id stringlengths 66 88 | text stringlengths 46 1.7k | duration float64 2.32 30 | dnsmos float64 2.8 3.65 | sampling_rate int64 24k 24k | path stringlengths 79 101 | audio_content_token_indices listlengths 58 749 | audio_global_embedding listlengths 128 128 | audio_token_len int64 58 749 | audio_duration float64 2.32 30 |
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bilibili_data_1734634907_BV1L44y1D7H9_p18_BV1L44y1D7H9_p18_m4-dialogue_0927825 | [S1] No, you will not. [S2] Said Mom. [S1] I will play in here. [S2] Said Bingo. [S1] No, you will not. [S2] Said Mom. [S1] Can I play in here? [S2] Said Bingo. [S1] No, no, no. [S2] Said Mom. [S1] But you can play here. [S2] Said Mom. | 25.56 | 2.83137 | 24,000 | audio/en/bilibili_data_1734634907_BV1L44y1D7H9_p18_BV1L44y1D7H9_p18_m4-dialogue_0927825.mp3 | [
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bilibili_data_1734634907_BV1L44y1D7H9_p25_BV1L44y1D7H9_p25_m4-dialogue_0131665 | [S1] Yes, I can help. [S2] Said Titch. [S1] I can see a fish. [S2] Said Monty. [S1] Can you? [S2] Said Titch. [S1] I can see a big fish. [S2] Said Monty. [S1] It is a shark. [S2] Said Titch. [S1] Help! [S2] Said Monty. | 25.32 | 2.920722 | 24,000 | audio/en/bilibili_data_1734634907_BV1L44y1D7H9_p25_BV1L44y1D7H9_p25_m4-dialogue_0131665.mp3 | [
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bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967795 | [S1] I can't do up my trousers. My tummy is too big. I don't like my big tummy. [S2] Said Pete. [S1] What can I do? [S2] I will help you. [S1] Said Beaky. [S2] Do what I do. | 19.36 | 3.05264 | 24,000 | audio/en/bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967795.mp3 | [
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bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967796 | [S1] Beaky ran up and down. Pete ran up and down. Beaky jumped up and down. Pete jumped up and down. "I want to stop now," said Pete. [S2] No. [S1] Said Beaky. [S2] You can't stop. [S1] Pete ran up and down and up and down. He jumped up and down and up and down. | 28.36 | 2.828993 | 24,000 | audio/en/bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967796.mp3 | [
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bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967797 | [S1] Can I stop now? [S2] Said Pete. [S1] Yes, you can. [S2] Said Beaky. [S1] Now my tummy is not too big. [S2] Said Pete. [S1] I can do up my trousers. [S2] Oh, no! Said Beaky. [S1] Thundering cannonballs! [S2] Said Pete. | 23.24 | 2.964528 | 24,000 | audio/en/bilibili_data_1734634907_BV1L44y1D7H9_p55_BV1L44y1D7H9_p55_m4-dialogue_0967797.mp3 | [
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bilibili_data_1734634907_BV1LF4m1E77J_p13_BV1LF4m1E77J_p13_m4-dialogue_1036289 | [S1] Mm, so, what are you doing? [S2] Oh? [S1] You were collecting flowers. We should put them in a vase. [S2] [LAUGHS] [S1] And now let's go and spin the carousel. | 17.64 | 2.800696 | 24,000 | audio/en/bilibili_data_1734634907_BV1LF4m1E77J_p13_BV1LF4m1E77J_p13_m4-dialogue_1036289.mp3 | [
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bilibili_data_1734634907_BV1em421E7f8_p3_BV1em421E7f8_p3_m4-dialogue_0012214 | [S1] Don't you want to buy anything else, Papa? [S2] Well, I've only got one pea left. Do you have anything for one pea? [S1] Yes, I have these bubbles. [S2] Oh, here you go. Thank you very much. [S1] You're welcome, Papa. | 20.56 | 2.983115 | 24,000 | audio/en/bilibili_data_1734634907_BV1em421E7f8_p3_BV1em421E7f8_p3_m4-dialogue_0012214.mp3 | [
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bilibili_data_1734634907_BV1jH4y1G7hu_p2_BV1jH4y1G7hu_p2_m4-dialogue_0931241 | [S1] The leather has to be tough enough to protect my queen. Tougher than my fingers. What I need is a thimble. [S2] What's a thimble? [S1] It's a small metal cover for your fingers. It's a lot easier to sew leather if you've got a metal fingertip. I have a special one of my own, but I forgot to bring it. [S2] I never thought sewing would be so hard. [S1] Try this. | 24.16 | 2.879927 | 24,000 | audio/en/bilibili_data_1734634907_BV1jH4y1G7hu_p2_BV1jH4y1G7hu_p2_m4-dialogue_0931241.mp3 | [
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bilibili_data_1734634907_BV1jH4y1G7hu_p2_BV1jH4y1G7hu_p2_m4-dialogue_0931244 | [S1] As Hamish passed the thimble to Elliot, he was surprised how small it was. He couldn't believe this tiny little thimble would help a queen prepare for battle against the mighty Viking army. He put it carefully in his pocket. [S2] Thank you for your help. [S1] Oh, it's a pleasure. And tell Agnes I hope she finishes the battle dress in time. [S2] I will. | 21.48 | 2.815807 | 24,000 | audio/en/bilibili_data_1734634907_BV1jH4y1G7hu_p2_BV1jH4y1G7hu_p2_m4-dialogue_0931244.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p21_BV1kN411x7nX_p21_m4-dialogue_0411674 | [S1] They sign special papers so they can separate or live apart. They can also divorce, which means they end their marriage. That allows them to marry other people later if they want to. [S2] [BEEP] [S1] Divorce is not an easy choice, but sometimes it's best for the family. Parents may fight less and be a lot happier. | 25.48 | 3.279436 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p21_BV1kN411x7nX_p21_m4-dialogue_0411674.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p28_BV1kN411x7nX_p28_m4-dialogue_0047430 | [S1] Signs can share information, give directions, remind us to do things, or warn us about things. Uh, watch out for the wet paint, Moby. [S2] [BEEP] [S1] Some signs use symbols or pictures that stand for words. This is the crosswalk symbol. It marks a special area where it's safe to cross the street. | 29.4 | 3.188568 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p28_BV1kN411x7nX_p28_m4-dialogue_0047430.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p28_BV1kN411x7nX_p28_m4-dialogue_0047432 | [S1] Some signs warn us about things so we don't get hurt or harm others. [S2] [BEEP] [S1] Well, signs can tell us about stuff that's poisonous or dangerous to eat or drink. They can warn us about stuff that's dangerous and we shouldn't touch. Some signs tell us where to find important things, like first aid kits, fire alarms, and exits. | 29.16 | 2.893159 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p28_BV1kN411x7nX_p28_m4-dialogue_0047432.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p2_BV1kN411x7nX_p2_m4-dialogue_0859722 | [S1] If you're too angry to talk to anyone, then tell people you need to be left alone for a little while. Later, think about what you can do to make the situation better. I'm gonna talk to Mia about it. [S2] [BEEP] [S1] Right, Moby. I should probably calm down first. | 19.92 | 2.821335 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p2_BV1kN411x7nX_p2_m4-dialogue_0859722.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p4_BV1kN411x7nX_p4_m4-dialogue_1039251 | [S1] No, Moby. You don't get chickenpox from chickens. [S2] What is chickenpox? [S1] A virus is a type of germ that can spread inside living things and cause illnesses. Colds and flu are caused by viruses. [S2] Chickenpox is caused by a virus, too. [S1] The chickenpox virus enters the body and starts growing and spreading. | 29.64 | 3.121293 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p4_BV1kN411x7nX_p4_m4-dialogue_1039251.mp3 | [
