ubffm/academic_main_text_classifier_en_annotated

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2	wuu into the forest
0	An Acoustic Investigation of Igbo Vowels 857
1	without making recourse to different types of referential arguments.
1	Our study confirms that SpAs are possible at least with NRCs and shows that the symmetry of
0	�� .��'� A�� +�
1	the other, on scatological features to make their sting bite.
0	�!��!�&�/�*��J��
1	acts o mismanagement. They (the military) raised the hopes of the ruled. But
0	�� $� ��.�� +� �� $��!� �� &2?./� ��
2	brightness
0	Tones of Hausa Direct & Indirect Object Clitic Pronouns
1	of our being in the midst of plenty, we are still dying of privation.
0	3
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1	instrumental case, provided that the copula is non-zero, i.e., that it occurs in the past tense or
1	assumed and the poet does fully and freely take him through the sights and sounds of
0	":òÀï"ï�éÜì"î 6 éÜî�éÜì�ò.�õô��MòÀï°ô øùî�÷TòJí4ñæø��}ê��õé�ï�é%ô î>ï�è�ô íÄé��xêNéÜì"ôE�}éÜîðï4òÀû ï�éæì4ò.� øJö�ïÌï�÷TéæîðïJ%�
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1	The two types of dynamics discussed in the previous section will be assumed in the explanation
1	the general framework of the paper. The motivations for the theory and its
0	– + (+) +
2	(11) a. “You want candy.”
0	�� $�� .��0�� $�� '� @�!��
0	-208
2	(iii) Decipher other relevant communicative and sociolinguistic indices in the
1	on manner modification cannot be used as an argument against a neo-Davidsonian analysis of
2	excerpts below are used for illustration:
2	#‘It is the Anna, Emil pair of whom the first called the second.’ (pair-reading)
1	- Jinu in Darazo LGA with 50 speakers
2	Okwu sie ike ndi uwe ojii…erie ego.
1	(13 lexical items, 2053 observations), whereas the three lexical items in group
0	��'� �� !� 5�� &6726/� �� $��"��
1	Maienborn assumes that these copulas have basically the same meaning as their English
0	!c37b) \\\ j(42d)
2	Or that her father is among those that scratch from the hand to the
0	�� &+ �� _ þ;`§� � ç ��WB#%�� Ê�� Wþ W þ X\ þ;� ÕLþ þ W@��V�� þ³Õ W@��³�S��W ø�N3Nªö�ù�hdh¡ecù�hlúZü�ö
2	mo ra
1	that they are not ordinary human beings. There must be something extra ordinary
0	03. Mrz
0	1124
0	446
0	!�� 0�� $�� !�0�� !�$�
2	Bikonu, eze naria a o bu eze gini?
3	the Italian by Willian~ Weaver. San Diego; New York; London: Harcourt Brace &
2	(12) a. Ein Motorrad knattert über die Landstraße. (A motorbike crackles over the road)
2	(1) a. yo habl-o b. tú habla-s c. el/ella habla-Ø
1	NGP “my land” which is preceded by the exclamation “oh”. The contrastive co-
2	Da acha mara mara l’akpu kpo
2	“Audù bought you/her/you/them/us food”
2	The monkey with soiled hands
1	relationship that exists between language and literature. Given its deep concern
1	sundry. Unfortunately, the society does not bother to find out how these vulgar
2	#: Out of the blue (there is only one PM: Modi)
1	Ama onye iro m egbubie ya. My enemy would have cut it.
1	preceding syllable) > rây (vowel reduction due to Hausa syllable structure
0	1796
1	(10), (19), (30b), (32), and (42), in which case the higher clause (but not the
0	� �� ÑI��
2	But now
2	(10) a. Das
2	(140) a. John lifts exactly two tables.
1	impinges itself on his recollective consciousness. In 8), he addresses the medicinal
0	"Ü�
0	�� @1��
1	facts of tone languages such as contour tone, floating tone, tone stability,
1	population and the constancy of rural attitude on several issues are assumptions that
2	(135) Two men tell several children a story.
2	(16) John carelessly keep silent / carelessly interfered with the conversation.
3	Osundare’s Poetry”. EJOLLS. Volume 9, September. 1999. 6-22.
2	- *Par jour ou selon l’avis du médecin.
1	dependence of descriptive content of the indefinite from the value for professor. The
2	(14) Relative clause
1	We concede that the approach to literary esthetics espoused here is only one of
2	(147) Scoping 2: Scope Strength 16
0	11.038
2	(13) Three committees gathered.
1	Potebnja (1958:504) indicates another interpretation of the variants in (1a/b). According to
2	("The way-construction")
1	# Corpus: IBM AS/400
2	(10) Ion î� i scrie lucrarea de licenŃ ă
1	published in 1991, he has established himself not only as a writer with a conscience,
2	(16) a. The costs of this technology were at that time too high compared to diskettes for
1	of the oval, and you know it, you might truly and rightfully answer that only b comes; however,
2	(113)Ta pani jest pre~eremAnglii. .
2	(10) The woman/ who saw the boy/ also saw/ the man/ yesterday/ on her way to work.
1	Here the whole body, that is, Acha the gunman, is represented by the lips. Naturally,
1	� to challenge students to relate Yoruba oral literature to their real eye
1	familiar to the target-communities and help to supply new terms whenever the
2	And has decreed: Away with rest; away with honest living!’
0	�� $�� 0��.�� $�� .�� !��
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1	resources of the Igho language to convey his thoughts. Satire, among the Igbo
2	(15) Many men came to the party.
2	(10) a. C’est
1	is made possible by the use of created imagery. Another is to note how the chanter
0	�� *��%+� �� !� ��
2	- *la dose trop forte est découragée sauf prescrite par le médecin.
1	and (b) the process of tone hopping to the mora of the preceding
2	(11) Jeder Postler wurde entlassen, weil die Post wohl privatisiert wird.

