gem_id stringlengths 20 25 | id stringlengths 24 24 | title stringlengths 3 59 | context stringlengths 151 3.71k | question stringlengths 1 270 | target stringlengths 1 270 | references list | answers dict |
|---|---|---|---|---|---|---|---|
gem-squad_v2-train-7300 | 573016e1a23a5019007fcd55 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | What aspect of windows generally varied between floors? | What aspect of windows generally varied between floors? | [
"What aspect of windows generally varied between floors?"
] | {
"text": [
"Their height"
],
"answer_start": [
224
]
} |
gem-squad_v2-train-7301 | 5a137f8bc8eab200188dc9a5 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | What tax was maximized by building large and regularly spaced windows | What tax was maximized by building large and regularly spaced windows | [
"What tax was maximized by building large and regularly spaced windows"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7302 | 5a137f8bc8eab200188dc9a6 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | What increasingly began above waist height in the main rooms? | What increasingly began above waist height in the main rooms? | [
"What increasingly began above waist height in the main rooms?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7303 | 5a137f8bc8eab200188dc9a7 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | Before this. What could generally be deduced from the outside | Before this. What could generally be deduced from the outside | [
"Before this. What could generally be deduced from the outside"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7304 | 5a137f8bc8eab200188dc9a8 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | What plans were not universal inside large houses? | What plans were not universal inside large houses? | [
"What plans were not universal inside large houses?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7305 | 5a137f8bc8eab200188dc9a9 | Georgian_architecture | Windows in all types of buildings were large and regularly placed on a grid; this was partly to minimize window tax, which was in force throughout the period in the United Kingdom. Some windows were subsequently bricked-in. Their height increasingly varied between the floors, and they increasingly began below waist-height in the main rooms, making a small balcony desirable. Before this the internal plan and function of the rooms can generally not be deduced from the outside. To open these large windows the sash window, already developed by the 1670s, became very widespread. Corridor plans became universal inside larger houses. | What type of window was required before 1670? | What type of window was required before 1670? | [
"What type of window was required before 1670?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7306 | 573017ff947a6a140053d0c8 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What was often used to hide functional parts of buildings? | What was often used to hide functional parts of buildings? | [
"What was often used to hide functional parts of buildings?"
] | {
"text": [
"trees"
],
"answer_start": [
174
]
} |
gem-squad_v2-train-7307 | 573017ff947a6a140053d0c9 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What was occasionally visible in grander buildings? | What was occasionally visible in grander buildings? | [
"What was occasionally visible in grander buildings?"
] | {
"text": [
"domes"
],
"answer_start": [
373
]
} |
gem-squad_v2-train-7308 | 573017ff947a6a140053d0ca | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What often topped pilasters of columns? | What often topped pilasters of columns? | [
"What often topped pilasters of columns?"
] | {
"text": [
"pediment"
],
"answer_start": [
559
]
} |
gem-squad_v2-train-7309 | 573017ff947a6a140053d0cb | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What designs did ornament use to avoid using the human figure? | What designs did ornament use to avoid using the human figure? | [
"What designs did ornament use to avoid using the human figure?"
] | {
"text": [
"geometrical or plant-based"
],
"answer_start": [
644
]
} |
gem-squad_v2-train-7310 | 573017ff947a6a140053d0cc | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What aspect of buildings became very rare? | What aspect of buildings became very rare? | [
"What aspect of buildings became very rare?"
