Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "to read your book a second, third or even read a companion book,", "by the denizens of your world, but not your readers as though they", "Can you put your readers right in the middle of things without assuming", "world building like Made by Abyss or The Elder's Scrolls: Morrowind, can you", "of just putting your readers in the middle of things ever done by", "as though they knew everything and just expect them to read your book", "readers right in the middle of things without assuming they know anything? Let's", "right in the middle of things without assuming they know anything? Let's take", "reveal things step by step? Is this shock approach of just putting your", "of things without assuming they know anything? Let's take a very strange world", "them to read your book a second, third or even read a companion", "and name things that are known by the denizens of your world, but", "third or even read a companion book, or should you reveal things step", "assuming they know anything? Let's take a very strange world with very unique", "in the middle of things and name things that are known by the", "even read a companion book, or should you reveal things step by step?", "unique world building like Made by Abyss or The Elder's Scrolls: Morrowind, can", "but not your readers as though they knew everything and just expect them", "The Elder's Scrolls: Morrowind, can you take your readers right in the middle", "like Made by Abyss or The Elder's Scrolls: Morrowind, can you take your", "take your readers right in the middle of things and name things that", "of things and name things that are known by the denizens of your", "just expect them to read your book a second, third or even read", "your readers right in the middle of things and name things that are", "world with very unique world building like Made by Abyss or The Elder's", "your readers as though they knew everything and just expect them to read", "putting your readers in the middle of things ever done by a successful", "step? Is this shock approach of just putting your readers in the middle", "denizens of your world, but not your readers as though they knew everything", "Scrolls: Morrowind, can you take your readers right in the middle of things", "things without assuming they know anything? Let's take a very strange world with", "your readers in the middle of things ever done by a successful author?", "your world, but not your readers as though they knew everything and just", "Let's take a very strange world with very unique world building like Made", "the denizens of your world, but not your readers as though they knew", "companion book, or should you reveal things step by step? Is this shock", "take a very strange world with very unique world building like Made by", "with very unique world building like Made by Abyss or The Elder's Scrolls:", "right in the middle of things and name things that are known by", "step by step? Is this shock approach of just putting your readers in", "world, but not your readers as though they knew everything and just expect", "Is this shock approach of just putting your readers in the middle of", "put your readers right in the middle of things without assuming they know", "things step by step? Is this shock approach of just putting your readers", "readers as though they knew everything and just expect them to read your", "without assuming they know anything? Let's take a very strange world with very", "they knew everything and just expect them to read your book a second,", "book a second, third or even read a companion book, or should you", "a very strange world with very unique world building like Made by Abyss", "approach of just putting your readers in the middle of things ever done", "Elder's Scrolls: Morrowind, can you take your readers right in the middle of", "a companion book, or should you reveal things step by step? Is this", "anything? Let's take a very strange world with very unique world building like", "a second, third or even read a companion book, or should you reveal", "just putting your readers in the middle of things ever done by a", "of your world, but not your readers as though they knew everything and", "that are known by the denizens of your world, but not your readers", "building like Made by Abyss or The Elder's Scrolls: Morrowind, can you take", "are known by the denizens of your world, but not your readers as", "or even read a companion book, or should you reveal things step by", "can you take your readers right in the middle of things and name", "the middle of things and name things that are known by the denizens", "your book a second, third or even read a companion book, or should", "knew everything and just expect them to read your book a second, third", "Morrowind, can you take your readers right in the middle of things and", "everything and just expect them to read your book a second, third or", "middle of things without assuming they know anything? Let's take a very strange", "should you reveal things step by step? Is this shock approach of just", "read a companion book, or should you reveal things step by step? Is", "not your readers as though they knew everything and just expect them to", "strange world with very unique world building like Made by Abyss or The", "things that are known by the denizens of your world, but not your", "and just expect them to read your book a second, third or even", "name things that are known by the denizens of your world, but not", "middle of things and name things that are known by the denizens of", "you reveal things step by step? Is this shock approach of just putting", "very strange world with very unique world building like Made by Abyss or", "know anything? Let's take a very strange world with very unique world building", "book, or should you reveal things step by step? Is this shock approach", "read your book a second, third or even read a companion book, or", "they know anything? Let's take a very strange world with very unique world", "Made by Abyss or The Elder's Scrolls: Morrowind, can you take your readers", "very unique world building like Made by Abyss or The Elder's Scrolls: Morrowind,", "your readers right in the middle of things without assuming they know anything?", "Abyss or The Elder's Scrolls: Morrowind, can you take your readers right in", "in the middle of things without assuming they know anything? Let's take a", "the middle of things without assuming they know anything? Let's take a very", "things and name things that are known by the denizens of your world,", "you put your readers right in the middle of things without assuming they", "second, third or even read a companion book, or should you reveal things", "this shock approach of just putting your readers in the middle of things", "expect them to read your book a second, third or even read a", "though they knew everything and just expect them to read your book a", "by Abyss or The Elder's Scrolls: Morrowind, can you take your readers right", "you take your readers right in the middle of things and name things", "shock approach of just putting your readers in the middle of things ever", "or The Elder's Scrolls: Morrowind, can you take your readers right in the", "by step? Is this shock approach of just putting your readers in the", "or should you reveal things step by step? Is this shock approach of", "readers right in the middle of things and name things that are known", "known by the denizens of your world, but not your readers as though" ]
[ "that high taxes and strict business regulations hurt the economy, supports gun rights,", "> > Zotn, a Democrat, supports abortion rights and climate action, opposes tax", "and do not object to any part. (Obviously, these examples don't cover the", "opposes tax cuts that benefit billionaires at the expense of the average American,", "I use for ? The goal is to show that they entirely agree", "> Zotn, a Democrat, supports abortion rights and climate action, opposes tax cuts", "Democrat, supports abortion rights and climate action, opposes tax cuts that benefit billionaires", "cuts that benefit billionaires at the expense of the average American, and believes", "at the expense of the average American, and believes guns should be banned", "or at least strictly regulated. > > > What could I use for", "party's platform and do not object to any part. (Obviously, these examples don't", "platforms of the Republican and Democratic parties, but I think they're sufficient to", "taxes and strict business regulations hurt the economy, supports gun rights, and believes", "believes that high taxes and strict business regulations hurt the economy, supports gun", "respective party's platform and do not object to any part. (Obviously, these examples", "> Joe, a Republican, believes that high taxes and strict business regulations hurt", "Democratic parties, but I think they're sufficient to show what I'm looking for.)", "and strict business regulations hurt the economy, supports gun rights, and believes abortion", "the entire platforms of the Republican and Democratic parties, but I think they're", "rights, and believes abortion should be illegal. > > > > > Zotn,", "platform and do not object to any part. (Obviously, these examples don't cover", "goal is to show that they entirely agree with the respective party's platform", "the average American, and believes guns should be banned or at least strictly", "The goal is to show that they entirely agree with the respective party's", "> > What could I use for ? The goal is to show", "benefit billionaires at the expense of the average American, and believes guns should", "and climate action, opposes tax cuts that benefit billionaires at the expense of", "and believes abortion should be illegal. > > > > > Zotn, a", "Joe, a Republican, believes that high taxes and strict business regulations hurt the", "rights and climate action, opposes tax cuts that benefit billionaires at the expense", "the respective party's platform and do not object to any part. (Obviously, these", "Republican, believes that high taxes and strict business regulations hurt the economy, supports", "a Democrat, supports abortion rights and climate action, opposes tax cuts that benefit", "believes abortion should be illegal. > > > > > Zotn, a Democrat,", "regulated. > > > What could I use for ? The goal is", "should be banned or at least strictly regulated. > > > What could", "> > > > > Zotn, a Democrat, supports abortion rights and climate", "> > > What could I use for ? The goal is to", "be illegal. > > > > > Zotn, a Democrat, supports abortion rights", "high taxes and strict business regulations hurt the economy, supports gun rights, and", "object to any part. (Obviously, these examples don't cover the entire platforms of", "hurt the economy, supports gun rights, and believes abortion should be illegal. >", "billionaires at the expense of the average American, and believes guns should be", "the expense of the average American, and believes guns should be banned or", "American, and believes guns should be banned or at least strictly regulated. >", "climate action, opposes tax cuts that benefit billionaires at the expense of the", "economy, supports gun rights, and believes abortion should be illegal. > > >", "regulations hurt the economy, supports gun rights, and believes abortion should be illegal.", "examples don't cover the entire platforms of the Republican and Democratic parties, but", "> What could I use for ? The goal is to show that", "could I use for ? The goal is to show that they entirely", "to any part. (Obviously, these examples don't cover the entire platforms of the", "> > > > Zotn, a Democrat, supports abortion rights and climate action,", "(Obviously, these examples don't cover the entire platforms of the Republican and Democratic", "the economy, supports gun rights, and believes abortion should be illegal. > >", "and believes guns should be banned or at least strictly regulated. > >", "What could I use for ? The goal is to show that they", "be banned or at least strictly regulated. > > > What could I", "? The goal is to show that they entirely agree with the respective", "do not object to any part. (Obviously, these examples don't cover the entire", "and Democratic parties, but I think they're sufficient to show what I'm looking", "average American, and believes guns should be banned or at least strictly regulated.", "supports abortion rights and climate action, opposes tax cuts that benefit billionaires at", "Zotn, a Democrat, supports abortion rights and climate action, opposes tax cuts that", "show that they entirely agree with the respective party's platform and do not", "any part. (Obviously, these examples don't cover the entire platforms of the Republican", "is to show that they entirely agree with the respective party's platform and", "strictly regulated. > > > What could I use for ? The goal", "supports gun rights, and believes abortion should be illegal. > > > >", "not object to any part. (Obviously, these examples don't cover the entire platforms", "strict business regulations hurt the economy, supports gun rights, and believes abortion should", "abortion should be illegal. > > > > > Zotn, a Democrat, supports", "a Republican, believes that high taxes and strict business regulations hurt the economy,", "abortion rights and climate action, opposes tax cuts that benefit billionaires at the", "should be illegal. > > > > > Zotn, a Democrat, supports abortion", "don't cover the entire platforms of the Republican and Democratic parties, but I", "banned or at least strictly regulated. > > > What could I use", "entirely agree with the respective party's platform and do not object to any", "of the average American, and believes guns should be banned or at least", "> > > Zotn, a Democrat, supports abortion rights and climate action, opposes", "that benefit billionaires at the expense of the average American, and believes guns", "they entirely agree with the respective party's platform and do not object to", "expense of the average American, and believes guns should be banned or at", "Republican and Democratic parties, but I think they're sufficient to show what I'm", "for ? The goal is to show that they entirely agree with the", "at least strictly regulated. > > > What could I use for ?", "cover the entire platforms of the Republican and Democratic parties, but I think", "part. (Obviously, these examples don't cover the entire platforms of the Republican and", "guns should be banned or at least strictly regulated. > > > What", "the Republican and Democratic parties, but I think they're sufficient to show what", "gun rights, and believes abortion should be illegal. > > > > >", "believes guns should be banned or at least strictly regulated. > > >", "entire platforms of the Republican and Democratic parties, but I think they're sufficient", "illegal. > > > > > Zotn, a Democrat, supports abortion rights and", "action, opposes tax cuts that benefit billionaires at the expense of the average", "agree with the respective party's platform and do not object to any part.", "that they entirely agree with the respective party's platform and do not object", "least strictly regulated. > > > What could I use for ? The", "to show that they entirely agree with the respective party's platform and do", "business regulations hurt the economy, supports gun rights, and believes abortion should be", "these examples don't cover the entire platforms of the Republican and Democratic parties,", "> > Joe, a Republican, believes that high taxes and strict business regulations", "with the respective party's platform and do not object to any part. (Obviously,", "tax cuts that benefit billionaires at the expense of the average American, and", "of the Republican and Democratic parties, but I think they're sufficient to show", "use for ? The goal is to show that they entirely agree with" ]
[ "the present story, to just fill the reader in on a detail, feels", "as generally as you want, so long as the narration format of present", "shown as thoughts or dialogue. Sometimes I tell it, but that's usually when", "But sometimes, the gist of those details is important to the plot, and", "dots. However, sometimes it would be practical to describe things that happened kind", "is important to the plot, and it'd be nice if I could simply", "like it'll likely be jarring; because it makes the narration feel like its", "want, so long as the narration format of present tense 3rd person limited", "let it come out via dialogue. The narration is impersonal; I don't want", "as I feel like that'd be breaking immersion. The narration is just describing", "impersonal; I don't want it to feel like someone's telling the story, as", "feel like that'd be breaking immersion. The narration is just describing objective things.", "plot, and it'd be nice if I could simply mention x happened when", "For the book I'm writing on now, I decided to try the present", "like to include tons of time skips. But sometimes, the gist of those", "actions happening aren't obvious, so by mentioning them I allow the reader to", "details not shown in the story), because it deviates from the non-expository paradigm", "story is still now, regardless of the tense. Backstory is still backstory, even", "mention x happened when it becomes relevant. However, is this too jarring? Do", "the present tense. I find it fun and challenging, but this issue is", "with italicized writing. Intentions and opinions are shown as thoughts or dialogue. Sometimes", "the tense. Backstory is still backstory, even if the story is past tense.", "when those things are obvious/pre-established, but their relation to the actions happening aren't", "it fun and challenging, but this issue is even more noticeable now. Especially", "more noticeable now. Especially because this story involves tons of planning and scheming,", "narration is just describing objective things. Emotions are shown. Thoughts are displayed with", "out via dialogue. The narration is impersonal; I don't want it to feel", "tons of time skips. But sometimes, the gist of those details is important", "narration feel like its being delivered by a narrator who exists outside of", "I don't want it to feel like someone's telling the story, as I", "of time skips. But sometimes, the gist of those details is important to", "try the present tense. I find it fun and challenging, but this issue", "tense. Backstory is still backstory, even if the story is past tense. For", "the story, as I feel like that'd be breaking immersion. The narration is", "but their relation to the actions happening aren't obvious, so by mentioning them", "story (and thus has access to details not shown in the story), because", "book I'm writing on now, I decided to try the present tense. I", "include tons of time skips. But sometimes, the gist of those details is", "but don't really fit into the story. By having my impersonal, usually non-expository", "the story. By having my impersonal, usually non-expository narration suddenly break from the", "of the tense. Backstory is still backstory, even if the story is past", "it come out via dialogue. The narration is impersonal; I don't want it", "dialogue. The narration is impersonal; I don't want it to feel like someone's", "present tense. I find it fun and challenging, but this issue is even", "a detail, feels like it'll likely be jarring; because it makes the narration", "like someone's telling the story, as I feel like that'd be breaking immersion.", "are shown as thoughts or dialogue. Sometimes I tell it, but that's usually", "be breaking immersion. The narration is just describing objective things. Emotions are shown.", "I let it come out via dialogue. The narration is impersonal; I don't", "immersion. The narration is just describing objective things. Emotions are shown. Thoughts are", "fill the reader in on a detail, feels like it'll likely be jarring;", "may break the tense. Usually I write in past tense, but this is", "telling the story, as I feel like that'd be breaking immersion. The narration", "regardless of the tense. Backstory is still backstory, even if the story is", "jarring? Do answer as generally as you want, so long as the narration", "thus has access to details not shown in the story), because it deviates", "as thoughts or dialogue. Sometimes I tell it, but that's usually when those", "from the present story, to just fill the reader in on a detail,", "if I could simply mention x happened when it becomes relevant. However, is", "of the plot. Things that are important, but don't really fit into the", "not shown in the story), because it deviates from the non-expository paradigm of", "details is important to the plot, and it'd be nice if I could", "non-expository paradigm of the story and because it may break the tense. Usually", "tense. Usually I write in past tense, but this is still an issue", "planning and scheming, and to show every itty-bitty detail gets boring, so I", "a minimum; whenever there is any backstory or worldbuilding, I let it come", "I feel like that'd be breaking immersion. The narration is just describing objective", "is still backstory, even if the story is past tense. For the book", "just fill the reader in on a detail, feels like it'll likely be", "worldbuilding, I let it come out via dialogue. The narration is impersonal; I", "reader in on a detail, feels like it'll likely be jarring; because it", "I write in past tense, but this is still an issue then, given", "the plot, and it'd be nice if I could simply mention x happened", "is impersonal; I don't want it to feel like someone's telling the story,", "those things are obvious/pre-established, but their relation to the actions happening aren't obvious,", "generally as you want, so long as the narration format of present tense", "from the non-expository paradigm of the story and because it may break the", "involves tons of planning and scheming, and to show every itty-bitty detail gets", "are displayed with italicized writing. Intentions and opinions are shown as thoughts or", "even more noticeable now. Especially because this story involves tons of planning and", "I tell it, but that's usually when those things are obvious/pre-established, but their", "Intentions and opinions are shown as thoughts or dialogue. Sometimes I tell it,", "show every itty-bitty detail gets boring, so I like to include tons of", "like that'd be breaking immersion. The narration is just describing objective things. Emotions", "access to details not shown in the story), because it deviates from the", "issue then, given that the story is still now, regardless of the tense.", "story involves tons of planning and scheming, and to show every itty-bitty detail", "present story, to just fill the reader in on a detail, feels like", "on a detail, feels like it'll likely be jarring; because it makes the", "challenging, but this issue is even more noticeable now. Especially because this story", "whenever there is any backstory or worldbuilding, I let it come out via", "backstory, even if the story is past tense. For the book I'm writing", "breaking immersion. The narration is just describing objective things. Emotions are shown. Thoughts", "relation to the actions happening aren't obvious, so by mentioning them I allow", "of the story (and thus has access to details not shown in the", "come out via dialogue. The narration is impersonal; I don't want it to", "impersonal, usually non-expository narration suddenly break from the present story, to just fill", "to just fill the reader in on a detail, feels like it'll likely", "answer as generally as you want, so long as the narration format of", "really fit into the story. By having my impersonal, usually non-expository narration suddenly", "Sometimes I tell it, but that's usually when those things are obvious/pre-established, but", "nice if I could simply mention x happened when it becomes relevant. However,", "them I allow the reader to connect the dots. However, sometimes it would", "happening aren't obvious, so by mentioning them I allow the reader to connect", "story is past tense. For the book I'm writing on now, I decided", "exists outside of the story (and thus has access to details not shown", "simply mention x happened when it becomes relevant. However, is this too jarring?", "The narration is just describing objective things. Emotions are shown. Thoughts are displayed", "and scheming, and to show every itty-bitty detail gets boring, so I like", "the gist of those details is important to the plot, and it'd be", "because it may break the tense. Usually I write in past tense, but", "the book I'm writing on now, I decided to try the present tense.", "my impersonal, usually non-expository narration suddenly break from the present story, to just", "this issue is even more noticeable now. Especially because this story involves tons", "and challenging, but this issue is even more noticeable now. Especially because this", "the story is past tense. For the book I'm writing on now, I", "it, but that's usually when those things are obvious/pre-established, but their relation to", "but this issue is even more noticeable now. Especially because this story involves", "the plot. Things that are important, but don't really fit into the story.", "time skips. But sometimes, the gist of those details is important to the", "when it becomes relevant. However, is this too jarring? Do answer as generally", "are shown. Thoughts are displayed with italicized writing. Intentions and opinions are shown", "thoughts or dialogue. Sometimes I tell it, but that's usually when those things", "sometimes, the gist of those details is important to the plot, and it'd", "I find it fun and challenging, but this issue is even more noticeable", "to feel like someone's telling the story, as I feel like that'd be", "still an issue then, given that the story is still now, regardless of", "their relation to the actions happening aren't obvious, so by mentioning them I", "write in past tense, but this is still an issue then, given that", "given that the story is still now, regardless of the tense. Backstory is", "to the plot, and it'd be nice if I could simply mention x", "but this is still an issue then, given that the story is still", "the actions happening aren't obvious, so by mentioning them I allow the reader", "but that's usually when those things are obvious/pre-established, but their relation to the", "a narrator who exists outside of the story (and thus has access to", "too jarring? Do answer as generally as you want, so long as the", "gets boring, so I like to include tons of time skips. But sometimes,", "of those details is important to the plot, and it'd be nice if", "I decided to try the present tense. I find it fun and challenging,", "that are important, but don't really fit into the story. By having my", "any backstory or worldbuilding, I let it come out via dialogue. The narration", "in the story), because it deviates from the non-expository paradigm of the story", "by a narrator who exists outside of the story (and thus has access", "via dialogue. The narration is impersonal; I don't want it to feel like", "the story (and thus has access to details not shown in the story),", "this too jarring? Do answer as generally as you want, so long as", "(and thus has access to details not shown in the story), because it", "being delivered by a narrator who exists outside of the story (and thus", "don't want it to feel like someone's telling the story, as I feel", "and opinions are shown as thoughts or dialogue. Sometimes I tell it, but", "this story involves tons of planning and scheming, and to show every itty-bitty", "sometimes it would be practical to describe things that happened kind of outside", "always try to keep exposition to a minimum; whenever there is any backstory", "to describe things that happened kind of outside of the plot. Things that", "relevant. However, is this too jarring? Do answer as generally as you want,", "if the story is past tense. For the book I'm writing on now,", "it'll likely be jarring; because it makes the narration feel like its being", "objective things. Emotions are shown. Thoughts are displayed with italicized writing. Intentions and", "try to keep exposition to a minimum; whenever there is any backstory or", "that'd be breaking immersion. The narration is just describing objective things. Emotions are", "boring, so I like to include tons of time skips. But sometimes, the", "and because it may break the tense. Usually I write in past tense,", "those details is important to the plot, and it'd be nice if I", "Things that are important, but don't really fit into the story. By having", "opinions are shown as thoughts or dialogue. Sometimes I tell it, but that's", "likely be jarring; because it makes the narration feel like its being delivered", "break the tense. Usually I write in past tense, but this is still", "an issue then, given that the story is still now, regardless of the", "writing. Intentions and opinions are shown as thoughts or dialogue. Sometimes I tell", "on now, I decided to try the present tense. I find it fun", "it may break the tense. Usually I write in past tense, but this", "Backstory is still backstory, even if the story is past tense. For the", "are obvious/pre-established, but their relation to the actions happening aren't obvious, so by", "connect the dots. However, sometimes it would be practical to describe things that", "having my impersonal, usually non-expository narration suddenly break from the present story, to", "makes the narration feel like its being delivered by a narrator who exists", "dialogue. Sometimes I tell it, but that's usually when those things are obvious/pre-established,", "detail, feels like it'll likely be jarring; because it makes the narration feel", "because it makes the narration feel like its being delivered by a narrator", "keep exposition to a minimum; whenever there is any backstory or worldbuilding, I", "even if the story is past tense. For the book I'm writing on", "skips. But sometimes, the gist of those details is important to the plot,", "the narration feel like its being delivered by a narrator who exists outside", "into the story. By having my impersonal, usually non-expository narration suddenly break from", "issue is even more noticeable now. Especially because this story involves tons of", "scheming, and to show every itty-bitty detail gets boring, so I like to", "narration suddenly break from the present story, to just fill the reader in", "happened kind of outside of the plot. Things that are important, but don't", "narrator who exists outside of the story (and thus has access to details", "someone's telling the story, as I feel like that'd be breaking immersion. The", "Thoughts are displayed with italicized writing. Intentions and opinions are shown as thoughts", "non-expository narration suddenly break from the present story, to just fill the reader", "now, I decided to try the present tense. I find it fun and", "the non-expository paradigm of the story and because it may break the tense.", "writing on now, I decided to try the present tense. I find it", "every itty-bitty detail gets boring, so I like to include tons of time", "suddenly break from the present story, to just fill the reader in on", "things are obvious/pre-established, but their relation to the actions happening aren't obvious, so", "be jarring; because it makes the narration feel like its being delivered by", "However, is this too jarring? Do answer as generally as you want, so", "feels like it'll likely be jarring; because it makes the narration feel like", "or worldbuilding, I let it come out via dialogue. The narration is impersonal;", "it makes the narration feel like its being delivered by a narrator who", "Emotions are shown. Thoughts are displayed with italicized writing. Intentions and opinions are", "story), because it deviates from the non-expository paradigm of the story and because", "this is still an issue then, given that the story is still now,", "important, but don't really fit into the story. By having my impersonal, usually", "paradigm of the story and because it may break the tense. Usually I", "now, regardless of the tense. Backstory is still backstory, even if the story", "x happened* when it becomes relevant. However, is this too jarring? Do answer", "I'm writing on now, I decided to try the present tense. I find", "so by mentioning them I allow the reader to connect the dots. However,", "want it to feel like someone's telling the story, as I feel like", "outside of the story (and thus has access to details not shown in", "there is any backstory or worldbuilding, I let it come out via dialogue.", "story. By having my impersonal, usually non-expository narration suddenly break from the present", "story and because it may break the tense. Usually I write in past", "to keep exposition to a minimum; whenever there is any backstory or worldbuilding,", "it becomes relevant. However, is this too jarring? Do answer as generally as", "has access to details not shown in the story), because it deviates from", "it'd be nice if I could simply mention x happened when it becomes", "is past tense. For the book I'm writing on now, I decided to", "outside of the plot. Things that are important, but don't really fit into", "shown. Thoughts are displayed with italicized writing. Intentions and opinions are shown as", "that's usually when those things are obvious/pre-established, but their relation to the actions", "and it'd be nice if I could simply mention x happened when it", "of outside of the plot. Things that are important, but don't really fit", "noticeable now. Especially because this story involves tons of planning and scheming, and", "you want, so long as the narration format of present tense 3rd person", "By having my impersonal, usually non-expository narration suddenly break from the present story,", "is even more noticeable now. Especially because this story involves tons of planning", "because this story involves tons of planning and scheming, and to show every", "find it fun and challenging, but this issue is even more noticeable now.", "to the actions happening aren't obvious, so by mentioning them I allow the", "itty-bitty detail gets boring, so I like to include tons of time skips.", "who exists outside of the story (and thus has access to details not", "Especially because this story involves tons of planning and scheming, and to show", "of planning and scheming, and to show every itty-bitty detail gets boring, so", "by mentioning them I allow the reader to connect the dots. However, sometimes", "kind of outside of the plot. Things that are important, but don't really", "becomes relevant. However, is this too jarring? Do answer as generally as you", "is still now, regardless of the tense. Backstory is still backstory, even if", "usually non-expository narration suddenly break from the present story, to just fill the", "obvious/pre-established, but their relation to the actions happening aren't obvious, so by mentioning", "could simply mention x happened when it becomes relevant. However, is this too", "feel like its being delivered by a narrator who exists outside of the", "to try the present tense. I find it fun and challenging, but this", "shown in the story), because it deviates from the non-expository paradigm of the", "narration is impersonal; I don't want it to feel like someone's telling the", "displayed with italicized writing. Intentions and opinions are shown as thoughts or dialogue.", "of the story and because it may break the tense. Usually I write", "long as the narration format of present tense 3rd person limited is included.", "detail gets boring, so I like to include tons of time skips. But", "as you want, so long as the narration format of present tense 3rd", "obvious, so by mentioning them I allow the reader to connect the dots.", "that happened kind of outside of the plot. Things that are important, but", "italicized writing. Intentions and opinions are shown as thoughts or dialogue. Sometimes I", "so I like to include tons of time skips. But sometimes, the gist", "in past tense, but this is still an issue then, given that the", "story, as I feel like that'd be breaking immersion. The narration is just", "the reader in on a detail, feels like it'll likely be jarring; because", "Do answer as generally as you want, so long as the narration format", "I allow the reader to connect the dots. However, sometimes it would be", "fun and challenging, but this issue is even more noticeable now. Especially because", "just describing objective things. Emotions are shown. Thoughts are displayed with italicized writing.", "exposition to a minimum; whenever there is any backstory or worldbuilding, I let", "to connect the dots. However, sometimes it would be practical to describe things", "reader to connect the dots. However, sometimes it would be practical to describe", "it deviates from the non-expository paradigm of the story and because it may", "is any backstory or worldbuilding, I let it come out via dialogue. The", "past tense, but this is still an issue then, given that the story", "so long as the narration format of present tense 3rd person limited is", "then, given that the story is still now, regardless of the tense. Backstory", "to show every itty-bitty detail gets boring, so I like to include tons", "are important, but don't really fit into the story. By having my impersonal,", "in on a detail, feels like it'll likely be jarring; because it makes", "feel like someone's telling the story, as I feel like that'd be breaking", "that the story is still now, regardless of the tense. Backstory is still", "fit into the story. By having my impersonal, usually non-expository narration suddenly break", "is still an issue then, given that the story is still now, regardless", "to a minimum; whenever there is any backstory or worldbuilding, I let it", "minimum; whenever there is any backstory or worldbuilding, I let it come out", "the story), because it deviates from the non-expository paradigm of the story and", "be nice if I could simply mention x happened when it becomes relevant.", "be practical to describe things that happened kind of outside of the plot.", "the tense. Usually I write in past tense, but this is still an", "things. Emotions are shown. Thoughts are displayed with italicized writing. Intentions and opinions", "or dialogue. Sometimes I tell it, but that's usually when those things are", "The narration is impersonal; I don't want it to feel like someone's telling", "past tense. For the book I'm writing on now, I decided to try", "tense. For the book I'm writing on now, I decided to try the", "tons of planning and scheming, and to show every itty-bitty detail gets boring,", "story, to just fill the reader in on a detail, feels like it'll", "because it deviates from the non-expository paradigm of the story and because it", "now. Especially because this story involves tons of planning and scheming, and to", "break from the present story, to just fill the reader in on a", "aren't obvious, so by mentioning them I allow the reader to connect the", "mentioning them I allow the reader to connect the dots. However, sometimes it", "tense. I find it fun and challenging, but this issue is even more", "happened* when it becomes relevant. However, is this too jarring? Do answer as", "tell it, but that's usually when those things are obvious/pre-established, but their relation", "deviates from the non-expository paradigm of the story and because it may break", "it would be practical to describe things that happened kind of outside of", "to details not shown in the story), because it deviates from the non-expository", "allow the reader to connect the dots. However, sometimes it would be practical", "backstory or worldbuilding, I let it come out via dialogue. The narration is", "is just describing objective things. Emotions are shown. Thoughts are displayed with italicized", "the dots. However, sometimes it would be practical to describe things that happened", "its being delivered by a narrator who exists outside of the story (and", "the reader to connect the dots. However, sometimes it would be practical to", "I always try to keep exposition to a minimum; whenever there is any", "usually when those things are obvious/pre-established, but their relation to the actions happening", "plot. Things that are important, but don't really fit into the story. By", "and to show every itty-bitty detail gets boring, so I like to include", "describing objective things. Emotions are shown. Thoughts are displayed with italicized writing. Intentions", "still backstory, even if the story is past tense. For the book I'm", "gist of those details is important to the plot, and it'd be nice", "don't really fit into the story. By having my impersonal, usually non-expository narration", "things that happened kind of outside of the plot. Things that are important,", "practical to describe things that happened kind of outside of the plot. Things", "delivered by a narrator who exists outside of the story (and thus has", "describe things that happened kind of outside of the plot. Things that are", "it to feel like someone's telling the story, as I feel like that'd", "like its being delivered by a narrator who exists outside of the story", "I like to include tons of time skips. But sometimes, the gist of", "important to the plot, and it'd be nice if I could simply mention", "However, sometimes it would be practical to describe things that happened kind of", "Usually I write in past tense, but this is still an issue then,", "tense, but this is still an issue then, given that the story is", "I could simply mention x happened when it becomes relevant. However, is this", "still now, regardless of the tense. Backstory is still backstory, even if the", "is this too jarring? Do answer as generally as you want, so long", "jarring; because it makes the narration feel like its being delivered by a", "decided to try the present tense. I find it fun and challenging, but", "the story and because it may break the tense. Usually I write in", "would be practical to describe things that happened kind of outside of the", "the story is still now, regardless of the tense. Backstory is still backstory,", "to include tons of time skips. But sometimes, the gist of those details" ]
[ "role is just to be hated, but how can I write them so,", "just to be hated, but how can I write them so, while meant", "and mocks tropes, also still has consistent characters and worldbuilding. In the story,", "characters and worldbuilding. In the story, there is a group of minor-antagonists who", "In the story, there is a group of minor-antagonists who compete with the", "epic fantasy that, while it satires and mocks tropes, also still has consistent", "killed in the end. Some examples include the self-insert and sexist Miry Kae.", "to make them just empty caricatures to hate. Yes, their role is just", "all get killed in the end. Some examples include the self-insert and sexist", "get killed in the end. Some examples include the self-insert and sexist Miry", "also still has consistent characters and worldbuilding. In the story, there is a", "compete with the protagonists. They are a parody of hated tropes, and they", "They are a parody of hated tropes, and they all get killed in", "minor-antagonists who compete with the protagonists. They are a parody of hated tropes,", "with the protagonists. They are a parody of hated tropes, and they all", "story, there is a group of minor-antagonists who compete with the protagonists. They", "of hated tropes, and they all get killed in the end. Some examples", "group of minor-antagonists who compete with the protagonists. They are a parody of", "not want to make them just empty caricatures to hate. Yes, their role", "tropes, and they all get killed in the end. Some examples include the", "examples include the self-insert and sexist Miry Kae. I do not want to", "story is an epic fantasy that, while it satires and mocks tropes, also", "there is a group of minor-antagonists who compete with the protagonists. They are", "while it satires and mocks tropes, also still has consistent characters and worldbuilding.", "has consistent characters and worldbuilding. In the story, there is a group of", "hate. Yes, their role is just to be hated, but how can I", "is an epic fantasy that, while it satires and mocks tropes, also still", "can I write them so, while meant to be hated, they still feel", "self-insert and sexist Miry Kae. I do not want to make them just", "in the end. Some examples include the self-insert and sexist Miry Kae. I", "the story, there is a group of minor-antagonists who compete with the protagonists.", "they all get killed in the end. Some examples include the self-insert and", "and sexist Miry Kae. I do not want to make them just empty", "their role is just to be hated, but how can I write them", "to be hated, but how can I write them so, while meant to", "are a parody of hated tropes, and they all get killed in the", "but how can I write them so, while meant to be hated, they", "consistent characters and worldbuilding. In the story, there is a group of minor-antagonists", "caricatures to hate. Yes, their role is just to be hated, but how", "so, while meant to be hated, they still feel like actual people (minus", "the protagonists. They are a parody of hated tropes, and they all get", "satires and mocks tropes, also still has consistent characters and worldbuilding. In the", "parody of hated tropes, and they all get killed in the end. Some", "make them just empty caricatures to hate. Yes, their role is just to", "it satires and mocks tropes, also still has consistent characters and worldbuilding. In", "Kae. I do not want to make them just empty caricatures to hate.", "hated, but how can I write them so, while meant to be hated,", "My story is an epic fantasy that, while it satires and mocks tropes,", "do not want to make them just empty caricatures to hate. Yes, their", "fantasy that, while it satires and mocks tropes, also still has consistent characters", "a parody of hated tropes, and they all get killed in the end.", "hated tropes, and they all get killed in the end. Some examples include", "Yes, their role is just to be hated, but how can I write", "the end. Some examples include the self-insert and sexist Miry Kae. I do", "that, while it satires and mocks tropes, also still has consistent characters and", "tropes, also still has consistent characters and worldbuilding. In the story, there is", "include the self-insert and sexist Miry Kae. I do not want to make", "a group of minor-antagonists who compete with the protagonists. They are a parody", "Some examples include the self-insert and sexist Miry Kae. I do not want", "the self-insert and sexist Miry Kae. I do not want to make them", "Miry Kae. I do not want to make them just empty caricatures to", "sexist Miry Kae. I do not want to make them just empty caricatures", "still has consistent characters and worldbuilding. In the story, there is a group", "I do not want to make them just empty caricatures to hate. Yes,", "protagonists. They are a parody of hated tropes, and they all get killed", "of minor-antagonists who compete with the protagonists. They are a parody of hated", "who compete with the protagonists. They are a parody of hated tropes, and", "an epic fantasy that, while it satires and mocks tropes, also still has", "is a group of minor-antagonists who compete with the protagonists. They are a", "and worldbuilding. In the story, there is a group of minor-antagonists who compete", "mocks tropes, also still has consistent characters and worldbuilding. In the story, there", "them so, while meant to be hated, they still feel like actual people", "how can I write them so, while meant to be hated, they still", "to hate. Yes, their role is just to be hated, but how can", "them just empty caricatures to hate. Yes, their role is just to be", "and they all get killed in the end. Some examples include the self-insert", "worldbuilding. In the story, there is a group of minor-antagonists who compete with", "want to make them just empty caricatures to hate. Yes, their role is", "I write them so, while meant to be hated, they still feel like", "while meant to be hated, they still feel like actual people (minus the", "meant to be hated, they still feel like actual people (minus the sympathy?)", "be hated, but how can I write them so, while meant to be", "is just to be hated, but how can I write them so, while", "empty caricatures to hate. Yes, their role is just to be hated, but", "end. Some examples include the self-insert and sexist Miry Kae. I do not", "write them so, while meant to be hated, they still feel like actual", "just empty caricatures to hate. Yes, their role is just to be hated," ]
[ "pauses between action and dialogue, my character's thoughts really don't seem realistic. I", "I wrote for my character's thought process, and if that might change how", "character's thoughts. I also don't know if I'm biased because I'm the author", "really don't seem realistic. I think I tend to mostly write questions for", "thoughts. I also don't know if I'm biased because I'm the author when", "realistic. I think I tend to mostly write questions for my character's thoughts.", "I think I tend to mostly write questions for my character's thoughts. I", "I'm the author when I read something I wrote for my character's thought", "write questions for my character's thoughts. I also don't know if I'm biased", "to mostly write questions for my character's thoughts. I also don't know if", "that in pauses between action and dialogue, my character's thoughts really don't seem", "and dialogue, my character's thoughts really don't seem realistic. I think I tend", "I also don't know if I'm biased because I'm the author when I", "don't seem realistic. I think I tend to mostly write questions for my", "I tend to mostly write questions for my character's thoughts. I also don't", "that might change how I perceive how realistic it is. How can I", "something I wrote for my character's thought process, and if that might change", "wrote for my character's thought process, and if that might change how I", "thought process, and if that might change how I perceive how realistic it", "I'm biased because I'm the author when I read something I wrote for", "and if that might change how I perceive how realistic it is. How", "don't know if I'm biased because I'm the author when I read something", "if that might change how I perceive how realistic it is. How can", "if I'm biased because I'm the author when I read something I wrote", "might change how I perceive how realistic it is. How can I improve?", "between action and dialogue, my character's thoughts really don't seem realistic. I think", "also don't know if I'm biased because I'm the author when I read", "mostly write questions for my character's thoughts. I also don't know if I'm", "thoughts really don't seem realistic. I think I tend to mostly write questions", "my character's thoughts. I also don't know if I'm biased because I'm the", "know if I'm biased because I'm the author when I read something I", "process, and if that might change how I perceive how realistic it is.", "my character's thought process, and if that might change how I perceive how", "character's thoughts really don't seem realistic. I think I tend to mostly write", "in pauses between action and dialogue, my character's thoughts really don't seem realistic.", "seem realistic. I think I tend to mostly write questions for my character's", "biased because I'm the author when I read something I wrote for my", "read something I wrote for my character's thought process, and if that might", "tend to mostly write questions for my character's thoughts. I also don't know", "think I tend to mostly write questions for my character's thoughts. I also", "because I'm the author when I read something I wrote for my character's", "questions for my character's thoughts. I also don't know if I'm biased because", "author when I read something I wrote for my character's thought process, and", "dialogue, my character's thoughts really don't seem realistic. I think I tend to", "my character's thoughts really don't seem realistic. I think I tend to mostly", "the author when I read something I wrote for my character's thought process,", "for my character's thought process, and if that might change how I perceive", "find that in pauses between action and dialogue, my character's thoughts really don't", "character's thought process, and if that might change how I perceive how realistic", "for my character's thoughts. I also don't know if I'm biased because I'm", "I find that in pauses between action and dialogue, my character's thoughts really", "when I read something I wrote for my character's thought process, and if", "I read something I wrote for my character's thought process, and if that", "action and dialogue, my character's thoughts really don't seem realistic. I think I" ]
[ "the slur with the actual reference to the racial slur, such as c-word,", "should you censor the racial slur, and how should you do so? >", "racial slur, should you censor it, and what's the correct way to censor", "so? > > I said that he's a \\\\\\\\\\. That's what I said.", "a racial slur, should you censor the racial slur, and how should you", "the racial slur, and how should you do so? > > I said", "and how should you do so? > > I said that he's a", "I said that he's a \\\\\\\\\\. That's what I said. > > >", "you censor it, and what's the correct way to censor it. Should you", "said. > > > When quoting someone who used a racial slur, should", "a \\\\\\\\\\. That's what I said. > > > When quoting someone who", "used a racial slur, should you censor the racial slur, and how should", "censor it. Should you just use \\\\\\\\\\, or should you replace the slur", "> > > When quoting someone who used a racial slur, should you", "just use \\\\\\\\\\, or should you replace the slur with the actual reference", "use \\\\\\\\\\, or should you replace the slur with the actual reference to", "he's a \\\\\\\\\\. That's what I said. > > > When quoting someone", "\\\\\\\\\\. That's what I said. > > > When quoting someone who used", "what's the correct way to censor it. Should you just use \\\\\\\\\\, or", "do so? > > I said that he's a \\\\\\\\\\. That's what I", "> > When quoting someone who used a racial slur, should you censor", "way to censor it. Should you just use \\\\\\\\\\, or should you replace", "the correct way to censor it. Should you just use \\\\\\\\\\, or should", "who used a racial slur, should you censor the racial slur, and how", "> > I said that he's a \\\\\\\\\\. That's what I said. >", "should you replace the slur with the actual reference to the racial slur,", "who used a racial slur, should you censor it, and what's the correct", "censor it, and what's the correct way to censor it. Should you just", "should you censor it, and what's the correct way to censor it. Should", "racial slur, and how should you do so? > > I said that", "racial slur, should you censor the racial slur, and how should you do", "slur, and how should you do so? > > I said that he's", "what I said. > > > When quoting someone who used a racial", "someone who used a racial slur, should you censor it, and what's the", "slur, should you censor it, and what's the correct way to censor it.", "When quoting someone who used a racial slur, should you censor the racial", "correct way to censor it. Should you just use \\\\\\\\\\, or should you", "used a racial slur, should you censor it, and what's the correct way", "> When quoting someone who used a racial slur, should you censor it,", "how should you do so? > > I said that he's a \\\\\\\\\\.", "should you do so? > > I said that he's a \\\\\\\\\\. That's", "you replace the slur with the actual reference to the racial slur, such", "or should you replace the slur with the actual reference to the racial", "That's what I said. > > > When quoting someone who used a", "you censor the racial slur, and how should you do so? > >", "quoting someone who used a racial slur, should you censor it, and what's", "a racial slur, should you censor it, and what's the correct way to", "it, and what's the correct way to censor it. Should you just use", "slur with the actual reference to the racial slur, such as c-word, n-word,", "censor the racial slur, and how should you do so? > > I", "I said. > > > When quoting someone who used a racial slur,", "with the actual reference to the racial slur, such as c-word, n-word, etc.?", "you do so? > > I said that he's a \\\\\\\\\\. That's what", "it. Should you just use \\\\\\\\\\, or should you replace the slur with", "and what's the correct way to censor it. Should you just use \\\\\\\\\\,", "quoting someone who used a racial slur, should you censor the racial slur,", "replace the slur with the actual reference to the racial slur, such as", "that he's a \\\\\\\\\\. That's what I said. > > > When quoting", "\\\\\\\\\\, or should you replace the slur with the actual reference to the", "someone who used a racial slur, should you censor the racial slur, and", "> I said that he's a \\\\\\\\\\. That's what I said. > >", "slur, should you censor the racial slur, and how should you do so?", "you just use \\\\\\\\\\, or should you replace the slur with the actual", "said that he's a \\\\\\\\\\. That's what I said. > > > When", "to censor it. Should you just use \\\\\\\\\\, or should you replace the", "When quoting someone who used a racial slur, should you censor it, and", "Should you just use \\\\\\\\\\, or should you replace the slur with the" ]
[ "following chapter? I'm writing fiction and wanted to have in-universe news articles from", "> > 1-2 pages long text not part of chapter 2 or 3", "the character story chapters. I looked to see how others have done so", "and wanted to have in-universe news articles from time to time that are", "part of the previous or following chapter? (English is not my first language,", "proper word for it. Is there a word for it? Something like: >", "not part of the previous or following chapter? I'm writing fiction and wanted", "have in-universe news articles from time to time that are between the character", "sort of thing just become part of the previous or following chapter? (English", "> > > 1-2 pages long text not part of chapter 2 or", "looked to see how others have done so previously, but could not find", "text is between chapters that enriches the story but are not part of", "not part of chapter 2 or 3 > > > Chapter 3 >", "I looked to see how others have done so previously, but could not", "how others have done so previously, but could not find a proper word", "> > > Chapter 3 > > > Is there a word for", "3 > > > Is there a word for it, or does that", "1-2 pages long text not part of chapter 2 or 3 > >", "> > Chapter 3 > > > Is there a word for it,", "### Is there a word for when a text is between chapters that", "that are between the character story chapters. I looked to see how others", "others have done so previously, but could not find a proper word for", "just become part of the previous or following chapter? (English is not my", "the previous or following chapter? (English is not my first language, so I'm", "part of the previous or following chapter? I'm writing fiction and wanted to", "to have in-universe news articles from time to time that are between the", "from time to time that are between the character story chapters. I looked", "word for it. Is there a word for it? Something like: > >", "fiction and wanted to have in-universe news articles from time to time that", "text not part of chapter 2 or 3 > > > Chapter 3", "there a word for it, or does that sort of thing just become", "time to time that are between the character story chapters. I looked to", "> Chapter 2 > > > 1-2 pages long text not part of", "character story chapters. I looked to see how others have done so previously,", "or following chapter? I'm writing fiction and wanted to have in-universe news articles", "following chapter? (English is not my first language, so I'm sorry if this", "> > > Is there a word for it, or does that sort", "or 3 > > > Chapter 3 > > > Is there a", "for it, or does that sort of thing just become part of the", "previous or following chapter? (English is not my first language, so I'm sorry", "not my first language, so I'm sorry if this reads as an unclear", "> Chapter 1 > > > Chapter 2 > > > 1-2 pages", "long text not part of chapter 2 or 3 > > > Chapter", "(English is not my first language, so I'm sorry if this reads as", "a text is between chapters that enriches the story but are not part", "I'm writing fiction and wanted to have in-universe news articles from time to", "word for it? Something like: > > Chapter 1 > > > Chapter", "a word for it? Something like: > > Chapter 1 > > >", "chapter 2 or 3 > > > Chapter 3 > > > Is", "for it. Is there a word for it? Something like: > > Chapter", "have done so previously, but could not find a proper word for it.", "but are not part of the previous or following chapter? I'm writing fiction", "3 > > > Chapter 3 > > > Is there a word", "chapters that enriches the story but are not part of the previous or", "previous or following chapter? I'm writing fiction and wanted to have in-universe news", "are not part of the previous or following chapter? I'm writing fiction and", "Chapter 2 > > > 1-2 pages long text not part of chapter", "> > > Chapter 2 > > > 1-2 pages long text not", "> Is there a word for it, or does that sort of thing", "news articles from time to time that are between the character story chapters.", "done so previously, but could not find a proper word for it. Is", "wanted to have in-universe news articles from time to time that are between", "enriches the story but are not part of the previous or following chapter?", "are between the character story chapters. I looked to see how others have", "> 1-2 pages long text not part of chapter 2 or 3 >", "story chapters. I looked to see how others have done so previously, but", "but could not find a proper word for it. Is there a word", "word for when a text is between chapters that enriches the story but", "not find a proper word for it. Is there a word for it?", "it, or does that sort of thing just become part of the previous", "of the previous or following chapter? I'm writing fiction and wanted to have", "for it? Something like: > > Chapter 1 > > > Chapter 2", "> > Chapter 2 > > > 1-2 pages long text not part", "chapters. I looked to see how others have done so previously, but could", "> > Is there a word for it, or does that sort of", "Chapter 1 > > > Chapter 2 > > > 1-2 pages long", "see how others have done so previously, but could not find a proper", "2 > > > 1-2 pages long text not part of chapter 2", "find a proper word for it. Is there a word for it? Something", "of chapter 2 or 3 > > > Chapter 3 > > >", "is between chapters that enriches the story but are not part of the", "that enriches the story but are not part of the previous or following", "articles from time to time that are between the character story chapters. I", "previously, but could not find a proper word for it. Is there a", "1 > > > Chapter 2 > > > 1-2 pages long text", "the previous or following chapter? I'm writing fiction and wanted to have in-universe", "of the previous or following chapter? (English is not my first language, so", "like: > > Chapter 1 > > > Chapter 2 > > >", "there a word for it? Something like: > > Chapter 1 > >", "a word for when a text is between chapters that enriches the story", "or following chapter? (English is not my first language, so I'm sorry if", "the story but are not part of the previous or following chapter? I'm", "in-universe news articles from time to time that are between the character story", "or does that sort of thing just become part of the previous or", "Chapter 3 > > > Is there a word for it, or does", "my first language, so I'm sorry if this reads as an unclear question.)", "there a word for when a text is between chapters that enriches the", "between the character story chapters. I looked to see how others have done", "that sort of thing just become part of the previous or following chapter?", "a word for it, or does that sort of thing just become part", "Something like: > > Chapter 1 > > > Chapter 2 > >", "it. Is there a word for it? Something like: > > Chapter 1", "to see how others have done so previously, but could not find a", "> Chapter 3 > > > Is there a word for it, or", "story but are not part of the previous or following chapter? I'm writing", "a proper word for it. Is there a word for it? Something like:", "become part of the previous or following chapter? (English is not my first", "when a text is between chapters that enriches the story but are not", "time that are between the character story chapters. I looked to see how", "writing fiction and wanted to have in-universe news articles from time to time", "chapter? I'm writing fiction and wanted to have in-universe news articles from time", "could not find a proper word for it. Is there a word for", "so previously, but could not find a proper word for it. Is there", "to time that are between the character story chapters. I looked to see", "Is there a word for it? Something like: > > Chapter 1 >", "2 or 3 > > > Chapter 3 > > > Is there", "does that sort of thing just become part of the previous or following", "Is there a word for when a text is between chapters that enriches", "between chapters that enriches the story but are not part of the previous", "of thing just become part of the previous or following chapter? (English is", "pages long text not part of chapter 2 or 3 > > >", "Is there a word for it, or does that sort of thing just", "it? Something like: > > Chapter 1 > > > Chapter 2 >", "thing just become part of the previous or following chapter? (English is not", "for when a text is between chapters that enriches the story but are", "chapter? (English is not my first language, so I'm sorry if this reads", "part of chapter 2 or 3 > > > Chapter 3 > >", "word for it, or does that sort of thing just become part of", "is not my first language, so I'm sorry if this reads as an", "> > Chapter 1 > > > Chapter 2 > > > 1-2" ]
[ "from bestsellers, like Dan Brown's Origin or Dean Koontz's Devoted, they often begin", "it's a passive goal like \"avoid some rowdy people\" or \"tell someone it's", "bring people together, but no goal or conflict is involved. One sentence in", "Langboz sees a bunch of crazy things: 40 foot tall dog, giant spider,", "and to the secret meeting. Contemplates his invitation and the person who invited", "the person who invited him. Laypdoz is now [several pages in] \"eager to", "main character in the scene should have a goal. That goal should be", "thoughts, or a character bumbling along observing their surroundings. There is no clear", "when he casually refers in one sentence to the idea that some scenes", "it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1: Megan Liobman feels time is", "I to make of this? I find the scenes mostly engaging because they", "as \"observe my surroundings,\" \"remember my past,\" \"reflect on what I care about\"", "spider, wobbly stairs. Then he talks to a host who welcomes him to", "begin with either a slice of life, some back-story, internal thoughts, or a", "life, some back-story, internal thoughts, or a character bumbling along observing their surroundings.", "goal should be so crystal clear from the beginning of the scene. Am", "ever want to kiss him. [No scene goal. Just reflection.] Dan Brown Origin,", "and over in writing craft books. Of the approximately ten most popular books", "the history of advice on scene writing suggests there might be the rare", "all in some cases or else it may only appear very late in", "Scene #3: Laypdoz is wandering along in the museum looking at symbols and", "bunch of crazy things: 40 foot tall dog, giant spider, wobbly stairs. Then", "year old son. Loves him, but struggles. Tells him it's bedtime soon. [Goal", "Scene #1: Megan Liobman feels time is running out. Looks at her non-verbal", "Dean Koontz Devoted, Scene #2: Woody Liobman saves a story he's writing on", "character in the scene should have a goal. That goal should be made", "wobbly stairs. Then he talks to a host who welcomes him to the", "what his former student was about to announce.\" [First hint of a clear", "thing in common--found in every single book--is that the main character in the", "Of the approximately ten most popular books on scene writing, there is only", "wandering along in the museum looking at symbols and people. [He's just thinking.", "in an interesting way. But why then, does every single writing craft book", "a clear goal. But when I read scenes from bestsellers, like Dan Brown's", "writing suggests there might be the rare scene without a clear goal. But", "revealed in the last sentence.] Dean Koontz Devoted, Scene #2: Woody Liobman saves", "goal should be made obvious as early as possible and repeated often to", "the scene. Am I reading too much into this advice? Can a goal", "in the scene and then often it's a passive goal like \"avoid some", "mentioned in scene #1, but this scene is just observations and reflections.] What", "they are revealing character, backstory or setting in an interesting way. But why", "without a clear goal. But when I read scenes from bestsellers, like Dan", "while I think about something\"? If so, why don't craft books communicate these", "Looks at her non-verbal eleven year old son. Loves him, but struggles. Tells", "girl would ever want to kiss him. [No scene goal. Just reflection.] Dan", "Koontz Devoted, Scene #2: Woody Liobman saves a story he's writing on the", "because they are revealing character, backstory or setting in an interesting way. But", "as possible and repeated often to make sure the reader has clarity. This", "old son. Loves him, but struggles. Tells him it's bedtime soon. [Goal of", "this advice? Can a goal be as simple as \"observe my surroundings,\" \"remember", "what I care about\" or \"get ready for bed while I think about", "kiss him. [No scene goal. Just reflection.] Dan Brown Origin, Scene #1: Rocudq", "Koontz Devoted, Scene #1: Megan Liobman feels time is running out. Looks at", "sees a bunch of crazy things: 40 foot tall dog, giant spider, wobbly", "sentence to the idea that some scenes are happenings, which bring people together,", "bedtime soon. [Goal of telling her son it's bedtime, only revealed in the", "writing, there is only one that even hints at anything different. That is", "lot of books on scene writing. One thing in common--found in every single", "popular books on scene writing, there is only one that even hints at", "of the scene. Am I reading too much into this advice? Can a", "and whether a girl would ever want to kiss him. [No scene goal.", "museum looking at symbols and people. [He's just thinking. I suppose we could", "there might be the rare scene without a clear goal. But when I", "soon. [Goal of telling her son it's bedtime, only revealed in the last", "past,\" \"reflect on what I care about\" or \"get ready for bed while", "or a character bumbling along observing their surroundings. There is no clear goal", "to announce.\" [First hint of a clear goal.] Dan Brown Origin, Scene #3:", "Laypdoz is wandering along in the museum looking at symbols and people. [He's", "Devoted, Scene #2: Woody Liobman saves a story he's writing on the computer.", "that the goal should be so crystal clear from the beginning of the", "Brown Origin, Scene #1: Rocudq Langboz sees a bunch of crazy things: 40", "else it may only appear very late in the scene and then often", "does every single writing craft book say that the goal should be so", "much into this advice? Can a goal be as simple as \"observe my", "obvious as early as possible and repeated often to make sure the reader", "he contemplates his gum transplants and whether a girl would ever want to", "That is the 1965 grand-daddy of scene structure, \"Techniques of the Selling Writer\"", "be made obvious as early as possible and repeated often to make sure", "the reader has clarity. This is said over and over in writing craft", "Loves him, but struggles. Tells him it's bedtime soon. [Goal of telling her", "be as simple as \"observe my surroundings,\" \"remember my past,\" \"reflect on what", "backstory or setting in an interesting way. But why then, does every single", "on scene writing suggests there might be the rare scene without a clear", "one sentence to the idea that some scenes are happenings, which bring people", "is smart. Lying in bed, he contemplates his gum transplants and whether a", "is now [several pages in] \"eager to learn what his former student was", "[Goal of telling her son it's bedtime, only revealed in the last sentence.]", "contemplates his gum transplants and whether a girl would ever want to kiss", "some rowdy people\" or \"tell someone it's bedtime.\" Examples: *Dean Koontz Devoted, Scene", "Then he talks to a host who welcomes him to the museum and", "late in the scene and then often it's a passive goal like \"avoid", "say that his goal is to attend the gathering mentioned in scene #1,", "Dean Koontz's Devoted, they often begin with either a slice of life, some", "whether a girl would ever want to kiss him. [No scene goal. Just", "goal. But when I read scenes from bestsellers, like Dan Brown's Origin* or", "story he's writing on the computer. He is smart. Lying in bed, he", "is the 1965 grand-daddy of scene structure, \"Techniques of the Selling Writer\" when", "Origin or Dean Koontz's Devoted, they often begin with either a slice of", "the goal should be so crystal clear from the beginning of the scene.", "different. That is the 1965 grand-daddy of scene structure, \"Techniques of the Selling", "\"get ready for bed while I think about something\"? If so, why don't", "non-verbal eleven year old son. Loves him, but struggles. Tells him it's bedtime", "Tells him it's bedtime soon. [Goal of telling her son it's bedtime, only", "giant spider, wobbly stairs. Then he talks to a host who welcomes him", "#2: Woody Liobman saves a story he's writing on the computer. He is", "in scene #1, but this scene is just observations and reflections.] What am", "goal. Just reflection.] Dan Brown Origin, Scene #1: Rocudq Langboz sees a bunch", "Megan Liobman feels time is running out. Looks at her non-verbal eleven year", "is no clear goal at all in some cases or else it may", "a story he's writing on the computer. He is smart. Lying in bed,", "I've been reading a lot of books on scene writing. One thing in", "early as possible and repeated often to make sure the reader has clarity.", "he casually refers in one sentence to the idea that some scenes are", "\"reflect on what I care about\" or \"get ready for bed while I", "clarity. This is said over and over in writing craft books. Of the", "thinking. I suppose we could say that his goal is to attend the", "appear very late in the scene and then often it's a passive goal", "so crystal clear from the beginning of the scene. Am I reading too", "mostly engaging because they are revealing character, backstory or setting in an interesting", "feels time is running out. Looks at her non-verbal eleven year old son.", "to attend the gathering mentioned in scene #1, but this scene is just", "simple as \"observe my surroundings,\" \"remember my past,\" \"reflect on what I care", "to the secret meeting. Contemplates his invitation and the person who invited him.", "surroundings,\" \"remember my past,\" \"reflect on what I care about\" or \"get ready", "passive goal like \"avoid some rowdy people\" or \"tell someone it's bedtime.\" Examples:", "the last sentence.] Dean Koontz Devoted, Scene #2: Woody Liobman saves a story", "every single writing craft book say that the goal should be so crystal", "\"observe my surroundings,\" \"remember my past,\" \"reflect on what I care about\" or", "of advice on scene writing suggests there might be the rare scene without", "then, does every single writing craft book say that the goal should be", "that even hints at anything different. That is the 1965 grand-daddy of scene", "people\" or \"tell someone it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1*: Megan", "is just observations and reflections.] What am I to make of this? I", "and the person who invited him. Laypdoz is now [several pages in] \"eager", "I read scenes from bestsellers, like Dan Brown's Origin* or Dean Koontz's Devoted,", "[He's just thinking. I suppose we could say that his goal is to", "is to attend the gathering mentioned in scene #1, but this scene is", "writing on the computer. He is smart. Lying in bed, he contemplates his", "Scene #1*: Rocudq Langboz sees a bunch of crazy things: 40 foot tall", "or Dean Koontz's Devoted, they often begin with either a slice of life,", "clear goal. But when I read scenes from bestsellers, like Dan Brown's Origin", "Liobman saves a story he's writing on the computer. He is smart. Lying", "Woody Liobman saves a story he's writing on the computer. He is smart.", "common--found in every single book--is that the main character in the scene should", "welcomes him to the museum and to the secret meeting. Contemplates his invitation", "has clarity. This is said over and over in writing craft books. Of", "talks to a host who welcomes him to the museum and to the", "advice on scene writing suggests there might be the rare scene without a", "to make of this? I find the scenes mostly engaging because they are", "along observing their surroundings. There is no clear goal at all in some", "only revealed in the last sentence.] Dean Koontz Devoted, Scene #2: Woody Liobman", "invited him. Laypdoz is now [several pages in] \"eager to learn what his", "but no goal or conflict is involved. One sentence in the history of", "the main character in the scene should have a goal. That goal should", "scenes are happenings, which bring people together, but no goal or conflict is", "it may only appear very late in the scene and then often it's", "bedtime, only revealed in the last sentence.] Dean Koontz Devoted, Scene #2: Woody", "engaging because they are revealing character, backstory or setting in an interesting way.", "of crazy things: 40 foot tall dog, giant spider, wobbly stairs. Then he", "in every single book--is that the main character in the scene should have", "way. But why then, does every single writing craft book say that the", "often begin with either a slice of life, some back-story, internal thoughts, or", "in the scene should have a goal. That goal should be made obvious", "in common--found in every single book--is that the main character in the scene", "happenings, which bring people together, but no goal or conflict is involved. One", "involved. One sentence in the history of advice on scene writing suggests there", "often it's a passive goal like \"avoid some rowdy people\" or \"tell someone", "that some scenes are happenings, which bring people together, but no goal or", "about to announce.\" [First hint of a clear goal.] Dan Brown Origin, Scene", "that the main character in the scene should have a goal. That goal", "scene structure, \"Techniques of the Selling Writer\" when he casually refers in one", "scene #1, but this scene is just observations and reflections.] What am I", "her son it's bedtime, only revealed in the last sentence.] Dean Koontz Devoted,", "the computer. He is smart. Lying in bed, he contemplates his gum transplants", "in bed, he contemplates his gum transplants and whether a girl would ever", "may only appear very late in the scene and then often it's a", "reflection.] Dan Brown Origin, Scene #1: Rocudq Langboz sees a bunch of crazy", "Origin, Scene #1: Rocudq Langboz sees a bunch of crazy things: 40 foot", "son it's bedtime, only revealed in the last sentence.] Dean Koontz Devoted, Scene", "Dean Koontz Devoted, Scene #1: Megan Liobman feels time is running out. Looks", "reading a lot of books on scene writing. One thing in common--found in", "together, but no goal or conflict is involved. One sentence in the history", "who invited him. Laypdoz is now [several pages in] \"eager to learn what", "for bed while I think about something\"? If so, why don't craft books", "scene should have a goal. That goal should be made obvious as early", "host who welcomes him to the museum and to the secret meeting. Contemplates", "him to the museum and to the secret meeting. Contemplates his invitation and", "transplants and whether a girl would ever want to kiss him. [No scene", "gathering mentioned in scene #1, but this scene is just observations and reflections.]", "the idea that some scenes are happenings, which bring people together, but no", "idea that some scenes are happenings, which bring people together, but no goal", "That goal should be made obvious as early as possible and repeated often", "rowdy people\" or \"tell someone it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1:", "goal be as simple as \"observe my surroundings,\" \"remember my past,\" \"reflect on", "repeated often to make sure the reader has clarity. This is said over", "the 1965 grand-daddy of scene structure, \"Techniques of the Selling Writer\" when he", "a character bumbling along observing their surroundings. There is no clear goal at", "but this scene is just observations and reflections.] What am I to make", "about\" or \"get ready for bed while I think about something\"? If so,", "a passive goal like \"avoid some rowdy people\" or \"tell someone it's bedtime.\"", "suggests there might be the rare scene without a clear goal. But when", "books on scene writing, there is only one that even hints at anything", "Devoted, they often begin with either a slice of life, some back-story, internal", "#1, but this scene is just observations and reflections.] What am I to", "running out. Looks at her non-verbal eleven year old son. Loves him, but", "crazy things: 40 foot tall dog, giant spider, wobbly stairs. Then he talks", "possible and repeated often to make sure the reader has clarity. This is", "read scenes from bestsellers, like Dan Brown's Origin* or Dean Koontz's Devoted, they", "Selling Writer\" when he casually refers in one sentence to the idea that", "foot tall dog, giant spider, wobbly stairs. Then he talks to a host", "There is no clear goal at all in some cases or else it", "or conflict is involved. One sentence in the history of advice on scene", "the Selling Writer\" when he casually refers in one sentence to the idea", "scenes mostly engaging because they are revealing character, backstory or setting in an", "a lot of books on scene writing. One thing in common--found in every", "out. Looks at her non-verbal eleven year old son. Loves him, but struggles.", "the museum and to the secret meeting. Contemplates his invitation and the person", "most popular books on scene writing, there is only one that even hints", "internal thoughts, or a character bumbling along observing their surroundings. There is no", "observing their surroundings. There is no clear goal at all in some cases", "the beginning of the scene. Am I reading too much into this advice?", "#1: Rocudq Langboz sees a bunch of crazy things: 40 foot tall dog,", "struggles. Tells him it's bedtime soon. [Goal of telling her son it's bedtime,", "might be the rare scene without a clear goal. But when I read", "that his goal is to attend the gathering mentioned in scene #1, but", "Examples: Dean Koontz Devoted, Scene #1: Megan Liobman feels time is running out.", "looking at symbols and people. [He's just thinking. I suppose we could say", "ten most popular books on scene writing, there is only one that even", "scene without a clear goal. But when I read scenes from bestsellers, like", "goal like \"avoid some rowdy people\" or \"tell someone it's bedtime.\" Examples: *Dean", "the gathering mentioned in scene #1, but this scene is just observations and", "some cases or else it may only appear very late in the scene", "bestsellers, like Dan Brown's Origin* or Dean Koontz's Devoted, they often begin with", "bedtime.\" Examples: Dean Koontz Devoted, Scene #1: Megan Liobman feels time is running", "Can a goal be as simple as \"observe my surroundings,\" \"remember my past,\"", "Koontz's Devoted, they often begin with either a slice of life, some back-story,", "craft books. Of the approximately ten most popular books on scene writing, there", "some back-story, internal thoughts, or a character bumbling along observing their surroundings. There", "he talks to a host who welcomes him to the museum and to", "we could say that his goal is to attend the gathering mentioned in", "[First hint of a clear goal.] Dan Brown Origin, Scene #3: Laypdoz is", "time is running out. Looks at her non-verbal eleven year old son. Loves", "to learn what his former student was about to announce.\" [First hint of", "conflict is involved. One sentence in the history of advice on scene writing", "is running out. Looks at her non-verbal eleven year old son. Loves him,", "my past,\" \"reflect on what I care about\" or \"get ready for bed", "it's bedtime, only revealed in the last sentence.] Dean Koontz Devoted, Scene #2:", "scene goal. Just reflection.] Dan Brown Origin, Scene #1: Rocudq Langboz sees a", "is wandering along in the museum looking at symbols and people. [He's just", "beginning of the scene*. Am I reading too much into this advice? Can", "a bunch of crazy things: 40 foot tall dog, giant spider, wobbly stairs.", "people together, but no goal or conflict is involved. One sentence in the", "who welcomes him to the museum and to the secret meeting. Contemplates his", "slice of life, some back-story, internal thoughts, or a character bumbling along observing", "and reflections.] What am I to make of this? I find the scenes", "too much into this advice? Can a goal be as simple as \"observe", "casually refers in one sentence to the idea that some scenes are happenings,", "the rare scene without a clear goal. But when I read scenes from", "at all in some cases or else it may only appear very late", "into this advice? Can a goal be as simple as \"observe my surroundings,\"", "anything different. That is the 1965 grand-daddy of scene structure, \"Techniques of the", "One thing in common--found in every single book--is that the main character in", "cases or else it may only appear very late in the scene and", "with either a slice of life, some back-story, internal thoughts, or a character", "in the history of advice on scene writing suggests there might be the", "goal or conflict is involved. One sentence in the history of advice on", "every single book--is that the main character in the scene should have a", "should have a goal. That goal should be made obvious as early as", "He is smart. Lying in bed, he contemplates his gum transplants and whether", "I find the scenes mostly engaging because they are revealing character, backstory or", "person who invited him. Laypdoz is now [several pages in] \"eager to learn", "crystal clear from the beginning of the scene. Am I reading too much", "to the idea that some scenes are happenings, which bring people together, but", "of life, some back-story, internal thoughts, or a character bumbling along observing their", "history of advice on scene writing suggests there might be the rare scene", "scene writing. One thing in common--found in every single book--is that the main", "I suppose we could say that his goal is to attend the gathering", "someone it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1: Megan Liobman feels time", "Origin, Scene #3: Laypdoz is wandering along in the museum looking at symbols", "single writing craft book say that the goal should be so crystal clear", "symbols and people. [He's just thinking. I suppose we could say that his", "in one sentence to the idea that some scenes are happenings, which bring", "at symbols and people. [He's just thinking. I suppose we could say that", "scenes from bestsellers, like Dan Brown's Origin* or Dean Koontz's Devoted, they often", "single book--is that the main character in the scene should have a goal.", "sentence in the history of advice on scene writing suggests there might be", "writing craft book say that the goal should be so crystal clear from", "ready for bed while I think about something\"? If so, why don't craft", "structure, \"Techniques of the Selling Writer\" when he casually refers in one sentence", "his gum transplants and whether a girl would ever want to kiss him.", "museum and to the secret meeting. Contemplates his invitation and the person who", "a girl would ever want to kiss him. [No scene goal. Just reflection.]", "be the rare scene without a clear goal. But when I read scenes", "from the beginning of the scene. Am I reading too much into this", "which bring people together, but no goal or conflict is involved. One sentence", "the scenes mostly engaging because they are revealing character, backstory or setting in", "of telling her son it's bedtime, only revealed in the last sentence.] Dean", "Liobman feels time is running out. Looks at her non-verbal eleven year old", "craft book say that the goal should be so crystal clear from the", "to make sure the reader has clarity. This is said over and over", "sure the reader has clarity. This is said over and over in writing", "on scene writing, there is only one that even hints at anything different.", "former student was about to announce.\" [First hint of a clear goal.] Dan", "it's bedtime soon. [Goal of telling her son it's bedtime, only revealed in", "of the Selling Writer\" when he casually refers in one sentence to the", "this? I find the scenes mostly engaging because they are revealing character, backstory", "a host who welcomes him to the museum and to the secret meeting.", "things: 40 foot tall dog, giant spider, wobbly stairs. Then he talks to", "as early as possible and repeated often to make sure the reader has", "Dan Brown Origin, Scene #3: Laypdoz is wandering along in the museum looking", "the approximately ten most popular books on scene writing, there is only one", "find the scenes mostly engaging because they are revealing character, backstory or setting", "no clear goal at all in some cases or else it may only", "or \"get ready for bed while I think about something\"? If so, why", "I think about something\"? If so, why don't craft books communicate these subtleties?", "to kiss him. [No scene goal. Just reflection.] Dan Brown Origin, Scene #1:", "a slice of life, some back-story, internal thoughts, or a character bumbling along", "observations and reflections.] What am I to make of this? I find the", "his invitation and the person who invited him. Laypdoz is now [several pages", "Just reflection.] Dan Brown Origin, Scene #1*: Rocudq Langboz sees a bunch of", "a goal. That goal should be made obvious as early as possible and", "either a slice of life, some back-story, internal thoughts, or a character bumbling", "One sentence in the history of advice on scene writing suggests there might", "reading too much into this advice? Can a goal be as simple as", "some scenes are happenings, which bring people together, but no goal or conflict", "reflections.] What am I to make of this? I find the scenes mostly", "their surroundings. There is no clear goal at all in some cases or", "book--is that the main character in the scene should have a goal. That", "the museum looking at symbols and people. [He's just thinking. I suppose we", "the scene and then often it's a passive goal like \"avoid some rowdy", "invitation and the person who invited him. Laypdoz is now [several pages in]", "this scene is just observations and reflections.] What am I to make of", "goal at all in some cases or else it may only appear very", "hint of a clear goal.] Dan Brown Origin, Scene #3: Laypdoz is wandering", "and people. [He's just thinking. I suppose we could say that his goal", "scene is just observations and reflections.] What am I to make of this?", "of a clear goal.] Dan Brown Origin, Scene #3: Laypdoz is wandering along", "Writer\" when he casually refers in one sentence to the idea that some", "eleven year old son. Loves him, but struggles. Tells him it's bedtime soon.", "are revealing character, backstory or setting in an interesting way. But why then,", "Am I reading too much into this advice? Can a goal be as", "Lying in bed, he contemplates his gum transplants and whether a girl would", "of scene structure, \"Techniques of the Selling Writer\" when he casually refers in", "am I to make of this? I find the scenes mostly engaging because", "rare scene without a clear goal. But when I read scenes from bestsellers,", "stairs. Then he talks to a host who welcomes him to the museum", "[several pages in] \"eager to learn what his former student was about to", "tall dog, giant spider, wobbly stairs. Then he talks to a host who", "scene writing suggests there might be the rare scene without a clear goal.", "Contemplates his invitation and the person who invited him. Laypdoz is now [several", "in writing craft books. Of the approximately ten most popular books on scene", "he's writing on the computer. He is smart. Lying in bed, he contemplates", "character bumbling along observing their surroundings. There is no clear goal at all", "of books on scene writing. One thing in common--found in every single book--is", "a clear goal.] Dan Brown Origin, Scene #3: Laypdoz is wandering along in", "last sentence.] Dean Koontz Devoted, Scene #2: Woody Liobman saves a story he's", "then often it's a passive goal like \"avoid some rowdy people\" or \"tell", "reader has clarity. This is said over and over in writing craft books.", "on scene writing. One thing in common--found in every single book--is that the", "goal is to attend the gathering mentioned in scene #1, but this scene", "over in writing craft books. Of the approximately ten most popular books on", "at anything different. That is the 1965 grand-daddy of scene structure, \"Techniques of", "care about\" or \"get ready for bed while I think about something\"? If", "bed, he contemplates his gum transplants and whether a girl would ever want", "Devoted, Scene #1: Megan Liobman feels time is running out. Looks at her", "in the museum looking at symbols and people. [He's just thinking. I suppose", "is said over and over in writing craft books. Of the approximately ten", "to the museum and to the secret meeting. Contemplates his invitation and the", "should be made obvious as early as possible and repeated often to make", "clear goal.] Dan Brown Origin, Scene #3: Laypdoz is wandering along in the", "scene. Am I reading too much into this advice? Can a goal be", "1965 grand-daddy of scene structure, \"Techniques of the Selling Writer\" when he casually", "as simple as \"observe my surroundings,\" \"remember my past,\" \"reflect on what I", "but struggles. Tells him it's bedtime soon. [Goal of telling her son it's", "clear from the beginning of the scene. Am I reading too much into", "just thinking. I suppose we could say that his goal is to attend", "said over and over in writing craft books. Of the approximately ten most", "is only one that even hints at anything different. That is the 1965", "writing. One thing in common--found in every single book--is that the main character", "just observations and reflections.] What am I to make of this? I find", "him. Laypdoz is now [several pages in] \"eager to learn what his former", "been reading a lot of books on scene writing. One thing in common--found", "student was about to announce.\" [First hint of a clear goal.] Dan Brown", "an interesting way. But why then, does every single writing craft book say", "40 foot tall dog, giant spider, wobbly stairs. Then he talks to a", "him, but struggles. Tells him it's bedtime soon. [Goal of telling her son", "Dan Brown Origin, Scene #1: Rocudq Langboz sees a bunch of crazy things:", "But why then, does every single writing craft book say that the goal", "secret meeting. Contemplates his invitation and the person who invited him. Laypdoz is", "Scene #2: Woody Liobman saves a story he's writing on the computer. He", "telling her son it's bedtime, only revealed in the last sentence.] Dean Koontz", "is involved. One sentence in the history of advice on scene writing suggests", "#3: Laypdoz is wandering along in the museum looking at symbols and people.", "But when I read scenes from bestsellers, like Dan Brown's Origin* or Dean", "have a goal. That goal should be made obvious as early as possible", "Brown Origin, Scene #3: Laypdoz is wandering along in the museum looking at", "make of this? I find the scenes mostly engaging because they are revealing", "the secret meeting. Contemplates his invitation and the person who invited him. Laypdoz", "writing craft books. Of the approximately ten most popular books on scene writing,", "What am I to make of this? I find the scenes mostly engaging", "make sure the reader has clarity. This is said over and over in", "interesting way. But why then, does every single writing craft book say that", "no goal or conflict is involved. One sentence in the history of advice", "hints at anything different. That is the 1965 grand-daddy of scene structure, \"Techniques", "or else it may only appear very late in the scene and then", "attend the gathering mentioned in scene #1, but this scene is just observations", "be so crystal clear from the beginning of the scene*. Am I reading", "son. Loves him, but struggles. Tells him it's bedtime soon. [Goal of telling", "surroundings. There is no clear goal at all in some cases or else", "\"Techniques of the Selling Writer\" when he casually refers in one sentence to", "back-story, internal thoughts, or a character bumbling along observing their surroundings. There is", "Rocudq Langboz sees a bunch of crazy things: 40 foot tall dog, giant", "dog, giant spider, wobbly stairs. Then he talks to a host who welcomes", "Laypdoz is now [several pages in] \"eager to learn what his former student", "learn what his former student was about to announce.\" [First hint of a", "along in the museum looking at symbols and people. [He's just thinking. I", "like Dan Brown's Origin* or Dean Koontz's Devoted, they often begin with either", "revealing character, backstory or setting in an interesting way. But why then, does", "would ever want to kiss him. [No scene goal. Just reflection.] Dan Brown", "or setting in an interesting way. But why then, does every single writing", "could say that his goal is to attend the gathering mentioned in scene", "#1: Megan Liobman feels time is running out. Looks at her non-verbal eleven", "say that the goal should be so crystal clear from the beginning of", "Dan Brown's Origin or Dean Koontz's Devoted, they often begin with either a", "even hints at anything different. That is the 1965 grand-daddy of scene structure,", "made obvious as early as possible and repeated often to make sure the", "[No scene goal. Just reflection.] Dan Brown Origin, Scene #1: Rocudq Langboz sees", "I reading too much into this advice? Can a goal be as simple", "in some cases or else it may only appear very late in the", "only one that even hints at anything different. That is the 1965 grand-daddy", "pages in] \"eager to learn what his former student was about to announce.\"", "smart. Lying in bed, he contemplates his gum transplants and whether a girl", "bumbling along observing their surroundings. There is no clear goal at all in", "him it's bedtime soon. [Goal of telling her son it's bedtime, only revealed", "when I read scenes from bestsellers, like Dan Brown's Origin or Dean Koontz's", "was about to announce.\" [First hint of a clear goal.] Dan Brown Origin,", "This is said over and over in writing craft books. Of the approximately", "clear goal at all in some cases or else it may only appear", "announce.\" [First hint of a clear goal.] Dan Brown Origin, Scene #3: Laypdoz", "scene and then often it's a passive goal like \"avoid some rowdy people\"", "on what I care about\" or \"get ready for bed while I think", "\"avoid some rowdy people\" or \"tell someone it's bedtime.\" Examples: Dean Koontz Devoted,", "the scene should have a goal. That goal should be made obvious as", "\"tell someone it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1: Megan Liobman feels", "why then, does every single writing craft book say that the goal should", "a goal be as simple as \"observe my surroundings,\" \"remember my past,\" \"reflect", "my surroundings,\" \"remember my past,\" \"reflect on what I care about\" or \"get", "there is only one that even hints at anything different. That is the", "at her non-verbal eleven year old son. Loves him, but struggles. Tells him", "or \"tell someone it's bedtime.\" Examples: Dean Koontz Devoted, Scene #1: Megan Liobman", "only appear very late in the scene and then often it's a passive", "in the last sentence.] Dean Koontz Devoted, Scene #2: Woody Liobman saves a", "one that even hints at anything different. That is the 1965 grand-daddy of", "want to kiss him. [No scene goal. Just reflection.] Dan Brown Origin, Scene", "over and over in writing craft books. Of the approximately ten most popular", "goal. That goal should be made obvious as early as possible and repeated", "scene writing, there is only one that even hints at anything different. That", "they often begin with either a slice of life, some back-story, internal thoughts,", "now [several pages in] \"eager to learn what his former student was about", "in] \"eager to learn what his former student was about to announce.\" [First", "often to make sure the reader has clarity. This is said over and", "books on scene writing. One thing in common--found in every single book--is that", "on the computer. He is smart. Lying in bed, he contemplates his gum", "setting in an interesting way. But *why then, does every single writing craft", "and then often it's a passive goal like \"avoid some rowdy people\" or", "of this? I find the scenes mostly engaging because they are revealing character,", "Brown's Origin* or Dean Koontz's Devoted, they often begin with either a slice", "books. Of the approximately ten most popular books on scene writing, there is", "his goal is to attend the gathering mentioned in scene #1, but this", "and repeated often to make sure the reader has clarity. This is said", "her non-verbal eleven year old son. Loves him, but struggles. Tells him it's", "\"eager to learn what his former student was about to announce.\" [First hint", "\"remember my past,\" \"reflect on what I care about\" or \"get ready for", "grand-daddy of scene structure, \"Techniques of the Selling Writer\" when he casually refers", "to a host who welcomes him to the museum and to the secret", "approximately ten most popular books on scene writing, there is only one that", "very late in the scene and then often it's a passive goal like", "saves a story he's writing on the computer. He is smart. Lying in", "character, backstory or setting in an interesting way. But why then, does every", "people. [He's just thinking. I suppose we could say that his goal is", "should be so crystal clear from the beginning of the scene. Am I", "like \"avoid some rowdy people\" or \"tell someone it's bedtime.\" Examples: Dean Koontz", "I care about\" or \"get ready for bed while I think about something\"?", "computer. He is smart. Lying in bed, he contemplates his gum transplants and", "goal.] Dan Brown Origin, Scene #3: Laypdoz is wandering along in the museum", "book say that the goal should be so crystal clear from the beginning", "sentence.] Dean Koontz Devoted, Scene #2*: Woody Liobman saves a story he's writing", "his former student was about to announce.\" [First hint of a clear goal.]", "refers in one sentence to the idea that some scenes are happenings, which", "gum transplants and whether a girl would ever want to kiss him. [No", "are happenings, which bring people together, but no goal or conflict is involved.", "suppose we could say that his goal is to attend the gathering mentioned", "meeting. Contemplates his invitation and the person who invited him. Laypdoz is now", "him. [No scene goal. Just reflection.] Dan Brown Origin, Scene #1*: Rocudq Langboz", "advice? Can a goal be as simple as \"observe my surroundings,\" \"remember my", "bed while I think about something\"? If so, why don't craft books communicate" ]
[ "group, which has a goal, and that goal becomes the main character's goal", "it ever done in literature: is there any famous work where the main", "enough? Was it ever done in literature: is there any famous work where", "that changes constantly. My question is in what situation could you have a", "common mistake among aspiring writers. This seems to happen when a character is", "main character without a goal? I was told that a good protagonist needs", "strong goal. It's considered to be a common mistake among aspiring writers. This", "a strong goal. It's considered to be a common mistake among aspiring writers.", "mistake among aspiring writers. This seems to happen when a character is part", "was told that a good protagonist needs to have a strong goal. It's", "ever-changing goal that changes constantly. My question is in what situation could you", "needs to have a strong goal. It's considered to be a common mistake", "have a main character without a goal? I was told that a good", "a good protagonist needs to have a strong goal. It's considered to be", "you have a main character without a goal and still make the story", "a goal and still make the story compelling enough? Was it ever done", "goal? I was told that a good protagonist needs to have a strong", "My question is in what situation could you have a main character without", "when a character has an ever-changing goal that changes constantly. My question is", "question is in what situation could you have a main character without a", "OK to have a main character without a goal? I was told that", "I was told that a good protagonist needs to have a strong goal.", "ever done in literature: is there any famous work where the main character", "done in literature: is there any famous work where the main character has", "Or when a character has an ever-changing goal that changes constantly. My question", "have a strong goal. It's considered to be a common mistake among aspiring", "which has a goal, and that goal becomes the main character's goal also.", "writers. This seems to happen when a character is part of a larger", "a character has an ever-changing goal that changes constantly. My question is in", "constantly. My question is in what situation could you have a main character", "to happen when a character is part of a larger group, which has", "aspiring writers. This seems to happen when a character is part of a", "a larger group, which has a goal, and that goal becomes the main", "Was it ever done in literature: is there any famous work where the", "a main character without a goal? I was told that a good protagonist", "is in what situation could you have a main character without a goal", "has an ever-changing goal that changes constantly. My question is in what situation", "a goal? I was told that a good protagonist needs to have a", "what situation could you have a main character without a goal and still", "still make the story compelling enough? Was it ever done in literature: is", "a main character without a goal and still make the story compelling enough?", "told that a good protagonist needs to have a strong goal. It's considered", "changes constantly. My question is in what situation could you have a main", "also. Or when a character has an ever-changing goal that changes constantly. My", "when a character is part of a larger group, which has a goal,", "main character's goal also. Or when a character has an ever-changing goal that", "and that goal becomes the main character's goal also. Or when a character", "situation could you have a main character without a goal and still make", "main character without a goal and still make the story compelling enough? Was", "This seems to happen when a character is part of a larger group,", "a goal, and that goal becomes the main character's goal also. Or when", "in what situation could you have a main character without a goal and", "is part of a larger group, which has a goal, and that goal", "the story compelling enough? Was it ever done in literature: is there any", "becomes the main character's goal also. Or when a character has an ever-changing", "goal becomes the main character's goal also. Or when a character has an", "that a good protagonist needs to have a strong goal. It's considered to", "seems to happen when a character is part of a larger group, which", "character without a goal and still make the story compelling enough? Was it", "and still make the story compelling enough? Was it ever done in literature:", "literature: is there any famous work where the main character has no goal?", "goal that changes constantly. My question is in what situation could you have", "story compelling enough? Was it ever done in literature: is there any famous", "goal also. Or when a character has an ever-changing goal that changes constantly.", "in literature: is there any famous work where the main character has no", "character has an ever-changing goal that changes constantly. My question is in what", "of a larger group, which has a goal, and that goal becomes the", "a character is part of a larger group, which has a goal, and", "an ever-changing goal that changes constantly. My question is in what situation could", "goal and still make the story compelling enough? Was it ever done in", "considered to be a common mistake among aspiring writers. This seems to happen", "to be a common mistake among aspiring writers. This seems to happen when", "without a goal and still make the story compelling enough? Was it ever", "character's goal also. Or when a character has an ever-changing goal that changes", "make the story compelling enough? Was it ever done in literature: is there", "part of a larger group, which has a goal, and that goal becomes", "compelling enough? Was it ever done in literature: is there any famous work", "it OK to have a main character without a goal? I was told", "among aspiring writers. This seems to happen when a character is part of", "It's considered to be a common mistake among aspiring writers. This seems to", "without a goal? I was told that a good protagonist needs to have", "good protagonist needs to have a strong goal. It's considered to be a", "character is part of a larger group, which has a goal, and that", "a common mistake among aspiring writers. This seems to happen when a character", "to have a strong goal. It's considered to be a common mistake among", "the main character's goal also. Or when a character has an ever-changing goal", "protagonist needs to have a strong goal. It's considered to be a common", "goal, and that goal becomes the main character's goal also. Or when a", "character without a goal? I was told that a good protagonist needs to", "have a main character without a goal and still make the story compelling", "that goal becomes the main character's goal also. Or when a character has", "could you have a main character without a goal and still make the", "larger group, which has a goal, and that goal becomes the main character's", "happen when a character is part of a larger group, which has a", "has a goal, and that goal becomes the main character's goal also. Or", "to have a main character without a goal? I was told that a", "Is it OK to have a main character without a goal? I was", "goal. It's considered to be a common mistake among aspiring writers. This seems", "be a common mistake among aspiring writers. This seems to happen when a" ]
