Adellyn snorted", "What if there's actions or context before the dialogue like this example below?", "need to have the dialogue starting in a new paragraph because there's action", "his usual sarcasm, “Well, you’re the only one on the team who looks", "Qhea had never ridden in a limo as luxurious as this. The dress", "confused about proper formatting of paragraphs with dialogue. I know that you should", "good in a dress.” > > > Adellyn snorted unladylike and shifted in", "dress with her golden blonde hair and tan skin. Plus, she’s used to", "editing some work now and I'm confused about proper formatting of paragraphs with", "keep tugging it back down. “Remind me again why the agency chose me", "for this mission?” she asked. > > > Qhea grinned, amused by her", "snorted unladylike and shifted in her seat again. “Seems like everyone’s forgotten about", "back in forth conversation? What if there's actions or context before the dialogue", "had never ridden in a limo as luxurious as this. The dress their", "me again why the agency chose me for this mission?” she asked. >", "this dress with her golden blonde hair and tan skin. Plus, she’s used", "her seat again. “Seems like everyone’s forgotten about Fiunu. She’d look just as", "example below? Is this formatted correctly and does it not need to have", "some work now and I'm confused about proper formatting of paragraphs with dialogue.", "I'm editing some work now and I'm confused about proper formatting of paragraphs", "only one on the team who looks good in a dress.” > >", "dialogue like this example below? Is this formatted correctly and does it not", "there's a new speaker, but is that more in a back in forth", "their boss had insisted she wear rode up to an almost indecent height,", "The dress their boss had insisted she wear rode up to an almost", "asked. > > > Qhea grinned, amused by her irritation, but replied without", "about Fiunu. She’d look just as good in this dress with her golden", "correctly and does it not need to have the dialogue starting in a", "by her irritation, but replied without his usual sarcasm, “Well, you’re the only", "grinned, amused by her irritation, but replied without his usual sarcasm, “Well, you’re", "I'm confused about proper formatting of paragraphs with dialogue. I know that you", "is that more in a back in forth conversation? What if there's actions", "rode up to an almost indecent height, forcing her to keep tugging it", "writer, trying to learn fundementals. I'm editing some work now and I'm confused", "with her golden blonde hair and tan skin. Plus, she’s used to wearing", "agency chose me for this mission?” she asked. > > > Qhea grinned,", "there's action before the dialogue? Any advice is appreciated. > > Adellyn or", "before the dialogue like this example below? Is this formatted correctly and does", "I'm a beginner writer, trying to learn fundementals. I'm editing some work now", "paragraphs with dialogue. I know that you should start a new paragraph when", "everyone’s forgotten about Fiunu. She’d look just as good in this dress with", "blonde hair and tan skin. Plus, she’s used to wearing them.” > >", "if there's actions or context before the dialogue like this example below? Is", "unladylike and shifted in her seat again. “Seems like everyone’s forgotten about Fiunu.", "her to keep tugging it back down. “Remind me again why the agency", "speaker, but is that more in a back in forth conversation? What if", "golden blonde hair and tan skin. Plus, she’s used to wearing them.” >", "context before the dialogue like this example below? Is this formatted correctly and", "a back in forth conversation? What if there's actions or context before the", "never ridden in a limo as luxurious as this. The dress their boss", "in a new paragraph because there's action before the dialogue? Any advice is", "action before the dialogue? Any advice is appreciated. > > Adellyn or her", "> > > Qhea grinned, amused by her irritation, but replied without his", "not need to have the dialogue starting in a new paragraph because there's", "to learn fundementals. I'm editing some work now and I'm confused about proper", "wear rode up to an almost indecent height, forcing her to keep tugging" ]
[ "present time travels millions of years into the future. A catastrophic event caused", "the future, meeting the traveler and trying to communicate with them. The traveler", "Not with actual quotations, but with the sounds and accents that come with", "with them. The traveler has a device that translates for them but it", "the continent that used to be North America, and would be a descendant", "lots of rolling Rs and soft Ys. It flows more than English. German", "so I am struggling to explain how it sounds because I have never", "soft Ys. It flows more than English. German has usually sounded thick with", "with English in this way? It is imperative to the plot that she", "I am struggling to explain how it sounds because I have never heard", "The scenario is that a person from our present time travels millions of", "how it sounds because I have never heard it from the outside. When", "not working, I want to describe roughly how present day American English would", "The traveler has a device that translates for them but it is malfunctioning.", "form of English. I am writing this scene from the perspective of the", "be North America, and would be a descendant of English speakers. I want", "say the person in the future is on the continent that used to", "is my first language so I am struggling to explain how it sounds", "first language so I am struggling to explain how it sounds because I", "outside. When I hear Spanish spoken, it sounds fast paced with lots of", "accents that come with language. I will say the person in the future", "I am writing this scene from the perspective of the person in the", "more than English. German has usually sounded thick with lots of tongue movement", "time that it is not working, I want to describe roughly how present", "English speakers. I want them to be able to understand certain words, but", "time has changed so much as humans had to re-evolve and they cannot", "German has usually sounded thick with lots of tongue movement and harsher in", "explain their experience with English in this way? It is imperative to the", "be able to understand certain words, but the rest to be gibberish. English", "sounds fast paced with lots of rolling Rs and soft Ys. It flows", "day American English would sound to someone in that time period. Not with", "Could anyone else explain their experience with English in this way? It is", "come with language. I will say the person in the future is on", "language at that time has changed so much as humans had to re-evolve", "working, I want to describe roughly how present day American English would sound", "sounds because I have never heard it from the outside. When I hear", "rest to be gibberish. English is my first language so I am struggling", "a descendant of English speakers. I want them to be able to understand", "I want to describe roughly how present day American English would sound to", "communicate with them. The traveler has a device that translates for them but", "explain how it sounds because I have never heard it from the outside.", "all life. Earth is entirely different now. It has been millions of years.", "traveler has a device that translates for them but it is malfunctioning. During", "During this time that it is not working, I want to describe roughly", "would be a descendant of English speakers. I want them to be able", "usually sounded thick with lots of tongue movement and harsher in some phrases.", "I will say the person in the future is on the continent that", "language so I am struggling to explain how it sounds because I have", "thick with lots of tongue movement and harsher in some phrases. Could anyone", "in the future, meeting the traveler and trying to communicate with them. The", "caused the Continents to shift and reform, and wiped out near all life.", "future. A catastrophic event caused the Continents to shift and reform, and wiped", "of the person in the future, meeting the traveler and trying to communicate", "for them but it is malfunctioning. During this time that it is not", "millions of years into the future. A catastrophic event caused the Continents to", "time period. Not with actual quotations, but with the sounds and accents that", "English. German has usually sounded thick with lots of tongue movement and harsher", "is on the continent that used to be North America, and would be", "sounded thick with lots of tongue movement and harsher in some phrases. Could", "movement and harsher in some phrases. Could anyone else explain their experience with", "phrases. Could anyone else explain their experience with English in this way? It", "that translates for them but it is malfunctioning. During this time that it", "never heard it from the outside. When I hear Spanish spoken, it sounds", "anyone else explain their experience with English in this way? It is imperative", "it sounds fast paced with lots of rolling Rs and soft Ys. It", "different now. It has been millions of years. The language at that time", "of years. The language at that time has changed so much as humans", "in the future is on the continent that used to be North America,", "perspective of the person in the future, meeting the traveler and trying to", "from our present time travels millions of years into the future. A catastrophic", "catastrophic event caused the Continents to shift and reform, and wiped out near", "this time that it is not working, I want to describe roughly how", "has changed so much as humans had to re-evolve and they cannot understand", "but with the sounds and accents that come with language. I will say", "to describe roughly how present day American English would sound to someone in", "that used to be North America, and would be a descendant of English", "Spanish spoken, it sounds fast paced with lots of rolling Rs and soft", "Continents to shift and reform, and wiped out near all life. Earth is", "time travels millions of years into the future. A catastrophic event caused the", "the outside. When I hear Spanish spoken, it sounds fast paced with lots", "has been millions of years. The language at that time has changed so", "that time period. Not with actual quotations, but with the sounds and accents", "harsher in some phrases. Could anyone else explain their experience with English in", "lots of tongue movement and harsher in some phrases. Could anyone else explain", "to re-evolve and they cannot understand our form of English. I am writing", "shift and reform, and wiped out near all life. Earth is entirely different", "future, meeting the traveler and trying to communicate with them. The traveler has", "from the perspective of the person in the future, meeting the traveler and", "is not working, I want to describe roughly how present day American English", "in some phrases. Could anyone else explain their experience with English in this", "of English. I am writing this scene from the perspective of the person", "roughly how present day American English would sound to someone in that time", "gibberish. English is my first language so I am struggling to explain how", "rolling Rs and soft Ys. It flows more than English. German has usually", "into the future. A catastrophic event caused the Continents to shift and reform,", "in that time period. Not with actual quotations, but with the sounds and", "I want them to be able to understand certain words, but the rest", "how present day American English would sound to someone in that time period.", "spoken, it sounds fast paced with lots of rolling Rs and soft Ys.", "future is on the continent that used to be North America, and would", "to explain how it sounds because I have never heard it from the", "to communicate with them. The traveler has a device that translates for them", "cannot understand our form of English. I am writing this scene from the", "trying to communicate with them. The traveler has a device that translates for", "with actual quotations, but with the sounds and accents that come with language.", "and they cannot understand our form of English. I am writing this scene", "event caused the Continents to shift and reform, and wiped out near all", "to be able to understand certain words, but the rest to be gibberish.", "someone in that time period. Not with actual quotations, but with the sounds", "When I hear Spanish spoken, it sounds fast paced with lots of rolling", "want to describe roughly how present day American English would sound to someone", "flows more than English. German has usually sounded thick with lots of tongue", "has usually sounded thick with lots of tongue movement and harsher in some", "I hear Spanish spoken, it sounds fast paced with lots of rolling Rs", "struggling to explain how it sounds because I have never heard it from", "have never heard it from the outside. When I hear Spanish spoken, it", "scenario is that a person from our present time travels millions of years", "the person in the future is on the continent that used to be", "but the rest to be gibberish. English is my first language so I", "a person from our present time travels millions of years into the future.", "and reform, and wiped out near all life. Earth is entirely different now.", "a device that translates for them but it is malfunctioning. During this time", "period. Not with actual quotations, but with the sounds and accents that come", "is that a person from our present time travels millions of years into", "be a descendant of English speakers. I want them to be able to", "this scene from the perspective of the person in the future, meeting the", "English in this way? It is imperative to the plot that she speaks", "certain words, but the rest to be gibberish. English is my first language", "The language at that time has changed so much as humans had to", "experience with English in this way? It is imperative to the plot that", "with lots of tongue movement and harsher in some phrases. Could anyone else", "and would be a descendant of English speakers. I want them to be", "that come with language. I will say the person in the future is", "would sound to someone in that time period. Not with actual quotations, but", "years. The language at that time has changed so much as humans had", "English is my first language so I am struggling to explain how it", "person in the future is on the continent that used to be North", "but it is malfunctioning. During this time that it is not working, I", "meeting the traveler and trying to communicate with them. The traveler has a", "A catastrophic event caused the Continents to shift and reform, and wiped out", "it sounds because I have never heard it from the outside. When I", "continent that used to be North America, and would be a descendant of", "years into the future. A catastrophic event caused the Continents to shift and", "because I have never heard it from the outside. When I hear Spanish", "present day American English would sound to someone in that time period. Not", "it is not working, I want to describe roughly how present day American", "with the sounds and accents that come with language. I will say the", "used to be North America, and would be a descendant of English speakers.", "now. It has been millions of years. The language at that time has", "from the outside. When I hear Spanish spoken, it sounds fast paced with", "paced with lots of rolling Rs and soft Ys. It flows more than", "the Continents to shift and reform, and wiped out near all life. Earth", "It flows more than English. German has usually sounded thick with lots of", "Ys. It flows more than English. German has usually sounded thick with lots", "of English speakers. I want them to be able to understand certain words,", "their experience with English in this way? It is imperative to the plot", "able to understand certain words, but the rest to be gibberish. English is", "person in the future, meeting the traveler and trying to communicate with them.", "sound to someone in that time period. Not with actual quotations, but with", "the sounds and accents that come with language. 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[ "term slaves may be considered dehumanizing. Different wording may help to acknowledge the", "readers understand their plight was awful, so why replace the derogatory word? Is", "wording may help to acknowledge the humanity of enslaved people. > > >", "> This suggestion confuses me, because though \"slaves\" has a derogatory connotation, and", "so why replace the derogatory word? Is enslaved peoples now regarded as the", "and my goal in writing it to make the readers understand their plight", "for young students, I try to keep conventions highly academic, so students are", "with a target audience of 12-13-year old students. Though for young students, I", "word? Is enslaved peoples now regarded as the proper term to use in", "help to acknowledge the humanity of enslaved people. > > > This suggestion", "try to keep conventions highly academic, so students are exposed to real conventions", "students. Though for young students, I try to keep conventions highly academic, so", "young students, I try to keep conventions highly academic, so students are exposed", "to \"enslaved peoples\", with this comment: > > The term slaves may be", "to acknowledge the humanity of enslaved people. > > > This suggestion confuses", "target audience of 12-13-year old students. Though for young students, I try to", "used by historians. Whenever 'slaves' appears, Grammarly recommends I change it to \"enslaved", "to make the readers understand their plight was awful, so why replace the", "I wrote a passage about slavery, with a target audience of 12-13-year old", "comment: > > The term slaves may be considered dehumanizing. Different wording may", "highly academic, so students are exposed to real conventions used by historians. Whenever", "so students are exposed to real conventions used by historians. Whenever 'slaves' appears,", "me, because though \"slaves\" has a derogatory connotation, and my goal in writing", "writing it to make the readers understand their plight was awful, so why", "has a derogatory connotation, and my goal in writing it to make the", "conventions used by historians. Whenever 'slaves' appears, Grammarly recommends I change it to", "> The term slaves may be considered dehumanizing. Different wording may help to", "exposed to real conventions used by historians. Whenever 'slaves' appears, Grammarly recommends I", "to real conventions used by historians. Whenever 'slaves' appears, Grammarly recommends I change", "may help to acknowledge the humanity of enslaved people. > > > This", "Whenever 'slaves' appears, Grammarly recommends I change it to \"enslaved peoples\", with this", "considered dehumanizing. Different wording may help to acknowledge the humanity of enslaved people.", "Different wording may help to acknowledge the humanity of enslaved people. > >", "The term slaves may be considered dehumanizing. Different wording may help to acknowledge", "Grammarly recommends I change it to \"enslaved peoples\", with this comment: > >", "historians. Whenever 'slaves' appears, Grammarly recommends I change it to \"enslaved peoples\", with", "my goal in writing it to make the readers understand their plight was", "why replace the derogatory word? Is enslaved peoples now regarded as the proper", "appears, Grammarly recommends I change it to \"enslaved peoples\", with this comment: >", "passage about slavery, with a target audience of 12-13-year old students. Though for", "this comment: > > The term slaves may be considered dehumanizing. Different wording", "of enslaved people. > > > This suggestion confuses me, because though \"slaves\"", "it to \"enslaved peoples\", with this comment: > > The term slaves may", "academic, so students are exposed to real conventions used by historians. Whenever 'slaves'", "change it to \"enslaved peoples\", with this comment: > > The term slaves", "though \"slaves\" has a derogatory connotation, and my goal in writing it to", "I try to keep conventions highly academic, so students are exposed to real", "by historians. Whenever 'slaves' appears, Grammarly recommends I change it to \"enslaved peoples\",", "people. > > > This suggestion confuses me, because though \"slaves\" has a", "old students. Though for young students, I try to keep conventions highly academic,", "the humanity of enslaved people. > > > This suggestion confuses me, because", "a derogatory connotation, and my goal in writing it to make the readers", "slavery, with a target audience of 12-13-year old students. Though for young students,", "enslaved people. > > > This suggestion confuses me, because though \"slaves\" has", "peoples\", with this comment: > > The term slaves may be considered dehumanizing.", "the readers understand their plight was awful, so why replace the derogatory word?", "because though \"slaves\" has a derogatory connotation, and my goal in writing it", "their plight was awful, so why replace the derogatory word? Is enslaved peoples", "students, I try to keep conventions highly academic, so students are exposed to", "a passage about slavery, with a target audience of 12-13-year old students. Though", "goal in writing it to make the readers understand their plight was awful,", "> > > This suggestion confuses me, because though \"slaves\" has a derogatory", "awful, so why replace the derogatory word? Is enslaved peoples now regarded as", "connotation, and my goal in writing it to make the readers understand their", "replace the derogatory word? Is enslaved peoples now regarded as the proper term", "Is enslaved peoples now regarded as the proper term to use in academia?", "to keep conventions highly academic, so students are exposed to real conventions used", "confuses me, because though \"slaves\" has a derogatory connotation, and my goal in", "real conventions used by historians. Whenever 'slaves' appears, Grammarly recommends I change it", "with this comment: > > The term slaves may be considered dehumanizing. Different", "in writing it to make the readers understand their plight was awful, so", "it to make the readers understand their plight was awful, so why replace", "understand their plight was awful, so why replace the derogatory word? Is enslaved", "Though for young students, I try to keep conventions highly academic, so students", "was awful, so why replace the derogatory word? Is enslaved peoples now regarded", "the derogatory word? Is enslaved peoples now regarded as the proper term to", "wrote a passage about slavery, with a target audience of 12-13-year old students.", "derogatory word? Is enslaved peoples now regarded as the proper term to use", "\"enslaved peoples\", with this comment: > > The term slaves may be considered", "about slavery, with a target audience of 12-13-year old students. Though for young", "make the readers understand their plight was awful, so why replace the derogatory", "are exposed to real conventions used by historians. Whenever 'slaves' appears, Grammarly recommends", "audience of 12-13-year old students. Though for young students, I try to keep", "'slaves' appears, Grammarly recommends I change it to \"enslaved peoples\", with this comment:", "This suggestion confuses me, because though \"slaves\" has a derogatory connotation, and my", "derogatory connotation, and my goal in writing it to make the readers understand", "be considered dehumanizing. Different wording may help to acknowledge the humanity of enslaved", "suggestion confuses me, because though \"slaves\" has a derogatory connotation, and my goal", "students are exposed to real conventions used by historians. Whenever 'slaves' appears, Grammarly", "conventions highly academic, so students are exposed to real conventions used by historians.", "recommends I change it to \"enslaved peoples\", with this comment: > > The", "plight was awful, so why replace the derogatory word? Is enslaved peoples now", "may be considered dehumanizing. Different wording may help to acknowledge the humanity of", "acknowledge the humanity of enslaved people. > > > This suggestion confuses me,", "a target audience of 12-13-year old students. Though for young students, I try", "\"slaves\" has a derogatory connotation, and my goal in writing it to make", "keep conventions highly academic, so students are exposed to real conventions used by", "of 12-13-year old students. Though for young students, I try to keep conventions", "I change it to \"enslaved peoples\", with this comment: > > The term", "humanity of enslaved people. > > > This suggestion confuses me, because though", "12-13-year old students. Though for young students, I try to keep conventions highly", "dehumanizing. Different wording may help to acknowledge the humanity of enslaved people. >", "> > The term slaves may be considered dehumanizing. Different wording may help", "slaves may be considered dehumanizing. Different wording may help to acknowledge the humanity", "> > This suggestion confuses me, because though \"slaves\" has a derogatory connotation," ]
[ "often. 503 is where the murder takes place. Everyone always says each digit", "that takes place in an apartment building. Various apartment numbers are referenced often.", "I am editing a mystery that takes place in an apartment building. Various", "numbers are referenced often. 503 is where the murder takes place. Everyone always", "is where the murder takes place. Everyone always says each digit when referring", "am editing a mystery that takes place in an apartment building. Various apartment", "each digit when referring to the unit. So... how should it be written?", "Everyone always says each digit when referring to the unit. So... how should", "referring to the unit. So... how should it be written? Five-o-three or 503", "place in an apartment building. Various apartment numbers are referenced often. 503 is", "unit. So... how should it be written? Five-o-three or 503 or five oh", "apartment building. Various apartment numbers are referenced often. 503 is where the murder", "a mystery that takes place in an apartment building. Various apartment numbers are", "should it be written? Five-o-three or 503 or five oh three? Thanks in", "says each digit when referring to the unit. So... how should it be", "So... how should it be written? Five-o-three or 503 or five oh three?", "building. Various apartment numbers are referenced often. 503 is where the murder takes", "the unit. So... how should it be written? Five-o-three or 503 or five", "mystery that takes place in an apartment building. Various apartment numbers are referenced", "it be written? Five-o-three or 503 or five oh three? Thanks in advance!!", "apartment numbers are referenced often. 503 is where the murder takes place. Everyone", "how should it be written? Five-o-three or 503 or five oh three? Thanks", "always says each digit when referring to the unit. So... how should it", "takes place. Everyone always says each digit when referring to the unit. So...", "murder takes place. Everyone always says each digit when referring to the unit.", "Various apartment numbers are referenced often. 503 is where the murder takes place.", "referenced often. 503 is where the murder takes place. Everyone always says each", "takes place in an apartment building. Various apartment numbers are referenced often. 503", "in an apartment building. Various apartment numbers are referenced often. 503 is where", "place. Everyone always says each digit when referring to the unit. So... how", "editing a mystery that takes place in an apartment building. Various apartment numbers", "503 is where the murder takes place. Everyone always says each digit when", "digit when referring to the unit. So... how should it be written? Five-o-three", "an apartment building. Various apartment numbers are referenced often. 503 is where the", "when referring to the unit. So... how should it be written? Five-o-three or", "to the unit. So... how should it be written? Five-o-three or 503 or", "the murder takes place. Everyone always says each digit when referring to the", "where the murder takes place. Everyone always says each digit when referring to", "are referenced often. 503 is where the murder takes place. Everyone always says" ]
[ "* Little girl lives in the forest with Mum * Grandma is sick", "to find a place with short stories ready to be told, so that", "the forest with Mum * Grandma is sick at the other side of", "itself (style, pacing, emotion, descriptions…). However, when I start a short story a", "finding it?. They don’t need to be original at all, I just look", "Hood: * Little girl lives in the forest with Mum * Grandma is", "would like to write some short stories to practice writing itself (style, pacing,", "to practice writing itself (style, pacing, emotion, descriptions…). However, when I start a", "prompts for writing out there, but they lead to the same problem. Is", "example, imagine Little Red Riding Hood: * Little girl lives in the forest", "like to write some short stories to practice writing itself (style, pacing, emotion,", "tales are an option and I might try, but I don’t feel very", "throw him into the river. * Happy ending. Foity tales are an option", "for writing out there, but they lead to the same problem. Is it", "that I can focus on telling the story instead of inventing or finding", "focus on telling the story instead of inventing or finding it?. They don’t", "emotion, descriptions…). However, when I start a short story a find myself planning", "plot in detail and doing worldbuilding. In the meantime, I would like to", "the plots, characters etc., so I end up with the same problem. There", "in detail and doing worldbuilding. In the meantime, I would like to write", "place with short stories ready to be told, so that I can focus", "in the forest with Mum * Grandma is sick at the other side", "don’t need to be original at all, I just look for some exercises.", "look for some exercises. For example, imagine Little Red Riding Hood: * Little", "writing out there, but they lead to the same problem. Is it possible", "told, so that I can focus on telling the story instead of inventing", "they lead to the same problem. Is it possible to find a place", "him into the river. * Happy ending. Foity tales are an option and", "ready to be told, so that I can focus on telling the story", "* Etc. * They put stones in the belly of the Xolg and", "* Happy ending. Foity tales are an option and I might try, but", "Little girls finds the Xolg and chats with him * Etc. * They", "girls finds the Xolg and chats with him * Etc. * They put", "planning the plots, characters etc., so I end up with the same problem.", "a novel. I am planning the plot in detail and doing worldbuilding. In", "is sick at the other side of the forest * Mum tells her", "short stories to practice writing itself (style, pacing, emotion, descriptions…). However, when I", "the plot in detail and doing worldbuilding. In the meantime, I would like", "I can focus on telling the story instead of inventing or finding it?.", "plots, characters etc., so I end up with the same problem. There are", "to visit Grandma and warns her not to speak to strangers * Little", "Grandma and warns her not to speak to strangers * Little girls finds", "stories ready to be told, so that I can focus on telling the", "There are plenty of prompts for writing out there, but they lead to", "the forest * Mum tells her to visit Grandma and warns her not", "instead of inventing or finding it?. They don’t need to be original at", "it?. They don’t need to be original at all, I just look for", "stories to practice writing itself (style, pacing, emotion, descriptions…). However, when I start", "a place with short stories ready to be told, so that I can", "* Mum tells her to visit Grandma and warns her not to speak", "or finding it?. They don’t need to be original at all, I just", "For example, imagine Little Red Riding Hood: * Little girl lives in the", "finds the Xolg and chats with him * Etc. * They put stones", "meantime, I would like to write some short stories to practice writing itself", "of the forest * Mum tells her to visit Grandma and warns her", "find a place with short stories ready to be told, so that I", "some short stories to practice writing itself (style, pacing, emotion, descriptions…). However, when", "can focus on telling the story instead of inventing or finding it?. They", "in the belly of the Xolg and throw him into the river. ", "at the other side of the forest Mum tells her to visit", "etc., so I end up with the same problem. There are plenty of", "I just look for some exercises. For example, imagine Little Red Riding Hood:", "ending. Foity tales are an option and I might try, but I don’t", "exercises. For example, imagine Little Red Riding Hood: * Little girl lives in", "find myself planning the plots, characters etc., so I end up with the", "the same problem. Is it possible to find a place with short stories", "writing itself (style, pacing, emotion, descriptions…). However, when I start a short story", "with the same problem. There are plenty of prompts for writing out there,", "novel. I am planning the plot in detail and doing worldbuilding. In the", "of inventing or finding it?. They don’t need to be original at all,", "short story a find myself planning the plots, characters etc., so I end", "telling the story instead of inventing or finding it?. They don’t need to", "write some short stories to practice writing itself (style, pacing, emotion, descriptions…). However,", "forest * Mum tells her to visit Grandma and warns her not to", "warns her not to speak to strangers * Little girls finds the Xolg", "writing a novel. I am planning the plot in detail and doing worldbuilding.", "lives in the forest with Mum * Grandma is sick at the other", "the river. * Happy ending. Foity tales are an option and I might", "be original at all, I just look for some exercises. For example, imagine", "Little Red Riding Hood: * Little girl lives in the forest with Mum", "problem. There are plenty of prompts for writing out there, but they lead", "it possible to find a place with short stories ready to be told,", "on telling the story instead of inventing or finding it?. They don’t need", "and throw him into the river. * Happy ending. Foity tales are an", "to be original at all, I just look for some exercises. For example,", "same problem. There are plenty of prompts for writing out there, but they", "short stories ready to be told, so that I can focus on telling", "the Xolg and throw him into the river. * Happy ending. Foity tales", "Mum tells her to visit Grandma and warns her not to speak to", "when I start a short story a find myself planning the plots, characters", "story a find myself planning the plots, characters etc., so I end up", "the same problem. There are plenty of prompts for writing out there, but", "at all, I just look for some exercises. For example, imagine Little Red", "are plenty of prompts for writing out there, but they lead to the", "just look for some exercises. For example, imagine Little Red Riding Hood: ", "myself planning the plots, characters etc., so I end up with the same", "original at all, I just look for some exercises. For example, imagine Little", "I start a short story a find myself planning the plots, characters etc.,", "inventing or finding it?. They don’t need to be original at all, I", "but they lead to the same problem. Is it possible to find a", "am planning the plot in detail and doing worldbuilding. In the meantime, I", "(style, pacing, emotion, descriptions…). However, when I start a short story a find", "same problem. Is it possible to find a place with short stories ready", "to the same problem. Is it possible to find a place with short", "Xolg and chats with him Etc. * They put stones in the", "They put stones in the belly of the Xolg and throw him into", "an option and I might try, but I don’t feel very compelled by", "problem. Is it possible to find a place with short stories ready to", "strangers * Little girls finds the Xolg and chats with him * Etc.", "girl lives in the forest with Mum * Grandma is sick at the", "Little girl lives in the forest with Mum * Grandma is sick at", "and chats with him * Etc. * They put stones in the belly", "belly of the Xolg and throw him into the river. * Happy ending.", "Foity tales are an option and I might try, but I don’t feel", "Xolg and throw him into the river. * Happy ending. Foity tales are", "the other side of the forest * Mum tells her to visit Grandma", "planning the plot in detail and doing worldbuilding. In the meantime, I would", "to write some short stories to practice writing itself (style, pacing, emotion, descriptions…).", "possible to find a place with short stories ready to be told, so", "I would like to write some short stories to practice writing itself (style,", "* Grandma is sick at the other side of the forest * Mum", "to strangers * Little girls finds the Xolg and chats with him ", "detail and doing worldbuilding. In the meantime, I would like to write some", "They don’t need to be original at all, I just look for some", "be told, so that I can focus on telling the story instead of", "option and I might try, but I don’t feel very compelled by them.", "with Mum Grandma is sick at the other side of the forest", "plenty of prompts for writing out there, but they lead to the same", "a short story a find myself planning the plots, characters etc., so I", "and warns her not to speak to strangers * Little girls finds the", "Mum * Grandma is sick at the other side of the forest ", "to be told, so that I can focus on telling the story instead", "Grandma is sick at the other side of the forest Mum tells", "of prompts for writing out there, but they lead to the same problem.", "visit Grandma and warns her not to speak to strangers * Little girls", "a find myself planning the plots, characters etc., so I end up with", "other side of the forest * Mum tells her to visit Grandma and", "not to speak to strangers * Little girls finds the Xolg and chats", "for some exercises. For example, imagine Little Red Riding Hood: * Little girl", "there, but they lead to the same problem. Is it possible to find", "I end up with the same problem. There are plenty of prompts for", "* They put stones in the belly of the Xolg and throw him", "Happy ending. Foity tales are an option and I might try, but I", "side of the forest * Mum tells her to visit Grandma and warns", "put stones in the belly of the Xolg and throw him into the", "out there, but they lead to the same problem. Is it possible to", "Etc. * They put stones in the belly of the Xolg and throw", "characters etc., so I end up with the same problem. There are plenty", "are an option and I might try, but I don’t feel very compelled", "doing worldbuilding. In the meantime, I would like to write some short stories", "with him * Etc. * They put stones in the belly of the", "her to visit Grandma and warns her not to speak to strangers ", "stones in the belly of the Xolg and throw him into the river.", "speak to strangers Little girls finds the Xolg and chats with him", "of the Xolg and throw him into the river. * Happy ending. Foity", "so that I can focus on telling the story instead of inventing or", "descriptions…). However, when I start a short story a find myself planning the", "In the meantime, I would like to write some short stories to practice", "pacing, emotion, descriptions…). However, when I start a short story a find myself", "However, when I start a short story a find myself planning the plots,", "lead to the same problem. Is it possible to find a place with", "practice writing itself (style, pacing, emotion, descriptions…). However, when I start a short", "tells her to visit Grandma and warns her not to speak to strangers", "chats with him * Etc. * They put stones in the belly of", "worldbuilding. In the meantime, I would like to write some short stories to", "imagine Little Red Riding Hood: * Little girl lives in the forest with", "her not to speak to strangers * Little girls finds the Xolg and", "Red Riding Hood: * Little girl lives in the forest with Mum ", "I’m writing a novel. I am planning the plot in detail and doing", "him Etc. * They put stones in the belly of the Xolg", "start a short story a find myself planning the plots, characters etc., so", "the story instead of inventing or finding it?. They don’t need to be", "into the river. * Happy ending. Foity tales are an option and I", "and doing worldbuilding. In the meantime, I would like to write some short", "all, I just look for some exercises. For example, imagine Little Red Riding", "forest with Mum * Grandma is sick at the other side of the", "so I end up with the same problem. There are plenty of prompts", "with short stories ready to be told, so that I can focus on", "the Xolg and chats with him * Etc. * They put stones in", "I am planning the plot in detail and doing worldbuilding. In the meantime,", "need to be original at all, I just look for some exercises. For", "to speak to strangers * Little girls finds the Xolg and chats with", "the meantime, I would like to write some short stories to practice writing", "river. * Happy ending. Foity tales are an option and I might try,", "sick at the other side of the forest * Mum tells her to", "end up with the same problem. There are plenty of prompts for writing", "some exercises. For example, imagine Little Red Riding Hood: * Little girl lives", "the belly of the Xolg and throw him into the river. * Happy", "Is it possible to find a place with short stories ready to be", "* Little girls finds the Xolg and chats with him * Etc. ", "up with the same problem. There are plenty of prompts for writing out", "Riding Hood: Little girl lives in the forest with Mum * Grandma", "story instead of inventing or finding it?. They don’t need to be original" ]
[ "injury levels in total, from superficial (currently named \"bruised\") to \"might as well", "a mangled right arm or a sprained leg, but still accompanied by the", "broken arm would be, even if it happens to be some alien limb", "of injury terms was given out of order to different people, they would", "in total, from superficial (currently named \"bruised\") to \"might as well not be", "not be there\" (currently named \"crippled\"). Right now I have: 1. Bruised 2.", "to need about half a dozen injury levels in total, from superficial (currently", "to an average English speaker. That is, if the list of injury terms", "so long as they establish a general degree of injury. Injury levels are", "or a sprained leg, but still accompanied by the numerical injury level. These", "don't anatomically make sense for every kind of body part, e.g. a sprained", "be prefixed to body parts when describing injured characters, e.g. a mangled right", "arm would be, even if it happens to be some alien limb without", "3. Injured 4. Broken 5. Mangled 6. Crippled. I'm the least happy with", "is also often used as a term to describe disabilities. These would be", "happens to be some alien limb without bones at all. I'm going to", "mangled right arm or a sprained leg, but still accompanied by the numerical", "These terms aren't meant to replace the numerical system, but rather flavor it", "level. These terms aren't meant to replace the numerical system, but rather flavor", "the numerical injury level. These terms aren't meant to replace the numerical system,", "nature of the injury. A \"broken\" limb means a limb that is as", "be mistaken for permanent impairment and is also often used as a term", "establish a general degree of injury. Injury levels are meant to represent a", "its primary function as a partially broken arm would be, even if it", "levels in total, from superficial (currently named \"bruised\") to \"might as well not", "would be prefixed to body parts when describing injured characters, e.g. a mangled", "an RPG system. They should be both intuitively understandable and rankable to an", "4. Broken 5. Mangled 6. Crippled. I'm the least happy with \"crippled\" as", "a limb that is as impaired in its primary function as a partially", "head or a broken eye, so long as they establish a general degree", "to body parts when describing injured characters, e.g. a mangled right arm or", "is, if the list of injury terms was given out of order to", "are meant to represent a distinct degree of functional impairment, not the actual", "it could easily be mistaken for permanent impairment and is also often used", "the list of injury terms was given out of order to different people,", "means a limb that is as impaired in its primary function as a", "of the injury. A \"broken\" limb means a limb that is as impaired", "for permanent impairment and is also often used as a term to describe", "anatomically make sense for every kind of body part, e.g. a sprained head", "term to describe disabilities. These would be prefixed to body parts when describing", "English speaker. That is, if the list of injury terms was given out", "\"bruised\") to \"might as well not be there\" (currently named \"crippled\"). Right now", "\"might as well not be there\" (currently named \"crippled\"). Right now I have:", "aren't meant to replace the numerical system, but rather flavor it and provide", "be there\" (currently named \"crippled\"). Right now I have: 1. Bruised 2. Sprained", "speaker. That is, if the list of injury terms was given out of", "need about half a dozen injury levels in total, from superficial (currently named", "numerical injury level. These terms aren't meant to replace the numerical system, but", "eye, so long as they establish a general degree of injury. Injury levels", "These would be prefixed to body parts when describing injured characters, e.g. a", "injury level. These terms aren't meant to replace the numerical system, but rather", "alien limb without bones at all. I'm going to need about half a", "mistaken for permanent impairment and is also often used as a term to", "consistently order them the same way. It's fine if they don't anatomically make", "the numerical system, but rather flavor it and provide intuitive guidelines for what", "body part, e.g. a sprained head or a broken eye, so long as", "different people, they would consistently order them the same way. It's fine if", "partially broken arm would be, even if it happens to be some alien", "A \"broken\" limb means a limb that is as impaired in its primary", "used as a term to describe disabilities. These would be prefixed to body", "an average English speaker. That is, if the list of injury terms was", "the least happy with \"crippled\" as it could easily be mistaken for permanent", "by the numerical injury level. These terms aren't meant to replace the numerical", "(currently named \"bruised\") to \"might as well not be there\" (currently named \"crippled\").", "but still accompanied by the numerical injury level. These terms aren't meant to", "Mangled 6. Crippled. I'm the least happy with \"crippled\" as it could easily", "5. Mangled 6. Crippled. I'm the least happy with \"crippled\" as it could", "impairment and is also often used as a term to describe disabilities. These", "to describe disabilities. These would be prefixed to body parts when describing injured", "1. Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled. I'm", "least happy with \"crippled\" as it could easily be mistaken for permanent impairment", "for adjectives to describe incremental degrees of injuries of various body parts for", "without bones at all. I'm going to need about half a dozen injury", "impairment, not the actual nature of the injury. A \"broken\" limb means a", "a general degree of injury. Injury levels are meant to represent a distinct", "named \"crippled\"). Right now I have: 1. Bruised 2. Sprained 3. Injured 4.", "every kind of body part, e.g. a sprained head or a broken eye,", "them the same way. It's fine if they don't anatomically make sense for", "They should be both intuitively understandable and rankable to an average English speaker.", "Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled. I'm the least happy", "half a dozen injury levels in total, from superficial (currently named \"bruised\") to", "total, from superficial (currently named \"bruised\") to \"might as well not be there\"", "both intuitively understandable and rankable to an average English speaker. That is, if", "was given out of order to different people, they would consistently order them", "superficial (currently named \"bruised\") to \"might as well not be there\" (currently named", "intuitively understandable and rankable to an average English speaker. That is, if the", "of functional impairment, not the actual nature of the injury. A \"broken\" limb", "a term to describe disabilities. These would be prefixed to body parts when", "functional impairment, not the actual nature of the injury. A \"broken\" limb means", "a broken eye, so long as they establish a general degree of injury.", "would be, even if it happens to be some alien limb without bones", "body parts when describing injured characters, e.g. a mangled right arm or a", "Injured 4. Broken 5. Mangled 6. Crippled. I'm the least happy with \"crippled\"", "they would consistently order them the same way. It's fine if they don't", "replace the numerical system, but rather flavor it and provide intuitive guidelines for", "system. They should be both intuitively understandable and rankable to an average English", "if they don't anatomically make sense for every kind of body part, e.g.", "Crippled. I'm the least happy with \"crippled\" as it could easily be mistaken", "sprained head or a broken eye, so long as they establish a general", "numerical system, but rather flavor it and provide intuitive guidelines for what ballpark", "about half a dozen injury levels in total, from superficial (currently named \"bruised\")", "characters, e.g. a mangled right arm or a sprained leg, but still accompanied", "still accompanied by the numerical injury level. These terms aren't meant to replace", "the actual nature of the injury. A \"broken\" limb means a limb that", "of body part, e.g. a sprained head or a broken eye, so long", "parts when describing injured characters, e.g. a mangled right arm or a sprained", "to describe incremental degrees of injuries of various body parts for an RPG", "is as impaired in its primary function as a partially broken arm would", "\"crippled\"). Right now I have: 1. Bruised 2. Sprained 3. Injured 4. Broken", "\"crippled\" as it could easily be mistaken for permanent impairment and is also", "be both intuitively understandable and rankable to an average English speaker. That is,", "dozen injury levels in total, from superficial (currently named \"bruised\") to \"might as", "of order to different people, they would consistently order them the same way.", "degree of injury. Injury levels are meant to represent a distinct degree of", "kind of body part, e.g. a sprained head or a broken eye, so", "would consistently order them the same way. It's fine if they don't anatomically", "levels are meant to represent a distinct degree of functional impairment, not the", "even if it happens to be some alien limb without bones at all.", "to \"might as well not be there\" (currently named \"crippled\"). Right now I", "there\" (currently named \"crippled\"). Right now I have: 1. Bruised 2. Sprained 3.", "could easily be mistaken for permanent impairment and is also often used as", "2. Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled. I'm the least", "when describing injured characters, e.g. a mangled right arm or a sprained leg,", "meant to replace the numerical system, but rather flavor it and provide intuitive", "from superficial (currently named \"bruised\") to \"might as well not be there\" (currently", "looking for adjectives to describe incremental degrees of injuries of various body parts", "long as they establish a general degree of injury. Injury levels are meant", "if the list of injury terms was given out of order to different", "it happens to be some alien limb without bones at all. I'm going", "limb that is as impaired in its primary function as a partially broken", "a sprained leg, but still accompanied by the numerical injury level. These terms", "body parts for an RPG system. They should be both intuitively understandable and", "function as a partially broken arm would be, even if it happens to", "adjectives to describe incremental degrees of injuries of various body parts for an", "often used as a term to describe disabilities. These would be prefixed to", "make sense for every kind of body part, e.g. a sprained head or", "a dozen injury levels in total, from superficial (currently named \"bruised\") to \"might", "people, they would consistently order them the same way. It's fine if they", "they establish a general degree of injury. Injury levels are meant to represent", "sprained leg, but still accompanied by the numerical injury level. These terms aren't", "permanent impairment and is also often used as a term to describe disabilities.", "It's fine if they don't anatomically make sense for every kind of body", "to different people, they would consistently order them the same way. It's fine", "going to need about half a dozen injury levels in total, from superficial", "injury. Injury levels are meant to represent a distinct degree of functional impairment,", "represent a distinct degree of functional impairment, not the actual nature of the", "various body parts for an RPG system. They should be both intuitively understandable", "Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled. I'm the", "degree of functional impairment, not the actual nature of the injury. A \"broken\"", "with \"crippled\" as it could easily be mistaken for permanent impairment and is", "injuries of various body parts for an RPG system. They should be both", "named \"bruised\") to \"might as well not be there\" (currently named \"crippled\"). Right", "meant to represent a distinct degree of functional impairment, not the actual nature", "in its primary function as a partially broken arm would be, even if", "have: 1. Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled 6. Crippled.", "and is also often used as a term to describe disabilities. These would", "they don't anatomically make sense for every kind of body part, e.g. a", "leg, but still accompanied by the numerical injury level. These terms aren't meant", "Injury levels are meant to represent a distinct degree of functional impairment, not", "not the actual nature of the injury. A \"broken\" limb means a limb", "as a partially broken arm would be, even if it happens to be", "limb without bones at all. I'm going to need about half a dozen", "now I have: 1. Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled", "list of injury terms was given out of order to different people, they", "impaired in its primary function as a partially broken arm would be, even", "terms was given out of order to different people, they would consistently order", "a sprained head or a broken eye, so long as they establish a", "system, but rather flavor it and provide intuitive guidelines for what ballpark of", "injury. A \"broken\" limb means a limb that is as impaired in its", "injured characters, e.g. a mangled right arm or a sprained leg, but still", "but rather flavor it and provide intuitive guidelines for what ballpark of injuries", "given out of order to different people, they would consistently order them the", "be, even if it happens to be some alien limb without bones at", "fine if they don't anatomically make sense for every kind of body part,", "sense for every kind of body part, e.g. a sprained head or a", "average English speaker. That is, if the list of injury terms was given", "accompanied by the numerical injury level. These terms aren't meant to replace the", "as it could easily be mistaken for permanent impairment and is also often", "6. Crippled. I'm the least happy with \"crippled\" as it could easily be", "that is as impaired in its primary function as a partially broken arm", "describing injured characters, e.g. a mangled right arm or a sprained leg, but", "to replace the numerical system, but rather flavor it and provide intuitive guidelines", "as impaired in its primary function as a partially broken arm would be,", "of various body parts for an RPG system. They should be both intuitively", "part, e.g. a sprained head or a broken eye, so long as they", "out of order to different people, they would consistently order them the same", "RPG system. They should be both intuitively understandable and rankable to an average", "the same way. It's fine if they don't anatomically make sense for every", "actual nature of the injury. A \"broken\" limb means a limb that is", "I'm going to need about half a dozen injury levels in total, from", "prefixed to body parts when describing injured characters, e.g. a mangled right arm", "and provide intuitive guidelines for what ballpark of injuries a given level represents.", "be some alien limb without bones at all. I'm going to need about", "as well not be there\" (currently named \"crippled\"). Right now I have: 1.", "disabilities. These would be prefixed to body parts when describing injured characters, e.g.", "\"broken\" limb means a limb that is as impaired in its primary function", "it and provide intuitive guidelines for what ballpark of injuries a given level", "flavor it and provide intuitive guidelines for what ballpark of injuries a given", "for an RPG system. They should be both intuitively understandable and rankable to", "distinct degree of functional impairment, not the actual nature of the injury. A", "e.g. a mangled right arm or a sprained leg, but still accompanied by", "at all. I'm going to need about half a dozen injury levels in", "primary function as a partially broken arm would be, even if it happens", "describe disabilities. These would be prefixed to body parts when describing injured characters,", "I'm looking for adjectives to describe incremental degrees of injuries of various body", "degrees of injuries of various body parts for an RPG system. They should", "broken eye, so long as they establish a general degree of injury. Injury", "as they establish a general degree of injury. Injury levels are meant to", "Right now I have: 1. Bruised 2. Sprained 3. Injured 4. Broken 5.", "also often used as a term to describe disabilities. These would be prefixed", "describe incremental degrees of injuries of various body parts for an RPG system.", "the injury. A \"broken\" limb means a limb that is as impaired in", "rather flavor it and provide intuitive guidelines for what ballpark of injuries a", "some alien limb without bones at all. I'm going to need about half", "rankable to an average English speaker. That is, if the list of injury", "That is, if the list of injury terms was given out of order", "to represent a distinct degree of functional impairment, not the actual nature of", "way. It's fine if they don't anatomically make sense for every kind of", "injury terms was given out of order to different people, they would consistently", "of injuries of various body parts for an RPG system. They should be", "order them the same way. It's fine if they don't anatomically make sense", "for every kind of body part, e.g. a sprained head or a broken", "a partially broken arm would be, even if it happens to be some", "bones at all. I'm going to need about half a dozen injury levels", "all. I'm going to need about half a dozen injury levels in total,", "easily be mistaken for permanent impairment and is also often used as a", "Broken 5. Mangled 6. Crippled. I'm the least happy with \"crippled\" as it", "I have: 1. Bruised 2. Sprained 3. Injured 4. Broken 5. Mangled 6.", "e.g. a sprained head or a broken eye, so long as they establish", "I'm the least happy with \"crippled\" as it could easily be mistaken for", "as a term to describe disabilities. These would be prefixed to body parts", "right arm or a sprained leg, but still accompanied by the numerical injury", "parts for an RPG system. They should be both intuitively understandable and rankable", "should be both intuitively understandable and rankable to an average English speaker. That", "of injury. Injury levels are meant to represent a distinct degree of functional", "incremental degrees of injuries of various body parts for an RPG system. They", "understandable and rankable to an average English speaker. That is, if the list", "or a broken eye, so long as they establish a general degree of", "(currently named \"crippled\"). Right now I have: 1. Bruised 2. Sprained 3. Injured", "a distinct degree of functional impairment, not the actual nature of the injury.", "well not be there\" (currently named \"crippled\"). Right now I have: 1. Bruised", "happy with \"crippled\" as it could easily be mistaken for permanent impairment and", "arm or a sprained leg, but still accompanied by the numerical injury level.", "if it happens to be some alien limb without bones at all. I'm", "general degree of injury. Injury levels are meant to represent a distinct degree", "limb means a limb that is as impaired in its primary function as", "terms aren't meant to replace the numerical system, but rather flavor it and", "same way. It's fine if they don't anatomically make sense for every kind", "and rankable to an average English speaker. That is, if the list of", "order to different people, they would consistently order them the same way. It's", "to be some alien limb without bones at all. I'm going to need" ]
[ "> > \"Well, didn't I say it would take them less than a", "say, an incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING COP. As", "Shakespeare's days and beyond. Thus, in Romeo and Juliet (to pick a play", "\"You said, three days. Not the same thing.\" > > > The Frenchman:", "> > \"This hair-splitting doesn't become you at all, my dear.\" > >", "Frenchman: > > > \"Of course it was. What are you talking about?\"", "thing.\" > > > The Frenchman: > > > \"Oh, no. Pedantic? You?\"", "> INCREDULOUS-LOOKING COP > > What are you morons even doing here? >", "not \"the Apothecary.\" As in: > > Enter Apothecary. > > > APOTHECARY", "the dialogue and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As in:", "simply, APOTHECARY, and not \"the Apothecary.\" As in: > > Enter Apothecary. >", "> Standing on the beach, the Frenchman and the Englishwoman looked skeptically at", "two characters engaged in friendly banter, would it be okay NOT to drop", "try to weasel your way out of this. You've lost the bet. You", "cop - would become, in dialogue format, INCREDULOUS-LOOKING COP. As in: > >", "The Frenchman: > > > \"Of course it was. What are you talking", "stubbornly: > > > \"Three days. You said, three days.\" > > >", "at random), the Apothecary is referred to (in the dialogue and blocking) as,", "characters engaged in friendly banter, would it be okay NOT to drop the", "than a week?\" > > > The Englishwoman: > > > \"That wasn't", "dear.\" > > > The Englishwoman: > > > \"Don't try to weasel", "> > The Frenchman: > > > \"Of course it was. What are", "at all, my dear.\" > > > The Englishwoman: > > > \"Don't", "beyond. Thus, in Romeo and Juliet (to pick a play at random), the", "him. > > > INCREDULOUS-LOOKING COP > > What are you morons even", "\"Well, didn't I say it would take them less than a week?\" >", "of dropping the definite article in dramatic dialogue seems to go back to", "As in: > > INT. STREET - SUNNY AFTERNOON > > > An", "> > > The Englishwoman, stubbornly: > > > \"Three days. You said,", "at the approaching ship. > > > The Frenchman said: > > >", "The Frenchman: > > > \"Oh, no. Pedantic? You?\" > > > The", "Thus, in Romeo and Juliet (to pick a play at random), the Apothecary", "Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. > > > What do", "> > What do you think? Is it okay not to drop the", "APOTHECARY > > Who calls so loud? > > > ... and the", "blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As in: > > Enter", "> > > INCREDULOUS-LOOKING COP > > What are you morons even doing", "... and the Prince simply as PRINCE. In contemporary plays and screenplays, a", "morons even doing here? > > > Here's my question: If you were", "Enter Apothecary. > > > APOTHECARY > > Who calls so loud? >", "in friendly banter, would it be okay NOT to drop the definite article?", "Apothecary is referred to (in the dialogue and blocking) as, simply, APOTHECARY, and", "> > > \"Well, didn't I say it would take them less than", "> > > APOTHECARY > > Who calls so loud? > > >", "you talking about?\" > > > The Englishwoman: > > > \"You said,", "> > INT. STREET - SUNNY AFTERNOON > > > An incredulous-looking COP", "in dramatic dialogue seems to go back to William Shakespeare's days and beyond.", "The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. > > > What", "> Enter Apothecary. > > > APOTHECARY > > Who calls so loud?", "way out of this. You've lost the bet. You owe me.\" > >", "> > > The Frenchman: > > > \"Oh, no. Pedantic? You?\" >", "Frenchman and the Englishwoman looked skeptically at the approaching ship. > > >", "Englishwoman: > > > \"Don't try to weasel your way out of this.", "take them less than a week?\" > > > The Englishwoman: > >", "> > The Frenchman: > > > \"Oh, no. Pedantic? You?\" > >", "Jolr stare at him. > > > INCREDULOUS-LOOKING COP > > What are", "Standing on the beach, the Frenchman and the Englishwoman looked skeptically at the", "a story and came to a point in which two characters engaged in", "dramatic dialogue seems to go back to William Shakespeare's days and beyond. Thus,", "I say it would take them less than a week?\" > > >", "> > > An incredulous-looking COP approaches. Seck and Jolr stare at him.", "the bet.\" > > > The Frenchman: > > > \"Of course it", "said, three days. Not the same thing.\" > > > The Frenchman: >", "dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET - SUNNY AFTERNOON", "the Apothecary is referred to (in the dialogue and blocking) as, simply, APOTHECARY,", "Apothecary. > > > APOTHECARY > > Who calls so loud? > >", "to drop the definite article? As in: > > Standing on the beach,", "calls so loud? > > > ... and the Prince simply as PRINCE.", "incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING COP. As in: >", "days. Not the same thing.\" > > > The Frenchman: > > >", "Englishwoman: > > > \"That wasn't the bet.\" > > > The Frenchman:", "writing a story and came to a point in which two characters engaged", "INT. STREET - SUNNY AFTERNOON > > > An incredulous-looking COP approaches. Seck", "\"Of course it was. What are you talking about?\" > > > The", "would it be okay NOT to drop the definite article? As in: >", "the Frenchman and the Englishwoman looked skeptically at the approaching ship. > >", "her eyebrows sarcastically. > > > What do you think? Is it okay", "\"Oh, no. Pedantic? You?\" > > > The Englishwoman, stubbornly: > > >", "less than a week?\" > > > The Englishwoman: > > > \"That", "> > > The Englishwoman: > > > \"You said, three days. Not", "William Shakespeare's days and beyond. Thus, in Romeo and Juliet (to pick a", "> Who calls so loud? > > > ... and the Prince simply", "> > The Englishwoman: > > > \"You said, three days. Not the", "> > INCREDULOUS-LOOKING COP > > What are you morons even doing here?", "Juliet* (to pick a play at random), the Apothecary is referred to (in", "character - say, an incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING", "You said, three days.\" > > > The Frenchman: > > > \"This", "raised her eyebrows sarcastically. > > > What do you think? Is it", "eyebrows sarcastically. > > > What do you think? Is it okay not", "> > > Here's my question: If you were writing a story and", "As in: > > Standing on the beach, the Frenchman and the Englishwoman", "are you talking about?\" > > > The Englishwoman: > > > \"You", "> > \"Of course it was. What are you talking about?\" > >", "> > > \"Oh, no. Pedantic? You?\" > > > The Englishwoman, stubbornly:", "Romeo and Juliet (to pick a play at random), the Apothecary is referred", "Englishwoman looked skeptically at the approaching ship. > > > The Frenchman said:", "as, simply, APOTHECARY, and not \"the Apothecary.\" As in: > > Enter Apothecary.", "three days.\" > > > The Frenchman: > > > \"This hair-splitting doesn't", "definite article in dramatic dialogue seems to go back to William Shakespeare's days", "sarcastically. > > > What do you think? Is it okay not to", "> > \"You said, three days. Not the same thing.\" > > >", "If you were writing a story and came to a point in which", "tradition of dropping the definite article in dramatic dialogue seems to go back", "and beyond. Thus, in Romeo and Juliet (to pick a play at random),", "referred to (in the dialogue and blocking) as, simply, APOTHECARY, and not \"the", "SUNNY AFTERNOON > > > An incredulous-looking COP approaches. Seck and Jolr stare", "> \"That wasn't the bet.\" > > > The Frenchman: > > >", "You?\" > > > The Englishwoman, stubbornly: > > > \"Three days. You", "doesn't become you at all, my dear.\" > > > The Englishwoman: >", "random), the Apothecary is referred to (in the dialogue and blocking) as, simply,", "said: > > > \"Well, didn't I say it would take them less", "the bet. You owe me.\" > > > The Frenchman shrugged. The Englishwoman", "nameless character - say, an incredulous-looking cop - would become, in dialogue format,", "came to a point in which two characters engaged in friendly banter, would", "COP > > What are you morons even doing here? > > >", "\"This hair-splitting doesn't become you at all, my dear.\" > > > The", "Frenchman: > > > \"Oh, no. Pedantic? You?\" > > > The Englishwoman,", "The Englishwoman: > > > \"You said, three days. Not the same thing.\"", "screenplays, a nameless character - say, an incredulous-looking cop - would become, in", "dialogue seems to go back to William Shakespeare's days and beyond. Thus, in", "> \"You said, three days. Not the same thing.\" > > > The", "Who calls so loud? > > > ... and the Prince simply as", "as PRINCE. In contemporary plays and screenplays, a nameless character - say, an", "point in which two characters engaged in friendly banter, would it be okay", "> > The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. > >", "seems to go back to William Shakespeare's days and beyond. Thus, in Romeo", "in: > > INT. STREET - SUNNY AFTERNOON > > > An incredulous-looking", "the Prince simply as PRINCE. In contemporary plays and screenplays, a nameless character", "and not \"the Apothecary.\" As in: > > Enter Apothecary. > > >", "it would take them less than a week?\" > > > The Englishwoman:", "so loud? > > > ... and the Prince simply as PRINCE. In", "back to William Shakespeare's days and beyond. Thus, in Romeo and Juliet* (to", "> > The Englishwoman: > > > \"Don't try to weasel your way", "my dear.\" > > > The Englishwoman: > > > \"Don't try to", "> APOTHECARY > > Who calls so loud? > > > ... and", "What are you morons even doing here? > > > Here's my question:", "out of this. You've lost the bet. You owe me.\" > > >", "> > The Frenchman: > > > \"This hair-splitting doesn't become you at", "> > \"Oh, no. Pedantic? You?\" > > > The Englishwoman, stubbornly: >", "Pedantic? You?\" > > > The Englishwoman, stubbornly: > > > \"Three days.", "all, my dear.\" > > > The Englishwoman: > > > \"Don't try", "you morons even doing here? > > > Here's my question: If you", "> \"Of course it was. What are you talking about?\" > > >", "NOT to drop the definite article? As in: > > Standing on the", "to weasel your way out of this. You've lost the bet. You owe", "> The Englishwoman: > > > \"You said, three days. Not the same", "said, three days.\" > > > The Frenchman: > > > \"This hair-splitting", "> The Frenchman: > > > \"Of course it was. What are you", "three days. Not the same thing.\" > > > The Frenchman: > >", "which two characters engaged in friendly banter, would it be okay NOT to", "even doing here? > > > Here's my question: If you were writing", "> > \"Don't try to weasel your way out of this. You've lost", "Not the same thing.\" > > > The Frenchman: > > > \"Oh,", "to a point in which two characters engaged in friendly banter, would it", "The Englishwoman: > > > \"Don't try to weasel your way out of", "(to pick a play at random), the Apothecary is referred to (in the", "in which two characters engaged in friendly banter, would it be okay NOT", "okay NOT to drop the definite article? As in: > > Standing on", "pick a play at random), the Apothecary is referred to (in the dialogue", "story and came to a point in which two characters engaged in friendly", "Frenchman said: > > > \"Well, didn't I say it would take them", "looked skeptically at the approaching ship. > > > The Frenchman said: >", "in: > > Standing on the beach, the Frenchman and the Englishwoman looked", "to go back to William Shakespeare's days and beyond. Thus, in Romeo and", "friendly banter, would it be okay NOT to drop the definite article? As", "play at random), the Apothecary is referred to (in the dialogue and blocking)", "contemporary plays and screenplays, a nameless character - say, an incredulous-looking cop -", "and screenplays, a nameless character - say, an incredulous-looking cop - would become,", "> > > \"That wasn't the bet.\" > > > The Frenchman: >", "> > > The Englishwoman: > > > \"Don't try to weasel your", "> \"This hair-splitting doesn't become you at all, my dear.\" > > >", "weasel your way out of this. You've lost the bet. You owe me.\"", "> > Here's my question: If you were writing a story and came", "loud? > > > ... and the Prince simply as PRINCE. In contemporary", "COP. As in: > > INT. STREET - SUNNY AFTERNOON > > >", "in: > > Enter Apothecary. > > > APOTHECARY > > Who calls", "same thing.\" > > > The Frenchman: > > > \"Oh, no. Pedantic?", "> An incredulous-looking COP approaches. Seck and Jolr stare at him. > >", "is referred to (in the dialogue and blocking) as, simply, APOTHECARY, and not", "stare at him. > > > INCREDULOUS-LOOKING COP > > What are you", "The Englishwoman: > > > \"That wasn't the bet.\" > > > The", "> > \"That wasn't the bet.\" > > > The Frenchman: > >", "> > > \"Three days. You said, three days.\" > > > The", "> > > The Frenchman: > > > \"Of course it was. What", "incredulous-looking COP approaches. Seck and Jolr stare at him. > > > INCREDULOUS-LOOKING", "format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET - SUNNY AFTERNOON >", "definite article? As in: > > Standing on the beach, the Frenchman and", "engaged in friendly banter, would it be okay NOT to drop the definite", "the approaching ship. > > > The Frenchman said: > > > \"Well,", "this. You've lost the bet. You owe me.\" > > > The Frenchman", "your way out of this. You've lost the bet. You owe me.\" >", "and the Englishwoman looked skeptically at the approaching ship. > > > The", "Englishwoman, stubbornly: > > > \"Three days. You said, three days.\" > >", "As in: > > Enter Apothecary. > > > APOTHECARY > > Who", "owe me.\" > > > The Frenchman shrugged. The Englishwoman raised her eyebrows", "Apothecary.\" As in: > > Enter Apothecary. > > > APOTHECARY > >", "them less than a week?\" > > > The Englishwoman: > > >", "an incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING COP. As in:", "banter, would it be okay NOT to drop the definite article? As in:", "it be okay NOT to drop the definite article? As in: > >", "be okay NOT to drop the definite article? As in: > > Standing", "An incredulous-looking COP approaches. Seck and Jolr stare at him. > > >", "Englishwoman: > > > \"You said, three days. Not the same thing.\" >", "it was. What are you talking about?\" > > > The Englishwoman: >", "shrugged. The Englishwoman raised her eyebrows sarcastically. > > > What do you", "talking about?\" > > > The Englishwoman: > > > \"You said, three", "and Juliet (to pick a play at random), the Apothecary is referred to", "AFTERNOON > > > An incredulous-looking COP approaches. Seck and Jolr stare at", "The Frenchman: > > > \"This hair-splitting doesn't become you at all, my", "> > Enter Apothecary. > > > APOTHECARY > > Who calls so", "a nameless character - say, an incredulous-looking cop - would become, in dialogue", "plays and screenplays, a nameless character - say, an incredulous-looking cop - would", "PRINCE. In contemporary plays and screenplays, a nameless character - say, an incredulous-looking", "my question: If you were writing a story and came to a point", "> > > ... and the Prince simply as PRINCE. In contemporary plays", "you were writing a story and came to a point in which two", "lost the bet. You owe me.\" > > > The Frenchman shrugged. The", "The Englishwoman raised her eyebrows sarcastically. > > > What do you think?", "- say, an incredulous-looking cop - would become, in dialogue format, INCREDULOUS-LOOKING COP.", "The Englishwoman, stubbornly: > > > \"Three days. You said, three days.\" >", "> ... and the Prince simply as PRINCE. In contemporary plays and screenplays,", "become, in dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET -", "days and beyond. Thus, in Romeo and Juliet (to pick a play at", "> \"Don't try to weasel your way out of this. You've lost the", "\"That wasn't the bet.\" > > > The Frenchman: > > > \"Of", "become you at all, my dear.\" > > > The Englishwoman: > >", "What are you talking about?\" > > > The Englishwoman: > > >", "wasn't the bet.\" > > > The Frenchman: > > > \"Of course", "- SUNNY AFTERNOON > > > An incredulous-looking COP approaches. Seck and Jolr", "was. What are you talking about?\" > > > The Englishwoman: > >", "APOTHECARY, and not \"the Apothecary.\" As in: > > Enter Apothecary. > >", "the Englishwoman looked skeptically at the approaching ship. > > > The Frenchman", "> \"Well, didn't I say it would take them less than a week?\"", "the beach, the Frenchman and the Englishwoman looked skeptically at the approaching ship.", "> The Frenchman: > > > \"Oh, no. Pedantic? You?\" > > >", "dialogue and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As in: >", "> > > \"This hair-splitting doesn't become you at all, my dear.\" >", "no. Pedantic? You?\" > > > The Englishwoman, stubbornly: > > > \"Three", "The tradition of dropping the definite article in dramatic dialogue seems to go", "would take them less than a week?\" > > > The Englishwoman: >", "> > Standing on the beach, the Frenchman and the Englishwoman looked skeptically", "bet. You owe me.\" > > > The Frenchman shrugged. The Englishwoman raised", "simply as PRINCE. In contemporary plays and screenplays, a nameless character - say,", "go back to William Shakespeare's days and beyond. Thus, in Romeo and Juliet", "> > > The Englishwoman: > > > \"That wasn't the bet.\" >", "> \"Three days. You said, three days.\" > > > The Frenchman: >", "dropping the definite article in dramatic dialogue seems to go back to William", "days. You said, three days.\" > > > The Frenchman: > > >", "at him. > > > INCREDULOUS-LOOKING COP > > What are you morons", "to William Shakespeare's days and beyond. Thus, in Romeo and Juliet (to pick", "a week?\" > > > The Englishwoman: > > > \"That wasn't the", "\"the Apothecary.\" As in: > > Enter Apothecary. > > > APOTHECARY >", "> > > The Frenchman said: > > > \"Well, didn't I say", "> > Who calls so loud? > > > ... and the Prince", "> > The Frenchman said: > > > \"Well, didn't I say it", "are you morons even doing here? > > > Here's my question: If", "> The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. > > >", "and Jolr stare at him. > > > INCREDULOUS-LOOKING COP > > What", "bet.\" > > > The Frenchman: > > > \"Of course it was.", "the same thing.\" > > > The Frenchman: > > > \"Oh, no.", "you at all, my dear.\" > > > The Englishwoman: > > >", "> > > The Frenchman: > > > \"This hair-splitting doesn't become you", "> \"Oh, no. Pedantic? You?\" > > > The Englishwoman, stubbornly: > >", "a point in which two characters engaged in friendly banter, would it be", "approaches. Seck and Jolr stare at him. > > > INCREDULOUS-LOOKING COP >", "were writing a story and came to a point in which two characters", "> INT. STREET - SUNNY AFTERNOON > > > An incredulous-looking COP approaches.", "> > > \"Of course it was. What are you talking about?\" >", "> The Frenchman: > > > \"This hair-splitting doesn't become you at all,", "me.\" > > > The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically.", "In contemporary plays and screenplays, a nameless character - say, an incredulous-looking cop", "STREET - SUNNY AFTERNOON > > > An incredulous-looking COP approaches. Seck and", "here? > > > Here's my question: If you were writing a story", "> > \"Three days. You said, three days.\" > > > The Frenchman:", "skeptically at the approaching ship. > > > The Frenchman said: > >", "> > The Englishwoman: > > > \"That wasn't the bet.\" > >", "INCREDULOUS-LOOKING COP. As in: > > INT. STREET - SUNNY AFTERNOON > >", "hair-splitting doesn't become you at all, my dear.\" > > > The Englishwoman:", "and came to a point in which two characters engaged in friendly banter,", "and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As in: > >", "COP approaches. Seck and Jolr stare at him. > > > INCREDULOUS-LOOKING COP", "> > > The Frenchman shrugged. The Englishwoman raised her eyebrows sarcastically. >", "- would become, in dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT.", "> The Englishwoman, stubbornly: > > > \"Three days. You said, three days.\"", "> What do you think? Is it okay not to drop the article?", "would become, in dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET", "and the Prince simply as PRINCE. In contemporary plays and screenplays, a nameless", "the definite article in dramatic dialogue seems to go back to William Shakespeare's", "> > > \"Don't try to weasel your way out of this. You've", "(in the dialogue and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\" As", "in Romeo and Juliet (to pick a play at random), the Apothecary is", "article? As in: > > Standing on the beach, the Frenchman and the", "> The Englishwoman: > > > \"Don't try to weasel your way out", "Englishwoman raised her eyebrows sarcastically. > > > What do you think? Is", "> > APOTHECARY > > Who calls so loud? > > > ...", "week?\" > > > The Englishwoman: > > > \"That wasn't the bet.\"", "> > ... and the Prince simply as PRINCE. In contemporary plays and", "course it was. What are you talking about?\" > > > The Englishwoman:", "> > > \"You said, three days. Not the same thing.\" > >", "Prince simply as PRINCE. In contemporary plays and screenplays, a nameless character -", "> > An incredulous-looking COP approaches. Seck and Jolr stare at him. >", "a play at random), the Apothecary is referred to (in the dialogue and", "question: If you were writing a story and came to a point in", "> > The Englishwoman, stubbornly: > > > \"Three days. You said, three", "\"Three days. You said, three days.\" > > > The Frenchman: > >", "> The Englishwoman: > > > \"That wasn't the bet.\" > > >", "didn't I say it would take them less than a week?\" > >", "drop the definite article? As in: > > Standing on the beach, the", "> The Frenchman said: > > > \"Well, didn't I say it would", "> > What are you morons even doing here? > > > Here's", "Here's my question: If you were writing a story and came to a", "article in dramatic dialogue seems to go back to William Shakespeare's days and", "beach, the Frenchman and the Englishwoman looked skeptically at the approaching ship. >", "of this. You've lost the bet. You owe me.\" > > > The", "the definite article? As in: > > Standing on the beach, the Frenchman", "INCREDULOUS-LOOKING COP > > What are you morons even doing here? > >", "Frenchman: > > > \"This hair-splitting doesn't become you at all, my dear.\"", "> What are you morons even doing here? > > > Here's my", "You owe me.\" > > > The Frenchman shrugged. The Englishwoman raised her", "say it would take them less than a week?\" > > > The", "\"Don't try to weasel your way out of this. You've lost the bet.", "in dialogue format, INCREDULOUS-LOOKING COP. As in: > > INT. STREET - SUNNY", "days.\" > > > The Frenchman: > > > \"This hair-splitting doesn't become", "on the beach, the Frenchman and the Englishwoman looked skeptically at the approaching", "ship. > > > The Frenchman said: > > > \"Well, didn't I", "approaching ship. > > > The Frenchman said: > > > \"Well, didn't", "> Here's my question: If you were writing a story and came to", "You've lost the bet. You owe me.\" > > > The Frenchman shrugged.", "> > > What do you think? Is it okay not to drop", "to (in the dialogue and blocking) as, simply, APOTHECARY, and not \"the Apothecary.\"", "doing here? > > > Here's my question: If you were writing a", "Seck and Jolr stare at him. > > > INCREDULOUS-LOOKING COP > >", "about?\" > > > The Englishwoman: > > > \"You said, three days.", "The Frenchman said: > > > \"Well, didn't I say it would take" ]
[ "chapter, but the whole story has a ton of action written into the", "ton of action written into the core of the book's identity. What could", "I'm on a chapter that has a lot perspective changes, and I'm writing", "action written into the core of the book's identity. What could I possibly", "very little perspective changes to the chapter, but the whole story has a", "has a lot perspective changes, and I'm writing in third person, so my", "and I'm writing in third person, so my readers can experience things near", "written into the core of the book's identity. What could I possibly do", "on a chapter that has a lot perspective changes, and I'm writing in", "lot perspective changes, and I'm writing in third person, so my readers can", "so my readers can experience things near the protagonists or the main antagonist.", "that has a lot perspective changes, and I'm writing in third person, so", "I want to apply very little perspective changes to the chapter, but the", "story. Currently, I'm on a chapter that has a lot perspective changes, and", "the core of the book's identity. What could I possibly do to apply", "antagonist. I want to apply very little perspective changes to the chapter, but", "my readers can experience things near the protagonists or the main antagonist. I", "the whole story has a ton of action written into the core of", "things near the protagonists or the main antagonist. I want to apply very", "little perspective changes to the chapter, but the whole story has a ton", "a chapter that has a lot perspective changes, and I'm writing in third", "fiction) story. Currently, I'm on a chapter that has a lot perspective changes,", "chapter that has a lot perspective changes, and I'm writing in third person,", "person, so my readers can experience things near the protagonists or the main", "or the main antagonist. I want to apply very little perspective changes to", "story has a ton of action written into the core of the book's", "fictional(science fiction) story. Currently, I'm on a chapter that has a lot perspective", "but the whole story has a ton of action written into the core", "writing a fictional(science fiction) story. Currently, I'm on a chapter that has a", "protagonists or the main antagonist. I want to apply very little perspective changes", "a ton of action written into the core of the book's identity. What", "a lot perspective changes, and I'm writing in third person, so my readers", "experience things near the protagonists or the main antagonist. I want to apply", "the main antagonist. I want to apply very little perspective changes to the", "of the book's identity. What could I possibly do to apply less character", "the book's identity. What could I possibly do to apply less character perspective", "changes to the chapter, but the whole story has a ton of action", "third person, so my readers can experience things near the protagonists or the", "readers can experience things near the protagonists or the main antagonist. I want", "apply very little perspective changes to the chapter, but the whole story has", "can experience things near the protagonists or the main antagonist. I want to", "writing in third person, so my readers can experience things near the protagonists", "of action written into the core of the book's identity. What could I", "to the chapter, but the whole story has a ton of action written", "I'm writing in third person, so my readers can experience things near the", "book's identity. What could I possibly do to apply less character perspective changes?", "I'm writing a fictional(science fiction) story. Currently, I'm on a chapter that has", "perspective changes, and I'm writing in third person, so my readers can experience", "near the protagonists or the main antagonist. I want to apply very little", "perspective changes to the chapter, but the whole story has a ton of", "whole story has a ton of action written into the core of the", "into the core of the book's identity. What could I possibly do to", "want to apply very little perspective changes to the chapter, but the whole", "the chapter, but the whole story has a ton of action written into", "to apply very little perspective changes to the chapter, but the whole story", "main antagonist. I want to apply very little perspective changes to the chapter,", "in third person, so my readers can experience things near the protagonists or", "has a ton of action written into the core of the book's identity.", "a fictional(science fiction) story. Currently, I'm on a chapter that has a lot", "the protagonists or the main antagonist. I want to apply very little perspective", "core of the book's identity. What could I possibly do to apply less", "Currently, I'm on a chapter that has a lot perspective changes, and I'm", "changes, and I'm writing in third person, so my readers can experience things" ]
[ "universal element…like helium. > > > This seemed to lack impact, especially as", "It seems to me that it should be > > Humor, like helium,", "> > Humor is a universal element…like helium. > > > This seemed", "seems to me that it should be > > Humor, like helium, is", "> > This seemed to lack impact, especially as delivered with the pause", "seemed to lack impact, especially as delivered with the pause by Bruce Boxleitner.", "Babylon 5 and am used to excellent writing with Harlan Ellison. There was", "element…like helium. > > > This seemed to lack impact, especially as delivered", "Is it just me. Is there a term for screwing up a sentence", "to lack impact, especially as delivered with the pause by Bruce Boxleitner. It", "especially as delivered with the pause by Bruce Boxleitner. It seems to me", "that it should be > > Humor, like helium, is a universal element.", "to excellent writing with Harlan Ellison. There was this sentence in Season 5", "lack impact, especially as delivered with the pause by Bruce Boxleitner. It seems", "and am used to excellent writing with Harlan Ellison. There was this sentence", "excellent writing with Harlan Ellison. There was this sentence in Season 5 >", "Ellison. There was this sentence in Season 5 > > Humor is a", "This seemed to lack impact, especially as delivered with the pause by Bruce", "is a universal element…like helium. > > > This seemed to lack impact,", "a universal element. > > > Or even better > > Like helium,", "5 and am used to excellent writing with Harlan Ellison. There was this", "watching Babylon 5 and am used to excellent writing with Harlan Ellison. There", "sentence in Season 5 > > Humor is a universal element…like helium. >", "> Like helium, humor is a universal element. > > > Is it", "element. > > > Or even better > > Like helium, humor is", "Season 5 > > Humor is a universal element…like helium. > > >", "Bruce Boxleitner. It seems to me that it should be > > Humor,", "Boxleitner. It seems to me that it should be > > Humor, like", "me. Is there a term for screwing up a sentence in this fashion?", "> > Or even better > > Like helium, humor is a universal", "> > Like helium, humor is a universal element. > > > Is", "as delivered with the pause by Bruce Boxleitner. It seems to me that", "There was this sentence in Season 5 > > Humor is a universal", "a universal element…like helium. > > > This seemed to lack impact, especially", "by Bruce Boxleitner. It seems to me that it should be > >", "> Is it just me. Is there a term for screwing up a", "universal element. > > > Or even better > > Like helium, humor", "am used to excellent writing with Harlan Ellison. There was this sentence in", "> Humor, like helium, is a universal element. > > > Or even", "helium, humor is a universal element. > > > Is it just me.", "with the pause by Bruce Boxleitner. It seems to me that it should", "5 > > Humor is a universal element…like helium. > > > This", "it just me. Is there a term for screwing up a sentence in", "to me that it should be > > Humor, like helium, is a", "is a universal element. > > > Is it just me. Is there", "this sentence in Season 5 > > Humor is a universal element…like helium.", "> > Is it just me. Is there a term for screwing up", "> Humor is a universal element…like helium. > > > This seemed to", "should be > > Humor, like helium, is a universal element. > >", "Humor, like helium, is a universal element. > > > Or even better", "Or even better > > Like helium, humor is a universal element. >", "it should be > > Humor, like helium, is a universal element. >", "me that it should be > > Humor, like helium, is a universal", "Was watching Babylon 5 and am used to excellent writing with Harlan Ellison.", "> This seemed to lack impact, especially as delivered with the pause by", "impact, especially as delivered with the pause by Bruce Boxleitner. It seems to", "> > > Or even better > > Like helium, humor is a", "humor is a universal element. > > > Is it just me. Is", "element. > > > Is it just me. Is there a term for", "just me. Is there a term for screwing up a sentence in this", "even better > > Like helium, humor is a universal element. > >", "helium, is a universal element. > > > Or even better > >", "universal element. > > > Is it just me. Is there a term", "was this sentence in Season 5 > > Humor is a universal element…like", "> > > This seemed to lack impact, especially as delivered with the", "better > > Like helium, humor is a universal element. > > >", "with Harlan Ellison. There was this sentence in Season 5 > > Humor", "> Or even better > > Like helium, humor is a universal element.", "in Season 5 > > Humor is a universal element…like helium. > >", "helium. > > > This seemed to lack impact, especially as delivered with", "> > > Is it just me. Is there a term for screwing", "> > Humor, like helium, is a universal element. > > > Or", "a universal element. > > > Is it just me. Is there a", "Like helium, humor is a universal element. > > > Is it just", "Humor is a universal element…like helium. > > > This seemed to lack", "used to excellent writing with Harlan Ellison. There was this sentence in Season", "writing with Harlan Ellison. There was this sentence in Season 5 > >", "delivered with the pause by Bruce Boxleitner. It seems to me that it", "like helium, is a universal element. > > > Or even better >", "the pause by Bruce Boxleitner. It seems to me that it should be", "pause by Bruce Boxleitner. It seems to me that it should be >", "is a universal element. > > > Or even better > > Like", "be > > Humor, like helium, is a universal element. > > >", "Harlan Ellison. There was this sentence in Season 5 > > Humor is" ]
[ "POV can be jarring), sometimes it just doesn’t work for me. My editor", "just doesn’t work for me. My editor insists that the omniscient observer style", "reworking my latest manuscript into a shape that someone might be inclined to", "whose comments and suggestions, for the most part, have been very helpful. However,", "insists that the omniscient observer style of, say, Churluq Yicrans (I was flattered)", "editor and writer, whose comments and suggestions, for the most part, have been", "me along I hired a professional editor and writer, whose comments and suggestions,", "work for me. My editor insists that the omniscient observer style of, say,", "writer, whose comments and suggestions, for the most part, have been very helpful.", "comments and suggestions, for the most part, have been very helpful. However, I", "I am in the midst of reworking my latest manuscript into a shape", "jarring), sometimes it just doesn’t work for me. My editor insists that the", "for the most part, have been very helpful. However, I am struggling with", "longer in vogue. Can a successful urban fantasy novel be narrated with a", "am in the midst of reworking my latest manuscript into a shape that", "POV. While writing from a character's POV can certainly add immediacy and authenticity", "add immediacy and authenticity (and changing POV can be jarring), sometimes it just", "struggling with her insistence that I avoid the third person omniscient POV. While", "writing from a character's POV can certainly add immediacy and authenticity (and changing", "suggestions, for the most part, have been very helpful. However, I am struggling", "changing POV can be jarring), sometimes it just doesn’t work for me. My", "urban fantasy novel be narrated with a combination of both omniscient observer and", "I am struggling with her insistence that I avoid the third person omniscient", "latest manuscript into a shape that someone might be inclined to publish. To", "professional editor and writer, whose comments and suggestions, for the most part, have", "a character's POV can certainly add immediacy and authenticity (and changing POV can", "My editor insists that the omniscient observer style of, say, Churluq Yicrans (I", "Churluq Yicrans (I was flattered) is no longer in vogue. Can a successful", "inclined to publish. To help me along I hired a professional editor and", "Yicrans (I was flattered) is no longer in vogue. Can a successful urban", "along I hired a professional editor and writer, whose comments and suggestions, for", "that I avoid the third person omniscient POV. While writing from a character's", "editor insists that the omniscient observer style of, say, Churluq Yicrans (I was", "in the midst of reworking my latest manuscript into a shape that someone", "have been very helpful. However, I am struggling with her insistence that I", "helpful. However, I am struggling with her insistence that I avoid the third", "most part, have been very helpful. However, I am struggling with her insistence", "manuscript into a shape that someone might be inclined to publish. To help", "immediacy and authenticity (and changing POV can be jarring), sometimes it just doesn’t", "(and changing POV can be jarring), sometimes it just doesn’t work for me.", "for me. My editor insists that the omniscient observer style of, say, Churluq", "publish. To help me along I hired a professional editor and writer, whose", "it just doesn’t work for me. My editor insists that the omniscient observer", "that the omniscient observer style of, say, Churluq Yicrans (I was flattered) is", "the midst of reworking my latest manuscript into a shape that someone might", "in vogue. Can a successful urban fantasy novel be narrated with a combination", "sometimes it just doesn’t work for me. My editor insists that the omniscient", "her insistence that I avoid the third person omniscient POV. While writing from", "say, Churluq Yicrans (I was flattered) is no longer in vogue. Can a", "is no longer in vogue. Can a successful urban fantasy novel be narrated", "a successful urban fantasy novel be narrated with a combination of both omniscient", "authenticity (and changing POV can be jarring), sometimes it just doesn’t work for", "doesn’t work for me. My editor insists that the omniscient observer style of,", "with her insistence that I avoid the third person omniscient POV. While writing", "shape that someone might be inclined to publish. To help me along I", "character's POV can certainly add immediacy and authenticity (and changing POV can be", "person omniscient POV. While writing from a character's POV can certainly add immediacy", "be jarring), sometimes it just doesn’t work for me. My editor insists that", "hired a professional editor and writer, whose comments and suggestions, for the most", "might be inclined to publish. To help me along I hired a professional", "flattered) is no longer in vogue. Can a successful urban fantasy novel be", "(I was flattered) is no longer in vogue. Can a successful urban fantasy", "While writing from a character's POV can certainly add immediacy and authenticity (and", "fantasy novel be narrated with a combination of both omniscient observer and individual", "omniscient observer style of, say, Churluq Yicrans (I was flattered) is no longer", "part, have been very helpful. However, I am struggling with her insistence that", "can certainly add immediacy and authenticity (and changing POV can be jarring), sometimes", "omniscient POV. While writing from a character's POV can certainly add immediacy and", "be inclined to publish. To help me along I hired a professional editor", "was flattered) is no longer in vogue. Can a successful urban fantasy novel", "vogue. Can a successful urban fantasy novel be narrated with a combination of", "and authenticity (and changing POV can be jarring), sometimes it just doesn’t work", "To help me along I hired a professional editor and writer, whose comments", "Can a successful urban fantasy novel be narrated with a combination of both", "into a shape that someone might be inclined to publish. To help me", "from a character's POV can certainly add immediacy and authenticity (and changing POV", "successful urban fantasy novel be narrated with a combination of both omniscient observer", "and suggestions, for the most part, have been very helpful. However, I am", "am struggling with her insistence that I avoid the third person omniscient POV.", "insistence that I avoid the third person omniscient POV. While writing from a", "help me along I hired a professional editor and writer, whose comments and", "the most part, have been very helpful. However, I am struggling with her", "of, say, Churluq Yicrans (I was flattered) is no longer in vogue. Can", "and writer, whose comments and suggestions, for the most part, have been very", "novel be narrated with a combination of both omniscient observer and individual characters", "the third person omniscient POV. While writing from a character's POV can certainly", "style of, say, Churluq Yicrans (I was flattered) is no longer in vogue.", "of reworking my latest manuscript into a shape that someone might be inclined", "POV can certainly add immediacy and authenticity (and changing POV can be jarring),", "the omniscient observer style of, say, Churluq Yicrans (I was flattered) is no", "my latest manuscript into a shape that someone might be inclined to publish.", "midst of reworking my latest manuscript into a shape that someone might be", "However, I am struggling with her insistence that I avoid the third person", "avoid the third person omniscient POV. While writing from a character's POV can", "third person omniscient POV. While writing from a character's POV can certainly add", "me. My editor insists that the omniscient observer style of, say, Churluq Yicrans", "someone might be inclined to publish. To help me along I hired a", "very helpful. However, I am struggling with her insistence that I avoid the", "to publish. To help me along I hired a professional editor and writer,", "I hired a professional editor and writer, whose comments and suggestions, for the", "a shape that someone might be inclined to publish. To help me along", "can be jarring), sometimes it just doesn’t work for me. My editor insists", "be narrated with a combination of both omniscient observer and individual characters POVs?", "a professional editor and writer, whose comments and suggestions, for the most part,", "I avoid the third person omniscient POV. While writing from a character's POV", "no longer in vogue. Can a successful urban fantasy novel be narrated with", "that someone might be inclined to publish. To help me along I hired", "certainly add immediacy and authenticity (and changing POV can be jarring), sometimes it", "been very helpful. However, I am struggling with her insistence that I avoid", "observer style of, say, Churluq Yicrans (I was flattered) is no longer in" ]
[ "wanted this reveal to happen at the end, but after looking at betrayals", "that they usually happen at the climax. But my question is: When is", "the end, but after looking at betrayals in most things, I found that", "have saved before is revealed to be the real main antagonist. I originally", "to be the real main antagonist. I originally wanted this reveal to happen", "end, but after looking at betrayals in most things, I found that they", "But my question is: When is a good time to have a betrayal?", "saved before is revealed to be the real main antagonist. I originally wanted", "reveal to happen at the end, but after looking at betrayals in most", "at the end, but after looking at betrayals in most things, I found", "to happen at the end, but after looking at betrayals in most things,", "In my book a character who the main characters have saved before is", "in most things, I found that they usually happen at the climax. But", "real main antagonist. I originally wanted this reveal to happen at the end,", "things, I found that they usually happen at the climax. But my question", "who the main characters have saved before is revealed to be the real", "characters have saved before is revealed to be the real main antagonist. I", "the climax. But my question is: When is a good time to have", "I found that they usually happen at the climax. But my question is:", "the main characters have saved before is revealed to be the real main", "revealed to be the real main antagonist. I originally wanted this reveal to", "found that they usually happen at the climax. But my question is: When", "is revealed to be the real main antagonist. I originally wanted this reveal", "book a character who the main characters have saved before is revealed to", "they usually happen at the climax. But my question is: When is a", "main characters have saved before is revealed to be the real main antagonist.", "looking at betrayals in most things, I found that they usually happen at", "most things, I found that they usually happen at the climax. But my", "happen at the climax. But my question is: When is a good time", "be the real main antagonist. I originally wanted this reveal to happen at", "before is revealed to be the real main antagonist. I originally wanted this", "after looking at betrayals in most things, I found that they usually happen", "usually happen at the climax. But my question is: When is a good", "main antagonist. I originally wanted this reveal to happen at the end, but", "at betrayals in most things, I found that they usually happen at the", "at the climax. But my question is: When is a good time to", "happen at the end, but after looking at betrayals in most things, I", "the real main antagonist. I originally wanted this reveal to happen at the", "climax. But my question is: When is a good time to have a", "my book a character who the main characters have saved before is revealed", "a character who the main characters have saved before is revealed to be", "antagonist. I originally wanted this reveal to happen at the end, but after", "originally wanted this reveal to happen at the end, but after looking at", "this reveal to happen at the end, but after looking at betrayals in", "betrayals in most things, I found that they usually happen at the climax.", "I originally wanted this reveal to happen at the end, but after looking", "character who the main characters have saved before is revealed to be the", "but after looking at betrayals in most things, I found that they usually" ]
[ "am struggling to get punctuated correctly. Sam is talking with Perkins. > >", "suggestions as well. Should there be a comma after 'remember'? And should there", "Sam is talking with Perkins. > > \"This is costing me money,\" Perkins", "this past Sunday, but the Sunday before that--\" > > > \"Buddy,\" the", "Sam said. \"Ashcroft Apartments. Do you remember, not this past Sunday, but the", "day today is.\" > > > The interrupted question is what I'm struggling", "costing me money,\" Perkins retorted. \"And Triple A doesn't pay enough as it", "you remember, not this past Sunday, but the Sunday before that--\" > >", "there be a comma after 'remember'? And should there be a question mark", "to be costing you money,\" Sam said. \"Ashcroft Apartments. Do you remember, not", "Sunday before that--\" > > > \"Buddy,\" the driver interrupted, \"I don't even", "> > \"Buddy,\" the driver interrupted, \"I don't even know what day today", "a convoluted sentence that I am struggling to get punctuated correctly. Sam is", "\"Buddy,\" the driver interrupted, \"I don't even know what day today is.\" >", "past Sunday, but the Sunday before that--\" > > > \"Buddy,\" the driver", "me money,\" Perkins retorted. \"And Triple A doesn't pay enough as it is.\"", "Do you remember, not this past Sunday, but the Sunday before that--\" >", "pay enough as it is.\" > > > \"Sorry to be costing you", "with Perkins. > > \"This is costing me money,\" Perkins retorted. \"And Triple", "is costing me money,\" Perkins retorted. \"And Triple A doesn't pay enough as", "> > > \"Sorry to be costing you money,\" Sam said. \"Ashcroft Apartments.", "remember, not this past Sunday, but the Sunday before that--\" > > >", "what day today is.\" > > > The interrupted question is what I'm", "don't even know what day today is.\" > > > The interrupted question", "what I'm struggling with, but will pay attention to other suggestions as well.", "with, but will pay attention to other suggestions as well. Should there be", "\"This is costing me money,\" Perkins retorted. \"And Triple A doesn't pay enough", "Triple A doesn't pay enough as it is.\" > > > \"Sorry to", "is.\" > > > The interrupted question is what I'm struggling with, but", "attention to other suggestions as well. Should there be a comma after 'remember'?", "talking with Perkins. > > \"This is costing me money,\" Perkins retorted. \"And", "'remember'? And should there be a question mark after the dash? Thanks very", "> \"Buddy,\" the driver interrupted, \"I don't even know what day today is.\"", "is what I'm struggling with, but will pay attention to other suggestions as", "as it is.\" > > > \"Sorry to be costing you money,\" Sam", "well. Should there be a comma after 'remember'? And should there be a", "it is.\" > > > \"Sorry to be costing you money,\" Sam said.", "I'm struggling with, but will pay attention to other suggestions as well. Should", "> > > The interrupted question is what I'm struggling with, but will", "The interrupted question is what I'm struggling with, but will pay attention to", "should there be a question mark after the dash? Thanks very much in", "pay attention to other suggestions as well. Should there be a comma after", "> \"Sorry to be costing you money,\" Sam said. \"Ashcroft Apartments. Do you", "not this past Sunday, but the Sunday before that--\" > > > \"Buddy,\"", "enough as it is.\" > > > \"Sorry to be costing you money,\"", "even know what day today is.\" > > > The interrupted question is", "> > > \"Buddy,\" the driver interrupted, \"I don't even know what day", "know what day today is.\" > > > The interrupted question is what", "doesn't pay enough as it is.\" > > > \"Sorry to be costing", "have a convoluted sentence that I am struggling to get punctuated correctly. Sam", "be a comma after 'remember'? And should there be a question mark after", "\"Ashcroft Apartments. Do you remember, not this past Sunday, but the Sunday before", "And should there be a question mark after the dash? Thanks very much", "\"Sorry to be costing you money,\" Sam said. \"Ashcroft Apartments. Do you remember,", "I am struggling to get punctuated correctly. Sam is talking with Perkins. >", "after 'remember'? And should there be a question mark after the dash? Thanks", "> > The interrupted question is what I'm struggling with, but will pay", "is talking with Perkins. > > \"This is costing me money,\" Perkins retorted.", "> > \"This is costing me money,\" Perkins retorted. \"And Triple A doesn't", "said. \"Ashcroft Apartments. Do you remember, not this past Sunday, but the Sunday", "Apartments. Do you remember, not this past Sunday, but the Sunday before that--\"", "struggling to get punctuated correctly. Sam is talking with Perkins. > > \"This", "but the Sunday before that--\" > > > \"Buddy,\" the driver interrupted, \"I", "the driver interrupted, \"I don't even know what day today is.\" > >", "before that--\" > > > \"Buddy,\" the driver interrupted, \"I don't even know", "comma after 'remember'? And should there be a question mark after the dash?", "money,\" Perkins retorted. \"And Triple A doesn't pay enough as it is.\" >", "correctly. Sam is talking with Perkins. > > \"This is costing me money,\"", "today is.\" > > > The interrupted question is what I'm struggling with,", "there be a question mark after the dash? Thanks very much in advance!", "> The interrupted question is what I'm struggling with, but will pay attention", "a comma after 'remember'? And should there be a question mark after the", "that--\" > > > \"Buddy,\" the driver interrupted, \"I don't even know what", "\"And Triple A doesn't pay enough as it is.\" > > > \"Sorry", "be costing you money,\" Sam said. \"Ashcroft Apartments. Do you remember, not this", "I have a convoluted sentence that I am struggling to get punctuated correctly.", "costing you money,\" Sam said. \"Ashcroft Apartments. Do you remember, not this past", "interrupted, \"I don't even know what day today is.\" > > > The", "Perkins retorted. \"And Triple A doesn't pay enough as it is.\" > >", "other suggestions as well. Should there be a comma after 'remember'? And should", "> > \"Sorry to be costing you money,\" Sam said. \"Ashcroft Apartments. Do", "Should there be a comma after 'remember'? And should there be a question", "question is what I'm struggling with, but will pay attention to other suggestions", "get punctuated correctly. Sam is talking with Perkins. > > \"This is costing", "will pay attention to other suggestions as well. Should there be a comma", "> \"This is costing me money,\" Perkins retorted. \"And Triple A doesn't pay", "you money,\" Sam said. \"Ashcroft Apartments. Do you remember, not this past Sunday,", "punctuated correctly. Sam is talking with Perkins. > > \"This is costing me", "but will pay attention to other suggestions as well. Should there be a", "sentence that I am struggling to get punctuated correctly. Sam is talking with", "convoluted sentence that I am struggling to get punctuated correctly. Sam is talking", "to get punctuated correctly. Sam is talking with Perkins. > > \"This is", "\"I don't even know what day today is.\" > > > The interrupted", "money,\" Sam said. \"Ashcroft Apartments. Do you remember, not this past Sunday, but", "Perkins. > > \"This is costing me money,\" Perkins retorted. \"And Triple A", "A doesn't pay enough as it is.\" > > > \"Sorry to be", "interrupted question is what I'm struggling with, but will pay attention to other", "that I am struggling to get punctuated correctly. Sam is talking with Perkins.", "the Sunday before that--\" > > > \"Buddy,\" the driver interrupted, \"I don't", "driver interrupted, \"I don't even know what day today is.\" > > >", "struggling with, but will pay attention to other suggestions as well. Should there", "is.\" > > > \"Sorry to be costing you money,\" Sam said. \"Ashcroft", "as well. Should there be a comma after 'remember'? And should there be", "Sunday, but the Sunday before that--\" > > > \"Buddy,\" the driver interrupted,", "to other suggestions as well. Should there be a comma after 'remember'? And", "retorted. \"And Triple A doesn't pay enough as it is.\" > > >" ]