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bilibili_data_1734634907_BV1kN411x7nX_p8_BV1kN411x7nX_p8_m4-dialogue_0623262 | [S1] Moby, you don't have hair, so I wouldn't worry. But I should tell my other friends to get checked. [S2] How can you check for lice? [S1] Our school nurse helps us check for head lice. He uses a bright light and two sticks to look at the hair behind the ears and at the back of the neck. That's where lice and nits like to hang out because it's warm. | 24.6 | 3.314258 | 24,000 | audio/en/bilibili_data_1734634907_BV1kN411x7nX_p8_BV1kN411x7nX_p8_m4-dialogue_0623262.mp3 | [
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bilibili_data_1734634907_BV1uh4y1M7BR_p6_BV1uh4y1M7BR_p6_m4-dialogue_0518777 | [S1] Ooh. [S2] Ha-ha. [S1] If you go in underwater, you're going to have to keep your feet dry, tea. [S2] Huh. [S1] Ooh. | 19.24 | 2.824332 | 24,000 | audio/en/bilibili_data_1734634907_BV1uh4y1M7BR_p6_BV1uh4y1M7BR_p6_m4-dialogue_0518777.mp3 | [
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bilibili_data_1734634907_BV1uh4y1M7BR_p7_BV1uh4y1M7BR_p7_m4-dialogue_0658302 | [S1] Mm-mm-mm-mm-mm. [S2] They still aren't ready tea. [S1] Oh. [S2] Maybe you need another job. [S1] Ooh-ah, ooh-ah. [S2] Ooh-ah. [music] | 11.84 | 2.972556 | 24,000 | audio/en/bilibili_data_1734634907_BV1uh4y1M7BR_p7_BV1uh4y1M7BR_p7_m4-dialogue_0658302.mp3 | [
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bilibili_data_1734634907_BV1uh4y1M7BR_p9_BV1uh4y1M7BR_p9_m4-dialogue_0341850 | [S1] Ooh, ah, ooh, ah, ah. Yes, you better pick your trucks up before someone gets hurt-y. [S2] Oh. [S1] Ah, ooh. [S2] [GASPS] [S1] [SIGHS] [S2] [SCREAMS] [S1] Ooh. [S2] Wah. | 20.36 | 2.848855 | 24,000 | audio/en/bilibili_data_1734634907_BV1uh4y1M7BR_p9_BV1uh4y1M7BR_p9_m4-dialogue_0341850.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820399 | [S1] ... bilan, page 44. [S2] Bonsoir. Aujourd'hui, dans notre émission, les gens qui n'ont pas de chance, j'ai invitée Louise. Alors, Louise, vous avez 92 ans et vous avez été mariée combien de fois ? [S1] J'ai été mariée cinq fois. [S2] Pour votre premier mariage, vous aviez 17 ans, je crois. | 21.92 | 2.954181 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820399.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820400 | [S1] Votre troisième mari était italien, n'est-ce pas ? [S2] Oui. Giovanni était un homme joyeux, agréable, mais malhonnête. Il a été tué par la police pendant le cambriolage d'une banque. [S1] Et après, vous avez rencontré Joseph. | 14.32 | 3.275972 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820400.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820401 | [S1] Nous arrivons à votre dernier mari, Emile. [S2] J'ai connu Emile à la maison de retraite où j'habite. À notre mariage, nous nous sommes bien amusés. Peut-être trop. Il est mort deux jours plus tard. Ça fait cinq mois qu'il n'est plus là. [S1] Alors Louise, les mariages, c'est terminé ? | 18.92 | 3.391217 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820401.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820402 | [S1] ... bilan, page 44. [S2] Bonsoir. Aujourd'hui, dans notre émission, les gens qui n'ont pas de chance, j'ai invité Louise. Alors, Louise, vous avez 92 ans et vous avez été mariée combien de fois ? [S1] J'ai été mariée cinq fois. [S2] Pour votre premier mariage, vous aviez 17 ans, je crois. | 21.92 | 3.004989 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820402.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820403 | [S1] Votre 3e mari était italien, n'est-ce pas ? [S2] Oui. Giovanni était un homme joyeux, agréable, mais malhonnête. Il a été tué par la police pendant le cambriolage d'une banque. [S1] Et après, vous avez rencontré Joseph. | 14.36 | 3.271894 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820403.mp3 | [
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bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820404 | [S1] Nous arrivons à votre dernier mari, Emile. [S2] J'ai connu Emile à la maison de retraite où j'habite. À notre mariage, nous nous sommes bien amusés. Peut-être trop. Il est mort deux jours plus tard. Ça fait cinq mois qu'il n'est plus là. [S1] Alors Louise, les mariages, c'est terminé ? | 18.92 | 3.316367 | 24,000 | audio/en/bilibili_data_17390647_BV1X24y157Di_p20_BV1X24y157Di_p20_m4-dialogue_0820404.mp3 | [
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bilibili_data_17390647_BV1d54y1P7qS_p11_BV1d54y1P7qS_p11_m4-dialogue_0046689 | [S1] Alors, Madame Mignot, vous avez beaucoup de temps libre maintenant. Vous vous levez tard ? [S2] Oh non ! Le matin, je me lève tôt comme d'habitude, mais maintenant, je ne me dépêche plus. Je prends mon petit-déjeuner tranquillement. Après, je me douche, je m'habille et je m'occupe de mon chat. [S1] Et qu'est-ce que vous faites ? Vous n'allez plus au bureau ? [S2] Non. | 26.68 | 3.169584 | 24,000 | audio/en/bilibili_data_17390647_BV1d54y1P7qS_p11_BV1d54y1P7qS_p11_m4-dialogue_0046689.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443552 | [S1] Well, I'm off. Don't stay too late. [S2] I've got at least two hours more to get this report done. Liz wants it on her desk by 8 a.m. Say, what's your secret, John? You have so much going on, but you're always done by five. [S1] Well, it's all about prioritization. I simply look at what needs to get done first and I tackle that. [S2] Well, I thought I did that too. Do you have any advice? [S1] Let's take a look at how you spent your day. | 27.72 | 3.035572 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443552.