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734 | 2 | Some deities who were closely connected with isfet\1 such as Set\1 could be blamed for disorder within the world without placing guilt on the other gods\1 | [
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734 | 3 | But some writings do accuse the deities of causing human misery\1 while others give theodicies in the gods ' defense\1 | [
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734 | 4 | Beginning in the Middle Kingdom\1 several texts connected the issue of evil in the world with a myth in which the creator god fights a human rebellion against his rule and then withdraws from the earth\1 Because of this human misbehavior\1 the creator is distant from his creation\1 allowing suffering to exist\1 New Kingdom writings do not question the just nature of the gods as strongly as those of the Middle Kingdom\1 | [
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734 | 5 | They emphasize humans ' direct\1 personal relationships with deities and the gods ' power to intervene in human events\1 | [
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734 | 6 | People in this era put faith in specific gods who they hoped would help and protect them through their lives\1 | [
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734 | 7 | As a result\1 upholding the ideals of maat grew less important than gaining the gods ' favor as a way to guarantee a good life\1 | [
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734 | 8 | Even the pharaohs were regarded as dependent on divine aid\1 and after the New Kingdom came to an end\1 government was increasingly influenced by oracles communicating the gods ' will\1 | [
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736 | 0 | ### \1 | [
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738 | 0 | Official religious practices\1 which maintained maat for the benefit of all Egypt\1 were related to\1 but distinct from\1 the religious practices of ordinary people\1 who sought the gods ' help for their personal problems\1 | [
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"ADP",
"ADJ",
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"PRON",
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"N... | [
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... | [
3,
3,
15,
3,
6,
3,
6,
10,
10,
6,
13,
13,
10,
15,
0,
17,
15,
19,
17,
21,
24,
24,
24,
15,
27,
27,
24,
27,
30,
27,
32,
34,
32,
30,
38,
38,
38,
30,
15
] | [
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"appos",
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"... | [
"O",
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"O",
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"O",
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"O",
"O",
"O",
"O",
"O",
"S-NORP",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
739 | 0 | Official religion involved a variety of rituals\1 based in temples\1 | [
"Official",
"religion",
"involved",
"a",
"variety",
"of",
"rituals",
"\\1",
"based",
"in",
"temples",
"\\1"
] | [
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"\\1",
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"temple",
"\\1"
] | [
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"NOUN",
"VERB",
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"SYM"
] | [
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"VBD",
"DT",
"NN",
"IN",
"NNS",
"NN",
"VBN",
"IN",
"NNS",
"NFP"
] | [
2,
3,
0,
5,
3,
7,
5,
7,
8,
11,
9,
3
] | [
"amod",
"nsubj",
"root",
"det",
"obj",
"case",
"nmod",
"appos",
"acl",
"case",
"obl",
"discourse"
] | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
739 | 1 | Some rites were performed every day\1 whereas others were festivals\1 taking place at longer intervals and often limited to a particular temple or deity\1 | [
"Some",
"rites",
"were",
"performed",
"every",
"day",
"\\1",
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"particular",
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"or",
"deity",
"\\",
"1"
] | [
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"or",
"deity",
"\\",
"1"
] | [
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] | [
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2,
4,
4,
0,
6,
4,
4,
11,
11,
11,
4,
13,
11,
13,
17,
17,
13,
20,
20,
13,
24,
24,
24,
20,
26,
24,
28,
4
] | [
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"conj",
"case",
"det",
"amod",
"obl",
"cc",
"conj",
"punct",
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] | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
739 | 2 | The gods received their offerings in daily ceremonies\1 in which their statues were clothed\1 anointed\1 and presented with food as hymns were recited in their honor\1 | [
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"received",
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"\\1",
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"hymns",
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"in",
"their",
"honor\\1"... | [
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"god",
