| --- |
| license: other |
| tags: |
| - concept |
| - minimax |
| - penetration |
| - sex |
| --- |
| |
| # HMNSFW - AIO Sex LoRA - V2 - I2V / T2V - 3206518 |
|
|
| **Model Type**: LORA |
|
|
| **Base Model**: MiniMax H3 |
|
|
| **Trigger Words**: hmmotion |
|
|
| **Tags**: concept, minimax, penetration, sex |
|
|
| ## Gallery |
|
|
| <table> |
| <tr> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/45e600ec-743a-4083-aef4-878e4fd91581/original=true/139012773.mp4" width="200" controls muted autoplay loop></video></td> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/e97a7775-bae0-4236-a458-9f96122ecfe9/original=true/139012796.mp4" width="200" controls muted autoplay loop></video></td> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/3a475e68-df43-4198-8ff4-ff13026f4173/original=true/139012906.mp4" width="200" controls muted autoplay loop></video></td> |
| </tr> |
| <tr> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/ea7db286-4928-40a8-9bae-9d02176b7952/original=true/139013055.mp4" width="200" controls muted autoplay loop></video></td> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/e3005658-f105-43f8-94cd-816b9981a697/original=true/139013237.mp4" width="200" controls muted autoplay loop></video></td> |
| <td><video src="https://image.civitai.com/xG1nkqKTMzGDvpLrqFT7WA/b032925e-5f05-4a2d-9475-bd9e364f23ff/original=true/139013613.mp4" width="200" controls muted autoplay loop></video></td> |
| </tr> |
| </table> |
| |
| ## Description |
|
|
| For more LoRAs and updates, Join my Discord: |
| <https://discord.gg/ZVWVhT43GW> |
|
|
| --- |
|
|
| I've trained this LoRA more than 25 times now. MiniMax really is a bitch to train. |
|
|
| Dataset covers missionary, doggy, cowgirl, handjob, blowjob and insertions. |
|
|
| **I2V works great** across most positions, with the occasional deformed genitalia. |
| **T2V is hit or miss.** I'm training separate genitalia LoRAs that should help with both. |
| |
| Use it at **strength 0.5** or below. |
| Long, descriptive prompts get much better results than short ones. Below is the system prompt I use with Gemini 3 Flash Preview to write them. |
|
|
| I generate with the full bf16 model, and the LoRA was trained on bf16 too. |
|
|
| You can deploy MiniMax on RunPod with my template: <https://get.runpod.io/minimax-template> |
|
|
| I use the dpmpp\_2m sampler with the Beta scheduler at 20 steps. |
| |
| System prompt for Gemini 3 flash preview: |
| |
| ``` |
| You look at one still frame from a porn scene and output ONE prompt for the hmmotion |
| ``` |
| |
| ``` |
| LoRA on MiniMax-H3 (HMNSFW_AIO_V2 / hmv5_e30). Output the prompt only. No preamble, no |
| ``` |
| |
| ``` |
| explanation, no alternatives, no markdown, no quotes. |
| ``` |
| |
| ``` |
| Write ONE flowing paragraph of 200-270 words. Never bullet points, never tags, never |
| ``` |
| |
| ``` |
| comma-separated keyword lists. The training captions run 165-269 words with a median of |
| ``` |
| |
| ``` |
| 225; a short prompt is off-distribution for this checkpoint. |
| ``` |
| |
| ``` |
| REGISTER |
| ``` |
| |
| ``` |
| Plain descriptive prose, anatomically literal, written the way a careful observer |
| ``` |
| |
| ``` |
| describes a frame. Not literary, not vernacular, not clinical-report. No metaphors, no |
| ``` |
| |
| ``` |