[ "writing perspective. Which leads ultimately to my question. How can I present an", "affected when they see a certain village burn down, showing the character in", "is just there to witness it either as a bystander or as a", "a bystander or as a 3rd party who is only marginally related. That", "the player's previous actions) will create a disconnect with how the player was", "how to execute it story-wise when dealing with a player-made character. As an", "game where the player controls their own made character. I'm planning for the", "smile on their face (basing on the player's previous actions) will create a", "people but feel deeply affected when they see a certain village burn down,", "have an emotional narrative but I cannot wrap my head around how to", "or build their \"personality\" around the choices they make while playing the game.", "was happening and does not need up close representation. While this may work,", "to see if I can tackle this from a writing perspective. Which leads", "Which leads ultimately to my question. How can I present an emotional narrative", "character is not so entwined with what was happening and does not need", "game's scope beyond what I want. Secondly is that this is not guaranteed", "character is a blank slate? An approach I've thought of is having the", "the player's character is not so entwined with what was happening and does", "they make while playing the game. This, however, has some problems. Primarily is", "if I can tackle this from a writing perspective. Which leads ultimately to", "pre-made character such as in The Witcher series, Geralt already has a predefined", "things happening. It's not so simple when the character is a blank slate.", "party who is only marginally related. That way the player's character is not", "on their face (basing on the player's previous actions) will create a disconnect", "character is a blank slate. I could try to gamify it by allowing", "is only marginally related. That way the player's character is not so entwined", "the player controls their own made character. I'm planning for the game to", "by allowing the player to select their personality or build their \"personality\" around", "want. Secondly is that this is not guaranteed to work as intended because", "scope for the game's system, I want to see if I can tackle", "game's system, I want to see if I can tackle this from a", "feel deeply affected when they see a certain village burn down, showing the", "games where the player controls a pre-made character such as in The Witcher", "this is not guaranteed to work as intended because if the player enjoys", "which means the writers know beforehand how he might react to certain things", "an emotional narrative when essentially the main character is a blank slate? An", "That way the player's character is not so entwined with what was happening", "as intended because if the player enjoys killing people but feel deeply affected", "some emotional moments happening involving the player character as well but I just", "could try to gamify it by allowing the player to select their personality", "feeling at the moment. So instead of going out of scope for the", "question. How can I present an emotional narrative when essentially the main character", "what was happening and does not need up close representation. While this may", "a blank slate. I could try to gamify it by allowing the player", "not need up close representation. While this may work, I also do want", "story-wise when dealing with a player-made character. As an example, in games where", "can I present an emotional narrative when essentially the main character is a", "the choices they make while playing the game. This, however, has some problems.", "the tendency to increase the game's scope beyond what I want. Secondly is", "not so entwined with what was happening and does not need up close", "to increase the game's scope beyond what I want. Secondly is that this", "for the game to have an emotional narrative but I cannot wrap my", "to select their personality or build their \"personality\" around the choices they make", "either as a bystander or as a 3rd party who is only marginally", "planning for the game to have an emotional narrative but I cannot wrap", "their \"personality\" around the choices they make while playing the game. This, however,", "the emotional moments happen between other characters and the player is just there", "I'm in the process of drafting a story for a single player game", "is a blank slate. I could try to gamify it by allowing the", "to certain things happening. It's not so simple when the character is a", "make while playing the game. This, however, has some problems. Primarily is that", "how he might react to certain things happening. It's not so simple when", "an emotional narrative but I cannot wrap my head around how to execute", "so simple when the character is a blank slate. I could try to", "figure out how to execute it. Thanks for reading my wall of text!", "previous actions) will create a disconnect with how the player was actually feeling", "happening. It's not so simple when the character is a blank slate. I", "want to see if I can tackle this from a writing perspective. Which", "bystander or as a 3rd party who is only marginally related. That way", "Secondly is that this is not guaranteed to work as intended because if", "this from a writing perspective. Which leads ultimately to my question. How can", "the character is a blank slate. I could try to gamify it by", "it has the tendency to increase the game's scope beyond what I want.", "single player game where the player controls their own made character. I'm planning", "way the player's character is not so entwined with what was happening and", "witness it either as a bystander or as a 3rd party who is", "work as intended because if the player enjoys killing people but feel deeply", "How can I present an emotional narrative when essentially the main character is", "a smile on their face (basing on the player's previous actions) will create", "they see a certain village burn down, showing the character in a cutscene", "example, in games where the player controls a pre-made character such as in", "beyond what I want. Secondly is that this is not guaranteed to work", "leads ultimately to my question. How can I present an emotional narrative when", "a player-made character. As an example, in games where the player controls a", "killing people but feel deeply affected when they see a certain village burn", "and does not need up close representation. While this may work, I also", "it either as a bystander or as a 3rd party who is only", "character in a cutscene with a smile on their face (basing on the", "other characters and the player is just there to witness it either as", "with a smile on their face (basing on the player's previous actions) will", "of drafting a story for a single player game where the player controls", "when essentially the main character is a blank slate? An approach I've thought", "or as a 3rd party who is only marginally related. That way the", "predefined personality which means the writers know beforehand how he might react to", "just can't figure out how to execute it. Thanks for reading my wall", "their face (basing on the player's previous actions) will create a disconnect with", "their own made character. I'm planning for the game to have an emotional", "actions) will create a disconnect with how the player was actually feeling at", "blank slate. I could try to gamify it by allowing the player to", "cannot wrap my head around how to execute it story-wise when dealing with", "of going out of scope for the game's system, I want to see", "who is only marginally related. That way the player's character is not so", "As an example, in games where the player controls a pre-made character such", "tendency to increase the game's scope beyond what I want. Secondly is that", "player is just there to witness it either as a bystander or as", "of scope for the game's system, I want to see if I can", "cutscene with a smile on their face (basing on the player's previous actions)", "need up close representation. While this may work, I also do want some", "scope beyond what I want. Secondly is that this is not guaranteed to", "increase the game's scope beyond what I want. Secondly is that this is", "actually feeling at the moment. So instead of going out of scope for", "player character as well but I just can't figure out how to execute", "emotional moments happen between other characters and the player is just there to", "in a cutscene with a smile on their face (basing on the player's", "showing the character in a cutscene with a smile on their face (basing", "player's previous actions) will create a disconnect with how the player was actually", "gamify it by allowing the player to select their personality or build their", "allowing the player to select their personality or build their \"personality\" around the", "is a blank slate? An approach I've thought of is having the emotional", "involving the player character as well but I just can't figure out how", "their personality or build their \"personality\" around the choices they make while playing", "do want some emotional moments happening involving the player character as well but", "present an emotional narrative when essentially the main character is a blank slate?", "there to witness it either as a bystander or as a 3rd party", "game to have an emotional narrative but I cannot wrap my head around", "to have an emotional narrative but I cannot wrap my head around how", "to gamify it by allowing the player to select their personality or build", "player game where the player controls their own made character. I'm planning for", "not so simple when the character is a blank slate. I could try", "some problems. Primarily is that it has the tendency to increase the game's", "well but I just can't figure out how to execute it. Thanks for", "head around how to execute it story-wise when dealing with a player-made character.", "disconnect with how the player was actually feeling at the moment. So instead", "Witcher series, Geralt already has a predefined personality which means the writers know", "While this may work, I also do want some emotional moments happening involving", "An approach I've thought of is having the emotional moments happen between other", "Primarily is that it has the tendency to increase the game's scope beyond", "in the process of drafting a story for a single player game where", "select their personality or build their \"personality\" around the choices they make while", "choices they make while playing the game. This, however, has some problems. Primarily", "going out of scope for the game's system, I want to see if", "in The Witcher series, Geralt already has a predefined personality which means the", "moment. So instead of going out of scope for the game's system, I", "but I cannot wrap my head around how to execute it story-wise when", "a story for a single player game where the player controls their own", "a single player game where the player controls their own made character. I'm", "village burn down, showing the character in a cutscene with a smile on", "as well but I just can't figure out how to execute it. Thanks", "just there to witness it either as a bystander or as a 3rd", "controls their own made character. I'm planning for the game to have an", "an example, in games where the player controls a pre-made character such as", "does not need up close representation. While this may work, I also do", "around the choices they make while playing the game. This, however, has some", "but feel deeply affected when they see a certain village burn down, showing", "I also do want some emotional moments happening involving the player character as", "see if I can tackle this from a writing perspective. Which leads ultimately", "to my question. How can I present an emotional narrative when essentially the", "that it has the tendency to increase the game's scope beyond what I", "the player character as well but I just can't figure out how to", "know beforehand how he might react to certain things happening. It's not so", "will create a disconnect with how the player was actually feeling at the", "ultimately to my question. How can I present an emotional narrative when essentially", "my head around how to execute it story-wise when dealing with a player-made", "the character in a cutscene with a smile on their face (basing on", "main character is a blank slate? An approach I've thought of is having", "slate? An approach I've thought of is having the emotional moments happen between", "the game to have an emotional narrative but I cannot wrap my head", "is not so entwined with what was happening and does not need up", "a writing perspective. Which leads ultimately to my question. How can I present", "create a disconnect with how the player was actually feeling at the moment.", "in games where the player controls a pre-made character such as in The", "however, has some problems. Primarily is that it has the tendency to increase", "when the character is a blank slate. I could try to gamify it", "controls a pre-made character such as in The Witcher series, Geralt already has", "related. That way the player's character is not so entwined with what was", "the game's system, I want to see if I can tackle this from", "personality or build their \"personality\" around the choices they make while playing the", "character as well but I just can't figure out how to execute it.", "can't figure out how to execute it. Thanks for reading my wall of", "such as in The Witcher series, Geralt already has a predefined personality which", "see a certain village burn down, showing the character in a cutscene with", "dealing with a player-made character. As an example, in games where the player", "that this is not guaranteed to work as intended because if the player", "between other characters and the player is just there to witness it either", "to execute it story-wise when dealing with a player-made character. As an example,", "close representation. While this may work, I also do want some emotional moments", "emotional moments happening involving the player character as well but I just can't", "the main character is a blank slate? An approach I've thought of is", "while playing the game. This, however, has some problems. Primarily is that it", "has some problems. Primarily is that it has the tendency to increase the", "the player is just there to witness it either as a bystander or", "a blank slate? An approach I've thought of is having the emotional moments", "with a player-made character. As an example, in games where the player controls", "as a bystander or as a 3rd party who is only marginally related.", "having the emotional moments happen between other characters and the player is just", "(basing on the player's previous actions) will create a disconnect with how the", "narrative but I cannot wrap my head around how to execute it story-wise", "guaranteed to work as intended because if the player enjoys killing people but", "Geralt already has a predefined personality which means the writers know beforehand how", "I just can't figure out how to execute it. Thanks for reading my", "process of drafting a story for a single player game where the player", "build their \"personality\" around the choices they make while playing the game. This,", "not guaranteed to work as intended because if the player enjoys killing people", "what I want. Secondly is that this is not guaranteed to work as", "as a 3rd party who is only marginally related. That way the player's", "made character. I'm planning for the game to have an emotional narrative but", "it story-wise when dealing with a player-made character. As an example, in games", "character. I'm planning for the game to have an emotional narrative but I", "it by allowing the player to select their personality or build their \"personality\"", "system, I want to see if I can tackle this from a writing", "the player to select their personality or build their \"personality\" around the choices", "from a writing perspective. Which leads ultimately to my question. How can I", "out of scope for the game's system, I want to see if I", "already has a predefined personality which means the writers know beforehand how he", "I want to see if I can tackle this from a writing perspective.", "I want. Secondly is that this is not guaranteed to work as intended", "I can tackle this from a writing perspective. Which leads ultimately to my", "perspective. Which leads ultimately to my question. How can I present an emotional", "around how to execute it story-wise when dealing with a player-made character. As", "happen between other characters and the player is just there to witness it", "characters and the player is just there to witness it either as a", "for a single player game where the player controls their own made character.", "writers know beforehand how he might react to certain things happening. It's not", "narrative when essentially the main character is a blank slate? An approach I've", "where the player controls a pre-made character such as in The Witcher series,", "approach I've thought of is having the emotional moments happen between other characters", "player controls a pre-made character such as in The Witcher series, Geralt already", "player to select their personality or build their \"personality\" around the choices they", "player's character is not so entwined with what was happening and does not", "as in The Witcher series, Geralt already has a predefined personality which means", "is that this is not guaranteed to work as intended because if the", "down, showing the character in a cutscene with a smile on their face", "enjoys killing people but feel deeply affected when they see a certain village", "happening and does not need up close representation. While this may work, I", "a pre-made character such as in The Witcher series, Geralt already has a", "This, however, has some problems. Primarily is that it has the tendency to", "I present an emotional narrative when essentially the main character is a blank", "also do want some emotional moments happening involving the player character as well", "only marginally related. That way the player's character is not so entwined with", "playing the game. This, however, has some problems. Primarily is that it has", "has the tendency to increase the game's scope beyond what I want. Secondly", "wrap my head around how to execute it story-wise when dealing with a", "problems. Primarily is that it has the tendency to increase the game's scope", "I cannot wrap my head around how to execute it story-wise when dealing", "\"personality\" around the choices they make while playing the game. This, however, has", "the game. This, however, has some problems. Primarily is that it has the", "emotional narrative when essentially the main character is a blank slate? An approach", "was actually feeling at the moment. So instead of going out of scope", "happening involving the player character as well but I just can't figure out", "at the moment. So instead of going out of scope for the game's", "where the player controls their own made character. I'm planning for the game", "the player was actually feeling at the moment. So instead of going out", "face (basing on the player's previous actions) will create a disconnect with how", "The Witcher series, Geralt already has a predefined personality which means the writers", "with what was happening and does not need up close representation. While this", "of is having the emotional moments happen between other characters and the player", "simple when the character is a blank slate. I could try to gamify", "means the writers know beforehand how he might react to certain things happening.", "marginally related. That way the player's character is not so entwined with what", "series, Geralt already has a predefined personality which means the writers know beforehand", "entwined with what was happening and does not need up close representation. While", "game. This, however, has some problems. Primarily is that it has the tendency", "story for a single player game where the player controls their own made", "a certain village burn down, showing the character in a cutscene with a", "essentially the main character is a blank slate? An approach I've thought of", "to work as intended because if the player enjoys killing people but feel", "player was actually feeling at the moment. So instead of going out of", "execute it story-wise when dealing with a player-made character. As an example, in", "so entwined with what was happening and does not need up close representation.", "want some emotional moments happening involving the player character as well but I", "representation. While this may work, I also do want some emotional moments happening", "player enjoys killing people but feel deeply affected when they see a certain", "when they see a certain village burn down, showing the character in a", "certain things happening. It's not so simple when the character is a blank", "and the player is just there to witness it either as a bystander", "with how the player was actually feeling at the moment. So instead of", "character such as in The Witcher series, Geralt already has a predefined personality", "is having the emotional moments happen between other characters and the player is", "to witness it either as a bystander or as a 3rd party who", "a predefined personality which means the writers know beforehand how he might react", "moments happen between other characters and the player is just there to witness", "is that it has the tendency to increase the game's scope beyond what", "react to certain things happening. It's not so simple when the character is", "is not guaranteed to work as intended because if the player enjoys killing", "can tackle this from a writing perspective. Which leads ultimately to my question.", "intended because if the player enjoys killing people but feel deeply affected when", "player controls their own made character. I'm planning for the game to have", "beforehand how he might react to certain things happening. It's not so simple", "this may work, I also do want some emotional moments happening involving the", "3rd party who is only marginally related. That way the player's character is", "the writers know beforehand how he might react to certain things happening. It's", "if the player enjoys killing people but feel deeply affected when they see", "may work, I also do want some emotional moments happening involving the player", "slate. I could try to gamify it by allowing the player to select", "player-made character. As an example, in games where the player controls a pre-made", "blank slate? An approach I've thought of is having the emotional moments happen", "my question. How can I present an emotional narrative when essentially the main", "might react to certain things happening. It's not so simple when the character", "try to gamify it by allowing the player to select their personality or", "I'm planning for the game to have an emotional narrative but I cannot", "the game's scope beyond what I want. Secondly is that this is not", "the moment. So instead of going out of scope for the game's system,", "the player enjoys killing people but feel deeply affected when they see a", "own made character. I'm planning for the game to have an emotional narrative", "emotional narrative but I cannot wrap my head around how to execute it", "because if the player enjoys killing people but feel deeply affected when they", "the player controls a pre-made character such as in The Witcher series, Geralt", "how the player was actually feeling at the moment. So instead of going", "up close representation. While this may work, I also do want some emotional", "burn down, showing the character in a cutscene with a smile on their", "on the player's previous actions) will create a disconnect with how the player", "character. As an example, in games where the player controls a pre-made character", "work, I also do want some emotional moments happening involving the player character", "but I just can't figure out how to execute it. Thanks for reading", "It's not so simple when the character is a blank slate. I could", "a 3rd party who is only marginally related. That way the player's character", "So instead of going out of scope for the game's system, I want", "moments happening involving the player character as well but I just can't figure", "tackle this from a writing perspective. Which leads ultimately to my question. How", "I could try to gamify it by allowing the player to select their", "when dealing with a player-made character. As an example, in games where the", "a cutscene with a smile on their face (basing on the player's previous", "for the game's system, I want to see if I can tackle this", "I've thought of is having the emotional moments happen between other characters and", "instead of going out of scope for the game's system, I want to", "certain village burn down, showing the character in a cutscene with a smile", "personality which means the writers know beforehand how he might react to certain", "thought of is having the emotional moments happen between other characters and the", "has a predefined personality which means the writers know beforehand how he might", "deeply affected when they see a certain village burn down, showing the character", "he might react to certain things happening. It's not so simple when the", "drafting a story for a single player game where the player controls their", "a disconnect with how the player was actually feeling at the moment. So", "the process of drafting a story for a single player game where the" ]
[ "an antimeme (an idea > with self-censoring properties): it makes it harder to", "thinking an antimeme (an idea > with self-censoring properties): it makes it harder", "I'm not the first person in the world to come up with that", "it makes it harder to communicate it. > > > I assume that", "not allow use of colors in formatting, in the reproduction of text below", "two different instances of the same concept. Since StackExchange does not allow use", "same way that you doubt your thinking. > > > This doubt makes", "When you start to critically think about thinking, it's easy to start >", "> > > I assume that I'm not the first person in the", "to critically think about thinking, it's easy to start > doubting your thinking", "come up with that idea: is there a prior art of using formatting", "use color in order to disambiguate several usages of the same word in", "start > doubting your thinking the same way that you doubt your thinking.", "the first person in the world to come up with that idea: is", "of the same word in a text which refer to two different instances", "fonts instead: > > When you start to critically think about thinking, it's", "makes critical thinking about thinking an antimeme (an idea > with self-censoring properties):", "the world to come up with that idea: is there a prior art", "I am looking for particular examples as well as analysis of this technique.", "that I'm not the first person in the world to come up with", "color in order to disambiguate several usages of the same word in a", "below I use bold and italic fonts instead: > > When you start", "> doubting your thinking the same way that you doubt your thinking. >", "it harder to develop the > thought, and it makes it harder to", "different instances of the same concept. Since StackExchange does not allow use of", "up with that idea: is there a prior art of using formatting for", "colors in formatting, in the reproduction of text below I use bold and", "formatting for disambiguation? I am looking for particular examples as well as analysis", "concept. Since StackExchange does not allow use of colors in formatting, in the", "and italic fonts instead: > > When you start to critically think about", "usages of the same word in a text which refer to two different", "with self-censoring properties): it makes it harder to develop the > thought, and", "> > When you start to critically think about thinking, it's easy to", "your thinking. > > > This doubt makes critical thinking about thinking an", "it makes it harder to develop the > thought, and it makes it", "(an idea > with self-censoring properties): it makes it harder to develop the", "> This doubt makes critical thinking about thinking an antimeme (an idea >", "communicate it. > > > I assume that I'm not the first person", "easy to start > doubting your thinking the same way that you doubt", "text which refer to two different instances of the same concept. Since StackExchange", "that idea: is there a prior art of using formatting for disambiguation? I", "text below I use bold and italic fonts instead: > > When you", "the reproduction of text below I use bold and italic fonts instead: >", "you start to critically think about thinking, it's easy to start > doubting", "doubting your thinking the same way that you doubt your thinking. > >", "the same way that you doubt your thinking. > > > This doubt", "it harder to communicate it. > > > I assume that I'm not", "your thinking the same way that you doubt your thinking. > > >", "> > This doubt makes critical thinking about thinking an antimeme (an idea", "art of using formatting for disambiguation? I am looking for particular examples as", "to communicate it. > > > I assume that I'm not the first", "it's easy to start > doubting your thinking the same way that you", "think about thinking, it's easy to start > doubting your thinking the same", "to start > doubting your thinking the same way that you doubt your", "doubt your thinking. > > > This doubt makes critical thinking about thinking", "using formatting for disambiguation? I am looking for particular examples as well as", "a text which refer to two different instances of the same concept. Since", "person in the world to come up with that idea: is there a", "in a text which refer to two different instances of the same concept.", "it. > > > I assume that I'm not the first person in", "properties): it makes it harder to develop the > thought, and it makes", "antimeme (an idea > with self-censoring properties): it makes it harder to develop", "same concept. Since StackExchange does not allow use of colors in formatting, in", "> with self-censoring properties): it makes it harder to develop the > thought,", "in formatting, in the reproduction of text below I use bold and italic", "thinking. > > > This doubt makes critical thinking about thinking an antimeme", "makes it harder to communicate it. > > > I assume that I'm", "same word in a text which refer to two different instances of the", "StackExchange does not allow use of colors in formatting, in the reproduction of", "doubt makes critical thinking about thinking an antimeme (an idea > with self-censoring", "a prior art of using formatting for disambiguation? I am looking for particular", "to two different instances of the same concept. Since StackExchange does not allow", "> When you start to critically think about thinking, it's easy to start", "to come up with that idea: is there a prior art of using", "first person in the world to come up with that idea: is there", "several usages of the same word in a text which refer to two", "in the reproduction of text below I use bold and italic fonts instead:", "order to disambiguate several usages of the same word in a text which", "disambiguation? I am looking for particular examples as well as analysis of this", "recently to use color in order to disambiguate several usages of the same", "the same concept. Since StackExchange does not allow use of colors in formatting,", "use bold and italic fonts instead: > > When you start to critically", "allow use of colors in formatting, in the reproduction of text below I", "and it makes it harder to communicate it. > > > I assume", "formatting, in the reproduction of text below I use bold and italic fonts", "the same word in a text which refer to two different instances of", "critically think about thinking, it's easy to start > doubting your thinking the", "develop the > thought, and it makes it harder to communicate it. >", "refer to two different instances of the same concept. Since StackExchange does not", "which refer to two different instances of the same concept. Since StackExchange does", "I use bold and italic fonts instead: > > When you start to", "not the first person in the world to come up with that idea:", "thinking the same way that you doubt your thinking. > > > This", "harder to develop the > thought, and it makes it harder to communicate", "This doubt makes critical thinking about thinking an antimeme (an idea > with", "for disambiguation? I am looking for particular examples as well as analysis of", "harder to communicate it. > > > I assume that I'm not the", "is there a prior art of using formatting for disambiguation? I am looking", "italic fonts instead: > > When you start to critically think about thinking,", "to disambiguate several usages of the same word in a text which refer", "had an idea recently to use color in order to disambiguate several usages", "idea > with self-censoring properties): it makes it harder to develop the >", "with that idea: is there a prior art of using formatting for disambiguation?", "of the same concept. Since StackExchange does not allow use of colors in", "Since StackExchange does not allow use of colors in formatting, in the reproduction", "thinking, it's easy to start > doubting your thinking the same way that", "in the world to come up with that idea: is there a prior", "to develop the > thought, and it makes it harder to communicate it.", "that you doubt your thinking. > > > This doubt makes critical thinking", "I assume that I'm not the first person in the world to come", "thinking about thinking an antimeme (an idea > with self-censoring properties): it makes", "of text below I use bold and italic fonts instead: > > When", "critical thinking about thinking an antimeme (an idea > with self-censoring properties): it", "> I assume that I'm not the first person in the world to", "assume that I'm not the first person in the world to come up", "self-censoring properties): it makes it harder to develop the > thought, and it", "world to come up with that idea: is there a prior art of", "> > I assume that I'm not the first person in the world", "disambiguate several usages of the same word in a text which refer to", "the > thought, and it makes it harder to communicate it. > >", "way that you doubt your thinking. > > > This doubt makes critical", "reproduction of text below I use bold and italic fonts instead: > >", "> thought, and it makes it harder to communicate it. > > >", "thought, and it makes it harder to communicate it. > > > I", "> > > This doubt makes critical thinking about thinking an antimeme (an", "start to critically think about thinking, it's easy to start > doubting your", "makes it harder to develop the > thought, and it makes it harder", "use of colors in formatting, in the reproduction of text below I use", "about thinking an antimeme (an idea > with self-censoring properties): it makes it", "idea: is there a prior art of using formatting for disambiguation? I am", "instances of the same concept. Since StackExchange does not allow use of colors", "there a prior art of using formatting for disambiguation? I am looking for", "of using formatting for disambiguation? I am looking for particular examples as well", "idea recently to use color in order to disambiguate several usages of the", "to use color in order to disambiguate several usages of the same word", "of colors in formatting, in the reproduction of text below I use bold", "does not allow use of colors in formatting, in the reproduction of text", "prior art of using formatting for disambiguation? I am looking for particular examples", "in order to disambiguate several usages of the same word in a text", "word in a text which refer to two different instances of the same", "about thinking, it's easy to start > doubting your thinking the same way", "you doubt your thinking. > > > This doubt makes critical thinking about", "instead: > > When you start to critically think about thinking, it's easy", "an idea recently to use color in order to disambiguate several usages of", "I've had an idea recently to use color in order to disambiguate several", "bold and italic fonts instead: > > When you start to critically think" ]
[ "get a main goal at the beginning? I think this rarely happens, or", "but I was wondering if there are things you need to do or", "you need time to finish your plan for your story or if you", "to do as a writer differently than you would have to do if", "certain things like worldbuilding or other characters before making your character set on", "at the beginning? I think this rarely happens, or at least I don't", "there things you need to do as a writer differently than you would", "or at least I don't remember a story where this is the case.", "middle of the story, are there things you need to do as a", "least I don't remember a story where this is the case. This can", "you would have to do if you were to have your main character", "you want to develop certain things like worldbuilding or other characters before making", "or other characters before making your character set on the main journey, but", "if you were to have your main character get a main goal at", "If your main character gets a main goal in the middle of the", "other characters before making your character set on the main journey, but I", "a story where this is the case. This can happen if you need", "story, are there things you need to do as a writer differently than", "was wondering if there are things you need to do or avoid if", "if there are things you need to do or avoid if you choose", "story where this is the case. This can happen if you need time", "to develop certain things like worldbuilding or other characters before making your character", "journey, but I was wondering if there are things you need to do", "need to do as a writer differently than you would have to do", "story or if you want to develop certain things like worldbuilding or other", "at least I don't remember a story where this is the case. This", "on the main journey, but I was wondering if there are things you", "are things you need to do or avoid if you choose to do", "as a writer differently than you would have to do if you were", "for your story or if you want to develop certain things like worldbuilding", "worldbuilding or other characters before making your character set on the main journey,", "this rarely happens, or at least I don't remember a story where this", "if you want to develop certain things like worldbuilding or other characters before", "this is the case. This can happen if you need time to finish", "finish your plan for your story or if you want to develop certain", "is the case. This can happen if you need time to finish your", "develop certain things like worldbuilding or other characters before making your character set", "to have your main character get a main goal at the beginning? I", "where this is the case. This can happen if you need time to", "a writer differently than you would have to do if you were to", "are there things you need to do as a writer differently than you", "do if you were to have your main character get a main goal", "set on the main journey, but I was wondering if there are things", "were to have your main character get a main goal at the beginning?", "main goal in the middle of the story, are there things you need", "writer differently than you would have to do if you were to have", "differently than you would have to do if you were to have your", "main character gets a main goal in the middle of the story, are", "happen if you need time to finish your plan for your story or", "want to develop certain things like worldbuilding or other characters before making your", "your character set on the main journey, but I was wondering if there", "like worldbuilding or other characters before making your character set on the main", "a main goal at the beginning? I think this rarely happens, or at", "need time to finish your plan for your story or if you want", "have your main character get a main goal at the beginning? I think", "things like worldbuilding or other characters before making your character set on the", "to do if you were to have your main character get a main", "wondering if there are things you need to do or avoid if you", "happens, or at least I don't remember a story where this is the", "character gets a main goal in the middle of the story, are there", "have to do if you were to have your main character get a", "things you need to do or avoid if you choose to do so.", "making your character set on the main journey, but I was wondering if", "do as a writer differently than you would have to do if you", "can happen if you need time to finish your plan for your story", "the beginning? I think this rarely happens, or at least I don't remember", "don't remember a story where this is the case. This can happen if", "main journey, but I was wondering if there are things you need to", "main character get a main goal at the beginning? I think this rarely", "the story, are there things you need to do as a writer differently", "character set on the main journey, but I was wondering if there are", "or if you want to develop certain things like worldbuilding or other characters", "main goal at the beginning? I think this rarely happens, or at least", "a main goal in the middle of the story, are there things you", "This can happen if you need time to finish your plan for your", "your plan for your story or if you want to develop certain things", "goal at the beginning? I think this rarely happens, or at least I", "your main character gets a main goal in the middle of the story,", "your main character get a main goal at the beginning? I think this", "than you would have to do if you were to have your main", "plan for your story or if you want to develop certain things like", "gets a main goal in the middle of the story, are there things", "beginning? I think this rarely happens, or at least I don't remember a", "before making your character set on the main journey, but I was wondering", "I was wondering if there are things you need to do or avoid", "time to finish your plan for your story or if you want to", "rarely happens, or at least I don't remember a story where this is", "would have to do if you were to have your main character get", "I don't remember a story where this is the case. This can happen", "there are things you need to do or avoid if you choose to", "character get a main goal at the beginning? I think this rarely happens,", "you were to have your main character get a main goal at the", "things you need to do as a writer differently than you would have", "your story or if you want to develop certain things like worldbuilding or", "to finish your plan for your story or if you want to develop", "if you need time to finish your plan for your story or if", "I think this rarely happens, or at least I don't remember a story", "the case. This can happen if you need time to finish your plan", "remember a story where this is the case. This can happen if you", "of the story, are there things you need to do as a writer", "characters before making your character set on the main journey, but I was", "goal in the middle of the story, are there things you need to", "think this rarely happens, or at least I don't remember a story where", "you need to do as a writer differently than you would have to", "in the middle of the story, are there things you need to do", "the middle of the story, are there things you need to do as", "the main journey, but I was wondering if there are things you need", "case. This can happen if you need time to finish your plan for" ]
[ "Then the fell silent. how would you improve this to make it sound", "gunshot. Then the fell silent. how would you improve this to make it", "She heard a gunshot. Then the fell silent. how would you improve this", "heard a gunshot. Then the fell silent. how would you improve this to", "a gunshot. Then the fell silent. how would you improve this to make", "the fell silent. how would you improve this to make it sound better?" ]
[ "developement. I don't want them to look like unintentional errors on my part,", "1900s (this quote is in the book): “We are continually being asked why", "them to look like unintentional errors on my part, but also don't want", "the non-normative spelling at all? I assume that [sic] would be inappropriate in", "about a missionary. When quoting sources which use archaic spellings of places/words, do", "being asked why we do not leave Hongkong... To say the least the", "like unintentional errors on my part, but also don't want to distract the", "inappropriate in this case but am not sure if I should use brackets", "just wanted to make sure I am approaching this correctly: I am working", "I just wanted to make sure I am approaching this correctly: I am", "but am not sure if I should use brackets to correct the spelling,", "mine].\" Hongkong is an archaic spelling of Hong Kong, same with developement. I", "Hong Kong in the early 1900s (this quote is in the book): “We", "want them to look like unintentional errors on my part, but also don't", "nonfiction historical biography about a missionary. When quoting sources which use archaic spellings", "writing from Hong Kong in the early 1900s (this quote is in the", "should use brackets to correct the spelling, or if that is more distracting.", "the least the Seed must be sown and the Lord will look after", "to note the non-normative spelling at all? I assume that [sic] would be", "For example, here is a quote from someone writing from Hong Kong in", "the early 1900s (this quote is in the book): “We are continually being", "here is a quote from someone writing from Hong Kong in the early", "unintentional errors on my part, but also don't want to distract the reader", "the book): “We are continually being asked why we do not leave Hongkong...", "Lord will look after the developement [Emphasis mine].\" Hongkong is an archaic spelling", "my part, but also don't want to distract the reader unnecessarily. Thank you!!", "after the developement [Emphasis mine].\" Hongkong is an archaic spelling of Hong Kong,", "book): “We are continually being asked why we do not leave Hongkong... To", "approaching this correctly: I am working on a nonfiction historical biography about a", "quote from someone writing from Hong Kong in the early 1900s (this quote", "sure I am approaching this correctly: I am working on a nonfiction historical", "I am approaching this correctly: I am working on a nonfiction historical biography", "look after the developement [Emphasis mine].\" Hongkong is an archaic spelling of Hong", "To say the least the Seed must be sown and the Lord will", "is in the book): “We are continually being asked why we do not", "to correct the spelling, or if that is more distracting. For example, here", "archaic spellings of places/words, do I need to note the non-normative spelling at", "to look like unintentional errors on my part, but also don't want to", "and the Lord will look after the developement [Emphasis mine].\" Hongkong is an", "be inappropriate in this case but am not sure if I should use", "in the early 1900s (this quote is in the book): “We are continually", "not sure if I should use brackets to correct the spelling, or if", "why we do not leave Hongkong... To say the least the Seed must", "non-normative spelling at all? I assume that [sic] would be inappropriate in this", "sure if I should use brackets to correct the spelling, or if that", "not leave Hongkong... To say the least the Seed must be sown and", "be sown and the Lord will look after the developement [Emphasis mine].\" Hongkong", "from someone writing from Hong Kong in the early 1900s (this quote is", "more distracting. For example, here is a quote from someone writing from Hong", "I need to note the non-normative spelling at all? I assume that [sic]", "quoting sources which use archaic spellings of places/words, do I need to note", "spellings of places/words, do I need to note the non-normative spelling at all?", "places/words, do I need to note the non-normative spelling at all? I assume", "am working on a nonfiction historical biography about a missionary. When quoting sources", "of Hong Kong, same with developement. I don't want them to look like", "must be sown and the Lord will look after the developement [Emphasis mine].\"", "I assume that [sic] would be inappropriate in this case but am not", "Hongkong is an archaic spelling of Hong Kong, same with developement. I don't", "is a quote from someone writing from Hong Kong in the early 1900s", "this correctly: I am working on a nonfiction historical biography about a missionary.", "note the non-normative spelling at all? I assume that [sic] would be inappropriate", "that [sic] would be inappropriate in this case but am not sure if", "the spelling, or if that is more distracting. For example, here is a", "use brackets to correct the spelling, or if that is more distracting. For", "if I should use brackets to correct the spelling, or if that is", "early 1900s (this quote is in the book): “We are continually being asked", "sown and the Lord will look after the developement [Emphasis mine].\" Hongkong is", "spelling at all? I assume that [sic] would be inappropriate in this case", "continually being asked why we do not leave Hongkong... To say the least", "is more distracting. For example, here is a quote from someone writing from", "distracting. For example, here is a quote from someone writing from Hong Kong", "all? I assume that [sic] would be inappropriate in this case but am", "is an archaic spelling of Hong Kong, same with developement. I don't want", "biography about a missionary. When quoting sources which use archaic spellings of places/words,", "am not sure if I should use brackets to correct the spelling, or", "that is more distracting. For example, here is a quote from someone writing", "don't want them to look like unintentional errors on my part, but also", "[sic] would be inappropriate in this case but am not sure if I", "make sure I am approaching this correctly: I am working on a nonfiction", "we do not leave Hongkong... To say the least the Seed must be", "developement [Emphasis mine].\" Hongkong is an archaic spelling of Hong Kong, same with", "example, here is a quote from someone writing from Hong Kong in the", "spelling, or if that is more distracting. For example, here is a quote", "the Seed must be sown and the Lord will look after the developement", "will look after the developement [Emphasis mine].\" Hongkong is an archaic spelling of", "at all? I assume that [sic] would be inappropriate in this case but", "from Hong Kong in the early 1900s (this quote is in the book):", "(this quote is in the book): “We are continually being asked why we", "assume that [sic] would be inappropriate in this case but am not sure", "do I need to note the non-normative spelling at all? I assume that", "When quoting sources which use archaic spellings of places/words, do I need to", "archaic spelling of Hong Kong, same with developement. I don't want them to", "of places/words, do I need to note the non-normative spelling at all? I", "an archaic spelling of Hong Kong, same with developement. I don't want them", "need to note the non-normative spelling at all? I assume that [sic] would", "case but am not sure if I should use brackets to correct the", "Kong, same with developement. I don't want them to look like unintentional errors", "on my part, but also don't want to distract the reader unnecessarily. Thank", "correct the spelling, or if that is more distracting. For example, here is", "quote is in the book): “We are continually being asked why we do", "am approaching this correctly: I am working on a nonfiction historical biography about", "would be inappropriate in this case but am not sure if I should", "in the book): “We are continually being asked why we do not leave", "on a nonfiction historical biography about a missionary. When quoting sources which use", "brackets to correct the spelling, or if that is more distracting. For example,", "Hongkong... To say the least the Seed must be sown and the Lord", "in this case but am not sure if I should use brackets to", "correctly: I am working on a nonfiction historical biography about a missionary. When", "the developement [Emphasis mine].\" Hongkong is an archaic spelling of Hong Kong, same", "a quote from someone writing from Hong Kong in the early 1900s (this", "[Emphasis mine].\" Hongkong is an archaic spelling of Hong Kong, same with developement.", "say the least the Seed must be sown and the Lord will look", "a nonfiction historical biography about a missionary. When quoting sources which use archaic", "someone writing from Hong Kong in the early 1900s (this quote is in", "sources which use archaic spellings of places/words, do I need to note the", "look like unintentional errors on my part, but also don't want to distract", "errors on my part, but also don't want to distract the reader unnecessarily.", "use archaic spellings of places/words, do I need to note the non-normative spelling", "same with developement. I don't want them to look like unintentional errors on", "working on a nonfiction historical biography about a missionary. When quoting sources which", "wanted to make sure I am approaching this correctly: I am working on", "Kong in the early 1900s (this quote is in the book): “We are", "which use archaic spellings of places/words, do I need to note the non-normative", "asked why we do not leave Hongkong... To say the least the Seed", "I should use brackets to correct the spelling, or if that is more", "if that is more distracting. For example, here is a quote from someone", "are continually being asked why we do not leave Hongkong... To say the", "Seed must be sown and the Lord will look after the developement [Emphasis", "the Lord will look after the developement [Emphasis mine].\" Hongkong is an archaic", "historical biography about a missionary. When quoting sources which use archaic spellings of", "a missionary. When quoting sources which use archaic spellings of places/words, do I", "this case but am not sure if I should use brackets to correct", "I am working on a nonfiction historical biography about a missionary. When quoting", "missionary. When quoting sources which use archaic spellings of places/words, do I need", "“We are continually being asked why we do not leave Hongkong... To say", "I don't want them to look like unintentional errors on my part, but", "leave Hongkong... To say the least the Seed must be sown and the", "spelling of Hong Kong, same with developement. I don't want them to look", "with developement. I don't want them to look like unintentional errors on my", "Hong Kong, same with developement. I don't want them to look like unintentional", "do not leave Hongkong... To say the least the Seed must be sown", "least the Seed must be sown and the Lord will look after the", "to make sure I am approaching this correctly: I am working on a", "or if that is more distracting. For example, here is a quote from" ]
[ "I have to check my company's English translations for a new product they", "for a new product they have made. The product is an electrical wall", "have made. The product is an electrical wall box for charging electric cars.", "translations for a new product they have made. The product is an electrical", "Ideal for classic electromobilists > > > I have never heard of the", "is my native language, I did not study English and I make mistakes", "language, I did not study English and I make mistakes in English all", "electric cars. They wrote the following sentence: > > Ideal for classic electromobilists", "have never heard of the word electromobilists and I can not find the", "never heard of the word electromobilists and I can not find the definition", "English translations for a new product they have made. The product is an", "anywhere online. Although English is my native language, I did not study English", "product they have made. The product is an electrical wall box for charging", "Although English is my native language, I did not study English and I", "have to check my company's English translations for a new product they have", "they have made. The product is an electrical wall box for charging electric", "the following sentence: > > Ideal for classic electromobilists > > > I", "box for charging electric cars. They wrote the following sentence: > > Ideal", "I can not find the definition anywhere online. Although English is my native", "> > Ideal for classic electromobilists > > > I have never heard", "the definition anywhere online. Although English is my native language, I did not", "made. The product is an electrical wall box for charging electric cars. They", "They wrote the following sentence: > > Ideal for classic electromobilists > >", "for charging electric cars. They wrote the following sentence: > > Ideal for", "I did not study English and I make mistakes in English all the", "a new product they have made. The product is an electrical wall box", "company's English translations for a new product they have made. The product is", "make mistakes in English all the time. Can someone tell me if this", "check my company's English translations for a new product they have made. The", "my company's English translations for a new product they have made. The product", "> > I have never heard of the word electromobilists and I can", "native language, I did not study English and I make mistakes in English", "I make mistakes in English all the time. Can someone tell me if", "sentence: > > Ideal for classic electromobilists > > > I have never", "> I have never heard of the word electromobilists and I can not", "new product they have made. The product is an electrical wall box for", "my native language, I did not study English and I make mistakes in", "can not find the definition anywhere online. Although English is my native language,", "to check my company's English translations for a new product they have made.", "following sentence: > > Ideal for classic electromobilists > > > I have", "word electromobilists and I can not find the definition anywhere online. Although English", "cars. They wrote the following sentence: > > Ideal for classic electromobilists >", "for classic electromobilists > > > I have never heard of the word", "classic electromobilists > > > I have never heard of the word electromobilists", "and I make mistakes in English all the time. Can someone tell me", "The product is an electrical wall box for charging electric cars. They wrote", "product is an electrical wall box for charging electric cars. They wrote the", "not study English and I make mistakes in English all the time. Can", "online. Although English is my native language, I did not study English and", "electromobilists > > > I have never heard of the word electromobilists and", "and I can not find the definition anywhere online. Although English is my", "study English and I make mistakes in English all the time. Can someone", "the word electromobilists and I can not find the definition anywhere online. Although", "charging electric cars. They wrote the following sentence: > > Ideal for classic", "English all the time. Can someone tell me if this sentence makes sense?", "find the definition anywhere online. Although English is my native language, I did", "in English all the time. Can someone tell me if this sentence makes", "electromobilists and I can not find the definition anywhere online. Although English is", "English and I make mistakes in English all the time. Can someone tell", "definition anywhere online. Although English is my native language, I did not study", "> Ideal for classic electromobilists > > > I have never heard of", "I have never heard of the word electromobilists and I can not find", "> > > I have never heard of the word electromobilists and I", "did not study English and I make mistakes in English all the time.", "not find the definition anywhere online. Although English is my native language, I", "of the word electromobilists and I can not find the definition anywhere online.", "heard of the word electromobilists and I can not find the definition anywhere", "English is my native language, I did not study English and I make", "wrote the following sentence: > > Ideal for classic electromobilists > > >", "an electrical wall box for charging electric cars. They wrote the following sentence:", "mistakes in English all the time. Can someone tell me if this sentence", "electrical wall box for charging electric cars. They wrote the following sentence: >", "wall box for charging electric cars. They wrote the following sentence: > >", "is an electrical wall box for charging electric cars. They wrote the following" ]
[ "cannot die, literally, but he has lived a peaceful life and never been", "give this piece of information at the beginning. Can I write some kind", "I write some kind of hook like this in the beginning: 'Upam has", "that he cannot die, literally, but he has lived a peaceful life and", "die, literally, but he has lived a peaceful life and never been in", "I want to write his story in third person limited, but I also", "in third person limited, but I also want to give this piece of", "special ability that he cannot die, literally, but he has lived a peaceful", "cannot die. He doesn't know that yet, but he's about to find out.'", "that my protagonist has a special ability that he cannot die, literally, but", "far. I want to write his story in third person limited, but I", "a body that cannot die. He doesn't know that yet, but he's about", "let's say that my protagonist has a special ability that he cannot die,", "third person limited, but I also want to give this piece of information", "Can I write some kind of hook like this in the beginning: 'Upam", "this in the beginning: 'Upam has a body that cannot die. He doesn't", "beginning: 'Upam has a body that cannot die. He doesn't know that yet,", "and never been in any critical situation so far. I want to write", "also want to give this piece of information at the beginning. Can I", "limited, but I also want to give this piece of information at the", "never been in any critical situation so far. I want to write his", "to write his story in third person limited, but I also want to", "a peaceful life and never been in any critical situation so far. I", "information at the beginning. Can I write some kind of hook like this", "'Upam has a body that cannot die. He doesn't know that yet, but", "beginning. Can I write some kind of hook like this in the beginning:", "literally, but he has lived a peaceful life and never been in any", "example, let's say that my protagonist has a special ability that he cannot", "I also want to give this piece of information at the beginning. Can", "a special ability that he cannot die, literally, but he has lived a", "hook like this in the beginning: 'Upam has a body that cannot die.", "person limited, but I also want to give this piece of information at", "piece of information at the beginning. Can I write some kind of hook", "any critical situation so far. I want to write his story in third", "want to give this piece of information at the beginning. Can I write", "the beginning: 'Upam has a body that cannot die. He doesn't know that", "that cannot die. He doesn't know that yet, but he's about to find", "has lived a peaceful life and never been in any critical situation so", "situation so far. I want to write his story in third person limited,", "in any critical situation so far. I want to write his story in", "to give this piece of information at the beginning. Can I write some", "has a body that cannot die. He doesn't know that yet, but he's", "say that my protagonist has a special ability that he cannot die, literally,", "but I also want to give this piece of information at the beginning.", "so far. I want to write his story in third person limited, but", "he has lived a peaceful life and never been in any critical situation", "my protagonist has a special ability that he cannot die, literally, but he", "at the beginning. Can I write some kind of hook like this in", "like this in the beginning: 'Upam has a body that cannot die. He", "some kind of hook like this in the beginning: 'Upam has a body", "protagonist has a special ability that he cannot die, literally, but he has", "but he has lived a peaceful life and never been in any critical", "his story in third person limited, but I also want to give this", "want to write his story in third person limited, but I also want", "story in third person limited, but I also want to give this piece", "lived a peaceful life and never been in any critical situation so far.", "write his story in third person limited, but I also want to give", "critical situation so far. I want to write his story in third person", "of information at the beginning. Can I write some kind of hook like", "the beginning. Can I write some kind of hook like this in the", "For example, let's say that my protagonist has a special ability that he", "peaceful life and never been in any critical situation so far. I want", "been in any critical situation so far. I want to write his story", "write some kind of hook like this in the beginning: 'Upam has a", "in the beginning: 'Upam has a body that cannot die. He doesn't know", "body that cannot die. He doesn't know that yet, but he's about to", "life and never been in any critical situation so far. I want to", "this piece of information at the beginning. Can I write some kind of", "has a special ability that he cannot die, literally, but he has lived", "he cannot die, literally, but he has lived a peaceful life and never", "kind of hook like this in the beginning: 'Upam has a body that", "ability that he cannot die, literally, but he has lived a peaceful life", "of hook like this in the beginning: 'Upam has a body that cannot" ]
[ "it. 3. Validators: People with the ability to take in partial or full", "strength, and my characters tend to be quite dull. My shape is much", "be done? I enjoying writing every now and then, but I lack the", "with the ability to take in partial or full content and revise it", "resources pointing at why it can or cannot be done? I enjoying writing", "2. Scene developers: People with the ability to take a story and add", "now and then, but I lack the story driving strength, and my characters", "and my characters tend to be quite dull. My shape is much better,", "it can or cannot be done? I enjoying writing every now and then,", "haven't really taken off. On the other hand, collaborative resource platforms like wikis", "highly experienced and well-rounded authors would put time into an \"open-source\", so ideally", "hole. 4. Editors: People who excel at polishing the shape. 5. Verificators: People", "Validators: People with the ability to take in partial or full content and", "time into an \"open-source\", so ideally some roles would surface. 1. Story drivers:", "tend to be quite dull. My shape is much better, so the idea", "story and add the content around it. 3. Validators: People with the ability", "open team of people contributing with their strengths seems to make sense. There", "and then, but I lack the story driving strength, and my characters tend", "for collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there", "driving a story forward. 2. Scene developers: People with the ability to take", "and revise it for plot hole. 4. Editors: People who excel at polishing", "off. On the other hand, collaborative resource platforms like wikis and fanart thrive.", "Story drivers: People with a strong sense of character development and experience driving", "developers: People with the ability to take a story and add the content", "surface. 1. Story drivers: People with a strong sense of character development and", "can or cannot be done? I enjoying writing every now and then, but", "is much better, so the idea of creating an open team of people", "their strengths seems to make sense. There is the obvious glaring problem of", "with the ability to take a story and add the content around it.", "know there a few notable examples of open collaborative writing, but they haven't", "for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a few notable", "the content around it. 3. Validators: People with the ability to take in", "into an \"open-source\", so ideally some roles would surface. 1. Story drivers: People", "avid and excellent readers, willing to provide feedback. Is anything of the sort", "partial or full content and revise it for plot hole. 4. Editors: People", "excel at polishing the shape. 5. Verificators: People who are avid and excellent", "contributing with their strengths seems to make sense. There is the obvious glaring", "resource platforms like wikis and fanart thrive. I doubt highly experienced and well-rounded", "to take in partial or full content and revise it for plot hole.", "story forward. 2. Scene developers: People with the ability to take a story", "be quite dull. My shape is much better, so the idea of creating", "driving strength, and my characters tend to be quite dull. My shape is", "dull. My shape is much better, so the idea of creating an open", "writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a few", "there a few notable examples of open collaborative writing, but they haven't really", "are there good resources pointing at why it can or cannot be done?", "much better, so the idea of creating an open team of people contributing", "taken off. On the other hand, collaborative resource platforms like wikis and fanart", "with their strengths seems to make sense. There is the obvious glaring problem", "5. Verificators: People who are avid and excellent readers, willing to provide feedback.", "few notable examples of open collaborative writing, but they haven't really taken off.", "of creating an open team of people contributing with their strengths seems to", "Editors: People who excel at polishing the shape. 5. Verificators: People who are", "I enjoying writing every now and then, but I lack the story driving", "ideally some roles would surface. 1. Story drivers: People with a strong sense", "a story and add the content around it. 3. Validators: People with the", "the idea of creating an open team of people contributing with their strengths", "> Related: [Software for collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > >", "thrive. I doubt highly experienced and well-rounded authors would put time into an", "notable examples of open collaborative writing, but they haven't really taken off. On", "Is anything of the sort viable, and are there good resources pointing at", "1. Story drivers: People with a strong sense of character development and experience", "cannot be done? I enjoying writing every now and then, but I lack", "of character development and experience driving a story forward. 2. Scene developers: People", "Verificators: People who are avid and excellent readers, willing to provide feedback. Is", "content and revise it for plot hole. 4. Editors: People who excel at", "and are there good resources pointing at why it can or cannot be", "around it. 3. Validators: People with the ability to take in partial or", "collaborative resource platforms like wikis and fanart thrive. I doubt highly experienced and", "a few notable examples of open collaborative writing, but they haven't really taken", "doubt highly experienced and well-rounded authors would put time into an \"open-source\", so", "some roles would surface. 1. Story drivers: People with a strong sense of", "add the content around it. 3. Validators: People with the ability to take", "> I know there a few notable examples of open collaborative writing, but", "of the sort viable, and are there good resources pointing at why it", "and add the content around it. 3. Validators: People with the ability to", "People with a strong sense of character development and experience driving a story", "3. Validators: People with the ability to take in partial or full content", "the other hand, collaborative resource platforms like wikis and fanart thrive. I doubt", "forward. 2. Scene developers: People with the ability to take a story and", "really taken off. On the other hand, collaborative resource platforms like wikis and", "strengths seems to make sense. There is the obvious glaring problem of monetization!", "pointing at why it can or cannot be done? I enjoying writing every", "Scene developers: People with the ability to take a story and add the", "of open collaborative writing, but they haven't really taken off. On the other", "feedback. Is anything of the sort viable, and are there good resources pointing", "4. Editors: People who excel at polishing the shape. 5. Verificators: People who", "On the other hand, collaborative resource platforms like wikis and fanart thrive. I", "quite dull. My shape is much better, so the idea of creating an", "the shape. 5. Verificators: People who are avid and excellent readers, willing to", "would put time into an \"open-source\", so ideally some roles would surface. 1.", "take in partial or full content and revise it for plot hole. 4.", "take a story and add the content around it. 3. Validators: People with", "the sort viable, and are there good resources pointing at why it can", "other hand, collaborative resource platforms like wikis and fanart thrive. I doubt highly", "an open team of people contributing with their strengths seems to make sense.", "I know there a few notable examples of open collaborative writing, but they", "to be quite dull. My shape is much better, so the idea of", "I lack the story driving strength, and my characters tend to be quite", "Related: [Software for collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I", "character development and experience driving a story forward. 2. Scene developers: People with", "there good resources pointing at why it can or cannot be done? I", "who are avid and excellent readers, willing to provide feedback. Is anything of", "[Software for collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know", "writing, but they haven't really taken off. On the other hand, collaborative resource", "team of people contributing with their strengths seems to make sense. There is", "but I lack the story driving strength, and my characters tend to be", "the ability to take a story and add the content around it. 3.", "People who excel at polishing the shape. 5. Verificators: People who are avid", "anything of the sort viable, and are there good resources pointing at why", "why it can or cannot be done? I enjoying writing every now and", "better, so the idea of creating an open team of people contributing with", "collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a", "People with the ability to take in partial or full content and revise", "a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a few notable examples", "roles would surface. 1. Story drivers: People with a strong sense of character", "examples of open collaborative writing, but they haven't really taken off. On the", "an \"open-source\", so ideally some roles would surface. 1. Story drivers: People with", "polishing the shape. 5. Verificators: People who are avid and excellent readers, willing", "content around it. 3. Validators: People with the ability to take in partial", "enjoying writing every now and then, but I lack the story driving strength,", "a story forward. 2. Scene developers: People with the ability to take a", "at why it can or cannot be done? I enjoying writing every now", "to provide feedback. Is anything of the sort viable, and are there good", "and excellent readers, willing to provide feedback. Is anything of the sort viable,", "the ability to take in partial or full content and revise it for", "in partial or full content and revise it for plot hole. 4. Editors:", "team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a few notable examples of open", "drivers: People with a strong sense of character development and experience driving a", "shape. 5. Verificators: People who are avid and excellent readers, willing to provide", "hand, collaborative resource platforms like wikis and fanart thrive. I doubt highly experienced", "> > Related: [Software for collaborative writing for a small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > >", "People with the ability to take a story and add the content around", "for plot hole. 4. Editors: People who excel at polishing the shape. 5.", "readers, willing to provide feedback. Is anything of the sort viable, and are", "but they haven't really taken off. On the other hand, collaborative resource platforms", "they haven't really taken off. On the other hand, collaborative resource platforms like", "every now and then, but I lack the story driving strength, and my", "good resources pointing at why it can or cannot be done? I enjoying", "the story driving strength, and my characters tend to be quite dull. My", "so the idea of creating an open team of people contributing with their", "willing to provide feedback. Is anything of the sort viable, and are there", "sense of character development and experience driving a story forward. 2. Scene developers:", "so ideally some roles would surface. 1. Story drivers: People with a strong", "would surface. 1. Story drivers: People with a strong sense of character development", "revise it for plot hole. 4. Editors: People who excel at polishing the", "characters tend to be quite dull. My shape is much better, so the", "or cannot be done? I enjoying writing every now and then, but I", "viable, and are there good resources pointing at why it can or cannot", "ability to take a story and add the content around it. 3. Validators:", "sort viable, and are there good resources pointing at why it can or", "my characters tend to be quite dull. My shape is much better, so", "experience driving a story forward. 2. Scene developers: People with the ability to", "it for plot hole. 4. Editors: People who excel at polishing the shape.", "at polishing the shape. 5. Verificators: People who are avid and excellent readers,", "wikis and fanart thrive. I doubt highly experienced and well-rounded authors would put", "collaborative writing, but they haven't really taken off. On the other hand, collaborative", "are avid and excellent readers, willing to provide feedback. Is anything of the", "story driving strength, and my characters tend to be quite dull. My shape", "\"open-source\", so ideally some roles would surface. 1. Story drivers: People with a", "People who are avid and excellent readers, willing to provide feedback. Is anything", "strong sense of character development and experience driving a story forward. 2. Scene", "excellent readers, willing to provide feedback. Is anything of the sort viable, and", "done? I enjoying writing every now and then, but I lack the story", "writing every now and then, but I lack the story driving strength, and", "idea of creating an open team of people contributing with their strengths seems", "like wikis and fanart thrive. I doubt highly experienced and well-rounded authors would", "and experience driving a story forward. 2. Scene developers: People with the ability", "full content and revise it for plot hole. 4. Editors: People who excel", "provide feedback. Is anything of the sort viable, and are there good resources", "who excel at polishing the shape. 5. Verificators: People who are avid and", "to take a story and add the content around it. 3. Validators: People", "shape is much better, so the idea of creating an open team of", "My shape is much better, so the idea of creating an open team", "and well-rounded authors would put time into an \"open-source\", so ideally some roles", "or full content and revise it for plot hole. 4. Editors: People who", "of people contributing with their strengths seems to make sense. There is the", "open collaborative writing, but they haven't really taken off. On the other hand,", "small team](https://writing.stackexchange.com/questions/7126/software-for-collaborative-writing-for-a-small-team) > > > I know there a few notable examples of", "plot hole. 4. Editors: People who excel at polishing the shape. 5. Verificators:", "platforms like wikis and fanart thrive. I doubt highly experienced and well-rounded authors", "I doubt highly experienced and well-rounded authors would put time into an \"open-source\",", "with a strong sense of character development and experience driving a story forward.", "then, but I lack the story driving strength, and my characters tend to", "people contributing with their strengths seems to make sense. There is the obvious", "> > I know there a few notable examples of open collaborative writing,", "well-rounded authors would put time into an \"open-source\", so ideally some roles would", "authors would put time into an \"open-source\", so ideally some roles would surface.", "a strong sense of character development and experience driving a story forward. 2.", "and fanart thrive. I doubt highly experienced and well-rounded authors would put time", "development and experience driving a story forward. 2. Scene developers: People with the", "put time into an \"open-source\", so ideally some roles would surface. 1. Story", "> > > I know there a few notable examples of open collaborative", "ability to take in partial or full content and revise it for plot", "fanart thrive. I doubt highly experienced and well-rounded authors would put time into", "lack the story driving strength, and my characters tend to be quite dull.", "creating an open team of people contributing with their strengths seems to make", "experienced and well-rounded authors would put time into an \"open-source\", so ideally some" ]
[ "Variety adds interest to the song. We ask how is one section different", "to the song. We ask how is one section different to the next?", "the variety or contrast evident in a song we can compare the song", "describing the variety or contrast evident in a song we can compare the", "the song sections. Variety adds interest to the song. We ask how is", "compare the song sections. Variety adds interest to the song. We ask how", "adds interest to the song. We ask how is one section different to", "contrast evident in a song we can compare the song sections. Variety adds", "we can compare the song sections. Variety adds interest to the song. We", "variety or contrast evident in a song we can compare the song sections.", "When describing the variety or contrast evident in a song we can compare", "song sections. Variety adds interest to the song. We ask how is one", "can compare the song sections. Variety adds interest to the song. We ask", "sections. Variety adds interest to the song. We ask how is one section", "in a song we can compare the song sections. Variety adds interest to", "song we can compare the song sections. Variety adds interest to the song.", "evident in a song we can compare the song sections. Variety adds interest", "interest to the song. We ask how is one section different to the", "a song we can compare the song sections. Variety adds interest to the", "or contrast evident in a song we can compare the song sections. Variety" ]
[ "not the flying birds, and try to eat you. * They exist in", "have specific mythical monsters from ancient mythologies, in a high fantasy world that", "in my world are the creepy humanoids who pretend to be attractive people,", "Greece * The sirens, while can talk through their weird \"singing\", are really", "as one of them. Not a creature based off of them, but the", "and create mythical wildlife and monsters. I had been thinking of using sirens", "the actual Greek fictional entity. Would it be okay to have specific mythical", "one of them. Not a creature based off of them, but the actual", "specific mythical monsters from ancient mythologies, in a high fantasy world that is", "them, but the actual Greek fictional entity. Would it be okay to have", "write down and create mythical wildlife and monsters. I had been thinking of", "monsters from ancient mythologies, in a high fantasy world that is not urban?", "region inspired by Greece * The sirens, while can talk through their weird", "you. * They exist in a region inspired by Greece * The sirens,", "The sirens, while can talk through their weird \"singing\", are really feral in", "be called sirens. * The sirens in my world are the creepy humanoids", "* The sirens, while can talk through their weird \"singing\", are really feral", "create mythical wildlife and monsters. I had been thinking of using sirens as", "will be called sirens. * The sirens in my world are the creepy", "based off of them, but the actual Greek fictional entity. Would it be", "try to eat you. * They exist in a region inspired by Greece", "inspired by Greece * The sirens, while can talk through their weird \"singing\",", "by Greece * The sirens, while can talk through their weird \"singing\", are", "can talk through their weird \"singing\", are really feral in reality and cannot", "my world, I am trying to write down and create mythical wildlife and", "am trying to write down and create mythical wildlife and monsters. I had", "humanoids who pretend to be attractive people, not the flying birds, and try", "ancient mythologies, in a high fantasy world that is not urban? For some", "attractive people, not the flying birds, and try to eat you. * They", "notes: * They will be called sirens. * The sirens in my world", "creepy humanoids who pretend to be attractive people, not the flying birds, and", "eat you. * They exist in a region inspired by Greece * The", "that is not urban? For some notes: * They will be called sirens.", "be attractive people, not the flying birds, and try to eat you. ", "off of them, but the actual Greek fictional entity. Would it be okay", "but the actual Greek fictional entity. Would it be okay to have specific", "Would it be okay to have specific mythical monsters from ancient mythologies, in", " They will be called sirens. * The sirens in my world are", "In creating my world, I am trying to write down and create mythical", "I had been thinking of using sirens as one of them. Not a", "in a region inspired by Greece * The sirens, while can talk through", "urban? For some notes: * They will be called sirens. * The sirens", "Not a creature based off of them, but the actual Greek fictional entity.", "mythical monsters from ancient mythologies, in a high fantasy world that is not", "For some notes: * They will be called sirens. * The sirens in", "Greek fictional entity. Would it be okay to have specific mythical monsters from", "while can talk through their weird \"singing\", are really feral in reality and", "monsters. I had been thinking of using sirens as one of them. Not", "world that is not urban? For some notes: * They will be called", "fictional entity. Would it be okay to have specific mythical monsters from ancient", "pretend to be attractive people, not the flying birds, and try to eat", "to eat you. * They exist in a region inspired by Greece ", "talk through their weird \"singing\", are really feral in reality and cannot talk.", "are the creepy humanoids who pretend to be attractive people, not the flying", "and monsters. I had been thinking of using sirens as one of them.", "high fantasy world that is not urban? For some notes: They will", "actual Greek fictional entity. Would it be okay to have specific mythical monsters", "a region inspired by Greece * The sirens, while can talk through their", "people, not the flying birds, and try to eat you. * They exist", "mythologies, in a high fantasy world that is not urban? For some notes:", "entity. Would it be okay to have specific mythical monsters from ancient mythologies,", "it be okay to have specific mythical monsters from ancient mythologies, in a", "to be attractive people, not the flying birds, and try to eat you.", "of using sirens as one of them. Not a creature based off of", "* They exist in a region inspired by Greece * The sirens, while", "not urban? For some notes: * They will be called sirens. * The", "a high fantasy world that is not urban? For some notes: * They", "world are the creepy humanoids who pretend to be attractive people, not the", "sirens, while can talk through their weird \"singing\", are really feral in reality", "the creepy humanoids who pretend to be attractive people, not the flying birds,", "be okay to have specific mythical monsters from ancient mythologies, in a high", "my world are the creepy humanoids who pretend to be attractive people, not", "to write down and create mythical wildlife and monsters. I had been thinking", "been thinking of using sirens as one of them. Not a creature based", "sirens as one of them. Not a creature based off of them, but", "a creature based off of them, but the actual Greek fictional entity. Would", "I am trying to write down and create mythical wildlife and monsters. I", "The sirens in my world are the creepy humanoids who pretend to be", "world, I am trying to write down and create mythical wildlife and monsters.", "them. Not a creature based off of them, but the actual Greek fictional", "in a high fantasy world that is not urban? For some notes: ", "down and create mythical wildlife and monsters. I had been thinking of using", "who pretend to be attractive people, not the flying birds, and try to", "thinking of using sirens as one of them. Not a creature based off", "They exist in a region inspired by Greece The sirens, while can", "the flying birds, and try to eat you. * They exist in a", "wildlife and monsters. I had been thinking of using sirens as one of", "sirens. * The sirens in my world are the creepy humanoids who pretend", "They will be called sirens. * The sirens in my world are the", "using sirens as one of them. Not a creature based off of them,", "exist in a region inspired by Greece * The sirens, while can talk", "creature based off of them, but the actual Greek fictional entity. Would it", "mythical wildlife and monsters. I had been thinking of using sirens as one", "had been thinking of using sirens as one of them. Not a creature", "birds, and try to eat you. * They exist in a region inspired", "fantasy world that is not urban? For some notes: * They will be", "is not urban? For some notes: * They will be called sirens. ", " The sirens in my world are the creepy humanoids who pretend to", "trying to write down and create mythical wildlife and monsters. I had been", "to have specific mythical monsters from ancient mythologies, in a high fantasy world", "sirens in my world are the creepy humanoids who pretend to be attractive", "called sirens. * The sirens in my world are the creepy humanoids who", "and try to eat you. * They exist in a region inspired by", "creating my world, I am trying to write down and create mythical wildlife", "flying birds, and try to eat you. * They exist in a region", "okay to have specific mythical monsters from ancient mythologies, in a high fantasy", "from ancient mythologies, in a high fantasy world that is not urban? For", "of them, but the actual Greek fictional entity. Would it be okay to", "some notes: * They will be called sirens. * The sirens in my", "of them. Not a creature based off of them, but the actual Greek" ]
[ "to get permission from Niven? Also if I make up a sci-fi tech", "I make up a sci-fi tech or science term that appears in another", "is trademarked but The Book of Boba Fett called their ringworld the Glavis", "The Book of Boba Fett called their ringworld the Glavis Ringworld. Did they", "term that appears in another work of fiction; do I get in trouble?", "Star Wars did with droid. Yet, speaking of Star Wars, Larry Niven’s Ringworld", "sci-fi and I love science fiction technologies. However I know you can trademark", "with droid. Yet, speaking of Star Wars, Larry Niven’s Ringworld is trademarked but", "Wars, Larry Niven’s Ringworld is trademarked but The Book of Boba Fett called", "their ringworld the Glavis Ringworld. Did they had to get permission from Niven?", "Yet, speaking of Star Wars, Larry Niven’s Ringworld is trademarked but The Book", "tech or science term that appears in another work of fiction; do I", "sci-fi tech or science term that appears in another work of fiction; do", "love science fiction technologies. However I know you can trademark a name like", "name like Star Wars did with droid. Yet, speaking of Star Wars, Larry", "Larry Niven’s Ringworld is trademarked but The Book of Boba Fett called their", "Glavis Ringworld. Did they had to get permission from Niven? Also if I", "I love science fiction technologies. However I know you can trademark a name", "and I love science fiction technologies. However I know you can trademark a", "Fett called their ringworld the Glavis Ringworld. Did they had to get permission", "ringworld the Glavis Ringworld. Did they had to get permission from Niven? Also", "from Niven? Also if I make up a sci-fi tech or science term", "up a sci-fi tech or science term that appears in another work of", "trademarked but The Book of Boba Fett called their ringworld the Glavis Ringworld.", "droid. Yet, speaking of Star Wars, Larry Niven’s Ringworld is trademarked but The", "a name like Star Wars did with droid. Yet, speaking of Star Wars,", "Also if I make up a sci-fi tech or science term that appears", "a sci-fi tech or science term that appears in another work of fiction;", "did with droid. Yet, speaking of Star Wars, Larry Niven’s Ringworld is trademarked", "the Glavis Ringworld. Did they had to get permission from Niven? Also if", "technologies. However I know you can trademark a name like Star Wars did", "trademark a name like Star Wars did with droid. Yet, speaking of Star", "speaking of Star Wars, Larry Niven’s Ringworld is trademarked but The Book of", "Niven’s Ringworld is trademarked but The Book of Boba Fett called their ringworld", "Ringworld is trademarked but The Book of Boba Fett called their ringworld the", "of Boba Fett called their ringworld the Glavis Ringworld. Did they had to", "called their ringworld the Glavis Ringworld. Did they had to get permission from", "know you can trademark a name like Star Wars did with droid. Yet,", "can trademark a name like Star Wars did with droid. Yet, speaking of", "Star Wars, Larry Niven’s Ringworld is trademarked but The Book of Boba Fett", "they had to get permission from Niven? Also if I make up a", "or science term that appears in another work of fiction; do I get", "Book of Boba Fett called their ringworld the Glavis Ringworld. Did they had", "make up a sci-fi tech or science term that appears in another work", "science term that appears in another work of fiction; do I get in", "to write sci-fi and I love science fiction technologies. However I know you", "like Star Wars did with droid. Yet, speaking of Star Wars, Larry Niven’s", "Niven? Also if I make up a sci-fi tech or science term that", "of Star Wars, Larry Niven’s Ringworld is trademarked but The Book of Boba", "I know you can trademark a name like Star Wars did with droid.", "write sci-fi and I love science fiction technologies. However I know you can", "However I know you can trademark a name like Star Wars did with", "Ringworld. Did they had to get permission from Niven? Also if I make", "had to get permission from Niven? Also if I make up a sci-fi", "Wars did with droid. Yet, speaking of Star Wars, Larry Niven’s Ringworld is", "science fiction technologies. However I know you can trademark a name like Star", "you can trademark a name like Star Wars did with droid. Yet, speaking", "fiction technologies. However I know you can trademark a name like Star Wars", "Boba Fett called their ringworld the Glavis Ringworld. Did they had to get", "Did they had to get permission from Niven? Also if I make up", "I want to write sci-fi and I love science fiction technologies. However I", "get permission from Niven? Also if I make up a sci-fi tech or", "if I make up a sci-fi tech or science term that appears in", "but The Book of Boba Fett called their ringworld the Glavis Ringworld. Did", "want to write sci-fi and I love science fiction technologies. However I know", "permission from Niven? Also if I make up a sci-fi tech or science" ]
[ "to avoid plagiarism. But does this mean we have to state every idea", "plagiarism. But does this mean we have to state every idea in phrases", "avoid plagiarism. But does this mean we have to state every idea in", "mean we have to state every idea in phrases we've never heard before?", "this mean we have to state every idea in phrases we've never heard", "goal in writing is to avoid plagiarism. But does this mean we have", "important goal in writing is to avoid plagiarism. But does this mean we", "An important goal in writing is to avoid plagiarism. But does this mean", "in writing is to avoid plagiarism. But does this mean we have to", "But does this mean we have to state every idea in phrases we've", "does this mean we have to state every idea in phrases we've never", "is to avoid plagiarism. But does this mean we have to state every", "writing is to avoid plagiarism. But does this mean we have to state" ]
[ "life people have fictional relatives or relatives that doesn’t exist. Why is that?", "can real life people have fictional relatives or relatives that doesn’t exist. Why", "How can real life people have fictional relatives or relatives that doesn’t exist.", "real life people have fictional relatives or relatives that doesn’t exist. Why is" ]
[ "I've been looking for tips on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but", "search term I just stories about the mafia, werewolves, and moles (animal.) When", "I just get stories about the mafia, werewolves, and moles (animal.) When I", "mafia, werewolves, and moles (animal.) When I use the term social deduction story,", "the term social deduction story, I get a bunch of social deduction games.", "want is hard. So, I'm looking for tips on how to write a", "search terms such as mafia, werewolf, or mole, I just get stories about", "the thing you're trying to look up has a vastly more common definition", "looking for tips on how to write a werewolf/mafia story (as in trying", "I use search terms such as mafia, werewolf, or mole, I just get", "get stories about the mafia, werewolves, and moles (animal.) When I combine those", "on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms", "about the mafia, werewolves, and moles (animal.) When I combine those search term", "bunch of social deduction games. As you can imagine, when the thing you're", "(animal.) When I combine those search term I just stories about the mafia,", "to write a werewolf/mafia story (as in trying to find out who amongst", "in trying to find out who amongst the group is actually an enemy.)", "deduction story, I get a bunch of social deduction games. As you can", "stories about the mafia, werewolves, and moles (animal.) When I combine those search", "just stories about the mafia, werewolves, and moles (animal.) When I use the", "the mafia, werewolves, and moles (animal.) When I use the term social deduction", "and moles (animal.) When I combine those search term I just stories about", "you want is hard. So, I'm looking for tips on how to write", "werewolves, and moles (animal.) When I combine those search term I just stories", "to use, then finding what you want is hard. So, I'm looking for", "a werewolf/mafia story (as in trying to find out who amongst the group", "is hard. So, I'm looking for tips on how to write a werewolf/mafia", "a bunch of social deduction games. As you can imagine, when the thing", "moles (animal.) When I use the term social deduction story, I get a", "what you want is hard. So, I'm looking for tips on how to", "you're trying to look up has a vastly more common definition than the", "When I use the term social deduction story, I get a bunch of", "werewolf/mafia story (as in trying to find out who amongst the group is", "but when I use search terms such as mafia, werewolf, or mole, I", "you can imagine, when the thing you're trying to look up has a", "term I just stories about the mafia, werewolves, and moles (animal.) When I", "social deduction story, I get a bunch of social deduction games. As you", "just get stories about the mafia, werewolves, and moles (animal.) When I combine", "combine those search term I just stories about the mafia, werewolves, and moles", "common definition than the definition you are trying to use, then finding what", "story, but when I use search terms such as mafia, werewolf, or mole,", "finding what you want is hard. So, I'm looking for tips on how", "thing you're trying to look up has a vastly more common definition than", "to look up has a vastly more common definition than the definition you", "trying to use, then finding what you want is hard. So, I'm looking", "terms such as mafia, werewolf, or mole, I just get stories about the", "use, then finding what you want is hard. So, I'm looking for tips", "how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms such", "(animal.) When I use the term social deduction story, I get a bunch", "I'm looking for tips on how to write a werewolf/mafia story (as in", "vastly more common definition than the definition you are trying to use, then", "use the term social deduction story, I get a bunch of social deduction", "stories about the mafia, werewolves, and moles (animal.) When I use the term", "So, I'm looking for tips on how to write a werewolf/mafia story (as", "werewolves, and moles (animal.) When I use the term social deduction story, I", "deduction games. As you can imagine, when the thing you're trying to look", "more common definition than the definition you are trying to use, then finding", "tips on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search", "when I use search terms such as mafia, werewolf, or mole, I just", "when the thing you're trying to look up has a vastly more common", "use search terms such as mafia, werewolf, or mole, I just get stories", "the definition you are trying to use, then finding what you want is", "on how to write a werewolf/mafia story (as in trying to find out", "than the definition you are trying to use, then finding what you want", "As you can imagine, when the thing you're trying to look up has", "a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms such as mafia, werewolf,", "I combine those search term I just stories about the mafia, werewolves, and", "write a werewolf/mafia story (as in trying to find out who amongst the", "mafia, werewolves, and moles (animal.) When I combine those search term I just", "werewolf, or mole, I just get stories about the mafia, werewolves, and moles", "definition you are trying to use, then finding what you want is hard.", "for tips on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use", "of social deduction games. As you can imagine, when the thing you're trying", "looking for tips on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I", "a vastly more common definition than the definition you are trying to use,", "how to write a werewolf/mafia story (as in trying to find out who", "are trying to use, then finding what you want is hard. So, I'm", "such as mafia, werewolf, or mole, I just get stories about the mafia,", "games. As you can imagine, when the thing you're trying to look up", "write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms such as mafia,", "mafia, werewolf, or mole, I just get stories about the mafia, werewolves, and", "I just stories about the mafia, werewolves, and moles (animal.) When I use", "moles (animal.) When I combine those search term I just stories about the", "about the mafia, werewolves, and moles (animal.) When I use the term social", "I use the term social deduction story, I get a bunch of social", "the mafia, werewolves, and moles (animal.) When I combine those search term I", "those search term I just stories about the mafia, werewolves, and moles (animal.)", "tips on how to write a werewolf/mafia story (as in trying to find", "mole, I just get stories about the mafia, werewolves, and moles (animal.) When", "been looking for tips on how to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when", "as mafia, werewolf, or mole, I just get stories about the mafia, werewolves,", "get a bunch of social deduction games. As you can imagine, when the", "can imagine, when the thing you're trying to look up has a vastly", "hard. So, I'm looking for tips on how to write a werewolf/mafia story", "[werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms such as mafia, werewolf, or", "then finding what you want is hard. So, I'm looking for tips on", "look up has a vastly more common definition than the definition you are", "up has a vastly more common definition than the definition you are trying", "social deduction games. As you can imagine, when the thing you're trying to", "trying to look up has a vastly more common definition than the definition", "to write a [werewolf/mafia](https://en.wikipedia.org/wiki/Mafia_(party_game)) story, but when I use search terms such as", "I get a bunch of social deduction games. As you can imagine, when", "term social deduction story, I get a bunch of social deduction games. As", "or mole, I just get stories about the mafia, werewolves, and moles (animal.)", "has a vastly more common definition than the definition you are trying to", "story (as in trying to find out who amongst the group is actually", "When I combine those search term I just stories about the mafia, werewolves,", "definition than the definition you are trying to use, then finding what you", "imagine, when the thing you're trying to look up has a vastly more", "(as in trying to find out who amongst the group is actually an", "story, I get a bunch of social deduction games. As you can imagine,", "and moles (animal.) When I use the term social deduction story, I get", "you are trying to use, then finding what you want is hard. So,", "for tips on how to write a werewolf/mafia story (as in trying to" ]
[ "character and interaction. Unfortunately, I fear she may be too similar to the", "the character so that they appear more original and not ending up seeming", "not as accepting as her home) In the end, how could I write", "are both witches * They are both lesbians * Their names are very", "this character. For the similarities and differences: Similarities: * They are both witches", "appear more original and not ending up seeming like a knock-off of another", "as her home) In the end, how could I write the character so", "lot of it is not as accepting as her home) In the end,", "role, but now she has more character and interaction. Unfortunately, I fear she", "Their names are very similar (the character's name is Ayozhbst) Differences: * Ayozhbst", "(it is mainly Ayozhbst wanting to see the world outside of her kingdom,", "to play a very minor role, but now she has more character and", "which I had not yet watched while developing this character. For the similarities", "wanting to see the world outside of her kingdom, and realizing how a", "but now she has more character and interaction. Unfortunately, I fear she may", "the world outside of her kingdom, and realizing how a lot of it", "the end, how could I write the character so that they appear more", "Unfortunately, I fear she may be too similar to the character Amity from", "lesbians * Their names are very similar (the character's name is Ayozhbst) Differences:", "gothic * Her personality is greatly different than Amity's * Her arc is", "design is more gothic * Her personality is greatly different than Amity's ", "had not yet watched while developing this character. For the similarities and differences:", "writing a side character for my fantasy epic. Originally, she was going to", "yet watched while developing this character. For the similarities and differences: Similarities: ", "is mainly Ayozhbst wanting to see the world outside of her kingdom, and", "fantasy epic. Originally, she was going to play a very minor role, but", "* Ayozhbst's design is more gothic * Her personality is greatly different than", "similar (the character's name is Ayozhbst) Differences: * Ayozhbst is WAY older, and", "The Owl House, which I had not yet watched while developing this character.", "similarities and differences: Similarities: * They are both witches * They are both", "minor role, but now she has more character and interaction. Unfortunately, I fear", "character's name is Ayozhbst) Differences: * Ayozhbst is WAY older, and is in", "her home) In the end, how could I write the character so that", "In the end, how could I write the character so that they appear", "name is Ayozhbst) Differences: * Ayozhbst is WAY older, and is in her", "not yet watched while developing this character. For the similarities and differences: Similarities:", "world outside of her kingdom, and realizing how a lot of it is", "different than Amity's * Her arc is also very different (it is mainly", "than Amity's * Her arc is also very different (it is mainly Ayozhbst", "her early 20's * Ayozhbst's design is more gothic * Her personality is", "personality is greatly different than Amity's * Her arc is also very different", "interaction. Unfortunately, I fear she may be too similar to the character Amity", "may be too similar to the character Amity from The Owl House, which", "Her personality is greatly different than Amity's * Her arc is also very", "is more gothic * Her personality is greatly different than Amity's * Her", "Originally, she was going to play a very minor role, but now she", "too similar to the character Amity from The Owl House, which I had", "accepting as her home) In the end, how could I write the character", "is in her early 20's * Ayozhbst's design is more gothic * Her", "am writing a side character for my fantasy epic. Originally, she was going", "and interaction. Unfortunately, I fear she may be too similar to the character", "more original and not ending up seeming like a knock-off of another character?", "my story, I am writing a side character for my fantasy epic. Originally,", "is not as accepting as her home) In the end, how could I", "kingdom, and realizing how a lot of it is not as accepting as", "developing this character. For the similarities and differences: Similarities: * They are both", "different (it is mainly Ayozhbst wanting to see the world outside of her", "greatly different than Amity's * Her arc is also very different (it is", "(the character's name is Ayozhbst) Differences: * Ayozhbst is WAY older, and is", "are both lesbians * Their names are very similar (the character's name is", "more character and interaction. Unfortunately, I fear she may be too similar to", "a lot of it is not as accepting as her home) In the", "has more character and interaction. Unfortunately, I fear she may be too similar", "while developing this character. For the similarities and differences: Similarities: * They are", "the character Amity from The Owl House, which I had not yet watched", "in her early 20's * Ayozhbst's design is more gothic * Her personality", "* They are both lesbians * Their names are very similar (the character's", "now she has more character and interaction. Unfortunately, I fear she may be", "similar to the character Amity from The Owl House, which I had not", "and differences: Similarities: * They are both witches * They are both lesbians", "fear she may be too similar to the character Amity from The Owl", "for my fantasy epic. Originally, she was going to play a very minor", "she was going to play a very minor role, but now she has", "watched while developing this character. For the similarities and differences: Similarities: They", "she has more character and interaction. Unfortunately, I fear she may be too", "Similarities: * They are both witches * They are both lesbians * Their", "epic. Originally, she was going to play a very minor role, but now", "For the similarities and differences: Similarities: * They are both witches * They", "differences: Similarities: * They are both witches * They are both lesbians ", "a side character for my fantasy epic. Originally, she was going to play", "Amity's Her arc is also very different (it is mainly Ayozhbst wanting", "witches * They are both lesbians * Their names are very similar (the", "from The Owl House, which I had not yet watched while developing this", "of it is not as accepting as her home) In the end, how", "so that they appear more original and not ending up seeming like a", "character so that they appear more original and not ending up seeming like", "very minor role, but now she has more character and interaction. Unfortunately, I", "is WAY older, and is in her early 20's * Ayozhbst's design is", "was going to play a very minor role, but now she has more", "character for my fantasy epic. Originally, she was going to play a very", "Amity from The Owl House, which I had not yet watched while developing", "very similar (the character's name is Ayozhbst) Differences: * Ayozhbst is WAY older,", "end, how could I write the character so that they appear more original", "it is not as accepting as her home) In the end, how could", "the similarities and differences: Similarities: * They are both witches * They are", "names are very similar (the character's name is Ayozhbst) Differences: * Ayozhbst is", "character Amity from The Owl House, which I had not yet watched while", "mainly Ayozhbst wanting to see the world outside of her kingdom, and realizing", "I am writing a side character for my fantasy epic. Originally, she was", "* They are both witches * They are both lesbians * Their names", "* Her arc is also very different (it is mainly Ayozhbst wanting to", "a very minor role, but now she has more character and interaction. Unfortunately,", "be too similar to the character Amity from The Owl House, which I", "older, and is in her early 20's * Ayozhbst's design is more gothic", "more gothic * Her personality is greatly different than Amity's * Her arc", "both lesbians * Their names are very similar (the character's name is Ayozhbst)", "of her kingdom, and realizing how a lot of it is not as", "home) In the end, how could I write the character so that they", "going to play a very minor role, but now she has more character", "they appear more original and not ending up seeming like a knock-off of", "I had not yet watched while developing this character. For the similarities and", "and realizing how a lot of it is not as accepting as her", "how a lot of it is not as accepting as her home) In", "realizing how a lot of it is not as accepting as her home)", "my fantasy epic. Originally, she was going to play a very minor role,", "* Ayozhbst is WAY older, and is in her early 20's * Ayozhbst's", "20's * Ayozhbst's design is more gothic * Her personality is greatly different", "I fear she may be too similar to the character Amity from The", "Differences: Ayozhbst is WAY older, and is in her early 20's ", "outside of her kingdom, and realizing how a lot of it is not", "her kingdom, and realizing how a lot of it is not as accepting", "Ayozhbst) Differences: Ayozhbst is WAY older, and is in her early 20's", "arc is also very different (it is mainly Ayozhbst wanting to see the", "In my story, I am writing a side character for my fantasy epic.", "that they appear more original and not ending up seeming like a knock-off", "to the character Amity from The Owl House, which I had not yet", "and is in her early 20's * Ayozhbst's design is more gothic ", "write the character so that they appear more original and not ending up", "is greatly different than Amity's Her arc is also very different (it", "They are both witches * They are both lesbians * Their names are", "Her arc is also very different (it is mainly Ayozhbst wanting to see", "are very similar (the character's name is Ayozhbst) Differences: * Ayozhbst is WAY", "early 20's * Ayozhbst's design is more gothic * Her personality is greatly", "story, I am writing a side character for my fantasy epic. Originally, she", "as accepting as her home) In the end, how could I write the", "They are both lesbians * Their names are very similar (the character's name", "she may be too similar to the character Amity from The Owl House,", "Owl House, which I had not yet watched while developing this character. For", "Ayozhbst's design is more gothic Her personality is greatly different than Amity's", "* Their names are very similar (the character's name is Ayozhbst) Differences: ", "also very different (it is mainly Ayozhbst wanting to see the world outside", "very different (it is mainly Ayozhbst wanting to see the world outside of", "how could I write the character so that they appear more original and", "could I write the character so that they appear more original and not", "I write the character so that they appear more original and not ending", "to see the world outside of her kingdom, and realizing how a lot", "is Ayozhbst) Differences: Ayozhbst is WAY older, and is in her early", "House, which I had not yet watched while developing this character. For the", " Her personality is greatly different than Amity's * Her arc is also", "play a very minor role, but now she has more character and interaction.", "both witches * They are both lesbians * Their names are very similar", "side character for my fantasy epic. Originally, she was going to play a", "WAY older, and is in her early 20's * Ayozhbst's design is more", "see the world outside of her kingdom, and realizing how a lot of", "Ayozhbst wanting to see the world outside of her kingdom, and realizing how", "Ayozhbst is WAY older, and is in her early 20's * Ayozhbst's design", "character. For the similarities and differences: Similarities: * They are both witches *", "is also very different (it is mainly Ayozhbst wanting to see the world" ]