"receive",
"their",
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"\\1",
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] | [
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2,
3,
0,
5,
3,
8,
8,
3,
3,
11,
15,
13,
15,
15,
8,
15,
15,
15,
20,
15,
22,
20,
26,
26,
26,
20,
29,
29,
26
] | [
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"cc",
"conj",
"case",
"obl",
"mark",
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"aux:pass",
"advcl",
"c... | [
"O",
"O",
"O",
"O",
"O",
"O",
"S-DATE",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
739 | 3 | These offerings\1 in addition to maintaining maat for the gods\1 celebrated deities ' life-giving generosity and encouraged them to remain benevolent rather than vengeful\1 | [
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... | [
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0,
2,
5,
2,
7,
5,
7,
12,
14,
12,
7,
14,
12,
14,
18,
16,
7,
18,
21,
18,
21,
24,
21,
24,
28,
26,
25,
18
] | [
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"cc",
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] | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
740 | 0 | Festivals often involved a ceremonial procession in which a cult image was carried out of the temple in a barque-shaped shrine\1 | [
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"involved",
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"ceremonial",
"procession",
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"barque",
"-",
"shaped",
"shrine",
"\\",
"1"
] | [
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] | [
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3,
3,
0,
6,
6,
3,
8,
13,
11,
11,
13,
13,
6,
17,
17,
17,
13,
23,
23,
22,
20,
23,
17,
3,
24
] | [
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] | [
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"O",
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"O",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"S-CARDINAL"
] |
740 | 1 | These processions served various purposes\1 In Roman times\1 when local deities of all kinds were believed to have power over the Nile inundation\1 processions in many communities carried temple images to the riverbanks so the gods could invoke a large and fruitful flood\1 Processions also traveled between temples\1 as when the image of Hathor from Dendera Temple visited her consort Horus at the Temple of Edfu\1 Rituals for a god were often based in that deity 's mythology\1 | [
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"to",
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"inundation",
"\\1",
"processions",
"in",
"many",... | [
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"\\1",
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"communit... | [
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... | [
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9,
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41,
31,
46,
46,
45,
43,
41,
41,
50,
50,
47,
52,
50,
52,
63,
63... | [
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"S-NORP",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
... |
740 | 2 | Such rituals were meant to be repetitions of the events of the mythic past\1 renewing the beneficial effects of the original events\1 | [
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2,
4,
4,
0,
7,
7,
4,
10,
10,
7,
15,
15,
15,
15,
10,
15,
19,
19,
16,
23,
23,
23,
19,
25,
4
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"case",
"det",
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] | [
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"S-CARDINAL"
] |
740 | 3 | In the Khoiak festival in honor of Osiris\1 his death and resurrection were ritually reenacted at a time when crops were beginning to sprout\1 | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
740 | 4 | The returning greenery symbolized the renewal of the god 's own life\1 | [
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4
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
741 | 0 | Personal interaction with the gods took many forms\1 People who wanted information or advice consulted oracles\1 run by temples\1 that were supposed to convey gods ' answers to questions\ | [
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"... | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
741 | 1 | 1 Amulets and other images of protective deities were used to ward off the demons that might threaten human well-being or to impart the god 's positive characteristics to the wearer\1 Private rituals invoked the gods ' power to accomplish personal goals\1 from healing sickness to cursing enemies\1 | [
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... | [
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
... |
741 | 2 | These practices used heka\1 the same force of magic that the gods used\1 which the creator was said to have given to humans so they could fend off misfortune\1 | [
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"O",