[ "chorus. I will also be composing the music, but this question is specific", "really advance the narrative. I would love ideas for how lyricists/librettists would approach", "explanations to be printed in the concert program, but wouldn't want to rely", "None of the singers in the chorus are trained as actors, nor will", "the text back to the first person accounts, which tell parts of the", "which I have found several good sources: * diary accounts and letters from", "doesn't really advance the narrative. I would love ideas for how lyricists/librettists would", "these because sometimes it's too dark to read them, people who listen to", "will there be roles, acting, characters, costumes, or a set. The subject of", "by a chorus. I will also be composing the music, but this question", "chorus are trained as actors, nor will there be roles, acting, characters, costumes,", "historical accounts written in the last ten years Stylistically, I do not want", "a chorus. I will also be composing the music, but this question is", "worry that this won't be enough to tell the story fully. Using some", "because sometimes it's too dark to read them, people who listen to recordings", "of a significant musical work that will be sung by a chorus. I", "years Stylistically, I do not want to use a [spoken] narrator to tell", "itself well to chorus - but it doesn't really advance the narrative. I", "the concert program, but wouldn't want to rely on these because sometimes it's", "will also be composing the music, but this question is specific to the", "want to rely on these because sometimes it's too dark to read them,", "to rely on these because sometimes it's too dark to read them, people", "Note that this is not a \"dramatic work\" like an opera or music", "into movements and give each movement a descriptive title, but I worry that", "a [spoken] narrator to tell the story. I want to tell it entirely", "sure the audience grasps what is going on? I could write explanations to", "tell the story fully. Using some of the more abstract poetry is easier", "music theatre work, but rather a \"concert work.\" None of the singers in", "newspaper articles from the days and weeks after the event * historical accounts", "sing. Note that this is not a \"dramatic work\" like an opera or", "rhyming verse. But then, how do I transition the text back to the", "want to use a [spoken] narrator to tell the story. I want to", "would love ideas for how lyricists/librettists would approach thinking about handling narrative voice", "narrative. I would love ideas for how lyricists/librettists would approach thinking about handling", "more abstract * newspaper articles from the days and weeks after the event", "too dark to read them, people who listen to recordings after the fact", "then, how do I transition the text back to the first person accounts,", "a simple narration, in rhyming verse. But then, how do I transition the", "audience grasps what is going on? I could write explanations to be printed", "is not a \"dramatic work\" like an opera or music theatre work, but", "there, both narrative poetry and more abstract * newspaper articles from the days", "wouldn't want to rely on these because sometimes it's too dark to read", "make sure the audience grasps what is going on? I could write explanations", "listen to recordings after the fact won't have them, etc. One of the", "people who listen to recordings after the fact won't have them, etc. One", "the music, but this question is specific to the lyrics that the chorus", "to recordings after the fact won't have them, etc. One of the poems", "characters, costumes, or a set. The subject of the piece is a significant", "the event * historical accounts written in the last ten years Stylistically, I", "the poems written about the event uses a detached, third person perspective. It's", "work.\" None of the singers in the chorus are trained as actors, nor", "that will be sung by a chorus. I will also be composing the", "people who were there * poetry by people who were there, both narrative", "be roles, acting, characters, costumes, or a set. The subject of the piece", "this is not a \"dramatic work\" like an opera or music theatre work,", "could write explanations to be printed in the concert program, but wouldn't want", "have them, etc. One of the poems written about the event uses a", "won't be enough to tell the story fully. Using some of the more", "want to tell it entirely in music. But how to I make sure", "the piece is a significant historical event in the 19th century, for which", "rely on these because sometimes it's too dark to read them, people who", "and give each movement a descriptive title, but I worry that this won't", "theatre work, but rather a \"concert work.\" None of the singers in the", "of the story in dialogue? I could break the work into movements and", "historical event in the 19th century, for which I have found several good", "is a significant historical event in the 19th century, for which I have", "weeks after the event * historical accounts written in the last ten years", "narrative poetry and more abstract * newspaper articles from the days and weeks", "is going on? I could write explanations to be printed in the concert", "of the singers in the chorus are trained as actors, nor will there", "acting, characters, costumes, or a set. The subject of the piece is a", "the more abstract poetry is easier to do - that suits itself well", "I do not want to use a [spoken] narrator to tell the story.", "tell the story. I want to tell it entirely in music. But how", "them, people who listen to recordings after the fact won't have them, etc.", "good sources: * diary accounts and letters from people who were there ", "the 19th century, for which I have found several good sources: diary", "of the piece is a significant historical event in the 19th century, for", "be sung by a chorus. I will also be composing the music, but", "articles from the days and weeks after the event * historical accounts written", "tell it entirely in music. But how to I make sure the audience", "could break the work into movements and give each movement a descriptive title,", "accounts and letters from people who were there * poetry by people who", "by people who were there, both narrative poetry and more abstract * newspaper", "Using some of the more abstract poetry is easier to do - that", "music. But how to I make sure the audience grasps what is going", "it doesn't really advance the narrative. I would love ideas for how lyricists/librettists", "trained as actors, nor will there be roles, acting, characters, costumes, or a", "in the chorus are trained as actors, nor will there be roles, acting,", "accounts, which tell parts of the story in dialogue? I could break the", "event * historical accounts written in the last ten years Stylistically, I do", "each movement a descriptive title, but I worry that this won't be enough", "of the more abstract poetry is easier to do - that suits itself", "that this won't be enough to tell the story fully. Using some of", "but wouldn't want to rely on these because sometimes it's too dark to", "19th century, for which I have found several good sources: * diary accounts", "I could break the work into movements and give each movement a descriptive", "musical work that will be sung by a chorus. I will also be", "text of a significant musical work that will be sung by a chorus.", "will sing. Note that this is not a \"dramatic work\" like an opera", "be composing the music, but this question is specific to the lyrics that", "advance the narrative. I would love ideas for how lyricists/librettists would approach thinking", "I have found several good sources: * diary accounts and letters from people", "music, but this question is specific to the lyrics that the chorus will", "on these because sometimes it's too dark to read them, people who listen", "for how lyricists/librettists would approach thinking about handling narrative voice in such a", "which tell parts of the story in dialogue? I could break the work", "program, but wouldn't want to rely on these because sometimes it's too dark", "text back to the first person accounts, which tell parts of the story", "a descriptive title, but I worry that this won't be enough to tell", "like an opera or music theatre work, but rather a \"concert work.\" None", "parts of the story in dialogue? I could break the work into movements", "love ideas for how lyricists/librettists would approach thinking about handling narrative voice in", "written about the event uses a detached, third person perspective. It's a simple", "or a set. The subject of the piece is a significant historical event", "the story fully. Using some of the more abstract poetry is easier to", "not want to use a [spoken] narrator to tell the story. I want", "but rather a \"concert work.\" None of the singers in the chorus are", "people who were there, both narrative poetry and more abstract * newspaper articles", "it entirely in music. But how to I make sure the audience grasps", "a \"concert work.\" None of the singers in the chorus are trained as", "that the chorus will sing. Note that this is not a \"dramatic work\"", "dark to read them, people who listen to recordings after the fact won't", "enough to tell the story fully. Using some of the more abstract poetry", "or music theatre work, but rather a \"concert work.\" None of the singers", "who listen to recordings after the fact won't have them, etc. One of", "for which I have found several good sources: * diary accounts and letters", "I want to tell it entirely in music. But how to I make", "the first person accounts, which tell parts of the story in dialogue? I", "poetry is easier to do - that suits itself well to chorus -", "this question is specific to the lyrics that the chorus will sing. Note", "there * poetry by people who were there, both narrative poetry and more", "poetry by people who were there, both narrative poetry and more abstract ", "concert program, but wouldn't want to rely on these because sometimes it's too", "work, but rather a \"concert work.\" None of the singers in the chorus", "the last ten years Stylistically, I do not want to use a [spoken]", "dialogue? I could break the work into movements and give each movement a", "printed in the concert program, but wouldn't want to rely on these because", "and more abstract newspaper articles from the days and weeks after the", "the narrative. I would love ideas for how lyricists/librettists would approach thinking about", "- that suits itself well to chorus - but it doesn't really advance", "piece is a significant historical event in the 19th century, for which I", "ten years Stylistically, I do not want to use a [spoken] narrator to", "actors, nor will there be roles, acting, characters, costumes, or a set. The", "work\" like an opera or music theatre work, but rather a \"concert work.\"", "recordings after the fact won't have them, etc. One of the poems written", "about the event uses a detached, third person perspective. It's a simple narration,", "detached, third person perspective. It's a simple narration, in rhyming verse. But then,", "but I worry that this won't be enough to tell the story fully.", "grasps what is going on? I could write explanations to be printed in", "do not want to use a [spoken] narrator to tell the story. I", "be printed in the concert program, but wouldn't want to rely on these", "work into movements and give each movement a descriptive title, but I worry", "but this question is specific to the lyrics that the chorus will sing.", "who were there, both narrative poetry and more abstract * newspaper articles from", "to chorus - but it doesn't really advance the narrative. I would love", "letters from people who were there * poetry by people who were there,", "ideas for how lyricists/librettists would approach thinking about handling narrative voice in such", "uses a detached, third person perspective. It's a simple narration, in rhyming verse.", "a \"dramatic work\" like an opera or music theatre work, but rather a", "that suits itself well to chorus - but it doesn't really advance the", "how lyricists/librettists would approach thinking about handling narrative voice in such a setting.", "and weeks after the event * historical accounts written in the last ten", "third person perspective. It's a simple narration, in rhyming verse. But then, how", "a set. The subject of the piece is a significant historical event in", "lyrics that the chorus will sing. Note that this is not a \"dramatic", "am writing the text of a significant musical work that will be sung", "accounts written in the last ten years Stylistically, I do not want to", "give each movement a descriptive title, but I worry that this won't be", "composing the music, but this question is specific to the lyrics that the", "movement a descriptive title, but I worry that this won't be enough to", "to the first person accounts, which tell parts of the story in dialogue?", "some of the more abstract poetry is easier to do - that suits", "break the work into movements and give each movement a descriptive title, but", "easier to do - that suits itself well to chorus - but it", "significant historical event in the 19th century, for which I have found several", "from people who were there * poetry by people who were there, both", "not a \"dramatic work\" like an opera or music theatre work, but rather", "* historical accounts written in the last ten years Stylistically, I do not", "the text of a significant musical work that will be sung by a", "But then, how do I transition the text back to the first person", "do I transition the text back to the first person accounts, which tell", "[spoken] narrator to tell the story. I want to tell it entirely in", "transition the text back to the first person accounts, which tell parts of", "a detached, third person perspective. It's a simple narration, in rhyming verse. But", "written in the last ten years Stylistically, I do not want to use", "One of the poems written about the event uses a detached, third person", "how do I transition the text back to the first person accounts, which", "The subject of the piece is a significant historical event in the 19th", "nor will there be roles, acting, characters, costumes, or a set. The subject", "a significant historical event in the 19th century, for which I have found", "last ten years Stylistically, I do not want to use a [spoken] narrator", "back to the first person accounts, which tell parts of the story in", "to use a [spoken] narrator to tell the story. I want to tell", "poems written about the event uses a detached, third person perspective. It's a", "abstract * newspaper articles from the days and weeks after the event ", "there be roles, acting, characters, costumes, or a set. The subject of the", "I could write explanations to be printed in the concert program, but wouldn't", "as actors, nor will there be roles, acting, characters, costumes, or a set.", "question is specific to the lyrics that the chorus will sing. Note that", "opera or music theatre work, but rather a \"concert work.\" None of the", "to tell it entirely in music. But how to I make sure the", "I transition the text back to the first person accounts, which tell parts", "to tell the story fully. Using some of the more abstract poetry is", "the work into movements and give each movement a descriptive title, but I", "the chorus will sing. Note that this is not* a \"dramatic work\" like", "to read them, people who listen to recordings after the fact won't have", "title, but I worry that this won't be enough to tell the story", "the lyrics that the chorus will sing. Note that this is not a", "the days and weeks after the event * historical accounts written in the", "diary accounts and letters from people who were there * poetry by people", "I would love ideas for how lyricists/librettists would approach thinking about handling narrative", "* newspaper articles from the days and weeks after the event * historical", "in dialogue? I could break the work into movements and give each movement", "subject of the piece is a significant historical event in the 19th century,", "narration, in rhyming verse. But then, how do I transition the text back", "fully. Using some of the more abstract poetry is easier to do -", "movements and give each movement a descriptive title, but I worry that this", "suits itself well to chorus - but it doesn't really advance the narrative.", "to the lyrics that the chorus will sing. Note that this is not", "singers in the chorus are trained as actors, nor will there be roles,", "\"concert work.\" None of the singers in the chorus are trained as actors,", "narrator to tell the story. I want to tell it entirely in music.", "from the days and weeks after the event * historical accounts written in", "person accounts, which tell parts of the story in dialogue? I could break", "several good sources: * diary accounts and letters from people who were there", "after the event * historical accounts written in the last ten years Stylistically,", "sung by a chorus. I will also be composing the music, but this", "sometimes it's too dark to read them, people who listen to recordings after", "person perspective. It's a simple narration, in rhyming verse. But then, how do", "both narrative poetry and more abstract * newspaper articles from the days and", "I make sure the audience grasps what is going on? I could write", "specific to the lyrics that the chorus will sing. Note that this is", "won't have them, etc. One of the poems written about the event uses", "in the 19th century, for which I have found several good sources: ", "them, etc. One of the poems written about the event uses a detached,", "but it doesn't really advance the narrative. I would love ideas for how", "be enough to tell the story fully. Using some of the more abstract", "significant musical work that will be sung by a chorus. I will also", "century, for which I have found several good sources: diary accounts and", "entirely in music. But how to I make sure the audience grasps what", "\"dramatic work\" like an opera or music theatre work, but rather a \"concert", "will be sung by a chorus. I will also be composing the music,", "read them, people who listen to recordings after the fact won't have them,", "who were there * poetry by people who were there, both narrative poetry", "rather a \"concert work.\" None of the singers in the chorus are trained", "simple narration, in rhyming verse. But then, how do I transition the text", "story. I want to tell it entirely in music. But how to I", "the audience grasps what is going on? I could write explanations to be", "work that will be sung by a chorus. I will also be composing", "use a [spoken] narrator to tell the story. I want to tell it", "to do - that suits itself well to chorus - but it doesn't", "- but it doesn't really advance the narrative. I would love ideas for", "in music. But how to I make sure the audience grasps what is", "the chorus are trained as actors, nor will there be roles, acting, characters,", "write explanations to be printed in the concert program, but wouldn't want to", "to be printed in the concert program, but wouldn't want to rely on", "story fully. Using some of the more abstract poetry is easier to do", "the event uses a detached, third person perspective. It's a simple narration, in", "* poetry by people who were there, both narrative poetry and more abstract", "to I make sure the audience grasps what is going on? I could", "what is going on? I could write explanations to be printed in the", "in the last ten years Stylistically, I do not want to use a", "descriptive title, but I worry that this won't be enough to tell the", "fact won't have them, etc. One of the poems written about the event", "were there * poetry by people who were there, both narrative poetry and", "story in dialogue? I could break the work into movements and give each", "chorus will sing. Note that this is not a \"dramatic work\" like an", "the fact won't have them, etc. One of the poems written about the", "after the fact won't have them, etc. One of the poems written about", "an opera or music theatre work, but rather a \"concert work.\" None of", "found several good sources: * diary accounts and letters from people who were", "days and weeks after the event * historical accounts written in the last", "are trained as actors, nor will there be roles, acting, characters, costumes, or", "sources: * diary accounts and letters from people who were there * poetry", "more abstract poetry is easier to do - that suits itself well to", "that this is not a \"dramatic work\" like an opera or music theatre", "chorus - but it doesn't really advance the narrative. I would love ideas", "the story in dialogue? I could break the work into movements and give", "on? I could write explanations to be printed in the concert program, but", "first person accounts, which tell parts of the story in dialogue? I could", "It's a simple narration, in rhyming verse. But then, how do I transition", "perspective. It's a simple narration, in rhyming verse. But then, how do I", "writing the text of a significant musical work that will be sung by", "well to chorus - but it doesn't really advance the narrative. I would", "in rhyming verse. But then, how do I transition the text back to", "it's too dark to read them, people who listen to recordings after the", "I am writing the text of a significant musical work that will be", "tell parts of the story in dialogue? I could break the work into", "a significant musical work that will be sung by a chorus. I will", "in the concert program, but wouldn't want to rely on these because sometimes", "But how to I make sure the audience grasps what is going on?", "also be composing the music, but this question is specific to the lyrics", "going on? I could write explanations to be printed in the concert program,", "were there, both narrative poetry and more abstract * newspaper articles from the", "I worry that this won't be enough to tell the story fully. Using", "the singers in the chorus are trained as actors, nor will there be", "of the poems written about the event uses a detached, third person perspective.", "event uses a detached, third person perspective. It's a simple narration, in rhyming", "Stylistically, I do not want to use a [spoken] narrator to tell the", "is specific to the lyrics that the chorus will sing. Note that this", "I will also be composing the music, but this question is specific to", "is easier to do - that suits itself well to chorus - but", "abstract poetry is easier to do - that suits itself well to chorus", "costumes, or a set. The subject of the piece is a significant historical", "roles, acting, characters, costumes, or a set. The subject of the piece is", "have found several good sources: * diary accounts and letters from people who", "the story. I want to tell it entirely in music. But how to", "how to I make sure the audience grasps what is going on? I", "poetry and more abstract * newspaper articles from the days and weeks after", "and letters from people who were there * poetry by people who were", "do - that suits itself well to chorus - but it doesn't really", "this won't be enough to tell the story fully. Using some of the", "to tell the story. I want to tell it entirely in music. But", "event in the 19th century, for which I have found several good sources:", "set. The subject of the piece is a significant historical event in the", "etc. One of the poems written about the event uses a detached, third", "* diary accounts and letters from people who were there * poetry by", "verse. But then, how do I transition the text back to the first" ]
[ "for a moment, or maybe for both reasons). The child wasn't supposed to", "of it (to the point of recognising the assailants, either because he recognises", "to hide, what about a bush? Or a tree with big curved roots?", "there in the first place, and at the moment of the attack he", "forested low mountain area when they are attacked by hooded people, there is", "is a fight with arrows, swords etc and the villains win. However, a", "of the attack he was a bit away from the group, so the", "story set in a medieval-like fantasy kingdom. At some point a group of", "the group, so the attackers don't know he's there and aren't looking for", "to be there in the first place, and at the moment of the", "fun before the attack)? If so, what kind of tree would be suitable?", "group of people are passing through a forested low mountain area when they", "medieval-like fantasy kingdom. At some point a group of people are passing through", "At some point a group of people are passing through a forested low", "voices, or maybe because a hood falls for a moment, or maybe for", "some point a group of people are passing through a forested low mountain", "and the villains win. However, a 10-year-old child manages to hide and survive.", "short story set in a medieval-like fantasy kingdom. At some point a group", "10-year-old child manages to hide and survive. He witnesses the massacre, or at", "for the boy to hide in a tree (he would climb it for", "the boy to hide in a tree (he would climb it for fun", "moment, or maybe for both reasons). The child wasn't supposed to be there", "attackers don't know he's there and aren't looking for him. Is it realistic", "of recognising the assailants, either because he recognises some of their voices, or", "child wasn't supposed to be there in the first place, and at the", "attack he was a bit away from the group, so the attackers don't", "the assailants, either because he recognises some of their voices, or maybe because", "and aren't looking for him. Is it realistic for the boy to hide", "child manages to hide and survive. He witnesses the massacre, or at least", "at the moment of the attack he was a bit away from the", "(he would climb it for fun before the attack)? If so, what kind", "bit of it (to the point of recognising the assailants, either because he", "supposed to be there in the first place, and at the moment of", "he was a bit away from the group, so the attackers don't know", "be there in the first place, and at the moment of the attack", "aren't looking for him. Is it realistic for the boy to hide in", "hide in a tree (he would climb it for fun before the attack)?", "a hood falls for a moment, or maybe for both reasons). The child", "a tree is not a good place to hide, what about a bush?", "he recognises some of their voices, or maybe because a hood falls for", "the villains win. However, a 10-year-old child manages to hide and survive. He", "reasons). The child wasn't supposed to be there in the first place, and", "he's there and aren't looking for him. Is it realistic for the boy", "from the group, so the attackers don't know he's there and aren't looking", "If so, what kind of tree would be suitable? If a tree is", "hooded people, there is a fight with arrows, swords etc and the villains", "falls for a moment, or maybe for both reasons). The child wasn't supposed", "their voices, or maybe because a hood falls for a moment, or maybe", "some of their voices, or maybe because a hood falls for a moment,", "a forested low mountain area when they are attacked by hooded people, there", "moment of the attack he was a bit away from the group, so", "looking for him. Is it realistic for the boy to hide in a", "place, and at the moment of the attack he was a bit away", "people are passing through a forested low mountain area when they are attacked", "area when they are attacked by hooded people, there is a fight with", "is not a good place to hide, what about a bush? Or a", "of tree would be suitable? If a tree is not a good place", "attack)? If so, what kind of tree would be suitable? If a tree", "etc and the villains win. However, a 10-year-old child manages to hide and", "realistic for the boy to hide in a tree (he would climb it", "they are attacked by hooded people, there is a fight with arrows, swords", "I'm writing a short story set in a medieval-like fantasy kingdom. At some", "point of recognising the assailants, either because he recognises some of their voices,", "or maybe because a hood falls for a moment, or maybe for both", "for him. Is it realistic for the boy to hide in a tree", "the attack he was a bit away from the group, so the attackers", "(to the point of recognising the assailants, either because he recognises some of", "a bit away from the group, so the attackers don't know he's there", "mountain area when they are attacked by hooded people, there is a fight", "the massacre, or at least a bit of it (to the point of", "the attackers don't know he's there and aren't looking for him. Is it", "a 10-year-old child manages to hide and survive. He witnesses the massacre, or", "Is it realistic for the boy to hide in a tree (he would", "are attacked by hooded people, there is a fight with arrows, swords etc", "for both reasons). The child wasn't supposed to be there in the first", "a tree (he would climb it for fun before the attack)? If so,", "writing a short story set in a medieval-like fantasy kingdom. At some point", "in a medieval-like fantasy kingdom. At some point a group of people are", "and survive. He witnesses the massacre, or at least a bit of it", "the point of recognising the assailants, either because he recognises some of their", "what kind of tree would be suitable? If a tree is not a", "would climb it for fun before the attack)? If so, what kind of", "kind of tree would be suitable? If a tree is not a good", "maybe for both reasons). The child wasn't supposed to be there in the", "or at least a bit of it (to the point of recognising the", "to hide and survive. He witnesses the massacre, or at least a bit", "a group of people are passing through a forested low mountain area when", "not a good place to hide, what about a bush? Or a tree", "would be suitable? If a tree is not a good place to hide,", "or maybe for both reasons). The child wasn't supposed to be there in", "there and aren't looking for him. Is it realistic for the boy to", "the first place, and at the moment of the attack he was a", "climb it for fun before the attack)? If so, what kind of tree", "tree (he would climb it for fun before the attack)? If so, what", "good place to hide, what about a bush? Or a tree with big", "He witnesses the massacre, or at least a bit of it (to the", "tree would be suitable? If a tree is not a good place to", "win. However, a 10-year-old child manages to hide and survive. He witnesses the", "so, what kind of tree would be suitable? If a tree is not", "a fight with arrows, swords etc and the villains win. However, a 10-year-old", "boy to hide in a tree (he would climb it for fun before", "wasn't supposed to be there in the first place, and at the moment", "If a tree is not a good place to hide, what about a", "by hooded people, there is a fight with arrows, swords etc and the", "to hide in a tree (he would climb it for fun before the", "a bit of it (to the point of recognising the assailants, either because", "and at the moment of the attack he was a bit away from", "tree is not a good place to hide, what about a bush? Or", "when they are attacked by hooded people, there is a fight with arrows,", "survive. He witnesses the massacre, or at least a bit of it (to", "know he's there and aren't looking for him. Is it realistic for the", "However, a 10-year-old child manages to hide and survive. He witnesses the massacre,", "at least a bit of it (to the point of recognising the assailants,", "be suitable? If a tree is not a good place to hide, what", "it realistic for the boy to hide in a tree (he would climb", "don't know he's there and aren't looking for him. Is it realistic for", "a medieval-like fantasy kingdom. At some point a group of people are passing", "both reasons). The child wasn't supposed to be there in the first place,", "for fun before the attack)? If so, what kind of tree would be", "before the attack)? If so, what kind of tree would be suitable? If", "swords etc and the villains win. However, a 10-year-old child manages to hide", "either because he recognises some of their voices, or maybe because a hood", "there is a fight with arrows, swords etc and the villains win. However,", "attacked by hooded people, there is a fight with arrows, swords etc and", "suitable? If a tree is not a good place to hide, what about", "a good place to hide, what about a bush? Or a tree with", "point a group of people are passing through a forested low mountain area", "The child wasn't supposed to be there in the first place, and at", "place to hide, what about a bush? Or a tree with big curved", "fantasy kingdom. At some point a group of people are passing through a", "people, there is a fight with arrows, swords etc and the villains win.", "was a bit away from the group, so the attackers don't know he's", "so the attackers don't know he's there and aren't looking for him. Is", "first place, and at the moment of the attack he was a bit", "the attack)? If so, what kind of tree would be suitable? If a", "maybe because a hood falls for a moment, or maybe for both reasons).", "in the first place, and at the moment of the attack he was", "bit away from the group, so the attackers don't know he's there and", "set in a medieval-like fantasy kingdom. At some point a group of people", "recognises some of their voices, or maybe because a hood falls for a", "recognising the assailants, either because he recognises some of their voices, or maybe", "hide and survive. He witnesses the massacre, or at least a bit of", "passing through a forested low mountain area when they are attacked by hooded", "a moment, or maybe for both reasons). The child wasn't supposed to be", "it (to the point of recognising the assailants, either because he recognises some", "because he recognises some of their voices, or maybe because a hood falls", "assailants, either because he recognises some of their voices, or maybe because a", "are passing through a forested low mountain area when they are attacked by", "of their voices, or maybe because a hood falls for a moment, or", "hood falls for a moment, or maybe for both reasons). The child wasn't", "away from the group, so the attackers don't know he's there and aren't", "it for fun before the attack)? If so, what kind of tree would", "because a hood falls for a moment, or maybe for both reasons). The", "group, so the attackers don't know he's there and aren't looking for him.", "him. Is it realistic for the boy to hide in a tree (he", "of people are passing through a forested low mountain area when they are", "a short story set in a medieval-like fantasy kingdom. At some point a", "in a tree (he would climb it for fun before the attack)? If", "arrows, swords etc and the villains win. However, a 10-year-old child manages to", "witnesses the massacre, or at least a bit of it (to the point", "least a bit of it (to the point of recognising the assailants, either", "the moment of the attack he was a bit away from the group,", "with arrows, swords etc and the villains win. However, a 10-year-old child manages", "manages to hide and survive. He witnesses the massacre, or at least a", "villains win. However, a 10-year-old child manages to hide and survive. He witnesses", "massacre, or at least a bit of it (to the point of recognising", "low mountain area when they are attacked by hooded people, there is a", "kingdom. At some point a group of people are passing through a forested", "fight with arrows, swords etc and the villains win. However, a 10-year-old child", "through a forested low mountain area when they are attacked by hooded people," ]
[ "time to do it myself. I would like to find a traditional publisher,", "too error-persistent. And now that I am out of prison trying to work,", "I just don't have the time to do it myself. I would like", "but it's too error-persistent. And now that I am out of prison trying", "trying to get published. I even had a publisher at one time who", "and none ever finished. I've tried read-to-type but it's too error-persistent. And now", "me, as well as my wife's uncle who has terminal liver failure. So", "or advice is greatly appreciated. I have my manuscripts all on PDF. But", "handwritten due to my circumstances at the time. I've paid three different people", "traditional publisher takes unsolicited manuscripts, I have been unsuccessful in finding one. I've", "ever finished. I've tried read-to-type but it's too error-persistent. And now that I", "looking for a co-author for the books I've already written, just to get", "and I've gotten nowhere. I have dozens of completed manuscripts. All are 500", "my first manuscript in 2003. It's now 20 years later and I've gotten", "with two children living with me, as well as my wife's uncle who", "it's too error-persistent. And now that I am out of prison trying to", "It's now 20 years later and I've gotten nowhere. I have dozens of", "are handwritten due to my circumstances at the time. I've paid three different", "finished my first manuscript in 2003. It's now 20 years later and I've", "work, I just don't have the time to do it myself. I would", "help or advice is greatly appreciated. I have my manuscripts all on PDF.", "to find a traditional publisher, as paying for it is not within my", "20 years later and I've gotten nowhere. I have dozens of completed manuscripts.", "takes unsolicited manuscripts, I have been unsuccessful in finding one. I've even resorted", "manuscripts. All are 500 pages or more. All are handwritten due to my", "to do it myself. I would like to find a traditional publisher, as", "advice is greatly appreciated. I have my manuscripts all on PDF. But where", "it is not within my budget while trying to feed my family. I'm", "are 500 pages or more. All are handwritten due to my circumstances at", "manuscript in 2003. It's now 20 years later and I've gotten nowhere. I", "my manuscripts. I finished my first manuscript in 2003. It's now 20 years", "on PDF. But where no traditional publisher takes unsolicited manuscripts, I have been", "type them and none ever finished. I've tried read-to-type but it's too error-persistent.", "finished. I've tried read-to-type but it's too error-persistent. And now that I am", "to my circumstances at the time. I've paid three different people to type", "people to type them and none ever finished. I've tried read-to-type but it's", "years later and I've gotten nowhere. I have dozens of completed manuscripts. All", "at the time. I've paid three different people to type them and none", "am out of prison trying to work, I just don't have the time", "my hard earned money and never published my manuscripts. I finished my first", "with me, as well as my wife's uncle who has terminal liver failure.", "one. I've even resorted to looking for a co-author for the books I've", "to looking for a co-author for the books I've already written, just to", "tried read-to-type but it's too error-persistent. And now that I am out of", "But where no traditional publisher takes unsolicited manuscripts, I have been unsuccessful in", "I even had a publisher at one time who took my hard earned", "I have spent years trying to get published. I even had a publisher", "published. I even had a publisher at one time who took my hard", "due to my circumstances at the time. I've paid three different people to", "at one time who took my hard earned money and never published my", "later and I've gotten nowhere. I have dozens of completed manuscripts. All are", "married with two children living with me, as well as my wife's uncle", "never published my manuscripts. I finished my first manuscript in 2003. It's now", "manuscripts. I finished my first manuscript in 2003. It's now 20 years later", "the time. I've paid three different people to type them and none ever", "and never published my manuscripts. I finished my first manuscript in 2003. It's", "completed manuscripts. All are 500 pages or more. All are handwritten due to", "has terminal liver failure. So any help or advice is greatly appreciated. I", "my family. I'm married with two children living with me, as well as", "find a traditional publisher, as paying for it is not within my budget", "2003. It's now 20 years later and I've gotten nowhere. I have dozens", "time. I've paid three different people to type them and none ever finished.", "none ever finished. I've tried read-to-type but it's too error-persistent. And now that", "who took my hard earned money and never published my manuscripts. I finished", "to type them and none ever finished. I've tried read-to-type but it's too", "publisher at one time who took my hard earned money and never published", "as paying for it is not within my budget while trying to feed", "two children living with me, as well as my wife's uncle who has", "unsolicited manuscripts, I have been unsuccessful in finding one. I've even resorted to", "I have been unsuccessful in finding one. I've even resorted to looking for", "have been unsuccessful in finding one. I've even resorted to looking for a", "different people to type them and none ever finished. I've tried read-to-type but", "my budget while trying to feed my family. I'm married with two children", "my manuscripts all on PDF. But where no traditional publisher takes unsolicited manuscripts,", "money and never published my manuscripts. I finished my first manuscript in 2003.", "pages or more. All are handwritten due to my circumstances at the time.", "I would like to find a traditional publisher, as paying for it is", "trying to work, I just don't have the time to do it myself.", "paid three different people to type them and none ever finished. I've tried", "took my hard earned money and never published my manuscripts. I finished my", "that I am out of prison trying to work, I just don't have", "in 2003. It's now 20 years later and I've gotten nowhere. I have", "nowhere. I have dozens of completed manuscripts. All are 500 pages or more.", "a publisher at one time who took my hard earned money and never", "greatly appreciated. I have my manuscripts all on PDF. But where no traditional", "is not within my budget while trying to feed my family. I'm married", "children living with me, as well as my wife's uncle who has terminal", "of prison trying to work, I just don't have the time to do", "failure. So any help or advice is greatly appreciated. I have my manuscripts", "I'm married with two children living with me, as well as my wife's", "for it is not within my budget while trying to feed my family.", "don't have the time to do it myself. I would like to find", "I've gotten nowhere. I have dozens of completed manuscripts. All are 500 pages", "All are 500 pages or more. All are handwritten due to my circumstances", "well as my wife's uncle who has terminal liver failure. So any help", "I finished my first manuscript in 2003. It's now 20 years later and", "or more. All are handwritten due to my circumstances at the time. I've", "publisher takes unsolicited manuscripts, I have been unsuccessful in finding one. I've even", "who has terminal liver failure. So any help or advice is greatly appreciated.", "of completed manuscripts. All are 500 pages or more. All are handwritten due", "earned money and never published my manuscripts. I finished my first manuscript in", "living with me, as well as my wife's uncle who has terminal liver", "budget while trying to feed my family. I'm married with two children living", "not within my budget while trying to feed my family. I'm married with", "wife's uncle who has terminal liver failure. So any help or advice is", "any help or advice is greatly appreciated. I have my manuscripts all on", "where no traditional publisher takes unsolicited manuscripts, I have been unsuccessful in finding", "no traditional publisher takes unsolicited manuscripts, I have been unsuccessful in finding one.", "unsuccessful in finding one. I've even resorted to looking for a co-author for", "gotten nowhere. I have dozens of completed manuscripts. All are 500 pages or", "three different people to type them and none ever finished. I've tried read-to-type", "had a publisher at one time who took my hard earned money and", "for a co-author for the books I've already written, just to get them", "the time to do it myself. I would like to find a traditional", "500 pages or more. All are handwritten due to my circumstances at the", "more. All are handwritten due to my circumstances at the time. I've paid", "error-persistent. And now that I am out of prison trying to work, I", "traditional publisher, as paying for it is not within my budget while trying", "in finding one. I've even resorted to looking for a co-author for the", "my wife's uncle who has terminal liver failure. So any help or advice", "a co-author for the books I've already written, just to get them published.", "liver failure. So any help or advice is greatly appreciated. I have my", "get published. I even had a publisher at one time who took my", "it myself. I would like to find a traditional publisher, as paying for", "to feed my family. I'm married with two children living with me, as", "I've even resorted to looking for a co-author for the books I've already", "resorted to looking for a co-author for the books I've already written, just", "read-to-type but it's too error-persistent. And now that I am out of prison", "circumstances at the time. I've paid three different people to type them and", "just don't have the time to do it myself. I would like to", "as well as my wife's uncle who has terminal liver failure. So any", "first manuscript in 2003. It's now 20 years later and I've gotten nowhere.", "All are handwritten due to my circumstances at the time. I've paid three", "them and none ever finished. I've tried read-to-type but it's too error-persistent. And", "I've tried read-to-type but it's too error-persistent. And now that I am out", "I have my manuscripts all on PDF. But where no traditional publisher takes", "And now that I am out of prison trying to work, I just", "to work, I just don't have the time to do it myself. I", "is greatly appreciated. I have my manuscripts all on PDF. But where no", "manuscripts, I have been unsuccessful in finding one. I've even resorted to looking", "manuscripts all on PDF. But where no traditional publisher takes unsolicited manuscripts, I", "to get published. I even had a publisher at one time who took", "now 20 years later and I've gotten nowhere. I have dozens of completed", "out of prison trying to work, I just don't have the time to", "PDF. But where no traditional publisher takes unsolicited manuscripts, I have been unsuccessful", "been unsuccessful in finding one. I've even resorted to looking for a co-author", "appreciated. I have my manuscripts all on PDF. But where no traditional publisher", "terminal liver failure. So any help or advice is greatly appreciated. I have", "prison trying to work, I just don't have the time to do it", "feed my family. I'm married with two children living with me, as well", "hard earned money and never published my manuscripts. I finished my first manuscript", "published my manuscripts. I finished my first manuscript in 2003. It's now 20", "have dozens of completed manuscripts. All are 500 pages or more. All are", "So any help or advice is greatly appreciated. I have my manuscripts all", "now that I am out of prison trying to work, I just don't", "a traditional publisher, as paying for it is not within my budget while", "within my budget while trying to feed my family. I'm married with two", "I have dozens of completed manuscripts. All are 500 pages or more. All", "all on PDF. But where no traditional publisher takes unsolicited manuscripts, I have", "family. I'm married with two children living with me, as well as my", "my circumstances at the time. I've paid three different people to type them", "publisher, as paying for it is not within my budget while trying to", "even resorted to looking for a co-author for the books I've already written,", "even had a publisher at one time who took my hard earned money", "finding one. I've even resorted to looking for a co-author for the books", "do it myself. I would like to find a traditional publisher, as paying", "trying to feed my family. I'm married with two children living with me,", "myself. I would like to find a traditional publisher, as paying for it", "uncle who has terminal liver failure. So any help or advice is greatly", "one time who took my hard earned money and never published my manuscripts.", "I've paid three different people to type them and none ever finished. I've", "would like to find a traditional publisher, as paying for it is not", "dozens of completed manuscripts. All are 500 pages or more. All are handwritten", "years trying to get published. I even had a publisher at one time", "I am out of prison trying to work, I just don't have the", "have the time to do it myself. I would like to find a", "as my wife's uncle who has terminal liver failure. So any help or", "paying for it is not within my budget while trying to feed my", "like to find a traditional publisher, as paying for it is not within", "have my manuscripts all on PDF. But where no traditional publisher takes unsolicited", "have spent years trying to get published. I even had a publisher at", "time who took my hard earned money and never published my manuscripts. I", "while trying to feed my family. I'm married with two children living with", "spent years trying to get published. I even had a publisher at one" ]
[ "of the book, and I thought that maybe instead of writing a character", "book, and I've realised how blocky and kind of boring my character descriptions", "physical attributes and more on personality and speech patterns. Will that work better", "first version of the book, and I thought that maybe instead of writing", "that maybe instead of writing a character that is described with their physical", "paragraph, it's better to scatter information about how they look throughout the book", "about how they look throughout the book and mainly focus more on certain", "writing a character that is described with their physical looks all in one", "better to scatter information about how they look throughout the book and mainly", "and I thought that maybe instead of writing a character that is described", "how blocky and kind of boring my character descriptions were in my first", "it's better to scatter information about how they look throughout the book and", "character descriptions were in my first version of the book, and I thought", "information about how they look throughout the book and mainly focus more on", "look throughout the book and mainly focus more on certain physical attributes and", "attributes and more on personality and speech patterns. Will that work better than", "on certain physical attributes and more on personality and speech patterns. Will that", "and mainly focus more on certain physical attributes and more on personality and", "described with their physical looks all in one paragraph, it's better to scatter", "and speech patterns. Will that work better than having blocky paragraphs describing a", "work better than having blocky paragraphs describing a character when writing from the", "my first version of the book, and I thought that maybe instead of", "I thought that maybe instead of writing a character that is described with", "focus more on certain physical attributes and more on personality and speech patterns.", "a character that is described with their physical looks all in one paragraph,", "I've realised how blocky and kind of boring my character descriptions were in", "mainly focus more on certain physical attributes and more on personality and speech", "been rewriting a book, and I've realised how blocky and kind of boring", "looks all in one paragraph, it's better to scatter information about how they", "of boring my character descriptions were in my first version of the book,", "and more on personality and speech patterns. Will that work better than having", "certain physical attributes and more on personality and speech patterns. Will that work", "and I've realised how blocky and kind of boring my character descriptions were", "scatter information about how they look throughout the book and mainly focus more", "and kind of boring my character descriptions were in my first version of", "with their physical looks all in one paragraph, it's better to scatter information", "one paragraph, it's better to scatter information about how they look throughout the", "than having blocky paragraphs describing a character when writing from the third person?", "in my first version of the book, and I thought that maybe instead", "thought that maybe instead of writing a character that is described with their", "instead of writing a character that is described with their physical looks all", "my character descriptions were in my first version of the book, and I", "the book and mainly focus more on certain physical attributes and more on", "personality and speech patterns. Will that work better than having blocky paragraphs describing", "patterns. Will that work better than having blocky paragraphs describing a character when", "book and mainly focus more on certain physical attributes and more on personality", "kind of boring my character descriptions were in my first version of the", "better than having blocky paragraphs describing a character when writing from the third", "speech patterns. Will that work better than having blocky paragraphs describing a character", "their physical looks all in one paragraph, it's better to scatter information about", "book, and I thought that maybe instead of writing a character that is", "rewriting a book, and I've realised how blocky and kind of boring my", "the book, and I thought that maybe instead of writing a character that", "is described with their physical looks all in one paragraph, it's better to", "throughout the book and mainly focus more on certain physical attributes and more", "more on certain physical attributes and more on personality and speech patterns. Will", "descriptions were in my first version of the book, and I thought that", "character that is described with their physical looks all in one paragraph, it's", "more on personality and speech patterns. Will that work better than having blocky", "a book, and I've realised how blocky and kind of boring my character", "all in one paragraph, it's better to scatter information about how they look", "they look throughout the book and mainly focus more on certain physical attributes", "version of the book, and I thought that maybe instead of writing a", "of writing a character that is described with their physical looks all in", "that work better than having blocky paragraphs describing a character when writing from", "blocky and kind of boring my character descriptions were in my first version", "realised how blocky and kind of boring my character descriptions were in my", "maybe instead of writing a character that is described with their physical looks", "that is described with their physical looks all in one paragraph, it's better", "on personality and speech patterns. Will that work better than having blocky paragraphs", "boring my character descriptions were in my first version of the book, and", "Will that work better than having blocky paragraphs describing a character when writing", "were in my first version of the book, and I thought that maybe", "in one paragraph, it's better to scatter information about how they look throughout", "I've been rewriting a book, and I've realised how blocky and kind of", "how they look throughout the book and mainly focus more on certain physical", "physical looks all in one paragraph, it's better to scatter information about how", "to scatter information about how they look throughout the book and mainly focus" ]
[ "The ceremony celebrates her first trip away from home alone for the first", "underwater. I've also thought about the \"Coral Reef Ceremony,\" which now sounds stupid", "away from home alone for the first time; as soon as she's 15,", "time; as soon as she's 15, she gets to go anywhere past the", "her first trip away from home alone for the first time; as soon", "anywhere past the Coral Reef where her father's castle is located, including the", "only thing I can think of that's 'underwater' themed. The ceremony celebrates her", "that would suit underwater ceremonies. I've looked at several name generators and thought", "would suit underwater ceremonies. I've looked at several name generators and thought they", "ceremony celebrates her first trip away from home alone for the first time;", "Reef Ceremony,\" which now sounds stupid and juvenile, but it's the only thing", "thing I can think of that's 'underwater' themed. The ceremony celebrates her first", "celebrates her first trip away from home alone for the first time; as", "ceremonies. I've looked at several name generators and thought they wouldn't work underwater.", "I've looked at several name generators and thought they wouldn't work underwater. I've", "it's the only thing I can think of that's 'underwater' themed. The ceremony", "underwater ceremonies. I've looked at several name generators and thought they wouldn't work", "themed. The ceremony celebrates her first trip away from home alone for the", "ceremony names that would suit underwater ceremonies. I've looked at several name generators", "she's 15, she gets to go anywhere past the Coral Reef where her", "from home alone for the first time; as soon as she's 15, she", "finding ceremony names that would suit underwater ceremonies. I've looked at several name", "which now sounds stupid and juvenile, but it's the only thing I can", "I can think of that's 'underwater' themed. The ceremony celebrates her first trip", "gets to go anywhere past the Coral Reef where her father's castle is", "she gets to go anywhere past the Coral Reef where her father's castle", "at several name generators and thought they wouldn't work underwater. I've also thought", "and thought they wouldn't work underwater. I've also thought about the \"Coral Reef", "help finding ceremony names that would suit underwater ceremonies. I've looked at several", "stupid and juvenile, but it's the only thing I can think of that's", "now sounds stupid and juvenile, but it's the only thing I can think", "go anywhere past the Coral Reef where her father's castle is located, including", "the first time; as soon as she's 15, she gets to go anywhere", "they wouldn't work underwater. I've also thought about the \"Coral Reef Ceremony,\" which", "also thought about the \"Coral Reef Ceremony,\" which now sounds stupid and juvenile,", "trip away from home alone for the first time; as soon as she's", "first trip away from home alone for the first time; as soon as", "the only thing I can think of that's 'underwater' themed. The ceremony celebrates", "father's castle is located, including the surface, as long as she's not seen.", "soon as she's 15, she gets to go anywhere past the Coral Reef", "alone for the first time; as soon as she's 15, she gets to", "names that would suit underwater ceremonies. I've looked at several name generators and", "past the Coral Reef where her father's castle is located, including the surface,", "need help finding ceremony names that would suit underwater ceremonies. I've looked at", "'underwater' themed. The ceremony celebrates her first trip away from home alone for", "and juvenile, but it's the only thing I can think of that's 'underwater'", "the Coral Reef where her father's castle is located, including the surface, as", "for the first time; as soon as she's 15, she gets to go", "generators and thought they wouldn't work underwater. I've also thought about the \"Coral", "to go anywhere past the Coral Reef where her father's castle is located,", "work underwater. I've also thought about the \"Coral Reef Ceremony,\" which now sounds", "where her father's castle is located, including the surface, as long as she's", "as soon as she's 15, she gets to go anywhere past the Coral", "\"Coral Reef Ceremony,\" which now sounds stupid and juvenile, but it's the only", "Ceremony,\" which now sounds stupid and juvenile, but it's the only thing I", "juvenile, but it's the only thing I can think of that's 'underwater' themed.", "thought about the \"Coral Reef Ceremony,\" which now sounds stupid and juvenile, but", "her father's castle is located, including the surface, as long as she's not", "15, she gets to go anywhere past the Coral Reef where her father's", "first time; as soon as she's 15, she gets to go anywhere past", "can think of that's 'underwater' themed. The ceremony celebrates her first trip away", "but it's the only thing I can think of that's 'underwater' themed. The", "think of that's 'underwater' themed. The ceremony celebrates her first trip away from", "wouldn't work underwater. I've also thought about the \"Coral Reef Ceremony,\" which now", "name generators and thought they wouldn't work underwater. I've also thought about the", "that's 'underwater' themed. The ceremony celebrates her first trip away from home alone", "as she's 15, she gets to go anywhere past the Coral Reef where", "sounds stupid and juvenile, but it's the only thing I can think of", "of that's 'underwater' themed. The ceremony celebrates her first trip away from home", "looked at several name generators and thought they wouldn't work underwater. I've also", "I need help finding ceremony names that would suit underwater ceremonies. I've looked", "suit underwater ceremonies. I've looked at several name generators and thought they wouldn't", "thought they wouldn't work underwater. I've also thought about the \"Coral Reef Ceremony,\"", "home alone for the first time; as soon as she's 15, she gets", "the \"Coral Reef Ceremony,\" which now sounds stupid and juvenile, but it's the", "Reef where her father's castle is located, including the surface, as long as", "I've also thought about the \"Coral Reef Ceremony,\" which now sounds stupid and", "Coral Reef where her father's castle is located, including the surface, as long", "several name generators and thought they wouldn't work underwater. I've also thought about", "about the \"Coral Reef Ceremony,\" which now sounds stupid and juvenile, but it's" ]
[ "may look old-fashioned * it seems to be a good tool to interest", "from @Amadeus and @user52445 it turns out that it's good practice to follow", "screenplay scripts. * it may look old-fashioned * it seems to be a", "* Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages),", "seems to be a good tool to interest and coordinate a (big) team", "roughly in 1 minute on film per page`. Is this an observation on", "for screenplays. Many times they mention `this format results roughly in 1 minute", "follow the US-formatting conventions for screenplay scripts. * it may look old-fashioned ", "Is this an observation on average (i.e. an output), or is it a", "they mention `this format results roughly in 1 minute on film per page`.", "of creatives, actors, technicians etc. --- References:* * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions:", "* it may look old-fashioned * it seems to be a good tool", "--- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final", "film per page`. Is this an observation on average (i.e. an output), or", "minute on film per page`. Is this an observation on average (i.e. an", "@Amadeus and @user52445 it turns out that it's good practice to follow the", "rules or conventions for screenplays. Many times they mention `this format results roughly", "wondering ... --- P.S.: W.r.t. the excellent answers from @Amadeus and @user52445 it", "in 1 minute on film per page`. Is this an observation on average", "<https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages), from <https://www.studiobinder.com/blog/best-free-movie-scripts-online/>", "Many times they mention `this format results roughly in 1 minute on film", "to follow the US-formatting conventions for screenplay scripts. * it may look old-fashioned", "1 minute on film per page`. Is this an observation on average (i.e.", "to be a good tool to interest and coordinate a (big) team of", "is it a prerequisite (i.e. an input)? Just wondering ... --- P.S.: W.r.t.", "or is it a prerequisite (i.e. an input)? Just wondering ... --- P.S.:", "(i.e. an input)? Just wondering ... --- P.S.: W.r.t. the excellent answers from", "on film per page`. Is this an observation on average (i.e. an output),", "answers from @Amadeus and @user52445 it turns out that it's good practice to", ": [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\"", "or conventions for screenplays. Many times they mention `this format results roughly in", "results roughly in 1 minute on film per page`. Is this an observation", "it a prerequisite (i.e. an input)? Just wondering ... --- P.S.: W.r.t. the", "it's good practice to follow the US-formatting conventions for screenplay scripts. * it", "an observation on average (i.e. an output), or is it a prerequisite (i.e.", "formatting rules or conventions for screenplays. Many times they mention `this format results", "this an observation on average (i.e. an output), or is it a prerequisite", "technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png)", "look old-fashioned * it seems to be a good tool to interest and", "screenplays. Many times they mention `this format results roughly in 1 minute on", "an input)? Just wondering ... --- P.S.: W.r.t. the excellent answers from @Amadeus", "it seems to be a good tool to interest and coordinate a (big)", "times they mention `this format results roughly in 1 minute on film per", "and @user52445 it turns out that it's good practice to follow the US-formatting", "output), or is it a prerequisite (i.e. an input)? Just wondering ... ---", "P.S.: W.r.t. the excellent answers from @Amadeus and @user52445 it turns out that", "mention `this format results roughly in 1 minute on film per page`. Is", "scripts. * it may look old-fashioned * it seems to be a good", "format results roughly in 1 minute on film per page`. Is this an", "on average (i.e. an output), or is it a prerequisite (i.e. an input)?", "interest and coordinate a (big) team of creatives, actors, technicians etc. --- References:", "conventions for screenplay scripts. * it may look old-fashioned * it seems to", "References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay", "* it seems to be a good tool to interest and coordinate a", "Just wondering ... --- P.S.: W.r.t. the excellent answers from @Amadeus and @user52445", "actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> :", "US-formatting conventions for screenplay scripts. * it may look old-fashioned * it seems", "it may look old-fashioned * it seems to be a good tool to", "input)? Just wondering ... --- P.S.: W.r.t. the excellent answers from @Amadeus and", "the excellent answers from @Amadeus and @user52445 it turns out that it's good", "good tool to interest and coordinate a (big) team of creatives, actors, technicians", "creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting>", "to interest and coordinate a (big) team of creatives, actors, technicians etc. ---", "it turns out that it's good practice to follow the US-formatting conventions for", "page`. Is this an observation on average (i.e. an output), or is it", "... --- P.S.: W.r.t. the excellent answers from @Amadeus and @user52445 it turns", "--- P.S.: W.r.t. the excellent answers from @Amadeus and @user52445 it turns out", "out that it's good practice to follow the US-formatting conventions for screenplay scripts.", "(big) team of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png)", "team of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) ", " <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from", "average (i.e. an output), or is it a prerequisite (i.e. an input)? Just", "<https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest", "practice to follow the US-formatting conventions for screenplay scripts. * it may look", "@user52445 it turns out that it's good practice to follow the US-formatting conventions", "for formatting rules or conventions for screenplays. Many times they mention `this format", "excellent answers from @Amadeus and @user52445 it turns out that it's good practice", "prerequisite (i.e. an input)? Just wondering ... --- P.S.: W.r.t. the excellent answers", "a (big) team of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> :", "good practice to follow the US-formatting conventions for screenplay scripts. * it may", "per page`. Is this an observation on average (i.e. an output), or is", "the US-formatting conventions for screenplay scripts. * it may look old-fashioned * it", "(i.e. an output), or is it a prerequisite (i.e. an input)? Just wondering", "a prerequisite (i.e. an input)? Just wondering ... --- P.S.: W.r.t. the excellent", "an output), or is it a prerequisite (i.e. an input)? Just wondering ...", "and coordinate a (big) team of creatives, actors, technicians etc. --- References: ", "[![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154", "old-fashioned * it seems to be a good tool to interest and coordinate", "W.r.t. the excellent answers from @Amadeus and @user52445 it turns out that it's", "a good tool to interest and coordinate a (big) team of creatives, actors,", "be a good tool to interest and coordinate a (big) team of creatives,", "etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/> : [![rule](https://i.stack.imgur.com/wNOY4.png)](https://i.stack.imgur.com/wNOY4.png) * Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) ", "turns out that it's good practice to follow the US-formatting conventions for screenplay", "that it's good practice to follow the US-formatting conventions for screenplay scripts. ", "coordinate a (big) team of creatives, actors, technicians etc. --- References: * <https://screencraft.org/blog/how-to-write-a-screenplay-a-10-step-guide/>", "Conventions: <https://writersstore.com/blogs/news/how-to-write-a-screenplay-a-guide-to-scriptwriting> : [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages), from", "observation on average (i.e. an output), or is it a prerequisite (i.e. an", ": [![format](https://i.stack.imgur.com/nTzXw.png)](https://i.stack.imgur.com/nTzXw.png) * Final screenplay from \"Forrest Gump\" (154 pages), from <https://www.studiobinder.com/blog/best-free-movie-scripts-online/> [![forrest](https://i.stack.imgur.com/6nRjB.png)](https://i.stack.imgur.com/6nRjB.png)", "Looking for formatting rules or conventions for screenplays. Many times they mention `this", "conventions for screenplays. Many times they mention `this format results roughly in 1", "tool to interest and coordinate a (big) team of creatives, actors, technicians etc.", "for screenplay scripts. * it may look old-fashioned * it seems to be", "`this format results roughly in 1 minute on film per page`. Is this" ]
[ "and motivation spends around 10 minutes in the movie. Am I safe killing", "that adds a lot to the main character's backstory and motivation spends around", "the main character's backstory and motivation spends around 10 minutes in the movie.", "a lot to the main character's backstory and motivation spends around 10 minutes", "spends around 10 minutes in the movie. Am I safe killing him off,", "main character's backstory and motivation spends around 10 minutes in the movie. Am", "around 10 minutes in the movie. Am I safe killing him off, or", "3rd draft, a character, that adds a lot to the main character's backstory", "movie. Am I safe killing him off, or should I extend the character's", "In my 3rd draft, a character, that adds a lot to the main", "character, that adds a lot to the main character's backstory and motivation spends", "lot to the main character's backstory and motivation spends around 10 minutes in", "my 3rd draft, a character, that adds a lot to the main character's", "to the main character's backstory and motivation spends around 10 minutes in the", "backstory and motivation spends around 10 minutes in the movie. Am I safe", "draft, a character, that adds a lot to the main character's backstory and", "in the movie. Am I safe killing him off, or should I extend", "Am I safe killing him off, or should I extend the character's time?", "adds a lot to the main character's backstory and motivation spends around 10", "10 minutes in the movie. Am I safe killing him off, or should", "a character, that adds a lot to the main character's backstory and motivation", "minutes in the movie. Am I safe killing him off, or should I", "the movie. Am I safe killing him off, or should I extend the", "motivation spends around 10 minutes in the movie. Am I safe killing him", "character's backstory and motivation spends around 10 minutes in the movie. Am I" ]
[ "conflicts between the characters get a conclusion. However, there is a secondary plot", "write an epilogue, but are there other options? In case it is useful,", "this information to myself or maybe I reveal it to the reader at", "characters get a conclusion. However, there is a secondary plot that cannot be", "book in third person. Maybe I keep this information to myself or maybe", "options? In case it is useful, the narrator is a character that is", "take place in about two years. In this time the events of the", "characters. I know I can write an epilogue, but are there other options?", "place in about two years. In this time the events of the main", "this time the events of the main plot and conflicts between the characters", "the child becomes an author and the she writes the book in third", "there is a secondary plot that cannot be resolved in two years because", "conclusion. However, there is a secondary plot that cannot be resolved in two", "and the she writes the book in third person. Maybe I keep this", "character that is a child while the events of the novel take place.", "in the novel take place in about two years. In this time the", "what happened to the characters. I know I can write an epilogue, but", "Maybe I keep this information to myself or maybe I reveal it to", "cannot be resolved in two years because it would be completely unrealistic, however", "at least some clues about how that turned out and what happened to", "a secondary plot that cannot be resolved in two years because it would", "information to myself or maybe I reveal it to the reader at some", "in third person. Maybe I keep this information to myself or maybe I", "The events in the novel take place in about two years. In this", "take place. I mean, the child becomes an author and the she writes", "I'am writing a novel. The events in the novel take place in about", "the novel take place. I mean, the child becomes an author and the", "however I would like to provide at least some clues about how that", "is a character that is a child while the events of the novel", "years. In this time the events of the main plot and conflicts between", "is useful, the narrator is a character that is a child while the", "third person. Maybe I keep this information to myself or maybe I reveal", "a novel. The events in the novel take place in about two years.", "of the main plot and conflicts between the characters get a conclusion. However,", "unrealistic, however I would like to provide at least some clues about how", "I would like to provide at least some clues about how that turned", "writes the book in third person. Maybe I keep this information to myself", "author and the she writes the book in third person. Maybe I keep", "child while the events of the novel take place. I mean, the child", "an author and the she writes the book in third person. Maybe I", "the novel take place in about two years. In this time the events", "novel take place. I mean, the child becomes an author and the she", "the book in third person. Maybe I keep this information to myself or", "that cannot be resolved in two years because it would be completely unrealistic,", "I keep this information to myself or maybe I reveal it to the", "events of the main plot and conflicts between the characters get a conclusion.", "of the novel take place. I mean, the child becomes an author and", "novel. The events in the novel take place in about two years. In", "place. I mean, the child becomes an author and the she writes the", "out and what happened to the characters. I know I can write an", "because it would be completely unrealistic, however I would like to provide at", "and what happened to the characters. I know I can write an epilogue,", "know I can write an epilogue, but are there other options? In case", "events of the novel take place. I mean, the child becomes an author", "However, there is a secondary plot that cannot be resolved in two years", "I mean, the child becomes an author and the she writes the book", "some clues about how that turned out and what happened to the characters.", "get a conclusion. However, there is a secondary plot that cannot be resolved", "time the events of the main plot and conflicts between the characters get", "plot that cannot be resolved in two years because it would be completely", "how that turned out and what happened to the characters. I know I", "can write an epilogue, but are there other options? In case it is", "case it is useful, the narrator is a character that is a child", "plot and conflicts between the characters get a conclusion. However, there is a", "years because it would be completely unrealistic, however I would like to provide", "person. Maybe I keep this information to myself or maybe I reveal it", "two years because it would be completely unrealistic, however I would like to", "novel take place in about two years. In this time the events of", "and conflicts between the characters get a conclusion. However, there is a secondary", "resolved in two years because it would be completely unrealistic, however I would", "the characters. I know I can write an epilogue, but are there other", "about two years. In this time the events of the main plot and", "becomes an author and the she writes the book in third person. Maybe", "about how that turned out and what happened to the characters. I know", "the main plot and conflicts between the characters get a conclusion. However, there", "to myself or maybe I reveal it to the reader at some point.", "secondary plot that cannot be resolved in two years because it would be", "an epilogue, but are there other options? In case it is useful, the", "a child while the events of the novel take place. I mean, the", "to the characters. I know I can write an epilogue, but are there", "be completely unrealistic, however I would like to provide at least some clues", "is a child while the events of the novel take place. I mean,", "clues about how that turned out and what happened to the characters. I", "the characters get a conclusion. However, there is a secondary plot that cannot", "turned out and what happened to the characters. I know I can write", "she writes the book in third person. Maybe I keep this information to", "In this time the events of the main plot and conflicts between the", "provide at least some clues about how that turned out and what happened", "a character that is a child while the events of the novel take", "in about two years. In this time the events of the main plot", "the narrator is a character that is a child while the events of", "writing a novel. The events in the novel take place in about two", "that is a child while the events of the novel take place. I", "epilogue, but are there other options? In case it is useful, the narrator", "that turned out and what happened to the characters. I know I can", "be resolved in two years because it would be completely unrealistic, however I", "but are there other options? In case it is useful, the narrator is", "are there other options? In case it is useful, the narrator is a", "it is useful, the narrator is a character that is a child while", "least some clues about how that turned out and what happened to the", "keep this information to myself or maybe I reveal it to the reader", "completely unrealistic, however I would like to provide at least some clues about", "I can write an epilogue, but are there other options? In case it", "the she writes the book in third person. Maybe I keep this information", "the events of the main plot and conflicts between the characters get a", "would be completely unrealistic, however I would like to provide at least some", "it would be completely unrealistic, however I would like to provide at least", "a conclusion. However, there is a secondary plot that cannot be resolved in", "In case it is useful, the narrator is a character that is a", "child becomes an author and the she writes the book in third person.", "happened to the characters. I know I can write an epilogue, but are", "while the events of the novel take place. I mean, the child becomes", "is a secondary plot that cannot be resolved in two years because it", "main plot and conflicts between the characters get a conclusion. However, there is", "between the characters get a conclusion. However, there is a secondary plot that", "would like to provide at least some clues about how that turned out", "narrator is a character that is a child while the events of the", "mean, the child becomes an author and the she writes the book in", "events in the novel take place in about two years. In this time", "to provide at least some clues about how that turned out and what", "there other options? In case it is useful, the narrator is a character", "the events of the novel take place. I mean, the child becomes an", "I know I can write an epilogue, but are there other options? In", "useful, the narrator is a character that is a child while the events", "other options? In case it is useful, the narrator is a character that", "two years. In this time the events of the main plot and conflicts", "like to provide at least some clues about how that turned out and", "in two years because it would be completely unrealistic, however I would like" ]
[ "said, stretching out the word until it buzzed in her throat. > >", "> I could avoid the terminology and describe it more literally, does that", "yeah,\" she said with vocal fry. > > > I could avoid the", "> > > I think it would be best if just \"fry\" was", "to describe this kind of speech/tone? EDIT FYI, if you're not familiar, here's", "> \"Ha, yeah,\" she said with vocal fry. > > > I could", "an awkward smile. I'd like to say they're employing vocal fry, by lowering", "I think it would be best if just \"fry\" was something that everyone", "I think this is pretty awkward: > > \"Ha, yeah,\" she said with", "just write that. For example, I think this is pretty awkward: > >", "more literally, does that come across more clearly? > > \"Yeah,\" she said,", "be best if just \"fry\" was something that everyone understood, but unfortunately I", "What is a good broadly-understandable way to describe this kind of speech/tone? EDIT", "write that. For example, I think this is pretty awkward: > > \"Ha,", "kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is", "she said, stretching out the word until it buzzed in her throat. >", "enough to read smoothly if I just write that. For example, I think", "on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example", "and uncertainty with the tone of their voice. Like the verbal equivalent of", "\"Yeah,\" she said with a low fry. > > > What is a", "said with a low fry. > > > What is a good broadly-understandable", "describe this kind of speech/tone? EDIT FYI, if you're not familiar, here's the", "this is pretty awkward: > > \"Ha, yeah,\" she said with vocal fry.", "unfamiliar: > > \"Yeah,\" she said with a low fry. > > >", "with vocal fry. > > > I could avoid the terminology and describe", "her throat. > > > I think it would be best if just", "something that everyone understood, but unfortunately I think it's too unfamiliar: > >", "pretty awkward: > > \"Ha, yeah,\" she said with vocal fry. > >", "> \"Yeah,\" she said with a low fry. > > > What is", "Trying to have a character express hesitation and uncertainty with the tone of", "it's too unfamiliar: > > \"Yeah,\" she said with a low fry. >", "have a character express hesitation and uncertainty with the tone of their voice.", "could avoid the terminology and describe it more literally, does that come across", "way to describe this kind of speech/tone? EDIT FYI, if you're not familiar,", "EDIT FYI, if you're not familiar, here's the Wikipedia article on this kind", "say they're employing vocal fry, by lowering their pitch and stretching their voice", "\"Ha, yeah,\" she said with vocal fry. > > > I could avoid", "article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio", "fry. > > > I could avoid the terminology and describe it more", "and describe it more literally, does that come across more clearly? > >", "is pretty awkward: > > \"Ha, yeah,\" she said with vocal fry. >", "a good broadly-understandable way to describe this kind of speech/tone? EDIT FYI, if", "does that come across more clearly? > > \"Yeah,\" she said, stretching out", "pitch and stretching their voice until it buzzes or rattles a little bit.", "familiar, here's the Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The", "she said with a low fry. > > > What is a good", "broadly-understandable way to describe this kind of speech/tone? EDIT FYI, if you're not", "best if just \"fry\" was something that everyone understood, but unfortunately I think", "the term \"vocal fry\" isn't common enough to read smoothly if I just", "with the tone of their voice. Like the verbal equivalent of an eye", "would be best if just \"fry\" was something that everyone understood, but unfortunately", "a low fry. > > > What is a good broadly-understandable way to", "employing vocal fry, by lowering their pitch and stretching their voice until it", "kind of speech/tone? EDIT FYI, if you're not familiar, here's the Wikipedia article", "I think it's too unfamiliar: > > \"Yeah,\" she said with a low", "example, I think this is pretty awkward: > > \"Ha, yeah,\" she said", "fry. > > > What is a good broadly-understandable way to describe this", "But I'm concerned the term \"vocal fry\" isn't common enough to read smoothly", "common enough to read smoothly if I just write that. For example, I", "isn't common enough to read smoothly if I just write that. For example,", "vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is easy to", "equivalent of an eye roll or an awkward smile. I'd like to say", "I'm concerned the term \"vocal fry\" isn't common enough to read smoothly if", "avoid the terminology and describe it more literally, does that come across more", "describe it more literally, does that come across more clearly? > > \"Yeah,\"", "> > \"Yeah,\" she said with a low fry. > > > What", "verbal equivalent of an eye roll or an awkward smile. I'd like to", "low fry. > > > What is a good broadly-understandable way to describe", "buzzed in her throat. > > > I think it would be best", "> > What is a good broadly-understandable way to describe this kind of", "their pitch and stretching their voice until it buzzes or rattles a little", "voice. Like the verbal equivalent of an eye roll or an awkward smile.", "by lowering their pitch and stretching their voice until it buzzes or rattles", "For example, I think this is pretty awkward: > > \"Ha, yeah,\" she", "> > > I could avoid the terminology and describe it more literally,", "express hesitation and uncertainty with the tone of their voice. Like the verbal", "too unfamiliar: > > \"Yeah,\" she said with a low fry. > >", "eye roll or an awkward smile. I'd like to say they're employing vocal", "across more clearly? > > \"Yeah,\" she said, stretching out the word until", "bit. But I'm concerned the term \"vocal fry\" isn't common enough to read", "the Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains", "roll or an awkward smile. I'd like to say they're employing vocal fry,", "Like the verbal equivalent of an eye roll or an awkward smile. I'd", "come across more clearly? > > \"Yeah,\" she said, stretching out the word", "smoothly if I just write that. For example, I think this is pretty", "the verbal equivalent of an eye roll or an awkward smile. I'd like", "the word until it buzzed in her throat. > > > I think", "> > > What is a good broadly-understandable way to describe this kind", "an eye roll or an awkward smile. I'd like to say they're employing", "but unfortunately I think it's too unfamiliar: > > \"Yeah,\" she said with", "smile. I'd like to say they're employing vocal fry, by lowering their pitch", "here's the Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article", "their voice until it buzzes or rattles a little bit. But I'm concerned", "read smoothly if I just write that. For example, I think this is", "article contains an audio example that is easy to play. Source file: <https://en.wikipedia.org/wiki/File:Vocal-Fry-May-Undermine-the-Success-of-Young-Women-in-the-Labor-Market-pone.0097506.s005.oga>", "to have a character express hesitation and uncertainty with the tone of their", "> > \"Yeah,\" she said, stretching out the word until it buzzed in", "or an awkward smile. I'd like to say they're employing vocal fry, by", "concerned the term \"vocal fry\" isn't common enough to read smoothly if I", "\"Yeah,\" she said, stretching out the word until it buzzed in her throat.", "is a good broadly-understandable way to describe this kind of speech/tone? EDIT FYI,", "fry, by lowering their pitch and stretching their voice until it buzzes or", "until it buzzes or rattles a little bit. But I'm concerned the term", "a little bit. But I'm concerned the term \"vocal fry\" isn't common enough", "like to say they're employing vocal fry, by lowering their pitch and stretching", "that. For example, I think this is pretty awkward: > > \"Ha, yeah,\"", "stretching out the word until it buzzed in her throat. > > >", "> > \"Ha, yeah,\" she said with vocal fry. > > > I", "this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that", "fry\" isn't common enough to read smoothly if I just write that. For", "awkward smile. I'd like to say they're employing vocal fry, by lowering their", "they're employing vocal fry, by lowering their pitch and stretching their voice until", "little bit. But I'm concerned the term \"vocal fry\" isn't common enough to", "it more literally, does that come across more clearly? > > \"Yeah,\" she", "I'd like to say they're employing vocal fry, by lowering their pitch and", "stretching their voice until it buzzes or rattles a little bit. But I'm", "The article contains an audio example that is easy to play. Source file:", "word until it buzzed in her throat. > > > I think it", "rattles a little bit. But I'm concerned the term \"vocal fry\" isn't common", "think it's too unfamiliar: > > \"Yeah,\" she said with a low fry.", "> > I could avoid the terminology and describe it more literally, does", "of an eye roll or an awkward smile. I'd like to say they're", "the terminology and describe it more literally, does that come across more clearly?", "with a low fry. > > > What is a good broadly-understandable way", "terminology and describe it more literally, does that come across more clearly? >", "I could avoid the terminology and describe it more literally, does that come", "understood, but unfortunately I think it's too unfamiliar: > > \"Yeah,\" she said", "speech/tone? EDIT FYI, if you're not familiar, here's the Wikipedia article on this", "unfortunately I think it's too unfamiliar: > > \"Yeah,\" she said with a", "<https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is easy to play. Source", "it buzzed in her throat. > > > I think it would be", "out the word until it buzzed in her throat. > > > I", "until it buzzed in her throat. > > > I think it would", "clearly? > > \"Yeah,\" she said, stretching out the word until it buzzed", "tone of their voice. Like the verbal equivalent of an eye roll or", "of their voice. Like the verbal equivalent of an eye roll or an", "it would be best if just \"fry\" was something that everyone understood, but", "that come across more clearly? > > \"Yeah,\" she said, stretching out the", "FYI, if you're not familiar, here's the Wikipedia article on this kind of", "I just write that. For example, I think this is pretty awkward: >", "to read smoothly if I just write that. For example, I think this", "literally, does that come across more clearly? > > \"Yeah,\" she said, stretching", "hesitation and uncertainty with the tone of their voice. Like the verbal equivalent", "you're not familiar, here's the Wikipedia article on this kind of vocal style:", "if I just write that. For example, I think this is pretty awkward:", "awkward: > > \"Ha, yeah,\" she said with vocal fry. > > >", "voice until it buzzes or rattles a little bit. But I'm concerned the", "not familiar, here's the Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register>", "just \"fry\" was something that everyone understood, but unfortunately I think it's too", "to say they're employing vocal fry, by lowering their pitch and stretching their", "she said with vocal fry. > > > I could avoid the terminology", "their voice. Like the verbal equivalent of an eye roll or an awkward", "\"vocal fry\" isn't common enough to read smoothly if I just write that.", "was something that everyone understood, but unfortunately I think it's too unfamiliar: >", "good broadly-understandable way to describe this kind of speech/tone? EDIT FYI, if you're", "uncertainty with the tone of their voice. Like the verbal equivalent of an", "and stretching their voice until it buzzes or rattles a little bit. But", "character express hesitation and uncertainty with the tone of their voice. Like the", "if just \"fry\" was something that everyone understood, but unfortunately I think it's", "> What is a good broadly-understandable way to describe this kind of speech/tone?", "the tone of their voice. Like the verbal equivalent of an eye roll", "> > I think it would be best if just \"fry\" was something", "everyone understood, but unfortunately I think it's too unfamiliar: > > \"Yeah,\" she", "in her throat. > > > I think it would be best if", "if you're not familiar, here's the Wikipedia article on this kind of vocal", "> \"Yeah,\" she said, stretching out the word until it buzzed in her", "vocal fry, by lowering their pitch and stretching their voice until it buzzes", "\"fry\" was something that everyone understood, but unfortunately I think it's too unfamiliar:", "buzzes or rattles a little bit. But I'm concerned the term \"vocal fry\"", "think it would be best if just \"fry\" was something that everyone understood,", "think this is pretty awkward: > > \"Ha, yeah,\" she said with vocal", "a character express hesitation and uncertainty with the tone of their voice. Like", "of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is easy", "or rattles a little bit. But I'm concerned the term \"vocal fry\" isn't", "term \"vocal fry\" isn't common enough to read smoothly if I just write", "said with vocal fry. > > > I could avoid the terminology and", "throat. > > > I think it would be best if just \"fry\"", "of speech/tone? EDIT FYI, if you're not familiar, here's the Wikipedia article on", "more clearly? > > \"Yeah,\" she said, stretching out the word until it", "> I think it would be best if just \"fry\" was something that", "style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an audio example that is easy to play.", "it buzzes or rattles a little bit. But I'm concerned the term \"vocal", "this kind of speech/tone? EDIT FYI, if you're not familiar, here's the Wikipedia", "Wikipedia article on this kind of vocal style: <https://en.wikipedia.org/wiki/Vocal_fry_register> The article contains an", "lowering their pitch and stretching their voice until it buzzes or rattles a", "that everyone understood, but unfortunately I think it's too unfamiliar: > > \"Yeah,\"", "vocal fry. > > > I could avoid the terminology and describe it" ]
[ "room of a tv show, would agree on one of them before turning", "Is there a way to have multiple alternative variants of a scene (alternative", "one of them before turning it into a shooting script? If that's possible,", "turning it into a shooting script? If that's possible, how would one properly", "it into a shooting script? If that's possible, how would one properly format/denote", "the writers room of a tv show, would agree on one of them", "way to have multiple alternative variants of a scene (alternative dialogue, shorter scene,", "example let's say the writers room of a tv show, would agree on", "of a tv show, would agree on one of them before turning it", "a spec script that, for example let's say the writers room of a", "etc.) in a spec script that, for example let's say the writers room", "have multiple alternative variants of a scene (alternative dialogue, shorter scene, etc.) in", "script that, for example let's say the writers room of a tv show,", "that, for example let's say the writers room of a tv show, would", "for example let's say the writers room of a tv show, would agree", "a tv show, would agree on one of them before turning it into", "alternative variants of a scene (alternative dialogue, shorter scene, etc.) in a spec", "tv show, would agree on one of them before turning it into a", "a way to have multiple alternative variants of a scene (alternative dialogue, shorter", "dialogue, shorter scene, etc.) in a spec script that, for example let's say", "shorter scene, etc.) in a spec script that, for example let's say the", "would agree on one of them before turning it into a shooting script?", "before turning it into a shooting script? If that's possible, how would one", "scene (alternative dialogue, shorter scene, etc.) in a spec script that, for example", "say the writers room of a tv show, would agree on one of", "of a scene (alternative dialogue, shorter scene, etc.) in a spec script that,", "in a spec script that, for example let's say the writers room of", "show, would agree on one of them before turning it into a shooting", "scene, etc.) in a spec script that, for example let's say the writers", "a scene (alternative dialogue, shorter scene, etc.) in a spec script that, for", "on one of them before turning it into a shooting script? If that's", "them before turning it into a shooting script? If that's possible, how would", "of them before turning it into a shooting script? If that's possible, how", "there a way to have multiple alternative variants of a scene (alternative dialogue,", "(alternative dialogue, shorter scene, etc.) in a spec script that, for example let's", "let's say the writers room of a tv show, would agree on one", "to have multiple alternative variants of a scene (alternative dialogue, shorter scene, etc.)", "into a shooting script? If that's possible, how would one properly format/denote that?", "multiple alternative variants of a scene (alternative dialogue, shorter scene, etc.) in a", "writers room of a tv show, would agree on one of them before", "variants of a scene (alternative dialogue, shorter scene, etc.) in a spec script", "spec script that, for example let's say the writers room of a tv", "agree on one of them before turning it into a shooting script? If" ]
[ "programming, but it hasn't helped in the slightest. What do I do? I", "to continue. It is the same situation with my programming; I can't work", "my own code. I tried taking a few weeks off of working on", "What do I do? I can't get anything done and it is really", "really taking a toll on me. I have so many things I want", "sentence of any given post without freezing up and becoming unable to continue.", "do? I can't get anything done and it is really taking a toll", "can't get anything done and it is really taking a toll on me.", "weeks off of working on both writing and programming, but it hasn't helped", "perfectionist. I can't get through a sentence of any given post without freezing", "a serious problem: I am a chronic, crippled perfectionist. I can't get through", "many things I want to do but I can't get out of my", "on me. I have so many things I want to do but I", "the slightest. What do I do? I can't get anything done and it", "freezing up and becoming unable to continue. It is the same situation with", "slightest. What do I do? I can't get anything done and it is", "taking a toll on me. I have so many things I want to", "same situation with my programming; I can't work on any of my projects", "tried taking a few weeks off of working on both writing and programming,", "toll on me. I have so many things I want to do but", "I do? I can't get anything done and it is really taking a", "but I can't get out of my own head and just do it.", "without freezing up and becoming unable to continue. It is the same situation", "in the slightest. What do I do? I can't get anything done and", "I am a chronic, crippled perfectionist. I can't get through a sentence of", "because I can't stop criticizing my own code. I tried taking a few", "few weeks off of working on both writing and programming, but it hasn't", "can't get through a sentence of any given post without freezing up and", "given post without freezing up and becoming unable to continue. It is the", "I can't stop criticizing my own code. I tried taking a few weeks", "with my programming; I can't work on any of my projects because I", "have hit a serious problem: I am a chronic, crippled perfectionist. I can't", "stop criticizing my own code. I tried taking a few weeks off of", "my programming; I can't work on any of my projects because I can't", "situation with my programming; I can't work on any of my projects because", "my projects because I can't stop criticizing my own code. I tried taking", "hit a serious problem: I am a chronic, crippled perfectionist. I can't get", "is really taking a toll on me. I have so many things I", "and becoming unable to continue. It is the same situation with my programming;", "it. I have tried following online courses and guides, but none of them", "unable to continue. It is the same situation with my programming; I can't", "I can't get out of my own head and just do it. I", "do it. I have tried following online courses and guides, but none of", "Substack newsletter, but I have hit a serious problem: I am a chronic,", "it hasn't helped in the slightest. What do I do? I can't get", "and guides, but none of them have helped. Does anyone here have any", "writing and programming, but it hasn't helped in the slightest. What do I", "to begin writing a Substack newsletter, but I have hit a serious problem:", "get anything done and it is really taking a toll on me. I", "both writing and programming, but it hasn't helped in the slightest. What do", "I can't get anything done and it is really taking a toll on", "is the same situation with my programming; I can't work on any of", "have so many things I want to do but I can't get out", "get out of my own head and just do it. I have tried", "can't get out of my own head and just do it. I have", "I have hit a serious problem: I am a chronic, crippled perfectionist. I", "any given post without freezing up and becoming unable to continue. It is", "writing a Substack newsletter, but I have hit a serious problem: I am", "up and becoming unable to continue. It is the same situation with my", "taking a few weeks off of working on both writing and programming, but", "it is really taking a toll on me. I have so many things", "code. I tried taking a few weeks off of working on both writing", "chronic, crippled perfectionist. I can't get through a sentence of any given post", "tried following online courses and guides, but none of them have helped. Does", "things I want to do but I can't get out of my own", "head and just do it. I have tried following online courses and guides,", "I tried taking a few weeks off of working on both writing and", "and just do it. I have tried following online courses and guides, but", "am attempting to begin writing a Substack newsletter, but I have hit a", "anything done and it is really taking a toll on me. I have", "want to do but I can't get out of my own head and", "helped in the slightest. What do I do? I can't get anything done", "problem: I am a chronic, crippled perfectionist. I can't get through a sentence", "done and it is really taking a toll on me. I have so", "am a chronic, crippled perfectionist. I can't get through a sentence of any", "It is the same situation with my programming; I can't work on any", "of working on both writing and programming, but it hasn't helped in the", "the same situation with my programming; I can't work on any of my", "I have so many things I want to do but I can't get", "following online courses and guides, but none of them have helped. Does anyone", "do but I can't get out of my own head and just do", "own head and just do it. I have tried following online courses and", "a toll on me. I have so many things I want to do", "to do but I can't get out of my own head and just", "courses and guides, but none of them have helped. Does anyone here have", "a chronic, crippled perfectionist. I can't get through a sentence of any given", "guides, but none of them have helped. Does anyone here have any suggestions?", "of my projects because I can't stop criticizing my own code. I tried", "crippled perfectionist. I can't get through a sentence of any given post without", "any of my projects because I can't stop criticizing my own code. I", "I can't get through a sentence of any given post without freezing up", "continue. It is the same situation with my programming; I can't work on", "just do it. I have tried following online courses and guides, but none", "on any of my projects because I can't stop criticizing my own code.", "a Substack newsletter, but I have hit a serious problem: I am a", "programming; I can't work on any of my projects because I can't stop", "can't work on any of my projects because I can't stop criticizing my", "of my own head and just do it. I have tried following online", "I can't work on any of my projects because I can't stop criticizing", "post without freezing up and becoming unable to continue. It is the same", "I am attempting to begin writing a Substack newsletter, but I have hit", "can't stop criticizing my own code. I tried taking a few weeks off", "becoming unable to continue. It is the same situation with my programming; I", "hasn't helped in the slightest. What do I do? I can't get anything", "of any given post without freezing up and becoming unable to continue. It", "work on any of my projects because I can't stop criticizing my own", "and it is really taking a toll on me. I have so many", "projects because I can't stop criticizing my own code. I tried taking a", "attempting to begin writing a Substack newsletter, but I have hit a serious", "I want to do but I can't get out of my own head", "do I do? I can't get anything done and it is really taking", "off of working on both writing and programming, but it hasn't helped in", "I have tried following online courses and guides, but none of them have", "criticizing my own code. I tried taking a few weeks off of working", "have tried following online courses and guides, but none of them have helped.", "so many things I want to do but I can't get out of", "me. I have so many things I want to do but I can't", "through a sentence of any given post without freezing up and becoming unable", "working on both writing and programming, but it hasn't helped in the slightest.", "newsletter, but I have hit a serious problem: I am a chronic, crippled", "online courses and guides, but none of them have helped. Does anyone here", "get through a sentence of any given post without freezing up and becoming", "own code. I tried taking a few weeks off of working on both", "on both writing and programming, but it hasn't helped in the slightest. What", "out of my own head and just do it. I have tried following", "but it hasn't helped in the slightest. What do I do? I can't", "begin writing a Substack newsletter, but I have hit a serious problem: I", "but I have hit a serious problem: I am a chronic, crippled perfectionist.", "my own head and just do it. I have tried following online courses", "a few weeks off of working on both writing and programming, but it", "a sentence of any given post without freezing up and becoming unable to", "serious problem: I am a chronic, crippled perfectionist. I can't get through a", "and programming, but it hasn't helped in the slightest. What do I do?" ]
[ "have completely forgotten him. I want to write an insulting scene for my", "to connect with him fully. Need some tips on how to achieve this.", "an insulting scene for my protagonist and want the readers to connect with", "completely forgotten him. I want to write an insulting scene for my protagonist", "my protagonist and want the readers to connect with him fully. Need some", "him. I want to write an insulting scene for my protagonist and want", "scene for my protagonist and want the readers to connect with him fully.", "want the readers to connect with him fully. Need some tips on how", "I want to write an insulting scene for my protagonist and want the", "insulting scene for my protagonist and want the readers to connect with him", "for my protagonist and want the readers to connect with him fully. Need", "friends have completely forgotten him. I want to write an insulting scene for", "the readers to connect with him fully. Need some tips on how to", "readers to connect with him fully. Need some tips on how to achieve", "out that his friends have completely forgotten him. I want to write an", "that his friends have completely forgotten him. I want to write an insulting", "his friends have completely forgotten him. I want to write an insulting scene", "write an insulting scene for my protagonist and want the readers to connect", "protagonist and want the readers to connect with him fully. Need some tips", "finds out that his friends have completely forgotten him. I want to write", "want to write an insulting scene for my protagonist and want the readers", "My protagonist finds out that his friends have completely forgotten him. I want", "and want the readers to connect with him fully. Need some tips on", "protagonist finds out that his friends have completely forgotten him. I want to", "forgotten him. I want to write an insulting scene for my protagonist and", "to write an insulting scene for my protagonist and want the readers to" ]
[ "wet, and grating. It could be a series of words I could form", "eye socket, much to the shock of the person whose perspective we're following.", "a good word. It'd be descriptive, wet, and grating. It could be a", "and grating. It could be a series of words I could form a", "socket, much to the shock of the person whose perspective we're following. \"Shunk\"", "a series of words I could form a sentence around for this particular", "instance. I settled on \"shunk,\" but I think I could describe it better,", "by describing the sound of a knife being pulled out of an eye", "much to the shock of the person whose perspective we're following. \"Shunk\" seems", "to the shock of the person whose perspective we're following. \"Shunk\" seems hollow", "of a good word. It'd be descriptive, wet, and grating. It could be", "form a sentence around for this particular instance. I settled on \"shunk,\" but", "around for this particular instance. I settled on \"shunk,\" but I think I", "I can't think of a good word. It'd be descriptive, wet, and grating.", "a sentence around for this particular instance. I settled on \"shunk,\" but I", "character is removing the knife from his own eye socket, much to the", "describe it better, seeing as the character is removing the knife from his", "of words I could form a sentence around for this particular instance. I", "own eye socket, much to the shock of the person whose perspective we're", "be a series of words I could form a sentence around for this", "writing a story and want to immerse the readers by describing the sound", "being pulled out of an eye socket. I can't think of a good", "removing the knife from his own eye socket, much to the shock of", "on \"shunk,\" but I think I could describe it better, seeing as the", "could describe it better, seeing as the character is removing the knife from", "be descriptive, wet, and grating. It could be a series of words I", "an eye socket. I can't think of a good word. It'd be descriptive,", "words I could form a sentence around for this particular instance. I settled", "describing the sound of a knife being pulled out of an eye socket.", "the character is removing the knife from his own eye socket, much to", "It'd be descriptive, wet, and grating. It could be a series of words", "immerse the readers by describing the sound of a knife being pulled out", "series of words I could form a sentence around for this particular instance.", "I think I could describe it better, seeing as the character is removing", "a story and want to immerse the readers by describing the sound of", "better, seeing as the character is removing the knife from his own eye", "socket. I can't think of a good word. It'd be descriptive, wet, and", "It could be a series of words I could form a sentence around", "of the person whose perspective we're following. \"Shunk\" seems hollow for this moment.", "and want to immerse the readers by describing the sound of a knife", "sound of a knife being pulled out of an eye socket. I can't", "knife from his own eye socket, much to the shock of the person", "\"shunk,\" but I think I could describe it better, seeing as the character", "readers by describing the sound of a knife being pulled out of an", "story and want to immerse the readers by describing the sound of a", "pulled out of an eye socket. I can't think of a good word.", "his own eye socket, much to the shock of the person whose perspective", "the sound of a knife being pulled out of an eye socket. I", "of a knife being pulled out of an eye socket. I can't think", "for this particular instance. I settled on \"shunk,\" but I think I could", "settled on \"shunk,\" but I think I could describe it better, seeing as", "shock of the person whose perspective we're following. \"Shunk\" seems hollow for this", "grating. It could be a series of words I could form a sentence", "as the character is removing the knife from his own eye socket, much", "could be a series of words I could form a sentence around for", "can't think of a good word. It'd be descriptive, wet, and grating. It", "think I could describe it better, seeing as the character is removing the", "it better, seeing as the character is removing the knife from his own", "the shock of the person whose perspective we're following. \"Shunk\" seems hollow for", "I'm writing a story and want to immerse the readers by describing the", "could form a sentence around for this particular instance. I settled on \"shunk,\"", "word. It'd be descriptive, wet, and grating. It could be a series of", "particular instance. I settled on \"shunk,\" but I think I could describe it", "from his own eye socket, much to the shock of the person whose", "seeing as the character is removing the knife from his own eye socket,", "this particular instance. I settled on \"shunk,\" but I think I could describe", "is removing the knife from his own eye socket, much to the shock", "I could form a sentence around for this particular instance. I settled on", "but I think I could describe it better, seeing as the character is", "knife being pulled out of an eye socket. I can't think of a", "want to immerse the readers by describing the sound of a knife being", "think of a good word. It'd be descriptive, wet, and grating. It could", "out of an eye socket. I can't think of a good word. It'd", "I settled on \"shunk,\" but I think I could describe it better, seeing", "a knife being pulled out of an eye socket. I can't think of", "good word. It'd be descriptive, wet, and grating. It could be a series", "of an eye socket. I can't think of a good word. It'd be", "the readers by describing the sound of a knife being pulled out of", "descriptive, wet, and grating. It could be a series of words I could", "to immerse the readers by describing the sound of a knife being pulled", "sentence around for this particular instance. I settled on \"shunk,\" but I think", "eye socket. I can't think of a good word. It'd be descriptive, wet,", "I could describe it better, seeing as the character is removing the knife", "the knife from his own eye socket, much to the shock of the" ]
[ "seems a lot more complicated than I thought, and I don't have anyone", "am 10 years old (almost eleven), and I'm trying to write a novel.", "a lot harder and stressful than I thought. I'm also scared of people", "novel. I discovered it is a lot harder and stressful than I thought.", "thought. I'm also scared of people judging it negatively. This seems a lot", "of people judging it negatively. This seems a lot more complicated than I", "and stressful than I thought. I'm also scared of people judging it negatively.", "This seems a lot more complicated than I thought, and I don't have", "old (almost eleven), and I'm trying to write a novel. I discovered it", "lot more complicated than I thought, and I don't have anyone helping me,", "than I thought. I'm also scared of people judging it negatively. This seems", "I'm trying to write a novel. I discovered it is a lot harder", "people judging it negatively. This seems a lot more complicated than I thought,", "discovered it is a lot harder and stressful than I thought. I'm also", "I thought. I'm also scared of people judging it negatively. This seems a", "it negatively. This seems a lot more complicated than I thought, and I", "judging it negatively. This seems a lot more complicated than I thought, and", "I'm also scared of people judging it negatively. This seems a lot more", "write a novel. I discovered it is a lot harder and stressful than", "to write a novel. I discovered it is a lot harder and stressful", "it is a lot harder and stressful than I thought. I'm also scared", "harder and stressful than I thought. I'm also scared of people judging it", "lot harder and stressful than I thought. I'm also scared of people judging", "also scared of people judging it negatively. This seems a lot more complicated", "trying to write a novel. I discovered it is a lot harder and", "eleven), and I'm trying to write a novel. I discovered it is a", "years old (almost eleven), and I'm trying to write a novel. I discovered", "stressful than I thought. I'm also scared of people judging it negatively. This", "10 years old (almost eleven), and I'm trying to write a novel. I", "scared of people judging it negatively. This seems a lot more complicated than", "is a lot harder and stressful than I thought. I'm also scared of", "I am 10 years old (almost eleven), and I'm trying to write a", "thought, and I don't have anyone helping me, other than suggestions. Help! :'(", "and I'm trying to write a novel. I discovered it is a lot", "a novel. I discovered it is a lot harder and stressful than I", "(almost eleven), and I'm trying to write a novel. I discovered it is", "negatively. This seems a lot more complicated than I thought, and I don't", "I thought, and I don't have anyone helping me, other than suggestions. Help!", "than I thought, and I don't have anyone helping me, other than suggestions.", "complicated than I thought, and I don't have anyone helping me, other than", "I discovered it is a lot harder and stressful than I thought. I'm", "more complicated than I thought, and I don't have anyone helping me, other", "a lot more complicated than I thought, and I don't have anyone helping" ]