[ "fellow writers had this to say about my bio: > > You have", "be a protagonist. And he's a reluctant protagonist, so there needs to be", "his pet dog, with whom he has a closer relationship than any other", "he's a reluctant protagonist, so there needs to be more clarity on his", "isn't to say that he isn't irredeemably evil, but rather that his flaws", "my web novel's protagonist on a writing Discord server that I frequent. One", "percentage. Throughout the narrative, he's shown to distrust others, has contempt for authority,", "disorder. His only positive characteristic is a love for his pet dog, with", "to be a protagonist. And he's a reluctant protagonist, so there needs to", "His only positive characteristic is a love for his pet dog, with whom", "from his positive traits is that you want him to be a protagonist.", "only positive characteristic is a love for his pet dog, with whom he", "good qualities by too large a percentage. Throughout the narrative, he's shown to", "of my fellow writers had this to say about my bio: > >", "that my protagonist has little to no redeeming traits. That isn't to say", "more clarity on his positive traits. > > > This comment made me", "to make him appear complex and balance his weaknesses. Any tips for this?", "positive traits. > > > This comment made me realise that my protagonist", "pet dog, with whom he has a closer relationship than any other character", "qualities by too large a percentage. Throughout the narrative, he's shown to distrust", "in the story. However, more is needed to make him appear complex and", "a rundown of my web novel's protagonist on a writing Discord server that", "novel's protagonist on a writing Discord server that I frequent. One of my", "a protagonist. And he's a reluctant protagonist, so there needs to be more", "much more depth on his negative character traits than on his positive ones.", "be more clarity on his positive traits. > > > This comment made", "more is needed to make him appear complex and balance his weaknesses. Any", "to say about my bio: > > You have much more depth on", "his positive traits is that you want him to be a protagonist. And", "his flaws outweigh his good qualities by too large a percentage. Throughout the", "positive ones. All I get from his positive traits is that you want", "my protagonist has little to no redeeming traits. That isn't to say that", "is that you want him to be a protagonist. And he's a reluctant", "protagonist has little to no redeeming traits. That isn't to say that he", "there needs to be more clarity on his positive traits. > > >", "traits. That isn't to say that he isn't irredeemably evil, but rather that", "his positive traits. > > > This comment made me realise that my", "that his flaws outweigh his good qualities by too large a percentage. Throughout", "me realise that my protagonist has little to no redeeming traits. That isn't", "> This comment made me realise that my protagonist has little to no", "contempt for authority, and it's heavily implied that he suffers from borderline personality", "borderline personality disorder. His only positive characteristic is a love for his pet", "more depth on his negative character traits than on his positive ones. All", "ago, I showed a character bio that gave a rundown of my web", "rather that his flaws outweigh his good qualities by too large a percentage.", "you want him to be a protagonist. And he's a reluctant protagonist, so", "others, has contempt for authority, and it's heavily implied that he suffers from", "However, more is needed to make him appear complex and balance his weaknesses.", "relationship than any other character in the story. However, more is needed to", "he has a closer relationship than any other character in the story. However,", "that he isn't irredeemably evil, but rather that his flaws outweigh his good", "but rather that his flaws outweigh his good qualities by too large a", "suffers from borderline personality disorder. His only positive characteristic is a love for", "for authority, and it's heavily implied that he suffers from borderline personality disorder.", "All I get from his positive traits is that you want him to", "> > You have much more depth on his negative character traits than", "bio: > > You have much more depth on his negative character traits", "to be more clarity on his positive traits. > > > This comment", "writers had this to say about my bio: > > You have much", "is needed to make him appear complex and balance his weaknesses. Any tips", "this to say about my bio: > > You have much more depth", "> > > This comment made me realise that my protagonist has little", "isn't irredeemably evil, but rather that his flaws outweigh his good qualities by", "characteristic is a love for his pet dog, with whom he has a", "I get from his positive traits is that you want him to be", "than any other character in the story. However, more is needed to make", "character traits than on his positive ones. All I get from his positive", "he suffers from borderline personality disorder. His only positive characteristic is a love", "positive characteristic is a love for his pet dog, with whom he has", "a writing Discord server that I frequent. One of my fellow writers had", "outweigh his good qualities by too large a percentage. Throughout the narrative, he's", "too long ago, I showed a character bio that gave a rundown of", "on a writing Discord server that I frequent. One of my fellow writers", "One of my fellow writers had this to say about my bio: >", "for his pet dog, with whom he has a closer relationship than any", "character bio that gave a rundown of my web novel's protagonist on a", "his positive ones. All I get from his positive traits is that you", "say that he isn't irredeemably evil, but rather that his flaws outweigh his", "You have much more depth on his negative character traits than on his", "it's heavily implied that he suffers from borderline personality disorder. His only positive", "large a percentage. Throughout the narrative, he's shown to distrust others, has contempt", "have much more depth on his negative character traits than on his positive", "traits. > > > This comment made me realise that my protagonist has", "evil, but rather that his flaws outweigh his good qualities by too large", "shown to distrust others, has contempt for authority, and it's heavily implied that", "negative character traits than on his positive ones. All I get from his", "had this to say about my bio: > > You have much more", "that he suffers from borderline personality disorder. His only positive characteristic is a", "ones. All I get from his positive traits is that you want him", "Discord server that I frequent. One of my fellow writers had this to", "made me realise that my protagonist has little to no redeeming traits. That", "other character in the story. However, more is needed to make him appear", "my fellow writers had this to say about my bio: > > You", "needs to be more clarity on his positive traits. > > > This", "That isn't to say that he isn't irredeemably evil, but rather that his", "clarity on his positive traits. > > > This comment made me realise", "protagonist on a writing Discord server that I frequent. One of my fellow", "a love for his pet dog, with whom he has a closer relationship", "narrative, he's shown to distrust others, has contempt for authority, and it's heavily", "is a love for his pet dog, with whom he has a closer", "a character bio that gave a rundown of my web novel's protagonist on", "character in the story. However, more is needed to make him appear complex", "that gave a rundown of my web novel's protagonist on a writing Discord", "he isn't irredeemably evil, but rather that his flaws outweigh his good qualities", "on his negative character traits than on his positive ones. All I get", "> You have much more depth on his negative character traits than on", "bio that gave a rundown of my web novel's protagonist on a writing", "closer relationship than any other character in the story. However, more is needed", "traits than on his positive ones. All I get from his positive traits", "server that I frequent. One of my fellow writers had this to say", "Not too long ago, I showed a character bio that gave a rundown", "showed a character bio that gave a rundown of my web novel's protagonist", "comment made me realise that my protagonist has little to no redeeming traits.", "and it's heavily implied that he suffers from borderline personality disorder. His only", "to no redeeming traits. That isn't to say that he isn't irredeemably evil,", "get from his positive traits is that you want him to be a", "love for his pet dog, with whom he has a closer relationship than", "with whom he has a closer relationship than any other character in the", "irredeemably evil, but rather that his flaws outweigh his good qualities by too", "distrust others, has contempt for authority, and it's heavily implied that he suffers", "protagonist, so there needs to be more clarity on his positive traits. >", "dog, with whom he has a closer relationship than any other character in", "needed to make him appear complex and balance his weaknesses. Any tips for", "my bio: > > You have much more depth on his negative character", "has contempt for authority, and it's heavily implied that he suffers from borderline", "to say that he isn't irredeemably evil, but rather that his flaws outweigh", "on his positive traits. > > > This comment made me realise that", "flaws outweigh his good qualities by too large a percentage. Throughout the narrative,", "Throughout the narrative, he's shown to distrust others, has contempt for authority, and", "heavily implied that he suffers from borderline personality disorder. His only positive characteristic", "to distrust others, has contempt for authority, and it's heavily implied that he", "long ago, I showed a character bio that gave a rundown of my", "he's shown to distrust others, has contempt for authority, and it's heavily implied", "a closer relationship than any other character in the story. However, more is", "his negative character traits than on his positive ones. All I get from", "of my web novel's protagonist on a writing Discord server that I frequent.", "no redeeming traits. That isn't to say that he isn't irredeemably evil, but", "redeeming traits. That isn't to say that he isn't irredeemably evil, but rather", "realise that my protagonist has little to no redeeming traits. That isn't to", "This comment made me realise that my protagonist has little to no redeeming", "the story. However, more is needed to make him appear complex and balance", "a reluctant protagonist, so there needs to be more clarity on his positive", "rundown of my web novel's protagonist on a writing Discord server that I", "gave a rundown of my web novel's protagonist on a writing Discord server", "authority, and it's heavily implied that he suffers from borderline personality disorder. His", "And he's a reluctant protagonist, so there needs to be more clarity on", "has a closer relationship than any other character in the story. However, more", "want him to be a protagonist. And he's a reluctant protagonist, so there", "about my bio: > > You have much more depth on his negative", "on his positive ones. All I get from his positive traits is that", "I frequent. One of my fellow writers had this to say about my", "traits is that you want him to be a protagonist. And he's a", "his good qualities by too large a percentage. Throughout the narrative, he's shown", "little to no redeeming traits. That isn't to say that he isn't irredeemably", "I showed a character bio that gave a rundown of my web novel's", "web novel's protagonist on a writing Discord server that I frequent. One of", "any other character in the story. However, more is needed to make him", "story. However, more is needed to make him appear complex and balance his", "so there needs to be more clarity on his positive traits. > >", "> > This comment made me realise that my protagonist has little to", "whom he has a closer relationship than any other character in the story.", "the narrative, he's shown to distrust others, has contempt for authority, and it's", "positive traits is that you want him to be a protagonist. And he's", "writing Discord server that I frequent. One of my fellow writers had this", "frequent. One of my fellow writers had this to say about my bio:", "a percentage. Throughout the narrative, he's shown to distrust others, has contempt for", "personality disorder. His only positive characteristic is a love for his pet dog,", "say about my bio: > > You have much more depth on his", "has little to no redeeming traits. That isn't to say that he isn't", "reluctant protagonist, so there needs to be more clarity on his positive traits.", "him to be a protagonist. And he's a reluctant protagonist, so there needs", "depth on his negative character traits than on his positive ones. All I", "protagonist. And he's a reluctant protagonist, so there needs to be more clarity", "too large a percentage. Throughout the narrative, he's shown to distrust others, has", "implied that he suffers from borderline personality disorder. His only positive characteristic is", "by too large a percentage. Throughout the narrative, he's shown to distrust others,", "than on his positive ones. All I get from his positive traits is", "from borderline personality disorder. His only positive characteristic is a love for his", "that you want him to be a protagonist. And he's a reluctant protagonist,", "that I frequent. One of my fellow writers had this to say about" ]
[ "to base the book I've started to write. I want it to be", "in a cobble stoned village with more of countryside feel. They attend a", "romantic book where the characters kind of live in a cobble stoned village", "to write. I want it to be a real cozy romantic book where", "so not sure exactly how to base the book I've started to write.", "don't know if that will be intriguing to the reader in comparison to", "real cozy romantic book where the characters kind of live in a cobble", "a cobble stoned village with more of countryside feel. They attend a university", "I feel more comfortable making the location up but I don't know if", "the locations I've researched really fit. I'm not sure what to do and", "smaller Cambridge/Oxford style building. I feel more comfortable making the location up but", "building. I feel more comfortable making the location up but I don't know", "place. None of the locations I've researched really fit. I'm not sure what", "Cambridge/Oxford style building. I feel more comfortable making the location up but I", "the characters kind of live in a cobble stoned village with more of", "live in a cobble stoned village with more of countryside feel. They attend", "a university which is in a historic oldish building like a smaller Cambridge/Oxford", "base the book I've started to write. I want it to be a", "None of the locations I've researched really fit. I'm not sure what to", "like a smaller Cambridge/Oxford style building. I feel more comfortable making the location", "writing, so not sure exactly how to base the book I've started to", "building like a smaller Cambridge/Oxford style building. I feel more comfortable making the", "it being a real place. None of the locations I've researched really fit.", "with more of countryside feel. They attend a university which is in a", "a historic oldish building like a smaller Cambridge/Oxford style building. I feel more", "a real place. None of the locations I've researched really fit. I'm not", "more of countryside feel. They attend a university which is in a historic", "am a beginner to writing, so not sure exactly how to base the", "which is in a historic oldish building like a smaller Cambridge/Oxford style building.", "it to be a real cozy romantic book where the characters kind of", "where the characters kind of live in a cobble stoned village with more", "feel more comfortable making the location up but I don't know if that", "a real cozy romantic book where the characters kind of live in a", "intriguing to the reader in comparison to it being a real place. None", "that will be intriguing to the reader in comparison to it being a", "not sure exactly how to base the book I've started to write. I", "up but I don't know if that will be intriguing to the reader", "the book I've started to write. I want it to be a real", "will be intriguing to the reader in comparison to it being a real", "village with more of countryside feel. They attend a university which is in", "the location up but I don't know if that will be intriguing to", "of the locations I've researched really fit. I'm not sure what to do", "historic oldish building like a smaller Cambridge/Oxford style building. I feel more comfortable", "attend a university which is in a historic oldish building like a smaller", "kind of live in a cobble stoned village with more of countryside feel.", "They attend a university which is in a historic oldish building like a", "exactly how to base the book I've started to write. I want it", "in comparison to it being a real place. None of the locations I've", "to it being a real place. None of the locations I've researched really", "but I don't know if that will be intriguing to the reader in", "started to write. I want it to be a real cozy romantic book", "style building. I feel more comfortable making the location up but I don't", "a smaller Cambridge/Oxford style building. I feel more comfortable making the location up", "of countryside feel. They attend a university which is in a historic oldish", "book I've started to write. I want it to be a real cozy", "feel. They attend a university which is in a historic oldish building like", "characters kind of live in a cobble stoned village with more of countryside", "more comfortable making the location up but I don't know if that will", "countryside feel. They attend a university which is in a historic oldish building", "oldish building like a smaller Cambridge/Oxford style building. I feel more comfortable making", "researched really fit. I'm not sure what to do and need some advice.", "making the location up but I don't know if that will be intriguing", "I want it to be a real cozy romantic book where the characters", "to be a real cozy romantic book where the characters kind of live", "I am a beginner to writing, so not sure exactly how to base", "comfortable making the location up but I don't know if that will be", "in a historic oldish building like a smaller Cambridge/Oxford style building. I feel", "location up but I don't know if that will be intriguing to the", "to the reader in comparison to it being a real place. None of", "if that will be intriguing to the reader in comparison to it being", "I don't know if that will be intriguing to the reader in comparison", "being a real place. None of the locations I've researched really fit. I'm", "write. I want it to be a real cozy romantic book where the", "comparison to it being a real place. None of the locations I've researched", "real place. None of the locations I've researched really fit. I'm not sure", "is in a historic oldish building like a smaller Cambridge/Oxford style building. I", "a beginner to writing, so not sure exactly how to base the book", "book where the characters kind of live in a cobble stoned village with", "I've researched really fit. I'm not sure what to do and need some", "I've started to write. I want it to be a real cozy romantic", "locations I've researched really fit. I'm not sure what to do and need", "of live in a cobble stoned village with more of countryside feel. They", "stoned village with more of countryside feel. They attend a university which is", "how to base the book I've started to write. I want it to", "the reader in comparison to it being a real place. None of the", "cozy romantic book where the characters kind of live in a cobble stoned", "know if that will be intriguing to the reader in comparison to it", "to writing, so not sure exactly how to base the book I've started", "be a real cozy romantic book where the characters kind of live in", "be intriguing to the reader in comparison to it being a real place.", "university which is in a historic oldish building like a smaller Cambridge/Oxford style", "want it to be a real cozy romantic book where the characters kind", "reader in comparison to it being a real place. None of the locations", "beginner to writing, so not sure exactly how to base the book I've", "sure exactly how to base the book I've started to write. I want", "cobble stoned village with more of countryside feel. They attend a university which" ]
[ "Typically book titles are ideally italicized or otherwise underlined. For example: > >", "do if you are limited to unformatted plain text (i.e. italics and underlining", "are limited to unformatted plain text (i.e. italics and underlining are not available)?", "or otherwise underlined. For example: > > In his book Some Book Title,", "Some Book Title, Jozw Cie describes... > > > Is there any style", "titles are ideally italicized or otherwise underlined. For example: > > In his", "describes... > > > Is there any style convention for what to do", "book Some Book Title, Jozw Cie describes... > > > Is there any", "Title, Jozw Cie describes... > > > Is there any style convention for", "Book Title, Jozw Cie describes... > > > Is there any style convention", "> In his book Some Book Title, Jozw Cie describes... > > >", "For example: > > In his book Some Book Title, Jozw Cie describes...", "> Is there any style convention for what to do if you are", "any style convention for what to do if you are limited to unformatted", "ideally italicized or otherwise underlined. For example: > > In his book Some", "for what to do if you are limited to unformatted plain text (i.e.", "what to do if you are limited to unformatted plain text (i.e. italics", "underlined. For example: > > In his book Some Book Title, Jozw Cie", "to do if you are limited to unformatted plain text (i.e. italics and", "convention for what to do if you are limited to unformatted plain text", "Jozw Cie describes... > > > Is there any style convention for what", "book titles are ideally italicized or otherwise underlined. For example: > > In", "> > Is there any style convention for what to do if you", "italicized or otherwise underlined. For example: > > In his book Some Book", "> > In his book Some Book Title, Jozw Cie describes... > >", "> > > Is there any style convention for what to do if", "you are limited to unformatted plain text (i.e. italics and underlining are not", "his book Some Book Title, Jozw Cie describes... > > > Is there", "style convention for what to do if you are limited to unformatted plain", "if you are limited to unformatted plain text (i.e. italics and underlining are", "Is there any style convention for what to do if you are limited", "Cie describes... > > > Is there any style convention for what to", "In his book Some Book Title, Jozw Cie describes... > > > Is", "there any style convention for what to do if you are limited to", "otherwise underlined. For example: > > In his book Some Book Title, Jozw", "are ideally italicized or otherwise underlined. For example: > > In his book", "example: > > In his book Some Book Title, Jozw Cie describes... >" ]
[ "* The new circumstances lead to a new story goal that is different", "they have when we meet them on page 1. * When we meet", "archetypical positive change arc, that includes all the mentioned story elements (ghost, want,", "they face off against each other. --> But where is the old want", "their lie or the lie/ misbelief has created a lack of something that", "new circumstances, where the lie/ misbelief is no longer useful. * These new", "is what I have so far: * At some point in the hero's", "But this connection seems weak. \"Suddenly she can go after what she wants,", "old want in this? * The ignition point presents some sort of opportunity", "after what she wants, but who would have known it, there is the", "of dramatic question fit into this? What is the framework of an archetypical", "and the opportunity to go after their want. But how are these things", "clinging to the lie. * The story soon presents an external event (ignition", "that they want something, but they are held back by their lie or", "But how are these things connected? I have a few attempts at an", "sort of opportunity for the hero to pursue the want that she previously", "the hero to pursue the want that she previously did not have. Maybe", "that they have when we meet them on page 1. * When we", "did not have. Maybe there are antagonists involved --> But this connection seems", "she can go after what she wants, but who would have known it,", "it, there is the villain and things are not so easy as they", "the want that she previously did not have. Maybe there are antagonists involved", "go after their want. But how are these things connected? I have a", "the hero's story goal and thus, they face off against each other. -->", "somehow feature antagonistic forces and the opportunity to go after their want. But", "change arc, that includes all the mentioned story elements (ghost, want, need, ignition", "a lack of something that they wish to overcome (want) but the hero", "their want. But how are these things connected? I have a few attempts", "would have known it, there is the villain and things are not so", "happens, which leads to them believing a lie. * Said lie leads to", "some point in the hero's past, the ghost happens, which leads to them", "misbelief is no longer useful. * These new circumstances somehow feature antagonistic forces", "The new circumstances lead to a new story goal that is different from", "that is different from the old \"want\". The antagonistic force has a goal", "When we meet the hero, we realize that they want something, but they", "* The ignition point presents some sort of opportunity for the hero to", "does the concept of dramatic question fit into this? What is the framework", "have known it, there is the villain and things are not so easy", "because the event tosses the hero into new circumstances, where the lie/ misbelief", "villain and things are not so easy as they seem!\" Does it have", "the old \"want\". The antagonistic force has a goal that opposes the hero's", "can go after what she wants, but who would have known it, there", "misbelief, because the event tosses the hero into new circumstances, where the lie/", "or the lie/ misbelief has created a lack of something that they wish", "abandon their treasured misbelief, because the event tosses the hero into new circumstances,", "this? What is the framework of an archetypical positive change arc, that includes", "believing a lie. * Said lie leads to their life that they have", "event tosses the hero into new circumstances, where the lie/ misbelief is no", "face their lie or abandon their treasured misbelief, because the event tosses the", "These new circumstances somehow feature antagonistic forces and the opportunity to go after", "and thus, they face off against each other. --> But where is the", "story soon presents an external event (ignition point) that forces them to face", "to go after their want. But how are these things connected? I have", "the lie/ misbelief has created a lack of something that they wish to", "after their want. But how are these things connected? I have a few", "the hero's past, the ghost happens, which leads to them believing a lie.", "lie or abandon their treasured misbelief, because the event tosses the hero into", "attempts at an answer: * The new circumstances lead to a new story", "so easy as they seem!\" Does it have to do something with stakes?", "Does it have to do something with stakes? How does the concept of", "the framework of an archetypical positive change arc, that includes all the mentioned", "all the mentioned story elements (ghost, want, need, ignition point, villain, stakes, lie,", "go after what she wants, but who would have known it, there is", "the event tosses the hero into new circumstances, where the lie/ misbelief is", "previously did not have. Maybe there are antagonists involved --> But this connection", "no longer useful. * These new circumstances somehow feature antagonistic forces and the", "new circumstances lead to a new story goal that is different from the", "weak. \"Suddenly she can go after what she wants, but who would have", "wants, but who would have known it, there is the villain and things", "not have. Maybe there are antagonists involved --> But this connection seems weak.", "pursue the want that she previously did not have. Maybe there are antagonists", "lead to a new story goal that is different from the old \"want\".", "not so easy as they seem!\" Does it have to do something with", "them on page 1. * When we meet the hero, we realize that", "she is clinging to the lie. * The story soon presents an external", "there is the villain and things are not so easy as they seem!\"", "I have a few attempts at an answer: * The new circumstances lead", "* When we meet the hero, we realize that they want something, but", "are held back by their lie or the lie/ misbelief has created a", "wish to overcome (want) but the hero can't because she is clinging to", "far: * At some point in the hero's past, the ghost happens, which", "hero into new circumstances, where the lie/ misbelief is no longer useful. ", "as they seem!\" Does it have to do something with stakes? How does", "\"want\". The antagonistic force has a goal that opposes the hero's story goal", "a few attempts at an answer: The new circumstances lead to a", "story goal that is different from the old \"want\". The antagonistic force has", "\"Suddenly she can go after what she wants, but who would have known", "things are not so easy as they seem!\" Does it have to do", "But where is the old want in this? * The ignition point presents", "includes all the mentioned story elements (ghost, want, need, ignition point, villain, stakes,", "want that she previously did not have. Maybe there are antagonists involved -->", "fit into this? What is the framework of an archetypical positive change arc,", "force has a goal that opposes the hero's story goal and thus, they", "known it, there is the villain and things are not so easy as", "do something with stakes? How does the concept of dramatic question fit into", "into this? What is the framework of an archetypical positive change arc, that", "framework of an archetypical positive change arc, that includes all the mentioned story", "it have to do something with stakes? How does the concept of dramatic", "a new story goal that is different from the old \"want\". The antagonistic", "opportunity to go after their want. But how are these things connected? I", "point in the hero's past, the ghost happens, which leads to them believing", "connection seems weak. \"Suddenly she can go after what she wants, but who", "the hero, we realize that they want something, but they are held back", "they wish to overcome (want) but the hero can't because she is clinging", "each other. --> But where is the old want in this? * The", "to them believing a lie. * Said lie leads to their life that", "* At some point in the hero's past, the ghost happens, which leads", "to overcome (want) but the hero can't because she is clinging to the", "something, but they are held back by their lie or the lie/ misbelief", "something that they wish to overcome (want) but the hero can't because she", "their treasured misbelief, because the event tosses the hero into new circumstances, where", "hero's story goal and thus, they face off against each other. --> But", "face off against each other. --> But where is the old want in", "other. --> But where is the old want in this? * The ignition", "who would have known it, there is the villain and things are not", "they seem!\" Does it have to do something with stakes? How does the", "the hero can't because she is clinging to the lie. * The story", "* These new circumstances somehow feature antagonistic forces and the opportunity to go", "so far: * At some point in the hero's past, the ghost happens,", "what I have so far: * At some point in the hero's past,", "presents an external event (ignition point) that forces them to face their lie", "to the lie. * The story soon presents an external event (ignition point)", "the hero into new circumstances, where the lie/ misbelief is no longer useful.", "involved --> But this connection seems weak. \"Suddenly she can go after what", "How does the concept of dramatic question fit into this? What is the", "point presents some sort of opportunity for the hero to pursue the want", "the concept of dramatic question fit into this? What is the framework of", "treasured misbelief, because the event tosses the hero into new circumstances, where the", "and things are not so easy as they seem!\" Does it have to", "is the villain and things are not so easy as they seem!\" Does", "the lie/ misbelief is no longer useful. * These new circumstances somehow feature", "have. Maybe there are antagonists involved --> But this connection seems weak. \"Suddenly", "misbelief has created a lack of something that they wish to overcome (want)", "seems weak. \"Suddenly she can go after what she wants, but who would", "At some point in the hero's past, the ghost happens, which leads to", "on page 1. * When we meet the hero, we realize that they", "but they are held back by their lie or the lie/ misbelief has", "What is the framework of an archetypical positive change arc, that includes all", "connected? I have a few attempts at an answer: * The new circumstances", "to face their lie or abandon their treasured misbelief, because the event tosses", "ghost happens, which leads to them believing a lie. * Said lie leads", "I have so far: * At some point in the hero's past, the", "of opportunity for the hero to pursue the want that she previously did", "from the old \"want\". The antagonistic force has a goal that opposes the", "the lie. * The story soon presents an external event (ignition point) that", "concept of dramatic question fit into this? What is the framework of an", "The ignition point presents some sort of opportunity for the hero to pursue", "(want) but the hero can't because she is clinging to the lie. ", "at an answer: The new circumstances lead to a new story goal", "which leads to them believing a lie. * Said lie leads to their", "lie/ misbelief is no longer useful. * These new circumstances somehow feature antagonistic", "this? * The ignition point presents some sort of opportunity for the hero", "they are held back by their lie or the lie/ misbelief has created", "easy as they seem!\" Does it have to do something with stakes? How", "have when we meet them on page 1. * When we meet the", "that they wish to overcome (want) but the hero can't because she is", "Here is what I have so far: * At some point in the", "forces them to face their lie or abandon their treasured misbelief, because the", "is no longer useful. * These new circumstances somehow feature antagonistic forces and", "antagonists involved --> But this connection seems weak. \"Suddenly she can go after", "lie. * The story soon presents an external event (ignition point) that forces", "question fit into this? What is the framework of an archetypical positive change", "circumstances, where the lie/ misbelief is no longer useful. * These new circumstances", "--> But where is the old want in this? * The ignition point", "point) that forces them to face their lie or abandon their treasured misbelief,", "against each other. --> But where is the old want in this? ", "in the hero's past, the ghost happens, which leads to them believing a", "she wants, but who would have known it, there is the villain and", "an external event (ignition point) that forces them to face their lie or", "an archetypical positive change arc, that includes all the mentioned story elements (ghost,", "lie leads to their life that they have when we meet them on", "The antagonistic force has a goal that opposes the hero's story goal and", "have to do something with stakes? How does the concept of dramatic question", "this connection seems weak. \"Suddenly she can go after what she wants, but", "to do something with stakes? How does the concept of dramatic question fit", "is the framework of an archetypical positive change arc, that includes all the", "event (ignition point) that forces them to face their lie or abandon their", "where the lie/ misbelief is no longer useful. These new circumstances somehow", "lack of something that they wish to overcome (want) but the hero can't", "lie/ misbelief has created a lack of something that they wish to overcome", "longer useful. * These new circumstances somehow feature antagonistic forces and the opportunity", "where is the old want in this? * The ignition point presents some", "have so far: * At some point in the hero's past, the ghost", "few attempts at an answer: * The new circumstances lead to a new", "their life that they have when we meet them on page 1. ", "hero can't because she is clinging to the lie. The story soon", "the opportunity to go after their want. But how are these things connected?", "want. But how are these things connected? I have a few attempts at", "goal that is different from the old \"want\". The antagonistic force has a", "has a goal that opposes the hero's story goal and thus, they face", "thus, they face off against each other. --> But where is the old", "antagonistic forces and the opportunity to go after their want. But how are", "the old want in this? * The ignition point presents some sort of", "want something, but they are held back by their lie or the lie/", "is clinging to the lie. * The story soon presents an external event", "meet the hero, we realize that they want something, but they are held", "arc, that includes all the mentioned story elements (ghost, want, need, ignition point,", "dramatic question fit into this? What is the framework of an archetypical positive", "story elements (ghost, want, need, ignition point, villain, stakes, lie, truth, dramatic question,", "story goal and thus, they face off against each other. --> But where", "has created a lack of something that they wish to overcome (want) but", "an answer: * The new circumstances lead to a new story goal that", "with stakes? How does the concept of dramatic question fit into this? What", "ignition point presents some sort of opportunity for the hero to pursue the", "because she is clinging to the lie. * The story soon presents an", "stakes? How does the concept of dramatic question fit into this? What is", "old \"want\". The antagonistic force has a goal that opposes the hero's story", "want in this? * The ignition point presents some sort of opportunity for", "(ignition point) that forces them to face their lie or abandon their treasured", "circumstances lead to a new story goal that is different from the old", "or abandon their treasured misbelief, because the event tosses the hero into new", "can't because she is clinging to the lie. * The story soon presents", "overcome (want) but the hero can't because she is clinging to the lie.", "useful. * These new circumstances somehow feature antagonistic forces and the opportunity to", "seem!\" Does it have to do something with stakes? How does the concept", "Maybe there are antagonists involved --> But this connection seems weak. \"Suddenly she", "presents some sort of opportunity for the hero to pursue the want that", "hero's past, the ghost happens, which leads to them believing a lie. ", "answer: The new circumstances lead to a new story goal that is", "in this? * The ignition point presents some sort of opportunity for the", "forces and the opportunity to go after their want. But how are these", "are these things connected? I have a few attempts at an answer: ", "goal and thus, they face off against each other. --> But where is", "the villain and things are not so easy as they seem!\" Does it", "held back by their lie or the lie/ misbelief has created a lack", "past, the ghost happens, which leads to them believing a lie. Said", "circumstances somehow feature antagonistic forces and the opportunity to go after their want.", "--> But this connection seems weak. \"Suddenly she can go after what she", "when we meet them on page 1. * When we meet the hero,", "leads to their life that they have when we meet them on page", "into new circumstances, where the lie/ misbelief is no longer useful. * These", "created a lack of something that they wish to overcome (want) but the", "new story goal that is different from the old \"want\". The antagonistic force", "tosses the hero into new circumstances, where the lie/ misbelief is no longer", "opposes the hero's story goal and thus, they face off against each other.", "to a new story goal that is different from the old \"want\". The", "what she wants, but who would have known it, there is the villain", "are antagonists involved --> But this connection seems weak. \"Suddenly she can go", "new circumstances somehow feature antagonistic forces and the opportunity to go after their", "we meet them on page 1. * When we meet the hero, we", "life that they have when we meet them on page 1. * When", "she previously did not have. Maybe there are antagonists involved --> But this", "but who would have known it, there is the villain and things are", "off against each other. --> But where is the old want in this?", "page 1. * When we meet the hero, we realize that they want", "they want something, but they are held back by their lie or the", "Said lie leads to their life that they have when we meet them", "their lie or abandon their treasured misbelief, because the event tosses the hero", "them to face their lie or abandon their treasured misbelief, because the event", "by their lie or the lie/ misbelief has created a lack of something", "we realize that they want something, but they are held back by their", "there are antagonists involved --> But this connection seems weak. \"Suddenly she can", "the mentioned story elements (ghost, want, need, ignition point, villain, stakes, lie, truth,", "soon presents an external event (ignition point) that forces them to face their", "them believing a lie. * Said lie leads to their life that they", "positive change arc, that includes all the mentioned story elements (ghost, want, need,", "different from the old \"want\". The antagonistic force has a goal that opposes", "but the hero can't because she is clinging to the lie. * The", "things connected? I have a few attempts at an answer: * The new", "The story soon presents an external event (ignition point) that forces them to", "hero, we realize that they want something, but they are held back by", "a goal that opposes the hero's story goal and thus, they face off", "we meet the hero, we realize that they want something, but they are", "that opposes the hero's story goal and thus, they face off against each", "* Said lie leads to their life that they have when we meet", "feature antagonistic forces and the opportunity to go after their want. But how", "is the old want in this? * The ignition point presents some sort", "opportunity for the hero to pursue the want that she previously did not", "are not so easy as they seem!\" Does it have to do something", "external event (ignition point) that forces them to face their lie or abandon", "some sort of opportunity for the hero to pursue the want that she", "how are these things connected? I have a few attempts at an answer:", "meet them on page 1. * When we meet the hero, we realize", "the ghost happens, which leads to them believing a lie. * Said lie", "hero to pursue the want that she previously did not have. Maybe there", "mentioned story elements (ghost, want, need, ignition point, villain, stakes, lie, truth, dramatic", "leads to them believing a lie. * Said lie leads to their life", "1. * When we meet the hero, we realize that they want something,", "to their life that they have when we meet them on page 1.", "that forces them to face their lie or abandon their treasured misbelief, because", "* The story soon presents an external event (ignition point) that forces them", "goal that opposes the hero's story goal and thus, they face off against", "of an archetypical positive change arc, that includes all the mentioned story elements", "realize that they want something, but they are held back by their lie", "back by their lie or the lie/ misbelief has created a lack of", "lie or the lie/ misbelief has created a lack of something that they", "these things connected? I have a few attempts at an answer: * The", "that she previously did not have. Maybe there are antagonists involved --> But", "is different from the old \"want\". The antagonistic force has a goal that", "antagonistic force has a goal that opposes the hero's story goal and thus,", "to pursue the want that she previously did not have. Maybe there are", "something with stakes? How does the concept of dramatic question fit into this?", "have a few attempts at an answer: * The new circumstances lead to", "elements (ghost, want, need, ignition point, villain, stakes, lie, truth, dramatic question, ...)?", "lie. * Said lie leads to their life that they have when we", "that includes all the mentioned story elements (ghost, want, need, ignition point, villain,", "a lie. * Said lie leads to their life that they have when", "of something that they wish to overcome (want) but the hero can't because", "for the hero to pursue the want that she previously did not have." ]
[ "couplets followed by ten lines of blank verse. Would it be accurate to", "consisting of two rhyming couplets followed by ten lines of blank verse. Would", "wrote a fourteen-line poem in iambic pentameter consisting of two rhyming couplets followed", "ten lines of blank verse. Would it be accurate to call this a", "a fourteen-line poem in iambic pentameter consisting of two rhyming couplets followed by", "pentameter consisting of two rhyming couplets followed by ten lines of blank verse.", "lines of blank verse. Would it be accurate to call this a sonnet?", "poem in iambic pentameter consisting of two rhyming couplets followed by ten lines", "I wrote a fourteen-line poem in iambic pentameter consisting of two rhyming couplets", "two rhyming couplets followed by ten lines of blank verse. Would it be", "by ten lines of blank verse. Would it be accurate to call this", "of two rhyming couplets followed by ten lines of blank verse. Would it", "followed by ten lines of blank verse. Would it be accurate to call", "fourteen-line poem in iambic pentameter consisting of two rhyming couplets followed by ten", "iambic pentameter consisting of two rhyming couplets followed by ten lines of blank", "rhyming couplets followed by ten lines of blank verse. Would it be accurate", "in iambic pentameter consisting of two rhyming couplets followed by ten lines of" ]
[ "money, coins, and railroads were invented, is it still considered a plot hole,", "don't explain why people are poor although money, coins, and railroads were invented,", "are poor although money, coins, and railroads were invented, is it still considered", "and it got me thinking about how to have serfs in a medieval", "fantasy world, but people are still serfs and poor. If you don't explain", "medieval setting with modern technologies and magic, and how much exposition I have", "plot holes? Let's say that coal and railroads are used in a medieval", "do and if I can leave any hole in the worldbuilding and what", "was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how to have", "coins, and railroads were invented, is it still considered a plot hole, and", "exposition I have to do and if I can leave any hole in", "can leave any hole in the worldbuilding and what might be considered plot", "considered plot holes? Let's say that coal and railroads are used in a", "how to have serfs in a medieval setting with modern technologies and magic,", "and do you have to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and", "do you have to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it", "medieval fantasy world, but people are still serfs and poor. If you don't", "say that coal and railroads are used in a medieval fantasy world, but", "to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking", "explain why people are poor although money, coins, and railroads were invented, is", "to do and if I can leave any hole in the worldbuilding and", "used in a medieval fantasy world, but people are still serfs and poor.", "Are unexplained or inconsistent worldbuilding elements considered plot holes? Let's say that coal", "serfs and poor. If you don't explain why people are poor although money,", "although money, coins, and railroads were invented, is it still considered a plot", "in a medieval setting with modern technologies and magic, and how much exposition", "elements considered plot holes? Let's say that coal and railroads are used in", "about how to have serfs in a medieval setting with modern technologies and", "plot hole, and do you have to explain them? I was watching [this", "still serfs and poor. If you don't explain why people are poor although", "invented, is it still considered a plot hole, and do you have to", "if I can leave any hole in the worldbuilding and what might be", "and poor. If you don't explain why people are poor although money, coins,", "I can leave any hole in the worldbuilding and what might be considered", "magic, and how much exposition I have to do and if I can", "[this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how to have serfs in", "a plot hole, and do you have to explain them? I was watching", "have serfs in a medieval setting with modern technologies and magic, and how", "world, but people are still serfs and poor. If you don't explain why", "thinking about how to have serfs in a medieval setting with modern technologies", "have to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me", "is it still considered a plot hole, and do you have to explain", "considered a plot hole, and do you have to explain them? I was", "still considered a plot hole, and do you have to explain them? I", "railroads were invented, is it still considered a plot hole, and do you", "hole, and do you have to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY)", "I have to do and if I can leave any hole in the", "technologies and magic, and how much exposition I have to do and if", "are still serfs and poor. If you don't explain why people are poor", "them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how", "it got me thinking about how to have serfs in a medieval setting", "that coal and railroads are used in a medieval fantasy world, but people", "people are still serfs and poor. If you don't explain why people are", "a medieval setting with modern technologies and magic, and how much exposition I", "and railroads were invented, is it still considered a plot hole, and do", "poor although money, coins, and railroads were invented, is it still considered a", "it still considered a plot hole, and do you have to explain them?", "worldbuilding elements considered plot holes? Let's say that coal and railroads are used", "poor. If you don't explain why people are poor although money, coins, and", "I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how to", "If you don't explain why people are poor although money, coins, and railroads", "and how much exposition I have to do and if I can leave", "and railroads are used in a medieval fantasy world, but people are still", "have to do and if I can leave any hole in the worldbuilding", "were invented, is it still considered a plot hole, and do you have", "coal and railroads are used in a medieval fantasy world, but people are", "to have serfs in a medieval setting with modern technologies and magic, and", "watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how to have serfs", "video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about how to have serfs in a", "a medieval fantasy world, but people are still serfs and poor. If you", "how much exposition I have to do and if I can leave any", "leave any hole in the worldbuilding and what might be considered plot holes.", "in a medieval fantasy world, but people are still serfs and poor. If", "and magic, and how much exposition I have to do and if I", "or inconsistent worldbuilding elements considered plot holes? Let's say that coal and railroads", "but people are still serfs and poor. If you don't explain why people", "are used in a medieval fantasy world, but people are still serfs and", "inconsistent worldbuilding elements considered plot holes? Let's say that coal and railroads are", "explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got me thinking about", "people are poor although money, coins, and railroads were invented, is it still", "serfs in a medieval setting with modern technologies and magic, and how much", "why people are poor although money, coins, and railroads were invented, is it", "got me thinking about how to have serfs in a medieval setting with", "with modern technologies and magic, and how much exposition I have to do", "holes? Let's say that coal and railroads are used in a medieval fantasy", "unexplained or inconsistent worldbuilding elements considered plot holes? Let's say that coal and", "me thinking about how to have serfs in a medieval setting with modern", "railroads are used in a medieval fantasy world, but people are still serfs", "Let's say that coal and railroads are used in a medieval fantasy world,", "you have to explain them? I was watching [this video](https://www.youtube.com/watch?v=27cn7eMGSWY) and it got", "much exposition I have to do and if I can leave any hole", "setting with modern technologies and magic, and how much exposition I have to", "and if I can leave any hole in the worldbuilding and what might", "you don't explain why people are poor although money, coins, and railroads were", "modern technologies and magic, and how much exposition I have to do and" ]
[ "in my story without laying it on too thick, and therefore want to", "Even feeling sick is described as turning green. Is there a different description", "of being \"ashy,\" but I understand that to mean dry skin, so I", "I imagine the causes behind it are the same since these changes are", "of color, specifically darker colors, when their skin tone changes with emotion? Like", "green. Is there a different description for people of African or Indian descent?", "description for people of African or Indian descent? I haven't witnessed people of", "want to be clear when referencing their skin changing color in such a", "or filling our veins. However I want to have POC in my story", "face or filling our veins. However I want to have POC in my", "when referencing their skin changing color in such a situation. I've heard of", "Are there some words or phrases to describe a person of color, specifically", "sick is described as turning green. Is there a different description for people", "scared or turn red when angry. Even feeling sick is described as turning", "descent? I haven't witnessed people of any color in a high state of", "phrases to describe a person of color, specifically darker colors, when their skin", "the causes behind it are the same since these changes are due to", "too thick, and therefore want to be clear when referencing their skin changing", "colors, when their skin tone changes with emotion? Like for a white person,", "changes with emotion? Like for a white person, they'd turn pale when scared", "Indian descent? I haven't witnessed people of any color in a high state", "witnessed people of any color in a high state of emotion much in", "a situation. I've heard of being \"ashy,\" but I understand that to mean", "changing color in such a situation. I've heard of being \"ashy,\" but I", "I've heard of being \"ashy,\" but I understand that to mean dry skin,", "my life, so I don't have a personal referance (blessed be). I imagine", "these changes are due to humans' red blood draining from our face or", "person, they'd turn pale when scared or turn red when angry. Even feeling", "Like for a white person, they'd turn pale when scared or turn red", "to humans' red blood draining from our face or filling our veins. However", "(blessed be). I imagine the causes behind it are the same since these", "since these changes are due to humans' red blood draining from our face", "heard of being \"ashy,\" but I understand that to mean dry skin, so", "when angry. Even feeling sick is described as turning green. Is there a", "have a personal referance (blessed be). I imagine the causes behind it are", "the same since these changes are due to humans' red blood draining from", "filling our veins. However I want to have POC in my story without", "there some words or phrases to describe a person of color, specifically darker", "are due to humans' red blood draining from our face or filling our", "a white person, they'd turn pale when scared or turn red when angry.", "due to humans' red blood draining from our face or filling our veins.", "turning green. Is there a different description for people of African or Indian", "darker colors, when their skin tone changes with emotion? Like for a white", "color in such a situation. I've heard of being \"ashy,\" but I understand", "in such a situation. I've heard of being \"ashy,\" but I understand that", "as turning green. Is there a different description for people of African or", "I don't have a personal referance (blessed be). I imagine the causes behind", "without laying it on too thick, and therefore want to be clear when", "personal referance (blessed be). I imagine the causes behind it are the same", "state of emotion much in my life, so I don't have a personal", "and therefore want to be clear when referencing their skin changing color in", "specifically darker colors, when their skin tone changes with emotion? Like for a", "described as turning green. Is there a different description for people of African", "so I don't have a personal referance (blessed be). I imagine the causes", "referance (blessed be). I imagine the causes behind it are the same since", "feeling sick is described as turning green. Is there a different description for", "people of African or Indian descent? I haven't witnessed people of any color", "some words or phrases to describe a person of color, specifically darker colors,", "of emotion much in my life, so I don't have a personal referance", "our face or filling our veins. However I want to have POC in", "for a white person, they'd turn pale when scared or turn red when", "is described as turning green. Is there a different description for people of", "of any color in a high state of emotion much in my life,", "from our face or filling our veins. However I want to have POC", "with emotion? Like for a white person, they'd turn pale when scared or", "describe a person of color, specifically darker colors, when their skin tone changes", "or turn red when angry. Even feeling sick is described as turning green.", "imagine the causes behind it are the same since these changes are due", "a personal referance (blessed be). I imagine the causes behind it are the", "situation. I've heard of being \"ashy,\" but I understand that to mean dry", "our veins. However I want to have POC in my story without laying", "different description for people of African or Indian descent? I haven't witnessed people", "causes behind it are the same since these changes are due to humans'", "emotion? Like for a white person, they'd turn pale when scared or turn", "pale when scared or turn red when angry. Even feeling sick is described", "when scared or turn red when angry. Even feeling sick is described as", "but I understand that to mean dry skin, so I assume that wouldn't", "However I want to have POC in my story without laying it on", "to have POC in my story without laying it on too thick, and", "of African or Indian descent? I haven't witnessed people of any color in", "\"ashy,\" but I understand that to mean dry skin, so I assume that", "in my life, so I don't have a personal referance (blessed be). I", "to be clear when referencing their skin changing color in such a situation.", "skin changing color in such a situation. I've heard of being \"ashy,\" but", "veins. However I want to have POC in my story without laying it", "life, so I don't have a personal referance (blessed be). I imagine the", "they'd turn pale when scared or turn red when angry. Even feeling sick", "my story without laying it on too thick, and therefore want to be", "turn pale when scared or turn red when angry. Even feeling sick is", "white person, they'd turn pale when scared or turn red when angry. Even", "angry. Even feeling sick is described as turning green. Is there a different", "POC in my story without laying it on too thick, and therefore want", "I understand that to mean dry skin, so I assume that wouldn't apply", "want to have POC in my story without laying it on too thick,", "behind it are the same since these changes are due to humans' red", "people of any color in a high state of emotion much in my", "tone changes with emotion? Like for a white person, they'd turn pale when", "are the same since these changes are due to humans' red blood draining", "laying it on too thick, and therefore want to be clear when referencing", "such a situation. I've heard of being \"ashy,\" but I understand that to", "color, specifically darker colors, when their skin tone changes with emotion? Like for", "therefore want to be clear when referencing their skin changing color in such", "thick, and therefore want to be clear when referencing their skin changing color", "or Indian descent? I haven't witnessed people of any color in a high", "changes are due to humans' red blood draining from our face or filling", "understand that to mean dry skin, so I assume that wouldn't apply here.", "have POC in my story without laying it on too thick, and therefore", "turn red when angry. Even feeling sick is described as turning green. Is", "for people of African or Indian descent? I haven't witnessed people of any", "words or phrases to describe a person of color, specifically darker colors, when", "on too thick, and therefore want to be clear when referencing their skin", "person of color, specifically darker colors, when their skin tone changes with emotion?", "color in a high state of emotion much in my life, so I", "don't have a personal referance (blessed be). I imagine the causes behind it", "referencing their skin changing color in such a situation. I've heard of being", "be clear when referencing their skin changing color in such a situation. I've", "any color in a high state of emotion much in my life, so", "blood draining from our face or filling our veins. However I want to", "emotion much in my life, so I don't have a personal referance (blessed", "draining from our face or filling our veins. However I want to have", "Is there a different description for people of African or Indian descent? I", "it are the same since these changes are due to humans' red blood", "being \"ashy,\" but I understand that to mean dry skin, so I assume", "their skin changing color in such a situation. I've heard of being \"ashy,\"", "it on too thick, and therefore want to be clear when referencing their", "to describe a person of color, specifically darker colors, when their skin tone", "red when angry. Even feeling sick is described as turning green. Is there", "African or Indian descent? I haven't witnessed people of any color in a", "a different description for people of African or Indian descent? I haven't witnessed", "haven't witnessed people of any color in a high state of emotion much", "clear when referencing their skin changing color in such a situation. I've heard", "in a high state of emotion much in my life, so I don't", "high state of emotion much in my life, so I don't have a", "skin tone changes with emotion? Like for a white person, they'd turn pale", "or phrases to describe a person of color, specifically darker colors, when their", "humans' red blood draining from our face or filling our veins. However I", "there a different description for people of African or Indian descent? I haven't", "a person of color, specifically darker colors, when their skin tone changes with", "their skin tone changes with emotion? Like for a white person, they'd turn", "red blood draining from our face or filling our veins. However I want", "a high state of emotion much in my life, so I don't have", "be). I imagine the causes behind it are the same since these changes", "story without laying it on too thick, and therefore want to be clear", "I haven't witnessed people of any color in a high state of emotion", "same since these changes are due to humans' red blood draining from our", "much in my life, so I don't have a personal referance (blessed be).", "I want to have POC in my story without laying it on too", "when their skin tone changes with emotion? Like for a white person, they'd" ]
[ "I would like to keep that format somehow, but don't know how to", "had to split them into 5 chapters each. But each original chapter is", "each original chapter is relatively distinct and isolated from each other. So I", "somehow, but don't know how to divide the parts. For now I'm using", "and isolated from each other. So I would like to keep that format", "split them into 5 chapters each. But each original chapter is relatively distinct", "from each other. So I would like to keep that format somehow, but", "got this story where the original chapters became so huge that I had", "where the original chapters became so huge that I had to split them", "term \"Superchapter\". Is there a real format for this? What is it called?", "know how to divide the parts. For now I'm using the term \"Superchapter\".", "original chapters became so huge that I had to split them into 5", "chapter is relatively distinct and isolated from each other. So I would like", "the original chapters became so huge that I had to split them into", "to keep that format somehow, but don't know how to divide the parts.", "is for fiction literature. I've got this story where the original chapters became", "this story where the original chapters became so huge that I had to", "to split them into 5 chapters each. But each original chapter is relatively", "original chapter is relatively distinct and isolated from each other. So I would", "don't know how to divide the parts. For now I'm using the term", "This is for fiction literature. I've got this story where the original chapters", "divide the parts. For now I'm using the term \"Superchapter\". Is there a", "into 5 chapters each. But each original chapter is relatively distinct and isolated", "huge that I had to split them into 5 chapters each. But each", "For now I'm using the term \"Superchapter\". Is there a real format for", "that format somehow, but don't know how to divide the parts. For now", "relatively distinct and isolated from each other. So I would like to keep", "the term \"Superchapter\". Is there a real format for this? What is it", "So I would like to keep that format somehow, but don't know how", "so huge that I had to split them into 5 chapters each. But", "them into 5 chapters each. But each original chapter is relatively distinct and", "each. But each original chapter is relatively distinct and isolated from each other.", "isolated from each other. So I would like to keep that format somehow,", "each other. So I would like to keep that format somehow, but don't", "became so huge that I had to split them into 5 chapters each.", "I had to split them into 5 chapters each. But each original chapter", "using the term \"Superchapter\". Is there a real format for this? What is", "would like to keep that format somehow, but don't know how to divide", "like to keep that format somehow, but don't know how to divide the", "now I'm using the term \"Superchapter\". Is there a real format for this?", "I'm using the term \"Superchapter\". Is there a real format for this? What", "that I had to split them into 5 chapters each. But each original", "format somehow, but don't know how to divide the parts. For now I'm", "chapters each. But each original chapter is relatively distinct and isolated from each", "to divide the parts. For now I'm using the term \"Superchapter\". Is there", "literature. I've got this story where the original chapters became so huge that", "how to divide the parts. For now I'm using the term \"Superchapter\". Is", "fiction literature. I've got this story where the original chapters became so huge", "distinct and isolated from each other. So I would like to keep that", "other. So I would like to keep that format somehow, but don't know", "but don't know how to divide the parts. For now I'm using the", "for fiction literature. I've got this story where the original chapters became so", "parts. For now I'm using the term \"Superchapter\". Is there a real format", "But each original chapter is relatively distinct and isolated from each other. So", "is relatively distinct and isolated from each other. So I would like to", "chapters became so huge that I had to split them into 5 chapters", "keep that format somehow, but don't know how to divide the parts. For", "story where the original chapters became so huge that I had to split", "5 chapters each. But each original chapter is relatively distinct and isolated from", "I've got this story where the original chapters became so huge that I", "the parts. For now I'm using the term \"Superchapter\". Is there a real" ]
[ "other people ask themselves to come up with compelling characters and plots. What", "up with compelling characters and plots. What have you found helpful to ask", "What have you found helpful to ask yourself to keep yourself writing or", "series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful,", "I need to have identified some problem clearly that I can brainstorm ideas", "A lot of writers talk about how you can't wait for inspiration to", "of writers talk about how you can't wait for inspiration to hit, you", "my writers block. I need to have identified some problem clearly that I", "found helpful to ask yourself to keep yourself writing or at least brainstorming?", "have to just sit down and write. That's fine and all, but I", "sit down and write. That's fine and all, but I can't just sit", "I'm also wondering what other people ask themselves to come up with compelling", "write. That's fine and all, but I can't just sit down and write", "fine and all, but I can't just sit down and write without a", "that I can brainstorm ideas to address. An ars poética. Probably a lot", "building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but I'm also wondering what", "world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but I'm also wondering", "and plots. What have you found helpful to ask yourself to keep yourself", "ars poética. Probably a lot of people are familiar with this series of", "down and write. That's fine and all, but I can't just sit down", "I can brainstorm ideas to address. An ars poética. Probably a lot of", "to just sit down and write. That's fine and all, but I can't", "are familiar with this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find", "sit down and write without a method to attack my writers block. I", "That's fine and all, but I can't just sit down and write without", "I find that to be helpful, but I'm also wondering what other people", "but I'm also wondering what other people ask themselves to come up with", "how you can't wait for inspiration to hit, you have to just sit", "lot of people are familiar with this series of questions for world building", "poética. Probably a lot of people are familiar with this series of questions", "with this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to", "inspiration to hit, you have to just sit down and write. That's fine", "hit, you have to just sit down and write. That's fine and all,", "and write. That's fine and all, but I can't just sit down and", "method to attack my writers block. I need to have identified some problem", "can't wait for inspiration to hit, you have to just sit down and", "that to be helpful, but I'm also wondering what other people ask themselves", "people are familiar with this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I", "this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be", "I can't just sit down and write without a method to attack my", "block. I need to have identified some problem clearly that I can brainstorm", "you found helpful to ask yourself to keep yourself writing or at least", "some problem clearly that I can brainstorm ideas to address. An ars poética.", "to attack my writers block. I need to have identified some problem clearly", "and all, but I can't just sit down and write without a method", "helpful, but I'm also wondering what other people ask themselves to come up", "can brainstorm ideas to address. An ars poética. Probably a lot of people", "writers talk about how you can't wait for inspiration to hit, you have", "to hit, you have to just sit down and write. That's fine and", "be helpful, but I'm also wondering what other people ask themselves to come", "address. An ars poética. Probably a lot of people are familiar with this", "identified some problem clearly that I can brainstorm ideas to address. An ars", "to be helpful, but I'm also wondering what other people ask themselves to", "just sit down and write. That's fine and all, but I can't just", "write without a method to attack my writers block. I need to have", "people ask themselves to come up with compelling characters and plots. What have", "talk about how you can't wait for inspiration to hit, you have to", "all, but I can't just sit down and write without a method to", "have identified some problem clearly that I can brainstorm ideas to address. An", "also wondering what other people ask themselves to come up with compelling characters", "to have identified some problem clearly that I can brainstorm ideas to address.", "for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but I'm also", "without a method to attack my writers block. I need to have identified", "down and write without a method to attack my writers block. I need", "themselves to come up with compelling characters and plots. What have you found", "ask themselves to come up with compelling characters and plots. What have you", "you can't wait for inspiration to hit, you have to just sit down", "of people are familiar with this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/>", "plots. What have you found helpful to ask yourself to keep yourself writing", "but I can't just sit down and write without a method to attack", "and write without a method to attack my writers block. I need to", "just sit down and write without a method to attack my writers block.", "you have to just sit down and write. That's fine and all, but", "what other people ask themselves to come up with compelling characters and plots.", "clearly that I can brainstorm ideas to address. An ars poética. Probably a", "for inspiration to hit, you have to just sit down and write. That's", "characters and plots. What have you found helpful to ask yourself to keep", "need to have identified some problem clearly that I can brainstorm ideas to", "have you found helpful to ask yourself to keep yourself writing or at", "to address. An ars poética. Probably a lot of people are familiar with", "questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but I'm", "Probably a lot of people are familiar with this series of questions for", "with compelling characters and plots. What have you found helpful to ask yourself", "of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but", "familiar with this series of questions for world building <https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that", "to come up with compelling characters and plots. What have you found helpful", "wait for inspiration to hit, you have to just sit down and write.", "come up with compelling characters and plots. What have you found helpful to", "writers block. I need to have identified some problem clearly that I can", "can't just sit down and write without a method to attack my writers", "<https://www.sfwa.org/2009/08/04/fantasy-worldbuilding-questions/> I find that to be helpful, but I'm also wondering what other", "ideas to address. An ars poética. Probably a lot of people are familiar", "find that to be helpful, but I'm also wondering what other people ask", "An ars poética. Probably a lot of people are familiar with this series", "problem clearly that I can brainstorm ideas to address. An ars poética. Probably", "attack my writers block. I need to have identified some problem clearly that", "compelling characters and plots. What have you found helpful to ask yourself to", "wondering what other people ask themselves to come up with compelling characters and", "about how you can't wait for inspiration to hit, you have to just", "lot of writers talk about how you can't wait for inspiration to hit,", "a method to attack my writers block. I need to have identified some", "a lot of people are familiar with this series of questions for world", "brainstorm ideas to address. An ars poética. Probably a lot of people are" ]
[ "gets hurt. I already wrote about a mouse breaking her ankle from ballet,", "from the pov of a cell after a character gets hurt. I already", "pov of a cell after a character gets hurt. I already wrote about", "cell after a character gets hurt. I already wrote about a mouse breaking", "but I now need to write from the pov of the bone cell.", "science, my teacher wants us to write a children's book from the pov", "character gets hurt. I already wrote about a mouse breaking her ankle from", "us to write a children's book from the pov of a cell after", "wants us to write a children's book from the pov of a cell", "after a character gets hurt. I already wrote about a mouse breaking her", "wrote about a mouse breaking her ankle from ballet, but I now need", "children's book from the pov of a cell after a character gets hurt.", "hurt. I already wrote about a mouse breaking her ankle from ballet, but", "of a cell after a character gets hurt. I already wrote about a", "book from the pov of a cell after a character gets hurt. I", "write a children's book from the pov of a cell after a character", "already wrote about a mouse breaking her ankle from ballet, but I now", "about a mouse breaking her ankle from ballet, but I now need to", "For science, my teacher wants us to write a children's book from the", "ballet, but I now need to write from the pov of the bone", "breaking her ankle from ballet, but I now need to write from the", "my teacher wants us to write a children's book from the pov of", "her ankle from ballet, but I now need to write from the pov", "teacher wants us to write a children's book from the pov of a", "mouse breaking her ankle from ballet, but I now need to write from", "a character gets hurt. I already wrote about a mouse breaking her ankle", "to write a children's book from the pov of a cell after a", "a mouse breaking her ankle from ballet, but I now need to write", "a children's book from the pov of a cell after a character gets", "ankle from ballet, but I now need to write from the pov of", "from ballet, but I now need to write from the pov of the", "a cell after a character gets hurt. I already wrote about a mouse", "the pov of a cell after a character gets hurt. I already wrote", "I already wrote about a mouse breaking her ankle from ballet, but I" ]
[ "a place that fits good to one of these aspects, but not all", "sometimes I find a place that fits good to one of these aspects,", "I just throw in a random name? Does it matter that it would", "I really don't know how to attack that or even feel okay with", "and needs rail tracks. And all this set in a very specific way.", "And all this set in a very specific way. Now, I've spent endless", "don't know how to attack that or even feel okay with it. Is", "find a place that fits good to one of these aspects, but not", "bigger city, it has to have a rather deep creek running through the", "of things have to come together. Like there need to be parks/woods all", "places - how do I come up with a name, can I just", "things have to come together. Like there need to be parks/woods all around,", "end in a deadend so often too. It's just really frustrating work to", "this up, even if a railway fan would know that there are no", "together. Like there need to be parks/woods all around, there needs to be", "even if a railway fan would know that there are no tracks in", "that fits good to one of these aspects, but not all of them.", "a bigger city, it has to have a rather deep creek running through", "matter that it would also mean that maybe railways follow a somewhat different", "that it would also mean that maybe railways follow a somewhat different path?", "be a tiny place with lots of diners and some 9-13 miles away", "to have a rather quiet neighborhood somewhere rather close to a bigger city,", "at a place where a lot of things have to come together. Like", "even feel okay with it. Is it really okay to make all this", "place where a lot of things have to come together. Like there need", "place and needs rail tracks. And all this set in a very specific", "around, there needs to be a tiny place with lots of diners and", "a lot of things have to come together. Like there need to be", "specific way. Now, I've spent endless hours on google Maps and sometimes I", "the USA. I have a huge problem as my protagonist is crossing states", "needs to be a tiny place with lots of diners and some 9-13", "all this up, even if a railway fan would know that there are", "it has to have a rather deep creek running through the place and", "I've spent endless hours on google Maps and sometimes I find a place", "I also don't know how to create fictional places - how do I", "I'm writing takes place in the USA. I have a huge problem as", "have a huge problem as my protagonist is crossing states and needs to", "attack that or even feel okay with it. Is it really okay to", "really okay to make all this up, even if a railway fan would", "would also mean that maybe railways follow a somewhat different path? I've tracked", "so tedious, they end in a deadend so often too. It's just really", "protagonist is crossing states and needs to end up at a place where", "9-13 miles away needs to come another place that has to have a", "diners and some 9-13 miles away needs to come another place that has", "to end up at a place where a lot of things have to", "a somewhat different path? I've tracked them on google maps and it's so", "work to do. All in all, I'm not familiar with making up places.", "so often too. It's just really frustrating work to do. All in all,", "how to attack that or even feel okay with it. Is it really", "some 9-13 miles away needs to come another place that has to have", "and sometimes I find a place that fits good to one of these", "a place where a lot of things have to come together. Like there", "up, even if a railway fan would know that there are no tracks", "place in the USA. I have a huge problem as my protagonist is", "frustrating work to do. All in all, I'm not familiar with making up", "problem as my protagonist is crossing states and needs to end up at", "this set in a very specific way. Now, I've spent endless hours on", "have a rather deep creek running through the place and needs rail tracks.", "path? I've tracked them on google maps and it's so tedious, they end", "I come up with a name, can I just throw in a random", "name? Does it matter that it would also mean that maybe railways follow", "often too. It's just really frustrating work to do. All in all, I'm", "the place and needs rail tracks. And all this set in a very", "spent endless hours on google Maps and sometimes I find a place that", "to have a rather deep creek running through the place and needs rail", "somewhere rather close to a bigger city, it has to have a rather", "through the place and needs rail tracks. And all this set in a", "writing takes place in the USA. I have a huge problem as my", "rather quiet neighborhood somewhere rather close to a bigger city, it has to", "to attack that or even feel okay with it. Is it really okay", "to a bigger city, it has to have a rather deep creek running", "of diners and some 9-13 miles away needs to come another place that", "with making up places. I really don't know how to attack that or", "a random name? Does it matter that it would also mean that maybe", "All in all, I'm not familiar with making up places. I really don't", "with a name, can I just throw in a random name? Does it", "maps and it's so tedious, they end in a deadend so often too.", "very specific way. Now, I've spent endless hours on google Maps and sometimes", "- how do I come up with a name, can I just throw", "I find a place that fits good to one of these aspects, but", "miles away needs to come another place that has to have a rather", "to be a tiny place with lots of diners and some 9-13 miles", "random name? Does it matter that it would also mean that maybe railways", "just really frustrating work to do. All in all, I'm not familiar with", "tracked them on google maps and it's so tedious, they end in a", "in a random name? Does it matter that it would also mean that", "place that fits good to one of these aspects, but not all of", "to one of these aspects, but not all of them. But I also", "a very specific way. Now, I've spent endless hours on google Maps and", "follow a somewhat different path? I've tracked them on google maps and it's", "come another place that has to have a rather quiet neighborhood somewhere rather", "a name, can I just throw in a random name? Does it matter", "needs to come another place that has to have a rather quiet neighborhood", "creek running through the place and needs rail tracks. And all this set", "in all, I'm not familiar with making up places. I really don't know", "Is it really okay to make all this up, even if a railway", "come up with a name, can I just throw in a random name?", "The story I'm writing takes place in the USA. I have a huge", "all, I'm not familiar with making up places. I really don't know how", "familiar with making up places. I really don't know how to attack that", "that has to have a rather quiet neighborhood somewhere rather close to a", "deep creek running through the place and needs rail tracks. And all this", "place with lots of diners and some 9-13 miles away needs to come", "rail tracks. And all this set in a very specific way. Now, I've", "how to create fictional places - how do I come up with a", "Does it matter that it would also mean that maybe railways follow a", "just throw in a random name? Does it matter that it would also", "maybe railways follow a somewhat different path? I've tracked them on google maps", "has to have a rather deep creek running through the place and needs", "away needs to come another place that has to have a rather quiet", "has to have a rather quiet neighborhood somewhere rather close to a bigger", "all of them. But I also don't know how to create fictional places", "if a railway fan would know that there are no tracks in that", "crossing states and needs to end up at a place where a lot", "have to come together. Like there need to be parks/woods all around, there", "rather close to a bigger city, it has to have a rather deep", "all this set in a very specific way. Now, I've spent endless hours", "of them. But I also don't know how to create fictional places -", "do I come up with a name, can I just throw in a", "railways follow a somewhat different path? I've tracked them on google maps and", "endless hours on google Maps and sometimes I find a place that fits", "I've tracked them on google maps and it's so tedious, they end in", "be parks/woods all around, there needs to be a tiny place with lots", "to be parks/woods all around, there needs to be a tiny place with", "do. All in all, I'm not familiar with making up places. I really", "really frustrating work to do. All in all, I'm not familiar with making", "all around, there needs to be a tiny place with lots of diners", "a deadend so often too. It's just really frustrating work to do. All", "there needs to be a tiny place with lots of diners and some", "create fictional places - how do I come up with a name, can", "them. But I also don't know how to create fictional places - how", "story I'm writing takes place in the USA. I have a huge problem", "parks/woods all around, there needs to be a tiny place with lots of", "in a very specific way. Now, I've spent endless hours on google Maps", "aspects, but not all of them. But I also don't know how to", "how do I come up with a name, can I just throw in", "there need to be parks/woods all around, there needs to be a tiny", "It's just really frustrating work to do. All in all, I'm not familiar", "make all this up, even if a railway fan would know that there", "Like there need to be parks/woods all around, there needs to be a", "and some 9-13 miles away needs to come another place that has to", "a huge problem as my protagonist is crossing states and needs to end", "to come together. Like there need to be parks/woods all around, there needs", "too. It's just really frustrating work to do. All in all, I'm not", "that maybe railways follow a somewhat different path? I've tracked them on google", "a tiny place with lots of diners and some 9-13 miles away needs", "I have a huge problem as my protagonist is crossing states and needs", "lots of diners and some 9-13 miles away needs to come another place", "can I just throw in a random name? Does it matter that it", "neighborhood somewhere rather close to a bigger city, it has to have a", "name, can I just throw in a random name? Does it matter that", "my protagonist is crossing states and needs to end up at a place", "that or even feel okay with it. Is it really okay to make", "and it's so tedious, they end in a deadend so often too. It's", "huge problem as my protagonist is crossing states and needs to end up", "them on google maps and it's so tedious, they end in a deadend", "lot of things have to come together. Like there need to be parks/woods", "city, it has to have a rather deep creek running through the place", "end up at a place where a lot of things have to come", "come together. Like there need to be parks/woods all around, there needs to", "on google Maps and sometimes I find a place that fits good to", "not familiar with making up places. I really don't know how to attack", "up places. I really don't know how to attack that or even feel", "google maps and it's so tedious, they end in a deadend so often", "fits good to one of these aspects, but not all of them. But", "But I also don't know how to create fictional places - how do", "not all of them. But I also don't know how to create fictional", "needs to end up at a place where a lot of things have", "a rather quiet neighborhood somewhere rather close to a bigger city, it has", "it really okay to make all this up, even if a railway fan", "is crossing states and needs to end up at a place where a", "takes place in the USA. I have a huge problem as my protagonist", "where a lot of things have to come together. Like there need to", "with it. Is it really okay to make all this up, even if", "know how to create fictional places - how do I come up with", "to do. All in all, I'm not familiar with making up places. I", "Now, I've spent endless hours on google Maps and sometimes I find a", "place that has to have a rather quiet neighborhood somewhere rather close to", "states and needs to end up at a place where a lot of", "need to be parks/woods all around, there needs to be a tiny place", "rather deep creek running through the place and needs rail tracks. And all", "on google maps and it's so tedious, they end in a deadend so", "tedious, they end in a deadend so often too. It's just really frustrating", "know how to attack that or even feel okay with it. Is it", "also mean that maybe railways follow a somewhat different path? I've tracked them", "in a deadend so often too. It's just really frustrating work to do.", "one of these aspects, but not all of them. But I also don't", "making up places. I really don't know how to attack that or even", "needs rail tracks. And all this set in a very specific way. Now,", "google Maps and sometimes I find a place that fits good to one", "throw in a random name? Does it matter that it would also mean", "or even feel okay with it. Is it really okay to make all", "running through the place and needs rail tracks. And all this set in", "up at a place where a lot of things have to come together.", "way. Now, I've spent endless hours on google Maps and sometimes I find", "hours on google Maps and sometimes I find a place that fits good", "it matter that it would also mean that maybe railways follow a somewhat", "to come another place that has to have a rather quiet neighborhood somewhere", "good to one of these aspects, but not all of them. But I", "don't know how to create fictional places - how do I come up", "deadend so often too. It's just really frustrating work to do. All in", "really don't know how to attack that or even feel okay with it.", "USA. I have a huge problem as my protagonist is crossing states and", "places. I really don't know how to attack that or even feel okay", "have a rather quiet neighborhood somewhere rather close to a bigger city, it", "mean that maybe railways follow a somewhat different path? I've tracked them on", "feel okay with it. Is it really okay to make all this up,", "okay to make all this up, even if a railway fan would know", "tiny place with lots of diners and some 9-13 miles away needs to", "set in a very specific way. Now, I've spent endless hours on google", "to create fictional places - how do I come up with a name,", "it. Is it really okay to make all this up, even if a", "Maps and sometimes I find a place that fits good to one of", "fictional places - how do I come up with a name, can I", "it would also mean that maybe railways follow a somewhat different path? I've", "to make all this up, even if a railway fan would know that", "as my protagonist is crossing states and needs to end up at a", "a rather deep creek running through the place and needs rail tracks. And", "a railway fan would know that there are no tracks in that area?", "tracks. And all this set in a very specific way. Now, I've spent", "and needs to end up at a place where a lot of things", "different path? I've tracked them on google maps and it's so tedious, they", "up with a name, can I just throw in a random name? Does", "it's so tedious, they end in a deadend so often too. It's just", "close to a bigger city, it has to have a rather deep creek", "in the USA. I have a huge problem as my protagonist is crossing", "quiet neighborhood somewhere rather close to a bigger city, it has to have", "but not all of them. But I also don't know how to create", "they end in a deadend so often too. It's just really frustrating work", "another place that has to have a rather quiet neighborhood somewhere rather close", "also don't know how to create fictional places - how do I come", "I'm not familiar with making up places. I really don't know how to", "with lots of diners and some 9-13 miles away needs to come another", "of these aspects, but not all of them. But I also don't know", "okay with it. Is it really okay to make all this up, even", "somewhat different path? I've tracked them on google maps and it's so tedious,", "these aspects, but not all of them. But I also don't know how" ]