"O",
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"S-CARDINAL"
] |
741 | 3 | The performer of a private rite often took on the role of a god in a myth\1 or even threatened a deity\1 to involve the gods in accomplishing the goal\1 Such rituals coexisted with private offerings and prayers\1 and all three were accepted means of obtaining divine help\1 | [
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... | [
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"S-CARDINAL",
... |
742 | 0 | Prayer and private offerings are generally called " personal piety "\1 acts that reflect a close relationship between an individual and a god\1 Evidence of personal piety is scant before the New Kingdom\1 Votive offerings and personal names\1 many of which are theophoric\1 suggest that commoners felt some connection between themselves and their gods\1 | [
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"... |
742 | 1 | But firm evidence of devotion to deities became visible only in the New Kingdom\1 reaching a peak late in that era\1 Scholars disagree about the meaning of this change — whether direct interaction with the gods was a new development or an outgrowth of older traditions\ | [
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"O"... |
742 | 2 | 1 Egyptians now expressed their devotion through a new variety of activities in and around temples\1 | [
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] |
742 | 3 | They recorded their prayers and their thanks for divine help on stelae\1 | [
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] |
742 | 4 | They gave offerings of figurines that represented the gods they were praying to\1 or that symbolized the result they desired\1 thus a relief image of Hathor and a statuette of a woman could both represent a prayer for fertility\ | [
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] |
742 | 5 | 1 Occasionally\1 a person took a particular god as a patron\1 dedicating his or her property or labor to the god 's cult\1 | [
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] |
742 | 6 | These practices continued into the latest periods of Egyptian history\1 | [
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] |
742 | 7 | These later eras saw more religious innovations\1 including the practice of giving animal mummies as offerings to deities depicted in animal form\1 such as the cat mummies given to the feline goddess Bastet\1 Some of the major deities from myth and official religion were rarely invoked in popular worship\1 but many of the great state gods were important in popular tradition\ | [
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"... |
742 | 8 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
"S-CARDINAL"
] |
743 | 0 | The worship of some Egyptian gods spread to neighboring lands\1 especially to Canaan and Nubia during the New Kingdom\1 when those regions were under pharaonic control\1 In Canaan\1 the exported deities\1 including Hathor\1 Amun\1 and Set\1 were often syncretized with native gods\1 who in turn spread to Egypt\1 The Egyptian deities may not have had permanent temples in Canaan\1 and their importance there waned after Egypt lost control of the region\1 | [
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743 | 1 | In contrast\1 many temples to the major Egyptian gods and deified pharaohs were built in Nubia\1 | [
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743 | 2 | After the end of Egyptian rule there\1 the imported gods\1 particularly Amun and Isis\1 were syncretized with local deities and remained part of the religion of Nubia 's independent Kingdom of Kush\1 | [
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743 | 3 | These gods were incorporated into the Nubian ideology of kingship much as they were in Egypt\1 so that Amun was considered the divine father of the king and Isis and other goddesses were linked with the Nubian queen\1 the kandake\1 | [
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"... |
743 | 4 | Some deities reached farther\1 Taweret became a goddess in Minoan Crete\1 and Amun 's oracle at Siwa Oasis was known to and consulted by people across the Mediterranean region\ | [
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743 | 5 | 1 | [
"1"
] | [
"1"
] | [
"NUM"
] | [
"LS"
] | [
0
] | [
"root"
] | [
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744 | 0 | Under the Greek Ptolemaic Dynasty and then Roman rule\1 Greeks and Romans introduced their own deities to Egypt\1 These newcomers equated the Egyptian gods with their own\1 as part of the Greco-Roman tradition of interpretatio graeca\1 | [
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... |
744 | 1 | But the worship of the native gods was not swallowed up by that of foreign ones\ | [