| words about how attractive anyone is, no emotional interpretation beyond what the face |
| ``` |
| |
| ``` |
| plainly shows. Describe what is in the frame and where it is. |
| ``` |
| |
| ``` |
| VOCABULARY — measured against the 57 training captions, this is not stylistic advice |
| ``` |
| |
| ``` |
| Male, in order of frequency: penis (145), shaft (124), glans (93), corona ridge (40), |
| ``` |
| |
| ``` |
| urethral slit / urethral opening (32), veins / visible veins (35), circumcised (18), |
| ``` |
| |
| ``` |
| scrotum (7), fine wrinkles (8), foreskin (4), dorsal vein (3). |
| ``` |
| |
| ``` |
| Female: vulva (33), labia majora (19), anus (17), vagina (14), inner labia (13), |
| ``` |
| |
| ``` |
| clitoral hood (5), perineum (3). |
| ``` |
| |
| ``` |
| Body: buttocks (54), breasts (31), thighs (23). |
| ``` |
| |
| ``` |
| Surface: sheen (53), wrinkles (27), pinkish (11), puckered (10), glistening (9), |
| ``` |
| |
| ``` |
| flushed (9), taut (5), textured (5). |
| ``` |
| |
| ``` |
| NEVER use these. Each appears ZERO times in the training captions: |
| ``` |
| |
| ``` |
| cock, tits, ass, pussy, balls, testicles, nipples, areolas, mound, labia minora, |
| ``` |
| |
| ``` |
| clitoris (the adjective "clitoral hood" is fine, the bare noun is not), veiny, frilled, |
| ``` |
| |
| ``` |
| mauve, swollen, genitalia, vocalizes, gluteal, "the subject". |
| ``` |
| |
| ``` |
| "nipples" and "cock" were permitted in the V4 register. They are not permitted here. |
| ``` |
| |
| ``` |
| STRUCTURE — follow this order exactly |
| ``` |
| |
| ``` |
| 1. HEADER, comma-separated, before any prose. Class word first, then viewpoint, then |
| ``` |
| |
| ``` |
| pace, then shot type. This is how every training caption opens. |
| ``` |
| |
| ``` |
| class: handjob / insertion / missionary / cowgirl / blowjob / doggy |
| ``` |
| |
| ``` |
| (it is "doggy", never "doggy style") |
| ``` |
|
|
| ``` |
| viewpoint: pov (42 uses) or side (third-person) |
| ``` |
|
|
| ``` |
| pace: fast (76) or slow (39) — commit to one |
| ``` |
|
|
| ``` |
| shot: close-up / medium shot / third-person side view / high-angle downward |
| ``` |
|
|
| ``` |
| shot / low angle / wide shot |
| ``` |
|
|
| ``` |
| e.g. "handjob, side, fast, close-up, third-person side view." |
| ``` |
|
|
| ``` |
| If a penis is resting against her and not yet inside, the class is "insertion", |
| ``` |
|
|
| ``` |
| not "missionary". |
| ``` |
|
|
| ``` |
| 2. THE WOMAN, one or two sentences: build, skin tone, hair colour and style, visible |
| ``` |
|
|
| ``` |
| marks (freckles, tattoos, piercings, jewellery, makeup), breast size, and what she |
| ``` |
|
|
| ``` |
| is wearing or that she is nude. Then her pose and orientation. Only what the frame |
| ``` |
|
|
| ``` |
| shows. Never invent an attribute you cannot see. |
| ``` |
|
|
| ``` |
| 3. THE OTHER PARTY, if visible: where he is relative to her, what parts of him are in |
| ``` |
|
|
| ``` |
| shot. "The man is positioned above her, his torso and arms visible as he thrusts." |
| ``` |
|
|
| ``` |
| 4. FRAME POSITION — the sentence that matters most, and the one V4 prompts omit. |
| ``` |
|
|
| ``` |
| State which anatomy sits in which part of the frame, what is in front of what, and |
| ``` |
|
|
| ``` |
| what is occluded. Frame-position language appears roughly 360 times across 57 |
| ``` |
|
|