[ "an acquaintance where I attempt to convince him that his song lyrics reuse", "fit the lyrical context of the tune, feel less cliché, and in some", "too. But, then I became irritated with myself when I wondered how many", "the conventional wisdom of \"kill your darlings\". Specifically this: How does one identify", "made it a better song! My replacement lyrics even worked better in the", "song. Guess what? It made it a better song! My replacement lyrics even", "one line ruined it, and he suggested I change the lyrics. At the", "worked better in the lyrical context, too. I ended up re-recording it, and", "entirely to recognize them in the crowd. What techniques can someone use to", "in some cases even fit the singing cadence better. Aside: I've been in", "place? Looking back on the time where I was the target of similar", "conversation. Anticipating things, I worked out a handful of replacement lines that (opinion", "still fit the lyrical context of the tune, feel less cliché, and in", "particular is the band's drummer, and my connection to this acquaintance, who kept", "whatever the outcome is, it somehow helps my acquaintance to write songs with", "from small changes that (opinion alert #1!) I believe will resonate better with", "thought I had a cool song, but one line ruined it, and he", "acquaintance to write songs with an improved philosophy influencing his lyrics. But none", "passages in order to give them the proper treatment? --- I was contemplating", "of music‒several albums worth‒and am definitely approaching this with more experience and at", "cliché, and in some cases even fit the singing cadence better. Aside: I've", "that advice, though, and made an attempt to fix the song. Guess what?", "I've been in a lot of bands, written tons of music‒several albums worth‒and", "under the radar of awareness and continue to hang around and just ..stink.", "tl;dr; It recently occurred to me that I don't have a good smoke", "scenario led me to a different question associated with the conventional wisdom of", "me imagining this conversation. Anticipating things, I worked out a handful of replacement", "He thought I had a cool song, but one line ruined it, and", "sooner. I also regret how that guy isn't aware that he (eventually) succeeded", "like the current version of this song much better, I regret not taking", "overly \"cheesy\", of all things. He couldn't not hear it, and he hates", "and at least some kind of a philosophy. I would expect this to", "with most listeners. One listener in particular is the band's drummer, and my", "I defended one of my \"darlings\", rather than identify it thanks to some", "and in some cases even fit the singing cadence better. Aside: I've been", "can you fix a problem you're unaware of? How can someone identify their", "listeners. One listener in particular is the band's drummer, and my connection to", "cut a song from their set because he found one particular lyric to", "identify their own darlings in the first place? Looking back on the time", "benefit from small changes that (opinion alert #1!) I believe will resonate better", "with myself when I wondered how many of my own darlings have managed", "future conversation with an acquaintance where I attempt to convince him that his", "It recently occurred to me that I don't have a good smoke test", "order to give them the proper treatment?* --- I was contemplating a future", "similar: He thought I had a cool song, but one line ruined it,", "in the first place? Looking back on the time where I was the", "acquaintance told me something very similar: He thought I had a cool song,", "But, then I became irritated with myself when I wondered how many of", "a problem you're unaware of? How can someone identify their own darlings as", "access to the lyricist. Eventually, almost 20-years later, I reconsidered that advice, though,", "time I told him why I used that line, like \"why\" really mattered", "I realize now that I defended one of my \"darlings\", rather than identify", "where I attempt to convince him that his song lyrics reuse played-out alcohol", "can be another problem entirely to recognize them in the crowd. What techniques", "does one identify their own darlings in the first place? Looking back on", "found one particular lyric to be overly \"cheesy\", of all things. He couldn't", "feel less cliché, and in some cases even fit the singing cadence better.", "of bands, written tons of music‒several albums worth‒and am definitely approaching this with", "a song from their set because he found one particular lyric to be", "the target of similar criticism, I realize now that I defended one of", "the crowd. What techniques can someone use to identify problem passages in order", "of such an ambush, myself, where an acquaintance told me something very similar:", "ended up re-recording it, and while I like the current version of this", "better, I regret not taking that advice sooner. I also regret how that", "I was the target of such an ambush, myself, where an acquaintance told", "different question associated with the conventional wisdom of \"kill your darlings\". Specifically this:", "stage with it. After I reflected on this complaint, I started to notice", "I used that line, like \"why\" really mattered to a befuddled audience with", "Once upon a time I was the target of such an ambush, myself,", "of all things. He couldn't not hear it, and he hates being on", "with no access to the lyricist. Eventually, almost 20-years later, I reconsidered that", "of awareness and continue to hang around and just ..stink. How can you", "#1!) I believe will resonate better with most listeners. One listener in particular", "my own darlings have managed to duck under the radar of awareness and", "made an attempt to fix the song. Guess what? It made it a", "I believe will resonate better with most listeners. One listener in particular is", "time where I was the target of similar criticism, I realize now that", "lyrics about beer, etc. This led to me imagining this conversation. Anticipating things,", "How can you fix a problem you're unaware of? How can someone identify", "the time I told him why I used that line, like \"why\" really", "darlings in the first place? Looking back on the time where I was", "I was the target of similar criticism, I realize now that I defended", "this conversation. Anticipating things, I worked out a handful of replacement lines that", "in failure. Once upon a time I was the target of such an", "was contemplating a future conversation with an acquaintance where I attempt to convince", "to me that I don't have a good smoke test for identifying those", "we might call \"darlings\". It can be hard enough to cull even the", "on this complaint, I started to notice the frequency of lyrics about beer,", "having this conversation‒one of my goals is to approach gracefully, but effectively enough", "crowd. What techniques can someone use to identify problem passages in order to", "things, I worked out a handful of replacement lines that (opinion alert #2!)", "better song! My replacement lyrics even worked better in the lyrical context, too.", "experience and at least some kind of a philosophy. I would expect this", "being on stage with it. After I reflected on this complaint, I started", "to cull even the obvious darlings, but it can be another problem entirely", "lines that (opinion alert #2!) still fit the lyrical context of the tune,", "it, and he suggested I change the lyrics. At the time I told", "led to me imagining this conversation. Anticipating things, I worked out a handful", "somehow helps my acquaintance to write songs with an improved philosophy influencing his", "whole imagined scenario led me to a different question associated with the conventional", "that is really the point. This whole imagined scenario led me to a", "After I reflected on this complaint, I started to notice the frequency of", "singing cadence better. Aside: I've been in a lot of bands, written tons", "enough to cull even the obvious darlings, but it can be another problem", "\"why\" really mattered to a befuddled audience with no access to the lyricist.", "other passages that could benefit from small changes that (opinion alert #1!) I", "tons of music‒several albums worth‒and am definitely approaching this with more experience and", "some constructive criticism and slay it. I anticipate my acquaintance will likely defend", "while I like the current version of this song much better, I regret", "couldn't not hear it, and he hates being on stage with it. After", "of this song much better, I regret not taking that advice sooner. I", "can be hard enough to cull even the obvious darlings, but it can", "attempt to fix the song. Guess what? It made it a better song!", "hear it, and he hates being on stage with it. After I reflected", "of? How can someone identify their own darlings as a matter of practiced", "time I was the target of such an ambush, myself, where an acquaintance", "how many of my own darlings have managed to duck under the radar", "darlings, but it can be another problem entirely to recognize them in the", "that advice sooner. I also regret how that guy isn't aware that he", "that guy isn't aware that he (eventually) succeeded in convincing me. So‒if I", "that's more likely to end in failure. Once upon a time I was", "context of the tune, feel less cliché, and in some cases even fit", "a good smoke test for identifying those passages we might call \"darlings\". It", "to give them the proper treatment? --- I was contemplating a future conversation", "the current version of this song much better, I regret not taking that", "also regret how that guy isn't aware that he (eventually) succeeded in convincing", "the lyrics. At the time I told him why I used that line,", "hang around and just ..stink. How can you fix a problem you're unaware", "it a better song! My replacement lyrics even worked better in the lyrical", "attempt to convince him that his song lyrics reuse played-out alcohol motifs way", "is, it somehow helps my acquaintance to write songs with an improved philosophy", "not hear it, and he hates being on stage with it. After I", "Specifically this: How does one identify their own darlings in the first place?", "kept telling me that he wanted to cut a song from their set", "this with more experience and at least some kind of a philosophy. I", "be overly \"cheesy\", of all things. He couldn't not hear it, and he", "better with most listeners. One listener in particular is the band's drummer, and", "lyrical context, too. I ended up re-recording it, and while I like the", "tune, feel less cliché, and in some cases even fit the singing cadence", "believe will resonate better with most listeners. One listener in particular is the", "identify it thanks to some constructive criticism and slay it. I anticipate my", "notice the frequency of lyrics about beer, etc. This led to me imagining", "albums worth‒and am definitely approaching this with more experience and at least some", "to the lyricist. Eventually, almost 20-years later, I reconsidered that advice, though, and", "is really the point. This whole imagined scenario led me to a different", "I started to notice the frequency of lyrics about beer, etc. This led", "with more experience and at least some kind of a philosophy. I would", "use to identify problem passages in order to give them the proper treatment?", "philosophy influencing his lyrics. But none of that is really the point. This", "such an ambush, myself, where an acquaintance told me something very similar: He", "it. After I reflected on this complaint, I started to notice the frequency", "to cut a song from their set because he found one particular lyric", "handful of replacement lines that (opinion alert #2!) still fit the lyrical context", "his song lyrics reuse played-out alcohol motifs way too frequently. In addition to", "alert #2!) still fit the lyrical context of the tune, feel less cliché,", "taking that advice sooner. I also regret how that guy isn't aware that", "addition to these, there are other passages that could benefit from small changes", "to fix the song. Guess what? It made it a better song! My", "I regret not taking that advice sooner. I also regret how that guy", "a befuddled audience with no access to the lyricist. Eventually, almost 20-years later,", "an acquaintance told me something very similar: He thought I had a cool", "up having this conversation‒one of my goals is to approach gracefully, but effectively", "a better song! My replacement lyrics even worked better in the lyrical context,", "reflected on this complaint, I started to notice the frequency of lyrics about", "that line, like \"why\" really mattered to a befuddled audience with no access", "song much better, I regret not taking that advice sooner. I also regret", "because he found one particular lyric to be overly \"cheesy\", of all things.", "really the point. This whole imagined scenario led me to a different question", "an ambush, myself, where an acquaintance told me something very similar: He thought", "song from their set because he found one particular lyric to be overly", "convince him that his song lyrics reuse played-out alcohol motifs way too frequently.", "defended one of my \"darlings\", rather than identify it thanks to some constructive", "radar of awareness and continue to hang around and just ..stink. How can", "when I wondered how many of my own darlings have managed to duck", "particular lyric to be overly \"cheesy\", of all things. He couldn't not hear", "me that I don't have a good smoke test for identifying those passages", "reconsidered that advice, though, and made an attempt to fix the song. Guess", "my \"darlings\", rather than identify it thanks to some constructive criticism and slay", "me that he wanted to cut a song from their set because he", "frequently. In addition to these, there are other passages that could benefit from", "from their set because he found one particular lyric to be overly \"cheesy\",", "worked out a handful of replacement lines that (opinion alert #2!) still fit", "an attempt to fix the song. Guess what? It made it a better", "another problem entirely to recognize them in the crowd. What techniques can someone", "realize now that I defended one of my \"darlings\", rather than identify it", "passages we might call \"darlings\". It can be hard enough to cull even", "goals is to approach gracefully, but effectively enough that whatever the outcome is,", "fix a problem you're unaware of? How can someone identify their own darlings", "way too frequently. In addition to these, there are other passages that could", "do end up having this conversation‒one of my goals is to approach gracefully,", "this: How does one identify their own darlings in the first place? Looking", "a handful of replacement lines that (opinion alert #2!) still fit the lyrical", "to a befuddled audience with no access to the lyricist. Eventually, almost 20-years", "failure. Once upon a time I was the target of such an ambush,", "acquaintance, who kept telling me that he wanted to cut a song from", "to this acquaintance, who kept telling me that he wanted to cut a", "am definitely approaching this with more experience and at least some kind of", "I told him why I used that line, like \"why\" really mattered to", "your darlings\". Specifically this: How does one identify their own darlings in the", "where I was the target of similar criticism, I realize now that I", "lyric to be overly \"cheesy\", of all things. He couldn't not hear it,", "to be overly \"cheesy\", of all things. He couldn't not hear it, and", "alcohol motifs way too frequently. In addition to these, there are other passages", "many of my own darlings have managed to duck under the radar of", "first place? Looking back on the time where I was the target of", "thanks to some constructive criticism and slay it. I anticipate my acquaintance will", "small changes that (opinion alert #1!) I believe will resonate better with most", "this song much better, I regret not taking that advice sooner. I also", "all things. He couldn't not hear it, and he hates being on stage", "of replacement lines that (opinion alert #2!) still fit the lyrical context of", "told me something very similar: He thought I had a cool song, but", "#2!) still fit the lyrical context of the tune, feel less cliché, and", "change the lyrics. At the time I told him why I used that", "you fix a problem you're unaware of? How can someone identify their own", "to be a weird conversation that's more likely to end in failure. Once", "passages that could benefit from small changes that (opinion alert #1!) I believe", "some kind of a philosophy. I would expect this to be a weird", "he suggested I change the lyrics. At the time I told him why", "a cool song, but one line ruined it, and he suggested I change", "that he wanted to cut a song from their set because he found", "it. I anticipate my acquaintance will likely defend his darlings, too. But, then", "I would expect this to be a weird conversation that's more likely to", "I became irritated with myself when I wondered how many of my own", "hard enough to cull even the obvious darlings, but it can be another", "continue to hang around and just ..stink. How can you fix a problem", "replacement lines that (opinion alert #2!) still fit the lyrical context of the", "of similar criticism, I realize now that I defended one of my \"darlings\",", "in particular is the band's drummer, and my connection to this acquaintance, who", "back on the time where I was the target of similar criticism, I", "fit the singing cadence better. Aside: I've been in a lot of bands,", "could benefit from small changes that (opinion alert #1!) I believe will resonate", "identifying those passages we might call \"darlings\". It can be hard enough to", "criticism and slay it. I anticipate my acquaintance will likely defend his darlings,", "better in the lyrical context, too. I ended up re-recording it, and while", "very similar: He thought I had a cool song, but one line ruined", "his darlings, too. But, then I became irritated with myself when I wondered", "beer, etc. This led to me imagining this conversation. Anticipating things, I worked", "I ended up re-recording it, and while I like the current version of", "was the target of such an ambush, myself, where an acquaintance told me", "likely to end in failure. Once upon a time I was the target", "conversation that's more likely to end in failure. Once upon a time I", "music‒several albums worth‒and am definitely approaching this with more experience and at least", "to identify problem passages in order to give them the proper treatment?* ---", "weird conversation that's more likely to end in failure. Once upon a time", "Anticipating things, I worked out a handful of replacement lines that (opinion alert", "about beer, etc. This led to me imagining this conversation. Anticipating things, I", "resonate better with most listeners. One listener in particular is the band's drummer,", "played-out alcohol motifs way too frequently. In addition to these, there are other", "improved philosophy influencing his lyrics. But none of that is really the point.", "be a weird conversation that's more likely to end in failure. Once upon", "it thanks to some constructive criticism and slay it. I anticipate my acquaintance", "that whatever the outcome is, it somehow helps my acquaintance to write songs", "problem entirely to recognize them in the crowd. What techniques can someone use", "song lyrics reuse played-out alcohol motifs way too frequently. In addition to these,", "the obvious darlings, but it can be another problem entirely to recognize them", "complaint, I started to notice the frequency of lyrics about beer, etc. This", "of \"kill your darlings\". Specifically this: How does one identify their own darlings", "lyrics reuse played-out alcohol motifs way too frequently. In addition to these, there", "more experience and at least some kind of a philosophy. I would expect", "the lyrical context, too. I ended up re-recording it, and while I like", "one of my \"darlings\", rather than identify it thanks to some constructive criticism", "are other passages that could benefit from small changes that (opinion alert #1!)", "and my connection to this acquaintance, who kept telling me that he wanted", "and he hates being on stage with it. After I reflected on this", "Looking back on the time where I was the target of similar criticism,", "lyrics. But none of that is really the point. This whole imagined scenario", "conversation with an acquaintance where I attempt to convince him that his song", "someone use to identify problem passages in order to give them the proper", "darlings have managed to duck under the radar of awareness and continue to", "that could benefit from small changes that (opinion alert #1!) I believe will", "don't have a good smoke test for identifying those passages we might call", "almost 20-years later, I reconsidered that advice, though, and made an attempt to", "to end in failure. Once upon a time I was the target of", "slay it. I anticipate my acquaintance will likely defend his darlings, too. But,", "where an acquaintance told me something very similar: He thought I had a", "the proper treatment? --- I was contemplating a future conversation with an acquaintance", "give them the proper treatment?* --- I was contemplating a future conversation with", "these, there are other passages that could benefit from small changes that (opinion", "of that is really the point. This whole imagined scenario led me to", "myself when I wondered how many of my own darlings have managed to", "started to notice the frequency of lyrics about beer, etc. This led to", "to write songs with an improved philosophy influencing his lyrics. But none of", "he (eventually) succeeded in convincing me. So‒if I do end up having this", "the radar of awareness and continue to hang around and just ..stink. How", "a different question associated with the conventional wisdom of \"kill your darlings\". Specifically", "but it can be another problem entirely to recognize them in the crowd.", "he hates being on stage with it. After I reflected on this complaint,", "problem passages in order to give them the proper treatment?* --- I was", "least some kind of a philosophy. I would expect this to be a", "darlings\". Specifically this: How does one identify their own darlings in the first", "can someone use to identify problem passages in order to give them the", "the outcome is, it somehow helps my acquaintance to write songs with an", "song, but one line ruined it, and he suggested I change the lyrics.", "suggested I change the lyrics. At the time I told him why I", "motifs way too frequently. In addition to these, there are other passages that", "it somehow helps my acquaintance to write songs with an improved philosophy influencing", "me. So‒if I do end up having this conversation‒one of my goals is", "to hang around and just ..stink. How can you fix a problem you're", "in the crowd. What techniques can someone use to identify problem passages in", "them in the crowd. What techniques can someone use to identify problem passages", "be another problem entirely to recognize them in the crowd. What techniques can", "managed to duck under the radar of awareness and continue to hang around", "I also regret how that guy isn't aware that he (eventually) succeeded in", "I do end up having this conversation‒one of my goals is to approach", "with the conventional wisdom of \"kill your darlings\". Specifically this: How does one", "awareness and continue to hang around and just ..stink. How can you fix", "a lot of bands, written tons of music‒several albums worth‒and am definitely approaching", "target of similar criticism, I realize now that I defended one of my", "now that I defended one of my \"darlings\", rather than identify it thanks", "20-years later, I reconsidered that advice, though, and made an attempt to fix", "a future conversation with an acquaintance where I attempt to convince him that", "good smoke test for identifying those passages we might call \"darlings\". It can", "likely defend his darlings, too. But, then I became irritated with myself when", "techniques can someone use to identify problem passages in order to give them", "proper treatment? --- I was contemplating a future conversation with an acquaintance where", "mattered to a befuddled audience with no access to the lyricist. Eventually, almost", "worth‒and am definitely approaching this with more experience and at least some kind", "bands, written tons of music‒several albums worth‒and am definitely approaching this with more", "that he (eventually) succeeded in convincing me. So‒if I do end up having", "imagined scenario led me to a different question associated with the conventional wisdom", "definitely approaching this with more experience and at least some kind of a", "regret how that guy isn't aware that he (eventually) succeeded in convincing me.", "with it. After I reflected on this complaint, I started to notice the", "test for identifying those passages we might call \"darlings\". It can be hard", "that (opinion alert #1!) I believe will resonate better with most listeners. One", "context, too. I ended up re-recording it, and while I like the current", "ruined it, and he suggested I change the lyrics. At the time I", "effectively enough that whatever the outcome is, it somehow helps my acquaintance to", "helps my acquaintance to write songs with an improved philosophy influencing his lyrics.", "me to a different question associated with the conventional wisdom of \"kill your", "their own darlings in the first place? Looking back on the time where", "own darlings in the first place? Looking back on the time where I", "like \"why\" really mattered to a befuddled audience with no access to the", "and slay it. I anticipate my acquaintance will likely defend his darlings, too.", "cull even the obvious darlings, but it can be another problem entirely to", "cool song, but one line ruined it, and he suggested I change the", "associated with the conventional wisdom of \"kill your darlings\". Specifically this: How does", "It can be hard enough to cull even the obvious darlings, but it", "fix the song. Guess what? It made it a better song! My replacement", "led me to a different question associated with the conventional wisdom of \"kill", "\"darlings\". It can be hard enough to cull even the obvious darlings, but", "the target of such an ambush, myself, where an acquaintance told me something", "current version of this song much better, I regret not taking that advice", "audience with no access to the lyricist. Eventually, almost 20-years later, I reconsidered", "Eventually, almost 20-years later, I reconsidered that advice, though, and made an attempt", "unaware of? How can someone identify their own darlings as a matter of", "outcome is, it somehow helps my acquaintance to write songs with an improved", "be hard enough to cull even the obvious darlings, but it can be", "similar criticism, I realize now that I defended one of my \"darlings\", rather", "At the time I told him why I used that line, like \"why\"", "guy isn't aware that he (eventually) succeeded in convincing me. So‒if I do", "of my goals is to approach gracefully, but effectively enough that whatever the", "conversation‒one of my goals is to approach gracefully, but effectively enough that whatever", "own darlings have managed to duck under the radar of awareness and continue", "my acquaintance to write songs with an improved philosophy influencing his lyrics. But", "on the time where I was the target of similar criticism, I realize", "to a different question associated with the conventional wisdom of \"kill your darlings\".", "cadence better. Aside: I've been in a lot of bands, written tons of", "have a good smoke test for identifying those passages we might call \"darlings\".", "no access to the lyricist. Eventually, almost 20-years later, I reconsidered that advice,", "gracefully, but effectively enough that whatever the outcome is, it somehow helps my", "call \"darlings\". It can be hard enough to cull even the obvious darlings,", "problem you're unaware of? How can someone identify their own darlings as a", "to duck under the radar of awareness and continue to hang around and", "who kept telling me that he wanted to cut a song from their", "Aside: I've been in a lot of bands, written tons of music‒several albums", "(opinion alert #1!) I believe will resonate better with most listeners. One listener", "up re-recording it, and while I like the current version of this song", "recognize them in the crowd. What techniques can someone use to identify problem", "One listener in particular is the band's drummer, and my connection to this", "defend his darlings, too. But, then I became irritated with myself when I", "drummer, and my connection to this acquaintance, who kept telling me that he", "my goals is to approach gracefully, but effectively enough that whatever the outcome", "\"cheesy\", of all things. He couldn't not hear it, and he hates being", "end up having this conversation‒one of my goals is to approach gracefully, but", "changes that (opinion alert #1!) I believe will resonate better with most listeners.", "to notice the frequency of lyrics about beer, etc. This led to me", "too. I ended up re-recording it, and while I like the current version", "regret not taking that advice sooner. I also regret how that guy isn't", "criticism, I realize now that I defended one of my \"darlings\", rather than", "the point. This whole imagined scenario led me to a different question associated", "approaching this with more experience and at least some kind of a philosophy.", "and just ..stink. How can you fix a problem you're unaware of? How", "to me imagining this conversation. Anticipating things, I worked out a handful of", "aware that he (eventually) succeeded in convincing me. So‒if I do end up", "even worked better in the lyrical context, too. I ended up re-recording it,", "set because he found one particular lyric to be overly \"cheesy\", of all", "for identifying those passages we might call \"darlings\". It can be hard enough", "befuddled audience with no access to the lyricist. Eventually, almost 20-years later, I", "line ruined it, and he suggested I change the lyrics. At the time", "expect this to be a weird conversation that's more likely to end in", "convincing me. So‒if I do end up having this conversation‒one of my goals", "and he suggested I change the lyrics. At the time I told him", "written tons of music‒several albums worth‒and am definitely approaching this with more experience", "why I used that line, like \"why\" really mattered to a befuddled audience", "treatment? --- I was contemplating a future conversation with an acquaintance where I", "their set because he found one particular lyric to be overly \"cheesy\", of", "I attempt to convince him that his song lyrics reuse played-out alcohol motifs", "will likely defend his darlings, too. But, then I became irritated with myself", "the band's drummer, and my connection to this acquaintance, who kept telling me", "none of that is really the point. This whole imagined scenario led me", "have managed to duck under the radar of awareness and continue to hang", "this to be a weird conversation that's more likely to end in failure.", "told him why I used that line, like \"why\" really mattered to a", "had a cool song, but one line ruined it, and he suggested I", "to convince him that his song lyrics reuse played-out alcohol motifs way too", "this complaint, I started to notice the frequency of lyrics about beer, etc.", "the song. Guess what? It made it a better song! My replacement lyrics", "\"darlings\", rather than identify it thanks to some constructive criticism and slay it.", "connection to this acquaintance, who kept telling me that he wanted to cut", "song! My replacement lyrics even worked better in the lyrical context, too. I", "of lyrics about beer, etc. This led to me imagining this conversation. Anticipating", "there are other passages that could benefit from small changes that (opinion alert", "(eventually) succeeded in convincing me. So‒if I do end up having this conversation‒one", "But none of that is really the point. This whole imagined scenario led", "anticipate my acquaintance will likely defend his darlings, too. But, then I became", "things. He couldn't not hear it, and he hates being on stage with", "around and just ..stink. How can you fix a problem you're unaware of?", "a philosophy. I would expect this to be a weird conversation that's more", "reuse played-out alcohol motifs way too frequently. In addition to these, there are", "the lyricist. Eventually, almost 20-years later, I reconsidered that advice, though, and made", "hates being on stage with it. After I reflected on this complaint, I", "to recognize them in the crowd. What techniques can someone use to identify", "I change the lyrics. At the time I told him why I used", "lyricist. Eventually, almost 20-years later, I reconsidered that advice, though, and made an", "of the tune, feel less cliché, and in some cases even fit the", "(opinion alert #2!) still fit the lyrical context of the tune, feel less", "his lyrics. But none of that is really the point. This whole imagined", "in the lyrical context, too. I ended up re-recording it, and while I", "one identify their own darlings in the first place? Looking back on the", "question associated with the conventional wisdom of \"kill your darlings\". Specifically this: How", "duck under the radar of awareness and continue to hang around and just", "conventional wisdom of \"kill your darlings\". Specifically this: How does one identify their", "line, like \"why\" really mattered to a befuddled audience with no access to", "enough that whatever the outcome is, it somehow helps my acquaintance to write", "wondered how many of my own darlings have managed to duck under the", "the first place? Looking back on the time where I was the target", "my acquaintance will likely defend his darlings, too. But, then I became irritated", "less cliché, and in some cases even fit the singing cadence better. Aside:", "much better, I regret not taking that advice sooner. I also regret how", "better. Aside: I've been in a lot of bands, written tons of music‒several", "advice sooner. I also regret how that guy isn't aware that he (eventually)", "acquaintance will likely defend his darlings, too. But, then I became irritated with", "kind of a philosophy. I would expect this to be a weird conversation", "re-recording it, and while I like the current version of this song much", "that (opinion alert #2!) still fit the lyrical context of the tune, feel", "and continue to hang around and just ..stink. How can you fix a", "smoke test for identifying those passages we might call \"darlings\". It can be", "of a philosophy. I would expect this to be a weird conversation that's", "too frequently. In addition to these, there are other passages that could benefit", "occurred to me that I don't have a good smoke test for identifying", "alert #1!) I believe will resonate better with most listeners. One listener in", "the tune, feel less cliché, and in some cases even fit the singing", "you're unaware of? How can someone identify their own darlings as a matter", "replacement lyrics even worked better in the lyrical context, too. I ended up", "then I became irritated with myself when I wondered how many of my", "something very similar: He thought I had a cool song, but one line", "I was contemplating a future conversation with an acquaintance where I attempt to", "just ..stink. How can you fix a problem you're unaware of? How can", "an improved philosophy influencing his lyrics. But none of that is really the", "..stink. How can you fix a problem you're unaware of? How can someone", "with an acquaintance where I attempt to convince him that his song lyrics", "approach gracefully, but effectively enough that whatever the outcome is, it somehow helps", "telling me that he wanted to cut a song from their set because", "succeeded in convincing me. So‒if I do end up having this conversation‒one of", "to approach gracefully, but effectively enough that whatever the outcome is, it somehow", "that I defended one of my \"darlings\", rather than identify it thanks to", "out a handful of replacement lines that (opinion alert #2!) still fit the", "what? It made it a better song! My replacement lyrics even worked better", "my connection to this acquaintance, who kept telling me that he wanted to", "this conversation‒one of my goals is to approach gracefully, but effectively enough that", "used that line, like \"why\" really mattered to a befuddled audience with no", "He couldn't not hear it, and he hates being on stage with it.", "this acquaintance, who kept telling me that he wanted to cut a song", "I anticipate my acquaintance will likely defend his darlings, too. But, then I", "I reflected on this complaint, I started to notice the frequency of lyrics", "So‒if I do end up having this conversation‒one of my goals is to", "really mattered to a befuddled audience with no access to the lyricist. Eventually,", "myself, where an acquaintance told me something very similar: He thought I had", "it, and while I like the current version of this song much better,", "of my \"darlings\", rather than identify it thanks to some constructive criticism and", "is the band's drummer, and my connection to this acquaintance, who kept telling", "I wondered how many of my own darlings have managed to duck under", "to some constructive criticism and slay it. I anticipate my acquaintance will likely", "but effectively enough that whatever the outcome is, it somehow helps my acquaintance", "This led to me imagining this conversation. Anticipating things, I worked out a", "in order to give them the proper treatment? --- I was contemplating a", "I had a cool song, but one line ruined it, and he suggested", "that his song lyrics reuse played-out alcohol motifs way too frequently. In addition", "me something very similar: He thought I had a cool song, but one", "Guess what? It made it a better song! My replacement lyrics even worked", "\"kill your darlings\". Specifically this: How does one identify their own darlings in", "How does one identify their own darlings in the first place? Looking back", "irritated with myself when I wondered how many of my own darlings have", "band's drummer, and my connection to this acquaintance, who kept telling me that", "the frequency of lyrics about beer, etc. This led to me imagining this", "is to approach gracefully, but effectively enough that whatever the outcome is, it", "one particular lyric to be overly \"cheesy\", of all things. He couldn't not", "lyrical context of the tune, feel less cliché, and in some cases even", "at least some kind of a philosophy. I would expect this to be", "he wanted to cut a song from their set because he found one", "How can someone identify their own darlings as a matter of practiced craftsmanship?", "cases even fit the singing cadence better. Aside: I've been in a lot", "philosophy. I would expect this to be a weird conversation that's more likely", "that I don't have a good smoke test for identifying those passages we", "identify problem passages in order to give them the proper treatment?* --- I", "those passages we might call \"darlings\". It can be hard enough to cull", "him that his song lyrics reuse played-out alcohol motifs way too frequently. In", "been in a lot of bands, written tons of music‒several albums worth‒and am", "in convincing me. So‒if I do end up having this conversation‒one of my", "some cases even fit the singing cadence better. Aside: I've been in a", "it, and he hates being on stage with it. After I reflected on", "later, I reconsidered that advice, though, and made an attempt to fix the", "songs with an improved philosophy influencing his lyrics. But none of that is", "not taking that advice sooner. I also regret how that guy isn't aware", "wanted to cut a song from their set because he found one particular", "was the target of similar criticism, I realize now that I defended one", "to these, there are other passages that could benefit from small changes that", "frequency of lyrics about beer, etc. This led to me imagining this conversation.", "What techniques can someone use to identify problem passages in order to give", "lot of bands, written tons of music‒several albums worth‒and am definitely approaching this", "recently occurred to me that I don't have a good smoke test for", "influencing his lyrics. But none of that is really the point. This whole", "etc. This led to me imagining this conversation. Anticipating things, I worked out", "them the proper treatment? --- I was contemplating a future conversation with an", "I like the current version of this song much better, I regret not", "and while I like the current version of this song much better, I", "in a lot of bands, written tons of music‒several albums worth‒and am definitely", "more likely to end in failure. Once upon a time I was the", "became irritated with myself when I wondered how many of my own darlings", "obvious darlings, but it can be another problem entirely to recognize them in", "on stage with it. After I reflected on this complaint, I started to", "I reconsidered that advice, though, and made an attempt to fix the song.", "the singing cadence better. Aside: I've been in a lot of bands, written", "him why I used that line, like \"why\" really mattered to a befuddled", "advice, though, and made an attempt to fix the song. Guess what? It", "of my own darlings have managed to duck under the radar of awareness", "constructive criticism and slay it. I anticipate my acquaintance will likely defend his", "might call \"darlings\". It can be hard enough to cull even the obvious", "wisdom of \"kill your darlings\". Specifically this: How does one identify their own", "end in failure. Once upon a time I was the target of such", "acquaintance where I attempt to convince him that his song lyrics reuse played-out", "a time I was the target of such an ambush, myself, where an", "the time where I was the target of similar criticism, I realize now", "darlings, too. But, then I became irritated with myself when I wondered how", "rather than identify it thanks to some constructive criticism and slay it. I", "upon a time I was the target of such an ambush, myself, where", "he found one particular lyric to be overly \"cheesy\", of all things. He", "lyrics. At the time I told him why I used that line, like", "than identify it thanks to some constructive criticism and slay it. I anticipate", "and made an attempt to fix the song. Guess what? It made it", "imagining this conversation. Anticipating things, I worked out a handful of replacement lines", "the lyrical context of the tune, feel less cliché, and in some cases", "write songs with an improved philosophy influencing his lyrics. But none of that", "I don't have a good smoke test for identifying those passages we might", "even the obvious darlings, but it can be another problem entirely to recognize", "I worked out a handful of replacement lines that (opinion alert #2!) still", "most listeners. One listener in particular is the band's drummer, and my connection", "would expect this to be a weird conversation that's more likely to end", "version of this song much better, I regret not taking that advice sooner.", "with an improved philosophy influencing his lyrics. But none of that is really", "listener in particular is the band's drummer, and my connection to this acquaintance,", "point. This whole imagined scenario led me to a different question associated with", "will resonate better with most listeners. One listener in particular is the band's", "a weird conversation that's more likely to end in failure. Once upon a", "contemplating a future conversation with an acquaintance where I attempt to convince him", "though, and made an attempt to fix the song. Guess what? It made", "how that guy isn't aware that he (eventually) succeeded in convincing me. So‒if", "This whole imagined scenario led me to a different question associated with the", "It made it a better song! My replacement lyrics even worked better in", "it can be another problem entirely to recognize them in the crowd. *What", "isn't aware that he (eventually) succeeded in convincing me. So‒if I do end", "lyrics even worked better in the lyrical context, too. I ended up re-recording", "In addition to these, there are other passages that could benefit from small", "even fit the singing cadence better. Aside: I've been in a lot of", "ambush, myself, where an acquaintance told me something very similar: He thought I", "--- I was contemplating a future conversation with an acquaintance where I attempt", "but one line ruined it, and he suggested I change the lyrics. At", "My replacement lyrics even worked better in the lyrical context, too. I ended", "target of such an ambush, myself, where an acquaintance told me something very" ]
[ "quite a while I worked on writing a novel. After that went poorly,", "it’s going pretty well. There’s just one problem. I have no idea what", "of plot this is. I didn’t follow any established plot structure thus far.", "order. After doing that, I would add notecards with whatever new ideas came", "things in the middle, but I worry that if I try to write", "However, I’ve come to the point where I no longer know how to", "and the ending, as well as most of the things in the middle,", "has consisted of writing down my already established plot points on notecards, then", "process has consisted of writing down my already established plot points on notecards,", "setting, but I don’t know the genre of the story. That is, I’m", "pretty well. There’s just one problem. I have no idea what kind of", "established plot points on notecards, then putting them in order. After doing that,", "Freytag’s Pyramid or Hero’s Journey, etc. So! The question is this: *how do", "know the genre of the setting, but I don’t know the genre of", "as well as most of the things in the middle, but I worry", "So! The question is this: how do I take the “plot” I have", "point where I no longer know how to go forward, and most of", "if I try to write the novel now with what I have, it", "mind. However, I’ve come to the point where I no longer know how", "worry that if I try to write the novel now with what I", "worked on writing a novel. After that went poorly, I tried to plot", "longer know how to go forward, and most of the advice I found", "going pretty well. There’s just one problem. I have no idea what kind", "go forward, and most of the advice I found seemed to expect that", "ideas came to mind. However, I’ve come to the point where I no", "this is. I didn’t follow any established plot structure thus far. My process", "to go forward, and most of the advice I found seemed to expect", "and determine what plot structure would fit it best?* I know the genre", "of the things in the middle, but I worry that if I try", "the middle, but I worry that if I try to write the novel", "kind of plot this is. I didn’t follow any established plot structure thus", "how do I take the “plot” I have now and determine what plot", "to mind. However, I’ve come to the point where I no longer know", "had a particular plot template in mind. That is, things like Freytag’s Pyramid", "expect that I had a particular plot template in mind. That is, things", "determine what plot structure would fit it best? I know the genre of", "I would add notecards with whatever new ideas came to mind. However, I’ve", "best?** I know the genre of the setting, but I don’t know the", "I had a particular plot template in mind. That is, things like Freytag’s", "There’s just one problem. I have no idea what kind of plot this", "have now and determine what plot structure would fit it best? I know", "Hero’s Journey, etc. So! The question is this: how do I take the", "For quite a while I worked on writing a novel. After that went", "putting them in order. After doing that, I would add notecards with whatever", "would add notecards with whatever new ideas came to mind. However, I’ve come", "the “plot” I have now and determine what plot structure would fit it", "that I had a particular plot template in mind. That is, things like", "attempt, it’s going pretty well. There’s just one problem. I have no idea", "that went poorly, I tried to plot it. This too went poorly, but", "add notecards with whatever new ideas came to mind. However, I’ve come to", "a particular plot template in mind. That is, things like Freytag’s Pyramid or", "writing a novel. After that went poorly, I tried to plot it. This", "is, things like Freytag’s Pyramid or Hero’s Journey, etc. So! The question is", "forward, and most of the advice I found seemed to expect that I", "them in order. After doing that, I would add notecards with whatever new", "while I worked on writing a novel. After that went poorly, I tried", "no longer know how to go forward, and most of the advice I", "in order. After doing that, I would add notecards with whatever new ideas", "the story. That is, I’m not sure what model it should follow. I", "After doing that, I would add notecards with whatever new ideas came to", "Journey, etc. So! The question is this: how do I take the “plot”", "consisted of writing down my already established plot points on notecards, then putting", "and most of the advice I found seemed to expect that I had", "doing that, I would add notecards with whatever new ideas came to mind.", "or Hero’s Journey, etc. So! The question is this: how do I take", "is this: *how do I take the “plot” I have now and determine", "I don’t know the genre of the story. That is, I’m not sure", "what plot structure would fit it best?* I know the genre of the", "I have now and determine what plot structure would fit it best?** I", "the things in the middle, but I worry that if I try to", "too went poorly, but now, on the second attempt, it’s going pretty well.", "My process has consisted of writing down my already established plot points on", "tried to plot it. This too went poorly, but now, on the second", "come to the point where I no longer know how to go forward,", "as most of the things in the middle, but I worry that if", "far. My process has consisted of writing down my already established plot points", "genre of the setting, but I don’t know the genre of the story.", "went poorly, but now, on the second attempt, it’s going pretty well. There’s", "just one problem. I have no idea what kind of plot this is.", "in mind. That is, things like Freytag’s Pyramid or Hero’s Journey, etc. So!", "I worry that if I try to write the novel now with what", "poorly, I tried to plot it. This too went poorly, but now, on", "notecards with whatever new ideas came to mind. However, I’ve come to the", "plot structure thus far. My process has consisted of writing down my already", "ending, as well as most of the things in the middle, but I", "try to write the novel now with what I have, it will lack", "The question is this: how do I take the “plot” I have now", "already established plot points on notecards, then putting them in order. After doing", "with whatever new ideas came to mind. However, I’ve come to the point", "“plot” I have now and determine what plot structure would fit it best?", "advice I found seemed to expect that I had a particular plot template", "idea what kind of plot this is. I didn’t follow any established plot", "now, on the second attempt, it’s going pretty well. There’s just one problem.", "is. I didn’t follow any established plot structure thus far. My process has", "I know the genre of the setting, but I don’t know the genre", "That is, I’m not sure what model it should follow. I have the", "particular plot template in mind. That is, things like Freytag’s Pyramid or Hero’s", "I no longer know how to go forward, and most of the advice", "came to mind. However, I’ve come to the point where I no longer", "That is, things like Freytag’s Pyramid or Hero’s Journey, etc. So! The question", "to expect that I had a particular plot template in mind. That is,", "what model it should follow. I have the beginning and the ending, as", "have the beginning and the ending, as well as most of the things", "on writing a novel. After that went poorly, I tried to plot it.", "plot points on notecards, then putting them in order. After doing that, I", "would fit it best?** I know the genre of the setting, but I", "have no idea what kind of plot this is. I didn’t follow any", "writing down my already established plot points on notecards, then putting them in", "the genre of the story. That is, I’m not sure what model it", "I’m not sure what model it should follow. I have the beginning and", "problem. I have no idea what kind of plot this is. I didn’t", "should follow. I have the beginning and the ending, as well as most", "the ending, as well as most of the things in the middle, but", "of the story. That is, I’m not sure what model it should follow.", "what kind of plot this is. I didn’t follow any established plot structure", "in the middle, but I worry that if I try to write the", "know the genre of the story. That is, I’m not sure what model", "things like Freytag’s Pyramid or Hero’s Journey, etc. So! The question is this:", "then putting them in order. After doing that, I would add notecards with", "I’ve come to the point where I no longer know how to go", "I found seemed to expect that I had a particular plot template in", "plot it. This too went poorly, but now, on the second attempt, it’s", "of the advice I found seemed to expect that I had a particular", "on the second attempt, it’s going pretty well. There’s just one problem. I", "notecards, then putting them in order. After doing that, I would add notecards", "I try to write the novel now with what I have, it will", "well as most of the things in the middle, but I worry that", "is, I’m not sure what model it should follow. I have the beginning", "etc. So! The question is this: how do I take the “plot” I", "most of the things in the middle, but I worry that if I", "but now, on the second attempt, it’s going pretty well. There’s just one", "to write the novel now with what I have, it will lack proper", "of writing down my already established plot points on notecards, then putting them", "thus far. My process has consisted of writing down my already established plot", "question is this: how do I take the “plot” I have now and", "it should follow. I have the beginning and the ending, as well as", "that if I try to write the novel now with what I have,", "structure would fit it best?** I know the genre of the setting, but", "plot template in mind. That is, things like Freytag’s Pyramid or Hero’s Journey,", "the beginning and the ending, as well as most of the things in", "now and determine what plot structure would fit it best?** I know the", "didn’t follow any established plot structure thus far. My process has consisted of", "poorly, but now, on the second attempt, it’s going pretty well. There’s just", "do I take the “plot” I have now and determine what plot structure", "it. This too went poorly, but now, on the second attempt, it’s going", "sure what model it should follow. I have the beginning and the ending,", "model it should follow. I have the beginning and the ending, as well", "After that went poorly, I tried to plot it. This too went poorly,", "my already established plot points on notecards, then putting them in order. After", "know how to go forward, and most of the advice I found seemed", "the setting, but I don’t know the genre of the story. That is,", "novel. After that went poorly, I tried to plot it. This too went", "a novel. After that went poorly, I tried to plot it. This too", "went poorly, I tried to plot it. This too went poorly, but now,", "points on notecards, then putting them in order. After doing that, I would", "established plot structure thus far. My process has consisted of writing down my", "genre of the story. That is, I’m not sure what model it should", "that, I would add notecards with whatever new ideas came to mind. However,", "structure thus far. My process has consisted of writing down my already established", "This too went poorly, but now, on the second attempt, it’s going pretty", "fit it best?** I know the genre of the setting, but I don’t", "but I don’t know the genre of the story. That is, I’m not", "mind. That is, things like Freytag’s Pyramid or Hero’s Journey, etc. So! The", "one problem. I have no idea what kind of plot this is. I", "the point where I no longer know how to go forward, and most", "plot this is. I didn’t follow any established plot structure thus far. My", "it best?** I know the genre of the setting, but I don’t know", "story. That is, I’m not sure what model it should follow. I have", "seemed to expect that I had a particular plot template in mind. That", "second attempt, it’s going pretty well. There’s just one problem. I have no", "I have the beginning and the ending, as well as most of the", "where I no longer know how to go forward, and most of the", "Pyramid or Hero’s Journey, etc. So! The question is this: how do I", "take the “plot” I have now and determine what plot structure would fit", "beginning and the ending, as well as most of the things in the", "follow. I have the beginning and the ending, as well as most of", "down my already established plot points on notecards, then putting them in order.", "well. There’s just one problem. I have no idea what kind of plot", "I tried to plot it. This too went poorly, but now, on the", "whatever new ideas came to mind. However, I’ve come to the point where", "I worked on writing a novel. After that went poorly, I tried to", "but I worry that if I try to write the novel now with", "to plot it. This too went poorly, but now, on the second attempt,", "I didn’t follow any established plot structure thus far. My process has consisted", "not sure what model it should follow. I have the beginning and the", "template in mind. That is, things like Freytag’s Pyramid or Hero’s Journey, etc.", "how to go forward, and most of the advice I found seemed to", "a while I worked on writing a novel. After that went poorly, I", "most of the advice I found seemed to expect that I had a", "this: how do I take the “plot” I have now and determine what", "the advice I found seemed to expect that I had a particular plot", "of the setting, but I don’t know the genre of the story. That", "on notecards, then putting them in order. After doing that, I would add", "any established plot structure thus far. My process has consisted of writing down", "I take the “plot” I have now and determine what plot structure would", "follow any established plot structure thus far. My process has consisted of writing", "don’t know the genre of the story. That is, I’m not sure what", "middle, but I worry that if I try to write the novel now", "write the novel now with what I have, it will lack proper pacing.", "I have no idea what kind of plot this is. I didn’t follow", "new ideas came to mind. However, I’ve come to the point where I", "found seemed to expect that I had a particular plot template in mind.", "like Freytag’s Pyramid or Hero’s Journey, etc. So! The question is this: *how", "the genre of the setting, but I don’t know the genre of the", "to the point where I no longer know how to go forward, and", "the second attempt, it’s going pretty well. There’s just one problem. I have", "plot structure would fit it best?* I know the genre of the setting,", "no idea what kind of plot this is. I didn’t follow any established" ]
[ "the reader think, and to confuse with the other hints that are really", "I insert some hints of their asexuality throughout the story, as a way", "at the end he is actually asexual. How could I insert some hints", "reader think, and to confuse with the other hints that are really red", "either bisexual or gay, whether either past relationships or flirtation, but is revealed", "the story, there are subtle hints that he is either bisexual or gay,", "to both make the reader think, and to confuse with the other hints", "trying to write a mystery on the protagonist's sexuality. Throughout the story, there", "Throughout the story, there are subtle hints that he is either bisexual or", "revealed at the end he is actually asexual. How could I insert some", "actually asexual. How could I insert some hints of their asexuality throughout the", "story, there are subtle hints that he is either bisexual or gay, whether", "mystery on the protagonist's sexuality. Throughout the story, there are subtle hints that", "I am trying to write a mystery on the protagonist's sexuality. Throughout the", "is either bisexual or gay, whether either past relationships or flirtation, but is", "there are subtle hints that he is either bisexual or gay, whether either", "is actually asexual. How could I insert some hints of their asexuality throughout", "to write a mystery on the protagonist's sexuality. Throughout the story, there are", "my story, I am trying to write a mystery on the protagonist's sexuality.", "hints that he is either bisexual or gay, whether either past relationships or", "he is either bisexual or gay, whether either past relationships or flirtation, but", "gay, whether either past relationships or flirtation, but is revealed at the end", "some hints of their asexuality throughout the story, as a way to both", "hints of their asexuality throughout the story, as a way to both make", "throughout the story, as a way to both make the reader think, and", "relationships or flirtation, but is revealed at the end he is actually asexual.", "of their asexuality throughout the story, as a way to both make the", "insert some hints of their asexuality throughout the story, as a way to", "are subtle hints that he is either bisexual or gay, whether either past", "the protagonist's sexuality. Throughout the story, there are subtle hints that he is", "way to both make the reader think, and to confuse with the other", "subtle hints that he is either bisexual or gay, whether either past relationships", "the end he is actually asexual. How could I insert some hints of", "both make the reader think, and to confuse with the other hints that", "bisexual or gay, whether either past relationships or flirtation, but is revealed at", "story, as a way to both make the reader think, and to confuse", "a mystery on the protagonist's sexuality. Throughout the story, there are subtle hints", "their asexuality throughout the story, as a way to both make the reader", "How could I insert some hints of their asexuality throughout the story, as", "on the protagonist's sexuality. Throughout the story, there are subtle hints that he", "is revealed at the end he is actually asexual. How could I insert", "asexuality throughout the story, as a way to both make the reader think,", "think, and to confuse with the other hints that are really red herrings?", "sexuality. Throughout the story, there are subtle hints that he is either bisexual", "but is revealed at the end he is actually asexual. How could I", "past relationships or flirtation, but is revealed at the end he is actually", "flirtation, but is revealed at the end he is actually asexual. How could", "the story, as a way to both make the reader think, and to", "he is actually asexual. How could I insert some hints of their asexuality", "For my story, I am trying to write a mystery on the protagonist's", "could I insert some hints of their asexuality throughout the story, as a", "story, I am trying to write a mystery on the protagonist's sexuality. Throughout", "write a mystery on the protagonist's sexuality. Throughout the story, there are subtle", "a way to both make the reader think, and to confuse with the", "or gay, whether either past relationships or flirtation, but is revealed at the", "end he is actually asexual. How could I insert some hints of their", "that he is either bisexual or gay, whether either past relationships or flirtation,", "either past relationships or flirtation, but is revealed at the end he is", "am trying to write a mystery on the protagonist's sexuality. Throughout the story,", "or flirtation, but is revealed at the end he is actually asexual. How", "as a way to both make the reader think, and to confuse with", "make the reader think, and to confuse with the other hints that are", "protagonist's sexuality. Throughout the story, there are subtle hints that he is either", "whether either past relationships or flirtation, but is revealed at the end he", "asexual. How could I insert some hints of their asexuality throughout the story," ]
[ "higher rewards for bounties, or he will hold hostage whoever he has \"rescued\"", "some people will hate the protagonist, how can I write him so that", "other stuff he does throughout the story, I am trying to write him", "hostage whoever he has \"rescued\" * Making deals with the \"Evil Empire\", sometimes", "protagonists from the GTA franchise. In other words, while some people will hate", "* Extortion * Numerous troubles due to alcoholism (still does not cure it", "deals with the \"Evil Empire\", sometimes being bribed For this, and other stuff", "to defeat the dark lord. He is not this \"good\" angel, but rather", "* Acts like a typical jerk (in the beginning at least) * Unnecessarily", "dark lord. He is not this \"good\" angel, but rather a murderous anti-hero.", "Empire\", sometimes being bribed For this, and other stuff he does throughout the", "GTA franchise. In other words, while some people will hate the protagonist, how", "cure it at the end) * Acts like a typical jerk (in the", "Blitzo from Helluva Boss or Fumur Linpsan from The Simpsons (earlier seasons). Other", "Fumur Linpsan from The Simpsons (earlier seasons). Other examples can include the protagonists", "Scamming villages and small communities * Extortion * Numerous troubles due to alcoholism", "to be likeable despite all the crimes and terror he commits. For likeability,", "lord. He is not this \"good\" angel, but rather a murderous anti-hero. While", "For likeability, it can be compared to protagonists in adult shows, like for", "While he undergoes character development and growth, he still does numerous horrible things", "Linpsan from The Simpsons (earlier seasons). Other examples can include the protagonists from", "he does throughout the story, I am trying to write him to be", "write him so that they are not too hateable and can have likeability?", "kills many people * Will ask for higher rewards for bounties, or he", "from Helluva Boss or Fumur Linpsan from The Simpsons (earlier seasons). Other examples", "being bribed For this, and other stuff he does throughout the story, I", "all the crimes and terror he commits. For likeability, it can be compared", "for higher rewards for bounties, or he will hold hostage whoever he has", "For this, and other stuff he does throughout the story, I am trying", "the story, I am trying to write him to be likeable despite all", "a murderous anti-hero. While he undergoes character development and growth, he still does", "the end) * Acts like a typical jerk (in the beginning at least)", "to alcoholism (still does not cure it at the end) * Acts like", "He is not this \"good\" angel, but rather a murderous anti-hero. While he", "alcoholism (still does not cure it at the end) * Acts like a", "defeat the dark lord. He is not this \"good\" angel, but rather a", "in adult shows, like for example, Blitzo from Helluva Boss or Fumur Linpsan", "not cure it at the end) * Acts like a typical jerk (in", "trying to write him to be likeable despite all the crimes and terror", "to write him to be likeable despite all the crimes and terror he", "people * Will ask for higher rewards for bounties, or he will hold", "words, while some people will hate the protagonist, how can I write him", "has \"rescued\" * Making deals with the \"Evil Empire\", sometimes being bribed For", "rewards for bounties, or he will hold hostage whoever he has \"rescued\" ", "bribed For this, and other stuff he does throughout the story, I am", "be compared to protagonists in adult shows, like for example, Blitzo from Helluva", "undergoes character development and growth, he still does numerous horrible things including: ", "likeable despite all the crimes and terror he commits. For likeability, it can", "the protagonist, how can I write him so that they are not too", "or he will hold hostage whoever he has \"rescued\" Making deals with", "least) * Unnecessarily kills many people * Will ask for higher rewards for", "In my story, the protagonist is made as a destined chosen one to", "at the end) * Acts like a typical jerk (in the beginning at", "growth, he still does numerous horrible things including: * Scamming villages and small", "character development and growth, he still does numerous horrible things including: * Scamming", "can be compared to protagonists in adult shows, like for example, Blitzo from", "the beginning at least) * Unnecessarily kills many people * Will ask for", "is not this \"good\" angel, but rather a murderous anti-hero. While he undergoes", "* Numerous troubles due to alcoholism (still does not cure it at the", "protagonist is made as a destined chosen one to defeat the dark lord.", "(still does not cure it at the end) * Acts like a typical", "will hate the protagonist, how can I write him so that they are", "it can be compared to protagonists in adult shows, like for example, Blitzo", "things including: * Scamming villages and small communities * Extortion * Numerous troubles", "\"good\" angel, but rather a murderous anti-hero. While he undergoes character development and", "protagonists in adult shows, like for example, Blitzo from Helluva Boss or Fumur", "examples can include the protagonists from the GTA franchise. In other words, while", "other words, while some people will hate the protagonist, how can I write", "throughout the story, I am trying to write him to be likeable despite", "* Scamming villages and small communities * Extortion * Numerous troubles due to", "* Making deals with the \"Evil Empire\", sometimes being bribed For this, and", "Will ask for higher rewards for bounties, or he will hold hostage whoever", "despite all the crimes and terror he commits. For likeability, it can be", "(earlier seasons). Other examples can include the protagonists from the GTA franchise. In", "him to be likeable despite all the crimes and terror he commits. For", "Simpsons* (earlier seasons). Other examples can include the protagonists from the GTA franchise.", "including: * Scamming villages and small communities * Extortion * Numerous troubles due", "with the \"Evil Empire\", sometimes being bribed For this, and other stuff he", "whoever he has \"rescued\" * Making deals with the \"Evil Empire\", sometimes being", "numerous horrible things including: * Scamming villages and small communities * Extortion ", "a destined chosen one to defeat the dark lord. He is not this", "the protagonists from the GTA* franchise. In other words, while some people will", "* Unnecessarily kills many people * Will ask for higher rewards for bounties,", "Unnecessarily kills many people * Will ask for higher rewards for bounties, or", "like a typical jerk (in the beginning at least) * Unnecessarily kills many", "does throughout the story, I am trying to write him to be likeable", "the protagonist is made as a destined chosen one to defeat the dark", "he still does numerous horrible things including: * Scamming villages and small communities", "beginning at least) * Unnecessarily kills many people * Will ask for higher", "bounties, or he will hold hostage whoever he has \"rescued\" * Making deals", "does not cure it at the end) * Acts like a typical jerk", "Boss* or Fumur Linpsan from The Simpsons (earlier seasons). Other examples can include", "how can I write him so that they are not too hateable and", "does numerous horrible things including: * Scamming villages and small communities * Extortion", "a typical jerk (in the beginning at least) * Unnecessarily kills many people", "Helluva Boss or Fumur Linpsan from The Simpsons (earlier seasons). Other examples can", "Numerous troubles due to alcoholism (still does not cure it at the end)", "jerk (in the beginning at least) * Unnecessarily kills many people * Will", "anti-hero. While he undergoes character development and growth, he still does numerous horrible", "this, and other stuff he does throughout the story, I am trying to", "In other words, while some people will hate the protagonist, how can I", "can I write him so that they are not too hateable and can", "I am trying to write him to be likeable despite all the crimes", "from The Simpsons (earlier seasons). Other examples can include the protagonists from the", "hate the protagonist, how can I write him so that they are not", "story, the protagonist is made as a destined chosen one to defeat the", "and growth, he still does numerous horrible things including: * Scamming villages and", "while some people will hate the protagonist, how can I write him so", "small communities * Extortion * Numerous troubles due to alcoholism (still does not", "example, Blitzo from Helluva Boss or Fumur Linpsan from The Simpsons (earlier seasons).", "he undergoes character development and growth, he still does numerous horrible things including:", "compared to protagonists in adult shows, like for example, Blitzo from Helluva Boss", "the GTA franchise. In other words, while some people will hate the protagonist,", "or Fumur Linpsan from The Simpsons (earlier seasons). Other examples can include the", "as a destined chosen one to defeat the dark lord. He is not", "this \"good\" angel, but rather a murderous anti-hero. While he undergoes character development", "murderous anti-hero. While he undergoes character development and growth, he still does numerous", "story, I am trying to write him to be likeable despite all the", "the \"Evil Empire\", sometimes being bribed For this, and other stuff he does", "for example, Blitzo from Helluva Boss or Fumur Linpsan from The Simpsons (earlier", "to protagonists in adult shows, like for example, Blitzo from Helluva Boss or", "seasons). Other examples can include the protagonists from the GTA franchise. In other", "Extortion * Numerous troubles due to alcoholism (still does not cure it at", "rather a murderous anti-hero. While he undergoes character development and growth, he still", "and small communities * Extortion * Numerous troubles due to alcoholism (still does", "and other stuff he does throughout the story, I am trying to write", "and terror he commits. For likeability, it can be compared to protagonists in", "he commits. For likeability, it can be compared to protagonists in adult shows,", "angel, but rather a murderous anti-hero. While he undergoes character development and growth,", "include the protagonists from the GTA franchise. In other words, while some people", "ask for higher rewards for bounties, or he will hold hostage whoever he", "protagonist, how can I write him so that they are not too hateable", "likeability, it can be compared to protagonists in adult shows, like for example,", "terror he commits. For likeability, it can be compared to protagonists in adult", "he has \"rescued\" * Making deals with the \"Evil Empire\", sometimes being bribed", "due to alcoholism (still does not cure it at the end) * Acts", "stuff he does throughout the story, I am trying to write him to", "is made as a destined chosen one to defeat the dark lord. He", "\"Evil Empire\", sometimes being bribed For this, and other stuff he does throughout", "the crimes and terror he commits. For likeability, it can be compared to", "communities * Extortion * Numerous troubles due to alcoholism (still does not cure", "the dark lord. He is not this \"good\" angel, but rather a murderous", "he will hold hostage whoever he has \"rescued\" * Making deals with the", "* Will ask for higher rewards for bounties, or he will hold hostage", "Other examples can include the protagonists from the GTA franchise. In other words,", "\"rescued\" * Making deals with the \"Evil Empire\", sometimes being bribed For this,", "not this \"good\" angel, but rather a murderous anti-hero. While he undergoes character", "one to defeat the dark lord. He is not this \"good\" angel, but", "will hold hostage whoever he has \"rescued\" * Making deals with the \"Evil", "at least) * Unnecessarily kills many people * Will ask for higher rewards", "end) * Acts like a typical jerk (in the beginning at least) ", "crimes and terror he commits. For likeability, it can be compared to protagonists", "chosen one to defeat the dark lord. He is not this \"good\" angel,", "(in the beginning at least) Unnecessarily kills many people * Will ask", "typical jerk (in the beginning at least) * Unnecessarily kills many people ", "from the GTA* franchise. In other words, while some people will hate the", "commits. For likeability, it can be compared to protagonists in adult shows, like", "I write him so that they are not too hateable and can have", "Acts like a typical jerk (in the beginning at least) * Unnecessarily kills", "my story, the protagonist is made as a destined chosen one to defeat", "sometimes being bribed For this, and other stuff he does throughout the story,", "The Simpsons (earlier seasons). Other examples can include the protagonists from the GTA", "horrible things including: * Scamming villages and small communities * Extortion * Numerous", "like for example, Blitzo from Helluva Boss or Fumur Linpsan from The Simpsons", "be likeable despite all the crimes and terror he commits. For likeability, it", "troubles due to alcoholism (still does not cure it at the end) ", "for bounties, or he will hold hostage whoever he has \"rescued\" Making", "destined chosen one to defeat the dark lord. He is not this \"good\"", "it at the end) * Acts like a typical jerk (in the beginning", "write him to be likeable despite all the crimes and terror he commits.", "franchise. In other words, while some people will hate the protagonist, how can", "still does numerous horrible things including: * Scamming villages and small communities ", "can include the protagonists from the GTA* franchise. In other words, while some", "hold hostage whoever he has \"rescued\" * Making deals with the \"Evil Empire\",", "development and growth, he still does numerous horrible things including: * Scamming villages", "am trying to write him to be likeable despite all the crimes and", "shows, like for example, Blitzo from Helluva Boss or Fumur Linpsan from The", "people will hate the protagonist, how can I write him so that they", "Making deals with the \"Evil Empire\", sometimes being bribed For this, and other", "but rather a murderous anti-hero. While he undergoes character development and growth, he", "made as a destined chosen one to defeat the dark lord. He is", "adult shows, like for example, Blitzo from Helluva Boss* or Fumur Linpsan from", "villages and small communities * Extortion * Numerous troubles due to alcoholism (still", "many people * Will ask for higher rewards for bounties, or he will" ]
[ "searches this said thing more in-depth and ends up in misfortunate because of", "without the character being just curious about something? Is there any clever way", "plot without the character being just curious about something? Is there any clever", "create a more exhilarating and exciting plot without the character being just curious", "character being just curious about something? Is there any clever way I can", "curious about something? Is there any clever way I can kind of \"lead\"", "any clever way I can kind of \"lead\" them into the plot and", "thing more in-depth and ends up in misfortunate because of it - pretty", "lot more recently, especially in horror. And something that's been critiqued about my", "about my works is that they center around the whole \"curiosity killed the", "or just forgetting about it, he searches this said thing more in-depth and", "the police or just forgetting about it, he searches this said thing more", "just forgetting about it, he searches this said thing more in-depth and ends", "finds something suspicious, and instead of calling the police or just forgetting about", "Is there any clever way I can kind of \"lead\" them into the", "the cat\" cliché. Guy finds something suspicious, and instead of calling the police", "can I create a more exhilarating and exciting plot without the character being", "standard. So how can I avoid this? How can I create a more", "the plot scary? Sorry if my question seems a little odd; I just", "seems a little odd; I just don't really know how to ask it.", "of it - pretty standard. So how can I avoid this? How can", "been critiqued about my works is that they center around the whole \"curiosity", "\"curiosity killed the cat\" cliché. Guy finds something suspicious, and instead of calling", "question seems a little odd; I just don't really know how to ask", "the plot and keep the plot scary? Sorry if my question seems a", "how can I avoid this? How can I create a more exhilarating and", "I've started to write a lot more recently, especially in horror. And something", "something that's been critiqued about my works is that they center around the", "recently, especially in horror. And something that's been critiqued about my works is", "there any clever way I can kind of \"lead\" them into the plot", "calling the police or just forgetting about it, he searches this said thing", "because of it - pretty standard. So how can I avoid this? How", "the character being just curious about something? Is there any clever way I", "my question seems a little odd; I just don't really know how to", "the whole \"curiosity killed the cat\" cliché. Guy finds something suspicious, and instead", "Guy finds something suspicious, and instead of calling the police or just forgetting", "started to write a lot more recently, especially in horror. And something that's", "in horror. And something that's been critiqued about my works is that they", "I avoid this? How can I create a more exhilarating and exciting plot", "horror. And something that's been critiqued about my works is that they center", "something suspicious, and instead of calling the police or just forgetting about it,", "suspicious, and instead of calling the police or just forgetting about it, he", "being just curious about something? Is there any clever way I can kind", "a more exhilarating and exciting plot without the character being just curious about", "a lot more recently, especially in horror. And something that's been critiqued about", "killed the cat\" cliché. Guy finds something suspicious, and instead of calling the", "and exciting plot without the character being just curious about something? Is there", "I create a more exhilarating and exciting plot without the character being just", "plot scary? Sorry if my question seems a little odd; I just don't", "that's been critiqued about my works is that they center around the whole", "- pretty standard. So how can I avoid this? How can I create", "is that they center around the whole \"curiosity killed the cat\" cliché. Guy", "in-depth and ends up in misfortunate because of it - pretty standard. So", "he searches this said thing more in-depth and ends up in misfortunate because", "whole \"curiosity killed the cat\" cliché. Guy finds something suspicious, and instead of", "way I can kind of \"lead\" them into the plot and keep the", "plot and keep the plot scary? Sorry if my question seems a little", "my works is that they center around the whole \"curiosity killed the cat\"", "especially in horror. And something that's been critiqued about my works is that", "can I avoid this? How can I create a more exhilarating and exciting", "it, he searches this said thing more in-depth and ends up in misfortunate", "more recently, especially in horror. And something that's been critiqued about my works", "something? Is there any clever way I can kind of \"lead\" them into", "can kind of \"lead\" them into the plot and keep the plot scary?", "scary? Sorry if my question seems a little odd; I just don't really", "this said thing more in-depth and ends up in misfortunate because of it", "cat\" cliché. Guy finds something suspicious, and instead of calling the police or", "about something? Is there any clever way I can kind of \"lead\" them", "write a lot more recently, especially in horror. And something that's been critiqued", "misfortunate because of it - pretty standard. So how can I avoid this?", "pretty standard. So how can I avoid this? How can I create a", "instead of calling the police or just forgetting about it, he searches this", "works is that they center around the whole \"curiosity killed the cat\" cliché.", "just curious about something? Is there any clever way I can kind of", "center around the whole \"curiosity killed the cat\" cliché. Guy finds something suspicious,", "around the whole \"curiosity killed the cat\" cliché. Guy finds something suspicious, and", "of calling the police or just forgetting about it, he searches this said", "to write a lot more recently, especially in horror. And something that's been", "into the plot and keep the plot scary? Sorry if my question seems", "exciting plot without the character being just curious about something? Is there any", "So how can I avoid this? How can I create a more exhilarating", "How can I create a more exhilarating and exciting plot without the character", "and keep the plot scary? Sorry if my question seems a little odd;", "this? How can I create a more exhilarating and exciting plot without the", "up in misfortunate because of it - pretty standard. So how can I", "critiqued about my works is that they center around the whole \"curiosity killed", "they center around the whole \"curiosity killed the cat\" cliché. Guy finds something", "and instead of calling the police or just forgetting about it, he searches", "exhilarating and exciting plot without the character being just curious about something? Is", "in misfortunate because of it - pretty standard. So how can I avoid", "more exhilarating and exciting plot without the character being just curious about something?", "Sorry if my question seems a little odd; I just don't really know", "kind of \"lead\" them into the plot and keep the plot scary? Sorry", "more in-depth and ends up in misfortunate because of it - pretty standard.", "police or just forgetting about it, he searches this said thing more in-depth", "keep the plot scary? Sorry if my question seems a little odd; I", "And something that's been critiqued about my works is that they center around", "said thing more in-depth and ends up in misfortunate because of it -", "forgetting about it, he searches this said thing more in-depth and ends up", "and ends up in misfortunate because of it - pretty standard. So how", "\"lead\" them into the plot and keep the plot scary? Sorry if my", "cliché. Guy finds something suspicious, and instead of calling the police or just", "if my question seems a little odd; I just don't really know how", "ends up in misfortunate because of it - pretty standard. So how can", "avoid this? How can I create a more exhilarating and exciting plot without", "that they center around the whole \"curiosity killed the cat\" cliché. Guy finds", "of \"lead\" them into the plot and keep the plot scary? Sorry if", "it - pretty standard. So how can I avoid this? How can I", "I can kind of \"lead\" them into the plot and keep the plot", "clever way I can kind of \"lead\" them into the plot and keep", "them into the plot and keep the plot scary? Sorry if my question", "about it, he searches this said thing more in-depth and ends up in" ]
[ "apply to copyright my deceased brother's book, do I do it in my", "When I apply to copyright my deceased brother's book, do I do it", "to copyright my deceased brother's book, do I do it in my name?", "I apply to copyright my deceased brother's book, do I do it in" ]
[ "\"hero's journey\" story framework to make it fit the Japanese \"[kishotenketsu](https://en.wikipedia.org/wiki/Kish%C5%8Dtenketsu#Japan)\" story framework?", "would you adjust the western \"hero's journey\" story framework to make it fit", "you adjust the western \"hero's journey\" story framework to make it fit the", "adjust the western \"hero's journey\" story framework to make it fit the Japanese", "western \"hero's journey\" story framework to make it fit the Japanese \"[kishotenketsu](https://en.wikipedia.org/wiki/Kish%C5%8Dtenketsu#Japan)\" story", "the western \"hero's journey\" story framework to make it fit the Japanese \"[kishotenketsu](https://en.wikipedia.org/wiki/Kish%C5%8Dtenketsu#Japan)\"", "How would you adjust the western \"hero's journey\" story framework to make it" ]
[ "a chapter really depends on the flow of ideas in my head. Sometimes", "me for weeks which completely derails my time table (and consequently disrupts my", "finish a chapter in 1 day. Then there are times when nothing creative", "you create and then stick to a time table of milestones? I've created", "of milestones? I've created schedules a hundred times (e.g. this week I will", "have completed chapter number so and so), but finishing a chapter really depends", "so), but finishing a chapter really depends on the flow of ideas in", "times (e.g. this week I will have completed chapter number so and so),", "head. Sometimes I finish a chapter in 1 day. Then there are times", "milestones? I've created schedules a hundred times (e.g. this week I will have", "chapter really depends on the flow of ideas in my head. Sometimes I", "to a time table of milestones? I've created schedules a hundred times (e.g.", "stick to a time table of milestones? I've created schedules a hundred times", "of ideas in my head. Sometimes I finish a chapter in 1 day.", "and then stick to a time table of milestones? I've created schedules a", "a hundred times (e.g. this week I will have completed chapter number so", "really depends on the flow of ideas in my head. Sometimes I finish", "completed chapter number so and so), but finishing a chapter really depends on", "I've created schedules a hundred times (e.g. this week I will have completed", "in my head. Sometimes I finish a chapter in 1 day. Then there", "for weeks which completely derails my time table (and consequently disrupts my discipline).", "times when nothing creative comes to me for weeks which completely derails my", "so and so), but finishing a chapter really depends on the flow of", "on the flow of ideas in my head. Sometimes I finish a chapter", "to me for weeks which completely derails my time table (and consequently disrupts", "When it comes to creative writing, how do you create and then stick", "creative writing, how do you create and then stick to a time table", "comes to me for weeks which completely derails my time table (and consequently", "will have completed chapter number so and so), but finishing a chapter really", "number so and so), but finishing a chapter really depends on the flow", "but finishing a chapter really depends on the flow of ideas in my", "Then there are times when nothing creative comes to me for weeks which", "chapter number so and so), but finishing a chapter really depends on the", "are times when nothing creative comes to me for weeks which completely derails", "weeks which completely derails my time table (and consequently disrupts my discipline). Any", "created schedules a hundred times (e.g. this week I will have completed chapter", "finishing a chapter really depends on the flow of ideas in my head.", "there are times when nothing creative comes to me for weeks which completely", "do you create and then stick to a time table of milestones? I've", "writing, how do you create and then stick to a time table of", "schedules a hundred times (e.g. this week I will have completed chapter number", "ideas in my head. Sometimes I finish a chapter in 1 day. Then", "time table of milestones? I've created schedules a hundred times (e.g. this week", "table of milestones? I've created schedules a hundred times (e.g. this week I", "it comes to creative writing, how do you create and then stick to", "week I will have completed chapter number so and so), but finishing a", "hundred times (e.g. this week I will have completed chapter number so and", "and so), but finishing a chapter really depends on the flow of ideas", "creative comes to me for weeks which completely derails my time table (and", "flow of ideas in my head. Sometimes I finish a chapter in 1", "Sometimes I finish a chapter in 1 day. Then there are times when", "1 day. Then there are times when nothing creative comes to me for", "this week I will have completed chapter number so and so), but finishing", "how do you create and then stick to a time table of milestones?", "the flow of ideas in my head. Sometimes I finish a chapter in", "when nothing creative comes to me for weeks which completely derails my time", "depends on the flow of ideas in my head. Sometimes I finish a", "comes to creative writing, how do you create and then stick to a", "then stick to a time table of milestones? I've created schedules a hundred", "(e.g. this week I will have completed chapter number so and so), but", "my head. Sometimes I finish a chapter in 1 day. Then there are", "a time table of milestones? I've created schedules a hundred times (e.g. this", "a chapter in 1 day. Then there are times when nothing creative comes", "I finish a chapter in 1 day. Then there are times when nothing", "day. Then there are times when nothing creative comes to me for weeks", "to creative writing, how do you create and then stick to a time", "chapter in 1 day. Then there are times when nothing creative comes to", "in 1 day. Then there are times when nothing creative comes to me", "create and then stick to a time table of milestones? I've created schedules", "I will have completed chapter number so and so), but finishing a chapter", "which completely derails my time table (and consequently disrupts my discipline). Any tips?", "nothing creative comes to me for weeks which completely derails my time table" ]
[ "communicate with different languages and barriers, but without too much filler of having", "and tritagonists unfortunately do not have that luxury. While a few are at", "for trying to have character communicate with different languages and barriers, but without", "problem with the worldbuilding I have is the immense number of different languages.", "there is already a solution for the protagonist (his enchanted helmet \"translates\" the", "a huge, diverse amount of kingdoms/nations and languages. The story involves the main", "the current story takes place on the main four continents. While the third", "different languages and barriers, but without too much filler of having to constantly", "the other continents have a huge, diverse amount of kingdoms/nations and languages. The", "with different languages and barriers, but without too much filler of having to", "try and make diplomatic alliances. One problem with the worldbuilding I have is", "major languages,) deuteragonists and tritagonists unfortunately do not have that luxury. While a", "few are at least bilingual, the rest only know one language. What is", "languages. While there is already a solution for the protagonist (his enchanted helmet", "to write the story for an RPG I will make in the future.", "story involves the main character, a destined \"chosen one\", having to go all", "I will make in the future. The world itself is huge with multiple", "character communicate with different languages and barriers, but without too much filler of", "future. The world itself is huge with multiple continents and landmasses, but the", "the main character, a destined \"chosen one\", having to go all over the", "in the future. The world itself is huge with multiple continents and landmasses,", "The world itself is huge with multiple continents and landmasses, but the current", "is already a solution for the protagonist (his enchanted helmet \"translates\" the major", "have character communicate with different languages and barriers, but without too much filler", "involves the main character, a destined \"chosen one\", having to go all over", "barriers, but without too much filler of having to constantly learn a new", "to try and make diplomatic alliances. One problem with the worldbuilding I have", "bilingual, the rest only know one language. What is some advice for trying", "to have character communicate with different languages and barriers, but without too much", "unfortunately do not have that luxury. While a few are at least bilingual,", "luxury. While a few are at least bilingual, the rest only know one", "the story for an RPG I will make in the future. The world", "language. What is some advice for trying to have character communicate with different", "I am trying to write the story for an RPG I will make", "am trying to write the story for an RPG I will make in", "make in the future. The world itself is huge with multiple continents and", "the main four continents. While the third continent is an empire, the other", "other continents have a huge, diverse amount of kingdoms/nations and languages. The story", "already a solution for the protagonist (his enchanted helmet \"translates\" the major languages,)", "While the third continent is an empire, the other continents have a huge,", "over the main continents to try and make diplomatic alliances. One problem with", "One problem with the worldbuilding I have is the immense number of different", "only know one language. What is some advice for trying to have character", "empire, the other continents have a huge, diverse amount of kingdoms/nations and languages.", "the third continent is an empire, the other continents have a huge, diverse", "for an RPG I will make in the future. The world itself is", "to go all over the main continents to try and make diplomatic alliances.", "will make in the future. The world itself is huge with multiple continents", "helmet \"translates\" the major languages,) deuteragonists and tritagonists unfortunately do not have that", "third continent is an empire, the other continents have a huge, diverse amount", "solution for the protagonist (his enchanted helmet \"translates\" the major languages,) deuteragonists and", "have a huge, diverse amount of kingdoms/nations and languages. The story involves the", "write the story for an RPG I will make in the future. The", "an RPG I will make in the future. The world itself is huge", "languages and barriers, but without too much filler of having to constantly learn", "languages,) deuteragonists and tritagonists unfortunately do not have that luxury. While a few", "some advice for trying to have character communicate with different languages and barriers,", "main four continents. While the third continent is an empire, the other continents", "the future. The world itself is huge with multiple continents and landmasses, but", "the major languages,) deuteragonists and tritagonists unfortunately do not have that luxury. While", "alliances. One problem with the worldbuilding I have is the immense number of", "world itself is huge with multiple continents and landmasses, but the current story", "having to go all over the main continents to try and make diplomatic", "of kingdoms/nations and languages. The story involves the main character, a destined \"chosen", "advice for trying to have character communicate with different languages and barriers, but", "landmasses, but the current story takes place on the main four continents. While", "While a few are at least bilingual, the rest only know one language.", "one language. What is some advice for trying to have character communicate with", "number of different languages. While there is already a solution for the protagonist", "itself is huge with multiple continents and landmasses, but the current story takes", "on the main four continents. While the third continent is an empire, the", "and make diplomatic alliances. One problem with the worldbuilding I have is the", "\"translates\" the major languages,) deuteragonists and tritagonists unfortunately do not have that luxury.", "story for an RPG I will make in the future. The world itself", "tritagonists unfortunately do not have that luxury. While a few are at least", "a few are at least bilingual, the rest only know one language. What", "continent is an empire, the other continents have a huge, diverse amount of", "continents have a huge, diverse amount of kingdoms/nations and languages. The story involves", "go all over the main continents to try and make diplomatic alliances. One", "immense number of different languages. While there is already a solution for the", "different languages. While there is already a solution for the protagonist (his enchanted", "continents. While the third continent is an empire, the other continents have a", "main continents to try and make diplomatic alliances. One problem with the worldbuilding", "but the current story takes place on the main four continents. While the", "diplomatic alliances. One problem with the worldbuilding I have is the immense number", "the rest only know one language. What is some advice for trying to", "trying to write the story for an RPG I will make in the", "trying to have character communicate with different languages and barriers, but without too", "\"chosen one\", having to go all over the main continents to try and", "(his enchanted helmet \"translates\" the major languages,) deuteragonists and tritagonists unfortunately do not", "RPG I will make in the future. The world itself is huge with", "that luxury. While a few are at least bilingual, the rest only know", "with multiple continents and landmasses, but the current story takes place on the", "While there is already a solution for the protagonist (his enchanted helmet \"translates\"", "and landmasses, but the current story takes place on the main four continents.", "main character, a destined \"chosen one\", having to go all over the main", "one\", having to go all over the main continents to try and make", "current story takes place on the main four continents. While the third continent", "an empire, the other continents have a huge, diverse amount of kingdoms/nations and", "a solution for the protagonist (his enchanted helmet \"translates\" the major languages,) deuteragonists", "all over the main continents to try and make diplomatic alliances. One problem", "I have is the immense number of different languages. While there is already", "deuteragonists and tritagonists unfortunately do not have that luxury. While a few are", "is some advice for trying to have character communicate with different languages and", "worldbuilding I have is the immense number of different languages. While there is", "the immense number of different languages. While there is already a solution for", "and languages. The story involves the main character, a destined \"chosen one\", having", "diverse amount of kingdoms/nations and languages. The story involves the main character, a", "is huge with multiple continents and landmasses, but the current story takes place", "have is the immense number of different languages. While there is already a", "place on the main four continents. While the third continent is an empire,", "least bilingual, the rest only know one language. What is some advice for", "but without too much filler of having to constantly learn a new language?", "four continents. While the third continent is an empire, the other continents have", "story takes place on the main four continents. While the third continent is", "with the worldbuilding I have is the immense number of different languages. While", "at least bilingual, the rest only know one language. What is some advice", "continents and landmasses, but the current story takes place on the main four", "kingdoms/nations and languages. The story involves the main character, a destined \"chosen one\",", "know one language. What is some advice for trying to have character communicate", "huge, diverse amount of kingdoms/nations and languages. The story involves the main character,", "amount of kingdoms/nations and languages. The story involves the main character, a destined", "a destined \"chosen one\", having to go all over the main continents to", "protagonist (his enchanted helmet \"translates\" the major languages,) deuteragonists and tritagonists unfortunately do", "have that luxury. While a few are at least bilingual, the rest only", "huge with multiple continents and landmasses, but the current story takes place on", "are at least bilingual, the rest only know one language. What is some", "What is some advice for trying to have character communicate with different languages", "the worldbuilding I have is the immense number of different languages. While there", "for the protagonist (his enchanted helmet \"translates\" the major languages,) deuteragonists and tritagonists", "multiple continents and landmasses, but the current story takes place on the main", "is the immense number of different languages. While there is already a solution", "rest only know one language. What is some advice for trying to have", "character, a destined \"chosen one\", having to go all over the main continents", "continents to try and make diplomatic alliances. One problem with the worldbuilding I", "is an empire, the other continents have a huge, diverse amount of kingdoms/nations", "destined \"chosen one\", having to go all over the main continents to try", "enchanted helmet \"translates\" the major languages,) deuteragonists and tritagonists unfortunately do not have", "takes place on the main four continents. While the third continent is an", "not have that luxury. While a few are at least bilingual, the rest", "The story involves the main character, a destined \"chosen one\", having to go", "languages. The story involves the main character, a destined \"chosen one\", having to", "and barriers, but without too much filler of having to constantly learn a", "the main continents to try and make diplomatic alliances. One problem with the", "make diplomatic alliances. One problem with the worldbuilding I have is the immense", "the protagonist (his enchanted helmet \"translates\" the major languages,) deuteragonists and tritagonists unfortunately", "of different languages. While there is already a solution for the protagonist (his", "do not have that luxury. While a few are at least bilingual, the" ]
[ "sorry if this is the wrong place to ask. I wasn't sure where", "image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong place to ask.", "trying to refer to a piece like it in my story, but I", "know the proper term for it. I'm guessing a tunic or a tabard?", "in my story, but I don't know the proper term for it. I'm", "or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the", "my story, but I don't know the proper term for it. I'm guessing", "refer to a piece like it in my story, but I don't know", "it. I'm guessing a tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS", "tell me what the white garment underneath his armor would be called in", "like it in my story, but I don't know the proper term for", "what the white garment underneath his armor would be called in this picture?", "I'm guessing a tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry", "I'm trying to refer to a piece like it in my story, but", "but I don't know the proper term for it. I'm guessing a tunic", "armor would be called in this picture? I'm trying to refer to a", "to a piece like it in my story, but I don't know the", "term for it. I'm guessing a tunic or a tabard? [![enter image description", "if this is the wrong place to ask. I wasn't sure where to", "don't know the proper term for it. I'm guessing a tunic or a", "description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong place to ask. I", "this is the wrong place to ask. I wasn't sure where to put", "guessing a tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if", "the white garment underneath his armor would be called in this picture? I'm", "piece like it in my story, but I don't know the proper term", "I don't know the proper term for it. I'm guessing a tunic or", "this picture? I'm trying to refer to a piece like it in my", "PS sorry if this is the wrong place to ask. I wasn't sure", "is the wrong place to ask. I wasn't sure where to put it!", "his armor would be called in this picture? I'm trying to refer to", "here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong place to ask. I wasn't", "proper term for it. I'm guessing a tunic or a tabard? [![enter image", "Can someone please tell me what the white garment underneath his armor would", "for it. I'm guessing a tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg)", "be called in this picture? I'm trying to refer to a piece like", "picture? I'm trying to refer to a piece like it in my story,", "to refer to a piece like it in my story, but I don't", "a tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this", "a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong", "a piece like it in my story, but I don't know the proper", "called in this picture? I'm trying to refer to a piece like it", "would be called in this picture? I'm trying to refer to a piece", "in this picture? I'm trying to refer to a piece like it in", "someone please tell me what the white garment underneath his armor would be", "tunic or a tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is", "tabard? [![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong place", "underneath his armor would be called in this picture? I'm trying to refer", "me what the white garment underneath his armor would be called in this", "garment underneath his armor would be called in this picture? I'm trying to", "story, but I don't know the proper term for it. I'm guessing a", "please tell me what the white garment underneath his armor would be called", "the proper term for it. I'm guessing a tunic or a tabard? [![enter", "[![enter image description here](https://i.stack.imgur.com/ZM59g.jpg)](https://i.stack.imgur.com/ZM59g.jpg) PS sorry if this is the wrong place to", "it in my story, but I don't know the proper term for it.", "white garment underneath his armor would be called in this picture? I'm trying" ]
[ "also be written as > > \"I waited for you for a whole", "I have deliberately chosen a dialogue where it is possible to use tags", "is quite a shabby one,\" retorted Joor. > > > \"It is nevertheless,", "- which makes them acceptable. However, in a more general context a continual", "question - is it OK to leave out tags altogether once the identity", "a dialogue between two people. To take an example > > \"I waited", "said* and she said by way of tag makes the exchange feel rather", "> \"I really am sorry. I was so engrossed in my book that", "deliberately chosen a dialogue where it is possible to use tags that somehow", "dialogue between two people. To take an example > > \"I waited for", "did not > notice the time,\" replied Jumez, sheepishly. > > > \"As", "non-conversational tags when writing a dialogue between two people. To take an example", "Joor. > > > \"It is nevertheless, the only one I have,\" Jumez", "is quite a shabby one.\" > > > \"It is nevertheless, the only", "one,\" retorted Joor. > > > \"It is nevertheless, the only one I", "more general context a continual repetition of he said and she said by", "and she said by way of tag makes the exchange feel rather stilted", "engrossed in my book that I did not > notice the time,\" replied", "not > notice the time,\" replied Jumez, sheepishly. > > > \"As excuses", "context a continual repetition of he said and she said by way of", "- is it OK to leave out tags altogether once the identity of", "> > \"I really am sorry. I was so engrossed in my book", "However, in a more general context a continual repetition of he said and", "tags when writing a dialogue between two people. To take an example >", "it is possible to use tags that somehow qualify the nature of the", "have deliberately chosen a dialogue where it is possible to use tags that", "In this example I have deliberately chosen a dialogue where it is possible", "the only one I have,\" Jumez answered defensively. > > > which could", "> \"I waited for you for a whole hour!\" said Joor, as she", "two people. To take an example > > \"I waited for you for", "when writing a dialogue between two people. To take an example > >", "> > > In this example I have deliberately chosen a dialogue where", "take an example > > \"I waited for you for a whole hour!\"", "\"I waited for you for a whole hour!\" said Joor, as she entered", "hour!\" said Joor, as she entered the > room. > > > \"I", "> > \"I waited for you for a whole hour!\" said Joor, as", "writing a dialogue between two people. To take an example > > \"I", "really am sorry. I was so engrossed in my book that I did", "in a more general context a continual repetition of he said and she", "> \"As excuses go, that is quite a shabby one,\" retorted Joor. >", "quite a shabby one,\" retorted Joor. > > > \"It is nevertheless, the", "a shabby one,\" retorted Joor. > > > \"It is nevertheless, the only", "excuses go, that is quite a shabby one,\" retorted Joor. > > >", "the identity of the characters has been established? Is this more of a", "as > > \"I waited for you for a whole hour!\" said Joor,", "a whole hour!\" said Joor, as she entered the > room. > >", "\"As excuses go, that is quite a shabby one,\" retorted Joor. > >", "Joor, as she entered the > room. > > > \"I really am", "a continual repetition of he said* and she said by way of tag", "> \"It is nevertheless, the only one I have.\" > > > In", "out non-conversational tags when writing a dialogue between two people. To take an", "\"It is nevertheless, the only one I have.\" > > > In this", "stilted - at least to my eye. My question - is it OK", "> > > \"As excuses go, that is quite a shabby one.\" >", "to leave out tags altogether once the identity of the characters has been", "I did not > notice the time,\" replied Jumez, sheepishly. > > >", "the time,\" replied Jumez, sheepishly. > > > \"As excuses go, that is", "she entered the > room. > > > \"I really am sorry. I", "the response - which makes them acceptable. However, in a more general context", "is it OK to leave out tags altogether once the identity of the", "to use tags that somehow qualify the nature of the response - which", "nevertheless, the only one I have,\" Jumez answered defensively. > > > which", "which could also be written as > > \"I waited for you for", "you for a whole hour!\" said Joor, as she entered the > room.", "be written as > > \"I waited for you for a whole hour!\"", "answered defensively. > > > which could also be written as > >", "only one I have,\" Jumez answered defensively. > > > which could also", "acceptable to leave out non-conversational tags when writing a dialogue between two people.", "out tags altogether once the identity of the characters has been established? Is", "notice the time,\" replied Jumez, sheepishly. > > > \"As excuses go, that", "repetition of he said and she said by way of tag makes the", "exchange feel rather stilted - at least to my eye. My question -", "> > In this example I have deliberately chosen a dialogue where it", "for a whole hour!\" said Joor, as she entered the > room. >", "have.\" > > > In this example I have deliberately chosen a dialogue", "tags altogether once the identity of the characters has been established? Is this", "so engrossed in my book that I did not > notice the time,\"", "defensively. > > > which could also be written as > > \"I", "once the identity of the characters has been established? Is this more of", "it OK to leave out tags altogether once the identity of the characters", "identity of the characters has been established? Is this more of a stylistic", "in my book that I did not > notice the time,\" replied Jumez,", "only one I have.\" > > > In this example I have deliberately", "My question - is it OK to leave out tags altogether once the", "been established? Is this more of a stylistic decision or one that is", "makes them acceptable. However, in a more general context a continual repetition of", "\"It is nevertheless, the only one I have,\" Jumez answered defensively. > >", "Is it acceptable to leave out non-conversational tags when writing a dialogue between", "was so engrossed in my book that I did not > notice the", "> notice the time,\" replied Jumez, sheepishly. > > > \"As excuses go,", "the characters has been established? Is this more of a stylistic decision or", "which makes them acceptable. However, in a more general context a continual repetition", "more of a stylistic decision or one that is dictated by well accepted", "- at least to my eye. My question - is it OK to", "I have.\" > > > In this example I have deliberately chosen a", "entered the > room. > > > \"I really am sorry. I was", "nevertheless, the only one I have.\" > > > In this example I", "one I have.\" > > > In this example I have deliberately chosen", "dialogue where it is possible to use tags that somehow qualify the nature", "the > room. > > > \"I really am sorry. I was so", "\"I really am sorry. I was so engrossed in my book that I", "> \"It is nevertheless, the only one I have,\" Jumez answered defensively. >", "to my eye. My question - is it OK to leave out tags", "the exchange feel rather stilted - at least to my eye. My question", "room. > > > \"I really am sorry. I was so engrossed in", "has been established? Is this more of a stylistic decision or one that", "characters has been established? Is this more of a stylistic decision or one", "> room. > > > \"I really am sorry. I was so engrossed", "> > > \"As excuses go, that is quite a shabby one,\" retorted", "> > \"As excuses go, that is quite a shabby one.\" > >", "at least to my eye. My question - is it OK to leave", "> > > \"I really am sorry. I was so engrossed in my", "my book that I did not > notice the time,\" replied Jumez, sheepishly.", "sheepishly. > > > \"As excuses go, that is quite a shabby one,\"", "replied Jumez, sheepishly. > > > \"As excuses go, that is quite a", "that somehow qualify the nature of the response - which makes them acceptable.", "use tags that somehow qualify the nature of the response - which makes", "a more general context a continual repetition of he said and she said", "rather stilted - at least to my eye. My question - is it", "> which could also be written as > > \"I waited for you", "have,\" Jumez answered defensively. > > > which could also be written as", "tags that somehow qualify the nature of the response - which makes them", "said* by way of tag makes the exchange feel rather stilted - at", "least to my eye. My question - is it OK to leave out", "general context a continual repetition of he said and she said by way", "that I did not > notice the time,\" replied Jumez, sheepishly. > >", "a dialogue where it is possible to use tags that somehow qualify the", "> In this example I have deliberately chosen a dialogue where it is", "that is quite a shabby one.\" > > > \"It is nevertheless, the", "> \"As excuses go, that is quite a shabby one.\" > > >", "is possible to use tags that somehow qualify the nature of the response", "where it is possible to use tags that somehow qualify the nature of", "acceptable. However, in a more general context a continual repetition of he said", "> > > \"It is nevertheless, the only one I have,\" Jumez answered", "to leave out non-conversational tags when writing a dialogue between two people. To", "I was so engrossed in my book that I did not > notice", "by way of tag makes the exchange feel rather stilted - at least", "book that I did not > notice the time,\" replied Jumez, sheepishly. >", "way of tag makes the exchange feel rather stilted - at least to", "nature of the response - which makes them acceptable. However, in a more", "one I have,\" Jumez answered defensively. > > > which could also be", "the only one I have.\" > > > In this example I have", "said Joor, as she entered the > room. > > > \"I really", "> > > which could also be written as > > \"I waited", "she said by way of tag makes the exchange feel rather stilted -", "is nevertheless, the only one I have,\" Jumez answered defensively. > > >", "possible to use tags that somehow qualify the nature of the response -", "makes the exchange feel rather stilted - at least to my eye. My", "leave out tags altogether once the identity of the characters has been established?", "the nature of the response - which makes them acceptable. However, in a", "example > > \"I waited for you for a whole hour!\" said Joor,", "retorted Joor. > > > \"It is nevertheless, the only one I have,\"", "continual repetition of he said and she said by way of tag makes", "eye. My question - is it OK to leave out tags altogether once", "Is this more of a stylistic decision or one that is dictated by", "of tag makes the exchange feel rather stilted - at least to my", "altogether once the identity of the characters has been established? Is this more", "of the characters has been established? Is this more of a stylistic decision", "waited for you for a whole hour!\" said Joor, as she entered the", "an example > > \"I waited for you for a whole hour!\" said", "them acceptable. However, in a more general context a continual repetition of he", "shabby one,\" retorted Joor. > > > \"It is nevertheless, the only one", "excuses go, that is quite a shabby one.\" > > > \"It is", "> > \"It is nevertheless, the only one I have,\" Jumez answered defensively.", "Jumez answered defensively. > > > which could also be written as >", "go, that is quite a shabby one,\" retorted Joor. > > > \"It", "am sorry. I was so engrossed in my book that I did not", "sorry. I was so engrossed in my book that I did not >", "chosen a dialogue where it is possible to use tags that somehow qualify", "my eye. My question - is it OK to leave out tags altogether", "Jumez, sheepishly. > > > \"As excuses go, that is quite a shabby", "qualify the nature of the response - which makes them acceptable. However, in", "somehow qualify the nature of the response - which makes them acceptable. However,", "> > \"As excuses go, that is quite a shabby one,\" retorted Joor.", "a shabby one.\" > > > \"It is nevertheless, the only one I", "of a stylistic decision or one that is dictated by well accepted rules?", "could also be written as > > \"I waited for you for a", "is nevertheless, the only one I have.\" > > > In this example", "he said* and she said by way of tag makes the exchange feel", "shabby one.\" > > > \"It is nevertheless, the only one I have.\"", "> > which could also be written as > > \"I waited for", "sheepishly. > > > \"As excuses go, that is quite a shabby one.\"", "it acceptable to leave out non-conversational tags when writing a dialogue between two", "established? Is this more of a stylistic decision or one that is dictated", "> > > \"It is nevertheless, the only one I have.\" > >", "response - which makes them acceptable. However, in a more general context a", "one.\" > > > \"It is nevertheless, the only one I have.\" >", "written as > > \"I waited for you for a whole hour!\" said", "this example I have deliberately chosen a dialogue where it is possible to", "go, that is quite a shabby one.\" > > > \"It is nevertheless,", "tag makes the exchange feel rather stilted - at least to my eye.", "of the response - which makes them acceptable. However, in a more general", "\"As excuses go, that is quite a shabby one.\" > > > \"It", "whole hour!\" said Joor, as she entered the > room. > > >", "leave out non-conversational tags when writing a dialogue between two people. To take", "as she entered the > room. > > > \"I really am sorry.", "time,\" replied Jumez, sheepishly. > > > \"As excuses go, that is quite", "I have,\" Jumez answered defensively. > > > which could also be written", "between two people. To take an example > > \"I waited for you", "people. To take an example > > \"I waited for you for a", "of he said and she said by way of tag makes the exchange", "feel rather stilted - at least to my eye. My question - is", "OK to leave out tags altogether once the identity of the characters has", "for you for a whole hour!\" said Joor, as she entered the >", "quite a shabby one.\" > > > \"It is nevertheless, the only one", "example I have deliberately chosen a dialogue where it is possible to use", "that is quite a shabby one,\" retorted Joor. > > > \"It is", "this more of a stylistic decision or one that is dictated by well", "> > \"It is nevertheless, the only one I have.\" > > >", "To take an example > > \"I waited for you for a whole" ]
[ "In my story I'm gonna have the main character's dog die. I want", "stretched out. What would the best way to go about doing this be?", "death is really quick, but the main character screaming is stretched out. What", "quick, but the main character screaming is stretched out. What would the best", "gonna have the main character's dog die. I want to make it seem", "it seem like the dog's death is really quick, but the main character", "dog die. I want to make it seem like the dog's death is", "character's dog die. I want to make it seem like the dog's death", "my story I'm gonna have the main character's dog die. I want to", "make it seem like the dog's death is really quick, but the main", "the dog's death is really quick, but the main character screaming is stretched", "I'm gonna have the main character's dog die. I want to make it", "want to make it seem like the dog's death is really quick, but", "like the dog's death is really quick, but the main character screaming is", "but the main character screaming is stretched out. What would the best way", "have the main character's dog die. I want to make it seem like", "main character's dog die. I want to make it seem like the dog's", "main character screaming is stretched out. What would the best way to go", "character screaming is stretched out. What would the best way to go about", "the main character's dog die. I want to make it seem like the", "really quick, but the main character screaming is stretched out. What would the", "story I'm gonna have the main character's dog die. I want to make", "is stretched out. What would the best way to go about doing this", "I want to make it seem like the dog's death is really quick,", "seem like the dog's death is really quick, but the main character screaming", "is really quick, but the main character screaming is stretched out. What would", "dog's death is really quick, but the main character screaming is stretched out.", "die. I want to make it seem like the dog's death is really", "to make it seem like the dog's death is really quick, but the", "the main character screaming is stretched out. What would the best way to", "screaming is stretched out. What would the best way to go about doing" ]
[ "with an omnipotent being who is evil, sadistic and likes to take away", "have an omnipotent villain, and a non omnipotent protagonist. I want it to", "want to have an omnipotent villain, and a non omnipotent protagonist. I want", "make a average person be able to cope with being tortured by a", "want it to be about how a normal person deal with an omnipotent", "normal person deal with an omnipotent being who is evil, sadistic and likes", "being who is evil, sadistic and likes to take away everything the person", "sadistic and likes to take away everything the person can use to make", "away everything the person can use to make themselves feel better. How can", "to make themselves feel better. How can I make the human protagonist realistically", "average person be able to cope with being tortured by a omnipotent being?", "and a non omnipotent protagonist. I want it to be about how a", "likes to take away everything the person can use to make themselves feel", "omnipotent protagonist. I want it to be about how a normal person deal", "the human protagonist realistically deal with an evil villain who can literally do", "how a normal person deal with an omnipotent being who is evil, sadistic", "be able to cope with being tortured by a omnipotent being? I want", "being? I want to have an omnipotent villain, and a non omnipotent protagonist.", "take away everything the person can use to make themselves feel better. How", "is evil, sadistic and likes to take away everything the person can use", "the person can use to make themselves feel better. How can I make", "I make a average person be able to cope with being tortured by", "evil, sadistic and likes to take away everything the person can use to", "with being tortured by a omnipotent being? I want to have an omnipotent", "omnipotent being who is evil, sadistic and likes to take away everything the", "better. How can I make the human protagonist realistically deal with an evil", "an omnipotent villain, and a non omnipotent protagonist. I want it to be", "How can I make the human protagonist realistically deal with an evil villain", "can use to make themselves feel better. How can I make the human", "protagonist realistically deal with an evil villain who can literally do anything at", "use to make themselves feel better. How can I make the human protagonist", "villain, and a non omnipotent protagonist. I want it to be about how", "protagonist. I want it to be about how a normal person deal with", "to take away everything the person can use to make themselves feel better.", "omnipotent villain, and a non omnipotent protagonist. I want it to be about", "to have an omnipotent villain, and a non omnipotent protagonist. I want it", "person be able to cope with being tortured by a omnipotent being? I", "it to be about how a normal person deal with an omnipotent being", "person deal with an omnipotent being who is evil, sadistic and likes to", "and likes to take away everything the person can use to make themselves", "being tortured by a omnipotent being? I want to have an omnipotent villain,", "realistically deal with an evil villain who can literally do anything at all?", "about how a normal person deal with an omnipotent being who is evil,", "be about how a normal person deal with an omnipotent being who is", "cope with being tortured by a omnipotent being? I want to have an", "able to cope with being tortured by a omnipotent being? I want to", "an omnipotent being who is evil, sadistic and likes to take away everything", "a omnipotent being? I want to have an omnipotent villain, and a non", "a non omnipotent protagonist. I want it to be about how a normal", "tortured by a omnipotent being? I want to have an omnipotent villain, and", "everything the person can use to make themselves feel better. How can I", "feel better. How can I make the human protagonist realistically deal with an", "omnipotent being? I want to have an omnipotent villain, and a non omnipotent", "can I make the human protagonist realistically deal with an evil villain who", "who is evil, sadistic and likes to take away everything the person can", "by a omnipotent being? I want to have an omnipotent villain, and a", "I want to have an omnipotent villain, and a non omnipotent protagonist. I", "human protagonist realistically deal with an evil villain who can literally do anything", "person can use to make themselves feel better. How can I make the", "How do I make a average person be able to cope with being", "themselves feel better. How can I make the human protagonist realistically deal with", "I make the human protagonist realistically deal with an evil villain who can", "to cope with being tortured by a omnipotent being? I want to have", "make themselves feel better. How can I make the human protagonist realistically deal", "to be about how a normal person deal with an omnipotent being who", "a average person be able to cope with being tortured by a omnipotent", "deal with an omnipotent being who is evil, sadistic and likes to take", "I want it to be about how a normal person deal with an", "a normal person deal with an omnipotent being who is evil, sadistic and", "do I make a average person be able to cope with being tortured", "non omnipotent protagonist. I want it to be about how a normal person", "make the human protagonist realistically deal with an evil villain who can literally" ]
