ubffm/academic_main_text_classifier_en_annotated

labels int64 0 3	text stringlengths 1 1.23k
1	(21b) means that the property of being a singer applies to the individual u in a specific topic
0	� � þ \�� þJø�N
1	the ruralites, so that their symbol system would be appropriately utilized.
2	(17) (a) I usually read a book about slugs. [=(2)]
2	(Acha my mother’s lover
0	interview ......................................................................................................................... 633
1	used to equate or compare one another. Unlike in simile where one thing is likened to
2	Table 7: Duration and frequency values of /u/ combined with prevocalic
0	�� +-L;.��243�5768.�� 243�+-,M.B=>2 +-L;.��243 � +-,M.10%243 � �� 5768.��2
0	469.615
2	(15) Where ⟦XP⟧ and ⟦YP⟧ ⊆ Dτ, ⟦[[XP] [J [YP]]]⟧ ⊆ Dτ = ⟦XP⟧ � ⟦YP⟧
1	iv. UNIFORMITY: Two distinct segments in the input are not allowed to
2	(15) Zhangsan bi Lisi duo du-le [liang ben xiaoshuo]i.
1	(12f) the locative is scrambled outside its MDA. Thus only the generic reading is left.
1	That is the tone must always be low. This is illustrated in the following
2	(16) According to John, Pete might have to go to Berlin.
1	"Relax1,'
0	31.143
3	Contemporary Syntactic Theory, Blackwell, pp. 299–333.
0	252 Claudia Poschmann
2	41. a. Audù yaa maakèe masà/tà/kà/kì/nà/kù/sù hannuu
1	lies in its appropriateness in usage and this is where it enhances aesthetic effect in
0	– –
2	‘Ladi called for me/him/her/you (ms.)/you (fs.)/us/you (pl.)/them the
0	5714
1	These message designers and information disseminators tend to belong to a
0	!��'�78�
0	&�� /�
2	time night
2	b. Collective use: A and B quarrel.
0	(15) a.
1	' In a note, Hornstein (1995: 237f.. n. 12) comes to the same conclusion with respect to the example
1	3.2 Predicates of Light Emission
0	��$
1	as much as raise a whip if the game escapes. However, there is a flash-back on
2	Will you be there
0	(~8)
0	952
2	(115) ha-horim Seli *(hem) shira ve-yosi kats
1	figure provided by the foreign media range from 8 (Agence France Press. AFP)
1	novels by their patently bohemian and nun conformist temperaments.
2	- *Dosage: Comme dirigé par le médecin.
2	(13)i. Nobody said nothing (to nobody). [13 from Ladusaw 1997:337]
1	earlier help to define focus, a lot depends on the understanding of the rules by the
1	desirable. They, therefore, -‘me attitudinal markers, showing the mood of disgust or
2	QSATURATION = {… q3b, q3c, …} (excluding at least the extreme values in the
3	& Koul 1997):
1	It has been observed that despite the generally negative image of the female gender
0	– (HRA
0	465
0	3684
3	Association of Nigeria, Usman Dan Fodio University, Sokoto, Nov. 4th
2	if the money is substantial, chieftaincy lands.
3	17.4:316-323.
1	One of the main observations is that questions posed and questions faced, although logically
2	the chanter compares the colour of the woman that uses excessive bleaching cream
1	however, we are running into new problems, because not any adjective that is applicable to
1	a ready source of conflict between two powerful rulers, villages or even kingdoms.
1	"specific". Higginbotham (1987, 64) illustrates this by the examples (41) and (42):
1	- - Descript ion of Subpopulations - -
0	13.462
1	– partly competing – requirements. ACE should have sufficient expressive power for the needs
1	� Distinction
1	the object he is describing, using all the details at his disposal. Because he indulges
1	Macika’s fight to cleanse the society and vows to confess his sins, and thereafter
1	Information is power, and at no other stage is this, more crucial than now
1	to the reader in his volumes. It is this reader that the poetic texts are meant for.
1	of our findings. We begin with the definition of stability and its
3	Stanford.
1	"emit". The component "light" functions as an argument, it is true, but does not surface in the
1	in wavelengths (W/L) and fundamental frequencies (F0) of these vowels.
0	955
2	‘Last week, my doctor quarreled with my non-medical practitioner, who by the
0	�#$��!+�@�'�
1	� Integration of ad-
0	1684
0	�& 0 0��?,%&#Å'O�&×�+>�/+p�U��#��/�&?,4,��+�:
2	! J�K(w000),
0	1.483.800
0	11.942
2	(150) IF Few climbers reached the summit.
2	(11) Romanian (Caponigro and Fălăuş, 2017: ex. (47c), (51c), (48c))
1	The test items were tested interspersed with 14 fillers, which included 7 examples of clearly ac-
1	Figure 2: Experiment 1: Filler conditions
1	Rather, the essence of head-hunting, as it has been practiced over the centuries
1	The negative effects of the power of women are even believed among the Yorubas
1	such information to verify their accuracy through a recourse to other sources.
1	hunting factics”. This has a striking parallel with some group of Igbo hunters, in that
1	vi. OBLIGATORY CONTOUR PRINCIPLE (OCP): This constraint prohibits
0	Jeremy 3
0	76
0	22.895
0	��'� ��0��+� �$� �� %� �� � �� F�.�� $� �� .��
0	�� +� ��
1	extra-text.
0	30.700
1	have to formulate a mechanism that is able to map the whole concept onto a scale (say, a scale
2	13a. [ra] ‘body’ b* [ora] ‘body’
1	tonal pattern of the verb concerned. The first group has HH (L) tone
2	("unmarked order")

1

(21b) means that the property of being a singer applies to the individual u in a specific topic

0

� � þ \�� þJø�N

1

the ruralites, so that their symbol system would be appropriately utilized.