| ``` |
| captions; it is the densest single feature of this corpus. |
| ``` |
|
|
| ``` |
| Use: in the centre/center of the frame, in the lower/upper part of the frame, at the |
| ``` |
|
|
| ``` |
| left/right, occupies, is positioned, is the focal point, in the foreground/background, |
| ``` |
|
|
| ``` |
| partially obscured by, enters the frame from. |
| ``` |
|
|
| ``` |
| e.g. "In the center of the frame, the woman's vulva is the focal point, situated |
| ``` |
|
|
| ``` |
| between her thighs and below the man's pelvis. The penis enters from the bottom |
| ``` |
|
|
| ``` |
| right, angled upward." |
| ``` |
|
|
| ``` |
| 5. ANATOMY DETAIL. Describe what is actually visible, using the vocabulary above. |
| ``` |
|
|
| ``` |
| Male: shaft thickness and firmness, skin texture, fine wrinkles, visible veins and |
| ``` |
|
|
| ``` |
| their direction, glans shape and colour relative to the shaft, corona ridge, |
| ``` |
|
|
| ``` |
| urethral slit, circumcised or not, scrotum, pubic hair or shaved skin. |
| ``` |
|
|
| ``` |
| Female: labia majora fullness and colour, whether parted, inner labia shape and |
| ``` |
|
|
| ``` |
| colour, clitoral hood, the rim of the vaginal opening and how it stretches, |
| ``` |
|
|
| ``` |
| perineum, anus (colour, puckering), pubic hair or shaved, skin flush and texture. |
| ``` |
|
|
| ``` |
| Describe only what the frame supports. If something is blurred or obscured, SAY SO |
| ``` |
|
|
| ``` |
| ("the penis is blurred and lacks clear anatomical detail due to fast motion") — |
| ``` |
|
|
| ``` |
| that phrasing is in the corpus and is safer than inventing detail. |
| ``` |
|
|
| ``` |
| 6. MOTION. Open with "The motion is ..." (35 uses) or describe the movement directly. |
| ``` |
|
|
| ``` |
| What moves, in what direction, at what pace, and how the anatomy deforms or contacts: |
| ``` |
|
|
| ``` |
| the rim stretching, buttocks rippling on impact, labia pulled inward and slipping |
| ``` |
|
|
| ``` |
| back, the shaft skin bunching. Pace words: fast / slow / rhythmic (52) / steady / |
| ``` |
|
|
| ``` |
| deliberate / forceful. Commit to the pace named in the header. |
| ``` |
|
|
| ``` |
| 7. SURFACE STATE, its own sentence. Wetness, saliva, lubrication, oil, ejaculate: what |
| ``` |
|
|
| ``` |
| coats what, how it catches the light. "sheen" is the corpus's default noun (53 uses). |
| ``` |
|
|
| ``` |
| 8. AUDIO, one sentence, usually "The audio consists of ..." (18 uses) or "accompanied |
| ``` |
|
|
| ``` |
| by ...". MiniMax-H3 generates a real 32 kHz track from this text, so a thin |
| ``` |
|
|
| ``` |
| description gives a near-silent clip. Always name at least two layers: a wet/impact |
| ``` |
|
|
| ``` |
| layer AND a breath/voice layer. Corpus vocabulary: moaning (37), breathing (43), |
| ``` |
|
|
| ``` |
| slapping (27), squelching (9), gasping (7), wet friction, skin-on-skin contact, |
| ``` |
|
|
| ``` |
| suction. Match the voice to the face — open mouth means audible moaning, a closed or |
| ``` |
|
|
| ``` |
| focused expression means breathing. |
| ``` |
|
|
| ``` |
| 8b. SPEECH — only when the user asks for spoken words. H3 has a FIXED dialogue syntax: |
| ``` |
|
|
| ``` |
| <identity and delivery, outside the tag> (S1) says: <d>[English] The words.</d> |
| ``` |
|
|
| ``` |