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443554 | [S1] Let's see. I spent some time reviewing next month's product brochure, and then I set up a meeting to plan next month's conference presentation. And then I did some research on our competitors' new products. [S2] All right. So why are you working on Liz's report right now? [S1] I started it right after my meeting with Bob. He's taking the next two days off. | 19.64 | 2.931489 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443554.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443555 | [S1] So he won't be working on the budget until he gets back, right? [S2] That's right. [S1] The key is prioritizing your tasks. So the stuff you need to finish first gets finished on time, and then you can move on to less urgent tasks. I would have done Liz's report before any of the other items. I would have politely asked Bob to come back later. He understands prioritization. And all the other things you mentioned weren't really that urgent. They're all important, but you don't need to finish them today. | 27.92 | 2.921364 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443555.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443556 | [S1] I think I get it. [S2] Next time I have something due the following day, I'll focus on that first. [S1] And keep in mind when I need to have things done as well as when I need to get things done. | 10.48 | 3.104841 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p2_BV1Qu411a71H_p2_m4-dialogue_0443556.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p3_BV1Qu411a71H_p3_m4-dialogue_0199942 | [S1] Hey, thanks again for helping me. I really do appreciate your advice. [S2] No problem, Tim. By the way, how's the family? [S1] Oh, everyone's great, but, well, that's part of my problem. I want to spend more time with them, but lately there's been so much work that I never get to leave on time. [S2] Well, you seem pretty busy whenever I see you. Have you thought about doing some time tracking so you can see how you're spending your time? You might be able to cut out some things that aren't really necessary, Tim. | 28.24 | 3.206883 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p3_BV1Qu411a71H_p3_m4-dialogue_0199942.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p3_BV1Qu411a71H_p3_m4-dialogue_0199943 | [S1] Oh, yeah, I've heard of that. How does it work? [S2] Easy. Just keep a log of what you're doing. Write it down every 30 minutes. [S1] Oh, okay, I get it. So if I'm, say, checking emails between 8 and 8:30, I would put that down in the log. [S2] That's right. Do it all day long for a week so you get a good idea of how you're spending your time. And you have to be honest. If you spend a half an hour watching football highlights instead of working, you have to write that down. | 27.52 | 3.073023 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p3_BV1Qu411a71H_p3_m4-dialogue_0199943.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p6_BV1Qu411a71H_p6_m4-dialogue_0654407 | [S1] Aha, here it is. I'll just pop it in an email. Ugh, I can't get anything done. [S2] What's the problem? [S1] I'm getting so many emails and texts, and I've got this report due at 2 PM. Ugh. [S2] Relax. You might want to save up all those emails and deal with them after you finish your report. And same thing for the text messages. [S1] But I gotta answer Jane. She's our boss. [S2] Well, maybe, if it's something urgent. But has she been emailing you all afternoon? | 29 | 2.977105 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p6_BV1Qu411a71H_p6_m4-dialogue_0654407.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p6_BV1Qu411a71H_p6_m4-dialogue_0654408 | [S1] No, just once. [S2] Okay. What about the others and the text? [S1] You're right. They weren't that urgent. But when something beeps, I can't resist checking. [S2] Remember what you learned in the productivity training class? [S1] Yeah. I guess I better do what they suggested. I'll put my phone in a drawer and then do emails after I turn in the report. | 21.84 | 2.930826 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p6_BV1Qu411a71H_p6_m4-dialogue_0654408.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p7_BV1Qu411a71H_p7_m4-dialogue_0928364 | [S1] Ah, peace and quiet. I better skip checking Facebook right now. That report is due before noon. All right, let's double check those budget figures so I'll be ready for the meeting. Maybe I can sit near the door so I can sneak out if it drags on too long. Tim, are you there? [S2] Yeah, right here. [S1] Can you do me a favor? [S2] Sure, what do you need? | 26.8 | 2.859267 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p7_BV1Qu411a71H_p7_m4-dialogue_0928364.mp3 | [
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bilibili_data_1743643119_BV1Qu411a71H_p7_BV1Qu411a71H_p7_m4-dialogue_0928365 | [S1] For today's budget meeting, I need to leave a bit early, right after I present the numbers. Can you take notes for me after that? [S2] No problem. You can count on me. [S1] Great. Thank you. Nice. That will give me some extra time to start preparing my conference presentation. Everyone will be at the meeting, so it'll be really quiet around here and I'll get a lot done. | 20.48 | 3.032573 | 24,000 | audio/en/bilibili_data_1743643119_BV1Qu411a71H_p7_BV1Qu411a71H_p7_m4-dialogue_0928365.mp3 | [
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bilibili_data_1758063476_BV1Nq4y1r7R2_p14_BV1Nq4y1r7R2_p14_m4-dialogue_0819867 | [S1] Well, said the geographer expectantly. [S2] Oh, where I live, said the little prince. It is not very interesting. It is all so small. I have three volcanoes. Two volcanoes are active and the other is extinct. But one never knows. [S1] One never knows, said the geographer. [S2] I have also a flower. [S1] We do not record flowers, said the geographer. [S2] Why is that? The flower is the most beautiful thing on my planet. | 29.2 | 2.889504 | 24,000 | audio/en/bilibili_data_1758063476_BV1Nq4y1r7R2_p14_BV1Nq4y1r7R2_p14_m4-dialogue_0819867.mp3 | [