] | {
"text": [
"Internal courtyards"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-7311 | 5a13828ec8eab200188dc9af | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What was often used too accentuate functional parts of buildings? | What was often used too accentuate functional parts of buildings? | [
"What was often used too accentuate functional parts of buildings?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7312 | 5a13828ec8eab200188dc9b0 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What type of courtyard became more popular at this time | What type of courtyard became more popular at this time | [
"What type of courtyard became more popular at this time"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7313 | 5a13828ec8eab200188dc9b1 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What was typically visible from the ground? | What was typically visible from the ground? | [
"What was typically visible from the ground?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7314 | 5a13828ec8eab200188dc9b2 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What type of ornament was popular outside but not inside? | What type of ornament was popular outside but not inside? | [
"What type of ornament was popular outside but not inside?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7315 | 5a13828ec8eab200188dc9b3 | Georgian_architecture | Internal courtyards became more rare, except beside the stables, and the functional parts of the building were placed at the sides, or in separate buildings nearby hidden by trees. The views to and from the front and rear of the main block were concentrated on, with the side approaches usually much less important. The roof was typically invisible from the ground, though domes were sometimes visible in grander buildings. The roofline was generally clear of ornament except for a balustrade or the top of a pediment. Columns or pilasters, often topped by a pediment, were popular for ornament inside and out, and other ornament was generally geometrical or plant-based, rather than using the human figure. | What was the human figure often used for? | What was the human figure often used for? | [
"What was the human figure often used for?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7316 | 573018c0b2c2fd1400568859 | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | Where could sometimes overwhelming ornament be found? | Where could sometimes overwhelming ornament be found? | [
"Where could sometimes overwhelming ornament be found?"
] | {
"text": [
"Inside ornament"
],
"answer_start": [
0
]
} |
gem-squad_v2-train-7317 | 573018c0b2c2fd140056885a | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What was the typical main focus of rooms? | What was the typical main focus of rooms? | [
"What was the typical main focus of rooms?"
] | {
"text": [
"chimneypiece"
],
"answer_start": [
80
]
} |
gem-squad_v2-train-7318 | 573018c0b2c2fd140056885b | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What type of ceilings became commonplace? | What type of ceilings became commonplace? | [
"What type of ceilings became commonplace?"
] | {
"text": [
"Plasterwork ceilings"
],
"answer_start": [
232
]
} |
gem-squad_v2-train-7319 | 573018c0b2c2fd140056885c | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What fell out of favor during this time? | What fell out of favor during this time? | [
"What fell out of favor during this time?"
] | {
"text": [
"Wood-panelling"
],
"answer_start": [
424
]
} |
gem-squad_v2-train-7320 | 573018c0b2c2fd140056885d | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | Where was very expensive wallpaper imported from? | Where was very expensive wallpaper imported from? | [
"Where was very expensive wallpaper imported from?"
] | {
"text": [
"China"
],
"answer_start": [
562
]
} |
gem-squad_v2-train-7321 | 5a1388bac8eab200188dc9b9 | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What could overgenerous outside ornaments be sometimes? | What could overgenerous outside ornaments be sometimes? | [
"What could overgenerous outside ornaments be sometimes?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7322 | 5a1388bac8eab200188dc9ba | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What became the new main focus of rooms? | What became the new main focus of rooms? | [
"What became the new main focus of rooms?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7323 | 5a1388bac8eab200188dc9bb | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What was no longer topped with a painting or mirror? | What was no longer topped with a painting or mirror? | [
"What was no longer topped with a painting or mirror?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7324 | 5a1388bac8eab200188dc9bc | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What type of ceilings became rare? | What type of ceilings became rare? | [
"What type of ceilings became rare?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7325 | 5a1388bac8eab200188dc9bd | Georgian_architecture | Inside ornament was far more generous, and could sometimes be overwhelming. The chimneypiece continued to be the usual main focus of rooms, and was now given a classical treatment, and increasingly topped by a painting or a mirror. Plasterwork ceilings, carved wood, and bold schemes of wallpaint formed a backdrop to increasingly rich collections of furniture, paintings, porcelain, mirrors, and objets d'art of all kinds. Wood-panelling, very common since about 1500, fell from favour around the mid-century, and wallpaper included very expensive imports from China. | What type of wood paneling became very common after 1500? | What type of wood paneling became very common after 1500? | [
"What type of wood paneling became very common after 1500?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7326 | 5730199d04bcaa1900d7718f | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | Most town people lived in what type of houses? | Most town people lived in what type of houses? | [
"Most town people lived in what type of houses?"
] | {
"text": [
"terraced houses"
],
"answer_start": [
46
]
} |
gem-squad_v2-train-7327 | 5730199d04bcaa1900d77190 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | What was used to protect the "area"? | What was used to protect the "area"? | [
"What was used to protect the \"area\"?"