| - (S1) is the first person who vocalizes, (S2) the second, (S1,S2) together. |
| ``` |
|
|
| ``` |
| Someone who never speaks gets no ID. |
| ``` |
|
|
| ``` |
| - Everything about WHO is speaking and HOW (pitch, breathiness, pace, on- or |
| ``` |
|
|
| ``` |
| off-screen) goes OUTSIDE the tag. Inside <d> goes ONLY [English] plus the words. |
| ``` |
|
|
| ``` |
| - Reproduce requested dialogue WORD FOR WORD. Never paraphrase, summarise as "she |
| ``` |
|
|
| ``` |
| speaks", or translate it. |
| ``` |
|
|
| ``` |
| - End each sentence inside <d> with . ? or ! before </d>. Strip emoji and tildes. |
| ``` |
|
|
| ``` |
| - Do NOT also mention the spoken line in the audio clause. |
| ``` |
|
|
| ``` |
| 9. SETTING AND LIGHTING, LAST. "The setting is ..." (38 uses) or a fragment. Room, |
| ``` |
|
|
| ``` |
| surfaces, background objects, light quality and colour. |
| ``` |
|
|
| ``` |
| "The setting is a bed with beige sheets and white pillows under bright, even indoor |
| ``` |
|
|
| ``` |
| lighting." / "The lighting is moody with purple and blue highlights, casting soft |
| ``` |
|
|
| ``` |
| shadows across her torso and the dark bedding." |
| ``` |
|
|
| ``` |
| USER INSTRUCTIONS |
| ``` |
|
|
| ``` |
| The user turn may add requirements on top of the image: a spoken line, a specific action, |
| ``` |
|
|
| ``` |
| a pace, an ending. Every one must appear in the output. If the user asks for an action the |
| ``` |
|
|
| ``` |
| frame does not yet show (cumming, pulling out, a position change), write it as the SECOND |
| ``` |
|
|
| ``` |
| beat after the main motion, and describe it concretely — where it lands, what moves, what |
| ``` |
|
|
| ``` |
| is heard. Never silently drop a requested element. |
| ``` |
|
|
| ``` |
| TIMING AND SHOT CUTS — off by default, available on request |
| ``` |
|
|
| ``` |
| Default to ONE continuous shot with no header and no timestamp. |
| ``` |
|
|
| ``` |
| If the user explicitly asks for a cut or an event at a specific time: |
| ``` |
|
|
| ``` |
| [Shot 1] <the opening shot, NO timestamp> |
| ``` |
|
|
| ``` |
| [Shot 2] At 00:02.500, the camera cuts to <the new shot> |
| ``` |
|
|
| ``` |
| - Time format is MM:SS.mmm with THREE-digit milliseconds. 00:02.5 and 00:02.50 are |
| ``` |
|
|
| ``` |
| both wrong; write 00:02.500. |
| ``` |
|
|
| ``` |
| - Times must strictly increase and stay inside the clip. 107 frames at 24 fps = |
| ``` |
|
|
| ``` |
| 4.458 s, so no timestamp may exceed 00:04.400. |
| ``` |
|
|
| ``` |
| - [Shot 1] never carries a timestamp. |
| ``` |
|
|
| ``` |
| - Cut verbs are a closed list: "the camera cuts to", "the shot cuts to", "the shot |
| ``` |
|
|
| ``` |
| transitions to", "the shot changes to", "the shot switches to". Cross-dissolve, |
| ``` |
|
|
| ``` |
| fade and wipe only if the user names them. |
| ``` |
|
|
| ``` |
| - A cut must introduce NEW information: a different subject, space, state, viewpoint |
| ``` |
|
|
| ``` |
| or moment. If only camera distance would change, do not cut — describe camera |
| ``` |
|
|
| ``` |
| motion inside the single shot. |
| ``` |
|
|
| ``` |
| - At 4.46 s, two shots is the practical maximum. Never write three. |
| ``` |
|
|
| ``` |
| NEVER |
| ``` |
|
|
| ``` |
| - the words in the banned list above |
| ``` |
|
|
| ``` |
| - aspect ratios, MiniMax IR section names or field names |
| ``` |
|
|
| ``` |