2

wuu into the forest

0

An Acoustic Investigation of Igbo Vowels 857

1

without making recourse to different types of referential arguments.

1

Our study confirms that SpAs are possible at least with NRCs and shows that the symmetry of

0

�� .��*'� A�� *+�

1

the other, on scatological features to make their sting bite.

0

�!��!�&�/�*��J��

1

acts o mismanagement. They (the military) raised the hopes of the ruled. But

0

�� $� ��.�� +� *�� $��!� �� &2?./� *��

2

brightness

0

Tones of Hausa Direct & Indirect Object Clitic Pronouns

1

of our being in the midst of plenty, we are still dying of privation.

0

3

0

�� $��#�0��

1

instrumental case, provided that the copula is non-zero, i.e., that it occurs in the past tense or

1

assumed and the poet does fully and freely take him through the sights and sounds of

0

":òÀï"ï�éÜì"î 6 éÜî�éÜì�ò.�õô��MòÀï°ô øùî�÷TòJí4ñæø��}ê��õé�ï�é%ô î>ï�è�ô íÄé��xêNéÜì"ôE�}éÜîðï4òÀû ï�éæì4ò.� øJö�ïÌï�÷TéæîðïJ%�

0

�� 0��0��*+� �� +�

1

The two types of dynamics discussed in the previous section will be assumed in the explanation

1

the general framework of the paper. The motivations for the theory and its

0

– + (+) +

2

(11) a. “You want candy.”

0

�� $�� .��0�� $�� '� @�!��

0

-208

2

(iii) Decipher other relevant communicative and sociolinguistic indices in the

1

on manner modification cannot be used as an argument against a neo-Davidsonian analysis of

2

excerpts below are used for illustration:

2

#‘It is the Anna, Emil pair of whom the first called the second.’ (pair-reading)

1

- Jinu in Darazo LGA with 50 speakers

2

Okwu sie ike ndi uwe ojii…erie ego.

1

(13 lexical items, 2053 observations), whereas the three lexical items in group

0

��'� �� !� 5�� &6726/� �� $��"��

1

Maienborn assumes that these copulas have basically the same meaning as their English

0

!c37b) \\\ j(42d)

2

Or that her father is among those that scratch from the hand to the

0

�� &+ �� _ þ;`§� � ç ��WB#%�� Ê�� Wþ W þ X\ þ;� ÕLþ þ W@��V�� þ³Õ W@��³�S��W ø�N3Nªö�ù�hdh¡ecù�hlúZü�ö

2

mo ra

1

that they are not ordinary human beings. There must be something extra ordinary

0

03. Mrz

0

1124

0

446

0

!�� 0�� $�� !�0�� !�$�

2

Bikonu, eze naria a o bu eze gini?