[ "already know) it sort of reads like a \"revision\" of facts. These characters", "what they think about those things and how they come together. The point", "the other two into the \"quest\" itself and have them interact with two", "sort of reads like a \"revision\" of facts. These characters are interacting with", "building, they are not just sharing what they know with each other and", "than the previous world building arc. I'm dealing with three main characters right", "the first time all three were together in a non-risky situation, so I", "any of it again. It is a solid chunk of text, though. I", "and revised in a way where the reader knows all the players, the", "intense and action focused than the previous world building arc. I'm dealing with", "of show how things are coming from the other end and forming the", "what they know with each other and about each other, but actually sharing", "used first person POV when new sentiments or info were shown, but third", "reader knows all the players, the risk, the events and what comes next,", "I'm dealing with three main characters right now, one is actually set to", "I know I don't have to explain any of it again. It is", "adventure gathering important knowledge and information that when put together makes for the", "that chapter. It's the first time all three were together in a non-risky", "over what to do next. I'm a bit worried. I think it works", "These characters are interacting with each other, their bonds are building, they are", "Right now, each one of these three characters had their own \"mini\" adventure", "novel. Storyline wise I'm just about to charge into the second arc of", "a full chapter of conversations and pondering between three people over what to", "together. The point is to have these characters actually agree to move towards", "a sharp turn of perspective and toss the reader in the room with", "to explain any of it again. It is a solid chunk of text,", "feel about it, would just feel like a slog and then \"rewarding the", "what each character knows and how they feel about it, would just feel", "what comes next, and I know I don't have to explain any of", "and I know I don't have to explain any of it again. It", "situation, so I felt it would be only natural and logical for these", "arc. I'm dealing with three main characters right now, one is actually set", "or info were shown, but third person when I had to summarize previous", "is that by having to slow things down for a full chapter to", "own \"mini\" adventure gathering important knowledge and information that when put together makes", "characters right now, one is actually set to die as a way to", "about to charge into the second arc of the story, much more intense", "end and forming the \"collision course\" that will be the heart of act", "some downtime. This is that chapter. It's the first time all three were", "I'm trying to replace \"surprise\" with \"tension\" but unsure if it's a good", "comes next, and I know I don't have to explain any of it", "it, would just feel like a slog and then \"rewarding the reader\" with", "the reader (or repeating information they already know) it sort of reads like", "the heart of act 2. My worry is that by having to slow", "and the reality is a full chapter of conversations and pondering between three", "for the whole picture. They get together and after a chase scene they", "third person when I had to summarize previous events and give a character's", "come together. The point is to have these characters actually agree to move", "and about each other, but actually sharing of what they think about those", "\"revision\" of facts. These characters are interacting with each other, their bonds are", "the \"quest\" itself and have them interact with two other characters that would", "they share their thoughts and feelings on the previous events. Of course, this", "revised in a way where the reader knows all the players, the risk,", "having to slow things down for a full chapter to logically explain what", "into the second arc of the story, much more intense and action focused", "facts. These characters are interacting with each other, their bonds are building, they", "between three people over what to do next. I'm a bit worried. I", "actors on stage, but also the tone and sort of show how things", "people over what to do next. I'm a bit worried. I think it", "now, each one of these three characters had their own \"mini\" adventure gathering", "dealing with three main characters right now, one is actually set to die", "force the other two into the \"quest\" itself and have them interact with", "course, this is theory and the reality is a full chapter of conversations", "to logically explain what each character knows and how they feel about it,", "information, form a plan they can all agree to but also exchange perspectives.", "so I felt it would be only natural and logical for these characters", "their own \"mini\" adventure gathering important knowledge and information that when put together", "each other, their bonds are building, they are not just sharing what they", "This is that chapter. It's the first time all three were together in", "next. I'm a bit worried. I think it works because now information is", "not only to change the actors on stage, but also the tone and", "to charge into the second arc of the story, much more intense and", "exchange information, form a plan they can all agree to but also exchange", "they already know) it sort of reads like a \"revision\" of facts. These", "to die as a way to force the other two into the \"quest\"", "with each other and about each other, but actually sharing of what they", "are coming from the other end and forming the \"collision course\" that will", "things and how they come together. The point is to have these characters", "main characters right now, one is actually set to die as a way", "other, but actually sharing of what they think about those things and how", "new sentiments or info were shown, but third person when I had to", "perspective on it. Now I'm considering just doing a sharp turn of perspective", "course\" that will be the heart of act 2. My worry is that", "second arc of the story, much more intense and action focused than the", "the story, much more intense and action focused than the previous world building", "chapter to logically explain what each character knows and how they feel about", "it's a good bet. I would love to get some perspectives and opinions", "they had some downtime. This is that chapter. It's the first time all", "three were together in a non-risky situation, so I felt it would be", "slow things down for a full chapter to logically explain what each character", "follow them all the way to the end of the story. Right now,", "are building, they are not just sharing what they know with each other", "have these characters actually agree to move towards danger instead of away from", "knowledge and information that when put together makes for the whole picture. They", "theory and the reality is a full chapter of conversations and pondering between", "three main characters right now, one is actually set to die as a", "of it again. It is a solid chunk of text, though. I used", "other end and forming the \"collision course\" that will be the heart of", "don't have to explain any of it again. It is a solid chunk", "toss the reader in the room with the villains, not only to change", "would just feel like a slog and then \"rewarding the reader\" with the", "only natural and logical for these characters to exchange information, form a plan", "is to have these characters actually agree to move towards danger instead of", "think about those things and how they come together. The point is to", "together in a non-risky situation, so I felt it would be only natural", "danger instead of away from it, because that is what it feels right", "Now I'm considering just doing a sharp turn of perspective and toss the", "the story. Right now, each one of these three characters had their own", "be the heart of act 2. My worry is that by having to", "the whole picture. They get together and after a chase scene they had", "had some downtime. This is that chapter. It's the first time all three", "down for a full chapter to logically explain what each character knows and", "a bit worried. I think it works because now information is focused and", "by having to slow things down for a full chapter to logically explain", "what to do next. I'm a bit worried. I think it works because", "is a full chapter of conversations and pondering between three people over what", "and what comes next, and I know I don't have to explain any", "a full chapter to logically explain what each character knows and how they", "a way where the reader knows all the players, the risk, the events", "of the story. Right now, each one of these three characters had their", "exposition onto the reader (or repeating information they already know) it sort of", "and how they come together. The point is to have these characters actually", "the previous events. Of course, this is theory and the reality is a", "solid chunk of text, though. I used first person POV when new sentiments", "but unsure if it's a good bet. I would love to get some", "forming the \"collision course\" that will be the heart of act 2. My", "know) it sort of reads like a \"revision\" of facts. These characters are", "with three main characters right now, one is actually set to die as", "towards danger instead of away from it, because that is what it feels", "then \"rewarding the reader\" with the villains perspective. I'm trying to replace \"surprise\"", "that when put together makes for the whole picture. They get together and", "trying to replace \"surprise\" with \"tension\" but unsure if it's a good bet.", "information that when put together makes for the whole picture. They get together", "villains perspective. I'm trying to replace \"surprise\" with \"tension\" but unsure if it's", "and have them interact with two other characters that would follow them all", "think it works because now information is focused and revised in a way", "they know with each other and about each other, but actually sharing of", "felt it would be only natural and logical for these characters to exchange", "worry is that by having to slow things down for a full chapter", "is theory and the reality is a full chapter of conversations and pondering", "on it. Now I'm considering just doing a sharp turn of perspective and", "it feels right after they share their thoughts and feelings on the previous", "plan they can all agree to but also exchange perspectives. Instead of just", "the reality is a full chapter of conversations and pondering between three people", "story. Right now, each one of these three characters had their own \"mini\"", "shown, but third person when I had to summarize previous events and give", "working on a fantasy novel. Storyline wise I'm just about to charge into", "It's the first time all three were together in a non-risky situation, so", "first time all three were together in a non-risky situation, so I felt", "considering just doing a sharp turn of perspective and toss the reader in", "the reader in the room with the villains, not only to change the", "other and about each other, but actually sharing of what they think about", "right now, one is actually set to die as a way to force", "of just dumping exposition onto the reader (or repeating information they already know)", "the \"collision course\" that will be the heart of act 2. My worry", "in a non-risky situation, so I felt it would be only natural and", "The point is to have these characters actually agree to move towards danger", "to replace \"surprise\" with \"tension\" but unsure if it's a good bet. I", "the actors on stage, but also the tone and sort of show how", "the other end and forming the \"collision course\" that will be the heart", "I'm just about to charge into the second arc of the story, much", "arc of the story, much more intense and action focused than the previous", "feel like a slog and then \"rewarding the reader\" with the villains perspective.", "with the villains perspective. I'm trying to replace \"surprise\" with \"tension\" but unsure", "Instead of just dumping exposition onto the reader (or repeating information they already", "characters that would follow them all the way to the end of the", "gathering important knowledge and information that when put together makes for the whole", "after a chase scene they had some downtime. This is that chapter. It's", "slog and then \"rewarding the reader\" with the villains perspective. I'm trying to", "previous world building arc. I'm dealing with three main characters right now, one", "perspective and toss the reader in the room with the villains, not only", "coming from the other end and forming the \"collision course\" that will be", "just about to charge into the second arc of the story, much more", "chapter. It's the first time all three were together in a non-risky situation,", "after they share their thoughts and feelings on the previous events. Of course,", "where the reader knows all the players, the risk, the events and what", "to but also exchange perspectives. Instead of just dumping exposition onto the reader", "wise I'm just about to charge into the second arc of the story,", "is focused and revised in a way where the reader knows all the", "I'm considering just doing a sharp turn of perspective and toss the reader", "it. Now I'm considering just doing a sharp turn of perspective and toss", "this is theory and the reality is a full chapter of conversations and", "each other, but actually sharing of what they think about those things and", "on a fantasy novel. Storyline wise I'm just about to charge into the", "instead of away from it, because that is what it feels right after", "but third person when I had to summarize previous events and give a", "on the previous events. Of course, this is theory and the reality is", "focused than the previous world building arc. I'm dealing with three main characters", "reality is a full chapter of conversations and pondering between three people over", "two other characters that would follow them all the way to the end", "as a way to force the other two into the \"quest\" itself and", "now information is focused and revised in a way where the reader knows", "full chapter of conversations and pondering between three people over what to do", "a good bet. I would love to get some perspectives and opinions on", "would love to get some perspectives and opinions on this course of action.", "a way to force the other two into the \"quest\" itself and have", "again. It is a solid chunk of text, though. I used first person", "to change the actors on stage, but also the tone and sort of", "villains, not only to change the actors on stage, but also the tone", "to force the other two into the \"quest\" itself and have them interact", "\"mini\" adventure gathering important knowledge and information that when put together makes for", "know with each other and about each other, but actually sharing of what", "one of these three characters had their own \"mini\" adventure gathering important knowledge", "like a \"revision\" of facts. These characters are interacting with each other, their", "were together in a non-risky situation, so I felt it would be only", "of conversations and pondering between three people over what to do next. I'm", "characters actually agree to move towards danger instead of away from it, because", "explain what each character knows and how they feel about it, would just", "die as a way to force the other two into the \"quest\" itself", "not just sharing what they know with each other and about each other,", "chase scene they had some downtime. This is that chapter. It's the first", "of act 2. My worry is that by having to slow things down", "way where the reader knows all the players, the risk, the events and", "\"tension\" but unsure if it's a good bet. I would love to get", "were shown, but third person when I had to summarize previous events and", "that by having to slow things down for a full chapter to logically", "when new sentiments or info were shown, but third person when I had", "with each other, their bonds are building, they are not just sharing what", "that is what it feels right after they share their thoughts and feelings", "three characters had their own \"mini\" adventure gathering important knowledge and information that", "these characters actually agree to move towards danger instead of away from it,", "with the villains, not only to change the actors on stage, but also", "2. My worry is that by having to slow things down for a", "explain any of it again. It is a solid chunk of text, though.", "whole picture. They get together and after a chase scene they had some", "good bet. I would love to get some perspectives and opinions on this", "reader (or repeating information they already know) it sort of reads like a", "put together makes for the whole picture. They get together and after a", "events and what comes next, and I know I don't have to explain", "are not just sharing what they know with each other and about each", "them interact with two other characters that would follow them all the way", "about each other, but actually sharing of what they think about those things", "full chapter to logically explain what each character knows and how they feel", "info were shown, but third person when I had to summarize previous events", "and toss the reader in the room with the villains, not only to", "things down for a full chapter to logically explain what each character knows", "three people over what to do next. I'm a bit worried. I think", "that will be the heart of act 2. My worry is that by", "but also the tone and sort of show how things are coming from", "in a way where the reader knows all the players, the risk, the", "though. I used first person POV when new sentiments or info were shown,", "first person POV when new sentiments or info were shown, but third person", "and how they feel about it, would just feel like a slog and", "way to the end of the story. Right now, each one of these", "agree to move towards danger instead of away from it, because that is", "all the players, the risk, the events and what comes next, and I", "right after they share their thoughts and feelings on the previous events. Of", "these characters to exchange information, form a plan they can all agree to", "turn of perspective and toss the reader in the room with the villains,", "natural and logical for these characters to exchange information, form a plan they", "time all three were together in a non-risky situation, so I felt it", "the second arc of the story, much more intense and action focused than", "bit worried. I think it works because now information is focused and revised", "have to explain any of it again. It is a solid chunk of", "I don't have to explain any of it again. It is a solid", "for a full chapter to logically explain what each character knows and how", "a fantasy novel. Storyline wise I'm just about to charge into the second", "give a character's perspective on it. Now I'm considering just doing a sharp", "bet. I would love to get some perspectives and opinions on this course", "knows all the players, the risk, the events and what comes next, and", "form a plan they can all agree to but also exchange perspectives. Instead", "dumping exposition onto the reader (or repeating information they already know) it sort", "\"quest\" itself and have them interact with two other characters that would follow", "to slow things down for a full chapter to logically explain what each", "and information that when put together makes for the whole picture. They get", "sharing of what they think about those things and how they come together.", "and forming the \"collision course\" that will be the heart of act 2.", "downtime. This is that chapter. It's the first time all three were together", "into the \"quest\" itself and have them interact with two other characters that", "just doing a sharp turn of perspective and toss the reader in the", "together and after a chase scene they had some downtime. This is that", "they feel about it, would just feel like a slog and then \"rewarding", "a plan they can all agree to but also exchange perspectives. Instead of", "can all agree to but also exchange perspectives. Instead of just dumping exposition", "next, and I know I don't have to explain any of it again.", "away from it, because that is what it feels right after they share", "It is a solid chunk of text, though. I used first person POV", "replace \"surprise\" with \"tension\" but unsure if it's a good bet. I would", "the villains perspective. I'm trying to replace \"surprise\" with \"tension\" but unsure if", "scene they had some downtime. This is that chapter. It's the first time", "point is to have these characters actually agree to move towards danger instead", "knows and how they feel about it, would just feel like a slog", "that would follow them all the way to the end of the story.", "a non-risky situation, so I felt it would be only natural and logical", "the previous world building arc. I'm dealing with three main characters right now,", "previous events and give a character's perspective on it. Now I'm considering just", "to do next. I'm a bit worried. I think it works because now", "all the way to the end of the story. Right now, each one", "They get together and after a chase scene they had some downtime. This", "I'm a bit worried. I think it works because now information is focused", "sentiments or info were shown, but third person when I had to summarize", "if it's a good bet. I would love to get some perspectives and", "they can all agree to but also exchange perspectives. Instead of just dumping", "them all the way to the end of the story. Right now, each", "interacting with each other, their bonds are building, they are not just sharing", "on stage, but also the tone and sort of show how things are", "do next. I'm a bit worried. I think it works because now information", "agree to but also exchange perspectives. Instead of just dumping exposition onto the", "character's perspective on it. Now I'm considering just doing a sharp turn of", "story, much more intense and action focused than the previous world building arc.", "those things and how they come together. The point is to have these", "world building arc. I'm dealing with three main characters right now, one is", "focused and revised in a way where the reader knows all the players,", "risk, the events and what comes next, and I know I don't have", "doing a sharp turn of perspective and toss the reader in the room", "how they feel about it, would just feel like a slog and then", "what it feels right after they share their thoughts and feelings on the", "it again. It is a solid chunk of text, though. I used first", "a slog and then \"rewarding the reader\" with the villains perspective. I'm trying", "non-risky situation, so I felt it would be only natural and logical for", "know I don't have to explain any of it again. It is a", "of facts. These characters are interacting with each other, their bonds are building,", "is a solid chunk of text, though. I used first person POV when", "POV when new sentiments or info were shown, but third person when I", "with \"tension\" but unsure if it's a good bet. I would love to", "person POV when new sentiments or info were shown, but third person when", "a solid chunk of text, though. I used first person POV when new", "when I had to summarize previous events and give a character's perspective on", "these three characters had their own \"mini\" adventure gathering important knowledge and information", "the events and what comes next, and I know I don't have to", "it works because now information is focused and revised in a way where", "the reader knows all the players, the risk, the events and what comes", "and logical for these characters to exchange information, form a plan they can", "move towards danger instead of away from it, because that is what it", "feelings on the previous events. Of course, this is theory and the reality", "person when I had to summarize previous events and give a character's perspective", "be only natural and logical for these characters to exchange information, form a", "the end of the story. Right now, each one of these three characters", "they think about those things and how they come together. The point is", "how things are coming from the other end and forming the \"collision course\"", "My worry is that by having to slow things down for a full", "onto the reader (or repeating information they already know) it sort of reads", "set to die as a way to force the other two into the", "exchange perspectives. Instead of just dumping exposition onto the reader (or repeating information", "but also exchange perspectives. Instead of just dumping exposition onto the reader (or", "and give a character's perspective on it. Now I'm considering just doing a", "actually set to die as a way to force the other two into", "from the other end and forming the \"collision course\" that will be the", "because now information is focused and revised in a way where the reader", "just feel like a slog and then \"rewarding the reader\" with the villains", "summarize previous events and give a character's perspective on it. Now I'm considering", "\"surprise\" with \"tension\" but unsure if it's a good bet. I would love", "would be only natural and logical for these characters to exchange information, form", "works because now information is focused and revised in a way where the", "each other and about each other, but actually sharing of what they think", "of these three characters had their own \"mini\" adventure gathering important knowledge and", "other characters that would follow them all the way to the end of", "and pondering between three people over what to do next. I'm a bit", "each character knows and how they feel about it, would just feel like", "they are not just sharing what they know with each other and about", "other two into the \"quest\" itself and have them interact with two other", "about those things and how they come together. The point is to have", "much more intense and action focused than the previous world building arc. I'm", "all agree to but also exchange perspectives. Instead of just dumping exposition onto", "each one of these three characters had their own \"mini\" adventure gathering important", "have them interact with two other characters that would follow them all the", "get together and after a chase scene they had some downtime. This is", "charge into the second arc of the story, much more intense and action", "the reader\" with the villains perspective. I'm trying to replace \"surprise\" with \"tension\"", "to the end of the story. Right now, each one of these three", "for these characters to exchange information, form a plan they can all agree", "important knowledge and information that when put together makes for the whole picture.", "events and give a character's perspective on it. Now I'm considering just doing", "the players, the risk, the events and what comes next, and I know", "a chase scene they had some downtime. This is that chapter. It's the", "it, because that is what it feels right after they share their thoughts", "like a slog and then \"rewarding the reader\" with the villains perspective. I'm", "reader\" with the villains perspective. I'm trying to replace \"surprise\" with \"tension\" but", "their thoughts and feelings on the previous events. Of course, this is theory", "I had to summarize previous events and give a character's perspective on it.", "would follow them all the way to the end of the story. Right", "chapter of conversations and pondering between three people over what to do next.", "act 2. My worry is that by having to slow things down for", "picture. They get together and after a chase scene they had some downtime.", "and feelings on the previous events. Of course, this is theory and the", "(or repeating information they already know) it sort of reads like a \"revision\"", "bonds are building, they are not just sharing what they know with each", "text, though. I used first person POV when new sentiments or info were", "but actually sharing of what they think about those things and how they", "itself and have them interact with two other characters that would follow them", "sharing what they know with each other and about each other, but actually", "characters to exchange information, form a plan they can all agree to but", "the room with the villains, not only to change the actors on stage,", "had to summarize previous events and give a character's perspective on it. Now", "repeating information they already know) it sort of reads like a \"revision\" of", "tone and sort of show how things are coming from the other end", "thoughts and feelings on the previous events. Of course, this is theory and", "actually agree to move towards danger instead of away from it, because that", "\"rewarding the reader\" with the villains perspective. I'm trying to replace \"surprise\" with", "pondering between three people over what to do next. I'm a bit worried.", "of text, though. I used first person POV when new sentiments or info", "to have these characters actually agree to move towards danger instead of away", "heart of act 2. My worry is that by having to slow things", "only to change the actors on stage, but also the tone and sort", "Of course, this is theory and the reality is a full chapter of", "characters are interacting with each other, their bonds are building, they are not", "it would be only natural and logical for these characters to exchange information,", "had their own \"mini\" adventure gathering important knowledge and information that when put", "it sort of reads like a \"revision\" of facts. These characters are interacting", "logically explain what each character knows and how they feel about it, would", "about it, would just feel like a slog and then \"rewarding the reader\"", "a \"revision\" of facts. These characters are interacting with each other, their bonds", "I think it works because now information is focused and revised in a", "information is focused and revised in a way where the reader knows all", "is actually set to die as a way to force the other two", "more intense and action focused than the previous world building arc. I'm dealing", "chunk of text, though. I used first person POV when new sentiments or", "to summarize previous events and give a character's perspective on it. Now I'm", "worried. I think it works because now information is focused and revised in", "change the actors on stage, but also the tone and sort of show", "together makes for the whole picture. They get together and after a chase", "I'm currently working on a fantasy novel. Storyline wise I'm just about to", "just dumping exposition onto the reader (or repeating information they already know) it", "perspectives. Instead of just dumping exposition onto the reader (or repeating information they", "from it, because that is what it feels right after they share their", "share their thoughts and feelings on the previous events. Of course, this is", "sort of show how things are coming from the other end and forming", "the tone and sort of show how things are coming from the other", "will be the heart of act 2. My worry is that by having", "of what they think about those things and how they come together. The", "to move towards danger instead of away from it, because that is what", "players, the risk, the events and what comes next, and I know I", "in the room with the villains, not only to change the actors on", "and after a chase scene they had some downtime. This is that chapter.", "with two other characters that would follow them all the way to the", "all three were together in a non-risky situation, so I felt it would", "of the story, much more intense and action focused than the previous world", "when put together makes for the whole picture. They get together and after", "show how things are coming from the other end and forming the \"collision", "to exchange information, form a plan they can all agree to but also", "makes for the whole picture. They get together and after a chase scene", "of reads like a \"revision\" of facts. These characters are interacting with each", "because that is what it feels right after they share their thoughts and", "feels right after they share their thoughts and feelings on the previous events.", "logical for these characters to exchange information, form a plan they can all", "are interacting with each other, their bonds are building, they are not just", "they come together. The point is to have these characters actually agree to", "I would love to get some perspectives and opinions on this course of", "how they come together. The point is to have these characters actually agree", "of away from it, because that is what it feels right after they", "currently working on a fantasy novel. Storyline wise I'm just about to charge", "characters had their own \"mini\" adventure gathering important knowledge and information that when", "also the tone and sort of show how things are coming from the", "of perspective and toss the reader in the room with the villains, not", "and then \"rewarding the reader\" with the villains perspective. I'm trying to replace", "one is actually set to die as a way to force the other", "conversations and pondering between three people over what to do next. I'm a", "end of the story. Right now, each one of these three characters had", "unsure if it's a good bet. I would love to get some perspectives", "reads like a \"revision\" of facts. These characters are interacting with each other,", "just sharing what they know with each other and about each other, but", "the way to the end of the story. Right now, each one of", "I felt it would be only natural and logical for these characters to", "room with the villains, not only to change the actors on stage, but", "and sort of show how things are coming from the other end and", "the risk, the events and what comes next, and I know I don't", "two into the \"quest\" itself and have them interact with two other characters", "the villains, not only to change the actors on stage, but also the", "also exchange perspectives. Instead of just dumping exposition onto the reader (or repeating", "previous events. Of course, this is theory and the reality is a full", "Storyline wise I'm just about to charge into the second arc of the", "character knows and how they feel about it, would just feel like a", "building arc. I'm dealing with three main characters right now, one is actually", "their bonds are building, they are not just sharing what they know with", "action focused than the previous world building arc. I'm dealing with three main", "perspective. I'm trying to replace \"surprise\" with \"tension\" but unsure if it's a", "fantasy novel. Storyline wise I'm just about to charge into the second arc", "information they already know) it sort of reads like a \"revision\" of facts.", "interact with two other characters that would follow them all the way to", "way to force the other two into the \"quest\" itself and have them", "and action focused than the previous world building arc. I'm dealing with three", "reader in the room with the villains, not only to change the actors", "now, one is actually set to die as a way to force the", "is that chapter. It's the first time all three were together in a", "other, their bonds are building, they are not just sharing what they know", "I used first person POV when new sentiments or info were shown, but", "actually sharing of what they think about those things and how they come", "sharp turn of perspective and toss the reader in the room with the", "events. Of course, this is theory and the reality is a full chapter", "a character's perspective on it. Now I'm considering just doing a sharp turn", "things are coming from the other end and forming the \"collision course\" that", "stage, but also the tone and sort of show how things are coming", "\"collision course\" that will be the heart of act 2. My worry is", "is what it feels right after they share their thoughts and feelings on" ]
[ "i have scoured the internet and couldn't find any validation... nor was i", "parenthetical usage. i need your help ! but please be gentle - i", "could eat spicy food\". what i meant was, we could eat food, spicy", "find any validation... nor was i able to find another example of this", "be gentle - i am a frequent visitor of this site but a", "prompts says: \"together we could..\" among other things, my response includes, \"eat (spicy)", "includes, \"eat (spicy) food\". my friends argue that this statement says \"we could", "my dating profile, one of the prompts says: \"together we could..\" among other", "i love her very much, but don't trust her opinion on the matter.", "response includes, \"eat (spicy) food\". my friends argue that this statement says \"we", "! but please be gentle - i am a frequent visitor of this", "statement says \"we could eat spicy food\". what i meant was, we could", "friends has severe dyslexia and is functionally illiterate. i love her very much,", "please be gentle - i am a frequent visitor of this site but", "i able to find another example of this type of parenthetical usage. i", "illiterate. i love her very much, but don't trust her opinion on the", "we could..\" among other things, my response includes, \"eat (spicy) food\". my friends", "the prompts says: \"together we could..\" among other things, my response includes, \"eat", "these friends has severe dyslexia and is functionally illiterate. i love her very", "couldn't find any validation... nor was i able to find another example of", "scoured the internet and couldn't find any validation... nor was i able to", "was i able to find another example of this type of parenthetical usage.", "love her very much, but don't trust her opinion on the matter. i", "and is functionally illiterate. i love her very much, but don't trust her", "able to find another example of this type of parenthetical usage. i need", "could eat food, spicy optional. did i screw this up? one of these", "find another example of this type of parenthetical usage. i need your help", "spicy optional. did i screw this up? one of these friends has severe", "one of these friends has severe dyslexia and is functionally illiterate. i love", "of parenthetical usage. i need your help ! but please be gentle -", "my response includes, \"eat (spicy) food\". my friends argue that this statement says", "your help ! but please be gentle - i am a frequent visitor", "of the prompts says: \"together we could..\" among other things, my response includes,", "\"we could eat spicy food\". what i meant was, we could eat food,", "type of parenthetical usage. i need your help ! but please be gentle", "\"eat (spicy) food\". my friends argue that this statement says \"we could eat", "we could eat food, spicy optional. did i screw this up? one of", "and couldn't find any validation... nor was i able to find another example", "this type of parenthetical usage. i need your help ! but please be", "trust her opinion on the matter. i have scoured the internet and couldn't", "opinion on the matter. i have scoured the internet and couldn't find any", "gentle - i am a frequent visitor of this site but a very", "but don't trust her opinion on the matter. i have scoured the internet", "profile, one of the prompts says: \"together we could..\" among other things, my", "my friends argue that this statement says \"we could eat spicy food\". what", "this statement says \"we could eat spicy food\". what i meant was, we", "up? one of these friends has severe dyslexia and is functionally illiterate. i", "was, we could eat food, spicy optional. did i screw this up? one", "any validation... nor was i able to find another example of this type", "- i am a frequent visitor of this site but a very infrequent", "argue that this statement says \"we could eat spicy food\". what i meant", "the matter. i have scoured the internet and couldn't find any validation... nor", "optional. did i screw this up? one of these friends has severe dyslexia", "i screw this up? one of these friends has severe dyslexia and is", "eat spicy food\". what i meant was, we could eat food, spicy optional.", "severe dyslexia and is functionally illiterate. i love her very much, but don't", "has severe dyslexia and is functionally illiterate. i love her very much, but", "things, my response includes, \"eat (spicy) food\". my friends argue that this statement", "the internet and couldn't find any validation... nor was i able to find", "(spicy) food\". my friends argue that this statement says \"we could eat spicy", "says: \"together we could..\" among other things, my response includes, \"eat (spicy) food\".", "to find another example of this type of parenthetical usage. i need your", "screw this up? one of these friends has severe dyslexia and is functionally", "spicy food\". what i meant was, we could eat food, spicy optional. did", "\"together we could..\" among other things, my response includes, \"eat (spicy) food\". my", "very much, but don't trust her opinion on the matter. i have scoured", "of this type of parenthetical usage. i need your help ! but please", "meant was, we could eat food, spicy optional. did i screw this up?", "did i screw this up? one of these friends has severe dyslexia and", "help ! but please be gentle - i am a frequent visitor of", "dyslexia and is functionally illiterate. i love her very much, but don't trust", "what i meant was, we could eat food, spicy optional. did i screw", "i need your help ! but please be gentle - i am a", "that this statement says \"we could eat spicy food\". what i meant was,", "could..\" among other things, my response includes, \"eat (spicy) food\". my friends argue", "her very much, but don't trust her opinion on the matter. i have", "among other things, my response includes, \"eat (spicy) food\". my friends argue that", "this up? one of these friends has severe dyslexia and is functionally illiterate.", "nor was i able to find another example of this type of parenthetical", "on my dating profile, one of the prompts says: \"together we could..\" among", "eat food, spicy optional. did i screw this up? one of these friends", "one of the prompts says: \"together we could..\" among other things, my response", "usage. i need your help ! but please be gentle - i am", "dating profile, one of the prompts says: \"together we could..\" among other things,", "friends argue that this statement says \"we could eat spicy food\". what i", "to settle an argument. on my dating profile, one of the prompts says:", "validation... nor was i able to find another example of this type of", "on the matter. i have scoured the internet and couldn't find any validation...", "functionally illiterate. i love her very much, but don't trust her opinion on", "matter. i have scoured the internet and couldn't find any validation... nor was", "settle an argument. on my dating profile, one of the prompts says: \"together", "says \"we could eat spicy food\". what i meant was, we could eat", "an argument. on my dating profile, one of the prompts says: \"together we", "food\". what i meant was, we could eat food, spicy optional. did i", "food\". my friends argue that this statement says \"we could eat spicy food\".", "other things, my response includes, \"eat (spicy) food\". my friends argue that this", "don't trust her opinion on the matter. i have scoured the internet and", "of these friends has severe dyslexia and is functionally illiterate. i love her", "example of this type of parenthetical usage. i need your help ! but", "another example of this type of parenthetical usage. i need your help !", "i meant was, we could eat food, spicy optional. did i screw this", "but please be gentle - i am a frequent visitor of this site", "argument. on my dating profile, one of the prompts says: \"together we could..\"", "okay, trying to settle an argument. on my dating profile, one of the", "have scoured the internet and couldn't find any validation... nor was i able", "trying to settle an argument. on my dating profile, one of the prompts", "is functionally illiterate. i love her very much, but don't trust her opinion", "need your help ! but please be gentle - i am a frequent", "her opinion on the matter. i have scoured the internet and couldn't find", "i am a frequent visitor of this site but a very infrequent poster.", "much, but don't trust her opinion on the matter. i have scoured the", "internet and couldn't find any validation... nor was i able to find another", "food, spicy optional. did i screw this up? one of these friends has" ]
[ "don't have anyone I can trust to help me (without screwing it up).", "don't know if I should do the cover art physically or digitally. How", "I can trust to help me (without screwing it up). I also don't", "people like my teacher and parents helping to edit, but I don't have", "know if I should do the cover art physically or digitally. How does", "but I don't have anyone I can trust to help me (without screwing", "10-11, by myself. I have some people like my teacher and parents helping", "anyone I can trust to help me (without screwing it up). I also", "at age 10-11, by myself. I have some people like my teacher and", "I am writing a book at age 10-11, by myself. I have some", "should do the cover art physically or digitally. How does all this work?", "if I should do the cover art physically or digitally. How does all", "have anyone I can trust to help me (without screwing it up). I", "edit, but I don't have anyone I can trust to help me (without", "screwing it up). I also don't know if I should do the cover", "it up). I also don't know if I should do the cover art", "have some people like my teacher and parents helping to edit, but I", "can trust to help me (without screwing it up). I also don't know", "am writing a book at age 10-11, by myself. I have some people", "writing a book at age 10-11, by myself. I have some people like", "help me (without screwing it up). I also don't know if I should", "I should do the cover art physically or digitally. How does all this", "I don't have anyone I can trust to help me (without screwing it", "like my teacher and parents helping to edit, but I don't have anyone", "also don't know if I should do the cover art physically or digitally.", "(without screwing it up). I also don't know if I should do the", "I have some people like my teacher and parents helping to edit, but", "to help me (without screwing it up). I also don't know if I", "parents helping to edit, but I don't have anyone I can trust to", "I also don't know if I should do the cover art physically or", "age 10-11, by myself. I have some people like my teacher and parents", "book at age 10-11, by myself. I have some people like my teacher", "up). I also don't know if I should do the cover art physically", "and parents helping to edit, but I don't have anyone I can trust", "myself. I have some people like my teacher and parents helping to edit,", "my teacher and parents helping to edit, but I don't have anyone I", "teacher and parents helping to edit, but I don't have anyone I can", "by myself. I have some people like my teacher and parents helping to", "a book at age 10-11, by myself. I have some people like my", "helping to edit, but I don't have anyone I can trust to help", "trust to help me (without screwing it up). I also don't know if", "some people like my teacher and parents helping to edit, but I don't", "me (without screwing it up). I also don't know if I should do", "to edit, but I don't have anyone I can trust to help me" ]
[ "thing. 2. We first focus on the thing. 3. We focus, first, on", "thing. We are both Ph.D. students in mathematics, so we are, as a", "have modified to the following two questions: 1. Which sounds more natural? 2.", "focus on the thing. 3. We focus, first, on the thing. We are", "1. First, we focus on the thing. 2. We first focus on the", "3. We focus, first, on the thing. We are both Ph.D. students in", "students in mathematics, so we are, as a rule, befuddled by non-quantifiable quandaries.", "the thing. We are both Ph.D. students in mathematics, so we are, as", "focus, first, on the thing. We are both Ph.D. students in mathematics, so", "better? Here are the options in question: 1. First, we focus on the", "speaker, recently, and she asked me an interesting question, which we have modified", "2. Which reads better? Here are the options in question: 1. First, we", "me an interesting question, which we have modified to the following two questions:", "Which reads better? Here are the options in question: 1. First, we focus", "and she asked me an interesting question, which we have modified to the", "two questions: 1. Which sounds more natural? 2. Which reads better? Here are", "Which sounds more natural? 2. Which reads better? Here are the options in", "in question: 1. First, we focus on the thing. 2. We first focus", "sounds more natural? 2. Which reads better? Here are the options in question:", "girlfriend, a non-native speaker, recently, and she asked me an interesting question, which", "are both Ph.D. students in mathematics, so we are, as a rule, befuddled", "on the thing. 3. We focus, first, on the thing. We are both", "I've been editing for my girlfriend, a non-native speaker, recently, and she asked", "the thing. 2. We first focus on the thing. 3. We focus, first,", "she asked me an interesting question, which we have modified to the following", "question, which we have modified to the following two questions: 1. Which sounds", "more natural? 2. Which reads better? Here are the options in question: 1.", "the following two questions: 1. Which sounds more natural? 2. Which reads better?", "natural? 2. Which reads better? Here are the options in question: 1. First,", "Here are the options in question: 1. First, we focus on the thing.", "the thing. 3. We focus, first, on the thing. We are both Ph.D.", "my girlfriend, a non-native speaker, recently, and she asked me an interesting question,", "been editing for my girlfriend, a non-native speaker, recently, and she asked me", "We first focus on the thing. 3. We focus, first, on the thing.", "non-native speaker, recently, and she asked me an interesting question, which we have", "interesting question, which we have modified to the following two questions: 1. Which", "to the following two questions: 1. Which sounds more natural? 2. Which reads", "the options in question: 1. First, we focus on the thing. 2. We", "we have modified to the following two questions: 1. Which sounds more natural?", "asked me an interesting question, which we have modified to the following two", "reads better? Here are the options in question: 1. First, we focus on", "we focus on the thing. 2. We first focus on the thing. 3.", "We are both Ph.D. students in mathematics, so we are, as a rule,", "both Ph.D. students in mathematics, so we are, as a rule, befuddled by", "on the thing. 2. We first focus on the thing. 3. We focus,", "We focus, first, on the thing. We are both Ph.D. students in mathematics,", "Ph.D. students in mathematics, so we are, as a rule, befuddled by non-quantifiable", "2. We first focus on the thing. 3. We focus, first, on the", "which we have modified to the following two questions: 1. Which sounds more", "are the options in question: 1. First, we focus on the thing. 2.", "following two questions: 1. Which sounds more natural? 2. Which reads better? Here", "on the thing. We are both Ph.D. students in mathematics, so we are,", "First, we focus on the thing. 2. We first focus on the thing.", "first, on the thing. We are both Ph.D. students in mathematics, so we", "1. Which sounds more natural? 2. Which reads better? Here are the options", "modified to the following two questions: 1. Which sounds more natural? 2. Which", "first focus on the thing. 3. We focus, first, on the thing. We", "questions: 1. Which sounds more natural? 2. Which reads better? Here are the", "a non-native speaker, recently, and she asked me an interesting question, which we", "editing for my girlfriend, a non-native speaker, recently, and she asked me an", "recently, and she asked me an interesting question, which we have modified to", "question: 1. First, we focus on the thing. 2. We first focus on", "focus on the thing. 2. We first focus on the thing. 3. We", "thing. 3. We focus, first, on the thing. We are both Ph.D. students", "options in question: 1. First, we focus on the thing. 2. We first", "an interesting question, which we have modified to the following two questions: 1.", "for my girlfriend, a non-native speaker, recently, and she asked me an interesting" ]
[ "different motivation where GunnKc and Merayaca had promised each other that they would", "the entity was first reported. Since GunnKc's now dead I think it's a", "As the story progresses she begins to soften and her motivations change, but", "it way too easy to hate her and reject any growth she shows", "very in line with her character as almost everything she does is selfish,", "knowing how it works saps away her control and leaves her panicky. This", "driving motivation is to reach the town in which the entity was first", "GunnKc.) He was killed by the godlike entity not too long before the", "she shows later in the story as being undeserved. I'm considering a different", "selfish motivation which is very in line with her character as almost everything", "panicky. This is a purely selfish motivation which is very in line with", "since he's being used as a meat shield and murders a friendly group", "begins. Currently, Merayaca's driving motivation is to reach the town in which the", "reader. Merayaca does some horrible things (ex. almost shoots the kid she travels", "She has an almost feral need to better understand this cosmic power because", "torment and breach her defenses (let's call him GunnKc.) He was killed by", "a purely selfish motivation which is very in line with her character as", "I think it's a stronger motivation that more readers can get behind, but", "with her character as almost everything she does is selfish, but I worry", "This is a purely selfish motivation which is very in line with her", "this isn't a relatable or potent enough motivation from the point of view", "to predict and manipulate those around her. Only one person ever managed to", "into something she uses to predict and manipulate those around her. Only one", "suffocating control. She's always been a curious person, but trauma distorted this passion", "her turbulent childhood. The only way she knows how to cope is with", "I'm considering a different motivation where GunnKc and Merayaca had promised each other", "corrupted by some horrific cosmic entity. Merayaca (the emotionally distant woman in question)", "distant woman in question) is cold and withdrawn. She suffers from PTSD induced", "person, but trauma distorted this passion into something she uses to predict and", "and reject any growth she shows later in the story as being undeserved.", "kid she travels with since he's being used as a meat shield and", "I want Merayaca to ride the line of redeemability but I'm scared this", "will make it way too easy to hate her and reject any growth", "question) is cold and withdrawn. She suffers from PTSD induced by her turbulent", "story follows an emotionally distant woman and a physically disabled child as they", "predict and manipulate those around her. Only one person ever managed to sustain", "better understand this cosmic power because not knowing how it works saps away", "they trek through a world slowly being corrupted by some horrific cosmic entity.", "with since he's being used as a meat shield and murders a friendly", "and her motivations change, but this doesn't happen until much further into the", "ever managed to sustain Merayaca's torment and breach her defenses (let's call him", "cosmic power because not knowing how it works saps away her control and", "knows how to cope is with violence and suffocating control. She's always been", "leaves her panicky. This is a purely selfish motivation which is very in", "control and leaves her panicky. This is a purely selfish motivation which is", "murders a friendly group of scavengers for their supplies) that she justifies with", "around her. Only one person ever managed to sustain Merayaca's torment and breach", "point of view of a reader. Merayaca does some horrible things (ex. almost", "curious person, but trauma distorted this passion into something she uses to predict", "for their supplies) that she justifies with this motivation. As the story progresses", "cuisine in the town where the entity was first reported. Since GunnKc's now", "distant woman and a physically disabled child as they trek through a world", "of the native cuisine in the town where the entity was first reported.", "soften and her motivations change, but this doesn't happen until much further into", "how to cope is with violence and suffocating control. She's always been a", "think it's a stronger motivation that more readers can get behind, but it", "she justifies with this motivation. As the story progresses she begins to soften", "to reach the town in which the entity was first reported. She has", "motivation where GunnKc and Merayaca had promised each other that they would both", "cope is with violence and suffocating control. She's always been a curious person,", "first reported. She has an almost feral need to better understand this cosmic", "is cold and withdrawn. She suffers from PTSD induced by her turbulent childhood.", "motivation from the point of view of a reader. Merayaca does some horrible", "stronger motivation that more readers can get behind, but it doesn't mesh as", "long before the story begins. Currently, Merayaca's driving motivation is to reach the", "doesn't mesh as well with her selfish nature and comes out of nowhere.", "childhood. The only way she knows how to cope is with violence and", "does is selfish, but I worry this isn't a relatable or potent enough", "saps away her control and leaves her panicky. This is a purely selfish", "where GunnKc and Merayaca had promised each other that they would both try", "character as almost everything she does is selfish, but I worry this isn't", "purely selfish motivation which is very in line with her character as almost", "woman and a physically disabled child as they trek through a world slowly", "turbulent childhood. The only way she knows how to cope is with violence", "of redeemability but I'm scared this motivation will make it way too easy", "a physically disabled child as they trek through a world slowly being corrupted", "happen until much further into the novel. I want Merayaca to ride the", "and Merayaca had promised each other that they would both try some of", "which is very in line with her character as almost everything she does", "much further into the novel. I want Merayaca to ride the line of", "this passion into something she uses to predict and manipulate those around her.", "as they trek through a world slowly being corrupted by some horrific cosmic", "into the novel. I want Merayaca to ride the line of redeemability but", "story progresses she begins to soften and her motivations change, but this doesn't", "suffers from PTSD induced by her turbulent childhood. The only way she knows", "redeemability but I'm scared this motivation will make it way too easy to", "Merayaca's driving motivation is to reach the town in which the entity was", "the line of redeemability but I'm scared this motivation will make it way", "a mixture between Bloodborne and The Last of Us. The story follows an", "he's being used as a meat shield and murders a friendly group of", "was first reported. She has an almost feral need to better understand this", "from the point of view of a reader. 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This is a purely selfish motivation which is very in line", "easy to hate her and reject any growth she shows later in the", "growth she shows later in the story as being undeserved. I'm considering a", "other that they would both try some of the native cuisine in the", "killed by the godlike entity not too long before the story begins. Currently,", "novel. I want Merayaca to ride the line of redeemability but I'm scared", "both try some of the native cuisine in the town where the entity", "her defenses (let's call him GunnKc.) He was killed by the godlike entity", "entity was first reported. Since GunnKc's now dead I think it's a stronger", "that they would both try some of the native cuisine in the town", "is very in line with her character as almost everything she does is", "that's a mixture between Bloodborne and The Last of Us. The story follows", "need to better understand this cosmic power because not knowing how it works", "that she justifies with this motivation. As the story progresses she begins to", "the kid she travels with since he's being used as a meat shield", "sustain Merayaca's torment and breach her defenses (let's call him GunnKc.) He was", "reach the town in which the entity was first reported. She has an", "change, but this doesn't happen until much further into the novel. I want", "does some horrible things (ex. almost shoots the kid she travels with since", "more readers can get behind, but it doesn't mesh as well with her", "ride the line of redeemability but I'm scared this motivation will make it", "which the entity was first reported. She has an almost feral need to", "She's always been a curious person, but trauma distorted this passion into something", "but trauma distorted this passion into something she uses to predict and manipulate", "as being undeserved. I'm considering a different motivation where GunnKc and Merayaca had", "further into the novel. I want Merayaca to ride the line of redeemability", "was first reported. Since GunnKc's now dead I think it's a stronger motivation", "but it doesn't mesh as well with her selfish nature and comes out", "I'm scared this motivation will make it way too easy to hate her", "being corrupted by some horrific cosmic entity. Merayaca (the emotionally distant woman in", "some of the native cuisine in the town where the entity was first", "a reader. Merayaca does some horrible things (ex. almost shoots the kid she", "native cuisine in the town where the entity was first reported. Since GunnKc's", "He was killed by the godlike entity not too long before the story", "in the story as being undeserved. I'm considering a different motivation where GunnKc", "motivation which is very in line with her character as almost everything she", "Last of Us. 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[ "from his new world. What are the pros and cons of doing it", "that the MC has with characters from his new world. What are the", "in his new world. But I reveal the a) Normal World and b)", "world is revealed in a flashback. 2. The inciting incident is revealed via", "conversation that the MC has with characters from his new world. What are", "using through two methods. 1. The Normal world is revealed in a flashback.", "the pros and cons of doing it this way? Has it been done,", "idea of starting off with the MC freshly landed in his new world.", "The Normal world is revealed in a flashback. 2. The inciting incident is", "the idea of starting off with the MC freshly landed in his new", "new world. What are the pros and cons of doing it this way?", "of starting off with the MC freshly landed in his new world. But", "two methods. 1. The Normal world is revealed in a flashback. 2. The", "flashback. 2. The inciting incident is revealed via a conversation that the MC", "incident using through two methods. 1. The Normal world is revealed in a", "freshly landed in his new world. But I reveal the a) Normal World", "toying with the idea of starting off with the MC freshly landed in", "characters from his new world. What are the pros and cons of doing", "incident is revealed via a conversation that the MC has with characters from", "world. What are the pros and cons of doing it this way? Has", "2. The inciting incident is revealed via a conversation that the MC has", "a) Normal World and b) Inciting incident using through two methods. 1. The", "methods. 1. The Normal world is revealed in a flashback. 2. The inciting", "Normal World and b) Inciting incident using through two methods. 1. The Normal", "and cons of doing it this way? Has it been done, any examples?", "world. But I reveal the a) Normal World and b) Inciting incident using", "new world. But I reveal the a) Normal World and b) Inciting incident", "I'm toying with the idea of starting off with the MC freshly landed", "off with the MC freshly landed in his new world. But I reveal", "MC freshly landed in his new world. But I reveal the a) Normal", "World and b) Inciting incident using through two methods. 1. The Normal world", "I reveal the a) Normal World and b) Inciting incident using through two", "is revealed in a flashback. 2. The inciting incident is revealed via a", "revealed via a conversation that the MC has with characters from his new", "has with characters from his new world. What are the pros and cons", "pros and cons of doing it this way? Has it been done, any", "his new world. But I reveal the a) Normal World and b) Inciting", "and b) Inciting incident using through two methods. 1. The Normal world is", "Inciting incident using through two methods. 1. The Normal world is revealed in", "via a conversation that the MC has with characters from his new world.", "are the pros and cons of doing it this way? Has it been", "MC has with characters from his new world. What are the pros and", "b) Inciting incident using through two methods. 1. The Normal world is revealed", "starting off with the MC freshly landed in his new world. But I", "the MC freshly landed in his new world. But I reveal the a)", "with the idea of starting off with the MC freshly landed in his", "landed in his new world. But I reveal the a) Normal World and", "in a flashback. 2. The inciting incident is revealed via a conversation that", "The inciting incident is revealed via a conversation that the MC has with", "with characters from his new world. What are the pros and cons of", "the a) Normal World and b) Inciting incident using through two methods. 1.", "is revealed via a conversation that the MC has with characters from his", "reveal the a) Normal World and b) Inciting incident using through two methods.", "his new world. What are the pros and cons of doing it this", "What are the pros and cons of doing it this way? Has it", "Normal world is revealed in a flashback. 2. The inciting incident is revealed", "a flashback. 2. The inciting incident is revealed via a conversation that the", "inciting incident is revealed via a conversation that the MC has with characters", "a conversation that the MC has with characters from his new world. What", "through two methods. 1. The Normal world is revealed in a flashback. 2.", "revealed in a flashback. 2. The inciting incident is revealed via a conversation", "the MC has with characters from his new world. What are the pros", "with the MC freshly landed in his new world. But I reveal the", "1. The Normal world is revealed in a flashback. 2. The inciting incident", "But I reveal the a) Normal World and b) Inciting incident using through" ]
[ "people that I'm talking about are around the ages 13-14 and the girl", "to have one of my characters slowly fall in love with a boy", "around the ages 13-14 and the girl has this special power while the", "knew from her childhood. Edit: I probably should have clarified the book is", "a singing group (of regular people that don't have powers) that can amplify", "I know). They are part of a singing group (of regular people that", "whatever they're singing about into reality (weird concept I know). They are part", "regular people that don't have powers) that can amplify the special girl's power.", "into reality (weird concept I know). They are part of a singing group", "that don't have powers) that can amplify the special girl's power. The two", "(of regular people that don't have powers) that can amplify the special girl's", "know). They are part of a singing group (of regular people that don't", "her from the start, but I'm not sure how to 1. Show that", "probably should have clarified the book is not being told through the girl", "in love with a boy who has liked her from the start, but", "but I'm not sure how to 1. Show that he likes her but", "clarified the book is not being told through the girl or the boy.", "of my characters slowly fall in love with a boy who has liked", "girl has this special power while the boy is just someone she knew", "can amplify the special girl's power. The two people that I'm talking about", "too obvious and 2. make her slowly fall in love with him. Some", "likes her but not make it too obvious and 2. make her slowly", "sure how to 1. Show that he likes her but not make it", "group (of regular people that don't have powers) that can amplify the special", "The two people that I'm talking about are around the ages 13-14 and", "she knew from her childhood. Edit: I probably should have clarified the book", "but not make it too obvious and 2. make her slowly fall in", "singing about into reality (weird concept I know). They are part of a", "he likes her but not make it too obvious and 2. make her", "that can amplify the special girl's power. The two people that I'm talking", "are around the ages 13-14 and the girl has this special power while", "and the girl has this special power while the boy is just someone", "who has liked her from the start, but I'm not sure how to", "girls have the power to turn whatever they're singing about into reality (weird", "talking about are around the ages 13-14 and the girl has this special", "him. Some background information: the book takes place in the real world where", "her childhood. Edit: I probably should have clarified the book is not being", "make it too obvious and 2. make her slowly fall in love with", "her slowly fall in love with him. Some background information: the book takes", "just someone she knew from her childhood. Edit: I probably should have clarified", "while the boy is just someone she knew from her childhood. Edit: I", "that he likes her but not make it too obvious and 2. make", "takes place in the real world where some girls have the power to", "about into reality (weird concept I know). They are part of a singing", "her but not make it too obvious and 2. make her slowly fall", "should have clarified the book is not being told through the girl or", "turn whatever they're singing about into reality (weird concept I know). They are", "are part of a singing group (of regular people that don't have powers)", "boy is just someone she knew from her childhood. Edit: I probably should", "(weird concept I know). They are part of a singing group (of regular", "amplify the special girl's power. The two people that I'm talking about are", "a boy who has liked her from the start, but I'm not sure", "I want to have one of my characters slowly fall in love with", "has liked her from the start, but I'm not sure how to 1.", "I'm talking about are around the ages 13-14 and the girl has this", "the book takes place in the real world where some girls have the", "start, but I'm not sure how to 1. Show that he likes her", "characters slowly fall in love with a boy who has liked her from", "about are around the ages 13-14 and the girl has this special power", "from her childhood. Edit: I probably should have clarified the book is not", "the ages 13-14 and the girl has this special power while the boy", "make her slowly fall in love with him. Some background information: the book", "the power to turn whatever they're singing about into reality (weird concept I", "obvious and 2. make her slowly fall in love with him. Some background", "that I'm talking about are around the ages 13-14 and the girl has", "Edit: I probably should have clarified the book is not being told through", "with him. Some background information: the book takes place in the real world", "have clarified the book is not being told through the girl or the", "and 2. make her slowly fall in love with him. Some background information:", "place in the real world where some girls have the power to turn", "background information: the book takes place in the real world where some girls", "They are part of a singing group (of regular people that don't have", "book takes place in the real world where some girls have the power", "reality (weird concept I know). They are part of a singing group (of", "how to 1. Show that he likes her but not make it too", "has this special power while the boy is just someone she knew from", "fall in love with a boy who has liked her from the start,", "real world where some girls have the power to turn whatever they're singing", "13-14 and the girl has this special power while the boy is just", "to 1. Show that he likes her but not make it too obvious", "ages 13-14 and the girl has this special power while the boy is", "world where some girls have the power to turn whatever they're singing about", "not sure how to 1. Show that he likes her but not make", "is just someone she knew from her childhood. Edit: I probably should have", "information: the book takes place in the real world where some girls have", "the boy is just someone she knew from her childhood. Edit: I probably", "liked her from the start, but I'm not sure how to 1. Show", "the real world where some girls have the power to turn whatever they're", "slowly fall in love with him. Some background information: the book takes place", "where some girls have the power to turn whatever they're singing about into", "from the start, but I'm not sure how to 1. Show that he", "love with a boy who has liked her from the start, but I'm", "have powers) that can amplify the special girl's power. The two people that", "special girl's power. The two people that I'm talking about are around the", "don't have powers) that can amplify the special girl's power. The two people", "some girls have the power to turn whatever they're singing about into reality", "the special girl's power. The two people that I'm talking about are around", "singing group (of regular people that don't have powers) that can amplify the", "I probably should have clarified the book is not being told through the", "slowly fall in love with a boy who has liked her from the", "this special power while the boy is just someone she knew from her", "my characters slowly fall in love with a boy who has liked her", "have one of my characters slowly fall in love with a boy who", "it too obvious and 2. make her slowly fall in love with him.", "1. Show that he likes her but not make it too obvious and", "power. The two people that I'm talking about are around the ages 13-14", "not make it too obvious and 2. make her slowly fall in love", "one of my characters slowly fall in love with a boy who has", "want to have one of my characters slowly fall in love with a", "fall in love with him. Some background information: the book takes place in", "people that don't have powers) that can amplify the special girl's power. The", "someone she knew from her childhood. Edit: I probably should have clarified the", "powers) that can amplify the special girl's power. The two people that I'm", "the start, but I'm not sure how to 1. Show that he likes", "Show that he likes her but not make it too obvious and 2.", "childhood. Edit: I probably should have clarified the book is not being told", "concept I know). They are part of a singing group (of regular people", "of a singing group (of regular people that don't have powers) that can", "Some background information: the book takes place in the real world where some", "power to turn whatever they're singing about into reality (weird concept I know).", "part of a singing group (of regular people that don't have powers) that", "2. make her slowly fall in love with him. Some background information: the", "they're singing about into reality (weird concept I know). They are part of", "I'm not sure how to 1. Show that he likes her but not", "power while the boy is just someone she knew from her childhood. Edit:", "special power while the boy is just someone she knew from her childhood.", "in love with him. Some background information: the book takes place in the", "in the real world where some girls have the power to turn whatever", "with a boy who has liked her from the start, but I'm not", "the girl has this special power while the boy is just someone she", "two people that I'm talking about are around the ages 13-14 and the", "love with him. Some background information: the book takes place in the real", "to turn whatever they're singing about into reality (weird concept I know). They", "boy who has liked her from the start, but I'm not sure how", "girl's power. The two people that I'm talking about are around the ages", "have the power to turn whatever they're singing about into reality (weird concept" ]
[ "into how I would write and structure my book. I wasn't dead set", "commit to just one underlying theme. I also found writing about myself in", "am asking, as I am just a hobby writer. Can this be done?", "story as a memoir. Thinking about both the problems I was having (not", "be done? Has it been done before? Or better yet, has it been", "that is autobiographical in nature). But I am considering writing it as though", "clues and hints that they are in fact the same person, which will", "about the fluidity of identity. How in my own way, I have lived", "many lives, played many roles. How my very identity has changed with my", "certainly. Or do I risk it being incomprehensible rubbish? Any advice, or examples", "be done with a great amount of thought put into it, certainly. Or", "though I was writing about entirely different characters. It just didn't read well,", "before? Or better yet, has it been done well? I feel it will", "having a specific theme I could stick to, and feeling like I was", "wasn't trying to). It got me thinking about the fluidity of identity. How", "and structure my book. I wasn't dead set on writing my story as", "I wanted to put more thought into how I would write and structure", "I also found writing about myself in different time periods, it felt as", "very identity has changed with my environment. And so I believe I found", "when I wasn't trying to). It got me thinking about the fluidity of", "want to write this as a fictional story (albeit one that is autobiographical", "the book is following multiple main characters. Slowly leaving clues and hints that", "person, which will be revealed towards the end. I suppose what I am", "revealed towards the end. I suppose what I am asking, as I am", "have lived many lives, played many roles. How my very identity has changed", "time periods, it felt as though I was writing about entirely different characters.", "different time periods, it felt as though I was writing about entirely different", "wasn't dead set on writing my story as a memoir. Thinking about both", "could stick to, and feeling like I was writing about completely different characters", "following multiple main characters. Slowly leaving clues and hints that they are in", "a great amount of thought put into it, certainly. Or do I risk", "writing for a while. I wanted to put more thought into how I", "own way, I have lived many lives, played many roles. How my very", "stick to, and feeling like I was writing about completely different characters when", "am considering writing it as though the book is following multiple main characters.", "about both the problems I was having (not having a specific theme I", "way, I have lived many lives, played many roles. How my very identity", "write this as a fictional story (albeit one that is autobiographical in nature).", "this as a fictional story (albeit one that is autobiographical in nature). But", "changed with my environment. And so I believe I found my theme. I", "(albeit one that is autobiographical in nature). But I am considering writing it", "a while. I wanted to put more thought into how I would write", "it been done well? I feel it will need to be done with", "multiple main characters. Slowly leaving clues and hints that they are in fact", "great amount of thought put into it, certainly. Or do I risk it", "I was writing about entirely different characters. It just didn't read well, so", "dead set on writing my story as a memoir. Thinking about both the", "different characters when I wasn't trying to). It got me thinking about the", "feeling like I was writing about completely different characters when I wasn't trying", "do I risk it being incomprehensible rubbish? Any advice, or examples of this", "lived many lives, played many roles. How my very identity has changed with", "so I believe I found my theme. I want to write this as", "I believe I found my theme. I want to write this as a", "while. I wanted to put more thought into how I would write and", "just a hobby writer. Can this be done? Has it been done before?", "specific theme I could stick to, and feeling like I was writing about", "believe I found my theme. I want to write this as a fictional", "underlying theme. I also found writing about myself in different time periods, it", "characters. Slowly leaving clues and hints that they are in fact the same", "it will need to be done with a great amount of thought put", "my story as a memoir. Thinking about both the problems I was having", "book is following multiple main characters. Slowly leaving clues and hints that they", "I would write and structure my book. I wasn't dead set on writing", "So what started as an attempt to write a memoir, I found myself", "the same person, which will be revealed towards the end. I suppose what", "identity has changed with my environment. And so I believe I found my", "didn't read well, so I stopped writing for a while. I wanted to", "being incomprehensible rubbish? Any advice, or examples of this being done is greatly", "Or better yet, has it been done well? I feel it will need", "done with a great amount of thought put into it, certainly. Or do", "to be done with a great amount of thought put into it, certainly.", "as though I was writing about entirely different characters. It just didn't read", "to put more thought into how I would write and structure my book.", "am just a hobby writer. Can this be done? Has it been done", "been done before? Or better yet, has it been done well? I feel", "been done well? I feel it will need to be done with a", "what started as an attempt to write a memoir, I found myself struggling", "it felt as though I was writing about entirely different characters. It just", "theme I could stick to, and feeling like I was writing about completely", "well, so I stopped writing for a while. I wanted to put more", "I am asking, as I am just a hobby writer. Can this be", "done before? Or better yet, has it been done well? I feel it", "Or do I risk it being incomprehensible rubbish? Any advice, or examples of", "I am considering writing it as though the book is following multiple main", "one that is autobiographical in nature). But I am considering writing it as", "writing about myself in different time periods, it felt as though I was", "incomprehensible rubbish? Any advice, or examples of this being done is greatly appreciated!", "and feeling like I was writing about completely different characters when I wasn't", "story (albeit one that is autobiographical in nature). But I am considering writing", "just didn't read well, so I stopped writing for a while. I wanted", "fluidity of identity. How in my own way, I have lived many lives,", "wanted to put more thought into how I would write and structure my", "write a memoir, I found myself struggling to commit to just one underlying", "It got me thinking about the fluidity of identity. How in my own", "a memoir. Thinking about both the problems I was having (not having a", "will be revealed towards the end. I suppose what I am asking, as", "I feel it will need to be done with a great amount of", "characters when I wasn't trying to). It got me thinking about the fluidity", "well? I feel it will need to be done with a great amount", "trying to). It got me thinking about the fluidity of identity. How in", "about entirely different characters. It just didn't read well, so I stopped writing", "How my very identity has changed with my environment. And so I believe", "I suppose what I am asking, as I am just a hobby writer.", "yet, has it been done well? I feel it will need to be", "theme. I want to write this as a fictional story (albeit one that", "writing about entirely different characters. It just didn't read well, so I stopped", "as I am just a hobby writer. Can this be done? Has it", "Slowly leaving clues and hints that they are in fact the same person,", "towards the end. I suppose what I am asking, as I am just", "many roles. How my very identity has changed with my environment. And so", "end. I suppose what I am asking, as I am just a hobby", "more thought into how I would write and structure my book. I wasn't", "better yet, has it been done well? I feel it will need to", "How in my own way, I have lived many lives, played many roles.", "are in fact the same person, which will be revealed towards the end.", "to commit to just one underlying theme. I also found writing about myself", "lives, played many roles. How my very identity has changed with my environment.", "Thinking about both the problems I was having (not having a specific theme", "got me thinking about the fluidity of identity. How in my own way,", "a memoir, I found myself struggling to commit to just one underlying theme.", "memoir, I found myself struggling to commit to just one underlying theme. I", "thinking about the fluidity of identity. How in my own way, I have", "I have lived many lives, played many roles. How my very identity has", "it been done before? Or better yet, has it been done well? I", "I wasn't dead set on writing my story as a memoir. Thinking about", "writing about completely different characters when I wasn't trying to). It got me", "just one underlying theme. I also found writing about myself in different time", "the fluidity of identity. How in my own way, I have lived many", "my very identity has changed with my environment. And so I believe I", "main characters. Slowly leaving clues and hints that they are in fact the", "was writing about entirely different characters. It just didn't read well, so I", "my book. I wasn't dead set on writing my story as a memoir.", "I could stick to, and feeling like I was writing about completely different", "my own way, I have lived many lives, played many roles. How my", "the end. I suppose what I am asking, as I am just a", "on writing my story as a memoir. Thinking about both the problems I", "me thinking about the fluidity of identity. How in my own way, I", "in different time periods, it felt as though I was writing about entirely", "this be done? Has it been done before? Or better yet, has it", "is autobiographical in nature). But I am considering writing it as though the", "was having (not having a specific theme I could stick to, and feeling", "will need to be done with a great amount of thought put into", "memoir. Thinking about both the problems I was having (not having a specific", "about completely different characters when I wasn't trying to). It got me thinking", "with my environment. And so I believe I found my theme. I want", "to write a memoir, I found myself struggling to commit to just one", "found myself struggling to commit to just one underlying theme. I also found", "played many roles. How my very identity has changed with my environment. And", "found writing about myself in different time periods, it felt as though I", "myself in different time periods, it felt as though I was writing about", "completely different characters when I wasn't trying to). It got me thinking about", "though the book is following multiple main characters. Slowly leaving clues and hints", "for a while. I wanted to put more thought into how I would", "be revealed towards the end. I suppose what I am asking, as I", "roles. How my very identity has changed with my environment. And so I", "autobiographical in nature). But I am considering writing it as though the book", "environment. And so I believe I found my theme. I want to write", "so I stopped writing for a while. I wanted to put more thought", "thought into how I would write and structure my book. I wasn't dead", "risk it being incomprehensible rubbish? Any advice, or examples of this being done", "feel it will need to be done with a great amount of thought", "would write and structure my book. I wasn't dead set on writing my", "theme. I also found writing about myself in different time periods, it felt", "thought put into it, certainly. Or do I risk it being incomprehensible rubbish?", "suppose what I am asking, as I am just a hobby writer. Can", "book. I wasn't dead set on writing my story as a memoir. Thinking", "I was writing about completely different characters when I wasn't trying to). It", "as though the book is following multiple main characters. Slowly leaving clues and", "that they are in fact the same person, which will be revealed towards", "was writing about completely different characters when I wasn't trying to). It got", "and hints that they are in fact the same person, which will be", "nature). But I am considering writing it as though the book is following", "read well, so I stopped writing for a while. I wanted to put", "(not having a specific theme I could stick to, and feeling like I", "as a fictional story (albeit one that is autobiographical in nature). But I", "fact the same person, which will be revealed towards the end. I suppose", "like I was writing about completely different characters when I wasn't trying to).", "And so I believe I found my theme. I want to write this", "an attempt to write a memoir, I found myself struggling to commit to", "of thought put into it, certainly. Or do I risk it being incomprehensible", "started as an attempt to write a memoir, I found myself struggling to", "It just didn't read well, so I stopped writing for a while. I", "which will be revealed towards the end. I suppose what I am asking,", "to). It got me thinking about the fluidity of identity. How in my", "in my own way, I have lived many lives, played many roles. How", "felt as though I was writing about entirely different characters. It just didn't", "a fictional story (albeit one that is autobiographical in nature). But I am", "I found my theme. I want to write this as a fictional story", "I wasn't trying to). It got me thinking about the fluidity of identity.", "asking, as I am just a hobby writer. Can this be done? Has", "as an attempt to write a memoir, I found myself struggling to commit", "put into it, certainly. Or do I risk it being incomprehensible rubbish? Any", "different characters. It just didn't read well, so I stopped writing for a", "with a great amount of thought put into it, certainly. Or do I", "to just one underlying theme. I also found writing about myself in different", "problems I was having (not having a specific theme I could stick to,", "done? Has it been done before? Or better yet, has it been done", "also found writing about myself in different time periods, it felt as though", "hints that they are in fact the same person, which will be revealed", "structure my book. I wasn't dead set on writing my story as a", "the problems I was having (not having a specific theme I could stick", "my theme. I want to write this as a fictional story (albeit one", "it as though the book is following multiple main characters. Slowly leaving clues", "in nature). But I am considering writing it as though the book is", "a hobby writer. Can this be done? Has it been done before? Or", "entirely different characters. It just didn't read well, so I stopped writing for", "to write this as a fictional story (albeit one that is autobiographical in", "it, certainly. Or do I risk it being incomprehensible rubbish? Any advice, or", "leaving clues and hints that they are in fact the same person, which", "it being incomprehensible rubbish? Any advice, or examples of this being done is", "I was having (not having a specific theme I could stick to, and", "Can this be done? Has it been done before? Or better yet, has", "I stopped writing for a while. I wanted to put more thought into", "writing it as though the book is following multiple main characters. Slowly leaving", "hobby writer. Can this be done? Has it been done before? Or better", "I found myself struggling to commit to just one underlying theme. I also", "amount of thought put into it, certainly. Or do I risk it being", "put more thought into how I would write and structure my book. I", "need to be done with a great amount of thought put into it,", "about myself in different time periods, it felt as though I was writing", "in fact the same person, which will be revealed towards the end. I", "as a memoir. Thinking about both the problems I was having (not having", "write and structure my book. I wasn't dead set on writing my story", "has changed with my environment. And so I believe I found my theme.", "fictional story (albeit one that is autobiographical in nature). But I am considering", "a specific theme I could stick to, and feeling like I was writing", "is following multiple main characters. Slowly leaving clues and hints that they are", "considering writing it as though the book is following multiple main characters. Slowly", "I am just a hobby writer. Can this be done? Has it been", "struggling to commit to just one underlying theme. I also found writing about", "has it been done well? I feel it will need to be done", "of identity. How in my own way, I have lived many lives, played", "I risk it being incomprehensible rubbish? Any advice, or examples of this being", "same person, which will be revealed towards the end. I suppose what I", "characters. It just didn't read well, so I stopped writing for a while.", "identity. How in my own way, I have lived many lives, played many", "done well? I feel it will need to be done with a great", "attempt to write a memoir, I found myself struggling to commit to just", "what I am asking, as I am just a hobby writer. Can this", "my environment. And so I believe I found my theme. I want to", "both the problems I was having (not having a specific theme I could", "found my theme. I want to write this as a fictional story (albeit", "set on writing my story as a memoir. Thinking about both the problems", "they are in fact the same person, which will be revealed towards the", "writer. Can this be done? Has it been done before? Or better yet,", "into it, certainly. Or do I risk it being incomprehensible rubbish? Any advice,", "having (not having a specific theme I could stick to, and feeling like", "stopped writing for a while. I wanted to put more thought into how", "how I would write and structure my book. I wasn't dead set on", "to, and feeling like I was writing about completely different characters when I", "writing my story as a memoir. Thinking about both the problems I was", "But I am considering writing it as though the book is following multiple", "Has it been done before? Or better yet, has it been done well?", "one underlying theme. I also found writing about myself in different time periods,", "periods, it felt as though I was writing about entirely different characters. It", "I want to write this as a fictional story (albeit one that is", "myself struggling to commit to just one underlying theme. I also found writing" ]
[ "talking about a prompt that says \"Write me a romance novel set in", "portraying this scene. Basically, it's MY scene. So given this, would it be", "throws a storm. Write lines portraying this scene. Basically, it's MY scene. So", "and wife are fighting over a financial matter. The husband pays all the", "question. I am not talking about a prompt that says \"Write me a", "MY scene. So given this, would it be copyright to use some/or all", "proceeding to copy/paste it all and call it your own. I am referring", "husband pays all the bills. He asks her to contribute and she throws", "be more clear with my question. I am not talking about a prompt", "Write lines portraying this scene. Basically, it's MY scene. So given this, would", "it all and call it your own. I am referring to very \"specific", "\"Write me a romance novel set in Japan,\" then proceeding to copy/paste it", "enters a prompt then uses the tool's output, is that copyright infringed? Just", "call it your own. I am referring to very \"specific prompts\". example prompt:", "all the bills. He asks her to contribute and she throws a storm.", "to contribute and she throws a storm. Write lines portraying this scene. Basically,", "am referring to very \"specific prompts\". example prompt: a husband and wife are", "more clear with my question. I am not talking about a prompt that", "given this, would it be copyright to use some/or all parts of that", "a financial matter. The husband pays all the bills. He asks her to", "contribute and she throws a storm. Write lines portraying this scene. Basically, it's", "it's MY scene. So given this, would it be copyright to use some/or", "wife are fighting over a financial matter. The husband pays all the bills.", "an AI tool and enters a prompt then uses the tool's output, is", "tool's output, is that copyright infringed? Just to be more clear with my", "prompt then uses the tool's output, is that copyright infringed? Just to be", "over a financial matter. The husband pays all the bills. He asks her", "very \"specific prompts\". example prompt: a husband and wife are fighting over a", "The husband pays all the bills. He asks her to contribute and she", "pays all the bills. He asks her to contribute and she throws a", "example prompt: a husband and wife are fighting over a financial matter. The", "AI tool and enters a prompt then uses the tool's output, is that", "romance novel set in Japan,\" then proceeding to copy/paste it all and call", "all and call it your own. I am referring to very \"specific prompts\".", "referring to very \"specific prompts\". example prompt: a husband and wife are fighting", "own. I am referring to very \"specific prompts\". example prompt: a husband and", "infringed? Just to be more clear with my question. I am not talking", "and call it your own. I am referring to very \"specific prompts\". example", "this scene. Basically, it's MY scene. So given this, would it be copyright", "me a romance novel set in Japan,\" then proceeding to copy/paste it all", "with my question. I am not talking about a prompt that says \"Write", "Japan,\" then proceeding to copy/paste it all and call it your own. I", "are fighting over a financial matter. The husband pays all the bills. He", "storm. Write lines portraying this scene. Basically, it's MY scene. So given this,", "then uses the tool's output, is that copyright infringed? Just to be more", "financial matter. The husband pays all the bills. He asks her to contribute", "prompt that says \"Write me a romance novel set in Japan,\" then proceeding", "I am not talking about a prompt that says \"Write me a romance", "tool and enters a prompt then uses the tool's output, is that copyright", "then proceeding to copy/paste it all and call it your own. I am", "lines portraying this scene. Basically, it's MY scene. So given this, would it", "copy/paste it all and call it your own. I am referring to very", "it your own. I am referring to very \"specific prompts\". example prompt: a", "would it be copyright to use some/or all parts of that AI's response?", "a husband and wife are fighting over a financial matter. The husband pays", "husband and wife are fighting over a financial matter. The husband pays all", "about a prompt that says \"Write me a romance novel set in Japan,\"", "a romance novel set in Japan,\" then proceeding to copy/paste it all and", "and she throws a storm. Write lines portraying this scene. Basically, it's MY", "a storm. Write lines portraying this scene. Basically, it's MY scene. So given", "am not talking about a prompt that says \"Write me a romance novel", "a prompt that says \"Write me a romance novel set in Japan,\" then", "scene. Basically, it's MY scene. So given this, would it be copyright to", "a prompt then uses the tool's output, is that copyright infringed? Just to", "Basically, it's MY scene. So given this, would it be copyright to use", "asks her to contribute and she throws a storm. Write lines portraying this", "this, would it be copyright to use some/or all parts of that AI's", "output, is that copyright infringed? Just to be more clear with my question.", "is that copyright infringed? Just to be more clear with my question. I", "fighting over a financial matter. The husband pays all the bills. He asks", "that says \"Write me a romance novel set in Japan,\" then proceeding to", "to copy/paste it all and call it your own. I am referring to", "she throws a storm. Write lines portraying this scene. Basically, it's MY scene.", "to be more clear with my question. I am not talking about a", "novel set in Japan,\" then proceeding to copy/paste it all and call it", "your own. I am referring to very \"specific prompts\". example prompt: a husband", "Just to be more clear with my question. I am not talking about", "not talking about a prompt that says \"Write me a romance novel set", "uses an AI tool and enters a prompt then uses the tool's output,", "that copyright infringed? Just to be more clear with my question. I am", "in Japan,\" then proceeding to copy/paste it all and call it your own.", "writer uses an AI tool and enters a prompt then uses the tool's", "matter. The husband pays all the bills. He asks her to contribute and", "clear with my question. I am not talking about a prompt that says", "the bills. He asks her to contribute and she throws a storm. Write", "I am referring to very \"specific prompts\". example prompt: a husband and wife", "a writer uses an AI tool and enters a prompt then uses the", "her to contribute and she throws a storm. Write lines portraying this scene.", "the tool's output, is that copyright infringed? Just to be more clear with", "uses the tool's output, is that copyright infringed? Just to be more clear", "my question. I am not talking about a prompt that says \"Write me", "So given this, would it be copyright to use some/or all parts of", "He asks her to contribute and she throws a storm. Write lines portraying", "prompt: a husband and wife are fighting over a financial matter. The husband", "and enters a prompt then uses the tool's output, is that copyright infringed?", "says \"Write me a romance novel set in Japan,\" then proceeding to copy/paste", "copyright infringed? Just to be more clear with my question. I am not", "prompts\". example prompt: a husband and wife are fighting over a financial matter.", "If a writer uses an AI tool and enters a prompt then uses", "to very \"specific prompts\". example prompt: a husband and wife are fighting over", "scene. So given this, would it be copyright to use some/or all parts", "bills. He asks her to contribute and she throws a storm. Write lines", "\"specific prompts\". example prompt: a husband and wife are fighting over a financial", "set in Japan,\" then proceeding to copy/paste it all and call it your" ]
[ "in a fight, she was cornered and was about to lose, until the", "hole? I mean, in this scenario, a hook might start off as a", "plot hole? I mean, in this scenario, a hook might start off as", "readers that it is something intentionally put for hook and new parts of", "got outside help from an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,)", "cliche or writing mistake or a plot hole, but later on in the", "a hook and will be answered later, and not some writing mistake or", "or a plot hole. It is basically where a girl (one of the", "it would then be revealed that she got outside help from an outside", "but how do I tell the readers that it is something intentionally put", "or a plot hole, but later on in the story it would then", "make sure and subtly tell the readers that this is a hook and", "the story it would then be revealed that she got outside help from", "mistake or a plot hole. It is basically where a girl (one of", "It is basically where a girl (one of the characters) is in a", "unexplained event that happened, that I fear might be considered as a mistake", "that I fear might be considered as a mistake or a plot hole.", "a scene I had in mind, there's a tricky hook or unexplained event", "fear might be considered as a mistake or a plot hole. It is", "died. Defeated right in front of her eyes. Now that would certainly be", "not literally,) from an ally hidden away. How would I make sure and", "is in a fight, she was cornered and was about to lose, until", "would I make sure and subtly tell the readers that this is a", "eyes. Now that would certainly be considered cliche or writing mistake or a", "she was cornered and was about to lose, until the opponent suddenly died.", "a fight, she was cornered and was about to lose, until the opponent", "but later on in the story it would then be revealed that she", "to lose, until the opponent suddenly died. Defeated right in front of her", "happened, that I fear might be considered as a mistake or a plot", "literally,) from an ally hidden away. How would I make sure and subtly", "saying it metaphorically/allegorically, not literally,) from an ally hidden away. How would I", "and subtly tell the readers that this is a hook and will be", "hook or unexplained event that happened, that I fear might be considered as", "Defeated right in front of her eyes. Now that would certainly be considered", "fight, she was cornered and was about to lose, until the opponent suddenly", "sure and subtly tell the readers that this is a hook and will", "of the characters) is in a fight, she was cornered and was about", "she got outside help from an outside \"arena\" (I'm saying it metaphorically/allegorically, not", "an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an ally hidden", "opponent suddenly died. Defeated right in front of her eyes. Now that would", "is basically where a girl (one of the characters) is in a fight,", "hidden away. How would I make sure and subtly tell the readers that", "scenario, a hook might start off as a plot hole, but how do", "it is something intentionally put for hook and new parts of the story?", "hole, but later on in the story it would then be revealed that", "away. How would I make sure and subtly tell the readers that this", "writing mistake or a plot hole, but later on in the story it", "metaphorically/allegorically, not literally,) from an ally hidden away. How would I make sure", "and was about to lose, until the opponent suddenly died. Defeated right in", "that this is a hook and will be answered later, and not some", "tricky hook or unexplained event that happened, that I fear might be considered", "How would I make sure and subtly tell the readers that this is", "not some writing mistake or a plot hole? I mean, in this scenario,", "a plot hole, but later on in the story it would then be", "mistake or a plot hole? I mean, in this scenario, a hook might", "certainly be considered cliche or writing mistake or a plot hole, but later", "on in the story it would then be revealed that she got outside", "be considered cliche or writing mistake or a plot hole, but later on", "a plot hole. It is basically where a girl (one of the characters)", "or unexplained event that happened, that I fear might be considered as a", "event that happened, that I fear might be considered as a mistake or", "plot hole, but later on in the story it would then be revealed", "(I'm saying it metaphorically/allegorically, not literally,) from an ally hidden away. How would", "that would certainly be considered cliche or writing mistake or a plot hole,", "suddenly died. Defeated right in front of her eyes. Now that would certainly", "I tell the readers that it is something intentionally put for hook and", "some writing mistake or a plot hole? I mean, in this scenario, a", "would then be revealed that she got outside help from an outside \"arena\"", "subtly tell the readers that this is a hook and will be answered", "until the opponent suddenly died. Defeated right in front of her eyes. Now", "or a plot hole? I mean, in this scenario, a hook might start", "that she got outside help from an outside \"arena\" (I'm saying it metaphorically/allegorically,", "there's a tricky hook or unexplained event that happened, that I fear might", "I make sure and subtly tell the readers that this is a hook", "I fear might be considered as a mistake or a plot hole. It", "a tricky hook or unexplained event that happened, that I fear might be", "revealed that she got outside help from an outside \"arena\" (I'm saying it", "I had in mind, there's a tricky hook or unexplained event that happened,", "mean, in this scenario, a hook might start off as a plot hole,", "hole, but how do I tell the readers that it is something intentionally", "readers that this is a hook and will be answered later, and not", "from an ally hidden away. How would I make sure and subtly tell", "hook and will be answered later, and not some writing mistake or a", "it metaphorically/allegorically, not literally,) from an ally hidden away. How would I make", "from an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an ally", "considered as a mistake or a plot hole. It is basically where a", "plot hole. It is basically where a girl (one of the characters) is", "front of her eyes. Now that would certainly be considered cliche or writing", "this scenario, a hook might start off as a plot hole, but how", "Now that would certainly be considered cliche or writing mistake or a plot", "answered later, and not some writing mistake or a plot hole? I mean,", "cornered and was about to lose, until the opponent suddenly died. Defeated right", "or writing mistake or a plot hole, but later on in the story", "be answered later, and not some writing mistake or a plot hole? I", "I mean, in this scenario, a hook might start off as a plot", "writing mistake or a plot hole? I mean, in this scenario, a hook", "a hook might start off as a plot hole, but how do I", "hook might start off as a plot hole, but how do I tell", "be revealed that she got outside help from an outside \"arena\" (I'm saying", "as a plot hole, but how do I tell the readers that it", "will be answered later, and not some writing mistake or a plot hole?", "hole. It is basically where a girl (one of the characters) is in", "later, and not some writing mistake or a plot hole? I mean, in", "help from an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an", "the readers that it is something intentionally put for hook and new parts", "had in mind, there's a tricky hook or unexplained event that happened, that", "of her eyes. Now that would certainly be considered cliche or writing mistake", "scene I had in mind, there's a tricky hook or unexplained event that", "in the story it would then be revealed that she got outside help", "an ally hidden away. How would I make sure and subtly tell the", "(one of the characters) is in a fight, she was cornered and was", "that it is something intentionally put for hook and new parts of the", "the characters) is in a fight, she was cornered and was about to", "about to lose, until the opponent suddenly died. Defeated right in front of", "ally hidden away. How would I make sure and subtly tell the readers", "characters) is in a fight, she was cornered and was about to lose,", "lose, until the opponent suddenly died. Defeated right in front of her eyes.", "In a scene I had in mind, there's a tricky hook or unexplained", "\"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an ally hidden away. How", "outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from an ally hidden away.", "later on in the story it would then be revealed that she got", "a plot hole? I mean, in this scenario, a hook might start off", "outside help from an outside \"arena\" (I'm saying it metaphorically/allegorically, not literally,) from", "girl (one of the characters) is in a fight, she was cornered and", "in mind, there's a tricky hook or unexplained event that happened, that I", "this is a hook and will be answered later, and not some writing", "how do I tell the readers that it is something intentionally put for", "might start off as a plot hole, but how do I tell the", "in front of her eyes. Now that would certainly be considered cliche or", "tell the readers that it is something intentionally put for hook and new", "off as a plot hole, but how do I tell the readers that", "story it would then be revealed that she got outside help from an", "would certainly be considered cliche or writing mistake or a plot hole, but", "mistake or a plot hole, but later on in the story it would", "considered cliche or writing mistake or a plot hole, but later on in", "a girl (one of the characters) is in a fight, she was cornered", "then be revealed that she got outside help from an outside \"arena\" (I'm", "that happened, that I fear might be considered as a mistake or a", "and not some writing mistake or a plot hole? I mean, in this", "in this scenario, a hook might start off as a plot hole, but", "plot hole, but how do I tell the readers that it is something", "might be considered as a mistake or a plot hole. It is basically", "was cornered and was about to lose, until the opponent suddenly died. Defeated", "right in front of her eyes. Now that would certainly be considered cliche", "be considered as a mistake or a plot hole. It is basically where", "as a mistake or a plot hole. It is basically where a girl", "start off as a plot hole, but how do I tell the readers", "was about to lose, until the opponent suddenly died. Defeated right in front", "do I tell the readers that it is something intentionally put for hook", "a mistake or a plot hole. It is basically where a girl (one", "mind, there's a tricky hook or unexplained event that happened, that I fear", "where a girl (one of the characters) is in a fight, she was", "tell the readers that this is a hook and will be answered later,", "is a hook and will be answered later, and not some writing mistake", "a plot hole, but how do I tell the readers that it is", "her eyes. Now that would certainly be considered cliche or writing mistake or", "the opponent suddenly died. Defeated right in front of her eyes. Now that", "and will be answered later, and not some writing mistake or a plot", "basically where a girl (one of the characters) is in a fight, she", "the readers that this is a hook and will be answered later, and" ]
[ "I'm thinking a montage with some dialogue, but I'm not certain that's the", "like key events over a lifetime. I'm thinking a montage with some dialogue,", "to figure out the best way to show a projector showing clips like", "I'm trying to figure out the best way to show a projector showing", "out the best way to show a projector showing clips like key events", "showing clips like key events over a lifetime. I'm thinking a montage with", "to show a projector showing clips like key events over a lifetime. I'm", "the best way to show a projector showing clips like key events over", "a lifetime. I'm thinking a montage with some dialogue, but I'm not certain", "thinking a montage with some dialogue, but I'm not certain that's the correct", "a montage with some dialogue, but I'm not certain that's the correct way.", "trying to figure out the best way to show a projector showing clips", "events over a lifetime. I'm thinking a montage with some dialogue, but I'm", "figure out the best way to show a projector showing clips like key", "projector showing clips like key events over a lifetime. I'm thinking a montage", "over a lifetime. I'm thinking a montage with some dialogue, but I'm not", "a projector showing clips like key events over a lifetime. I'm thinking a", "key events over a lifetime. I'm thinking a montage with some dialogue, but", "best way to show a projector showing clips like key events over a", "lifetime. I'm thinking a montage with some dialogue, but I'm not certain that's", "show a projector showing clips like key events over a lifetime. I'm thinking", "clips like key events over a lifetime. I'm thinking a montage with some", "way to show a projector showing clips like key events over a lifetime." ]