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744 | 2 | 1 Instead\1 Greek and Roman gods were adopted as manifestations of Egyptian ones\1 Egyptian cults sometimes incorporated Greek language\1 philosophy\1 iconography\1 and even temple architecture\1 Meanwhile\1 the cults of several Egyptian deities — particularly Isis\1 Osiris\1 Anubis\1 the form of Horus named Harpocrates\1 and the fused Greco-Egyptian god Serapis — were adopted into Roman religion and spread across the Roman Empire\1 Roman emperors\1 like Ptolemaic kings before them\1 invoked Isis and Serapis to endorse their authority\1 inside and outside Egypt\1 | [
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744 | 3 | In the empire 's complex mix of religious traditions\1 | [
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744 | 4 | Thoth was transmuted into the legendary esoteric teacher Hermes Trismegistus\1 and Isis\1 who was venerated from Britain to Mesopotamia\1 became the focus of a Greek-style mystery cult\1 Isis and Hermes Trismegistus were both prominent in the Western esoteric tradition that grew from the Roman religious world\1 | [
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745 | 0 | Temples and cults in Egypt itself declined as the Roman economy deteriorated in the third century AD\1 and beginning in the fourth century\ | [
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745 | 1 | 1 Christians suppressed the veneration of Egyptian deities\1 | [
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745 | 2 | The last formal cults\1 at Philae\1 died out in the fifth or sixth century\1 | [
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745 | 3 | Most beliefs surrounding the gods themselves disappeared within a few hundred years\1 remaining in magical texts into the seventh and eighth centuries\1 | [
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745 | 4 | But many of the practices involved in their worship\1 such as processions and oracles\1 were adapted to fit Christian ideology and persisted as part of the Coptic Church\1 Given the great changes and diverse influences in Egyptian culture since that time\1 scholars disagree about whether any modern Coptic practices are descended from those of pharaonic religion\1 | [
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745 | 5 | But many festivals and other traditions of modern Egyptians\1 both Christian and Muslim\1 resemble the worship of their ancestors ' gods\1 | [
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748 | 0 | # \1 | [
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750 | 0 | South of Heaven is the fourth studio album by American thrash metal band Slayer\1 Released on July 5\1 1988\1 the album was the band 's second collaboration with record producer Rick Rubin\1 whose production skills on Slayer 's previous album Reign in Blood had helped the band 's sound evolve\ | [
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751 | 0 | South of Heaven was Slayer 's second album to enter the Billboard 200\1 and its last to be released by Def Jam Recordings\1 although the album became an American Recordings album after Rick Rubin ended his partnership with Russell Simmons\1 | [
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751 | 1 | It was one of only two Def Jam titles to be distributed by Geffen Records through Warner Bros. | [
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751 | 2 | Records because of original distributor Columbia Records ' refusal to release work by the band\1 | [
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751 | 3 | The release peaked at number 57 and in 1992 was awarded a gold certification by the Recording Industry Association of America\1 | [
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752 | 0 | In order to offset the pace of the group 's previous album\1 | [
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752 | 1 | Slayer deliberately slowed down the album 's tempo\1 | [
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752 | 2 | In contrast to their previous albums\1 the band utilized undistorted guitars and toned-down vocals\1 | [
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752 | 3 | While some critics praised this musical change\1 others — more accustomed to the style of earlier releases — were disappointed\1 | [
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752 | 4 | The songs " Mandatory Suicide " and the title track\1 however\1 have become permanent features of the band 's live setlist\1 | [
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754 | 0 | ## \1 | [
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756 | 0 | South of Heaven was recorded in Los Angeles\1 California with Reign in Blood producer Rick Rubin\1 PopMatters reviewer Adrien Begrand observed that Rubin 's production " shoves \1Dave\1 Lombardo 's drumming right up front in the mix\1 " Guitarist Jeff Hanneman has since said that South of Heaven was the only album the band members discussed before writing the music\1 | [