2

(17) (a) I usually read a book about slugs. [=(2)]

2

(Acha my mother’s lover

0

interview ......................................................................................................................... 633

1

used to equate or compare one another. Unlike in simile where one thing is likened to

2

Table 7: Duration and frequency values of /u/ combined with prevocalic

0

�� +-L;.��243�5768.�� 243�+-,M.B=>2 +-L;.��243 � +-,M.10%243 � �� 5768.��2

0

469.615

2

(15) Where ⟦XP⟧ and ⟦YP⟧ ⊆ Dτ, ⟦[[XP] [J [YP]]]⟧ ⊆ Dτ = ⟦XP⟧ � ⟦YP⟧

1

iv. UNIFORMITY: Two distinct segments in the input are not allowed to

2

(15) Zhangsan bi Lisi duo du-le [liang ben xiaoshuo]i.

1

(12f) the locative is scrambled outside its MDA. Thus only the generic reading is left.

1

That is the tone must always be low. This is illustrated in the following

2

(16) According to John, Pete might have to go to Berlin.

1

"Relax1,'

0

31.143

3

Contemporary Syntactic Theory, Blackwell, pp. 299–333.

0

252 Claudia Poschmann

2

41. a. Audù yaa maakèe masà/tà/kà/kì/nà/kù/sù hannuu

1

lies in its appropriateness in usage and this is where it enhances aesthetic effect in

0

– –

2

‘Ladi called for me/him/her/you (ms.)/you (fs.)/us/you (pl.)/them the

0

5714

1

These message designers and information disseminators tend to belong to a

0

!��'�78�

0

&�� /�

2

time night

2

b. Collective use: A and B quarrel.

0

(15) a.

1

' In a note, Hornstein (1995: 237f.. n. 12) comes to the same conclusion with respect to the example

1

3.2 Predicates of Light Emission

0

��$

1

as much as raise a whip if the game escapes. However, there is a flash-back on

2

Will you be there

0

(~8)

0

952

2

(115) ha-horim Seli *(hem) shira ve-yosi kats

1

figure provided by the foreign media range from 8 (Agence France Press. AFP)

1

novels by their patently bohemian and nun conformist temperaments.

2

- *Dosage: Comme dirigé par le médecin.

2

(13)i. Nobody said nothing (to nobody). [13 from Ladusaw 1997:337]

1

earlier help to define focus, a lot depends on the understanding of the rules by the

1

desirable. They, therefore, -‘me attitudinal markers, showing the mood of disgust or

2

QSATURATION = {… q3b, q3c, …} (excluding at least the extreme values in the

3

& Koul 1997):

1

It has been observed that despite the generally negative image of the female gender

0

– (HRA

0

465

0

3684

3

Association of Nigeria, Usman Dan Fodio University, Sokoto, Nov. 4th

2

if the money is substantial, chieftaincy lands.

3

17.4:316-323.

1

One of the main observations is that questions posed and questions faced, although logically

2

the chanter compares the colour of the woman that uses excessive bleaching cream

1

however, we are running into new problems, because not any adjective that is applicable to

1

a ready source of conflict between two powerful rulers, villages or even kingdoms.

1

"specific". Higginbotham (1987, 64) illustrates this by the examples (41) and (42):

1

- - Descript ion of Subpopulations - -

0

13.462

1

– partly competing – requirements. ACE should have sufficient expressive power for the needs

1

� Distinction

1

the object he is describing, using all the details at his disposal. Because he indulges

1

Macika’s fight to cleanse the society and vows to confess his sins, and thereafter

1

Information is power, and at no other stage is this, more crucial than now

1

to the reader in his volumes. It is this reader that the poetic texts are meant for.

1

of our findings. We begin with the definition of stability and its

3

Stanford.

1

"emit". The component "light" functions as an argument, it is true, but does not surface in the

1

in wavelengths (W/L) and fundamental frequencies (F0) of these vowels.

0

955

2

‘Last week, my doctor quarreled with my non-medical practitioner, who by the

0

�#$��!+�@�'�

1

� Integration of ad-

0

1684

0

�& 0 0��?,%&#Å'O�&×�+>�/+p�U��#��/�&?,4,��+�:

2

! J�K(w000),

0

1.483.800

0

11.942

2

(150) IF Few climbers reached the summit.

2

(11) Romanian (Caponigro and Fălăuş, 2017: ex. (47c), (51c), (48c))

1

The test items were tested interspersed with 14 fillers, which included 7 examples of clearly ac-

1

Figure 2: Experiment 1: Filler conditions

1

Rather, the essence of head-hunting, as it has been practiced over the centuries

1

The negative effects of the power of women are even believed among the Yorubas

1

such information to verify their accuracy through a recourse to other sources.

1

hunting factics”. This has a striking parallel with some group of Igbo hunters, in that

1

vi. OBLIGATORY CONTOUR PRINCIPLE (OCP): This constraint prohibits

0

Jeremy 3

0

76

0

22.895

0

��'� ��0��+� �$� *�� %� �� *� �� F�.�� $� �� .��

0

�� +� ��

1

extra-text.

0

30.700

1

have to formulate a mechanism that is able to map the whole concept onto a scale (say, a scale

2

13a. [ra] ‘body’ b* [ora] ‘body’

1

tonal pattern of the verb concerned. The first group has HH (L) tone

2

("unmarked order")