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br-c01
First the Larkins are ahead , then the Jerebohms .
<NONE>
<NONE>
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br-c01
After Larkin has been persuaded to restock his tangled acres with pheasants , he poaches only what he needs for the nourishment of his family and local callers .
<NONE>
<NONE>
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br-c01
One of the local callers , a retired brigadier apparently left over from Kipling 's tales of India , does not approve of the way Larkin gets his birds .
<NONE>
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br-c01
He does n't think that potting them from a deck chair on the south side of the house with a quart glass of beer for sustenance is entirely sporting .
<NONE>
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br-c01
But the brigadier dines on the birds with relish .
<NONE>
<NONE>
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br-c01
It is truly odd and ironic that the most handsome and impressive film yet made from Miguel de Cervantes ' `` Don Quixote '' is the brilliant Russian spectacle , done in wide screen and color , which opened yesterday at the Fifty-fifth Street and Sixty-eighth Street Playhouses .
<NONE>
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br-c01
More than a beautiful visualization of the illustrious adventures and escapades of the tragi-comic knight-errant and his squire , Sancho Panza , in seventeenth century Spain , this inevitably abbreviated rendering of the classic satire on chivalry is an affectingly warm and human exposition of character .
<NONE>
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br-c01
Nikolai Cherkasov , the Russian actor who has played such heroic roles as Alexander Nevsky and Ivan the Terrible , performs the lanky Don Quixote , and does so with a simple dignity that bridges the inner nobility and the surface absurdity of this poignant man .
<NONE>
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br-c01
His addle-brained knight-errant , self appointed to the ridiculous position in an age when armor had already been relegated to museums and the chivalrous code of knight-errantry had become a joke , is , as Cervantes no doubt intended , a gaunt but gracious symbol of good , moving soberly and sincerely in a world of cynics , hypocrites and rogues .
<NONE>
<NONE>
[ "Son", "chevalier", "@-@", "errant", ",", "autoproclamé", "à", "la", "position", "ridicule", "à", "une", "époque", "où", "les", "armures", "avaient", "déjà", "été", "reléguées", "dans", "les", "musées", "et", "que", "le", "code", "chevaleresque", "de", "la", "chevalerie", "était", "devenu", "une", "blague", ",", "est", ",", "comme", "Cervantès", "sans", "doute", "voulu", ",", "un", "symbole", "gentil", "mais", "gracieux", "de", "bien", ",", "qui", "se", "déplace", "de", "manière", "douce", "et", "sincère", "dans", "un", "monde", "de", "cyniques", ",", "d&apos;", "hypocrites", "et", "de", "voleurs", "." ]
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br-c01
Cherkasov does not caricature him , as some actors have been inclined to do .
<NONE>
<NONE>
[ "Cherkasov", "ne", "le", "caricature", "pas", ",", "comme", "certains", "acteurs", "ont", "tendance", "à", "le", "faire", "." ]
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[ "person%1:03:00", "<NONE>", "not%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "actor%1:18:00", "<NONE>", "incline%2:42:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "0", "<NONE>", "2", "4", "5", "<NONE>", "6", "<NONE>", "8", "<NONE>", "11", "<NONE>", "<NONE>", "13", "<NONE>" ]
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br-c01
He treats this deep-eyed , bearded , bony crackpot with tangible affection and respect .
<NONE>
<NONE>
[ "Il", "traite", "ce", "creuset", "aux", "yeux", "profonds", ",", "barbu", "et", "osseux", "avec", "une", "affection", "et", "un", "respect", "tangibles", "." ]
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[ "<NONE>", "<NONE>", "treat%2:32:00", "crackpot%1:18:00", "<NONE>", "<NONE>", "deep-eyed%3:00:00:thin:03", "<NONE>", "bearded%3:00:00:unshaven:00", "<NONE>", "bony%3:00:00:thin:03", "<NONE>", "<NONE>", "affection%1:12:00", "<NONE>", "<NONE>", "respect%1:04:03", "tangible%3:00:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "8", "<NONE>", "<NONE>", "3", "6", "5", "<NONE>", "7", "9", "<NONE>", "11", "12", "<NONE>", "13", "10", "<NONE>" ]
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br-c01
Directed by Grigory Kozintsev in a tempo that is studiously slow , he develops a sense of a high tradition shining brightly and passing gravely through an impious world .