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756 | 1 | Aware that they " couldn 't top Reign in Blood "\1 and that whatever they recorded would be " compared to that album "\1 he believed they " had to slow down "\1 something Slayer had never done on albums before\1 or since\1 Guitarist Kerry King cited the need to " keep people guessing " as another reason for the musical shift\1 " In order to contrast the aggressive assault put forth on Reign in Blood\1 Slayer consciously slowed down the tempo of the album as a whole "\1 according to Slayer 's official biography\1 " They also added elements like undistorted guitars and toned-down vocal styles not heard on previous albums\1 " | [
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757 | 0 | King has since been critical of his performance\1 which he describes as his " most lackluster\1 " King attributes this to the fact he had recently married\1 and moved to Phoenix\1 Arizona\1 Describing himself as " probably the odd man out at that point "\1 he admitted he " didn ’ t participate as much because of that\1 " Hanneman said\1 " We go through dry spells sometimes\1 but the good thing about having two guitar players that can write music is that you are never gonna go without\1 I guess at that time\1 Kerry was hitting a dry spell\1 " King has also been critical of the album in general\1 describing it as one of his least favorite Slayer albums\1 | [
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757 | 1 | He feels vocalist Tom Araya moved too far away from his regular vocal style\1 and " added too much singing\1 " Drummer Dave Lombardo has since observed\1 " There was fire on all the records\1 but it started dimming when South of Heaven came into the picture\1 | [
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757 | 2 | And that 's me personally\1 Again\1 I was probably wanting something else\1 " | [
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758 | 0 | Judas Priest 's " Dissident Aggressor " is the only cover version to appear on a Slayer studio album\1 | [
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758 | 1 | The song was chosen due to its war-themed lyrics\1 Hanneman described the track as " more just like one of those odd songs that a lot of people didn 't know\1 but it was a favorite of Kerry and I\1 so we just picked that one\1 " Meanwhile\1 " Cleanse the Soul " has been heavily criticized by King who said that he hates the track\1 " That 's one of the black marks in our history\1 in my book\1 I just fucking think it 's horrible\1 \1Laughs\1 I hate the opening riff\1 | [
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758 | 2 | It 's what we call a ' happy riff\1 ' It 's just like ' la-lala-la-la-la\1 ' I can 't see myself playing it\1 but after that\1 where it gets heavier\1 I like that section\1 | [
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758 | 3 | If we ever did a medley\1 I 'd put part of that in there\1 " The Slayer boxset Soundtrack to the Apocalypse featured\1 along with four songs of the album\1 an early version of the title track\1 recorded at Hanneman 's home\1 | [
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760 | 0 | ## \1 | [
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762 | 0 | Artist Larry Carroll and Illustrator Howard Schwartzberg designed the cover artwork for South of Heaven\1 having designed the artwork for Slayer 's previous album Reign in Blood\1 Photographer Glen E. Friedman took the promotional shot which surfaced as the back cover of South of Heaven around the time of 1986 's Reign in Blood\1 Lombardo felt it made Slayer seem as though they " had matured a little bit "\1 while Friedman himself deemed it " a really cool back cover " and " one of the most classic shots of them \1Slayer\1 ever\1 " | [
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764 | 0 | ## \1 | [
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766 | 0 | South of Heaven was released on July 5\1 1988\1 and was the final Slayer album distributed via Def Jam Records\1 When label co-founders Russell Simmons and Rubin parted ways\1 Slayer signed to Rubin 's newly founded Def American Recordings label\1 | [
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766 | 1 | The album peaked at number 57 on the Billboard 200 album chart\1 and on November 20\1 1992\1 became Slayer 's second album to be certified gold in the United States\1 South of Heaven was awarded silver certification in the United Kingdom on January 1\1 1993\1 Slayer 's first record to do so in that country\ | [
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766 | 3 | Slayer 's official biography states that " some critics praised the album as demonstrating Slayer 's desire to grow musically and avoid repeating themselves\1 " Alex Henderson of AllMusic described the record as " disturbing and powerful\1 " while Joe Matera of Ultimate Guitar deemed the album a slight departure\1 he wrote that while the pace was slowed down\1 it " didn 't sacrifice any of the heaviness inherent in Slayer 's music\1 " | [