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bilibili_data_1758063476_BV1Nq4y1r7R2_p14_BV1Nq4y1r7R2_p14_m4-dialogue_0819868 | [S1] We do not record them, said the geographer, because they are ephemeral. [S2] What does that mean, ephemeral? [S1] Geographies, said the geographer, are the books which, of all the books, are most concerned with matters of consequence. They never become old fashioned. It is very rarely that a mountain changes its position. | 21.44 | 2.929425 | 24,000 | audio/en/bilibili_data_1758063476_BV1Nq4y1r7R2_p14_BV1Nq4y1r7R2_p14_m4-dialogue_0819868.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272639 | [S1] And you can also add some, like leave some out of the staging area. [S2] Yeah. [S1] So that you don't want to go into the commit, but stuff you've changed. [S2] Yeah. Let's say my commit wants to be about posting comments only. Then the profile picture has nothing to do with it. So I can only, I can, I'm able to just take a subset of the code change, changes I have, and add it to the staging area. Now, let's say that we want to solidify the commit. | 21.96 | 2.97537 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272639.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272640 | [S1] So we take all of our code changes in the staging area and do git commit -m with a commit message. So just add post, ask po- ask, adding post comment functionality, and then it'll be right there on the top of our Git log. [S2] Yay, you committed. Good for you. [S1] So- [S2] [LAUGHS] | 18.52 | 3.055894 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272640.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272641 | [S1] Um, I have a bucket hats.js file that I'm going to have conflicting information on. So first, what I'm going to do is I'm going to create a new branch called bucket Abby. [S2] Wait, can we log to see where we are? [S1] Oh, so if I did get logged, I see that there's only one single commit, which is just the start of the repository. [S2] And this is on branch main. [S1] And this is on the main branch. Now I can do get, check out. | 27.2 | 2.906954 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272641.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272642 | [S1] pointy hat, Abby. [S2] Right. [S1] And in my log, I see that I don't have the blanket hat Abby gave me. I only have the one for the start of the repository, and the Abby has a pointy hat. | 13.28 | 2.844526 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272642.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272643 | [S1] Um, I see multiple options here. Accept current change, accept incoming change, accept both. And because I want the Abby as a bucket hat option, I'm going to just say accept incoming change. [S2] And we could even change that to be whatever we want. So if you wanted to say like Abby has a big bucket hat, then that could also be part of the merge conflict resolution. You can do whatever you want. [S1] Yeah. So in making the merge commit, I'm going to the get app, get commit dash M, merge resolution. | 28.12 | 2.846217 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272643.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272644 | [S1] And if I do get long, I see that I have the changes, both changes merged into my main branch, and I also have a new merge commit for merging the two together. So that's how you resolve a merge conflict. [S2] So now all four of these commits are going to be in our history. [S1] Yeah. So now we can see we have a merged history that says that Abby just is just wearing a bucket hat. | 27.68 | 3.045755 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272644.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272645 | [S1] Yeah. Now what we can also do is we no longer need the original branch anymore. So we can actually delete the original branch that we have. [S2] Can we go back? Um, why don't you get branch? [S1] Yeah. So if I do get branch right now, you can see that I have bucket hat Abby and I have the main branch. [S2] Even though we merged bucket Abby into, into main, it didn't delete the branch. It's still there. | 23.24 | 2.850764 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272645.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272646 | [S1] Then he does git push to try and push that merge commit. So push that merge to remote and do the same thing on remote as he did on local. [S2] Oh no, it's running a cock blocked again. [S1] That's crazy. [S2] That's so crazy. [S1] It says, "Updates were rejected because the remote can do work that you do not have locally." Hmm. [S2] What happened? | 20.52 | 3.173191 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272646.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272648 | [S1] And also, I can also fetch this newly made remote main by going, by checking out into our personal local main branch and doing get pull. [S2] Mm-hmm. [S1] Taking all the changes on remote main and pulling it onto my own computer. [S2] 'Cause the pull request being completed, that merge happening, was something that all happened in GitHub on the remote server. And so in order for my, Tony's local copy to reflect that, he has to do get pull. | 28 | 2.966624 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272648.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272649 | [S1] So once we are done with that, we no longer need that new feature branch. So good practice is locally doing get branch-d, web app center, to basically yeet that branch 'cause we don't actually need it anymore. And on github.com, also manually deleting and pressing the delete button on it. [S2] You can also have it automatically delete when you make your pull request. [S1] Yeah, there's a little checkbox that says, "Delete my feature branch after, after, after pulling it in." | 26.92 | 3.094883 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272649.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272651 | [S1] Okay. So let's say that Tony is working and he's made some changes to some files, but he's, hasn't solidified it into a commit yet. He's still working on it. But then he wants to check out to a different branch. Like maybe he wanted to go back and see what Maine looked like and, um, yeah, to like reference the last, the version of code that's in Maine, um, to base his code off of it or something like that. [S2] Oh. [S1] So he does get checkout Maine. | 29 | 3.077351 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272651.