<NONE>
<NONE>
[ "Dirigé", "par", "Grigory", "Kozintsev", "dans", "un", "tempo", "qui", "est", "studieusement", "lent", ",", "il", "développe", "un", "sens", "de", "la", "haute", "tradition", "qui", "brille", "brillamment", "et", "passe", "gravement", "à", "travers", "un", "monde", "féroce", "." ]
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br-c01
The complexities of communication have been considerably abetted in this case by appropriately stilted English language that has been excellently dubbed in place of the Russian dialogue .
<NONE>
<NONE>
[ "Les", "complexités", "de", "la", "communication", "ont", "été", "considérablement", "altérées", "dans", "ce", "cas", "par", "une", "langue", "anglaise", "correctement", "cousue", "qui", "a", "été", "parfaitement", "doublée", "au", "lieu", "du", "dialogue", "russe", "." ]
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br-c01
The voices of all the characters , including that of Cherkasov , have richness , roughness or color to conform with the personalities .
<NONE>
<NONE>
[ "Les", "voix", "de", "tous", "les", "personnages", ",", "y", "compris", "celle", "de", "Cherkasov", ",", "ont", "la", "richesse", ",", "la", "rugosité", "ou", "la", "couleur", "pour", "se", "conformer", "aux", "personnalités", "." ]
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br-c01
And the subtleties of the dialogue are most helpfully conveyed .
<NONE>
<NONE>
[ "Et", "les", "subtilités", "du", "dialogue", "sont", "les", "plus", "utiles", "." ]
[ "<NONE>", "<NONE>", "subtlety%1:07:00::", "<NONE>", "dialogue%1:10:01::", "<NONE>", "<NONE>", "most%4:02:01::", "helpfully%4:02:00::", "convey%2:32:00::" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c01
Since Russian was being spoken instead of Spanish , there is no violation of artistry or logic here .
<NONE>
<NONE>
[ "Comme", "le", "russe", "était", "parlé", "à", "la", "place", "de", "l&apos;", "espagnol", ",", "il", "n&apos;", "y", "a", "pas", "de", "violation", "de", "l&apos;", "art", "ou", "de", "la", "logique", "ici", "." ]
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br-c01
Splendid , too , is the performance of Yuri Tolubeyev , one of Russia 's leading comedians , as Sancho Panza , the fat , grotesque `` squire '' .
<NONE>
<NONE>
[ "Splendid", ",", "aussi", ",", "est", "la", "performance", "de", "Yuri", "Tolubeyev", ",", "l&apos;", "un", "des", "plus", "grands", "comédiens", "de", "Russie", ",", "comme", "Sancho", "Panza", ",", "le", "graisse", ",", "grotesque", ",", "etc." ]
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br-c01
Though his character is broader and more comically rounded than the don , he gives it a firmness and toughness - a sort of peasant dignity - too .
<NONE>
<NONE>
[ "Bien", "que", "son", "caractère", "soit", "plus", "large", "et", "plus", "comique", "que", "le", "don", ",", "il", "lui", "donne", "une", "fermeté", "et", "une", "ténacité", "-", "une", "sorte", "de", "dignité", "paysanne", "-", "aussi", "." ]
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br-c01
It is really as though the Russians have seen in this character the oftentimes underlying vitality and courage of supposed buffoons .
<NONE>
<NONE>
[ "C&apos;", "est", "comme", "si", "les", "Russes", "avaient", "vu", "dans", "ce", "caractère", "la", "vitalité", "et", "le", "courage", "sous", "@-@", "jacents", "des", "prétendus", "buffons", "." ]
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br-c01
The episode in which Sancho Panza concludes the joke that is played on him when he is facetiously put in command of an `` island '' is one of the best in the film .