[ "staying the way they are? For example, antagonists who are bullies. A typical", "a girly-girl type character who is mean, popular, \"adventurous\" to guys, a brat,", "of a character at times right? Speaking as an amateur writer, how exactly", "the jock is actually a genius or the mean girl is only mean", "a bit vain, has her own cliques, etc. Reading characters like that makes", "alright to write characters' roles as their roles sometimes? And it's just up", "up to the writer to do it the right way or have good", "her own cliques, etc. Reading characters like that makes anyone understandably say it's", "characters beyond their roles? Or if an archetype is better off staying the", "who would start fights with anyone who looked at him funny, being disrespectful", "character at times right? Speaking as an amateur writer, how exactly do I", "him. The \"alpha male,\" who may or may not have a sad \"backstory\"", "roles as their roles sometimes? And it's just up to the writer to", "jock who would start fights with anyone who looked at him funny, being", "vain, has her own cliques, etc. Reading characters like that makes anyone understandably", "girl is only mean to people she knows who are bad but they", "roles? Or if an archetype is better off staying the way they are?", "he thought were below him. The \"alpha male,\" who may or may not", "may or may not have a sad \"backstory\" to explain why he's the", "the way he is. Another example is a girly-girl type character who is", "mean, popular, \"adventurous\" to guys, a brat, a bit vain, has her own", "who he thought were below him. The \"alpha male,\" who may or may", "is. Another example is a girly-girl type character who is mean, popular, \"adventurous\"", "better off staying the way they are? For example, antagonists who are bullies.", "is actually a genius or the mean girl is only mean to people", "a sad \"backstory\" to explain why he's the way he is. Another example", "it's just up to the writer to do it the right way or", "broaden characters beyond their roles? Or if an archetype is better off staying", "archetype is better off staying the way they are? For example, antagonists who", "like spicing things up so the jock is actually a genius or the", "only mean to people she knows who are bad but they act all", "an archetype is better off staying the way they are? For example, antagonists", "Reading characters like that makes anyone understandably say it's \"cliche\" or \"not original.\"", "understandably say it's \"cliche\" or \"not original.\" Myself included. But don't stereotypes speak", "met people like that who are exactly the stereotype and far more cruel.", "far more cruel. I understand the importance of not making characters one-dimensional, like", "do I broaden characters beyond their roles? Or if an archetype is better", "jock is actually a genius or the mean girl is only mean to", "and far more cruel. I understand the importance of not making characters one-dimensional,", "are bullies. A typical D-average jock who would start fights with anyone who", "Myself included. But don't stereotypes speak the truth at times? I mean, in", "the way they are? For example, antagonists who are bullies. A typical D-average", "thought were below him. The \"alpha male,\" who may or may not have", "say it's \"cliche\" or \"not original.\" Myself included. But don't stereotypes speak the", "that who are exactly the stereotype and far more cruel. I understand the", "roles sometimes? And it's just up to the writer to do it the", "\"cliche\" or \"not original.\" Myself included. But don't stereotypes speak the truth at", "a b-word. But should it be alright to write characters' roles as their", "antagonists who are bullies. A typical D-average jock who would start fights with", "male,\" who may or may not have a sad \"backstory\" to explain why", "is only mean to people she knows who are bad but they act", "have a sad \"backstory\" to explain why he's the way he is. Another", "they are? For example, antagonists who are bullies. A typical D-average jock who", "genius or the mean girl is only mean to people she knows who", "brat, a bit vain, has her own cliques, etc. Reading characters like that", "like that who are exactly the stereotype and far more cruel. I understand", "to write characters' roles as their roles sometimes? And it's just up to", "anyone understandably say it's \"cliche\" or \"not original.\" Myself included. But don't stereotypes", "not making characters one-dimensional, like spicing things up so the jock is actually", "a genius or the mean girl is only mean to people she knows", "more cruel. I understand the importance of not making characters one-dimensional, like spicing", "spicing things up so the jock is actually a genius or the mean", "as quite a b-word. But should it be alright to write characters' roles", "their roles? Or if an archetype is better off staying the way they", "But don't stereotypes speak the truth at times? I mean, in my own", "at times right? Speaking as an amateur writer, how exactly do I broaden", "up so the jock is actually a genius or the mean girl is", "I mean, in my own experience, I have met people like that who", "below him. The \"alpha male,\" who may or may not have a sad", "to the writer to do it the right way or have good writing?", "to people who he thought were below him. The \"alpha male,\" who may", "has her own cliques, etc. Reading characters like that makes anyone understandably say", "or may not have a sad \"backstory\" to explain why he's the way", "beyond their roles? Or if an archetype is better off staying the way", "cliques, etc. Reading characters like that makes anyone understandably say it's \"cliche\" or", "stereotypes speak the truth at times? I mean, in my own experience, I", "Another example is a girly-girl type character who is mean, popular, \"adventurous\" to", "or \"not original.\" Myself included. But don't stereotypes speak the truth at times?", "bit vain, has her own cliques, etc. Reading characters like that makes anyone", "original.\" Myself included. But don't stereotypes speak the truth at times? I mean,", "truth at times? I mean, in my own experience, I have met people", "mean to people she knows who are bad but they act all innocent", "who are bullies. A typical D-average jock who would start fights with anyone", "him funny, being disrespectful to people who he thought were below him. The", "an amateur writer, how exactly do I broaden characters beyond their roles? Or", "start fights with anyone who looked at him funny, being disrespectful to people", "times? I mean, in my own experience, I have met people like that", "quite a b-word. But should it be alright to write characters' roles as", "it be alright to write characters' roles as their roles sometimes? And it's", "character who is mean, popular, \"adventurous\" to guys, a brat, a bit vain,", "experience, I have met people like that who are exactly the stereotype and", "I broaden characters beyond their roles? Or if an archetype is better off", "cruel. I understand the importance of not making characters one-dimensional, like spicing things", "she does come across as quite a b-word. But should it be alright", "be alright to write characters' roles as their roles sometimes? And it's just", "like that makes anyone understandably say it's \"cliche\" or \"not original.\" Myself included.", "how exactly do I broaden characters beyond their roles? Or if an archetype", "so the jock is actually a genius or the mean girl is only", "fights with anyone who looked at him funny, being disrespectful to people who", "she knows who are bad but they act all innocent so she does", "\"alpha male,\" who may or may not have a sad \"backstory\" to explain", "funny, being disrespectful to people who he thought were below him. The \"alpha", "own experience, I have met people like that who are exactly the stereotype", "the truth at times? I mean, in my own experience, I have met", "etc. Reading characters like that makes anyone understandably say it's \"cliche\" or \"not", "characters one-dimensional, like spicing things up so the jock is actually a genius", "or the mean girl is only mean to people she knows who are", "\"adventurous\" to guys, a brat, a bit vain, has her own cliques, etc.", "come across as quite a b-word. But should it be alright to write", "stereotypical roles of a character at times right? Speaking as an amateur writer,", "sad \"backstory\" to explain why he's the way he is. Another example is", "of not making characters one-dimensional, like spicing things up so the jock is", "type character who is mean, popular, \"adventurous\" to guys, a brat, a bit", "to explain why he's the way he is. Another example is a girly-girl", "are exactly the stereotype and far more cruel. I understand the importance of", "amateur writer, how exactly do I broaden characters beyond their roles? Or if", "all innocent so she does come across as quite a b-word. But should", "Are stereotypical roles of a character at times right? Speaking as an amateur", "girly-girl type character who is mean, popular, \"adventurous\" to guys, a brat, a", "D-average jock who would start fights with anyone who looked at him funny,", "makes anyone understandably say it's \"cliche\" or \"not original.\" Myself included. But don't", "own cliques, etc. Reading characters like that makes anyone understandably say it's \"cliche\"", "bad but they act all innocent so she does come across as quite", "they act all innocent so she does come across as quite a b-word.", "who may or may not have a sad \"backstory\" to explain why he's", "one-dimensional, like spicing things up so the jock is actually a genius or", "why he's the way he is. Another example is a girly-girl type character", "\"not original.\" Myself included. But don't stereotypes speak the truth at times? I", "across as quite a b-word. But should it be alright to write characters'", "to guys, a brat, a bit vain, has her own cliques, etc. Reading", "are bad but they act all innocent so she does come across as", "knows who are bad but they act all innocent so she does come", "off staying the way they are? For example, antagonists who are bullies. A", "their roles sometimes? And it's just up to the writer to do it", "but they act all innocent so she does come across as quite a", "characters like that makes anyone understandably say it's \"cliche\" or \"not original.\" Myself", "the mean girl is only mean to people she knows who are bad", "A typical D-average jock who would start fights with anyone who looked at", "is a girly-girl type character who is mean, popular, \"adventurous\" to guys, a", "should it be alright to write characters' roles as their roles sometimes? And", "way he is. Another example is a girly-girl type character who is mean,", "way they are? For example, antagonists who are bullies. A typical D-average jock", "I understand the importance of not making characters one-dimensional, like spicing things up", "bullies. A typical D-average jock who would start fights with anyone who looked", "being disrespectful to people who he thought were below him. The \"alpha male,\"", "not have a sad \"backstory\" to explain why he's the way he is.", "in my own experience, I have met people like that who are exactly", "with anyone who looked at him funny, being disrespectful to people who he", "at times? I mean, in my own experience, I have met people like", "actually a genius or the mean girl is only mean to people she", "importance of not making characters one-dimensional, like spicing things up so the jock", "is mean, popular, \"adventurous\" to guys, a brat, a bit vain, has her", "at him funny, being disrespectful to people who he thought were below him.", "who are exactly the stereotype and far more cruel. I understand the importance", "b-word. But should it be alright to write characters' roles as their roles", "people like that who are exactly the stereotype and far more cruel. I", "stereotype and far more cruel. I understand the importance of not making characters", "may not have a sad \"backstory\" to explain why he's the way he", "mean, in my own experience, I have met people like that who are", "disrespectful to people who he thought were below him. The \"alpha male,\" who", "my own experience, I have met people like that who are exactly the", "just up to the writer to do it the right way or have", "writer, how exactly do I broaden characters beyond their roles? Or if an", "people who he thought were below him. The \"alpha male,\" who may or", "have met people like that who are exactly the stereotype and far more", "to people she knows who are bad but they act all innocent so", "things up so the jock is actually a genius or the mean girl", "roles of a character at times right? Speaking as an amateur writer, how", "making characters one-dimensional, like spicing things up so the jock is actually a", "the stereotype and far more cruel. I understand the importance of not making", "times right? Speaking as an amateur writer, how exactly do I broaden characters", "as their roles sometimes? And it's just up to the writer to do", "example, antagonists who are bullies. A typical D-average jock who would start fights", "were below him. The \"alpha male,\" who may or may not have a", "who looked at him funny, being disrespectful to people who he thought were", "And it's just up to the writer to do it the right way", "guys, a brat, a bit vain, has her own cliques, etc. Reading characters", "explain why he's the way he is. Another example is a girly-girl type", "exactly do I broaden characters beyond their roles? Or if an archetype is", "right? Speaking as an amateur writer, how exactly do I broaden characters beyond", "would start fights with anyone who looked at him funny, being disrespectful to", "The \"alpha male,\" who may or may not have a sad \"backstory\" to", "who are bad but they act all innocent so she does come across", "so she does come across as quite a b-word. But should it be", "typical D-average jock who would start fights with anyone who looked at him", "a character at times right? Speaking as an amateur writer, how exactly do", "I have met people like that who are exactly the stereotype and far", "that makes anyone understandably say it's \"cliche\" or \"not original.\" Myself included. But", "does come across as quite a b-word. But should it be alright to", "speak the truth at times? I mean, in my own experience, I have", "But should it be alright to write characters' roles as their roles sometimes?", "who is mean, popular, \"adventurous\" to guys, a brat, a bit vain, has", "exactly the stereotype and far more cruel. I understand the importance of not", "\"backstory\" to explain why he's the way he is. Another example is a", "innocent so she does come across as quite a b-word. But should it", "characters' roles as their roles sometimes? And it's just up to the writer", "it's \"cliche\" or \"not original.\" Myself included. But don't stereotypes speak the truth", "is better off staying the way they are? For example, antagonists who are", "sometimes? And it's just up to the writer to do it the right", "Speaking as an amateur writer, how exactly do I broaden characters beyond their", "a brat, a bit vain, has her own cliques, etc. Reading characters like", "write characters' roles as their roles sometimes? And it's just up to the", "anyone who looked at him funny, being disrespectful to people who he thought", "are? For example, antagonists who are bullies. A typical D-average jock who would", "For example, antagonists who are bullies. A typical D-average jock who would start", "example is a girly-girl type character who is mean, popular, \"adventurous\" to guys,", "understand the importance of not making characters one-dimensional, like spicing things up so", "Or if an archetype is better off staying the way they are? For", "if an archetype is better off staying the way they are? For example,", "mean girl is only mean to people she knows who are bad but", "as an amateur writer, how exactly do I broaden characters beyond their roles?", "don't stereotypes speak the truth at times? I mean, in my own experience,", "act all innocent so she does come across as quite a b-word. But", "the importance of not making characters one-dimensional, like spicing things up so the", "included. But don't stereotypes speak the truth at times? I mean, in my", "he's the way he is. Another example is a girly-girl type character who", "popular, \"adventurous\" to guys, a brat, a bit vain, has her own cliques,", "people she knows who are bad but they act all innocent so she", "looked at him funny, being disrespectful to people who he thought were below", "he is. Another example is a girly-girl type character who is mean, popular," ]
[ "was the idea. But I just can't bring myself to write something half-baked.", "figure out what it's about.\" In a nutshell, that's my problem. Trying to", "\"overthinking\" is not the right term and I'm simply a pea-brained dum-dum who", "lighthearted; pictures and ideas I want to flesh out into stories, no matter", "a pea-brained dum-dum who gets overwhelmed at the slightest hint of struggle, but", "and the result is always burnout. I've yet to go deeper than a", "interest. This is not a question of, \"How do I write the middle", "working—and I've been at it for years. So, I'm trying to switch tracks", "into stories, no matter the length; things that I think I'd enjoy reading,", "what's important, not the destination. However, without a sense of direction, the words", "they'd be fun. In other words, because the journey would be what's important,", "board. What does this character want? Why? That leads to philosophical questions I'm", "middle part of my book?\" To get to the \"how\", first one must", "as always, lies exhaustion and the loss of interest. This is not a", "description, I ask myself, \"Is this necessary? Does it serve some purpose?\" Usually,", "that—but that I don't know what the conflict ought to be. Neil Gaiman,", "line of dialogue and description, I ask myself, \"Is this necessary? Does it", "because I've consumed—and enjoyed—many works that feel that way. Maybe it's one of", "that way. Maybe it's one of those things that I like reading but", "purpose?\" Usually, the answer is, \"No, and no,\" and I kill my darlings.", "course on writing, says (and I paraphrase), \"You've got an idea for a", "idea for a story. Now you've got to figure out what it's about.\"", "I'd enjoy reading, not because they would inspire me or teach me something,", "I'm simply a pea-brained dum-dum who gets overwhelmed at the slightest hint of", "and at the end of the road, as always, lies exhaustion and the", "I think I'd enjoy reading, not because they would inspire me or teach", "no,\" and I kill my darlings. That takes me back to the planning", "at night, so I decided to take a time out and try my", "solve that mystery ends up with me lost in a forest at night,", "In a nutshell, that's my problem. Trying to solve that mystery ends up", "out what it's about.\" In a nutshell, that's my problem. Trying to solve", "does this character want? Why? That leads to philosophical questions I'm not nearly", "to solve that mystery ends up with me lost in a forest at", "This is not a question of, \"How do I write the middle part", "tracks by lowering my expectations and \"pantsing\" my way through a story. At", "story. At least, that was the idea. But I just can't bring myself", "Usually, the answer is, \"No, and no,\" and I kill my darlings. That", "half-baked. As I write every sentence and paragraph, every line of dialogue and", "be what's important, not the destination. However, without a sense of direction, the", "What does this character want? Why? That leads to philosophical questions I'm not", "necessary? Does it serve some purpose?\" Usually, the answer is, \"No, and no,\"", "To get to the \"how\", first one must walk past the \"what\" and", "the \"what\" and \"where\". It's not that I need to add conflict—I know", "is not a question of, \"How do I write the middle part of", "in a forest at night, so I decided to take a time out", "I decided to take a time out and try my hand at something", "not working—and I've been at it for years. So, I'm trying to switch", "paraphrase), \"You've got an idea for a story. Now you've got to figure", "and I kill my darlings. That takes me back to the planning board.", "and lighthearted; pictures and ideas I want to flesh out into stories, no", "I'm not nearly equipped to answer, and at the end of the road,", "every sentence and paragraph, every line of dialogue and description, I ask myself,", "In other words, because the journey would be what's important, not the destination.", "I kill my darlings. That takes me back to the planning board. What", "that's not it, because that would mean I'm staring at a dead end.", "ought to be. Neil Gaiman, in his course on writing, says (and I", "with me lost in a forest at night, so I decided to take", "things that I like reading but not writing, but I'm hoping that's not", "that I don't know what the conflict ought to be. Neil Gaiman, in", "not writing, but I'm hoping that's not it, because that would mean I'm", "to philosophical questions I'm not nearly equipped to answer, and at the end", "I need to add conflict—I know that—but that I don't know what the", "to answer, and at the end of the road, as always, lies exhaustion", "my hand at something simple and lighthearted; pictures and ideas I want to", "to the planning board. What does this character want? Why? That leads to", "and motivations, and the result is always burnout. I've yet to go deeper", "you've got to figure out what it's about.\" In a nutshell, that's my", "and try my hand at something simple and lighthearted; pictures and ideas I", "to call it. So, here's my question: can one write an unambitious story", "takes me back to the planning board. What does this character want? Why?", "about.\" In a nutshell, that's my problem.** Trying to solve that mystery ends", "the \"how\", first one must walk past the \"what\" and \"where\". It's not", "this character want? Why? That leads to philosophical questions I'm not nearly equipped", "or lard or filler or whatever you wish to call it. So, here's", "way through a story. At least, that was the idea. But I just", "direction, the words I type feel like fodder, or lard or filler or", "into overthinking plot, characters, and motivations, and the result is always burnout. I've", "nutshell, that's my problem. Trying to solve that mystery ends up with me", "ends up with me lost in a forest at night, so I decided", "the answer is, \"No, and no,\" and I kill my darlings. That takes", "to the \"how\", first one must walk past the \"what\" and \"where\". It's", "I paraphrase), \"You've got an idea for a story. Now you've got to", "\"How do I write the middle part of my book?\" To get to", "not because they would inspire me or teach me something, but just because", "enjoy reading, not because they would inspire me or teach me something, but", "time out and try my hand at something simple and lighthearted; pictures and", "need to add conflict—I know that—but that I don't know what the conflict", "mystery ends up with me lost in a forest at night, so I", "at the slightest hint of struggle, but either way, it's not working—and I've", "right term and I'm simply a pea-brained dum-dum who gets overwhelmed at the", "try my hand at something simple and lighthearted; pictures and ideas I want", "hand at something simple and lighthearted; pictures and ideas I want to flesh", "want to flesh out into stories, no matter the length; things that I", "journey would be what's important, not the destination. However, without a sense of", "conflict ought to be. Neil Gaiman, in his course on writing, says (and", "questions I'm not nearly equipped to answer, and at the end of the", "is always burnout. I've yet to go deeper than a handful of chapters", "that I think I'd enjoy reading, not because they would inspire me or", "to figure out what it's about.\" In a nutshell, that's my problem. Trying", "I'm trying to switch tracks by lowering my expectations and \"pantsing\" my way", "believe it's possible because I've consumed—and enjoyed—many works that feel that way. Maybe", "either way, it's not working—and I've been at it for years. So, I'm", "the idea. But I just can't bring myself to write something half-baked. As", "and description, I ask myself, \"Is this necessary? Does it serve some purpose?\"", "That takes me back to the planning board. What does this character want?", "filler or whatever you wish to call it. So, here's my question: can", "my question: can one write an unambitious story without it feeling like a", "or filler or whatever you wish to call it. So, here's my question:", "darlings. That takes me back to the planning board. What does this character", "know that—but that I don't know what the conflict ought to be. Neil", "an unambitious story without it feeling like a waste? I believe it's possible", "of my attempts at writing devolve into overthinking plot, characters, and motivations, and", "to add conflict—I know that—but that I don't know what the conflict ought", "something, but just because they'd be fun. In other words, because the journey", "decided to take a time out and try my hand at something simple", "a story. At least, that was the idea. But I just can't bring", "I want to flesh out into stories, no matter the length; things that", "(and I paraphrase), \"You've got an idea for a story. Now you've got", "out and try my hand at something simple and lighthearted; pictures and ideas", "other words, because the journey would be what's important, not the destination. However,", "so I decided to take a time out and try my hand at", "of interest. This is not a question of, \"How do I write the", "type feel like fodder, or lard or filler or whatever you wish to", "a book. Perhaps \"overthinking\" is not the right term and I'm simply a", "that I need to add conflict—I know that—but that I don't know what", "handful of chapters into a book. Perhaps \"overthinking\" is not the right term", "at something simple and lighthearted; pictures and ideas I want to flesh out", "says (and I paraphrase), \"You've got an idea for a story. Now you've", "not that I need to add conflict—I know that—but that I don't know", "book. Perhaps \"overthinking\" is not the right term and I'm simply a pea-brained", "I write every sentence and paragraph, every line of dialogue and description, I", "inspire me or teach me something, but just because they'd be fun. In", "I believe it's possible because I've consumed—and enjoyed—many works that feel that way.", "is not the right term and I'm simply a pea-brained dum-dum who gets", "consumed—and enjoyed—many works that feel that way. Maybe it's one of those things", "what it's about.\" In a nutshell, that's my problem.** Trying to solve that", "past the \"what\" and \"where\". It's not that I need to add conflict—I", "back to the planning board. What does this character want? Why? That leads", "I don't know what the conflict ought to be. Neil Gaiman, in his", "devolve into overthinking plot, characters, and motivations, and the result is always burnout.", "a nutshell, that's my problem. Trying to solve that mystery ends up with", "\"what\" and \"where\". It's not that I need to add conflict—I know that—but", "I've consumed—and enjoyed—many works that feel that way. Maybe it's one of those", "but just because they'd be fun. In other words, because the journey would", "can one write an unambitious story without it feeling like a waste? I", "road, as always, lies exhaustion and the loss of interest. This is not", "feel like fodder, or lard or filler or whatever you wish to call", "the destination. However, without a sense of direction, the words I type feel", "Gaiman, in his course on writing, says (and I paraphrase), \"You've got an", "and I'm simply a pea-brained dum-dum who gets overwhelmed at the slightest hint", "into a book. Perhaps \"overthinking\" is not the right term and I'm simply", "\"how\", first one must walk past the \"what\" and \"where\". It's not that", "teach me something, but just because they'd be fun. In other words, because", "Maybe it's one of those things that I like reading but not writing,", "writing, says (and I paraphrase), \"You've got an idea for a story. Now", "nearly equipped to answer, and at the end of the road, as always,", "So, here's my question: can one write an unambitious story without it feeling", "Does it serve some purpose?\" Usually, the answer is, \"No, and no,\" and", "add conflict—I know that—but that I don't know what the conflict ought to", "All of my attempts at writing devolve into overthinking plot, characters, and motivations,", "to be. Neil Gaiman, in his course on writing, says (and I paraphrase),", "book?\" To get to the \"how\", first one must walk past the \"what\"", "that mystery ends up with me lost in a forest at night, so", "always burnout. I've yet to go deeper than a handful of chapters into", "a story. Now you've got to figure out what it's about.\" In a", "me or teach me something, but just because they'd be fun. In other", "an idea for a story. Now you've got to figure out what it's", "be. Neil Gaiman, in his course on writing, says (and I paraphrase), \"You've", "my problem.** Trying to solve that mystery ends up with me lost in", "fodder, or lard or filler or whatever you wish to call it. So,", "me something, but just because they'd be fun. In other words, because the", "the journey would be what's important, not the destination. However, without a sense", "it's possible because I've consumed—and enjoyed—many works that feel that way. Maybe it's", "without a sense of direction, the words I type feel like fodder, or", "been at it for years. So, I'm trying to switch tracks by lowering", "like fodder, or lard or filler or whatever you wish to call it.", "yet to go deeper than a handful of chapters into a book. Perhaps", "\"where\". It's not that I need to add conflict—I know that—but that I", "it. So, here's my question: can one write an unambitious story without it", "years. So, I'm trying to switch tracks by lowering my expectations and \"pantsing\"", "just because they'd be fun. In other words, because the journey would be", "reading but not writing, but I'm hoping that's not it, because that would", "things that I think I'd enjoy reading, not because they would inspire me", "attempts at writing devolve into overthinking plot, characters, and motivations, and the result", "first one must walk past the \"what\" and \"where\". It's not that I", "question: can one write an unambitious story without it feeling like a waste?", "matter the length; things that I think I'd enjoy reading, not because they", "answer, and at the end of the road, as always, lies exhaustion and", "night, so I decided to take a time out and try my hand", "lowering my expectations and \"pantsing\" my way through a story. At least, that", "do I write the middle part of my book?\" To get to the", "at the end of the road, as always, lies exhaustion and the loss", "my attempts at writing devolve into overthinking plot, characters, and motivations, and the", "I type feel like fodder, or lard or filler or whatever you wish", "myself, \"Is this necessary? Does it serve some purpose?\" Usually, the answer is,", "overwhelmed at the slightest hint of struggle, but either way, it's not working—and", "However, without a sense of direction, the words I type feel like fodder,", "my way through a story. At least, that was the idea. But I", "one write an unambitious story without it feeling like a waste? I believe", "Perhaps \"overthinking\" is not the right term and I'm simply a pea-brained dum-dum", "it for years. So, I'm trying to switch tracks by lowering my expectations", "leads to philosophical questions I'm not nearly equipped to answer, and at the", "\"pantsing\" my way through a story. At least, that was the idea. But", "But I just can't bring myself to write something half-baked. As I write", "\"No, and no,\" and I kill my darlings. That takes me back to", "trying to switch tracks by lowering my expectations and \"pantsing\" my way through", "the loss of interest. This is not a question of, \"How do I", "just can't bring myself to write something half-baked. As I write every sentence", "me lost in a forest at night, so I decided to take a", "it's one of those things that I like reading but not writing, but", "Why? That leads to philosophical questions I'm not nearly equipped to answer, and", "one of those things that I like reading but not writing, but I'm", "the end of the road, as always, lies exhaustion and the loss of", "characters, and motivations, and the result is always burnout. I've yet to go", "way. Maybe it's one of those things that I like reading but not", "like reading but not writing, but I'm hoping that's not it, because that", "but I'm hoping that's not it, because that would mean I'm staring at", "whatever you wish to call it. So, here's my question: can one write", "plot, characters, and motivations, and the result is always burnout. I've yet to", "lies exhaustion and the loss of interest. This is not a question of,", "lard or filler or whatever you wish to call it. So, here's my", "me back to the planning board. What does this character want? Why? That", "answer is, \"No, and no,\" and I kill my darlings. That takes me", "lost in a forest at night, so I decided to take a time", "story without it feeling like a waste? I believe it's possible because I've", "without it feeling like a waste? I believe it's possible because I've consumed—and", "they would inspire me or teach me something, but just because they'd be", "So, I'm trying to switch tracks by lowering my expectations and \"pantsing\" my", "slightest hint of struggle, but either way, it's not working—and I've been at", "philosophical questions I'm not nearly equipped to answer, and at the end of", "feeling like a waste? I believe it's possible because I've consumed—and enjoyed—many works", "forest at night, so I decided to take a time out and try", "end of the road, as always, lies exhaustion and the loss of interest.", "write the middle part of my book?\" To get to the \"how\", first", "and ideas I want to flesh out into stories, no matter the length;", "here's my question: can one write an unambitious story without it feeling like", "for a story. Now you've got to figure out what it's about.\" *In", "flesh out into stories, no matter the length; things that I think I'd", "it's not working—and I've been at it for years. So, I'm trying to", "planning board. What does this character want? Why? That* leads to philosophical questions", "the road, as always, lies exhaustion and the loss of interest. This is", "those things that I like reading but not writing, but I'm hoping that's", "feel that way. Maybe it's one of those things that I like reading", "to go deeper than a handful of chapters into a book. Perhaps \"overthinking\"", "ask myself, \"Is this necessary? Does it serve some purpose?\" Usually, the answer", "Now you've got to figure out what it's about.\" *In a nutshell, that's", "a forest at night, so I decided to take a time out and", "At least, that was the idea. But I just can't bring myself to", "words I type feel like fodder, or lard or filler or whatever you", "works that feel that way. Maybe it's one of those things that I", "struggle, but either way, it's not working—and I've been at it for years.", "burnout. I've yet to go deeper than a handful of chapters into a", "character want? Why? That* leads to philosophical questions I'm not nearly equipped to", "\"You've got an idea for a story. Now you've got to figure out", "simply a pea-brained dum-dum who gets overwhelmed at the slightest hint of struggle,", "because they'd be fun. In other words, because the journey would be what's", "in his course on writing, says (and I paraphrase), \"You've got an idea", "fun. In other words, because the journey would be what's important, not the", "the words I type feel like fodder, or lard or filler or whatever", "think I'd enjoy reading, not because they would inspire me or teach me", "that was the idea. But I just can't bring myself to write something", "the slightest hint of struggle, but either way, it's not working—and I've been", "some purpose?\" Usually, the answer is, \"No, and no,\" and I kill my", "It's not that I need to add conflict—I know that—but that I don't", "would inspire me or teach me something, but just because they'd be fun.", "simple and lighthearted; pictures and ideas I want to flesh out into stories,", "part of my book?\" To get to the \"how\", first one must walk", "\"Is this necessary? Does it serve some purpose?\" Usually, the answer is, \"No,", "of chapters into a book. Perhaps \"overthinking\" is not the right term and", "equipped to answer, and at the end of the road, as always, lies", "at it for years. So, I'm trying to switch tracks by lowering my", "don't know what the conflict ought to be. Neil Gaiman, in his course", "but not writing, but I'm hoping that's not it, because that would mean", "a waste? I believe it's possible because I've consumed—and enjoyed—many works that feel", "no matter the length; things that I think I'd enjoy reading, not because", "his course on writing, says (and I paraphrase), \"You've got an idea for", "get to the \"how\", first one must walk past the \"what\" and \"where\".", "of my book?\" To get to the \"how\", first one must walk past", "sense of direction, the words I type feel like fodder, or lard or", "write an unambitious story without it feeling like a waste? I believe it's", "want? Why? That leads to philosophical questions I'm not nearly equipped to answer,", "to switch tracks by lowering my expectations and \"pantsing\" my way through a", "must walk past the \"what\" and \"where\". It's not that I need to", "than a handful of chapters into a book. Perhaps \"overthinking\" is not the", "and the loss of interest. This is not a question of, \"How do", "and no,\" and I kill my darlings. That takes me back to the", "it feeling like a waste? I believe it's possible because I've consumed—and enjoyed—many", "pea-brained dum-dum who gets overwhelmed at the slightest hint of struggle, but either", "because they would inspire me or teach me something, but just because they'd", "it's about.\" In a nutshell, that's my problem. Trying to solve that mystery", "by lowering my expectations and \"pantsing\" my way through a story. At least,", "term and I'm simply a pea-brained dum-dum who gets overwhelmed at the slightest", "to write something half-baked. As I write every sentence and paragraph, every line", "can't bring myself to write something half-baked. As I write every sentence and", "of dialogue and description, I ask myself, \"Is this necessary? Does it serve", "stories, no matter the length; things that I think I'd enjoy reading, not", "got an idea for a story. Now you've got to figure out what", "a sense of direction, the words I type feel like fodder, or lard", "always, lies exhaustion and the loss of interest. This is not a question", "I've been at it for years. So, I'm trying to switch tracks by", "that feel that way. Maybe it's one of those things that I like", "overthinking plot, characters, and motivations, and the result is always burnout. I've yet", "and \"pantsing\" my way through a story. At least, that was the idea.", "Neil Gaiman, in his course on writing, says (and I paraphrase), \"You've got", "unambitious story without it feeling like a waste? I believe it's possible because", "important, not the destination. However, without a sense of direction, the words I", "what the conflict ought to be. Neil Gaiman, in his course on writing,", "serve some purpose?\" Usually, the answer is, \"No, and no,\" and I kill", "That leads to philosophical questions I'm not nearly equipped to answer, and at", "not the destination. However, without a sense of direction, the words I type", "dum-dum who gets overwhelmed at the slightest hint of struggle, but either way,", "for years. So, I'm trying to switch tracks by lowering my expectations and", "and \"where\". It's not that I need to add conflict—I know that—but that", "motivations, and the result is always burnout. I've yet to go deeper than", "write something half-baked. As I write every sentence and paragraph, every line of", "loss of interest. This is not a question of, \"How do I write", "this necessary? Does it serve some purpose?\" Usually, the answer is, \"No, and", "not a question of, \"How do I write the middle part of my", "writing, but I'm hoping that's not it, because that would mean I'm staring", "would be what's important, not the destination. However, without a sense of direction,", "I like reading but not writing, but I'm hoping that's not it, because", "I just can't bring myself to write something half-baked. As I write every", "not nearly equipped to answer, and at the end of the road, as", "the result is always burnout. I've yet to go deeper than a handful", "at writing devolve into overthinking plot, characters, and motivations, and the result is", "through a story. At least, that was the idea. But I just can't", "write every sentence and paragraph, every line of dialogue and description, I ask", "switch tracks by lowering my expectations and \"pantsing\" my way through a story.", "chapters into a book. Perhaps \"overthinking\" is not the right term and I'm", "of struggle, but either way, it's not working—and I've been at it for", "reading, not because they would inspire me or teach me something, but just", "go deeper than a handful of chapters into a book. Perhaps \"overthinking\" is", "a time out and try my hand at something simple and lighthearted; pictures", "least, that was the idea. But I just can't bring myself to write", "idea. But I just can't bring myself to write something half-baked. As I", "know what the conflict ought to be. Neil Gaiman, in his course on", "my book?\" To get to the \"how\", first one must walk past the", "result is always burnout. I've yet to go deeper than a handful of", "a handful of chapters into a book. Perhaps \"overthinking\" is not the right", "the length; things that I think I'd enjoy reading, not because they would", "out into stories, no matter the length; things that I think I'd enjoy", "my darlings. That takes me back to the planning board. What does this", "I'm hoping that's not it, because that would mean I'm staring at a", "pictures and ideas I want to flesh out into stories, no matter the", "of the road, as always, lies exhaustion and the loss of interest. This", "Trying to solve that mystery ends up with me lost in a forest", "that's my problem. Trying to solve that mystery ends up with me lost", "got to figure out what it's about.\" In a nutshell, that's my problem.*", "myself to write something half-baked. As I write every sentence and paragraph, every", "something simple and lighthearted; pictures and ideas I want to flesh out into", "hoping that's not it, because that would mean I'm staring at a dead", "of those things that I like reading but not writing, but I'm hoping", "up with me lost in a forest at night, so I decided to", "dialogue and description, I ask myself, \"Is this necessary? Does it serve some", "not the right term and I'm simply a pea-brained dum-dum who gets overwhelmed", "who gets overwhelmed at the slightest hint of struggle, but either way, it's", "I've yet to go deeper than a handful of chapters into a book.", "my expectations and \"pantsing\" my way through a story. At least, that was", "because the journey would be what's important, not the destination. However, without a", "deeper than a handful of chapters into a book. Perhaps \"overthinking\" is not", "but either way, it's not working—and I've been at it for years. So,", "question of, \"How do I write the middle part of my book?\" To", "is, \"No, and no,\" and I kill my darlings. That takes me back", "gets overwhelmed at the slightest hint of struggle, but either way, it's not", "expectations and \"pantsing\" my way through a story. At least, that was the", "the right term and I'm simply a pea-brained dum-dum who gets overwhelmed at", "the planning board. What does this character want? Why? That* leads to philosophical", "something half-baked. As I write every sentence and paragraph, every line of dialogue", "kill my darlings. That takes me back to the planning board. What does", "I ask myself, \"Is this necessary? Does it serve some purpose?\" Usually, the", "like a waste? I believe it's possible because I've consumed—and enjoyed—many works that", "one must walk past the \"what\" and \"where\". It's not that I need", "be fun. In other words, because the journey would be what's important, not", "of direction, the words I type feel like fodder, or lard or filler", "walk past the \"what\" and \"where\". It's not that I need to add", "on writing, says (and I paraphrase), \"You've got an idea for a story.", "every line of dialogue and description, I ask myself, \"Is this necessary? Does", "call it. So, here's my question: can one write an unambitious story without", "problem. Trying to solve that mystery ends up with me lost in a", "a question of, \"How do I write the middle part of my book?\"", "waste? I believe it's possible because I've consumed—and enjoyed—many works that feel that", "story. Now you've got to figure out what it's about.\" In a nutshell,", "take a time out and try my hand at something simple and lighthearted;", "I write the middle part of my book?\" To get to the \"how\",", "of, \"How do I write the middle part of my book?\" To get", "wish to call it. So, here's my question: can one write an unambitious", "writing devolve into overthinking plot, characters, and motivations, and the result is always", "way, it's not working—and I've been at it for years. So, I'm trying", "bring myself to write something half-baked. As I write every sentence and paragraph,", "paragraph, every line of dialogue and description, I ask myself, \"Is this necessary?", "the conflict ought to be. Neil Gaiman, in his course on writing, says", "sentence and paragraph, every line of dialogue and description, I ask myself, \"Is", "words, because the journey would be what's important, not the destination. However, without", "to flesh out into stories, no matter the length; things that I think", "and paragraph, every line of dialogue and description, I ask myself, \"Is this", "hint of struggle, but either way, it's not working—and I've been at it", "the middle part of my book?\" To get to the \"how\", first one", "conflict—I know that—but that I don't know what the conflict ought to be.", "destination. However, without a sense of direction, the words I type feel like", "ideas I want to flesh out into stories, no matter the length; things", "exhaustion and the loss of interest. This is not a question of, \"How", "or teach me something, but just because they'd be fun. In other words,", "it serve some purpose?\" Usually, the answer is, \"No, and no,\" and I", "possible because I've consumed—and enjoyed—many works that feel that way. Maybe it's one", "length; things that I think I'd enjoy reading, not because they would inspire", "or whatever you wish to call it. So, here's my question: can one", "enjoyed—many works that feel that way. Maybe it's one of those things that", "you wish to call it. So, here's my question: can one write an", "As I write every sentence and paragraph, every line of dialogue and description,", "to take a time out and try my hand at something simple and", "that I like reading but not writing, but I'm hoping that's not it," ]
[ "as fast as them to get away. And they could ruin their own", "that in one person, and you get my MC. My MC would be", "day. The Echellim heel I could give him is that he's not exactly", "beat him up? He's athletic and fit, so he can win some fights", "him to be like this so that's some psychological bag of angst we'll", "enough to have attracted enough haters as well as supporters (haters hate successful", "perfectionist. Behind that persona is someone obsessed with keeping his reputation, yet he's", "My point is that he is insecurity-inducing enough to have attracted enough haters", "Glam from Metal Family, and a character with similar cunning and striving for", "character I could have a similar backstory with is Glam from Metal Family,", "he's not exactly perfect and, ironically, a raging perfectionist. Behind that persona is", "gets annoyed at because their parents always compare them. A character I could", "to be like this so that's some psychological bag of angst we'll see", "know there will be attempts at downfall, so he has connections to stop", "at the end of the day. The Echellim heel I could give him", "hating on the nice, star student? You're just jealous. Leave him alone. People", "striving for perfection is Tom Yodhmi from Hijrp Potfeq. My point is that", "there gets annoyed at because their parents always compare them. A character I", "star student? You're just jealous. Leave him alone. People could try spreading rumors,", "he can win some fights or run as fast as them to get", "try spreading rumors, but even if they were true, no one would suspect", "he immediately addresses the source. Like mafia systems. Doesn't mean he's like a", "to have attracted enough haters as well as supporters (haters hate successful people;", "some fights or run as fast as them to get away. And they", "could give him is that he's not exactly perfect and, ironically, a raging", "Echellim heel I could give him is that he's not exactly perfect and,", "be the very best. Role model-wise, who may or may not have parents", "person; it just means he wants to be the very best. Role model-wise,", "something so heinous, so it would fall at the end of the day.", "this so that's some psychological bag of angst we'll see later. His own", "mafia systems. Doesn't mean he's like a completely horrible person; it just means", "Combine all of that in one person, and you get my MC. My", "downfall, so he has connections to stop it or he immediately addresses the", "he wants to be the very best. Role model-wise, who may or may", "there will be attempts at downfall, so he has connections to stop it", "treasure. People actively voice their dislike of him? Why are you hating on", "else is new?) but he's mostly \"untouchable\" (as some top people are). People", "the poster child every parent wants and every cousin out there gets annoyed", "heel I could give him is that he's not exactly perfect and, ironically,", "MC would be classified as the poster child every parent wants and every", "perfection is Tom Yodhmi from Hijrp Potfeq. My point is that he is", "may not have parents who drilled it into him to be like this", "end of the day. The Echellim heel I could give him is that", "and you get my MC. My MC would be classified as the poster", "are). People who want to beat him up? He's athletic and fit, so", "heinous, so it would fall at the end of the day. The Echellim", "keeping his reputation, yet he's smart enough to know there will be attempts", "for perfection is Tom Yodhmi from Hijrp Potfeq. My point is that he", "fights or run as fast as them to get away. And they could", "a character with similar cunning and striving for perfection is Tom Yodhmi from", "And they could ruin their own reputations by assaulting and attacking a beloved", "can win some fights or run as fast as them to get away.", "and fit, so he can win some fights or run as fast as", "attacking a beloved treasure. People actively voice their dislike of him? Why are", "top people are). People who want to beat him up? He's athletic and", "is that he's not exactly perfect and, ironically, a raging perfectionist. Behind that", "compare them. A character I could have a similar backstory with is Glam", "be attempts at downfall, so he has connections to stop it or he", "well as supporters (haters hate successful people; what else is new?) but he's", "angst we'll see later. His own downfall could be in his own hands,", "will be attempts at downfall, so he has connections to stop it or", "with keeping his reputation, yet he's smart enough to know there will be", "like this so that's some psychological bag of angst we'll see later. His", "People could try spreading rumors, but even if they were true, no one", "(as some top people are). People who want to beat him up? He's", "if they were true, no one would suspect him of something so heinous,", "\"untouchable\" (as some top people are). People who want to beat him up?", "in one person, and you get my MC. My MC would be classified", "would suspect him of something so heinous, so it would fall at the", "into him to be like this so that's some psychological bag of angst", "they were true, no one would suspect him of something so heinous, so", "to know there will be attempts at downfall, so he has connections to", "Why are you hating on the nice, star student? You're just jealous. Leave", "exactly perfect and, ironically, a raging perfectionist. Behind that persona is someone obsessed", "or may not have parents who drilled it into him to be like", "not exactly perfect and, ironically, a raging perfectionist. Behind that persona is someone", "from Metal Family, and a character with similar cunning and striving for perfection", "supporters (haters hate successful people; what else is new?) but he's mostly \"untouchable\"", "all of that in one person, and you get my MC. My MC", "and, ironically, a raging perfectionist. Behind that persona is someone obsessed with keeping", "enough to know there will be attempts at downfall, so he has connections", "Role model-wise, who may or may not have parents who drilled it into", "see later. His own downfall could be in his own hands, but what", "perfect and, ironically, a raging perfectionist. Behind that persona is someone obsessed with", "but even if they were true, no one would suspect him of something", "His own downfall could be in his own hands, but what else could", "of their skills/reputation/family influence. Combine all of that in one person, and you", "who want to beat him up? He's athletic and fit, so he can", "get my MC. My MC would be classified as the poster child every", "some psychological bag of angst we'll see later. His own downfall could be", "him? Why are you hating on the nice, star student? You're just jealous.", "up? He's athletic and fit, so he can win some fights or run", "because their parents always compare them. A character I could have a similar", "that he's not exactly perfect and, ironically, a raging perfectionist. Behind that persona", "person, and you get my MC. My MC would be classified as the", "beloved treasure. People actively voice their dislike of him? Why are you hating", "as well as supporters (haters hate successful people; what else is new?) but", "always compare them. A character I could have a similar backstory with is", "athletic and fit, so he can win some fights or run as fast", "person you have been jealous/envious of because of their skills/reputation/family influence. Combine all", "on the nice, star student? You're just jealous. Leave him alone. People could", "ruin their own reputations by assaulting and attacking a beloved treasure. People actively", "suspect him of something so heinous, so it would fall at the end", "what else is new?) but he's mostly \"untouchable\" (as some top people are).", "very best. Role model-wise, who may or may not have parents who drilled", "he's mostly \"untouchable\" (as some top people are). People who want to beat", "I could have a similar backstory with is Glam from Metal Family, and", "of something so heinous, so it would fall at the end of the", "have been jealous/envious of because of their skills/reputation/family influence. Combine all of that", "them. A character I could have a similar backstory with is Glam from", "ironically, a raging perfectionist. Behind that persona is someone obsessed with keeping his", "assaulting and attacking a beloved treasure. People actively voice their dislike of him?", "parents always compare them. A character I could have a similar backstory with", "source. Like mafia systems. Doesn't mean he's like a completely horrible person; it", "is someone obsessed with keeping his reputation, yet he's smart enough to know", "wants and every cousin out there gets annoyed at because their parents always", "no one would suspect him of something so heinous, so it would fall", "A character I could have a similar backstory with is Glam from Metal", "similar backstory with is Glam from Metal Family, and a character with similar", "similar cunning and striving for perfection is Tom Yodhmi from Hijrp Potfeq. My", "to stop it or he immediately addresses the source. Like mafia systems. Doesn't", "the nice, star student? You're just jealous. Leave him alone. People could try", "yet he's smart enough to know there will be attempts at downfall, so", "he has connections to stop it or he immediately addresses the source. Like", "to be the very best. Role model-wise, who may or may not have", "My MC would be classified as the poster child every parent wants and", "him up? He's athletic and fit, so he can win some fights or", "could have a similar backstory with is Glam from Metal Family, and a", "is Tom Yodhmi from Hijrp Potfeq. My point is that he is insecurity-inducing", "later. His own downfall could be in his own hands, but what else", "backstory with is Glam from Metal Family, and a character with similar cunning", "psychological bag of angst we'll see later. His own downfall could be in", "Yodhmi from Hijrp Potfeq. My point is that he is insecurity-inducing enough to", "Hijrp Potfeq. My point is that he is insecurity-inducing enough to have attracted", "or he immediately addresses the source. Like mafia systems. Doesn't mean he's like", "enough haters as well as supporters (haters hate successful people; what else is", "and striving for perfection is Tom Yodhmi from Hijrp Potfeq. My point is", "the day. The Echellim heel I could give him is that he's not", "character with similar cunning and striving for perfection is Tom Yodhmi from Hijrp", "jealous. Leave him alone. People could try spreading rumors, but even if they", "has connections to stop it or he immediately addresses the source. Like mafia", "just means he wants to be the very best. Role model-wise, who may", "his reputation, yet he's smart enough to know there will be attempts at", "away. And they could ruin their own reputations by assaulting and attacking a", "because of their skills/reputation/family influence. Combine all of that in one person, and", "one would suspect him of something so heinous, so it would fall at", "their skills/reputation/family influence. Combine all of that in one person, and you get", "MC. My MC would be classified as the poster child every parent wants", "people are). People who want to beat him up? He's athletic and fit,", "of because of their skills/reputation/family influence. Combine all of that in one person,", "and attacking a beloved treasure. People actively voice their dislike of him? Why", "rumors, but even if they were true, no one would suspect him of", "would be classified as the poster child every parent wants and every cousin", "they could ruin their own reputations by assaulting and attacking a beloved treasure.", "so it would fall at the end of the day. The Echellim heel", "Behind that persona is someone obsessed with keeping his reputation, yet he's smart", "with is Glam from Metal Family, and a character with similar cunning and", "at because their parents always compare them. A character I could have a", "dislike of him? Why are you hating on the nice, star student? You're", "with similar cunning and striving for perfection is Tom Yodhmi from Hijrp Potfeq.", "give him is that he's not exactly perfect and, ironically, a raging perfectionist.", "so heinous, so it would fall at the end of the day. The", "is Glam from Metal Family, and a character with similar cunning and striving", "every parent wants and every cousin out there gets annoyed at because their", "we'll see later. His own downfall could be in his own hands, but", "annoyed at because their parents always compare them. A character I could have", "could try spreading rumors, but even if they were true, no one would", "attempts at downfall, so he has connections to stop it or he immediately", "skills/reputation/family influence. Combine all of that in one person, and you get my", "the very best. Role model-wise, who may or may not have parents who", "point is that he is insecurity-inducing enough to have attracted enough haters as", "drilled it into him to be like this so that's some psychological bag", "mostly \"untouchable\" (as some top people are). People who want to beat him", "every cousin out there gets annoyed at because their parents always compare them.", "Doesn't mean he's like a completely horrible person; it just means he wants", "as them to get away. And they could ruin their own reputations by", "him is that he's not exactly perfect and, ironically, a raging perfectionist. Behind", "he is insecurity-inducing enough to have attracted enough haters as well as supporters", "as supporters (haters hate successful people; what else is new?) but he's mostly", "to get away. And they could ruin their own reputations by assaulting and", "hate successful people; what else is new?) but he's mostly \"untouchable\" (as some", "been jealous/envious of because of their skills/reputation/family influence. Combine all of that in", "downfall could be in his own hands, but what else could I do?", "persona is someone obsessed with keeping his reputation, yet he's smart enough to", "immediately addresses the source. Like mafia systems. Doesn't mean he's like a completely", "even if they were true, no one would suspect him of something so", "Like mafia systems. Doesn't mean he's like a completely horrible person; it just", "means he wants to be the very best. Role model-wise, who may or", "true, no one would suspect him of something so heinous, so it would", "spreading rumors, but even if they were true, no one would suspect him", "it or he immediately addresses the source. Like mafia systems. Doesn't mean he's", "the end of the day. The Echellim heel I could give him is", "child every parent wants and every cousin out there gets annoyed at because", "fall at the end of the day. The Echellim heel I could give", "who drilled it into him to be like this so that's some psychological", "poster child every parent wants and every cousin out there gets annoyed at", "some top people are). People who want to beat him up? He's athletic", "horrible person; it just means he wants to be the very best. Role", "but he's mostly \"untouchable\" (as some top people are). People who want to", "he's smart enough to know there will be attempts at downfall, so he", "want to beat him up? He's athletic and fit, so he can win", "you hating on the nice, star student? You're just jealous. Leave him alone.", "systems. Doesn't mean he's like a completely horrible person; it just means he", "as the poster child every parent wants and every cousin out there gets", "like a completely horrible person; it just means he wants to be the", "actively voice their dislike of him? Why are you hating on the nice,", "fast as them to get away. And they could ruin their own reputations", "fit, so he can win some fights or run as fast as them", "him alone. People could try spreading rumors, but even if they were true,", "every person you have been jealous/envious of because of their skills/reputation/family influence. Combine", "their dislike of him? Why are you hating on the nice, star student?", "is new?) but he's mostly \"untouchable\" (as some top people are). People who", "and every cousin out there gets annoyed at because their parents always compare", "be like this so that's some psychological bag of angst we'll see later.", "just jealous. Leave him alone. People could try spreading rumors, but even if", "People who want to beat him up? He's athletic and fit, so he", "is that he is insecurity-inducing enough to have attracted enough haters as well", "voice their dislike of him? Why are you hating on the nice, star", "so he has connections to stop it or he immediately addresses the source.", "cunning and striving for perfection is Tom Yodhmi from Hijrp Potfeq. My point", "their parents always compare them. A character I could have a similar backstory", "obsessed with keeping his reputation, yet he's smart enough to know there will", "People actively voice their dislike of him? Why are you hating on the", "it would fall at the end of the day. The Echellim heel I", "have parents who drilled it into him to be like this so that's", "are you hating on the nice, star student? You're just jealous. Leave him", "own reputations by assaulting and attacking a beloved treasure. People actively voice their", "out there gets annoyed at because their parents always compare them. A character", "of angst we'll see later. His own downfall could be in his own", "wants to be the very best. Role model-wise, who may or may not", "Family, and a character with similar cunning and striving for perfection is Tom", "new?) but he's mostly \"untouchable\" (as some top people are). People who want", "of the day. The Echellim heel I could give him is that he's", "bag of angst we'll see later. His own downfall could be in his", "it into him to be like this so that's some psychological bag of", "it just means he wants to be the very best. Role model-wise, who", "successful people; what else is new?) but he's mostly \"untouchable\" (as some top", "connections to stop it or he immediately addresses the source. Like mafia systems.", "(haters hate successful people; what else is new?) but he's mostly \"untouchable\" (as", "and a character with similar cunning and striving for perfection is Tom Yodhmi", "best. Role model-wise, who may or may not have parents who drilled it", "he's like a completely horrible person; it just means he wants to be", "people; what else is new?) but he's mostly \"untouchable\" (as some top people", "may or may not have parents who drilled it into him to be", "the source. Like mafia systems. Doesn't mean he's like a completely horrible person;", "haters as well as supporters (haters hate successful people; what else is new?)", "mean he's like a completely horrible person; it just means he wants to", "addresses the source. Like mafia systems. Doesn't mean he's like a completely horrible", "completely horrible person; it just means he wants to be the very best.", "from Hijrp Potfeq. My point is that he is insecurity-inducing enough to have", "were true, no one would suspect him of something so heinous, so it", "a similar backstory with is Glam from Metal Family, and a character with", "Leave him alone. People could try spreading rumors, but even if they were", "you get my MC. My MC would be classified as the poster child", "Imagine every person you have been jealous/envious of because of their skills/reputation/family influence.", "cousin out there gets annoyed at because their parents always compare them. A", "raging perfectionist. Behind that persona is someone obsessed with keeping his reputation, yet", "a raging perfectionist. Behind that persona is someone obsessed with keeping his reputation,", "my MC. My MC would be classified as the poster child every parent", "him of something so heinous, so it would fall at the end of", "someone obsessed with keeping his reputation, yet he's smart enough to know there", "attracted enough haters as well as supporters (haters hate successful people; what else", "have a similar backstory with is Glam from Metal Family, and a character", "model-wise, who may or may not have parents who drilled it into him", "parent wants and every cousin out there gets annoyed at because their parents", "their own reputations by assaulting and attacking a beloved treasure. People actively voice", "that he is insecurity-inducing enough to have attracted enough haters as well as", "Metal Family, and a character with similar cunning and striving for perfection is", "that's some psychological bag of angst we'll see later. His own downfall could", "them to get away. And they could ruin their own reputations by assaulting", "He's athletic and fit, so he can win some fights or run as", "to beat him up? He's athletic and fit, so he can win some", "by assaulting and attacking a beloved treasure. People actively voice their dislike of", "Potfeq. My point is that he is insecurity-inducing enough to have attracted enough", "of him? Why are you hating on the nice, star student? You're just", "alone. People could try spreading rumors, but even if they were true, no", "be classified as the poster child every parent wants and every cousin out", "I could give him is that he's not exactly perfect and, ironically, a", "could ruin their own reputations by assaulting and attacking a beloved treasure. People", "you have been jealous/envious of because of their skills/reputation/family influence. Combine all of", "reputation, yet he's smart enough to know there will be attempts at downfall,", "The Echellim heel I could give him is that he's not exactly perfect", "classified as the poster child every parent wants and every cousin out there", "would fall at the end of the day. The Echellim heel I could", "parents who drilled it into him to be like this so that's some", "a beloved treasure. People actively voice their dislike of him? Why are you", "smart enough to know there will be attempts at downfall, so he has", "win some fights or run as fast as them to get away. And", "get away. And they could ruin their own reputations by assaulting and attacking", "reputations by assaulting and attacking a beloved treasure. People actively voice their dislike", "a completely horrible person; it just means he wants to be the very", "who may or may not have parents who drilled it into him to", "not have parents who drilled it into him to be like this so", "nice, star student? You're just jealous. Leave him alone. People could try spreading", "or run as fast as them to get away. And they could ruin", "of that in one person, and you get my MC. My MC would", "own downfall could be in his own hands, but what else could I", "student? You're just jealous. Leave him alone. People could try spreading rumors, but", "one person, and you get my MC. My MC would be classified as", "stop it or he immediately addresses the source. Like mafia systems. Doesn't mean", "is insecurity-inducing enough to have attracted enough haters as well as supporters (haters", "have attracted enough haters as well as supporters (haters hate successful people; what", "run as fast as them to get away. And they could ruin their", "at downfall, so he has connections to stop it or he immediately addresses", "You're just jealous. Leave him alone. People could try spreading rumors, but even", "that persona is someone obsessed with keeping his reputation, yet he's smart enough", "jealous/envious of because of their skills/reputation/family influence. Combine all of that in one", "so that's some psychological bag of angst we'll see later. His own downfall", "insecurity-inducing enough to have attracted enough haters as well as supporters (haters hate", "so he can win some fights or run as fast as them to", "Tom Yodhmi from Hijrp Potfeq. My point is that he is insecurity-inducing enough", "influence. Combine all of that in one person, and you get my MC." ]
[ "the rise of so many terrible \"satires\" such as Disaster Movie and so", "fixed? I will also accept some criticisms and also more thoughts to what", "Gun, Hot Shots, and the early Scary movie* films. However, we see them", "necessarily have to be bad itself, but it's mostly done poorly. * Too", "Itchy & Scratchy. While I have seen claims that they were trying to", "Shots, and the early Scary movie films. However, we see them beginning more", "the genre began to fail and how it can be fixed? I will", "up with a few theories on why they fail: * Too much product", "itself, but it's mostly done poorly. * Too much toilet humor * Too", "towards satire, I wanted to point out The Simspons episode, Bayj vs. Itchy", "Having ideas myself, and thinking about what went wrong, I came up with", "Meet the Spartans. However, there are exceptions like Spaceballs* * While it was", "to make fun of BOTH sides, it felt that the writers were siding", "writers were siding too closely with the \"feminists\" What are ways that the", "closely with the \"feminists\" What are ways that the genre began to fail", "came up with a few theories on why they fail: * Too much", "how it can be fixed? I will also accept some criticisms and also", "there are exceptions like Spaceballs * While it was more towards satire, I", "so many terrible \"satires\" such as Disaster Movie and so on. Having ideas", "placement. Product placement does not necessarily have to be bad itself, but it's", "poorly. * Too much toilet humor * Too many pop culture references ", "Just poorly written in general Parody/Satire may be too close to original", "Simspons* episode, Bayj vs. Itchy & Scratchy. While I have seen claims that", "myself, and thinking about what went wrong, I came up with a few", "siding too closely with the \"feminists\" What are ways that the genre began", "* Too much toilet humor * Too many pop culture references * Just", "was more towards satire, I wanted to point out The Simspons episode, Bayj", "in decline, and also the rise of so many terrible \"satires\" such as", "beginning more in decline, and also the rise of so many terrible \"satires\"", "have seen claims that they were trying to make fun of BOTH sides,", " Parody/Satire may be too close to original film, like Meet the Spartans.", "claims that they were trying to make fun of BOTH sides, it felt", "Scratchy. While I have seen claims that they were trying to make fun", "thinking about what went wrong, I came up with a few theories on", "rise of so many terrible \"satires\" such as Disaster Movie* and so on.", "& Scratchy. While I have seen claims that they were trying to make", "BOTH sides, it felt that the writers were siding too closely with the", "written in general Parody/Satire may be too close to original film, like", "However, we see them beginning more in decline, and also the rise of", "\"satires\" such as Disaster Movie and so on. Having ideas myself, and thinking", "bad itself, but it's mostly done poorly. * Too much toilet humor ", "While I have seen claims that they were trying to make fun of", "toilet humor Too many pop culture references * Just poorly written in", "However, there are exceptions like Spaceballs * While it was more towards satire,", "I wanted to point out The Simspons episode, Bayj vs. Itchy & Scratchy.", "exceptions like Spaceballs * While it was more towards satire, I wanted to", "why they fail: * Too much product placement. Product placement does not necessarily", "like Meet the Spartans. However, there are exceptions like Spaceballs * While it", "and so on. Having ideas myself, and thinking about what went wrong, I", "about what went wrong, I came up with a few theories on why", "and also the rise of so many terrible \"satires\" such as Disaster Movie", "original film, like Meet the Spartans. However, there are exceptions like Spaceballs ", "they were trying to make fun of BOTH sides, it felt that the", "fail and how it can be fixed? I will also accept some criticisms", "terrible \"satires\" such as Disaster Movie* and so on. Having ideas myself, and", "Spaceballs * While it was more towards satire, I wanted to point out", "trying to make fun of BOTH sides, it felt that the writers were", "The Simspons episode, Bayj vs. Itchy & Scratchy. While I have seen claims", "* Too many pop culture references * Just poorly written in general ", "Too many pop culture references Just poorly written in general * Parody/Satire", "movie* films. However, we see them beginning more in decline, and also the", "be fixed? I will also accept some criticisms and also more thoughts to", "it was more towards satire, I wanted to point out The Simspons episode,", "while, there were many good satires/parodies, such as Naked Gun, Hot Shots, and", "and how it can be fixed? I will also accept some criticisms and", "out The Simspons episode, Bayj vs. Itchy & Scratchy. While I have seen", "will also accept some criticisms and also more thoughts to what caused them", "poorly written in general * Parody/Satire may be too close to original film,", "many pop culture references * Just poorly written in general * Parody/Satire may", "so on. Having ideas myself, and thinking about what went wrong, I came", "it can be fixed? I will also accept some criticisms and also more", "general * Parody/Satire may be too close to original film, like Meet the", "theories on why they fail: Too much product placement. Product placement does", "were trying to make fun of BOTH sides, it felt that the writers", "felt that the writers were siding too closely with the \"feminists\" What are", "* While it was more towards satire, I wanted to point out The", " Just poorly written in general * Parody/Satire may be too close to", "product placement. Product placement does not necessarily have to be bad itself, but", "Product placement does not necessarily have to be bad itself, but it's mostly", "Naked Gun, Hot Shots, and the early Scary movie films. However, we see", "placement does not necessarily have to be bad itself, but it's mostly done", "to fail and how it can be fixed? I will also accept some", "such as Disaster Movie and so on. Having ideas myself, and thinking about", "wanted to point out The Simspons episode, Bayj vs. Itchy & Scratchy. While", "a few theories on why they fail: * Too much product placement. Product", "ideas myself, and thinking about what went wrong, I came up with a", "a while, there were many good satires/parodies, such as Naked Gun, Hot Shots,", "such as Naked Gun, Hot Shots, and the early Scary movie films. However,", "what went wrong, I came up with a few theories on why they", "but it's mostly done poorly. * Too much toilet humor * Too many", "much product placement. Product placement does not necessarily have to be bad itself,", "that they were trying to make fun of BOTH sides, it felt that", "For a while, there were many good satires/parodies, such as Naked Gun, Hot", "as Disaster Movie* and so on. Having ideas myself, and thinking about what", "many terrible \"satires\" such as Disaster Movie and so on. Having ideas myself,", "are ways that the genre began to fail and how it can be", "of BOTH sides, it felt that the writers were siding too closely with", "references * Just poorly written in general * Parody/Satire may be too close", "more in decline, and also the rise of so many terrible \"satires\" such", "I came up with a few theories on why they fail: * Too", "can be fixed? I will also accept some criticisms and also more thoughts", "Scary movie films. However, we see them beginning more in decline, and also", "few theories on why they fail: * Too much product placement. Product placement", "mostly done poorly. * Too much toilet humor * Too many pop culture", "were siding too closely with the \"feminists\" What are ways that the genre", "make fun of BOTH sides, it felt that the writers were siding too", "too closely with the \"feminists\" What are ways that the genre began to", "early Scary movie films. However, we see them beginning more in decline, and", "I have seen claims that they were trying to make fun of BOTH", "the early Scary movie films. However, we see them beginning more in decline,", "also accept some criticisms and also more thoughts to what caused them to", "we see them beginning more in decline, and also the rise of so", "Disaster Movie and so on. Having ideas myself, and thinking about what went", "vs. Itchy & Scratchy. While I have seen claims that they were trying", "films. However, we see them beginning more in decline, and also the rise", "film, like Meet the Spartans. However, there are exceptions like Spaceballs* * While", "many good satires/parodies, such as Naked Gun, Hot Shots, and the early Scary", "as Naked Gun, Hot Shots, and the early Scary movie* films. However, we", "are exceptions like Spaceballs * While it was more towards satire, I wanted", "culture references * Just poorly written in general * Parody/Satire may be too", "What are ways that the genre began to fail and how it can", "were many good satires/parodies, such as Naked Gun, Hot Shots, and the early", "of so many terrible \"satires\" such as Disaster Movie and so on. Having", "too close to original film, like Meet the Spartans. However, there are exceptions", "fun of BOTH sides, it felt that the writers were siding too closely", "also the rise of so many terrible \"satires\" such as Disaster Movie and", "fail: * Too much product placement. Product placement does not necessarily have to", "it's mostly done poorly. * Too much toilet humor * Too many pop", "While it was more towards satire, I wanted to point out The Simspons", "good satires/parodies, such as Naked Gun, Hot Shots, and the early Scary movie", "the \"feminists\" What are ways that the genre began to fail and how", "the Spartans. However, there are exceptions like Spaceballs* * While it was more", "with a few theories on why they fail: * Too much product placement.", "close to original film, like Meet the Spartans. However, there are exceptions like", "more towards satire, I wanted to point out The Simspons episode, Bayj vs.", "them beginning more in decline, and also the rise of so many terrible", "on why they fail: Too much product placement. Product placement does not", "that the writers were siding too closely with the \"feminists\" What are ways", "Too much toilet humor * Too many pop culture references * Just poorly", "episode, Bayj vs. Itchy & Scratchy. While I have seen claims that they", "may be too close to original film, like Meet the Spartans. However, there", "does not necessarily have to be bad itself, but it's mostly done poorly.", "Parody/Satire may be too close to original film, like Meet the Spartans. However,", "genre began to fail and how it can be fixed? I will also", "ways that the genre began to fail and how it can be fixed?", "not necessarily have to be bad itself, but it's mostly done poorly. ", "and the early Scary movie* films. However, we see them beginning more in", "to point out The Simspons episode, Bayj vs. Itchy & Scratchy. While I", "Too much product placement. Product placement does not necessarily have to be bad", "Bayj vs. Itchy & Scratchy. While I have seen claims that they were", "began to fail and how it can be fixed? I will also accept", "pop culture references * Just poorly written in general * Parody/Satire may be", "satire, I wanted to point out The Simspons episode, Bayj vs. Itchy &", "they fail: Too much product placement. Product placement does not necessarily have", "in general * Parody/Satire may be too close to original film, like Meet", "went wrong, I came up with a few theories on why they fail:", "be bad itself, but it's mostly done poorly. Too much toilet humor", "that the genre began to fail and how it can be fixed? I", "Spartans. However, there are exceptions like Spaceballs* * While it was more towards", "satires/parodies, such as Naked Gun, Hot Shots, and the early Scary movie films.", "much toilet humor * Too many pop culture references * Just poorly written", "sides, it felt that the writers were siding too closely with the \"feminists\"", "\"feminists\" What are ways that the genre began to fail and how it", "on. Having ideas myself, and thinking about what went wrong, I came up", "to original film, like Meet the Spartans. However, there are exceptions like Spaceballs", "point out The Simspons episode, Bayj vs. Itchy & Scratchy. While I have", "it felt that the writers were siding too closely with the \"feminists\" What", "Movie* and so on. Having ideas myself, and thinking about what went wrong,", "be too close to original film, like Meet the Spartans. However, there are", "humor * Too many pop culture references * Just poorly written in general", "seen claims that they were trying to make fun of BOTH sides, it", "done poorly. * Too much toilet humor * Too many pop culture references", "Hot Shots, and the early Scary movie films. However, we see them beginning", "and thinking about what went wrong, I came up with a few theories", "wrong, I came up with a few theories on why they fail: ", "with the \"feminists\" What are ways that the genre began to fail and", "to be bad itself, but it's mostly done poorly. Too much toilet", "the writers were siding too closely with the \"feminists\" What are ways that", "there were many good satires/parodies, such as Naked Gun, Hot Shots, and the", "* Too much product placement. Product placement does not necessarily have to be", "have to be bad itself, but it's mostly done poorly. * Too much", "see them beginning more in decline, and also the rise of so many", "like Spaceballs * While it was more towards satire, I wanted to point", "decline, and also the rise of so many terrible \"satires\" such as *Disaster", "I will also accept some criticisms and also more thoughts to what caused", "accept some criticisms and also more thoughts to what caused them to decline." ]
[ "about what I am doing here it seems like I am tagging a", "- to my eye - visually uglifies the text. When I think about", "read such text the extra tags, the appended ...self* bits, are largely invisible", "from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When writing internal", "tags, the appended ...self bits, are largely invisible and do not appear bothersome.", "two days ago. When writing internal monologues I often end up using the", "doing here it seems like I am tagging a tag. Is there a", "using the '...self' tag. For instance --- \"--- ... ---,\" she said to", "wholly unnecessary adornment - you always think to yourself, not to someone else.", "days ago. When writing internal monologues I often end up using the '...self'", "[one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When writing internal monologues", "not using them makes for too many 'he thought/she thought tags in quick", "admonished himself Or even worse \"I must pay that bill,\" he thought to", "appear bothersome. At the same time, not using them makes for too many", "At the same time, not using them makes for too many 'he thought/she", "the text. When I think about what I am doing here it seems", "--- In that last example, the to himself* part is a wholly unnecessary", "instance --- \"--- ... ---,\" she said to herself. \"blah, blah, blah...,\" he", "When I read such text the extra tags, the appended ...self bits, are", "'...self' tag. For instance --- \"--- ... ---,\" she said to herself. \"blah,", "using them makes for too many 'he thought/she thought* tags in quick succession", "just two days ago. When writing internal monologues I often end up using", "text the extra tags, the appended ...self bits, are largely invisible and do", "to himself part is a wholly unnecessary adornment - you always think to", "said to herself. \"blah, blah, blah...,\" he admonished himself Or even worse \"I", "I am tagging a tag.* Is there a generally accepted consensus how this", "to himself. --- In that last example, the to himself part is a", "the to himself part is a wholly unnecessary adornment - you always think", "and do not appear bothersome. At the same time, not using them makes", "I often end up using the '...self' tag. For instance --- \"--- ...", "up using the '...self'* tag. For instance --- \"--- ... ---,\" she said", "think to yourself, not to someone else. When I read such text the", "had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When writing internal monologues I often", "... ---,\" she said to herself. \"blah, blah, blah...,\" he admonished himself Or", "the same time, not using them makes for too many 'he thought/she thought", "tag. For instance --- \"--- ... ---,\" she said to herself. \"blah, blah,", "When I think about what I am doing here it seems like I", "is a wholly unnecessary adornment - you always think to yourself, not to", "am doing here it seems like I am tagging a tag. Is there", "that bill,\" he thought to himself. --- In that last example, the to", "thought to himself. --- In that last example, the to himself part is", "the appended ...self bits, are largely invisible and do not appear bothersome. At", "for too many 'he thought/she thought tags in quick succession which - to", "...self bits, are largely invisible and do not appear bothersome. At the same", "uglifies the text. When I think about what I am doing here it", "himself. --- In that last example, the to himself part is a wholly", "In that last example, the to himself part is a wholly unnecessary adornment", "internal monologues I often end up using the '...self' tag. For instance ---", "visually uglifies the text. When I think about what I am doing here", "adornment - you always think to yourself, not to someone else. When I", "she said to herself. \"blah, blah, blah...,\" he admonished himself Or even worse", "bothersome. At the same time, not using them makes for too many 'he", "which - to my eye - visually uglifies the text. When I think", "end up using the '...self'* tag. For instance --- \"--- ... ---,\" she", "bill,\" he thought to himself. --- In that last example, the to himself", "often end up using the '...self'* tag. For instance --- \"--- ... ---,\"", "too many 'he thought/she thought tags in quick succession which - to my", "am tagging a tag. Is there a generally accepted consensus how this should", "When writing internal monologues I often end up using the '...self' tag. For", "you always think to yourself, not to someone else. When I read such", "such text the extra tags, the appended ...self bits, are largely invisible and", "--- \"--- ... ---,\" she said to herself. \"blah, blah, blah...,\" he admonished", "last example, the to himself part is a wholly unnecessary adornment - you", "many 'he thought/she thought tags in quick succession which - to my eye", "writing internal monologues I often end up using the '...self' tag. For instance", "himself* part is a wholly unnecessary adornment - you always think to yourself,", "example, the to himself part is a wholly unnecessary adornment - you always", "that last example, the to himself part is a wholly unnecessary adornment -", "it seems like I am tagging a tag. Is there a generally accepted", "succession which - to my eye - visually uglifies the text. When I", "seems like I am tagging a tag. Is there a generally accepted consensus", "I read such text the extra tags, the appended ...self bits, are largely", "to someone else. When I read such text the extra tags, the appended", "the extra tags, the appended ...self bits, are largely invisible and do not", "question follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago.", "thought* tags in quick succession which - to my eye - visually uglifies", "he thought to himself. --- In that last example, the to himself part", "thought/she thought* tags in quick succession which - to my eye - visually", "himself Or even worse \"I must pay that bill,\" he thought to himself.", "like I am tagging a tag. Is there a generally accepted consensus how", "I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When writing internal monologues I", "\"--- ... ---,\" she said to herself. \"blah, blah, blah...,\" he admonished himself", "tagging a tag. Is there a generally accepted consensus how this should be", "ago. When writing internal monologues I often end up using the '...self' tag.", "someone else. When I read such text the extra tags, the appended ...self", "this question follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days", "Or even worse \"I must pay that bill,\" he thought to himself. ---", "a tag.* Is there a generally accepted consensus how this should be handled?", "the '...self' tag. For instance --- \"--- ... ---,\" she said to herself.", "worse \"I must pay that bill,\" he thought to himself. --- In that", "tags in quick succession which - to my eye - visually uglifies the", "them makes for too many 'he thought/she thought tags in quick succession which", "text. When I think about what I am doing here it seems like", "ways, this question follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two", "to yourself, not to someone else. When I read such text the extra", "makes for too many 'he thought/she thought tags in quick succession which -", "follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When", "blah...,\" he admonished himself Or even worse \"I must pay that bill,\" he", "even worse \"I must pay that bill,\" he thought to himself. --- In", "appended ...self* bits, are largely invisible and do not appear bothersome. At the", "eye - visually uglifies the text. When I think about what I am", "not appear bothersome. At the same time, not using them makes for too", "pay that bill,\" he thought to himself. --- In that last example, the", "time, not using them makes for too many 'he thought/she thought* tags in", "here just two days ago. When writing internal monologues I often end up", "must pay that bill,\" he thought to himself. --- In that last example,", "many ways, this question follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just", "are largely invisible and do not appear bothersome. At the same time, not", "'he thought/she thought* tags in quick succession which - to my eye -", "yourself, not to someone else. When I read such text the extra tags,", "do not appear bothersome. At the same time, not using them makes for", "in quick succession which - to my eye - visually uglifies the text.", "my eye - visually uglifies the text. When I think about what I", "think about what I am doing here it seems like I am tagging", "a wholly unnecessary adornment - you always think to yourself, not to someone", "else. When I read such text the extra tags, the appended ...self* bits,", "always think to yourself, not to someone else. When I read such text", "invisible and do not appear bothersome. At the same time, not using them", "\"I must pay that bill,\" he thought to himself. --- In that last", "on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here just two days ago. When writing", "For instance --- \"--- ... ---,\" she said to herself. \"blah, blah, blah...,\"", "---,\" she said to herself. \"blah, blah, blah...,\" he admonished himself Or even", "- you always think to yourself, not to someone else. When I read", "herself. \"blah, blah, blah...,\" he admonished himself Or even worse \"I must pay", "quick succession which - to my eye - visually uglifies the text. When", "\"blah, blah, blah...,\" he admonished himself Or even worse \"I must pay that", "to my eye - visually uglifies the text. When I think about what", "not to someone else. When I read such text the extra tags, the", "here it seems like I am tagging a tag.* Is there a generally", "largely invisible and do not appear bothersome. At the same time, not using", "unnecessary adornment - you always think to yourself, not to someone else. When", "In many ways, this question follows on from [one I had](https://writing.stackexchange.com/questions/63737/how-to-when-to-tag-quoted-text-in-a-dialogue) asked here", "I am doing here it seems like I am tagging a tag. Is", "blah, blah...,\" he admonished himself Or even worse \"I must pay that bill,\"", "monologues I often end up using the '...self'* tag. For instance --- \"---", "same time, not using them makes for too many 'he thought/she thought* tags", "he admonished himself Or even worse \"I must pay that bill,\" he thought", "asked here just two days ago. When writing internal monologues I often end", "bits, are largely invisible and do not appear bothersome. At the same time,", "- visually uglifies the text. When I think about what I am doing", "what I am doing here it seems like I am tagging a tag.", "part is a wholly unnecessary adornment - you always think to yourself, not", "to herself. \"blah, blah, blah...,\" he admonished himself Or even worse \"I must", "extra tags, the appended ...self* bits, are largely invisible and do not appear", "I think about what I am doing here it seems like I am" ]
[ "before I can even start on how he reacts to it and what", "in my head it paints a pretty clear picture, but I am having", "the storytelling would feel slow as I take multiple pages just to describe", "this jungle is kilometres high, with trees connecting to each other so movement", "in a way that sufficiently paints the scene but also does not eat", "and it involves a lot of altitude changing instead of just going a", "The scenes I would like to get across to my readers are very", "alien avatar-like world in a way that sufficiently paints the scene but also", "way too much pages. And if I would split it into more than", "more than one book I would still have the problem that the storytelling", "happening yet. For example, in one scene a human from our world wakes", "something among those lines. The scenes I would like to get across to", "describing it in a way that readers get a similar picture. I feel", "if I would write the whole book this way it would take way", "happens next. So how can I write about this alien avatar-like world in", "place in a world vastly different to ours with complex wildlife. Think about", "as I take multiple pages just to describe the scene without anything happening", "complex wildlife. Think about the movie Avatar, something among those lines. The scenes", "to give my readers a good idea of what the characters are seeing", "describe the scene without anything happening yet. For example, in one scene a", "world. The plants are different, the animals are different, the sun is different", "if I would split it into more than one book I would still", "since this jungle is kilometres high, with trees connecting to each other so", "pages just to describe the scene without anything happening yet. For example, in", "of what the characters are seeing and if I would write the whole", "that readers get a similar picture. I feel as if I just need", "words to give my readers a good idea of what the characters are", "way that sufficiently paints the scene but also does not eat through pages", "head it paints a pretty clear picture, but I am having a hard", "this new world. The plants are different, the animals are different, the sun", "even his movement is different since this jungle is kilometres high, with trees", "next. So how can I write about this alien avatar-like world in a", "he reacts to it and what happens next. So how can I write", "world vastly different to ours with complex wildlife. Think about the movie Avatar,", "I would split it into more than one book I would still have", "it and what happens next. So how can I write about this alien", "I feel as if I just need way too much words to give", "a straight line. I feel like I would need to explain everything the", "picture, but I am having a hard time describing it in a way", "I am having a hard time describing it in a way that readers", "hard time describing it in a way that readers get a similar picture.", "write about this alien avatar-like world in a way that sufficiently paints the", "when I think about the scenes in my head it paints a pretty", "a lot of altitude changing instead of just going a straight line. I", "a pretty clear picture, but I am having a hard time describing it", "readers get a similar picture. I feel as if I just need way", "I feel like I would need to explain everything the man is seeing", "I would need to explain everything the man is seeing before I can", "avatar-like world in a way that sufficiently paints the scene but also does", "a way that sufficiently paints the scene but also does not eat through", "scene but also does not eat through pages faster than a gambling addict", "and even his movement is different since this jungle is kilometres high, with", "a way that readers get a similar picture. I feel as if I", "from our world wakes up in a jungle in this new world. The", "feel slow as I take multiple pages just to describe the scene without", "I would write the whole book this way it would take way too", "jungle in this new world. The plants are different, the animals are different,", "wildlife. Think about the movie Avatar, something among those lines. The scenes I", "kilometres high, with trees connecting to each other so movement is a mixture", "in a way that readers get a similar picture. I feel as if", "and climbing and it involves a lot of altitude changing instead of just", "think about the scenes in my head it paints a pretty clear picture,", "too much pages. And if I would split it into more than one", "than one book I would still have the problem that the storytelling would", "trees connecting to each other so movement is a mixture of walking and", "a good idea of what the characters are seeing and if I would", "plants are different, the animals are different, the sun is different and even", "also does not eat through pages faster than a gambling addict eats through", "and what happens next. So how can I write about this alien avatar-like", "among those lines. The scenes I would like to get across to my", "slow as I take multiple pages just to describe the scene without anything", "onto paper. However, this story takes place in a world vastly different to", "split it into more than one book I would still have the problem", "would take way too much pages. And if I would split it into", "would like to get across to my readers are very visual. Now when", "climbing and it involves a lot of altitude changing instead of just going", "story takes place in a world vastly different to ours with complex wildlife.", "sufficiently paints the scene but also does not eat through pages faster than", "However, this story takes place in a world vastly different to ours with", "book this way it would take way too much pages. And if I", "just to describe the scene without anything happening yet. For example, in one", "idea of what the characters are seeing and if I would write the", "sun is different and even his movement is different since this jungle is", "mind that I would like to put onto paper. However, this story takes", "I can even start on how he reacts to it and what happens", "about the movie Avatar, something among those lines. The scenes I would like", "human from our world wakes up in a jungle in this new world.", "up in a jungle in this new world. The plants are different, the", "time describing it in a way that readers get a similar picture. I", "straight line. I feel like I would need to explain everything the man", "how he reacts to it and what happens next. So how can I", "like to get across to my readers are very visual. Now when I", "into more than one book I would still have the problem that the", "book I would still have the problem that the storytelling would feel slow", "with trees connecting to each other so movement is a mixture of walking", "problem that the storytelling would feel slow as I take multiple pages just", "connecting to each other so movement is a mixture of walking and climbing", "other so movement is a mixture of walking and climbing and it involves", "a mixture of walking and climbing and it involves a lot of altitude", "changing instead of just going a straight line. I feel like I would", "in one scene a human from our world wakes up in a jungle", "have the problem that the storytelling would feel slow as I take multiple", "in a jungle in this new world. The plants are different, the animals", "of just going a straight line. I feel like I would need to", "the scene without anything happening yet. For example, in one scene a human", "different and even his movement is different since this jungle is kilometres high,", "good idea of what the characters are seeing and if I would write", "those lines. The scenes I would like to get across to my readers", "if I just need way too much words to give my readers a", "having a hard time describing it in a way that readers get a", "to describe the scene without anything happening yet. For example, in one scene", "write the whole book this way it would take way too much pages.", "the animals are different, the sun is different and even his movement is", "instead of just going a straight line. I feel like I would need", "explain everything the man is seeing before I can even start on how", "everything the man is seeing before I can even start on how he", "the characters are seeing and if I would write the whole book this", "storytelling would feel slow as I take multiple pages just to describe the", "scene a human from our world wakes up in a jungle in this", "my head it paints a pretty clear picture, but I am having a", "give my readers a good idea of what the characters are seeing and", "how can I write about this alien avatar-like world in a way that", "I write about this alien avatar-like world in a way that sufficiently paints", "I have a story in mind that I would like to put onto", "jungle is kilometres high, with trees connecting to each other so movement is", "my readers a good idea of what the characters are seeing and if", "start on how he reacts to it and what happens next. So how", "ours with complex wildlife. Think about the movie Avatar, something among those lines.", "would write the whole book this way it would take way too much", "in this new world. The plants are different, the animals are different, the", "story in mind that I would like to put onto paper. However, this", "the sun is different and even his movement is different since this jungle", "that I would like to put onto paper. However, this story takes place", "feel like I would need to explain everything the man is seeing before", "picture. I feel as if I just need way too much words to", "take multiple pages just to describe the scene without anything happening yet. For", "what happens next. So how can I write about this alien avatar-like world", "does not eat through pages faster than a gambling addict eats through his", "movie Avatar, something among those lines. The scenes I would like to get", "The plants are different, the animals are different, the sun is different and", "seeing before I can even start on how he reacts to it and", "take way too much pages. And if I would split it into more", "to get across to my readers are very visual. Now when I think", "I would like to put onto paper. However, this story takes place in", "whole book this way it would take way too much pages. And if", "Avatar, something among those lines. The scenes I would like to get across", "I would still have the problem that the storytelling would feel slow as", "pretty clear picture, but I am having a hard time describing it in", "are different, the sun is different and even his movement is different since", "Think about the movie Avatar, something among those lines. The scenes I would", "characters are seeing and if I would write the whole book this way", "reacts to it and what happens next. So how can I write about", "am having a hard time describing it in a way that readers get", "a hard time describing it in a way that readers get a similar", "man is seeing before I can even start on how he reacts to", "need to explain everything the man is seeing before I can even start", "Now when I think about the scenes in my head it paints a", "much words to give my readers a good idea of what the characters", "For example, in one scene a human from our world wakes up in", "like I would need to explain everything the man is seeing before I", "with complex wildlife. Think about the movie Avatar, something among those lines. The", "get across to my readers are very visual. Now when I think about", "very visual. Now when I think about the scenes in my head it", "I would like to get across to my readers are very visual. Now", "So how can I write about this alien avatar-like world in a way", "And if I would split it into more than one book I would", "is different and even his movement is different since this jungle is kilometres", "would still have the problem that the storytelling would feel slow as I", "would need to explain everything the man is seeing before I can even", "a world vastly different to ours with complex wildlife. Think about the movie", "similar picture. I feel as if I just need way too much words", "to it and what happens next. So how can I write about this", "world in a way that sufficiently paints the scene but also does not", "the scenes in my head it paints a pretty clear picture, but I", "is different since this jungle is kilometres high, with trees connecting to each", "going a straight line. I feel like I would need to explain everything", "the scene but also does not eat through pages faster than a gambling", "different, the animals are different, the sun is different and even his movement", "would like to put onto paper. However, this story takes place in a", "different since this jungle is kilometres high, with trees connecting to each other", "about this alien avatar-like world in a way that sufficiently paints the scene", "still have the problem that the storytelling would feel slow as I take", "but also does not eat through pages faster than a gambling addict eats", "eat through pages faster than a gambling addict eats through his bank account?", "is seeing before I can even start on how he reacts to it", "about the scenes in my head it paints a pretty clear picture, but", "way it would take way too much pages. And if I would split", "I take multiple pages just to describe the scene without anything happening yet.", "the movie Avatar, something among those lines. The scenes I would like to", "is a mixture of walking and climbing and it involves a lot of", "way too much words to give my readers a good idea of what", "of altitude changing instead of just going a straight line. I feel like", "way that readers get a similar picture. I feel as if I just", "and if I would write the whole book this way it would take", "much pages. And if I would split it into more than one book", "a human from our world wakes up in a jungle in this new", "in a world vastly different to ours with complex wildlife. Think about the", "the problem that the storytelling would feel slow as I take multiple pages", "to explain everything the man is seeing before I can even start on", "a similar picture. I feel as if I just need way too much", "is kilometres high, with trees connecting to each other so movement is a", "takes place in a world vastly different to ours with complex wildlife. Think", "I just need way too much words to give my readers a good", "it would take way too much pages. And if I would split it", "walking and climbing and it involves a lot of altitude changing instead of", "new world. The plants are different, the animals are different, the sun is", "not eat through pages faster than a gambling addict eats through his bank", "the man is seeing before I can even start on how he reacts", "this story takes place in a world vastly different to ours with complex", "scenes in my head it paints a pretty clear picture, but I am", "paints a pretty clear picture, but I am having a hard time describing", "different, the sun is different and even his movement is different since this", "involves a lot of altitude changing instead of just going a straight line.", "to my readers are very visual. Now when I think about the scenes", "get a similar picture. I feel as if I just need way too", "need way too much words to give my readers a good idea of", "wakes up in a jungle in this new world. The plants are different,", "just going a straight line. I feel like I would need to explain", "this way it would take way too much pages. And if I would", "so movement is a mixture of walking and climbing and it involves a", "it in a way that readers get a similar picture. I feel as", "the whole book this way it would take way too much pages. And", "one book I would still have the problem that the storytelling would feel", "would feel slow as I take multiple pages just to describe the scene", "feel as if I just need way too much words to give my", "to each other so movement is a mixture of walking and climbing and", "but I am having a hard time describing it in a way that", "lot of altitude changing instead of just going a straight line. I feel", "just need way too much words to give my readers a good idea", "yet. For example, in one scene a human from our world wakes up", "movement is different since this jungle is kilometres high, with trees connecting to", "each other so movement is a mixture of walking and climbing and it", "mixture of walking and climbing and it involves a lot of altitude changing", "a jungle in this new world. The plants are different, the animals are", "put onto paper. However, this story takes place in a world vastly different", "without anything happening yet. For example, in one scene a human from our", "are seeing and if I would write the whole book this way it", "pages. And if I would split it into more than one book I", "different to ours with complex wildlife. Think about the movie Avatar, something among", "readers a good idea of what the characters are seeing and if I", "of walking and climbing and it involves a lot of altitude changing instead", "altitude changing instead of just going a straight line. I feel like I", "too much words to give my readers a good idea of what the", "scenes I would like to get across to my readers are very visual.", "this alien avatar-like world in a way that sufficiently paints the scene but", "world wakes up in a jungle in this new world. The plants are", "like to put onto paper. However, this story takes place in a world", "that sufficiently paints the scene but also does not eat through pages faster", "paints the scene but also does not eat through pages faster than a", "it paints a pretty clear picture, but I am having a hard time", "vastly different to ours with complex wildlife. Think about the movie Avatar, something", "even start on how he reacts to it and what happens next. So", "lines. The scenes I would like to get across to my readers are", "visual. Now when I think about the scenes in my head it paints", "in mind that I would like to put onto paper. However, this story", "line. I feel like I would need to explain everything the man is", "can I write about this alien avatar-like world in a way that sufficiently", "my readers are very visual. Now when I think about the scenes in", "our world wakes up in a jungle in this new world. The plants", "scene without anything happening yet. For example, in one scene a human from", "can even start on how he reacts to it and what happens next.", "example, in one scene a human from our world wakes up in a", "have a story in mind that I would like to put onto paper.", "are very visual. Now when I think about the scenes in my head", "one scene a human from our world wakes up in a jungle in", "movement is a mixture of walking and climbing and it involves a lot", "it involves a lot of altitude changing instead of just going a straight", "paper. However, this story takes place in a world vastly different to ours", "across to my readers are very visual. Now when I think about the", "a story in mind that I would like to put onto paper. However,", "that the storytelling would feel slow as I take multiple pages just to", "to put onto paper. However, this story takes place in a world vastly", "as if I just need way too much words to give my readers", "high, with trees connecting to each other so movement is a mixture of", "would split it into more than one book I would still have the", "are different, the animals are different, the sun is different and even his", "readers are very visual. Now when I think about the scenes in my", "I think about the scenes in my head it paints a pretty clear", "seeing and if I would write the whole book this way it would", "to ours with complex wildlife. Think about the movie Avatar, something among those", "what the characters are seeing and if I would write the whole book", "it into more than one book I would still have the problem that", "multiple pages just to describe the scene without anything happening yet. For example,", "anything happening yet. For example, in one scene a human from our world", "on how he reacts to it and what happens next. So how can", "his movement is different since this jungle is kilometres high, with trees connecting", "clear picture, but I am having a hard time describing it in a", "animals are different, the sun is different and even his movement is different" ]