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272652 | [S1] Oh, no. He got cock blocked again. [S2] Upside down this time. [S1] Upside down this time. What happened? [S2] Error. Your local changes to the following files will be overwritten by checkout. Hmm. It says, please commit your changes or stash them before you switch branches. Okay. Well, Tony isn't ready to commit those changes yet, but the problem is, in order for him to check out to main, checking out to a different branch moves the head pointer. That means that it changes where the, like, part of the commit history tree that | 29 | 2.904373 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p23_BV1Pt421J7Sf_p23_m4-dialogue_0272652.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p24_BV1Pt421J7Sf_p24_m4-dialogue_0857592 | [S1] And the function that we're passing into this on logout success is the handle logout function that we just made. Um, and then it looks like the other two stay the same. [S2] Any questions on this code before I untask it? [S1] Okay. Um, so now if we refresh our page, let's try logging in. | 28.96 | 3.183353 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p24_BV1Pt421J7Sf_p24_m4-dialogue_0857592.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304896 | [S1] All right, so if not, I'll hand it over to Andrew to kind of get started on the live coding workshop eight. [S2] Can you just watch your- [S1] Yeah. [S2] Yeah. [S1] ... swap- swap from you. [S2] Yeah. | 16.92 | 2.819992 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304896.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304898 | [S1] and also a name. [S2] [LAUGHS] [S1] The next thing we want is a recipient, which is also like a user object. So this will have a string and a name, or an underscore ID, which is a string, and a name, which is also a string. | 19.76 | 3.112582 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304898.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304899 | [S1] and then this will like display. [S2] Yep. [S1] Um, and then to actually save it to the database, what we have to do is we need to create a new message object. So, | 13 | 3.113869 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p25_BV1Pt421J7Sf_p25_m4-dialogue_0304899.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443428 | [S1] Now, I have this terminal that can interact with the file systems on my computer. The first command that we're going to learn is called cd, also known as change directory. This basically moves us from one folder into another. [S2] Wait, pause. Uh, can you guys see in the back? No? Okay. Can you zoom in too? [S1] Yeah, I'll make it back. [S2] Terminal. [S1] Right. | 19.04 | 3.233189 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443428.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443429 | [S1] Hopefully that's big enough. [S2] Yeah. [S1] So CD will be able to let us change from one directory to another. Another thing that we would need to learn how to do is make folders. So I can do something called make dir or make directory, and I can call this maybe like Web Lab example. | 16.12 | 3.028413 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443429.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443431 | [S1] So I'm going to give us some time, um, to try this yourselves. So try making a new file and making some code changes, staging those changes, and creating commit and see what the resulting log looks like. Um, be sure to use get status whenever you can, um, to see the actual process of this being happening. I'll give us probably around- [S2] One minute. [S1] ... a minute or two to do so, and we'll check up on how we're doing. [S2] Mm-hmm. | 26.8 | 3.153368 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443431.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443432 | [S1] Also, all the commands that you need are on this side over here, all the handy commands. So, diff, status, add, and commit. [S2] Uh, we probably don't need diff. [S1] Uh, probably don't need diff. | 13.52 | 2.926587 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443432.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443433 | [S1] All right, checking in again. Does anyone need more time? All right, cool. I think we are going to move on, but feel free to, um, it's okay if you haven't finished this. [S2] Yeah. Um, so... Oh. [S1] Oh, oops. [S2] [LAUGHS] [S1] [LAUGHS] It's okay. | 17.48 | 3.01755 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443433.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443434 | [S1] Also, this is a good moment during lecture. Uh, if you are not sitting by someone, I would highly recommend just looking around and finding someone near you who you can join, either in partners or in groups, so you can talk to each other about what's going on. [S2] How much time do we have? [S1] Mm, let's give two minutes. [S2] Two minutes. [S1] Two minutes and then we'll check in. | 26.12 | 2.856391 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443434.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443435 | [S1] Okay, I think we are going to move on, then. [S2] So, what exactly is happening in the object graph? Well, we see, I think Abby's going to show. [S1] Oh, yeah, yeah. So basically what happens if we branch, so for example, we're working on, we're working on main, uh, okay. And we're making some commits. So this is our first commit and this is our second or something. And then we decide to branch. So we're gonna branch off from here and then we might make some more commits. | 28.8 | 2.823076 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443435.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443436 | [S1] Yeah, so... [S2] Cool. [S1] [LAUGHS] Thanks. Cool. [S2] That is Git. And next up, we're gonna have, uh, HTML and CSS. [S1] Yeah. Git is very difficult to understand the first time you touch it, but you will pick it up throughout those first two weeks of blah, blah, as, as time goes on. Please come to office hours or post in Piazza. Please talk to us if you are confused about anything that we have said so far, so that we can help you and get your project going. [S2] Yeah. [S1] Thank you. [S2] Give me the unplug. | 28.72 | 3.03711 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p2_BV1Pt421J7Sf_p2_m4-dialogue_0443436.