<NONE>
<NONE>
[ "L&apos;", "épisode", "dans", "lequel", "Sancho", "Panza", "conclut", "la", "plaisanterie", "qui", "est", "jouée", "sur", "lui", "quand", "il", "est", "faceticement", "mis", "en", "commande", "d&apos;", "un", "rythme", "insulaire", ",", "est", "l&apos;", "un", "des", "meilleurs", "du", "film", "." ]
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br-c01
True , the pattern and flow of the drama have strong literary qualities that are a bit wearisome in the first half , before Don Quixote goes to the duke 's court .
<NONE>
<NONE>
[ "Il", "est", "vrai", "que", "le", "modèle", "et", "le", "flux", "du", "drame", "ont", "de", "fortes", "qualités", "littéraires", "qui", "sont", "un", "peu", "fastidieuses", "dans", "la", "première", "moitié", ",", "avant", "que", "Don", "Quixote", "ne", "se", "rende", "au", "tribunal", "du", "duc", "." ]
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br-c01
But strength and poignancy develop thenceforth , and the windmill and deathbed episodes gather the threads of realization of the wonderfulness of the old boy .
<NONE>
<NONE>
[ "Mais", "la", "force", "et", "la", "poignée", "se", "développent", "désormais", ",", "et", "les", "épisodes", "du", "moulin", "à", "vent", "et", "du", "lit", "de", "mort", "rassemblent", "les", "fils", "de", "la", "réalisation", "de", "l&apos;", "émerveillement", "de", "l&apos;", "ancien", "garçon", "." ]
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br-c01
There are other good representations of peasants and people of the court by actors who are finely costumed and magnificently photographed in this last of the Russian films to reach this country in the program of joint cultural exchange .
<NONE>
<NONE>
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br-c01
Also on the bill at the Fifty-fifth Street is a nice ten minute color film called `` Sunday in Greenwich Village '' , a tour of the haunts and joints .
<NONE>
<NONE>
[ "Également", "sur", "le", "projet", "de", "loi", "à", "la", "Fiftycinquième", "rue", "est", "un", "beau", "film", "de", "couleur", "de", "dix", "minutes", "appelé", "&quot;", "Le", "dimanche", "à", "Greenwich", "Village", "&quot;", ",", "un", "tour", "des", "hanches", "et", "des", "articulations", "." ]
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br-c02
Television has yet to work out a living arrangement with jazz , which comes to the medium more as an uneasy guest than as a relaxed member of the family .
<NONE>
<NONE>
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br-c02
There seems to be an unfortunate assumption that an hour of Chicago style jazz in prime evening time , for example , could not be justified without the trimmings of a portentous documentary .
<NONE>
<NONE>
[ "Il", "semble", "y", "avoir", "une", "hypothèse", "malheureuse", "selon", "laquelle", "une", "heure", "de", "jazz", "de", "style", "Chicago", "aux", "heures", "de", "grande", "écoute", ",", "par", "exemple", ",", "ne", "pourrait", "être", "justifiée", "sans", "les", "parures", "d&apos;", "un", "documentaire", "portatif", "." ]
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br-c02
At least this seemed to be the working hypothesis for `` Chicago and All That Jazz '' , presented on NBC - TV Nov. 26 .
<NONE>
<NONE>
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br-c02
The program came out of the NBC Special Projects department , and was slotted in the Du Pont Show of the Week series .
<NONE>
<NONE>
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br-c02
Perhaps Special Projects necessarily thinks along documentary lines .
<NONE>
<NONE>
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br-c02
If so , it might be worth while to assign a future jazz show to a different department - one with enough confidence in the musical material to cut down on the number of performers and give them a little room to display their talents .
<NONE>
<NONE>
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br-c02
As a matter of fact , this latter approach has already been tried , and with pleasing results .
<NONE>
<NONE>
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br-c02
A few years ago a `` Timex All Star Jazz Show '' offered a broad range of styles , ranging from Lionel Hampton 's big band to the free-wheeling Dukes of Dixieland .