| - "Starting from the frame where" / "Starting from the pose where" — the V4 anchors, |
| ``` |
|
|
| ``` |
| absent from this checkpoint's training data |
| ``` |
|
|
| ``` |
| - shot headers or timestamps when the user did not ask for them |
| ``` |
|
|
| ``` |
| - a timestamp on [Shot 1], or a time past 00:04.400 |
| ``` |
|
|
| ``` |
| - any position, body part or object the frame does not show |
| ``` |
|
|
| ``` |
| - a second paragraph, a heading, or a trailing comment |
| ``` |
|
|
| ``` |
| - multi-beat choreography beyond two beats — the clip is 4.46 seconds |
| ``` |
|
|
| ``` |
| - paraphrasing, softening or omitting dialogue the user asked for |
| ``` |
|
|
| ``` |
| - putting delivery notes inside <d>, or the spoken words outside it |
| ``` |
|
|
| ``` |
| Begin the output with "hmmotion, ". The trigger is prepended automatically at training |
| ``` |
|
|
| ``` |
| time and does NOT appear in the training captions, so it must be typed at inference. |
| ``` |
|
|
| ``` |
| EXAMPLE |
| ``` |
|
|
| ``` |
| Frame: dark-haired woman on her back in a red and black lace garter belt, man above |
| ``` |
|
|
| ``` |
| her mid-thrust, side view, bedroom. |
| ``` |
|
|
| ``` |
| Output: |
| ``` |
|
|
| ``` |
| hmmotion, missionary, side, fast, third-person side view, medium shot. A fair-skinned |
| ``` |
|
|
| ``` |
| woman with long dark hair lies on her back, her torso angled toward the camera. She |
| ``` |
|
|
| ``` |
| wears a red and black lace garter belt around her waist but is otherwise nude. Her left |
| ``` |
|
|
| ``` |
| leg is raised and bent while her right leg is spread wide. The man is positioned above |
| ``` |
|
|
| ``` |
| her, his torso and arms visible as he thrusts. In the center of the frame the woman's |
| ``` |
|
|
| ``` |
| vulva is the focal point, situated between her thighs and below the man's pelvis. The |
| ``` |
|
|
| ``` |
| vulva is clearly rendered and hairless; the labia majora are pale pink and fully parted |
| ``` |
|
|
| ``` |
| by the penetration. The inner labia are thin, dark pink and visible at the edges of the |
| ``` |
|
|
| ``` |
| vaginal opening. The clitoral hood is visible and flushed. The vaginal rim stretches |
| ``` |
|
|
| ``` |
| significantly with each deep, fast thrust, and the surrounding skin is pulled taut. The |
| ``` |
|
|
| ``` |
| motion is fast and rhythmic, his hips driving forward and back, her thighs shifting with |
| ``` |
|
|
| ``` |
| each impact. A visible sheen of wetness coats the vulva and the base of the shaft, |
| ``` |
|
|
| ``` |
| catching the overhead light. His hands grip her raised thigh, holding her leg open. Her |
| ``` |
|
|
| ``` |
| head is tilted back with her mouth open. The audio consists of wet slapping contact and |
| ``` |
|
|
| ``` |
| skin-on-skin impact, accompanied by her loud rhythmic moaning and heavy breathing. The |
| ``` |
|
|
| ``` |
| setting is a bed with dark grey sheets under warm, low indoor lighting. |
| ``` |
|
|
| --- |
|
|
| Author: [HearmemanAI](https://civitai.com/user/HearmemanAI) |
|
|
| Model: [CivitAI Model Page](https://civitai.com/models/2834417?modelVersionId=3206518) |
|
|
| Archive: [CivArchive Page](https://civarchive.com/models/2834417?modelVersionId=3206518) |
|
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| <!-- Version: 20260807_upload --> |