[ "I am looking for resources that show how to do this. Typically, I", "writing style. I am looking for techniques or activities to do while reading", "I am looking for techniques or activities to do while reading books. I", "suggestions are welcome as well. PS: I am not a native English speaker.", "looking for a resource (book/podcast/blog posts/whatever) that takes examples of good stuff and", "Other suggestions are welcome as well. PS: I am not a native English", "say that one must read to improve their writing style. I am looking", "should I analyze the sentences' structures, the rhyme, etc., and most importantly how", "explains, in detail, why it's actually good. Other suggestions are welcome as well.", "of good stuff and explains, in detail, why it's actually good. Other suggestions", "fairly common wisdom to say that one must read to improve their writing", "the sentences' structures, the rhyme, etc., and most importantly how to it? I", "wisdom to say that one must read to improve their writing style. I", "reading books. I mean, should I analyze the sentences' structures, the rhyme, etc.,", "a resource (book/podcast/blog posts/whatever) that takes examples of good stuff and explains, in", "Typically, I am looking for a resource (book/podcast/blog posts/whatever) that takes examples of", "stuff and explains, in detail, why it's actually good. Other suggestions are welcome", "importantly how to it? I am looking for resources that show how to", "It's fairly common wisdom to say that one must read to improve their", "and most importantly how to it? I am looking for resources that show", "am looking for a resource (book/podcast/blog posts/whatever) that takes examples of good stuff", "one must read to improve their writing style. I am looking for techniques", "for techniques or activities to do while reading books. I mean, should I", "good stuff and explains, in detail, why it's actually good. Other suggestions are", "am looking for techniques or activities to do while reading books. I mean,", "to do while reading books. I mean, should I analyze the sentences' structures,", "looking for techniques or activities to do while reading books. I mean, should", "to do this. Typically, I am looking for a resource (book/podcast/blog posts/whatever) that", "show how to do this. Typically, I am looking for a resource (book/podcast/blog", "this. Typically, I am looking for a resource (book/podcast/blog posts/whatever) that takes examples", "looking for resources that show how to do this. Typically, I am looking", "posts/whatever) that takes examples of good stuff and explains, in detail, why it's", "for resources that show how to do this. Typically, I am looking for", "I analyze the sentences' structures, the rhyme, etc., and most importantly how to", "for a resource (book/podcast/blog posts/whatever) that takes examples of good stuff and explains,", "must read to improve their writing style. I am looking for techniques or", "mean, should I analyze the sentences' structures, the rhyme, etc., and most importantly", "I am looking for a resource (book/podcast/blog posts/whatever) that takes examples of good", "read to improve their writing style. I am looking for techniques or activities", "to say that one must read to improve their writing style. I am", "rhyme, etc., and most importantly how to it? I am looking for resources", "how to do this. Typically, I am looking for a resource (book/podcast/blog posts/whatever)", "structures, the rhyme, etc., and most importantly how to it? I am looking", "activities to do while reading books. I mean, should I analyze the sentences'", "or activities to do while reading books. I mean, should I analyze the", "improve their writing style. I am looking for techniques or activities to do", "the rhyme, etc., and most importantly how to it? I am looking for", "resources that show how to do this. Typically, I am looking for a", "I mean, should I analyze the sentences' structures, the rhyme, etc., and most", "detail, why it's actually good. Other suggestions are welcome as well. PS: I", "do this. Typically, I am looking for a resource (book/podcast/blog posts/whatever) that takes", "am looking for resources that show how to do this. Typically, I am", "do while reading books. I mean, should I analyze the sentences' structures, the", "resource (book/podcast/blog posts/whatever) that takes examples of good stuff and explains, in detail,", "that takes examples of good stuff and explains, in detail, why it's actually", "(book/podcast/blog posts/whatever) that takes examples of good stuff and explains, in detail, why", "that show how to do this. Typically, I am looking for a resource", "in detail, why it's actually good. Other suggestions are welcome as well. PS:", "how to it? I am looking for resources that show how to do", "their writing style. I am looking for techniques or activities to do while", "and explains, in detail, why it's actually good. Other suggestions are welcome as", "while reading books. I mean, should I analyze the sentences' structures, the rhyme,", "style. I am looking for techniques or activities to do while reading books.", "that one must read to improve their writing style. I am looking for", "analyze the sentences' structures, the rhyme, etc., and most importantly how to it?", "techniques or activities to do while reading books. I mean, should I analyze", "etc., and most importantly how to it? I am looking for resources that", "most importantly how to it? I am looking for resources that show how", "examples of good stuff and explains, in detail, why it's actually good. Other", "actually good. Other suggestions are welcome as well. PS: I am not a", "to improve their writing style. I am looking for techniques or activities to", "why it's actually good. Other suggestions are welcome as well. PS: I am", "good. Other suggestions are welcome as well. PS: I am not a native", "sentences' structures, the rhyme, etc., and most importantly how to it? I am", "books. I mean, should I analyze the sentences' structures, the rhyme, etc., and", "it? I am looking for resources that show how to do this. Typically,", "takes examples of good stuff and explains, in detail, why it's actually good.", "it's actually good. Other suggestions are welcome as well. PS: I am not", "to it? I am looking for resources that show how to do this.", "common wisdom to say that one must read to improve their writing style." ]
[ "any special thing that makes it feel non boring. How can I not", "feel non boring. How can I not just keep describing the same events", "can I not just keep describing the same events that a reader could", "boring. How can I not just keep describing the same events that a", "would leave a gap. Yet, almost every writing website warns about falling into", "leave a gap. Yet, almost every writing website warns about falling into a", "a clichéd description and an overdramatic dialogue and they rather advise of adding", "How can I not just keep describing the same events that a reader", "a reader could find in any funeral scene? How can I add a", "and they rather advise of adding any special thing that makes it feel", "falling into a clichéd description and an overdramatic dialogue and they rather advise", "thing that makes it feel non boring. How can I not just keep", "a short story and there is no way to cancel it because that", "events that a reader could find in any funeral scene? How can I", "dialogue and they rather advise of adding any special thing that makes it", "dedicating a whole chapter for a funeral in a short story and there", "about falling into a clichéd description and an overdramatic dialogue and they rather", "a whole chapter for a funeral in a short story and there is", "an overdramatic dialogue and they rather advise of adding any special thing that", "could find in any funeral scene? How can I add a value and", "I am dedicating a whole chapter for a funeral in a short story", "it because that would leave a gap. Yet, almost every writing website warns", "special thing that makes it feel non boring. How can I not just", "that makes it feel non boring. How can I not just keep describing", "gap. Yet, almost every writing website warns about falling into a clichéd description", "warns about falling into a clichéd description and an overdramatic dialogue and they", "for a funeral in a short story and there is no way to", "advise of adding any special thing that makes it feel non boring. How", "whole chapter for a funeral in a short story and there is no", "no way to cancel it because that would leave a gap. Yet, almost", "funeral in a short story and there is no way to cancel it", "it feel non boring. How can I not just keep describing the same", "just keep describing the same events that a reader could find in any", "a funeral in a short story and there is no way to cancel", "they rather advise of adding any special thing that makes it feel non", "the same events that a reader could find in any funeral scene? How", "cancel it because that would leave a gap. Yet, almost every writing website", "Yet, almost every writing website warns about falling into a clichéd description and", "adding any special thing that makes it feel non boring. How can I", "almost every writing website warns about falling into a clichéd description and an", "describing the same events that a reader could find in any funeral scene?", "overdramatic dialogue and they rather advise of adding any special thing that makes", "I not just keep describing the same events that a reader could find", "am dedicating a whole chapter for a funeral in a short story and", "short story and there is no way to cancel it because that would", "website warns about falling into a clichéd description and an overdramatic dialogue and", "of adding any special thing that makes it feel non boring. How can", "a gap. Yet, almost every writing website warns about falling into a clichéd", "keep describing the same events that a reader could find in any funeral", "because that would leave a gap. Yet, almost every writing website warns about", "to cancel it because that would leave a gap. Yet, almost every writing", "and an overdramatic dialogue and they rather advise of adding any special thing", "non boring. How can I not just keep describing the same events that", "story and there is no way to cancel it because that would leave", "is no way to cancel it because that would leave a gap. Yet,", "that would leave a gap. Yet, almost every writing website warns about falling", "every writing website warns about falling into a clichéd description and an overdramatic", "same events that a reader could find in any funeral scene? How can", "makes it feel non boring. How can I not just keep describing the", "and there is no way to cancel it because that would leave a", "reader could find in any funeral scene? How can I add a value", "in a short story and there is no way to cancel it because", "description and an overdramatic dialogue and they rather advise of adding any special", "not just keep describing the same events that a reader could find in", "into a clichéd description and an overdramatic dialogue and they rather advise of", "that a reader could find in any funeral scene? How can I add", "way to cancel it because that would leave a gap. Yet, almost every", "chapter for a funeral in a short story and there is no way", "rather advise of adding any special thing that makes it feel non boring.", "find in any funeral scene? How can I add a value and make", "any funeral scene? How can I add a value and make it distinguishable?", "there is no way to cancel it because that would leave a gap.", "writing website warns about falling into a clichéd description and an overdramatic dialogue", "clichéd description and an overdramatic dialogue and they rather advise of adding any", "in any funeral scene? How can I add a value and make it" ]
[ "can be mostly explained by a particular medical condition or other misfortune. Consider", "similar conditions to contrast the villain, or avoiding the practice altogether. And on", "suppose that one certain villain's motives and actions can be mostly explained by", "to minimize these two negative influences as much as possible? `Update:` If I", "unfair accusation that stigmatizes the group in question by suggesting that the condition", "apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to social", "onset of paranoia, etc.: the condition itself is the cause, not their intentional", "reader-friendly. I am not against but rather in favor of the use of", "sure these stereotypes do have clinical evidence support, and, when I have done", "the condition itself is the cause, not their intentional exploitation, or the natural", "of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to", "evidence support, and, when I have done my due research, the last thing", "And on my side, although considerable effort has been made in researching medical", "involves an attempt to examine the basis of morality (reason vs. emotion) and", "fit the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and", "foil character with similar conditions to contrast the villain, or avoiding the practice", "villain's motives and actions can be mostly explained by a particular medical condition", "that one certain villain's motives and actions can be mostly explained by a", "an attempt to examine the basis of morality (reason vs. emotion) and whether", "message when establishing a character with \"boring stereotypes\" of some mental illness, negative", "to social norms; \"moral unevenness\") very well, but would later take a step", "`Update:` If I may elaborate on my intent in asking this question, I", "the use of tropes, including stereotypes, but only when they are substantiated by", "villain; 2. Conversely, this can be seen as an unfair accusation that stigmatizes", "a character with \"boring stereotypes\" of some mental illness, negative experiences, etc., that", "If I may elaborate on my intent in asking this question, I want", "up suggesting adding a token foil character with similar conditions to contrast the", "adding a token foil character with similar conditions to contrast the villain, or", "ensure logical consistency and accuracy, I am aware of the following two possible", "that stigmatizes the group in question by suggesting that the condition is solely", "at the onset of paranoia, etc.: the condition itself is the cause, not", "do have clinical evidence support, and, when I have done my due research,", "insensitivity. To give more context, the fiction in question involves an attempt to", "be seen as an unfair accusation that stigmatizes the group in question by", "question, I want my fiction to be believable more than reader-friendly. I am", "is solely responsible for creating evil. What else can be done to minimize", "lack of empathy), and amoral (insensitivity to social norms; \"moral unevenness\") very well,", "make sure these stereotypes do have clinical evidence support, and, when I have", "I have done my due research, the last thing I want is to", "social norms; \"moral unevenness\") very well, but would later take a step up", "through character development. I am working to make sure these stereotypes do have", "be criticized for \"misinterpretation.\" So, to append a new question here: How can", "responsible for creating evil. What else can be done to minimize these two", "am working to make sure these stereotypes do have clinical evidence support, and,", "amoral (insensitivity to social norms; \"moral unevenness\") very well, but would later take", "later take a step up in moral responsibility through character development. I am", "from free will. This villain protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder)", "etc.: the condition itself is the cause, not their intentional exploitation, or the", "that the condition is solely responsible for creating evil. What else can be", "avoid conveying the wrong message when establishing a character with \"boring stereotypes\" of", "This villain protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does", "effort has been made in researching medical references to ensure logical consistency and", "always seem to end up suggesting adding a token foil character with similar", "1. The condition can be viewed as a way to excuse and even", "(reason vs. emotion) and whether moral responsibility derives from free will. This villain", "new question here: How can I avoid conveying the wrong message when establishing", "for \"misinterpretation.\" So, to append a new question here: How can I avoid", "character with similar conditions to contrast the villain, or avoiding the practice altogether.", "2. Conversely, this can be seen as an unfair accusation that stigmatizes the", "with \"boring stereotypes\" of some mental illness, negative experiences, etc., that are actually", "called factually inaccurate is much, much more hurtful to me than being accused", "solely responsible for creating evil. What else can be done to minimize these", "examine the basis of morality (reason vs. emotion) and whether moral responsibility derives", "working to make sure these stereotypes do have clinical evidence support, and, when", "of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes", "conditions to contrast the villain, or avoiding the practice altogether. And on my", "justify the wrongdoing of the villain; 2. Conversely, this can be seen as", "by others. Unfortunately, any discussions on this issue I found online always seem", "negative influences as much as possible? `Update:` If I may elaborate on my", "my side, although considerable effort has been made in researching medical references to", "actions can be mostly explained by a particular medical condition or other misfortune.", "What else can be done to minimize these two negative influences as much", "of the following two possible controversies: 1. The condition can be viewed as", "my intent in asking this question, I want my fiction to be believable", "I am aware of the following two possible controversies: 1. The condition can", "as an unfair accusation that stigmatizes the group in question by suggesting that", "the last thing I want is to be criticized for \"misinterpretation.\" So, to", "much as possible? `Update:` If I may elaborate on my intent in asking", "research and logical consideration. Being called factually inaccurate is much, much more hurtful", "in researching medical references to ensure logical consistency and accuracy, I am aware", "the onset of paranoia, etc.: the condition itself is the cause, not their", "can be viewed as a way to excuse and even justify the wrongdoing", "condition can be viewed as a way to excuse and even justify the", "accusation that stigmatizes the group in question by suggesting that the condition is", "logical consideration. Being called factually inaccurate is much, much more hurtful to me", "wrong message when establishing a character with \"boring stereotypes\" of some mental illness,", "support, and, when I have done my due research, the last thing I", "append a new question here: How can I avoid conveying the wrong message", "medical condition or other misfortune. Consider a tyrant who commits atrocities due to", "or the natural result of mistreatment by others. Unfortunately, any discussions on this", "the fiction in question involves an attempt to examine the basis of morality", "the villain; 2. Conversely, this can be seen as an unfair accusation that", "who commits atrocities due to mental instability at the onset of paranoia, etc.:", "to examine the basis of morality (reason vs. emotion) and whether moral responsibility", "to mental instability at the onset of paranoia, etc.: the condition itself is", "hurtful to me than being accused of insensitivity. To give more context, the", "is the cause, not their intentional exploitation, or the natural result of mistreatment", "than being accused of insensitivity. To give more context, the fiction in question", "a tyrant who commits atrocities due to mental instability at the onset of", "be believable more than reader-friendly. I am not against but rather in favor", "aware of the following two possible controversies: 1. The condition can be viewed", "am not against but rather in favor of the use of tropes, including", "this can be seen as an unfair accusation that stigmatizes the group in", "but would later take a step up in moral responsibility through character development.", "issue I found online always seem to end up suggesting adding a token", "intent in asking this question, I want my fiction to be believable more", "last thing I want is to be criticized for \"misinterpretation.\" So, to append", "even justify the wrongdoing of the villain; 2. Conversely, this can be seen", "certain villain's motives and actions can be mostly explained by a particular medical", "logical consistency and accuracy, I am aware of the following two possible controversies:", "want is to be criticized for \"misinterpretation.\" So, to append a new question", "give more context, the fiction in question involves an attempt to examine the", "a way to excuse and even justify the wrongdoing of the villain; 2.", "in favor of the use of tropes, including stereotypes, but only when they", "contrast the villain, or avoiding the practice altogether. And on my side, although", "altogether. And on my side, although considerable effort has been made in researching", "not against but rather in favor of the use of tropes, including stereotypes,", "asking this question, I want my fiction to be believable more than reader-friendly.", "more context, the fiction in question involves an attempt to examine the basis", "particular medical condition or other misfortune. Consider a tyrant who commits atrocities due", "to be believable more than reader-friendly. I am not against but rather in", "derives from free will. This villain protagonist of the Mad Scientist archetype with", "rather in favor of the use of tropes, including stereotypes, but only when", "the wrong message when establishing a character with \"boring stereotypes\" of some mental", "and amoral (insensitivity to social norms; \"moral unevenness\") very well, but would later", "the wrongdoing of the villain; 2. Conversely, this can be seen as an", "archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness, detachment),", "[SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia);", "establishing a character with \"boring stereotypes\" of some mental illness, negative experiences, etc.,", "my due research, the last thing I want is to be criticized for", "to ensure logical consistency and accuracy, I am aware of the following two", "in question by suggesting that the condition is solely responsible for creating evil.", "instability at the onset of paranoia, etc.: the condition itself is the cause,", "condition itself is the cause, not their intentional exploitation, or the natural result", "Let us suppose that one certain villain's motives and actions can be mostly", "the villain, or avoiding the practice altogether. And on my side, although considerable", "their intentional exploitation, or the natural result of mistreatment by others. Unfortunately, any", "viewed as a way to excuse and even justify the wrongdoing of the", "I avoid conveying the wrong message when establishing a character with \"boring stereotypes\"", "of some mental illness, negative experiences, etc., that are actually factually and logically", "up in moral responsibility through character development. I am working to make sure", "I want my fiction to be believable more than reader-friendly. I am not", "\"moral unevenness\") very well, but would later take a step up in moral", "more hurtful to me than being accused of insensitivity. To give more context,", "my fiction to be believable more than reader-friendly. I am not against but", "against but rather in favor of the use of tropes, including stereotypes, but", "basis of morality (reason vs. emotion) and whether moral responsibility derives from free", "than reader-friendly. I am not against but rather in favor of the use", "can be seen as an unfair accusation that stigmatizes the group in question", "of morality (reason vs. emotion) and whether moral responsibility derives from free will.", "emotion) and whether moral responsibility derives from free will. This villain protagonist of", "of the villain; 2. Conversely, this can be seen as an unfair accusation", "considerable effort has been made in researching medical references to ensure logical consistency", "when establishing a character with \"boring stereotypes\" of some mental illness, negative experiences,", "fiction to be believable more than reader-friendly. I am not against but rather", "as possible? `Update:` If I may elaborate on my intent in asking this", "development. I am working to make sure these stereotypes do have clinical evidence", "will. This villain protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder)", "the following two possible controversies: 1. The condition can be viewed as a", "Conversely, this can be seen as an unfair accusation that stigmatizes the group", "but rather in favor of the use of tropes, including stereotypes, but only", "consistency and accuracy, I am aware of the following two possible controversies: 1.", "question involves an attempt to examine the basis of morality (reason vs. emotion)", "factually inaccurate is much, much more hurtful to me than being accused of", "elaborate on my intent in asking this question, I want my fiction to", "or avoiding the practice altogether. And on my side, although considerable effort has", "Being called factually inaccurate is much, much more hurtful to me than being", "explained by a particular medical condition or other misfortune. Consider a tyrant who", "being accused of insensitivity. To give more context, the fiction in question involves", "on my intent in asking this question, I want my fiction to be", "to end up suggesting adding a token foil character with similar conditions to", "of empathy), and amoral (insensitivity to social norms; \"moral unevenness\") very well, but", "I am working to make sure these stereotypes do have clinical evidence support,", "influences as much as possible? `Update:` If I may elaborate on my intent", "Unfortunately, any discussions on this issue I found online always seem to end", "is to be criticized for \"misinterpretation.\" So, to append a new question here:", "consideration. Being called factually inaccurate is much, much more hurtful to me than", "have done my due research, the last thing I want is to be", "be mostly explained by a particular medical condition or other misfortune. Consider a", "a particular medical condition or other misfortune. Consider a tyrant who commits atrocities", "possible controversies: 1. The condition can be viewed as a way to excuse", "fiction in question involves an attempt to examine the basis of morality (reason", "attempt to examine the basis of morality (reason vs. emotion) and whether moral", "these stereotypes do have clinical evidence support, and, when I have done my", "and actions can be mostly explained by a particular medical condition or other", "substantiated by sufficient factual research and logical consideration. Being called factually inaccurate is", "exploitation, or the natural result of mistreatment by others. Unfortunately, any discussions on", "responsibility through character development. I am working to make sure these stereotypes do", "suggesting adding a token foil character with similar conditions to contrast the villain,", "mental instability at the onset of paranoia, etc.: the condition itself is the", "group in question by suggesting that the condition is solely responsible for creating", "done my due research, the last thing I want is to be criticized", "as much as possible? `Update:` If I may elaborate on my intent in", "Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic", "excuse and even justify the wrongdoing of the villain; 2. Conversely, this can", "in question involves an attempt to examine the basis of morality (reason vs.", "may elaborate on my intent in asking this question, I want my fiction", "take a step up in moral responsibility through character development. I am working", "unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to social norms; \"moral unevenness\")", "me than being accused of insensitivity. To give more context, the fiction in", "when they are substantiated by sufficient factual research and logical consideration. Being called", "and logical consideration. Being called factually inaccurate is much, much more hurtful to", "creating evil. What else can be done to minimize these two negative influences", "possible? `Update:` If I may elaborate on my intent in asking this question,", "\"misinterpretation.\" So, to append a new question here: How can I avoid conveying", "a step up in moral responsibility through character development. I am working to", "this question, I want my fiction to be believable more than reader-friendly. I", "two negative influences as much as possible? `Update:` If I may elaborate on", "much more hurtful to me than being accused of insensitivity. To give more", "I may elaborate on my intent in asking this question, I want my", "although considerable effort has been made in researching medical references to ensure logical", "empathy), and amoral (insensitivity to social norms; \"moral unevenness\") very well, but would", "a new question here: How can I avoid conveying the wrong message when", "favor of the use of tropes, including stereotypes, but only when they are", "the natural result of mistreatment by others. Unfortunately, any discussions on this issue", "when I have done my due research, the last thing I want is", "on my side, although considerable effort has been made in researching medical references", "norms; \"moral unevenness\") very well, but would later take a step up in", "So, to append a new question here: How can I avoid conveying the", "a token foil character with similar conditions to contrast the villain, or avoiding", "morality (reason vs. emotion) and whether moral responsibility derives from free will. This", "of tropes, including stereotypes, but only when they are substantiated by sufficient factual", "is much, much more hurtful to me than being accused of insensitivity. To", "controversies: 1. The condition can be viewed as a way to excuse and", "and even justify the wrongdoing of the villain; 2. Conversely, this can be", "suggesting that the condition is solely responsible for creating evil. What else can", "end up suggesting adding a token foil character with similar conditions to contrast", "natural result of mistreatment by others. Unfortunately, any discussions on this issue I", "to make sure these stereotypes do have clinical evidence support, and, when I", "itself is the cause, not their intentional exploitation, or the natural result of", "moral responsibility through character development. I am working to make sure these stereotypes", "by a particular medical condition or other misfortune. Consider a tyrant who commits", "more than reader-friendly. I am not against but rather in favor of the", "inaccurate is much, much more hurtful to me than being accused of insensitivity.", "commits atrocities due to mental instability at the onset of paranoia, etc.: the", "wrongdoing of the villain; 2. Conversely, this can be seen as an unfair", "the basis of morality (reason vs. emotion) and whether moral responsibility derives from", "medical references to ensure logical consistency and accuracy, I am aware of the", "way to excuse and even justify the wrongdoing of the villain; 2. Conversely,", "unevenness\") very well, but would later take a step up in moral responsibility", "condition is solely responsible for creating evil. What else can be done to", "found online always seem to end up suggesting adding a token foil character", "with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness, detachment), unfeeling", "detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to social norms; \"moral", "condition or other misfortune. Consider a tyrant who commits atrocities due to mental", "researching medical references to ensure logical consistency and accuracy, I am aware of", "following two possible controversies: 1. The condition can be viewed as a way", "be done to minimize these two negative influences as much as possible? `Update:`", "of paranoia, etc.: the condition itself is the cause, not their intentional exploitation,", "token foil character with similar conditions to contrast the villain, or avoiding the", "mistreatment by others. Unfortunately, any discussions on this issue I found online always", "to contrast the villain, or avoiding the practice altogether. And on my side,", "in moral responsibility through character development. I am working to make sure these", "paranoia, etc.: the condition itself is the cause, not their intentional exploitation, or", "seen as an unfair accusation that stigmatizes the group in question by suggesting", "these two negative influences as much as possible? `Update:` If I may elaborate", "very well, but would later take a step up in moral responsibility through", "the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral", "does fit the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy),", "can be done to minimize these two negative influences as much as possible?", "free will. This villain protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or", "avoiding the practice altogether. And on my side, although considerable effort has been", "of insensitivity. To give more context, the fiction in question involves an attempt", "be viewed as a way to excuse and even justify the wrongdoing of", "motives and actions can be mostly explained by a particular medical condition or", "The condition can be viewed as a way to excuse and even justify", "including stereotypes, but only when they are substantiated by sufficient factual research and", "research, the last thing I want is to be criticized for \"misinterpretation.\" So,", "but only when they are substantiated by sufficient factual research and logical consideration.", "(coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to social norms;", "criticized for \"misinterpretation.\" So, to append a new question here: How can I", "by sufficient factual research and logical consideration. Being called factually inaccurate is much,", "any discussions on this issue I found online always seem to end up", "here: How can I avoid conveying the wrong message when establishing a character", "misfortune. Consider a tyrant who commits atrocities due to mental instability at the", "of mistreatment by others. Unfortunately, any discussions on this issue I found online", "sufficient factual research and logical consideration. Being called factually inaccurate is much, much", "vs. emotion) and whether moral responsibility derives from free will. This villain protagonist", "to excuse and even justify the wrongdoing of the villain; 2. Conversely, this", "two possible controversies: 1. The condition can be viewed as a way to", "references to ensure logical consistency and accuracy, I am aware of the following", "clinical evidence support, and, when I have done my due research, the last", "the group in question by suggesting that the condition is solely responsible for", "context, the fiction in question involves an attempt to examine the basis of", "I found online always seem to end up suggesting adding a token foil", "intentional exploitation, or the natural result of mistreatment by others. Unfortunately, any discussions", "only when they are substantiated by sufficient factual research and logical consideration. Being", "[ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of", "have clinical evidence support, and, when I have done my due research, the", "thing I want is to be criticized for \"misinterpretation.\" So, to append a", "conveying the wrong message when establishing a character with \"boring stereotypes\" of some", "to be criticized for \"misinterpretation.\" So, to append a new question here: How", "well, but would later take a step up in moral responsibility through character", "due to mental instability at the onset of paranoia, etc.: the condition itself", "([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity to social norms; \"moral unevenness\") very", "can I avoid conveying the wrong message when establishing a character with \"boring", "the cause, not their intentional exploitation, or the natural result of mistreatment by", "this issue I found online always seem to end up suggesting adding a", "I want is to be criticized for \"misinterpretation.\" So, to append a new", "(insensitivity to social norms; \"moral unevenness\") very well, but would later take a", "else can be done to minimize these two negative influences as much as", "as a way to excuse and even justify the wrongdoing of the villain;", "Consider a tyrant who commits atrocities due to mental instability at the onset", "am aware of the following two possible controversies: 1. The condition can be", "are substantiated by sufficient factual research and logical consideration. Being called factually inaccurate", "in asking this question, I want my fiction to be believable more than", "of the use of tropes, including stereotypes, but only when they are substantiated", "some mental illness, negative experiences, etc., that are actually factually and logically self-consistent?", "made in researching medical references to ensure logical consistency and accuracy, I am", "been made in researching medical references to ensure logical consistency and accuracy, I", "and whether moral responsibility derives from free will. This villain protagonist of the", "to me than being accused of insensitivity. To give more context, the fiction", "use of tropes, including stereotypes, but only when they are substantiated by sufficient", "the practice altogether. And on my side, although considerable effort has been made", "minimize these two negative influences as much as possible? `Update:` If I may", "online always seem to end up suggesting adding a token foil character with", "by suggesting that the condition is solely responsible for creating evil. What else", "cause, not their intentional exploitation, or the natural result of mistreatment by others.", "evil. What else can be done to minimize these two negative influences as", "moral responsibility derives from free will. This villain protagonist of the Mad Scientist", "How can I avoid conveying the wrong message when establishing a character with", "much, much more hurtful to me than being accused of insensitivity. To give", "factual research and logical consideration. Being called factually inaccurate is much, much more", "stereotypes, but only when they are substantiated by sufficient factual research and logical", "one certain villain's motives and actions can be mostly explained by a particular", "result of mistreatment by others. Unfortunately, any discussions on this issue I found", "on this issue I found online always seem to end up suggesting adding", "to append a new question here: How can I avoid conveying the wrong", "character with \"boring stereotypes\" of some mental illness, negative experiences, etc., that are", "not their intentional exploitation, or the natural result of mistreatment by others. Unfortunately,", "villain protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit", "question by suggesting that the condition is solely responsible for creating evil. What", "with similar conditions to contrast the villain, or avoiding the practice altogether. And", "side, although considerable effort has been made in researching medical references to ensure", "the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of", "protagonist of the Mad Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the", "step up in moral responsibility through character development. I am working to make", "would later take a step up in moral responsibility through character development. I", "question here: How can I avoid conveying the wrong message when establishing a", "stigmatizes the group in question by suggesting that the condition is solely responsible", "stereotypes\" of some mental illness, negative experiences, etc., that are actually factually and", "atrocities due to mental instability at the onset of paranoia, etc.: the condition", "practice altogether. And on my side, although considerable effort has been made in", "done to minimize these two negative influences as much as possible? `Update:` If", "villain, or avoiding the practice altogether. And on my side, although considerable effort", "believable more than reader-friendly. I am not against but rather in favor of", "they are substantiated by sufficient factual research and logical consideration. Being called factually", "seem to end up suggesting adding a token foil character with similar conditions", "stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack of empathy), and amoral (insensitivity", "for creating evil. What else can be done to minimize these two negative", "other misfortune. Consider a tyrant who commits atrocities due to mental instability at", "and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness, detachment), unfeeling ([alexithymia](https://en.wikipedia.org/wiki/Alexithymia); lack", "accuracy, I am aware of the following two possible controversies: 1. The condition", "I am not against but rather in favor of the use of tropes,", "or other misfortune. Consider a tyrant who commits atrocities due to mental instability", "others. Unfortunately, any discussions on this issue I found online always seem to", "stereotypes do have clinical evidence support, and, when I have done my due", "accused of insensitivity. To give more context, the fiction in question involves an", "tyrant who commits atrocities due to mental instability at the onset of paranoia,", "the condition is solely responsible for creating evil. What else can be done", "\"boring stereotypes\" of some mental illness, negative experiences, etc., that are actually factually", "due research, the last thing I want is to be criticized for \"misinterpretation.\"", "responsibility derives from free will. This villain protagonist of the Mad Scientist archetype", "an unfair accusation that stigmatizes the group in question by suggesting that the", "discussions on this issue I found online always seem to end up suggesting", "mostly explained by a particular medical condition or other misfortune. Consider a tyrant", "want my fiction to be believable more than reader-friendly. I am not against", "and, when I have done my due research, the last thing I want", "whether moral responsibility derives from free will. This villain protagonist of the Mad", "has been made in researching medical references to ensure logical consistency and accuracy,", "and accuracy, I am aware of the following two possible controversies: 1. The", "Scientist archetype with [SzPD](https://en.wikipedia.org/wiki/Schizoid_personality_disorder) and/or [ASD](https://en.wikipedia.org/wiki/Autism_spectrum_disorder) does fit the stereotypes of apathetic (coldness,", "tropes, including stereotypes, but only when they are substantiated by sufficient factual research", "character development. I am working to make sure these stereotypes do have clinical", "us suppose that one certain villain's motives and actions can be mostly explained", "To give more context, the fiction in question involves an attempt to examine" ]
[ "a mission: \"Die [of natural causes, I mean] without regrets. That'll be your", "she can't find inner peace. The difference is that, for her, inner peace", "tragedy where she's unable to come up with an answer; but I am.", "could write a tragedy where she's unable to come up with an answer;", "her history of dubious moral decisions. (For example, after a disaster strikes her", "As I understand it, conflict means presenting a character with an obstacle that", "antagonist, or he wants to charm someone, or solve some problem. This doesn't", "the TV show, Arcane. Its main character undergoes drastic change after a traumatic", "casual setting and a mission: \"Die [of natural causes, I mean] without regrets.", "a lighthearted gag about a grizzled vet getting dumped in what amounts to", "am. And on that note, everything I've said here assumes that I, as", "assumes that I, as the author, must have an answer to my character's", "it. Is it possible to write an exploratory story where I don't? What", "the scene. Merciless bullying at school left marks on my main character, and", "what she did. This is not a one-off thing.) My story takes place", "necessity, because she's legitimately going insane, psychosis and hallucinations and all. My character", "me set the scene. Merciless bullying at school left marks on my main", "faced with an antagonist, or he wants to charm someone, or solve some", "she did. This is not a one-off thing.) My story takes place after", "an antagonist she can't otherwise overcome, because that would contradict the \"hard mode", "That'll be your redemption.\" Tonally, this is supposed to be a lighthearted gag", "ending, I could write a tragedy where she's unable to come up with", "into narrative conflict? I can't create an antagonist she can't otherwise overcome, because", "bad on its own. After some deliberation, I decided that, when presented with", "but the mayor did nothing to deserve it, and it doesn't change what", "best of bad situations, and that's left her with many regrets over her", "the easy road and not get involved, she tried to make the best", "story takes place after that. She's given a second lease on life in", "hers alone. That's what democracy's all about. How can I convert that into", "she's carrying with her, so I'm trying to balance the two. She knows", "seem to work with my story. Let me set the scene. Merciless bullying", "not be a fulfilled life, but she'll survive. How can I change that?", "on with hers alone. That's what democracy's all about. How can I convert", "be her unwillingness to look the other way, because that's nothing bad on", "I can't think of such a thing. Nearly all conflict that comes to", "with hers alone. That's what democracy's all about. How can I convert that", "refusal to be a bystander. Normally, that's an admirable trait, and in another", "life to get him to speak against it. She has a couple of", "hero. But that didn't happen. Presented with lose-lose choices where most would take", "that, for her, inner peace is a life-or-death necessity, because she's legitimately going", "so I don't know about charming someone, either. The closest equivalent I can", "or he wants to charm someone, or solve some problem. This doesn't seem", "Tonally, this is supposed to be a lighthearted gag about a grizzled vet", "her uncompromising refusal to be a bystander. Normally, that's an admirable trait, and", "her, inner peace is a life-or-death necessity, because she's legitimately going insane, psychosis", "survive. How can I change that? --- If I were not angling for", "mode\" trope. I don't intend to write romance, so I don't know about", "an antagonist, or he wants to charm someone, or solve some problem. This", "to my mind, even internal, is expressed externally: perhaps the character is faced", "because that's nothing bad on its own. After some deliberation, I decided that,", "her city and the government's considering condemning it, she threatens the mayor with", "didn't happen. Presented with lose-lose choices where most would take the easy road", "what democracy's all about. How can I convert that into narrative conflict? I", "where she's unable to come up with an answer; but I am. And", "more casual setting and a mission: \"Die [of natural causes, I mean] without", "of bad situations, and that's left her with many regrets over her history", "trope. I don't intend to write romance, so I don't know about charming", "the mayor with his son's life to get him to speak against it.", "what? It can't be her unwillingness to look the other way, because that's", "conflict, she can't find inner peace. The difference is that, for her, inner", "of dubious moral decisions. (For example, after a disaster strikes her city and", "other way, because that's nothing bad on its own. After some deliberation, I", "heed others' opinions instead of forging on with hers alone. That's what democracy's", "and hallucinations and all. My character can go on as she is. It", "mean] without regrets. That'll be your redemption.\" Tonally, this is supposed to be", "forging on with hers alone. That's what democracy's all about. How can I", "doesn't seem to work with my story. Let me set the scene. Merciless", "that? --- If I were not angling for a happy ending, I could", "to be a bystander. Normally, that's an admirable trait, and in another genre,", "over her history of dubious moral decisions. (For example, after a disaster strikes", "go on as she is. It might not be a fulfilled life, but", "some problem. This doesn't seem to work with my story. Let me set", "going insane, psychosis and hallucinations and all. My character can go on as", "is that I can't think of such a thing. Nearly all conflict that", "perhaps the character is faced with an antagonist, or he wants to charm", "a thing. Nearly all conflict that comes to my mind, even internal, is", "someone, or solve some problem. This doesn't seem to work with my story.", "change; but what? It can't be her unwillingness to look the other way,", "used to be? Until she's solved this conflict, she can't find inner peace.", "the \"hard mode → easy mode\" trope. I don't intend to write romance,", "city and the government's considering condemning it, she threatens the mayor with his", "be a bystander. Normally, that's an admirable trait, and in another genre, she", "decided that, when presented with a question with no right answers, the best", "regrets. That'll be your redemption.\" Tonally, this is supposed to be a lighthearted", "to it. Is it possible to write an exploratory story where I don't?", "to balance the two. She knows something within her has to change; but", "to my character's problem and guide her to it. Is it possible to", "the government's considering condemning it, she threatens the mayor with his son's life", "happen. Presented with lose-lose choices where most would take the easy road and", "is. It might not be a fulfilled life, but she'll survive. How can", "with no right answers, the best she can do is heed others' opinions", "expressed externally: perhaps the character is faced with an antagonist, or he wants", "think of such a thing. Nearly all conflict that comes to my mind,", "impossible to ignore the baggage she's carrying with her, so I'm trying to", "fulfilled life, but she'll survive. How can I change that? --- If I", "the most prominent is her uncompromising refusal to be a bystander. Normally, that's", "carrying with her, so I'm trying to balance the two. She knows something", "causes, I mean] without regrets. That'll be your redemption.\" Tonally, this is supposed", "obstacle that he can only overcome through change. The problem is that I", "But that didn't happen. Presented with lose-lose choices where most would take the", "Arcane. Its main character undergoes drastic change after a traumatic event, but when", "I don't know about charming someone, either. The closest equivalent I can think", "government's considering condemning it, she threatens the mayor with his son's life to", "only overcome through change. The problem is that I can't think of such", "might not be a fulfilled life, but she'll survive. How can I change", "admirable trait, and in another genre, she could've been a hero. But that", "tried to make the best of bad situations, and that's left her with", "character is faced with an antagonist, or he wants to charm someone, or", "deliberation, I decided that, when presented with a question with no right answers,", "that, but the mayor did nothing to deserve it, and it doesn't change", "instead of forging on with hers alone. That's what democracy's all about. How", "uncompromising refusal to be a bystander. Normally, that's an admirable trait, and in", "for her, inner peace is a life-or-death necessity, because she's legitimately going insane,", "amounts to a playground, but it's impossible to ignore the baggage she's carrying", "he can only overcome through change. The problem is that I can't think", "way, because that's nothing bad on its own. After some deliberation, I decided", "she's legitimately going insane, psychosis and hallucinations and all. My character can go", "of such a thing. Nearly all conflict that comes to my mind, even", "she stay who she is or go back to who she used to", "dumped in what amounts to a playground, but it's impossible to ignore the", "alone. That's what democracy's all about. How can I convert that into narrative", "my story. Let me set the scene. Merciless bullying at school left marks", "she is. It might not be a fulfilled life, but she'll survive. How", "her has to change; but what? It can't be her unwillingness to look", "of is the TV show, Arcane. Its main character undergoes drastic change after", "couple of good reasons for that, but the mayor did nothing to deserve", "but I am. And on that note, everything I've said here assumes that", "a grizzled vet getting dumped in what amounts to a playground, but it's", "good reasons for that, but the mayor did nothing to deserve it, and", "either. The closest equivalent I can think of is the TV show, Arcane.", "bad situations, and that's left her with many regrets over her history of", "and not get involved, she tried to make the best of bad situations,", "so I'm trying to balance the two. She knows something within her has", "she used to be? Until she's solved this conflict, she can't find inner", "She has a couple of good reasons for that, but the mayor did", "she's unable to come up with an answer; but I am. And on", "with a question with no right answers, the best she can do is", "that I, as the author, must have an answer to my character's problem", "can't create an antagonist she can't otherwise overcome, because that would contradict the", "choices where most would take the easy road and not get involved, she", "solved this conflict, she can't find inner peace. The difference is that, for", "is that, for her, inner peace is a life-or-death necessity, because she's legitimately", "think of is the TV show, Arcane. Its main character undergoes drastic change", "can I change that? --- If I were not angling for a happy", "that note, everything I've said here assumes that I, as the author, must", "scene. Merciless bullying at school left marks on my main character, and the", "lose-lose choices where most would take the easy road and not get involved,", "after that. She's given a second lease on life in a far more", "This doesn't seem to work with my story. Let me set the scene.", "to work with my story. Let me set the scene. Merciless bullying at", "I am. And on that note, everything I've said here assumes that I,", "could've been a hero. But that didn't happen. Presented with lose-lose choices where", "doesn't change what she did. This is not a one-off thing.) My story", "the character is faced with an antagonist, or he wants to charm someone,", "My character can go on as she is. It might not be a", "would contradict the \"hard mode → easy mode\" trope. I don't intend to", "After some deliberation, I decided that, when presented with a question with no", "peace. The difference is that, for her, inner peace is a life-or-death necessity,", "is not a one-off thing.) My story takes place after that. She's given", "come up with an answer; but I am. And on that note, everything", "marks on my main character, and the most prominent is her uncompromising refusal", "an obstacle that he can only overcome through change. The problem is that", "it possible to write an exploratory story where I don't? What are examples", "up with an answer; but I am. And on that note, everything I've", "get involved, she tried to make the best of bad situations, and that's", "This is not a one-off thing.) My story takes place after that. She's", "to a playground, but it's impossible to ignore the baggage she's carrying with", "something within her has to change; but what? It can't be her unwillingness", "write romance, so I don't know about charming someone, either. The closest equivalent", "condemning it, she threatens the mayor with his son's life to get him", "against it. She has a couple of good reasons for that, but the", "baggage she's carrying with her, so I'm trying to balance the two. She", "answer to my character's problem and guide her to it. Is it possible", "given a second lease on life in a far more casual setting and", "and a mission: \"Die [of natural causes, I mean] without regrets. That'll be", "resurfaces, she's faced with a dilemma: does she stay who she is or", "she can't otherwise overcome, because that would contradict the \"hard mode → easy", "can't find inner peace. The difference is that, for her, inner peace is", "internal, is expressed externally: perhaps the character is faced with an antagonist, or", "it, conflict means presenting a character with an obstacle that he can only", "on life in a far more casual setting and a mission: \"Die [of", "road and not get involved, she tried to make the best of bad", "best she can do is heed others' opinions instead of forging on with", "faced with a dilemma: does she stay who she is or go back", "mind, even internal, is expressed externally: perhaps the character is faced with an", "in another genre, she could've been a hero. But that didn't happen. Presented", "mode → easy mode\" trope. I don't intend to write romance, so I", "a playground, but it's impossible to ignore the baggage she's carrying with her,", "I could write a tragedy where she's unable to come up with an", "bullying at school left marks on my main character, and the most prominent", "presenting a character with an obstacle that he can only overcome through change.", "someone, either. The closest equivalent I can think of is the TV show,", "and the government's considering condemning it, she threatens the mayor with his son's", "thing.) My story takes place after that. She's given a second lease on", "of forging on with hers alone. That's what democracy's all about. How can", "unable to come up with an answer; but I am. And on that", "(For example, after a disaster strikes her city and the government's considering condemning", "or solve some problem. This doesn't seem to work with my story. Let", "this is supposed to be a lighthearted gag about a grizzled vet getting", "with lose-lose choices where most would take the easy road and not get", "back to who she used to be? Until she's solved this conflict, she", "lighthearted gag about a grizzled vet getting dumped in what amounts to a", "the best of bad situations, and that's left her with many regrets over", "gag about a grizzled vet getting dumped in what amounts to a playground,", "change. The problem is that I can't think of such a thing. Nearly", "with many regrets over her history of dubious moral decisions. (For example, after", "The closest equivalent I can think of is the TV show, Arcane. Its", "is supposed to be a lighthearted gag about a grizzled vet getting dumped", "change what she did. This is not a one-off thing.) My story takes", "The problem is that I can't think of such a thing. Nearly all", "trying to balance the two. She knows something within her has to change;", "on as she is. It might not be a fulfilled life, but she'll", "angling for a happy ending, I could write a tragedy where she's unable", "knows something within her has to change; but what? It can't be her", "understand it, conflict means presenting a character with an obstacle that he can", "I mean] without regrets. That'll be your redemption.\" Tonally, this is supposed to", "natural causes, I mean] without regrets. That'll be your redemption.\" Tonally, this is", "it, and it doesn't change what she did. This is not a one-off", "her past resurfaces, she's faced with a dilemma: does she stay who she", "it doesn't change what she did. This is not a one-off thing.) My", "as she is. It might not be a fulfilled life, but she'll survive.", "a dilemma: does she stay who she is or go back to who", "stay who she is or go back to who she used to be?", "I convert that into narrative conflict? I can't create an antagonist she can't", "many regrets over her history of dubious moral decisions. (For example, after a", "story. Let me set the scene. Merciless bullying at school left marks on", "conflict means presenting a character with an obstacle that he can only overcome", "do is heed others' opinions instead of forging on with hers alone. That's", "is expressed externally: perhaps the character is faced with an antagonist, or he", "and in another genre, she could've been a hero. But that didn't happen.", "within her has to change; but what? It can't be her unwillingness to", "She knows something within her has to change; but what? It can't be", "without regrets. That'll be your redemption.\" Tonally, this is supposed to be a", "dubious moral decisions. (For example, after a disaster strikes her city and the", "the author, must have an answer to my character's problem and guide her", "her unwillingness to look the other way, because that's nothing bad on its", "main character undergoes drastic change after a traumatic event, but when someone from", "all. My character can go on as she is. It might not be", "to look the other way, because that's nothing bad on its own. After", "can't be her unwillingness to look the other way, because that's nothing bad", "her to it. Is it possible to write an exploratory story where I", "an admirable trait, and in another genre, she could've been a hero. But", "externally: perhaps the character is faced with an antagonist, or he wants to", "but she'll survive. How can I change that? --- If I were not", "the other way, because that's nothing bad on its own. After some deliberation,", "it's impossible to ignore the baggage she's carrying with her, so I'm trying", "she could've been a hero. But that didn't happen. Presented with lose-lose choices", "has a couple of good reasons for that, but the mayor did nothing", "write a tragedy where she's unable to come up with an answer; but", "problem is that I can't think of such a thing. Nearly all conflict", "to change; but what? It can't be her unwillingness to look the other", "that would contradict the \"hard mode → easy mode\" trope. I don't intend", "that I can't think of such a thing. Nearly all conflict that comes", "she tried to make the best of bad situations, and that's left her", "what amounts to a playground, but it's impossible to ignore the baggage she's", "an answer to my character's problem and guide her to it. Is it", "her, so I'm trying to balance the two. She knows something within her", "can't otherwise overcome, because that would contradict the \"hard mode → easy mode\"", "She's given a second lease on life in a far more casual setting", "know about charming someone, either. The closest equivalent I can think of is", "most would take the easy road and not get involved, she tried to", "with an answer; but I am. And on that note, everything I've said", "mayor with his son's life to get him to speak against it. She", "ignore the baggage she's carrying with her, so I'm trying to balance the", "two. She knows something within her has to change; but what? It can't", "inner peace is a life-or-death necessity, because she's legitimately going insane, psychosis and", "nothing to deserve it, and it doesn't change what she did. This is", "where most would take the easy road and not get involved, she tried", "place after that. She's given a second lease on life in a far", "to speak against it. She has a couple of good reasons for that,", "a question with no right answers, the best she can do is heed", "be your redemption.\" Tonally, this is supposed to be a lighthearted gag about", "unwillingness to look the other way, because that's nothing bad on its own.", "on my main character, and the most prominent is her uncompromising refusal to", "I don't intend to write romance, so I don't know about charming someone,", "it, she threatens the mayor with his son's life to get him to", "that into narrative conflict? I can't create an antagonist she can't otherwise overcome,", "work with my story. Let me set the scene. Merciless bullying at school", "and all. My character can go on as she is. It might not", "conflict? I can't create an antagonist she can't otherwise overcome, because that would", "peace is a life-or-death necessity, because she's legitimately going insane, psychosis and hallucinations", "of good reasons for that, but the mayor did nothing to deserve it,", "to charm someone, or solve some problem. This doesn't seem to work with", "left marks on my main character, and the most prominent is her uncompromising", "Its main character undergoes drastic change after a traumatic event, but when someone", "playground, but it's impossible to ignore the baggage she's carrying with her, so", "her with many regrets over her history of dubious moral decisions. (For example,", "get him to speak against it. She has a couple of good reasons", "And on that note, everything I've said here assumes that I, as the", "bystander. Normally, that's an admirable trait, and in another genre, she could've been", "the two. She knows something within her has to change; but what? It", "such a thing. Nearly all conflict that comes to my mind, even internal,", "is or go back to who she used to be? Until she's solved", "she is or go back to who she used to be? Until she's", "prominent is her uncompromising refusal to be a bystander. Normally, that's an admirable", "I change that? --- If I were not angling for a happy ending,", "lease on life in a far more casual setting and a mission: \"Die", "son's life to get him to speak against it. She has a couple", "own. After some deliberation, I decided that, when presented with a question with", "romance, so I don't know about charming someone, either. The closest equivalent I", "for that, but the mayor did nothing to deserve it, and it doesn't", "undergoes drastic change after a traumatic event, but when someone from her past", "solve some problem. This doesn't seem to work with my story. Let me", "the best she can do is heed others' opinions instead of forging on", "opinions instead of forging on with hers alone. That's what democracy's all about.", "when presented with a question with no right answers, the best she can", "everything I've said here assumes that I, as the author, must have an", "--- If I were not angling for a happy ending, I could write", "takes place after that. She's given a second lease on life in a", "can think of is the TV show, Arcane. Its main character undergoes drastic", "to ignore the baggage she's carrying with her, so I'm trying to balance", "change after a traumatic event, but when someone from her past resurfaces, she's", "life-or-death necessity, because she's legitimately going insane, psychosis and hallucinations and all. My", "said here assumes that I, as the author, must have an answer to", "my character's problem and guide her to it. Is it possible to write", "charming someone, either. The closest equivalent I can think of is the TV", "she's solved this conflict, she can't find inner peace. The difference is that,", "my main character, and the most prominent is her uncompromising refusal to be", "My story takes place after that. She's given a second lease on life", "the mayor did nothing to deserve it, and it doesn't change what she", "inner peace. The difference is that, for her, inner peace is a life-or-death", "charm someone, or solve some problem. This doesn't seem to work with my", "that's left her with many regrets over her history of dubious moral decisions.", "she can do is heed others' opinions instead of forging on with hers", "right answers, the best she can do is heed others' opinions instead of", "It can't be her unwillingness to look the other way, because that's nothing", "problem and guide her to it. Is it possible to write an exploratory", "decisions. (For example, after a disaster strikes her city and the government's considering", "be a lighthearted gag about a grizzled vet getting dumped in what amounts", "life in a far more casual setting and a mission: \"Die [of natural", "did nothing to deserve it, and it doesn't change what she did. This", "a hero. But that didn't happen. Presented with lose-lose choices where most would", "because that would contradict the \"hard mode → easy mode\" trope. I don't", "about charming someone, either. The closest equivalent I can think of is the", "supposed to be a lighthearted gag about a grizzled vet getting dumped in", "not angling for a happy ending, I could write a tragedy where she's", "How can I change that? --- If I were not angling for a", "closest equivalent I can think of is the TV show, Arcane. Its main", "in what amounts to a playground, but it's impossible to ignore the baggage", "It might not be a fulfilled life, but she'll survive. How can I", "because she's legitimately going insane, psychosis and hallucinations and all. My character can", "Is it possible to write an exploratory story where I don't? What are", "not get involved, she tried to make the best of bad situations, and", "disaster strikes her city and the government's considering condemning it, she threatens the", "note, everything I've said here assumes that I, as the author, must have", "to get him to speak against it. She has a couple of good", "possible to write an exploratory story where I don't? What are examples of", "has to change; but what? It can't be her unwillingness to look the", "to make the best of bad situations, and that's left her with many", "That's what democracy's all about. How can I convert that into narrative conflict?", "with my story. Let me set the scene. Merciless bullying at school left", "that's an admirable trait, and in another genre, she could've been a hero.", "overcome through change. The problem is that I can't think of such a", "an answer; but I am. And on that note, everything I've said here", "I, as the author, must have an answer to my character's problem and", "to be? Until she's solved this conflict, she can't find inner peace. The", "set the scene. Merciless bullying at school left marks on my main character,", "that didn't happen. Presented with lose-lose choices where most would take the easy", "with a dilemma: does she stay who she is or go back to", "dilemma: does she stay who she is or go back to who she", "she'll survive. How can I change that? --- If I were not angling", "a second lease on life in a far more casual setting and a", "I've said here assumes that I, as the author, must have an answer", "does she stay who she is or go back to who she used", "to write an exploratory story where I don't? What are examples of such?", "[of natural causes, I mean] without regrets. That'll be your redemption.\" Tonally, this", "for a happy ending, I could write a tragedy where she's unable to", "most prominent is her uncompromising refusal to be a bystander. Normally, that's an", "strikes her city and the government's considering condemning it, she threatens the mayor", "I understand it, conflict means presenting a character with an obstacle that he", "to who she used to be? Until she's solved this conflict, she can't", "another genre, she could've been a hero. But that didn't happen. Presented with", "don't intend to write romance, so I don't know about charming someone, either.", "a fulfilled life, but she'll survive. How can I change that? --- If", "a tragedy where she's unable to come up with an answer; but I", "easy mode\" trope. I don't intend to write romance, so I don't know", "left her with many regrets over her history of dubious moral decisions. (For", "difference is that, for her, inner peace is a life-or-death necessity, because she's", "is a life-or-death necessity, because she's legitimately going insane, psychosis and hallucinations and", "character's problem and guide her to it. Is it possible to write an", "and guide her to it. Is it possible to write an exploratory story", "on its own. After some deliberation, I decided that, when presented with a", "\"hard mode → easy mode\" trope. I don't intend to write romance, so", "and that's left her with many regrets over her history of dubious moral", "I were not angling for a happy ending, I could write a tragedy", "comes to my mind, even internal, is expressed externally: perhaps the character is", "past resurfaces, she's faced with a dilemma: does she stay who she is", "How can I convert that into narrative conflict? I can't create an antagonist", "all about. How can I convert that into narrative conflict? I can't create", "drastic change after a traumatic event, but when someone from her past resurfaces,", "some deliberation, I decided that, when presented with a question with no right", "or go back to who she used to be? Until she's solved this", "can do is heed others' opinions instead of forging on with hers alone.", "a happy ending, I could write a tragedy where she's unable to come", "mayor did nothing to deserve it, and it doesn't change what she did.", "can't think of such a thing. Nearly all conflict that comes to my", "speak against it. She has a couple of good reasons for that, but", "legitimately going insane, psychosis and hallucinations and all. My character can go on", "The difference is that, for her, inner peace is a life-or-death necessity, because", "narrative conflict? I can't create an antagonist she can't otherwise overcome, because that", "his son's life to get him to speak against it. She has a", "I can't create an antagonist she can't otherwise overcome, because that would contradict", "were not angling for a happy ending, I could write a tragedy where", "about. How can I convert that into narrative conflict? I can't create an", "Merciless bullying at school left marks on my main character, and the most", "second lease on life in a far more casual setting and a mission:", "your redemption.\" Tonally, this is supposed to be a lighthearted gag about a", "a one-off thing.) My story takes place after that. She's given a second", "character, and the most prominent is her uncompromising refusal to be a bystander.", "easy road and not get involved, she tried to make the best of", "Let me set the scene. Merciless bullying at school left marks on my", "answers, the best she can do is heed others' opinions instead of forging", "hallucinations and all. My character can go on as she is. It might", "involved, she tried to make the best of bad situations, and that's left", "considering condemning it, she threatens the mayor with his son's life to get", "to be a lighthearted gag about a grizzled vet getting dumped in what", "→ easy mode\" trope. I don't intend to write romance, so I don't", "create an antagonist she can't otherwise overcome, because that would contradict the \"hard", "Nearly all conflict that comes to my mind, even internal, is expressed externally:", "from her past resurfaces, she's faced with a dilemma: does she stay who", "problem. This doesn't seem to work with my story. Let me set the", "guide her to it. Is it possible to write an exploratory story where", "who she used to be? Until she's solved this conflict, she can't find", "convert that into narrative conflict? I can't create an antagonist she can't otherwise", "overcome, because that would contradict the \"hard mode → easy mode\" trope. I", "I'm trying to balance the two. She knows something within her has to", "about a grizzled vet getting dumped in what amounts to a playground, but", "genre, she could've been a hero. But that didn't happen. Presented with lose-lose", "mission: \"Die [of natural causes, I mean] without regrets. That'll be your redemption.\"", "him to speak against it. She has a couple of good reasons for", "with an obstacle that he can only overcome through change. The problem is", "that comes to my mind, even internal, is expressed externally: perhaps the character", "it. She has a couple of good reasons for that, but the mayor", "not a one-off thing.) My story takes place after that. She's given a", "I decided that, when presented with a question with no right answers, the", "getting dumped in what amounts to a playground, but it's impossible to ignore", "event, but when someone from her past resurfaces, she's faced with a dilemma:", "that. She's given a second lease on life in a far more casual", "vet getting dumped in what amounts to a playground, but it's impossible to", "thing. Nearly all conflict that comes to my mind, even internal, is expressed", "is her uncompromising refusal to be a bystander. Normally, that's an admirable trait,", "contradict the \"hard mode → easy mode\" trope. I don't intend to write", "to come up with an answer; but I am. And on that note,", "must have an answer to my character's problem and guide her to it.", "If I were not angling for a happy ending, I could write a", "all conflict that comes to my mind, even internal, is expressed externally: perhaps", "have an answer to my character's problem and guide her to it. Is", "but it's impossible to ignore the baggage she's carrying with her, so I'm", "wants to charm someone, or solve some problem. This doesn't seem to work", "a bystander. Normally, that's an admirable trait, and in another genre, she could've", "would take the easy road and not get involved, she tried to make", "she threatens the mayor with his son's life to get him to speak", "a traumatic event, but when someone from her past resurfaces, she's faced with", "a couple of good reasons for that, but the mayor did nothing to", "to deserve it, and it doesn't change what she did. This is not", "school left marks on my main character, and the most prominent is her", "he wants to charm someone, or solve some problem. This doesn't seem to", "history of dubious moral decisions. (For example, after a disaster strikes her city", "Until she's solved this conflict, she can't find inner peace. The difference is", "life, but she'll survive. How can I change that? --- If I were", "happy ending, I could write a tragedy where she's unable to come up", "the baggage she's carrying with her, so I'm trying to balance the two.", "author, must have an answer to my character's problem and guide her to", "equivalent I can think of is the TV show, Arcane. Its main character", "character can go on as she is. It might not be a fulfilled", "show, Arcane. Its main character undergoes drastic change after a traumatic event, but", "don't know about charming someone, either. The closest equivalent I can think of", "take the easy road and not get involved, she tried to make the", "is the TV show, Arcane. Its main character undergoes drastic change after a", "go back to who she used to be? Until she's solved this conflict,", "with her, so I'm trying to balance the two. She knows something within", "through change. The problem is that I can't think of such a thing.", "balance the two. She knows something within her has to change; but what?", "otherwise overcome, because that would contradict the \"hard mode → easy mode\" trope.", "redemption.\" Tonally, this is supposed to be a lighthearted gag about a grizzled", "conflict that comes to my mind, even internal, is expressed externally: perhaps the", "but what? It can't be her unwillingness to look the other way, because", "after a traumatic event, but when someone from her past resurfaces, she's faced", "answer; but I am. And on that note, everything I've said here assumes", "on that note, everything I've said here assumes that I, as the author,", "deserve it, and it doesn't change what she did. This is not a", "insane, psychosis and hallucinations and all. My character can go on as she", "is faced with an antagonist, or he wants to charm someone, or solve", "look the other way, because that's nothing bad on its own. After some", "and the most prominent is her uncompromising refusal to be a bystander. Normally,", "nothing bad on its own. After some deliberation, I decided that, when presented", "democracy's all about. How can I convert that into narrative conflict? I can't", "make the best of bad situations, and that's left her with many regrets", "as the author, must have an answer to my character's problem and guide", "a character with an obstacle that he can only overcome through change. The", "means presenting a character with an obstacle that he can only overcome through", "with his son's life to get him to speak against it. She has", "but when someone from her past resurfaces, she's faced with a dilemma: does", "situations, and that's left her with many regrets over her history of dubious", "traumatic event, but when someone from her past resurfaces, she's faced with a", "someone from her past resurfaces, she's faced with a dilemma: does she stay", "find inner peace. The difference is that, for her, inner peace is a", "threatens the mayor with his son's life to get him to speak against", "been a hero. But that didn't happen. Presented with lose-lose choices where most", "one-off thing.) My story takes place after that. She's given a second lease", "character undergoes drastic change after a traumatic event, but when someone from her", "can I convert that into narrative conflict? I can't create an antagonist she", "can go on as she is. It might not be a fulfilled life,", "a far more casual setting and a mission: \"Die [of natural causes, I", "Normally, that's an admirable trait, and in another genre, she could've been a", "at school left marks on my main character, and the most prominent is", "trait, and in another genre, she could've been a hero. But that didn't", "\"Die [of natural causes, I mean] without regrets. That'll be your redemption.\" Tonally,", "can only overcome through change. The problem is that I can't think of", "grizzled vet getting dumped in what amounts to a playground, but it's impossible", "a disaster strikes her city and the government's considering condemning it, she threatens", "to write romance, so I don't know about charming someone, either. The closest", "no right answers, the best she can do is heed others' opinions instead", "reasons for that, but the mayor did nothing to deserve it, and it", "its own. After some deliberation, I decided that, when presented with a question", "antagonist she can't otherwise overcome, because that would contradict the \"hard mode →", "presented with a question with no right answers, the best she can do", "example, after a disaster strikes her city and the government's considering condemning it,", "is heed others' opinions instead of forging on with hers alone. That's what", "that's nothing bad on its own. After some deliberation, I decided that, when", "change that? --- If I were not angling for a happy ending, I", "be? Until she's solved this conflict, she can't find inner peace. The difference", "here assumes that I, as the author, must have an answer to my", "a life-or-death necessity, because she's legitimately going insane, psychosis and hallucinations and all.", "regrets over her history of dubious moral decisions. (For example, after a disaster", "that, when presented with a question with no right answers, the best she", "after a disaster strikes her city and the government's considering condemning it, she", "setting and a mission: \"Die [of natural causes, I mean] without regrets. That'll", "when someone from her past resurfaces, she's faced with a dilemma: does she", "with an antagonist, or he wants to charm someone, or solve some problem.", "and it doesn't change what she did. This is not a one-off thing.)", "character with an obstacle that he can only overcome through change. The problem", "far more casual setting and a mission: \"Die [of natural causes, I mean]", "in a far more casual setting and a mission: \"Die [of natural causes,", "even internal, is expressed externally: perhaps the character is faced with an antagonist,", "psychosis and hallucinations and all. My character can go on as she is.", "she's faced with a dilemma: does she stay who she is or go", "this conflict, she can't find inner peace. The difference is that, for her,", "question with no right answers, the best she can do is heed others'", "others' opinions instead of forging on with hers alone. That's what democracy's all", "my mind, even internal, is expressed externally: perhaps the character is faced with", "intend to write romance, so I don't know about charming someone, either. The", "I can think of is the TV show, Arcane. Its main character undergoes", "moral decisions. (For example, after a disaster strikes her city and the government's", "be a fulfilled life, but she'll survive. How can I change that? ---", "Presented with lose-lose choices where most would take the easy road and not", "did. This is not a one-off thing.) My story takes place after that.", "TV show, Arcane. Its main character undergoes drastic change after a traumatic event,", "who she is or go back to who she used to be? Until", "main character, and the most prominent is her uncompromising refusal to be a", "that he can only overcome through change. The problem is that I can't" ]
[ "be spelled out or not? For example... \"I just bought a Mustang Boss", "speaking the name of something that includes a number, should the number be", "\"I just bought a Mustang Boss 302.\" Or \"I just bought a Mustang", "number be spelled out or not? For example... \"I just bought a Mustang", "just bought a Mustang Boss 302.\" Or \"I just bought a Mustang Boss", "spelled out or not? For example... \"I just bought a Mustang Boss 302.\"", "For example... \"I just bought a Mustang Boss 302.\" Or \"I just bought", "example... \"I just bought a Mustang Boss 302.\" Or \"I just bought a", "should the number be spelled out or not? For example... \"I just bought", "that includes a number, should the number be spelled out or not? For", "includes a number, should the number be spelled out or not? For example...", "If someone is speaking the name of something that includes a number, should", "bought a Mustang Boss 302.\" Or \"I just bought a Mustang Boss Three-Oh-Two.\"", "the number be spelled out or not? For example... \"I just bought a", "is speaking the name of something that includes a number, should the number", "or not? For example... \"I just bought a Mustang Boss 302.\" Or \"I", "not? For example... \"I just bought a Mustang Boss 302.\" Or \"I just", "number, should the number be spelled out or not? For example... \"I just", "something that includes a number, should the number be spelled out or not?", "a number, should the number be spelled out or not? For example... \"I", "someone is speaking the name of something that includes a number, should the", "the name of something that includes a number, should the number be spelled", "out or not? For example... \"I just bought a Mustang Boss 302.\" Or", "name of something that includes a number, should the number be spelled out", "of something that includes a number, should the number be spelled out or" ]
[ "graduate school. They use the sentence: > > \"I want to help patients", "> > \"I want to help patients have a moment of reprieve.\" >", "reprieve.\" > > > It feels odd to me, but I don't want", "sentence: > > \"I want to help patients have a moment of reprieve.\"", "to help patients have a moment of reprieve.\" > > > It feels", "They use the sentence: > > \"I want to help patients have a", "> It feels odd to me, but I don't want to make an", "\"I want to help patients have a moment of reprieve.\" > > >", "essay for graduate school. They use the sentence: > > \"I want to", "moment of reprieve.\" > > > It feels odd to me, but I", "but I don't want to make an edit if it's not grammatically incorrect", "> \"I want to help patients have a moment of reprieve.\" > >", "help patients have a moment of reprieve.\" > > > It feels odd", "make an edit if it's not grammatically incorrect or misuses the word. Any", "want to help patients have a moment of reprieve.\" > > > It", "the sentence: > > \"I want to help patients have a moment of", "edit if it's not grammatically incorrect or misuses the word. Any input would", "editing a friend's essay for graduate school. They use the sentence: > >", "to me, but I don't want to make an edit if it's not", "I'm editing a friend's essay for graduate school. They use the sentence: >", "a moment of reprieve.\" > > > It feels odd to me, but", "friend's essay for graduate school. They use the sentence: > > \"I want", "me, but I don't want to make an edit if it's not grammatically", "an edit if it's not grammatically incorrect or misuses the word. Any input", "have a moment of reprieve.\" > > > It feels odd to me,", "incorrect or misuses the word. Any input would be helpful - thank you!", "for graduate school. They use the sentence: > > \"I want to help", "> > > It feels odd to me, but I don't want to", "school. They use the sentence: > > \"I want to help patients have", "It feels odd to me, but I don't want to make an edit", "to make an edit if it's not grammatically incorrect or misuses the word.", "want to make an edit if it's not grammatically incorrect or misuses the", "a friend's essay for graduate school. They use the sentence: > > \"I", "don't want to make an edit if it's not grammatically incorrect or misuses", "use the sentence: > > \"I want to help patients have a moment", "of reprieve.\" > > > It feels odd to me, but I don't", "grammatically incorrect or misuses the word. Any input would be helpful - thank", "if it's not grammatically incorrect or misuses the word. Any input would be", "it's not grammatically incorrect or misuses the word. Any input would be helpful", "odd to me, but I don't want to make an edit if it's", "feels odd to me, but I don't want to make an edit if", "patients have a moment of reprieve.\" > > > It feels odd to", "not grammatically incorrect or misuses the word. Any input would be helpful -", "I don't want to make an edit if it's not grammatically incorrect or", "> > It feels odd to me, but I don't want to make" ]
[ "was an alchoholic and he is deathly afraid of becoming one as well.", "becoming one as well. He abstains from alcohol completely and never will try", "character who's father was an alchoholic and he is deathly afraid of becoming", "a character who's father was an alchoholic and he is deathly afraid of", "an alchoholic and he is deathly afraid of becoming one as well. He", "alchoholic and he is deathly afraid of becoming one as well. He abstains", "he is deathly afraid of becoming one as well. He abstains from alcohol", "and he is deathly afraid of becoming one as well. He abstains from", "deathly afraid of becoming one as well. He abstains from alcohol completely and", "who's father was an alchoholic and he is deathly afraid of becoming one", "afraid of becoming one as well. He abstains from alcohol completely and never", "I'm creating a character who's father was an alchoholic and he is deathly", "one as well. He abstains from alcohol completely and never will try it.", "is deathly afraid of becoming one as well. He abstains from alcohol completely", "creating a character who's father was an alchoholic and he is deathly afraid", "of becoming one as well. He abstains from alcohol completely and never will", "father was an alchoholic and he is deathly afraid of becoming one as" ]
[ "the deuteragonist is introduced. * The deuteragonist is not just a side or", "I am writing, there is a deuteragonist that eventually becomes best friends with", "first goes with the protagonist beginning the hero's journey, and going through training", "story. I am unsure about this though, and thinking about introducing her earlier.", "just a side or supporting character, they are literally a primary character, and", "journey, and going through training to become the chosen one (the story has", "introduced. * The deuteragonist is not just a side or supporting character, they", "all the training is done, the protagonist has to go all the way", "(based on China), and that is where the deuteragonist is introduced. * The", "thinking about introducing her earlier. For writing advice, how late can a deuteragonist", "into a story? For notes: * The beginning at first goes with the", "best friends with the protagonist. Unfortunately, due to the length of the epic", "side or supporting character, they are literally a primary character, and even has", "the length of the epic as a whole, she is introduced way later,", "deuteragonist be added into a story? For notes: * The beginning at first", "deuteragonist is introduced. * The deuteragonist is not just a side or supporting", "epic I am writing, there is a deuteragonist that eventually becomes best friends", "to the length of the epic as a whole, she is introduced way", "as a whole, she is introduced way later, around the middle of the", "this though, and thinking about introducing her earlier. For writing advice, how late", "protagonist has to go all the way to the Eastern Kingdoms (based on", "the epic as a whole, she is introduced way later, around the middle", "beginning at first goes with the protagonist beginning the hero's journey, and going", "around the middle of the story. I am unsure about this though, and", "at first goes with the protagonist beginning the hero's journey, and going through", "are literally a primary character, and even has her own small arc in", "protagonist. Unfortunately, due to the length of the epic as a whole, she", "the middle of the story. I am unsure about this though, and thinking", "character, they are literally a primary character, and even has her own small", "is a deuteragonist that eventually becomes best friends with the protagonist. Unfortunately, due", "epic as a whole, she is introduced way later, around the middle of", "For writing advice, how late can a deuteragonist be added into a story?", "about this though, and thinking about introducing her earlier. For writing advice, how", "the protagonist beginning the hero's journey, and going through training to become the", "and going through training to become the chosen one (the story has a", "fantasy epic I am writing, there is a deuteragonist that eventually becomes best", "goes with the protagonist beginning the hero's journey, and going through training to", "the Eastern Kingdoms (based on China), and that is where the deuteragonist is", "training to become the chosen one (the story has a different take on", "In the fantasy epic I am writing, there is a deuteragonist that eventually", "can a deuteragonist be added into a story? For notes: * The beginning", "has to go all the way to the Eastern Kingdoms (based on China),", "all the way to the Eastern Kingdoms (based on China), and that is", "I am unsure about this though, and thinking about introducing her earlier. For", "the way to the Eastern Kingdoms (based on China), and that is where", "she is introduced way later, around the middle of the story. I am", "introducing her earlier. For writing advice, how late can a deuteragonist be added", "China), and that is where the deuteragonist is introduced. * The deuteragonist is", "is introduced. * The deuteragonist is not just a side or supporting character,", "to go all the way to the Eastern Kingdoms (based on China), and", "a deuteragonist that eventually becomes best friends with the protagonist. Unfortunately, due to", "added into a story? For notes: * The beginning at first goes with", "the chosen one (the story has a different take on the trope.) ", "different take on the trope.) Once all the training is done, the", "whole, she is introduced way later, around the middle of the story. I", "be added into a story? For notes: * The beginning at first goes", "a primary character, and even has her own small arc in a DLC.", "where the deuteragonist is introduced. * The deuteragonist is not just a side", "a story? For notes: * The beginning at first goes with the protagonist", "chosen one (the story has a different take on the trope.) * Once", "going through training to become the chosen one (the story has a different", "the story. I am unsure about this though, and thinking about introducing her", "way to the Eastern Kingdoms (based on China), and that is where the", "friends with the protagonist. Unfortunately, due to the length of the epic as", "Kingdoms (based on China), and that is where the deuteragonist is introduced. ", "notes: The beginning at first goes with the protagonist beginning the hero's", "a side or supporting character, they are literally a primary character, and even", "to become the chosen one (the story has a different take on the", "writing advice, how late can a deuteragonist be added into a story? For", "there is a deuteragonist that eventually becomes best friends with the protagonist. Unfortunately,", "of the epic as a whole, she is introduced way later, around the", "protagonist beginning the hero's journey, and going through training to become the chosen", "hero's journey, and going through training to become the chosen one (the story", "training is done, the protagonist has to go all the way to the", "to the Eastern Kingdoms (based on China), and that is where the deuteragonist", "go all the way to the Eastern Kingdoms (based on China), and that", "on China), and that is where the deuteragonist is introduced. * The deuteragonist", "not just a side or supporting character, they are literally a primary character,", "or supporting character, they are literally a primary character, and even has her", "becomes best friends with the protagonist. Unfortunately, due to the length of the", "unsure about this though, and thinking about introducing her earlier. For writing advice,", "am writing, there is a deuteragonist that eventually becomes best friends with the", "later, around the middle of the story. I am unsure about this though,", "that is where the deuteragonist is introduced. * The deuteragonist is not just", "the fantasy epic I am writing, there is a deuteragonist that eventually becomes", "deuteragonist is not just a side or supporting character, they are literally a", "due to the length of the epic as a whole, she is introduced", "though, and thinking about introducing her earlier. For writing advice, how late can", "length of the epic as a whole, she is introduced way later, around", "through training to become the chosen one (the story has a different take", "about introducing her earlier. For writing advice, how late can a deuteragonist be", "one (the story has a different take on the trope.) * Once all", "(the story has a different take on the trope.) * Once all the", "literally a primary character, and even has her own small arc in a", "that eventually becomes best friends with the protagonist. Unfortunately, due to the length", "on the trope.) * Once all the training is done, the protagonist has", "introduced way later, around the middle of the story. I am unsure about", "a whole, she is introduced way later, around the middle of the story.", "with the protagonist beginning the hero's journey, and going through training to become", "The deuteragonist is not just a side or supporting character, they are literally", "* Once all the training is done, the protagonist has to go all", "a deuteragonist be added into a story? For notes: * The beginning at", "deuteragonist that eventually becomes best friends with the protagonist. Unfortunately, due to the", "* The deuteragonist is not just a side or supporting character, they are", "am unsure about this though, and thinking about introducing her earlier. For writing", "take on the trope.) * Once all the training is done, the protagonist", "earlier. For writing advice, how late can a deuteragonist be added into a", "supporting character, they are literally a primary character, and even has her own", "story? For notes: * The beginning at first goes with the protagonist beginning", "advice, how late can a deuteragonist be added into a story? For notes:", "the hero's journey, and going through training to become the chosen one (the", "and thinking about introducing her earlier. For writing advice, how late can a", "way later, around the middle of the story. I am unsure about this", "For notes: * The beginning at first goes with the protagonist beginning the", "Eastern Kingdoms (based on China), and that is where the deuteragonist is introduced.", "is where the deuteragonist is introduced. * The deuteragonist is not just a", "her earlier. For writing advice, how late can a deuteragonist be added into", "with the protagonist. Unfortunately, due to the length of the epic as a", "trope.) * Once all the training is done, the protagonist has to go", "done, the protagonist has to go all the way to the Eastern Kingdoms", "* The beginning at first goes with the protagonist beginning the hero's journey,", "beginning the hero's journey, and going through training to become the chosen one", "writing, there is a deuteragonist that eventually becomes best friends with the protagonist.", "middle of the story. I am unsure about this though, and thinking about", "is not just a side or supporting character, they are literally a primary", "they are literally a primary character, and even has her own small arc", "the protagonist has to go all the way to the Eastern Kingdoms (based", "of the story. I am unsure about this though, and thinking about introducing", "become the chosen one (the story has a different take on the trope.)", "has a different take on the trope.) * Once all the training is", "is introduced way later, around the middle of the story. I am unsure", "the trope.) * Once all the training is done, the protagonist has to", "is done, the protagonist has to go all the way to the Eastern", "eventually becomes best friends with the protagonist. Unfortunately, due to the length of", "story has a different take on the trope.) * Once all the training", "late can a deuteragonist be added into a story? For notes: * The", "the training is done, the protagonist has to go all the way to", "The beginning at first goes with the protagonist beginning the hero's journey, and", "a different take on the trope.) * Once all the training is done,", "the protagonist. Unfortunately, due to the length of the epic as a whole,", "how late can a deuteragonist be added into a story? For notes: ", "Once all the training is done, the protagonist has to go all the", "and that is where the deuteragonist is introduced. The deuteragonist is not", "Unfortunately, due to the length of the epic as a whole, she is" ]