<NONE>
<NONE>
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br-c02
An enthusiastic audience confirmed the `` live '' character of the hour , and provided the interaction between musician and hearer which almost always seems to improve the quality of performance .
<NONE>
<NONE>
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br-c02
About that same time John Crosby 's TV series on the popular arts proved again that giving jazz ample breathing space is one of the most sensible things a producer can do .
<NONE>
<NONE>
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br-c02
In an hour remembered for its almost rudderless movement , a score of jazz luminaries went before the cameras for lengthy periods .
<NONE>
<NONE>
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br-c02
The program had been arranged to permit the establishment of a mood of intense concentration on the music .
<NONE>
<NONE>
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br-c02
Cameras stared at soloists ' faces in extreme closeups , then considerately pulled back for full views of ensemble work .
<NONE>
<NONE>
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br-c02
`` Chicago and All That Jazz '' could not be faulted on the choice of artists .
<NONE>
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br-c02
Some of the in-person performers were Jack Teagarden , Gene Krupa , Bud Freeman , Pee Wee Russell , Johnny St. Cyr , Joe Sullivan , Red Allen , Lil Armstrong , Blossom Seeley .
<NONE>
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br-c02
The jazz buff could hardly ask for more .
<NONE>
<NONE>
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br-c02
Furthermore , Garry Moore makes an ideal master of ceremonies .
<NONE>
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br-c02
(He played host at the Timex show already mentioned .)
<NONE>
<NONE>
[ "•", "Il", "a", "joué", "l&apos;", "hôte", "au", "spectacle", "de", "Timex", "déjà", "mentionné", ".", ")" ]
[ "<NONE>", "<NONE>", "<NONE>", "play%2:29:01::", "<NONE>", "host%1:18:01::", "<NONE>", "<NONE>", "show%1:04:00::", "group%1:03:00::", "<NONE>", "mention%2:32:02::", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "1", "<NONE>", "2", "<NONE>", "<NONE>", "6", "5", "<NONE>", "8", "9", "9" ]
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br-c02
One of the script 's big problems was how to blend pictures and music of the past with live performances by musicians of today .
<NONE>
<NONE>
[ "L&apos;", "un", "des", "problèmes", "du", "script", "est", "de", "savoir", "comment", "mélanger", "des", "images", "et", "de", "la", "musique", "du", "passé", "avec", "des", "prestations", "en", "direct", "par", "des", "musiciens", "d&apos;", "aujourd&apos;", "hui", "." ]
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br-c02
NBC had gathered a lot of historical material which it was eager to share .
<NONE>
<NONE>
[ "La", "CCBN", "avait", "rassemblé", "beaucoup", "de", "documents", "historiques", "qu&apos;", "elle", "était", "impatiente", "de", "partager", "." ]
[ "<NONE>", "group%1:03:00::", "<NONE>", "gather%2:35:00::", "<NONE>", "<NONE>", "material%1:10:00::", "historical%3:01:00::", "<NONE>", "<NONE>", "<NONE>", "eager%3:00:00::", "<NONE>", "share%2:40:00::", "<NONE>" ]
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br-c02
For example , there was sheet music with the word `` jazz '' in the title , to illustrate how a word of uncertain origin took hold .
<NONE>
<NONE>
[ "Par", "exemple", ",", "il", "y", "avait", "de", "la", "musique", "en", "feuille", "avec", "le", "mot", "&quot;", "rythme", "jazz", "&quot;", "dans", "le", "titre", "pour", "illustrer", "comment", "un", "mot", "d&apos;", "origine", "incertaine", "a", "pris", "racine", "." ]
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br-c02
Samples zoomed into closeup range in regular succession , like telephone poles passing on the highway , while representative music reinforced the mood of the late teens and 1920 's .
<NONE>
<NONE>
[ "Les", "échantillons", "zoomés", "dans", "la", "rangée", "de", "rangement", "en", "succession", "régulière", ",", "comme", "les", "poteaux", "téléphoniques", "qui", "passent", "sur", "l&apos;", "autoroute", ",", "tandis", "que", "la", "musique", "représentative", "renforce", "l&apos;", "humeur", "des", "années", "tardives", "et", "des", "années", "1920", "." ]
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br-c02
However well chosen and cleverly arranged , such memorabilia unfortunately amounted to more of an interruption than an auxiliary to the evening 's main business , which (considering the talent at hand) should probably have been the gathering of fresh samples of the Chicago style .