] | {
"text": [
"iron railings"
],
"answer_start": [
195
]
} |
gem-squad_v2-train-7328 | 5730199d04bcaa1900d77191 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | Due to new entry styles what rooms were often moved down a floor? | Due to new entry styles what rooms were often moved down a floor? | [
"Due to new entry styles what rooms were often moved down a floor?"
] | {
"text": [
"main reception rooms"
],
"answer_start": [
460
]
} |
gem-squad_v2-train-7329 | 5a1389b6c8eab200188dc9c3 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | What did most wealthy townspeople live in? | What did most wealthy townspeople live in? | [
"What did most wealthy townspeople live in?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7330 | 5a1389b6c8eab200188dc9c4 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | Due to the new entry style what rooms were moved up one floor? | Due to the new entry style what rooms were moved up one floor? | [
"Due to the new entry style what rooms were moved up one floor?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7331 | 5a1389b6c8eab200188dc9c5 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | What people were not allowed to use the discrete entrance to the area? | What people were not allowed to use the discrete entrance to the area? | [
"What people were not allowed to use the discrete entrance to the area?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7332 | 5a1389b6c8eab200188dc9c6 | Georgian_architecture | In towns even most better-off people lived in terraced houses, which typically opened straight onto the street, often with a few steps up to the door. There was often an open space, protected by iron railings, dropping down to the basement level, with a discreet entrance down steps off the street for servants and deliveries; this is known as the "area". This meant that the ground floor front was now removed and protected from the street and encouraged the main reception rooms to move there from the floor above. Where, as often, a new street or set of streets was developed, the road and pavements were raised up, and the gardens or yards behind the houses at a lower level, usually representing the original one. | What were put behind the house on the same level? | What were put behind the house on the same level? | [
"What were put behind the house on the same level?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7333 | 57301aed947a6a140053d100 | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What shape and size did most town terraced houses take on? | What shape and size did most town terraced houses take on? | [
"What shape and size did most town terraced houses take on?"
] | {
"text": [
"tall and narrow"
],
"answer_start": [
64
]
} |
gem-squad_v2-train-7334 | 57301aed947a6a140053d101 | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | Well-off continental dwellings consisted of? | Well-off continental dwellings consisted of? | [
"Well-off continental dwellings consisted of?"
] | {
"text": [
"wide apartments occupying only one or two floors of a building"
],
"answer_start": [
232
]
} |
gem-squad_v2-train-7335 | 57301aed947a6a140053d102 | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What year did The Albany convert? | What year did The Albany convert? | [
"What year did The Albany convert?"
] | {
"text": [
"1802"
],
"answer_start": [
476
]
} |
gem-squad_v2-train-7336 | 57301aed947a6a140053d103 | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What was the only city where working class purpose built tenements common? | What was the only city where working class purpose built tenements common? | [
"What was the only city where working class purpose built tenements common?"
] | {
"text": [
"Edinburgh"
],
"answer_start": [
517
]
} |
gem-squad_v2-train-7337 | 57301aed947a6a140053d104 | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What was popular for terraces where there was enough space? | What was popular for terraces where there was enough space? | [
"What was popular for terraces where there was enough space?"