[ "which is justified by that she simply tries to stick with her class", "has the simple third person limited narrator, with POV generally following the friends,", "it is the girl getting into the bus, finding a free space for", "few seats further into the back. > > > The bus slowly entered", "free space for her to stand, seeing The Main Characters, then seeing two", "justified by that she simply tries to stick with her class (and also", "as pay closer attention to MCs, which is justified by that she simply", "to make a trick: it is narrated in a way that resembles the", "only those details mentioned?\", \"Why the MCs aren't featured all the time?\", putting", "Question: --------- Do you know of someone doing something like this before? I", "want to make a trick: it is narrated in a way that resembles", "say a word. There will be subtle moments when the reader may ask", "hear them), \"Why are only those details mentioned?\", \"Why the MCs aren't featured", "stand, seeing The Main Characters, then seeing two other classmates. Later she hears", "change their meaning when read for the second time (when knowing who the", "would rarely say a word. There will be subtle moments when the reader", "fan fiction story to a Bagry Patab-like novel about a group of 3", "> > > \"It's not even ours\" she said. > > > In", "story she doesn't refer to herself at all, probably doesn't even speak. I.e.", "one of them, when they separate. Description: ------------ Now, in my story I", "to guess. It should be even possible to make situations which change their", "probably somewhat evident, the exact person should be then easy to guess. It", "a free space for her to stand, seeing The Main Characters, then seeing", "longer hear them), \"Why are only those details mentioned?\", \"Why the MCs aren't", "seeing The Main Characters, then seeing two other classmates. Later she hears their", "— it can't refer to peoples' thoughts, it mustn't be too smart or", "the simple third person limited narrator, with POV generally following the friends, if", "tries to stick with her class (and also that she has a crush", "> \"A night at school, huh?\" said One MC. > > > The", "but possible, to write a narration in such a way — one that", "as the girl would, it must tell the story, including the girl's own,", "a character — the quiet girl attending the same class — which tells", "when the reader may ask \"Why has this conversation been discontinued?\" (because the", "narrator is), for example an indirect insult to her thrown in the air", "I make her generally follow, as well as pay closer attention to MCs,", "without using 'I' or 'we'. Do you think it is feasible? What would", "there was some free space remaining. The Main Characters were standing on one", "seeing two other classmates. Later she hears their conversation. Throughout the story she", "be too smart or in-depth, it should perceive things as the girl would,", "head. > > > \"It's not even ours\" she said. > > >", "generally following the friends, if they are together, or one of them, when", "the room and she could not longer hear them), \"Why are only those", "the road. It was almost completely dark outside. > > > \"A night", "is narrated in a way that resembles the usual third person, but actually", "evident, the exact person should be then easy to guess. It should be", "have left the room and she could not longer hear them), \"Why are", "with POV generally following the friends, if they are together, or one of", "Throughout the story she doesn't refer to herself at all, probably doesn't even", "of someone doing something like this before? I haven't, maybe it's simply to", "make her generally follow, as well as pay closer attention to MCs, which", "can't refer to peoples' thoughts, it mustn't be too smart or in-depth, it", "discontinued?\" (because the interlocutors have left the room and she could not longer", "speak. I.e. she doesn't say she walks from one place to another, she", "like this before? I haven't, maybe it's simply to hard to pull off?", "— which tells the story. This is, the text is about what she", "not even ours\" she said. > > > In reality it is the", "this before? I haven't, maybe it's simply to hard to pull off? From", "said. > > > In reality it is the girl getting into the", "about a group of 3 close friends. The novel has the simple third", "There will be subtle moments when the reader may ask \"Why has this", "you know of someone doing something like this before? I haven't, maybe it's", "slowly entered the road. It was almost completely dark outside. > > >", "In reality it is the girl getting into the bus, finding a free", "it indeed seems hard, but possible, to write a narration in such a", "to a Bagry Patab-like novel about a group of 3 close friends. The", "One MC. > > > The Second MC slowly raised her head. >", "describe the other place. In the plot I make her generally follow, as", "> The bus slowly entered the road. It was almost completely dark outside.", "on one of its sides, Two Other Classmates were sitting a few seats", "what I have tried it indeed seems hard, but possible, to write a", "closer attention to MCs, which is justified by that she simply tries to", "simple third person limited narrator, with POV generally following the friends, if they", "of the narrator will be probably somewhat evident, the exact person should be", "ours\" she said. > > > In reality it is the girl getting", "the plot I make her generally follow, as well as pay closer attention", "to make situations which change their meaning when read for the second time", "reality it is the girl getting into the bus, finding a free space", "also that she has a crush on one of them). This role should", "walks from one place to another, she may only describe the other place.", "maybe it's simply to hard to pull off? From what I have tried", "joint there was some free space remaining. The Main Characters were standing on", "bus was full of people, only at the joint there was some free", "role should fit her, as a very shy, staying in the background kind", "at school, huh?\" said One MC. > > > The Second MC slowly", "tells the story. This is, the text is about what she hears, sees", "said One MC. > > > The Second MC slowly raised her head.", "Characters were standing on one of its sides, Two Other Classmates were sitting", "when read for the second time (when knowing who the narrator is), for", "the same class — which tells the story. This is, the text is", "story I want to make a trick: it is narrated in a way", "may ask \"Why has this conversation been discontinued?\" (because the interlocutors have left", "a group of 3 close friends. The novel has the simple third person", "about her. For example, it starts along the lines of: > > The", "possible to make situations which change their meaning when read for the second", "true nature of the narrator will be probably somewhat evident, the exact person", "real narrator and a particular character — it can't refer to peoples' thoughts,", "girl's own, without using 'I' or 'we'. Do you think it is feasible?", "quiet girl attending the same class — which tells the story. This is,", "an indirect insult to her thrown in the air by someone in her", "Do you know of someone doing something like this before? I haven't, maybe", "girl attending the same class — which tells the story. This is, the", "to hard to pull off? From what I have tried it indeed seems", "the interlocutors have left the room and she could not longer hear them),", "should be even possible to make situations which change their meaning when read", "in the background kind of girl who would rarely say a word. There", "are only those details mentioned?\", \"Why the MCs aren't featured all the time?\",", "the story, including the girl's own, without using 'I' or 'we'. Do you", "pull off? From what I have tried it indeed seems hard, but possible,", "the story. This is, the text is about what she hears, sees and", "story, including the girl's own, without using 'I' or 'we'. Do you think", "sees and thinks, but not about her. For example, it starts along the", "of them, when they separate. Description: ------------ Now, in my story I want", "situations which change their meaning when read for the second time (when knowing", "they separate. Description: ------------ Now, in my story I want to make a", "not about her. For example, it starts along the lines of: > >", "a fan fiction story to a Bagry Patab-like novel about a group of", "I.e. she doesn't say she walks from one place to another, she may", "a word. There will be subtle moments when the reader may ask \"Why", "to her thrown in the air by someone in her surroundings. Question: ---------", "read for the second time (when knowing who the narrator is), for example", "and she could not longer hear them), \"Why are only those details mentioned?\",", "to pull off? From what I have tried it indeed seems hard, but", "was full of people, only at the joint there was some free space", "using 'I' or 'we'. Do you think it is feasible? What would you", "featured all the time?\", putting them in the, possibly unconscious state of \"Something", "in my story I want to make a trick: it is narrated in", "In the plot I make her generally follow, as well as pay closer", "\"It's not even ours\" she said. > > > In reality it is", "are together, or one of them, when they separate. Description: ------------ Now, in", "free space remaining. The Main Characters were standing on one of its sides,", "hard to pull off? From what I have tried it indeed seems hard,", "one that would suit both a real narrator and a particular character —", "of \"Something is not about right, but OK\". But then everything falls back", "should perceive things as the girl would, it must tell the story, including", "her thrown in the air by someone in her surroundings. Question: --------- Do", "someone doing something like this before? I haven't, maybe it's simply to hard", "Description: ------------ Now, in my story I want to make a trick: it", "Main Characters were standing on one of its sides, Two Other Classmates were", "tell the story, including the girl's own, without using 'I' or 'we'. Do", "seems hard, but possible, to write a narration in such a way —", "may only describe the other place. In the plot I make her generally", "space for her to stand, seeing The Main Characters, then seeing two other", "person limited narrator, with POV generally following the friends, if they are together,", "It was almost completely dark outside. > > > \"A night at school,", "right, but OK\". But then everything falls back to normal. Only towards the", "by someone in her surroundings. Question: --------- Do you know of someone doing", "is about what she hears, sees and thinks, but not about her. For", "> > The Second MC slowly raised her head. > > > \"It's", "simply tries to stick with her class (and also that she has a", "of: > > The bus was full of people, only at the joint", "guess. It should be even possible to make situations which change their meaning", "it mustn't be too smart or in-depth, it should perceive things as the", "the text is about what she hears, sees and thinks, but not about", "indirect insult to her thrown in the air by someone in her surroundings.", "This is, the text is about what she hears, sees and thinks, but", "normal. Only towards the end the true nature of the narrator will be", "reader may ask \"Why has this conversation been discontinued?\" (because the interlocutors have", "sides, Two Other Classmates were sitting a few seats further into the back.", "— one that would suit both a real narrator and a particular character", "easy to guess. It should be even possible to make situations which change", "a real narrator and a particular character — it can't refer to peoples'", "road. It was almost completely dark outside. > > > \"A night at", "> > \"A night at school, huh?\" said One MC. > > >", "possible, to write a narration in such a way — one that would", "of people, only at the joint there was some free space remaining. The", "tried it indeed seems hard, but possible, to write a narration in such", "insult to her thrown in the air by someone in her surroundings. Question:", "> > \"It's not even ours\" she said. > > > In reality", "should fit her, as a very shy, staying in the background kind of", "at all, probably doesn't even speak. I.e. she doesn't say she walks from", "Only towards the end the true nature of the narrator will be probably", "to write a narration in such a way — one that would suit", "her to stand, seeing The Main Characters, then seeing two other classmates. Later", "someone in her surroundings. Question: --------- Do you know of someone doing something", "only at the joint there was some free space remaining. The Main Characters", "haven't, maybe it's simply to hard to pull off? From what I have", "should be then easy to guess. It should be even possible to make", "class — which tells the story. This is, the text is about what", "The bus was full of people, only at the joint there was some", "some free space remaining. The Main Characters were standing on one of its", "only describe the other place. In the plot I make her generally follow,", "huh?\" said One MC. > > > The Second MC slowly raised her", "to stand, seeing The Main Characters, then seeing two other classmates. Later she", "to peoples' thoughts, it mustn't be too smart or in-depth, it should perceive", "even speak. I.e. she doesn't say she walks from one place to another,", "background kind of girl who would rarely say a word. There will be", "in a way that resembles the usual third person, but actually it is", "another, she may only describe the other place. In the plot I make", "mustn't be too smart or in-depth, it should perceive things as the girl", "rarely say a word. There will be subtle moments when the reader may", "to stick with her class (and also that she has a crush on", "writing a fan fiction story to a Bagry Patab-like novel about a group", "and a particular character — it can't refer to peoples' thoughts, it mustn't", "has a crush on one of them). This role should fit her, as", "The Main Characters were standing on one of its sides, Two Other Classmates", "it starts along the lines of: > > The bus was full of", "of 3 close friends. The novel has the simple third person limited narrator,", "bus, finding a free space for her to stand, seeing The Main Characters,", "resembles the usual third person, but actually it is a character — the", "\"Something is not about right, but OK\". But then everything falls back to", "hears their conversation. Throughout the story she doesn't refer to herself at all,", "room and she could not longer hear them), \"Why are only those details", "into the back. > > > The bus slowly entered the road. It", "be probably somewhat evident, the exact person should be then easy to guess.", "the exact person should be then easy to guess. It should be even", "it's simply to hard to pull off? From what I have tried it", "exact person should be then easy to guess. It should be even possible", "place. In the plot I make her generally follow, as well as pay", "a very shy, staying in the background kind of girl who would rarely", "knowing who the narrator is), for example an indirect insult to her thrown", "she walks from one place to another, she may only describe the other", "person, but actually it is a character — the quiet girl attending the", "The Main Characters, then seeing two other classmates. Later she hears their conversation.", "everything falls back to normal. Only towards the end the true nature of", "what she hears, sees and thinks, but not about her. For example, it", "starts along the lines of: > > The bus was full of people,", "her generally follow, as well as pay closer attention to MCs, which is", "girl who would rarely say a word. There will be subtle moments when", "the joint there was some free space remaining. The Main Characters were standing", "is a character — the quiet girl attending the same class — which", "make situations which change their meaning when read for the second time (when", "Later she hears their conversation. Throughout the story she doesn't refer to herself", "subtle moments when the reader may ask \"Why has this conversation been discontinued?\"", "\"Why are only those details mentioned?\", \"Why the MCs aren't featured all the", "were standing on one of its sides, Two Other Classmates were sitting a", "other place. In the plot I make her generally follow, as well as", "doesn't refer to herself at all, probably doesn't even speak. I.e. she doesn't", "about what she hears, sees and thinks, but not about her. For example,", "she has a crush on one of them). This role should fit her,", "Two Other Classmates were sitting a few seats further into the back. >", "fiction story to a Bagry Patab-like novel about a group of 3 close", "finding a free space for her to stand, seeing The Main Characters, then", "plot I make her generally follow, as well as pay closer attention to", "say she walks from one place to another, she may only describe the", "the narrator will be probably somewhat evident, the exact person should be then", "in-depth, it should perceive things as the girl would, it must tell the", "who the narrator is), for example an indirect insult to her thrown in", "person should be then easy to guess. It should be even possible to", "OK\". But then everything falls back to normal. Only towards the end the", "if they are together, or one of them, when they separate. Description: ------------", "This role should fit her, as a very shy, staying in the background", "indeed seems hard, but possible, to write a narration in such a way", "as a very shy, staying in the background kind of girl who would", "for her to stand, seeing The Main Characters, then seeing two other classmates.", "is the girl getting into the bus, finding a free space for her", "> \"It's not even ours\" she said. > > > In reality it", "staying in the background kind of girl who would rarely say a word.", "in her surroundings. Question: --------- Do you know of someone doing something like", "other classmates. Later she hears their conversation. Throughout the story she doesn't refer", "before? I haven't, maybe it's simply to hard to pull off? From what", "narration in such a way — one that would suit both a real", "the reader may ask \"Why has this conversation been discontinued?\" (because the interlocutors", "particular character — it can't refer to peoples' thoughts, it mustn't be too", "following the friends, if they are together, or one of them, when they", "seats further into the back. > > > The bus slowly entered the", "at the joint there was some free space remaining. The Main Characters were", "into the bus, finding a free space for her to stand, seeing The", "left the room and she could not longer hear them), \"Why are only", "(when knowing who the narrator is), for example an indirect insult to her", "she hears their conversation. Throughout the story she doesn't refer to herself at", "> In reality it is the girl getting into the bus, finding a", "then seeing two other classmates. Later she hears their conversation. Throughout the story", "to normal. Only towards the end the true nature of the narrator will", "Background: ----------- I'm writing a fan fiction story to a Bagry Patab-like novel", "Classmates were sitting a few seats further into the back. > > >", "by that she simply tries to stick with her class (and also that", "completely dark outside. > > > \"A night at school, huh?\" said One", "state of \"Something is not about right, but OK\". But then everything falls", "trick: it is narrated in a way that resembles the usual third person,", "follow, as well as pay closer attention to MCs, which is justified by", "> The Second MC slowly raised her head. > > > \"It's not", "simply to hard to pull off? From what I have tried it indeed", "third person, but actually it is a character — the quiet girl attending", "even ours\" she said. > > > In reality it is the girl", "in such a way — one that would suit both a real narrator", "own, without using 'I' or 'we'. Do you think it is feasible? What", "second time (when knowing who the narrator is), for example an indirect insult", "then easy to guess. It should be even possible to make situations which", "POV generally following the friends, if they are together, or one of them,", "it is a character — the quiet girl attending the same class —", "her, as a very shy, staying in the background kind of girl who", "not longer hear them), \"Why are only those details mentioned?\", \"Why the MCs", "something like this before? I haven't, maybe it's simply to hard to pull", "or in-depth, it should perceive things as the girl would, it must tell", "I want to make a trick: it is narrated in a way that", "hears, sees and thinks, but not about her. For example, it starts along", "story to a Bagry Patab-like novel about a group of 3 close friends.", "MC slowly raised her head. > > > \"It's not even ours\" she", "unconscious state of \"Something is not about right, but OK\". But then everything", "the end the true nature of the narrator will be probably somewhat evident,", "write a narration in such a way — one that would suit both", "it should perceive things as the girl would, it must tell the story,", "were sitting a few seats further into the back. > > > The", "--------- Do you know of someone doing something like this before? I haven't,", "almost completely dark outside. > > > \"A night at school, huh?\" said", "'I' or 'we'. Do you think it is feasible? What would you suggest?", "full of people, only at the joint there was some free space remaining.", "in the air by someone in her surroundings. Question: --------- Do you know", "story. This is, the text is about what she hears, sees and thinks,", "attending the same class — which tells the story. This is, the text", "suit both a real narrator and a particular character — it can't refer", "Now, in my story I want to make a trick: it is narrated", "attention to MCs, which is justified by that she simply tries to stick", "Characters, then seeing two other classmates. Later she hears their conversation. Throughout the", "along the lines of: > > The bus was full of people, only", "word. There will be subtle moments when the reader may ask \"Why has", "way that resembles the usual third person, but actually it is a character", "those details mentioned?\", \"Why the MCs aren't featured all the time?\", putting them", "very shy, staying in the background kind of girl who would rarely say", "ask \"Why has this conversation been discontinued?\" (because the interlocutors have left the", "is), for example an indirect insult to her thrown in the air by", "it is narrated in a way that resembles the usual third person, but", "could not longer hear them), \"Why are only those details mentioned?\", \"Why the", "same class — which tells the story. This is, the text is about", "the narrator is), for example an indirect insult to her thrown in the", "surroundings. Question: --------- Do you know of someone doing something like this before?", "it can't refer to peoples' thoughts, it mustn't be too smart or in-depth,", "MCs aren't featured all the time?\", putting them in the, possibly unconscious state", "Patab-like novel about a group of 3 close friends. The novel has the", "be even possible to make situations which change their meaning when read for", "novel about a group of 3 close friends. The novel has the simple", "they are together, or one of them, when they separate. Description: ------------ Now,", "that would suit both a real narrator and a particular character — it", "aren't featured all the time?\", putting them in the, possibly unconscious state of", "The novel has the simple third person limited narrator, with POV generally following", "somewhat evident, the exact person should be then easy to guess. It should", "narrator and a particular character — it can't refer to peoples' thoughts, it", "narrator, with POV generally following the friends, if they are together, or one", "thrown in the air by someone in her surroundings. Question: --------- Do you", "the MCs aren't featured all the time?\", putting them in the, possibly unconscious", "shy, staying in the background kind of girl who would rarely say a", "For example, it starts along the lines of: > > The bus was", "character — the quiet girl attending the same class — which tells the", "a few seats further into the back. > > > The bus slowly", "to herself at all, probably doesn't even speak. I.e. she doesn't say she", "example an indirect insult to her thrown in the air by someone in", "she doesn't say she walks from one place to another, she may only", "both a real narrator and a particular character — it can't refer to", "who would rarely say a word. There will be subtle moments when the", "character — it can't refer to peoples' thoughts, it mustn't be too smart", "friends, if they are together, or one of them, when they separate. Description:", "close friends. The novel has the simple third person limited narrator, with POV", "then everything falls back to normal. Only towards the end the true nature", "nature of the narrator will be probably somewhat evident, the exact person should", "thoughts, it mustn't be too smart or in-depth, it should perceive things as", "this conversation been discontinued?\" (because the interlocutors have left the room and she", "their meaning when read for the second time (when knowing who the narrator", "limited narrator, with POV generally following the friends, if they are together, or", "But then everything falls back to normal. Only towards the end the true", "the, possibly unconscious state of \"Something is not about right, but OK\". But", "them, when they separate. Description: ------------ Now, in my story I want to", "the lines of: > > The bus was full of people, only at", "would, it must tell the story, including the girl's own, without using 'I'", "— the quiet girl attending the same class — which tells the story.", "doing something like this before? I haven't, maybe it's simply to hard to", "> The bus was full of people, only at the joint there was", "> > The bus was full of people, only at the joint there", "towards the end the true nature of the narrator will be probably somewhat", "I have tried it indeed seems hard, but possible, to write a narration", "I haven't, maybe it's simply to hard to pull off? From what I", "things as the girl would, it must tell the story, including the girl's", "falls back to normal. Only towards the end the true nature of the", "standing on one of its sides, Two Other Classmates were sitting a few", "the second time (when knowing who the narrator is), for example an indirect", "I'm writing a fan fiction story to a Bagry Patab-like novel about a", "when they separate. Description: ------------ Now, in my story I want to make", "one of its sides, Two Other Classmates were sitting a few seats further", "sitting a few seats further into the back. > > > The bus", "on one of them). This role should fit her, as a very shy,", "a crush on one of them). This role should fit her, as a", "Bagry Patab-like novel about a group of 3 close friends. The novel has", "separate. Description: ------------ Now, in my story I want to make a trick:", "in the, possibly unconscious state of \"Something is not about right, but OK\".", "the girl would, it must tell the story, including the girl's own, without", "smart or in-depth, it should perceive things as the girl would, it must", "as well as pay closer attention to MCs, which is justified by that", "conversation been discontinued?\" (because the interlocutors have left the room and she could", "she could not longer hear them), \"Why are only those details mentioned?\", \"Why", "interlocutors have left the room and she could not longer hear them), \"Why", "putting them in the, possibly unconscious state of \"Something is not about right,", "generally follow, as well as pay closer attention to MCs, which is justified", "time?\", putting them in the, possibly unconscious state of \"Something is not about", "too smart or in-depth, it should perceive things as the girl would, it", "the true nature of the narrator will be probably somewhat evident, the exact", "been discontinued?\" (because the interlocutors have left the room and she could not", "> > > The Second MC slowly raised her head. > > >", "pay closer attention to MCs, which is justified by that she simply tries", "girl getting into the bus, finding a free space for her to stand,", "her head. > > > \"It's not even ours\" she said. > >", "The bus slowly entered the road. It was almost completely dark outside. >", "\"Why the MCs aren't featured all the time?\", putting them in the, possibly", "off? From what I have tried it indeed seems hard, but possible, to", "getting into the bus, finding a free space for her to stand, seeing", "have tried it indeed seems hard, but possible, to write a narration in", "which tells the story. This is, the text is about what she hears,", "know of someone doing something like this before? I haven't, maybe it's simply", "the background kind of girl who would rarely say a word. There will", "a Bagry Patab-like novel about a group of 3 close friends. The novel", "3 close friends. The novel has the simple third person limited narrator, with", "that she has a crush on one of them). This role should fit", "entered the road. It was almost completely dark outside. > > > \"A", "Second MC slowly raised her head. > > > \"It's not even ours\"", "or one of them, when they separate. Description: ------------ Now, in my story", "outside. > > > \"A night at school, huh?\" said One MC. >", "lines of: > > The bus was full of people, only at the", "but actually it is a character — the quiet girl attending the same", "remaining. The Main Characters were standing on one of its sides, Two Other", "the friends, if they are together, or one of them, when they separate.", "a particular character — it can't refer to peoples' thoughts, it mustn't be", "space remaining. The Main Characters were standing on one of its sides, Two", "> > > The bus slowly entered the road. It was almost completely", "the girl's own, without using 'I' or 'we'. Do you think it is", "kind of girl who would rarely say a word. There will be subtle", "including the girl's own, without using 'I' or 'we'. Do you think it", "> > > In reality it is the girl getting into the bus,", "the back. > > > The bus slowly entered the road. It was", "the air by someone in her surroundings. Question: --------- Do you know of", "the other place. In the plot I make her generally follow, as well", "girl would, it must tell the story, including the girl's own, without using", "for the second time (when knowing who the narrator is), for example an", "time (when knowing who the narrator is), for example an indirect insult to", "back. > > > The bus slowly entered the road. It was almost", "them). This role should fit her, as a very shy, staying in the", "mentioned?\", \"Why the MCs aren't featured all the time?\", putting them in the,", "of its sides, Two Other Classmates were sitting a few seats further into", "the story she doesn't refer to herself at all, probably doesn't even speak.", "example, it starts along the lines of: > > The bus was full", "she may only describe the other place. In the plot I make her", "crush on one of them). This role should fit her, as a very", "bus slowly entered the road. It was almost completely dark outside. > >", "she simply tries to stick with her class (and also that she has", "together, or one of them, when they separate. Description: ------------ Now, in my", "she said. > > > In reality it is the girl getting into", "doesn't even speak. I.e. she doesn't say she walks from one place to", "a narration in such a way — one that would suit both a", "fit her, as a very shy, staying in the background kind of girl", "refer to herself at all, probably doesn't even speak. I.e. she doesn't say", "which change their meaning when read for the second time (when knowing who", "well as pay closer attention to MCs, which is justified by that she", "perceive things as the girl would, it must tell the story, including the", "that she simply tries to stick with her class (and also that she", "my story I want to make a trick: it is narrated in a", "> > The bus slowly entered the road. It was almost completely dark", "conversation. Throughout the story she doesn't refer to herself at all, probably doesn't", "is justified by that she simply tries to stick with her class (and", "the bus, finding a free space for her to stand, seeing The Main", "> > In reality it is the girl getting into the bus, finding", "school, huh?\" said One MC. > > > The Second MC slowly raised", "would suit both a real narrator and a particular character — it can't", "actually it is a character — the quiet girl attending the same class", "all the time?\", putting them in the, possibly unconscious state of \"Something is", "novel has the simple third person limited narrator, with POV generally following the", "back to normal. Only towards the end the true nature of the narrator", "it must tell the story, including the girl's own, without using 'I' or", "the usual third person, but actually it is a character — the quiet", "make a trick: it is narrated in a way that resembles the usual", "was some free space remaining. The Main Characters were standing on one of", "classmates. Later she hears their conversation. Throughout the story she doesn't refer to", "but not about her. For example, it starts along the lines of: >", "night at school, huh?\" said One MC. > > > The Second MC", "text is about what she hears, sees and thinks, but not about her.", "from one place to another, she may only describe the other place. In", "to another, she may only describe the other place. In the plot I", "not about right, but OK\". But then everything falls back to normal. Only", "air by someone in her surroundings. Question: --------- Do you know of someone", "thinks, but not about her. For example, it starts along the lines of:", "\"Why has this conversation been discontinued?\" (because the interlocutors have left the room", "(because the interlocutors have left the room and she could not longer hear", "even possible to make situations which change their meaning when read for the", "such a way — one that would suit both a real narrator and", "probably doesn't even speak. I.e. she doesn't say she walks from one place", "third person limited narrator, with POV generally following the friends, if they are", "friends. The novel has the simple third person limited narrator, with POV generally", "will be subtle moments when the reader may ask \"Why has this conversation", "the time?\", putting them in the, possibly unconscious state of \"Something is not", "their conversation. Throughout the story she doesn't refer to herself at all, probably", "with her class (and also that she has a crush on one of", "dark outside. > > > \"A night at school, huh?\" said One MC.", "a trick: it is narrated in a way that resembles the usual third", "further into the back. > > > The bus slowly entered the road.", "raised her head. > > > \"It's not even ours\" she said. >", "peoples' thoughts, it mustn't be too smart or in-depth, it should perceive things", "narrated in a way that resembles the usual third person, but actually it", "her surroundings. Question: --------- Do you know of someone doing something like this", "stick with her class (and also that she has a crush on one", "Other Classmates were sitting a few seats further into the back. > >", "end the true nature of the narrator will be probably somewhat evident, the", "(and also that she has a crush on one of them). This role", "them in the, possibly unconscious state of \"Something is not about right, but", "but OK\". But then everything falls back to normal. Only towards the end", "way — one that would suit both a real narrator and a particular", "------------ Now, in my story I want to make a trick: it is", "MC. > > > The Second MC slowly raised her head. > >", "its sides, Two Other Classmates were sitting a few seats further into the", "From what I have tried it indeed seems hard, but possible, to write", "hard, but possible, to write a narration in such a way — one", "refer to peoples' thoughts, it mustn't be too smart or in-depth, it should", "the girl getting into the bus, finding a free space for her to", "place to another, she may only describe the other place. In the plot", "possibly unconscious state of \"Something is not about right, but OK\". But then", "> > > \"A night at school, huh?\" said One MC. > >", "MCs, which is justified by that she simply tries to stick with her", "\"A night at school, huh?\" said One MC. > > > The Second", "a way that resembles the usual third person, but actually it is a", "class (and also that she has a crush on one of them). This", "a way — one that would suit both a real narrator and a", "will be probably somewhat evident, the exact person should be then easy to", "moments when the reader may ask \"Why has this conversation been discontinued?\" (because", "one place to another, she may only describe the other place. In the", "about right, but OK\". But then everything falls back to normal. Only towards", "of girl who would rarely say a word. There will be subtle moments", "usual third person, but actually it is a character — the quiet girl", "one of them). This role should fit her, as a very shy, staying", "her class (and also that she has a crush on one of them).", "people, only at the joint there was some free space remaining. The Main", "be subtle moments when the reader may ask \"Why has this conversation been", "Main Characters, then seeing two other classmates. Later she hears their conversation. Throughout", "that resembles the usual third person, but actually it is a character —", "is, the text is about what she hears, sees and thinks, but not", "meaning when read for the second time (when knowing who the narrator is),", "two other classmates. Later she hears their conversation. Throughout the story she doesn't", "all, probably doesn't even speak. I.e. she doesn't say she walks from one", "she hears, sees and thinks, but not about her. For example, it starts", "her. For example, it starts along the lines of: > > The bus", "slowly raised her head. > > > \"It's not even ours\" she said.", "doesn't say she walks from one place to another, she may only describe", "It should be even possible to make situations which change their meaning when", "and thinks, but not about her. For example, it starts along the lines", "has this conversation been discontinued?\" (because the interlocutors have left the room and", "----------- I'm writing a fan fiction story to a Bagry Patab-like novel about", "herself at all, probably doesn't even speak. I.e. she doesn't say she walks", "for example an indirect insult to her thrown in the air by someone", "she doesn't refer to herself at all, probably doesn't even speak. I.e. she", "group of 3 close friends. The novel has the simple third person limited", "must tell the story, including the girl's own, without using 'I' or 'we'.", "was almost completely dark outside. > > > \"A night at school, huh?\"", "of them). This role should fit her, as a very shy, staying in", "the quiet girl attending the same class — which tells the story. This", "be then easy to guess. It should be even possible to make situations", "is not about right, but OK\". But then everything falls back to normal.", "The Second MC slowly raised her head. > > > \"It's not even", "narrator will be probably somewhat evident, the exact person should be then easy", "to MCs, which is justified by that she simply tries to stick with", "details mentioned?\", \"Why the MCs aren't featured all the time?\", putting them in", "them), \"Why are only those details mentioned?\", \"Why the MCs aren't featured all" ]
[ "some spells and potions that do the same as in Hijrp Potfeq, but", "* The magical names I am going to use are witches and warlocks", "that do the same as in Hijrp Potfeq, but I am not going", "but their powers and stories are all very different from Hijrp Potfeq. ", " I am going to put racism, prejudice and bigotry, about humans, magical", "powers and stories are all very different from Hijrp Potfeq. * There are", "to have paper communication, letters, newspapers and posters, because they are more fitting", "and departments, that deal with various things. * I am going to create", "born from humans, because racism is pretty much part of any world. ", "hidden in secret places. I am going to give witches and warlocks", "warlocks * My main villain is a woman, and I am thinking of", "I am going to give witches and warlocks the power to turn into", "is set in a magical world hidden within our own, and it has", "toilet etc. * I am going to create a wise old man, to", "fireplace, cupboards, sink, toilet etc. * I am going to create a wise", "to act as the mentor for my story, but pretty much every fantasy", "stuff we have today doesn't really work for magic. * I am going", "I am going to give them in old fashioned clothes and robes. For", "give them in old fashioned clothes and robes. For example, pin striped and", "have one character's family be carers of magical beasts, because I am very", "are:** * There is no magical school, because that instantly makes it compared", "do things not in Hijrp Potfeq. * I am going to have paper", "* I am going to create food that does magical things. * I", "mentor for my story, but pretty much every fantasy series has a wise", "be set in the 90's because all the tech stuff we have today", "because they are more fitting for magical world. I am going to invent", "to copy unique ones like expect patronum. I am going with ones I", "going to have it so witches and warlocks have to make their own.", "to have it so witches and warlocks have to make their own. ", "is going to be set in the 90's because all the tech stuff", "story. The key differences in my book are:* * There is no magical", "and I am thinking of using the soul jar trope with her, or", "prejudice and bigotry, about humans, magical creatures, and sorcerers born from humans, because", "I am going to have paper communication, letters, newspapers and posters, because they", "pretty much every fantasy series has a wise mentor character. LotR - Gandalf,", "invent of different way of mail transportation. * I am going to create", "and her followers are working to revive her. * I am also going", "and make it that there is a ritual to make your own wand.", "a chunk of humour mixed in. * My story is going to be", "different from Hijrp Potfeq. * There are going to be merpeople but I", "book are:** * There is no magical school, because that instantly makes it", "are working to revive her. * I am also going to make magical", "own unique potions and magic that do things not in Hijrp Potfeq. ", "I am going to have secret places for magical teleportation, hidden in things", "to revive her. I am also going to make magical shops. I", "* My main group are going to be teenagers, not kids, when they", "her. * I am also going to make magical shops. I am not", "humans, because racism is pretty much part of any world. * I am", "also going to have one character's family be carers of magical beasts, because", "going to put racism, prejudice and bigotry, about humans, magical creatures, and sorcerers", "look normal, fireplace, cupboards, sink, toilet etc. * I am going to create", "all the tech stuff we have today doesn't really work for magic. ", "Gandalf, Narnia - Aslan, HP - Dumbledore, etc. For the first part", "going to create my own unique potions and magic that do things not", "to put racism, prejudice and bigotry, about humans, magical creatures, and sorcerers born", "but I am going to make them, more human than in Goblet of", "with reporters for news in my world. I am going to have", "make it that there is a ritual to make your own wand. There", "I am going to put racism, prejudice and bigotry, about humans, magical creatures,", "branches and departments, that deal with various things. * I am going to", "woman, and I am thinking of using the soul jar trope with her,", "more human than in Goblet of Fire. * My main group are going", "have secret places for magical teleportation, hidden in things that look normal, fireplace,", "but I have decided to change it and make it that there is", "and warlocks the power to turn into animals, but I am also going", "much like Hijrp Potfeq? * There is a main trio but their powers", "am going to create a wise old man, to act as the mentor", "things not in Hijrp Potfeq. * I am going to have paper communication,", "sink, toilet etc. * I am going to create a wise old man,", "to give them in old fashioned clothes and robes. For example, pin striped", "soul jar trope with her, or is that too much like Hijrp Potfeq?", "Hijrp Potfeq, but I am not going to copy unique ones like expect", "is a woman, and I am thinking of using the soul jar trope", "magical shops. I am not going to create an alley, but I am", "sweaters. * I am also going to have one character's family be carers", "I am going to invent of different way of mail transportation. * I", "hidden in things that look normal, fireplace, cupboards, sink, toilet etc. * I", "first part of the story my main villain is going to be in", "news in my world. * I am going to have secret places for", "world. * I am going to have secret places for magical teleportation, hidden", "transportation. * I am going to create food that does magical things. ", "going to have some spells and potions that do the same as in", "power to turn into animals, but I am also going to give them", "story to be very dramatic, with a chunk of humour mixed in. ", "to have some spells and potions that do the same as in Hijrp", "that too much like Hijrp Potfeq? * There is a main trio but", "My main group are going to be teenagers, not kids, when they start.", "decided to change it and make it that there is a ritual to", "I am going to create a wise old man, to act as the", "key differences in my book are:** * There is no magical school, because", "merpeople but I am going to make them, more human than in Goblet", "it in the UK because all the old fashioned buildings we have here", "we have today doesn't really work for magic. I am going to", "sorcerers born from humans, because racism is pretty much part of any world.", "things. * I am also going to create items that do funny things,", "like Hijrp Potfeq? * There is a main trio but their powers and", "* My story is going to be set in the 90's because all", "I am going to set it in the UK because all the old", "magical names I am going to use are witches and warlocks * My", "about humans, magical creatures, and sorcerers born from humans, because racism is pretty", "There is a main trio but their powers and stories are all very", "secret places. * I am going to give witches and warlocks the power", "be very dramatic, with a chunk of humour mixed in. * My story", "am going to use are witches and warlocks * My main villain is", "fashioned clothes and robes. For example, pin striped and tweed suits, bowler hat", "creatures, and sorcerers born from humans, because racism is pretty much part of", "magical teleportation, hidden in things that look normal, fireplace, cupboards, sink, toilet etc.", "magical government, a council with branches and departments, that deal with various things.", "I was going to have it so witches and warlocks have to make", "the mentor for my story, but pretty much every fantasy series has a", "the first part of the story my main villain is going to be", "is pretty much part of any world. * I am going to give", "* I am going to have paper communication, letters, newspapers and posters, because", "secret places for magical teleportation, hidden in things that look normal, fireplace, cupboards,", "adamant about animal welfare and I wanted to show that in my story.", "use are witches and warlocks * My main villain is a woman, and", "to make their own. * I am going to make a magical government,", "going to create shops hidden in secret places. * I am going to", "wand. There are also brooms but I was going to have it so", "to be set in the 90's because all the tech stuff we have", "them, more human than in Goblet of Fire. * My main group are", "* My story is set in a magical world hidden within our own,", "the same as in Hijrp Potfeq, but I am not going to copy", "I am going to make a magical government, a council with branches and", "villain is going to be in a weakened state and her followers are", "my story, but pretty much every fantasy series has a wise mentor character.", "government, a council with branches and departments, that deal with various things. ", "patronum. I am going with ones I know are alright to use. I", "to make them, more human than in Goblet of Fire. My main", "the tech stuff we have today doesn't really work for magic. * I", "trio but their powers and stories are all very different from Hijrp Potfeq.", "magical version of things we do. * It has wands but I have", "and it has many magical version of things we do. * It has", "I want my story to be very dramatic, with a chunk of humour", "too much like Hijrp Potfeq? * My story is set in a magical", "Hijrp Potfeq? * My story is set in a magical world hidden within", "going to have secret places for magical teleportation, hidden in things that look", "I am also going to create items that do funny things, because I", "create a wise old man, to act as the mentor for my story,", "* There are going to be merpeople but I am going to make", "character's family be carers of magical beasts, because I am very adamant about", "items that do funny things, because I want my story to be very", "set it in the UK because all the old fashioned buildings we have", "give witches and warlocks the power to turn into animals, but I am", "with various things. * I am going to create a newspaper, with reporters", "but pretty much every fantasy series has a wise mentor character. LotR -", "Potfeq, but I am not going to copy unique ones like expect patronum.", "a council with branches and departments, that deal with various things. * I", "Potfeq. * I am going to have paper communication, letters, newspapers and posters,", "magic that do things not in Hijrp Potfeq. * I am going to", "various things. * I am going to create a newspaper, with reporters for", "is a main trio but their powers and stories are all very different", "normal, fireplace, cupboards, sink, toilet etc. * I am going to create a", "working to revive her. * I am also going to make magical shops.", "warlocks the power to turn into animals, but I am also going to", "am going to give witches and warlocks the power to turn into animals,", "make your own wand. There are also brooms but I was going to", "going to invent of different way of mail transportation. * I am going", "etc. * For the first part of the story my main villain is", "fitting for magical world. I am going to invent of different way of", "of mail transportation. * I am going to create food that does magical", "her followers are working to revive her. * I am also going to", "change it and make it that there is a ritual to make your", "animals, but I am also going to give them other changes as well.", "am going to have secret places for magical teleportation, hidden in things that", "have today doesn't really work for magic. * I am going to set", "for my story, but pretty much every fantasy series has a wise mentor", "world hidden within our own, and it has many magical version of things", "set in a magical world hidden within our own, and it has many", "wise old man, to act as the mentor for my story, but pretty", "because I want my story to be very dramatic, with a chunk of", "humans, magical creatures, and sorcerers born from humans, because racism is pretty much", "witches and warlocks have to make their own. * I am going to", "a woman, and I am thinking of using the soul jar trope with", "the old fashioned buildings we have here are fitting for magic. * I", "many magical version of things we do. * It has wands but I", "differences in my book are:** * There is no magical school, because that", "am thinking of using the soul jar trope with her, or is that", "as the mentor for my story, but pretty much every fantasy series has", "in my world. * I am going to have secret places for magical", "create an alley, but I am going to create shops hidden in secret", "but I am not going to copy unique ones like expect patronum. I", "series has a wise mentor character. LotR - Gandalf, Narnia - Aslan, HP", "* I am going to have some spells and potions that do the", "to create my own unique potions and magic that do things not in", "in the UK because all the old fashioned buildings we have here are", "- Dumbledore, etc. * For the first part of the story my main", "I have decided to change it and make it that there is a", "I am going with ones I know are alright to use. I am", "we have here are fitting for magic. * I am going to put", "There is no magical school, because that instantly makes it compared to Hijrp", "so witches and warlocks have to make their own. * I am going", "am going to create food that does magical things. * I am also", "copy unique ones like expect patronum. I am going with ones I know", "with a chunk of humour mixed in. * My story is going to", "jar trope with her, or is that too much like Hijrp Potfeq? ", "to make magical shops. I am not going to create an alley, but", "going to give them other changes as well. I am going to", "am also going to make magical shops. I am not going to create", "going to create a newspaper, with reporters for news in my world. ", "Aslan, HP - Dumbledore, etc. For the first part of the story", "* It has wands but I have decided to change it and make", "racism, prejudice and bigotry, about humans, magical creatures, and sorcerers born from humans,", "world. * I am going to give them in old fashioned clothes and", "own, and it has many magical version of things we do. * It", "doesn't really work for magic. * I am going to set it in", "and old cardigans and sweaters. * I am also going to have one", "not going to copy unique ones like expect patronum. I am going with", "going to make magical shops. I am not going to create an alley,", "my main villain is going to be in a weakened state and her", "am not going to copy unique ones like expect patronum. I am going", "their powers and stories are all very different from Hijrp Potfeq. * There", "There are going to be merpeople but I am going to make them,", "to create items that do funny things, because I want my story to", "weakened state and her followers are working to revive her. * I am", "magical world hidden within our own, and it has many magical version of", "- Aslan, HP - Dumbledore, etc. * For the first part of the", "school, because that instantly makes it compared to Hijrp Potfeq. * The magical", "Potfeq. * There are going to be merpeople but I am going to", "I am going to make them, more human than in Goblet of Fire.", "am going to make a magical government, a council with branches and departments,", "that do things not in Hijrp Potfeq. * I am going to have", "are alright to use. I am also going to create my own unique", "mentor character. LotR - Gandalf, Narnia - Aslan, HP - Dumbledore, etc. ", "buildings we have here are fitting for magic. I am going to", "like Hijrp Potfeq? * My story is set in a magical world hidden", "world. I am going to invent of different way of mail transportation. ", "to show that in my story. The key differences in my book are:", "to be very dramatic, with a chunk of humour mixed in. My", "It has wands but I have decided to change it and make it", "in Hijrp Potfeq, but I am not going to copy unique ones like", "Goblet of Fire. * My main group are going to be teenagers, not", "make a magical government, a council with branches and departments, that deal with", "we do. * It has wands but I have decided to change it", "here are fitting for magic. * I am going to put racism, prejudice", "there is a ritual to make your own wand. There are also brooms", "turn into animals, but I am also going to give them other changes", "* I am going to create a newspaper, with reporters for news in", "UK because all the old fashioned buildings we have here are fitting for", "robes. For example, pin striped and tweed suits, bowler hat and old cardigans", "to create a newspaper, with reporters for news in my world. * I", "way of mail transportation. * I am going to create food that does", "to create an alley, but I am going to create shops hidden in", "more fitting for magical world. I am going to invent of different way", "in Goblet of Fire. * My main group are going to be teenagers,", "all very different from Hijrp Potfeq. * There are going to be merpeople", "story, but pretty much every fantasy series has a wise mentor character. LotR", "the power to turn into animals, but I am also going to give", "in old fashioned clothes and robes. For example, pin striped and tweed suits,", "family be carers of magical beasts, because I am very adamant about animal", "to invent of different way of mail transportation. * I am going to", "teleportation, hidden in things that look normal, fireplace, cupboards, sink, toilet etc. ", "cupboards, sink, toilet etc. I am going to create a wise old", "in a weakened state and her followers are working to revive her. ", "villain is a woman, and I am thinking of using the soul jar", "any world. I am going to give them in old fashioned clothes", "instantly makes it compared to Hijrp Potfeq. * The magical names I am", "a magical government, a council with branches and departments, that deal with various", "humour mixed in. * My story is going to be set in the", "Hijrp Potfeq? * There is a main trio but their powers and stories", "HP - Dumbledore, etc. * For the first part of the story my", "in my story. The key differences in my book are: * There is", "like expect patronum. I am going with ones I know are alright to", "am also going to create items that do funny things, because I want", "the 90's because all the tech stuff we have today doesn't really work", "90's because all the tech stuff we have today doesn't really work for", "ritual to make your own wand. There are also brooms but I was", "places for magical teleportation, hidden in things that look normal, fireplace, cupboards, sink,", "I am going to have some spells and potions that do the same", "food that does magical things. * I am also going to create items", "for magic. * I am going to put racism, prejudice and bigotry, about", "really work for magic. * I am going to set it in the", "For example, pin striped and tweed suits, bowler hat and old cardigans and", "own wand. There are also brooms but I was going to have it", "much part of any world. * I am going to give them in", "into animals, but I am also going to give them other changes as", "- Gandalf, Narnia - Aslan, HP - Dumbledore, etc. * For the first", "too much like Hijrp Potfeq? * There is a main trio but their", "I am going to use are witches and warlocks * My main villain", "today doesn't really work for magic. * I am going to set it", "from Hijrp Potfeq. * There are going to be merpeople but I am", "create shops hidden in secret places. * I am going to give witches", "brooms but I was going to have it so witches and warlocks have", "not in Hijrp Potfeq. * I am going to have paper communication, letters,", "going to copy unique ones like expect patronum. I am going with ones", "Narnia - Aslan, HP - Dumbledore, etc. * For the first part of", "also going to create items that do funny things, because I want my", "revive her. * I am also going to make magical shops. I am", "mixed in. * My story is going to be set in the 90's", "because racism is pretty much part of any world. * I am going", "much every fantasy series has a wise mentor character. LotR - Gandalf, Narnia", "the story my main villain is going to be in a weakened state", "of humour mixed in. * My story is going to be set in", "it compared to Hijrp Potfeq. * The magical names I am going to", "newspapers and posters, because they are more fitting for magical world. I am", "but I am also going to give them other changes as well. ", "council with branches and departments, that deal with various things. I am", "because that instantly makes it compared to Hijrp Potfeq. * The magical names", "that does magical things. * I am also going to create items that", "do. * It has wands but I have decided to change it and", "also brooms but I was going to have it so witches and warlocks", "Fire. My main group are going to be teenagers, not kids, when", "* I am going to set it in the UK because all the", "than in Goblet of Fire. * My main group are going to be", "was going to have it so witches and warlocks have to make their", "a main trio but their powers and stories are all very different from", "different way of mail transportation. * I am going to create food that", "create items that do funny things, because I want my story to be", "witches and warlocks * My main villain is a woman, and I am", "story too much like Hijrp Potfeq? * My story is set in a", "in the 90's because all the tech stuff we have today doesn't really", "has a wise mentor character. LotR - Gandalf, Narnia - Aslan, HP -", "* There is a main trio but their powers and stories are all", "going to have paper communication, letters, newspapers and posters, because they are more", "them other changes as well. * I am going to have some spells", "because all the tech stuff we have today doesn't really work for magic.", "to give them other changes as well. * I am going to have", "going with ones I know are alright to use. I am also going", "the soul jar trope with her, or is that too much like Hijrp", "warlocks have to make their own. * I am going to make a", "thinking of using the soul jar trope with her, or is that too", "old man, to act as the mentor for my story, but pretty much", "a ritual to make your own wand. There are also brooms but I", "but I was going to have it so witches and warlocks have to", "fantasy series has a wise mentor character. LotR - Gandalf, Narnia - Aslan,", "a wise old man, to act as the mentor for my story, but", "things. * I am going to create a newspaper, with reporters for news", "going to be set in the 90's because all the tech stuff we", "do the same as in Hijrp Potfeq, but I am not going to", "but I am going to create shops hidden in secret places. * I", "am very adamant about animal welfare and I wanted to show that in", "make their own. * I am going to make a magical government, a", "pretty much part of any world. * I am going to give them", "work for magic. * I am going to set it in the UK", "am going to have some spells and potions that do the same as", "fashioned buildings we have here are fitting for magic. * I am going", "I am going to create shops hidden in secret places. * I am", "Potfeq. * The magical names I am going to use are witches and", "are witches and warlocks * My main villain is a woman, and I", "with branches and departments, that deal with various things. * I am going", "a wise mentor character. LotR - Gandalf, Narnia - Aslan, HP - Dumbledore,", "in my book are:** * There is no magical school, because that instantly", "are more fitting for magical world. I am going to invent of different", "* I am going to give witches and warlocks the power to turn", "changes as well. * I am going to have some spells and potions", "I am not going to copy unique ones like expect patronum. I am", "story is going to be set in the 90's because all the tech", "witches and warlocks the power to turn into animals, but I am also", "ones I know are alright to use. I am also going to create", "do funny things, because I want my story to be very dramatic, with", "for magic. * I am going to set it in the UK because", "and sorcerers born from humans, because racism is pretty much part of any", "story my main villain is going to be in a weakened state and", "paper communication, letters, newspapers and posters, because they are more fitting for magical", "my story too much like Hijrp Potfeq? * My story is set in", "to turn into animals, but I am also going to give them other", "to create shops hidden in secret places. * I am going to give", "same as in Hijrp Potfeq, but I am not going to copy unique", "every fantasy series has a wise mentor character. LotR - Gandalf, Narnia -", "and magic that do things not in Hijrp Potfeq. * I am going", "within our own, and it has many magical version of things we do.", "have paper communication, letters, newspapers and posters, because they are more fitting for", "in. * My story is going to be set in the 90's because", "racism is pretty much part of any world. * I am going to", "to use. I am also going to create my own unique potions and", "all the old fashioned buildings we have here are fitting for magic. ", "clothes and robes. For example, pin striped and tweed suits, bowler hat and", "My story is going to be set in the 90's because all the", "for magical teleportation, hidden in things that look normal, fireplace, cupboards, sink, toilet", "of any world. I am going to give them in old fashioned", "am going to invent of different way of mail transportation. * I am", "to be in a weakened state and her followers are working to revive", "as well. * I am going to have some spells and potions that", "stories are all very different from Hijrp Potfeq. * There are going to", "version of things we do. * It has wands but I have decided", "trope with her, or is that too much like Hijrp Potfeq? * There", "magical creatures, and sorcerers born from humans, because racism is pretty much part", "is a ritual to make your own wand. There are also brooms but", "to change it and make it that there is a ritual to make", "also going to give them other changes as well. * I am going", "have decided to change it and make it that there is a ritual", "expect patronum. I am going with ones I know are alright to use.", "are also brooms but I was going to have it so witches and", "is no magical school, because that instantly makes it compared to Hijrp Potfeq.", "and I wanted to show that in my story. *The key differences in", " I am going to give them in old fashioned clothes and robes.", "Hijrp Potfeq. * There are going to be merpeople but I am going", "very dramatic, with a chunk of humour mixed in. * My story is", "* I am going to create a wise old man, to act as", "things that look normal, fireplace, cupboards, sink, toilet etc. * I am going", "going to use are witches and warlocks * My main villain is a", "posters, because they are more fitting for magical world. I am going to", "magical world. I am going to invent of different way of mail transportation.", "and warlocks have to make their own. * I am going to make", "etc. * I am going to create a wise old man, to act", "* I am also going to create items that do funny things, because", "places. * I am going to give witches and warlocks the power to", "show that in my story. The key differences in my book are: ", "going to make a magical government, a council with branches and departments, that", "Potfeq? There is a main trio but their powers and stories are", "and robes. For example, pin striped and tweed suits, bowler hat and old", "put racism, prejudice and bigotry, about humans, magical creatures, and sorcerers born from", "followers are working to revive her. * I am also going to make", "of magical beasts, because I am very adamant about animal welfare and I", "dramatic, with a chunk of humour mixed in. * My story is going", "my story. The key differences in my book are: * There is no", "Dumbledore, etc. * For the first part of the story my main villain", "a newspaper, with reporters for news in my world. * I am going", "your own wand. There are also brooms but I was going to have", "* There is no magical school, because that instantly makes it compared to", "I am going to create a newspaper, with reporters for news in my", "a magical world hidden within our own, and it has many magical version", "wise mentor character. LotR - Gandalf, Narnia - Aslan, HP - Dumbledore, etc.", "not going to create an alley, but I am going to create shops", "does magical things. * I am also going to create items that do", "of different way of mail transportation. * I am going to create food", "reporters for news in my world. * I am going to have secret", "I am thinking of using the soul jar trope with her, or is", "welfare and I wanted to show that in my story. *The key differences", "main villain is a woman, and I am thinking of using the soul", "that do funny things, because I want my story to be very dramatic,", "and stories are all very different from Hijrp Potfeq. There are going", "to create food that does magical things. * I am also going to", "I am very adamant about animal welfare and I wanted to show that", "are fitting for magic. * I am going to put racism, prejudice and", "things we do. * It has wands but I have decided to change", "of using the soul jar trope with her, or is that too much", "in secret places. * I am going to give witches and warlocks the", "* I am also going to have one character's family be carers of", "her, or is that too much like Hijrp Potfeq? * There is a", "communication, letters, newspapers and posters, because they are more fitting for magical world.", "departments, that deal with various things. * I am going to create a", "I am not going to create an alley, but I am going to", "magic. * I am going to set it in the UK because all", "am also going to have one character's family be carers of magical beasts,", "to use are witches and warlocks * My main villain is a woman,", "very different from Hijrp Potfeq. * There are going to be merpeople but", "for news in my world. * I am going to have secret places", "give them other changes as well. * I am going to have some", "bigotry, about humans, magical creatures, and sorcerers born from humans, because racism is", "am going to create a newspaper, with reporters for news in my world.", "a weakened state and her followers are working to revive her. * I", "their own. * I am going to make a magical government, a council", "am going to have paper communication, letters, newspapers and posters, because they are", "character. LotR - Gandalf, Narnia - Aslan, HP - Dumbledore, etc. * For", "make them, more human than in Goblet of Fire. * My main group", "our own, and it has many magical version of things we do. ", "have some spells and potions that do the same as in Hijrp Potfeq,", " I am going to have secret places for magical teleportation, hidden in", "I know are alright to use. I am also going to create my", "going to create items that do funny things, because I want my story", "cardigans and sweaters. * I am also going to have one character's family", "unique potions and magic that do things not in Hijrp Potfeq. * I", "example, pin striped and tweed suits, bowler hat and old cardigans and sweaters.", "my story to be very dramatic, with a chunk of humour mixed in.", "want my story to be very dramatic, with a chunk of humour mixed", "Hijrp Potfeq. * I am going to have paper communication, letters, newspapers and", "and sweaters. * I am also going to have one character's family be", "magical school, because that instantly makes it compared to Hijrp Potfeq. * The", "as in Hijrp Potfeq, but I am not going to copy unique ones", "or is that too much like Hijrp Potfeq? * There is a main", "Potfeq? * My story is set in a magical world hidden within our", "main villain is going to be in a weakened state and her followers", "be merpeople but I am going to make them, more human than in", "The key differences in my book are: * There is no magical school,", "to give witches and warlocks the power to turn into animals, but I", "* My main villain is a woman, and I am thinking of using", "of things we do. * It has wands but I have decided to", "well. * I am going to have some spells and potions that do", "in things that look normal, fireplace, cupboards, sink, toilet etc. * I am", "use. I am also going to create my own unique potions and magic", "state and her followers are working to revive her. * I am also", "My story is set in a magical world hidden within our own, and", "funny things, because I want my story to be very dramatic, with a", "it and make it that there is a ritual to make your own", "from humans, because racism is pretty much part of any world. * I", "I am also going to give them other changes as well. * I", "spells and potions that do the same as in Hijrp Potfeq, but I", "create food that does magical things. * I am also going to create", "know are alright to use. I am also going to create my own", "it that there is a ritual to make your own wand. There are", "with her, or is that too much like Hijrp Potfeq? * There is", "story is set in a magical world hidden within our own, and it", "going to create a wise old man, to act as the mentor for", "have here are fitting for magic. * I am going to put racism,", "going to give witches and warlocks the power to turn into animals, but", "going to give them in old fashioned clothes and robes. For example, pin", "newspaper, with reporters for news in my world. * I am going to", "letters, newspapers and posters, because they are more fitting for magical world. I", "my own unique potions and magic that do things not in Hijrp Potfeq.", "an alley, but I am going to create shops hidden in secret places.", "beasts, because I am very adamant about animal welfare and I wanted to", "shops hidden in secret places. * I am going to give witches and", "because I am very adamant about animal welfare and I wanted to show", "it so witches and warlocks have to make their own. * I am", "wanted to show that in my story. *The key differences in my book", "make magical shops. I am not going to create an alley, but I", "compared to Hijrp Potfeq. The magical names I am going to use", "in Hijrp Potfeq. * I am going to have paper communication, letters, newspapers", "going to create an alley, but I am going to create shops hidden", "is going to be in a weakened state and her followers are working", "and bigotry, about humans, magical creatures, and sorcerers born from humans, because racism", "the UK because all the old fashioned buildings we have here are fitting", "main trio but their powers and stories are all very different from Hijrp", "tech stuff we have today doesn't really work for magic. * I am", "have to make their own. * I am going to make a magical", "of the story my main villain is going to be in a weakened", "chunk of humour mixed in. * My story is going to be set", "going to set it in the UK because all the old fashioned buildings", "going to make them, more human than in Goblet of Fire. * My", "animal welfare and I wanted to show that in my story. The key", "For the first part of the story my main villain is going to", "hidden within our own, and it has many magical version of things we", "that in my story. The key differences in my book are:** * There", "to create a wise old man, to act as the mentor for my", "own. * I am going to make a magical government, a council with", "to set it in the UK because all the old fashioned buildings we", "that instantly makes it compared to Hijrp Potfeq. * The magical names I", "to have secret places for magical teleportation, hidden in things that look normal,", "alley, but I am going to create shops hidden in secret places. ", "act as the mentor for my story, but pretty much every fantasy series", "ones like expect patronum. I am going with ones I know are alright", "makes it compared to Hijrp Potfeq. The magical names I am going", "I am going to create food that does magical things. * I am", "am going with ones I know are alright to use. I am also", "has many magical version of things we do. * It has wands but", "part of any world. * I am going to give them in old", "using the soul jar trope with her, or is that too much like", "Is my story too much like Hijrp Potfeq? * My story is set", "magical things. * I am also going to create items that do funny", "about animal welfare and I wanted to show that in my story. *The", "Hijrp Potfeq. The magical names I am going to use are witches", "magical beasts, because I am very adamant about animal welfare and I wanted", "going to be merpeople but I am going to make them, more human", "to be merpeople but I am going to make them, more human than", "much like Hijrp Potfeq? * My story is set in a magical world", "that look normal, fireplace, cupboards, sink, toilet etc. * I am going to", "am not going to create an alley, but I am going to create", "going to be in a weakened state and her followers are working to", "am also going to create my own unique potions and magic that do", "mail transportation. * I am going to create food that does magical things.", "to make a magical government, a council with branches and departments, that deal", "potions and magic that do things not in Hijrp Potfeq. * I am", "I wanted to show that in my story. *The key differences in my", "to make your own wand. There are also brooms but I was going", "in a magical world hidden within our own, and it has many magical", "going to have one character's family be carers of magical beasts, because I", "it has many magical version of things we do. It has wands", "no magical school, because that instantly makes it compared to Hijrp Potfeq. ", "are all very different from Hijrp Potfeq. There are going to be", "am going to give them in old fashioned clothes and robes. For example,", "with ones I know are alright to use. I am also going to", "am also going to give them other changes as well. * I am", "* For the first part of the story my main villain is going", "are going to be merpeople but I am going to make them, more", "them in old fashioned clothes and robes. For example, pin striped and tweed", "my book are:** * There is no magical school, because that instantly makes", "set in the 90's because all the tech stuff we have today doesn't", "one character's family be carers of magical beasts, because I am very adamant", "deal with various things. * I am going to create a newspaper, with", "my world. * I am going to have secret places for magical teleportation,", "to have one character's family be carers of magical beasts, because I am", "am going to create shops hidden in secret places. * I am going", "and tweed suits, bowler hat and old cardigans and sweaters. * I am", "things, because I want my story to be very dramatic, with a chunk", "am going to make them, more human than in Goblet of Fire. ", "because all the old fashioned buildings we have here are fitting for magic.", "LotR - Gandalf, Narnia - Aslan, HP - Dumbledore, etc. For the", "to Hijrp Potfeq. * The magical names I am going to use are", "and warlocks * My main villain is a woman, and I am thinking", "wands but I have decided to change it and make it that there", "has wands but I have decided to change it and make it that", "that there is a ritual to make your own wand. There are also", "very adamant about animal welfare and I wanted to show that in my", "human than in Goblet of Fire. * My main group are going to", "magic. * I am going to put racism, prejudice and bigotry, about humans,", "create a newspaper, with reporters for news in my world. * I am", "suits, bowler hat and old cardigans and sweaters. * I am also going", "I am also going to create my own unique potions and magic that", "they are more fitting for magical world. I am going to invent of", "be in a weakened state and her followers are working to revive her.", "alright to use. I am also going to create my own unique potions", "I am also going to make magical shops. I am not going to", "also going to create my own unique potions and magic that do things", "create my own unique potions and magic that do things not in Hijrp", "hat and old cardigans and sweaters. * I am also going to have", "unique ones like expect patronum. I am going with ones I know are", "* I am also going to make magical shops. I am not going", "am going to put racism, prejudice and bigotry, about humans, magical creatures, and", "old cardigans and sweaters. * I am also going to have one character's", "am going to set it in the UK because all the old fashioned", "shops. I am not going to create an alley, but I am going", "I am also going to have one character's family be carers of magical", "old fashioned buildings we have here are fitting for magic. * I am", "My main villain is a woman, and I am thinking of using the", "for magical world. I am going to invent of different way of mail", "and posters, because they are more fitting for magical world. I am going", "potions that do the same as in Hijrp Potfeq, but I am not", "man, to act as the mentor for my story, but pretty much every", "is that too much like Hijrp Potfeq? * There is a main trio", "pin striped and tweed suits, bowler hat and old cardigans and sweaters. ", "and potions that do the same as in Hijrp Potfeq, but I am", " I am going to make a magical government, a council with branches", "of Fire. My main group are going to be teenagers, not kids,", "names I am going to use are witches and warlocks * My main", "old fashioned clothes and robes. For example, pin striped and tweed suits, bowler", "There are also brooms but I was going to have it so witches", "have it so witches and warlocks have to make their own. * I", "fitting for magic. * I am going to put racism, prejudice and bigotry,", "that deal with various things. * I am going to create a newspaper,", "going to create food that does magical things. * I am also going", "carers of magical beasts, because I am very adamant about animal welfare and", "other changes as well. * I am going to have some spells and", "also going to make magical shops. I am not going to create an", "bowler hat and old cardigans and sweaters. * I am also going to", "tweed suits, bowler hat and old cardigans and sweaters. * I am also", "part of the story my main villain is going to be in a", "The magical names I am going to use are witches and warlocks ", "be carers of magical beasts, because I am very adamant about animal welfare", "striped and tweed suits, bowler hat and old cardigans and sweaters. I" ]
[ "when the narrator's and the author's genders may not be the same? If", "— of the author, particularly in the first person narratives when the narrator's", "gender — male or female — of the author, particularly in the first", "— male or female — of the author, particularly in the first person", "which may help the reader suggest, even if only tentatively, the gender —", "female — of the author, particularly in the first person narratives when the", "suggest, even if only tentatively, the gender — male or female — of", "the author's genders may not be the same? If yes, what might those", "and the author's genders may not be the same? If yes, what might", "there any stylistic markers (sentence structures, vocabulary choices, or anything else) which may", "structures, vocabulary choices, or anything else) which may help the reader suggest, even", "narrator's and the author's genders may not be the same? If yes, what", "any stylistic markers (sentence structures, vocabulary choices, or anything else) which may help", "or anything else) which may help the reader suggest, even if only tentatively,", "male or female — of the author, particularly in the first person narratives", "narratives when the narrator's and the author's genders may not be the same?", "markers (sentence structures, vocabulary choices, or anything else) which may help the reader", "only tentatively, the gender — male or female — of the author, particularly", "the narrator's and the author's genders may not be the same? If yes,", "of the author, particularly in the first person narratives when the narrator's and", "tentatively, the gender — male or female — of the author, particularly in", "author's genders may not be the same? If yes, what might those markers", "genders may not be the same? If yes, what might those markers be?", "or female — of the author, particularly in the first person narratives when", "if only tentatively, the gender — male or female — of the author,", "author, particularly in the first person narratives when the narrator's and the author's", "the reader suggest, even if only tentatively, the gender — male or female", "the author, particularly in the first person narratives when the narrator's and the", "may help the reader suggest, even if only tentatively, the gender — male", "help the reader suggest, even if only tentatively, the gender — male or", "first person narratives when the narrator's and the author's genders may not be", "even if only tentatively, the gender — male or female — of the", "person narratives when the narrator's and the author's genders may not be the", "stylistic markers (sentence structures, vocabulary choices, or anything else) which may help the", "(sentence structures, vocabulary choices, or anything else) which may help the reader suggest,", "particularly in the first person narratives when the narrator's and the author's genders", "the first person narratives when the narrator's and the author's genders may not", "anything else) which may help the reader suggest, even if only tentatively, the", "the gender — male or female — of the author, particularly in the", "Are there any stylistic markers (sentence structures, vocabulary choices, or anything else) which", "else) which may help the reader suggest, even if only tentatively, the gender", "reader suggest, even if only tentatively, the gender — male or female —", "choices, or anything else) which may help the reader suggest, even if only", "vocabulary choices, or anything else) which may help the reader suggest, even if", "in the first person narratives when the narrator's and the author's genders may" ]
[ "in the 1960s on a manual typewriter and they need editing. I would", "never published. She is deceased. I know I can send them in but", "is deceased. I know I can send them in but can I edit", "can send them in but can I edit them before I do? She", "them before I do? She wrote them in the 1960s on a manual", "the 1960s on a manual typewriter and they need editing. I would want", "typewriter and they need editing. I would want to publish them under her", "I found some stories my mother wrote and they were never published. She", "edit them before I do? She wrote them in the 1960s on a", "and they were never published. She is deceased. I know I can send", "deceased. I know I can send them in but can I edit them", "She wrote them in the 1960s on a manual typewriter and they need", "stories my mother wrote and they were never published. She is deceased. I", "1960s on a manual typewriter and they need editing. I would want to", "found some stories my mother wrote and they were never published. She is", "in but can I edit them before I do? She wrote them in", "I can send them in but can I edit them before I do?", "before I do? She wrote them in the 1960s on a manual typewriter", "mother wrote and they were never published. She is deceased. I know I", "know I can send them in but can I edit them before I", "but can I edit them before I do? She wrote them in the", "they were never published. She is deceased. I know I can send them", "I do? She wrote them in the 1960s on a manual typewriter and", "some stories my mother wrote and they were never published. She is deceased.", "manual typewriter and they need editing. I would want to publish them under", "my mother wrote and they were never published. She is deceased. I know", "wrote them in the 1960s on a manual typewriter and they need editing.", "were never published. She is deceased. I know I can send them in", "them in but can I edit them before I do? She wrote them", "them in the 1960s on a manual typewriter and they need editing. I", "can I edit them before I do? She wrote them in the 1960s", "She is deceased. I know I can send them in but can I", "do? She wrote them in the 1960s on a manual typewriter and they", "send them in but can I edit them before I do? She wrote", "I know I can send them in but can I edit them before", "I edit them before I do? She wrote them in the 1960s on", "and they need editing. I would want to publish them under her name.", "published. She is deceased. I know I can send them in but can", "on a manual typewriter and they need editing. I would want to publish", "a manual typewriter and they need editing. I would want to publish them", "wrote and they were never published. She is deceased. I know I can" ]
[ "key central hub which much of the interaction surrounds. An example of this", "place most people wouldn't get to experience. How would I go about describing", "the story and I don't want to break the flow to re-describe it,", "make it really stick in readers' minds, and how do I do this", "this tactic is creating problems. Namely, it results in the setting, a building", "want to really make this location stick out in the reader's minds when", "to really make this location stick out in the reader's minds when it", "reader's minds when it is first introduced, as the story is going to", "described to the point at which it feels overindulgent. The draft I have", "key set piece to make it really stick in readers' minds, and how", "back to it over and over again, but this tactic is creating problems.", "specific location itself is not something a lot of readers encounter in their", "again over and over again in the story and I don't want to", "feels overindulgent. The draft I have gets way too into the layout of", "way too much focus on something the reader has yet to become invested", "re-describe it, but upon editing its clear it places way too much focus", "point at which it feels overindulgent. The draft I have gets way too", "wouldn't get to experience. How would I go about describing a key set", "really make this location stick out in the reader's minds when it is", "of readers encounter in their everyday lives, so I really want to get", "be the bar in Cheers or Greendale Community College in Community. I want", "readers encounter in their everyday lives, so I really want to get across", "might be the bar in Cheers or Greendale Community College in Community. I", "of this might be the bar in Cheers or Greendale Community College in", "story that is a key central hub which much of the interaction surrounds.", "I have a location in my story that is a key central hub", "much focus on something the reader has yet to become invested in, and", "their everyday lives, so I really want to get across the feel of", "across the feel of immersion for a type of place most people wouldn't", "and over again, but this tactic is creating problems. Namely, it results in", "way too into the layout of the building because it's going to keep", "building because it's going to keep showing up again over and over again", "I don't want to break the flow to re-describe it, but upon editing", "Community College in Community. I want to really make this location stick out", "a key central hub which much of the interaction surrounds. An example of", "lot of readers encounter in their everyday lives, so I really want to", "building on a college campus, being described to the point at which it", "to get across the feel of immersion for a type of place most", "again, but this tactic is creating problems. Namely, it results in the setting,", "I want to really make this location stick out in the reader's minds", "minds, and how do I do this without going into gratuitous detail and", "in, and thus gets bored. The specific location itself is not something a", "a college campus, being described to the point at which it feels overindulgent.", "interaction surrounds. An example of this might be the bar in Cheers or", "showing up again over and over again in the story and I don't", "I go about describing a key set piece to make it really stick", "bar in Cheers or Greendale Community College in Community. I want to really", "overindulgent. The draft I have gets way too into the layout of the", "clear it places way too much focus on something the reader has yet", "it really stick in readers' minds, and how do I do this without", "it's going to keep showing up again over and over again in the", "and how do I do this without going into gratuitous detail and boring", "my story that is a key central hub which much of the interaction", "of immersion for a type of place most people wouldn't get to experience.", "hub which much of the interaction surrounds. An example of this might be", "going to keep coming back to it over and over again, but this", "something a lot of readers encounter in their everyday lives, so I really", "that is a key central hub which much of the interaction surrounds. An", "get across the feel of immersion for a type of place most people", "to break the flow to re-describe it, but upon editing its clear it", "flow to re-describe it, but upon editing its clear it places way too", "to experience. How would I go about describing a key set piece to", "campus, being described to the point at which it feels overindulgent. The draft", "readers' minds, and how do I do this without going into gratuitous detail", "of place most people wouldn't get to experience. How would I go about", "not something a lot of readers encounter in their everyday lives, so I", "editing its clear it places way too much focus on something the reader", "but this tactic is creating problems. Namely, it results in the setting, a", "again in the story and I don't want to break the flow to", "to make it really stick in readers' minds, and how do I do", "this location stick out in the reader's minds when it is first introduced,", "College in Community. I want to really make this location stick out in", "about describing a key set piece to make it really stick in readers'", "which it feels overindulgent. The draft I have gets way too into the", "location in my story that is a key central hub which much of", "creating problems. Namely, it results in the setting, a building on a college", "being described to the point at which it feels overindulgent. The draft I", "it, but upon editing its clear it places way too much focus on", "feel of immersion for a type of place most people wouldn't get to", "this might be the bar in Cheers or Greendale Community College in Community.", "on a college campus, being described to the point at which it feels", "lives, so I really want to get across the feel of immersion for", "in my story that is a key central hub which much of the", "make this location stick out in the reader's minds when it is first", "introduced, as the story is going to keep coming back to it over", "Cheers or Greendale Community College in Community. I want to really make this", "really want to get across the feel of immersion for a type of", "draft I have gets way too into the layout of the building because", "type of place most people wouldn't get to experience. How would I go", "going to keep showing up again over and over again in the story", "a key set piece to make it really stick in readers' minds, and", "gets way too into the layout of the building because it's going to", "something the reader has yet to become invested in, and thus gets bored.", "into the layout of the building because it's going to keep showing up", "everyday lives, so I really want to get across the feel of immersion", "minds when it is first introduced, as the story is going to keep", "and I don't want to break the flow to re-describe it, but upon", "college campus, being described to the point at which it feels overindulgent. The", "has yet to become invested in, and thus gets bored. The specific location", "piece to make it really stick in readers' minds, and how do I", "results in the setting, a building on a college campus, being described to", "example of this might be the bar in Cheers or Greendale Community College", "as the story is going to keep coming back to it over and", "the setting, a building on a college campus, being described to the point", "have a location in my story that is a key central hub which", "Community. I want to really make this location stick out in the reader's", "really stick in readers' minds, and how do I do this without going", "in Community. I want to really make this location stick out in the", "in their everyday lives, so I really want to get across the feel", "the feel of immersion for a type of place most people wouldn't get", "or Greendale Community College in Community. I want to really make this location", "the interaction surrounds. An example of this might be the bar in Cheers", "go about describing a key set piece to make it really stick in", "in Cheers or Greendale Community College in Community. I want to really make", "over again in the story and I don't want to break the flow", "the story is going to keep coming back to it over and over", "would I go about describing a key set piece to make it really", "surrounds. An example of this might be the bar in Cheers or Greendale", "it results in the setting, a building on a college campus, being described", "most people wouldn't get to experience. How would I go about describing a", "on something the reader has yet to become invested in, and thus gets", "a type of place most people wouldn't get to experience. How would I", "first introduced, as the story is going to keep coming back to it", "the point at which it feels overindulgent. The draft I have gets way", "tactic is creating problems. Namely, it results in the setting, a building on", "up again over and over again in the story and I don't want", "Greendale Community College in Community. I want to really make this location stick", "to become invested in, and thus gets bored. The specific location itself is", "coming back to it over and over again, but this tactic is creating", "location itself is not something a lot of readers encounter in their everyday", "how do I do this without going into gratuitous detail and boring them?", "to keep coming back to it over and over again, but this tactic", "the reader has yet to become invested in, and thus gets bored. The", "in the reader's minds when it is first introduced, as the story is", "layout of the building because it's going to keep showing up again over", "itself is not something a lot of readers encounter in their everyday lives,", "focus on something the reader has yet to become invested in, and thus", "over and over again in the story and I don't want to break", "keep coming back to it over and over again, but this tactic is", "which much of the interaction surrounds. An example of this might be the", "is not something a lot of readers encounter in their everyday lives, so", "central hub which much of the interaction surrounds. An example of this might", "The specific location itself is not something a lot of readers encounter in", "a building on a college campus, being described to the point at which", "much of the interaction surrounds. An example of this might be the bar", "too into the layout of the building because it's going to keep showing", "upon editing its clear it places way too much focus on something the", "over again, but this tactic is creating problems. Namely, it results in the", "people wouldn't get to experience. How would I go about describing a key", "An example of this might be the bar in Cheers or Greendale Community", "the bar in Cheers or Greendale Community College in Community. I want to", "The draft I have gets way too into the layout of the building", "the building because it's going to keep showing up again over and over", "its clear it places way too much focus on something the reader has", "is a key central hub which much of the interaction surrounds. An example", "when it is first introduced, as the story is going to keep coming", "to it over and over again, but this tactic is creating problems. Namely,", "the flow to re-describe it, but upon editing its clear it places way", "problems. Namely, it results in the setting, a building on a college campus,", "have gets way too into the layout of the building because it's going", "story and I don't want to break the flow to re-describe it, but", "places way too much focus on something the reader has yet to become", "bored. The specific location itself is not something a lot of readers encounter", "become invested in, and thus gets bored. The specific location itself is not", "set piece to make it really stick in readers' minds, and how do", "at which it feels overindulgent. 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The specific location itself is not something", "stick out in the reader's minds when it is first introduced, as the", "it feels overindulgent. The draft I have gets way too into the layout", "a lot of readers encounter in their everyday lives, so I really want", "to the point at which it feels overindulgent. The draft I have gets", "for a type of place most people wouldn't get to experience. How would", "get to experience. How would I go about describing a key set piece", "experience. How would I go about describing a key set piece to make", "in the story and I don't want to break the flow to re-describe", "describing a key set piece to make it really stick in readers' minds,", "setting, a building on a college campus, being described to the point at", "but upon editing its clear it places way too much focus on something", "don't want to break the flow to re-describe it, but upon editing its", "encounter in their everyday lives, so I really want to get across the", "is going to keep coming back to it over and over again, but", "of the interaction surrounds. An example of this might be the bar in", "location stick out in the reader's minds when it is first introduced, as", "immersion for a type of place most people wouldn't get to experience. 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Namely, it results", "is first introduced, as the story is going to keep coming back to", "in readers' minds, and how do I do this without going into gratuitous", "so I really want to get across the feel of immersion for a" ]
[ "it’s not like it’s new to her but it’s still traumatic. She never", "in and kills the guy, and I want to make her extremely upset", "cried much after she lost her parents because then it would seem too", "I’m currently writing a murder mystery novel in where the MC has to", "novel in where the MC has to solve a murder that happened in", "the climax she is fighting off the killer but then her love interest", "fighting off the killer but then her love interest comes in and kills", "I want to make her extremely upset but I also want her to", "MC has to solve a murder that happened in 1998. In the climax", "something she does a lot in the book. The thing is, she’s already", "want to make her extremely upset but I also want her to seem", "the killer but then her love interest comes in and kills the guy,", "1998. In the climax she is fighting off the killer but then her", "comes in and kills the guy, and I want to make her extremely", "people die, her parents, so it’s not like it’s new to her but", "In the climax she is fighting off the killer but then her love", "off the killer but then her love interest comes in and kills the", "she lost her parents because then it would seem too real, so this", "to her but it’s still traumatic. She never cried much after she lost", "interest comes in and kills the guy, and I want to make her", "and kills the guy, and I want to make her extremely upset but", "guy, and I want to make her extremely upset but I also want", "in where the MC has to solve a murder that happened in 1998.", "so this is also around the point where she’s accepting her parents’ death.", "where the MC has to solve a murder that happened in 1998. In", "like she’s hiding her true feelings because that’s something she does a lot", "because that’s something she does a lot in the book. The thing is,", "I also want her to seem emotionless like she’s hiding her true feelings", "a lot in the book. The thing is, she’s already watched people die,", "much after she lost her parents because then it would seem too real,", "not like it’s new to her but it’s still traumatic. She never cried", "traumatic. She never cried much after she lost her parents because then it", "her love interest comes in and kills the guy, and I want to", "is, she’s already watched people die, her parents, so it’s not like it’s", "love interest comes in and kills the guy, and I want to make", "her to seem emotionless like she’s hiding her true feelings because that’s something", "so it’s not like it’s new to her but it’s still traumatic. She", "then her love interest comes in and kills the guy, and I want", "seem too real, so this is also around the point where she’s accepting", "currently writing a murder mystery novel in where the MC has to solve", "feelings because that’s something she does a lot in the book. The thing", "her parents, so it’s not like it’s new to her but it’s still", "but I also want her to seem emotionless like she’s hiding her true", "then it would seem too real, so this is also around the point", "to make her extremely upset but I also want her to seem emotionless", "She never cried much after she lost her parents because then it would", "would seem too real, so this is also around the point where she’s", "to solve a murder that happened in 1998. In the climax she is", "a murder that happened in 1998. In the climax she is fighting off", "it would seem too real, so this is also around the point where", "in the book. The thing is, she’s already watched people die, her parents,", "her parents because then it would seem too real, so this is also", "thing is, she’s already watched people die, her parents, so it’s not like", "her but it’s still traumatic. She never cried much after she lost her", "that happened in 1998. In the climax she is fighting off the killer", "the guy, and I want to make her extremely upset but I also", "mystery novel in where the MC has to solve a murder that happened", "still traumatic. She never cried much after she lost her parents because then", "writing a murder mystery novel in where the MC has to solve a", "happened in 1998. In the climax she is fighting off the killer but", "want her to seem emotionless like she’s hiding her true feelings because that’s", "she’s already watched people die, her parents, so it’s not like it’s new", "watched people die, her parents, so it’s not like it’s new to her", "it’s new to her but it’s still traumatic. 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In the climax she is fighting off the killer but then", "because then it would seem too real, so this is also around the", "her true feelings because that’s something she does a lot in the book.", "die, her parents, so it’s not like it’s new to her but it’s", "has to solve a murder that happened in 1998. In the climax she", "her extremely upset but I also want her to seem emotionless like she’s", "upset but I also want her to seem emotionless like she’s hiding her", "that’s something she does a lot in the book. The thing is, she’s", "but then her love interest comes in and kills the guy, and I", "never cried much after she lost her parents because then it would seem", "killer but then her love interest comes in and kills the guy, and", "she’s hiding her true feelings because that’s something she does a lot in", "hiding her true feelings because that’s something she does a lot in the", "make her extremely upset but I also want her to seem emotionless like", "it’s still traumatic. She never cried much after she lost her parents because", "climax she is fighting off the killer but then her love interest comes", "she does a lot in the book. The thing is, she’s already watched", "the book. The thing is, she’s already watched people die, her parents, so", "and I want to make her extremely upset but I also want her", "kills the guy, and I want to make her extremely upset but I", "to seem emotionless like she’s hiding her true feelings because that’s something she", "true feelings because that’s something she does a lot in the book. The", "a murder mystery novel in where the MC has to solve a murder", "the MC has to solve a murder that happened in 1998. In the", "she is fighting off the killer but then her love interest comes in", "already watched people die, her parents, so it’s not like it’s new to", "seem emotionless like she’s hiding her true feelings because that’s something she does", "solve a murder that happened in 1998. In the climax she is fighting", "too real, so this is also around the point where she’s accepting her", "is fighting off the killer but then her love interest comes in and", "The thing is, she’s already watched people die, her parents, so it’s not", "parents, so it’s not like it’s new to her but it’s still traumatic.", "extremely upset but I also want her to seem emotionless like she’s hiding", "parents because then it would seem too real, so this is also around" ]
[ "the Dust Dragon, an extinct creature in this world. The second was a", "first was a lecture on the Dust Dragon, an extinct creature in this", "too unnatural. I understand it does not work in all types of stories,", "twice at the beginning of 2 of my stories (IIRC.) The first was", "'show' them, all without feeling too unnatural. I understand it does not work", "I understand it does not work in all types of stories, but in", "good storytelling in any works? Should other, better, methods be used in order", "it does not work in all types of stories, but in some it", "their species. I like this method of infodumping as it allows you to", "or long to 'show' them, all without feeling too unnatural. I understand it", "have done this twice at the beginning of 2 of my stories (IIRC.)", "work in all types of stories, but in some it at least seems", "long to 'show' them, all without feeling too unnatural. I understand it does", "hard or long to 'show' them, all without feeling too unnatural. I understand", "Dragon, an extinct creature in this world. The second was a schoolteacher giving", "species. I like this method of infodumping as it allows you to tell", "it works well in some. Is it really good storytelling in any works?", "world. The second was a schoolteacher giving a lesson on the making and", "infodumping as it allows you to tell your reader info that would have", "of their species. I like this method of infodumping as it allows you", "a schoolteacher giving a lesson on the making and history of their species.", "any works? Should other, better, methods be used in order to infodump readers?", "I like this method of infodumping as it allows you to tell your", "info that would have otherwise been too hard or long to 'show' them,", "beginning of 2 of my stories (IIRC.) The first was a lecture on", "does not work in all types of stories, but in some it at", "have otherwise been too hard or long to 'show' them, all without feeling", "seems like it works well in some. Is it really good storytelling in", "like it works well in some. Is it really good storytelling in any", "of my stories (IIRC.) The first was a lecture on the Dust Dragon,", "in this world. The second was a schoolteacher giving a lesson on the", "done this twice at the beginning of 2 of my stories (IIRC.) The", "least seems like it works well in some. Is it really good storytelling", "an extinct creature in this world. The second was a schoolteacher giving a", "all types of stories, but in some it at least seems like it", "second was a schoolteacher giving a lesson on the making and history of", "the making and history of their species. I like this method of infodumping", "The second was a schoolteacher giving a lesson on the making and history", "creature in this world. The second was a schoolteacher giving a lesson on", "Dust Dragon, an extinct creature in this world. The second was a schoolteacher", "on the making and history of their species. I like this method of", "method of infodumping as it allows you to tell your reader info that", "stories (IIRC.) The first was a lecture on the Dust Dragon, an extinct", "it allows you to tell your reader info that would have otherwise been", "tell your reader info that would have otherwise been too hard or long", "this twice at the beginning of 2 of my stories (IIRC.) The first", "well in some. Is it really good storytelling in any works? Should other,", "was a lecture on the Dust Dragon, an extinct creature in this world.", "my stories (IIRC.) The first was a lecture on the Dust Dragon, an", "but in some it at least seems like it works well in some.", "of 2 of my stories (IIRC.) The first was a lecture on the", "all without feeling too unnatural. I understand it does not work in all", "as it allows you to tell your reader info that would have otherwise", "a lesson on the making and history of their species. I like this", "lesson on the making and history of their species. I like this method", "in some. Is it really good storytelling in any works? Should other, better,", "on the Dust Dragon, an extinct creature in this world. The second was", "unnatural. I understand it does not work in all types of stories, but", "was a schoolteacher giving a lesson on the making and history of their", "feeling too unnatural. I understand it does not work in all types of", "lecture on the Dust Dragon, an extinct creature in this world. The second", "otherwise been too hard or long to 'show' them, all without feeling too", "would have otherwise been too hard or long to 'show' them, all without", "storytelling in any works? Should other, better, methods be used in order to", "(IIRC.) The first was a lecture on the Dust Dragon, an extinct creature", "to 'show' them, all without feeling too unnatural. I understand it does not", "stories, but in some it at least seems like it works well in", "of infodumping as it allows you to tell your reader info that would", "extinct creature in this world. The second was a schoolteacher giving a lesson", "you to tell your reader info that would have otherwise been too hard", "reader info that would have otherwise been too hard or long to 'show'", "in some it at least seems like it works well in some. Is", "of stories, but in some it at least seems like it works well", "schoolteacher giving a lesson on the making and history of their species. I", "at least seems like it works well in some. Is it really good", "it really good storytelling in any works? Should other, better, methods be used", "understand it does not work in all types of stories, but in some", "and history of their species. I like this method of infodumping as it", "like this method of infodumping as it allows you to tell your reader", "some. Is it really good storytelling in any works? Should other, better, methods", "without feeling too unnatural. I understand it does not work in all types", "a lecture on the Dust Dragon, an extinct creature in this world. The", "history of their species. I like this method of infodumping as it allows", "I have done this twice at the beginning of 2 of my stories", "giving a lesson on the making and history of their species. I like", "types of stories, but in some it at least seems like it works", "to tell your reader info that would have otherwise been too hard or", "2 of my stories (IIRC.) The first was a lecture on the Dust", "at the beginning of 2 of my stories (IIRC.) The first was a", "in all types of stories, but in some it at least seems like", "it at least seems like it works well in some. Is it really", "this method of infodumping as it allows you to tell your reader info", "been too hard or long to 'show' them, all without feeling too unnatural.", "in any works? Should other, better, methods be used in order to infodump", "too hard or long to 'show' them, all without feeling too unnatural. I", "allows you to tell your reader info that would have otherwise been too", "making and history of their species. I like this method of infodumping as", "this world. The second was a schoolteacher giving a lesson on the making", "not work in all types of stories, but in some it at least", "The first was a lecture on the Dust Dragon, an extinct creature in", "your reader info that would have otherwise been too hard or long to", "Is it really good storytelling in any works? Should other, better, methods be", "some it at least seems like it works well in some. Is it", "them, all without feeling too unnatural. I understand it does not work in", "that would have otherwise been too hard or long to 'show' them, all", "really good storytelling in any works? Should other, better, methods be used in", "works well in some. Is it really good storytelling in any works? Should", "the beginning of 2 of my stories (IIRC.) The first was a lecture" ]
[ "leonine face,\" and \"The warm breeze swept through his mane...\" but I still", "through his mane...\" but I still feel like I'm doing something wrong here,", "mane...\" but I still feel like I'm doing something wrong here, and not", "are \"The warm light painted the sky gold as it spilt onto [MC]’s", "painted the sky gold as it spilt onto [MC]’s leonine face,\" and \"The", "of physical description text, and trying to use more show-don't-tell. So far, all", "a rewrite of a story of mine. One of the improvements I'm trying", "sky gold as it spilt onto [MC]’s leonine face,\" and \"The warm breeze", "block of physical description text, and trying to use more show-don't-tell. So far,", "I'm doing something wrong here, and not fully conveying that my protagonist is", "show-don't-tell. So far, all I've been able to start with are \"The warm", "[MC]’s leonine face,\" and \"The warm breeze swept through his mane...\" but I", "light painted the sky gold as it spilt onto [MC]’s leonine face,\" and", "on a rewrite of a story of mine. One of the improvements I'm", "a story of mine. One of the improvements I'm trying to make is", "like I'm doing something wrong here, and not fully conveying that my protagonist", "So far, all I've been able to start with are \"The warm light", "not fully conveying that my protagonist is a lionfolk without outright telling the", "is avoiding the block of physical description text, and trying to use more", "been able to start with are \"The warm light painted the sky gold", "\"The warm breeze swept through his mane...\" but I still feel like I'm", "as it spilt onto [MC]’s leonine face,\" and \"The warm breeze swept through", "to start with are \"The warm light painted the sky gold as it", "start with are \"The warm light painted the sky gold as it spilt", "and trying to use more show-don't-tell. So far, all I've been able to", "\"The warm light painted the sky gold as it spilt onto [MC]’s leonine", "and \"The warm breeze swept through his mane...\" but I still feel like", "something wrong here, and not fully conveying that my protagonist is a lionfolk", "of a story of mine. One of the improvements I'm trying to make", "onto [MC]’s leonine face,\" and \"The warm breeze swept through his mane...\" but", "trying to make is avoiding the block of physical description text, and trying", "the block of physical description text, and trying to use more show-don't-tell. So", "it spilt onto [MC]’s leonine face,\" and \"The warm breeze swept through his", "here, and not fully conveying that my protagonist is a lionfolk without outright", "of mine. One of the improvements I'm trying to make is avoiding the", "trying to use more show-don't-tell. So far, all I've been able to start", "gold as it spilt onto [MC]’s leonine face,\" and \"The warm breeze swept", "warm light painted the sky gold as it spilt onto [MC]’s leonine face,\"", "physical description text, and trying to use more show-don't-tell. So far, all I've", "to use more show-don't-tell. So far, all I've been able to start with", "working on a rewrite of a story of mine. One of the improvements", "fully conveying that my protagonist is a lionfolk without outright telling the audience.", "far, all I've been able to start with are \"The warm light painted", "wrong here, and not fully conveying that my protagonist is a lionfolk without", "avoiding the block of physical description text, and trying to use more show-don't-tell.", "I'm working on a rewrite of a story of mine. One of the", "story of mine. One of the improvements I'm trying to make is avoiding", "face,\" and \"The warm breeze swept through his mane...\" but I still feel", "use more show-don't-tell. So far, all I've been able to start with are", "One of the improvements I'm trying to make is avoiding the block of", "I've been able to start with are \"The warm light painted the sky", "but I still feel like I'm doing something wrong here, and not fully", "the sky gold as it spilt onto [MC]’s leonine face,\" and \"The warm", "swept through his mane...\" but I still feel like I'm doing something wrong", "doing something wrong here, and not fully conveying that my protagonist is a", "description text, and trying to use more show-don't-tell. So far, all I've been", "rewrite of a story of mine. One of the improvements I'm trying to", "the improvements I'm trying to make is avoiding the block of physical description", "spilt onto [MC]’s leonine face,\" and \"The warm breeze swept through his mane...\"", "more show-don't-tell. So far, all I've been able to start with are \"The", "all I've been able to start with are \"The warm light painted the", "still feel like I'm doing something wrong here, and not fully conveying that", "improvements I'm trying to make is avoiding the block of physical description text,", "of the improvements I'm trying to make is avoiding the block of physical", "make is avoiding the block of physical description text, and trying to use", "text, and trying to use more show-don't-tell. So far, all I've been able", "warm breeze swept through his mane...\" but I still feel like I'm doing", "with are \"The warm light painted the sky gold as it spilt onto", "able to start with are \"The warm light painted the sky gold as", "breeze swept through his mane...\" but I still feel like I'm doing something", "I still feel like I'm doing something wrong here, and not fully conveying", "to make is avoiding the block of physical description text, and trying to", "I'm trying to make is avoiding the block of physical description text, and", "feel like I'm doing something wrong here, and not fully conveying that my", "mine. One of the improvements I'm trying to make is avoiding the block", "and not fully conveying that my protagonist is a lionfolk without outright telling", "his mane...\" but I still feel like I'm doing something wrong here, and" ]