<NONE>
<NONE>
[ "Aussi", "bien", "choisis", "et", "intelligemment", "arrangés", ",", "de", "tels", "souvenirs", "se", "sont", "malheureusement", "avérés", "plus", "d&apos;", "une", "interruption", "qu&apos;", "un", "auxiliaire", "de", "l&apos;", "entreprise", "principale", "du", "soir", ",", "qui", ",", "compte", "tenu", "du", "talent", "à", "portée", "de", "main", ",", "aurait", "probablement", "été", "la", "collecte", "d&apos;", "échantillons", "frais", "du", "style", "de", "Chicago", "." ]
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br-c02
Another source of NBC pride was its rare film clip of Bix Beiderbecke , but this view of the great trumpeter flew by so fast that a prolonged wink would have blotted out the entire glimpse .
<NONE>
<NONE>
[ "Une", "autre", "source", "de", "fierté", "de", "la", "CCBN", "est", "son", "rare", "film", "clip", "de", "Bix", "Beiderbecke", ",", "mais", "cette", "vue", "du", "grand", "trompettiste", "a", "volé", "si", "vite", "qu&apos;", "un", "évier", "prolongé", "aurait", "effacé", "toute", "la", "visibilité", "." ]
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br-c02
Similarly , in presenting still photographs of early jazz groups , the program allowed no time for a close perusal .
<NONE>
<NONE>
[ "De", "même", ",", "en", "présentant", "des", "photographies", "de", "groupes", "de", "jazz", "anciens", ",", "le", "programme", "n&apos;", "a", "pas", "laissé", "de", "temps", "pour", "un", "examen", "attentif", "." ]
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br-c02
`` Chicago and All That Jazz '' may have wound up satisfying neither the confirmed fan nor the inquisitive newcomer .
<NONE>
<NONE>
[ "Le", "temps", "de", "recharge", "de", "la", "console", "est", "de", "plus", "en", "plus", "compliqué", ",", "mais", "il", "n&apos;", "y", "a", "pas", "de", "problème", "." ]
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br-c02
By trying to be both a serious survey of a bygone era and a showcase for today 's artists , the program turned out to be a not quite perfect example of either .
<NONE>
<NONE>
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br-c02
Still , the network 's willingness to experiment in this musical field is to be commended , and future essays happily anticipated .
<NONE>
<NONE>
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br-c02
Even Joan Sutherland may not have anticipated the tremendous reception she received from the Metropolitan Opera audience attending her debut as Lucia in Donizetti 's `` Lucia di Lammermoor '' Sunday night .
<NONE>
<NONE>
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br-c02
The crowd staged its own mad scene in salvos of cheers and applause and finally a standing ovation as Miss Sutherland took curtain call after curtain call following a fantastic `` Mad Scene '' created on her own and with the help of the composer and the other performers .
<NONE>
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br-c02
Her entrance in Scene 2 , Act 1 , brought some disconcerting applause even before she had sung a note .
<NONE>
<NONE>
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br-c02
Thereafter the audience waxed applause happy , but discriminating operagoers reserved judgment as her singing showed signs of strain , her musicianship some questionable procedure and her acting uncomfortable stylization .
<NONE>
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br-c02
As she gained composure during the second act , her technical resourcefulness emerged stronger , though she had already revealed a trill almost unprecedented in years of performances of `` Lucia '' .
<NONE>
<NONE>
[ "Au", "fur", "et", "à", "mesure", "qu&apos;", "elle", "acquérait", "son", "sang", "@-@", "froid", "au", "cours", "du", "deuxième", "acte", ",", "son", "ingéniosité", "technique", "est", "devenue", "plus", "forte", ",", "bien", "qu&apos;", "elle", "ait", "déjà", "révélé", "une", "trille", "presque", "sans", "précédent", "dans", "les", "années", "de", "performances", "de", "la", "société", "." ]
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br-c02
She topped the sextet brilliantly .