[ "to improve clarity and make it easier to read. Are there any authoritative", "there's a tendency among others on my team to omit articles, and will", "bulleted lists (especially when they're incomplete sentences), etc., but for full sentences that", "the C++ Programming Language. > > > However, there's a tendency among others", "> Their argument is that it's less verbose, and to them it reads", "get the reasons for ommitting articles in headlines, bulleted lists (especially when they're", "Language. > > > Their argument is that it's less verbose, and to", "> > Their argument is that it's less verbose, and to them it", "more like other technical documentation they read. I get the reasons for ommitting", "and to them it reads more like other technical documentation they read. I", "reads more like other technical documentation they read. I get the reasons for", "written in the C++ Programming Language. > > > However, there's a tendency", "think it's better to include articles to improve clarity and make it easier", "> According to the customer's requirements, the software must be written in the", "argument is that it's less verbose, and to them it reads more like", "they read. I get the reasons for ommitting articles in headlines, bulleted lists", "the one above to the following: > > According to customer requirements, software", "edit sentences like the one above to the following: > > According to", "written in C++ Programming Language. > > > Their argument is that it's", "etc., but for full sentences that are part of narratives, I think it's", "the software must be written in the C++ Programming Language. > > >", "to read. Are there any authoritative guidelines or styleguides redgarding the use of", "I think it's better to include articles to improve clarity and make it", "among others on my team to omit articles, and will edit sentences like", "and \"a\"), as I think it makes thigs clear and natural to read:", "requirements, software must be written in C++ Programming Language. > > > Their", "lists (especially when they're incomplete sentences), etc., but for full sentences that are", "verbose, and to them it reads more like other technical documentation they read.", "improve clarity and make it easier to read. Are there any authoritative guidelines", "and make it easier to read. Are there any authoritative guidelines or styleguides", "in C++ Programming Language. > > > Their argument is that it's less", "to read: > > According to the customer's requirements, the software must be", "articles to improve clarity and make it easier to read. Are there any", "According to the customer's requirements, the software must be written in the C++", "one above to the following: > > According to customer requirements, software must", "documentation, I commonly include articles (\"the\" and \"a\"), as I think it makes", "read. Are there any authoritative guidelines or styleguides redgarding the use of articles", "writing technical documentation, I commonly include articles (\"the\" and \"a\"), as I think", "include articles (\"the\" and \"a\"), as I think it makes thigs clear and", "in headlines, bulleted lists (especially when they're incomplete sentences), etc., but for full", "it easier to read. Are there any authoritative guidelines or styleguides redgarding the", "makes thigs clear and natural to read: > > According to the customer's", "(\"the\" and \"a\"), as I think it makes thigs clear and natural to", "must be written in the C++ Programming Language. > > > However, there's", "on my team to omit articles, and will edit sentences like the one", "sentences that are part of narratives, I think it's better to include articles", "will edit sentences like the one above to the following: > > According", "read: > > According to the customer's requirements, the software must be written", "as I think it makes thigs clear and natural to read: > >", "other technical documentation they read. I get the reasons for ommitting articles in", "it's less verbose, and to them it reads more like other technical documentation", "the following: > > According to customer requirements, software must be written in", "read. I get the reasons for ommitting articles in headlines, bulleted lists (especially", "omit articles, and will edit sentences like the one above to the following:", "to omit articles, and will edit sentences like the one above to the", "less verbose, and to them it reads more like other technical documentation they", "Language. > > > However, there's a tendency among others on my team", "customer's requirements, the software must be written in the C++ Programming Language. >", "(especially when they're incomplete sentences), etc., but for full sentences that are part", "be written in the C++ Programming Language. > > > However, there's a", "> > However, there's a tendency among others on my team to omit", "it makes thigs clear and natural to read: > > According to the", "and natural to read: > > According to the customer's requirements, the software", "According to customer requirements, software must be written in C++ Programming Language. >", "reasons for ommitting articles in headlines, bulleted lists (especially when they're incomplete sentences),", "sentences), etc., but for full sentences that are part of narratives, I think", "technical documentation they read. I get the reasons for ommitting articles in headlines,", "full sentences that are part of narratives, I think it's better to include", "Are there any authoritative guidelines or styleguides redgarding the use of articles in", "to the customer's requirements, the software must be written in the C++ Programming", "to customer requirements, software must be written in C++ Programming Language. > >", "a tendency among others on my team to omit articles, and will edit", "> According to customer requirements, software must be written in C++ Programming Language.", "C++ Programming Language. > > > Their argument is that it's less verbose,", "articles, and will edit sentences like the one above to the following: >", "I commonly include articles (\"the\" and \"a\"), as I think it makes thigs", "be written in C++ Programming Language. > > > Their argument is that", "when they're incomplete sentences), etc., but for full sentences that are part of", "thigs clear and natural to read: > > According to the customer's requirements,", "that it's less verbose, and to them it reads more like other technical", "requirements, the software must be written in the C++ Programming Language. > >", "C++ Programming Language. > > > However, there's a tendency among others on", "following: > > According to customer requirements, software must be written in C++", "of narratives, I think it's better to include articles to improve clarity and", "to include articles to improve clarity and make it easier to read. Are", "in the C++ Programming Language. > > > However, there's a tendency among", "but for full sentences that are part of narratives, I think it's better", "the customer's requirements, the software must be written in the C++ Programming Language.", "part of narratives, I think it's better to include articles to improve clarity", "better to include articles to improve clarity and make it easier to read.", "commonly include articles (\"the\" and \"a\"), as I think it makes thigs clear", "Programming Language. > > > However, there's a tendency among others on my", "articles in headlines, bulleted lists (especially when they're incomplete sentences), etc., but for", "Programming Language. > > > Their argument is that it's less verbose, and", "are part of narratives, I think it's better to include articles to improve", "> However, there's a tendency among others on my team to omit articles,", "easier to read. Are there any authoritative guidelines or styleguides redgarding the use", "for ommitting articles in headlines, bulleted lists (especially when they're incomplete sentences), etc.,", "When writing technical documentation, I commonly include articles (\"the\" and \"a\"), as I", "> > According to the customer's requirements, the software must be written in", "make it easier to read. Are there any authoritative guidelines or styleguides redgarding", "software must be written in C++ Programming Language. > > > Their argument", "However, there's a tendency among others on my team to omit articles, and", "Their argument is that it's less verbose, and to them it reads more", "and will edit sentences like the one above to the following: > >", "above to the following: > > According to customer requirements, software must be", "to the following: > > According to customer requirements, software must be written", "clear and natural to read: > > According to the customer's requirements, the", "team to omit articles, and will edit sentences like the one above to", "they're incomplete sentences), etc., but for full sentences that are part of narratives,", "like other technical documentation they read. I get the reasons for ommitting articles", "customer requirements, software must be written in C++ Programming Language. > > >", "clarity and make it easier to read. Are there any authoritative guidelines or", "there any authoritative guidelines or styleguides redgarding the use of articles in technical", "it's better to include articles to improve clarity and make it easier to", "technical documentation, I commonly include articles (\"the\" and \"a\"), as I think it", "that are part of narratives, I think it's better to include articles to", "narratives, I think it's better to include articles to improve clarity and make", "> > According to customer requirements, software must be written in C++ Programming", "must be written in C++ Programming Language. > > > Their argument is", "is that it's less verbose, and to them it reads more like other", "natural to read: > > According to the customer's requirements, the software must", "it reads more like other technical documentation they read. I get the reasons", "documentation they read. I get the reasons for ommitting articles in headlines, bulleted", "my team to omit articles, and will edit sentences like the one above", "> > > Their argument is that it's less verbose, and to them", "others on my team to omit articles, and will edit sentences like the", "I get the reasons for ommitting articles in headlines, bulleted lists (especially when", "for full sentences that are part of narratives, I think it's better to", "think it makes thigs clear and natural to read: > > According to", "> > > However, there's a tendency among others on my team to", "to them it reads more like other technical documentation they read. I get", "incomplete sentences), etc., but for full sentences that are part of narratives, I", "any authoritative guidelines or styleguides redgarding the use of articles in technical writing?", "headlines, bulleted lists (especially when they're incomplete sentences), etc., but for full sentences", "like the one above to the following: > > According to customer requirements,", "ommitting articles in headlines, bulleted lists (especially when they're incomplete sentences), etc., but", "include articles to improve clarity and make it easier to read. Are there", "the reasons for ommitting articles in headlines, bulleted lists (especially when they're incomplete", "articles (\"the\" and \"a\"), as I think it makes thigs clear and natural", "I think it makes thigs clear and natural to read: > > According", "tendency among others on my team to omit articles, and will edit sentences", "sentences like the one above to the following: > > According to customer", "them it reads more like other technical documentation they read. I get the", "software must be written in the C++ Programming Language. > > > However,", "\"a\"), as I think it makes thigs clear and natural to read: >" ]
[ "[this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about 0:17-0:26 and again at", "the reader knows the character has been telling a story and has just", "skip, and the reader catches only the end of a piece of dialogue", "just finished it, but without requiring me to write out the whole story,", "and again at 1:48-1:53). What is the best way to make something like", "to write out the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers:", "sound \"right\" to me so what is the best way to fix this?", "way to make something like this \"flow\" properly? Should I do the ellipses", "has just finished it, but without requiring me to write out the whole", "so the reader knows the character has been telling a story and has", "best way to make something like this \"flow\" properly? Should I do the", "end of a piece of dialogue when we jump back in. It reads", "is a time skip, and the reader catches only the end of a", "work? At the moment it doesn't sound \"right\" to me so what is", "in. It reads something like this: > > By the time the sun", "without requiring me to write out the whole story, kind of like [this", "sun had set, she had forgotten she had only just met him. >", "tail end of the previous conversation, so the reader knows the character has", "a story and has just finished it, but without requiring me to write", "giggled. \"It sounds like you had an exciting childhood.\" > > > The", "then he fell into the lake.\" > > > Kirana giggled. \"It sounds", "sounds like you had an exciting childhood.\" > > > The idea is", "it doesn't sound \"right\" to me so what is the best way to", "met him. > > > \"...And then he fell into the lake.\" >", "Should I do the ellipses at the beginning of the dialogue or is", "reader catches only the end of a piece of dialogue when we jump", "there additional narration I need to add to make this work? At the", "he fell into the lake.\" > > > Kirana giggled. \"It sounds like", "been telling a story and has just finished it, but without requiring me", "whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from", "scene begins with the tail end of the previous conversation, so the reader", "> > > \"...And then he fell into the lake.\" > > >", "the lake.\" > > > Kirana giggled. \"It sounds like you had an", "I do the ellipses at the beginning of the dialogue or is that", "at 1:48-1:53). What is the best way to make something like this \"flow\"", "has been telling a story and has just finished it, but without requiring", "It reads something like this: > > By the time the sun had", "into the lake.\" > > > Kirana giggled. \"It sounds like you had", "requiring me to write out the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY)", "of Ultron (from about 0:17-0:26 and again at 1:48-1:53). What is the best", "the moment it doesn't sound \"right\" to me so what is the best", "lake.\" > > > Kirana giggled. \"It sounds like you had an exciting", "to make something like this \"flow\" properly? Should I do the ellipses at", "> Kirana giggled. \"It sounds like you had an exciting childhood.\" > >", "Kirana giggled. \"It sounds like you had an exciting childhood.\" > > >", "make this work? At the moment it doesn't sound \"right\" to me so", "the end of a piece of dialogue when we jump back in. It", "that this scene begins with the tail end of the previous conversation, so", "from Avengers: Age of Ultron (from about 0:17-0:26 and again at 1:48-1:53). What", "(from about 0:17-0:26 and again at 1:48-1:53). What is the best way to", "she had forgotten she had only just met him. > > > \"...And", "to add to make this work? At the moment it doesn't sound \"right\"", "> > \"...And then he fell into the lake.\" > > > Kirana", "knows the character has been telling a story and has just finished it,", "just met him. > > > \"...And then he fell into the lake.\"", "there is a time skip, and the reader catches only the end of", "the previous conversation, so the reader knows the character has been telling a", "reader knows the character has been telling a story and has just finished", "\"flow\" properly? Should I do the ellipses at the beginning of the dialogue", "Ultron (from about 0:17-0:26 and again at 1:48-1:53). What is the best way", "again at 1:48-1:53). What is the best way to make something like this", "the ellipses at the beginning of the dialogue or is that grammatically incorrect?", "> \"...And then he fell into the lake.\" > > > Kirana giggled.", "a scene where there is a time skip, and the reader catches only", "of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about 0:17-0:26 and", "where there is a time skip, and the reader catches only the end", "him. > > > \"...And then he fell into the lake.\" > >", "something like this: > > By the time the sun had set, she", "exciting childhood.\" > > > The idea is that this scene begins with", "previous conversation, so the reader knows the character has been telling a story", "moment it doesn't sound \"right\" to me so what is the best way", "grammatically incorrect? Is there additional narration I need to add to make this", "story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about", "the sun had set, she had forgotten she had only just met him.", "the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron", "properly? Should I do the ellipses at the beginning of the dialogue or", "like this \"flow\" properly? Should I do the ellipses at the beginning of", "the dialogue or is that grammatically incorrect? Is there additional narration I need", "of the previous conversation, so the reader knows the character has been telling", "ellipses at the beginning of the dialogue or is that grammatically incorrect? Is", "do the ellipses at the beginning of the dialogue or is that grammatically", "this: > > By the time the sun had set, she had forgotten", "the best way to make something like this \"flow\" properly? Should I do", "dialogue or is that grammatically incorrect? Is there additional narration I need to", "like this: > > By the time the sun had set, she had", "about 0:17-0:26 and again at 1:48-1:53). What is the best way to make", "set, she had forgotten she had only just met him. > > >", "doesn't sound \"right\" to me so what is the best way to fix", "Avengers: Age of Ultron (from about 0:17-0:26 and again at 1:48-1:53). What is", "this work? At the moment it doesn't sound \"right\" to me so what", "Is there additional narration I need to add to make this work? At", "like you had an exciting childhood.\" > > > The idea is that", "and the reader catches only the end of a piece of dialogue when", "idea is that this scene begins with the tail end of the previous", "had forgotten she had only just met him. > > > \"...And then", "scene where there is a time skip, and the reader catches only the", "fell into the lake.\" > > > Kirana giggled. \"It sounds like you", "> The idea is that this scene begins with the tail end of", "of the dialogue or is that grammatically incorrect? Is there additional narration I", "you had an exciting childhood.\" > > > The idea is that this", "is that grammatically incorrect? Is there additional narration I need to add to", "the time the sun had set, she had forgotten she had only just", "> > The idea is that this scene begins with the tail end", "back in. It reads something like this: > > By the time the", "jump back in. It reads something like this: > > By the time", "of a piece of dialogue when we jump back in. It reads something", "had only just met him. > > > \"...And then he fell into", "catches only the end of a piece of dialogue when we jump back", "conversation, so the reader knows the character has been telling a story and", "forgotten she had only just met him. > > > \"...And then he", "beginning of the dialogue or is that grammatically incorrect? Is there additional narration", "the reader catches only the end of a piece of dialogue when we", "0:17-0:26 and again at 1:48-1:53). What is the best way to make something", "piece of dialogue when we jump back in. It reads something like this:", "\"...And then he fell into the lake.\" > > > Kirana giggled. \"It", "At the moment it doesn't sound \"right\" to me so what is the", "or is that grammatically incorrect? Is there additional narration I need to add", "it, but without requiring me to write out the whole story, kind of", "narration I need to add to make this work? At the moment it", "an exciting childhood.\" > > > The idea is that this scene begins", "Age of Ultron (from about 0:17-0:26 and again at 1:48-1:53). What is the", "we jump back in. It reads something like this: > > By the", "the tail end of the previous conversation, so the reader knows the character", "story and has just finished it, but without requiring me to write out", "childhood.\" > > > The idea is that this scene begins with the", "a piece of dialogue when we jump back in. It reads something like", "of dialogue when we jump back in. It reads something like this: >", "incorrect? Is there additional narration I need to add to make this work?", "scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about 0:17-0:26 and again at 1:48-1:53).", "By the time the sun had set, she had forgotten she had only", "a time skip, and the reader catches only the end of a piece", "out the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of", "character has been telling a story and has just finished it, but without", "add to make this work? At the moment it doesn't sound \"right\" to", "to make this work? At the moment it doesn't sound \"right\" to me", "dialogue when we jump back in. It reads something like this: > >", "had set, she had forgotten she had only just met him. > >", "me to write out the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from", "begins with the tail end of the previous conversation, so the reader knows", "end of the previous conversation, so the reader knows the character has been", "> > By the time the sun had set, she had forgotten she", "make something like this \"flow\" properly? Should I do the ellipses at the", "at the beginning of the dialogue or is that grammatically incorrect? Is there", "is that this scene begins with the tail end of the previous conversation,", "I need to add to make this work? At the moment it doesn't", "need to add to make this work? At the moment it doesn't sound", "this \"flow\" properly? Should I do the ellipses at the beginning of the", "additional narration I need to add to make this work? At the moment", "when we jump back in. It reads something like this: > > By", "had an exciting childhood.\" > > > The idea is that this scene", "and has just finished it, but without requiring me to write out the", "1:48-1:53). What is the best way to make something like this \"flow\" properly?", "telling a story and has just finished it, but without requiring me to", "like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about 0:17-0:26 and again", "time the sun had set, she had forgotten she had only just met", "the character has been telling a story and has just finished it, but", "only just met him. > > > \"...And then he fell into the", "> > Kirana giggled. \"It sounds like you had an exciting childhood.\" >", "writing a scene where there is a time skip, and the reader catches", "only the end of a piece of dialogue when we jump back in.", "reads something like this: > > By the time the sun had set,", "> By the time the sun had set, she had forgotten she had", "kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age of Ultron (from about 0:17-0:26", "but without requiring me to write out the whole story, kind of like", "write out the whole story, kind of like [this scene](https://www.youtube.com/watch?v=JNgz_b98HbY) from Avengers: Age", "What is the best way to make something like this \"flow\" properly? Should", "I'm writing a scene where there is a time skip, and the reader", "that grammatically incorrect? Is there additional narration I need to add to make", "something like this \"flow\" properly? Should I do the ellipses at the beginning", "The idea is that this scene begins with the tail end of the", "time skip, and the reader catches only the end of a piece of", "with the tail end of the previous conversation, so the reader knows the", "finished it, but without requiring me to write out the whole story, kind", "\"It sounds like you had an exciting childhood.\" > > > The idea", "this scene begins with the tail end of the previous conversation, so the", "> > > Kirana giggled. \"It sounds like you had an exciting childhood.\"", "the beginning of the dialogue or is that grammatically incorrect? Is there additional", "she had only just met him. > > > \"...And then he fell", "is the best way to make something like this \"flow\" properly? Should I", "> > > The idea is that this scene begins with the tail" ]
[ "their own goals, and all of them have their own beat sheet, is", "had the experience of reading such a book? What would you recommend writers", "possible, or do they end up flat since they don't have any direction?", "characters and they all get the same amount of coverage, none of them", "all get the same amount of coverage, none of them are good or", "you recommend writers to do if they try to write such a book?", "area, all of them have their own goals, and all of them have", "beat sheet, is such a novel possible, or do they end up flat", "them have their own beat sheet, is such a novel possible, or do", "12 primary characters and they all get the same amount of coverage, none", "the same amount of coverage, none of them are good or evil, they", "ever had the experience of reading such a book? What would you recommend", "since they don't have any direction? Have you ever had the experience of", "and all of them have their own beat sheet, is such a novel", "own goals, and all of them have their own beat sheet, is such", "have their own goals, and all of them have their own beat sheet,", "primary characters and they all get the same amount of coverage, none of", "Have you ever had the experience of reading such a book? What would", "we have 12 primary characters and they all get the same amount of", "have any direction? Have you ever had the experience of reading such a", "the gray area, all of them have their own goals, and all of", "have their own beat sheet, is such a novel possible, or do they", "What would you recommend writers to do if they try to write such", "they all get the same amount of coverage, none of them are good", "all of them have their own goals, and all of them have their", "is such a novel possible, or do they end up flat since they", "they in the gray area, all of them have their own goals, and", "they end up flat since they don't have any direction? Have you ever", "have 12 primary characters and they all get the same amount of coverage,", "sheet, is such a novel possible, or do they end up flat since", "or do they end up flat since they don't have any direction? Have", "coverage, none of them are good or evil, they in the gray area,", "such a book? What would you recommend writers to do if they try", "book? What would you recommend writers to do if they try to write", "them are good or evil, they in the gray area, all of them", "of coverage, none of them are good or evil, they in the gray", "and they all get the same amount of coverage, none of them are", "or evil, they in the gray area, all of them have their own", "none of them are good or evil, they in the gray area, all", "their own beat sheet, is such a novel possible, or do they end", "the experience of reading such a book? What would you recommend writers to", "gray area, all of them have their own goals, and all of them", "novel possible, or do they end up flat since they don't have any", "don't have any direction? Have you ever had the experience of reading such", "of them have their own beat sheet, is such a novel possible, or", "any direction? Have you ever had the experience of reading such a book?", "up flat since they don't have any direction? Have you ever had the", "of them have their own goals, and all of them have their own", "experience of reading such a book? What would you recommend writers to do", "in the gray area, all of them have their own goals, and all", "a book? What would you recommend writers to do if they try to", "flat since they don't have any direction? Have you ever had the experience", "do they end up flat since they don't have any direction? Have you", "direction? Have you ever had the experience of reading such a book? What", "would you recommend writers to do if they try to write such a", "own beat sheet, is such a novel possible, or do they end up", "all of them have their own beat sheet, is such a novel possible,", "you ever had the experience of reading such a book? What would you", "a novel possible, or do they end up flat since they don't have", "end up flat since they don't have any direction? Have you ever had", "of reading such a book? What would you recommend writers to do if", "get the same amount of coverage, none of them are good or evil,", "evil, they in the gray area, all of them have their own goals,", "Let's say we have 12 primary characters and they all get the same", "good or evil, they in the gray area, all of them have their", "such a novel possible, or do they end up flat since they don't", "them have their own goals, and all of them have their own beat", "are good or evil, they in the gray area, all of them have", "reading such a book? What would you recommend writers to do if they", "goals, and all of them have their own beat sheet, is such a", "of them are good or evil, they in the gray area, all of", "same amount of coverage, none of them are good or evil, they in", "they don't have any direction? Have you ever had the experience of reading", "say we have 12 primary characters and they all get the same amount", "amount of coverage, none of them are good or evil, they in the" ]
[ "after scene 1 inside the book/comic/screenplay, or should you show and not tell", "and scene 2 happening before scene 1 leads to a plothole, should you", "that scene 2 happens slightly before scene 1, and scene 2 happening before", "clear when a scene is taking place when you switch from scene 1", "from scene 1 to scene 2 and scene 2 is happening slightly before", "plothole, should you make it clear that scene 2 happens slightly before scene", "happens sequentially after scene 1 inside the book/comic/screenplay, or should you show and", "or should you show and not tell and not literally tell your readers", "scene 2 happens slightly before scene 1, and scene 2 happening before scene", "Should you make it clear when a scene is taking place when you", "tell your readers that scene 2 is happening 1 hour before scene 1?", "switch from scene 1 to scene 2 and scene 2 is happening slightly", "not literally tell your readers that scene 2 is happening 1 hour before", "taking place when you switch from scene 1 to scene 2 and scene", "slightly before scene 1? Let's say that scene 2 happens slightly before scene", "Let's say that scene 2 happens slightly before scene 1, and scene 2", "scene 1 leads to a plothole, should you make it clear that scene", "scene is taking place when you switch from scene 1 to scene 2", "happening slightly before scene 1? Let's say that scene 2 happens slightly before", "a scene is taking place when you switch from scene 1 to scene", "sequentially after scene 1 inside the book/comic/screenplay, or should you show and not", "scene 1? Let's say that scene 2 happens slightly before scene 1, and", "place when you switch from scene 1 to scene 2 and scene 2", "scene 1 to scene 2 and scene 2 is happening slightly before scene", "you show and not tell and not literally tell your readers that scene", "slightly before scene 1 even though it happens sequentially after scene 1 inside", "scene 1 even though it happens sequentially after scene 1 inside the book/comic/screenplay,", "clear that scene 2 happens slightly before scene 1 even though it happens", "inside the book/comic/screenplay, or should you show and not tell and not literally", "2 happens slightly before scene 1 even though it happens sequentially after scene", "before scene 1 even though it happens sequentially after scene 1 inside the", "you make it clear when a scene is taking place when you switch", "it clear that scene 2 happens slightly before scene 1 even though it", "before scene 1 leads to a plothole, should you make it clear that", "1 inside the book/comic/screenplay, or should you show and not tell and not", "make it clear that scene 2 happens slightly before scene 1 even though", "you switch from scene 1 to scene 2 and scene 2 is happening", "happening before scene 1 leads to a plothole, should you make it clear", "to scene 2 and scene 2 is happening slightly before scene 1? Let's", "happens slightly before scene 1, and scene 2 happening before scene 1 leads", "scene 2 is happening slightly before scene 1? Let's say that scene 2", "even though it happens sequentially after scene 1 inside the book/comic/screenplay, or should", "show and not tell and not literally tell your readers that scene 2", "is taking place when you switch from scene 1 to scene 2 and", "2 is happening slightly before scene 1? Let's say that scene 2 happens", "book/comic/screenplay, or should you show and not tell and not literally tell your", "to a plothole, should you make it clear that scene 2 happens slightly", "it clear when a scene is taking place when you switch from scene", "2 happens slightly before scene 1, and scene 2 happening before scene 1", "happens slightly before scene 1 even though it happens sequentially after scene 1", "tell and not literally tell your readers that scene 2 is happening 1", "1? Let's say that scene 2 happens slightly before scene 1, and scene", "not tell and not literally tell your readers that scene 2 is happening", "1, and scene 2 happening before scene 1 leads to a plothole, should", "the book/comic/screenplay, or should you show and not tell and not literally tell", "scene 2 happening before scene 1 leads to a plothole, should you make", "scene 2 and scene 2 is happening slightly before scene 1? Let's say", "scene 1 inside the book/comic/screenplay, or should you show and not tell and", "before scene 1? Let's say that scene 2 happens slightly before scene 1,", "should you make it clear that scene 2 happens slightly before scene 1", "when a scene is taking place when you switch from scene 1 to", "and not tell and not literally tell your readers that scene 2 is", "2 and scene 2 is happening slightly before scene 1? Let's say that", "you make it clear that scene 2 happens slightly before scene 1 even", "say that scene 2 happens slightly before scene 1, and scene 2 happening", "1 to scene 2 and scene 2 is happening slightly before scene 1?", "and scene 2 is happening slightly before scene 1? Let's say that scene", "1 even though it happens sequentially after scene 1 inside the book/comic/screenplay, or", "when you switch from scene 1 to scene 2 and scene 2 is", "and not literally tell your readers that scene 2 is happening 1 hour", "1 leads to a plothole, should you make it clear that scene 2", "literally tell your readers that scene 2 is happening 1 hour before scene", "that scene 2 happens slightly before scene 1 even though it happens sequentially", "before scene 1, and scene 2 happening before scene 1 leads to a", "2 happening before scene 1 leads to a plothole, should you make it", "is happening slightly before scene 1? Let's say that scene 2 happens slightly", "a plothole, should you make it clear that scene 2 happens slightly before", "make it clear when a scene is taking place when you switch from", "scene 2 happens slightly before scene 1 even though it happens sequentially after", "it happens sequentially after scene 1 inside the book/comic/screenplay, or should you show", "should you show and not tell and not literally tell your readers that", "scene 1, and scene 2 happening before scene 1 leads to a plothole,", "slightly before scene 1, and scene 2 happening before scene 1 leads to", "leads to a plothole, should you make it clear that scene 2 happens", "though it happens sequentially after scene 1 inside the book/comic/screenplay, or should you" ]
[ "it. Should you use a generic phrase like: \"The poem read as follows:\"?", "popular ways of introducing a poem inside a novel. Let's say that the", "novel. Let's say that the character reads a poem from a small sheet", "there a proper way to format the poem? I am guessing you have", "and then you end the paragraph and then just dump the whole poem", "you should use a different font, and how to introduce it. Should you", "poem inside a novel. Let's say that the character reads a poem from", "it, but I am not sure if you should use a different font,", "but I am not sure if you should use a different font, and", "sheet of paper. He reads it and then you end the paragraph and", "dump the whole poem after that paragraph. Is there a proper way to", "poem from a small sheet of paper. He reads it and then you", "end the paragraph and then just dump the whole poem after that paragraph.", "to go about it. What are some popular ways of introducing a poem", "should use a different font, and how to introduce it. Should you use", "use a different font, and how to introduce it. Should you use a", "from a small sheet of paper. He reads it and then you end", "center it, but I am not sure if you should use a different", "He reads it and then you end the paragraph and then just dump", "to format the poem? I am guessing you have to center it, but", "sure how to go about it. What are some popular ways of introducing", "say that the character reads a poem from a small sheet of paper.", "proper way to format the poem? I am guessing you have to center", "go about it. What are some popular ways of introducing a poem inside", "a poem inside a novel. Let's say that the character reads a poem", "that the character reads a poem from a small sheet of paper. He", "poem inside of a novel? I am not sure how to go about", "then you end the paragraph and then just dump the whole poem after", "you have to center it, but I am not sure if you should", "a poem inside of a novel? I am not sure how to go", "small sheet of paper. He reads it and then you end the paragraph", "Let's say that the character reads a poem from a small sheet of", "a poem from a small sheet of paper. He reads it and then", "then just dump the whole poem after that paragraph. Is there a proper", "reads a poem from a small sheet of paper. He reads it and", "about it. What are some popular ways of introducing a poem inside a", "just dump the whole poem after that paragraph. Is there a proper way", "format a poem inside of a novel? I am not sure how to", "guessing you have to center it, but I am not sure if you", "What are some popular ways of introducing a poem inside a novel. Let's", "How do you format a poem inside of a novel? I am not", "if you should use a different font, and how to introduce it. Should", "do you format a poem inside of a novel? I am not sure", "sure if you should use a different font, and how to introduce it.", "the whole poem after that paragraph. Is there a proper way to format", "the paragraph and then just dump the whole poem after that paragraph. Is", "introduce it. Should you use a generic phrase like: \"The poem read as", "reads it and then you end the paragraph and then just dump the", "it. What are some popular ways of introducing a poem inside a novel.", "a small sheet of paper. He reads it and then you end the", "how to go about it. What are some popular ways of introducing a", "a novel. Let's say that the character reads a poem from a small", "font, and how to introduce it. Should you use a generic phrase like:", "have to center it, but I am not sure if you should use", "I am guessing you have to center it, but I am not sure", "are some popular ways of introducing a poem inside a novel. Let's say", "not sure if you should use a different font, and how to introduce", "am not sure how to go about it. What are some popular ways", "the character reads a poem from a small sheet of paper. He reads", "character reads a poem from a small sheet of paper. He reads it", "novel? I am not sure how to go about it. What are some", "to introduce it. Should you use a generic phrase like: \"The poem read", "of paper. He reads it and then you end the paragraph and then", "how to introduce it. Should you use a generic phrase like: \"The poem", "it and then you end the paragraph and then just dump the whole", "paragraph and then just dump the whole poem after that paragraph. Is there", "the poem? I am guessing you have to center it, but I am", "a proper way to format the poem? I am guessing you have to", "I am not sure if you should use a different font, and how", "inside of a novel? I am not sure how to go about it.", "after that paragraph. Is there a proper way to format the poem? I", "and how to introduce it. Should you use a generic phrase like: \"The", "some popular ways of introducing a poem inside a novel. Let's say that", "format the poem? I am guessing you have to center it, but I", "poem? I am guessing you have to center it, but I am not", "am not sure if you should use a different font, and how to", "paper. He reads it and then you end the paragraph and then just", "poem after that paragraph. Is there a proper way to format the poem?", "that paragraph. Is there a proper way to format the poem? I am", "and then just dump the whole poem after that paragraph. Is there a", "inside a novel. Let's say that the character reads a poem from a", "I am not sure how to go about it. What are some popular", "whole poem after that paragraph. Is there a proper way to format the", "different font, and how to introduce it. Should you use a generic phrase", "of a novel? I am not sure how to go about it. What", "you end the paragraph and then just dump the whole poem after that", "of introducing a poem inside a novel. Let's say that the character reads", "Is there a proper way to format the poem? I am guessing you", "a novel? I am not sure how to go about it. What are", "to center it, but I am not sure if you should use a", "introducing a poem inside a novel. Let's say that the character reads a", "a different font, and how to introduce it. Should you use a generic", "you format a poem inside of a novel? I am not sure how", "way to format the poem? I am guessing you have to center it,", "am guessing you have to center it, but I am not sure if", "not sure how to go about it. What are some popular ways of", "paragraph. Is there a proper way to format the poem? I am guessing", "ways of introducing a poem inside a novel. Let's say that the character" ]
[ "minimum amount of change necessary for character development to be satisfying? The person", "What are the things that need to change and what is the minimum", "for character development to be satisfying? The person interviewed says that there are", "there are things that need to change in a character, but he doesn't", "to see in a character for the development to be satisfying for the", "the development to be satisfying for the reader, because doing a 180 on", "the minimum amount of change necessary for character development to be satisfying? The", "to be satisfying? The person interviewed says that there are things that need", "to change and what is the minimum amount of change necessary for character", "that need to change and what is the minimum amount of change necessary", "the things that need to change and what is the minimum amount of", "on that and seems to be implying that the personality of the character", "change you need to see in a character for the development to be", "change and what is the minimum amount of change necessary for character development", "things that need to change and what is the minimum amount of change", "of change necessary for character development to be satisfying? The person interviewed says", "I am wondering what's the minimum amount of change you need to see", "a character, but he doesn't really expand on that and seems to be", "development to be satisfying for the reader, because doing a 180 on a", "that need to change in a character, but he doesn't really expand on", "character development to be satisfying? The person interviewed says that there are things", "am wondering what's the minimum amount of change you need to see in", "need to see in a character for the development to be satisfying for", "amount of change necessary for character development to be satisfying? The person interviewed", "is the minimum amount of change necessary for character development to be satisfying?", "that and seems to be implying that the personality of the character must", "expand on that and seems to be implying that the personality of the", "<https://www.youtube.com/watch?v=cSY43NNZdUI> What are the things that need to change and what is the", "for the development to be satisfying for the reader, because doing a 180", "to be satisfying for the reader, because doing a 180 on a character", "what is the minimum amount of change necessary for character development to be", "be satisfying? The person interviewed says that there are things that need to", "for the reader, because doing a 180 on a character is very difficult", "things that need to change in a character, but he doesn't really expand", "a character for the development to be satisfying for the reader, because doing", "he doesn't really expand on that and seems to be implying that the", "satisfying? The person interviewed says that there are things that need to change", "wondering what's the minimum amount of change you need to see in a", "necessary for character development to be satisfying? The person interviewed says that there", "need to change and what is the minimum amount of change necessary for", "and seems to be implying that the personality of the character must change,", "that there are things that need to change in a character, but he", "be implying that the personality of the character must change, but I am", "of change you need to see in a character for the development to", "doesn't really expand on that and seems to be implying that the personality", "really expand on that and seems to be implying that the personality of", "interviewed says that there are things that need to change in a character,", "the minimum amount of change you need to see in a character for", "seems to be implying that the personality of the character must change, but", "minimum amount of change you need to see in a character for the", "change necessary for character development to be satisfying? The person interviewed says that", "must change, but I am wondering what's the minimum amount of change you", "see in a character for the development to be satisfying for the reader,", "are things that need to change in a character, but he doesn't really", "development to be satisfying? The person interviewed says that there are things that", "be satisfying for the reader, because doing a 180 on a character is", "the reader, because doing a 180 on a character is very difficult to", "you need to see in a character for the development to be satisfying", "the character must change, but I am wondering what's the minimum amount of", "to change in a character, but he doesn't really expand on that and", "the personality of the character must change, but I am wondering what's the", "what's the minimum amount of change you need to see in a character", "change in a character, but he doesn't really expand on that and seems", "reader, because doing a 180 on a character is very difficult to do.", "character for the development to be satisfying for the reader, because doing a", "but he doesn't really expand on that and seems to be implying that", "satisfying for the reader, because doing a 180 on a character is very", "person interviewed says that there are things that need to change in a", "says that there are things that need to change in a character, but", "but I am wondering what's the minimum amount of change you need to", "and what is the minimum amount of change necessary for character development to", "implying that the personality of the character must change, but I am wondering", "character, but he doesn't really expand on that and seems to be implying", "amount of change you need to see in a character for the development", "personality of the character must change, but I am wondering what's the minimum", "of the character must change, but I am wondering what's the minimum amount", "character must change, but I am wondering what's the minimum amount of change", "are the things that need to change and what is the minimum amount", "that the personality of the character must change, but I am wondering what's", "in a character for the development to be satisfying for the reader, because", "to be implying that the personality of the character must change, but I", "change, but I am wondering what's the minimum amount of change you need", "in a character, but he doesn't really expand on that and seems to", "need to change in a character, but he doesn't really expand on that", "The person interviewed says that there are things that need to change in" ]
[ "the > reaches for his smartphone to text something to a friend. >", "> > > Should you fix these sentences and what can be done", "a screenplay? For example: > > SCENE 1: Anna stands next to the", "> of her. Next to him, stood his brother Jim. He looks at", "are located in a scene, but those sentences sound very blocky, should I", "for his smartphone to text something to a friend. > > > Should", "describe where the people are located in a scene, but those sentences sound", "1: Anna stands next to the stairs. Migkaol stands right in front >", "to do this in a screenplay? For example: > > SCENE 1: Anna", "to text something to a friend. > > > Should you fix these", "should I change them and improve them or is it completely normal to", "Anna stands next to the stairs. Migkaol stands right in front > of", "stands right in front > of her. Next to him, stood his brother", "change them and improve them or is it completely normal to do this", "it completely normal to do this in a screenplay? For example: > >", "those sentences sound very blocky, should I change them and improve them or", "something to a friend. > > > Should you fix these sentences and", "sound very blocky, should I change them and improve them or is it", "a friend. > > > Should you fix these sentences and what can", "sentences and what can be done to make these descriptive sentences sound less", "stands next to the stairs. Migkaol stands right in front > of her.", "> > Should you fix these sentences and what can be done to", "blocky, should I change them and improve them or is it completely normal", "friend. > > > Should you fix these sentences and what can be", "in a scene, but those sentences sound very blocky, should I change them", "stood his brother Jim. He looks at her and the > reaches for", "people are located in a scene, but those sentences sound very blocky, should", "in a screenplay? For example: > > SCENE 1: Anna stands next to", "brother Jim. He looks at her and the > reaches for his smartphone", "Migkaol stands right in front > of her. Next to him, stood his", "located in a scene, but those sentences sound very blocky, should I change", "in front > of her. Next to him, stood his brother Jim. He", "you fix these sentences and what can be done to make these descriptive", "this in a screenplay? For example: > > SCENE 1: Anna stands next", "very blocky, should I change them and improve them or is it completely", "text something to a friend. > > > Should you fix these sentences", "these sentences and what can be done to make these descriptive sentences sound", "For example: > > SCENE 1: Anna stands next to the stairs. Migkaol", "where the people are located in a scene, but those sentences sound very", "Should you fix these sentences and what can be done to make these", "reaches for his smartphone to text something to a friend. > > >", "scene, but those sentences sound very blocky, should I change them and improve", "his brother Jim. He looks at her and the > reaches for his", "Next to him, stood his brother Jim. He looks at her and the", "I sometimes just describe where the people are located in a scene, but", "the people are located in a scene, but those sentences sound very blocky,", "stairs. Migkaol stands right in front > of her. Next to him, stood", "and improve them or is it completely normal to do this in a", "next to the stairs. Migkaol stands right in front > of her. Next", "screenplay? For example: > > SCENE 1: Anna stands next to the stairs.", "SCENE 1: Anna stands next to the stairs. Migkaol stands right in front", "just describe where the people are located in a scene, but those sentences", "I change them and improve them or is it completely normal to do", "smartphone to text something to a friend. > > > Should you fix", "> Should you fix these sentences and what can be done to make", "his smartphone to text something to a friend. > > > Should you", "her. Next to him, stood his brother Jim. He looks at her and", "do this in a screenplay? For example: > > SCENE 1: Anna stands", "to the stairs. Migkaol stands right in front > of her. Next to", "them or is it completely normal to do this in a screenplay? For", "the stairs. Migkaol stands right in front > of her. Next to him,", "front > of her. Next to him, stood his brother Jim. He looks", "sentences sound very blocky, should I change them and improve them or is", "her and the > reaches for his smartphone to text something to a", "at her and the > reaches for his smartphone to text something to", "him, stood his brother Jim. He looks at her and the > reaches", "to him, stood his brother Jim. He looks at her and the >", "fix these sentences and what can be done to make these descriptive sentences", "and what can be done to make these descriptive sentences sound less blocky?", "a scene, but those sentences sound very blocky, should I change them and", "right in front > of her. Next to him, stood his brother Jim.", "and the > reaches for his smartphone to text something to a friend.", "of her. Next to him, stood his brother Jim. He looks at her", "example: > > SCENE 1: Anna stands next to the stairs. Migkaol stands", "He looks at her and the > reaches for his smartphone to text", "completely normal to do this in a screenplay? For example: > > SCENE", "is it completely normal to do this in a screenplay? For example: >", "or is it completely normal to do this in a screenplay? For example:", "to a friend. > > > Should you fix these sentences and what", "> > SCENE 1: Anna stands next to the stairs. Migkaol stands right", "improve them or is it completely normal to do this in a screenplay?", "sometimes just describe where the people are located in a scene, but those", "looks at her and the > reaches for his smartphone to text something", "> SCENE 1: Anna stands next to the stairs. Migkaol stands right in", "> reaches for his smartphone to text something to a friend. > >", "but those sentences sound very blocky, should I change them and improve them", "normal to do this in a screenplay? For example: > > SCENE 1:", "them and improve them or is it completely normal to do this in", "Jim. He looks at her and the > reaches for his smartphone to" ]
[ "the possibility of a sequel in mind to make sure that the sequel", "book, etc. and then because you didn't initially think of making a sequel,", "the story beat you wrote initially didn't take into account the possibility of", "beat for the sequel, and it may go against the character development or", "you wrote initially didn't take into account the possibility of a sequel? Is", "no character development because the character fully developed in the fist book. Is", "story beat you wrote initially didn't take into account the possibility of a", "What is the primary reason why sequels often suck? I was thinking about", "the character development or there's no character development because the character fully developed", "take into account the possibility of a sequel? Is there anything you can", "developed in the fist book. Is it because the story beat you wrote", "with a different story beat for the sequel, and it may go against", "up with a different story beat for the sequel, and it may go", "can do aside writing a story beat with the possibility of a sequel", "initially think of making a sequel, you need to come up with a", "writing a story beat with the possibility of a sequel in mind to", "different story beat for the sequel, and it may go against the character", "a sequel, you need to come up with a different story beat for", "possibility of a sequel in mind to make sure that the sequel is", "of a sequel? Is there anything you can do aside writing a story", "into account the possibility of a sequel? Is there anything you can do", "sequel? Is there anything you can do aside writing a story beat with", "was thinking about this for a while, and I thought the reason was", "for the first film, book, etc. and then because you didn't initially think", "because you didn't initially think of making a sequel, you need to come", "this for a while, and I thought the reason was because you write", "didn't take into account the possibility of a sequel? Is there anything you", "a story beat for the first film, book, etc. and then because you", "sequel, you need to come up with a different story beat for the", "about this for a while, and I thought the reason was because you", "beat you wrote initially didn't take into account the possibility of a sequel?", "you can do aside writing a story beat with the possibility of a", "a sequel? Is there anything you can do aside writing a story beat", "write a story beat for the first film, book, etc. and then because", "of a sequel in mind to make sure that the sequel is good?", "there's no character development because the character fully developed in the fist book.", "suck? I was thinking about this for a while, and I thought the", "character fully developed in the fist book. Is it because the story beat", "and it may go against the character development or there's no character development", "the reason was because you write a story beat for the first film,", "then because you didn't initially think of making a sequel, you need to", "is the primary reason why sequels often suck? I was thinking about this", "first film, book, etc. and then because you didn't initially think of making", "need to come up with a different story beat for the sequel, and", "development or there's no character development because the character fully developed in the", "the sequel, and it may go against the character development or there's no", "a while, and I thought the reason was because you write a story", "of making a sequel, you need to come up with a different story", "possibility of a sequel? Is there anything you can do aside writing a", "story beat for the sequel, and it may go against the character development", "the fist book. Is it because the story beat you wrote initially didn't", "the possibility of a sequel? Is there anything you can do aside writing", "beat with the possibility of a sequel in mind to make sure that", "for the sequel, and it may go against the character development or there's", "Is it because the story beat you wrote initially didn't take into account", "I was thinking about this for a while, and I thought the reason", "beat for the first film, book, etc. and then because you didn't initially", "story beat with the possibility of a sequel in mind to make sure", "or there's no character development because the character fully developed in the fist", "account the possibility of a sequel? Is there anything you can do aside", "you write a story beat for the first film, book, etc. and then", "wrote initially didn't take into account the possibility of a sequel? Is there", "fully developed in the fist book. Is it because the story beat you", "you need to come up with a different story beat for the sequel,", "a story beat with the possibility of a sequel in mind to make", "why sequels often suck? I was thinking about this for a while, and", "film, book, etc. and then because you didn't initially think of making a", "didn't initially think of making a sequel, you need to come up with", "character development because the character fully developed in the fist book. Is it", "thought the reason was because you write a story beat for the first", "in the fist book. Is it because the story beat you wrote initially", "a different story beat for the sequel, and it may go against the", "fist book. Is it because the story beat you wrote initially didn't take", "etc. and then because you didn't initially think of making a sequel, you", "sequels often suck? I was thinking about this for a while, and I", "there anything you can do aside writing a story beat with the possibility", "I thought the reason was because you write a story beat for the", "aside writing a story beat with the possibility of a sequel in mind", "with the possibility of a sequel in mind to make sure that the", "Is there anything you can do aside writing a story beat with the", "primary reason why sequels often suck? I was thinking about this for a", "while, and I thought the reason was because you write a story beat", "book. Is it because the story beat you wrote initially didn't take into", "because the story beat you wrote initially didn't take into account the possibility", "was because you write a story beat for the first film, book, etc.", "for a while, and I thought the reason was because you write a", "initially didn't take into account the possibility of a sequel? Is there anything", "sequel, and it may go against the character development or there's no character", "it may go against the character development or there's no character development because", "to come up with a different story beat for the sequel, and it", "often suck? I was thinking about this for a while, and I thought", "against the character development or there's no character development because the character fully", "and then because you didn't initially think of making a sequel, you need", "come up with a different story beat for the sequel, and it may", "making a sequel, you need to come up with a different story beat", "and I thought the reason was because you write a story beat for", "the character fully developed in the fist book. Is it because the story", "the first film, book, etc. and then because you didn't initially think of", "thinking about this for a while, and I thought the reason was because", "development because the character fully developed in the fist book. Is it because", "anything you can do aside writing a story beat with the possibility of", "the primary reason why sequels often suck? I was thinking about this for", "reason was because you write a story beat for the first film, book,", "reason why sequels often suck? I was thinking about this for a while,", "it because the story beat you wrote initially didn't take into account the", "may go against the character development or there's no character development because the", "character development or there's no character development because the character fully developed in", "go against the character development or there's no character development because the character", "story beat for the first film, book, etc. and then because you didn't", "because you write a story beat for the first film, book, etc. and", "think of making a sequel, you need to come up with a different", "do aside writing a story beat with the possibility of a sequel in", "you didn't initially think of making a sequel, you need to come up", "because the character fully developed in the fist book. Is it because the" ]
[ "horror fanfics, there are lots of victims who are very bad/evil people, this", "lots of victims who are very bad/evil people, this makes me wonder this:", "stories that I am writing, which are my loud house \"Lomond\" horror fanfics,", "which are my loud house \"Lomond\" horror fanfics, there are lots of victims", "makes me wonder this: do you believe that a person/character can deserve to", "are lots of victims who are very bad/evil people, this makes me wonder", "are my loud house \"Lomond\" horror fanfics, there are lots of victims who", "I am writing, which are my loud house \"Lomond\" horror fanfics, there are", "wonder this: do you believe that a person/character can deserve to be a", "very bad/evil people, this makes me wonder this: do you believe that a", "are very bad/evil people, this makes me wonder this: do you believe that", "there are lots of victims who are very bad/evil people, this makes me", "of victims who are very bad/evil people, this makes me wonder this: do", "house \"Lomond\" horror fanfics, there are lots of victims who are very bad/evil", "the stories that I am writing, which are my loud house \"Lomond\" horror", "people, this makes me wonder this: do you believe that a person/character can", "loud house \"Lomond\" horror fanfics, there are lots of victims who are very", "my loud house \"Lomond\" horror fanfics, there are lots of victims who are", "am writing, which are my loud house \"Lomond\" horror fanfics, there are lots", "who are very bad/evil people, this makes me wonder this: do you believe", "me wonder this: do you believe that a person/character can deserve to be", "victims who are very bad/evil people, this makes me wonder this: do you", "fanfics, there are lots of victims who are very bad/evil people, this makes", "that I am writing, which are my loud house \"Lomond\" horror fanfics, there", "In the stories that I am writing, which are my loud house \"Lomond\"", "this makes me wonder this: do you believe that a person/character can deserve", "this: do you believe that a person/character can deserve to be a victim?", "writing, which are my loud house \"Lomond\" horror fanfics, there are lots of", "\"Lomond\" horror fanfics, there are lots of victims who are very bad/evil people,", "bad/evil people, this makes me wonder this: do you believe that a person/character" ]
[ "that DC comics book are pandering to the LGBT community by shoving LGBT", "characters into their faces. What are some tips and advice you have for", "you have for not coming off as pandering when incorporating LGBT characters and", "LGBT community by shoving LGBT characters into their faces. What are some tips", "have for not coming off as pandering when incorporating LGBT characters and themes", "book are pandering to the LGBT community by shoving LGBT characters into their", "faces. What are some tips and advice you have for not coming off", "community by shoving LGBT characters into their faces. What are some tips and", "coming off as pandering when incorporating LGBT characters and themes in your stories?", "the LGBT community by shoving LGBT characters into their faces. What are some", "complain that DC comics book are pandering to the LGBT community by shoving", "shoving LGBT characters into their faces. What are some tips and advice you", "pandering to the LGBT community by shoving LGBT characters into their faces. What", "DC comics book are pandering to the LGBT community by shoving LGBT characters", "LGBT characters into their faces. What are some tips and advice you have", "What are some tips and advice you have for not coming off as", "of people complain that DC comics book are pandering to the LGBT community", "for not coming off as pandering when incorporating LGBT characters and themes in", "people complain that DC comics book are pandering to the LGBT community by", "to the LGBT community by shoving LGBT characters into their faces. What are", "A lot of people complain that DC comics book are pandering to the", "and advice you have for not coming off as pandering when incorporating LGBT", "advice you have for not coming off as pandering when incorporating LGBT characters", "are pandering to the LGBT community by shoving LGBT characters into their faces.", "some tips and advice you have for not coming off as pandering when", "their faces. What are some tips and advice you have for not coming", "not coming off as pandering when incorporating LGBT characters and themes in your", "are some tips and advice you have for not coming off as pandering", "by shoving LGBT characters into their faces. What are some tips and advice", "tips and advice you have for not coming off as pandering when incorporating", "comics book are pandering to the LGBT community by shoving LGBT characters into", "into their faces. What are some tips and advice you have for not", "lot of people complain that DC comics book are pandering to the LGBT" ]
[ "character with multiple personalities, but the character is mute and cannot speak. He", "and cannot speak. He can only behave. Is there a way to show", "this character has multiple personalities and is behaving differently not because the writer", "with multiple personalities, but the character is mute and cannot speak. He can", "differently not because the writer cannot keep his character consistent but because he", "his character consistent but because he has multiple personalities? How do you do", "mute and cannot speak. He can only behave. Is there a way to", "cannot keep his character consistent but because he has multiple personalities? How do", "a character with multiple personalities, but the character is mute and cannot speak.", "Is there a way to show that this character has multiple personalities and", "behaving differently not because the writer cannot keep his character consistent but because", "not because the writer cannot keep his character consistent but because he has", "multiple personalities and is behaving differently not because the writer cannot keep his", "a way to show that this character has multiple personalities and is behaving", "but because he has multiple personalities? How do you do this without telling,", "and is behaving differently not because the writer cannot keep his character consistent", "have a character with multiple personalities, but the character is mute and cannot", "because the writer cannot keep his character consistent but because he has multiple", "way to show that this character has multiple personalities and is behaving differently", "keep his character consistent but because he has multiple personalities? How do you", "to show that this character has multiple personalities and is behaving differently not", "show that this character has multiple personalities and is behaving differently not because", "because he has multiple personalities? How do you do this without telling, only", "speak. He can only behave. Is there a way to show that this", "personalities and is behaving differently not because the writer cannot keep his character", "character is mute and cannot speak. He can only behave. Is there a", "I have a character with multiple personalities, but the character is mute and", "multiple personalities, but the character is mute and cannot speak. He can only", "cannot speak. He can only behave. Is there a way to show that", "can only behave. Is there a way to show that this character has", "only behave. Is there a way to show that this character has multiple", "writer cannot keep his character consistent but because he has multiple personalities? How", "character consistent but because he has multiple personalities? How do you do this", "has multiple personalities? How do you do this without telling, only by showing?", "the writer cannot keep his character consistent but because he has multiple personalities?", "consistent but because he has multiple personalities? How do you do this without", "has multiple personalities and is behaving differently not because the writer cannot keep", "that this character has multiple personalities and is behaving differently not because the", "but the character is mute and cannot speak. He can only behave. Is", "is behaving differently not because the writer cannot keep his character consistent but", "personalities, but the character is mute and cannot speak. He can only behave.", "the character is mute and cannot speak. He can only behave. Is there", "character has multiple personalities and is behaving differently not because the writer cannot", "behave. Is there a way to show that this character has multiple personalities", "he has multiple personalities? How do you do this without telling, only by", "is mute and cannot speak. He can only behave. Is there a way", "there a way to show that this character has multiple personalities and is", "He can only behave. Is there a way to show that this character" ]
[ "often interpreted as a Nietzschian allegory of the uberman; however, let's say I", "Space Odyssey\", that movie is often interpreted as a Nietzschian allegory of the", "showing that that interpretation is completely wrong and the more obscure and occult", "I am Tcoklef Kubdihk and I made the movie \"The Space Odyssey\", that", "and occult interpretation of the movie is the correct one? Is there any", "that interpretation is completely wrong and the more obscure and occult interpretation of", "your readers without telling and only showing that the most popular interpretations of", "without telling and only showing that that interpretation is completely wrong and the", "Tcoklef Kubdihk and I made the movie \"The Space Odyssey\", that movie is", "that movie to be interpreted that way. How do you tell your readers", "your work is wrong? Let's say I am Tcoklef Kubdihk and I made", "I made the movie \"The Space Odyssey\", that movie is often interpreted as", "say I am Tcoklef Kubdihk and I made the movie \"The Space Odyssey\",", "How do you tell your readers without telling and only showing that that", "more obscure and occult interpretation of the movie is the correct one? Is", "your readers without telling and only showing that that interpretation is completely wrong", "I don't want that movie to be interpreted that way. How do you", "movie \"The Space Odyssey\", that movie is often interpreted as a Nietzschian allegory", "technique widely used to achieve that? Let's assume I am a filmmaker and", "movie to be interpreted that way. How do you tell your readers without", "any technique widely used to achieve that? Let's assume I am a filmmaker", "am Tcoklef Kubdihk and I made the movie \"The Space Odyssey\", that movie", "work is wrong? Let's say I am Tcoklef Kubdihk and I made the", "completely wrong and the more obscure and occult interpretation of the movie is", "a Nietzschian allegory of the uberman; however, let's say I don't want that", "used to achieve that? Let's assume I am a filmmaker and I am", "tell your readers without telling and only showing that that interpretation is completely", "and only showing that that interpretation is completely wrong and the more obscure", "the movie is the correct one? Is there any technique widely used to", "occult interpretation of the movie is the correct one? Is there any technique", "that? Let's assume I am a filmmaker and I am making a film.", "is often interpreted as a Nietzschian allegory of the uberman; however, let's say", "the movie \"The Space Odyssey\", that movie is often interpreted as a Nietzschian", "don't want that movie to be interpreted that way. How do you tell", "and I made the movie \"The Space Odyssey\", that movie is often interpreted", "telling and only showing that that interpretation is completely wrong and the more", "want that movie to be interpreted that way. How do you tell your", "most popular interpretations of your work is wrong? Let's say I am Tcoklef", "of the uberman; however, let's say I don't want that movie to be", "telling and only showing that the most popular interpretations of your work is", "is the correct one? Is there any technique widely used to achieve that?", "wrong? Let's say I am Tcoklef Kubdihk and I made the movie \"The", "made the movie \"The Space Odyssey\", that movie is often interpreted as a", "interpreted that way. How do you tell your readers without telling and only", "widely used to achieve that? Let's assume I am a filmmaker and I", "interpretation of the movie is the correct one? Is there any technique widely", "is wrong? Let's say I am Tcoklef Kubdihk and I made the movie", "Is there any technique widely used to achieve that? Let's assume I am", "of the movie is the correct one? Is there any technique widely used", "that the most popular interpretations of your work is wrong? Let's say I", "without telling and only showing that the most popular interpretations of your work", "Odyssey\", that movie is often interpreted as a Nietzschian allegory of the uberman;", "that that interpretation is completely wrong and the more obscure and occult interpretation", "How do you tell your readers without telling and only showing that the", "that way. How do you tell your readers without telling and only showing", "popular interpretations of your work is wrong? Let's say I am Tcoklef Kubdihk", "uberman; however, let's say I don't want that movie to be interpreted that", "and only showing that the most popular interpretations of your work is wrong?", "only showing that that interpretation is completely wrong and the more obscure and", "movie is the correct one? Is there any technique widely used to achieve", "achieve that? Let's assume I am a filmmaker and I am making a", "be interpreted that way. How do you tell your readers without telling and", "wrong and the more obscure and occult interpretation of the movie is the", "tell your readers without telling and only showing that the most popular interpretations", "Kubdihk and I made the movie \"The Space Odyssey\", that movie is often", "let's say I don't want that movie to be interpreted that way. How", "interpretations of your work is wrong? Let's say I am Tcoklef Kubdihk and", "that movie is often interpreted as a Nietzschian allegory of the uberman; however,", "correct one? Is there any technique widely used to achieve that? Let's assume", "Nietzschian allegory of the uberman; however, let's say I don't want that movie", "however, let's say I don't want that movie to be interpreted that way.", "Let's say I am Tcoklef Kubdihk and I made the movie \"The Space", "allegory of the uberman; however, let's say I don't want that movie to", "and the more obscure and occult interpretation of the movie is the correct", "is completely wrong and the more obscure and occult interpretation of the movie", "way. How do you tell your readers without telling and only showing that", "there any technique widely used to achieve that? Let's assume I am a", "one? Is there any technique widely used to achieve that? Let's assume I", "\"The Space Odyssey\", that movie is often interpreted as a Nietzschian allegory of", "readers without telling and only showing that the most popular interpretations of your", "you tell your readers without telling and only showing that that interpretation is", "the uberman; however, let's say I don't want that movie to be interpreted", "obscure and occult interpretation of the movie is the correct one? Is there", "of your work is wrong? Let's say I am Tcoklef Kubdihk and I", "say I don't want that movie to be interpreted that way. How do", "do you tell your readers without telling and only showing that that interpretation", "showing that the most popular interpretations of your work is wrong? Let's say", "to achieve that? Let's assume I am a filmmaker and I am making", "readers without telling and only showing that that interpretation is completely wrong and", "movie is often interpreted as a Nietzschian allegory of the uberman; however, let's", "interpreted as a Nietzschian allegory of the uberman; however, let's say I don't", "the most popular interpretations of your work is wrong? Let's say I am", "you tell your readers without telling and only showing that the most popular", "the correct one? Is there any technique widely used to achieve that? Let's", "as a Nietzschian allegory of the uberman; however, let's say I don't want", "the more obscure and occult interpretation of the movie is the correct one?", "do you tell your readers without telling and only showing that the most", "to be interpreted that way. How do you tell your readers without telling", "only showing that the most popular interpretations of your work is wrong? Let's", "interpretation is completely wrong and the more obscure and occult interpretation of the" ]
[ "I somehow put a funny run-in twist on these meet-ups or is it", "run-in twist on these meet-ups or is it too coincidental? On a side", "a different background character for each one, as each needs a decent amount", "background character for each one, as each needs a decent amount of character", "needs a decent amount of character building. Would it be too repetitive to", "on these meet-ups or is it too coincidental? On a side note, a", "character building. Would it be too repetitive to include the same background character", "main protagonists interact with background characters. I'd rather not make a different background", "be too repetitive to include the same background character in each scene, with", "occasions where the two main protagonists interact with background characters. I'd rather not", "character for each one, as each needs a decent amount of character building.", "character in each scene, with exceptions? Could I somehow put a funny run-in", "a lot of these interactions are in places far away from each other.", "two main protagonists interact with background characters. I'd rather not make a different", "one, as each needs a decent amount of character building. Would it be", "On a side note, a lot of these interactions are in places far", "each needs a decent amount of character building. Would it be too repetitive", "rather not make a different background character for each one, as each needs", "decent amount of character building. Would it be too repetitive to include the", "different background character for each one, as each needs a decent amount of", "too coincidental? On a side note, a lot of these interactions are in", "with background characters. I'd rather not make a different background character for each", "in each scene, with exceptions? Could I somehow put a funny run-in twist", "scene, with exceptions? Could I somehow put a funny run-in twist on these", "not make a different background character for each one, as each needs a", "I'd rather not make a different background character for each one, as each", "it be too repetitive to include the same background character in each scene,", "amount of character building. Would it be too repetitive to include the same", "with exceptions? Could I somehow put a funny run-in twist on these meet-ups", "exceptions? Could I somehow put a funny run-in twist on these meet-ups or", "a decent amount of character building. Would it be too repetitive to include", "or is it too coincidental? On a side note, a lot of these", "side note, a lot of these interactions are in places far away from", "same background character in each scene, with exceptions? Could I somehow put a", "as each needs a decent amount of character building. Would it be too", "Would it be too repetitive to include the same background character in each", "for each one, as each needs a decent amount of character building. Would", "protagonists interact with background characters. I'd rather not make a different background character", "too repetitive to include the same background character in each scene, with exceptions?", "interact with background characters. I'd rather not make a different background character for", "put a funny run-in twist on these meet-ups or is it too coincidental?", "it too coincidental? On a side note, a lot of these interactions are", "building. Would it be too repetitive to include the same background character in", "of character building. Would it be too repetitive to include the same background", "the same background character in each scene, with exceptions? Could I somehow put", "meet-ups or is it too coincidental? On a side note, a lot of", "is it too coincidental? On a side note, a lot of these interactions", "background character in each scene, with exceptions? Could I somehow put a funny", "a funny run-in twist on these meet-ups or is it too coincidental? On", "each scene, with exceptions? Could I somehow put a funny run-in twist on", "include the same background character in each scene, with exceptions? Could I somehow", "note, a lot of these interactions are in places far away from each", "where the two main protagonists interact with background characters. I'd rather not make", "make a different background character for each one, as each needs a decent", "has several occasions where the two main protagonists interact with background characters. I'd", "each one, as each needs a decent amount of character building. Would it", "background characters. I'd rather not make a different background character for each one,", "twist on these meet-ups or is it too coincidental? On a side note,", "Could I somehow put a funny run-in twist on these meet-ups or is", "coincidental? On a side note, a lot of these interactions are in places", "a side note, a lot of these interactions are in places far away", "several occasions where the two main protagonists interact with background characters. I'd rather", "repetitive to include the same background character in each scene, with exceptions? Could", "somehow put a funny run-in twist on these meet-ups or is it too", "My story has several occasions where the two main protagonists interact with background", "these meet-ups or is it too coincidental? On a side note, a lot", "story has several occasions where the two main protagonists interact with background characters.", "characters. I'd rather not make a different background character for each one, as", "funny run-in twist on these meet-ups or is it too coincidental? On a", "the two main protagonists interact with background characters. I'd rather not make a", "to include the same background character in each scene, with exceptions? Could I" ]
[ "themed around the deep sea (submarines, habitats, etc) and the abyssal void of", "find inspirational material as well as articles on what makes the best of", "get any recommendations for well received short stories in this theme and any", "if I could get any recommendations for well received short stories in this", "well received short stories in this theme and any articles diving into the", "what elements of horror or story telling make these tells what they are.", "short stories in this theme and any articles diving into the analytical side", "what makes the best of them so good. I'd love it if I", "the abyssal void of such dark places. I've been really struggling to find", "recommendations for well received short stories in this theme and any articles diving", "them so good. I'd love it if I could get any recommendations for", "I've been thinking about developing a small short story series themed around the", "deep sea (submarines, habitats, etc) and the abyssal void of such dark places.", "really struggling to find inspirational material as well as articles on what makes", "could get any recommendations for well received short stories in this theme and", "as well as articles on what makes the best of them so good.", "of such dark places. I've been really struggling to find inspirational material as", "in this theme and any articles diving into the analytical side of what", "the analytical side of what elements of horror or story telling make these", "the deep sea (submarines, habitats, etc) and the abyssal void of such dark", "received short stories in this theme and any articles diving into the analytical", "material as well as articles on what makes the best of them so", "good. I'd love it if I could get any recommendations for well received", "into the analytical side of what elements of horror or story telling make", "story series themed around the deep sea (submarines, habitats, etc) and the abyssal", "developing a small short story series themed around the deep sea (submarines, habitats,", "of what elements of horror or story telling make these tells what they", "inspirational material as well as articles on what makes the best of them", "around the deep sea (submarines, habitats, etc) and the abyssal void of such", "habitats, etc) and the abyssal void of such dark places. I've been really", "been really struggling to find inspirational material as well as articles on what", "well as articles on what makes the best of them so good. I'd", "so good. I'd love it if I could get any recommendations for well", "articles diving into the analytical side of what elements of horror or story", "thinking about developing a small short story series themed around the deep sea", "love it if I could get any recommendations for well received short stories", "been thinking about developing a small short story series themed around the deep", "about developing a small short story series themed around the deep sea (submarines,", "abyssal void of such dark places. I've been really struggling to find inspirational", "diving into the analytical side of what elements of horror or story telling", "analytical side of what elements of horror or story telling make these tells", "short story series themed around the deep sea (submarines, habitats, etc) and the", "any recommendations for well received short stories in this theme and any articles", "any articles diving into the analytical side of what elements of horror or", "struggling to find inspirational material as well as articles on what makes the", "sea (submarines, habitats, etc) and the abyssal void of such dark places. I've", "makes the best of them so good. I'd love it if I could", "best of them so good. I'd love it if I could get any", "on what makes the best of them so good. I'd love it if", "such dark places. I've been really struggling to find inspirational material as well", "and any articles diving into the analytical side of what elements of horror", "stories in this theme and any articles diving into the analytical side of", "as articles on what makes the best of them so good. I'd love", "and the abyssal void of such dark places. I've been really struggling to", "a small short story series themed around the deep sea (submarines, habitats, etc)", "places. I've been really struggling to find inspirational material as well as articles", "for well received short stories in this theme and any articles diving into", "(submarines, habitats, etc) and the abyssal void of such dark places. I've been", "the best of them so good. I'd love it if I could get", "I'd love it if I could get any recommendations for well received short", "this theme and any articles diving into the analytical side of what elements", "of them so good. I'd love it if I could get any recommendations", "small short story series themed around the deep sea (submarines, habitats, etc) and", "it if I could get any recommendations for well received short stories in", "theme and any articles diving into the analytical side of what elements of", "to find inspirational material as well as articles on what makes the best", "side of what elements of horror or story telling make these tells what", "etc) and the abyssal void of such dark places. I've been really struggling", "I've been really struggling to find inspirational material as well as articles on", "series themed around the deep sea (submarines, habitats, etc) and the abyssal void", "dark places. I've been really struggling to find inspirational material as well as", "articles on what makes the best of them so good. I'd love it", "I could get any recommendations for well received short stories in this theme", "void of such dark places. I've been really struggling to find inspirational material" ]
[ "craft that is on Neptune (or “in”, depending on how you want to", "can I make the story as realistic as possible, based on how Neptune", "is realism to readers? How can I make the story as realistic as", "that will take place on a craft that is on Neptune (or “in”,", "that is on Neptune (or “in”, depending on how you want to look", "will take place on a craft that is on Neptune (or “in”, depending", "to write a new short story that will take place on a craft", "important is realism to readers? How can I make the story as realistic", "to readers? How can I make the story as realistic as possible, based", "(or “in”, depending on how you want to look at it since it’s", "make the story as realistic as possible, based on how Neptune really is?", "on Neptune (or “in”, depending on how you want to look at it", "trying to write a new short story that will take place on a", "it’s an ice/gas giant.) How important is realism to readers? How can I", "want to look at it since it’s an ice/gas giant.) How important is", "on how you want to look at it since it’s an ice/gas giant.)", "How important is realism to readers? How can I make the story as", "How can I make the story as realistic as possible, based on how", "take place on a craft that is on Neptune (or “in”, depending on", "look at it since it’s an ice/gas giant.) How important is realism to", "on a craft that is on Neptune (or “in”, depending on how you", "you want to look at it since it’s an ice/gas giant.) How important", "depending on how you want to look at it since it’s an ice/gas", "is on Neptune (or “in”, depending on how you want to look at", "“in”, depending on how you want to look at it since it’s an", "readers? How can I make the story as realistic as possible, based on", "giant.) How important is realism to readers? How can I make the story", "a new short story that will take place on a craft that is", "write a new short story that will take place on a craft that", "Neptune (or “in”, depending on how you want to look at it since", "at it since it’s an ice/gas giant.) How important is realism to readers?", "since it’s an ice/gas giant.) How important is realism to readers? How can", "ice/gas giant.) How important is realism to readers? How can I make the", "story that will take place on a craft that is on Neptune (or", "place on a craft that is on Neptune (or “in”, depending on how", "to look at it since it’s an ice/gas giant.) How important is realism", "a craft that is on Neptune (or “in”, depending on how you want", "realism to readers? How can I make the story as realistic as possible,", "an ice/gas giant.) How important is realism to readers? How can I make", "I’m trying to write a new short story that will take place on", "how you want to look at it since it’s an ice/gas giant.) How", "I make the story as realistic as possible, based on how Neptune really", "short story that will take place on a craft that is on Neptune", "new short story that will take place on a craft that is on", "it since it’s an ice/gas giant.) How important is realism to readers? How" ]
[ "for him to stick around for the rest of the story. Is this", "to write such a story is to have an incident where he requires", "who just tries to survive and be left on his own and doesn't", "to survive and be left on his own and doesn't want to be", "reason for him to stick around for the rest of the story. Is", "I am wondering how to create a good plot for a hermit-type main", "story. Is this the only way? I can't think of a different way", "plot requires the character to go out of his comfort zone I feel", "stick around for a little bit and then find a much higher-purpose type", "the story. Is this the only way? I can't think of a different", "a hermit-type main character who just tries to survive and be left on", "the character to go out of his comfort zone I feel the only", "be bothered with the rest of society. Because the plot requires the character", "be left on his own and doesn't want to be bothered with the", "the only way to write such a story is to have an incident", "to go out of his comfort zone I feel the only way to", "of some other people in order for him to stick around for a", "of the story. Is this the only way? I can't think of a", "Is this the only way? I can't think of a different way to", "how to create a good plot for a hermit-type main character who just", "tries to survive and be left on his own and doesn't want to", "and then find a much higher-purpose type of reason for him to stick", "rest of the story. Is this the only way? I can't think of", "and doesn't want to be bothered with the rest of society. Because the", "of society. Because the plot requires the character to go out of his", "a much higher-purpose type of reason for him to stick around for the", "just tries to survive and be left on his own and doesn't want", "where he requires the help of some other people in order for him", "requires the character to go out of his comfort zone I feel the", "stick around for the rest of the story. Is this the only way?", "him to stick around for the rest of the story. Is this the", "to have an incident where he requires the help of some other people", "incident where he requires the help of some other people in order for", "find a much higher-purpose type of reason for him to stick around for", "bothered with the rest of society. Because the plot requires the character to", "a story is to have an incident where he requires the help of", "the rest of the story. Is this the only way? I can't think", "him to stick around for a little bit and then find a much", "around for a little bit and then find a much higher-purpose type of", "only way? I can't think of a different way to handle such main", "doesn't want to be bothered with the rest of society. Because the plot", "a little bit and then find a much higher-purpose type of reason for", "of reason for him to stick around for the rest of the story.", "to be bothered with the rest of society. Because the plot requires the", "some other people in order for him to stick around for a little", "on his own and doesn't want to be bothered with the rest of", "main character who just tries to survive and be left on his own", "create a good plot for a hermit-type main character who just tries to", "left on his own and doesn't want to be bothered with the rest", "want to be bothered with the rest of society. Because the plot requires", "character to go out of his comfort zone I feel the only way", "the help of some other people in order for him to stick around", "have an incident where he requires the help of some other people in", "of his comfort zone I feel the only way to write such a", "character who just tries to survive and be left on his own and", "bit and then find a much higher-purpose type of reason for him to", "out of his comfort zone I feel the only way to write such", "is to have an incident where he requires the help of some other", "other people in order for him to stick around for a little bit", "for a hermit-type main character who just tries to survive and be left", "to stick around for a little bit and then find a much higher-purpose", "only way to write such a story is to have an incident where", "way to write such a story is to have an incident where he", "this the only way? I can't think of a different way to handle", "the plot requires the character to go out of his comfort zone I", "requires the help of some other people in order for him to stick", "go out of his comfort zone I feel the only way to write", "good plot for a hermit-type main character who just tries to survive and", "the only way? I can't think of a different way to handle such", "to create a good plot for a hermit-type main character who just tries", "rest of society. Because the plot requires the character to go out of", "much higher-purpose type of reason for him to stick around for the rest", "such a story is to have an incident where he requires the help", "help of some other people in order for him to stick around for", "with the rest of society. Because the plot requires the character to go", "zone I feel the only way to write such a story is to", "survive and be left on his own and doesn't want to be bothered", "for him to stick around for a little bit and then find a", "plot for a hermit-type main character who just tries to survive and be", "people in order for him to stick around for a little bit and", "society. Because the plot requires the character to go out of his comfort", "and be left on his own and doesn't want to be bothered with", "way? I can't think of a different way to handle such main characters.", "type of reason for him to stick around for the rest of the", "order for him to stick around for a little bit and then find", "Because the plot requires the character to go out of his comfort zone", "in order for him to stick around for a little bit and then", "for a little bit and then find a much higher-purpose type of reason", "around for the rest of the story. Is this the only way? I", "to stick around for the rest of the story. Is this the only", "hermit-type main character who just tries to survive and be left on his", "own and doesn't want to be bothered with the rest of society. Because", "then find a much higher-purpose type of reason for him to stick around", "an incident where he requires the help of some other people in order", "higher-purpose type of reason for him to stick around for the rest of", "his comfort zone I feel the only way to write such a story", "wondering how to create a good plot for a hermit-type main character who", "the rest of society. Because the plot requires the character to go out", "story is to have an incident where he requires the help of some", "for the rest of the story. Is this the only way? I can't", "a good plot for a hermit-type main character who just tries to survive", "write such a story is to have an incident where he requires the", "little bit and then find a much higher-purpose type of reason for him", "am wondering how to create a good plot for a hermit-type main character", "comfort zone I feel the only way to write such a story is", "I feel the only way to write such a story is to have", "his own and doesn't want to be bothered with the rest of society.", "he requires the help of some other people in order for him to", "feel the only way to write such a story is to have an" ]
[ "I feel that those phrases imply a lack of a smile. In this", "a lack of a smile. In this situation, something is funny, but the", "a smile\", but I feel that those phrases imply a lack of a", "or \"stifling a smile\", but I feel that those phrases imply a lack", "know there exists already \"suppressing a smile\" or \"stifling a smile\", but I", "phrases imply a lack of a smile. In this situation, something is funny,", "those phrases imply a lack of a smile. In this situation, something is", "character is trying to pretend that it is not in an almost sarcastic/playful", "feel that those phrases imply a lack of a smile. In this situation,", "already \"suppressing a smile\" or \"stifling a smile\", but I feel that those", "A more visual description: pursed lips in a smile, with a scrunched nose.", "not in an almost sarcastic/playful manner. A more visual description: pursed lips in", "situation, something is funny, but the character is trying to pretend that it", "pretend that it is not in an almost sarcastic/playful manner. A more visual", "is funny, but the character is trying to pretend that it is not", "exists already \"suppressing a smile\" or \"stifling a smile\", but I feel that", "the character is trying to pretend that it is not in an almost", "an almost sarcastic/playful manner. A more visual description: pursed lips in a smile,", "there exists already \"suppressing a smile\" or \"stifling a smile\", but I feel", "of a smile. In this situation, something is funny, but the character is", "trying to pretend that it is not in an almost sarcastic/playful manner. A", "to pretend that it is not in an almost sarcastic/playful manner. A more", "it is not in an almost sarcastic/playful manner. A more visual description: pursed", "smile. In this situation, something is funny, but the character is trying to", "that it is not in an almost sarcastic/playful manner. A more visual description:", "smile\" or \"stifling a smile\", but I feel that those phrases imply a", "\"stifling a smile\", but I feel that those phrases imply a lack of", "imply a lack of a smile. In this situation, something is funny, but", "lack of a smile. In this situation, something is funny, but the character", "sarcastic/playful manner. A more visual description: pursed lips in a smile, with a", "funny, but the character is trying to pretend that it is not in", "manner. A more visual description: pursed lips in a smile, with a scrunched", "a smile. In this situation, something is funny, but the character is trying", "a smile\" or \"stifling a smile\", but I feel that those phrases imply", "In this situation, something is funny, but the character is trying to pretend", "smile\", but I feel that those phrases imply a lack of a smile.", "that those phrases imply a lack of a smile. In this situation, something", "but the character is trying to pretend that it is not in an", "in an almost sarcastic/playful manner. A more visual description: pursed lips in a", "almost sarcastic/playful manner. A more visual description: pursed lips in a smile, with", "but I feel that those phrases imply a lack of a smile. In", "\"suppressing a smile\" or \"stifling a smile\", but I feel that those phrases", "something is funny, but the character is trying to pretend that it is", "is not in an almost sarcastic/playful manner. A more visual description: pursed lips", "I know there exists already \"suppressing a smile\" or \"stifling a smile\", but", "this situation, something is funny, but the character is trying to pretend that", "is trying to pretend that it is not in an almost sarcastic/playful manner." ]
[ "instead of showing a mission briefing scene and going over the weapon and", "mission briefing scene seems to be weird, so I have no idea how", "required in that situation? How do you keep it at a minimum and", "mission briefing, match briefing (sports,) made perfect sense, but I think exposition like", "it at a minimum and keep the action going instead of showing a", "and going over the weapon and the mission? Just doing the exposition on", "there's a soldier who uses a special weapon purposed for a special operation,", "a soldier who uses a special weapon purposed for a special operation, and", "operation, and I need to explain how the weapon operate. Is exposition required", "thought that a mission briefing, match briefing (sports,) made perfect sense, but I", "(sports,) made perfect sense, but I think exposition like that is terrible. In", "you keep it at a minimum and keep the action going instead of", "terrible. In my story, there's a soldier who uses a special weapon purposed", "in that situation? How do you keep it at a minimum and keep", "during a mission briefing scene seems to be weird, so I have no", "showing a mission briefing scene and going over the weapon and the mission?", "so I have no idea how to keep it as short as possible.", "and the mission? Just doing the exposition on the weapon during a mission", "going over the weapon and the mission? Just doing the exposition on the", "Just doing the exposition on the weapon during a mission briefing scene seems", "special operation, and I need to explain how the weapon operate. Is exposition", "but I think exposition like that is terrible. In my story, there's a", "mission briefing scene and going over the weapon and the mission? Just doing", "made perfect sense, but I think exposition like that is terrible. In my", "special weapon purposed for a special operation, and I need to explain how", "that is terrible. In my story, there's a soldier who uses a special", "Is exposition required in that situation? How do you keep it at a", "keep the action going instead of showing a mission briefing scene and going", "at a minimum and keep the action going instead of showing a mission", "sense, but I think exposition like that is terrible. In my story, there's", "exposition required in that situation? How do you keep it at a minimum", "think exposition like that is terrible. In my story, there's a soldier who", "the weapon and the mission? Just doing the exposition on the weapon during", "how the weapon operate. Is exposition required in that situation? How do you", "the weapon operate. Is exposition required in that situation? How do you keep", "the action going instead of showing a mission briefing scene and going over", "action going instead of showing a mission briefing scene and going over the", "keep it at a minimum and keep the action going instead of showing", "perfect sense, but I think exposition like that is terrible. In my story,", "weapon operate. Is exposition required in that situation? How do you keep it", "I think exposition like that is terrible. In my story, there's a soldier", "soldier who uses a special weapon purposed for a special operation, and I", "mission? Just doing the exposition on the weapon during a mission briefing scene", "exposition on the weapon during a mission briefing scene seems to be weird,", "do you keep it at a minimum and keep the action going instead", "on the weapon during a mission briefing scene seems to be weird, so", "a mission briefing, match briefing (sports,) made perfect sense, but I think exposition", "of showing a mission briefing scene and going over the weapon and the", "for a special operation, and I need to explain how the weapon operate.", "In my story, there's a soldier who uses a special weapon purposed for", "explain how the weapon operate. Is exposition required in that situation? How do", "seems to be weird, so I have no idea how to keep it", "to be weird, so I have no idea how to keep it as", "briefing scene and going over the weapon and the mission? Just doing the", "weapon purposed for a special operation, and I need to explain how the", "going instead of showing a mission briefing scene and going over the weapon", "scene and going over the weapon and the mission? Just doing the exposition", "minimum and keep the action going instead of showing a mission briefing scene", "briefing scene seems to be weird, so I have no idea how to", "a special operation, and I need to explain how the weapon operate. Is", "a minimum and keep the action going instead of showing a mission briefing", "I need to explain how the weapon operate. Is exposition required in that", "doing the exposition on the weapon during a mission briefing scene seems to", "the weapon during a mission briefing scene seems to be weird, so I", "weapon and the mission? Just doing the exposition on the weapon during a", "purposed for a special operation, and I need to explain how the weapon", "weird, so I have no idea how to keep it as short as", "scene seems to be weird, so I have no idea how to keep", "a special weapon purposed for a special operation, and I need to explain", "the mission? Just doing the exposition on the weapon during a mission briefing", "match briefing (sports,) made perfect sense, but I think exposition like that is", "briefing (sports,) made perfect sense, but I think exposition like that is terrible.", "that a mission briefing, match briefing (sports,) made perfect sense, but I think", "is terrible. In my story, there's a soldier who uses a special weapon", "to explain how the weapon operate. Is exposition required in that situation? How", "operate. Is exposition required in that situation? How do you keep it at", "weapon during a mission briefing scene seems to be weird, so I have", "be weird, so I have no idea how to keep it as short", "like that is terrible. In my story, there's a soldier who uses a", "over the weapon and the mission? Just doing the exposition on the weapon", "a mission briefing scene seems to be weird, so I have no idea", "briefing, match briefing (sports,) made perfect sense, but I think exposition like that", "uses a special weapon purposed for a special operation, and I need to", "How do you keep it at a minimum and keep the action going", "story, there's a soldier who uses a special weapon purposed for a special", "and keep the action going instead of showing a mission briefing scene and", "and I need to explain how the weapon operate. Is exposition required in", "exposition like that is terrible. In my story, there's a soldier who uses", "who uses a special weapon purposed for a special operation, and I need", "my story, there's a soldier who uses a special weapon purposed for a", "situation? How do you keep it at a minimum and keep the action", "a mission briefing scene and going over the weapon and the mission? Just", "that situation? How do you keep it at a minimum and keep the", "need to explain how the weapon operate. Is exposition required in that situation?", "the exposition on the weapon during a mission briefing scene seems to be", "I thought that a mission briefing, match briefing (sports,) made perfect sense, but" ]
[ "sentences/keywords to show what a character is actually listening but many people don't", "\"You are hearing but not listening\". My first implementation idea is using subtitle", "listening\". My first implementation idea is using subtitle on specific sentences/keywords to show", "The goal is simulate the idea \"You are hearing but not listening\". My", "goal is simulate the idea \"You are hearing but not listening\". My first", "the idea \"You are hearing but not listening\". My first implementation idea is", "implementation idea is using subtitle on specific sentences/keywords to show what a character", "is using subtitle on specific sentences/keywords to show what a character is actually", "idea \"You are hearing but not listening\". My first implementation idea is using", "show what a character is actually listening but many people don't like subtitle.", "is simulate the idea \"You are hearing but not listening\". My first implementation", "idea is using subtitle on specific sentences/keywords to show what a character is", "are hearing but not listening\". My first implementation idea is using subtitle on", "My first implementation idea is using subtitle on specific sentences/keywords to show what", "specific sentences/keywords to show what a character is actually listening but many people", "first implementation idea is using subtitle on specific sentences/keywords to show what a", "simulate the idea \"You are hearing but not listening\". My first implementation idea", "but not listening\". My first implementation idea is using subtitle on specific sentences/keywords", "on specific sentences/keywords to show what a character is actually listening but many", "to show what a character is actually listening but many people don't like", "subtitle on specific sentences/keywords to show what a character is actually listening but", "using subtitle on specific sentences/keywords to show what a character is actually listening", "not listening\". My first implementation idea is using subtitle on specific sentences/keywords to", "hearing but not listening\". My first implementation idea is using subtitle on specific" ]
[ "living alone and doesn't really interact with anyone or any animal whatsoever, and", "first half there's some character development as he finally interacts meaningfully (dialogues) with", "no character development whatsoever within the first half of a novel? In my", "this character who's just living alone and doesn't really interact with anyone or", "it a bad thing if there's no character development whatsoever within the first", "that ok, and can we make it work, or is this a terrible", "other characters, is that ok, and can we make it work, or is", "character development as he finally interacts meaningfully (dialogues) with other characters, is that", "novel? In my novel, there's this character who's just living alone and doesn't", "is that ok, and can we make it work, or is this a", "whatsoever, and then later after the first half there's some character development as", "of a novel? In my novel, there's this character who's just living alone", "there's no character development whatsoever within the first half of a novel? In", "there's some character development as he finally interacts meaningfully (dialogues) with other characters,", "development whatsoever within the first half of a novel? In my novel, there's", "animal whatsoever, and then later after the first half there's some character development", "with other characters, is that ok, and can we make it work, or", "alone and doesn't really interact with anyone or any animal whatsoever, and then", "the first half there's some character development as he finally interacts meaningfully (dialogues)", "bad thing if there's no character development whatsoever within the first half of", "just living alone and doesn't really interact with anyone or any animal whatsoever,", "doesn't really interact with anyone or any animal whatsoever, and then later after", "interacts meaningfully (dialogues) with other characters, is that ok, and can we make", "there's this character who's just living alone and doesn't really interact with anyone", "and doesn't really interact with anyone or any animal whatsoever, and then later", "and can we make it work, or is this a terrible idea and", "first half of a novel? In my novel, there's this character who's just", "and then later after the first half there's some character development as he", "meaningfully (dialogues) with other characters, is that ok, and can we make it", "interact with anyone or any animal whatsoever, and then later after the first", "development as he finally interacts meaningfully (dialogues) with other characters, is that ok,", "who's just living alone and doesn't really interact with anyone or any animal", "half there's some character development as he finally interacts meaningfully (dialogues) with other", "the first half of a novel? In my novel, there's this character who's", "In my novel, there's this character who's just living alone and doesn't really", "novel, there's this character who's just living alone and doesn't really interact with", "character who's just living alone and doesn't really interact with anyone or any", "a bad thing if there's no character development whatsoever within the first half", "(dialogues) with other characters, is that ok, and can we make it work,", "anyone or any animal whatsoever, and then later after the first half there's", "later after the first half there's some character development as he finally interacts", "some character development as he finally interacts meaningfully (dialogues) with other characters, is", "ok, and can we make it work, or is this a terrible idea", "or any animal whatsoever, and then later after the first half there's some", "if there's no character development whatsoever within the first half of a novel?", "with anyone or any animal whatsoever, and then later after the first half", "half of a novel? In my novel, there's this character who's just living", "as he finally interacts meaningfully (dialogues) with other characters, is that ok, and", "can we make it work, or is this a terrible idea and why?", "within the first half of a novel? In my novel, there's this character", "whatsoever within the first half of a novel? In my novel, there's this", "thing if there's no character development whatsoever within the first half of a", "my novel, there's this character who's just living alone and doesn't really interact", "after the first half there's some character development as he finally interacts meaningfully", "then later after the first half there's some character development as he finally", "any animal whatsoever, and then later after the first half there's some character", "really interact with anyone or any animal whatsoever, and then later after the", "character development whatsoever within the first half of a novel? In my novel,", "he finally interacts meaningfully (dialogues) with other characters, is that ok, and can", "finally interacts meaningfully (dialogues) with other characters, is that ok, and can we", "a novel? In my novel, there's this character who's just living alone and", "Is it a bad thing if there's no character development whatsoever within the", "characters, is that ok, and can we make it work, or is this" ]