[ "or disagree with the above points. I've not seen any surveys about whether", "question of when a story needs a theme. I felt that those arguing", "the quality of his story? In other words, how is this different from", "largely incomprehensible without their central themes, but I could be wrong. And I", "nations i.e. no nation should have the power to conquer another nation. I", "would still prefer a better-executed theme I disagree with than no theme at", "suspense stories that focus on mysteries and plot devices don't have to have", "story needs a theme. This is the flip side version of the question", "Would you prefer a story to have a theme you disagree with than", "theme because it says that the political status quo, whatever that may be", "without any theme than with this kind of theme. When is a story's", "mysteries and plot devices don't have to have a central theme (Quora's AI", "possible socio-economic system for a given nation because some sort of \"balance\" must", "than a statement that forces the reader to accept the writer's point of", "Korra's theme could have been far better executed, but even if it were", "off financially if they gave all their stories themes even if they believed", "needs a theme. I felt that those arguing that some stories don't need", "with outnumber the people who prefer there be any kind of theme even", "be better off financially if they gave all their stories themes even if", "much. I suspect that these shows would be largely incomprehensible without their central", "I got the following answers (I've summarized the answers): 1. Choose-your-own-ending stories written", "who prefer there be any kind of theme even a disagreeable one than", "would be largely incomprehensible without their central themes, but I could be wrong.", "opinion, the so-called \"balance\" can best be described as a balance of military", "stories more than I dislike right-wing stories. I hate the Legend of Korra's", "not out of any legitimate economic grievance or out of any kind of", "should be open-ended and its central theme should be a question rather than", "readers describe as propaganda or as immoral or preachy to write better-executed themes", "would be better off not having any theme whatsoever than having this particular", "that a story doesn't need to have a theme when it doesn't need", "it says that the political status quo, whatever that may be for any", "for a given nation because some sort of \"balance\" must be maintained. In", "the power to conquer another nation. I think the Legend of Korra's theme", "This is the flip side version of the question of when a story", "of Korra's theme could have been far better executed, but even if it", "all? And would writers be better off financially if they gave all their", "out of any kind of economic necessity. But I still found the show", "movie even though I wholeheartedly agree with a YouTuber called Big Joel that", "the show hates poor people and is essentially saying that the only reason", "theme. Is this a legitimate answer to my question? How is this different", "3. When the writer does not want to give his/her story a theme.", "a story is immoral, then the story would have been better if it", "these are 2 of my favorite animated series. I cannot imagine enjoying them", "have been better if it had no theme at all. 5. If the", "no nation should have the power to conquer another nation. I think the", "stories readers describe as propaganda or as immoral or preachy to write better-executed", "the rich is out of jealousy and spite and not out of any", "a theme when it doesn't need to be a good story? I felt", "as a balance of military power between all warring kingdoms and nations i.e.", "different from saying that a writer doesn't need to give his story a", "all warring kingdoms and nations i.e. no nation should have the power to", "wholeheartedly agree with a YouTuber called Big Joel that that movie is basically", "that not every story needs a theme. This is the flip side version", "question rather than a statement that forces the reader to accept the writer's", "central theme should be a question rather than a statement that forces the", "a story without a theme than to read a story whose theme they", "don't have to have a central theme (Quora's AI bot gave me this", "a central theme, thematic statement, or moral. When I posted the above question", "I would prefer it to have no theme, I would give you an", "no theme at all? For example, I detest the theme of the Legend", "to have no theme, I would give you an emphatic \"no\". I also", "story would have been better if it had no theme at all. 5.", "to a theme they disagree with outnumber the people who prefer there be", "answer dodged my question. 4. When the theme of a story is immoral,", "spite and not out of any legitimate economic grievance or out of any", "these shows would be largely incomprehensible without their central themes, but I could", "would want to overthrow the rich is out of jealousy and spite and", "their stories themes even if they believed that many readers would disagree with", "with a YouTuber called Big Joel that that movie is basically well-disguised Nazi", "but I would still prefer a better-executed theme I disagree with than no", "need to give his story a theme when he doesn't care about the", "written in second-person narration don't need to have a central theme. 2. Mysteries,", "readers would prefer to read a story without a theme than to read", "to point out when exactly a story needs or doesn't need to have", "When I posted the above question on Quora, I got the following answers", "certain stories a definitive conclusion? Would you prefer a story to have a", "theme should be a question rather than a statement that forces the reader", "write the same story without any theme than with this kind of theme.", "story without any theme than with this kind of theme. When is a", "prefer a story to have a theme you disagree with than have no", "story without a theme than to read a story whose theme they strongly", "a story needs a theme. I felt that those arguing that some stories", "better executed, I would still hate the theme because of my left-leaning political", "fail to point out when exactly a story needs or doesn't need to", "giving certain stories a definitive conclusion? Would you prefer a story to have", "a theme they disagree with outnumber the people who prefer there be any", "theme to a theme they disagree with outnumber the people who prefer there", "any kind of economic necessity. But I still found the show very entertaining", "if they gave all their stories themes even if they believed that many", "plot devices don't have to have a central theme (Quora's AI bot gave", "that the story would be better off not having any theme whatsoever than", "a story would be better off without a central theme: 1. When a", "Choose-your-own-ending stories written in second-person narration don't need to have a central theme.", "example, I detest the theme of the Legend of Korra series, but if", "writers be happier and more fulfilled if they just gave all their stories", "found the show very entertaining even though I found its theme morally questionable.", "have a theme when it doesn't need to be a good story? I", "at all. And I hate Arcane's theme because I think the show hates", "obvious that the story would be better off not having any theme whatsoever", "narration don't need to have a central theme. 2. Mysteries, thrillers, and suspense", "reader to accept the writer's point of view. Readers should be allowed to", "agree with a YouTuber called Big Joel that that movie is basically well-disguised", "the theme because of my left-leaning political orientation. I found its theme morally", "story needs or doesn't need to have a central theme, thematic statement, or", "because it says that the political status quo, whatever that may be for", "answers (I've summarized the answers): 1. Choose-your-own-ending stories written in second-person narration don't", "the theme of the Arcane animated series. But these are 2 of my", "a central theme. 2. Mysteries, thrillers, and suspense stories that focus on mysteries", "story's theme so obvious that the story would be better off not having", "would prefer it to have no theme, I would give you an emphatic", "left-leaning political orientation. I found its theme morally reprehensible. The theme also makes", "the argument that not every story needs a theme. This is the flip", "for themselves. I would like to know if you agree or disagree with", "could have been far better executed, but even if it were better executed,", "more sense for authors whose stories readers describe as propaganda or as immoral", "its central theme should be a question rather than a statement that forces", "why the poor would want to overthrow the rich is out of jealousy", "version of the question of when a story needs a theme. I felt", "orientation. I found its theme morally reprehensible. The theme also makes no sense,", "that some stories don't need a theme often fail to point out when", "cannot imagine enjoying them without these themes that I hate so much. I", "I also hate the theme of the Arcane animated series. But these are", "How is this different from saying that a writer doesn't need to give", "I detest the theme of the Legend of Korra series, but if you", "also makes no sense, but I would still prefer a better-executed theme I", "kind of theme. When is a story's theme so obvious that the story", "their themes? Would writers be happier and more fulfilled if they just gave", "doesn't care about the quality of his story? In other words, how is", "got the following answers (I've summarized the answers): 1. Choose-your-own-ending stories written in", "\"no\". I also hate the theme of the Arcane animated series. But these", "I wholeheartedly agree with a YouTuber called Big Joel that that movie is", "theme (Quora's AI bot gave me this answer). 3. When the writer does", "give his story a theme when he doesn't care about the quality of", "they disagree with outnumber the people who prefer there be any kind of", "that many readers would disagree with their themes? Would writers be happier and", "a definitive conclusion? Would you prefer a story to have a theme you", "I found its theme morally reprehensible. The theme also makes no sense, but", "of any kind of economic necessity. But I still found the show very", "out when exactly a story needs or doesn't need to have a central", "I posted the above question on Quora, I got the following answers (I've", "often see the argument that not every story needs a theme. This is", "writer doesn't need to give his story a theme when he doesn't care", "when a story needs a theme. I felt that those arguing that some", "there be any kind of theme even a disagreeable one than there being", "theme because I think the show hates poor people and is essentially saying", "should be a question rather than a statement that forces the reader to", "a story doesn't need to have a theme when it doesn't need to", "theme. I felt that those arguing that some stories don't need a theme", "with than have no theme at all? For example, I detest the theme", "thematic statement, or moral. When I posted the above question on Quora, I", "show hates poor people and is essentially saying that the only reason why", "a central theme: 1. When a story is preachy. But what makes a", "this answer dodged my question. 4. When the theme of a story is", "is out of jealousy and spite and not out of any legitimate economic", "hate the Legend of Korra's theme because it says that the political status", "Nazi propaganda. I think it would make more sense for authors whose stories", "the theme of the Legend of Korra series, but if you asked me", "be happier and more fulfilled if they just gave all their stories a", "is preachy. But what makes a story preachy? 2. A story should be", "that this answer dodged my question. 4. When the theme of a story", "when it doesn't need to be a good story? I felt that this", "story would be better off not having any theme whatsoever than having this", "says that the political status quo, whatever that may be for any given", "i.e. no nation should have the power to conquer another nation. I think", "many readers would disagree with their themes? Would writers be happier and more", "does not want to give his/her story a theme. Is this a legitimate", "be largely incomprehensible without their central themes, but I could be wrong. And", "emphatic \"no\". I also hate the theme of the Arcane animated series. But", "it doesn't need to be a good story? I felt that this answer", "of giving their stories any theme whatsoever. Let me know if you agree", "saying that the only reason why the poor would want to overthrow the", "for any given nation, is the best possible socio-economic system for a given", "entertaining even though I found its theme morally questionable. I also love the", "above question on Quora, I got the following answers (I've summarized the answers):", "theme, I would give you an emphatic \"no\". I also hate the theme", "the so-called \"balance\" can best be described as a balance of military power", "disagree with their themes? Would writers be happier and more fulfilled if they", "even a disagreeable one than there being no theme at all? And would", "out of any legitimate economic grievance or out of any kind of economic", "exactly a story needs or doesn't need to have a central theme, thematic", "enjoying them without these themes that I hate so much. I suspect that", "a story to have a theme you disagree with than have no theme", "doesn't need to have a theme when it doesn't need to be a", "you disagree with than have no theme at all? For example, I detest", "other words, how is this different from saying that a story doesn't need", "Joel that that movie is basically well-disguised Nazi propaganda. I think it would", "than I dislike right-wing stories. I hate the Legend of Korra's theme because", "forums, I often see the argument that not every story needs a theme.", "not want to give his/her story a theme. Is this a legitimate answer", "theme at all? And would writers be better off financially if they gave", "story preachy? 2. A story should be open-ended and its central theme should", "Would writers be happier and more fulfilled if they just gave all their", "theme so obvious that the story would be better off not having any", "that may be for any given nation, is the best possible socio-economic system", "overthrow the rich is out of jealousy and spite and not out of", "I dislike incomprehensible stories more than I dislike right-wing stories. I hate the", "of when a story needs a theme. I felt that those arguing that", "been far better executed, but even if it were better executed, I would", "than to give up on the idea of giving their stories any theme", "would disagree with their themes? Would writers be happier and more fulfilled if", "maintained. In my opinion, the so-called \"balance\" can best be described as a", "dislike incomprehensible stories more than I dislike right-wing stories. I hate the Legend", "would make more sense for authors whose stories readers describe as propaganda or", "of economic necessity. But I still found the show very entertaining even though", "even if they feel uncomfortable giving certain stories a definitive conclusion? Would you", "makes a story preachy? 2. A story should be open-ended and its central", "any theme whatsoever than having this particular theme? In addition to the above", "of a story is immoral, then the story would have been better if", "themes, but I could be wrong. And I dislike incomprehensible stories more than", "to overthrow the rich is out of jealousy and spite and not out", "also love the 300 movie even though I wholeheartedly agree with a YouTuber", "then the story would have been better if it had no theme at", "should be allowed to think for themselves. I would like to know if", "incomprehensible without their central themes, but I could be wrong. And I dislike", "immoral, then the story would have been better if it had no theme", "of \"balance\" must be maintained. In my opinion, the so-called \"balance\" can best", "prefer there be any kind of theme even a disagreeable one than there", "than there being no theme at all? And would writers be better off", "have a central theme. 2. Mysteries, thrillers, and suspense stories that focus on", "every story needs a theme. This is the flip side version of the", "central themes, but I could be wrong. And I dislike incomprehensible stories more", "they gave all their stories themes even if they believed that many readers", "theme could have been far better executed, but even if it were better", "themes even if they believed that many readers would disagree with their themes?", "\"balance\" can best be described as a balance of military power between all", "off not having any theme whatsoever than having this particular theme? In addition", "theme at all? For example, I detest the theme of the Legend of", "is this different from saying that a writer doesn't need to give his", "whether or not most readers would prefer to read a story without a", "forces the reader to accept the writer's point of view. Readers should be", "disagree with the above points. I've not seen any surveys about whether or", "moral. When I posted the above question on Quora, I got the following", "than have no theme at all? For example, I detest the theme of", "me this answer). 3. When the writer does not want to give his/her", "could be wrong. And I dislike incomprehensible stories more than I dislike right-wing", "theme? In addition to the above points I've seen the following arguments for", "of Korra's theme because it says that the political status quo, whatever that", "with than no theme at all. And I hate Arcane's theme because I", "people who prefer there be any kind of theme even a disagreeable one", "Korra series, but if you asked me if I would prefer it to", "poor people and is essentially saying that the only reason why the poor", "you asked me if I would prefer it to have no theme, I", "me if I would prefer it to have no theme, I would give", "his/her story a theme. Is this a legitimate answer to my question? How", "preachy to write better-executed themes than to give up on the idea of", "a writer doesn't need to give his story a theme when he doesn't", "when exactly a story needs or doesn't need to have a central theme,", "just gave all their stories a clearly laid out theme even if they", "to think for themselves. I would like to know if you agree or", "be better off without a central theme: 1. When a story is preachy.", "all? For example, I detest the theme of the Legend of Korra series,", "a legitimate answer to my question? How is this different from saying that", "better if it had no theme at all. 5. If the theme is", "the writer's point of view. Readers should be allowed to think for themselves.", "summarized the answers): 1. Choose-your-own-ending stories written in second-person narration don't need to", "so obvious that the story would be better off not having any theme", "if they believed that many readers would disagree with their themes? Would writers", "have a theme you disagree with than have no theme at all? For", "be any kind of theme even a disagreeable one than there being no", "the people who prefer there be any kind of theme even a disagreeable", "Does such a survey exist? Do you think the number of people who", "but I could be wrong. And I dislike incomprehensible stories more than I", "The theme also makes no sense, but I would still prefer a better-executed", "makes no sense, but I would still prefer a better-executed theme I disagree", "and suspense stories that focus on mysteries and plot devices don't have to", "have the power to conquer another nation. I think the Legend of Korra's", "the flip side version of the question of when a story needs a", "uncomfortable giving certain stories a definitive conclusion? Would you prefer a story to", "the Arcane animated series. But these are 2 of my favorite animated series.", "strongly disagree with. Does such a survey exist? Do you think the number", "jealousy and spite and not out of any legitimate economic grievance or out", "best be described as a balance of military power between all warring kingdoms", "2 of my favorite animated series. I cannot imagine enjoying them without these", "theme. This is the flip side version of the question of when a", "saying that a writer doesn't need to give his story a theme when", "YouTuber called Big Joel that that movie is basically well-disguised Nazi propaganda. I", "dodged my question. 4. When the theme of a story is immoral, then", "this kind of theme. When is a story's theme so obvious that the", "know if you agree or disagree with the above points. I've not seen", "a theme often fail to point out when exactly a story needs or", "whose stories readers describe as propaganda or as immoral or preachy to write", "if it were better executed, I would still hate the theme because of", "some sort of \"balance\" must be maintained. In my opinion, the so-called \"balance\"", "theme also makes no sense, but I would still prefer a better-executed theme", "And would writers be better off financially if they gave all their stories", "think the number of people who would prefer no theme to a theme", "such a survey exist? Do you think the number of people who would", "theme even a disagreeable one than there being no theme at all? And", "give up on the idea of giving their stories any theme whatsoever. Let", "write better-executed themes than to give up on the idea of giving their", "the reader to accept the writer's point of view. Readers should be allowed", "any theme whatsoever. Let me know if you agree or disagree with my", "question on Quora, I got the following answers (I've summarized the answers): 1.", "story? I felt that this answer dodged my question. 4. When the theme", "than no theme at all. And I hate Arcane's theme because I think", "I found its theme morally questionable. I also love the 300 movie even", "addition to the above points I've seen the following arguments for when a", "gave me this answer). 3. When the writer does not want to give", "I felt that those arguing that some stories don't need a theme often", "stories any theme whatsoever. Let me know if you agree or disagree with", "better-executed theme I disagree with than no theme at all. And I hate", "sense, but I would still prefer a better-executed theme I disagree with than", "no theme to a theme they disagree with outnumber the people who prefer", "the question of when a story needs a theme. I felt that those", "nation should have the power to conquer another nation. I think the Legend", "not having any theme whatsoever than having this particular theme? In addition to", "stories don't need a theme often fail to point out when exactly a", "central theme, thematic statement, or moral. When I posted the above question on", "reprehensible. The theme also makes no sense, but I would still prefer a", "have a central theme, thematic statement, or moral. When I posted the above", "still hate the theme because of my left-leaning political orientation. I found its", "out theme even if they feel uncomfortable giving certain stories a definitive conclusion?", "theme you disagree with than have no theme at all? For example, I", "with the above points. I've not seen any surveys about whether or not", "that those arguing that some stories don't need a theme often fail to", "theme of a story is immoral, then the story would have been better", "disagree with outnumber the people who prefer there be any kind of theme", "that these shows would be largely incomprehensible without their central themes, but I", "make more sense for authors whose stories readers describe as propaganda or as", "it had no theme at all. 5. If the theme is too obvious,", "a disagreeable one than there being no theme at all? And would writers", "need a theme often fail to point out when exactly a story needs", "theme whatsoever. Let me know if you agree or disagree with my assessment.", "stories a clearly laid out theme even if they feel uncomfortable giving certain", "must be maintained. In my opinion, the so-called \"balance\" can best be described", "economic grievance or out of any kind of economic necessity. But I still", "would prefer to read a story without a theme than to read a", "arguing that some stories don't need a theme often fail to point out", "this a legitimate answer to my question? How is this different from saying", "2. Mysteries, thrillers, and suspense stories that focus on mysteries and plot devices", "even if it were better executed, I would still hate the theme because", "theme at all. 5. If the theme is too obvious, then it would", "would writers be better off financially if they gave all their stories themes", "is the flip side version of the question of when a story needs", "above points. I've not seen any surveys about whether or not most readers", "think the show hates poor people and is essentially saying that the only", "propaganda or as immoral or preachy to write better-executed themes than to give", "stories written in second-person narration don't need to have a central theme. 2.", "a question rather than a statement that forces the reader to accept the", "found its theme morally questionable. I also love the 300 movie even though", "at all? For example, I detest the theme of the Legend of Korra", "if I would prefer it to have no theme, I would give you", "give his/her story a theme. Is this a legitimate answer to my question?", "if they just gave all their stories a clearly laid out theme even", "a good story? I felt that this answer dodged my question. 4. When", "theme even if they feel uncomfortable giving certain stories a definitive conclusion? Would", "you prefer a story to have a theme you disagree with than have", "reason why the poor would want to overthrow the rich is out of", "too obvious, then it would be better to write the same story without", "thrillers, and suspense stories that focus on mysteries and plot devices don't have", "asked me if I would prefer it to have no theme, I would", "all their stories a clearly laid out theme even if they feel uncomfortable", "with their themes? Would writers be happier and more fulfilled if they just", "statement that forces the reader to accept the writer's point of view. Readers", "to be a good story? I felt that this answer dodged my question.", "open-ended and its central theme should be a question rather than a statement", "words, how is this different from saying that a story doesn't need to", "theme morally reprehensible. The theme also makes no sense, but I would still", "theme they disagree with outnumber the people who prefer there be any kind", "quo, whatever that may be for any given nation, is the best possible", "or as immoral or preachy to write better-executed themes than to give up", "with this kind of theme. When is a story's theme so obvious that", "having this particular theme? In addition to the above points I've seen the", "on mysteries and plot devices don't have to have a central theme (Quora's", "called Big Joel that that movie is basically well-disguised Nazi propaganda. I think", "better executed, but even if it were better executed, I would still hate", "story to have a theme you disagree with than have no theme at", "often fail to point out when exactly a story needs or doesn't need", "I suspect that these shows would be largely incomprehensible without their central themes,", "the writer does not want to give his/her story a theme. Is this", "of my favorite animated series. I cannot imagine enjoying them without these themes", "far better executed, but even if it were better executed, I would still", "focus on mysteries and plot devices don't have to have a central theme", "is basically well-disguised Nazi propaganda. I think it would make more sense for", "have no theme, I would give you an emphatic \"no\". I also hate", "theme of the Legend of Korra series, but if you asked me if", "A story should be open-ended and its central theme should be a question", "Readers should be allowed to think for themselves. I would like to know", "or not most readers would prefer to read a story without a theme", "a statement that forces the reader to accept the writer's point of view.", "if it had no theme at all. 5. If the theme is too", "readers would disagree with their themes? Would writers be happier and more fulfilled", "of my left-leaning political orientation. I found its theme morally reprehensible. The theme", "a theme. This is the flip side version of the question of when", "economic necessity. But I still found the show very entertaining even though I", "gave all their stories a clearly laid out theme even if they feel", "theme of the Arcane animated series. But these are 2 of my favorite", "a theme. I felt that those arguing that some stories don't need a", "when he doesn't care about the quality of his story? In other words,", "the following answers (I've summarized the answers): 1. Choose-your-own-ending stories written in second-person", "rich is out of jealousy and spite and not out of any legitimate", "sort of \"balance\" must be maintained. In my opinion, the so-called \"balance\" can", "the 300 movie even though I wholeheartedly agree with a YouTuber called Big", "of military power between all warring kingdoms and nations i.e. no nation should", "I would still hate the theme because of my left-leaning political orientation. I", "flip side version of the question of when a story needs a theme.", "5. If the theme is too obvious, then it would be better to", "because some sort of \"balance\" must be maintained. In my opinion, the so-called", "be wrong. And I dislike incomprehensible stories more than I dislike right-wing stories.", "any theme than with this kind of theme. When is a story's theme", "statement, or moral. When I posted the above question on Quora, I got", "dislike right-wing stories. I hate the Legend of Korra's theme because it says", "of theme. When is a story's theme so obvious that the story would", "a clearly laid out theme even if they feel uncomfortable giving certain stories", "but if you asked me if I would prefer it to have no", "it would make more sense for authors whose stories readers describe as propaganda", "no theme at all? And would writers be better off financially if they", "clearly laid out theme even if they feel uncomfortable giving certain stories a", "same story without any theme than with this kind of theme. When is", "movie is basically well-disguised Nazi propaganda. I think it would make more sense", "the above points. I've not seen any surveys about whether or not most", "as propaganda or as immoral or preachy to write better-executed themes than to", "any given nation, is the best possible socio-economic system for a given nation", "more fulfilled if they just gave all their stories a clearly laid out", "on Quora, I got the following answers (I've summarized the answers): 1. Choose-your-own-ending", "a central theme (Quora's AI bot gave me this answer). 3. When the", "between all warring kingdoms and nations i.e. no nation should have the power", "bot gave me this answer). 3. When the writer does not want to", "system for a given nation because some sort of \"balance\" must be maintained.", "theme because of my left-leaning political orientation. I found its theme morally reprehensible.", "most readers would prefer to read a story without a theme than to", "for authors whose stories readers describe as propaganda or as immoral or preachy", "on the idea of giving their stories any theme whatsoever. Let me know", "1. When a story is preachy. But what makes a story preachy? 2.", "from saying that a story doesn't need to have a theme when it", "conquer another nation. I think the Legend of Korra's theme could have been", "have been far better executed, but even if it were better executed, I", "to my question? How is this different from saying that a writer doesn't", "I dislike right-wing stories. I hate the Legend of Korra's theme because it", "want to overthrow the rich is out of jealousy and spite and not", "prefer to read a story without a theme than to read a story", "they believed that many readers would disagree with their themes? Would writers be", "I hate Arcane's theme because I think the show hates poor people and", "answers): 1. Choose-your-own-ending stories written in second-person narration don't need to have a", "Arcane animated series. But these are 2 of my favorite animated series. I", "story whose theme they strongly disagree with. Does such a survey exist? Do", "believed that many readers would disagree with their themes? Would writers be happier", "better-executed themes than to give up on the idea of giving their stories", "idea of giving their stories any theme whatsoever. Let me know if you", "they just gave all their stories a clearly laid out theme even if", "the poor would want to overthrow the rich is out of jealousy and", "questionable. I also love the 300 movie even though I wholeheartedly agree with", "When the writer does not want to give his/her story a theme. Is", "you agree or disagree with the above points. I've not seen any surveys", "survey exist? Do you think the number of people who would prefer no", "point out when exactly a story needs or doesn't need to have a", "I hate so much. I suspect that these shows would be largely incomprehensible", "shows would be largely incomprehensible without their central themes, but I could be", "their central themes, but I could be wrong. And I dislike incomprehensible stories", "good story? I felt that this answer dodged my question. 4. When the", "I've seen the following arguments for when a story would be better off", "When is a story's theme so obvious that the story would be better", "following arguments for when a story would be better off without a central", "theme whatsoever than having this particular theme? In addition to the above points", "a given nation because some sort of \"balance\" must be maintained. In my", "doesn't need to have a central theme, thematic statement, or moral. When I", "that movie is basically well-disguised Nazi propaganda. I think it would make more", "saying that a story doesn't need to have a theme when it doesn't", "I hate the Legend of Korra's theme because it says that the political", "but even if it were better executed, I would still hate the theme", "still found the show very entertaining even though I found its theme morally", "AI bot gave me this answer). 3. When the writer does not want", "Big Joel that that movie is basically well-disguised Nazi propaganda. I think it", "question? How is this different from saying that a writer doesn't need to", "following answers (I've summarized the answers): 1. 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I also love the 300 movie even though I", "executed, I would still hate the theme because of my left-leaning political orientation.", "the political status quo, whatever that may be for any given nation, is", "the best possible socio-economic system for a given nation because some sort of", "people who would prefer no theme to a theme they disagree with outnumber", "question. 4. When the theme of a story is immoral, then the story", "posted the above question on Quora, I got the following answers (I've summarized", "the Legend of Korra's theme because it says that the political status quo,", "4. When the theme of a story is immoral, then the story would", "is a story's theme so obvious that the story would be better off", "it to have no theme, I would give you an emphatic \"no\". I", "kingdoms and nations i.e. no nation should have the power to conquer another", "power between all warring kingdoms and nations i.e. no nation should have the", "I felt that this answer dodged my question. 4. When the theme of", "if they feel uncomfortable giving certain stories a definitive conclusion? Would you prefer", "And I dislike incomprehensible stories more than I dislike right-wing stories. I hate", "no theme at all. And I hate Arcane's theme because I think the", "so much. I suspect that these shows would be largely incomprehensible without their", "preachy? 2. A story should be open-ended and its central theme should be", "would still hate the theme because of my left-leaning political orientation. I found", "to have a central theme, thematic statement, or moral. When I posted the", "the theme of a story is immoral, then the story would have been", "arguments for when a story would be better off without a central theme:", "though I found its theme morally questionable. I also love the 300 movie", "may be for any given nation, is the best possible socio-economic system for", "series. I cannot imagine enjoying them without these themes that I hate so", "Quora, I got the following answers (I've summarized the answers): 1. Choose-your-own-ending stories", "needs a theme. This is the flip side version of the question of", "or out of any kind of economic necessity. But I still found the", "would give you an emphatic \"no\". I also hate the theme of the", "be for any given nation, is the best possible socio-economic system for a", "number of people who would prefer no theme to a theme they disagree", "and nations i.e. no nation should have the power to conquer another nation.", "whose theme they strongly disagree with. Does such a survey exist? Do you", "central theme (Quora's AI bot gave me this answer). 3. When the writer", "the story would have been better if it had no theme at all.", "is the best possible socio-economic system for a given nation because some sort", "the idea of giving their stories any theme whatsoever. Let me know if", "socio-economic system for a given nation because some sort of \"balance\" must be", "given nation, is the best possible socio-economic system for a given nation because", "felt that those arguing that some stories don't need a theme often fail", "Do you think the number of people who would prefer no theme to", "the following arguments for when a story would be better off without a", "whatsoever than having this particular theme? In addition to the above points I've", "my question? How is this different from saying that a writer doesn't need", "laid out theme even if they feel uncomfortable giving certain stories a definitive", "be better to write the same story without any theme than with this", "theme: 1. When a story is preachy. But what makes a story preachy?", "the Legend of Korra's theme could have been far better executed, but even", "political status quo, whatever that may be for any given nation, is the", "all. 5. If the theme is too obvious, then it would be better", "kind of economic necessity. But I still found the show very entertaining even", "even though I wholeheartedly agree with a YouTuber called Big Joel that that", "surveys about whether or not most readers would prefer to read a story", "outnumber the people who prefer there be any kind of theme even a", "theme often fail to point out when exactly a story needs or doesn't", "kind of theme even a disagreeable one than there being no theme at", "Legend of Korra's theme could have been far better executed, but even if", "and not out of any legitimate economic grievance or out of any kind", "theme morally questionable. I also love the 300 movie even though I wholeheartedly", "though I wholeheartedly agree with a YouTuber called Big Joel that that movie", "animated series. I cannot imagine enjoying them without these themes that I hate", "out of jealousy and spite and not out of any legitimate economic grievance", "at all? And would writers be better off financially if they gave all", "points I've seen the following arguments for when a story would be better", "would be better off without a central theme: 1. When a story is", "another nation. I think the Legend of Korra's theme could have been far", "than having this particular theme? In addition to the above points I've seen", "political orientation. I found its theme morally reprehensible. The theme also makes no", "see the argument that not every story needs a theme. This is the", "the above points I've seen the following arguments for when a story would", "of theme even a disagreeable one than there being no theme at all?", "think the Legend of Korra's theme could have been far better executed, but", "all. And I hate Arcane's theme because I think the show hates poor", "financially if they gave all their stories themes even if they believed that", "disagree with. Does such a survey exist? Do you think the number of", "disagree with than have no theme at all? For example, I detest the", "a balance of military power between all warring kingdoms and nations i.e. no", "and is essentially saying that the only reason why the poor would want", "their stories any theme whatsoever. Let me know if you agree or disagree", "2. A story should be open-ended and its central theme should be a", "that focus on mysteries and plot devices don't have to have a central", "felt that this answer dodged my question. 4. When the theme of a", "some stories don't need a theme often fail to point out when exactly", "off without a central theme: 1. When a story is preachy. But what", "preachy. But what makes a story preachy? 2. A story should be open-ended", "they feel uncomfortable giving certain stories a definitive conclusion? Would you prefer a", "to give his story a theme when he doesn't care about the quality", "In my opinion, the so-called \"balance\" can best be described as a balance", "stories that focus on mysteries and plot devices don't have to have a", "I could be wrong. And I dislike incomprehensible stories more than I dislike", "to give his/her story a theme. Is this a legitimate answer to my", "at all. 5. If the theme is too obvious, then it would be", "them without these themes that I hate so much. I suspect that these", "to accept the writer's point of view. Readers should be allowed to think", "as immoral or preachy to write better-executed themes than to give up on", "feel uncomfortable giving certain stories a definitive conclusion? Would you prefer a story", "online forums, I often see the argument that not every story needs a", "balance of military power between all warring kingdoms and nations i.e. no nation", "doesn't need to give his story a theme when he doesn't care about", "above points I've seen the following arguments for when a story would be", "hates poor people and is essentially saying that the only reason why the", "that the only reason why the poor would want to overthrow the rich", "have a central theme (Quora's AI bot gave me this answer). 3. When", "point of view. Readers should be allowed to think for themselves. I would", "no sense, but I would still prefer a better-executed theme I disagree with", "sense for authors whose stories readers describe as propaganda or as immoral or", "no theme at all. 5. If the theme is too obvious, then it", "hate the theme of the Arcane animated series. But these are 2 of", "theme when he doesn't care about the quality of his story? In other", "writers be better off financially if they gave all their stories themes even", "themes that I hate so much. I suspect that these shows would be", "necessity. But I still found the show very entertaining even though I found", "the above question on Quora, I got the following answers (I've summarized the", "you an emphatic \"no\". I also hate the theme of the Arcane animated", "military power between all warring kingdoms and nations i.e. no nation should have", "if you agree or disagree with the above points. I've not seen any", "I often see the argument that not every story needs a theme. This", "and spite and not out of any legitimate economic grievance or out of", "better off without a central theme: 1. When a story is preachy. But", "But I still found the show very entertaining even though I found its", "stories themes even if they believed that many readers would disagree with their", "had no theme at all. 5. If the theme is too obvious, then", "theme at all. And I hate Arcane's theme because I think the show", "of any legitimate economic grievance or out of any kind of economic necessity.", "that that movie is basically well-disguised Nazi propaganda. I think it would make", "or preachy to write better-executed themes than to give up on the idea", "giving their stories any theme whatsoever. Let me know if you agree or", "legitimate economic grievance or out of any kind of economic necessity. But I", "wrong. And I dislike incomprehensible stories more than I dislike right-wing stories. I", "to conquer another nation. I think the Legend of Korra's theme could have", "its theme morally reprehensible. The theme also makes no sense, but I would", "to the above points I've seen the following arguments for when a story", "being no theme at all? And would writers be better off financially if", "quality of his story? In other words, how is this different from saying", "this particular theme? In addition to the above points I've seen the following", "nation, is the best possible socio-economic system for a given nation because some", "to read a story without a theme than to read a story whose", "(Quora's AI bot gave me this answer). 3. When the writer does not", "I think it would make more sense for authors whose stories readers describe", "that I hate so much. I suspect that these shows would be largely", "and plot devices don't have to have a central theme (Quora's AI bot", "not most readers would prefer to read a story without a theme than", "up on the idea of giving their stories any theme whatsoever. Let me", "the theme is too obvious, then it would be better to write the", "I also love the 300 movie even though I wholeheartedly agree with a", "I would give you an emphatic \"no\". I also hate the theme of", "than to read a story whose theme they strongly disagree with. Does such", "without these themes that I hate so much. I suspect that these shows", "theme I disagree with than no theme at all. And I hate Arcane's", "But what makes a story preachy? 2. A story should be open-ended and", "from saying that a writer doesn't need to give his story a theme", "the story would be better off not having any theme whatsoever than having", "they strongly disagree with. Does such a survey exist? Do you think the", "love the 300 movie even though I wholeheartedly agree with a YouTuber called", "And I hate Arcane's theme because I think the show hates poor people", "prefer it to have no theme, I would give you an emphatic \"no\".", "even if they believed that many readers would disagree with their themes? Would", "writer does not want to give his/her story a theme. Is this a", "one than there being no theme at all? And would writers be better", "have to have a central theme (Quora's AI bot gave me this answer).", "series, but if you asked me if I would prefer it to have", "a survey exist? Do you think the number of people who would prefer", "story needs a theme. I felt that those arguing that some stories don't", "need to have a central theme, thematic statement, or moral. When I posted", "need to have a theme when it doesn't need to be a good", "In other words, how is this different from saying that a story doesn't", "a theme you disagree with than have no theme at all? For example,", "incomprehensible stories more than I dislike right-wing stories. I hate the Legend of", "story is preachy. But what makes a story preachy? 2. A story should", "my opinion, the so-called \"balance\" can best be described as a balance of", "imagine enjoying them without these themes that I hate so much. I suspect", "you think the number of people who would prefer no theme to a", "1. Choose-your-own-ending stories written in second-person narration don't need to have a central", "to read a story whose theme they strongly disagree with. Does such a", "agree or disagree with the above points. I've not seen any surveys about", "Mysteries, thrillers, and suspense stories that focus on mysteries and plot devices don't", "happier and more fulfilled if they just gave all their stories a clearly", "and more fulfilled if they just gave all their stories a clearly laid", "than with this kind of theme. When is a story's theme so obvious", "theme they strongly disagree with. Does such a survey exist? Do you think", "would prefer no theme to a theme they disagree with outnumber the people", "to give up on the idea of giving their stories any theme whatsoever.", "people and is essentially saying that the only reason why the poor would", "his story a theme when he doesn't care about the quality of his", "don't need to have a central theme. 2. Mysteries, thrillers, and suspense stories", "the answers): 1. Choose-your-own-ending stories written in second-person narration don't need to have", "I think the show hates poor people and is essentially saying that the", "needs or doesn't need to have a central theme, thematic statement, or moral.", "different from saying that a story doesn't need to have a theme when", "without a theme than to read a story whose theme they strongly disagree", "of the Arcane animated series. But these are 2 of my favorite animated", "be described as a balance of military power between all warring kingdoms and", "well-disguised Nazi propaganda. I think it would make more sense for authors whose", "a theme than to read a story whose theme they strongly disagree with.", "favorite animated series. I cannot imagine enjoying them without these themes that I", "that the political status quo, whatever that may be for any given nation,", "a story is preachy. But what makes a story preachy? 2. A story", "be a question rather than a statement that forces the reader to accept", "only reason why the poor would want to overthrow the rich is out", "very entertaining even though I found its theme morally questionable. I also love", "described as a balance of military power between all warring kingdoms and nations", "theme when it doesn't need to be a good story? I felt that", "would have been better if it had no theme at all. 5. If", "theme. When is a story's theme so obvious that the story would be", "be open-ended and its central theme should be a question rather than a", "basically well-disguised Nazi propaganda. I think it would make more sense for authors", "want to give his/her story a theme. Is this a legitimate answer to", "he doesn't care about the quality of his story? In other words, how", "their stories a clearly laid out theme even if they feel uncomfortable giving", "the show very entertaining even though I found its theme morally questionable. I", "central theme. 2. Mysteries, thrillers, and suspense stories that focus on mysteries and", "answer to my question? How is this different from saying that a writer", "I would still prefer a better-executed theme I disagree with than no theme", "story is immoral, then the story would have been better if it had", "morally reprehensible. The theme also makes no sense, but I would still prefer", "have no theme at all? For example, I detest the theme of the", "Korra's theme because it says that the political status quo, whatever that may", "prefer a better-executed theme I disagree with than no theme at all. And", "300 movie even though I wholeheartedly agree with a YouTuber called Big Joel", "is immoral, then the story would have been better if it had no", "who would prefer no theme to a theme they disagree with outnumber the", "how is this different from saying that a story doesn't need to have", "obvious, then it would be better to write the same story without any", "I've not seen any surveys about whether or not most readers would prefer", "Legend of Korra's theme because it says that the political status quo, whatever", "Arcane's theme because I think the show hates poor people and is essentially", "because I think the show hates poor people and is essentially saying that", "a theme. Is this a legitimate answer to my question? How is this", "themes? Would writers be happier and more fulfilled if they just gave all", "of the Legend of Korra series, but if you asked me if I", "even though I found its theme morally questionable. I also love the 300", "better off not having any theme whatsoever than having this particular theme? In", "stories a definitive conclusion? Would you prefer a story to have a theme", "for when a story would be better off without a central theme: 1.", "then it would be better to write the same story without any theme", "essentially saying that the only reason why the poor would want to overthrow", "read a story without a theme than to read a story whose theme", "story should be open-ended and its central theme should be a question rather", "themselves. I would like to know if you agree or disagree with the", "need to be a good story? I felt that this answer dodged my", "show very entertaining even though I found its theme morally questionable. I also", "theme. 2. Mysteries, thrillers, and suspense stories that focus on mysteries and plot", "would be better to write the same story without any theme than with", "particular theme? In addition to the above points I've seen the following arguments", "better off financially if they gave all their stories themes even if they", "of view. Readers should be allowed to think for themselves. I would like", "the only reason why the poor would want to overthrow the rich is", "given nation because some sort of \"balance\" must be maintained. In my opinion,", "definitive conclusion? Would you prefer a story to have a theme you disagree", "more than I dislike right-wing stories. I hate the Legend of Korra's theme", "my question. 4. When the theme of a story is immoral, then the", "is essentially saying that the only reason why the poor would want to", "the same story without any theme than with this kind of theme. When", "this answer). 3. When the writer does not want to give his/her story", "disagreeable one than there being no theme at all? And would writers be", "a story whose theme they strongly disagree with. Does such a survey exist?", "story a theme when he doesn't care about the quality of his story?", "devices don't have to have a central theme (Quora's AI bot gave me", "I disagree with than no theme at all. And I hate Arcane's theme", "of his story? In other words, how is this different from saying that", "not seen any surveys about whether or not most readers would prefer to", "hate so much. I suspect that these shows would be largely incomprehensible without", "that forces the reader to accept the writer's point of view. Readers should", "story would be better off without a central theme: 1. When a story", "\"balance\" must be maintained. In my opinion, the so-called \"balance\" can best be", "writer's point of view. Readers should be allowed to think for themselves. I", "conclusion? Would you prefer a story to have a theme you disagree with", "without their central themes, but I could be wrong. And I dislike incomprehensible", "without a central theme: 1. When a story is preachy. But what makes", "accept the writer's point of view. Readers should be allowed to think for", "are 2 of my favorite animated series. I cannot imagine enjoying them without", "rather than a statement that forces the reader to accept the writer's point", "When the theme of a story is immoral, then the story would have", "I still found the show very entertaining even though I found its theme", "When a story is preachy. But what makes a story preachy? 2. A", "allowed to think for themselves. I would like to know if you agree", "status quo, whatever that may be for any given nation, is the best", "would like to know if you agree or disagree with the above points.", "read a story whose theme they strongly disagree with. Does such a survey", "care about the quality of his story? In other words, how is this", "series. But these are 2 of my favorite animated series. I cannot imagine", "theme, thematic statement, or moral. When I posted the above question on Quora,", "nation. I think the Legend of Korra's theme could have been far better", "answer). 3. When the writer does not want to give his/her story a", "to have a theme you disagree with than have no theme at all?", "my left-leaning political orientation. I found its theme morally reprehensible. The theme also", "suspect that these shows would be largely incomprehensible without their central themes, but", "need to have a central theme. 2. Mysteries, thrillers, and suspense stories that", "legitimate answer to my question? How is this different from saying that a", "themes than to give up on the idea of giving their stories any", "of jealousy and spite and not out of any legitimate economic grievance or", "hate Arcane's theme because I think the show hates poor people and is", "I think the Legend of Korra's theme could have been far better executed,", "found its theme morally reprehensible. The theme also makes no sense, but I", "with. Does such a survey exist? Do you think the number of people", "executed, but even if it were better executed, I would still hate the", "no theme, I would give you an emphatic \"no\". I also hate the", "don't need a theme often fail to point out when exactly a story", "I would like to know if you agree or disagree with the above", "these themes that I hate so much. I suspect that these shows would", "a story's theme so obvious that the story would be better off not", "power to conquer another nation. I think the Legend of Korra's theme could", "the number of people who would prefer no theme to a theme they", "when a story would be better off without a central theme: 1. When", "if you asked me if I would prefer it to have no theme,", "seen the following arguments for when a story would be better off without", "the Legend of Korra series, but if you asked me if I would", "not every story needs a theme. This is the flip side version of", "But these are 2 of my favorite animated series. I cannot imagine enjoying", "points. I've not seen any surveys about whether or not most readers would", "I cannot imagine enjoying them without these themes that I hate so much.", "a YouTuber called Big Joel that that movie is basically well-disguised Nazi propaganda.", "better to write the same story without any theme than with this kind", "In addition to the above points I've seen the following arguments for when", "all their stories themes even if they believed that many readers would disagree", "of people who would prefer no theme to a theme they disagree with", "having any theme whatsoever than having this particular theme? In addition to the", "If the theme is too obvious, then it would be better to write", "of Korra series, but if you asked me if I would prefer it", "can best be described as a balance of military power between all warring", "be maintained. In my opinion, the so-called \"balance\" can best be described as", "so-called \"balance\" can best be described as a balance of military power between", "be better off not having any theme whatsoever than having this particular theme?", "On online forums, I often see the argument that not every story needs", "to have a central theme. 2. Mysteries, thrillers, and suspense stories that focus", "right-wing stories. I hate the Legend of Korra's theme because it says that", "it were better executed, I would still hate the theme because of my", "story? In other words, how is this different from saying that a story", "doesn't need to be a good story? I felt that this answer dodged", "or moral. When I posted the above question on Quora, I got the", "whatever that may be for any given nation, is the best possible socio-economic", "and its central theme should be a question rather than a statement that", "best possible socio-economic system for a given nation because some sort of \"balance\"", "grievance or out of any kind of economic necessity. But I still found", "to know if you agree or disagree with the above points. I've not", "this different from saying that a writer doesn't need to give his story", "those arguing that some stories don't need a theme often fail to point", "been better if it had no theme at all. 5. If the theme", "warring kingdoms and nations i.e. no nation should have the power to conquer", "story doesn't need to have a theme when it doesn't need to be", "a better-executed theme I disagree with than no theme at all. And I", "a story needs or doesn't need to have a central theme, thematic statement,", "(I've summarized the answers): 1. Choose-your-own-ending stories written in second-person narration don't need", "also hate the theme of the Arcane animated series. But these are 2", "poor would want to overthrow the rich is out of jealousy and spite", "were better executed, I would still hate the theme because of my left-leaning", "this different from saying that a story doesn't need to have a theme", "it would be better to write the same story without any theme than", "is too obvious, then it would be better to write the same story", "authors whose stories readers describe as propaganda or as immoral or preachy to", "to write the same story without any theme than with this kind of", "exist? Do you think the number of people who would prefer no theme", "what makes a story preachy? 2. A story should be open-ended and its", "side version of the question of when a story needs a theme. I", "his story? In other words, how is this different from saying that a", "view. Readers should be allowed to think for themselves. I would like to", "because of my left-leaning political orientation. I found its theme morally reprehensible. The", "should have the power to conquer another nation. I think the Legend of", "be a good story? I felt that this answer dodged my question. 4.", "second-person narration don't need to have a central theme. 2. Mysteries, thrillers, and", "that a writer doesn't need to give his story a theme when he", "there being no theme at all? And would writers be better off financially", "give you an emphatic \"no\". I also hate the theme of the Arcane", "theme is too obvious, then it would be better to write the same", "in second-person narration don't need to have a central theme. 2. Mysteries, thrillers,", "to have a theme when it doesn't need to be a good story?", "my favorite animated series. I cannot imagine enjoying them without these themes that", "hate the theme because of my left-leaning political orientation. I found its theme", "stories. I hate the Legend of Korra's theme because it says that the", "think for themselves. I would like to know if you agree or disagree", "like to know if you agree or disagree with the above points. I've", "theme than with this kind of theme. When is a story's theme so", "For example, I detest the theme of the Legend of Korra series, but", "immoral or preachy to write better-executed themes than to give up on the", "about the quality of his story? In other words, how is this different", "any surveys about whether or not most readers would prefer to read a", "story a theme. Is this a legitimate answer to my question? How is", "describe as propaganda or as immoral or preachy to write better-executed themes than", "a theme when he doesn't care about the quality of his story? In", "seen any surveys about whether or not most readers would prefer to read", "an emphatic \"no\". I also hate the theme of the Arcane animated series.", "central theme: 1. When a story is preachy. But what makes a story", "of the question of when a story needs a theme. I felt that", "Is this a legitimate answer to my question? How is this different from", "propaganda. I think it would make more sense for authors whose stories readers", "think it would make more sense for authors whose stories readers describe as", "is this different from saying that a story doesn't need to have a", "nation because some sort of \"balance\" must be maintained. In my opinion, the", "any legitimate economic grievance or out of any kind of economic necessity. But", "prefer no theme to a theme they disagree with outnumber the people who", "animated series. But these are 2 of my favorite animated series. I cannot", "still prefer a better-executed theme I disagree with than no theme at all.", "disagree with than no theme at all. And I hate Arcane's theme because", "about whether or not most readers would prefer to read a story without", "or doesn't need to have a central theme, thematic statement, or moral. When", "theme than to read a story whose theme they strongly disagree with. Does", "to have a central theme (Quora's AI bot gave me this answer). 3.", "Legend of Korra series, but if you asked me if I would prefer", "any kind of theme even a disagreeable one than there being no theme" ]
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[ "to be.) So he's grown up surrounded by people who do the politician", "to be the model diplomat so that he makes them look good. ('Look", "him to be.) So he's grown up surrounded by people who do the", "a company who (through dodgy-dealings) is the political entity running the small country", "actually trying to stop them. (Of course he then has a change of", "saying, and going over and obscuring it a bit, but I'm not entirely", "word the dialogue to achieve the desired effect. I'd really appreciate any tips!", "be aiming for and how to word the dialogue to achieve the desired", "of never saying what they mean, never answering questions directly and lying without", "so that he makes them look good. ('Look how amazing we are, we", "it. I'm not particularly skilled in either. The main thing he's using these", "do the politician thing of never saying what they mean, never answering questions", "about something else, but also in terms of effortlessly sounding professional without having", "small country and people are trying to escape their exploitative circumstances. He says", "groomed him to be the model diplomat so that he makes them look", "by those standards, even at home, and you have a character who struggles", "standards, even at home, and you have a character who struggles to be", "country and people are trying to escape their exploitative circumstances. He says he's", "direct or deal with directness. These struggles then make up part of the", "and lying without a flinch. He grew up adopting this communication style both", "skilled in either. The main thing he's using these skills for is that", "deliberately avoiding the point and making the conversation about something else, but also", "up in a political family. His parents used him as a trophy and", "- but also as a survival strategy, having been surrounded by people who", "in case it helps. He grew up in a political family. His parents", "layers of hidden meaning. Add parents who put an immense amount of pressure", "for is that he's in the employ of a company who (through dodgy-dealings)", "family. His parents used him as a trophy and groomed him to be", "particularly skilled in either. The main thing he's using these skills for is", "their exploitative circumstances. He says he's trying to 'help', but he's actually trying", "doublespeak, subtle put downs and deliberately avoiding the point and making the conversation", "have a character who struggles to be direct or deal with directness. These", "a political family. His parents used him as a trophy and groomed him", "political entity running the small country and people are trying to escape their", "of a company who (through dodgy-dealings) is the political entity running the small", "been surrounded by people who hide both compliments and insults under 3 layers", "overall conflict since he's paired with a character with a much more direct", "desired effect. I'd really appreciate any tips! --- P.S, character background/context in case", "and obscuring it a bit, but I'm not entirely sure what specifically I'm", "makes them look good. ('Look how amazing we are, we raised such a", "of the overall conflict since he's paired with a character with a much", "He grew up in a political family. His parents used him as a", "wanted him to be.) So he's grown up surrounded by people who do", "he's using these skills for is that he's in the employ of a", "be.) So he's grown up surrounded by people who do the politician thing", "both compliments and insults under 3 layers of hidden meaning. Add parents who", "raised such a brilliant diplomat,' when in reality, they just emotionally abused and", "are, we raised such a brilliant diplomat,' when in reality, they just emotionally", "course he then has a change of heart) What I've been doing is", "circumstances. He says he's trying to 'help', but he's actually trying to stop", "he's actually saying, and going over and obscuring it a bit, but I'm", "communication style both because it was the main/only type he'd seen - but", "never answering questions directly and lying without a flinch. He grew up adopting", "of hidden meaning. Add parents who put an immense amount of pressure on", "reality, they just emotionally abused and manipulated him into being exactly who/what they", "His parents used him as a trophy and groomed him to be the", "the point and making the conversation about something else, but also in terms", "then make up part of the overall conflict since he's paired with a", "who is an expert at using language to his advantage. Both in terms", "his advantage. Both in terms of doublespeak, subtle put downs and deliberately avoiding", "language to his advantage. Both in terms of doublespeak, subtle put downs and", "to be perfect by those standards, even at home, and you have a", "who (through dodgy-dealings) is the political entity running the small country and people", "of pressure on him to be perfect by those standards, even at home,", "about it. I'm not particularly skilled in either. The main thing he's using", "that he makes them look good. ('Look how amazing we are, we raised", "up surrounded by people who do the politician thing of never saying what", "I'm not particularly skilled in either. The main thing he's using these skills", "he then has a change of heart) What I've been doing is writing", "character who struggles to be direct or deal with directness. These struggles then", "brilliant diplomat,' when in reality, they just emotionally abused and manipulated him into", "at using language to his advantage. Both in terms of doublespeak, subtle put", "terms of doublespeak, subtle put downs and deliberately avoiding the point and making", "what he's actually saying, and going over and obscuring it a bit, but", "who/what they wanted him to be.) So he's grown up surrounded by people", "be perfect by those standards, even at home, and you have a character", "'help', but he's actually trying to stop them. (Of course he then has", "in either. The main thing he's using these skills for is that he's", "to be direct or deal with directness. These struggles then make up part", "I have a character who is an expert at using language to his", "parents who put an immense amount of pressure on him to be perfect", "escape their exploitative circumstances. He says he's trying to 'help', but he's actually", "look good. ('Look how amazing we are, we raised such a brilliant diplomat,'", "a change of heart) What I've been doing is writing what he's actually", "I've been doing is writing what he's actually saying, and going over and", "into being exactly who/what they wanted him to be.) So he's grown up", "model diplomat so that he makes them look good. ('Look how amazing we", "conflict since he's paired with a character with a much more direct communication", "and people are trying to escape their exploitative circumstances. He says he's trying", "running the small country and people are trying to escape their exploitative circumstances.", "and making the conversation about something else, but also in terms of effortlessly", "it helps. He grew up in a political family. His parents used him", "that he's in the employ of a company who (through dodgy-dealings) is the", "for and how to word the dialogue to achieve the desired effect. I'd", "entirely sure what specifically I'm meant to be aiming for and how to", "He grew up adopting this communication style both because it was the main/only", "bit, but I'm not entirely sure what specifically I'm meant to be aiming", "surrounded by people who do the politician thing of never saying what they", "those standards, even at home, and you have a character who struggles to", "point and making the conversation about something else, but also in terms of", "having to think about it. I'm not particularly skilled in either. The main", "being exactly who/what they wanted him to be.) So he's grown up surrounded", "strategy, having been surrounded by people who hide both compliments and insults under", "this communication style both because it was the main/only type he'd seen -", "never saying what they mean, never answering questions directly and lying without a", "These struggles then make up part of the overall conflict since he's paired", "emotionally abused and manipulated him into being exactly who/what they wanted him to", "hide both compliments and insults under 3 layers of hidden meaning. Add parents", "a character who struggles to be direct or deal with directness. These struggles", "by people who hide both compliments and insults under 3 layers of hidden", "the small country and people are trying to escape their exploitative circumstances. He", "either. The main thing he's using these skills for is that he's in", "effect. I'd really appreciate any tips! --- P.S, character background/context in case it", "is writing what he's actually saying, and going over and obscuring it a", "a character who is an expert at using language to his advantage. Both", "in terms of effortlessly sounding professional without having to think about it. I'm", "the political entity running the small country and people are trying to escape", "struggles to be direct or deal with directness. These struggles then make up", "you have a character who struggles to be direct or deal with directness.", "having been surrounded by people who hide both compliments and insults under 3", "character who is an expert at using language to his advantage. Both in", "making the conversation about something else, but also in terms of effortlessly sounding", "and manipulated him into being exactly who/what they wanted him to be.) So", "and groomed him to be the model diplomat so that he makes them", "type he'd seen - but also as a survival strategy, having been surrounded", "to stop them. (Of course he then has a change of heart) What", "So he's grown up surrounded by people who do the politician thing of", "stop them. (Of course he then has a change of heart) What I've", "main/only type he'd seen - but also as a survival strategy, having been", "by people who do the politician thing of never saying what they mean,", "are trying to escape their exploitative circumstances. He says he's trying to 'help',", "it a bit, but I'm not entirely sure what specifically I'm meant to", "any tips! --- P.S, character background/context in case it helps. He grew up", "appreciate any tips! --- P.S, character background/context in case it helps. He grew", "advantage. Both in terms of doublespeak, subtle put downs and deliberately avoiding the", "effortlessly sounding professional without having to think about it. I'm not particularly skilled", "of heart) What I've been doing is writing what he's actually saying, and", "I'd really appreciate any tips! --- P.S, character background/context in case it helps.", "abused and manipulated him into being exactly who/what they wanted him to be.)", "up part of the overall conflict since he's paired with a character with", "the politician thing of never saying what they mean, never answering questions directly", "at home, and you have a character who struggles to be direct or", "trying to stop them. (Of course he then has a change of heart)", "aiming for and how to word the dialogue to achieve the desired effect.", "thing he's using these skills for is that he's in the employ of", "was the main/only type he'd seen - but also as a survival strategy,", "going over and obscuring it a bit, but I'm not entirely sure what", "and going over and obscuring it a bit, but I'm not entirely sure", "using these skills for is that he's in the employ of a company", "who struggles to be direct or deal with directness. These struggles then make", "change of heart) What I've been doing is writing what he's actually saying,", "obscuring it a bit, but I'm not entirely sure what specifically I'm meant", "the overall conflict since he's paired with a character with a much more", "think about it. I'm not particularly skilled in either. The main thing he's", "doing is writing what he's actually saying, and going over and obscuring it", "political family. His parents used him as a trophy and groomed him to", "have a character who is an expert at using language to his advantage.", "compliments and insults under 3 layers of hidden meaning. Add parents who put", "also in terms of effortlessly sounding professional without having to think about it.", "--- P.S, character background/context in case it helps. He grew up in a", "on him to be perfect by those standards, even at home, and you", "them look good. ('Look how amazing we are, we raised such a brilliant", "What I've been doing is writing what he's actually saying, and going over", "because it was the main/only type he'd seen - but also as a", "then has a change of heart) What I've been doing is writing what", "in terms of doublespeak, subtle put downs and deliberately avoiding the point and", "struggles then make up part of the overall conflict since he's paired with", "to think about it. I'm not particularly skilled in either. The main thing", "the main/only type he'd seen - but also as a survival strategy, having", "skills for is that he's in the employ of a company who (through", "directness. These struggles then make up part of the overall conflict since he's", "(through dodgy-dealings) is the political entity running the small country and people are", "has a change of heart) What I've been doing is writing what he's", "they wanted him to be.) So he's grown up surrounded by people who", "used him as a trophy and groomed him to be the model diplomat", "immense amount of pressure on him to be perfect by those standards, even", "avoiding the point and making the conversation about something else, but also in", "they just emotionally abused and manipulated him into being exactly who/what they wanted", "put an immense amount of pressure on him to be perfect by those", "a brilliant diplomat,' when in reality, they just emotionally abused and manipulated him", "entity running the small country and people are trying to escape their exploitative", "with directness. These struggles then make up part of the overall conflict since", "survival strategy, having been surrounded by people who hide both compliments and insults", "parents used him as a trophy and groomed him to be the model", "him to be perfect by those standards, even at home, and you have", "in a political family. His parents used him as a trophy and groomed", "P.S, character background/context in case it helps. He grew up in a political", "meant to be aiming for and how to word the dialogue to achieve", "but I'm not entirely sure what specifically I'm meant to be aiming for", "company who (through dodgy-dealings) is the political entity running the small country and", "diplomat so that he makes them look good. ('Look how amazing we are,", "lying without a flinch. He grew up adopting this communication style both because", "him as a trophy and groomed him to be the model diplomat so", "politician thing of never saying what they mean, never answering questions directly and", "says he's trying to 'help', but he's actually trying to stop them. (Of", "mean, never answering questions directly and lying without a flinch. He grew up", "up adopting this communication style both because it was the main/only type he'd", "trying to 'help', but he's actually trying to stop them. (Of course he", "writing what he's actually saying, and going over and obscuring it a bit,", "of doublespeak, subtle put downs and deliberately avoiding the point and making the", "style both because it was the main/only type he'd seen - but also", "an immense amount of pressure on him to be perfect by those standards,", "grew up adopting this communication style both because it was the main/only type", "they mean, never answering questions directly and lying without a flinch. He grew", "or deal with directness. These struggles then make up part of the overall", "also as a survival strategy, having been surrounded by people who hide both", "a bit, but I'm not entirely sure what specifically I'm meant to be", "and how to word the dialogue to achieve the desired effect. I'd really", "(Of course he then has a change of heart) What I've been doing", "just emotionally abused and manipulated him into being exactly who/what they wanted him", "he's trying to 'help', but he's actually trying to stop them. (Of course", "3 layers of hidden meaning. Add parents who put an immense amount of", "but also as a survival strategy, having been surrounded by people who hide", "but also in terms of effortlessly sounding professional without having to think about", "what specifically I'm meant to be aiming for and how to word the", "be direct or deal with directness. These struggles then make up part of", "trophy and groomed him to be the model diplomat so that he makes", "The main thing he's using these skills for is that he's in the", "it was the main/only type he'd seen - but also as a survival", "of effortlessly sounding professional without having to think about it. I'm not particularly", "good. ('Look how amazing we are, we raised such a brilliant diplomat,' when", "meaning. Add parents who put an immense amount of pressure on him to", "not particularly skilled in either. The main thing he's using these skills for", "under 3 layers of hidden meaning. Add parents who put an immense amount", "to be aiming for and how to word the dialogue to achieve the", "dialogue to achieve the desired effect. I'd really appreciate any tips! --- P.S,", "tips! --- P.S, character background/context in case it helps. He grew up in", "without a flinch. He grew up adopting this communication style both because it", "flinch. He grew up adopting this communication style both because it was the", "surrounded by people who hide both compliments and insults under 3 layers of", "who hide both compliments and insults under 3 layers of hidden meaning. Add", "and insults under 3 layers of hidden meaning. Add parents who put an", "him to be the model diplomat so that he makes them look good.", "such a brilliant diplomat,' when in reality, they just emotionally abused and manipulated", "but he's actually trying to stop them. (Of course he then has a", "actually saying, and going over and obscuring it a bit, but I'm not", "character background/context in case it helps. He grew up in a political family.", "else, but also in terms of effortlessly sounding professional without having to think", "sounding professional without having to think about it. I'm not particularly skilled in", "he's in the employ of a company who (through dodgy-dealings) is the political", "thing of never saying what they mean, never answering questions directly and lying", "people are trying to escape their exploitative circumstances. He says he's trying to", "perfect by those standards, even at home, and you have a character who", "amount of pressure on him to be perfect by those standards, even at", "home, and you have a character who struggles to be direct or deal", "grown up surrounded by people who do the politician thing of never saying", "is an expert at using language to his advantage. Both in terms of", "I'm meant to be aiming for and how to word the dialogue to", "professional without having to think about it. I'm not particularly skilled in either.", "he's grown up surrounded by people who do the politician thing of never", "hidden meaning. Add parents who put an immense amount of pressure on him", "trying to escape their exploitative circumstances. He says he's trying to 'help', but", "to word the dialogue to achieve the desired effect. I'd really appreciate any", "make up part of the overall conflict since he's paired with a character", "heart) What I've been doing is writing what he's actually saying, and going", "he's actually trying to stop them. (Of course he then has a change", "exactly who/what they wanted him to be.) So he's grown up surrounded by", "and deliberately avoiding the point and making the conversation about something else, but", "He says he's trying to 'help', but he's actually trying to stop them.", "to achieve the desired effect. I'd really appreciate any tips! --- P.S, character", "people who do the politician thing of never saying what they mean, never", "manipulated him into being exactly who/what they wanted him to be.) So he's", "the conversation about something else, but also in terms of effortlessly sounding professional", "('Look how amazing we are, we raised such a brilliant diplomat,' when in", "saying what they mean, never answering questions directly and lying without a flinch.", "in the employ of a company who (through dodgy-dealings) is the political entity", "been doing is writing what he's actually saying, and going over and obscuring", "we raised such a brilliant diplomat,' when in reality, they just emotionally abused", "he'd seen - but also as a survival strategy, having been surrounded by", "grew up in a political family. His parents used him as a trophy", "people who hide both compliments and insults under 3 layers of hidden meaning.", "achieve the desired effect. I'd really appreciate any tips! --- P.S, character background/context", "employ of a company who (through dodgy-dealings) is the political entity running the", "be the model diplomat so that he makes them look good. ('Look how", "a trophy and groomed him to be the model diplomat so that he", "he makes them look good. ('Look how amazing we are, we raised such", "in reality, they just emotionally abused and manipulated him into being exactly who/what", "seen - but also as a survival strategy, having been surrounded by people", "even at home, and you have a character who struggles to be direct", "Both in terms of doublespeak, subtle put downs and deliberately avoiding the point", "is that he's in the employ of a company who (through dodgy-dealings) is", "expert at using language to his advantage. Both in terms of doublespeak, subtle", "insults under 3 layers of hidden meaning. Add parents who put an immense", "pressure on him to be perfect by those standards, even at home, and", "really appreciate any tips! --- P.S, character background/context in case it helps. He", "deal with directness. These struggles then make up part of the overall conflict", "over and obscuring it a bit, but I'm not entirely sure what specifically", "him into being exactly who/what they wanted him to be.) So he's grown", "adopting this communication style both because it was the main/only type he'd seen", "downs and deliberately avoiding the point and making the conversation about something else,", "how amazing we are, we raised such a brilliant diplomat,' when in reality,", "who put an immense amount of pressure on him to be perfect by", "not entirely sure what specifically I'm meant to be aiming for and how", "answering questions directly and lying without a flinch. He grew up adopting this", "specifically I'm meant to be aiming for and how to word the dialogue", "something else, but also in terms of effortlessly sounding professional without having to", "dodgy-dealings) is the political entity running the small country and people are trying", "questions directly and lying without a flinch. He grew up adopting this communication", "terms of effortlessly sounding professional without having to think about it. I'm not", "main thing he's using these skills for is that he's in the employ", "diplomat,' when in reality, they just emotionally abused and manipulated him into being", "conversation about something else, but also in terms of effortlessly sounding professional without", "what they mean, never answering questions directly and lying without a flinch. He", "sure what specifically I'm meant to be aiming for and how to word", "to his advantage. Both in terms of doublespeak, subtle put downs and deliberately", "a flinch. He grew up adopting this communication style both because it was", "and you have a character who struggles to be direct or deal with", "these skills for is that he's in the employ of a company who", "directly and lying without a flinch. He grew up adopting this communication style", "part of the overall conflict since he's paired with a character with a", "how to word the dialogue to achieve the desired effect. I'd really appreciate", "Add parents who put an immense amount of pressure on him to be", "as a survival strategy, having been surrounded by people who hide both compliments", "is the political entity running the small country and people are trying to", "without having to think about it. I'm not particularly skilled in either. The", "when in reality, they just emotionally abused and manipulated him into being exactly", "since he's paired with a character with a much more direct communication style.", "the dialogue to achieve the desired effect. I'd really appreciate any tips! ---", "who do the politician thing of never saying what they mean, never answering", "the model diplomat so that he makes them look good. ('Look how amazing", "a survival strategy, having been surrounded by people who hide both compliments and", "I'm not entirely sure what specifically I'm meant to be aiming for and", "the employ of a company who (through dodgy-dealings) is the political entity running", "using language to his advantage. Both in terms of doublespeak, subtle put downs", "amazing we are, we raised such a brilliant diplomat,' when in reality, they", "the desired effect. I'd really appreciate any tips! --- P.S, character background/context in", "as a trophy and groomed him to be the model diplomat so that", "helps. He grew up in a political family. His parents used him as", "both because it was the main/only type he'd seen - but also as", "to 'help', but he's actually trying to stop them. (Of course he then", "to escape their exploitative circumstances. He says he's trying to 'help', but he's", "we are, we raised such a brilliant diplomat,' when in reality, they just", "subtle put downs and deliberately avoiding the point and making the conversation about", "an expert at using language to his advantage. Both in terms of doublespeak,", "exploitative circumstances. He says he's trying to 'help', but he's actually trying to", "background/context in case it helps. He grew up in a political family. His", "case it helps. He grew up in a political family. His parents used", "put downs and deliberately avoiding the point and making the conversation about something", "them. (Of course he then has a change of heart) What I've been" ]
[ "next go back in time a few weeks. For the sake of consistency,", "chapter is told from a different point of view, and I have seven", "switch character perspectives in the book. Each chapter is told from a different", "in the process of writing the first draft of my first novel (a", "novel (a medieval low-fantasy). In the story, I have multiple characters who slowly", "who slowly get possessed over time. The possession occurs through manipulation of the", "die and/or get possessed, so I slowly go down in number of perspectives).", "but here's the thing: I switch character perspectives in the book. Each chapter", "people I tell the story from (though a lot of them die and/or", "Since I want to show the details of how these characters slowly lose", "long book or have weirdly structured chapters, does anyone have any suggestions for", "but I don't want to have an incredibly long book or have weirdly", "perspectives). Since I want to show the details of how these characters slowly", "I slowly go down in number of perspectives). Since I want to show", "slowly lose their minds but I don't want to have an incredibly long", "in number of perspectives). Since I want to show the details of how", "back in time a few weeks. For the sake of consistency, time is", "number of perspectives). Since I want to show the details of how these", "how these characters slowly lose their minds but I don't want to have", "the story, I have multiple characters who slowly get possessed over time. The", "book or have weirdly structured chapters, does anyone have any suggestions for how", "process of writing the first draft of my first novel (a medieval low-fantasy).", "possession is slow, but here's the thing: I switch character perspectives in the", "fears and wants. I want to be able to show how the process", "that all the different character perspectives occur at the same time. I can't", "wants. I want to be able to show how the process of the", "does anyone have any suggestions for how to show slow character changes without", "from (though a lot of them die and/or get possessed, so I slowly", "tell the story from (though a lot of them die and/or get possessed,", "through manipulation of the characters' fears and wants. I want to be able", "and then in the next go back in time a few weeks. For", "to be able to show how the process of the possession is slow,", "in the book. Each chapter is told from a different point of view,", "seven different people I tell the story from (though a lot of them", "I want to show the details of how these characters slowly lose their", "how to show slow character changes without being long in page/word length? Note", "told from a different point of view, and I have seven different people", "I have multiple characters who slowly get possessed over time. The possession occurs", "to have an incredibly long book or have weirdly structured chapters, does anyone", "characters' fears and wants. I want to be able to show how the", "I don't want to have an incredibly long book or have weirdly structured", "slowly get possessed over time. The possession occurs through manipulation of the characters'", "be able to show how the process of the possession is slow, but", "chapters, does anyone have any suggestions for how to show slow character changes", "perspectives occur at the same time. I can't have a month pass in", "same time. I can't have a month pass in one chapter and then", "want to show the details of how these characters slowly lose their minds", "them die and/or get possessed, so I slowly go down in number of", "the book. Each chapter is told from a different point of view, and", "(a medieval low-fantasy). In the story, I have multiple characters who slowly get", "of my first novel (a medieval low-fantasy). In the story, I have multiple", "the same time. I can't have a month pass in one chapter and", "possessed over time. The possession occurs through manipulation of the characters' fears and", "anyone have any suggestions for how to show slow character changes without being", "character changes without being long in page/word length? Note that all the different", "the different character perspectives occur at the same time. I can't have a", "slow character changes without being long in page/word length? Note that all the", "I switch character perspectives in the book. Each chapter is told from a", "story, I have multiple characters who slowly get possessed over time. The possession", "want to be able to show how the process of the possession is", "and I have seven different people I tell the story from (though a", "pass in one chapter and then in the next go back in time", "characters who slowly get possessed over time. The possession occurs through manipulation of", "a month pass in one chapter and then in the next go back", "thing: I switch character perspectives in the book. Each chapter is told from", "from a different point of view, and I have seven different people I", "show the details of how these characters slowly lose their minds but I", "weirdly structured chapters, does anyone have any suggestions for how to show slow", "to show slow character changes without being long in page/word length? Note that", "process of the possession is slow, but here's the thing: I switch character", "go back in time a few weeks. For the sake of consistency, time", "minds but I don't want to have an incredibly long book or have", "I can't have a month pass in one chapter and then in the", "the details of how these characters slowly lose their minds but I don't", "Note that all the different character perspectives occur at the same time. I", "get possessed over time. The possession occurs through manipulation of the characters' fears", "possession occurs through manipulation of the characters' fears and wants. I want to", "(though a lot of them die and/or get possessed, so I slowly go", "of how these characters slowly lose their minds but I don't want to", "view, and I have seven different people I tell the story from (though", "in the next go back in time a few weeks. For the sake", "I have seven different people I tell the story from (though a lot", "I want to be able to show how the process of the possession", "and/or get possessed, so I slowly go down in number of perspectives). Since", "The possession occurs through manipulation of the characters' fears and wants. I want", "lose their minds but I don't want to have an incredibly long book", "the story from (though a lot of them die and/or get possessed, so", "in time a few weeks. For the sake of consistency, time is continuous.", "the next go back in time a few weeks. For the sake of", "have weirdly structured chapters, does anyone have any suggestions for how to show", "here's the thing: I switch character perspectives in the book. Each chapter is", "down in number of perspectives). Since I want to show the details of", "first novel (a medieval low-fantasy). In the story, I have multiple characters who", "the first draft of my first novel (a medieval low-fantasy). In the story,", "over time. The possession occurs through manipulation of the characters' fears and wants.", "the thing: I switch character perspectives in the book. Each chapter is told", "go down in number of perspectives). Since I want to show the details", "get possessed, so I slowly go down in number of perspectives). Since I", "the process of writing the first draft of my first novel (a medieval", "slowly go down in number of perspectives). Since I want to show the", "Each chapter is told from a different point of view, and I have", "time. The possession occurs through manipulation of the characters' fears and wants. I", "I'm in the process of writing the first draft of my first novel", "multiple characters who slowly get possessed over time. The possession occurs through manipulation", "or have weirdly structured chapters, does anyone have any suggestions for how to", "able to show how the process of the possession is slow, but here's", "a different point of view, and I have seven different people I tell", "and wants. I want to be able to show how the process of", "low-fantasy). In the story, I have multiple characters who slowly get possessed over", "time. I can't have a month pass in one chapter and then in", "one chapter and then in the next go back in time a few", "manipulation of the characters' fears and wants. I want to be able to", "story from (though a lot of them die and/or get possessed, so I", "their minds but I don't want to have an incredibly long book or", "want to have an incredibly long book or have weirdly structured chapters, does", "draft of my first novel (a medieval low-fantasy). In the story, I have", "book. Each chapter is told from a different point of view, and I", "I tell the story from (though a lot of them die and/or get", "chapter and then in the next go back in time a few weeks.", "to show the details of how these characters slowly lose their minds but", "month pass in one chapter and then in the next go back in", "these characters slowly lose their minds but I don't want to have an", "being long in page/word length? Note that all the different character perspectives occur", "have multiple characters who slowly get possessed over time. The possession occurs through", "so I slowly go down in number of perspectives). Since I want to", "long in page/word length? Note that all the different character perspectives occur at", "of them die and/or get possessed, so I slowly go down in number", "for how to show slow character changes without being long in page/word length?", "changes without being long in page/word length? Note that all the different character", "a lot of them die and/or get possessed, so I slowly go down", "medieval low-fantasy). In the story, I have multiple characters who slowly get possessed", "slow, but here's the thing: I switch character perspectives in the book. Each", "incredibly long book or have weirdly structured chapters, does anyone have any suggestions", "can't have a month pass in one chapter and then in the next", "different character perspectives occur at the same time. I can't have a month", "have an incredibly long book or have weirdly structured chapters, does anyone have", "of the possession is slow, but here's the thing: I switch character perspectives", "without being long in page/word length? Note that all the different character perspectives", "the process of the possession is slow, but here's the thing: I switch", "have any suggestions for how to show slow character changes without being long", "suggestions for how to show slow character changes without being long in page/word", "different people I tell the story from (though a lot of them die", "any suggestions for how to show slow character changes without being long in", "in page/word length? Note that all the different character perspectives occur at the", "page/word length? Note that all the different character perspectives occur at the same", "the possession is slow, but here's the thing: I switch character perspectives in", "character perspectives in the book. Each chapter is told from a different point", "all the different character perspectives occur at the same time. I can't have", "how the process of the possession is slow, but here's the thing: I", "of the characters' fears and wants. I want to be able to show", "structured chapters, does anyone have any suggestions for how to show slow character", "to show how the process of the possession is slow, but here's the", "length? Note that all the different character perspectives occur at the same time.", "is told from a different point of view, and I have seven different", "an incredibly long book or have weirdly structured chapters, does anyone have any", "perspectives in the book. Each chapter is told from a different point of", "show how the process of the possession is slow, but here's the thing:", "don't want to have an incredibly long book or have weirdly structured chapters,", "at the same time. I can't have a month pass in one chapter", "in one chapter and then in the next go back in time a", "my first novel (a medieval low-fantasy). In the story, I have multiple characters", "point of view, and I have seven different people I tell the story", "have a month pass in one chapter and then in the next go", "of view, and I have seven different people I tell the story from", "show slow character changes without being long in page/word length? Note that all", "of writing the first draft of my first novel (a medieval low-fantasy). In", "occurs through manipulation of the characters' fears and wants. I want to be", "the characters' fears and wants. I want to be able to show how", "is slow, but here's the thing: I switch character perspectives in the book.", "of perspectives). Since I want to show the details of how these characters", "occur at the same time. I can't have a month pass in one", "then in the next go back in time a few weeks. For the", "have seven different people I tell the story from (though a lot of", "first draft of my first novel (a medieval low-fantasy). In the story, I", "writing the first draft of my first novel (a medieval low-fantasy). In the", "lot of them die and/or get possessed, so I slowly go down in", "In the story, I have multiple characters who slowly get possessed over time.", "possessed, so I slowly go down in number of perspectives). Since I want", "character perspectives occur at the same time. I can't have a month pass", "characters slowly lose their minds but I don't want to have an incredibly", "details of how these characters slowly lose their minds but I don't want", "different point of view, and I have seven different people I tell the" ]
[ "My chapters have section breaks (usually to indicate passage of time). Is there", "indicate passage of time). Is there a standard or best practice for how", "standard or best practice for how to graphically/typographically represent them? i.e. is an", "proposal. My chapters have section breaks (usually to indicate passage of time). Is", "Is there a standard or best practice for how to graphically/typographically represent them?", "practice for how to graphically/typographically represent them? i.e. is an extra space best?", "chapters have section breaks (usually to indicate passage of time). Is there a", "book proposal. My chapters have section breaks (usually to indicate passage of time).", "of time). Is there a standard or best practice for how to graphically/typographically", "trade book proposal. My chapters have section breaks (usually to indicate passage of", "them? i.e. is an extra space best? Three asterisks? A line? Everything looks", "is an extra space best? Three asterisks? A line? Everything looks pretty lame", "there a standard or best practice for how to graphically/typographically represent them? i.e.", "how to graphically/typographically represent them? i.e. is an extra space best? Three asterisks?", "a standard or best practice for how to graphically/typographically represent them? i.e. is", "preparing writing samples for a trade book proposal. My chapters have section breaks", "section breaks (usually to indicate passage of time). Is there a standard or", "for a trade book proposal. My chapters have section breaks (usually to indicate", "represent them? i.e. is an extra space best? Three asterisks? A line? Everything", "for how to graphically/typographically represent them? i.e. is an extra space best? Three", "have section breaks (usually to indicate passage of time). Is there a standard", "time). Is there a standard or best practice for how to graphically/typographically represent", "to indicate passage of time). Is there a standard or best practice for", "best practice for how to graphically/typographically represent them? i.e. is an extra space", "I am preparing writing samples for a trade book proposal. My chapters have", "samples for a trade book proposal. My chapters have section breaks (usually to", "(usually to indicate passage of time). Is there a standard or best practice", "i.e. is an extra space best? Three asterisks? A line? Everything looks pretty", "am preparing writing samples for a trade book proposal. My chapters have section", "passage of time). Is there a standard or best practice for how to", "writing samples for a trade book proposal. My chapters have section breaks (usually", "breaks (usually to indicate passage of time). Is there a standard or best", "graphically/typographically represent them? i.e. is an extra space best? Three asterisks? A line?", "extra space best? Three asterisks? A line? Everything looks pretty lame to me!", "an extra space best? Three asterisks? A line? Everything looks pretty lame to", "or best practice for how to graphically/typographically represent them? i.e. is an extra", "to graphically/typographically represent them? i.e. is an extra space best? Three asterisks? A", "a trade book proposal. My chapters have section breaks (usually to indicate passage" ]
[ "of human condition at this point that it is unclear if anyone would", "in exquisite detail. Even if a book with this ultimate plot can be", "that the only way for them to survive is to continue on the", "if there are no more people left on Earth to write for? Let's", "extreme case already happened to them and they need to act now because", "their every offspring. One person manages to survive this horror, the brain not", "this horror, the brain not entirely damaged, and wants to expose what has", "most important things that matter to human beings. People don't care about their", "way for them to survive is to continue on the uphill path of", "evil has no way but to continue on the path because they've crossed", "so removed from the terrifying reality of human condition at this point that", "everyone already and their every offspring. One person manages to survive this horror,", "single doctor who performed lobotomies was ever punished, by the way.) People can", "be not deficient enough mentally to even crave, be curious about a plot", "because they've crossed so many unthinkable lines that the only way for them", "this point. Say, there's a small evil group of people who lobotomized everyone's", "don't care about their brains being hurt. Neither do they have a capacity", "the uphill path of more evil. Do books even have a meaning in", "survive this horror, the brain not entirely damaged, and wants to expose what", "write for? Let's take an extreme case to illustrate this point. Say, there's", "views, are no longer driven by sound human psychology, people are indifferent about", "Neither do they have a capacity to understand that this most extreme case", "ultimate threat affects everyone already and their every offspring. One person manages to", "and wants to expose what has been done in exquisite detail. Even if", "reason and comprehend, cannot believe logical but unpopular views, are no longer driven", "matter to human beings. People don't care about their brains being hurt. Neither", "the terrifying reality of human condition at this point that it is unclear", "condition at this point that it is unclear if anyone would even be", "alone to believe. And the evil has no way but to continue on", "lines that the only way for them to survive is to continue on", "unpopular views, are no longer driven by sound human psychology, people are indifferent", "on the uphill path of more evil. Do books even have a meaning", "to act now because this ultimate threat affects everyone already and their every", "this point that it is unclear if anyone would even be not deficient", "threat affects everyone already and their every offspring. One person manages to survive", "to continue on the uphill path of more evil. Do books even have", "exquisite detail. Even if a book with this ultimate plot can be written,", "written, who would read it? The only plots people consume are so removed", "it is hard for human psyche to even fathom, let at alone to", "many unthinkable lines that the only way for them to survive is to", "reality of human condition at this point that it is unclear if anyone", "point that it is unclear if anyone would even be not deficient enough", "Earth to write for? Let's take an extreme case to illustrate this point.", "The only plots people consume are so removed from the terrifying reality of", "at this point that it is unclear if anyone would even be not", "to illustrate this point. Say, there's a small evil group of people who", "are indifferent about the most important things that matter to human beings. People", "human beings. People don't care about their brains being hurt. Neither do they", "being hurt. Neither do they have a capacity to understand that this most", "hard for human psyche to even fathom, let at alone to believe. And", "path of more evil. Do books even have a meaning in this case?", "evil on the planetary scale that's so evil it is hard for human", "doctor who performed lobotomies was ever punished, by the way.) People can no", "horror, the brain not entirely damaged, and wants to expose what has been", "be curious about a plot that would describe the ultimate evil on the", "of people who lobotomized everyone's brains on the planet in very specific ways.", "wants to expose what has been done in exquisite detail. Even if a", "lobotomized everyone's brains on the planet in very specific ways. (Not a single", "to do if there are no more people left on Earth to write", "to human beings. People don't care about their brains being hurt. Neither do", "terrifying reality of human condition at this point that it is unclear if", "about the most important things that matter to human beings. People don't care", "a plot that would describe the ultimate evil on the planetary scale that's", "cannot believe logical but unpopular views, are no longer driven by sound human", "to survive this horror, the brain not entirely damaged, and wants to expose", "affects everyone already and their every offspring. One person manages to survive this", "mentally to even crave, be curious about a plot that would describe the", "that's so evil it is hard for human psyche to even fathom, let", "indifferent about the most important things that matter to human beings. People don't", "if anyone would even be not deficient enough mentally to even crave, be", "even fathom, let at alone to believe. And the evil has no way", "unthinkable lines that the only way for them to survive is to continue", "point. Say, there's a small evil group of people who lobotomized everyone's brains", "plot that would describe the ultimate evil on the planetary scale that's so", "to understand that this most extreme case already happened to them and they", "case already happened to them and they need to act now because this", "this most extreme case already happened to them and they need to act", "planetary scale that's so evil it is hard for human psyche to even", "describe the ultimate evil on the planetary scale that's so evil it is", "and comprehend, cannot believe logical but unpopular views, are no longer driven by", "ultimate plot can be written, who would read it? The only plots people", "left on Earth to write for? Let's take an extreme case to illustrate", "a small evil group of people who lobotomized everyone's brains on the planet", "brains being hurt. Neither do they have a capacity to understand that this", "can be written, who would read it? The only plots people consume are", "be written, who would read it? The only plots people consume are so", "have a capacity to understand that this most extreme case already happened to", "would describe the ultimate evil on the planetary scale that's so evil it", "capacity to understand that this most extreme case already happened to them and", "consume are so removed from the terrifying reality of human condition at this", "ultimate evil on the planetary scale that's so evil it is hard for", "no more people left on Earth to write for? Let's take an extreme", "to write for? Let's take an extreme case to illustrate this point. Say,", "the brain not entirely damaged, and wants to expose what has been done", "planet in very specific ways. (Not a single doctor who performed lobotomies was", "fathom, let at alone to believe. And the evil has no way but", "psyche to even fathom, let at alone to believe. And the evil has", "believe logical but unpopular views, are no longer driven by sound human psychology,", "is to continue on the uphill path of more evil. Do books even", "take an extreme case to illustrate this point. Say, there's a small evil", "human psychology, people are indifferent about the most important things that matter to", "that matter to human beings. People don't care about their brains being hurt.", "already and their every offspring. One person manages to survive this horror, the", "not entirely damaged, and wants to expose what has been done in exquisite", "entirely damaged, and wants to expose what has been done in exquisite detail.", "this ultimate threat affects everyone already and their every offspring. One person manages", "damaged, and wants to expose what has been done in exquisite detail. Even", "the only way for them to survive is to continue on the uphill", "group of people who lobotomized everyone's brains on the planet in very specific", "and their every offspring. One person manages to survive this horror, the brain", "about a plot that would describe the ultimate evil on the planetary scale", "was ever punished, by the way.) People can no longer reason and comprehend,", "the path because they've crossed so many unthinkable lines that the only way", "they've crossed so many unthinkable lines that the only way for them to", "for human psyche to even fathom, let at alone to believe. And the", "on the planet in very specific ways. (Not a single doctor who performed", "And the evil has no way but to continue on the path because", "the evil has no way but to continue on the path because they've", "to continue on the path because they've crossed so many unthinkable lines that", "way.) People can no longer reason and comprehend, cannot believe logical but unpopular", "crossed so many unthinkable lines that the only way for them to survive", "do if there are no more people left on Earth to write for?", "hurt. Neither do they have a capacity to understand that this most extreme", "by sound human psychology, people are indifferent about the most important things that", "are no more people left on Earth to write for? Let's take an", "that it is unclear if anyone would even be not deficient enough mentally", "there are no more people left on Earth to write for? Let's take", "they have a capacity to understand that this most extreme case already happened", "only plots people consume are so removed from the terrifying reality of human", "if a book with this ultimate plot can be written, who would read", "Say, there's a small evil group of people who lobotomized everyone's brains on", "evil it is hard for human psyche to even fathom, let at alone", "people who lobotomized everyone's brains on the planet in very specific ways. (Not", "by the way.) People can no longer reason and comprehend, cannot believe logical", "things that matter to human beings. People don't care about their brains being", "happened to them and they need to act now because this ultimate threat", "people consume are so removed from the terrifying reality of human condition at", "only way for them to survive is to continue on the uphill path", "their brains being hurt. Neither do they have a capacity to understand that", "specific ways. (Not a single doctor who performed lobotomies was ever punished, by", "most extreme case already happened to them and they need to act now", "they need to act now because this ultimate threat affects everyone already and", "because this ultimate threat affects everyone already and their every offspring. One person", "the ultimate evil on the planetary scale that's so evil it is hard", "beings. People don't care about their brains being hurt. Neither do they have", "ever punished, by the way.) People can no longer reason and comprehend, cannot", "and they need to act now because this ultimate threat affects everyone already", "now because this ultimate threat affects everyone already and their every offspring. One", "at alone to believe. And the evil has no way but to continue", "psychology, people are indifferent about the most important things that matter to human", "more people left on Earth to write for? Let's take an extreme case", "evil group of people who lobotomized everyone's brains on the planet in very", "for? Let's take an extreme case to illustrate this point. Say, there's a", "to even crave, be curious about a plot that would describe the ultimate", "human condition at this point that it is unclear if anyone would even", "do they have a capacity to understand that this most extreme case already", "to them and they need to act now because this ultimate threat affects", "very specific ways. (Not a single doctor who performed lobotomies was ever punished,", "care about their brains being hurt. Neither do they have a capacity to", "continue on the uphill path of more evil. Do books even have a", "deficient enough mentally to even crave, be curious about a plot that would", "are so removed from the terrifying reality of human condition at this point", "an extreme case to illustrate this point. Say, there's a small evil group", "would read it? The only plots people consume are so removed from the", "are no longer driven by sound human psychology, people are indifferent about the", "this ultimate plot can be written, who would read it? The only plots", "in very specific ways. (Not a single doctor who performed lobotomies was ever", "person manages to survive this horror, the brain not entirely damaged, and wants", "would even be not deficient enough mentally to even crave, be curious about", "continue on the path because they've crossed so many unthinkable lines that the", "even be not deficient enough mentally to even crave, be curious about a", "need to act now because this ultimate threat affects everyone already and their", "act now because this ultimate threat affects everyone already and their every offspring.", "curious about a plot that would describe the ultimate evil on the planetary", "read it? The only plots people consume are so removed from the terrifying", "to even fathom, let at alone to believe. And the evil has no", "illustrate this point. Say, there's a small evil group of people who lobotomized", "people are indifferent about the most important things that matter to human beings.", "sound human psychology, people are indifferent about the most important things that matter", "who would read it? The only plots people consume are so removed from", "crave, be curious about a plot that would describe the ultimate evil on", "detail. Even if a book with this ultimate plot can be written, who", "is hard for human psyche to even fathom, let at alone to believe.", "already happened to them and they need to act now because this ultimate", "them and they need to act now because this ultimate threat affects everyone", "understand that this most extreme case already happened to them and they need", "longer driven by sound human psychology, people are indifferent about the most important", "let at alone to believe. And the evil has no way but to", "who performed lobotomies was ever punished, by the way.) People can no longer", "the way.) People can no longer reason and comprehend, cannot believe logical but", "anyone would even be not deficient enough mentally to even crave, be curious", "book with this ultimate plot can be written, who would read it? The", "with this ultimate plot can be written, who would read it? The only", "about their brains being hurt. Neither do they have a capacity to understand", "believe. And the evil has no way but to continue on the path", "What to do if there are no more people left on Earth to", "scale that's so evil it is hard for human psyche to even fathom,", "brain not entirely damaged, and wants to expose what has been done in", "but to continue on the path because they've crossed so many unthinkable lines", "been done in exquisite detail. Even if a book with this ultimate plot", "unclear if anyone would even be not deficient enough mentally to even crave,", "survive is to continue on the uphill path of more evil. Do books", "that would describe the ultimate evil on the planetary scale that's so evil", "what has been done in exquisite detail. Even if a book with this", "to expose what has been done in exquisite detail. Even if a book", "extreme case to illustrate this point. Say, there's a small evil group of", "is unclear if anyone would even be not deficient enough mentally to even", "no way but to continue on the path because they've crossed so many", "the planet in very specific ways. (Not a single doctor who performed lobotomies", "logical but unpopular views, are no longer driven by sound human psychology, people", "enough mentally to even crave, be curious about a plot that would describe", "people left on Earth to write for? Let's take an extreme case to", "case to illustrate this point. Say, there's a small evil group of people", "everyone's brains on the planet in very specific ways. (Not a single doctor", "Let's take an extreme case to illustrate this point. Say, there's a small", "People don't care about their brains being hurt. Neither do they have a", "on the planetary scale that's so evil it is hard for human psyche", "the most important things that matter to human beings. People don't care about", "small evil group of people who lobotomized everyone's brains on the planet in", "no longer reason and comprehend, cannot believe logical but unpopular views, are no", "human psyche to even fathom, let at alone to believe. And the evil", "has no way but to continue on the path because they've crossed so", "them to survive is to continue on the uphill path of more evil.", "who lobotomized everyone's brains on the planet in very specific ways. (Not a", "comprehend, cannot believe logical but unpopular views, are no longer driven by sound", "(Not a single doctor who performed lobotomies was ever punished, by the way.)", "One person manages to survive this horror, the brain not entirely damaged, and", "path because they've crossed so many unthinkable lines that the only way for", "performed lobotomies was ever punished, by the way.) People can no longer reason", "there's a small evil group of people who lobotomized everyone's brains on the", "a capacity to understand that this most extreme case already happened to them", "a book with this ultimate plot can be written, who would read it?", "plot can be written, who would read it? The only plots people consume", "on the path because they've crossed so many unthinkable lines that the only", "from the terrifying reality of human condition at this point that it is", "on Earth to write for? Let's take an extreme case to illustrate this", "brains on the planet in very specific ways. (Not a single doctor who", "removed from the terrifying reality of human condition at this point that it", "done in exquisite detail. Even if a book with this ultimate plot can", "important things that matter to human beings. People don't care about their brains", "way but to continue on the path because they've crossed so many unthinkable", "manages to survive this horror, the brain not entirely damaged, and wants to", "to believe. And the evil has no way but to continue on the", "plots people consume are so removed from the terrifying reality of human condition", "lobotomies was ever punished, by the way.) People can no longer reason and", "even crave, be curious about a plot that would describe the ultimate evil", "People can no longer reason and comprehend, cannot believe logical but unpopular views,", "so many unthinkable lines that the only way for them to survive is", "every offspring. One person manages to survive this horror, the brain not entirely", "not deficient enough mentally to even crave, be curious about a plot that", "longer reason and comprehend, cannot believe logical but unpopular views, are no longer", "has been done in exquisite detail. Even if a book with this ultimate", "it is unclear if anyone would even be not deficient enough mentally to", "it? The only plots people consume are so removed from the terrifying reality", "for them to survive is to continue on the uphill path of more", "punished, by the way.) People can no longer reason and comprehend, cannot believe", "that this most extreme case already happened to them and they need to", "driven by sound human psychology, people are indifferent about the most important things", "the planetary scale that's so evil it is hard for human psyche to", "ways. (Not a single doctor who performed lobotomies was ever punished, by the", "to survive is to continue on the uphill path of more evil. Do", "uphill path of more evil. Do books even have a meaning in this", "can no longer reason and comprehend, cannot believe logical but unpopular views, are", "a single doctor who performed lobotomies was ever punished, by the way.) People", "but unpopular views, are no longer driven by sound human psychology, people are", "expose what has been done in exquisite detail. Even if a book with", "so evil it is hard for human psyche to even fathom, let at", "offspring. One person manages to survive this horror, the brain not entirely damaged,", "Even if a book with this ultimate plot can be written, who would", "no longer driven by sound human psychology, people are indifferent about the most" ]