<NONE>
<NONE>
[ "Elle", "a", "surmonté", "le", "sextet", "avec", "brio", "." ]
[ "<NONE>", "<NONE>", "top%2:42:00::", "<NONE>", "sextet%1:10:00::", "brilliantly%4:02:00::", "brilliantly%4:02:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "top%2:42:00", "<NONE>", "sextet%1:10:00", "brilliantly%4:02:00", "brilliantly%4:02:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "2", "3", "4", "4", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Each high note had the crowd in ecstasy so that it stopped the show midway in the `` Mad Scene '' , but the real reason was a realization of the extraordinary performance unfolding at the moment .
<NONE>
<NONE>
[ "Chaque", "note", "haute", "avait", "la", "foule", "dans", "l&apos;", "ecstasy", "de", "sorte", "qu&apos;", "elle", "a", "stoppé", "le", "spectacle", "à", "mi", "@-@", "chemin", "dans", "le", "cadre", "de", "la", "Journée", "internationale", "de", "la", "jeunesse", ",", "mais", "la", "véritable", "raison", "en", "est", "la", "réalisation", "de", "la", "performance", "extraordinaire", "qui", "se", "déroule", "en", "ce", "moment", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Miss Sutherland appeared almost as another person in this scene: A much more girlish Lucia , a sensational coloratura who ran across stage while singing , and an actress immersed in her role .
<NONE>
<NONE>
[ "Miss", "Sutherland", "est", "apparue", "presque", "comme", "une", "autre", "personne", "dans", "ce", "scene:", "Une", "Lucie", "beaucoup", "plus", "circonspecte", ",", "une", "coloratura", "sensationnelle", "qui", "a", "traversé", "la", "scène", "tout", "en", "chantant", ",", "et", "une", "actrice", "immergée", "dans", "son", "rôle", "." ]
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br-c02
What followed the outburst brought almost breathless silence as Miss Sutherland revealed her mastery of a voice probably unique among sopranos today .
<NONE>
<NONE>
[ "Ce", "qui", "a", "suivi", "la", "débâcle", "a", "apporté", "un", "silence", "presque", "sans", "souffle", "alors", "que", "Miss", "Sutherland", "a", "révélé", "sa", "maîtrise", "d&apos;", "une", "voix", "probablement", "unique", "parmi", "les", "sopranos", "aujourd&apos;", "hui", "." ]
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br-c02
This big , flexible voice with uncommon range has been superbly disciplined .
<NONE>
<NONE>
[ "Cette", "voix", "grande", "et", "flexible", "avec", "une", "portée", "inhabituelle", "a", "été", "superbement", "disciplinée", "." ]
[ "<NONE>", "voice%1:10:00::", "big%3:00:00:loud:00", "<NONE>", "flexible%3:00:01::", "<NONE>", "<NONE>", "range%1:07:00::", "uncommon%3:00:00::", "<NONE>", "<NONE>", "superbly%4:02:00::", "disciplined%3:00:00:controlled:00", "<NONE>" ]
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[ "<NONE>", "0.262", "0.277", "<NONE>", "0.328", "0.260", "<NONE>", "0.280", "0.313", "<NONE>", "0.220", "0.392", "0.368", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Nervousness at the start must have caused the blemishes of her first scene , or she may warm up slowly .
<NONE>
<NONE>
[ "La", "nervosité", "au", "début", "doit", "avoir", "causé", "les", "défauts", "de", "sa", "première", "scène", ",", "ou", "elle", "peut", "se", "réchauffer", "lentement", "." ]
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br-c02
In the fullness of her vocal splendor , however , she could sing the famous scene magnificently .