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131899 | [S1] Okay. Um- [S2] Okay. That was like as many people, that was like the fan over here- [S1] All right. [S2] ... for each, so we'll do our best. [S1] We can see what topics that people care more about. So on the poll, it seemed to be more about like, um, overall client-server model, APIs, and sockets. So I'm gonna just run through our timeline so far, everything we've done. So React, Lifecycles, States and Props. Okay. All right. Um- [S2] This is very | 29.04 | 2.978939 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131899.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131901 | [S1] Over databases. Um, sockets. I think I already said sockets. [S2] [LAUGHS] [S1] If you were to raise your hand, it was sockets. Okay. [S2] I'm getting less and less raised for sockets. [S1] Yeah. [S2] So maybe we'll prioritize the core stuff that we went through already. [S1] Okay. Sounds good. [S2] All right. Cool. Let's do this. Okay. Can you, like, move that meeting page? [S1] Can I hide it? | 28.68 | 2.906573 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131901.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131906 | [S1] So what this is doing, um, so all we do in this file is we define a schema for what we want a comment to look like. But if you notice on line 12, what we do is we take that schema and we compile it into a model. So basically, um, the model is just some fancy JavaScript stuff, um, that allows you to interface with the collection in MongoDB of comments. So in MongoDB, do you have it pulled up? [S2] The MongoDB? [S1] Yeah. [S2] Um, it's, uh, | 29.04 | 3.056994 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131906.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131908 | [S1] Uh, Michael, you still want to go over your last few parts of the workshop? [S2] Honestly, yeah. [S1] Okay. [S2] I'm gonna be- [S1] Okay. | 10.52 | 2.924953 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131908.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131909 | [S1] Well, Tony, when did someone come online? [S2] Well, I guess they have to have an account, so maybe it's when they log in. Maybe from the moment they log in from the app.js file. [S1] Ah, I see. So, interestingly enough, we want to create this, uh, we wanna change everyone else's chat list when someone logs in? [S2] Yeah. [S1] When someone sets up. Okay. | 27.4 | 2.961014 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131909.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131910 | [S1] So in app.js, first, someone logged in. And then what happens? [S2] Well, after that, um, the client actually saves it and adds a user. [S1] Ah, so we make a POST request to initSocket. Can we go back to the diagram? | 23.68 | 2.985296 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p30_BV1Pt421J7Sf_p30_m4-dialogue_0131910.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p38_BV1Pt421J7Sf_p38_m4-dialogue_0967945 | [S1] If we create a model, then you'll see that, like, it updated its response. [S2] [LAUGHS] [S1] [LAUGHS] So, this is, like, pretty cool. Um... | 11.24 | 3.039602 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p38_BV1Pt421J7Sf_p38_m4-dialogue_0967945.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p40_BV1Pt421J7Sf_p40_m4-dialogue_0819920 | [S1] All right. So Helen did a great job of walking through how to get your code on render. But I'm going to do the same thing, but maybe explain a little bit about how it works behind the scenes and what's, what's going on that you don't see. So I'm going to start by creating a repo. [S2] Oh. [S1] Sorry. [S2] It must be on Zoom. [S1] Yeah. | 28.72 | 3.068797 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p40_BV1Pt421J7Sf_p40_m4-dialogue_0819920.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p40_BV1Pt421J7Sf_p40_m4-dialogue_0819922 | [S1] In, oh, pay no attention to that. [S2] [LAUGHS] [S1] That's fine. Live demos. Um, yeah, maybe we can filter by, you know, show me all the things that failed. Um, so maybe 404, so we can see all those. And now we can say, "Oh, this should've worked. I don't know why it didn't work." Now I can go and, and diagnose what's going on. | 25.6 | 2.948013 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p40_BV1Pt421J7Sf_p40_m4-dialogue_0819922.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165835 | [S1] If you can't find format on save, you can also just search format on save in the search as well. [S2] [inaudible] [S1] Yeah, it should be in the bottom left at the wheel. And then just open that and settings should be there. Yeah. Okay. Um, | 29.76 | 2.827496 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165835.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165836 | [S1] Oh, um, sorry. Uh, to actually open up the file, you can go to, um, the, uh, wherever you put the file and drag this, uh, index.html into your browser and it should load up the, uh, website. I think on Safari you can also just click it and it should open. Or like on Mac. [S2] [inaudible] [S1] Uh, I don't think so. | 27.8 | 2.913337 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165836.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165838 | [S1] Oh, yeah. So it comes from this import URL here. Um, because we're actually importing the family with this link, it actually come, like, comes with that import. So since we're importing this Open Sans font, it comes with it. I hope, does that answer your question? [S2] [inaudible] [S1] Oh, okay, yeah, sorry. | 21.68 | 3.10772 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165838.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165840 | [S1] should be either the last or the second-to-last step. Uh, we're getting very close to our final product. [S2] Okay. Ready? [S1] Uh, make sure you get recent hard and then check out step 11. | 24.52 | 2.952934 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p4_BV1Pt421J7Sf_p4_m4-dialogue_0165840.mp3 | [
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bilibili_data_176926545_BV1Pt421J7Sf_p5_BV1Pt421J7Sf_p5_m4-dialogue_0409182 | [S1] Yeah, so arrays are immutable. So, er, they are immutable. So you can change them by push, like adding things, changing indices, popping from the end of the array, pushing to the end as well. Yeah. Any other questions before I pass it over to Abby to finish intro JavaScript? Okay. So with that, I'm gonna hand it over to Abby to talk about, oh, wait, this is my slide. [S2] Oh. [S1] Sorry. [S2] Oops. [S1] That's okay. [S2] [LAUGHS] [S1] Sorry. Um, | 25.48 | 3.049207 | 24,000 | audio/en/bilibili_data_176926545_BV1Pt421J7Sf_p5_BV1Pt421J7Sf_p5_m4-dialogue_0409182.mp3 | [