[ "a novel. One issue is that the flashback can be several pages long,", "and then as a character is about to describe what happened to the", "this is done in movies often. Now, I am wondering how to exactly", "when doing flashbacks like this, and some other formatting rules that people are", "is about to describe what happened to the past, a flashback can be", "should skip to the next paragraph when doing flashbacks like this, and some", "several pages long, and so cutting back to the dialogue could really mess", "have two characters talking to one another and then as a character is", "the narrative, and I am also wondering if you should skip to the", "to describe what happened to the past, a flashback can be seen, and", "to the next paragraph when doing flashbacks like this, and some other formatting", "this in a novel. One issue is that the flashback can be several", "Now, I am wondering how to exactly do this in a novel. One", "flashback can be seen, and this is done in movies often. Now, I", "two characters talking to one another and then as a character is about", "one another and then as a character is about to describe what happened", "the past, a flashback can be seen, and this is done in movies", "can be seen, and this is done in movies often. Now, I am", "back to the dialogue could really mess up the flow of the narrative,", "and this is done in movies often. Now, I am wondering how to", "the dialogue could really mess up the flow of the narrative, and I", "formatting rules that people are expected to follow when introducing a flashback mid-dialogue.", "also wondering if you should skip to the next paragraph when doing flashbacks", "describe what happened to the past, a flashback can be seen, and this", "mess up the flow of the narrative, and I am also wondering if", "narrative, and I am also wondering if you should skip to the next", "as a character is about to describe what happened to the past, a", "and some other formatting rules that people are expected to follow when introducing", "character is about to describe what happened to the past, a flashback can", "be seen, and this is done in movies often. Now, I am wondering", "characters talking to one another and then as a character is about to", "pages long, and so cutting back to the dialogue could really mess up", "the flashback can be several pages long, and so cutting back to the", "is done in movies often. Now, I am wondering how to exactly do", "be several pages long, and so cutting back to the dialogue could really", "to one another and then as a character is about to describe what", "flashback can be several pages long, and so cutting back to the dialogue", "long, and so cutting back to the dialogue could really mess up the", "exactly do this in a novel. One issue is that the flashback can", "could really mess up the flow of the narrative, and I am also", "cutting back to the dialogue could really mess up the flow of the", "dialogue could really mess up the flow of the narrative, and I am", "that the flashback can be several pages long, and so cutting back to", "skip to the next paragraph when doing flashbacks like this, and some other", "is that the flashback can be several pages long, and so cutting back", "Sometimes, you have two characters talking to one another and then as a", "do this in a novel. One issue is that the flashback can be", "in movies often. Now, I am wondering how to exactly do this in", "if you should skip to the next paragraph when doing flashbacks like this,", "past, a flashback can be seen, and this is done in movies often.", "wondering how to exactly do this in a novel. One issue is that", "this, and some other formatting rules that people are expected to follow when", "seen, and this is done in movies often. Now, I am wondering how", "am wondering how to exactly do this in a novel. One issue is", "One issue is that the flashback can be several pages long, and so", "flashbacks like this, and some other formatting rules that people are expected to", "what happened to the past, a flashback can be seen, and this is", "so cutting back to the dialogue could really mess up the flow of", "wondering if you should skip to the next paragraph when doing flashbacks like", "done in movies often. Now, I am wondering how to exactly do this", "and so cutting back to the dialogue could really mess up the flow", "often. Now, I am wondering how to exactly do this in a novel.", "happened to the past, a flashback can be seen, and this is done", "issue is that the flashback can be several pages long, and so cutting", "and I am also wondering if you should skip to the next paragraph", "really mess up the flow of the narrative, and I am also wondering", "novel. One issue is that the flashback can be several pages long, and", "am also wondering if you should skip to the next paragraph when doing", "can be several pages long, and so cutting back to the dialogue could", "talking to one another and then as a character is about to describe", "flow of the narrative, and I am also wondering if you should skip", "paragraph when doing flashbacks like this, and some other formatting rules that people", "you have two characters talking to one another and then as a character", "I am wondering how to exactly do this in a novel. One issue", "the flow of the narrative, and I am also wondering if you should", "next paragraph when doing flashbacks like this, and some other formatting rules that", "movies often. Now, I am wondering how to exactly do this in a", "about to describe what happened to the past, a flashback can be seen,", "in a novel. One issue is that the flashback can be several pages", "a character is about to describe what happened to the past, a flashback", "like this, and some other formatting rules that people are expected to follow", "other formatting rules that people are expected to follow when introducing a flashback", "I am also wondering if you should skip to the next paragraph when", "up the flow of the narrative, and I am also wondering if you", "some other formatting rules that people are expected to follow when introducing a", "to the past, a flashback can be seen, and this is done in", "another and then as a character is about to describe what happened to", "a flashback can be seen, and this is done in movies often. Now,", "to the dialogue could really mess up the flow of the narrative, and", "doing flashbacks like this, and some other formatting rules that people are expected", "of the narrative, and I am also wondering if you should skip to", "then as a character is about to describe what happened to the past,", "you should skip to the next paragraph when doing flashbacks like this, and", "how to exactly do this in a novel. One issue is that the", "the next paragraph when doing flashbacks like this, and some other formatting rules", "to exactly do this in a novel. One issue is that the flashback" ]
[ "asked. \"It might be your mind playing tricks on you. It's dark, the", "I'll take the lead then,\" Jusg bemoaned. > > > What are the", "> > I could enrich the dialogue by changing the verbs: > >", "used, the intent. Instead of: > > \"I don't think we should enter", "mansion,\" Jusg conjectured. \"It looks haunted.\" > > > \"Does it now?\" Yally", "> \"Does it now?\" Yally asked. \"It might be your mind playing tricks", "mind playing tricks on you. It's dark, the mansion looks old and abandoned.", "to \"said\" and \"asked\" or using more diverse verbs for the action beats?", "mansion looks old and abandoned. It's just a cliche.\" > > > \"Hurry", "> > > What are the pros and cons of either sticking to", "by changing the verbs: > > \"I don't think we should enter the", "she said authors should refrain from using too many verbs on action beats,", "conjectured. \"It looks haunted.\" > > > \"Does it now?\" Yally teased. \"It", "rain!\" Emily said. > > > \"Guess I'll take the lead then,\" Jusg", "and \"asked\". I think it is bland. There's hundreds of verbs that can", "> I could enrich the dialogue by changing the verbs: > > \"I", "the mansion,\" Jusg conjectured. \"It looks haunted.\" > > > \"Does it now?\"", "> > \"Guess I'll take the lead then,\" Jusg bemoaned. > > >", "don't think we should enter the mansion,\" Jusg said. \"It looks haunted.\" >", "lead then,\" Jusg said. > > > I could enrich the dialogue by", "of verbs that can convey the character's mood, the tone used, the intent.", "take the lead then,\" Jusg said. > > > I could enrich the", "hundreds of verbs that can convey the character's mood, the tone used, the", "\"Hurry up! I don't want to stay here in the rain!\" Emily said.", "haunted.\" > > > \"Does it now?\" Yally teased. \"It might be your", "on action beats, instead relying mostly on \"said\" and \"asked\". I think it", "pros and cons of either sticking to \"said\" and \"asked\" or using more", "\"It looks haunted.\" > > > \"Does it now?\" Yally teased. \"It might", "> > \"Guess I'll take the lead then,\" Jusg said. > > >", "said. > > > I could enrich the dialogue by changing the verbs:", "\"I don't think we should enter the mansion,\" Jusg said. \"It looks haunted.\"", "up! I don't want to stay here in the rain!\" Emily said. >", "> > > \"Does it now?\" Yally teased. \"It might be your mind", "can convey the character's mood, the tone used, the intent. Instead of: >", "> > \"Hurry up! I don't want to stay here in the rain!\"", "the rain!\" Emily whined. > > > \"Guess I'll take the lead then,\"", "\"Guess I'll take the lead then,\" Jusg bemoaned. > > > What are", "lead then,\" Jusg bemoaned. > > > What are the pros and cons", "character's mood, the tone used, the intent. Instead of: > > \"I don't", "in the rain!\" Emily said. > > > \"Guess I'll take the lead", "your mind playing tricks on you. It's dark, the mansion looks old and", "just a cliche.\" > > > \"Hurry up! I don't want to stay", "either sticking to \"said\" and \"asked\" or using more diverse verbs for the", "I don't want to stay here in the rain!\" Emily whined. > >", "a cliche.\" > > > \"Hurry up! I don't want to stay here", "> > > \"Guess I'll take the lead then,\" Jusg said. > >", "looks haunted.\" > > > \"Does it now?\" Yally asked. \"It might be", "enter the mansion,\" Jusg conjectured. \"It looks haunted.\" > > > \"Does it", "from using too many verbs on action beats, instead relying mostly on \"said\"", "I think it is bland. There's hundreds of verbs that can convey the", "\"Does it now?\" Yally teased. \"It might be your mind playing tricks on", "rain!\" Emily whined. > > > \"Guess I'll take the lead then,\" Jusg", "bemoaned. > > > What are the pros and cons of either sticking", "dialogue by changing the verbs: > > \"I don't think we should enter", "Emily whined. > > > \"Guess I'll take the lead then,\" Jusg bemoaned.", "> \"Guess I'll take the lead then,\" Jusg bemoaned. > > > What", "whined. > > > \"Guess I'll take the lead then,\" Jusg bemoaned. >", "don't think we should enter the mansion,\" Jusg conjectured. \"It looks haunted.\" >", "I don't want to stay here in the rain!\" Emily said. > >", "\"asked\". I think it is bland. There's hundreds of verbs that can convey", "we should enter the mansion,\" Jusg said. \"It looks haunted.\" > > >", "enter the mansion,\" Jusg said. \"It looks haunted.\" > > > \"Does it", "the lead then,\" Jusg bemoaned. > > > What are the pros and", "old and abandoned. It's just a cliche.\" > > > \"Hurry up! I", "\"I don't think we should enter the mansion,\" Jusg conjectured. \"It looks haunted.\"", "Instead of: > > \"I don't think we should enter the mansion,\" Jusg", "tricks on you. It's dark, the mansion looks old and abandoned. It's just", "Jusg bemoaned. > > > What are the pros and cons of either", "could enrich the dialogue by changing the verbs: > > \"I don't think", "then,\" Jusg bemoaned. > > > What are the pros and cons of", "of either sticking to \"said\" and \"asked\" or using more diverse verbs for", "stay here in the rain!\" Emily whined. > > > \"Guess I'll take", "in the rain!\" Emily whined. > > > \"Guess I'll take the lead", "> > > I could enrich the dialogue by changing the verbs: >", "want to stay here in the rain!\" Emily said. > > > \"Guess", "on \"said\" and \"asked\". I think it is bland. There's hundreds of verbs", "to stay here in the rain!\" Emily whined. > > > \"Guess I'll", "it now?\" Yally asked. \"It might be your mind playing tricks on you.", "intent. Instead of: > > \"I don't think we should enter the mansion,\"", "It's just a cliche.\" > > > \"Hurry up! I don't want to", "it now?\" Yally teased. \"It might be your mind playing tricks on you.", "up! I don't want to stay here in the rain!\" Emily whined. >", "think we should enter the mansion,\" Jusg conjectured. \"It looks haunted.\" > >", "think it is bland. There's hundreds of verbs that can convey the character's", "editor yesterday, she said authors should refrain from using too many verbs on", "mansion,\" Jusg said. \"It looks haunted.\" > > > \"Does it now?\" Yally", "here in the rain!\" Emily whined. > > > \"Guess I'll take the", "it is bland. There's hundreds of verbs that can convey the character's mood,", "\"It looks haunted.\" > > > \"Does it now?\" Yally asked. \"It might", "should refrain from using too many verbs on action beats, instead relying mostly", "dark, the mansion looks old and abandoned. It's just a cliche.\" > >", "said authors should refrain from using too many verbs on action beats, instead", "abandoned. It's just a cliche.\" > > > \"Hurry up! I don't want", "want to stay here in the rain!\" Emily whined. > > > \"Guess", "sticking to \"said\" and \"asked\" or using more diverse verbs for the action", "is bland. There's hundreds of verbs that can convey the character's mood, the", "I could enrich the dialogue by changing the verbs: > > \"I don't", "don't want to stay here in the rain!\" Emily whined. > > >", "mood, the tone used, the intent. Instead of: > > \"I don't think", "video from an editor yesterday, she said authors should refrain from using too", "bland. There's hundreds of verbs that can convey the character's mood, the tone", "of: > > \"I don't think we should enter the mansion,\" Jusg said.", "yesterday, she said authors should refrain from using too many verbs on action", "the lead then,\" Jusg said. > > > I could enrich the dialogue", "verbs on action beats, instead relying mostly on \"said\" and \"asked\". I think", "Yally teased. \"It might be your mind playing tricks on you. It's dark,", "mostly on \"said\" and \"asked\". I think it is bland. There's hundreds of", "should enter the mansion,\" Jusg said. \"It looks haunted.\" > > > \"Does", "\"Does it now?\" Yally asked. \"It might be your mind playing tricks on", "stay here in the rain!\" Emily said. > > > \"Guess I'll take", "many verbs on action beats, instead relying mostly on \"said\" and \"asked\". I", "refrain from using too many verbs on action beats, instead relying mostly on", "\"It might be your mind playing tricks on you. It's dark, the mansion", "Jusg said. \"It looks haunted.\" > > > \"Does it now?\" Yally asked.", "then,\" Jusg said. > > > I could enrich the dialogue by changing", "too many verbs on action beats, instead relying mostly on \"said\" and \"asked\".", "> \"Guess I'll take the lead then,\" Jusg said. > > > I", "Jusg said. > > > I could enrich the dialogue by changing the", "the mansion looks old and abandoned. It's just a cliche.\" > > >", "Emily said. > > > \"Guess I'll take the lead then,\" Jusg said.", "said. > > > \"Guess I'll take the lead then,\" Jusg said. >", "that can convey the character's mood, the tone used, the intent. Instead of:", "the character's mood, the tone used, the intent. Instead of: > > \"I", "the intent. Instead of: > > \"I don't think we should enter the", "the verbs: > > \"I don't think we should enter the mansion,\" Jusg", "haunted.\" > > > \"Does it now?\" Yally asked. \"It might be your", "verbs that can convey the character's mood, the tone used, the intent. Instead", "Jusg conjectured. \"It looks haunted.\" > > > \"Does it now?\" Yally teased.", "using too many verbs on action beats, instead relying mostly on \"said\" and", "verbs: > > \"I don't think we should enter the mansion,\" Jusg conjectured.", "should enter the mansion,\" Jusg conjectured. \"It looks haunted.\" > > > \"Does", "are the pros and cons of either sticking to \"said\" and \"asked\" or", "There's hundreds of verbs that can convey the character's mood, the tone used,", "> > > \"Guess I'll take the lead then,\" Jusg bemoaned. > >", "now?\" Yally asked. \"It might be your mind playing tricks on you. It's", "you. It's dark, the mansion looks old and abandoned. It's just a cliche.\"", "don't want to stay here in the rain!\" Emily said. > > >", "> > \"Does it now?\" Yally asked. \"It might be your mind playing", "I'll take the lead then,\" Jusg said. > > > I could enrich", "\"Hurry up! I don't want to stay here in the rain!\" Emily whined.", "> > \"Does it now?\" Yally teased. \"It might be your mind playing", "> What are the pros and cons of either sticking to \"said\" and", "authors should refrain from using too many verbs on action beats, instead relying", "Watching a video from an editor yesterday, she said authors should refrain from", "Yally asked. \"It might be your mind playing tricks on you. It's dark,", "an editor yesterday, she said authors should refrain from using too many verbs", "playing tricks on you. It's dark, the mansion looks old and abandoned. It's", "convey the character's mood, the tone used, the intent. Instead of: > >", "here in the rain!\" Emily said. > > > \"Guess I'll take the", "> > What are the pros and cons of either sticking to \"said\"", "looks old and abandoned. It's just a cliche.\" > > > \"Hurry up!", "action beats, instead relying mostly on \"said\" and \"asked\". I think it is", "and abandoned. It's just a cliche.\" > > > \"Hurry up! I don't", "the mansion,\" Jusg said. \"It looks haunted.\" > > > \"Does it now?\"", "changing the verbs: > > \"I don't think we should enter the mansion,\"", "\"Guess I'll take the lead then,\" Jusg said. > > > I could", "the dialogue by changing the verbs: > > \"I don't think we should", "It's dark, the mansion looks old and abandoned. It's just a cliche.\" >", "a video from an editor yesterday, she said authors should refrain from using", "said. \"It looks haunted.\" > > > \"Does it now?\" Yally asked. \"It", "enrich the dialogue by changing the verbs: > > \"I don't think we", "\"said\" and \"asked\". I think it is bland. There's hundreds of verbs that", "to stay here in the rain!\" Emily said. > > > \"Guess I'll", "tone used, the intent. Instead of: > > \"I don't think we should", "> > > \"Hurry up! I don't want to stay here in the", "looks haunted.\" > > > \"Does it now?\" Yally teased. \"It might be", "> \"I don't think we should enter the mansion,\" Jusg conjectured. \"It looks", "> \"Does it now?\" Yally teased. \"It might be your mind playing tricks", "> > \"I don't think we should enter the mansion,\" Jusg said. \"It", "now?\" Yally teased. \"It might be your mind playing tricks on you. It's", "beats, instead relying mostly on \"said\" and \"asked\". I think it is bland.", "cons of either sticking to \"said\" and \"asked\" or using more diverse verbs", "from an editor yesterday, she said authors should refrain from using too many", "> > \"I don't think we should enter the mansion,\" Jusg conjectured. \"It", "What are the pros and cons of either sticking to \"said\" and \"asked\"", "the pros and cons of either sticking to \"said\" and \"asked\" or using", "and cons of either sticking to \"said\" and \"asked\" or using more diverse", "the tone used, the intent. Instead of: > > \"I don't think we", "teased. \"It might be your mind playing tricks on you. It's dark, the", "instead relying mostly on \"said\" and \"asked\". I think it is bland. There's", "might be your mind playing tricks on you. It's dark, the mansion looks", "take the lead then,\" Jusg bemoaned. > > > What are the pros", "> \"Hurry up! I don't want to stay here in the rain!\" Emily", "the rain!\" Emily said. > > > \"Guess I'll take the lead then,\"", "> \"I don't think we should enter the mansion,\" Jusg said. \"It looks", "> > > \"Does it now?\" Yally asked. \"It might be your mind", "think we should enter the mansion,\" Jusg said. \"It looks haunted.\" > >", "be your mind playing tricks on you. It's dark, the mansion looks old", "relying mostly on \"said\" and \"asked\". I think it is bland. There's hundreds", "on you. It's dark, the mansion looks old and abandoned. It's just a", "cliche.\" > > > \"Hurry up! I don't want to stay here in", "we should enter the mansion,\" Jusg conjectured. \"It looks haunted.\" > > >" ]
[ "story is set in Chicago. He lives in the United States because, as", "and not pinpoint a specific massacre? * Does it make a difference if", "more authentic I zeroed in on specific massacres that occurred in different villages", "villages during that time in Algeria. Eventually, my character will have a scene", "Is this disrespectful to the real victims? * Does it make it better", "character. To make it more authentic I zeroed in on specific massacres that", "specific massacres that occurred in different villages during that time in Algeria. Eventually,", "were killed in their village during one of these massacres. * Is this", "that time in Algeria. Eventually, my character will have a scene where he", "in the late 1990's - the timeline works for my character. To make", "will have a scene where he describes to another character in some level", "he describes to another character in some level of detail that his parents", "describes to another character in some level of detail that his parents were", "is set in Chicago. He lives in the United States because, as a", "with his Uncle after his parents were killed. Rather than the cliche of", "was a civil war in Algeria in the late 1990's - the timeline", "to another character in some level of detail that his parents were killed", "that occurred in different villages during that time in Algeria. Eventually, my character", "learnt there was a civil war in Algeria in the late 1990's -", "if the victim count is up near 100,000 (the war), compared to 40", "in different villages during that time in Algeria. Eventually, my character will have", "than the cliche of say, a random car accident, I did some quick", "accident, I did some quick research and learnt there was a civil war", "it make a difference if the victim count is up near 100,000 (the", "Algerian but the story is set in Chicago. He lives in the United", "these massacres. * Is this disrespectful to the real victims? * Does it", "crime fiction. The current scenario is that I have a main character (late", "to the real victims? * Does it make it better if I only", "War and not pinpoint a specific massacre? * Does it make a difference", "a main character (late 20's) who is Algerian but the story is set", "I have a main character (late 20's) who is Algerian but the story", "I zeroed in on specific massacres that occurred in different villages during that", "one of these massacres. * Is this disrespectful to the real victims? ", "another character in some level of detail that his parents were killed in", "lives in the United States because, as a baby, he fled Algeria with", "after his parents were killed. Rather than the cliche of say, a random", "1990's - the timeline works for my character. To make it more authentic", "have a scene where he describes to another character in some level of", "victim count is up near 100,000 (the war), compared to 40 (village massacre)?", "their village during one of these massacres. Is this disrespectful to the", "of these massacres. * Is this disrespectful to the real victims? * Does", "The current scenario is that I have a main character (late 20's) who", "main character (late 20's) who is Algerian but the story is set in", "Chicago. He lives in the United States because, as a baby, he fled", "where he describes to another character in some level of detail that his", "because, as a baby, he fled Algeria with his Uncle after his parents", "for my character. To make it more authentic I zeroed in on specific", "* Does it make a difference if the victim count is up near", "Uncle after his parents were killed. Rather than the cliche of say, a", "I did some quick research and learnt there was a civil war in", "his Uncle after his parents were killed. Rather than the cliche of say,", "a baby, he fled Algeria with his Uncle after his parents were killed.", "is that I have a main character (late 20's) who is Algerian but", "reference the Civil War and not pinpoint a specific massacre? * Does it", "works for my character. To make it more authentic I zeroed in on", "difference if the victim count is up near 100,000 (the war), compared to", "only reference the Civil War and not pinpoint a specific massacre? * Does", "killed in their village during one of these massacres. * Is this disrespectful", "in some level of detail that his parents were killed in their village", "late 1990's - the timeline works for my character. To make it more", "he fled Algeria with his Uncle after his parents were killed. Rather than", "the timeline works for my character. To make it more authentic I zeroed", "civil war in Algeria in the late 1990's - the timeline works for", "a scene where he describes to another character in some level of detail", "say, a random car accident, I did some quick research and learnt there", "massacre? * Does it make a difference if the victim count is up", "cliche of say, a random car accident, I did some quick research and", "make a difference if the victim count is up near 100,000 (the war),", "Algeria in the late 1990's - the timeline works for my character. To", "writing crime fiction. The current scenario is that I have a main character", "on specific massacres that occurred in different villages during that time in Algeria.", "zeroed in on specific massacres that occurred in different villages during that time", "character in some level of detail that his parents were killed in their", "not pinpoint a specific massacre? * Does it make a difference if the", "To make it more authentic I zeroed in on specific massacres that occurred", "He lives in the United States because, as a baby, he fled Algeria", "in the United States because, as a baby, he fled Algeria with his", "in Chicago. He lives in the United States because, as a baby, he", "authentic I zeroed in on specific massacres that occurred in different villages during", "United States because, as a baby, he fled Algeria with his Uncle after", "of detail that his parents were killed in their village during one of", "have a main character (late 20's) who is Algerian but the story is", "that his parents were killed in their village during one of these massacres.", "character will have a scene where he describes to another character in some", "time in Algeria. Eventually, my character will have a scene where he describes", "a specific massacre? * Does it make a difference if the victim count", "there was a civil war in Algeria in the late 1990's - the", "pinpoint a specific massacre? * Does it make a difference if the victim", "in their village during one of these massacres. * Is this disrespectful to", "baby, he fled Algeria with his Uncle after his parents were killed. Rather", "States because, as a baby, he fled Algeria with his Uncle after his", "quick research and learnt there was a civil war in Algeria in the", "specific massacre? * Does it make a difference if the victim count is", "of say, a random car accident, I did some quick research and learnt", "the Civil War and not pinpoint a specific massacre? * Does it make", "Does it make a difference if the victim count is up near 100,000", "his parents were killed. Rather than the cliche of say, a random car", "village during one of these massacres. * Is this disrespectful to the real", "I only reference the Civil War and not pinpoint a specific massacre? ", "as a baby, he fled Algeria with his Uncle after his parents were", "my character will have a scene where he describes to another character in", "the late 1990's - the timeline works for my character. To make it", "victims? Does it make it better if I only reference the Civil", "Algeria with his Uncle after his parents were killed. Rather than the cliche", "killed. Rather than the cliche of say, a random car accident, I did", "disrespectful to the real victims? * Does it make it better if I", "were killed. Rather than the cliche of say, a random car accident, I", "the real victims? * Does it make it better if I only reference", "a random car accident, I did some quick research and learnt there was", "fled Algeria with his Uncle after his parents were killed. Rather than the", "if I only reference the Civil War and not pinpoint a specific massacre?", "in Algeria. Eventually, my character will have a scene where he describes to", "did some quick research and learnt there was a civil war in Algeria", "a civil war in Algeria in the late 1990's - the timeline works", "character (late 20's) who is Algerian but the story is set in Chicago.", "the United States because, as a baby, he fled Algeria with his Uncle", "some level of detail that his parents were killed in their village during", "massacres that occurred in different villages during that time in Algeria. Eventually, my", "it more authentic I zeroed in on specific massacres that occurred in different", "but the story is set in Chicago. He lives in the United States", "scene where he describes to another character in some level of detail that", "better if I only reference the Civil War and not pinpoint a specific", "it make it better if I only reference the Civil War and not", "the cliche of say, a random car accident, I did some quick research", "make it more authentic I zeroed in on specific massacres that occurred in", "during one of these massacres. * Is this disrespectful to the real victims?", "20's) who is Algerian but the story is set in Chicago. He lives", "timeline works for my character. To make it more authentic I zeroed in", "massacres. * Is this disrespectful to the real victims? * Does it make", "car accident, I did some quick research and learnt there was a civil", "a difference if the victim count is up near 100,000 (the war), compared", "his parents were killed in their village during one of these massacres. ", "different villages during that time in Algeria. Eventually, my character will have a", "Does it make it better if I only reference the Civil War and", "real victims? Does it make it better if I only reference the", "this disrespectful to the real victims? * Does it make it better if", "it better if I only reference the Civil War and not pinpoint a", "Eventually, my character will have a scene where he describes to another character", "the victim count is up near 100,000 (the war), compared to 40 (village", "and learnt there was a civil war in Algeria in the late 1990's", "some quick research and learnt there was a civil war in Algeria in", "* Does it make it better if I only reference the Civil War", "research and learnt there was a civil war in Algeria in the late", "is Algerian but the story is set in Chicago. He lives in the", "fiction. The current scenario is that I have a main character (late 20's)", "in Algeria in the late 1990's - the timeline works for my character.", "random car accident, I did some quick research and learnt there was a", "I'm writing crime fiction. The current scenario is that I have a main", "Civil War and not pinpoint a specific massacre? * Does it make a", "in on specific massacres that occurred in different villages during that time in", "the story is set in Chicago. He lives in the United States because,", "* Is this disrespectful to the real victims? * Does it make it", "set in Chicago. He lives in the United States because, as a baby,", "my character. To make it more authentic I zeroed in on specific massacres", "make it better if I only reference the Civil War and not pinpoint", "parents were killed in their village during one of these massacres. * Is", "during that time in Algeria. Eventually, my character will have a scene where", "parents were killed. Rather than the cliche of say, a random car accident,", "scenario is that I have a main character (late 20's) who is Algerian", "Algeria. Eventually, my character will have a scene where he describes to another", "- the timeline works for my character. To make it more authentic I", "who is Algerian but the story is set in Chicago. He lives in", "Rather than the cliche of say, a random car accident, I did some", "war in Algeria in the late 1990's - the timeline works for my", "level of detail that his parents were killed in their village during one", "(late 20's) who is Algerian but the story is set in Chicago. He", "that I have a main character (late 20's) who is Algerian but the", "detail that his parents were killed in their village during one of these", "current scenario is that I have a main character (late 20's) who is", "occurred in different villages during that time in Algeria. Eventually, my character will" ]
[ "to explicitly state this theme through a character's lengthy monologue at the end", "to make this work, or should you rewrite the entire ending and why?", "theme through a character's lengthy monologue at the end of the story. The", "monologue at the end of the story. The character directly addresses the reader,", "end of the story. The character directly addresses the reader, listing the negative", "how to break free from it. Is there a way to make this", "if this is always the case, or we can actually make it work.", "case, or we can actually make it work. Let's imagine a fictional example", "or becomes overly explicit, it can feel preachy and detract from the storytelling,", "from the storytelling, or at least that was what I was told, but", "that was what I was told, but I am wondering if this is", "I was told, but I am wondering if this is always the case,", "least that was what I was told, but I am wondering if this", "at least that was what I was told, but I am wondering if", "theme in their story is being too didactic. If the theme is forced", "but I am wondering if this is always the case, or we can", "story is being too didactic. If the theme is forced upon the reader", "the storytelling, or at least that was what I was told, but I", "overly explicit, it can feel preachy and detract from the storytelling, or at", "or we can actually make it work. Let's imagine a fictional example where", "of technology addiction and providing a step-by-step guide on how to break free", "wants to reinforce the theme that \"overreliance on technology disconnects us from the", "addiction and providing a step-by-step guide on how to break free from it.", "negative consequences of technology addiction and providing a step-by-step guide on how to", "a fictional example where the author wants to reinforce the theme that \"overreliance", "am wondering if this is always the case, or we can actually make", "always the case, or we can actually make it work. Let's imagine a", "it work. Let's imagine a fictional example where the author wants to reinforce", "was told, but I am wondering if this is always the case, or", "told, but I am wondering if this is always the case, or we", "decides to explicitly state this theme through a character's lengthy monologue at the", "on technology disconnects us from the real world.\" The author decides to explicitly", "on how to break free from it. Is there a way to make", "or at least that was what I was told, but I am wondering", "when reinforcing the theme in their story is being too didactic. If the", "technology addiction and providing a step-by-step guide on how to break free from", "where the author wants to reinforce the theme that \"overreliance on technology disconnects", "and providing a step-by-step guide on how to break free from it. Is", "us from the real world.\" The author decides to explicitly state this theme", "story. The character directly addresses the reader, listing the negative consequences of technology", "the theme that \"overreliance on technology disconnects us from the real world.\" The", "reader, listing the negative consequences of technology addiction and providing a step-by-step guide", "If the theme is forced upon the reader or becomes overly explicit, it", "author decides to explicitly state this theme through a character's lengthy monologue at", "we can actually make it work. Let's imagine a fictional example where the", "theme that \"overreliance on technology disconnects us from the real world.\" The author", "make when reinforcing the theme in their story is being too didactic. If", "lengthy monologue at the end of the story. The character directly addresses the", "reinforcing the theme in their story is being too didactic. If the theme", "way to make this work, or should you rewrite the entire ending and", "technology disconnects us from the real world.\" The author decides to explicitly state", "the end of the story. The character directly addresses the reader, listing the", "directly addresses the reader, listing the negative consequences of technology addiction and providing", "the negative consequences of technology addiction and providing a step-by-step guide on how", "the author wants to reinforce the theme that \"overreliance on technology disconnects us", "was what I was told, but I am wondering if this is always", "the case, or we can actually make it work. Let's imagine a fictional", "character's lengthy monologue at the end of the story. The character directly addresses", "addresses the reader, listing the negative consequences of technology addiction and providing a", "One mistake people can make when reinforcing the theme in their story is", "I am wondering if this is always the case, or we can actually", "explicit, it can feel preachy and detract from the storytelling, or at least", "free from it. Is there a way to make this work, or should", "the theme is forced upon the reader or becomes overly explicit, it can", "a way to make this work, or should you rewrite the entire ending", "imagine a fictional example where the author wants to reinforce the theme that", "can feel preachy and detract from the storytelling, or at least that was", "what I was told, but I am wondering if this is always the", "The author decides to explicitly state this theme through a character's lengthy monologue", "didactic. If the theme is forced upon the reader or becomes overly explicit,", "actually make it work. Let's imagine a fictional example where the author wants", "break free from it. Is there a way to make this work, or", "upon the reader or becomes overly explicit, it can feel preachy and detract", "from it. Is there a way to make this work, or should you", "listing the negative consequences of technology addiction and providing a step-by-step guide on", "that \"overreliance on technology disconnects us from the real world.\" The author decides", "disconnects us from the real world.\" The author decides to explicitly state this", "state this theme through a character's lengthy monologue at the end of the", "a character's lengthy monologue at the end of the story. The character directly", "preachy and detract from the storytelling, or at least that was what I", "to reinforce the theme that \"overreliance on technology disconnects us from the real", "to break free from it. Is there a way to make this work,", "people can make when reinforcing the theme in their story is being too", "their story is being too didactic. If the theme is forced upon the", "reader or becomes overly explicit, it can feel preachy and detract from the", "character directly addresses the reader, listing the negative consequences of technology addiction and", "this theme through a character's lengthy monologue at the end of the story.", "Is there a way to make this work, or should you rewrite the", "wondering if this is always the case, or we can actually make it", "there a way to make this work, or should you rewrite the entire", "The character directly addresses the reader, listing the negative consequences of technology addiction", "author wants to reinforce the theme that \"overreliance on technology disconnects us from", "\"overreliance on technology disconnects us from the real world.\" The author decides to", "theme is forced upon the reader or becomes overly explicit, it can feel", "reinforce the theme that \"overreliance on technology disconnects us from the real world.\"", "make it work. Let's imagine a fictional example where the author wants to", "and detract from the storytelling, or at least that was what I was", "fictional example where the author wants to reinforce the theme that \"overreliance on", "providing a step-by-step guide on how to break free from it. Is there", "at the end of the story. The character directly addresses the reader, listing", "mistake people can make when reinforcing the theme in their story is being", "it can feel preachy and detract from the storytelling, or at least that", "this is always the case, or we can actually make it work. Let's", "the reader or becomes overly explicit, it can feel preachy and detract from", "becomes overly explicit, it can feel preachy and detract from the storytelling, or", "is forced upon the reader or becomes overly explicit, it can feel preachy", "being too didactic. If the theme is forced upon the reader or becomes", "work. Let's imagine a fictional example where the author wants to reinforce the", "can actually make it work. Let's imagine a fictional example where the author", "the reader, listing the negative consequences of technology addiction and providing a step-by-step", "step-by-step guide on how to break free from it. Is there a way", "through a character's lengthy monologue at the end of the story. The character", "feel preachy and detract from the storytelling, or at least that was what", "forced upon the reader or becomes overly explicit, it can feel preachy and", "of the story. The character directly addresses the reader, listing the negative consequences", "the story. The character directly addresses the reader, listing the negative consequences of", "the real world.\" The author decides to explicitly state this theme through a", "consequences of technology addiction and providing a step-by-step guide on how to break", "guide on how to break free from it. Is there a way to", "world.\" The author decides to explicitly state this theme through a character's lengthy", "example where the author wants to reinforce the theme that \"overreliance on technology", "the theme in their story is being too didactic. If the theme is", "is always the case, or we can actually make it work. Let's imagine", "explicitly state this theme through a character's lengthy monologue at the end of", "is being too didactic. If the theme is forced upon the reader or", "from the real world.\" The author decides to explicitly state this theme through", "a step-by-step guide on how to break free from it. Is there a", "it. Is there a way to make this work, or should you rewrite", "real world.\" The author decides to explicitly state this theme through a character's", "storytelling, or at least that was what I was told, but I am", "in their story is being too didactic. If the theme is forced upon", "can make when reinforcing the theme in their story is being too didactic.", "too didactic. If the theme is forced upon the reader or becomes overly", "Let's imagine a fictional example where the author wants to reinforce the theme", "detract from the storytelling, or at least that was what I was told," ]
[ "sees nothing wrong with killing people and taking what they want from people.", "culture to be evil unless it was as a cassus belli to rebel.", "am trying to figure out how a stereotypical \"one good one\" character would", "it was as a cassus belli to rebel. The problem is the character", "has been told that killing is okay and you shouldn't feel bad for", "organization\". The organization is a brutal social darwinist one that sees nothing wrong", "of an evil organization\". The organization is a brutal social darwinist one that", "\"one good one\" often openly refers to their group as evil. This is", "or see themselves. Usually it would seem like you would get a character", "at contradictory facts in their worldview. A person probably wouldn't declare their home", "often openly refers to their group as evil. This is not how people", "been exposed to alternative viewpoints to realize how messed up their situation is", "trying to figure out how a stereotypical \"one good one\" character would see/refer", "bringing to avoid focusing too hard on unpleasant topics to avoid looking at", "member of an evil organization\". The organization is a brutal social darwinist one", "likely to give the \"white man's burden\" or \"necessary evil\" argument. They subconsciously", "contradictory facts in their worldview. A person probably wouldn't declare their home culture", "probably wouldn't declare their home culture to be evil unless it was as", "organization is a brutal social darwinist one that sees nothing wrong with killing", "societally accepted values and individual values. The character has been told that killing", "their word choice. For example, in other works of fiction the \"one good", "Given this, how would the \"one good one\" see/self-justify themselves and their place", "avoid focusing too hard on unpleasant topics to avoid looking at contradictory facts", "to alternative viewpoints to realize how messed up their situation is (think cults).", "would the \"one good one\" see/self-justify themselves and their place in the world?", "the \"one good one\" often openly refers to their group as evil. This", "haven't gotten the push needed to tell them they need to leave. I", "degree, thoughts) to be socially appropriate. Given this, how would the \"one good", "They haven't gotten the push needed to tell them they need to leave.", "staying out of Stockhold syndrome at this point. They haven't gotten the push", "situation is (think cults). They're mostly staying out of Stockhold syndrome at this", "blame by saying it was necessary, or actively avoiding bringing to avoid focusing", "in other works of fiction the \"one good one\" often openly refers to", "harming others. Yet that doesn't agree with their own personal morality. Nevertheless, they", "would seem like you would get a character some kind of self-justification like", "\"bringing civilization\" to conquered people, shift blame by saying it was necessary, or", "what they want from people. This is their attitude to both to people", "there is something wrong and their values don't align with their culture's, but", "wouldn't declare their home culture to be evil unless it was as a", "to be evil unless it was as a cassus belli to rebel. The", "at this point. They haven't gotten the push needed to tell them they", "will tailor their dialogue (and to some degree, thoughts) to be socially appropriate.", "and thus ism't likely to give the \"white man's burden\" or \"necessary evil\"", "you would get a character some kind of self-justification like a conqueror believing", "viewpoints to realize how messed up their situation is (think cults). They're mostly", "a cassus belli to rebel. The problem is the character hasn't really swallowed", "Usually it would seem like you would get a character some kind of", "see themselves. Usually it would seem like you would get a character some", "appropriate. Given this, how would the \"one good one\" see/self-justify themselves and their", "morality. Nevertheless, they aren't going to say these things openly, because that goes", "culture's, but they haven't been exposed to alternative viewpoints to realize how messed", "a brutal social darwinist one that sees nothing wrong with killing people and", "don't align with their culture's, but they haven't been exposed to alternative viewpoints", "they haven't been exposed to alternative viewpoints to realize how messed up their", "told that killing is okay and you shouldn't feel bad for harming others.", "how would the \"one good one\" see/self-justify themselves and their place in the", "they want from people. This is their attitude to both to people outside", "Aid and thus ism't likely to give the \"white man's burden\" or \"necessary", "avoiding bringing to avoid focusing too hard on unpleasant topics to avoid looking", "good member of an evil organization\". The organization is a brutal social darwinist", "burden\" or \"necessary evil\" argument. They subconsciously know there is something wrong and", "good one\" character would see/refer to themselves and their place in the world.", "\"token good member of an evil organization\". The organization is a brutal social", "because that goes against societal norms, and will tailor their dialogue (and to", "they need to leave. I think this is mostly a conflict between societally", "how messed up their situation is (think cults). They're mostly staying out of", "one that sees nothing wrong with killing people and taking what they want", "their home culture to be evil unless it was as a cassus belli", "hasn't really swallowed the Kool Aid and thus ism't likely to give the", "people, shift blame by saying it was necessary, or actively avoiding bringing to", "exposed to alternative viewpoints to realize how messed up their situation is (think", "fiction the \"one good one\" often openly refers to their group as evil.", "like a conqueror believing they are \"bringing civilization\" to conquered people, shift blame", "in their worldview. A person probably wouldn't declare their home culture to be", "(think cults). They're mostly staying out of Stockhold syndrome at this point. They", "evil unless it was as a cassus belli to rebel. The problem is", "and will tailor their dialogue (and to some degree, thoughts) to be socially", "stereotypical \"token good member of an evil organization\". The organization is a brutal", "the character hasn't really swallowed the Kool Aid and thus ism't likely to", "thus ism't likely to give the \"white man's burden\" or \"necessary evil\" argument.", "but they haven't been exposed to alternative viewpoints to realize how messed up", "between societally accepted values and individual values. The character has been told that", "argument. They subconsciously know there is something wrong and their values don't align", "out how a stereotypical \"one good one\" character would see/refer to themselves and", "cults). They're mostly staying out of Stockhold syndrome at this point. They haven't", "that killing is okay and you shouldn't feel bad for harming others. Yet", "Yet that doesn't agree with their own personal morality. Nevertheless, they aren't going", "actively avoiding bringing to avoid focusing too hard on unpleasant topics to avoid", "agree with their own personal morality. Nevertheless, they aren't going to say these", "affect both characterization and their word choice. For example, in other works of", "both to people outside the group and leads to brutal, constant power struggles", "social darwinist one that sees nothing wrong with killing people and taking what", "struggles within the group. I am trying to figure out how a stereotypical", "is (think cults). They're mostly staying out of Stockhold syndrome at this point.", "good one\" often openly refers to their group as evil. This is not", "and you shouldn't feel bad for harming others. Yet that doesn't agree with", "a stereotypical \"one good one\" character would see/refer to themselves and their place", "would seemingly affect both characterization and their word choice. For example, in other", "and taking what they want from people. This is their attitude to both", "character would see/refer to themselves and their place in the world. This would", "(and to some degree, thoughts) to be socially appropriate. Given this, how would", "syndrome at this point. They haven't gotten the push needed to tell them", "aren't going to say these things openly, because that goes against societal norms,", "necessary, or actively avoiding bringing to avoid focusing too hard on unpleasant topics", "talk or see themselves. Usually it would seem like you would get a", "a conqueror believing they are \"bringing civilization\" to conquered people, shift blame by", "feel bad for harming others. Yet that doesn't agree with their own personal", "works of fiction the \"one good one\" often openly refers to their group", "how people naturally talk or see themselves. Usually it would seem like you", "to both to people outside the group and leads to brutal, constant power", "other works of fiction the \"one good one\" often openly refers to their", "others. Yet that doesn't agree with their own personal morality. Nevertheless, they aren't", "evil. This is not how people naturally talk or see themselves. Usually it", "worldview. A person probably wouldn't declare their home culture to be evil unless", "goes against societal norms, and will tailor their dialogue (and to some degree,", "would get a character some kind of self-justification like a conqueror believing they", "leads to brutal, constant power struggles within the group. I am trying to", "They're mostly staying out of Stockhold syndrome at this point. They haven't gotten", "wrong with killing people and taking what they want from people. This is", "haven't been exposed to alternative viewpoints to realize how messed up their situation", "societal norms, and will tailor their dialogue (and to some degree, thoughts) to", "figure out how a stereotypical \"one good one\" character would see/refer to themselves", "Nevertheless, they aren't going to say these things openly, because that goes against", "from people. This is their attitude to both to people outside the group", "word choice. For example, in other works of fiction the \"one good one\"", "think this is mostly a conflict between societally accepted values and individual values.", "choice. For example, in other works of fiction the \"one good one\" often", "constant power struggles within the group. I am trying to figure out how", "I have a character that is the stereotypical \"token good member of an", "person probably wouldn't declare their home culture to be evil unless it was", "their culture's, but they haven't been exposed to alternative viewpoints to realize how", "one\" often openly refers to their group as evil. This is not how", "their own personal morality. Nevertheless, they aren't going to say these things openly,", "want from people. This is their attitude to both to people outside the", "need to leave. I think this is mostly a conflict between societally accepted", "to rebel. The problem is the character hasn't really swallowed the Kool Aid", "that doesn't agree with their own personal morality. Nevertheless, they aren't going to", "people naturally talk or see themselves. Usually it would seem like you would", "people. This is their attitude to both to people outside the group and", "\"necessary evil\" argument. They subconsciously know there is something wrong and their values", "mostly a conflict between societally accepted values and individual values. The character has", "outside the group and leads to brutal, constant power struggles within the group.", "socially appropriate. Given this, how would the \"one good one\" see/self-justify themselves and", "problem is the character hasn't really swallowed the Kool Aid and thus ism't", "kind of self-justification like a conqueror believing they are \"bringing civilization\" to conquered", "or \"necessary evil\" argument. They subconsciously know there is something wrong and their", "tell them they need to leave. I think this is mostly a conflict", "that sees nothing wrong with killing people and taking what they want from", "okay and you shouldn't feel bad for harming others. Yet that doesn't agree", "leave. I think this is mostly a conflict between societally accepted values and", "darwinist one that sees nothing wrong with killing people and taking what they", "to avoid focusing too hard on unpleasant topics to avoid looking at contradictory", "focusing too hard on unpleasant topics to avoid looking at contradictory facts in", "not how people naturally talk or see themselves. Usually it would seem like", "evil organization\". The organization is a brutal social darwinist one that sees nothing", "their dialogue (and to some degree, thoughts) to be socially appropriate. Given this,", "conquered people, shift blame by saying it was necessary, or actively avoiding bringing", "brutal, constant power struggles within the group. I am trying to figure out", "is the stereotypical \"token good member of an evil organization\". The organization is", "character has been told that killing is okay and you shouldn't feel bad", "is okay and you shouldn't feel bad for harming others. Yet that doesn't", "and individual values. The character has been told that killing is okay and", "to tell them they need to leave. I think this is mostly a", "in the world. This would seemingly affect both characterization and their word choice.", "the push needed to tell them they need to leave. I think this", "\"one good one\" character would see/refer to themselves and their place in the", "would see/refer to themselves and their place in the world. This would seemingly", "people and taking what they want from people. This is their attitude to", "on unpleasant topics to avoid looking at contradictory facts in their worldview. A", "to give the \"white man's burden\" or \"necessary evil\" argument. They subconsciously know", "gotten the push needed to tell them they need to leave. I think", "an evil organization\". The organization is a brutal social darwinist one that sees", "own personal morality. Nevertheless, they aren't going to say these things openly, because", "shouldn't feel bad for harming others. Yet that doesn't agree with their own", "tailor their dialogue (and to some degree, thoughts) to be socially appropriate. Given", "their place in the world. This would seemingly affect both characterization and their", "believing they are \"bringing civilization\" to conquered people, shift blame by saying it", "This is not how people naturally talk or see themselves. Usually it would", "to avoid looking at contradictory facts in their worldview. A person probably wouldn't", "values. The character has been told that killing is okay and you shouldn't", "their situation is (think cults). They're mostly staying out of Stockhold syndrome at", "a character some kind of self-justification like a conqueror believing they are \"bringing", "is a brutal social darwinist one that sees nothing wrong with killing people", "stereotypical \"one good one\" character would see/refer to themselves and their place in", "to brutal, constant power struggles within the group. I am trying to figure", "been told that killing is okay and you shouldn't feel bad for harming", "they are \"bringing civilization\" to conquered people, shift blame by saying it was", "too hard on unpleasant topics to avoid looking at contradictory facts in their", "was as a cassus belli to rebel. The problem is the character hasn't", "was necessary, or actively avoiding bringing to avoid focusing too hard on unpleasant", "I am trying to figure out how a stereotypical \"one good one\" character", "this is mostly a conflict between societally accepted values and individual values. The", "I think this is mostly a conflict between societally accepted values and individual", "push needed to tell them they need to leave. I think this is", "saying it was necessary, or actively avoiding bringing to avoid focusing too hard", "be evil unless it was as a cassus belli to rebel. The problem", "and their place in the world. This would seemingly affect both characterization and", "The problem is the character hasn't really swallowed the Kool Aid and thus", "that is the stereotypical \"token good member of an evil organization\". The organization", "the \"white man's burden\" or \"necessary evil\" argument. They subconsciously know there is", "the world. This would seemingly affect both characterization and their word choice. For", "self-justification like a conqueror believing they are \"bringing civilization\" to conquered people, shift", "openly, because that goes against societal norms, and will tailor their dialogue (and", "unless it was as a cassus belli to rebel. The problem is the", "character hasn't really swallowed the Kool Aid and thus ism't likely to give", "values and individual values. The character has been told that killing is okay", "evil\" argument. They subconsciously know there is something wrong and their values don't", "see/refer to themselves and their place in the world. This would seemingly affect", "get a character some kind of self-justification like a conqueror believing they are", "A person probably wouldn't declare their home culture to be evil unless it", "to their group as evil. This is not how people naturally talk or", "Stockhold syndrome at this point. They haven't gotten the push needed to tell", "to be socially appropriate. Given this, how would the \"one good one\" see/self-justify", "or actively avoiding bringing to avoid focusing too hard on unpleasant topics to", "as evil. This is not how people naturally talk or see themselves. Usually", "this, how would the \"one good one\" see/self-justify themselves and their place in", "with their culture's, but they haven't been exposed to alternative viewpoints to realize", "know there is something wrong and their values don't align with their culture's,", "to people outside the group and leads to brutal, constant power struggles within", "This would seemingly affect both characterization and their word choice. For example, in", "man's burden\" or \"necessary evil\" argument. They subconsciously know there is something wrong", "values don't align with their culture's, but they haven't been exposed to alternative", "the Kool Aid and thus ism't likely to give the \"white man's burden\"", "say these things openly, because that goes against societal norms, and will tailor", "and their word choice. For example, in other works of fiction the \"one", "to some degree, thoughts) to be socially appropriate. Given this, how would the", "is their attitude to both to people outside the group and leads to", "by saying it was necessary, or actively avoiding bringing to avoid focusing too", "within the group. I am trying to figure out how a stereotypical \"one", "their attitude to both to people outside the group and leads to brutal,", "it would seem like you would get a character some kind of self-justification", "accepted values and individual values. The character has been told that killing is", "with their own personal morality. Nevertheless, they aren't going to say these things", "taking what they want from people. This is their attitude to both to", "is not how people naturally talk or see themselves. Usually it would seem", "bad for harming others. Yet that doesn't agree with their own personal morality.", "to themselves and their place in the world. This would seemingly affect both", "cassus belli to rebel. The problem is the character hasn't really swallowed the", "and their values don't align with their culture's, but they haven't been exposed", "The organization is a brutal social darwinist one that sees nothing wrong with", "themselves and their place in the world. This would seemingly affect both characterization", "openly refers to their group as evil. This is not how people naturally", "and leads to brutal, constant power struggles within the group. I am trying", "some degree, thoughts) to be socially appropriate. Given this, how would the \"one", "hard on unpleasant topics to avoid looking at contradictory facts in their worldview.", "point. They haven't gotten the push needed to tell them they need to", "to leave. I think this is mostly a conflict between societally accepted values", "wrong and their values don't align with their culture's, but they haven't been", "civilization\" to conquered people, shift blame by saying it was necessary, or actively", "avoid looking at contradictory facts in their worldview. A person probably wouldn't declare", "be socially appropriate. Given this, how would the \"one good one\" see/self-justify themselves", "some kind of self-justification like a conqueror believing they are \"bringing civilization\" to", "they aren't going to say these things openly, because that goes against societal", "personal morality. Nevertheless, they aren't going to say these things openly, because that", "refers to their group as evil. This is not how people naturally talk", "to figure out how a stereotypical \"one good one\" character would see/refer to", "place in the world. This would seemingly affect both characterization and their word", "as a cassus belli to rebel. The problem is the character hasn't really", "alternative viewpoints to realize how messed up their situation is (think cults). They're", "killing people and taking what they want from people. This is their attitude", "Kool Aid and thus ism't likely to give the \"white man's burden\" or", "going to say these things openly, because that goes against societal norms, and", "both characterization and their word choice. For example, in other works of fiction", "to say these things openly, because that goes against societal norms, and will", "norms, and will tailor their dialogue (and to some degree, thoughts) to be", "them they need to leave. I think this is mostly a conflict between", "really swallowed the Kool Aid and thus ism't likely to give the \"white", "swallowed the Kool Aid and thus ism't likely to give the \"white man's", "nothing wrong with killing people and taking what they want from people. This", "This is their attitude to both to people outside the group and leads", "declare their home culture to be evil unless it was as a cassus", "like you would get a character some kind of self-justification like a conqueror", "facts in their worldview. A person probably wouldn't declare their home culture to", "to conquered people, shift blame by saying it was necessary, or actively avoiding", "attitude to both to people outside the group and leads to brutal, constant", "For example, in other works of fiction the \"one good one\" often openly", "mostly staying out of Stockhold syndrome at this point. They haven't gotten the", "a character that is the stereotypical \"token good member of an evil organization\".", "individual values. The character has been told that killing is okay and you", "something wrong and their values don't align with their culture's, but they haven't", "group and leads to brutal, constant power struggles within the group. I am", "out of Stockhold syndrome at this point. They haven't gotten the push needed", "their group as evil. This is not how people naturally talk or see", "against societal norms, and will tailor their dialogue (and to some degree, thoughts)", "belli to rebel. The problem is the character hasn't really swallowed the Kool", "is something wrong and their values don't align with their culture's, but they", "shift blame by saying it was necessary, or actively avoiding bringing to avoid", "character some kind of self-justification like a conqueror believing they are \"bringing civilization\"", "unpleasant topics to avoid looking at contradictory facts in their worldview. A person", "their worldview. A person probably wouldn't declare their home culture to be evil", "group. I am trying to figure out how a stereotypical \"one good one\"", "a conflict between societally accepted values and individual values. The character has been", "one\" character would see/refer to themselves and their place in the world. This", "conflict between societally accepted values and individual values. The character has been told", "seem like you would get a character some kind of self-justification like a", "of fiction the \"one good one\" often openly refers to their group as", "that goes against societal norms, and will tailor their dialogue (and to some", "realize how messed up their situation is (think cults). They're mostly staying out", "thoughts) to be socially appropriate. Given this, how would the \"one good one\"", "home culture to be evil unless it was as a cassus belli to", "brutal social darwinist one that sees nothing wrong with killing people and taking", "give the \"white man's burden\" or \"necessary evil\" argument. They subconsciously know there", "character that is the stereotypical \"token good member of an evil organization\". The", "killing is okay and you shouldn't feel bad for harming others. Yet that", "They subconsciously know there is something wrong and their values don't align with", "to realize how messed up their situation is (think cults). They're mostly staying", "align with their culture's, but they haven't been exposed to alternative viewpoints to", "people outside the group and leads to brutal, constant power struggles within the", "rebel. The problem is the character hasn't really swallowed the Kool Aid and", "you shouldn't feel bad for harming others. Yet that doesn't agree with their", "world. This would seemingly affect both characterization and their word choice. For example,", "The character has been told that killing is okay and you shouldn't feel", "are \"bringing civilization\" to conquered people, shift blame by saying it was necessary,", "of self-justification like a conqueror believing they are \"bringing civilization\" to conquered people,", "needed to tell them they need to leave. I think this is mostly", "topics to avoid looking at contradictory facts in their worldview. A person probably", "doesn't agree with their own personal morality. Nevertheless, they aren't going to say", "it was necessary, or actively avoiding bringing to avoid focusing too hard on", "things openly, because that goes against societal norms, and will tailor their dialogue", "power struggles within the group. I am trying to figure out how a", "the group. I am trying to figure out how a stereotypical \"one good", "example, in other works of fiction the \"one good one\" often openly refers", "these things openly, because that goes against societal norms, and will tailor their", "\"white man's burden\" or \"necessary evil\" argument. They subconsciously know there is something", "subconsciously know there is something wrong and their values don't align with their", "the stereotypical \"token good member of an evil organization\". The organization is a", "this point. They haven't gotten the push needed to tell them they need", "messed up their situation is (think cults). They're mostly staying out of Stockhold", "their values don't align with their culture's, but they haven't been exposed to", "characterization and their word choice. For example, in other works of fiction the", "for harming others. Yet that doesn't agree with their own personal morality. Nevertheless,", "of Stockhold syndrome at this point. They haven't gotten the push needed to", "is the character hasn't really swallowed the Kool Aid and thus ism't likely", "naturally talk or see themselves. Usually it would seem like you would get", "conqueror believing they are \"bringing civilization\" to conquered people, shift blame by saying", "group as evil. This is not how people naturally talk or see themselves.", "have a character that is the stereotypical \"token good member of an evil", "with killing people and taking what they want from people. This is their", "the group and leads to brutal, constant power struggles within the group. I", "how a stereotypical \"one good one\" character would see/refer to themselves and their", "themselves. Usually it would seem like you would get a character some kind", "seemingly affect both characterization and their word choice. For example, in other works", "looking at contradictory facts in their worldview. A person probably wouldn't declare their", "ism't likely to give the \"white man's burden\" or \"necessary evil\" argument. They", "dialogue (and to some degree, thoughts) to be socially appropriate. Given this, how", "is mostly a conflict between societally accepted values and individual values. The character", "up their situation is (think cults). They're mostly staying out of Stockhold syndrome" ]
[ "the main conflict is resolved? Not exploring the aftermath of supporting characters can", "exploring the aftermath of supporting characters can be seen as a mistake to", "leave their storylines incomplete. My question is whether I should do that for", "Not exploring the aftermath of supporting characters can be seen as a mistake", "Neglecting to explore how they cope, heal, or move forward after the resolution", "storylines incomplete. My question is whether I should do that for every supporting", "be seen as a mistake to avoid when writing a story. The aftermath", "I should do that for every supporting character and if not, how do", "their storylines incomplete. My question is whether I should do that for every", "supporting characters. Neglecting to explore how they cope, heal, or move forward after", "avoid when writing a story. The aftermath of the main conflict can have", "from the writer. Should you do it for all characters at the same", "time and do it as briefly as possible or doing so is as", "a significant impact on supporting characters. Neglecting to explore how they cope, heal,", "for every supporting character and if not, how do you go about choosing", "doing so is as bad as not exploring the aftermath for any supporting", "writer. Should you do it for all characters at the same time and", "supporting character and if not, how do you go about choosing which characters", "or move forward after the resolution can leave their storylines incomplete. My question", "about choosing which characters deserve such attention from the writer. Should you do", "and do it as briefly as possible or doing so is as bad", "you go about choosing which characters deserve such attention from the writer. Should", "do you go about choosing which characters deserve such attention from the writer.", "story. The aftermath of the main conflict can have a significant impact on", "whether I should do that for every supporting character and if not, how", "attention from the writer. Should you do it for all characters at the", "possible or doing so is as bad as not exploring the aftermath for", "of supporting characters can be seen as a mistake to avoid when writing", "the resolution can leave their storylines incomplete. My question is whether I should", "impact on supporting characters. Neglecting to explore how they cope, heal, or move", "Should you do it for all characters at the same time and do", "do that for every supporting character and if not, how do you go", "characters deserve such attention from the writer. Should you do it for all", "every single supporting characters after the main conflict is resolved? Not exploring the", "characters. Neglecting to explore how they cope, heal, or move forward after the", "aftermath of every single supporting characters after the main conflict is resolved? Not", "same time and do it as briefly as possible or doing so is", "after the resolution can leave their storylines incomplete. My question is whether I", "seen as a mistake to avoid when writing a story. The aftermath of", "how they cope, heal, or move forward after the resolution can leave their", "characters at the same time and do it as briefly as possible or", "support the aftermath of every single supporting characters after the main conflict is", "as briefly as possible or doing so is as bad as not exploring", "aftermath of the main conflict can have a significant impact on supporting characters.", "cope, heal, or move forward after the resolution can leave their storylines incomplete.", "so is as bad as not exploring the aftermath for any supporting character?", "the aftermath of supporting characters can be seen as a mistake to avoid", "writing a story. The aftermath of the main conflict can have a significant", "as a mistake to avoid when writing a story. The aftermath of the", "it as briefly as possible or doing so is as bad as not", "do it for all characters at the same time and do it as", "of the main conflict can have a significant impact on supporting characters. Neglecting", "explore how they cope, heal, or move forward after the resolution can leave", "it for all characters at the same time and do it as briefly", "main conflict can have a significant impact on supporting characters. Neglecting to explore", "to explore how they cope, heal, or move forward after the resolution can", "a story. The aftermath of the main conflict can have a significant impact", "is resolved? Not exploring the aftermath of supporting characters can be seen as", "the main conflict can have a significant impact on supporting characters. Neglecting to", "on supporting characters. Neglecting to explore how they cope, heal, or move forward", "characters after the main conflict is resolved? Not exploring the aftermath of supporting", "characters can be seen as a mistake to avoid when writing a story.", "My question is whether I should do that for every supporting character and", "heal, or move forward after the resolution can leave their storylines incomplete. My", "of every single supporting characters after the main conflict is resolved? Not exploring", "you support the aftermath of every single supporting characters after the main conflict", "main conflict is resolved? Not exploring the aftermath of supporting characters can be", "you do it for all characters at the same time and do it", "the same time and do it as briefly as possible or doing so", "at the same time and do it as briefly as possible or doing", "a mistake to avoid when writing a story. The aftermath of the main", "aftermath of supporting characters can be seen as a mistake to avoid when", "the writer. Should you do it for all characters at the same time", "after the main conflict is resolved? Not exploring the aftermath of supporting characters", "briefly as possible or doing so is as bad as not exploring the", "question is whether I should do that for every supporting character and if", "do it as briefly as possible or doing so is as bad as", "as possible or doing so is as bad as not exploring the aftermath", "which characters deserve such attention from the writer. Should you do it for", "single supporting characters after the main conflict is resolved? Not exploring the aftermath", "forward after the resolution can leave their storylines incomplete. My question is whether", "character and if not, how do you go about choosing which characters deserve", "can leave their storylines incomplete. My question is whether I should do that", "for all characters at the same time and do it as briefly as", "should do that for every supporting character and if not, how do you", "to avoid when writing a story. The aftermath of the main conflict can", "have a significant impact on supporting characters. Neglecting to explore how they cope,", "mistake to avoid when writing a story. The aftermath of the main conflict", "choosing which characters deserve such attention from the writer. Should you do it", "can have a significant impact on supporting characters. Neglecting to explore how they", "can be seen as a mistake to avoid when writing a story. The", "incomplete. My question is whether I should do that for every supporting character", "The aftermath of the main conflict can have a significant impact on supporting", "not, how do you go about choosing which characters deserve such attention from", "all characters at the same time and do it as briefly as possible", "move forward after the resolution can leave their storylines incomplete. My question is", "when writing a story. The aftermath of the main conflict can have a", "such attention from the writer. Should you do it for all characters at", "supporting characters can be seen as a mistake to avoid when writing a", "supporting characters after the main conflict is resolved? Not exploring the aftermath of", "or doing so is as bad as not exploring the aftermath for any", "deserve such attention from the writer. Should you do it for all characters", "and if not, how do you go about choosing which characters deserve such", "conflict can have a significant impact on supporting characters. Neglecting to explore how", "resolved? Not exploring the aftermath of supporting characters can be seen as a", "conflict is resolved? Not exploring the aftermath of supporting characters can be seen", "resolution can leave their storylines incomplete. My question is whether I should do", "every supporting character and if not, how do you go about choosing which", "they cope, heal, or move forward after the resolution can leave their storylines", "go about choosing which characters deserve such attention from the writer. Should you", "Should you support the aftermath of every single supporting characters after the main", "that for every supporting character and if not, how do you go about", "the aftermath of every single supporting characters after the main conflict is resolved?", "if not, how do you go about choosing which characters deserve such attention", "significant impact on supporting characters. Neglecting to explore how they cope, heal, or", "is whether I should do that for every supporting character and if not,", "how do you go about choosing which characters deserve such attention from the" ]
[ "same language as each other. Now I'm scared that using these names might", "have stayed the same. I love them a lot and I love the", "But now that I am older, I am scared. Their names are just", "them back then, because they fit them perfectly. But now that I am", "insensitive or appropriating. What do I do? There is literally nothing in my", "Their names are just words I translated into other languages until I found", "that became the name. They aren't even in the same language as each", "names are just words I translated into other languages until I found one", "hurt anyone. Does anyone have any advice? (Sadly, I don't have the money", "love them a lot and I love the names I gave them back", "gave them back then, because they fit them perfectly. But now that I", "other. Now I'm scared that using these names might be insensitive or appropriating.", "I gave them back then, because they fit them perfectly. But now that", "older, I am scared. Their names are just words I translated into other", "found one that sounded pretty and that became the name. They aren't even", "just words I translated into other languages until I found one that sounded", "the characters have stayed the same. I love them a lot and I", "they fit them perfectly. But now that I am older, I am scared.", "one that sounded pretty and that became the name. They aren't even in", "other languages until I found one that sounded pretty and that became the", "language as each other. Now I'm scared that using these names might be", "names I gave them back then, because they fit them perfectly. But now", "languages or cultures and I am very worried and really don't want to", "I love them a lot and I love the names I gave them", "am writing a book that I planned out as a kid; I've completely", "sounded pretty and that became the name. They aren't even in the same", "I am older, I am scared. Their names are just words I translated", "name. They aren't even in the same language as each other. Now I'm", "stayed the same. I love them a lot and I love the names", "it around so that only the characters have stayed the same. I love", "in my story that links to those languages or cultures and I am", "my story that links to those languages or cultures and I am very", "I love the names I gave them back then, because they fit them", "a lot and I love the names I gave them back then, because", "now that I am older, I am scared. Their names are just words", "am scared. Their names are just words I translated into other languages until", "I am writing a book that I planned out as a kid; I've", "kid; I've completely changed it around so that only the characters have stayed", "changed it around so that only the characters have stayed the same. I", "I planned out as a kid; I've completely changed it around so that", "a book that I planned out as a kid; I've completely changed it", "is literally nothing in my story that links to those languages or cultures", "a kid; I've completely changed it around so that only the characters have", "and really don't want to hurt anyone. Does anyone have any advice? (Sadly,", "words I translated into other languages until I found one that sounded pretty", "story that links to those languages or cultures and I am very worried", "scared. Their names are just words I translated into other languages until I", "literally nothing in my story that links to those languages or cultures and", "am very worried and really don't want to hurt anyone. Does anyone have", "that only the characters have stayed the same. I love them a lot", "using these names might be insensitive or appropriating. What do I do? There", "anyone. Does anyone have any advice? (Sadly, I don't have the money for", "Does anyone have any advice? (Sadly, I don't have the money for a", "scared that using these names might be insensitive or appropriating. What do I", "and that became the name. They aren't even in the same language as", "because they fit them perfectly. But now that I am older, I am", "I am very worried and really don't want to hurt anyone. Does anyone", "cultures and I am very worried and really don't want to hurt anyone.", "or cultures and I am very worried and really don't want to hurt", "and I love the names I gave them back then, because they fit", "that using these names might be insensitive or appropriating. What do I do?", "perfectly. But now that I am older, I am scared. Their names are", "be insensitive or appropriating. What do I do? There is literally nothing in", "the name. They aren't even in the same language as each other. Now", "links to those languages or cultures and I am very worried and really", "around so that only the characters have stayed the same. I love them", "completely changed it around so that only the characters have stayed the same.", "into other languages until I found one that sounded pretty and that became", "fit them perfectly. But now that I am older, I am scared. Their", "names might be insensitive or appropriating. What do I do? There is literally", "What do I do? There is literally nothing in my story that links", "appropriating. What do I do? There is literally nothing in my story that", "aren't even in the same language as each other. Now I'm scared that", "are just words I translated into other languages until I found one that", "They aren't even in the same language as each other. Now I'm scared", "want to hurt anyone. Does anyone have any advice? (Sadly, I don't have", "anyone have any advice? (Sadly, I don't have the money for a sensitivity", "so that only the characters have stayed the same. I love them a", "each other. Now I'm scared that using these names might be insensitive or", "I translated into other languages until I found one that sounded pretty and", "am older, I am scared. Their names are just words I translated into", "became the name. They aren't even in the same language as each other.", "or appropriating. What do I do? There is literally nothing in my story", "I am scared. Their names are just words I translated into other languages", "love the names I gave them back then, because they fit them perfectly.", "characters have stayed the same. I love them a lot and I love", "in the same language as each other. Now I'm scared that using these", "then, because they fit them perfectly. But now that I am older, I", "translated into other languages until I found one that sounded pretty and that", "I found one that sounded pretty and that became the name. They aren't", "languages until I found one that sounded pretty and that became the name.", "nothing in my story that links to those languages or cultures and I", "that sounded pretty and that became the name. They aren't even in the", "and I am very worried and really don't want to hurt anyone. Does", "back then, because they fit them perfectly. But now that I am older,", "to those languages or cultures and I am very worried and really don't", "the same. I love them a lot and I love the names I", "very worried and really don't want to hurt anyone. Does anyone have any", "as each other. Now I'm scared that using these names might be insensitive", "only the characters have stayed the same. I love them a lot and", "pretty and that became the name. They aren't even in the same language", "that I planned out as a kid; I've completely changed it around so", "There is literally nothing in my story that links to those languages or", "lot and I love the names I gave them back then, because they", "Now I'm scared that using these names might be insensitive or appropriating. What", "I'm scared that using these names might be insensitive or appropriating. What do", "book that I planned out as a kid; I've completely changed it around", "writing a book that I planned out as a kid; I've completely changed", "I do? There is literally nothing in my story that links to those", "those languages or cultures and I am very worried and really don't want", "that I am older, I am scared. Their names are just words I", "worried and really don't want to hurt anyone. Does anyone have any advice?", "might be insensitive or appropriating. What do I do? There is literally nothing", "same. I love them a lot and I love the names I gave", "have any advice? (Sadly, I don't have the money for a sensitivity reader.)", "really don't want to hurt anyone. Does anyone have any advice? (Sadly, I", "the names I gave them back then, because they fit them perfectly. But", "them perfectly. But now that I am older, I am scared. Their names", "the same language as each other. Now I'm scared that using these names", "planned out as a kid; I've completely changed it around so that only", "that links to those languages or cultures and I am very worried and", "as a kid; I've completely changed it around so that only the characters", "do I do? There is literally nothing in my story that links to", "do? There is literally nothing in my story that links to those languages", "them a lot and I love the names I gave them back then,", "until I found one that sounded pretty and that became the name. They", "I've completely changed it around so that only the characters have stayed the", "out as a kid; I've completely changed it around so that only the", "don't want to hurt anyone. Does anyone have any advice? (Sadly, I don't", "even in the same language as each other. Now I'm scared that using", "these names might be insensitive or appropriating. What do I do? There is", "to hurt anyone. Does anyone have any advice? (Sadly, I don't have the" ]
[ "where my readers don’t sympathize with the MC as much as they should.", "accident. I haven’t decided yet if my MC was a part of the", "which would make the death of her parents all the more traumatic. I", "parents all the more traumatic. I am debating now if the \"parent death", "do do something that has been done way too many times to the", "my MC was a part of the accident, which would make the death", "plot. I feel like you hear about parents dying in a car accident", "want her parents dead, as it is important to the plot. I feel", "a lot in TV shows, movies, and books, and I don’t want do", "I’m currently working on a book in which the main character’s parents died", "don’t want do do something that has been done way too many times", "traumatic. I am debating now if the \"parent death by car accident\" thing", "as it is important to the plot. I feel like you hear about", "died in a somewhat ghastly car accident. I haven’t decided yet if my", "feel like you hear about parents dying in a car accident a lot", "movies, and books, and I don’t want do do something that has been", "by car accident\" thing is too cliché. I do want her parents dead,", "done way too many times to the point where my readers don’t sympathize", "somewhat ghastly car accident. I haven’t decided yet if my MC was a", "if my MC was a part of the accident, which would make the", "in which the main character’s parents died in a somewhat ghastly car accident.", "I don’t want do do something that has been done way too many", "currently working on a book in which the main character’s parents died in", "point where my readers don’t sympathize with the MC as much as they", "MC was a part of the accident, which would make the death of", "haven’t decided yet if my MC was a part of the accident, which", "books, and I don’t want do do something that has been done way", "was a part of the accident, which would make the death of her", "to the plot. I feel like you hear about parents dying in a", "working on a book in which the main character’s parents died in a", "part of the accident, which would make the death of her parents all", "if the \"parent death by car accident\" thing is too cliché. I do", "dead, as it is important to the plot. I feel like you hear", "a car accident a lot in TV shows, movies, and books, and I", "which the main character’s parents died in a somewhat ghastly car accident. I", "I feel like you hear about parents dying in a car accident a", "all the more traumatic. I am debating now if the \"parent death by", "death by car accident\" thing is too cliché. I do want her parents", "too cliché. I do want her parents dead, as it is important to", "parents dead, as it is important to the plot. I feel like you", "and I don’t want do do something that has been done way too", "and books, and I don’t want do do something that has been done", "debating now if the \"parent death by car accident\" thing is too cliché.", "ghastly car accident. I haven’t decided yet if my MC was a part", "car accident a lot in TV shows, movies, and books, and I don’t", "lot in TV shows, movies, and books, and I don’t want do do", "the \"parent death by car accident\" thing is too cliché. I do want", "the accident, which would make the death of her parents all the more", "book in which the main character’s parents died in a somewhat ghastly car", "in a car accident a lot in TV shows, movies, and books, and", "the death of her parents all the more traumatic. I am debating now", "want do do something that has been done way too many times to", "on a book in which the main character’s parents died in a somewhat", "would make the death of her parents all the more traumatic. I am", "times to the point where my readers don’t sympathize with the MC as", "been done way too many times to the point where my readers don’t", "to the point where my readers don’t sympathize with the MC as much", "the point where my readers don’t sympathize with the MC as much as", "important to the plot. I feel like you hear about parents dying in", "accident a lot in TV shows, movies, and books, and I don’t want", "I am debating now if the \"parent death by car accident\" thing is", "death of her parents all the more traumatic. I am debating now if", "something that has been done way too many times to the point where", "car accident\" thing is too cliché. I do want her parents dead, as", "like you hear about parents dying in a car accident a lot in", "character’s parents died in a somewhat ghastly car accident. I haven’t decided yet", "do want her parents dead, as it is important to the plot. I", "her parents dead, as it is important to the plot. I feel like", "am debating now if the \"parent death by car accident\" thing is too", "cliché. I do want her parents dead, as it is important to the", "about parents dying in a car accident a lot in TV shows, movies,", "it is important to the plot. I feel like you hear about parents", "way too many times to the point where my readers don’t sympathize with", "car accident. I haven’t decided yet if my MC was a part of", "of her parents all the more traumatic. I am debating now if the", "in a somewhat ghastly car accident. I haven’t decided yet if my MC", "the plot. I feel like you hear about parents dying in a car", "of the accident, which would make the death of her parents all the", "a book in which the main character’s parents died in a somewhat ghastly", "now if the \"parent death by car accident\" thing is too cliché. I", "main character’s parents died in a somewhat ghastly car accident. I haven’t decided", "the more traumatic. I am debating now if the \"parent death by car", "parents died in a somewhat ghastly car accident. I haven’t decided yet if", "do something that has been done way too many times to the point", "dying in a car accident a lot in TV shows, movies, and books,", "her parents all the more traumatic. I am debating now if the \"parent", "decided yet if my MC was a part of the accident, which would", "that has been done way too many times to the point where my", "make the death of her parents all the more traumatic. I am debating", "is too cliché. I do want her parents dead, as it is important", "has been done way too many times to the point where my readers", "a somewhat ghastly car accident. I haven’t decided yet if my MC was", "hear about parents dying in a car accident a lot in TV shows,", "\"parent death by car accident\" thing is too cliché. I do want her", "a part of the accident, which would make the death of her parents", "shows, movies, and books, and I don’t want do do something that has", "I haven’t decided yet if my MC was a part of the accident,", "accident\" thing is too cliché. I do want her parents dead, as it", "more traumatic. I am debating now if the \"parent death by car accident\"", "the main character’s parents died in a somewhat ghastly car accident. I haven’t", "parents dying in a car accident a lot in TV shows, movies, and", "TV shows, movies, and books, and I don’t want do do something that", "I do want her parents dead, as it is important to the plot.", "is important to the plot. I feel like you hear about parents dying", "in TV shows, movies, and books, and I don’t want do do something", "you hear about parents dying in a car accident a lot in TV", "too many times to the point where my readers don’t sympathize with the", "thing is too cliché. I do want her parents dead, as it is", "yet if my MC was a part of the accident, which would make", "many times to the point where my readers don’t sympathize with the MC", "accident, which would make the death of her parents all the more traumatic." ]
[ "is none other than Devestator, the infamous criminal he has been hunting. Determined", "or Tom picking up on a clue that suggests he wasn't destroyed. Whether", "either Ben or Tom picking up on a clue that suggests he wasn't", "where Devestator launches a devastating laser blast at Mokarimk. The impact is so", "Tom and Ben. Among them, Mokarimk and Tom share a special bond since", "a few chapters later, Mokarimk makes a triumphant comeback. I am unsure about", "not be as it seems, leaving them intrigued and eager for his eventual", "he has been hunting. Determined to confront the threat head-on, Mokarimk sets off", "To intensify the dramatic effect, I plan to depict a pivotal moment where", "a surprise twist a few chapters later, Mokarimk makes a triumphant comeback. I", "trusty AI Robots, Tom and Ben. Among them, Mokarimk and Tom share a", "he wasn't destroyed. Whether it's a cryptic remark or a small observation, this", "none other than Devestator, the infamous criminal he has been hunting. Determined to", "battle alone, alerting his friends about the situation. Although it takes them some", "they eventually reach the scene, witnessing the fierce clash between Mokarimk and Devestator,", "to miraculously survive the assault. Unveiling a surprise twist a few chapters later,", "for the battle alone, alerting his friends about the situation. Although it takes", "the situation. Although it takes them some time to arrive, they eventually reach", "unbeknownst to them and to the readers, Mokarimk manages to miraculously survive the", "discovers that it is none other than Devestator, the infamous criminal he has", "miraculously survive the assault. Unveiling a surprise twist a few chapters later, Mokarimk", "on a clue that suggests he wasn't destroyed. Whether it's a cryptic remark", "against formidable extraterrestrial foes. These teenagers are aided by their trusty AI Robots,", "with Tom standing by their side. To intensify the dramatic effect, I plan", "courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in", "However, their greatest challenge arises when they encounter an immensely powerful alien known", "them some time to arrive, they eventually reach the scene, witnessing the fierce", "up on a clue that suggests he wasn't destroyed. Whether it's a cryptic", "has been lost forever. However, unbeknownst to them and to the readers, Mokarimk", "I plan to depict a pivotal moment where Devestator launches a devastating laser", "The impact is so powerful that everyone, including his friends, assumes Mokarimk has", "the attack. They become disheartened, believing their comrade has been lost forever. However,", "extraterrestrial foes. These teenagers are aided by their trusty AI Robots, Tom and", "confront the threat head-on, Mokarimk sets off for the battle alone, alerting his", "at Mokarimk. The impact is so powerful that everyone, including his friends, assumes", "alien known as Devestator, surpassing anything they have faced before. Devestator is a", "of the group is away, Mokarimk receives a dire warning of an alien", "observation, this clue will indirectly indicate to the readers that Mokarimk's demise may", "Ben. Among them, Mokarimk and Tom share a special bond since Tom was", "obliterated by the attack. They become disheartened, believing their comrade has been lost", "reach the scene, witnessing the fierce clash between Mokarimk and Devestator, with Tom", "Nquurt, Aluke, and Gaaruc find themselves engaged in an intense battle against formidable", "been lost forever. However, unbeknownst to them and to the readers, Mokarimk manages", "These teenagers are aided by their trusty AI Robots, Tom and Ben. Among", "head-on, Mokarimk sets off for the battle alone, alerting his friends about the", "Gaaruc find themselves engaged in an intense battle against formidable extraterrestrial foes. These", "have faced before. Devestator is a notorious criminal, wanted across the galaxies. One", "has been obliterated by the attack. They become disheartened, believing their comrade has", "battle against formidable extraterrestrial foes. These teenagers are aided by their trusty AI", "Mokarimk himself. However, their greatest challenge arises when they encounter an immensely powerful", "presence on Earth. He discovers that it is none other than Devestator, the", "about how can I write tbis To subtly hint at Mokarimk's survival, I", "write tbis To subtly hint at Mokarimk's survival, I envision either Ben or", "Mokarimk and Tom share a special bond since Tom was created by Mokarimk", "their comrade has been lost forever. However, unbeknownst to them and to the", "Ben or Tom picking up on a clue that suggests he wasn't destroyed.", "impact is so powerful that everyone, including his friends, assumes Mokarimk has been", "of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged", "criminal, wanted across the galaxies. One day, while the rest of the group", "a cryptic remark or a small observation, this clue will indirectly indicate to", "surpassing anything they have faced before. Devestator is a notorious criminal, wanted across", "sets off for the battle alone, alerting his friends about the situation. Although", "rest of the group is away, Mokarimk receives a dire warning of an", "Among them, Mokarimk and Tom share a special bond since Tom was created", "dire warning of an alien presence on Earth. He discovers that it is", "an intense battle against formidable extraterrestrial foes. These teenagers are aided by their", "been obliterated by the attack. They become disheartened, believing their comrade has been", "envision either Ben or Tom picking up on a clue that suggests he", "find themselves engaged in an intense battle against formidable extraterrestrial foes. These teenagers", "by their side. To intensify the dramatic effect, I plan to depict a", "to arrive, they eventually reach the scene, witnessing the fierce clash between Mokarimk", "effect, I plan to depict a pivotal moment where Devestator launches a devastating", "formidable extraterrestrial foes. These teenagers are aided by their trusty AI Robots, Tom", "a devastating laser blast at Mokarimk. The impact is so powerful that everyone,", "by Mokarimk himself. However, their greatest challenge arises when they encounter an immensely", "galaxies. One day, while the rest of the group is away, Mokarimk receives", "subtly hint at Mokarimk's survival, I envision either Ben or Tom picking up", "group is away, Mokarimk receives a dire warning of an alien presence on", "Devestator, surpassing anything they have faced before. Devestator is a notorious criminal, wanted", "Devestator, with Tom standing by their side. To intensify the dramatic effect, I", "wasn't destroyed. Whether it's a cryptic remark or a small observation, this clue", "a group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find", "be as it seems, leaving them intrigued and eager for his eventual grand", "the rest of the group is away, Mokarimk receives a dire warning of", "and Tom share a special bond since Tom was created by Mokarimk himself.", "before. Devestator is a notorious criminal, wanted across the galaxies. One day, while", "created by Mokarimk himself. However, their greatest challenge arises when they encounter an", "dramatic effect, I plan to depict a pivotal moment where Devestator launches a", "One day, while the rest of the group is away, Mokarimk receives a", "eventually reach the scene, witnessing the fierce clash between Mokarimk and Devestator, with", "a small observation, this clue will indirectly indicate to the readers that Mokarimk's", "their greatest challenge arises when they encounter an immensely powerful alien known as", "later, Mokarimk makes a triumphant comeback. I am unsure about how can I", "To subtly hint at Mokarimk's survival, I envision either Ben or Tom picking", "as Devestator, surpassing anything they have faced before. Devestator is a notorious criminal,", "teenagers are aided by their trusty AI Robots, Tom and Ben. Among them,", "anything they have faced before. Devestator is a notorious criminal, wanted across the", "or a small observation, this clue will indirectly indicate to the readers that", "this clue will indirectly indicate to the readers that Mokarimk's demise may not", "group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves", "Earth. He discovers that it is none other than Devestator, the infamous criminal", "Tom was created by Mokarimk himself. However, their greatest challenge arises when they", "am unsure about how can I write tbis To subtly hint at Mokarimk's", "triumphant comeback. I am unsure about how can I write tbis To subtly", "while the rest of the group is away, Mokarimk receives a dire warning", "in an intense battle against formidable extraterrestrial foes. These teenagers are aided by", "the dramatic effect, I plan to depict a pivotal moment where Devestator launches", "to confront the threat head-on, Mokarimk sets off for the battle alone, alerting", "off for the battle alone, alerting his friends about the situation. Although it", "and Devestator, with Tom standing by their side. To intensify the dramatic effect,", "are aided by their trusty AI Robots, Tom and Ben. Among them, Mokarimk", "clue will indirectly indicate to the readers that Mokarimk's demise may not be", "situation. Although it takes them some time to arrive, they eventually reach the", "friends about the situation. Although it takes them some time to arrive, they", "assault. Unveiling a surprise twist a few chapters later, Mokarimk makes a triumphant", "their trusty AI Robots, Tom and Ben. Among them, Mokarimk and Tom share", "AI Robots, Tom and Ben. Among them, Mokarimk and Tom share a special", "twist a few chapters later, Mokarimk makes a triumphant comeback. 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Whether it's a", "threat head-on, Mokarimk sets off for the battle alone, alerting his friends about", "standing by their side. To intensify the dramatic effect, I plan to depict", "hint at Mokarimk's survival, I envision either Ben or Tom picking up on", "named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in an intense", "it is none other than Devestator, the infamous criminal he has been hunting.", "Determined to confront the threat head-on, Mokarimk sets off for the battle alone,", "arrive, they eventually reach the scene, witnessing the fierce clash between Mokarimk and", "Mokarimk receives a dire warning of an alien presence on Earth. He discovers", "disheartened, believing their comrade has been lost forever. However, unbeknownst to them and", "Whether it's a cryptic remark or a small observation, this clue will indirectly", "intense battle against formidable extraterrestrial foes. These teenagers are aided by their trusty", "will indirectly indicate to the readers that Mokarimk's demise may not be as", "Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in an intense battle against", "the group is away, Mokarimk receives a dire warning of an alien presence", "the galaxies. One day, while the rest of the group is away, Mokarimk", "receives a dire warning of an alien presence on Earth. He discovers that", "survival, I envision either Ben or Tom picking up on a clue that", "comrade has been lost forever. However, unbeknownst to them and to the readers,", "it takes them some time to arrive, they eventually reach the scene, witnessing", "to depict a pivotal moment where Devestator launches a devastating laser blast at", "has been hunting. Determined to confront the threat head-on, Mokarimk sets off for", "suggests he wasn't destroyed. Whether it's a cryptic remark or a small observation,", "Devestator is a notorious criminal, wanted across the galaxies. 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I am unsure about how can I write", "alerting his friends about the situation. Although it takes them some time to", "I envision either Ben or Tom picking up on a clue that suggests", "to the readers that Mokarimk's demise may not be as it seems, leaving", "the readers that Mokarimk's demise may not be as it seems, leaving them", "since Tom was created by Mokarimk himself. However, their greatest challenge arises when", "chapters later, Mokarimk makes a triumphant comeback. I am unsure about how can", "Tom picking up on a clue that suggests he wasn't destroyed. Whether it's", "indirectly indicate to the readers that Mokarimk's demise may not be as it", "demise may not be as it seems, leaving them intrigued and eager for", "warning of an alien presence on Earth. He discovers that it is none", "special bond since Tom was created by Mokarimk himself. However, their greatest challenge", "a notorious criminal, wanted across the galaxies. One day, while the rest of", "story, a group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc", "the threat head-on, Mokarimk sets off for the battle alone, alerting his friends", "Tom share a special bond since Tom was created by Mokarimk himself. However,", "Devestator, the infamous criminal he has been hunting. Determined to confront the threat", "takes them some time to arrive, they eventually reach the scene, witnessing the", "between Mokarimk and Devestator, with Tom standing by their side. To intensify the", "Devestator launches a devastating laser blast at Mokarimk. The impact is so powerful", "Tom standing by their side. To intensify the dramatic effect, I plan to", "that everyone, including his friends, assumes Mokarimk has been obliterated by the attack.", "they encounter an immensely powerful alien known as Devestator, surpassing anything they have", "a pivotal moment where Devestator launches a devastating laser blast at Mokarimk. The", "attack. They become disheartened, believing their comrade has been lost forever. However, unbeknownst", "survive the assault. Unveiling a surprise twist a few chapters later, Mokarimk makes", "makes a triumphant comeback. I am unsure about how can I write tbis", "bond since Tom was created by Mokarimk himself. However, their greatest challenge arises", "launches a devastating laser blast at Mokarimk. The impact is so powerful that", "readers that Mokarimk's demise may not be as it seems, leaving them intrigued", "greatest challenge arises when they encounter an immensely powerful alien known as Devestator,", "moment where Devestator launches a devastating laser blast at Mokarimk. The impact is", "alien presence on Earth. He discovers that it is none other than Devestator,", "forever. However, unbeknownst to them and to the readers, Mokarimk manages to miraculously", "faced before. Devestator is a notorious criminal, wanted across the galaxies. One day,", "a triumphant comeback. I am unsure about how can I write tbis To", "a special bond since Tom was created by Mokarimk himself. However, their greatest", "become disheartened, believing their comrade has been lost forever. However, unbeknownst to them", "powerful that everyone, including his friends, assumes Mokarimk has been obliterated by the", "Mokarimk's demise may not be as it seems, leaving them intrigued and eager", "known as Devestator, surpassing anything they have faced before. Devestator is a notorious", "share a special bond since Tom was created by Mokarimk himself. However, their", "remark or a small observation, this clue will indirectly indicate to the readers", "However, unbeknownst to them and to the readers, Mokarimk manages to miraculously survive", "day, while the rest of the group is away, Mokarimk receives a dire", "been hunting. Determined to confront the threat head-on, Mokarimk sets off for the", "believing their comrade has been lost forever. However, unbeknownst to them and to", "to them and to the readers, Mokarimk manages to miraculously survive the assault.", "away, Mokarimk receives a dire warning of an alien presence on Earth. He", "side. To intensify the dramatic effect, I plan to depict a pivotal moment", "at Mokarimk's survival, I envision either Ben or Tom picking up on a", "as it seems, leaving them intrigued and eager for his eventual grand comeback", "Mokarimk and Devestator, with Tom standing by their side. To intensify the dramatic", "small observation, this clue will indirectly indicate to the readers that Mokarimk's demise", "than Devestator, the infamous criminal he has been hunting. Determined to confront the", "Mokarimk, Kristy, Nquurt, Aluke, and Gaaruc find themselves engaged in an intense battle", "powerful alien known as Devestator, surpassing anything they have faced before. Devestator is", "Robots, Tom and Ben. Among them, Mokarimk and Tom share a special bond", "when they encounter an immensely powerful alien known as Devestator, surpassing anything they", "alone, alerting his friends about the situation. Although it takes them some time", "Mokarimk manages to miraculously survive the assault. Unveiling a surprise twist a few", "his friends, assumes Mokarimk has been obliterated by the attack. They become disheartened,", "them, Mokarimk and Tom share a special bond since Tom was created by", "their side. To intensify the dramatic effect, I plan to depict a pivotal", "the battle alone, alerting his friends about the situation. Although it takes them", "manages to miraculously survive the assault. Unveiling a surprise twist a few chapters", "was created by Mokarimk himself. However, their greatest challenge arises when they encounter", "depict a pivotal moment where Devestator launches a devastating laser blast at Mokarimk.", "and to the readers, Mokarimk manages to miraculously survive the assault. Unveiling a", "other than Devestator, the infamous criminal he has been hunting. Determined to confront", "laser blast at Mokarimk. The impact is so powerful that everyone, including his", "a clue that suggests he wasn't destroyed. Whether it's a cryptic remark or", "wanted across the galaxies. One day, while the rest of the group is", "pivotal moment where Devestator launches a devastating laser blast at Mokarimk. The impact", "himself. However, their greatest challenge arises when they encounter an immensely powerful alien", "surprise twist a few chapters later, Mokarimk makes a triumphant comeback. I am", "foes. These teenagers are aided by their trusty AI Robots, Tom and Ben.", "blast at Mokarimk. The impact is so powerful that everyone, including his friends,", "few chapters later, Mokarimk makes a triumphant comeback. I am unsure about how", "and Ben. Among them, Mokarimk and Tom share a special bond since Tom", "Although it takes them some time to arrive, they eventually reach the scene,", "across the galaxies. One day, while the rest of the group is away,", "the infamous criminal he has been hunting. Determined to confront the threat head-on,", "friends, assumes Mokarimk has been obliterated by the attack. They become disheartened, believing", "hunting. Determined to confront the threat head-on, Mokarimk sets off for the battle", "engaged in an intense battle against formidable extraterrestrial foes. These teenagers are aided", "the assault. Unveiling a surprise twist a few chapters later, Mokarimk makes a", "my story, a group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke, and", "readers, Mokarimk manages to miraculously survive the assault. Unveiling a surprise twist a", "aided by their trusty AI Robots, Tom and Ben. Among them, Mokarimk and", "the readers, Mokarimk manages to miraculously survive the assault. Unveiling a surprise twist", "clue that suggests he wasn't destroyed. Whether it's a cryptic remark or a", "destroyed. Whether it's a cryptic remark or a small observation, this clue will", "Mokarimk has been obliterated by the attack. They become disheartened, believing their comrade", "unsure about how can I write tbis To subtly hint at Mokarimk's survival,", "clash between Mokarimk and Devestator, with Tom standing by their side. To intensify", "lost forever. However, unbeknownst to them and to the readers, Mokarimk manages to", "Mokarimk sets off for the battle alone, alerting his friends about the situation.", "indicate to the readers that Mokarimk's demise may not be as it seems,", "He discovers that it is none other than Devestator, the infamous criminal he", "In my story, a group of courageous teenagers named Mokarimk, Kristy, Nquurt, Aluke,", "some time to arrive, they eventually reach the scene, witnessing the fierce clash" ]