] | {
"text": [
"A curving crescent"
],
"answer_start": [
622
]
} |
gem-squad_v2-train-7338 | 5a13966cc8eab200188dc9cb | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What kind of town houses were tall and wide? | What kind of town houses were tall and wide? | [
"What kind of town houses were tall and wide?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7339 | 5a13966cc8eab200188dc9cc | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What type of dwellings formed wide apartments occupying whole buildings? | What type of dwellings formed wide apartments occupying whole buildings? | [
"What type of dwellings formed wide apartments occupying whole buildings?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7340 | 5a13966cc8eab200188dc9cd | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What shape looking out over the street was popular for terraces? | What shape looking out over the street was popular for terraces? | [
"What shape looking out over the street was popular for terraces?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7341 | 5a13966cc8eab200188dc9ce | Georgian_architecture | Town terraced houses for all social classes remained resolutely tall and narrow, each dwelling occupying the whole height of the building. This contrasted with well-off continental dwellings, which had already begun to be formed of wide apartments occupying only one or two floors of a building; such arrangements were only typical in England when housing groups of batchelors, as in Oxbridge colleges, the lawyers in the Inns of Court or The Albany after it was converted in 1802. In the period in question, only in Edinburgh were working-class purpose-built tenements common, though lodgers were common in other cities. A curving crescent, often looking out at gardens or a park, was popular for terraces where space allowed. In early and central schemes of development, plots were sold and built on individually, though there was often an attempt to enforce some uniformity, but as development reached further out schemes were increasingly built as a uniform scheme and then sold. | What was popular for terraces where space was lacking? | What was popular for terraces where space was lacking? | [
"What was popular for terraces where space was lacking?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7342 | 57301c50a23a5019007fcd8b | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What cities contest to being the original home of the semi? | What cities contest to being the original home of the semi? | [
"What cities contest to being the original home of the semi?"
] | {
"text": [
"Blackheath, Chalk Farm and St John's Wood"
],
"answer_start": [
455
]
} |
gem-squad_v2-train-7343 | 57301c50a23a5019007fcd8c | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | Who conferred primacy to the Eyre Estate of St John's Wood? | Who conferred primacy to the Eyre Estate of St John's Wood? | [
"Who conferred primacy to the Eyre Estate of St John's Wood?"
] | {
"text": [
"Sir John Summerson"
],
"answer_start": [
565
]
} |
gem-squad_v2-train-7344 | 57301c50a23a5019007fcd8d | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | A plan for a semi-detached houses was dated for what year? | A plan for a semi-detached houses was dated for what year? | [
"A plan for a semi-detached houses was dated for what year?"
] | {
"text": [
"1794"
],
"answer_start": [
664
]
} |
gem-squad_v2-train-7345 | 57301c50a23a5019007fcd8e | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What put an end to the scheme of semi-detached houses? | What put an end to the scheme of semi-detached houses? | [
"What put an end to the scheme of semi-detached houses?"
] | {
"text": [
"the French Wars"
],
"answer_start": [
816
]
} |
gem-squad_v2-train-7346 | 5a139a81c8eab200188dc9d3 | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | Which city is agreed to be the first to have semi detached houses? | Which city is agreed to be the first to have semi detached houses? | [
"Which city is agreed to be the first to have semi detached houses?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7347 | 5a139a81c8eab200188dc9d4 | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What was this semi detached house modeled after? | What was this semi detached house modeled after? | [
"What was this semi detached house modeled after?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7348 | 5a139a81c8eab200188dc9d5 | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What plans date back to the early 1700s? | What plans date back to the early 1700s? | [
"What plans date back to the early 1700s?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7349 | 5a139a81c8eab200188dc9d6 | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What ward to disking become popular? | What ward to disking become popular? | [
"What ward to disking become popular?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7350 | 5a139a81c8eab200188dc9d7 | Georgian_architecture | The late Georgian period saw the birth of the semi-detached house, planned systematically, as a suburban compromise between the terraced houses of the city and the detached "villas" further out, where land was cheaper. There had been occasional examples in town centres going back to medieval times. Most early suburban examples are large, and in what are now the outer fringes of Central London, but were then in areas being built up for the first time. Blackheath, Chalk Farm and St John's Wood are among the areas contesting being the original home of the semi. Sir John Summerson gave primacy to the Eyre Estate of St John's Wood. A plan for this exists dated 1794, where "the whole development consists of pairs of semi-detached houses, So far as I know, this is the first recorded scheme of the kind". In fact the French Wars put an end to this scheme, but when the development was finally built it retained the semi-detached form, "a revolution of striking significance and far-reaching effect". | What type of house was born in the early Georgian period? | What type of house was born in the early Georgian period? | [
"What type of house was born in the early Georgian period?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7351 | 57301d42947a6a140053d128 | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What act spurred to building of new churches in Britain? | What act spurred to building of new churches in Britain? | [
"What act spurred to building of new churches in Britain?"