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bilibili_data_1772724178_BV18d4y1a7WT_p3_BV18d4y1a7WT_p3_m4-dialogue_0407926 | [S1] [LAUGHS] That was the best-y most game ever. [SIGHS] [LAUGHS] Close the hole and stop the wind to find my dancing feather. That's the game I want to play forever and fo- Oh. [S2] What's the matter? [S1] It was fun, but I still haven't found my- [GASPS] Feather. | 26.52 | 3.118781 | 24,000 | audio/en/bilibili_data_1772724178_BV18d4y1a7WT_p3_BV18d4y1a7WT_p3_m4-dialogue_0407926.mp3 | [
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bilibili_data_1779323015_BV1CP4y1X7Au_p17_BV1CP4y1X7Au_p17_m4-dialogue_0408317 | [S1] Man called Morris, Isaac Morris. [S2] And what does he say about it all? [S1] He can't say anything, sir. He's dead. The AC frowned. [S2] Do we know anything about this Morris? [S1] Oh, yes, sir. We know about him. He wasn't a very savory gentleman, Mr. Morris. He was implicated in that share-pushing fraud of Benito's three years ago. We're sure of that, though we can't prove it. | 24.48 | 3.283346 | 24,000 | audio/en/bilibili_data_1779323015_BV1CP4y1X7Au_p17_BV1CP4y1X7Au_p17_m4-dialogue_0408317.mp3 | [
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bilibili_data_1779323015_BV1CP4y1X7Au_p17_BV1CP4y1X7Au_p17_m4-dialogue_0408318 | [S1] And he was mixed up in the dope business. And again, we can't prove it. He was a very careful man, Morris. [S2] And he was behind this island business? [S1] Yes, sir. He put through the sale, though he made it clear he was buying Soldier Island for a third party, unnamed. [S2] Surely there's something to be found out on the financial angle there. | 20.44 | 3.327391 | 24,000 | audio/en/bilibili_data_1779323015_BV1CP4y1X7Au_p17_BV1CP4y1X7Au_p17_m4-dialogue_0408318.mp3 | [
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bilibili_data_1779323015_BV1Gd4y147r1_p2_BV1Gd4y147r1_p2_m4-dialogue_0009842 | [S1] Poor Alice. It was as much as she could do, lying down on one side to look through into the garden with one eye. But to get through was more hopeless than ever. She sat down and began to cry again. [S2] You ought to be ashamed of yourself. [S1] Said Alice. | 21.16 | 3.349592 | 24,000 | audio/en/bilibili_data_1779323015_BV1Gd4y147r1_p2_BV1Gd4y147r1_p2_m4-dialogue_0009842.mp3 | [
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bilibili_data_1779323015_BV1Gd4y147r1_p2_BV1Gd4y147r1_p2_m4-dialogue_0009843 | [S1] As if I would talk on such a subject. Our family always hated cats. Nasty, low, vulgar things. Don't let me hear the name again. [S2] I- I won't indeed, said Alice, in a great hurry to change the subject of conversation. [S1] Are you... Are you fond of, uh, dogs? | 25.84 | 3.301711 | 24,000 | audio/en/bilibili_data_1779323015_BV1Gd4y147r1_p2_BV1Gd4y147r1_p2_m4-dialogue_0009843.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374899 | [S1] You almost feel as though you would have been willing to do the good deed yourself. [S2] I do. I- [S1] He paused, then flushed rather guiltily. [S2] Seems I'm kind of incriminating myself. [S1] I should be more inclined to suspect you, Monsieur McQueen, if you displayed an inordinate sorrow at your employer's decease. | 20.8 | 2.919424 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374899.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374900 | [S1] pretty late, getting on for two o'clock, I should say. [S2] You noticed that the train had stopped? [S1] Well, yes. We wondered a bit, looked out and saw the snow lying very thick, but we didn't think it was serious. [S2] What happened when Colonel Arbethnot finally said good night? [S1] He went along to his compartment and I called the conductor to make up my bed. | 22.12 | 3.320775 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374900.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374901 | [S1] Where were you whilst he was making it? [S2] I was standing just outside the door in the corridor smoking a cigarette. [S1] And then? [S2] And then I went to bed and slept till morning. [S1] During the evening, did you leave the train at all? [S2] Arbuthnot and I thought we'd get out at, what was the name of the place? Vinchavchi, to stretch our legs a bit, but it was barely cold. Blizzard on, we soon hopped back again. | 25.4 | 3.158265 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374901.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374902 | [S1] By which door did you leave the train? [S2] By the one nearest to our compartment. [S1] The one next to the dining car? [S2] Yes. [S1] Do you remember if it was bolted? [S2] McQueen considered. Well, yes, I seem to remember it was. At least, there was a kind of bar that fitted across the handle. Is that what you mean? [S1] Yes. On getting back into the train, did you replace that bar? | 27.4 | 3.226103 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p10_BV1ag411i76i_p10_m4-dialogue_0374902.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410712 | [S1] But you do not come home on the piano boat? [S2] No. [S1] Well, why not? [S2] I chose to come by the Overland route for reasons of my own. And that, his manner seemed to say, is one for you, you interfering little jack-a-nabes. [S1] You came straight through from India? [S2] The Colonel replied dryly. I stopped for one night to see Ur of the Chaldees and for three days in Baghdad with the AOC, who happens to be an old friend of mine. | 27.88 | 3.227314 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410712.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410713 | [S1] You stopped three days in Baghdad. I understand that the young English lady, Miss Debenham, also comes from Baghdad. Perhaps you met her there. [S2] No, I did not. I first met Miss Debenham when she and I shared the railway convoy car from Kirkuk to Nisibine. [S1] Poirot leaned forward. He became persuasive and a little more foreign than he need have been. | 22.92 | 3.376425 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410713.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410714 | [S1] What sort of a person is this Miss Debenham? What do you know about her? [S2] Miss Debenham, said the Colonel with some warmth, is a lady. [S1] Ah. [S2] Said Poirot, with every appearance of being much gratified. [S1] So you do not think that she is likely to be implicated in this crime? | 21.12 | 3.203872 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410714.