<NONE>
<NONE>
[ "Dans", "la", "plénitude", "de", "sa", "splendeur", "vocale", ",", "cependant", ",", "elle", "pouvait", "chanter", "la", "scène", "célèbre", "magnifiquement", "." ]
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[ "<NONE>", "<NONE>", "fullness%1:07:02", "<NONE>", "<NONE>", "splendor%1:07:00", "vocal%3:01:02", "however%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "sing%2:36:01", "<NONE>", "<NONE>", "famous%3:00:00:known:00", "magnificently%4:02:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "<NONE>", "4", "6", "5", "8", "<NONE>", "9", "10", "11", "12", "<NONE>", "<NONE>", "14", "16", "<NONE>" ]
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br-c02
Technically it was fascinating , aurally spell-binding , and dramatically quite realistic .
<NONE>
<NONE>
[ "Techniquement", ",", "c", "&quot;", "était", "fascinant", ",", "auréolaire", "sur", "le", "plan", "sonore", ",", "et", "tout", "à", "fait", "réaliste", "." ]
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br-c02
Many years have passed since a Metropolitan audience heard anything comparable .
<NONE>
<NONE>
[ "De", "nombreuses", "années", "se", "sont", "écoulées", "depuis", "qu&apos;", "un", "auditoire", "métropolitain", "a", "entendu", "quelque", "chose", "de", "comparable", "." ]
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[ "<NONE>", "<NONE>", "1", "<NONE>", "2", "3", "<NONE>", "4", "5", "7", "6", "<NONE>", "8", "<NONE>", "9", "10", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Her debut over , perhaps the earlier scenes will emerge equally fine .
<NONE>
<NONE>
[ "Son", "début", ",", "peut", "@-@", "être", "les", "scènes", "précédentes", "vont", "émerger", "tout", "aussi", "bien", "." ]
[ "<NONE>", "debut%1:04:00::", "<NONE>", "<NONE>", "perhaps%4:02:00::", "<NONE>", "<NONE>", "scene%1:10:00::", "early%3:00:00::", "<NONE>", "emerge%2:30:00::", "<NONE>", "equally%4:02:01::", "fine%3:00:00:elegant:00", "<NONE>" ]
[ "<NONE>", "debut%1:04:00", "<NONE>", "<NONE>", "perhaps%4:02:00", "<NONE>", "<NONE>", "scene%1:10:00", "early%3:00:00", "<NONE>", "emerge%2:30:00", "<NONE>", "equally%4:02:01", "fine%3:00:00:elegant:00", "<NONE>" ]
[ "<NONE>", "1", "3", "<NONE>", "4", "<NONE>", "<NONE>", "7", "6", "<NONE>", "9", "<NONE>", "10", "11", "<NONE>" ]
[ "<NONE>", "0.345", "0.189", "<NONE>", "0.390", "<NONE>", "<NONE>", "0.584", "0.299", "<NONE>", "0.286", "<NONE>", "0.366", "0.344", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
The performance also marked the debut of a most promising young conductor , Silvio Varviso .
<NONE>
<NONE>
[ "La", "performance", "a", "aussi", "marqué", "les", "débuts", "d&apos;", "un", "jeune", "chef", "d&apos;", "orchestre", "très", "prometteur", ",", "Silvio", "Varviso", "." ]
[ "<NONE>", "performance%1:10:00::", "<NONE>", "also%4:02:00::", "mark%2:31:01::", "<NONE>", "debut%1:04:00::", "<NONE>", "<NONE>", "young%3:00:00::", "<NONE>", "conductor%1:18:00::", "<NONE>", "<NONE>", "promising%3:00:00:likely:00", "<NONE>", "person%1:03:00::", "person%1:03:00::", "<NONE>" ]
[ "<NONE>", "performance%1:10:00", "<NONE>", "also%4:02:00", "mark%2:31:01", "<NONE>", "debut%1:04:00", "<NONE>", "<NONE>", "young%3:00:00", "<NONE>", "conductor%1:18:00", "<NONE>", "<NONE>", "promising%3:00:00:likely:00", "<NONE>", "person%1:03:00", "person%1:03:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "2", "3", "<NONE>", "5", "6", "7", "10", "<NONE>", "11", "<NONE>", "<NONE>", "9", "12", "13", "14", "<NONE>" ]
[ "<NONE>", "0.309", "<NONE>", "0.308", "0.259", "<NONE>", "0.292", "0.189", "0.182", "0.230", "<NONE>", "0.429", "<NONE>", "<NONE>", "0.356", "0.195", "0.303", "0.375", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
He injected more vitality into the score than it has revealed in many years .