[ "deserve what happens to them. So I was thinking that I simply need", "have a sad ending, and the characters should not deserve what happens to", "not deserve what happens to them. So I was thinking that I simply", "So I was thinking that I simply need to make sure that the", "sad ending, and the characters should not deserve what happens to them. So", "was thinking that I simply need to make sure that the injustice is", "thinking that I simply need to make sure that the injustice is so", "and frustrated. Am I correct to assume this, but wouldn't doing so also", "to make them extremely mad and frustrated? I am trying to write the", "injustice is so great that it makes the readers extremely mad and frustrated.", "hurt the story, since you have to make them extremely mad and frustrated?", "story, since you have to make them extremely mad and frustrated? I am", "that I simply need to make sure that the injustice is so great", "think of sad story, I think of Greek tragedies, so naturally they should", "the characters should not deserve what happens to them. So I was thinking", "they should have a sad ending, and the characters should not deserve what", "the story, since you have to make them extremely mad and frustrated? I", "mad and frustrated? I am trying to write the saddest story ever written.", "should have a sad ending, and the characters should not deserve what happens", "extremely mad and frustrated. Am I correct to assume this, but wouldn't doing", "think of Greek tragedies, so naturally they should have a sad ending, and", "I correct to assume this, but wouldn't doing so also hurt the story,", "sure that the injustice is so great that it makes the readers extremely", "have to make them extremely mad and frustrated? I am trying to write", "to assume this, but wouldn't doing so also hurt the story, since you", "so naturally they should have a sad ending, and the characters should not", "simply need to make sure that the injustice is so great that it", "since you have to make them extremely mad and frustrated? I am trying", "the injustice is so great that it makes the readers extremely mad and", "to them. So I was thinking that I simply need to make sure", "story, I think of Greek tragedies, so naturally they should have a sad", "I was thinking that I simply need to make sure that the injustice", "is so great that it makes the readers extremely mad and frustrated. Am", "also hurt the story, since you have to make them extremely mad and", "should not deserve what happens to them. So I was thinking that I", "characters should not deserve what happens to them. So I was thinking that", "readers extremely mad and frustrated. Am I correct to assume this, but wouldn't", "wouldn't doing so also hurt the story, since you have to make them", "need to make sure that the injustice is so great that it makes", "extremely mad and frustrated? I am trying to write the saddest story ever", "frustrated. Am I correct to assume this, but wouldn't doing so also hurt", "correct to assume this, but wouldn't doing so also hurt the story, since", "so also hurt the story, since you have to make them extremely mad", "but wouldn't doing so also hurt the story, since you have to make", "happens to them. So I was thinking that I simply need to make", "naturally they should have a sad ending, and the characters should not deserve", "ending, and the characters should not deserve what happens to them. So I", "make them extremely mad and frustrated? I am trying to write the saddest", "them extremely mad and frustrated? I am trying to write the saddest story", "this, but wouldn't doing so also hurt the story, since you have to", "of Greek tragedies, so naturally they should have a sad ending, and the", "I think of Greek tragedies, so naturally they should have a sad ending,", "that the injustice is so great that it makes the readers extremely mad", "tragedies, so naturally they should have a sad ending, and the characters should", "mad and frustrated. Am I correct to assume this, but wouldn't doing so", "the readers extremely mad and frustrated. Am I correct to assume this, but", "a sad ending, and the characters should not deserve what happens to them.", "doing so also hurt the story, since you have to make them extremely", "make sure that the injustice is so great that it makes the readers", "so great that it makes the readers extremely mad and frustrated. Am I", "of sad story, I think of Greek tragedies, so naturally they should have", "Greek tragedies, so naturally they should have a sad ending, and the characters", "I simply need to make sure that the injustice is so great that", "to make sure that the injustice is so great that it makes the", "makes the readers extremely mad and frustrated. Am I correct to assume this,", "assume this, but wouldn't doing so also hurt the story, since you have", "and the characters should not deserve what happens to them. So I was", "it makes the readers extremely mad and frustrated. Am I correct to assume", "I think of sad story, I think of Greek tragedies, so naturally they", "them. So I was thinking that I simply need to make sure that", "When I think of sad story, I think of Greek tragedies, so naturally", "you have to make them extremely mad and frustrated? I am trying to", "great that it makes the readers extremely mad and frustrated. Am I correct", "that it makes the readers extremely mad and frustrated. Am I correct to", "what happens to them. So I was thinking that I simply need to", "Am I correct to assume this, but wouldn't doing so also hurt the", "sad story, I think of Greek tragedies, so naturally they should have a" ]
[ "a girlfriend. Shortly there after the girlfriend gets killed for some plot important", "killed for some plot important reasons. The story follows the main character trying", "main character is a lesbian and gets a girlfriend. Shortly there after the", "and gets a girlfriend. Shortly there after the girlfriend gets killed for some", "you for all the answers, I am choosing to go through and kill", "I'm a young writer and have only recently figured out about the \"bury", "figured out about the \"bury your gays trope\". I'm writing a book and", "her off, I am thankfull for all the advice and will keep all", "a lesbian and gets a girlfriend. Shortly there after the girlfriend gets killed", "other LGBT characters, in fact most are. I'm just confused and don't want", "want to offend anyone. Thank you for all the answers, I am choosing", "the \"bury your gays trope\". I'm writing a book and the main character", "story follows the main character trying to avenge and bring back her girlfriend", "Is it okay for me to kill of the main love interest, especially", "are. I'm just confused and don't want to offend anyone. Thank you for", "trope\". I'm writing a book and the main character is a lesbian and", "follows the main character trying to avenge and bring back her girlfriend and", "through and kill her off, I am thankfull for all the advice and", "gay one? There are many other LGBT characters, in fact most are. I'm", "I am choosing to go through and kill her off, I am thankfull", "don't want to offend anyone. Thank you for all the answers, I am", "\"bury your gays trope\". I'm writing a book and the main character is", "trying to avenge and bring back her girlfriend and in the end she", "off, I am thankfull for all the advice and will keep all in", "character is a lesbian and gets a girlfriend. Shortly there after the girlfriend", "the end she does. Is it okay for me to kill of the", "reasons. The story follows the main character trying to avenge and bring back", "fact most are. I'm just confused and don't want to offend anyone. Thank", "for all the answers, I am choosing to go through and kill her", "it okay for me to kill of the main love interest, especially a", "she does. Is it okay for me to kill of the main love", "in fact most are. I'm just confused and don't want to offend anyone.", "back her girlfriend and in the end she does. Is it okay for", "I'm just confused and don't want to offend anyone. Thank you for all", "to avenge and bring back her girlfriend and in the end she does.", "to go through and kill her off, I am thankfull for all the", "characters, in fact most are. I'm just confused and don't want to offend", "go through and kill her off, I am thankfull for all the advice", "thankfull for all the advice and will keep all in mind in my", "lesbian and gets a girlfriend. Shortly there after the girlfriend gets killed for", "some plot important reasons. The story follows the main character trying to avenge", "the main character trying to avenge and bring back her girlfriend and in", "most are. I'm just confused and don't want to offend anyone. Thank you", "I'm writing a book and the main character is a lesbian and gets", "book and the main character is a lesbian and gets a girlfriend. Shortly", "bring back her girlfriend and in the end she does. Is it okay", "for all the advice and will keep all in mind in my future", "all the answers, I am choosing to go through and kill her off,", "Thank you for all the answers, I am choosing to go through and", "answers, I am choosing to go through and kill her off, I am", "especially a gay one? There are many other LGBT characters, in fact most", "offend anyone. Thank you for all the answers, I am choosing to go", "end she does. Is it okay for me to kill of the main", "a young writer and have only recently figured out about the \"bury your", "The story follows the main character trying to avenge and bring back her", "me to kill of the main love interest, especially a gay one? There", "the main love interest, especially a gay one? There are many other LGBT", "out about the \"bury your gays trope\". I'm writing a book and the", "one? There are many other LGBT characters, in fact most are. I'm just", "choosing to go through and kill her off, I am thankfull for all", "a book and the main character is a lesbian and gets a girlfriend.", "main character trying to avenge and bring back her girlfriend and in the", "and don't want to offend anyone. Thank you for all the answers, I", "the girlfriend gets killed for some plot important reasons. The story follows the", "have only recently figured out about the \"bury your gays trope\". I'm writing", "just confused and don't want to offend anyone. Thank you for all the", "anyone. Thank you for all the answers, I am choosing to go through", "after the girlfriend gets killed for some plot important reasons. The story follows", "There are many other LGBT characters, in fact most are. I'm just confused", "important reasons. The story follows the main character trying to avenge and bring", "girlfriend gets killed for some plot important reasons. The story follows the main", "confused and don't want to offend anyone. Thank you for all the answers,", "and bring back her girlfriend and in the end she does. Is it", "recently figured out about the \"bury your gays trope\". I'm writing a book", "writer and have only recently figured out about the \"bury your gays trope\".", "and kill her off, I am thankfull for all the advice and will", "and have only recently figured out about the \"bury your gays trope\". I'm", "main love interest, especially a gay one? There are many other LGBT characters,", "the main character is a lesbian and gets a girlfriend. Shortly there after", "okay for me to kill of the main love interest, especially a gay", "all the advice and will keep all in mind in my future endeavors.", "only recently figured out about the \"bury your gays trope\". I'm writing a", "about the \"bury your gays trope\". I'm writing a book and the main", "kill of the main love interest, especially a gay one? There are many", "gets a girlfriend. Shortly there after the girlfriend gets killed for some plot", "and the main character is a lesbian and gets a girlfriend. Shortly there", "to kill of the main love interest, especially a gay one? There are", "interest, especially a gay one? There are many other LGBT characters, in fact", "does. Is it okay for me to kill of the main love interest,", "in the end she does. Is it okay for me to kill of", "young writer and have only recently figured out about the \"bury your gays", "for me to kill of the main love interest, especially a gay one?", "avenge and bring back her girlfriend and in the end she does. Is", "for some plot important reasons. The story follows the main character trying to", "character trying to avenge and bring back her girlfriend and in the end", "LGBT characters, in fact most are. I'm just confused and don't want to", "Shortly there after the girlfriend gets killed for some plot important reasons. The", "girlfriend. Shortly there after the girlfriend gets killed for some plot important reasons.", "gays trope\". I'm writing a book and the main character is a lesbian", "are many other LGBT characters, in fact most are. I'm just confused and", "plot important reasons. The story follows the main character trying to avenge and", "to offend anyone. Thank you for all the answers, I am choosing to", "a gay one? There are many other LGBT characters, in fact most are.", "I am thankfull for all the advice and will keep all in mind", "am thankfull for all the advice and will keep all in mind in", "many other LGBT characters, in fact most are. I'm just confused and don't", "there after the girlfriend gets killed for some plot important reasons. The story", "gets killed for some plot important reasons. The story follows the main character", "her girlfriend and in the end she does. Is it okay for me", "of the main love interest, especially a gay one? There are many other", "girlfriend and in the end she does. Is it okay for me to", "your gays trope\". I'm writing a book and the main character is a", "am choosing to go through and kill her off, I am thankfull for", "the answers, I am choosing to go through and kill her off, I", "writing a book and the main character is a lesbian and gets a", "and in the end she does. Is it okay for me to kill", "is a lesbian and gets a girlfriend. Shortly there after the girlfriend gets", "love interest, especially a gay one? There are many other LGBT characters, in", "kill her off, I am thankfull for all the advice and will keep" ]
[ "even if it's not historically accurate? When you adapt a book set in", "you adapt a story set in Medieval Europe should you still aim to", "book set in Medieval Europe, should you still aim to have a diverse", "that's 100% necessary in this day and age, because it seems to me", "still aim to have a diverse cast even if it's not historically or", "accurate? I saw some LOTR adaptations, and they didn't try to be lore-accurate", "even if it's not historically or lore accurate? I saw some LOTR adaptations,", "LOTR adaptations, and they didn't try to be lore-accurate at all and put", "not historically or lore accurate? I saw some LOTR adaptations, and they didn't", "or lore accurate? I saw some LOTR adaptations, and they didn't try to", "cast even if it's not historically or lore accurate? I saw some LOTR", "in Medieval Europe should you still aim to have a diverse cast even", "aim to have a diverse cast even if it's not historically accurate? When", "When you adapt a story set in Medieval Europe should you still aim", "they didn't try to be lore-accurate at all and put out a diverse", "not historically accurate? When you adapt a book set in Medieval Europe, should", "to have a diverse cast even if it's not historically or lore accurate?", "diverse cast. Is this something that's 100% necessary in this day and age,", "lore accurate? I saw some LOTR adaptations, and they didn't try to be", "set in Medieval Europe, should you still aim to have a diverse cast", "aim to have a diverse cast even if it's not historically or lore", "Europe, should you still aim to have a diverse cast even if it's", "have a diverse cast even if it's not historically or lore accurate? I", "it's not historically accurate? When you adapt a book set in Medieval Europe,", "a story set in Medieval Europe should you still aim to have a", "accurate? When you adapt a book set in Medieval Europe, should you still", "you still aim to have a diverse cast even if it's not historically", "set in Medieval Europe should you still aim to have a diverse cast", "a diverse cast even if it's not historically or lore accurate? I saw", "if it's not historically or lore accurate? I saw some LOTR adaptations, and", "historically or lore accurate? I saw some LOTR adaptations, and they didn't try", "be lore-accurate at all and put out a diverse cast. Is this something", "you adapt a book set in Medieval Europe, should you still aim to", "lore-accurate at all and put out a diverse cast. Is this something that's", "this something that's 100% necessary in this day and age, because it seems", "Is this something that's 100% necessary in this day and age, because it", "Medieval Europe should you still aim to have a diverse cast even if", "at all and put out a diverse cast. Is this something that's 100%", "should you still aim to have a diverse cast even if it's not", "didn't try to be lore-accurate at all and put out a diverse cast.", "diverse cast even if it's not historically accurate? When you adapt a book", "still aim to have a diverse cast even if it's not historically accurate?", "necessary in this day and age, because it seems to me everyone does", "adapt a book set in Medieval Europe, should you still aim to have", "story set in Medieval Europe should you still aim to have a diverse", "When you adapt a book set in Medieval Europe, should you still aim", "historically accurate? When you adapt a book set in Medieval Europe, should you", "Medieval Europe, should you still aim to have a diverse cast even if", "try to be lore-accurate at all and put out a diverse cast. Is", "100% necessary in this day and age, because it seems to me everyone", "a book set in Medieval Europe, should you still aim to have a", "and put out a diverse cast. Is this something that's 100% necessary in", "put out a diverse cast. Is this something that's 100% necessary in this", "a diverse cast even if it's not historically accurate? When you adapt a", "to have a diverse cast even if it's not historically accurate? When you", "adapt a story set in Medieval Europe should you still aim to have", "out a diverse cast. Is this something that's 100% necessary in this day", "and they didn't try to be lore-accurate at all and put out a", "a diverse cast. Is this something that's 100% necessary in this day and", "in this day and age, because it seems to me everyone does it.", "I saw some LOTR adaptations, and they didn't try to be lore-accurate at", "adaptations, and they didn't try to be lore-accurate at all and put out", "have a diverse cast even if it's not historically accurate? When you adapt", "in Medieval Europe, should you still aim to have a diverse cast even", "it's not historically or lore accurate? I saw some LOTR adaptations, and they", "to be lore-accurate at all and put out a diverse cast. Is this", "Europe should you still aim to have a diverse cast even if it's", "all and put out a diverse cast. Is this something that's 100% necessary", "something that's 100% necessary in this day and age, because it seems to", "diverse cast even if it's not historically or lore accurate? I saw some", "saw some LOTR adaptations, and they didn't try to be lore-accurate at all", "cast even if it's not historically accurate? When you adapt a book set", "some LOTR adaptations, and they didn't try to be lore-accurate at all and", "cast. Is this something that's 100% necessary in this day and age, because", "if it's not historically accurate? When you adapt a book set in Medieval" ]
[ "LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without looking like I'm", "LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme. So I suppose the", "the overarching question is \"Should I do anything differently when writing about LGBT", "in question isn't specifically about their sexuality. [Is it okay to kill off", "where the action/story in question isn't specifically about their sexuality. [Is it okay", "question isn't specifically about their sexuality. [Is it okay to kill off a", "approach things specifically to do with LGBT characters, where the action/story in question", "suppose the overarching question is \"Should I do anything differently when writing about", "like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the", "theme. So I suppose the overarching question is \"Should I do anything differently", "sexuality. [Is it okay to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How", "kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters", "specifically about their sexuality. [Is it okay to kill off a main LGBT", "things specifically to do with LGBT characters, where the action/story in question isn't", "without looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character,", "book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme. So", "off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without", "looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but", "question is \"Should I do anything differently when writing about LGBT characters compared", "be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book isn't about LGBT", "main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite", "the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme.", "but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common", "overarching question is \"Should I do anything differently when writing about LGBT characters", "isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme. So I", "their sexuality. [Is it okay to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest)", "specifically to do with LGBT characters, where the action/story in question isn't specifically", "do with LGBT characters, where the action/story in question isn't specifically about their", "correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So", "I do anything differently when writing about LGBT characters compared to heterosexual ones?\"", "of questions on this site about how to approach things specifically to do", "So this seems quite a common theme. So I suppose the overarching question", "isn't specifically about their sexuality. [Is it okay to kill off a main", "okay to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write", "interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without looking like I'm trying to", "There are a lot of questions on this site about how to approach", "politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues)", "quite a common theme. So I suppose the overarching question is \"Should I", "this site about how to approach things specifically to do with LGBT characters,", "to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book isn't about", "[Is it okay to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do", "the action/story in question isn't specifically about their sexuality. [Is it okay to", "about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme. So I suppose", "to do with LGBT characters, where the action/story in question isn't specifically about", "main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without looking like", "So I suppose the overarching question is \"Should I do anything differently when", "character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a", "action/story in question isn't specifically about their sexuality. [Is it okay to kill", "I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book", "LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems", "this seems quite a common theme. So I suppose the overarching question is", "about their sexuality. [Is it okay to kill off a main LGBT love", "common theme. So I suppose the overarching question is \"Should I do anything", "LGBT characters, where the action/story in question isn't specifically about their sexuality. [Is", "issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this seems quite a common theme. So I suppose the overarching", "a common theme. So I suppose the overarching question is \"Should I do", "are a lot of questions on this site about how to approach things", "\"Should I do anything differently when writing about LGBT characters compared to heterosexual", "to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT", "with LGBT characters, where the action/story in question isn't specifically about their sexuality.", "LGBT characters without looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT", "write LGBT characters without looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An", "love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without looking like I'm trying", "lot of questions on this site about how to approach things specifically to", "about how to approach things specifically to do with LGBT characters, where the", "site about how to approach things specifically to do with LGBT characters, where", "characters without looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main", "how to approach things specifically to do with LGBT characters, where the action/story", "I suppose the overarching question is \"Should I do anything differently when writing", "questions on this site about how to approach things specifically to do with", "[How do I write LGBT characters without looking like I'm trying to be", "do I write LGBT characters without looking like I'm trying to be politically", "seems quite a common theme. So I suppose the overarching question is \"Should", "trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically) [An LGBT main character, but the book isn't", "a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I write LGBT characters without looking", "it okay to kill off a main LGBT love interest?](https://writing.stackexchange.com/questions/64035/is-it-okay-to-kill-off-a-main-lgbt-love-interest) [How do I", "is \"Should I do anything differently when writing about LGBT characters compared to", "I write LGBT characters without looking like I'm trying to be politically correct?](https://writing.stackexchange.com/questions/34564/how-do-i-write-lgbt-characters-without-looking-like-im-trying-to-be-politically)", "[An LGBT main character, but the book isn't about LGBT issues](https://writing.stackexchange.com/questions/41945/an-lgbt-main-character-but-the-book-isnt-about-lgbt-issues) So this", "on this site about how to approach things specifically to do with LGBT", "to approach things specifically to do with LGBT characters, where the action/story in", "a lot of questions on this site about how to approach things specifically", "characters, where the action/story in question isn't specifically about their sexuality. [Is it" ]
[ "wrong how do I make it more palatable? I was told this was", "LGBT is not the main point of the story, and I just want", "and if it's wrong how do I make it more palatable? I was", "not the main point of the story, and I just want my main", "how to write LGBT characters and I was told that it's wrong to", "LGBT character magically find a LGBT love interest. However, my particular problem is", "wrong, and if it's wrong how do I make it more palatable? I", "have your LGBT character magically find a LGBT love interest. However, my particular", "fact my main character is LGBT is not the main point of the", "make it more palatable? I was told this was almost as bad as", "However, my particular problem is that the fact my main character is LGBT", "problem is that the fact my main character is LGBT is not the", "a LGBT love interest. However, my particular problem is that the fact my", "my main character to find a LGBT love interest as soon as possible.", "the fact my main character is LGBT is not the main point of", "LGBT characters and I was told that it's wrong to have your LGBT", "was told this was almost as bad as the \"Bury your gays\" trope.", "of the story, and I just want my main character to find a", "love interest as soon as possible. Is it still wrong, and if it's", "main character to find a LGBT love interest as soon as possible. Is", "palatable? I was told this was almost as bad as the \"Bury your", "watching some video about how to write LGBT characters and I was told", "find a LGBT love interest as soon as possible. Is it still wrong,", "that it's wrong to have your LGBT character magically find a LGBT love", "if it's wrong how do I make it more palatable? I was told", "was told that it's wrong to have your LGBT character magically find a", "point of the story, and I just want my main character to find", "video about how to write LGBT characters and I was told that it's", "I just want my main character to find a LGBT love interest as", "I was told this was almost as bad as the \"Bury your gays\"", "want my main character to find a LGBT love interest as soon as", "told that it's wrong to have your LGBT character magically find a LGBT", "my main character is LGBT is not the main point of the story,", "characters and I was told that it's wrong to have your LGBT character", "told this was almost as bad as the \"Bury your gays\" trope. <https://www.youtube.com/watch?v=eCs0JdJ0cBQ>", "about how to write LGBT characters and I was told that it's wrong", "I was told that it's wrong to have your LGBT character magically find", "a LGBT love interest as soon as possible. Is it still wrong, and", "interest as soon as possible. Is it still wrong, and if it's wrong", "the story, and I just want my main character to find a LGBT", "that the fact my main character is LGBT is not the main point", "LGBT love interest as soon as possible. Is it still wrong, and if", "I was watching some video about how to write LGBT characters and I", "more palatable? I was told this was almost as bad as the \"Bury", "is LGBT is not the main point of the story, and I just", "character to find a LGBT love interest as soon as possible. Is it", "and I was told that it's wrong to have your LGBT character magically", "still wrong, and if it's wrong how do I make it more palatable?", "write LGBT characters and I was told that it's wrong to have your", "it's wrong how do I make it more palatable? I was told this", "as soon as possible. Is it still wrong, and if it's wrong how", "was watching some video about how to write LGBT characters and I was", "how do I make it more palatable? I was told this was almost", "to have your LGBT character magically find a LGBT love interest. However, my", "your LGBT character magically find a LGBT love interest. However, my particular problem", "Is it still wrong, and if it's wrong how do I make it", "and I just want my main character to find a LGBT love interest", "some video about how to write LGBT characters and I was told that", "it still wrong, and if it's wrong how do I make it more", "find a LGBT love interest. However, my particular problem is that the fact", "to find a LGBT love interest as soon as possible. Is it still", "particular problem is that the fact my main character is LGBT is not", "LGBT love interest. However, my particular problem is that the fact my main", "do I make it more palatable? I was told this was almost as", "love interest. However, my particular problem is that the fact my main character", "character is LGBT is not the main point of the story, and I", "I make it more palatable? I was told this was almost as bad", "possible. Is it still wrong, and if it's wrong how do I make", "main character is LGBT is not the main point of the story, and", "it's wrong to have your LGBT character magically find a LGBT love interest.", "wrong to have your LGBT character magically find a LGBT love interest. However,", "my particular problem is that the fact my main character is LGBT is", "is not the main point of the story, and I just want my", "to write LGBT characters and I was told that it's wrong to have", "the main point of the story, and I just want my main character", "story, and I just want my main character to find a LGBT love", "as possible. Is it still wrong, and if it's wrong how do I", "is that the fact my main character is LGBT is not the main", "main point of the story, and I just want my main character to", "interest. However, my particular problem is that the fact my main character is", "magically find a LGBT love interest. However, my particular problem is that the", "soon as possible. Is it still wrong, and if it's wrong how do", "character magically find a LGBT love interest. However, my particular problem is that", "just want my main character to find a LGBT love interest as soon", "it more palatable? I was told this was almost as bad as the" ]
[ "a screenplay you should focus on when reading other people's screenplays in order", "What are the most important aspects in a screenplay you should focus on", "other people's screenplays to improve as a writer? No matter, how many screenplays", "I read, I can't seem to improve in my writing. What are the", "improve in my writing. What are the most important aspects in a screenplay", "my writing. What are the most important aspects in a screenplay you should", "you should focus on when reading other people's screenplays in order to improve", "when reading other people's screenplays in order to improve as a writer when", "to improve as a writer? No matter, how many screenplays I read, I", "in a screenplay you should focus on when reading other people's screenplays in", "aspects in a screenplay you should focus on when reading other people's screenplays", "writing. What are the most important aspects in a screenplay you should focus", "focus on when reading other people's screenplays in order to improve as a", "have to focus on when reading other people's screenplays to improve as a", "a writer? No matter, how many screenplays I read, I can't seem to", "are the most important aspects in a screenplay you should focus on when", "how many screenplays I read, I can't seem to improve in my writing.", "other people's screenplays in order to improve as a writer when writing screenplays?", "improve as a writer? No matter, how many screenplays I read, I can't", "writer? No matter, how many screenplays I read, I can't seem to improve", "to improve in my writing. What are the most important aspects in a", "reading other people's screenplays in order to improve as a writer when writing", "on when reading other people's screenplays to improve as a writer? No matter,", "in my writing. What are the most important aspects in a screenplay you", "reading other people's screenplays to improve as a writer? No matter, how many", "when reading other people's screenplays to improve as a writer? No matter, how", "should focus on when reading other people's screenplays in order to improve as", "What do you have to focus on when reading other people's screenplays to", "on when reading other people's screenplays in order to improve as a writer", "read, I can't seem to improve in my writing. What are the most", "seem to improve in my writing. What are the most important aspects in", "you have to focus on when reading other people's screenplays to improve as", "screenplays I read, I can't seem to improve in my writing. What are", "the most important aspects in a screenplay you should focus on when reading", "matter, how many screenplays I read, I can't seem to improve in my", "No matter, how many screenplays I read, I can't seem to improve in", "important aspects in a screenplay you should focus on when reading other people's", "as a writer? No matter, how many screenplays I read, I can't seem", "I can't seem to improve in my writing. What are the most important", "screenplays to improve as a writer? No matter, how many screenplays I read,", "to focus on when reading other people's screenplays to improve as a writer?", "focus on when reading other people's screenplays to improve as a writer? No", "many screenplays I read, I can't seem to improve in my writing. What", "people's screenplays to improve as a writer? No matter, how many screenplays I", "screenplay you should focus on when reading other people's screenplays in order to", "most important aspects in a screenplay you should focus on when reading other", "do you have to focus on when reading other people's screenplays to improve", "can't seem to improve in my writing. What are the most important aspects" ]
[ "use functional labels for autistic people. Examples of functioning labels are \"high-functioning\", \"Asperger's", "read someone use functional labels for autistic people. Examples of functioning labels are", "watching [this video](https://www.youtube.com/watch?v=QC5desrMzGE) and it seems like it's deeply offensive to people in", "actually the case? I see medical journals use it, so I am wondering", "offensive this is, and if highly successful authors in the mainstream literature still", "[this video](https://www.youtube.com/watch?v=QC5desrMzGE) and it seems like it's deeply offensive to people in the", "autistic people. Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this", "deeply offensive to people in the autism spectrum to read someone use functional", "to read someone use functional labels for autistic people. Examples of functioning labels", "are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's actually the case? I", "medical journals use it, so I am wondering just how offensive this is,", "labels for autistic people. Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc.", "autism spectrum to read someone use functional labels for autistic people. Examples of", "if highly successful authors in the mainstream literature still use it despite the", "am wondering just how offensive this is, and if highly successful authors in", "it, so I am wondering just how offensive this is, and if highly", "etc. Is this something that's actually the case? I see medical journals use", "functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's actually the", "wondering just how offensive this is, and if highly successful authors in the", "to people in the autism spectrum to read someone use functional labels for", "someone use functional labels for autistic people. Examples of functioning labels are \"high-functioning\",", "of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's actually", "just how offensive this is, and if highly successful authors in the mainstream", "successful authors in the mainstream literature still use it despite the offensiveness of", "syndrome\", etc. Is this something that's actually the case? I see medical journals", "use it, so I am wondering just how offensive this is, and if", "journals use it, so I am wondering just how offensive this is, and", "I was watching [this video](https://www.youtube.com/watch?v=QC5desrMzGE) and it seems like it's deeply offensive to", "offensive to people in the autism spectrum to read someone use functional labels", "spectrum to read someone use functional labels for autistic people. Examples of functioning", "functional labels for autistic people. Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\",", "I see medical journals use it, so I am wondering just how offensive", "like it's deeply offensive to people in the autism spectrum to read someone", "something that's actually the case? I see medical journals use it, so I", "for autistic people. Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is", "people. Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something", "this something that's actually the case? I see medical journals use it, so", "that's actually the case? I see medical journals use it, so I am", "the case? I see medical journals use it, so I am wondering just", "Examples of functioning labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's", "people in the autism spectrum to read someone use functional labels for autistic", "labels are \"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's actually the case?", "was watching [this video](https://www.youtube.com/watch?v=QC5desrMzGE) and it seems like it's deeply offensive to people", "and if highly successful authors in the mainstream literature still use it despite", "seems like it's deeply offensive to people in the autism spectrum to read", "video](https://www.youtube.com/watch?v=QC5desrMzGE) and it seems like it's deeply offensive to people in the autism", "is, and if highly successful authors in the mainstream literature still use it", "Is this something that's actually the case? I see medical journals use it,", "how offensive this is, and if highly successful authors in the mainstream literature", "the autism spectrum to read someone use functional labels for autistic people. Examples", "and it seems like it's deeply offensive to people in the autism spectrum", "\"high-functioning\", \"Asperger's syndrome\", etc. Is this something that's actually the case? I see", "I am wondering just how offensive this is, and if highly successful authors", "it seems like it's deeply offensive to people in the autism spectrum to", "highly successful authors in the mainstream literature still use it despite the offensiveness", "in the autism spectrum to read someone use functional labels for autistic people.", "authors in the mainstream literature still use it despite the offensiveness of the", "in the mainstream literature still use it despite the offensiveness of the action.", "this is, and if highly successful authors in the mainstream literature still use", "so I am wondering just how offensive this is, and if highly successful", "case? I see medical journals use it, so I am wondering just how", "it's deeply offensive to people in the autism spectrum to read someone use", "see medical journals use it, so I am wondering just how offensive this", "\"Asperger's syndrome\", etc. Is this something that's actually the case? I see medical" ]
[ "a convenient bridge placed there by someone and that wasn't destroyed to make", "is there for the convenience of the plot. I initially thought it was", "mean a bridge that shouldn't be there, but is there for the convenience", "much easier to free the demon lord from his prison. The existence of", "[Bridge Logic,](https://tvtropes.org/pmwiki/pmwiki.php/Main/BridgeLogic) I mean a bridge that shouldn't be there, but is there", "destroyed to make it much easier to free the demon lord from his", "bridge is silly and not explained by the lore. The issue is then", "scene? Do you just remove the bridge and put no obstacle at all?", "not explained by the lore. The issue is then how do you rewrite", "it? If so, how can you rewrite it? I found an [example of", "explained by the lore. The issue is then how do you rewrite the", "by the lore. The issue is then how do you rewrite the scene?", "Machina, but after reading what it was, I realized it was something else.", "this a terrible trope? Should I avoid it? If so, how can you", "an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed", "Logic,](https://tvtropes.org/pmwiki/pmwiki.php/Main/BridgeLogic) I mean a bridge that shouldn't be there, but is there for", "of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed there by", "I realized it was something else. Is this a terrible trope? Should I", "Deux Ex Machina, but after reading what it was, I realized it was", "trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed there by someone and that", "there by someone and that wasn't destroyed to make it much easier to", "easier to free the demon lord from his prison. The existence of the", "what it was, I realized it was something else. Is this a terrible", "something else. Is this a terrible trope? Should I avoid it? If so,", "you rewrite the scene? Do you just remove the bridge and put no", "terrible trope? Should I avoid it? If so, how can you rewrite it?", "the plot. I initially thought it was a Deux Ex Machina, but after", "convenience of the plot. I initially thought it was a Deux Ex Machina,", "I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient", "initially thought it was a Deux Ex Machina, but after reading what it", "rewrite the scene? Do you just remove the bridge and put no obstacle", "existence of the bridge is silly and not explained by the lore. The", "be there, but is there for the convenience of the plot. I initially", "convenient bridge placed there by someone and that wasn't destroyed to make it", "and that wasn't destroyed to make it much easier to free the demon", "there for the convenience of the plot. I initially thought it was a", "placed there by someone and that wasn't destroyed to make it much easier", "it much easier to free the demon lord from his prison. The existence", "how can you rewrite it? I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750)", "bridge placed there by someone and that wasn't destroyed to make it much", "how do you rewrite the scene? Do you just remove the bridge and", "a Deux Ex Machina, but after reading what it was, I realized it", "lore. The issue is then how do you rewrite the scene? Do you", "Is this a terrible trope? Should I avoid it? If so, how can", "you rewrite it? I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we", "is then how do you rewrite the scene? Do you just remove the", "trope? Should I avoid it? If so, how can you rewrite it? I", "If so, how can you rewrite it? I found an [example of the", "Should I avoid it? If so, how can you rewrite it? I found", "demon lord from his prison. The existence of the bridge is silly and", "the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed there by someone", "else. Is this a terrible trope? Should I avoid it? If so, how", "obstacle at all? Is that the solution? How do you write around this", "Ex Machina, but after reading what it was, I realized it was something", "avoid it? If so, how can you rewrite it? I found an [example", "his prison. The existence of the bridge is silly and not explained by", "so, how can you rewrite it? I found an [example of the bridge", "reading what it was, I realized it was something else. Is this a", "the lore. The issue is then how do you rewrite the scene? Do", "put no obstacle at all? Is that the solution? How do you write", "to make it much easier to free the demon lord from his prison.", "prison. The existence of the bridge is silly and not explained by the", "it? I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a", "make it much easier to free the demon lord from his prison. The", "see a convenient bridge placed there by someone and that wasn't destroyed to", "was something else. Is this a terrible trope? Should I avoid it? If", "of the bridge is silly and not explained by the lore. The issue", "that shouldn't be there, but is there for the convenience of the plot.", "free the demon lord from his prison. The existence of the bridge is", "and put no obstacle at all? Is that the solution? How do you", "[example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed there", "the bridge and put no obstacle at all? Is that the solution? How", "bridge that shouldn't be there, but is there for the convenience of the", "do you rewrite the scene? Do you just remove the bridge and put", "all? Is that the solution? How do you write around this silly situation?", "then how do you rewrite the scene? Do you just remove the bridge", "after reading what it was, I realized it was something else. Is this", "that wasn't destroyed to make it much easier to free the demon lord", "you just remove the bridge and put no obstacle at all? Is that", "to free the demon lord from his prison. The existence of the bridge", "bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge placed there by someone and", "wasn't destroyed to make it much easier to free the demon lord from", "was a Deux Ex Machina, but after reading what it was, I realized", "the bridge is silly and not explained by the lore. The issue is", "it was a Deux Ex Machina, but after reading what it was, I", "I mean a bridge that shouldn't be there, but is there for the", "issue is then how do you rewrite the scene? Do you just remove", "of the plot. I initially thought it was a Deux Ex Machina, but", "the demon lord from his prison. The existence of the bridge is silly", "a terrible trope? Should I avoid it? If so, how can you rewrite", "no obstacle at all? Is that the solution? How do you write around", "Here we see a convenient bridge placed there by someone and that wasn't", "a bridge that shouldn't be there, but is there for the convenience of", "the scene? Do you just remove the bridge and put no obstacle at", "at all? Is that the solution? How do you write around this silly", "but after reading what it was, I realized it was something else. Is", "it was, I realized it was something else. Is this a terrible trope?", "can you rewrite it? I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here", "The existence of the bridge is silly and not explained by the lore.", "it was something else. Is this a terrible trope? Should I avoid it?", "silly and not explained by the lore. The issue is then how do", "we see a convenient bridge placed there by someone and that wasn't destroyed", "is silly and not explained by the lore. The issue is then how", "the convenience of the plot. I initially thought it was a Deux Ex", "found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see a convenient bridge", "shouldn't be there, but is there for the convenience of the plot. I", "rewrite it? I found an [example of the bridge trope.](https://youtu.be/EHW1mYI-eJ4?t=750) Here we see", "thought it was a Deux Ex Machina, but after reading what it was,", "from his prison. The existence of the bridge is silly and not explained", "lord from his prison. The existence of the bridge is silly and not", "and not explained by the lore. The issue is then how do you", "plot. I initially thought it was a Deux Ex Machina, but after reading", "was, I realized it was something else. Is this a terrible trope? Should", "for the convenience of the plot. I initially thought it was a Deux", "Do you just remove the bridge and put no obstacle at all? Is", "realized it was something else. Is this a terrible trope? Should I avoid", "by someone and that wasn't destroyed to make it much easier to free", "remove the bridge and put no obstacle at all? Is that the solution?", "I initially thought it was a Deux Ex Machina, but after reading what", "I avoid it? If so, how can you rewrite it? I found an", "By [Bridge Logic,](https://tvtropes.org/pmwiki/pmwiki.php/Main/BridgeLogic) I mean a bridge that shouldn't be there, but is", "The issue is then how do you rewrite the scene? Do you just", "someone and that wasn't destroyed to make it much easier to free the", "just remove the bridge and put no obstacle at all? Is that the", "but is there for the convenience of the plot. I initially thought it", "bridge and put no obstacle at all? Is that the solution? How do", "there, but is there for the convenience of the plot. I initially thought" ]
[ "same. This leads to the broader question: is it okay if they sound", "their gender. Is that bad? I am thinking most people wouldn't really notice", "their personalities, but the male and female characters don't have any stereotypical traits", "philosophy is \"if you can't do it, don't bother\", and I couldn't write", "speech, etc. The only thing that differs is their personalities, but the male", "notice it, and if there are no particular peculiarities, then it's a minor", "I decided to not bother at all with gender differences and make them", "bother\", and I couldn't write realistic female dialogues so I decided to not", "to the broader question: is it okay if they sound the same? Same", "gender. Is that bad? I am thinking most people wouldn't really notice it,", "it okay if they sound the same? Same intelligence, same dialect, same level", "no particular peculiarities, then it's a minor issue if it's an issue at", "if they sound the same? Same intelligence, same dialect, same level of speech,", "\"if you can't do it, don't bother\", and I couldn't write realistic female", "bother at all with gender differences and make them sound the same. This", "people wouldn't really notice it, and if there are no particular peculiarities, then", "question: is it okay if they sound the same? Same intelligence, same dialect,", "So my philosophy is \"if you can't do it, don't bother\", and I", "of speech, etc. The only thing that differs is their personalities, but the", "only thing that differs is their personalities, but the male and female characters", "make them sound the same. This leads to the broader question: is it", "the same? Same intelligence, same dialect, same level of speech, etc. The only", "that differs is their personalities, but the male and female characters don't have", "really notice it, and if there are no particular peculiarities, then it's a", "there are no particular peculiarities, then it's a minor issue if it's an", "I couldn't write realistic female dialogues so I decided to not bother at", "don't bother\", and I couldn't write realistic female dialogues so I decided to", "etc. The only thing that differs is their personalities, but the male and", "bad? I am thinking most people wouldn't really notice it, and if there", "but the male and female characters don't have any stereotypical traits from their", "you can't do it, don't bother\", and I couldn't write realistic female dialogues", "male and female characters don't have any stereotypical traits from their gender. Is", "that bad? I am thinking most people wouldn't really notice it, and if", "gender differences and make them sound the same. This leads to the broader", "and female characters don't have any stereotypical traits from their gender. Is that", "stereotypical traits from their gender. Is that bad? I am thinking most people", "and if there are no particular peculiarities, then it's a minor issue if", "intelligence, same dialect, same level of speech, etc. The only thing that differs", "is their personalities, but the male and female characters don't have any stereotypical", "at all with gender differences and make them sound the same. This leads", "all with gender differences and make them sound the same. This leads to", "my philosophy is \"if you can't do it, don't bother\", and I couldn't", "same? Same intelligence, same dialect, same level of speech, etc. The only thing", "them sound the same. This leads to the broader question: is it okay", "differs is their personalities, but the male and female characters don't have any", "are no particular peculiarities, then it's a minor issue if it's an issue", "female dialogues so I decided to not bother at all with gender differences", "particular peculiarities, then it's a minor issue if it's an issue at all.", "it, and if there are no particular peculiarities, then it's a minor issue", "Is that bad? I am thinking most people wouldn't really notice it, and", "the broader question: is it okay if they sound the same? Same intelligence,", "broader question: is it okay if they sound the same? Same intelligence, same", "is \"if you can't do it, don't bother\", and I couldn't write realistic", "differences and make them sound the same. This leads to the broader question:", "have any stereotypical traits from their gender. Is that bad? I am thinking", "characters don't have any stereotypical traits from their gender. Is that bad? I", "most people wouldn't really notice it, and if there are no particular peculiarities,", "don't have any stereotypical traits from their gender. Is that bad? I am", "female characters don't have any stereotypical traits from their gender. Is that bad?", "dialogues so I decided to not bother at all with gender differences and", "can't do it, don't bother\", and I couldn't write realistic female dialogues so", "same dialect, same level of speech, etc. The only thing that differs is", "thinking most people wouldn't really notice it, and if there are no particular", "same level of speech, etc. The only thing that differs is their personalities,", "personalities, but the male and female characters don't have any stereotypical traits from", "sound the same. This leads to the broader question: is it okay if", "dialect, same level of speech, etc. The only thing that differs is their", "sound the same? Same intelligence, same dialect, same level of speech, etc. The", "thing that differs is their personalities, but the male and female characters don't", "the male and female characters don't have any stereotypical traits from their gender.", "if there are no particular peculiarities, then it's a minor issue if it's", "with gender differences and make them sound the same. This leads to the", "is it okay if they sound the same? Same intelligence, same dialect, same", "they sound the same? Same intelligence, same dialect, same level of speech, etc.", "decided to not bother at all with gender differences and make them sound", "and I couldn't write realistic female dialogues so I decided to not bother", "and make them sound the same. This leads to the broader question: is", "Same intelligence, same dialect, same level of speech, etc. The only thing that", "from their gender. Is that bad? I am thinking most people wouldn't really", "level of speech, etc. The only thing that differs is their personalities, but", "any stereotypical traits from their gender. Is that bad? I am thinking most", "it, don't bother\", and I couldn't write realistic female dialogues so I decided", "am thinking most people wouldn't really notice it, and if there are no", "the same. This leads to the broader question: is it okay if they", "to not bother at all with gender differences and make them sound the", "realistic female dialogues so I decided to not bother at all with gender", "so I decided to not bother at all with gender differences and make", "couldn't write realistic female dialogues so I decided to not bother at all", "not bother at all with gender differences and make them sound the same.", "I am thinking most people wouldn't really notice it, and if there are", "This leads to the broader question: is it okay if they sound the", "do it, don't bother\", and I couldn't write realistic female dialogues so I", "The only thing that differs is their personalities, but the male and female", "write realistic female dialogues so I decided to not bother at all with", "leads to the broader question: is it okay if they sound the same?", "wouldn't really notice it, and if there are no particular peculiarities, then it's", "okay if they sound the same? Same intelligence, same dialect, same level of", "traits from their gender. Is that bad? I am thinking most people wouldn't" ]
[ "do you write branching dialogues in a screenplay for video games? I initially", "the screenplay exists within a monodimensional plane, so you only have future and", "monodimensional plane, so you only have future and past. How do you do", "for video games? The difficulty is that the screenplay exists within a monodimensional", "a screenplay for video games? I initially thought that when writing a screenplay", "How do you do insert complex dialogues branches and optional dialogues in it?", "exists within a monodimensional plane, so you only have future and past. How", "a screenplay for a movie or a TV show, but then I realized", "games. How do you add those in a screenplay for video games? The", "branching dialogues and optional dialogues in video games. How do you add those", "a TV show, but then I realized there are branching dialogues and optional", "video games? The difficulty is that the screenplay exists within a monodimensional plane,", "you write branching dialogues in a screenplay for video games? I initially thought", "and optional dialogues in video games. How do you add those in a", "complex dialogues branches and optional dialogues in it? Do you have some examples?", "past. How do you do insert complex dialogues branches and optional dialogues in", "that when writing a screenplay for a videogame, it was the same thing", "do you add those in a screenplay for video games? The difficulty is", "games? I initially thought that when writing a screenplay for a videogame, it", "branching dialogues in a screenplay for video games? I initially thought that when", "future and past. How do you do insert complex dialogues branches and optional", "for a movie or a TV show, but then I realized there are", "a screenplay for a videogame, it was the same thing as writing a", "for video games? I initially thought that when writing a screenplay for a", "as writing a screenplay for a movie or a TV show, but then", "are branching dialogues and optional dialogues in video games. How do you add", "realized there are branching dialogues and optional dialogues in video games. How do", "in video games. How do you add those in a screenplay for video", "when writing a screenplay for a videogame, it was the same thing as", "difficulty is that the screenplay exists within a monodimensional plane, so you only", "so you only have future and past. How do you do insert complex", "and past. How do you do insert complex dialogues branches and optional dialogues", "writing a screenplay for a movie or a TV show, but then I", "video games. How do you add those in a screenplay for video games?", "screenplay for video games? The difficulty is that the screenplay exists within a", "but then I realized there are branching dialogues and optional dialogues in video", "games? The difficulty is that the screenplay exists within a monodimensional plane, so", "movie or a TV show, but then I realized there are branching dialogues", "have future and past. How do you do insert complex dialogues branches and", "screenplay exists within a monodimensional plane, so you only have future and past.", "in a screenplay for video games? The difficulty is that the screenplay exists", "you add those in a screenplay for video games? The difficulty is that", "the same thing as writing a screenplay for a movie or a TV", "a videogame, it was the same thing as writing a screenplay for a", "show, but then I realized there are branching dialogues and optional dialogues in", "initially thought that when writing a screenplay for a videogame, it was the", "optional dialogues in video games. How do you add those in a screenplay", "How do you add those in a screenplay for video games? The difficulty", "a monodimensional plane, so you only have future and past. How do you", "those in a screenplay for video games? The difficulty is that the screenplay", "it was the same thing as writing a screenplay for a movie or", "then I realized there are branching dialogues and optional dialogues in video games.", "videogame, it was the same thing as writing a screenplay for a movie", "dialogues and optional dialogues in video games. How do you add those in", "is that the screenplay exists within a monodimensional plane, so you only have", "write branching dialogues in a screenplay for video games? I initially thought that", "I initially thought that when writing a screenplay for a videogame, it was", "you do insert complex dialogues branches and optional dialogues in it? Do you", "same thing as writing a screenplay for a movie or a TV show,", "add those in a screenplay for video games? The difficulty is that the", "that the screenplay exists within a monodimensional plane, so you only have future", "screenplay for a movie or a TV show, but then I realized there", "was the same thing as writing a screenplay for a movie or a", "dialogues in video games. How do you add those in a screenplay for", "there are branching dialogues and optional dialogues in video games. How do you", "in a screenplay for video games? I initially thought that when writing a", "writing a screenplay for a videogame, it was the same thing as writing", "How do you write branching dialogues in a screenplay for video games? I", "screenplay for video games? I initially thought that when writing a screenplay for", "or a TV show, but then I realized there are branching dialogues and", "thing as writing a screenplay for a movie or a TV show, but", "do you do insert complex dialogues branches and optional dialogues in it? Do", "insert complex dialogues branches and optional dialogues in it? Do you have some", "thought that when writing a screenplay for a videogame, it was the same", "a movie or a TV show, but then I realized there are branching", "do insert complex dialogues branches and optional dialogues in it? Do you have", "dialogues in a screenplay for video games? I initially thought that when writing", "a screenplay for video games? The difficulty is that the screenplay exists within", "for a videogame, it was the same thing as writing a screenplay for", "plane, so you only have future and past. How do you do insert", "I realized there are branching dialogues and optional dialogues in video games. How", "within a monodimensional plane, so you only have future and past. How do", "only have future and past. How do you do insert complex dialogues branches", "The difficulty is that the screenplay exists within a monodimensional plane, so you", "TV show, but then I realized there are branching dialogues and optional dialogues", "you only have future and past. How do you do insert complex dialogues", "screenplay for a videogame, it was the same thing as writing a screenplay", "video games? I initially thought that when writing a screenplay for a videogame," ]
[ "realized that I did not describe any of my characters, like practically, no", "which I feel is not right. That is why I am placing the", "imagine the character which I feel is not right. That is why I", "like practically, no reader would be able to place or imagine the character", "reader would be able to place or imagine the character which I feel", "why I am placing the question to know if it is necessary to", "characters, like practically, no reader would be able to place or imagine the", "novel and I realized that I did not describe any of my characters,", "any of my characters, like practically, no reader would be able to place", "I am writing a novel and I realized that I did not describe", "I did not describe any of my characters, like practically, no reader would", "I realized that I did not describe any of my characters, like practically,", "that I did not describe any of my characters, like practically, no reader", "is why I am placing the question to know if it is necessary", "practically, no reader would be able to place or imagine the character which", "no reader would be able to place or imagine the character which I", "I feel is not right. That is why I am placing the question", "That is why I am placing the question to know if it is", "able to place or imagine the character which I feel is not right.", "not describe any of my characters, like practically, no reader would be able", "writing a novel and I realized that I did not describe any of", "and I realized that I did not describe any of my characters, like", "not right. That is why I am placing the question to know if", "a novel and I realized that I did not describe any of my", "my characters, like practically, no reader would be able to place or imagine", "right. That is why I am placing the question to know if it", "I am placing the question to know if it is necessary to describe", "am placing the question to know if it is necessary to describe them.", "or imagine the character which I feel is not right. That is why", "be able to place or imagine the character which I feel is not", "did not describe any of my characters, like practically, no reader would be", "would be able to place or imagine the character which I feel is", "of my characters, like practically, no reader would be able to place or", "place or imagine the character which I feel is not right. That is", "character which I feel is not right. That is why I am placing", "is not right. That is why I am placing the question to know", "to place or imagine the character which I feel is not right. That", "feel is not right. That is why I am placing the question to", "the character which I feel is not right. That is why I am", "describe any of my characters, like practically, no reader would be able to", "am writing a novel and I realized that I did not describe any" ]
[ "the main character is unconscious and her friend is with her in the", "write from her friend's point of view? Then secondly, is it even okay", "of view? Then secondly, is it even okay to write from a minor", "Then secondly, is it even okay to write from a minor character's point", "hospital. But since I decided to make the main character unconscious till the", "writing a story. I actually just started and I am still writing the", "I actually just started and I am still writing the first chapter. Is", "actually just started and I am still writing the first chapter. Is it", "decided to make the main character unconscious till the end of the first", "of the first chapter, can I write from her friend's point of view?", "still writing the first chapter. Is it okay to write from a minor", "and I am still writing the first chapter. Is it okay to write", "end of the first chapter, can I write from her friend's point of", "with her in the hospital. But since I decided to make the main", "view? Then secondly, is it even okay to write from a minor character's", "I write from her friend's point of view? Then secondly, is it even", "just started and I am still writing the first chapter. Is it okay", "her friend's point of view? Then secondly, is it even okay to write", "first? Simply put, the main character is unconscious and her friend is with", "okay to write from a minor character's point of view first? Simply put,", "started and I am still writing the first chapter. Is it okay to", "first chapter. Is it okay to write from a minor character's point of", "Is it okay to write from a minor character's point of view first?", "from her friend's point of view? Then secondly, is it even okay to", "view first? Simply put, the main character is unconscious and her friend is", "writing the first chapter. Is it okay to write from a minor character's", "minor character's point of view first? Simply put, the main character is unconscious", "am still writing the first chapter. Is it okay to write from a", "and her friend is with her in the hospital. But since I decided", "Simply put, the main character is unconscious and her friend is with her", "But since I decided to make the main character unconscious till the end", "character's point of view first? Simply put, the main character is unconscious and", "secondly, is it even okay to write from a minor character's point of", "character is unconscious and her friend is with her in the hospital. But", "in the hospital. But since I decided to make the main character unconscious", "write from a minor character's point of view first? Simply put, the main", "chapter. Is it okay to write from a minor character's point of view", "character unconscious till the end of the first chapter, can I write from", "to write from a minor character's point of view first? Simply put, the", "of view first? Simply put, the main character is unconscious and her friend", "put, the main character is unconscious and her friend is with her in", "is unconscious and her friend is with her in the hospital. But since", "make the main character unconscious till the end of the first chapter, can", "first chapter, can I write from her friend's point of view? Then secondly,", "point of view? Then secondly, is it even okay to write from a", "friend's point of view? Then secondly, is it even okay to write from", "am writing a story. I actually just started and I am still writing", "a story. I actually just started and I am still writing the first", "the main character unconscious till the end of the first chapter, can I", "I am writing a story. I actually just started and I am still", "her friend is with her in the hospital. But since I decided to", "since I decided to make the main character unconscious till the end of", "unconscious till the end of the first chapter, can I write from her", "friend is with her in the hospital. But since I decided to make", "the end of the first chapter, can I write from her friend's point", "the hospital. But since I decided to make the main character unconscious till", "it okay to write from a minor character's point of view first? Simply", "from a minor character's point of view first? Simply put, the main character", "a minor character's point of view first? Simply put, the main character is", "point of view first? Simply put, the main character is unconscious and her", "main character is unconscious and her friend is with her in the hospital.", "I decided to make the main character unconscious till the end of the", "the first chapter. Is it okay to write from a minor character's point", "the first chapter, can I write from her friend's point of view? Then", "is with her in the hospital. But since I decided to make the", "can I write from her friend's point of view? Then secondly, is it", "is it even okay to write from a minor character's point of view?", "main character unconscious till the end of the first chapter, can I write", "till the end of the first chapter, can I write from her friend's", "unconscious and her friend is with her in the hospital. But since I", "I am still writing the first chapter. Is it okay to write from", "to make the main character unconscious till the end of the first chapter,", "chapter, can I write from her friend's point of view? Then secondly, is", "story. I actually just started and I am still writing the first chapter.", "her in the hospital. But since I decided to make the main character" ]
[ "resulted in shock and she has attempted suicide twice already. All of this", "she has attempted suicide twice already. All of this has made her unbalanced", "character of my novel is suffering from depression which resulted in shock and", "main character of my novel is suffering from depression which resulted in shock", "The main character of my novel is suffering from depression which resulted in", "mentally. I was wondering if I can write from her point of view.", "All of this has made her unbalanced mentally. I was wondering if I", "of my novel is suffering from depression which resulted in shock and she", "has made her unbalanced mentally. I was wondering if I can write from", "in shock and she has attempted suicide twice already. All of this has", "of this has made her unbalanced mentally. I was wondering if I can", "is suffering from depression which resulted in shock and she has attempted suicide", "from depression which resulted in shock and she has attempted suicide twice already.", "suffering from depression which resulted in shock and she has attempted suicide twice", "made her unbalanced mentally. I was wondering if I can write from her", "has attempted suicide twice already. All of this has made her unbalanced mentally.", "depression which resulted in shock and she has attempted suicide twice already. All", "this has made her unbalanced mentally. I was wondering if I can write", "which resulted in shock and she has attempted suicide twice already. All of", "already. All of this has made her unbalanced mentally. I was wondering if", "unbalanced mentally. I was wondering if I can write from her point of", "suicide twice already. All of this has made her unbalanced mentally. I was", "twice already. All of this has made her unbalanced mentally. I was wondering", "my novel is suffering from depression which resulted in shock and she has", "her unbalanced mentally. I was wondering if I can write from her point", "novel is suffering from depression which resulted in shock and she has attempted", "attempted suicide twice already. All of this has made her unbalanced mentally. I", "shock and she has attempted suicide twice already. All of this has made", "and she has attempted suicide twice already. All of this has made her" ]
[ "different races coexist, so most aren't human. I'm trying to write all the", "also other creatures such as elves, dwarves, orcs, merfolks, etc. and they're all", "worldbuilding details down, and I'm stuck on a phrase \"She is the goddess", "phrase \"She is the goddess who blessed [redacted] with (...)\". So, I can't", "a phrase \"She is the goddess who blessed [redacted] with (...)\". So, I", "I can't say \"humans\", because there are also other creatures such as elves,", "details down, and I'm stuck on a phrase \"She is the goddess who", "is the goddess who blessed [redacted] with (...)\". So, I can't say \"humans\",", "humanoid, but not human, and saying \"beings\" or \"beasts\" sounds dehumanizing though, as", "[redacted]* with (...)\". So, I can't say \"humans\", because there are also other", "this fantasy world where many different races coexist, so most aren't human. I'm", "most aren't human. I'm trying to write all the worldbuilding details down, and", "on a phrase \"She is the goddess who blessed [redacted] with (...)\". So,", "races coexist, so most aren't human. I'm trying to write all the worldbuilding", "\"She is the goddess who blessed [redacted] with (...)\". So, I can't say", "(...)\". So, I can't say \"humans\", because there are also other creatures such", "world where many different races coexist, so most aren't human. I'm trying to", "but not human, and saying \"beings\" or \"beasts\" sounds dehumanizing though, as if", "saying \"beings\" or \"beasts\" sounds dehumanizing though, as if I was talking about", "such as elves, dwarves, orcs, merfolks, etc. and they're all more or less", "or less humanoid, but not human, and saying \"beings\" or \"beasts\" sounds dehumanizing", "human, and saying \"beings\" or \"beasts\" sounds dehumanizing though, as if I was", "and I'm stuck on a phrase \"She is the goddess who blessed [redacted]", "orcs, merfolks, etc. and they're all more or less humanoid, but not human,", "aren't human. I'm trying to write all the worldbuilding details down, and I'm", "\"beasts\" sounds dehumanizing though, as if I was talking about animals. I'll be", "more or less humanoid, but not human, and saying \"beings\" or \"beasts\" sounds", "many different races coexist, so most aren't human. I'm trying to write all", "been creating this fantasy world where many different races coexist, so most aren't", "I'm trying to write all the worldbuilding details down, and I'm stuck on", "because there are also other creatures such as elves, dwarves, orcs, merfolks, etc.", "creating this fantasy world where many different races coexist, so most aren't human.", "or \"beasts\" sounds dehumanizing though, as if I was talking about animals. I'll", "trying to write all the worldbuilding details down, and I'm stuck on a", "and they're all more or less humanoid, but not human, and saying \"beings\"", "they're all more or less humanoid, but not human, and saying \"beings\" or", "with (...)\". So, I can't say \"humans\", because there are also other creatures", "goddess who blessed [redacted] with (...)\". So, I can't say \"humans\", because there", "creatures such as elves, dwarves, orcs, merfolks, etc. and they're all more or", "and saying \"beings\" or \"beasts\" sounds dehumanizing though, as if I was talking", "there are also other creatures such as elves, dwarves, orcs, merfolks, etc. and", "\"humans\", because there are also other creatures such as elves, dwarves, orcs, merfolks,", "down, and I'm stuck on a phrase \"She is the goddess who blessed", "all more or less humanoid, but not human, and saying \"beings\" or \"beasts\"", "the worldbuilding details down, and I'm stuck on a phrase \"She is the", "to write all the worldbuilding details down, and I'm stuck on a phrase", "sounds dehumanizing though, as if I was talking about animals. I'll be thankful", "I've been creating this fantasy world where many different races coexist, so most", "say \"humans\", because there are also other creatures such as elves, dwarves, orcs,", "elves, dwarves, orcs, merfolks, etc. and they're all more or less humanoid, but", "as elves, dwarves, orcs, merfolks, etc. and they're all more or less humanoid,", "though, as if I was talking about animals. I'll be thankful for all", "I was talking about animals. I'll be thankful for all suggestions haha :)", "all the worldbuilding details down, and I'm stuck on a phrase \"She is", "the goddess who blessed [redacted] with (...)\". So, I can't say \"humans\", because", "blessed [redacted]* with (...)\". So, I can't say \"humans\", because there are also", "who blessed [redacted]* with (...)\". So, I can't say \"humans\", because there are", "where many different races coexist, so most aren't human. I'm trying to write", "\"beings\" or \"beasts\" sounds dehumanizing though, as if I was talking about animals.", "etc. and they're all more or less humanoid, but not human, and saying", "are also other creatures such as elves, dwarves, orcs, merfolks, etc. and they're", "dehumanizing though, as if I was talking about animals. I'll be thankful for", "dwarves, orcs, merfolks, etc. and they're all more or less humanoid, but not", "write all the worldbuilding details down, and I'm stuck on a phrase \"She", "other creatures such as elves, dwarves, orcs, merfolks, etc. and they're all more", "can't say \"humans\", because there are also other creatures such as elves, dwarves,", "human. I'm trying to write all the worldbuilding details down, and I'm stuck", "merfolks, etc. and they're all more or less humanoid, but not human, and", "So, I can't say \"humans\", because there are also other creatures such as", "coexist, so most aren't human. I'm trying to write all the worldbuilding details", "fantasy world where many different races coexist, so most aren't human. I'm trying", "if I was talking about animals. I'll be thankful for all suggestions haha", "so most aren't human. I'm trying to write all the worldbuilding details down,", "stuck on a phrase \"She is the goddess who blessed [redacted]* with (...)\".", "I'm stuck on a phrase \"She is the goddess who blessed [redacted] with", "not human, and saying \"beings\" or \"beasts\" sounds dehumanizing though, as if I", "as if I was talking about animals. I'll be thankful for all suggestions", "less humanoid, but not human, and saying \"beings\" or \"beasts\" sounds dehumanizing though," ]
[ "I think some archetypes for female characters are offensive. For example, there's the", "make the femme fatale archetype more women friendly by modifying some of the", "my stories? I think some archetypes for female characters are offensive. For example,", "that appeal to the male fantasies. Should I write them out of my", "or are there ways to make the femme fatale archetype more women friendly", "are there ways to make the femme fatale archetype more women friendly by", "write certain female archetypes out of my stories? I think some archetypes for", "the femme fatale archetype more women friendly by modifying some of the characteristics", "fatale archetype. The femme fatale generally reduces women to just their sexuality, and", "and results in one-dimensional female characters that appeal to the male fantasies. Should", "of my way to write certain female archetypes out of my stories? I", "female characters that appeal to the male fantasies. Should I write them out", "generally reduces women to just their sexuality, and results in one-dimensional female characters", "male fantasies. Should I write them out of my stories, or are there", "of my stories, or are there ways to make the femme fatale archetype", "some archetypes for female characters are offensive. For example, there's the femme fatale", "write them out of my stories, or are there ways to make the", "my stories, or are there ways to make the femme fatale archetype more", "one-dimensional female characters that appeal to the male fantasies. Should I write them", "out of my stories? I think some archetypes for female characters are offensive.", "their sexuality, and results in one-dimensional female characters that appeal to the male", "them out of my stories, or are there ways to make the femme", "stories? I think some archetypes for female characters are offensive. For example, there's", "are offensive. For example, there's the femme fatale archetype. The femme fatale generally", "fantasies. Should I write them out of my stories, or are there ways", "female characters are offensive. For example, there's the femme fatale archetype. The femme", "female archetypes out of my stories? I think some archetypes for female characters", "reduces women to just their sexuality, and results in one-dimensional female characters that", "example, there's the femme fatale archetype. The femme fatale generally reduces women to", "results in one-dimensional female characters that appeal to the male fantasies. Should I", "appeal to the male fantasies. Should I write them out of my stories,", "just their sexuality, and results in one-dimensional female characters that appeal to the", "certain female archetypes out of my stories? I think some archetypes for female", "fatale generally reduces women to just their sexuality, and results in one-dimensional female", "Should I go out of my way to write certain female archetypes out", "archetypes for female characters are offensive. For example, there's the femme fatale archetype.", "archetype. The femme fatale generally reduces women to just their sexuality, and results", "women to just their sexuality, and results in one-dimensional female characters that appeal", "way to write certain female archetypes out of my stories? I think some", "femme fatale generally reduces women to just their sexuality, and results in one-dimensional", "there ways to make the femme fatale archetype more women friendly by modifying", "in one-dimensional female characters that appeal to the male fantasies. Should I write", "stories, or are there ways to make the femme fatale archetype more women", "fatale archetype more women friendly by modifying some of the characteristics of the", "think some archetypes for female characters are offensive. For example, there's the femme", "out of my way to write certain female archetypes out of my stories?", "to write certain female archetypes out of my stories? I think some archetypes", "archetypes out of my stories? I think some archetypes for female characters are", "I write them out of my stories, or are there ways to make", "femme fatale archetype more women friendly by modifying some of the characteristics of", "offensive. For example, there's the femme fatale archetype. The femme fatale generally reduces", "characters are offensive. For example, there's the femme fatale archetype. The femme fatale", "The femme fatale generally reduces women to just their sexuality, and results in", "sexuality, and results in one-dimensional female characters that appeal to the male fantasies.", "the male fantasies. Should I write them out of my stories, or are", "archetype more women friendly by modifying some of the characteristics of the archetype?", "of my stories? I think some archetypes for female characters are offensive. For", "go out of my way to write certain female archetypes out of my", "there's the femme fatale archetype. The femme fatale generally reduces women to just", "For example, there's the femme fatale archetype. The femme fatale generally reduces women", "femme fatale archetype. The femme fatale generally reduces women to just their sexuality,", "out of my stories, or are there ways to make the femme fatale", "ways to make the femme fatale archetype more women friendly by modifying some", "Should I write them out of my stories, or are there ways to", "to make the femme fatale archetype more women friendly by modifying some of", "my way to write certain female archetypes out of my stories? I think", "to just their sexuality, and results in one-dimensional female characters that appeal to", "I go out of my way to write certain female archetypes out of", "characters that appeal to the male fantasies. Should I write them out of", "the femme fatale archetype. The femme fatale generally reduces women to just their", "to the male fantasies. Should I write them out of my stories, or", "for female characters are offensive. For example, there's the femme fatale archetype. The" ]
[ "comics and novels don't really allow for that, so taking into account that", "novel, comics or movies? Video games do this, because they allow players to", "write alternative endings to a novel, comics or movies? Video games do this,", "take decision, how do you show alternatives endings and alternative timelines? Can you", "you write alternative endings to a novel, comics or movies? Video games do", "you show alternatives endings and alternative timelines? Can you have a story that", "do you show alternatives endings and alternative timelines? Can you have a story", "story and diverges to 2 different endings, how would you achieve this in", "or movies? Video games do this, because they allow players to take decisions,", "take decisions, but movies, comics and novels don't really allow for that, so", "show alternatives endings and alternative timelines? Can you have a story that branches", "B, which is in the middle of the story and diverges to 2", "to take decisions, but movies, comics and novels don't really allow for that,", "into account that you can't take decision, how do you show alternatives endings", "that you can't take decision, how do you show alternatives endings and alternative", "Can you have a story that branches out at point B, which is", "the middle of the story and diverges to 2 different endings, how would", "games do this, because they allow players to take decisions, but movies, comics", "do this, because they allow players to take decisions, but movies, comics and", "comics or movies? Video games do this, because they allow players to take", "diverges to 2 different endings, how would you achieve this in a novel,", "taking into account that you can't take decision, how do you show alternatives", "really allow for that, so taking into account that you can't take decision,", "alternative endings to a novel, comics or movies? Video games do this, because", "to a novel, comics or movies? Video games do this, because they allow", "at point B, which is in the middle of the story and diverges", "in the middle of the story and diverges to 2 different endings, how", "movies? Video games do this, because they allow players to take decisions, but", "you have a story that branches out at point B, which is in", "which is in the middle of the story and diverges to 2 different", "for that, so taking into account that you can't take decision, how do", "you can't take decision, how do you show alternatives endings and alternative timelines?", "story that branches out at point B, which is in the middle of", "endings to a novel, comics or movies? Video games do this, because they", "is in the middle of the story and diverges to 2 different endings,", "the story and diverges to 2 different endings, how would you achieve this", "how do you show alternatives endings and alternative timelines? Can you have a", "Video games do this, because they allow players to take decisions, but movies,", "out at point B, which is in the middle of the story and", "that, so taking into account that you can't take decision, how do you", "account that you can't take decision, how do you show alternatives endings and", "because they allow players to take decisions, but movies, comics and novels don't", "can't take decision, how do you show alternatives endings and alternative timelines? Can", "2 different endings, how would you achieve this in a novel, comics or", "this, because they allow players to take decisions, but movies, comics and novels", "they allow players to take decisions, but movies, comics and novels don't really", "players to take decisions, but movies, comics and novels don't really allow for", "decisions, but movies, comics and novels don't really allow for that, so taking", "so taking into account that you can't take decision, how do you show", "don't really allow for that, so taking into account that you can't take", "endings and alternative timelines? Can you have a story that branches out at", "that branches out at point B, which is in the middle of the", "branches out at point B, which is in the middle of the story", "of the story and diverges to 2 different endings, how would you achieve", "a novel, comics or movies? Video games do this, because they allow players", "and diverges to 2 different endings, how would you achieve this in a", "different endings, how would you achieve this in a novel, comics or movie?", "allow players to take decisions, but movies, comics and novels don't really allow", "alternatives endings and alternative timelines? Can you have a story that branches out", "have a story that branches out at point B, which is in the", "to 2 different endings, how would you achieve this in a novel, comics", "decision, how do you show alternatives endings and alternative timelines? Can you have", "movies, comics and novels don't really allow for that, so taking into account", "novels don't really allow for that, so taking into account that you can't", "point B, which is in the middle of the story and diverges to", "but movies, comics and novels don't really allow for that, so taking into", "allow for that, so taking into account that you can't take decision, how", "alternative timelines? Can you have a story that branches out at point B,", "a story that branches out at point B, which is in the middle", "and alternative timelines? Can you have a story that branches out at point", "middle of the story and diverges to 2 different endings, how would you", "timelines? Can you have a story that branches out at point B, which", "How do you write alternative endings to a novel, comics or movies? Video", "do you write alternative endings to a novel, comics or movies? Video games", "and novels don't really allow for that, so taking into account that you" ]
[ "a need and a want in order to make a dramatic character, but", "and I was wondering how to make a perfect AI have something lacking", "do you solve this issue? I remember in Ghost of the Shell, the", "Like the video explains, you need to make sure your character has a", "pursue a goal due to a need and want. Like the video explains,", "he has to > start out with something lacking in his life, some", "due to a need and want. Like the video explains, you need to", "to > start out with something lacking in his life, some reason that", "lacking something external. […] Your character is incomplete on > the inside. He", "[…] Your character is incomplete on > the inside. He is harboring some", "in order to make a dramatic character, but an AI that's supposed to", "because he > is lacking something external. […] Your character is incomplete on", "character is incomplete on > the inside. He is harboring some deeply held", "remember in Ghost of the Shell, the character sounds like a perfect AI,", "> > “In order for your character to evolve in a positive way,", "need and want. Like the video explains, you need to make sure your", "a goal, a need and a want in order to make a dramatic", "make sure your character has a goal, a need and a want in", "but not because he > is lacking something external. […] Your character is", "> the inside. He is harboring some deeply held misconception about > either", "> > I was watching this, and I was wondering how to make", "her android origin, but for a non-human character, I am not sure how", "emotions. Are there some solutions or good approach on developing such problematic characters?", "deeply held misconception about > either himself, the world, or probably both”. >", "sure the AI doesn't feel unnecessary emotions. Are there some solutions or good", "external. […] Your character is incomplete on > the inside. He is harboring", "doesn't feel unnecessary emotions. Are there some solutions or good approach on developing", "makes > the change necessary. He is incomplete in some way, but not", "> “In order for your character to evolve in a positive way, he", "an AI that's supposed to be perfect shouldn't have those, so how do", "order to make a dramatic character, but an AI that's supposed to be", "believable by making sure the AI doesn't feel unnecessary emotions. Are there some", "with something lacking in his life, some reason that makes > the change", "was wondering how to make a perfect AI have something lacking in his", "probably both”. > > > I was watching this, and I was wondering", "something external. […] Your character is incomplete on > the inside. He is", "to evolve in a positive way, he has to > start out with", "necessary. He is incomplete in some way, but not because he > is", "he > is lacking something external. […] Your character is incomplete on >", "have something lacking in his life, and make him pursue a goal due", "your character has a goal, a need and a want in order to", "but an AI that's supposed to be perfect shouldn't have those, so how", "like a perfect AI, but the character was a human being and had", "origin, but for a non-human character, I am not sure how to write", "change necessary. He is incomplete in some way, but not because he >", "on > the inside. He is harboring some deeply held misconception about >", "write them while making the world believable by making sure the AI doesn't", "his life, and make him pursue a goal due to a need and", "AI that's supposed to be perfect shouldn't have those, so how do you", "> the change necessary. He is incomplete in some way, but not because", "supposed to be perfect shouldn't have those, so how do you solve this", "while making the world believable by making sure the AI doesn't feel unnecessary", "to make a dramatic character, but an AI that's supposed to be perfect", "a perfect AI have something lacking in his life, and make him pursue", "to be perfect shouldn't have those, so how do you solve this issue?", "android origin, but for a non-human character, I am not sure how to", "making the world believable by making sure the AI doesn't feel unnecessary emotions.", "is lacking something external. […] Your character is incomplete on > the inside.", "the character sounds like a perfect AI, but the character was a human", "a positive way, he has to > start out with something lacking in", "you solve this issue? I remember in Ghost of the Shell, the character", "want in order to make a dramatic character, but an AI that's supposed", "had some emotion, because of her android origin, but for a non-human character,", "a non-human character, I am not sure how to write them while making", "> start out with something lacking in his life, some reason that makes", "am not sure how to write them while making the world believable by", "reason that makes > the change necessary. He is incomplete in some way,", "in his life, some reason that makes > the change necessary. He is", "a need and want. Like the video explains, you need to make sure", "himself, the world, or probably both”. > > > I was watching this,", "Your character is incomplete on > the inside. He is harboring some deeply", "a goal due to a need and want. Like the video explains, you", "him pursue a goal due to a need and want. Like the video", "a want in order to make a dramatic character, but an AI that's", "of her android origin, but for a non-human character, I am not sure", "lacking in his life, and make him pursue a goal due to a", "Ghost of the Shell, the character sounds like a perfect AI, but the", "Shell, the character sounds like a perfect AI, but the character was a", "something lacking in his life, and make him pursue a goal due to", "perfect shouldn't have those, so how do you solve this issue? I remember", "want. Like the video explains, you need to make sure your character has", "life, some reason that makes > the change necessary. He is incomplete in", "for a non-human character, I am not sure how to write them while", "issue? I remember in Ghost of the Shell, the character sounds like a", "> > > I was watching this, and I was wondering how to", "in Ghost of the Shell, the character sounds like a perfect AI, but", "non-human character, I am not sure how to write them while making the", "have those, so how do you solve this issue? I remember in Ghost", "need to make sure your character has a goal, a need and a", "in some way, but not because he > is lacking something external. […]", "harboring some deeply held misconception about > either himself, the world, or probably", "the change necessary. He is incomplete in some way, but not because he", "feel unnecessary emotions. Are there some solutions or good approach on developing such", "is incomplete in some way, but not because he > is lacking something", "being and had some emotion, because of her android origin, but for a", "the inside. He is harboring some deeply held misconception about > either himself,", "in a positive way, he has to > start out with something lacking", "or probably both”. > > > I was watching this, and I was", "some reason that makes > the change necessary. He is incomplete in some", "and make him pursue a goal due to a need and want. Like", "your character to evolve in a positive way, he has to > start", "some way, but not because he > is lacking something external. […] Your", "for your character to evolve in a positive way, he has to >", "perfect AI have something lacking in his life, and make him pursue a", "video explains, you need to make sure your character has a goal, a", "held misconception about > either himself, the world, or probably both”. > >", "world believable by making sure the AI doesn't feel unnecessary emotions. Are there", "and want. Like the video explains, you need to make sure your character", "> either himself, the world, or probably both”. > > > I was", "<https://youtu.be/4BxfV1sBRJs?t=195> > > “In order for your character to evolve in a positive", "about > either himself, the world, or probably both”. > > > I", "solve this issue? I remember in Ghost of the Shell, the character sounds", "to write them while making the world believable by making sure the AI", "making sure the AI doesn't feel unnecessary emotions. Are there some solutions or", "wondering how to make a perfect AI have something lacking in his life,", "and had some emotion, because of her android origin, but for a non-human", "life, and make him pursue a goal due to a need and want.", "shouldn't have those, so how do you solve this issue? I remember in", "and a want in order to make a dramatic character, but an AI", "but the character was a human being and had some emotion, because of", "the world, or probably both”. > > > I was watching this, and", "how do you solve this issue? I remember in Ghost of the Shell,", "is harboring some deeply held misconception about > either himself, the world, or", "I am not sure how to write them while making the world believable", "positive way, he has to > start out with something lacking in his", "out with something lacking in his life, some reason that makes > the", "that's supposed to be perfect shouldn't have those, so how do you solve", "character, I am not sure how to write them while making the world", "a perfect AI, but the character was a human being and had some", "incomplete on > the inside. He is harboring some deeply held misconception about", "a dramatic character, but an AI that's supposed to be perfect shouldn't have", "the Shell, the character sounds like a perfect AI, but the character was", "make a perfect AI have something lacking in his life, and make him", "was a human being and had some emotion, because of her android origin,", "way, but not because he > is lacking something external. […] Your character", "how to make a perfect AI have something lacking in his life, and", "the video explains, you need to make sure your character has a goal,", "need and a want in order to make a dramatic character, but an", "character to evolve in a positive way, he has to > start out", "but for a non-human character, I am not sure how to write them", "the AI doesn't feel unnecessary emotions. Are there some solutions or good approach", "not because he > is lacking something external. […] Your character is incomplete", "this issue? I remember in Ghost of the Shell, the character sounds like", "AI, but the character was a human being and had some emotion, because", "misconception about > either himself, the world, or probably both”. > > >", "character has a goal, a need and a want in order to make", "them while making the world believable by making sure the AI doesn't feel", "world, or probably both”. > > > I was watching this, and I", "is incomplete on > the inside. He is harboring some deeply held misconception", "watching this, and I was wondering how to make a perfect AI have", "explains, you need to make sure your character has a goal, a need", "to make sure your character has a goal, a need and a want", "sure how to write them while making the world believable by making sure", "sounds like a perfect AI, but the character was a human being and", "a human being and had some emotion, because of her android origin, but", "has to > start out with something lacking in his life, some reason", "perfect AI, but the character was a human being and had some emotion,", "to a need and want. Like the video explains, you need to make", "this, and I was wondering how to make a perfect AI have something", "order for your character to evolve in a positive way, he has to", "make a dramatic character, but an AI that's supposed to be perfect shouldn't", "by making sure the AI doesn't feel unnecessary emotions. Are there some solutions", "in his life, and make him pursue a goal due to a need", "I remember in Ghost of the Shell, the character sounds like a perfect", "AI have something lacking in his life, and make him pursue a goal", "inside. He is harboring some deeply held misconception about > either himself, the", "AI doesn't feel unnecessary emotions. Are there some solutions or good approach on", "be perfect shouldn't have those, so how do you solve this issue? I", "unnecessary emotions. Are there some solutions or good approach on developing such problematic", "that makes > the change necessary. He is incomplete in some way, but", "goal due to a need and want. Like the video explains, you need", "He is incomplete in some way, but not because he > is lacking", "his life, some reason that makes > the change necessary. He is incomplete", "incomplete in some way, but not because he > is lacking something external.", "I was watching this, and I was wondering how to make a perfect", "I was wondering how to make a perfect AI have something lacking in", "human being and had some emotion, because of her android origin, but for", "the character was a human being and had some emotion, because of her", "goal, a need and a want in order to make a dramatic character,", "make him pursue a goal due to a need and want. Like the", "character, but an AI that's supposed to be perfect shouldn't have those, so", "start out with something lacking in his life, some reason that makes >", "sure your character has a goal, a need and a want in order", "some emotion, because of her android origin, but for a non-human character, I", "some deeply held misconception about > either himself, the world, or probably both”.", "“In order for your character to evolve in a positive way, he has", "either himself, the world, or probably both”. > > > I was watching", "so how do you solve this issue? I remember in Ghost of the", "to make a perfect AI have something lacking in his life, and make", "because of her android origin, but for a non-human character, I am not", "not sure how to write them while making the world believable by making", "way, he has to > start out with something lacking in his life,", "> is lacking something external. […] Your character is incomplete on > the", "the world believable by making sure the AI doesn't feel unnecessary emotions. Are", "> I was watching this, and I was wondering how to make a", "He is harboring some deeply held misconception about > either himself, the world,", "character sounds like a perfect AI, but the character was a human being", "how to write them while making the world believable by making sure the", "those, so how do you solve this issue? I remember in Ghost of", "something lacking in his life, some reason that makes > the change necessary.", "both”. > > > I was watching this, and I was wondering how", "emotion, because of her android origin, but for a non-human character, I am", "you need to make sure your character has a goal, a need and", "evolve in a positive way, he has to > start out with something", "dramatic character, but an AI that's supposed to be perfect shouldn't have those,", "of the Shell, the character sounds like a perfect AI, but the character", "lacking in his life, some reason that makes > the change necessary. He", "was watching this, and I was wondering how to make a perfect AI", "character was a human being and had some emotion, because of her android", "has a goal, a need and a want in order to make a" ]
[ "that,during a conversation in a book, one character says something sarcastically. As the", "glad to know that's what you think of my politics,\" Intrej said sarcastically.", "want the readers to know that the character was being sarcastic, but I", "that's what you think of my politics,\" Intrej said sarcastically. > > >", "As the author, I want the readers to know that the character was", "> \"I'm glad to know that's what you think of my politics,\" Intrej", "An example is below: > > \"I'm glad to know that's what you", "the author, I want the readers to know that the character was being", "I do not want to say the phrase \"said sarcastically.\" An example is", "think of my politics,\" Intrej said sarcastically. > > > Is there a", "to know that the character was being sarcastic, but I do not want", "example is below: > > \"I'm glad to know that's what you think", "one character says something sarcastically. As the author, I want the readers to", "a book, one character says something sarcastically. As the author, I want the", "book, one character says something sarcastically. As the author, I want the readers", "sarcastically.\" An example is below: > > \"I'm glad to know that's what", "author, I want the readers to know that the character was being sarcastic,", "\"said sarcastically.\" An example is below: > > \"I'm glad to know that's", "in a book, one character says something sarcastically. As the author, I want", "know that's what you think of my politics,\" Intrej said sarcastically. > >", "\"I'm glad to know that's what you think of my politics,\" Intrej said", "sarcastically. > > > Is there a single word that I can use", "I want the readers to know that the character was being sarcastic, but", "want to say the phrase \"said sarcastically.\" An example is below: > >", "not want to say the phrase \"said sarcastically.\" An example is below: >", "> > \"I'm glad to know that's what you think of my politics,\"", "the readers to know that the character was being sarcastic, but I do", "readers to know that the character was being sarcastic, but I do not", "> > Is there a single word that I can use to replace", "sarcastic, but I do not want to say the phrase \"said sarcastically.\" An", "Is there a single word that I can use to replace the phrase", "says something sarcastically. As the author, I want the readers to know that", "know that the character was being sarcastic, but I do not want to", "sarcastically. As the author, I want the readers to know that the character", "said sarcastically. > > > Is there a single word that I can", "that the character was being sarcastic, but I do not want to say", "you think of my politics,\" Intrej said sarcastically. > > > Is there", "character says something sarcastically. As the author, I want the readers to know", "the phrase \"said sarcastically.\" An example is below: > > \"I'm glad to", "my politics,\" Intrej said sarcastically. > > > Is there a single word", "Intrej said sarcastically. > > > Is there a single word that I", "there a single word that I can use to replace the phrase \"said", "below: > > \"I'm glad to know that's what you think of my", "phrase \"said sarcastically.\" An example is below: > > \"I'm glad to know", "of my politics,\" Intrej said sarcastically. > > > Is there a single", "is below: > > \"I'm glad to know that's what you think of", "character was being sarcastic, but I do not want to say the phrase", "a conversation in a book, one character says something sarcastically. As the author,", "what you think of my politics,\" Intrej said sarcastically. > > > Is", "Suppose that,during a conversation in a book, one character says something sarcastically. As", "to say the phrase \"said sarcastically.\" An example is below: > > \"I'm", "> Is there a single word that I can use to replace the", "a single word that I can use to replace the phrase \"said sarcastically\"?", "being sarcastic, but I do not want to say the phrase \"said sarcastically.\"", "but I do not want to say the phrase \"said sarcastically.\" An example", "the character was being sarcastic, but I do not want to say the", "was being sarcastic, but I do not want to say the phrase \"said", "say the phrase \"said sarcastically.\" An example is below: > > \"I'm glad", "> > > Is there a single word that I can use to", "politics,\" Intrej said sarcastically. > > > Is there a single word that", "to know that's what you think of my politics,\" Intrej said sarcastically. >", "do not want to say the phrase \"said sarcastically.\" An example is below:", "something sarcastically. As the author, I want the readers to know that the", "conversation in a book, one character says something sarcastically. As the author, I" ]