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410715 | [S1] The idea is absurd, said Arbutnett. The man was a perfect stranger. She'd never seen him before. [S2] Did she tell you so? [S1] She did. She commented at once upon his somewhat unpleasant appearance. If a woman is concerned, as you seem to think, to my mind, without any evidence but mere assumption, I can assure you that Miss Debenham could not possibly be indicated. [S2] You feel warmly in the matter, said Poirot with a smile. | 25.72 | 3.224606 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410715.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410716 | [S1] Ah, were you in his compartment or was he in yours? [S2] I was in his. [S1] That is, the young man of the name McQueen. [S2] Yes. [S1] He was a friend or acquaintance of yours? [S2] No, I never saw him before this journey. We fell into casual conversation yesterday and both became interested. I don't, as a rule, like Americans. Haven't any use for 'em. | 21.84 | 3.333253 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410716.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410717 | [S1] That is the time you broke up this conversation. [S2] Yes. [S1] And what did you do then? [S2] Walked along to my own compartment and turned in. [S1] Your bed was made up ready? [S2] Yes. [S1] That is the compartment. Let me see number 15. The one next but one to the end away from the dining car. [S2] Yes. | 22.08 | 3.271325 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410717.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410718 | [S1] Where was the conductor when you went to your compartment? [S2] I'm sitting at the end of the little table. As a matter of fact, McQueen called him just as I went to my own compartment. [S1] Why did he call him? [S2] To make up his bed, I suppose. The compartment hadn't been made up for the night. [S1] Now, Colonel Arbuthnot, I want you to think carefully. During the time you were talking to Mr. McQueen, did anyone pass along the corridor outside the door? | 26.44 | 3.1715 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410718.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410719 | [S1] Well, rather fruity, if you know what I mean. I mean, you'd smell it 100 yards away, but mind you, the Colonel went on hastily. This may have been earlier in the evening. You see, as you said just now, it was just one of those things you notice without noticing, so to speak. Sometime that evening, I said to myself, "Woman, send." Got it on pretty thick. But when it was, I can't be sure, except that, why, yes, it must have been after Vinchovsky. [S2] Why? [S1] Because I remember sniffing, you know, just when I was talking about the utter washout Stalin's five-year plan was turning out. | 28.72 | 3.25625 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410719.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410720 | [S1] I know the idea. Woman brought the idea of the position of women in Russia into my mind. And I know we hadn't got on to Russia until pretty near the end of our talk. [S2] You can't pin it down more definitely than that. [S1] No. It must have been roughly within the last half hour. [S2] It was after the train had stopped. [S1] The other nodded. Yes, I'm almost sure it was. | 20.72 | 3.219239 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410720.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410721 | [S1] Well, we will pass from that. Have you ever been in America, Colonel Arbuthnot? [S2] Never. Don't want to go. [S1] Did you ever know a Colonel Armstrong? [S2] Armstrong. Armstrong. I've known two or three Armstrong's. There was Tommy Armstrong in the 60th. You don't mean him. And Shelby Armstrong. He was killed on the Somme. [S1] I mean Colonel Armstrong who married an American wife and whose only child was kidnapped and killed. | 27.68 | 3.2603 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410721.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410722 | [S1] Oh, yes. I remember reading about that. Shocking affair. I don't think I actually ever came across the fella, though, of course, I knew of him. Toby Armstrong. Nice fella. Everybody liked him. He had a very distinguished career. Got the VC. [S2] The man who was killed last night was the man responsible for the murder of Colonel Armstrong's child. [S1] Arbuthnot's face grew rather grim. Then, in my opinion, the swine deserved what he got. Though I would have preferred to see him properly hanged or electrocuted, I suppose, over there. | 29.28 | 3.380437 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410722.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410723 | [S1] In fact, Colonel Arbuthnot, you prefer law and order to private vengeance. [S2] Well, you can't go about having blood feuds and stabbing each other like Corsicans or the mafia. [S1] Said the Colonel. [S2] Say what you like. Trial by jury is a sound system. [S1] Poirot looked at him thoughtfully for a minute or two. "Yes," he said. | 18.56 | 3.298663 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410723.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410724 | [S1] I am sure that would be your view. Well, Colonel Arbuthnot, I do not think there is anything more I have to ask you. There is nothing you yourself can recall last night that in any way struck you or shall we say strikes you now looking back as suspicious? [S2] Arbuthnot considered for a moment or two. No, he said. Nothing at all, unless he hesitated. [S1] But yes, continue, I pray of you. | 26.12 | 3.472416 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410724.mp3 | [
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bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410725 | [S1] Well, it's nothing, really, said the Colonel, slowly. But you said anything. [S2] Yes, yes, go on. [S1] Oh, it's nothing, mere detail. But as I got back to my compartment, I noticed that the door of the one beyond mine, the end one, you know- [S2] Yes, number 16. [S1] Well, the door of it was not quite closed, and the fellow inside peered out in a furtive sort of way. Then he pulled the door to quickly. Of course, I know there's nothing in there, but it just struck me as a bit odd. | 28.68 | 3.226513 | 24,000 | audio/en/bilibili_data_1779323015_BV1ag411i76i_p16_BV1ag411i76i_p16_m4-dialogue_0410725.mp3 | [
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