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767 | 0 | Reviewing the 2003 Slayer box set Soundtrack to the Apocalypse\1 Adrien Begrand of PopMatters described the album as " their most underrated\1 and on this set\1 its five selections show how highly the band thinks of the record\1 " KNAC.com 's Peter Atkinson was also positive\1 saying the album has a " grandiosity and imposing presence " which makes the record " so magnificent\1 " Grave 's Ola Lindgren and Bolt Thrower 's Karl Willetts both rate South of Heaven as amongst the top five albums of all time\1 while Max Kolesne of Brazilian death metal group Krisiun remembers hearing the song " Silent Scream " for the first time\1 " It just blew me away\1 | [
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767 | 1 | It was like fast double-bass\1 fast kicks during the whole song\1 | [
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767 | 2 | That was very inspiring for me\1 " When discussing Slayer in an October 2007 interview\1 Evile frontman Matt Drake stated that while Reign in Blood " was just speed "\1 South of Heaven proved that the group could write " slow material as well\1 " Metal Forces reviewer gives " the band credit for at least making an effort to try something new and not being afraid to experiment at such a crucial stage of their career "\1 creating " one of the more original sounding thrash / speed metal albums he heard in a long while "\1 He remarks\1 however\1 that " if you ’ re expecting to hear Reign in Blood Part Two\1 you ’ ll be in for a major disappointment "\1 | [
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768 | 0 | Kim Neely of Rolling Stone dismissed the album as " genuinely offensive satanic drivel\1 " Slayer 's official biography states\1 " The new sounds disappointed some of the band 's fans who were more accustomed to the style of earlier releases\1 " Michael Roberts of Westworld Online said this was due to some of the numbers moving " at the sludgier speed of Black Sabbath\1 " Araya commented that the " album was a late bloomer — it wasn 't really received well\1 but it kind of grew on everybody later\1 " | [
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770 | 0 | ## \1 | [
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772 | 0 | The title track and the song " Mandatory Suicide " have received various cover interpretations\1 particularly on Slayer tribute albums\1 Toni Ferguson recorded string quartet adaptations of both tracks on the album The String Quartet Tribute to Slayer\1 The Evil You Dread\1 with the former cover being described as having " menacing chord shifts " by AllMusic 's Johnny Loftus\1 | [
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773 | 0 | 1995 Slayer tribute album Slatanic Slaughter featured three tracks which originally appeared on South of Heaven\1 with the title track\1 " Mandatory Suicide " and " Spill the Blood " interpreted by Cemetary\1 Crown of Thorns and Grope respectively\1 Its 1998 follow up Slatanic Slaughter\1 Vol\1 2 only featured two tracks originally from the album\1 namely " Silent Scream " arranged by Vader and " Read Between the Lies " interpreted by Anathema\1 1999 's Straight to Hell\1 A Tribute to Slayer collected four Slayer renditions which originated on the album\1 with versions of South of Heaven performed by Abaddon \1Venom\1 and Electric Hellfire Club\1 " Mandatory Suicide " cut by Chapter 7 and " Behind the Crooked Cross " adapted by Gigantor\1 2006 Argentine tribute album Al Sur Del Abismo \1Tributo Argentino A Slayer\1 saw Nafak and Climatic Terra also respectively cover " South of Heaven " and " Mandatory Suicide "\1 Hatebreed covered the song " Ghosts of War " for their 2009 cover album For the Lions\1 | [
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773 | 1 | They released a music video for it also\1 Korn has covered the title track at least twice live\1 once with Kid Rock on vocals and another using the intro to follow into one of their songs live\ | [
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774 | 0 | The title track itself has also been covered by Integrity 2000\1 Modest Mouse and Califone\1 Pro-Pain\1 and Universe Eye\1 Polish death metal band Decapitated covered the song " Mandatory Suicide " on their first full-length album Winds of Creation\1 In 2003\1 " Silent Scream " was covered by Children of Bodom for their album Hate Crew Deathroll in his UK version\1 Hardcore Punk band\1 The Mongoloids opened their set with the beginning of " South of Heaven " at Heartfest 7 on May 4\1 2013 | [
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778 | 0 | Two songs taken from the album \1" Mandatory Suicide " and " South of Heaven "\1 have become near constant fixtures in the band 's live setlist\1 notching up appearances on the following\1 the live DVDs Live Intrusion\1 War at the Warfield\1 Still Reigning\1 Soundtrack to the Apocalypse 's deluxe edition 's bonus live disc\1 and the live double album Decade of Aggression\1 Lombardo guested with Finnish cellist group Apocalyptica on a live medley of the two tracks at 1998 's Headbanger 's Heaven festival in the Netherlands\ | [