] | {
"text": [
"Church Building Act of 1818"
],
"answer_start": [
10
]
} |
gem-squad_v2-train-7352 | 57301d42947a6a140053d129 | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | The later years of the period saw the demand for which places of worship increase? | The later years of the period saw the demand for which places of worship increase? | [
"The later years of the period saw the demand for which places of worship increase?"
] | {
"text": [
"Non-conformist and Roman Catholic"
],
"answer_start": [
186
]
} |
gem-squad_v2-train-7353 | 57301d42947a6a140053d12a | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What were Anglican churches internally designed for? | What were Anglican churches internally designed for? | [
"What were Anglican churches internally designed for?"
] | {
"text": [
"maximum audibility, and visibility"
],
"answer_start": [
325
]
} |
gem-squad_v2-train-7354 | 57301d42947a6a140053d12b | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What were common in new churches? | What were common in new churches? | [
"What were common in new churches?"
] | {
"text": [
"Galleries"
],
"answer_start": [
486
]
} |
gem-squad_v2-train-7355 | 57301d42947a6a140053d12c | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | Churches filled up with monuments to what? | Churches filled up with monuments to what? | [
"Churches filled up with monuments to what?"
] | {
"text": [
"monuments to the prosperous"
],
"answer_start": [
987
]
} |
gem-squad_v2-train-7356 | 5a139e17c8eab200188dc9dd | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What act slowed the building of churches in Britain? | What act slowed the building of churches in Britain? | [
"What act slowed the building of churches in Britain?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7357 | 5a139e17c8eab200188dc9de | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What were filled with monuments to God? | What were filled with monuments to God? | [
"What were filled with monuments to God?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7358 | 5a139e17c8eab200188dc9df | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What places of worship were in demand in the early years of this period? | What places of worship were in demand in the early years of this period? | [
"What places of worship were in demand in the early years of this period?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7359 | 5a139e17c8eab200188dc9e0 | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What was uncommon in the new churches? | What was uncommon in the new churches? | [
"What was uncommon in the new churches?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7360 | 5a139e17c8eab200188dc9e1 | Georgian_architecture | Until the Church Building Act of 1818, the period saw relatively few churches built in Britain, which was already well-supplied, although in the later years of the period the demand for Non-conformist and Roman Catholic places of worship greatly increased. Anglican churches that were built were designed internally to allow maximum audibility, and visibility, for preaching, so the main nave was generally wider and shorter than in medieval plans, and often there were no side-aisles. Galleries were common in new churches. Especially in country parishes, the external appearance generally retained the familiar signifiers of a Gothic church, with a tower or spire, a large west front with one or more doors, and very large windows along the nave, but all with any ornament drawn from the classical vocabulary. Where funds permitted, a classical temple portico with columns and a pediment might be used at the west front. Decoration inside was very limited, but churches filled up with monuments to the prosperous. | What was used in front of the church when funds were limited? | What was used in front of the church when funds were limited? | [
"What was used in front of the church when funds were limited?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7361 | 57301e1604bcaa1900d771bb | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | Somerset House was designed by whom? | Somerset House was designed by whom? | [
"Somerset House was designed by whom?"
] | {
"text": [
"Sir William Chambers"
],
"answer_start": [
185
]
} |
gem-squad_v2-train-7362 | 57301e1604bcaa1900d771bc | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | In what year was Somerset House designed? | In what year was Somerset House designed? | [
"In what year was Somerset House designed?"
] | {
"text": [
"1776"
],
"answer_start": [
209
]
} |
gem-squad_v2-train-7363 | 57301e1604bcaa1900d771bd | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | Commercial projects in the late period tended to be "architectural" in what way? | Commercial projects in the late period tended to be "architectural" in what way? | [
"Commercial projects in the late period tended to be \"architectural\" in what way?"
] | {
"text": [
"\"architectural in intention\""
],
"answer_start": [
604
]
} |
gem-squad_v2-train-7364 | 57301e1604bcaa1900d771be | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | What was considered a lesser class of designers? | What was considered a lesser class of designers? | [
"What was considered a lesser class of designers?"