[ "novels among other things. The story, in my opinion, is at its strongest", "too. All in all, it's kind of like The Dark Knight: Batman hinges", "out there. How much leeway is there for this? I'd like to submit", "consequences of that question being answered somewhat open ended too. All in all,", "that despite that the debut epic fantasy 120k word count stuff has been", "series potential\" thing. Since I'm going to be doing some more smaller rewrites,", "though not without massive consequences. The \"whole new world\" aspect is left kind", "it happen. It also answers another big question posed at the beginning, but", "there's wiggle room. Reddit constantly focuses on that despite that the debut epic", "but I'm still going to go over it and find whatever extraneous stuff", "can to eliminate or rework. That said, I'm also curious about the \"standalone", "but leaves the consequences of that question being answered somewhat open ended too.", "on that despite that the debut epic fantasy 120k word count stuff has", "the run. The movie is perfectly fine as a standalone but some massive", "open ended too. All in all, it's kind of like The Dark Knight:", "is left kind of open ended, meaning it's shown they can start, but", "better grasp of this in mind. My novel is one with multiple POVs.", "left kind of open ended, meaning it's shown they can start, but a", "war will ensue to make it happen. It also answers another big question", "other debut novels among other things. The story, in my opinion, is at", "to go over it and find whatever extraneous stuff I can to eliminate", "run. The movie is perfectly fine as a standalone but some massive questions", "passes will bring that down quite a bit, and I know there's wiggle", "constantly focuses on that despite that the debut epic fantasy 120k word count", "other things. The story, in my opinion, is at its strongest at this", "will ensue to make it happen. It also answers another big question posed", "massive questions are answered, though not without massive consequences. The \"whole new world\"", "of the better publishing houses, but I know the cliffhanger type endings (which", "its strongest at this point, but I'm still going to go over it", "to some of the better publishing houses, but I know the cliffhanger type", "or rework. That said, I'm also curious about the \"standalone with series potential\"", "that down quite a bit, and I know there's wiggle room. Reddit constantly", "I'm going to be doing some more smaller rewrites, I'd rather have a", "the consequences of that question being answered somewhat open ended too. All in", "opinion, is at its strongest at this point, but I'm still going to", "main goal of the story is achieved and a few massive questions are", "the beginning, but leaves the consequences of that question being answered somewhat open", "publishing houses, but I know the cliffhanger type endings (which I admit, mine", "a lie and goes on the run. The movie is perfectly fine as", "My novel is one with multiple POVs. The main goal of the story", "of open ended, meaning it's shown they can start, but a bloody war", "and goes on the run. The movie is perfectly fine as a standalone", "\"standalone with series potential\" thing. Since I'm going to be doing some more", "more smaller rewrites, I'd rather have a better grasp of this in mind.", "another big question posed at the beginning, but leaves the consequences of that", "The \"whole new world\" aspect is left kind of open ended, meaning it's", "The main goal of the story is achieved and a few massive questions", "shown they can start, but a bloody war will ensue to make it", "answers bring more questions, but there are still answers regardless). Is it just", "wiggle room. Reddit constantly focuses on that despite that the debut epic fantasy", "(which I admit, mine kind of are since the answers bring more questions,", "despite that the debut epic fantasy 120k word count stuff has been debunked", "about the \"standalone with series potential\" thing. Since I'm going to be doing", "word count stuff has been debunked by other debut novels among other things.", "things. The story, in my opinion, is at its strongest at this point,", "in my opinion, is at its strongest at this point, but I'm still", "Is it just one of those things we throw into the wind and", "whatever extraneous stuff I can to eliminate or rework. That said, I'm also", "bring that down quite a bit, and I know there's wiggle room. Reddit", "room. Reddit constantly focuses on that despite that the debut epic fantasy 120k", "hinges the future of Vutfam on a lie and goes on the run.", "questions are left out there. How much leeway is there for this? I'd", "\"whole new world\" aspect is left kind of open ended, meaning it's shown", "the cliffhanger type endings (which I admit, mine kind of are since the", "of like The Dark Knight: Batman hinges the future of Vutfam on a", "the debut epic fantasy 120k word count stuff has been debunked by other", "is perfectly fine as a standalone but some massive questions are left out", "fantasy. These next few passes will bring that down quite a bit, and", "multiple POVs. The main goal of the story is achieved and a few", "bloody war will ensue to make it happen. It also answers another big", "standalone but some massive questions are left out there. How much leeway is", "are left out there. How much leeway is there for this? I'd like", "submit to some of the better publishing houses, but I know the cliffhanger", "I admit, mine kind of are since the answers bring more questions, but", "extraneous stuff I can to eliminate or rework. That said, I'm also curious", "with series potential\" thing. Since I'm going to be doing some more smaller", "going to go over it and find whatever extraneous stuff I can to", "fantasy 120k word count stuff has been debunked by other debut novels among", "that question being answered somewhat open ended too. All in all, it's kind", "all, it's kind of like The Dark Knight: Batman hinges the future of", "as a standalone but some massive questions are left out there. How much", "is one with multiple POVs. The main goal of the story is achieved", "How much leeway is there for this? I'd like to submit to some", "houses, but I know the cliffhanger type endings (which I admit, mine kind", "at this point, but I'm still going to go over it and find", "and I know there's wiggle room. Reddit constantly focuses on that despite that", "story, in my opinion, is at its strongest at this point, but I'm", "goes on the run. The movie is perfectly fine as a standalone but", "beginning, but leaves the consequences of that question being answered somewhat open ended", "start, but a bloody war will ensue to make it happen. It also", "know there's wiggle room. Reddit constantly focuses on that despite that the debut", "kind of are since the answers bring more questions, but there are still", "will bring that down quite a bit, and I know there's wiggle room.", "The movie is perfectly fine as a standalone but some massive questions are", "is at its strongest at this point, but I'm still going to go", "much leeway is there for this? I'd like to submit to some of", "It's a 195k word epic fantasy. These next few passes will bring that", "still going to go over it and find whatever extraneous stuff I can", "is achieved and a few massive questions are answered, though not without massive", "I'm still going to go over it and find whatever extraneous stuff I", "at the beginning, but leaves the consequences of that question being answered somewhat", "answers another big question posed at the beginning, but leaves the consequences of", "the story is achieved and a few massive questions are answered, though not", "perfectly fine as a standalone but some massive questions are left out there.", "cliffhanger type endings (which I admit, mine kind of are since the answers", "mine kind of are since the answers bring more questions, but there are", "quite a bit, and I know there's wiggle room. Reddit constantly focuses on", "lie and goes on the run. The movie is perfectly fine as a", "a few massive questions are answered, though not without massive consequences. The \"whole", "are answered, though not without massive consequences. The \"whole new world\" aspect is", "of Vutfam on a lie and goes on the run. The movie is", "make it happen. It also answers another big question posed at the beginning,", "next few passes will bring that down quite a bit, and I know", "debut epic fantasy 120k word count stuff has been debunked by other debut", "be doing some more smaller rewrites, I'd rather have a better grasp of", "debut novels among other things. The story, in my opinion, is at its", "Batman hinges the future of Vutfam on a lie and goes on the", "there. How much leeway is there for this? I'd like to submit to", "said, I'm also curious about the \"standalone with series potential\" thing. Since I'm", "in all, it's kind of like The Dark Knight: Batman hinges the future", "not without massive consequences. The \"whole new world\" aspect is left kind of", "achieved and a few massive questions are answered, though not without massive consequences.", "kind of open ended, meaning it's shown they can start, but a bloody", "regardless). Is it just one of those things we throw into the wind", "world\" aspect is left kind of open ended, meaning it's shown they can", "a bloody war will ensue to make it happen. It also answers another", "questions are answered, though not without massive consequences. The \"whole new world\" aspect", "Reddit constantly focuses on that despite that the debut epic fantasy 120k word", "potential\" thing. Since I'm going to be doing some more smaller rewrites, I'd", "endings (which I admit, mine kind of are since the answers bring more", "word epic fantasy. These next few passes will bring that down quite a", "a 195k word epic fantasy. These next few passes will bring that down", "the \"standalone with series potential\" thing. Since I'm going to be doing some", "the answers bring more questions, but there are still answers regardless). Is it", "in mind. My novel is one with multiple POVs. The main goal of", "massive consequences. The \"whole new world\" aspect is left kind of open ended,", "Dark Knight: Batman hinges the future of Vutfam on a lie and goes", "it's shown they can start, but a bloody war will ensue to make", "point, but I'm still going to go over it and find whatever extraneous", "aspect is left kind of open ended, meaning it's shown they can start,", "among other things. The story, in my opinion, is at its strongest at", "strongest at this point, but I'm still going to go over it and", "posed at the beginning, but leaves the consequences of that question being answered", "are since the answers bring more questions, but there are still answers regardless).", "since the answers bring more questions, but there are still answers regardless). Is", "some more smaller rewrites, I'd rather have a better grasp of this in", "but a bloody war will ensue to make it happen. It also answers", "kind of like The Dark Knight: Batman hinges the future of Vutfam on", "movie is perfectly fine as a standalone but some massive questions are left", "rather have a better grasp of this in mind. My novel is one", "grasp of this in mind. My novel is one with multiple POVs. The", "to be doing some more smaller rewrites, I'd rather have a better grasp", "curious about the \"standalone with series potential\" thing. Since I'm going to be", "consequences. The \"whole new world\" aspect is left kind of open ended, meaning", "that the debut epic fantasy 120k word count stuff has been debunked by", "this? I'd like to submit to some of the better publishing houses, but", "195k word epic fantasy. These next few passes will bring that down quite", "also answers another big question posed at the beginning, but leaves the consequences", "of the story is achieved and a few massive questions are answered, though", "All in all, it's kind of like The Dark Knight: Batman hinges the", "without massive consequences. The \"whole new world\" aspect is left kind of open", "still answers regardless). Is it just one of those things we throw into", "know the cliffhanger type endings (which I admit, mine kind of are since", "being answered somewhat open ended too. All in all, it's kind of like", "have a better grasp of this in mind. My novel is one with", "of this in mind. My novel is one with multiple POVs. The main", "I'm also curious about the \"standalone with series potential\" thing. Since I'm going", "and find whatever extraneous stuff I can to eliminate or rework. That said,", "going to be doing some more smaller rewrites, I'd rather have a better", "but some massive questions are left out there. How much leeway is there", "on a lie and goes on the run. The movie is perfectly fine", "it just one of those things we throw into the wind and hope", "rework. That said, I'm also curious about the \"standalone with series potential\" thing.", "it's kind of like The Dark Knight: Batman hinges the future of Vutfam", "over it and find whatever extraneous stuff I can to eliminate or rework.", "this in mind. My novel is one with multiple POVs. The main goal", "question being answered somewhat open ended too. All in all, it's kind of", "mind. My novel is one with multiple POVs. The main goal of the", "future of Vutfam on a lie and goes on the run. The movie", "big question posed at the beginning, but leaves the consequences of that question", "some of the better publishing houses, but I know the cliffhanger type endings", "type endings (which I admit, mine kind of are since the answers bring", "just one of those things we throw into the wind and hope its", "down quite a bit, and I know there's wiggle room. Reddit constantly focuses", "thing. Since I'm going to be doing some more smaller rewrites, I'd rather", "like to submit to some of the better publishing houses, but I know", "like The Dark Knight: Batman hinges the future of Vutfam on a lie", "It also answers another big question posed at the beginning, but leaves the", "at its strongest at this point, but I'm still going to go over", "but I know the cliffhanger type endings (which I admit, mine kind of", "massive questions are left out there. How much leeway is there for this?", "been debunked by other debut novels among other things. The story, in my", "few massive questions are answered, though not without massive consequences. The \"whole new", "question posed at the beginning, but leaves the consequences of that question being", "a better grasp of this in mind. My novel is one with multiple", "open ended, meaning it's shown they can start, but a bloody war will", "the future of Vutfam on a lie and goes on the run. The", "is there for this? I'd like to submit to some of the better", "These next few passes will bring that down quite a bit, and I", "but there are still answers regardless). Is it just one of those things", "meaning it's shown they can start, but a bloody war will ensue to", "few passes will bring that down quite a bit, and I know there's", "questions, but there are still answers regardless). Is it just one of those", "leaves the consequences of that question being answered somewhat open ended too. All", "POVs. The main goal of the story is achieved and a few massive", "a standalone but some massive questions are left out there. How much leeway", "120k word count stuff has been debunked by other debut novels among other", "left out there. How much leeway is there for this? I'd like to", "The Dark Knight: Batman hinges the future of Vutfam on a lie and", "it and find whatever extraneous stuff I can to eliminate or rework. That", "I know there's wiggle room. Reddit constantly focuses on that despite that the", "bit, and I know there's wiggle room. Reddit constantly focuses on that despite", "they can start, but a bloody war will ensue to make it happen.", "and a few massive questions are answered, though not without massive consequences. The", "one with multiple POVs. The main goal of the story is achieved and", "ended, meaning it's shown they can start, but a bloody war will ensue", "I'd like to submit to some of the better publishing houses, but I", "go over it and find whatever extraneous stuff I can to eliminate or", "has been debunked by other debut novels among other things. The story, in", "smaller rewrites, I'd rather have a better grasp of this in mind. My", "there for this? I'd like to submit to some of the better publishing", "to eliminate or rework. That said, I'm also curious about the \"standalone with", "ended too. All in all, it's kind of like The Dark Knight: Batman", "of that question being answered somewhat open ended too. All in all, it's", "stuff I can to eliminate or rework. That said, I'm also curious about", "Knight: Batman hinges the future of Vutfam on a lie and goes on", "to submit to some of the better publishing houses, but I know the", "the better publishing houses, but I know the cliffhanger type endings (which I", "to make it happen. It also answers another big question posed at the", "admit, mine kind of are since the answers bring more questions, but there", "of are since the answers bring more questions, but there are still answers", "novel is one with multiple POVs. The main goal of the story is", "Vutfam on a lie and goes on the run. The movie is perfectly", "Since I'm going to be doing some more smaller rewrites, I'd rather have", "I'd rather have a better grasp of this in mind. My novel is", "more questions, but there are still answers regardless). Is it just one of", "answers regardless). Is it just one of those things we throw into the", "on the run. The movie is perfectly fine as a standalone but some", "happen. It also answers another big question posed at the beginning, but leaves", "focuses on that despite that the debut epic fantasy 120k word count stuff", "with multiple POVs. The main goal of the story is achieved and a", "bring more questions, but there are still answers regardless). Is it just one", "count stuff has been debunked by other debut novels among other things. The", "this point, but I'm still going to go over it and find whatever", "a bit, and I know there's wiggle room. Reddit constantly focuses on that", "better publishing houses, but I know the cliffhanger type endings (which I admit,", "The story, in my opinion, is at its strongest at this point, but", "also curious about the \"standalone with series potential\" thing. Since I'm going to", "for this? I'd like to submit to some of the better publishing houses,", "I can to eliminate or rework. That said, I'm also curious about the", "some massive questions are left out there. How much leeway is there for", "epic fantasy. These next few passes will bring that down quite a bit,", "find whatever extraneous stuff I can to eliminate or rework. That said, I'm", "fine as a standalone but some massive questions are left out there. How", "leeway is there for this? I'd like to submit to some of the", "goal of the story is achieved and a few massive questions are answered,", "epic fantasy 120k word count stuff has been debunked by other debut novels", "by other debut novels among other things. The story, in my opinion, is", "eliminate or rework. That said, I'm also curious about the \"standalone with series", "debunked by other debut novels among other things. The story, in my opinion,", "doing some more smaller rewrites, I'd rather have a better grasp of this", "are still answers regardless). Is it just one of those things we throw", "ensue to make it happen. It also answers another big question posed at", "rewrites, I'd rather have a better grasp of this in mind. My novel", "new world\" aspect is left kind of open ended, meaning it's shown they", "That said, I'm also curious about the \"standalone with series potential\" thing. Since", "one of those things we throw into the wind and hope its accepted?", "answered, though not without massive consequences. The \"whole new world\" aspect is left", "I know the cliffhanger type endings (which I admit, mine kind of are", "somewhat open ended too. All in all, it's kind of like The Dark", "can start, but a bloody war will ensue to make it happen. It", "my opinion, is at its strongest at this point, but I'm still going", "answered somewhat open ended too. All in all, it's kind of like The", "story is achieved and a few massive questions are answered, though not without", "there are still answers regardless). Is it just one of those things we", "stuff has been debunked by other debut novels among other things. The story," ]
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There are stages and obstacles in which he", "riotous friends on notice he will one day part ways with them; the", "that makes me uncertain of how and where to split the book is", "duology including the betas. There are not ant books on Amazon about how", "and friends get overlaid by news of war and a new conflict. The", "at his schools big Speech Day event just before embarking for the war;", "not ant books on Amazon about how to books on how to write", "but my understanding is that essentially a writer does not want to have", "things around. But of course he does not really fully prove himself until", "better create a feeling of a complete story at the end of Book", "main promise and conflict centers on the related themes of honor and redemption,", "But professional editors say its very rare for books now to be of", "to have a cliffhanger, or at least the wrong kind. And you need", "least the wrong kind. 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There", "are not ant books on Amazon about how to books on how to", "225,000 word manuscript for a historical novel adapted from a reliably good story,", "not really fully prove himself until the battle at the end. There are", "with them; the scene where he succeeds at his schools big Speech Day", "back out to betas and gotten encouraging reviews, for what it is worth.", "Amazon about how to books on how to write a duology and this", "that the story's main promise and conflict centers on the related themes of", "news of war and a new conflict. The aspect that makes me uncertain", "sure how, and reading of terminology like \"unsettled status quo\" has me a", "its very rare for books now to be of this length anymore. Several", "tightened up and sent back out to betas and gotten encouraging reviews, for", "a duology including the betas. There are not ant books on Amazon about", "England, directly impacting the two military families at the center of the story.", "at the center of the story. So internal and external conflicts among these", "on Amazon about how to books on how to write a duology and", "among these family and friends get overlaid by news of war and a", "plot threads that support the main theme). Possible break points are the scene", "will one day part ways with them; the scene where he succeeds at", "stages and obstacles in which he begins to prove himself, and subplots (friendship", "and know a lot about (England during the Wars of Napoleon). The manuscript", "that I love and know a lot about (England during the Wars of", "cliffhanger, or at least the wrong kind. And you need Book One to", "One, but I'm not sure how, and reading of terminology like \"unsettled status", "the main theme). 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Halfway through the story, news of Napoleon Bonaparte's escape", "Possible break points are the scene where the news of Napoleon's escape arrives;", "says his fateful goodbye to his wife (the protagonist's mother) as he leaves", "he does not really fully prove himself until the battle at the end.", "of how and where to split the book is that the story's main", "for the war. I certainly can write a new chapter or two into", "manuscript has been beta read extensively and tightened up and sent back out", "be of this length anymore. Several people have suggested making it a duology", "of a series. My grasp of terminology is sketchy, but my understanding is", "And you need Book One to feel like a completed tale. Halfway through", "families at the center of the story. So internal and external conflicts among", "it is worth. But professional editors say its very rare for books now", "Speech Day event just before embarking for the war; or perhaps the scene", "Several people have suggested making it a duology including the betas. There are", "are stages and obstacles in which he begins to prove himself, and subplots", "how and where to split the book is that the story's main promise", "is worth. But professional editors say its very rare for books now to", "One to feel like a completed tale. Halfway through the story, news of", "at the end. There are stages and obstacles in which he begins to", "protagonist vow's to his father; the scene where the protagonist puts his old", "of Napoleon's escape arrives; the scene where the protagonist vow's to his father;", "he will one day part ways with them; the scene where he succeeds", "external conflicts among these family and friends get overlaid by news of war", "story is not written in the spirit of a series. My grasp of", "of Book One, but I'm not sure how, and reading of terminology like", "center of the story. So internal and external conflicts among these family and", "of this length anymore. Several people have suggested making it a duology including", "romance arcs, unresolved plot threads that support the main theme). Possible break points", "at least the wrong kind. And you need Book One to feel like", "makes a heartfelt vow to his father that he will turn things around.", "the protagonist vow's to his father; the scene where the protagonist puts his", "kind. And you need Book One to feel like a completed tale. Halfway", "But of course he does not really fully prove himself until the battle", "war. I certainly can write a new chapter or two into the break", "Napoleon Bonaparte's escape from exile reaches England, directly impacting the two military families", "There are not ant books on Amazon about how to books on how", "does not want to have a cliffhanger, or at least the wrong kind.", "overlaid by news of war and a new conflict. The aspect that makes", "protagonist's mother) as he leaves for the war. I certainly can write a", "the story, news of Napoleon Bonaparte's escape from exile reaches England, directly impacting", "new chapter or two into the break point to better create a feeling", "essentially a writer does not want to have a cliffhanger, or at least", "heartfelt vow to his father that he will turn things around. But of", "complete story at the end of Book One, but I'm not sure how,", "that essentially a writer does not want to have a cliffhanger, or at", "the related themes of honor and redemption, with the protagonist being a riotous,", "he leaves for the war. I certainly can write a new chapter or", "(the protagonist's mother) as he leaves for the war. I certainly can write", "has been beta read extensively and tightened up and sent back out to", "a heartfelt vow to his father that he will turn things around. But", "around. But of course he does not really fully prove himself until the", "puts his old riotous friends on notice he will one day part ways", "makes me uncertain of how and where to split the book is that", "as he leaves for the war. I certainly can write a new chapter", "how, and reading of terminology like \"unsettled status quo\" has me a bit", "duology and this story is not written in the spirit of a series.", "encouraging reviews, for what it is worth. But professional editors say its very", "into a more modern, popular setting that I love and know a lot", "of the story. So internal and external conflicts among these family and friends", "me uncertain of how and where to split the book is that the", "me into a more modern, popular setting that I love and know a", "betas. There are not ant books on Amazon about how to books on", "scene where the father says his fateful goodbye to his wife (the protagonist's", "There are stages and obstacles in which he begins to prove himself, and", "I'm not sure how, and reading of terminology like \"unsettled status quo\" has", "in the spirit of a series. My grasp of terminology is sketchy, but", "tale. Halfway through the story, news of Napoleon Bonaparte's escape from exile reaches", "protagonist puts his old riotous friends on notice he will one day part", "fateful goodbye to his wife (the protagonist's mother) as he leaves for the", "during the Wars of Napoleon). The manuscript has been beta read extensively and", "sent back out to betas and gotten encouraging reviews, for what it is", "and where to split the book is that the story's main promise and", "Halfway through the story, news of Napoleon Bonaparte's escape from exile reaches England,", "written in the spirit of a series. My grasp of terminology is sketchy,", "two into the break point to better create a feeling of a complete", "event just before embarking for the war; or perhaps the scene where the", "the scene where the protagonist vow's to his father; the scene where the", "being a riotous, profligate party-animal who, at the halfway mark makes a heartfelt", "his father that he will turn things around. But of course he does", "these family and friends get overlaid by news of war and a new", "a more modern, popular setting that I love and know a lot about", "word manuscript for a historical novel adapted from a reliably good story, shifted", "that he will turn things around. But of course he does not really", "write a duology and this story is not written in the spirit of", "his father; the scene where the protagonist puts his old riotous friends on", "threads that support the main theme). Possible break points are the scene where", "Book One to feel like a completed tale. Halfway through the story, news", "the end of Book One, but I'm not sure how, and reading of", "story, news of Napoleon Bonaparte's escape from exile reaches England, directly impacting the", "from exile reaches England, directly impacting the two military families at the center", "where he succeeds at his schools big Speech Day event just before embarking", "on how to write a duology and this story is not written in", "family and friends get overlaid by news of war and a new conflict.", "just before embarking for the war; or perhaps the scene where the father", "to his father; the scene where the protagonist puts his old riotous friends", "create a feeling of a complete story at the end of Book One,", "vow to his father that he will turn things around. But of course", "support the main theme). Possible break points are the scene where the news", "understanding is that essentially a writer does not want to have a cliffhanger,", "and romance arcs, unresolved plot threads that support the main theme). Possible break", "of honor and redemption, with the protagonist being a riotous, profligate party-animal who,", "in which he begins to prove himself, and subplots (friendship and romance arcs,", "I love and know a lot about (England during the Wars of Napoleon).", "really fully prove himself until the battle at the end. There are stages", "books now to be of this length anymore. Several people have suggested making", "aspect that makes me uncertain of how and where to split the book", "how to write a duology and this story is not written in the", "where the protagonist vow's to his father; the scene where the protagonist puts", "Wars of Napoleon). The manuscript has been beta read extensively and tightened up", "his old riotous friends on notice he will one day part ways with", "very rare for books now to be of this length anymore. Several people", "the protagonist puts his old riotous friends on notice he will one day", "father says his fateful goodbye to his wife (the protagonist's mother) as he", "The aspect that makes me uncertain of how and where to split the", "his wife (the protagonist's mother) as he leaves for the war. I certainly" ]
[ "like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the International Phonetic", "but I feel these three questions are strongly related and integral to the", "\"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the International Phonetic Alphabet,", "better hint at correct pronunciation? I know Stack Exchange frowns upon multiple questions", "make names easier to read? 3. How can I better hint at correct", "a name is too difficult to read? 2. How can I make names", "I worry about the readability. So, 1. How can I tell whether a", "to read? 3. How can I better hint at correct pronunciation? I know", "who naturally have their own languages and set of personal names. I have", "too difficult to read? 2. How can I make names easier to read?", "are non-human characters who naturally have their own languages and set of personal", "I tell whether a name is too difficult to read? 2. How can", "dʊ.χʷã/) with the help of the International Phonetic Alphabet, but I worry about", "can I tell whether a name is too difficult to read? 2. How", "I know Stack Exchange frowns upon multiple questions per post, but I feel", "I feel these three questions are strongly related and integral to the wider", "How can I better hint at correct pronunciation? I know Stack Exchange frowns", "with the help of the International Phonetic Alphabet, but I worry about the", "correct pronunciation? I know Stack Exchange frowns upon multiple questions per post, but", "devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of", "the International Phonetic Alphabet, but I worry about the readability. So, 1. How", "1. How can I tell whether a name is too difficult to read?", "How can I tell whether a name is too difficult to read? 2.", "their own languages and set of personal names. I have no problem devising", "post, but I feel these three questions are strongly related and integral to", "characters who naturally have their own languages and set of personal names. I", "the help of the International Phonetic Alphabet, but I worry about the readability.", "Exchange frowns upon multiple questions per post, but I feel these three questions", "but I worry about the readability. So, 1. How can I tell whether", "can I make names easier to read? 3. How can I better hint", "no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the", "In my story are non-human characters who naturally have their own languages and", "interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the", "non-human characters who naturally have their own languages and set of personal names.", "How can I make names easier to read? 3. How can I better", "to read? 2. How can I make names easier to read? 3. How", "read? 2. How can I make names easier to read? 3. How can", "of the International Phonetic Alphabet, but I worry about the readability. So, 1.", "of personal names. I have no problem devising interesting names like \"Saþil Duqhuãn\"", "3. How can I better hint at correct pronunciation? I know Stack Exchange", "languages and set of personal names. I have no problem devising interesting names", "questions per post, but I feel these three questions are strongly related and", "multiple questions per post, but I feel these three questions are strongly related", "upon multiple questions per post, but I feel these three questions are strongly", "can I better hint at correct pronunciation? I know Stack Exchange frowns upon", "the readability. So, 1. How can I tell whether a name is too", "/sə.θil dʊ.χʷã/) with the help of the International Phonetic Alphabet, but I worry", "read? 3. How can I better hint at correct pronunciation? I know Stack", "hint at correct pronunciation? I know Stack Exchange frowns upon multiple questions per", "International Phonetic Alphabet, but I worry about the readability. So, 1. How can", "own languages and set of personal names. I have no problem devising interesting", "Phonetic Alphabet, but I worry about the readability. So, 1. How can I", "name is too difficult to read? 2. How can I make names easier", "per post, but I feel these three questions are strongly related and integral", "(pronounced /sə.θil dʊ.χʷã/) with the help of the International Phonetic Alphabet, but I", "help of the International Phonetic Alphabet, but I worry about the readability. So,", "Alphabet, but I worry about the readability. So, 1. How can I tell", "names easier to read? 3. How can I better hint at correct pronunciation?", "Stack Exchange frowns upon multiple questions per post, but I feel these three", "my story are non-human characters who naturally have their own languages and set", "whether a name is too difficult to read? 2. How can I make", "naturally have their own languages and set of personal names. I have no", "worry about the readability. So, 1. How can I tell whether a name", "easier to read? 3. How can I better hint at correct pronunciation? I", "know Stack Exchange frowns upon multiple questions per post, but I feel these", "personal names. I have no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced", "and set of personal names. I have no problem devising interesting names like", "set of personal names. I have no problem devising interesting names like \"Saþil", "Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the International Phonetic Alphabet, but", "So, 1. How can I tell whether a name is too difficult to", "story are non-human characters who naturally have their own languages and set of", "difficult to read? 2. How can I make names easier to read? 3.", "pronunciation? I know Stack Exchange frowns upon multiple questions per post, but I", "is too difficult to read? 2. How can I make names easier to", "2. How can I make names easier to read? 3. How can I", "about the readability. So, 1. How can I tell whether a name is", "tell whether a name is too difficult to read? 2. How can I", "frowns upon multiple questions per post, but I feel these three questions are", "have their own languages and set of personal names. I have no problem", "have no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with", "names. I have no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil", "problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help", "at correct pronunciation? I know Stack Exchange frowns upon multiple questions per post,", "feel these three questions are strongly related and integral to the wider question.", "I have no problem devising interesting names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/)", "readability. So, 1. How can I tell whether a name is too difficult", "I make names easier to read? 3. How can I better hint at", "names like \"Saþil Duqhuãn\" (pronounced /sə.θil dʊ.χʷã/) with the help of the International", "I better hint at correct pronunciation? I know Stack Exchange frowns upon multiple" ]
[ "When I review what I have written, it is clunky and unclear that", "unclear that the story is now focusing on the secondary characters, and this", "story is now focusing on the secondary characters, and this causes confusion. Thanks", "written, it is clunky and unclear that the story is now focusing on", "seeking examples of clean ways to transition from my main characters to my", "clean ways to transition from my main characters to my secondary characters. When", "my main characters to my secondary characters. When I review what I have", "it is clunky and unclear that the story is now focusing on the", "is clunky and unclear that the story is now focusing on the secondary", "I have written, it is clunky and unclear that the story is now", "of clean ways to transition from my main characters to my secondary characters.", "secondary characters. When I review what I have written, it is clunky and", "characters. When I review what I have written, it is clunky and unclear", "clunky and unclear that the story is now focusing on the secondary characters,", "the story is now focusing on the secondary characters, and this causes confusion.", "that the story is now focusing on the secondary characters, and this causes", "I review what I have written, it is clunky and unclear that the", "from my main characters to my secondary characters. When I review what I", "ways to transition from my main characters to my secondary characters. When I", "my secondary characters. When I review what I have written, it is clunky", "have written, it is clunky and unclear that the story is now focusing", "examples of clean ways to transition from my main characters to my secondary", "I am seeking examples of clean ways to transition from my main characters", "characters to my secondary characters. When I review what I have written, it", "and unclear that the story is now focusing on the secondary characters, and", "transition from my main characters to my secondary characters. When I review what", "main characters to my secondary characters. When I review what I have written,", "to my secondary characters. When I review what I have written, it is", "to transition from my main characters to my secondary characters. When I review", "review what I have written, it is clunky and unclear that the story", "what I have written, it is clunky and unclear that the story is", "am seeking examples of clean ways to transition from my main characters to" ]
[ "mindlessly react to what is happening during the plot. How can I have", "motivations are driving the plot forward. Rather, the plot is driving the characters", "noticed a problem: almost none of my characters' motivations are driving the plot", "However, I have noticed a problem: almost none of my characters' motivations are", "set up, introducing the main characters, and providing character motivations. However, I have", "the plot is driving the characters forward. The desires of the character are", "motivations. However, I have noticed a problem: almost none of my characters' motivations", "forward. Rather, the plot is driving the characters forward. The desires of the", "I have my characters drive the plot forward based on their motivations instead", "the characters to mindlessly react to what is happening during the plot. How", "first three chapters in my story are dedicated to set up, introducing the", "not driving the action, but rather it feels like the action is forcing", "during the plot. How can I have my characters drive the plot forward", "my characters' motivations are driving the plot forward. Rather, the plot is driving", "is forcing the characters to mindlessly react to what is happening during the", "plot forward. Rather, the plot is driving the characters forward. The desires of", "real novel. The first three chapters in my story are dedicated to set", "characters, and providing character motivations. However, I have noticed a problem: almost none", "How can I have my characters drive the plot forward based on their", "to set up, introducing the main characters, and providing character motivations. However, I", "story are dedicated to set up, introducing the main characters, and providing character", "having trouble writing my first real novel. The first three chapters in my", "driving the plot forward. Rather, the plot is driving the characters forward. The", "three chapters in my story are dedicated to set up, introducing the main", "based on their motivations instead of just doing things because the plot demands", "forcing the characters to mindlessly react to what is happening during the plot.", "character are not driving the action, but rather it feels like the action", "are dedicated to set up, introducing the main characters, and providing character motivations.", "to mindlessly react to what is happening during the plot. How can I", "are not driving the action, but rather it feels like the action is", "writing my first real novel. The first three chapters in my story are", "chapters in my story are dedicated to set up, introducing the main characters,", "rather it feels like the action is forcing the characters to mindlessly react", "the characters forward. The desires of the character are not driving the action,", "the character are not driving the action, but rather it feels like the", "plot is driving the characters forward. The desires of the character are not", "it feels like the action is forcing the characters to mindlessly react to", "novel. The first three chapters in my story are dedicated to set up,", "my characters drive the plot forward based on their motivations instead of just", "I'm having trouble writing my first real novel. The first three chapters in", "the plot forward. Rather, the plot is driving the characters forward. The desires", "drive the plot forward based on their motivations instead of just doing things", "introducing the main characters, and providing character motivations. However, I have noticed a", "providing character motivations. However, I have noticed a problem: almost none of my", "action is forcing the characters to mindlessly react to what is happening during", "motivations instead of just doing things because the plot demands it of them?", "forward. The desires of the character are not driving the action, but rather", "react to what is happening during the plot. How can I have my", "character motivations. However, I have noticed a problem: almost none of my characters'", "have noticed a problem: almost none of my characters' motivations are driving the", "what is happening during the plot. How can I have my characters drive", "of the character are not driving the action, but rather it feels like", "feels like the action is forcing the characters to mindlessly react to what", "is driving the characters forward. The desires of the character are not driving", "characters' motivations are driving the plot forward. Rather, the plot is driving the", "The desires of the character are not driving the action, but rather it", "main characters, and providing character motivations. However, I have noticed a problem: almost", "up, introducing the main characters, and providing character motivations. However, I have noticed", "characters to mindlessly react to what is happening during the plot. How can", "dedicated to set up, introducing the main characters, and providing character motivations. However,", "action, but rather it feels like the action is forcing the characters to", "first real novel. The first three chapters in my story are dedicated to", "forward based on their motivations instead of just doing things because the plot", "a problem: almost none of my characters' motivations are driving the plot forward.", "can I have my characters drive the plot forward based on their motivations", "Rather, the plot is driving the characters forward. The desires of the character", "driving the action, but rather it feels like the action is forcing the", "is happening during the plot. How can I have my characters drive the", "I have noticed a problem: almost none of my characters' motivations are driving", "and providing character motivations. However, I have noticed a problem: almost none of", "on their motivations instead of just doing things because the plot demands it", "like the action is forcing the characters to mindlessly react to what is", "plot forward based on their motivations instead of just doing things because the", "my first real novel. The first three chapters in my story are dedicated", "my story are dedicated to set up, introducing the main characters, and providing", "the action is forcing the characters to mindlessly react to what is happening", "happening during the plot. How can I have my characters drive the plot", "driving the characters forward. The desires of the character are not driving the", "their motivations instead of just doing things because the plot demands it of", "characters forward. The desires of the character are not driving the action, but", "characters drive the plot forward based on their motivations instead of just doing", "the action, but rather it feels like the action is forcing the characters", "have my characters drive the plot forward based on their motivations instead of", "desires of the character are not driving the action, but rather it feels", "none of my characters' motivations are driving the plot forward. Rather, the plot", "problem: almost none of my characters' motivations are driving the plot forward. Rather,", "are driving the plot forward. Rather, the plot is driving the characters forward.", "to what is happening during the plot. How can I have my characters", "trouble writing my first real novel. The first three chapters in my story", "The first three chapters in my story are dedicated to set up, introducing", "but rather it feels like the action is forcing the characters to mindlessly", "in my story are dedicated to set up, introducing the main characters, and", "almost none of my characters' motivations are driving the plot forward. Rather, the", "the plot. How can I have my characters drive the plot forward based", "plot. How can I have my characters drive the plot forward based on", "of my characters' motivations are driving the plot forward. Rather, the plot is", "the main characters, and providing character motivations. However, I have noticed a problem:", "the plot forward based on their motivations instead of just doing things because" ]
[ "entire large section of finished writing, or spend time re-writing that I could", "used making new prose. I understand that, in order to become a professional", "able to find a \"groove\" where I not only have a high daily", "to the fact that I have established my writing routine out of necessity:", "weeks or so, I have forced myself to try and write at least", "able to write under deadlines all the time. But, I have simply never", "has greatly suffered over the last few days. I have found out via", "been able to find a \"groove\" where I not only have a high", "made quite a bit of progress wordcount-wise and have gotten near the end", "I not only have a high daily output of words but also have", "past I have written random gibberish just to reach the word count deadline", "have made quite a bit of progress in writing my book. For the", "simply never been able to find a \"groove\" where I not only have", "have found out via personal experience that the quality of my writing takes", "the past I have written random gibberish just to reach the word count", "that I'm a pantser, the effect of my bad writing has a rippling", "due to the fact that I'm a pantser, the effect of my bad", "dive if I force myself to write under a deadline. Heck, I will", "made a lot of progress in sheer word count, I have found that", "of my first book. However, although I have made a lot of progress", "is my career goal\" I will have to be able to write under", "I will have to be able to write under deadlines all the time.", "For the last two weeks or so, I have forced myself to try", "become a professional writer \"which is my career goal\" I will have to", "of a high quality. It is currently not an option for me to", "words but also have said words be of a high quality. It is", "second year of college is coming up and I won't have enough time", "have made a lot of progress in sheer word count, I have found", "for me to slow down my current pace due to the fact that", "writing has a rippling effect: If I have an off day and write", "and write something terrible, I either have to discard an entire large section", "terrible, I either have to discard an entire large section of finished writing,", "section of finished writing, or spend time re-writing that I could have used", "reach the word count deadline on some days. Furthermore, due to the fact", "It is currently not an option for me to slow down my current", "I have found out via personal experience that the quality of my writing", "random gibberish just to reach the word count deadline on some days. Furthermore,", "I have forced myself to try and write at least 2,000 words a", "is currently not an option for me to slow down my current pace", "have an off day and write something terrible, I either have to discard", "the end of the first act of my first book. However, although I", "prose. I understand that, in order to become a professional writer \"which is", "have established my writing routine out of necessity: my second year of college", "gotten near the end of the first act of my first book. However,", "I have simply never been able to find a \"groove\" where I not", "word count deadline on some days. Furthermore, due to the fact that I'm", "have said words be of a high quality. It is currently not an", "that the quality of my writing takes a nose dive if I force", "the time. But, I have simply never been able to find a \"groove\"", "of college is coming up and I won't have enough time to write", "have used making new prose. I understand that, in order to become a", "won't have enough time to write during the fall. I guess what I'm", "trying to ask is this: how can I learn how to write high-quality", "high quality. It is currently not an option for me to slow down", "large section of finished writing, or spend time re-writing that I could have", "also have said words be of a high quality. It is currently not", "to discard an entire large section of finished writing, or spend time re-writing", "my first book. However, although I have made a lot of progress in", "at least 2,000 words a day, regardless of how I am feeling or", "bad writing has a rippling effect: If I have an off day and", "or spend time re-writing that I could have used making new prose. I", "daily output of words but also have said words be of a high", "of progress in writing my book. For the last two weeks or so,", "I could have used making new prose. I understand that, in order to", "me to slow down my current pace due to the fact that I", "writing routine out of necessity: my second year of college is coming up", "a bit of progress wordcount-wise and have gotten near the end of the", "last two weeks or so, I have forced myself to try and write", "that, in order to become a professional writer \"which is my career goal\"", "Heck, I will even admit that in the past I have written random", "to write under deadlines all the time. But, I have simply never been", "not an option for me to slow down my current pace due to", "a rippling effect: If I have an off day and write something terrible,", "progress in sheer word count, I have found that the quality of my", "is coming up and I won't have enough time to write during the", "writing my book. For the last two weeks or so, I have forced", "of progress wordcount-wise and have gotten near the end of the first act", "will even admit that in the past I have written random gibberish just", "first time in a while, I have made quite a bit of progress", "enough time to write during the fall. I guess what I'm trying to", "near the end of the first act of my first book. However, although", "of finished writing, or spend time re-writing that I could have used making", "the quality of my writing has greatly suffered over the last few days.", "in the past I have written random gibberish just to reach the word", "writing, or spend time re-writing that I could have used making new prose.", "in a while, I have made quite a bit of progress in writing", "high daily output of words but also have said words be of a", "time re-writing that I could have used making new prose. I understand that,", "how can I learn how to write high-quality stories while also writing under", "will have to be able to write under deadlines all the time. But,", "admit that in the past I have written random gibberish just to reach", "off day and write something terrible, I either have to discard an entire", "so, I have forced myself to try and write at least 2,000 words", "to become a professional writer \"which is my career goal\" I will have", "force myself to write under a deadline. Heck, I will even admit that", "days. Furthermore, due to the fact that I'm a pantser, the effect of", "written random gibberish just to reach the word count deadline on some days.", "making new prose. I understand that, in order to become a professional writer", "the last few days. I have found out via personal experience that the", "to the fact that I'm a pantser, the effect of my bad writing", "I have written random gibberish just to reach the word count deadline on", "fact that I have established my writing routine out of necessity: my second", "is coming out. Using this method, I have made quite a bit of", "the quality of my writing takes a nose dive if I force myself", "year of college is coming up and I won't have enough time to", "quality of my writing has greatly suffered over the last few days. I", "a \"groove\" where I not only have a high daily output of words", "down my current pace due to the fact that I have established my", "of the first act of my first book. However, although I have made", "quality of my writing takes a nose dive if I force myself to", "pace due to the fact that I have established my writing routine out", "my bad writing has a rippling effect: If I have an off day", "in writing my book. For the last two weeks or so, I have", "of necessity: my second year of college is coming up and I won't", "under a deadline. Heck, I will even admit that in the past I", "in sheer word count, I have found that the quality of my writing", "am feeling or how good I think the writing is coming out. Using", "act of my first book. However, although I have made a lot of", "spend time re-writing that I could have used making new prose. I understand", "coming up and I won't have enough time to write during the fall.", "writing takes a nose dive if I force myself to write under a", "have to discard an entire large section of finished writing, or spend time", "the word count deadline on some days. Furthermore, due to the fact that", "I think the writing is coming out. Using this method, I have made", "option for me to slow down my current pace due to the fact", "slow down my current pace due to the fact that I have established", "an option for me to slow down my current pace due to the", "to ask is this: how can I learn how to write high-quality stories", "due to the fact that I have established my writing routine out of", "the effect of my bad writing has a rippling effect: If I have", "experience that the quality of my writing takes a nose dive if I", "I'm a pantser, the effect of my bad writing has a rippling effect:", "I either have to discard an entire large section of finished writing, or", "time. But, I have simply never been able to find a \"groove\" where", "in order to become a professional writer \"which is my career goal\" I", "something terrible, I either have to discard an entire large section of finished", "have simply never been able to find a \"groove\" where I not only", "I will even admit that in the past I have written random gibberish", "sheer word count, I have found that the quality of my writing has", "few days. I have found out via personal experience that the quality of", "all the time. But, I have simply never been able to find a", "\"groove\" where I not only have a high daily output of words but", "two weeks or so, I have forced myself to try and write at", "that in the past I have written random gibberish just to reach the", "book. For the last two weeks or so, I have forced myself to", "and I won't have enough time to write during the fall. I guess", "I guess what I'm trying to ask is this: how can I learn", "think the writing is coming out. Using this method, I have made quite", "my writing has greatly suffered over the last few days. I have found", "end of the first act of my first book. However, although I have", "feeling or how good I think the writing is coming out. Using this", "could have used making new prose. I understand that, in order to become", "a pantser, the effect of my bad writing has a rippling effect: If", "a nose dive if I force myself to write under a deadline. Heck,", "that I could have used making new prose. I understand that, in order", "my current pace due to the fact that I have established my writing", "2,000 words a day, regardless of how I am feeling or how good", "goal\" I will have to be able to write under deadlines all the", "made quite a bit of progress in writing my book. For the last", "days. I have found out via personal experience that the quality of my", "I learn how to write high-quality stories while also writing under a deadline?", "to try and write at least 2,000 words a day, regardless of how", "I have found that the quality of my writing has greatly suffered over", "that the quality of my writing has greatly suffered over the last few", "be able to write under deadlines all the time. But, I have simply", "I'm trying to ask is this: how can I learn how to write", "found that the quality of my writing has greatly suffered over the last", "word count, I have found that the quality of my writing has greatly", "I force myself to write under a deadline. Heck, I will even admit", "suffered over the last few days. I have found out via personal experience", "is this: how can I learn how to write high-quality stories while also", "some days. Furthermore, due to the fact that I'm a pantser, the effect", "wordcount-wise and have gotten near the end of the first act of my", "out. Using this method, I have made quite a bit of progress wordcount-wise", "write under a deadline. Heck, I will even admit that in the past", "But, I have simply never been able to find a \"groove\" where I", "this method, I have made quite a bit of progress wordcount-wise and have", "current pace due to the fact that I have established my writing routine", "found out via personal experience that the quality of my writing takes a", "book. However, although I have made a lot of progress in sheer word", "my writing takes a nose dive if I force myself to write under", "has a rippling effect: If I have an off day and write something", "have forced myself to try and write at least 2,000 words a day,", "routine out of necessity: my second year of college is coming up and", "my book. For the last two weeks or so, I have forced myself", "a day, regardless of how I am feeling or how good I think", "gibberish just to reach the word count deadline on some days. Furthermore, due", "and write at least 2,000 words a day, regardless of how I am", "to reach the word count deadline on some days. Furthermore, due to the", "new prose. I understand that, in order to become a professional writer \"which", "rippling effect: If I have an off day and write something terrible, I", "an entire large section of finished writing, or spend time re-writing that I", "day and write something terrible, I either have to discard an entire large", "to write under a deadline. Heck, I will even admit that in the", "that I have established my writing routine out of necessity: my second year", "a bit of progress in writing my book. For the last two weeks", "If I have an off day and write something terrible, I either have", "this: how can I learn how to write high-quality stories while also writing", "try and write at least 2,000 words a day, regardless of how I", "have written random gibberish just to reach the word count deadline on some", "guess what I'm trying to ask is this: how can I learn how", "write at least 2,000 words a day, regardless of how I am feeling", "least 2,000 words a day, regardless of how I am feeling or how", "to slow down my current pace due to the fact that I have", "lot of progress in sheer word count, I have found that the quality", "a deadline. Heck, I will even admit that in the past I have", "Using this method, I have made quite a bit of progress wordcount-wise and", "quality. It is currently not an option for me to slow down my", "have a high daily output of words but also have said words be", "said words be of a high quality. It is currently not an option", "how I am feeling or how good I think the writing is coming", "of how I am feeling or how good I think the writing is", "a professional writer \"which is my career goal\" I will have to be", "order to become a professional writer \"which is my career goal\" I will", "deadline. Heck, I will even admit that in the past I have written", "quite a bit of progress wordcount-wise and have gotten near the end of", "out via personal experience that the quality of my writing takes a nose", "coming out. Using this method, I have made quite a bit of progress", "a high quality. It is currently not an option for me to slow", "or how good I think the writing is coming out. Using this method,", "my writing routine out of necessity: my second year of college is coming", "the last two weeks or so, I have forced myself to try and", "method, I have made quite a bit of progress wordcount-wise and have gotten", "to be able to write under deadlines all the time. But, I have", "deadlines all the time. But, I have simply never been able to find", "last few days. I have found out via personal experience that the quality", "quite a bit of progress in writing my book. For the last two", "writer \"which is my career goal\" I will have to be able to", "have enough time to write during the fall. I guess what I'm trying", "I won't have enough time to write during the fall. I guess what", "myself to try and write at least 2,000 words a day, regardless of", "output of words but also have said words be of a high quality.", "bit of progress in writing my book. For the last two weeks or", "where I not only have a high daily output of words but also", "find a \"groove\" where I not only have a high daily output of", "I have made quite a bit of progress in writing my book. For", "However, although I have made a lot of progress in sheer word count,", "my second year of college is coming up and I won't have enough", "on some days. Furthermore, due to the fact that I'm a pantser, the", "have made quite a bit of progress wordcount-wise and have gotten near the", "under deadlines all the time. But, I have simply never been able to", "to write during the fall. I guess what I'm trying to ask is", "either have to discard an entire large section of finished writing, or spend", "a while, I have made quite a bit of progress in writing my", "I am feeling or how good I think the writing is coming out.", "\"which is my career goal\" I will have to be able to write", "discard an entire large section of finished writing, or spend time re-writing that", "progress in writing my book. For the last two weeks or so, I", "I have made a lot of progress in sheer word count, I have", "ask is this: how can I learn how to write high-quality stories while", "can I learn how to write high-quality stories while also writing under a", "never been able to find a \"groove\" where I not only have a", "good I think the writing is coming out. Using this method, I have", "of my writing takes a nose dive if I force myself to write", "count, I have found that the quality of my writing has greatly suffered", "bit of progress wordcount-wise and have gotten near the end of the first", "Furthermore, due to the fact that I'm a pantser, the effect of my", "if I force myself to write under a deadline. Heck, I will even", "fact that I'm a pantser, the effect of my bad writing has a", "the first act of my first book. However, although I have made a", "finished writing, or spend time re-writing that I could have used making new", "the first time in a while, I have made quite a bit of", "only have a high daily output of words but also have said words", "over the last few days. I have found out via personal experience that", "words a day, regardless of how I am feeling or how good I", "just to reach the word count deadline on some days. Furthermore, due to", "while, I have made quite a bit of progress in writing my book.", "progress wordcount-wise and have gotten near the end of the first act of", "day, regardless of how I am feeling or how good I think the", "of my writing has greatly suffered over the last few days. I have", "deadline on some days. Furthermore, due to the fact that I'm a pantser,", "write under deadlines all the time. But, I have simply never been able", "greatly suffered over the last few days. I have found out via personal", "writing has greatly suffered over the last few days. I have found out", "first book. However, although I have made a lot of progress in sheer", "a lot of progress in sheer word count, I have found that the", "I have established my writing routine out of necessity: my second year of", "necessity: my second year of college is coming up and I won't have", "personal experience that the quality of my writing takes a nose dive if", "have to be able to write under deadlines all the time. But, I", "first act of my first book. However, although I have made a lot", "the fact that I have established my writing routine out of necessity: my", "of my bad writing has a rippling effect: If I have an off", "understand that, in order to become a professional writer \"which is my career", "an off day and write something terrible, I either have to discard an", "professional writer \"which is my career goal\" I will have to be able", "have found that the quality of my writing has greatly suffered over the", "a high daily output of words but also have said words be of", "the writing is coming out. Using this method, I have made quite a", "write during the fall. I guess what I'm trying to ask is this:", "writing is coming out. Using this method, I have made quite a bit", "via personal experience that the quality of my writing takes a nose dive", "what I'm trying to ask is this: how can I learn how to", "to find a \"groove\" where I not only have a high daily output", "effect of my bad writing has a rippling effect: If I have an", "how good I think the writing is coming out. Using this method, I", "or so, I have forced myself to try and write at least 2,000", "fall. I guess what I'm trying to ask is this: how can I", "during the fall. I guess what I'm trying to ask is this: how", "write something terrible, I either have to discard an entire large section of", "I understand that, in order to become a professional writer \"which is my", "not only have a high daily output of words but also have said", "although I have made a lot of progress in sheer word count, I", "regardless of how I am feeling or how good I think the writing", "time in a while, I have made quite a bit of progress in", "time to write during the fall. I guess what I'm trying to ask", "For the first time in a while, I have made quite a bit", "college is coming up and I won't have enough time to write during", "currently not an option for me to slow down my current pace due", "up and I won't have enough time to write during the fall. I", "career goal\" I will have to be able to write under deadlines all", "pantser, the effect of my bad writing has a rippling effect: If I", "effect: If I have an off day and write something terrible, I either", "established my writing routine out of necessity: my second year of college is", "and have gotten near the end of the first act of my first", "of progress in sheer word count, I have found that the quality of", "forced myself to try and write at least 2,000 words a day, regardless", "of words but also have said words be of a high quality. It", "but also have said words be of a high quality. It is currently", "even admit that in the past I have written random gibberish just to", "have gotten near the end of the first act of my first book.", "I have an off day and write something terrible, I either have to", "count deadline on some days. Furthermore, due to the fact that I'm a", "be of a high quality. It is currently not an option for me", "the fact that I'm a pantser, the effect of my bad writing has", "myself to write under a deadline. Heck, I will even admit that in", "out of necessity: my second year of college is coming up and I", "nose dive if I force myself to write under a deadline. Heck, I", "my career goal\" I will have to be able to write under deadlines", "re-writing that I could have used making new prose. I understand that, in", "takes a nose dive if I force myself to write under a deadline.", "words be of a high quality. It is currently not an option for", "the fall. I guess what I'm trying to ask is this: how can", "I have made quite a bit of progress wordcount-wise and have gotten near" ]
[ "where two older theories are getting merged and refined to create this new", "theory, where two older theories are getting merged and refined to create this", "sound redundant? Isn't evolution already something that comes next? I'm editing an article", "I'm editing an article and the author talks about the \"next evolution\" of", "and the author talks about the \"next evolution\" of a theory, where two", "this new approach. To me the \"next evolution\" hits the ear wrong. What", "evolution\" sound redundant? Isn't evolution already something that comes next? I'm editing an", "author talks about the \"next evolution\" of a theory, where two older theories", "next? I'm editing an article and the author talks about the \"next evolution\"", "evolution\" of a theory, where two older theories are getting merged and refined", "theories are getting merged and refined to create this new approach. To me", "new approach. To me the \"next evolution\" hits the ear wrong. What do", "Does saying \"next evolution\" sound redundant? Isn't evolution already something that comes next?", "of a theory, where two older theories are getting merged and refined to", "the author talks about the \"next evolution\" of a theory, where two older", "talks about the \"next evolution\" of a theory, where two older theories are", "saying \"next evolution\" sound redundant? Isn't evolution already something that comes next? I'm", "an article and the author talks about the \"next evolution\" of a theory,", "a theory, where two older theories are getting merged and refined to create", "\"next evolution\" of a theory, where two older theories are getting merged and", "getting merged and refined to create this new approach. To me the \"next", "merged and refined to create this new approach. To me the \"next evolution\"", "\"next evolution\" sound redundant? Isn't evolution already something that comes next? I'm editing", "editing an article and the author talks about the \"next evolution\" of a", "something that comes next? I'm editing an article and the author talks about", "that comes next? I'm editing an article and the author talks about the", "about the \"next evolution\" of a theory, where two older theories are getting", "Isn't evolution already something that comes next? I'm editing an article and the", "refined to create this new approach. To me the \"next evolution\" hits the", "comes next? I'm editing an article and the author talks about the \"next", "two older theories are getting merged and refined to create this new approach.", "approach. To me the \"next evolution\" hits the ear wrong. What do you", "to create this new approach. To me the \"next evolution\" hits the ear", "me the \"next evolution\" hits the ear wrong. What do you all think?", "redundant? Isn't evolution already something that comes next? I'm editing an article and", "To me the \"next evolution\" hits the ear wrong. What do you all", "older theories are getting merged and refined to create this new approach. To", "are getting merged and refined to create this new approach. To me the", "evolution already something that comes next? I'm editing an article and the author", "article and the author talks about the \"next evolution\" of a theory, where", "and refined to create this new approach. To me the \"next evolution\" hits", "the \"next evolution\" of a theory, where two older theories are getting merged", "create this new approach. To me the \"next evolution\" hits the ear wrong.", "already something that comes next? I'm editing an article and the author talks" ]
[ "if it should be a fc or Prologue were I to include it).", "the fc interesting? What are 3 useful tips when writing it and what", "on how the Protagonist entered the village, bringing with her the disease. ", "a plan but it doesn't contain any action, something that I know from", "alternative is to give a Prologue about how the apocalypse started (though I", "incredibly boring but made a little more interesting due to the fact it's", "how the Protagonist entered the village, bringing with her the disease. Simply", "key characters and their home, something that does sound incredibly boring but made", "potentially use are: * Description on how the virus was released and the", "case I would describe the village and what life is like living in", "the apocalypse started (though I don't know if it should be a fc", "know if it should be a fc or Prologue were I to include", "experience should be in the fc to capture the reader's excitement. I was", "dystopian setting. The main character's backstory is very interesting but I was intending", "what life is like living in the post-apocalypse. Any ideas on how else", "to make it interesting. In this case I would describe the village and", "give a Prologue about how the apocalypse started (though I don't know if", "home, something that does sound incredibly boring but made a little more interesting", "are: * Description on how the virus was released and the effect of", "were I to include it). The main ideas I could potentially use are:", "contain any action, something that I know from experience should be in the", "it should be a fc or Prologue were I to include it). The", "bringing with her the disease. * Simply starting the story without any of", "have a plan but it doesn't contain any action, something that I know", "struggling with my first chapter (fc). I have a plan but it doesn't", "life is like living in the post-apocalypse. Any ideas on how else I", "I could add action/make the fc interesting? What are 3 useful tips when", "* Description on how the Protagonist entered the village, bringing with her the", "made a little more interesting due to the fact it's a dystopian setting.", "* Description on how the virus was released and the effect of this", "like living in the post-apocalypse. Any ideas on how else I could add", "a Prologue about how the apocalypse started (though I don't know if it", "else I could add action/make the fc interesting? What are 3 useful tips", "I was intending to reveal it a few chapters in, rather than introduce", "add action/make the fc interesting? What are 3 useful tips when writing it", "how the apocalypse started (though I don't know if it should be a", "her the disease. * Simply starting the story without any of the above", "What are 3 useful tips when writing it and what are 3 things", "starting the story without any of the above information but finding some way", "some way to make it interesting. In this case I would describe the", "Prologue were I to include it). The main ideas I could potentially use", "the story without any of the above information but finding some way to", "don't know if it should be a fc or Prologue were I to", "by introducing the key characters and their home, something that does sound incredibly", "skip). Another alternative is to give a Prologue about how the apocalypse started", "the fc (as a time skip). Another alternative is to give a Prologue", "of the above information but finding some way to make it interesting. In", "something that does sound incredibly boring but made a little more interesting due", "more interesting due to the fact it's a dystopian setting. The main character's", "ideas I could potentially use are: * Description on how the virus was", "the population. * Description on how the Protagonist entered the village, bringing with", "introducing the key characters and their home, something that does sound incredibly boring", "fc or Prologue were I to include it). The main ideas I could", "that I know from experience should be in the fc to capture the", "boring but made a little more interesting due to the fact it's a", "make it interesting. In this case I would describe the village and what", "population. * Description on how the Protagonist entered the village, bringing with her", "apocalypse started (though I don't know if it should be a fc or", "characters and their home, something that does sound incredibly boring but made a", "was released and the effect of this on the population. * Description on", "chapters in, rather than introduce it in the fc (as a time skip).", "any of the above information but finding some way to make it interesting.", "this case I would describe the village and what life is like living", "the key characters and their home, something that does sound incredibly boring but", "with my first chapter (fc). I have a plan but it doesn't contain", "capture the reader's excitement. I was going to start by introducing the key", "their home, something that does sound incredibly boring but made a little more", "be in the fc to capture the reader's excitement. I was going to", "the reader's excitement. I was going to start by introducing the key characters", "village and what life is like living in the post-apocalypse. Any ideas on", "action, something that I know from experience should be in the fc to", "from experience should be in the fc to capture the reader's excitement. I", "fc (as a time skip). Another alternative is to give a Prologue about", "village, bringing with her the disease. * Simply starting the story without any", "information but finding some way to make it interesting. In this case I", "could add action/make the fc interesting? What are 3 useful tips when writing", "Any ideas on how else I could add action/make the fc interesting? What", "reader's excitement. I was going to start by introducing the key characters and", "interesting. In this case I would describe the village and what life is", "few chapters in, rather than introduce it in the fc (as a time", "I to include it). The main ideas I could potentially use are: ", "and their home, something that does sound incredibly boring but made a little", "would describe the village and what life is like living in the post-apocalypse.", "backstory is very interesting but I was intending to reveal it a few", "is like living in the post-apocalypse. Any ideas on how else I could", "reveal it a few chapters in, rather than introduce it in the fc", "main character's backstory is very interesting but I was intending to reveal it", "any action, something that I know from experience should be in the fc", "above information but finding some way to make it interesting. In this case", "or Prologue were I to include it). The main ideas I could potentially", "Description on how the Protagonist entered the village, bringing with her the disease.", "I don't know if it should be a fc or Prologue were I", "fact it's a dystopian setting. The main character's backstory is very interesting but", "(fc). I have a plan but it doesn't contain any action, something that", "interesting? What are 3 useful tips when writing it and what are 3", "chapter (fc). I have a plan but it doesn't contain any action, something", "is very interesting but I was intending to reveal it a few chapters", "started (though I don't know if it should be a fc or Prologue", "little more interesting due to the fact it's a dystopian setting. The main", "a fc or Prologue were I to include it). The main ideas I", "with her the disease. Simply starting the story without any of the", "without any of the above information but finding some way to make it", "doesn't contain any action, something that I know from experience should be in", "use are: * Description on how the virus was released and the effect", "fc interesting? What are 3 useful tips when writing it and what are", "excitement. I was going to start by introducing the key characters and their", "Another alternative is to give a Prologue about how the apocalypse started (though", "main ideas I could potentially use are: * Description on how the virus", "describe the village and what life is like living in the post-apocalypse. Any", "in, rather than introduce it in the fc (as a time skip). Another", "include it). The main ideas I could potentially use are: * Description on", "introduce it in the fc (as a time skip). Another alternative is to", "living in the post-apocalypse. Any ideas on how else I could add action/make", "the Protagonist entered the village, bringing with her the disease. * Simply starting", "the virus was released and the effect of this on the population. ", "are 3 useful tips when writing it and what are 3 things that", "it's a dystopian setting. The main character's backstory is very interesting but I", "finding some way to make it interesting. In this case I would describe", "know from experience should be in the fc to capture the reader's excitement.", "way to make it interesting. In this case I would describe the village", "The main character's backstory is very interesting but I was intending to reveal", "released and the effect of this on the population. Description on how", "Protagonist entered the village, bringing with her the disease. * Simply starting the", "in the fc to capture the reader's excitement. I was going to start", "setting. The main character's backstory is very interesting but I was intending to", "effect of this on the population. * Description on how the Protagonist entered", "a dystopian setting. The main character's backstory is very interesting but I was", "* Simply starting the story without any of the above information but finding", "Description on how the virus was released and the effect of this on", "Simply starting the story without any of the above information but finding some", "of this on the population. * Description on how the Protagonist entered the", "to reveal it a few chapters in, rather than introduce it in the", "to include it). The main ideas I could potentially use are: * Description", "the effect of this on the population. * Description on how the Protagonist", "to give a Prologue about how the apocalypse started (though I don't know", "rather than introduce it in the fc (as a time skip). Another alternative", "it interesting. In this case I would describe the village and what life", "that does sound incredibly boring but made a little more interesting due to", "it). The main ideas I could potentially use are: * Description on how", "first chapter (fc). I have a plan but it doesn't contain any action,", "intending to reveal it a few chapters in, rather than introduce it in", "story without any of the above information but finding some way to make", "the village, bringing with her the disease. * Simply starting the story without", "than introduce it in the fc (as a time skip). Another alternative is", "I would describe the village and what life is like living in the", "when writing it and what are 3 things that should be included in", "in the post-apocalypse. Any ideas on how else I could add action/make the", "character's backstory is very interesting but I was intending to reveal it a", "I have a plan but it doesn't contain any action, something that I", "should be in the fc to capture the reader's excitement. I was going", "was intending to reveal it a few chapters in, rather than introduce it", "The main ideas I could potentially use are: * Description on how the", "the fc to capture the reader's excitement. I was going to start by", "a little more interesting due to the fact it's a dystopian setting. The", "writing it and what are 3 things that should be included in it?", "it in the fc (as a time skip). Another alternative is to give", "on the population. * Description on how the Protagonist entered the village, bringing", "but it doesn't contain any action, something that I know from experience should", "be a fc or Prologue were I to include it). The main ideas", "could potentially use are: * Description on how the virus was released and", "I'm struggling with my first chapter (fc). I have a plan but it", "to the fact it's a dystopian setting. The main character's backstory is very", "In this case I would describe the village and what life is like", "(as a time skip). Another alternative is to give a Prologue about how", "does sound incredibly boring but made a little more interesting due to the", "interesting due to the fact it's a dystopian setting. The main character's backstory", "plan but it doesn't contain any action, something that I know from experience", "going to start by introducing the key characters and their home, something that", "ideas on how else I could add action/make the fc interesting? What are", "but finding some way to make it interesting. In this case I would", "about how the apocalypse started (though I don't know if it should be", "how else I could add action/make the fc interesting? What are 3 useful", "start by introducing the key characters and their home, something that does sound", "on how the virus was released and the effect of this on the", "post-apocalypse. Any ideas on how else I could add action/make the fc interesting?", "useful tips when writing it and what are 3 things that should be", "Prologue about how the apocalypse started (though I don't know if it should", "should be a fc or Prologue were I to include it). The main", "it a few chapters in, rather than introduce it in the fc (as", "virus was released and the effect of this on the population. * Description", "on how else I could add action/make the fc interesting? What are 3", "something that I know from experience should be in the fc to capture", "a time skip). Another alternative is to give a Prologue about how the", "to start by introducing the key characters and their home, something that does", "is to give a Prologue about how the apocalypse started (though I don't", "interesting but I was intending to reveal it a few chapters in, rather", "in the fc (as a time skip). Another alternative is to give a", "time skip). Another alternative is to give a Prologue about how the apocalypse", "(though I don't know if it should be a fc or Prologue were", "3 useful tips when writing it and what are 3 things that should", "fc to capture the reader's excitement. I was going to start by introducing", "sound incredibly boring but made a little more interesting due to the fact", "to capture the reader's excitement. I was going to start by introducing the", "and what life is like living in the post-apocalypse. Any ideas on how", "I know from experience should be in the fc to capture the reader's", "and the effect of this on the population. * Description on how the", "was going to start by introducing the key characters and their home, something", "but I was intending to reveal it a few chapters in, rather than", "this on the population. * Description on how the Protagonist entered the village,", "I could potentially use are: * Description on how the virus was released", "the village and what life is like living in the post-apocalypse. Any ideas", "the above information but finding some way to make it interesting. In this", "due to the fact it's a dystopian setting. The main character's backstory is", "disease. * Simply starting the story without any of the above information but", "how the virus was released and the effect of this on the population.", "the post-apocalypse. Any ideas on how else I could add action/make the fc", "a few chapters in, rather than introduce it in the fc (as a", "the fact it's a dystopian setting. The main character's backstory is very interesting", "action/make the fc interesting? What are 3 useful tips when writing it and", "it doesn't contain any action, something that I know from experience should be", "very interesting but I was intending to reveal it a few chapters in,", "the disease. * Simply starting the story without any of the above information", "tips when writing it and what are 3 things that should be included", "but made a little more interesting due to the fact it's a dystopian", "entered the village, bringing with her the disease. * Simply starting the story", "my first chapter (fc). I have a plan but it doesn't contain any", "I was going to start by introducing the key characters and their home," ]
[ "the manuscript, the higher the commissioning cost. It doesn't help that my part-time", "large enough fanbase to make this option viable. Posting my work online on", "most of us, I hope to one day have a book published by", "is dead-end and pays next to nothing, though it does give me a", "Posting my work online on sites such as Wattpad and Royal Road wouldn't", "better is all the horror stories I've heard about traditional publishing. There's talk", "it does give me a lot of time in the evening to write.", "work-in-progress, Borradh, is far larger than anticipated. At the moment, it's about 129,000", "the moment, it's about 129,000 words, with nearly one-third finished. I aim to", "write. I'm not particularly keen on self-publishing, as I don't have a large", "Royal Road wouldn't get me anywhere either since my writing is darker than", "talk about how expensive getting a professional editor can be—the longer the manuscript,", "publishing. There's talk about how expensive getting a professional editor can be—the longer", "a major publishing house. My current work-in-progress, Borradh, is far larger than anticipated.", "nothing, though it does give me a lot of time in the evening", "don't have a large enough fanbase to make this option viable. Posting my", "I hope to one day have a book published by a major publishing", "not particularly keen on self-publishing, as I don't have a large enough fanbase", "me a lot of time in the evening to write. I'm not particularly", "book published by a major publishing house. My current work-in-progress, Borradh, is far", "darker than smut and wish fulfilment stories usually found on those platforms; most", "get me anywhere either since my writing is darker than smut and wish", "words, with nearly one-third finished. I aim to complete it in around fifty", "nearly one-third finished. I aim to complete it in around fifty or sixty", "make this option viable. Posting my work online on sites such as Wattpad", "it in around fifty or sixty chapters. Not making the situation any better", "published by a major publishing house. My current work-in-progress, Borradh, is far larger", "does give me a lot of time in the evening to write. I'm", "traditional publishing. There's talk about how expensive getting a professional editor can be—the", "cost. It doesn't help that my part-time job is dead-end and pays next", "about 129,000 words, with nearly one-third finished. I aim to complete it in", "one day have a book published by a major publishing house. My current", "At the moment, it's about 129,000 words, with nearly one-third finished. I aim", "work online on sites such as Wattpad and Royal Road wouldn't get me", "longer the manuscript, the higher the commissioning cost. It doesn't help that my", "I'm not particularly keen on self-publishing, as I don't have a large enough", "129,000 words, with nearly one-third finished. I aim to complete it in around", "lot of time in the evening to write. I'm not particularly keen on", "since my writing is darker than smut and wish fulfilment stories usually found", "a book published by a major publishing house. My current work-in-progress, Borradh, is", "higher the commissioning cost. It doesn't help that my part-time job is dead-end", "pays next to nothing, though it does give me a lot of time", "in around fifty or sixty chapters. Not making the situation any better is", "on self-publishing, as I don't have a large enough fanbase to make this", "enough fanbase to make this option viable. Posting my work online on sites", "part-time job is dead-end and pays next to nothing, though it does give", "can be—the longer the manuscript, the higher the commissioning cost. It doesn't help", "finished. I aim to complete it in around fifty or sixty chapters. Not", "professional editor can be—the longer the manuscript, the higher the commissioning cost. It", "I aim to complete it in around fifty or sixty chapters. Not making", "in the evening to write. I'm not particularly keen on self-publishing, as I", "manuscript, the higher the commissioning cost. It doesn't help that my part-time job", "is all the horror stories I've heard about traditional publishing. There's talk about", "than smut and wish fulfilment stories usually found on those platforms; most women", "anticipated. At the moment, it's about 129,000 words, with nearly one-third finished. I", "as Wattpad and Royal Road wouldn't get me anywhere either since my writing", "though it does give me a lot of time in the evening to", "dead-end and pays next to nothing, though it does give me a lot", "job is dead-end and pays next to nothing, though it does give me", "or sixty chapters. Not making the situation any better is all the horror", "wouldn't get me anywhere either since my writing is darker than smut and", "my part-time job is dead-end and pays next to nothing, though it does", "on those platforms; most women aren't into this type of material. So, where", "to nothing, though it does give me a lot of time in the", "of time in the evening to write. I'm not particularly keen on self-publishing,", "heard about traditional publishing. There's talk about how expensive getting a professional editor", "any better is all the horror stories I've heard about traditional publishing. There's", "a professional editor can be—the longer the manuscript, the higher the commissioning cost.", "and pays next to nothing, though it does give me a lot of", "evening to write. I'm not particularly keen on self-publishing, as I don't have", "Road wouldn't get me anywhere either since my writing is darker than smut", "major publishing house. My current work-in-progress, Borradh, is far larger than anticipated. At", "is darker than smut and wish fulfilment stories usually found on those platforms;", "either since my writing is darker than smut and wish fulfilment stories usually", "viable. Posting my work online on sites such as Wattpad and Royal Road", "I've heard about traditional publishing. There's talk about how expensive getting a professional", "those platforms; most women aren't into this type of material. So, where do", "self-publishing, as I don't have a large enough fanbase to make this option", "stories I've heard about traditional publishing. There's talk about how expensive getting a", "I don't have a large enough fanbase to make this option viable. Posting", "have a large enough fanbase to make this option viable. Posting my work", "the evening to write. I'm not particularly keen on self-publishing, as I don't", "option viable. Posting my work online on sites such as Wattpad and Royal", "keen on self-publishing, as I don't have a large enough fanbase to make", "chapters. Not making the situation any better is all the horror stories I've", "My current work-in-progress, Borradh, is far larger than anticipated. At the moment, it's", "hope to one day have a book published by a major publishing house.", "anywhere either since my writing is darker than smut and wish fulfilment stories", "the horror stories I've heard about traditional publishing. There's talk about how expensive", "the situation any better is all the horror stories I've heard about traditional", "that my part-time job is dead-end and pays next to nothing, though it", "most women aren't into this type of material. So, where do I go", "day have a book published by a major publishing house. My current work-in-progress,", "sixty chapters. Not making the situation any better is all the horror stories", "far larger than anticipated. At the moment, it's about 129,000 words, with nearly", "is far larger than anticipated. At the moment, it's about 129,000 words, with", "with nearly one-third finished. I aim to complete it in around fifty or", "Wattpad and Royal Road wouldn't get me anywhere either since my writing is", "situation any better is all the horror stories I've heard about traditional publishing.", "Like most of us, I hope to one day have a book published", "aren't into this type of material. So, where do I go from here?", "all the horror stories I've heard about traditional publishing. There's talk about how", "Borradh, is far larger than anticipated. At the moment, it's about 129,000 words,", "one-third finished. I aim to complete it in around fifty or sixty chapters.", "about how expensive getting a professional editor can be—the longer the manuscript, the", "and Royal Road wouldn't get me anywhere either since my writing is darker", "found on those platforms; most women aren't into this type of material. So,", "on sites such as Wattpad and Royal Road wouldn't get me anywhere either", "doesn't help that my part-time job is dead-end and pays next to nothing,", "be—the longer the manuscript, the higher the commissioning cost. It doesn't help that", "than anticipated. At the moment, it's about 129,000 words, with nearly one-third finished.", "expensive getting a professional editor can be—the longer the manuscript, the higher the", "commissioning cost. It doesn't help that my part-time job is dead-end and pays", "to one day have a book published by a major publishing house. My", "it's about 129,000 words, with nearly one-third finished. I aim to complete it", "fanbase to make this option viable. Posting my work online on sites such", "making the situation any better is all the horror stories I've heard about", "online on sites such as Wattpad and Royal Road wouldn't get me anywhere", "give me a lot of time in the evening to write. I'm not", "my writing is darker than smut and wish fulfilment stories usually found on", "usually found on those platforms; most women aren't into this type of material.", "the commissioning cost. It doesn't help that my part-time job is dead-end and", "larger than anticipated. At the moment, it's about 129,000 words, with nearly one-third", "how expensive getting a professional editor can be—the longer the manuscript, the higher", "have a book published by a major publishing house. My current work-in-progress, Borradh,", "and wish fulfilment stories usually found on those platforms; most women aren't into", "this option viable. Posting my work online on sites such as Wattpad and", "There's talk about how expensive getting a professional editor can be—the longer the", "around fifty or sixty chapters. Not making the situation any better is all", "a lot of time in the evening to write. I'm not particularly keen", "by a major publishing house. My current work-in-progress, Borradh, is far larger than", "wish fulfilment stories usually found on those platforms; most women aren't into this", "such as Wattpad and Royal Road wouldn't get me anywhere either since my", "aim to complete it in around fifty or sixty chapters. Not making the", "publishing house. My current work-in-progress, Borradh, is far larger than anticipated. At the", "complete it in around fifty or sixty chapters. Not making the situation any", "current work-in-progress, Borradh, is far larger than anticipated. At the moment, it's about", "help that my part-time job is dead-end and pays next to nothing, though", "smut and wish fulfilment stories usually found on those platforms; most women aren't", "platforms; most women aren't into this type of material. So, where do I", "me anywhere either since my writing is darker than smut and wish fulfilment", "next to nothing, though it does give me a lot of time in", "about traditional publishing. There's talk about how expensive getting a professional editor can", "us, I hope to one day have a book published by a major", "It doesn't help that my part-time job is dead-end and pays next to", "fifty or sixty chapters. Not making the situation any better is all the", "of us, I hope to one day have a book published by a", "getting a professional editor can be—the longer the manuscript, the higher the commissioning", "fulfilment stories usually found on those platforms; most women aren't into this type", "time in the evening to write. I'm not particularly keen on self-publishing, as", "editor can be—the longer the manuscript, the higher the commissioning cost. It doesn't", "horror stories I've heard about traditional publishing. There's talk about how expensive getting", "to make this option viable. Posting my work online on sites such as", "particularly keen on self-publishing, as I don't have a large enough fanbase to", "the higher the commissioning cost. It doesn't help that my part-time job is", "a large enough fanbase to make this option viable. Posting my work online", "moment, it's about 129,000 words, with nearly one-third finished. I aim to complete", "to write. I'm not particularly keen on self-publishing, as I don't have a", "Not making the situation any better is all the horror stories I've heard", "women aren't into this type of material. So, where do I go from", "my work online on sites such as Wattpad and Royal Road wouldn't get", "to complete it in around fifty or sixty chapters. Not making the situation", "stories usually found on those platforms; most women aren't into this type of", "as I don't have a large enough fanbase to make this option viable.", "writing is darker than smut and wish fulfilment stories usually found on those", "sites such as Wattpad and Royal Road wouldn't get me anywhere either since", "house. My current work-in-progress, Borradh, is far larger than anticipated. At the moment," ]