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778 | 1 | 1 Adrien Begrand of PopMatters described " South of Heaven " as " an unorthodox set opener in theory "\1 noting " the song went over like a megaton bomb detonating the place\1 dozens of inverted crosses projected behind the high drum riser\1 the sinewy opening notes kicked in\1 followed by an overture of bass\1 cymbal crashes\1 and tom fills\1 leading up to the slowly building crescendo " in a concert review\1 Lombardo remembers listening to a live rendition of " South of Heaven " and thinking " ‘ Man\1 | [
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778 | 2 | There 's just so much groove in that song\1 ’ To my kids I was saying\1 ‘ Listen to that\1 Listen to how groovy that is\1 ’ And it 's heavy\1 " A rare live version of the track featured on the JÄGERMUSIC Rarities 2004 promotional CD\1 given away to attendees at the Spring 2004 Jägermeister Music Tour\1 A live rendition of " South of Heaven " was also included on a bonus DVD which came with the group 's 2007 re-release of ninth studio album Christ Illusion\1 shot in Vancouver\1 British Columbia during 2006 's Unholy Alliance tour\1 | [
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... |
779 | 0 | " Behind the Crooked Cross " is rarely played live as Hanneman hates the track\1 though King has always wanted to play it " because it 's got a cool intro " despite it not being his favorite song\1 King said " that 's fine " when speaking of the situation\1 noting " there are songs that he wants to play that I always shoot down\1 " " Ghosts of War " isn 't King 's favorite song either\1 which he attests " everybody always wants to hear " performed live\1 | [
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"O",
"O",
... |
779 | 1 | He confessed\1 " I like the ending\1 you know\1 I like the big heavy part and I always say\1 ‘ Let 's put the heavy ending at the end of " Chemical Warfare " and just do the last half\1 ’ But I could never make that fly\1 " | [
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"O",
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... |
780 | 0 | Slayer has toyed with the idea of creating a live set mixed with selections from the album and 1990 's Seasons in the Abyss\1 though Hanneman said it 's something which hasn 't been " seriously considered\1 " Metal Maniacs asked Slayer in a 2006 interview whether they would consider playing South of Heaven in the footsteps of the Still Reigning tour\1 to which Araya replied\1 " It 's becoming a trendy thing now\1 I don 't know\1 | [
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"O",
"O",
"O",
"O",
... |
780 | 1 | We have some really cool albums\1 but I don 't think we 'll ever do that again\1 " King was equally unsure\1 commenting\1 " Probably not\1 | [
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6,
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12,
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16,
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12,
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24,
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"O",
"O",
"O",
"O",
"O",
"O",
"O"
] |
780 | 2 | And I just don 't like enough songs off South of Heaven\1 " | [
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"I",
"just",
"don",
"'t",
"like",
"enough",
"songs",
"off",
"South",
"of",
"Heaven",
"\\1",
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"off",
"South",
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"\\1",
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"PART",
"VERB",
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"NOUN",
"ADP",
"PROPN",
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] | [
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"VBP",
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"VB",
"JJ",
"NNS",
"IN",
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] | [
6,
6,
6,
6,
6,
0,
8,
6,
13,
13,
12,
10,
6,
6
] | [
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"root",
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"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"O",
"B-WORK_OF_ART",
"I-WORK_OF_ART",
"E-WORK_OF_ART",
"O",
"O"
] |
782 | 0 | ## \1 | [
"##",
"\\1"
] | [
"##",
"\\1"
] | [
"SYM",
"SYM"
] | [
"SYM",
"NFP"
] | [
0,
1
] | [
"root",
"discourse"
] | [
"O",
"O"
] |
785 | 0 | ## \1 | [
"##",
"\\1"
] | [
"##",
"\\1"
] | [
"SYM",
"SYM"
] | [
"SYM",
"NFP"
] | [
0,
1
] | [
"root",
"discourse"
] | [
"O",
"O"
] |
788 | 0 | ### \1 | [
"###",
"\\1"
] | [
"###",
"\\1"
] | [
"SYM",
"SYM"
] | [
"NFP",
"NFP"
] | [
0,
1
] | [
"root",
"discourse"
] | [
"O",
"O"
] |
790 | 0 | Tom Araya – bass\1 lead vocals | [
"Tom",
"Araya",
"–",
"bass",
"\\1",
"lead",
"vocals"
] | [
"Tom",
"Araya",
"-",
"bass",
"\\1",
"lead",
"vocal"
] | [
"PROPN",
"PROPN",
"PUNCT",
"NOUN",
"NUM",
"NOUN",
"NOUN"
] | [
"NNP",
"NNP",
":",
"NN",
"CD",
"NN",
"NNS"
] | [
0,
1,
7,
1,
7,
7,
1
] | [
"root",
"flat",
"punct",
"list",
"nummod",
"compound",
"appos"
] | [
"B-PERSON",
"E-PERSON",
"O",
"O",
"O",
"O",
"O"
] |
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