] | {
"text": [
"surveyors"
],
"answer_start": [
695
]
} |
gem-squad_v2-train-7365 | 5a13a6e6c8eab200188dc9e7 | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | What government building was finished in 1776? | What government building was finished in 1776? | [
"What government building was finished in 1776?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7366 | 5a13a6e6c8eab200188dc9e8 | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | All what types of prestigious buildings worse functional as mills and factories? | All what types of prestigious buildings worse functional as mills and factories? | [
"All what types of prestigious buildings worse functional as mills and factories?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7367 | 5a13a6e6c8eab200188dc9e9 | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | What do commercial projects early in them. Tend to be? | What do commercial projects early in them. Tend to be? | [
"What do commercial projects early in them. Tend to be?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7368 | 5a13a6e6c8eab200188dc9ea | Georgian_architecture | Public buildings generally varied between the extremes of plain boxes with grid windows and Italian Late Renaissance palaces, depending on budget. Somerset House in London, designed by Sir William Chambers in 1776 for government offices, was as magnificent as any country house, though never quite finished, as funds ran out. Barracks and other less prestigious buildings could be as functional as the mills and factories that were growing increasingly large by the end of the period. But as the period came to an end many commercial projects were becoming sufficiently large, and well-funded, to become "architectural in intention", rather than having their design left to the lesser class of "surveyors". | What type of building like Renaissance palaces regardless of budget? | What type of building like Renaissance palaces regardless of budget? | [
"What type of building like Renaissance palaces regardless of budget?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7369 | 57301ea404bcaa1900d771c3 | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | American buildings in the Georgian period were frequently constructed of which materials? | American buildings in the Georgian period were frequently constructed of which materials? | [
"American buildings in the Georgian period were frequently constructed of which materials?"
] | {
"text": [
"wood with clapboards"
],
"answer_start": [
168
]
} |
gem-squad_v2-train-7370 | 57301ea404bcaa1900d771c4 | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | What was difficult to obtain and transport during the Georgian period? | What was difficult to obtain and transport during the Georgian period? | [
"What was difficult to obtain and transport during the Georgian period?"
] | {
"text": [
"brick or stone"
],
"answer_start": [
344
]
} |
gem-squad_v2-train-7371 | 57301ea404bcaa1900d771c5 | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | Which colleges are considered examples of Georgian architecture in America? | Which colleges are considered examples of Georgian architecture in America? | [
"Which colleges are considered examples of Georgian architecture in America?"
] | {
"text": [
"Dartmouth College, Harvard University, and the College of William and Mary"
],
"answer_start": [
456
]
} |
gem-squad_v2-train-7372 | 5a13aadbc8eab200188dc9ef | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | What material was rarely used for Georgian period American buildings? | What material was rarely used for Georgian period American buildings? | [
"What material was rarely used for Georgian period American buildings?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7373 | 5a13aadbc8eab200188dc9f0 | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | What comment material was easy to transport in this period? | What comment material was easy to transport in this period? | [
"What comment material was easy to transport in this period?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7374 | 5a13aadbc8eab200188dc9f1 | Georgian_architecture | Georgian architecture was widely disseminated in the English colonies during the Georgian era. American buildings of the Georgian period were very often constructed of wood with clapboards; even columns were made of timber, framed up, and turned on an over-sized lathe. At the start of the period the difficulties of obtaining and transporting brick or stone made them a common alternative only in the larger cities, or where they were obtainable locally. Dartmouth College, Harvard University, and the College of William and Mary, offer leading examples of Georgian architecture in the Americas. | What type of architecture was sparsely scattered through the English colonies during the Georgian era | What type of architecture was sparsely scattered through the English colonies during the Georgian era | [
"What type of architecture was sparsely scattered through the English colonies during the Georgian era"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7375 | 57301f78b2c2fd14005688d1 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What style did was little represented in British colonies? | What style did was little represented in British colonies? | [
"What style did was little represented in British colonies?"
] | {
"text": [
"Baroque"
],
"answer_start": [
11
]
} |
gem-squad_v2-train-7376 | 57301f78b2c2fd14005688d2 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | Baroque style was mostly used for which buildings? | Baroque style was mostly used for which buildings? | [
"Baroque style was mostly used for which buildings?"