3

the Italian by Willian~ Weaver. San Diego; New York; London: Harcourt Brace &

2

(12) a. Ein Motorrad knattert über die Landstraße. (A motorbike crackles over the road)

2

(1) a. yo habl-o b. tú habla-s c. el/ella habla-Ø

1

NGP “my land” which is preceded by the exclamation “oh”. The contrastive co-

2

Da acha mara mara l’akpu kpo

2

“Audù bought you/her/you/them/us food”

2

The monkey with soiled hands

1

relationship that exists between language and literature. Given its deep concern

1

sundry. Unfortunately, the society does not bother to find out how these vulgar

2

#: Out of the blue (there is only one PM: Modi)

1

Ama onye iro m egbubie ya. My enemy would have cut it.

1

preceding syllable) > rây (vowel reduction due to Hausa syllable structure

0

1796

1

(10), (19), (30b), (32), and (42), in which case the higher clause (but not the

0

� �� ÑI��

2

But now

2

(10) a. Das

2

(140) a. John lifts exactly two tables.

1

impinges itself on his recollective consciousness. In 8), he addresses the medicinal

0

"Ü�

0

�� @1��

1

facts of tone languages such as contour tone, floating tone, tone stability,

1

population and the constancy of rural attitude on several issues are assumptions that

2

(135) Two men tell several children a story.

2

(16) John carelessly keep silent / carelessly interfered with the conversation.

3

Osundare’s Poetry”. EJOLLS. Volume 9, September. 1999. 6-22.

2

- *Par jour ou selon l’avis du médecin.

1

dependence of descriptive content of the indefinite from the value for professor. The

2

(14) Relative clause

1

We concede that the approach to literary esthetics espoused here is only one of

2

(147) Scoping 2: Scope Strength 16

0

11.038

2

(13) Three committees gathered.

1

Potebnja (1958:504) indicates another interpretation of the variants in (1a/b). According to

2

("The way-construction")

1

# Corpus: IBM AS/400

2

(10) Ion î� i scrie lucrarea de licenŃ ă

1

published in 1991, he has established himself not only as a writer with a conscience,

2

(16) a. The costs of this technology were at that time too high compared to diskettes for

1

of the oval, and you know it, you might truly and rightfully answer that only b comes; however,

2

(113)Ta pani jest pre~eremAnglii. .

2

(10) The woman/ who saw the boy/ also saw/ the man/ yesterday/ on her way to work.

1

Here the whole body, that is, Acha the gunman, is represented by the lips. Naturally,

1

� to challenge students to relate Yoruba oral literature to their real eye

1

familiar to the target-communities and help to supply new terms whenever the

2

And has decreed: Away with rest; away with honest living!’

0

�� $�� 0��.�� $�� .�� !��

0

(.31894)

0

#��4=+X@i��é=+6�/+0%7#��sÜ�ÌsõÅ')#�*(�U%��\#s�Ö'_��&�s'9#��/�Ö �#��8��, 0�U��+�Ó(+0C3��5�+6'6:Ýj��%(�U��8w#/*,+H�zû��$ÿ��zÿ0ý%�Xü �,�,û��Iü(ÿ��ø'O#��U#/+p'�#�*(�$#BÜ8ÌsõÅ'ÝË&û�'��$#��'O��8wà ��%A "��-,��+ÁõX2�4,?i#�#�*(�$##/*,+m'O?,�/�1�� 0+X�/+6-,��+6'/+0%&#��$#��&%��U� �¥'/+0%7#/+6%( "+a 6�U%£��4('� "?,��+.#/*,�Ö's�1�& �#�4A+p 0��?('O+aõs%(��-,*,��'s?,%(@,+0��×m�$5�+0×�+6%&#.�$#.ÜVÝ�:�� 9:aÜÕ+04=+p�U?iC ã9ç& '"#*&è 2�à �Ö 0� ãOç! #" X è 28��*,��×z'/Û78 ã9ç& '"'(7è 2�Ú)�$#/#/�Ö'9#�+0�� ã9ç! #"' 7è 2

1

resources of the Igho language to convey his thoughts. Satire, among the Igbo

2

(15) Many men came to the party.

2

(10) a. C’est

1

is made possible by the use of created imagery. Another is to note how the chanter

0

�� *��%+� �� !� ��

2

- *la dose trop forte est découragée sauf prescrite par le médecin.

1

and (b) the process of tone hopping to the mora of the preceding

2

(11) Jeder Postler wurde entlassen, weil die Post wohl privatisiert wird.