[ "a story inspired by the 2010 South Korean movie called [I Saw the", "before he gives up on his quest for his vengeance? I want my", "my story are restorative justice vs retributive justice. The philosophy of restorative justice", "commit suicide at the end of the story because of his inability to", "what are the various methods I can use to ensure that my readers", "for an indefinite period of time. His goal is too abstract, vague, and", "I'm working on ways to give my story thrilling action scenes, but I", "inspired by the 2010 South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The", "and not concrete in any conceivable way. In other words, Kim's goal has", "that revenge turns one into a monster. I think the theme topics are", "highly repetitive because of a lack of quantifiable progress made toward achieving the", "of ways I can turn my protagonist's goal of revenge into a quantifiable", "the progress Kim makes toward achieving his goal. Moreover, each and every torture", "In I Saw the Devil, Kim's, the protagonist's, goal is the weakest part", "turn my protagonist's abstract goal into a measurable concrete goal so that my", "and I want to maximize my story's tension. I also want to include", "but he was a lonely virgin. The theme of my story is that", "a torture scene brings him any closer to a sense of closure or", "overcome one's grief through restorative justice. The theme topics of my story are", "I Saw the Devil is that revenge turns one into a monster. I", "of the story because of his inability to overcome his need for vengeance", "ensure that my readers will know when my protagonist will have achieved his", "FBI agent had a beautiful girlfriend, but he was a lonely virgin. The", "scene brings him any closer to a sense of closure or helps him", "fundamentally flawed, but I'm stubborn, and I still want to write it. I", "protagonist to eventually change his goal from revenge to restorative justice when giving", "The incel serial killer will commit suicide at the end of the story", "is to torture Jaqh for an indefinite period of time. His goal is", "have achieved his act of revenge? My story is a horror thriller and", "kidnaps and releases Jaqh multiple times throughout the movie to psychologically torture him.", "revenge? And what are the various methods I can use to ensure that", "an incel serial killer who murdered his fiancee. The incel murdered the agent's", "story is that one can only overcome one's grief through restorative justice. The", "revenge to restorative justice when giving up on his goal of revenge. But", "goal into a measurable concrete goal so that my readers know when my", "various methods I can use to ensure that my readers will know when", "of revenge into a quantifiable goal with a definitive beginning, middle, and end?", "every catch and release, there's still so very little tension in the movie.", "to ensure that my readers will know when my protagonist will have achieved", "a bit of a thrilling aspect to the chase of every catch and", "some ultraviolent scenes in my story like some of Kim's revenge scenes in", "a sense of closure or helps him overcome his grief over his fiancée’s", "or quantifiable event or by a limited number of chronological events in the", "indefinite period of time. His goal is too abstract, vague, and not concrete", "revenge he has a tangible way of achieving it. I feel that my", "agent called Kim Soo-Hyun who enacts his revenge on a serial killer called", "of time. His goal is too abstract, vague, and not concrete in any", "that one can only overcome one's grief through restorative justice. The theme topics", "quantifiable goal with a definitive beginning, middle, and end? In other words, what", "sure that when he's pursuing his goal of revenge he has a tangible", "that the FBI agent had a beautiful girlfriend, but he was a lonely", "never know if Kim is making progress toward his goal of avenging his", "thrilling aspect to the chase of every catch and release, there's still so", "goal of revenge he has a tangible way of achieving it. I feel", "lack of quantifiable progress made toward achieving the protagonist's goal. Even though Kim", "The movie is about a secret service agent called Kim Soo-Hyun who enacts", "feel that my story is fundamentally flawed, but I'm stubborn, and I still", "an indefinite period of time. His goal is too abstract, vague, and not", "theme of my story is that one can only overcome one's grief through", "same problem as I Saw the Devil. In I Saw the Devil, Kim's,", "his fiancee. The incel murdered the agent's fiancee because he was jealous of", "what are some examples of ways I can turn my protagonist's abstract goal", "change his goal from revenge to restorative justice when giving up on his", "no physical manifestation, and it cannot be represented by a single measurable or", "is that one can only overcome one's grief through restorative justice. The theme", "I want my protagonist to eventually change his goal from revenge to restorative", "abstract, vague, and not concrete in any conceivable way. In other words, Kim's", "maximize my story's tension. I also want to include some ultraviolent scenes in", "Kim's, the protagonist's, goal is the weakest part of the story. His goal", "I think the theme topics are revenge vs personal humanity (or integrity), but", "2010 South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about", "is about an FBI agent who wants to get revenge on an incel", "beginning, middle, and end? In other words, what are some examples of ways", "eventually change his goal from revenge to restorative justice when giving up on", "tell when a torture scene brings him any closer to a sense of", "fact that the FBI agent had a beautiful girlfriend, but he was a", "protagonist's goal. Even though Kim tortures Jaqh in a variety of locations and", "times throughout the movie to psychologically torture him. The theme of I Saw", "can only overcome one's grief through restorative justice. The theme topics of my", "my story thrilling action scenes, but I want to have more character development", "I'm stubborn, and I still want to write it. I don't want to", "protagonist will have achieved his act of revenge? My story is a horror", "fiancee. In I Saw the Devil, we never know if Kim is making", "about a secret service agent called Kim Soo-Hyun who enacts his revenge on", "My story is about an FBI agent who wants to get revenge on", "his need for vengeance against womankind. My story has the same problem as", "very little tension in the movie. I'm working on ways to give my", "with a definitive beginning, middle, and end? In other words, what are some", "my protagonist's abstract goal into a measurable concrete goal so that my readers", "that my readers will know when my protagonist will have achieved his act", "by the 2010 South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie", "use to ensure that my readers will know when my protagonist will have", "be represented by a single measurable or quantifiable event or by a limited", "his dead fiancée because there's no possible way to tell when a torture", "for me to determine what amount of torture and physical suffering my protagonist", "had the goal of torturing the killer who murdered his fiancee. In I", "can turn my protagonist's goal of revenge into a quantifiable goal with a", "story has the same problem as I Saw the Devil. In I Saw", "the Devil, Kim's, the protagonist's, goal is the weakest part of the story.", "the Devil, we never know if Kim is making progress toward his goal", "of torturing the killer who murdered his fiancee. In I Saw the Devil,", "justice. The philosophy of restorative justice eventually wins. At the end of my", "revenge scenes in the Korean movie. What are the various kinds of ways", "making progress toward accomplishing his goal of revenge? And what are the various", "his act of revenge? My story is a horror thriller and I need", "his goal. Moreover, each and every torture scene feels highly repetitive because of", "him. The theme of I Saw the Devil* is that revenge turns one", "include some ultraviolent scenes in my story like some of Kim's revenge scenes", "(or integrity), but the plot is very messy and doesn't really support the", "what amount of torture and physical suffering my protagonist can put my antagonist", "in my story, and I want to maximize my story's tension. I also", "end of my story, the serial killer's father will ask the FBI agent", "secret service agent called Kim Soo-Hyun who enacts his revenge on a serial", "goal is too abstract, vague, and not concrete in any conceivable way. In", "writing a story inspired by the 2010 South Korean movie called [I Saw", "Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret", "was a lonely virgin. The theme of my story is that one can", "chronological events in the plot. My protagonist, the FBI agent, like Kim, had", "Kim is making progress toward his goal of avenging his dead fiancée because", "South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a", "into a monster. I think the theme topics are revenge vs personal humanity", "a horror thriller and I need it to be a very violent story.", "put my antagonist through before he gives up on his quest for his", "one into a monster. I think the theme topics are revenge vs personal", "of torture and physical suffering my protagonist can put my antagonist through before", "it to be a very violent story. Is there a way for me", "called Kim Soo-Hyun who enacts his revenge on a serial killer called Jaqh", "various kinds of ways I can turn my protagonist's goal of revenge into", "Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun. Kim kidnaps and releases Jaqh", "thriller and I need it to be a very violent story. Is there", "murdered his fiancée, Joo-Yun. Kim kidnaps and releases Jaqh multiple times throughout the", "way. In other words, Kim's goal has no physical manifestation, and it cannot", "write it. I don't want to give up on my story, so any", "each and every torture scene feels highly repetitive because of a lack of", "revenge. But I also want to make sure that when he's pursuing his", "protagonist's abstract goal into a measurable concrete goal so that my readers know", "there's still so very little tension in the movie. I'm working on ways", "in the movie. I'm working on ways to give my story thrilling action", "quantify the progress Kim makes toward achieving his goal. Moreover, each and every", "tension. I also want to include some ultraviolent scenes in my story like", "up on my story, so any suggestions would really be appreciated. Thank you.", "the protagonist's goal. Even though Kim tortures Jaqh in a variety of locations", "when my protagonist is making progress toward accomplishing his goal of revenge? And", "my protagonist is making progress toward accomplishing his goal of revenge? And what", "murdered his fiancee. In I Saw the Devil, we never know if Kim", "of my story is that one can only overcome one's grief through restorative", "of ways I can turn my protagonist's abstract goal into a measurable concrete", "fiancée because there's no possible way to tell when a torture scene brings", "releases Jaqh multiple times throughout the movie to psychologically torture him. The theme", "a limited number of chronological events in the plot. My protagonist, the FBI", "the Korean movie. What are the various kinds of ways I can turn", "protagonist can put my antagonist through before he gives up on his quest", "Jaqh for an indefinite period of time. His goal is too abstract, vague,", "is fundamentally flawed, but I'm stubborn, and I still want to write it.", "At the end of my story, the serial killer's father will ask the", "Is there a way for me to determine what amount of torture and", "story is a horror thriller and I need it to be a very", "has the same problem as I Saw the Devil. In I Saw the", "story is about an FBI agent who wants to get revenge on an", "integrity), but the plot is very messy and doesn't really support the theme", "serial killer will commit suicide at the end of the story because of", "it. I feel that my story is fundamentally flawed, but I'm stubborn, and", "who murdered his fiancee. The incel murdered the agent's fiancee because he was", "manifestation, and it cannot be represented by a single measurable or quantifiable event", "enacts his revenge on a serial killer called Jaqh Kyung-Chul for having murdered", "act of revenge? My story is a horror thriller and I need it", "agent had a beautiful girlfriend, but he was a lonely virgin. The theme", "quantifiable event or by a limited number of chronological events in the plot.", "against womankind. My story has the same problem as I Saw the Devil.", "up on his quest for his vengeance? I want my protagonist to eventually", "way to tell when a torture scene brings him any closer to a", "the theme topics are revenge vs personal humanity (or integrity), but the plot", "the FBI agent had a beautiful girlfriend, but he was a lonely virgin.", "ultraviolent scenes in my story like some of Kim's revenge scenes in the", "the weakest part of the story. His goal is to torture Jaqh for", "throughout the movie to psychologically torture him. The theme of I Saw the", "makes toward achieving his goal. Moreover, each and every torture scene feels highly", "other words, Kim's goal has no physical manifestation, and it cannot be represented", "tortures Jaqh in a variety of locations and there's a bit of a", "story because of his inability to overcome his need for vengeance against womankind.", "the fact that the FBI agent had a beautiful girlfriend, but he was", "his fiancee. In I Saw the Devil, we never know if Kim is", "about an FBI agent who wants to get revenge on an incel serial", "vengeance? I want my protagonist to eventually change his goal from revenge to", "to include some ultraviolent scenes in my story like some of Kim's revenge", "readers know when my protagonist is making progress toward accomplishing his goal of", "that when he's pursuing his goal of revenge he has a tangible way", "story. Is there a way for me to determine what amount of torture", "torture scene feels highly repetitive because of a lack of quantifiable progress made", "I Saw the Devil in my story, and I want to maximize my", "humanity (or integrity), but the plot is very messy and doesn't really support", "revenge? My story is a horror thriller and I need it to be", "Saw the Devil, Kim's, the protagonist's, goal is the weakest part of the", "we never know if Kim is making progress toward his goal of avenging", "and physical suffering my protagonist can put my antagonist through before he gives", "goal of torturing the killer who murdered his fiancee. In I Saw the", "no possible way to tell when a torture scene brings him any closer", "in a variety of locations and there's a bit of a thrilling aspect", "just no way to quantify the progress Kim makes toward achieving his goal.", "represented by a single measurable or quantifiable event or by a limited number", "violent story. Is there a way for me to determine what amount of", "death. There's just no way to quantify the progress Kim makes toward achieving", "fiancee because he was jealous of the fact that the FBI agent had", "to give my story thrilling action scenes, but I want to have more", "protagonist's goal of revenge into a quantifiable goal with a definitive beginning, middle,", "when he's pursuing his goal of revenge he has a tangible way of", "by a single measurable or quantifiable event or by a limited number of", "when giving up on his goal of revenge. But I also want to", "the FBI agent, like Kim, had the goal of torturing the killer who", "closer to a sense of closure or helps him overcome his grief over", "inability to overcome his need for vengeance against womankind. My story has the", "examples of ways I can turn my protagonist's abstract goal into a measurable", "for having murdered his fiancée, Joo-Yun. Kim kidnaps and releases Jaqh multiple times", "to overcome his need for vengeance against womankind. My story has the same", "my protagonist can put my antagonist through before he gives up on his", "theme topics of my story are restorative justice vs retributive justice. The philosophy", "through restorative justice. The theme topics of my story are restorative justice vs", "conceivable way. In other words, Kim's goal has no physical manifestation, and it", "when a torture scene brings him any closer to a sense of closure", "way for me to determine what amount of torture and physical suffering my", "to psychologically torture him. The theme of I Saw the Devil is that", "know when my protagonist is making progress toward accomplishing his goal of revenge?", "Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent called Kim Soo-Hyun who", "to make sure that when he's pursuing his goal of revenge he has", "is about a secret service agent called Kim Soo-Hyun who enacts his revenge", "Devil, we never know if Kim is making progress toward his goal of", "abstract goal into a measurable concrete goal so that my readers know when", "protagonist, the FBI agent, like Kim, had the goal of torturing the killer", "is a horror thriller and I need it to be a very violent", "any closer to a sense of closure or helps him overcome his grief", "problem as I Saw the Devil. In I Saw the Devil, Kim's, the", "messy and doesn't really support the theme that well. My story is about", "a secret service agent called Kim Soo-Hyun who enacts his revenge on a", "dead fiancée because there's no possible way to tell when a torture scene", "to quantify the progress Kim makes toward achieving his goal. Moreover, each and", "ways I can turn my protagonist's abstract goal into a measurable concrete goal", "I don't want to give up on my story, so any suggestions would", "sense of closure or helps him overcome his grief over his fiancée’s death.", "I still want to write it. I don't want to give up on", "on ways to give my story thrilling action scenes, but I want to", "has a tangible way of achieving it. I feel that my story is", "work with him on an organization dedicated to preventing incel men from becoming", "serial killer who murdered his fiancee. The incel murdered the agent's fiancee because", "there a way for me to determine what amount of torture and physical", "Saw the Devil in my story, and I want to maximize my story's", "not concrete in any conceivable way. In other words, Kim's goal has no", "I want to maximize my story's tension. I also want to include some", "Joo-Yun. Kim kidnaps and releases Jaqh multiple times throughout the movie to psychologically", "limited number of chronological events in the plot. My protagonist, the FBI agent,", "is very messy and doesn't really support the theme that well. My story", "from revenge to restorative justice when giving up on his goal of revenge.", "accomplishing his goal of revenge? And what are the various methods I can", "Devil is that revenge turns one into a monster. I think the theme", "possible way to tell when a torture scene brings him any closer to", "incel men from becoming violent extremists. The incel serial killer will commit suicide", "can turn my protagonist's abstract goal into a measurable concrete goal so that", "the movie to psychologically torture him. The theme of I Saw the Devil", "torture him. The theme of I Saw the Devil is that revenge turns", "the agent's fiancee because he was jealous of the fact that the FBI", "toward accomplishing his goal of revenge? And what are the various methods I", "turn my protagonist's goal of revenge into a quantifiable goal with a definitive", "will have achieved his act of revenge? My story is a horror thriller", "justice eventually wins. At the end of my story, the serial killer's father", "I Saw the Devil, we never know if Kim is making progress toward", "incel serial killer who murdered his fiancee. The incel murdered the agent's fiancee", "to work with him on an organization dedicated to preventing incel men from", "working on ways to give my story thrilling action scenes, but I want", "flawed, but I'm stubborn, and I still want to write it. I don't", "Moreover, each and every torture scene feels highly repetitive because of a lack", "movie. What are the various kinds of ways I can turn my protagonist's", "The theme of I Saw the Devil is that revenge turns one into", "achieving his goal. Moreover, each and every torture scene feels highly repetitive because", "on a serial killer called Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun.", "goal is to torture Jaqh for an indefinite period of time. His goal", "I Saw the Devil. In I Saw the Devil, Kim's, the protagonist's, goal", "father will ask the FBI agent to work with him on an organization", "story thrilling action scenes, but I want to have more character development than", "or helps him overcome his grief over his fiancée’s death. There's just no", "an organization dedicated to preventing incel men from becoming violent extremists. The incel", "time. His goal is too abstract, vague, and not concrete in any conceivable", "will know when my protagonist will have achieved his act of revenge? My", "called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent", "goal. Even though Kim tortures Jaqh in a variety of locations and there's", "his quest for his vengeance? I want my protagonist to eventually change his", "to maximize my story's tension. I also want to include some ultraviolent scenes", "goal is the weakest part of the story. His goal is to torture", "ways to give my story thrilling action scenes, but I want to have", "of my story are restorative justice vs retributive justice. The philosophy of restorative", "I can use to ensure that my readers will know when my protagonist", "Korean movie. What are the various kinds of ways I can turn my", "a lonely virgin. The theme of my story is that one can only", "as I Saw the Devil. In I Saw the Devil, Kim's, the protagonist's,", "[I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent called", "vs retributive justice. The philosophy of restorative justice eventually wins. At the end", "The theme topics of my story are restorative justice vs retributive justice. The", "really support the theme that well. My story is about an FBI agent", "his goal of revenge? And what are the various methods I can use", "still so very little tension in the movie. I'm working on ways to", "Soo-Hyun who enacts his revenge on a serial killer called Jaqh Kyung-Chul for", "development than I Saw the Devil in my story, and I want to", "to tell when a torture scene brings him any closer to a sense", "know when my protagonist will have achieved his act of revenge? My story", "the various methods I can use to ensure that my readers will know", "suicide at the end of the story because of his inability to overcome", "of chronological events in the plot. My protagonist, the FBI agent, like Kim,", "of locations and there's a bit of a thrilling aspect to the chase", "I can turn my protagonist's goal of revenge into a quantifiable goal with", "But I also want to make sure that when he's pursuing his goal", "made toward achieving the protagonist's goal. Even though Kim tortures Jaqh in a", "and I need it to be a very violent story. Is there a", "scenes, but I want to have more character development than I Saw the", "torturing the killer who murdered his fiancee. In I Saw the Devil, we", "murdered his fiancee. The incel murdered the agent's fiancee because he was jealous", "revenge vs personal humanity (or integrity), but the plot is very messy and", "achieved his act of revenge? My story is a horror thriller and I", "his fiancée’s death. There's just no way to quantify the progress Kim makes", "violent extremists. The incel serial killer will commit suicide at the end of", "to write it. I don't want to give up on my story, so", "Devil. In I Saw the Devil, Kim's, the protagonist's, goal is the weakest", "I also want to include some ultraviolent scenes in my story like some", "a tangible way of achieving it. I feel that my story is fundamentally", "can use to ensure that my readers will know when my protagonist will", "him on an organization dedicated to preventing incel men from becoming violent extremists.", "the story. His goal is to torture Jaqh for an indefinite period of", "measurable concrete goal so that my readers know when my protagonist is making", "torture Jaqh for an indefinite period of time. His goal is too abstract,", "FBI agent, like Kim, had the goal of torturing the killer who murdered", "had a beautiful girlfriend, but he was a lonely virgin. The theme of", "to restorative justice when giving up on his goal of revenge. But I", "story's tension. I also want to include some ultraviolent scenes in my story", "want to give up on my story, so any suggestions would really be", "toward achieving the protagonist's goal. Even though Kim tortures Jaqh in a variety", "the story because of his inability to overcome his need for vengeance against", "a measurable concrete goal so that my readers know when my protagonist is", "will ask the FBI agent to work with him on an organization dedicated", "monster. I think the theme topics are revenge vs personal humanity (or integrity),", "a quantifiable goal with a definitive beginning, middle, and end? In other words,", "plot. My protagonist, the FBI agent, like Kim, had the goal of torturing", "into a measurable concrete goal so that my readers know when my protagonist", "he's pursuing his goal of revenge he has a tangible way of achieving", "killer will commit suicide at the end of the story because of his", "service agent called Kim Soo-Hyun who enacts his revenge on a serial killer", "way to quantify the progress Kim makes toward achieving his goal. Moreover, each", "quest for his vengeance? I want my protagonist to eventually change his goal", "restorative justice eventually wins. At the end of my story, the serial killer's", "beautiful girlfriend, but he was a lonely virgin. The theme of my story", "goal of revenge? And what are the various methods I can use to", "physical suffering my protagonist can put my antagonist through before he gives up", "revenge on a serial killer called Jaqh Kyung-Chul for having murdered his fiancée,", "concrete goal so that my readers know when my protagonist is making progress", "making progress toward his goal of avenging his dead fiancée because there's no", "topics of my story are restorative justice vs retributive justice. The philosophy of", "words, Kim's goal has no physical manifestation, and it cannot be represented by", "of a lack of quantifiable progress made toward achieving the protagonist's goal. Even", "of revenge? And what are the various methods I can use to ensure", "goal so that my readers know when my protagonist is making progress toward", "to give up on my story, so any suggestions would really be appreciated.", "into a quantifiable goal with a definitive beginning, middle, and end? In other", "the end of my story, the serial killer's father will ask the FBI", "very messy and doesn't really support the theme that well. My story is", "don't want to give up on my story, so any suggestions would really", "fiancée, Joo-Yun. Kim kidnaps and releases Jaqh multiple times throughout the movie to", "movie is about a secret service agent called Kim Soo-Hyun who enacts his", "a serial killer called Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun. Kim", "cannot be represented by a single measurable or quantifiable event or by a", "because of a lack of quantifiable progress made toward achieving the protagonist's goal.", "justice when giving up on his goal of revenge. But I also want", "Saw the Devil, we never know if Kim is making progress toward his", "ask the FBI agent to work with him on an organization dedicated to", "my story like some of Kim's revenge scenes in the Korean movie. What", "horror thriller and I need it to be a very violent story. Is", "number of chronological events in the plot. My protagonist, the FBI agent, like", "plot is very messy and doesn't really support the theme that well. My", "grief through restorative justice. The theme topics of my story are restorative justice", "Kim's goal has no physical manifestation, and it cannot be represented by a", "womankind. My story has the same problem as I Saw the Devil. In", "Kim kidnaps and releases Jaqh multiple times throughout the movie to psychologically torture", "Saw the Devil* is that revenge turns one into a monster. I think", "also want to include some ultraviolent scenes in my story like some of", "of Kim's revenge scenes in the Korean movie. What are the various kinds", "other words, what are some examples of ways I can turn my protagonist's", "doesn't really support the theme that well. My story is about an FBI", "I feel that my story is fundamentally flawed, but I'm stubborn, and I", "the FBI agent to work with him on an organization dedicated to preventing", "the chase of every catch and release, there's still so very little tension", "are the various kinds of ways I can turn my protagonist's goal of", "period of time. His goal is too abstract, vague, and not concrete in", "of achieving it. I feel that my story is fundamentally flawed, but I'm", "The incel murdered the agent's fiancee because he was jealous of the fact", "I need it to be a very violent story. Is there a way", "Jaqh multiple times throughout the movie to psychologically torture him. The theme of", "he gives up on his quest for his vengeance? I want my protagonist", "in the Korean movie. What are the various kinds of ways I can", "becoming violent extremists. The incel serial killer will commit suicide at the end", "turns one into a monster. I think the theme topics are revenge vs", "there's no possible way to tell when a torture scene brings him any", "Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent called Kim", "stubborn, and I still want to write it. I don't want to give", "story like some of Kim's revenge scenes in the Korean movie. What are", "men from becoming violent extremists. The incel serial killer will commit suicide at", "he has a tangible way of achieving it. I feel that my story", "the movie. I'm working on ways to give my story thrilling action scenes,", "him any closer to a sense of closure or helps him overcome his", "goal from revenge to restorative justice when giving up on his goal of", "the killer who murdered his fiancee. In I Saw the Devil, we never", "my story is fundamentally flawed, but I'm stubborn, and I still want to", "topics are revenge vs personal humanity (or integrity), but the plot is very", "of the story. 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My story is a horror thriller and I need it to", "so very little tension in the movie. I'm working on ways to give", "of quantifiable progress made toward achieving the protagonist's goal. Even though Kim tortures", "closure or helps him overcome his grief over his fiancée’s death. There's just", "determine what amount of torture and physical suffering my protagonist can put my", "of the fact that the FBI agent had a beautiful girlfriend, but he", "like some of Kim's revenge scenes in the Korean movie. What are the", "dedicated to preventing incel men from becoming violent extremists. The incel serial killer", "for his vengeance? I want my protagonist to eventually change his goal from", "to preventing incel men from becoming violent extremists. The incel serial killer will", "I'm writing a story inspired by the 2010 South Korean movie called [I", "Devil in my story, and I want to maximize my story's tension. I", "is the weakest part of the story. 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In I Saw the Devil, we never know", "readers will know when my protagonist will have achieved his act of revenge?", "amount of torture and physical suffering my protagonist can put my antagonist through", "in any conceivable way. In other words, Kim's goal has no physical manifestation,", "like Kim, had the goal of torturing the killer who murdered his fiancee.", "some examples of ways I can turn my protagonist's abstract goal into a", "I want to have more character development than I Saw the Devil in", "FBI agent who wants to get revenge on an incel serial killer who", "Kim's revenge scenes in the Korean movie. What are the various kinds of", "want my protagonist to eventually change his goal from revenge to restorative justice", "my story, and I want to maximize my story's tension. I also want", "the various kinds of ways I can turn my protagonist's goal of revenge", "well. 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I'm working on", "The theme of my story is that one can only overcome one's grief", "are some examples of ways I can turn my protagonist's abstract goal into", "I Saw the Devil, Kim's, the protagonist's, goal is the weakest part of", "character development than I Saw the Devil in my story, and I want", "of avenging his dead fiancée because there's no possible way to tell when", "movie. I'm working on ways to give my story thrilling action scenes, but", "over his fiancée’s death. There's just no way to quantify the progress Kim", "of closure or helps him overcome his grief over his fiancée’s death. There's", "tension in the movie. I'm working on ways to give my story thrilling", "support the theme that well. My story is about an FBI agent who", "What are the various kinds of ways I can turn my protagonist's goal", "my readers will know when my protagonist will have achieved his act of", "lonely virgin. The theme of my story is that one can only overcome", "part of the story. His goal is to torture Jaqh for an indefinite", "no way to quantify the progress Kim makes toward achieving his goal. Moreover,", "because there's no possible way to tell when a torture scene brings him", "who wants to get revenge on an incel serial killer who murdered his", "from becoming violent extremists. The incel serial killer will commit suicide at the", "jealous of the fact that the FBI agent had a beautiful girlfriend, but", "virgin. The theme of my story is that one can only overcome one's", "and release, there's still so very little tension in the movie. I'm working", "for vengeance against womankind. My story has the same problem as I Saw", "feels highly repetitive because of a lack of quantifiable progress made toward achieving", "I can turn my protagonist's abstract goal into a measurable concrete goal so", "And what are the various methods I can use to ensure that my", "of every catch and release, there's still so very little tension in the", "incel serial killer will commit suicide at the end of the story because", "overcome his grief over his fiancée’s death. There's just no way to quantify", "There's just no way to quantify the progress Kim makes toward achieving his", "is making progress toward accomplishing his goal of revenge? And what are the", "when my protagonist will have achieved his act of revenge? My story is", "grief over his fiancée’s death. There's just no way to quantify the progress", "to get revenge on an incel serial killer who murdered his fiancee. The", "on an organization dedicated to preventing incel men from becoming violent extremists. The", "suffering my protagonist can put my antagonist through before he gives up on", "my protagonist's goal of revenge into a quantifiable goal with a definitive beginning,", "a variety of locations and there's a bit of a thrilling aspect to", "was jealous of the fact that the FBI agent had a beautiful girlfriend,", "my story is that one can only overcome one's grief through restorative justice.", "my story, the serial killer's father will ask the FBI agent to work", "the Devil in my story, and I want to maximize my story's tension.", "that my story is fundamentally flawed, but I'm stubborn, and I still want", "through before he gives up on his quest for his vengeance? I want", "my protagonist will have achieved his act of revenge? My story is a", "incel murdered the agent's fiancee because he was jealous of the fact that", "goal of revenge. But I also want to make sure that when he's", "fiancée’s death. There's just no way to quantify the progress Kim makes toward", "with him on an organization dedicated to preventing incel men from becoming violent", "some of Kim's revenge scenes in the Korean movie. What are the various", "Kim Soo-Hyun who enacts his revenge on a serial killer called Jaqh Kyung-Chul", "his goal of avenging his dead fiancée because there's no possible way to", "the protagonist's, goal is the weakest part of the story. His goal is", "toward achieving his goal. Moreover, each and every torture scene feels highly repetitive", "the same problem as I Saw the Devil. In I Saw the Devil,", "end? In other words, what are some examples of ways I can turn", "revenge on an incel serial killer who murdered his fiancee. The incel murdered", "girlfriend, but he was a lonely virgin. The theme of my story is", "goal of avenging his dead fiancée because there's no possible way to tell", "the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service agent called Kim Soo-Hyun", "his grief over his fiancée’s death. There's just no way to quantify the", "physical manifestation, and it cannot be represented by a single measurable or quantifiable", "a definitive beginning, middle, and end? In other words, what are some examples", "too abstract, vague, and not concrete in any conceivable way. In other words,", "Jaqh in a variety of locations and there's a bit of a thrilling", "a thrilling aspect to the chase of every catch and release, there's still", "movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is about a secret service", "serial killer's father will ask the FBI agent to work with him on", "know if Kim is making progress toward his goal of avenging his dead", "an FBI agent who wants to get revenge on an incel serial killer", "have more character development than I Saw the Devil in my story, and", "philosophy of restorative justice eventually wins. At the end of my story, the", "one can only overcome one's grief through restorative justice. The theme topics of", "story, and I want to maximize my story's tension. I also want to", "my readers know when my protagonist is making progress toward accomplishing his goal", "having murdered his fiancée, Joo-Yun. Kim kidnaps and releases Jaqh multiple times throughout", "but the plot is very messy and doesn't really support the theme that", "protagonist is making progress toward accomplishing his goal of revenge? And what are", "of revenge. But I also want to make sure that when he's pursuing", "every torture scene feels highly repetitive because of a lack of quantifiable progress", "Devil, Kim's, the protagonist's, goal is the weakest part of the story. His", "because of his inability to overcome his need for vengeance against womankind. My", "justice. The theme topics of my story are restorative justice vs retributive justice.", "a monster. I think the theme topics are revenge vs personal humanity (or", "of my story, the serial killer's father will ask the FBI agent to", "of his inability to overcome his need for vengeance against womankind. My story", "and there's a bit of a thrilling aspect to the chase of every", "goal has no physical manifestation, and it cannot be represented by a single", "and releases Jaqh multiple times throughout the movie to psychologically torture him. The", "scenes in the Korean movie. What are the various kinds of ways I", "agent, like Kim, had the goal of torturing the killer who murdered his", "I also want to make sure that when he's pursuing his goal of", "it cannot be represented by a single measurable or quantifiable event or by", "murdered the agent's fiancee because he was jealous of the fact that the", "progress Kim makes toward achieving his goal. Moreover, each and every torture scene", "killer's father will ask the FBI agent to work with him on an", "organization dedicated to preventing incel men from becoming violent extremists. The incel serial", "and it cannot be represented by a single measurable or quantifiable event or", "protagonist's, goal is the weakest part of the story. His goal is to", "story are restorative justice vs retributive justice. The philosophy of restorative justice eventually", "still want to write it. I don't want to give up on my", "My story has the same problem as I Saw the Devil. In I", "the 2010 South Korean movie called [I Saw the Devil](https://en.wikipedia.org/wiki/I_Saw_the_Devil). The movie is", "on an incel serial killer who murdered his fiancee. The incel murdered the", "definitive beginning, middle, and end? In other words, what are some examples of", "can put my antagonist through before he gives up on his quest for", "single measurable or quantifiable event or by a limited number of chronological events", "event or by a limited number of chronological events in the plot. My", "revenge turns one into a monster. I think the theme topics are revenge", "revenge into a quantifiable goal with a definitive beginning, middle, and end? In", "him overcome his grief over his fiancée’s death. There's just no way to", "serial killer called Jaqh Kyung-Chul for having murdered his fiancée, Joo-Yun. Kim kidnaps", "In I Saw the Devil, we never know if Kim is making progress", "it. I don't want to give up on my story, so any suggestions", "a lack of quantifiable progress made toward achieving the protagonist's goal. Even though", "and doesn't really support the theme that well. My story is about an", "story, the serial killer's father will ask the FBI agent to work with", "restorative justice when giving up on his goal of revenge. But I also", "torture and physical suffering my protagonist can put my antagonist through before he", "very violent story. Is there a way for me to determine what amount", "and every torture scene feels highly repetitive because of a lack of quantifiable", "end of the story because of his inability to overcome his need for", "torture scene brings him any closer to a sense of closure or helps", "antagonist through before he gives up on his quest for his vengeance? I", "any conceivable way. In other words, Kim's goal has no physical manifestation, and", "locations and there's a bit of a thrilling aspect to the chase of", "concrete in any conceivable way. In other words, Kim's goal has no physical", "give my story thrilling action scenes, but I want to have more character", "a way for me to determine what amount of torture and physical suffering", "His goal is to torture Jaqh for an indefinite period of time. His", "action scenes, but I want to have more character development than I Saw", "Kim, had the goal of torturing the killer who murdered his fiancee. In", "think the theme topics are revenge vs personal humanity (or integrity), but the", "vague, and not concrete in any conceivable way. In other words, Kim's goal", "so that my readers know when my protagonist is making progress toward accomplishing", "is too abstract, vague, and not concrete in any conceivable way. In other", "methods I can use to ensure that my readers will know when my", "one's grief through restorative justice. The theme topics of my story are restorative", "want to maximize my story's tension. I also want to include some ultraviolent", "are revenge vs personal humanity (or integrity), but the plot is very messy", "tangible way of achieving it. I feel that my story is fundamentally flawed,", "need for vengeance against womankind. My story has the same problem as I", "a beautiful girlfriend, but he was a lonely virgin. The theme of my", "extremists. The incel serial killer will commit suicide at the end of the", "his vengeance? I want my protagonist to eventually change his goal from revenge" ]
[ "even action scenes, the writing just doesn't flow and appears to be written", "the skeleton stage, but to get into the rhythm of writing, I write", "dialogue without making it sound slightly childish - not at all what I", "of writing, I write short stories every few days. Upon reviewing them, I've", "aiming for abstract and vivid metaphors (which I'm pretty good at,) my writing", "and therefore less like a story or too full of adjectives making it", "practice in a way that makes the writing better. I don't know how", "In scenes with large amounts of similes/metaphors (particularly if I'm describing thoughts) I", "of abstract and metaphorical descriptions. Are there any tips to get better at", "younger kid. Examples: * In fast flowing action scenes, it either sounds too", "writing, I write short stories every few days. Upon reviewing them, I've realised", "by a younger kid. Examples: * In fast flowing action scenes, it either", "be writing a book. It just doesn't flow, I don't know how else", "when writing normal or even action scenes, the writing just doesn't flow and", "just doesn't flow and appears to be written by a younger kid. Examples:", "it sounds pretty good, but obviously a book doesn't only consist of abstract", "the flow and quality of writing in different scenes? What methods do I", "good at,) my writing is fairly boring and clunky. Obviously this presents a", "and appears to be written by a younger kid. Examples: * In fast", "actions and dialogue without making it sound slightly childish - not at all", "I've realised that unless I am specifically aiming for abstract and vivid metaphors", "use to make the sentences flow? I have plenty of story prompts so", "story prompts so that I can just write short stories and do lots", "I'm pretty good at,) my writing is fairly boring and clunky. Obviously this", "I just can't balance actions and dialogue without making it sound slightly childish", "abstract and metaphorical descriptions. Are there any tips to get better at the", "adjectives making it very clunky. * In average scenes, I just can't balance", "of practice, but I don't know how to practice in a way that", "full of adjectives making it very clunky. * In average scenes, I just", "to practice in a way that makes the writing better. I don't know", "methods do I need to use to make the sentences flow? I have", "flowing action scenes, it either sounds too accurate/factual and therefore less like a", "that makes the writing better. I don't know how to make it sound", "of adjectives making it very clunky. * In average scenes, I just can't", "so that I can just write short stories and do lots of practice,", "but obviously a book doesn't only consist of abstract and metaphorical descriptions. Are", "less like a story or too full of adjectives making it very clunky.", "appears to be written by a younger kid. Examples: * In fast flowing", "sounds too accurate/factual and therefore less like a story or too full of", "I do fairly well and it sounds pretty good, but obviously a book", "writing normal or even action scenes, the writing just doesn't flow and appears", "book doesn't only consist of abstract and metaphorical descriptions. Are there any tips", "it either sounds too accurate/factual and therefore less like a story or too", "clunky. Obviously this presents a problem as it means that when writing normal", "for abstract and vivid metaphors (which I'm pretty good at,) my writing is", "doesn't flow and appears to be written by a younger kid. Examples: ", "it. In scenes with large amounts of similes/metaphors (particularly if I'm describing", "to use to make the sentences flow? I have plenty of story prompts", "but I don't know how to practice in a way that makes the", "how to make it sound more adult. Are there specific methods/websites/tips that could", "lots of practice, but I don't know how to practice in a way", "short stories and do lots of practice, but I don't know how to", "do I need to use to make the sentences flow? I have plenty", "at the flow and quality of writing in different scenes? What methods do", "book. It just doesn't flow, I don't know how else to describe it.", "not at all what I want if I'm going to be writing a", "to make it sound more adult. Are there specific methods/websites/tips that could possiblly", "scenes, the writing just doesn't flow and appears to be written by a", "a story or too full of adjectives making it very clunky. * In", "obviously a book doesn't only consist of abstract and metaphorical descriptions. Are there", "Obviously this presents a problem as it means that when writing normal or", "making it sound slightly childish - not at all what I want if", "I'm describing thoughts) I do fairly well and it sounds pretty good, but", "am specifically aiming for abstract and vivid metaphors (which I'm pretty good at,)", "average scenes, I just can't balance actions and dialogue without making it sound", "and vivid metaphors (which I'm pretty good at,) my writing is fairly boring", "if I'm going to be writing a book. It just doesn't flow, I", "just doesn't flow, I don't know how else to describe it. * In", "without making it sound slightly childish - not at all what I want", "large amounts of similes/metaphors (particularly if I'm describing thoughts) I do fairly well", "a problem as it means that when writing normal or even action scenes,", "I'm in the skeleton stage, but to get into the rhythm of writing,", "know how to practice in a way that makes the writing better. I", "specifically aiming for abstract and vivid metaphors (which I'm pretty good at,) my", "sound slightly childish - not at all what I want if I'm going", "making it very clunky. * In average scenes, I just can't balance actions", "prompts so that I can just write short stories and do lots of", "consist of abstract and metaphorical descriptions. Are there any tips to get better", "action scenes, it either sounds too accurate/factual and therefore less like a story", "metaphorical descriptions. Are there any tips to get better at the flow and", "that when writing normal or even action scenes, the writing just doesn't flow", "flow and appears to be written by a younger kid. Examples: * In", "too full of adjectives making it very clunky. * In average scenes, I", "story or too full of adjectives making it very clunky. * In average", "scenes with large amounts of similes/metaphors (particularly if I'm describing thoughts) I do", "writing in different scenes? What methods do I need to use to make", "how to practice in a way that makes the writing better. I don't", "and quality of writing in different scenes? What methods do I need to", "flow and quality of writing in different scenes? What methods do I need", "of writing in different scenes? What methods do I need to use to", "kid. Examples: * In fast flowing action scenes, it either sounds too accurate/factual", "written by a younger kid. Examples: * In fast flowing action scenes, it", "the sentences flow? I have plenty of story prompts so that I can", "into the rhythm of writing, I write short stories every few days. Upon", "means that when writing normal or even action scenes, the writing just doesn't", "and dialogue without making it sound slightly childish - not at all what", "doesn't only consist of abstract and metaphorical descriptions. Are there any tips to", "describing thoughts) I do fairly well and it sounds pretty good, but obviously", "What methods do I need to use to make the sentences flow? I", "get better at the flow and quality of writing in different scenes? What", "I don't know how to make it sound more adult. Are there specific", "can just write short stories and do lots of practice, but I don't", "vivid metaphors (which I'm pretty good at,) my writing is fairly boring and", "abstract and vivid metaphors (which I'm pretty good at,) my writing is fairly", "better at the flow and quality of writing in different scenes? What methods", "either sounds too accurate/factual and therefore less like a story or too full", "to be written by a younger kid. Examples: * In fast flowing action", "describe it. * In scenes with large amounts of similes/metaphors (particularly if I'm", "in different scenes? What methods do I need to use to make the", "stories and do lots of practice, but I don't know how to practice", "in a way that makes the writing better. I don't know how to", "* In average scenes, I just can't balance actions and dialogue without making", "make it sound more adult. Are there specific methods/websites/tips that could possiblly help?", "them, I've realised that unless I am specifically aiming for abstract and vivid", "good, but obviously a book doesn't only consist of abstract and metaphorical descriptions.", "It just doesn't flow, I don't know how else to describe it. ", "metaphors (which I'm pretty good at,) my writing is fairly boring and clunky.", "that I can just write short stories and do lots of practice, but", "know how to make it sound more adult. Are there specific methods/websites/tips that", "that unless I am specifically aiming for abstract and vivid metaphors (which I'm", "fairly boring and clunky. Obviously this presents a problem as it means that", "days. Upon reviewing them, I've realised that unless I am specifically aiming for", "skeleton stage, but to get into the rhythm of writing, I write short", "scenes, I just can't balance actions and dialogue without making it sound slightly", "I write short stories every few days. Upon reviewing them, I've realised that", "in the skeleton stage, but to get into the rhythm of writing, I", "want if I'm going to be writing a book. It just doesn't flow,", "of story prompts so that I can just write short stories and do", "better. I don't know how to make it sound more adult. Are there", "and metaphorical descriptions. Are there any tips to get better at the flow", "problem as it means that when writing normal or even action scenes, the", "don't know how to practice in a way that makes the writing better.", "get into the rhythm of writing, I write short stories every few days.", "reviewing them, I've realised that unless I am specifically aiming for abstract and", "is fairly boring and clunky. Obviously this presents a problem as it means", "(particularly if I'm describing thoughts) I do fairly well and it sounds pretty", "I have plenty of story prompts so that I can just write short", "boring and clunky. Obviously this presents a problem as it means that when", "how else to describe it. In scenes with large amounts of similes/metaphors", "sounds pretty good, but obviously a book doesn't only consist of abstract and", "it means that when writing normal or even action scenes, the writing just", "scenes, it either sounds too accurate/factual and therefore less like a story or", "Are there any tips to get better at the flow and quality of", "can't balance actions and dialogue without making it sound slightly childish - not", "all what I want if I'm going to be writing a book. It", "quality of writing in different scenes? What methods do I need to use", "and it sounds pretty good, but obviously a book doesn't only consist of", "action scenes, the writing just doesn't flow and appears to be written by", "and clunky. Obviously this presents a problem as it means that when writing", "clunky. * In average scenes, I just can't balance actions and dialogue without", "doesn't flow, I don't know how else to describe it. * In scenes", "or too full of adjectives making it very clunky. * In average scenes,", "fast flowing action scenes, it either sounds too accurate/factual and therefore less like", "* In fast flowing action scenes, it either sounds too accurate/factual and therefore", "write short stories and do lots of practice, but I don't know how", "the rhythm of writing, I write short stories every few days. Upon reviewing", "going to be writing a book. It just doesn't flow, I don't know", "writing better. I don't know how to make it sound more adult. Are", "to describe it. * In scenes with large amounts of similes/metaphors (particularly if", "to get better at the flow and quality of writing in different scenes?", "pretty good at,) my writing is fairly boring and clunky. Obviously this presents", "plenty of story prompts so that I can just write short stories and", "descriptions. Are there any tips to get better at the flow and quality", "way that makes the writing better. I don't know how to make it", "writing is fairly boring and clunky. Obviously this presents a problem as it", "a younger kid. Examples: * In fast flowing action scenes, it either sounds", "realised that unless I am specifically aiming for abstract and vivid metaphors (which", "therefore less like a story or too full of adjectives making it very", "scenes? What methods do I need to use to make the sentences flow?", "need to use to make the sentences flow? I have plenty of story", "* In scenes with large amounts of similes/metaphors (particularly if I'm describing thoughts)", "rhythm of writing, I write short stories every few days. Upon reviewing them,", "and do lots of practice, but I don't know how to practice in", "stage, but to get into the rhythm of writing, I write short stories", "I can just write short stories and do lots of practice, but I", "writing just doesn't flow and appears to be written by a younger kid.", "unless I am specifically aiming for abstract and vivid metaphors (which I'm pretty", "have plenty of story prompts so that I can just write short stories", "short stories every few days. Upon reviewing them, I've realised that unless I", "any tips to get better at the flow and quality of writing in", "what I want if I'm going to be writing a book. It just", "the writing just doesn't flow and appears to be written by a younger", "this presents a problem as it means that when writing normal or even", "at all what I want if I'm going to be writing a book.", "I don't know how else to describe it. * In scenes with large", "amounts of similes/metaphors (particularly if I'm describing thoughts) I do fairly well and", "if I'm describing thoughts) I do fairly well and it sounds pretty good,", "I am specifically aiming for abstract and vivid metaphors (which I'm pretty good", "a book. It just doesn't flow, I don't know how else to describe", "- not at all what I want if I'm going to be writing", "different scenes? What methods do I need to use to make the sentences", "similes/metaphors (particularly if I'm describing thoughts) I do fairly well and it sounds", "don't know how to make it sound more adult. Are there specific methods/websites/tips", "fairly well and it sounds pretty good, but obviously a book doesn't only", "balance actions and dialogue without making it sound slightly childish - not at", "to get into the rhythm of writing, I write short stories every few", "just can't balance actions and dialogue without making it sound slightly childish -", "know how else to describe it. * In scenes with large amounts of", "In fast flowing action scenes, it either sounds too accurate/factual and therefore less", "makes the writing better. I don't know how to make it sound more", "Upon reviewing them, I've realised that unless I am specifically aiming for abstract", "do fairly well and it sounds pretty good, but obviously a book doesn't", "I need to use to make the sentences flow? I have plenty of", "write short stories every few days. Upon reviewing them, I've realised that unless", "like a story or too full of adjectives making it very clunky. ", "flow, I don't know how else to describe it. In scenes with", "else to describe it. * In scenes with large amounts of similes/metaphors (particularly", "sentences flow? I have plenty of story prompts so that I can just", "just write short stories and do lots of practice, but I don't know", "as it means that when writing normal or even action scenes, the writing", "normal or even action scenes, the writing just doesn't flow and appears to", "too accurate/factual and therefore less like a story or too full of adjectives", "don't know how else to describe it. * In scenes with large amounts", "a way that makes the writing better. I don't know how to make", "I want if I'm going to be writing a book. It just doesn't", "the writing better. I don't know how to make it sound more adult.", "thoughts) I do fairly well and it sounds pretty good, but obviously a", "well and it sounds pretty good, but obviously a book doesn't only consist", "few days. Upon reviewing them, I've realised that unless I am specifically aiming", "Examples: * In fast flowing action scenes, it either sounds too accurate/factual and", "accurate/factual and therefore less like a story or too full of adjectives making", "of similes/metaphors (particularly if I'm describing thoughts) I do fairly well and it", "my writing is fairly boring and clunky. Obviously this presents a problem as", "be written by a younger kid. Examples: * In fast flowing action scenes,", "writing a book. It just doesn't flow, I don't know how else to", "to make the sentences flow? I have plenty of story prompts so that", "to be writing a book. It just doesn't flow, I don't know how", "or even action scenes, the writing just doesn't flow and appears to be", "childish - not at all what I want if I'm going to be", "do lots of practice, but I don't know how to practice in a", "I don't know how to practice in a way that makes the writing", "(which I'm pretty good at,) my writing is fairly boring and clunky. Obviously", "but to get into the rhythm of writing, I write short stories every", "presents a problem as it means that when writing normal or even action", "every few days. Upon reviewing them, I've realised that unless I am specifically", "In average scenes, I just can't balance actions and dialogue without making it", "tips to get better at the flow and quality of writing in different", "make the sentences flow? I have plenty of story prompts so that I", "there any tips to get better at the flow and quality of writing", "flow? I have plenty of story prompts so that I can just write", "practice, but I don't know how to practice in a way that makes", "slightly childish - not at all what I want if I'm going to", "only consist of abstract and metaphorical descriptions. Are there any tips to get", "stories every few days. Upon reviewing them, I've realised that unless I am", "it very clunky. * In average scenes, I just can't balance actions and", "it sound slightly childish - not at all what I want if I'm", "with large amounts of similes/metaphors (particularly if I'm describing thoughts) I do fairly", "pretty good, but obviously a book doesn't only consist of abstract and metaphorical", "I'm going to be writing a book. It just doesn't flow, I don't", "a book doesn't only consist of abstract and metaphorical descriptions. Are there any", "at,) my writing is fairly boring and clunky. Obviously this presents a problem", "very clunky. * In average scenes, I just can't balance actions and dialogue" ]
[ "know what I want it to kinda look like. The problem is I", "aesthetic. I already have vintage names, Pinterest boards and mood boards. So I", "look and feel of the aesthetic that want my readers to see and", "is I don’t know how to effectively convey the look and feel of", "don’t know how to effectively convey the look and feel of the aesthetic", "they had chosen, which leads to annoyed readers who love the aesthetic that", "like. The problem is I don’t know how to effectively convey the look", "know how to effectively convey the look and feel of the aesthetic that", "readers who love the aesthetic that the author has chosen. The other problem", "of other authors who take an aesthetic but they don’t properly convey the", "they don’t properly convey the aesthetic that they had chosen, which leads to", "eerie and dark feel of the murder mystery part of the book as", "to kinda look like. The problem is I don’t know how to effectively", "is I have to mix in the eerie and dark feel of the", "feel of the aesthetic that want my readers to see and feel. I’ve", "readers to see and feel. I’ve heard of other authors who take an", "want my readers to see and feel. I’ve heard of other authors who", "mystery novel with a vintage aesthetic. I already have vintage names, Pinterest boards", "So I know what I want it to kinda look like. The problem", "properly convey the aesthetic that they had chosen, which leads to annoyed readers", "other problem is I have to mix in the eerie and dark feel", "but they don’t properly convey the aesthetic that they had chosen, which leads", "effectively convey the look and feel of the aesthetic that want my readers", "has chosen. The other problem is I have to mix in the eerie", "currently working on a murder mystery novel with a vintage aesthetic. I already", "a murder mystery novel with a vintage aesthetic. I already have vintage names,", "aesthetic that they had chosen, which leads to annoyed readers who love the", "heard of other authors who take an aesthetic but they don’t properly convey", "with a vintage aesthetic. I already have vintage names, Pinterest boards and mood", "that want my readers to see and feel. I’ve heard of other authors", "problem is I have to mix in the eerie and dark feel of", "an aesthetic but they don’t properly convey the aesthetic that they had chosen,", "am currently working on a murder mystery novel with a vintage aesthetic. I", "I don’t know how to effectively convey the look and feel of the", "see and feel. I’ve heard of other authors who take an aesthetic but", "vintage names, Pinterest boards and mood boards. So I know what I want", "novel with a vintage aesthetic. I already have vintage names, Pinterest boards and", "and feel. I’ve heard of other authors who take an aesthetic but they", "chosen. The other problem is I have to mix in the eerie and", "it to kinda look like. The problem is I don’t know how to", "that they had chosen, which leads to annoyed readers who love the aesthetic", "annoyed readers who love the aesthetic that the author has chosen. The other", "aesthetic but they don’t properly convey the aesthetic that they had chosen, which", "to mix in the eerie and dark feel of the murder mystery part", "which leads to annoyed readers who love the aesthetic that the author has", "convey the aesthetic that they had chosen, which leads to annoyed readers who", "have to mix in the eerie and dark feel of the murder mystery", "the aesthetic that the author has chosen. The other problem is I have", "who take an aesthetic but they don’t properly convey the aesthetic that they", "and feel of the aesthetic that want my readers to see and feel.", "love the aesthetic that the author has chosen. The other problem is I", "have vintage names, Pinterest boards and mood boards. So I know what I", "vintage aesthetic. I already have vintage names, Pinterest boards and mood boards. So", "mix in the eerie and dark feel of the murder mystery part of", "and mood boards. So I know what I want it to kinda look", "feel. I’ve heard of other authors who take an aesthetic but they don’t", "that the author has chosen. The other problem is I have to mix", "boards and mood boards. So I know what I want it to kinda", "boards. So I know what I want it to kinda look like. The", "leads to annoyed readers who love the aesthetic that the author has chosen.", "I want it to kinda look like. The problem is I don’t know", "I know what I want it to kinda look like. The problem is", "other authors who take an aesthetic but they don’t properly convey the aesthetic", "already have vintage names, Pinterest boards and mood boards. So I know what", "and dark feel of the murder mystery part of the book as well.", "names, Pinterest boards and mood boards. So I know what I want it", "what I want it to kinda look like. The problem is I don’t", "the aesthetic that they had chosen, which leads to annoyed readers who love", "Pinterest boards and mood boards. So I know what I want it to", "to effectively convey the look and feel of the aesthetic that want my", "author has chosen. The other problem is I have to mix in the", "The other problem is I have to mix in the eerie and dark", "to annoyed readers who love the aesthetic that the author has chosen. The", "a vintage aesthetic. I already have vintage names, Pinterest boards and mood boards.", "I have to mix in the eerie and dark feel of the murder", "the author has chosen. The other problem is I have to mix in", "don’t properly convey the aesthetic that they had chosen, which leads to annoyed", "aesthetic that want my readers to see and feel. I’ve heard of other", "on a murder mystery novel with a vintage aesthetic. I already have vintage", "problem is I don’t know how to effectively convey the look and feel", "the look and feel of the aesthetic that want my readers to see", "the aesthetic that want my readers to see and feel. I’ve heard of", "mood boards. So I know what I want it to kinda look like.", "the eerie and dark feel of the murder mystery* part of the book", "convey the look and feel of the aesthetic that want my readers to", "of the aesthetic that want my readers to see and feel. I’ve heard", "my readers to see and feel. I’ve heard of other authors who take", "authors who take an aesthetic but they don’t properly convey the aesthetic that", "I am currently working on a murder mystery novel with a vintage aesthetic.", "aesthetic that the author has chosen. The other problem is I have to", "murder mystery novel with a vintage aesthetic. I already have vintage names, Pinterest", "I already have vintage names, Pinterest boards and mood boards. So I know", "want it to kinda look like. The problem is I don’t know how", "in the eerie and dark feel of the murder mystery part of the", "take an aesthetic but they don’t properly convey the aesthetic that they had", "The problem is I don’t know how to effectively convey the look and", "I’ve heard of other authors who take an aesthetic but they don’t properly", "look like. The problem is I don’t know how to effectively convey the", "working on a murder mystery novel with a vintage aesthetic. I already have", "had chosen, which leads to annoyed readers who love the aesthetic that the", "who love the aesthetic that the author has chosen. The other problem is", "to see and feel. I’ve heard of other authors who take an aesthetic", "chosen, which leads to annoyed readers who love the aesthetic that the author", "kinda look like. The problem is I don’t know how to effectively convey", "how to effectively convey the look and feel of the aesthetic that want" ]
[ "\"Inbound interface from A to X\" * \"Inbound from A to X\" Or", "to A) I don't find either of these to be elegant solutions. What", "= data leaving X (implies to A) I don't find either of these", "either of these to be elegant solutions. What is a good, succinct way", "in to X (implies from A) * X2 = data leaving X (implies", "A) I don't find either of these to be elegant solutions. What is", "codename and say that: * X1 = data coming in to X (implies", "X\" Or I can give the directionality a codename and say that: ", "When I am referring to data coming from A in to X, I", "X (implies from A) X2 = data leaving X (implies to A)", "has bi-directional connectivity with other systems A and B. When I am referring", "of these to be elegant solutions. What is a good, succinct way to", "be elegant solutions. What is a good, succinct way to reference the directionality/flow", "and say that: * X1 = data coming in to X (implies from", "X\" * \"Inbound from A to X\" Or I can give the directionality", "* X1 = data coming in to X (implies from A) * X2", "in to X, I can say: * \"Inbound interface from A to X\"", "to be elegant solutions. What is a good, succinct way to reference the", "I am responsible for product X. Product X has bi-directional connectivity with other", "\"Inbound from A to X\" Or I can give the directionality a codename", "I don't find either of these to be elegant solutions. What is a", "A and B. When I am referring to data coming from A in", "data coming from A in to X, I can say: * \"Inbound interface", "* \"Inbound interface from A to X\" * \"Inbound from A to X\"", "to X (implies from A) * X2 = data leaving X (implies to", "the directionality a codename and say that: * X1 = data coming in", "directionality a codename and say that: * X1 = data coming in to", "say that: * X1 = data coming in to X (implies from A)", "from A) * X2 = data leaving X (implies to A) I don't", "interface from A to X\" * \"Inbound from A to X\" Or I", "A to X\" Or I can give the directionality a codename and say", "= data coming in to X (implies from A) * X2 = data", "X has bi-directional connectivity with other systems A and B. When I am", "coming in to X (implies from A) * X2 = data leaving X", "find either of these to be elegant solutions. What is a good, succinct", "coming from A in to X, I can say: * \"Inbound interface from", "A to X\" * \"Inbound from A to X\" Or I can give", "X (implies to A) I don't find either of these to be elegant", "X, I can say: * \"Inbound interface from A to X\" * \"Inbound", "that: * X1 = data coming in to X (implies from A) ", "connectivity with other systems A and B. When I am referring to data", "data coming in to X (implies from A) X2 = data leaving", "these to be elegant solutions. What is a good, succinct way to reference", "from A to X\" * \"Inbound from A to X\" Or I can", "A) * X2 = data leaving X (implies to A) I don't find", "I am referring to data coming from A in to X, I can", "is a good, succinct way to reference the directionality/flow of information between 2", "from A to X\" Or I can give the directionality a codename and", "to X\" Or I can give the directionality a codename and say that:", "responsible for product X. Product X has bi-directional connectivity with other systems A", "X. Product X has bi-directional connectivity with other systems A and B. When", "I can give the directionality a codename and say that: * X1 =", "B. When I am referring to data coming from A in to X,", "to data coming from A in to X, I can say: * \"Inbound", "elegant solutions. What is a good, succinct way to reference the directionality/flow of", "can say: * \"Inbound interface from A to X\" * \"Inbound from A", "X2 = data leaving X (implies to A) I don't find either of", "am responsible for product X. Product X has bi-directional connectivity with other systems", "(implies to A) I don't find either of these to be elegant solutions.", "other systems A and B. When I am referring to data coming from", "say: * \"Inbound interface from A to X\" * \"Inbound from A to", "can give the directionality a codename and say that: * X1 = data", "Product X has bi-directional connectivity with other systems A and B. When I", "don't find either of these to be elegant solutions. What is a good,", "a codename and say that: * X1 = data coming in to X", "What is a good, succinct way to reference the directionality/flow of information between", "(implies from A) * X2 = data leaving X (implies to A) I", "from A in to X, I can say: * \"Inbound interface from A", "X1 = data coming in to X (implies from A) * X2 =", "am referring to data coming from A in to X, I can say:", "data leaving X (implies to A) I don't find either of these to", "with other systems A and B. When I am referring to data coming", "product X. Product X has bi-directional connectivity with other systems A and B.", "to X\" * \"Inbound from A to X\" Or I can give the", "Or I can give the directionality a codename and say that: * X1", "* X2 = data leaving X (implies to A) I don't find either", "give the directionality a codename and say that: * X1 = data coming", "systems A and B. When I am referring to data coming from A", "* \"Inbound from A to X\" Or I can give the directionality a", "referring to data coming from A in to X, I can say: ", "for product X. Product X has bi-directional connectivity with other systems A and", "bi-directional connectivity with other systems A and B. When I am referring to", "A in to X, I can say: \"Inbound interface from A to", "a good, succinct way to reference the directionality/flow of information between 2 systems?", "I can say: * \"Inbound interface from A to X\" * \"Inbound from", "solutions. What is a good, succinct way to reference the directionality/flow of information", "leaving X (implies to A) I don't find either of these to be", "and B. When I am referring to data coming from A in to", "to X, I can say: * \"Inbound interface from A to X\" *" ]
[ "ask permission to use a location? Or do I even need to? Thank", "book about dragons and the things they do in Texas. Do I need", "okay that I mention them in my story? So my question is: When", "if it's okay that I mention them in my story? So my question", "have written a children's book about dragons and the things they do in", "to ask i.e. the Lubbock Arboretum if it's okay that I mention them", "I need to ask permission to use a location? Or do I even", "i.e. the Lubbock Arboretum if it's okay that I mention them in my", "Do I need to ask i.e. the Lubbock Arboretum if it's okay that", "children's book about dragons and the things they do in Texas. Do I", "When do I need to ask permission to use a location? Or do", "in Texas. Do I need to ask i.e. the Lubbock Arboretum if it's", "my question is: When do I need to ask permission to use a", "to ask permission to use a location? Or do I even need to?", "permission to use a location? Or do I even need to? Thank you!", "do I need to ask permission to use a location? Or do I", "I mention them in my story? So my question is: When do I", "my story? So my question is: When do I need to ask permission", "So my question is: When do I need to ask permission to use", "about dragons and the things they do in Texas. Do I need to", "I need to ask i.e. the Lubbock Arboretum if it's okay that I", "do in Texas. Do I need to ask i.e. the Lubbock Arboretum if", "that I mention them in my story? So my question is: When do", "Arboretum if it's okay that I mention them in my story? So my", "written a children's book about dragons and the things they do in Texas.", "is: When do I need to ask permission to use a location? Or", "and the things they do in Texas. Do I need to ask i.e.", "dragons and the things they do in Texas. Do I need to ask", "they do in Texas. Do I need to ask i.e. the Lubbock Arboretum", "things they do in Texas. Do I need to ask i.e. the Lubbock", "I have written a children's book about dragons and the things they do", "Lubbock Arboretum if it's okay that I mention them in my story? So", "Texas. Do I need to ask i.e. the Lubbock Arboretum if it's okay", "the Lubbock Arboretum if it's okay that I mention them in my story?", "the things they do in Texas. Do I need to ask i.e. the", "ask i.e. the Lubbock Arboretum if it's okay that I mention them in", "it's okay that I mention them in my story? So my question is:", "need to ask i.e. the Lubbock Arboretum if it's okay that I mention", "in my story? So my question is: When do I need to ask", "story? So my question is: When do I need to ask permission to", "a children's book about dragons and the things they do in Texas. Do", "need to ask permission to use a location? Or do I even need", "them in my story? So my question is: When do I need to", "question is: When do I need to ask permission to use a location?", "mention them in my story? So my question is: When do I need" ]
[ "lots of research but I feel like the police would give me a", "to ask here. * Similarly, I wouldn't be allowed to ask whether post-apocalypse", "based, sadly, this website doesn't work so well. Examples * If I were", "tried searching already and haven't been able to find anything - I actually", "haven't been able to find anything - I actually didn't find this one", "find anything - I actually didn't find this one either, it was pure", "is (opinion based). I've tried searching already and haven't been able to find", "any useful websites that would be really helpful. I would just do lots", "useful websites that would be really helpful. I would just do lots of", "ask whether post-apocalypse survivors would be able to set up their own solar", "be able to set up their own solar field without instructions. * I", "it's already helped me a lot. However when it comes to asking questions", "post-apocalypse survivors would be able to set up their own solar field without", "details/genres or questions that are heavily opinion based, sadly, this website doesn't work", "survivors would be able to set up their own solar field without instructions.", "able to find anything - I actually didn't find this one either, it", "the blast radius of a small bomb was, I doubt I would be", "Examples * If I were to ask what the blast radius of a", "of dystopian governement is (opinion based). I've tried searching already and haven't been", "and haven't been able to find anything - I actually didn't find this", "whether post-apocalypse survivors would be able to set up their own solar field", "wouldn't be allowed to ask whether post-apocalypse survivors would be able to set", "people think is the best form of dystopian governement is (opinion based). I've", "find this one either, it was pure chance. If anyone has any useful", "one either, it was pure chance. If anyone has any useful websites that", "I actually didn't find this one either, it was pure chance. If anyone", "If anyone has any useful websites that would be really helpful. I would", "to asking questions about specific details/genres or questions that are heavily opinion based,", "questions about specific details/genres or questions that are heavily opinion based, sadly, this", "If I were to ask what the blast radius of a small bomb", "own solar field without instructions. * I can't ask what people think is", "chance. If anyone has any useful websites that would be really helpful. I", "However when it comes to asking questions about specific details/genres or questions that", "lot. However when it comes to asking questions about specific details/genres or questions", "has any useful websites that would be really helpful. I would just do", "asking questions about specific details/genres or questions that are heavily opinion based, sadly,", "anyone has any useful websites that would be really helpful. I would just", "what people think is the best form of dystopian governement is (opinion based).", "allowed to ask whether post-apocalypse survivors would be able to set up their", "been able to find anything - I actually didn't find this one either,", "I would just do lots of research but I feel like the police", "really helpful. I would just do lots of research but I feel like", "I feel like the police would give me a call if I kept", "without instructions. * I can't ask what people think is the best form", "already helped me a lot. However when it comes to asking questions about", "I doubt I would be allowed to ask here. * Similarly, I wouldn't", "able to set up their own solar field without instructions. * I can't", "was, I doubt I would be allowed to ask here. * Similarly, I", "well. Examples * If I were to ask what the blast radius of", "or questions that are heavily opinion based, sadly, this website doesn't work so", "ask here. * Similarly, I wouldn't be allowed to ask whether post-apocalypse survivors", "what the blast radius of a small bomb was, I doubt I would", "just do lots of research but I feel like the police would give", "here. * Similarly, I wouldn't be allowed to ask whether post-apocalypse survivors would", "police would give me a call if I kept on searching up questions", "heavily opinion based, sadly, this website doesn't work so well. Examples * If", "helped me a lot. However when it comes to asking questions about specific", "dystopian governement is (opinion based). I've tried searching already and haven't been able", "specific details/genres or questions that are heavily opinion based, sadly, this website doesn't", "do lots of research but I feel like the police would give me", "of research but I feel like the police would give me a call", "are heavily opinion based, sadly, this website doesn't work so well. Examples ", "incredibly useful and it's already helped me a lot. However when it comes", "useful and it's already helped me a lot. However when it comes to", "that are heavily opinion based, sadly, this website doesn't work so well. Examples", "was pure chance. If anyone has any useful websites that would be really", "that would be really helpful. I would just do lots of research but", "the police would give me a call if I kept on searching up", "it was pure chance. If anyone has any useful websites that would be", "This website in incredibly useful and it's already helped me a lot. However", "a lot. However when it comes to asking questions about specific details/genres or", "so well. Examples* * If I were to ask what the blast radius", "radius of a small bomb was, I doubt I would be allowed to", "their own solar field without instructions. * I can't ask what people think", "Similarly, I wouldn't be allowed to ask whether post-apocalypse survivors would be able", "pure chance. If anyone has any useful websites that would be really helpful.", "(opinion based). I've tried searching already and haven't been able to find anything", "to ask what the blast radius of a small bomb was, I doubt", "be really helpful. I would just do lots of research but I feel", "ask what the blast radius of a small bomb was, I doubt I", "governement is (opinion based). I've tried searching already and haven't been able to", "didn't find this one either, it was pure chance. If anyone has any", "bomb was, I doubt I would be allowed to ask here. * Similarly,", "would be really helpful. I would just do lots of research but I", "to find anything - I actually didn't find this one either, it was", "- I actually didn't find this one either, it was pure chance. If", "anything - I actually didn't find this one either, it was pure chance.", "can't ask what people think is the best form of dystopian governement is", "allowed to ask here. * Similarly, I wouldn't be allowed to ask whether", "this website doesn't work so well. Examples * If I were to ask", "I can't ask what people think is the best form of dystopian governement", "solar field without instructions. * I can't ask what people think is the", "would just do lots of research but I feel like the police would", "to set up their own solar field without instructions. * I can't ask", "already and haven't been able to find anything - I actually didn't find", "sadly, this website doesn't work so well. Examples * If I were to", "searching already and haven't been able to find anything - I actually didn't", "I've tried searching already and haven't been able to find anything - I", "website in incredibly useful and it's already helped me a lot. However when", "doubt I would be allowed to ask here. * Similarly, I wouldn't be", "I wouldn't be allowed to ask whether post-apocalypse survivors would be able to", "questions that are heavily opinion based, sadly, this website doesn't work so well.", "opinion based, sadly, this website doesn't work so well. Examples * If I", "I were to ask what the blast radius of a small bomb was,", "up their own solar field without instructions. * I can't ask what people", "* I can't ask what people think is the best form of dystopian", "website doesn't work so well. Examples * If I were to ask what", "it comes to asking questions about specific details/genres or questions that are heavily", "and it's already helped me a lot. However when it comes to asking", "best form of dystopian governement is (opinion based). I've tried searching already and", "comes to asking questions about specific details/genres or questions that are heavily opinion", "think is the best form of dystopian governement is (opinion based). I've tried", "form of dystopian governement is (opinion based). I've tried searching already and haven't", "give me a call if I kept on searching up questions about bombs.", "when it comes to asking questions about specific details/genres or questions that are", "in incredibly useful and it's already helped me a lot. However when it", "be allowed to ask whether post-apocalypse survivors would be able to set up", "based). I've tried searching already and haven't been able to find anything -", "either, it was pure chance. If anyone has any useful websites that would", "set up their own solar field without instructions. * I can't ask what", "* If I were to ask what the blast radius of a small", "blast radius of a small bomb was, I doubt I would be allowed", "websites that would be really helpful. I would just do lots of research", "be allowed to ask here. * Similarly, I wouldn't be allowed to ask", "were to ask what the blast radius of a small bomb was, I", "helpful. I would just do lots of research but I feel like the", "instructions. * I can't ask what people think is the best form of", "a small bomb was, I doubt I would be allowed to ask here.", "field without instructions. * I can't ask what people think is the best", "small bomb was, I doubt I would be allowed to ask here. ", "of a small bomb was, I doubt I would be allowed to ask", "the best form of dystopian governement is (opinion based). I've tried searching already", "research but I feel like the police would give me a call if", "ask what people think is the best form of dystopian governement is (opinion", "me a lot. However when it comes to asking questions about specific details/genres", "this one either, it was pure chance. If anyone has any useful websites", "would give me a call if I kept on searching up questions about", "would be allowed to ask here. Similarly, I wouldn't be allowed to", "* Similarly, I wouldn't be allowed to ask whether post-apocalypse survivors would be", "about specific details/genres or questions that are heavily opinion based, sadly, this website", "actually didn't find this one either, it was pure chance. If anyone has", "work so well. Examples * If I were to ask what the blast", "is the best form of dystopian governement is (opinion based). I've tried searching", "like the police would give me a call if I kept on searching", "but I feel like the police would give me a call if I", "to ask whether post-apocalypse survivors would be able to set up their own", "would be able to set up their own solar field without instructions. ", "I would be allowed to ask here. Similarly, I wouldn't be allowed", "feel like the police would give me a call if I kept on", "doesn't work so well. Examples * If I were to ask what the" ]
[ "be? Strenghten the first plot then start writing? Finish the skeleton for all", "skeleton and bulked out plot for all books have been written? I did", "book 1 or should I just start writing? I'm getting a little bored", "have been written? I did find a smiliar question asked 3 years ago", "find a smiliar question asked 3 years ago but the answers didn't help", "and research stage and kind of just want to start writing. But from", "all books then start writing? Not start writing until both the skeleton and", "before developing the plot of book 1 or should I just start writing?", "the same for book 2 and 3 before developing the plot of book", "Should I do the same for book 2 and 3 before developing the", "written? I did find a smiliar question asked 3 years ago but the", "smiliar question asked 3 years ago but the answers didn't help me so", "start writing without planning it doesn't end very well. I haven't fully developed", "possibly 3 books. I've skeletoned out the first book into a very brief", "I'm getting a little bored of the planning and research stage and kind", "end very well. I haven't fully developed the first plot so what should", "just start writing? I'm getting a little bored of the planning and research", "book plan is to cover at least 2 possibly 3 books. I've skeletoned", "plot. Should I do the same for book 2 and 3 before developing", "writing? Not start writing until both the skeleton and bulked out plot for", "of book 1 or should I just start writing? I'm getting a little", "writing? I'm getting a little bored of the planning and research stage and", "the first book into a very brief plot. Should I do the same", "plot so what should my port of call be? Strenghten the first plot", "it doesn't end very well. I haven't fully developed the first plot so", "plan is to cover at least 2 possibly 3 books. I've skeletoned out", "a smiliar question asked 3 years ago but the answers didn't help me", "or should I just start writing? I'm getting a little bored of the", "fully developed the first plot so what should my port of call be?", "should my port of call be? Strenghten the first plot then start writing?", "very brief plot. Should I do the same for book 2 and 3", "developed the first plot so what should my port of call be? Strenghten", "book into a very brief plot. Should I do the same for book", "3 books. I've skeletoned out the first book into a very brief plot.", "and kind of just want to start writing. But from experience when I", "little bored of the planning and research stage and kind of just want", "planning and research stage and kind of just want to start writing. But", "question asked 3 years ago but the answers didn't help me so I", "all books have been written? I did find a smiliar question asked 3", "the planning and research stage and kind of just want to start writing.", "from experience when I start writing without planning it doesn't end very well.", "first book into a very brief plot. Should I do the same for", "stage and kind of just want to start writing. But from experience when", "doesn't end very well. I haven't fully developed the first plot so what", "experience when I start writing without planning it doesn't end very well. I", "start writing? Not start writing until both the skeleton and bulked out plot", "Strenghten the first plot then start writing? Finish the skeleton for all books", "then start writing? Finish the skeleton for all books then start writing? Not", "planning it doesn't end very well. I haven't fully developed the first plot", "My book plan is to cover at least 2 possibly 3 books. I've", "port of call be? Strenghten the first plot then start writing? Finish the", "writing without planning it doesn't end very well. I haven't fully developed the", "to start writing. But from experience when I start writing without planning it", "3 years ago but the answers didn't help me so I thought I", "out the first book into a very brief plot. Should I do the", "books then start writing? Not start writing until both the skeleton and bulked", "the skeleton and bulked out plot for all books have been written? I", "and bulked out plot for all books have been written? I did find", "plot then start writing? Finish the skeleton for all books then start writing?", "writing until both the skeleton and bulked out plot for all books have", "Not start writing until both the skeleton and bulked out plot for all", "bulked out plot for all books have been written? I did find a", "1 or should I just start writing? I'm getting a little bored of", "at least 2 possibly 3 books. I've skeletoned out the first book into", "the first plot then start writing? Finish the skeleton for all books then", "without planning it doesn't end very well. I haven't fully developed the first", "for all books have been written? I did find a smiliar question asked", "ago but the answers didn't help me so I thought I would ask", "research stage and kind of just want to start writing. But from experience", "when I start writing without planning it doesn't end very well. I haven't", "3 before developing the plot of book 1 or should I just start", "haven't fully developed the first plot so what should my port of call", "first plot then start writing? Finish the skeleton for all books then start", "to cover at least 2 possibly 3 books. I've skeletoned out the first", "skeletoned out the first book into a very brief plot. Should I do", "for book 2 and 3 before developing the plot of book 1 or", "been written? I did find a smiliar question asked 3 years ago but", "2 possibly 3 books. I've skeletoned out the first book into a very", "brief plot. Should I do the same for book 2 and 3 before", "Finish the skeleton for all books then start writing? Not start writing until", "until both the skeleton and bulked out plot for all books have been", "start writing. But from experience when I start writing without planning it doesn't", "I do the same for book 2 and 3 before developing the plot", "start writing? I'm getting a little bored of the planning and research stage", "of the planning and research stage and kind of just want to start", "writing. But from experience when I start writing without planning it doesn't end", "least 2 possibly 3 books. I've skeletoned out the first book into a", "my port of call be? Strenghten the first plot then start writing? Finish", "the first plot so what should my port of call be? Strenghten the", "I've skeletoned out the first book into a very brief plot. Should I", "is to cover at least 2 possibly 3 books. I've skeletoned out the", "writing? Finish the skeleton for all books then start writing? Not start writing", "for all books then start writing? Not start writing until both the skeleton", "of call be? Strenghten the first plot then start writing? Finish the skeleton", "cover at least 2 possibly 3 books. I've skeletoned out the first book", "book 2 and 3 before developing the plot of book 1 or should", "bored of the planning and research stage and kind of just want to", "the plot of book 1 or should I just start writing? I'm getting", "then start writing? Not start writing until both the skeleton and bulked out", "books have been written? I did find a smiliar question asked 3 years", "But from experience when I start writing without planning it doesn't end very", "I haven't fully developed the first plot so what should my port of", "but the answers didn't help me so I thought I would ask again.", "a very brief plot. Should I do the same for book 2 and", "books. I've skeletoned out the first book into a very brief plot. Should", "first plot so what should my port of call be? Strenghten the first", "do the same for book 2 and 3 before developing the plot of", "into a very brief plot. Should I do the same for book 2", "just want to start writing. But from experience when I start writing without", "should I just start writing? I'm getting a little bored of the planning", "very well. I haven't fully developed the first plot so what should my", "did find a smiliar question asked 3 years ago but the answers didn't", "I just start writing? I'm getting a little bored of the planning and", "want to start writing. But from experience when I start writing without planning", "out plot for all books have been written? I did find a smiliar", "and 3 before developing the plot of book 1 or should I just", "what should my port of call be? Strenghten the first plot then start", "the skeleton for all books then start writing? Not start writing until both", "both the skeleton and bulked out plot for all books have been written?", "developing the plot of book 1 or should I just start writing? I'm", "same for book 2 and 3 before developing the plot of book 1", "start writing until both the skeleton and bulked out plot for all books", "a little bored of the planning and research stage and kind of just", "so what should my port of call be? Strenghten the first plot then", "I start writing without planning it doesn't end very well. I haven't fully", "kind of just want to start writing. But from experience when I start", "plot of book 1 or should I just start writing? I'm getting a", "well. I haven't fully developed the first plot so what should my port", "skeleton for all books then start writing? Not start writing until both the", "asked 3 years ago but the answers didn't help me so I thought", "years ago but the answers didn't help me so I thought I would", "getting a little bored of the planning and research stage and kind of", "call be? Strenghten the first plot then start writing? Finish the skeleton for", "2 and 3 before developing the plot of book 1 or should I", "of just want to start writing. But from experience when I start writing", "plot for all books have been written? I did find a smiliar question", "I did find a smiliar question asked 3 years ago but the answers", "start writing? Finish the skeleton for all books then start writing? Not start" ]
[ "co-author for a book series I have planned. I have the basic premise", "the genre the idea demands. Any ideas for how to locate such an", "am trying to locate a co-author for a book series I have planned.", "to locate a co-author for a book series I have planned. I have", "trying to locate a co-author for a book series I have planned. I", "\"first page.\" But, even though I am a published author in my own", "write in the genre the idea demands. Any ideas for how to locate", "my own right, I do not feel proficient to write in the genre", "I am a published author in my own right, I do not feel", "I do not feel proficient to write in the genre the idea demands.", "own right, I do not feel proficient to write in the genre the", "page.\" But, even though I am a published author in my own right,", "a book series I have planned. I have the basic premise and foundation", "right, I do not feel proficient to write in the genre the idea", "I am trying to locate a co-author for a book series I have", "published author in my own right, I do not feel proficient to write", "and have written a rough \"first page.\" But, even though I am a", "genre the idea demands. Any ideas for how to locate such an individual?", "for a book series I have planned. I have the basic premise and", "am a published author in my own right, I do not feel proficient", "though I am a published author in my own right, I do not", "and foundation done, and have written a rough \"first page.\" But, even though", "proficient to write in the genre the idea demands. Any ideas for how", "I have planned. I have the basic premise and foundation done, and have", "have the basic premise and foundation done, and have written a rough \"first", "rough \"first page.\" But, even though I am a published author in my", "feel proficient to write in the genre the idea demands. Any ideas for", "a rough \"first page.\" But, even though I am a published author in", "to write in the genre the idea demands. Any ideas for how to", "even though I am a published author in my own right, I do", "book series I have planned. I have the basic premise and foundation done,", "done, and have written a rough \"first page.\" But, even though I am", "the basic premise and foundation done, and have written a rough \"first page.\"", "foundation done, and have written a rough \"first page.\" But, even though I", "written a rough \"first page.\" But, even though I am a published author", "series I have planned. I have the basic premise and foundation done, and", "a published author in my own right, I do not feel proficient to", "have planned. I have the basic premise and foundation done, and have written", "author in my own right, I do not feel proficient to write in", "do not feel proficient to write in the genre the idea demands. Any", "basic premise and foundation done, and have written a rough \"first page.\" But,", "premise and foundation done, and have written a rough \"first page.\" But, even", "in my own right, I do not feel proficient to write in the", "But, even though I am a published author in my own right, I", "a co-author for a book series I have planned. I have the basic", "in the genre the idea demands. Any ideas for how to locate such", "not feel proficient to write in the genre the idea demands. Any ideas", "have written a rough \"first page.\" But, even though I am a published", "locate a co-author for a book series I have planned. I have the", "I have the basic premise and foundation done, and have written a rough", "planned. I have the basic premise and foundation done, and have written a" ]
[ "and I am working hard not to forget the idea. Any feedback on", "the idea down in my ideas spot in my notes app. But usually", "a murder mystery novel for a couple months and just need to get", "more of a plot to write down, so I started thinking about it", "being planned there which I can’t do for the novel I’m working on", "even more amazing. But the problem is writing the idea down. Let me", "a new plot to plan I have to delete the other plot the", "realized that I needed more of a plot to write down, so I", "with made the idea even more amazing. But the problem is writing the", "mystery novel for a couple months and just need to get a few", "can’t get the upgrade so every time I have a new plot to", "get an amazing idea (sort of). I decided that I should write the", "hard not to forget the idea. Any feedback on what I should do", "what I came up with made the idea even more amazing. But the", "that I should write the idea down before I forget it. But then", "which I can’t do for the novel I’m working on for obvious reasons.", "that happens I end up forgetting about it and never look at it", "if I start planning it but I need my storage for my current", "laying in bed one night just scrolling through YouTube Shorts when I just", "the idea down before I forget it. But then I realized that I", "the problem is writing the idea down. Let me be more specific, I", "fine writing the idea down in my ideas spot in my notes app.", "the upgrade so every time I have a new plot to plan I", "for the novel I’m working on for obvious reasons. But the only way", "it but I need my storage for my current work. I’m desperate to", "the idea. Any feedback on what I should do to preserve the idea", "of). I decided that I should write the idea down before I forget", "decided that I should write the idea down before I forget it. But", "desperate to not forget this idea it’s currently two in the morning and", "on for obvious reasons. But the only way I’ll remember the other plot", "in my notes app. But usually when that happens I end up forgetting", "about it and what I came up with made the idea even more", "novel for a couple months and just need to get a few more", "app Milanote for my planning, but I can’t get the upgrade so every", "every time I have a new plot to plan I have to delete", "for my planning, but I can’t get the upgrade so every time I", "it and never look at it until the next one comes around. I", "night just scrolling through YouTube Shorts when I just get an amazing idea", "idea even more amazing. But the problem is writing the idea down. Let", "Milanote for my planning, but I can’t get the upgrade so every time", "novel I’m working on for obvious reasons. But the only way I’ll remember", "details planned and then I’m ready to write. But I was laying in", "should write the idea down before I forget it. But then I realized", "But usually when that happens I end up forgetting about it and never", "and then I’m ready to write. But I was laying in bed one", "there which I can’t do for the novel I’m working on for obvious", "I just get an amazing idea (sort of). I decided that I should", "but I need my storage for my current work. I’m desperate to not", "working hard not to forget the idea. Any feedback on what I should", "I am perfectly fine writing the idea down in my ideas spot in", "plot to plan I have to delete the other plot the was being", "idea it’s currently two in the morning and I am working hard not", "a few more specific details planned and then I’m ready to write. But", "(sort of). I decided that I should write the idea down before I", "in bed one night just scrolling through YouTube Shorts when I just get", "to get a few more specific details planned and then I’m ready to", "writing the idea down in my ideas spot in my notes app. But", "I needed more of a plot to write down, so I started thinking", "write down, so I started thinking about it and what I came up", "remember the other plot is if I start planning it but I need", "new plot to plan I have to delete the other plot the was", "I started thinking about it and what I came up with made the", "down in my ideas spot in my notes app. But usually when that", "need my storage for my current work. I’m desperate to not forget this", "that I needed more of a plot to write down, so I started", "more amazing. But the problem is writing the idea down. Let me be", "to forget the idea. Any feedback on what I should do to preserve", "end up forgetting about it and never look at it until the next", "at it until the next one comes around. I use the app Milanote", "was laying in bed one night just scrolling through YouTube Shorts when I", "have a new plot to plan I have to delete the other plot", "just need to get a few more specific details planned and then I’m", "just get an amazing idea (sort of). I decided that I should write", "started thinking about it and what I came up with made the idea", "specific, I am perfectly fine writing the idea down in my ideas spot", "start planning it but I need my storage for my current work. I’m", "feedback on what I should do to preserve the idea would be greatly", "reasons. But the only way I’ll remember the other plot is if I", "can’t do for the novel I’m working on for obvious reasons. But the", "planning a murder mystery novel for a couple months and just need to", "in my ideas spot in my notes app. But usually when that happens", "it. But then I realized that I needed more of a plot to", "am working hard not to forget the idea. Any feedback on what I", "YouTube Shorts when I just get an amazing idea (sort of). I decided", "my ideas spot in my notes app. But usually when that happens I", "and just need to get a few more specific details planned and then", "specific details planned and then I’m ready to write. But I was laying", "scrolling through YouTube Shorts when I just get an amazing idea (sort of).", "idea down. Let me be more specific, I am perfectly fine writing the", "write. But I was laying in bed one night just scrolling through YouTube", "couple months and just need to get a few more specific details planned", "about it and never look at it until the next one comes around.", "and never look at it until the next one comes around. I use", "planning, but I can’t get the upgrade so every time I have a", "bed one night just scrolling through YouTube Shorts when I just get an", "writing the idea down. Let me be more specific, I am perfectly fine", "then I realized that I needed more of a plot to write down,", "it until the next one comes around. I use the app Milanote for", "forget it. But then I realized that I needed more of a plot", "the novel I’m working on for obvious reasons. But the only way I’ll", "the other plot the was being planned there which I can’t do for", "I can’t get the upgrade so every time I have a new plot", "through YouTube Shorts when I just get an amazing idea (sort of). I", "to write. But I was laying in bed one night just scrolling through", "me be more specific, I am perfectly fine writing the idea down in", "ideas spot in my notes app. But usually when that happens I end", "I’m working on for obvious reasons. But the only way I’ll remember the", "the only way I’ll remember the other plot is if I start planning", "I end up forgetting about it and never look at it until the", "app. But usually when that happens I end up forgetting about it and", "one comes around. I use the app Milanote for my planning, but I", "for a couple months and just need to get a few more specific", "so every time I have a new plot to plan I have to", "I have to delete the other plot the was being planned there which", "delete the other plot the was being planned there which I can’t do", "not to forget the idea. Any feedback on what I should do to", "a plot to write down, so I started thinking about it and what", "planned there which I can’t do for the novel I’m working on for", "my current work. I’m desperate to not forget this idea it’s currently two", "have to delete the other plot the was being planned there which I", "idea. Any feedback on what I should do to preserve the idea would", "needed more of a plot to write down, so I started thinking about", "obvious reasons. But the only way I’ll remember the other plot is if", "spot in my notes app. But usually when that happens I end up", "way I’ll remember the other plot is if I start planning it but", "was being planned there which I can’t do for the novel I’m working", "plot is if I start planning it but I need my storage for", "months and just need to get a few more specific details planned and", "my storage for my current work. I’m desperate to not forget this idea", "Let me be more specific, I am perfectly fine writing the idea down", "comes around. I use the app Milanote for my planning, but I can’t", "I’m ready to write. But I was laying in bed one night just", "around. I use the app Milanote for my planning, but I can’t get", "I need my storage for my current work. I’m desperate to not forget", "upgrade so every time I have a new plot to plan I have", "forgetting about it and never look at it until the next one comes", "idea (sort of). I decided that I should write the idea down before", "am perfectly fine writing the idea down in my ideas spot in my", "planning it but I need my storage for my current work. I’m desperate", "to not forget this idea it’s currently two in the morning and I", "need to get a few more specific details planned and then I’m ready", "then I’m ready to write. But I was laying in bed one night", "plan I have to delete the other plot the was being planned there", "other plot the was being planned there which I can’t do for the", "working on for obvious reasons. But the only way I’ll remember the other", "Shorts when I just get an amazing idea (sort of). I decided that", "the was being planned there which I can’t do for the novel I’m", "murder mystery novel for a couple months and just need to get a", "more specific, I am perfectly fine writing the idea down in my ideas", "look at it until the next one comes around. I use the app", "I’m desperate to not forget this idea it’s currently two in the morning", "I forget it. But then I realized that I needed more of a", "plot to write down, so I started thinking about it and what I", "Any feedback on what I should do to preserve the idea would be", "I realized that I needed more of a plot to write down, so", "made the idea even more amazing. But the problem is writing the idea", "down. Let me be more specific, I am perfectly fine writing the idea", "and what I came up with made the idea even more amazing. But", "usually when that happens I end up forgetting about it and never look", "to delete the other plot the was being planned there which I can’t", "on what I should do to preserve the idea would be greatly appreciate", "I was laying in bed one night just scrolling through YouTube Shorts when", "amazing. But the problem is writing the idea down. Let me be more", "use the app Milanote for my planning, but I can’t get the upgrade", "but I can’t get the upgrade so every time I have a new", "plot the was being planned there which I can’t do for the novel", "I start planning it but I need my storage for my current work.", "not forget this idea it’s currently two in the morning and I am", "an amazing idea (sort of). I decided that I should write the idea", "the app Milanote for my planning, but I can’t get the upgrade so", "few more specific details planned and then I’m ready to write. But I", "the idea down. Let me be more specific, I am perfectly fine writing", "planned and then I’m ready to write. But I was laying in bed", "just scrolling through YouTube Shorts when I just get an amazing idea (sort", "I decided that I should write the idea down before I forget it.", "currently two in the morning and I am working hard not to forget", "only way I’ll remember the other plot is if I start planning it", "happens I end up forgetting about it and never look at it until", "idea down in my ideas spot in my notes app. But usually when", "down before I forget it. But then I realized that I needed more", "perfectly fine writing the idea down in my ideas spot in my notes", "to plan I have to delete the other plot the was being planned", "until the next one comes around. I use the app Milanote for my", "it and what I came up with made the idea even more amazing.", "next one comes around. I use the app Milanote for my planning, but", "this idea it’s currently two in the morning and I am working hard", "idea down before I forget it. But then I realized that I needed", "the other plot is if I start planning it but I need my", "forget the idea. Any feedback on what I should do to preserve the", "one night just scrolling through YouTube Shorts when I just get an amazing", "down, so I started thinking about it and what I came up with", "But the problem is writing the idea down. Let me be more specific,", "never look at it until the next one comes around. I use the", "But the only way I’ll remember the other plot is if I start", "I am working hard not to forget the idea. Any feedback on what", "to write down, so I started thinking about it and what I came", "notes app. But usually when that happens I end up forgetting about it", "is if I start planning it but I need my storage for my", "current work. I’m desperate to not forget this idea it’s currently two in", "other plot is if I start planning it but I need my storage", "I have been planning a murder mystery novel for a couple months and", "get a few more specific details planned and then I’m ready to write.", "have been planning a murder mystery novel for a couple months and just", "write the idea down before I forget it. But then I realized that", "the idea even more amazing. But the problem is writing the idea down.", "work. I’m desperate to not forget this idea it’s currently two in the", "when I just get an amazing idea (sort of). I decided that I", "so I started thinking about it and what I came up with made", "be more specific, I am perfectly fine writing the idea down in my", "do for the novel I’m working on for obvious reasons. But the only", "But I was laying in bed one night just scrolling through YouTube Shorts", "problem is writing the idea down. Let me be more specific, I am", "in the morning and I am working hard not to forget the idea.", "my planning, but I can’t get the upgrade so every time I have", "But then I realized that I needed more of a plot to write", "morning and I am working hard not to forget the idea. Any feedback", "came up with made the idea even more amazing. But the problem is", "before I forget it. But then I realized that I needed more of", "up forgetting about it and never look at it until the next one", "the next one comes around. I use the app Milanote for my planning,", "I can’t do for the novel I’m working on for obvious reasons. But", "I have a new plot to plan I have to delete the other", "a couple months and just need to get a few more specific details", "I came up with made the idea even more amazing. But the problem", "ready to write. But I was laying in bed one night just scrolling", "storage for my current work. I’m desperate to not forget this idea it’s", "for my current work. I’m desperate to not forget this idea it’s currently", "for obvious reasons. But the only way I’ll remember the other plot is", "my notes app. But usually when that happens I end up forgetting about", "get the upgrade so every time I have a new plot to plan", "been planning a murder mystery novel for a couple months and just need", "two in the morning and I am working hard not to forget the", "more specific details planned and then I’m ready to write. But I was", "I use the app Milanote for my planning, but I can’t get the", "of a plot to write down, so I started thinking about it and", "I’ll remember the other plot is if I start planning it but I", "up with made the idea even more amazing. But the problem is writing", "thinking about it and what I came up with made the idea even", "forget this idea it’s currently two in the morning and I am working", "it’s currently two in the morning and I am working hard not to", "time I have a new plot to plan I have to delete the", "is writing the idea down. Let me be more specific, I am perfectly", "amazing idea (sort of). I decided that I should write the idea down", "the morning and I am working hard not to forget the idea. Any", "I should write the idea down before I forget it. But then I", "when that happens I end up forgetting about it and never look at" ]
[ "artistic license with punctuation like Cormac McCarthy better for someone with a foothold", "types of artistic license with punctuation like Cormac McCarthy better for someone with", "conveying dialogue, from conventional to unquoted ramblings mixed with explanatory sentencing. Are these", "with explanatory sentencing. Are these types of artistic license with punctuation like Cormac", "as an author or should you stick to strict structure from the beginning", "these types of artistic license with punctuation like Cormac McCarthy better for someone", "authors use different ways of conveying dialogue, from conventional to unquoted ramblings mixed", "noticed that many authors use different ways of conveying dialogue, from conventional to", "use different ways of conveying dialogue, from conventional to unquoted ramblings mixed with", "Are these types of artistic license with punctuation like Cormac McCarthy better for", "an author or should you stick to strict structure from the beginning because", "strict structure from the beginning because it could lead to bad styling and", "author or should you stick to strict structure from the beginning because it", "ramblings mixed with explanatory sentencing. Are these types of artistic license with punctuation", "unquoted ramblings mixed with explanatory sentencing. Are these types of artistic license with", "many authors use different ways of conveying dialogue, from conventional to unquoted ramblings", "better for someone with a foothold as an author or should you stick", "that many authors use different ways of conveying dialogue, from conventional to unquoted", "ways of conveying dialogue, from conventional to unquoted ramblings mixed with explanatory sentencing.", "explanatory sentencing. Are these types of artistic license with punctuation like Cormac McCarthy", "foothold as an author or should you stick to strict structure from the", "I noticed that many authors use different ways of conveying dialogue, from conventional", "structure from the beginning because it could lead to bad styling and grammar?", "should you stick to strict structure from the beginning because it could lead", "sentencing. Are these types of artistic license with punctuation like Cormac McCarthy better", "like Cormac McCarthy better for someone with a foothold as an author or", "to unquoted ramblings mixed with explanatory sentencing. Are these types of artistic license", "with punctuation like Cormac McCarthy better for someone with a foothold as an", "different ways of conveying dialogue, from conventional to unquoted ramblings mixed with explanatory", "or should you stick to strict structure from the beginning because it could", "license with punctuation like Cormac McCarthy better for someone with a foothold as", "punctuation like Cormac McCarthy better for someone with a foothold as an author", "dialogue, from conventional to unquoted ramblings mixed with explanatory sentencing. Are these types", "Cormac McCarthy better for someone with a foothold as an author or should", "for someone with a foothold as an author or should you stick to", "McCarthy better for someone with a foothold as an author or should you", "someone with a foothold as an author or should you stick to strict", "you stick to strict structure from the beginning because it could lead to", "of conveying dialogue, from conventional to unquoted ramblings mixed with explanatory sentencing. Are", "to strict structure from the beginning because it could lead to bad styling", "stick to strict structure from the beginning because it could lead to bad", "a foothold as an author or should you stick to strict structure from", "from conventional to unquoted ramblings mixed with explanatory sentencing. Are these types of", "conventional to unquoted ramblings mixed with explanatory sentencing. Are these types of artistic", "mixed with explanatory sentencing. Are these types of artistic license with punctuation like", "of artistic license with punctuation like Cormac McCarthy better for someone with a", "with a foothold as an author or should you stick to strict structure" ]
[ "voluptuous but they just don't fit. How would you describe it in a", "a woman's lips without being cliche? I can't help but think \"pillow\" or", "just don't fit. How would you describe it in a way that may", "may not be a singular word? For context he's staring at a picture", "cliche? I can't help but think \"pillow\" or \"pouty\" but that's wrong. I", "don't fit. How would you describe it in a way that may not", "way that may not be a singular word? For context he's staring at", "I looked through all the synonyms for words like thick, plump or voluptuous", "or voluptuous but they just don't fit. How would you describe it in", "can't help but think \"pillow\" or \"pouty\" but that's wrong. I looked through", "\"pouty\" but that's wrong. I looked through all the synonyms for words like", "a way that may not be a singular word? For context he's staring", "picture of her from several years ago on his phone and describing her", "What is the best way to describe a woman's lips without being cliche?", "they just don't fit. How would you describe it in a way that", "think \"pillow\" or \"pouty\" but that's wrong. I looked through all the synonyms", "it in a way that may not be a singular word? For context", "or \"pouty\" but that's wrong. I looked through all the synonyms for words", "but they just don't fit. How would you describe it in a way", "woman's lips without being cliche? I can't help but think \"pillow\" or \"pouty\"", "being cliche? I can't help but think \"pillow\" or \"pouty\" but that's wrong.", "the synonyms for words like thick, plump or voluptuous but they just don't", "that's wrong. I looked through all the synonyms for words like thick, plump", "be a singular word? For context he's staring at a picture of her", "is the best way to describe a woman's lips without being cliche? I", "describe it in a way that may not be a singular word? For", "context he's staring at a picture of her from several years ago on", "ago on his phone and describing her face with a sense of nostalgia", "several years ago on his phone and describing her face with a sense", "he's staring at a picture of her from several years ago on his", "that may not be a singular word? For context he's staring at a", "staring at a picture of her from several years ago on his phone", "describe a woman's lips without being cliche? I can't help but think \"pillow\"", "like thick, plump or voluptuous but they just don't fit. How would you", "at a picture of her from several years ago on his phone and", "years ago on his phone and describing her face with a sense of", "her from several years ago on his phone and describing her face with", "How would you describe it in a way that may not be a", "For context he's staring at a picture of her from several years ago", "singular word? For context he's staring at a picture of her from several", "not be a singular word? For context he's staring at a picture of", "looked through all the synonyms for words like thick, plump or voluptuous but", "I can't help but think \"pillow\" or \"pouty\" but that's wrong. I looked", "\"pillow\" or \"pouty\" but that's wrong. I looked through all the synonyms for", "a picture of her from several years ago on his phone and describing", "the best way to describe a woman's lips without being cliche? I can't", "wrong. I looked through all the synonyms for words like thick, plump or", "thick, plump or voluptuous but they just don't fit. How would you describe", "for words like thick, plump or voluptuous but they just don't fit. How", "through all the synonyms for words like thick, plump or voluptuous but they", "without being cliche? I can't help but think \"pillow\" or \"pouty\" but that's", "plump or voluptuous but they just don't fit. How would you describe it", "would you describe it in a way that may not be a singular", "word? For context he's staring at a picture of her from several years", "you describe it in a way that may not be a singular word?", "fit. How would you describe it in a way that may not be", "way to describe a woman's lips without being cliche? I can't help but", "a singular word? For context he's staring at a picture of her from", "in a way that may not be a singular word? For context he's", "synonyms for words like thick, plump or voluptuous but they just don't fit.", "help but think \"pillow\" or \"pouty\" but that's wrong. I looked through all", "of her from several years ago on his phone and describing her face", "to describe a woman's lips without being cliche? I can't help but think", "all the synonyms for words like thick, plump or voluptuous but they just", "but that's wrong. I looked through all the synonyms for words like thick,", "best way to describe a woman's lips without being cliche? I can't help", "but think \"pillow\" or \"pouty\" but that's wrong. I looked through all the", "from several years ago on his phone and describing her face with a", "words like thick, plump or voluptuous but they just don't fit. How would", "lips without being cliche? I can't help but think \"pillow\" or \"pouty\" but" ]