] | {
"text": [
"palaces and churches"
],
"answer_start": [
69
]
} |
gem-squad_v2-train-7377 | 57301f78b2c2fd14005688d3 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What is considered to be the best remaining example of a house from the Georgian period and style? | What is considered to be the best remaining example of a house from the Georgian period and style? | [
"What is considered to be the best remaining example of a house from the Georgian period and style?"
] | {
"text": [
"Hammond-Harwood House"
],
"answer_start": [
269
]
} |
gem-squad_v2-train-7378 | 57301f78b2c2fd14005688d4 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What year was the Hammond-Harwood House built? | What year was the Hammond-Harwood House built? | [
"What year was the Hammond-Harwood House built?"
] | {
"text": [
"1774"
],
"answer_start": [
292
]
} |
gem-squad_v2-train-7379 | 57301f78b2c2fd14005688d5 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What building did William Buckland model the Hammon-Harwood House? | What building did William Buckland model the Hammon-Harwood House? | [
"What building did William Buckland model the Hammon-Harwood House?"
] | {
"text": [
"Villa Pisani at Montagnana, Italy"
],
"answer_start": [
394
]
} |
gem-squad_v2-train-7380 | 5a13abdbc8eab200188dc9f5 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What style was widely represented in British colonies? | What style was widely represented in British colonies? | [
"What style was widely represented in British colonies?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7381 | 5a13abdbc8eab200188dc9f6 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What other building besides churches were calmly done in the Georgian style | What other building besides churches were calmly done in the Georgian style | [
"What other building besides churches were calmly done in the Georgian style"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7382 | 5a13abdbc8eab200188dc9f7 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | What is considered to be the best remaining example of the Baroque style? | What is considered to be the best remaining example of the Baroque style? | [
"What is considered to be the best remaining example of the Baroque style?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7383 | 5a13abdbc8eab200188dc9f8 | Georgian_architecture | Unlike the Baroque style that it replaced, which was mostly used for palaces and churches, and had little representation in the British colonies, simpler Georgian styles were widely used by the upper and middle classes. Perhaps the best remaining house is the pristine Hammond-Harwood House (1774) in Annapolis, Maryland, designed by the colonial architect William Buckland and modelled on the Villa Pisani at Montagnana, Italy as depicted in Andrea Palladio's I quattro libri dell'architettura ("Four Books of Architecture"). | Who built the Villa Pisani at Montagnana? | Who built the Villa Pisani at Montagnana? | [
"Who built the Villa Pisani at Montagnana?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7384 | 57302099b2c2fd14005688e5 | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What year did Georgian architecture begin to be abandoned? | What year did Georgian architecture begin to be abandoned? | [
"What year did Georgian architecture begin to be abandoned?"
] | {
"text": [
"1840"
],
"answer_start": [
12
]
} |
gem-squad_v2-train-7385 | 57302099b2c2fd14005688e6 | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What was the rivalry between Gothic Revival and Neoclassical referred to as? | What was the rivalry between Gothic Revival and Neoclassical referred to as? | [
"What was the rivalry between Gothic Revival and Neoclassical referred to as?"
] | {
"text": [
"the Battle of the Styles"
],
"answer_start": [
374
]
} |
gem-squad_v2-train-7386 | 57302099b2c2fd14005688e7 | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What style from the United States used many elements of Georgian style but with revolutionary symbols? | What style from the United States used many elements of Georgian style but with revolutionary symbols? | [
"What style from the United States used many elements of Georgian style but with revolutionary symbols?"
] | {
"text": [
"Federalist Style"
],
"answer_start": [
455
]
} |
gem-squad_v2-train-7387 | 57302099b2c2fd14005688e8 | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | When was the Battle of the Styles contested? | When was the Battle of the Styles contested? | [
"When was the Battle of the Styles contested?"
] | {
"text": [
"early Victorian period"
],
"answer_start": [
406
]
} |
gem-squad_v2-train-7388 | 5a13afa1c8eab200188dc9fd | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What year to Georgian architecture become even more popular? | What year to Georgian architecture become even more popular? | [
"What year to Georgian architecture become even more popular?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7389 | 5a13afa1c8eab200188dc9fe | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What was the rivalry between Gothic Revival and Classical called? | What was the rivalry between Gothic Revival and Classical called? | [
"What was the rivalry between Gothic Revival and Classical called?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7390 | 5a13afa1c8eab200188dc9ff | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | What style had many elements of Gothic along with revolutionary symbols? | What style had many elements of Gothic along with revolutionary symbols? | [
"What style had many elements of Gothic along with revolutionary symbols?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7391 | 5a13afa1c8eab200188dca00 | Georgian_architecture | After about 1840, Georgian conventions were slowly abandoned as a number of revival styles, including Gothic Revival, that had originated in the Georgian period, developed and contested in Victorian architecture, and in the case of Gothic became better researched, and closer to their originals. Neoclassical architecture remained popular, and was the opponent of Gothic in the Battle of the Styles of the early Victorian period. In the United States the Federalist Style contained many elements of Georgian style, but incorporated revolutionary symbols. | Georgian and what other style were known as revival? | Georgian and what other style were known as revival? | [
"Georgian and what other style were known as revival?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7392 | 5730219bb2c2fd1400568901 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What was the revival of Georgian style in twentieth century United States called? | What was the revival of Georgian style in twentieth century United States called? | [
"What was the revival of Georgian style in twentieth century United States called?"
] | {
"text": [
"Colonial Revival"
],
"answer_start": [
188
]
} |
gem-squad_v2-train-7393 | 5730219bb2c2fd1400568902 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | Which Canadian group embraced Georgian architecture as a sign of fealty to Britain? | Which Canadian group embraced Georgian architecture as a sign of fealty to Britain? | [
"Which Canadian group embraced Georgian architecture as a sign of fealty to Britain?"
] | {
"text": [
"United Empire Loyalists"
],
"answer_start": [
220
]
} |
gem-squad_v2-train-7394 | 5730219bb2c2fd1400568903 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What Toronto building was built in 1817? | What Toronto building was built in 1817? | [
"What Toronto building was built in 1817?"
] | {
"text": [
"The Grange"
],
"answer_start": [
412
]
} |
gem-squad_v2-train-7395 | 5730219bb2c2fd1400568904 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What English born architect designed the Old Montreal Custom House? | What English born architect designed the Old Montreal Custom House? | [
"What English born architect designed the Old Montreal Custom House?"
] | {
"text": [
"John Ostell"
],
"answer_start": [
518
]
} |
gem-squad_v2-train-7396 | 5a13b059c8eab200188dca05 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What was the Georgian style cold in the colonies? | What was the Georgian style cold in the colonies? | [
"What was the Georgian style cold in the colonies?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7397 | 5a13b059c8eab200188dca06 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | Who embraced Georgian architecture as a sign of their British heritage | Who embraced Georgian architecture as a sign of their British heritage | [
"Who embraced Georgian architecture as a sign of their British heritage"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7398 | 5a13b059c8eab200188dca07 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What style was dominant in the country for the second half of the nineteenth century? | What style was dominant in the country for the second half of the nineteenth century? | [
"What style was dominant in the country for the second half of the nineteenth century?"
] | {
"text": [],
"answer_start": []
} |
gem-squad_v2-train-7399 | 5a13b059c8eab200188dca08 | Georgian_architecture | In the early decades of the twentieth century when there was a growing nostalgia for its sense of order, the style was revived and adapted and in the United States came to be known as the Colonial Revival. In Canada the United Empire Loyalists embraced Georgian architecture as a sign of their fealty to Britain, and the Georgian style was dominant in the country for most of the first half of the 19th century. The Grange, for example, a manor built in Toronto, was built in 1817. In Montreal, English born architect John Ostell worked on a significant number of remarkable constructions in the Georgian style such as the Old Montreal Custom House and the Grand séminaire de Montréal. | What manner was built in Montréal in 1870? | What manner was built in Montréal in 1870? | [
"What manner was built in Montréal in 1870?"
] | {
"text": [],
"answer_start": []
} |
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