<NONE>
<NONE>
[ "Il", "a", "injecté", "plus", "de", "vitalité", "dans", "le", "score", "qu&apos;", "il", "n&apos;", "en", "a", "révélé", "depuis", "de", "nombreuses", "années", "." ]
[ "<NONE>", "<NONE>", "inject%2:30:00::", "more%3:00:01::", "<NONE>", "vitality%1:07:01::", "<NONE>", "<NONE>", "score%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "reveal%2:39:00::", "<NONE>", "many%3:00:00::", "<NONE>", "year%1:28:01::", "<NONE>" ]
[ "<NONE>", "<NONE>", "inject%2:30:00", "more%3:00:01", "<NONE>", "vitality%1:07:01", "<NONE>", "<NONE>", "score%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "reveal%2:39:00", "<NONE>", "many%3:00:00", "<NONE>", "year%1:28:01", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "2", "<NONE>", "3", "<NONE>", "5", "6", "7", "8", "<NONE>", "9", "<NONE>", "10", "<NONE>", "12", "<NONE>", "13", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.236", "0.232", "<NONE>", "0.418", "<NONE>", "0.194", "0.412", "0.217", "0.197", "<NONE>", "0.196", "<NONE>", "0.328", "<NONE>", "0.402", "<NONE>", "0.339", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
He may respect too much the Italian tradition of letting singers hold on to their notes , but to restrain them in a singers ' opera may be quite difficult .
<NONE>
<NONE>
[ "Il", "respecte", "peut", "@-@", "être", "trop", "la", "tradition", "italienne", "qui", "consiste", "à", "laisser", "les", "chanteurs", "tenir", "leurs", "notes", ",", "mais", "il", "peut", "être", "assez", "difficile", "de", "les", "retenir", "dans", "un", "spectacle", "de", "chanteurs", "." ]
[ "<NONE>", "<NONE>", "too_much%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "tradition%1:09:02::", "italian%3:01:00::", "<NONE>", "<NONE>", "<NONE>", "let%2:41:00::", "<NONE>", "singer%1:18:00::", "<NONE>", "hold_on%2:35:00::", "note%1:10:04::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "difficult%3:00:00::", "<NONE>", "restrain%2:35:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "singer%1:18:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "too_much%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "tradition%1:09:02", "italian%3:01:00", "<NONE>", "<NONE>", "<NONE>", "let%2:41:00", "<NONE>", "singer%1:18:00", "<NONE>", "hold_on%2:35:00", "note%1:10:04", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "difficult%3:00:00", "<NONE>", "restrain%2:35:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "singer%1:18:00", "<NONE>" ]
[ "<NONE>", "1", "3", "<NONE>", "<NONE>", "<NONE>", "5", "7", "6", "<NONE>", "<NONE>", "8", "9", "<NONE>", "10", "<NONE>", "11", "15", "<NONE>", "17", "18", "<NONE>", "<NONE>", "<NONE>", "29", "<NONE>", "19", "20", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "23", "24" ]
[ "<NONE>", "0.220", "0.288", "<NONE>", "<NONE>", "<NONE>", "0.219", "0.220", "0.359", "<NONE>", "<NONE>", "0.324", "0.185", "<NONE>", "0.316", "<NONE>", "0.242", "0.284", "<NONE>", "0.249", "0.238", "<NONE>", "<NONE>", "<NONE>", "0.296", "<NONE>", "0.146", "0.198", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.306", "0.440" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Richard Tucker sang Edgardo in glorious voice .
<NONE>
<NONE>
[ "Richard", "Tucker", "a", "chanté", "Edgardo", "dans", "une", "voix", "glorieuse", "." ]
[ "<NONE>", "person%1:03:00::", "<NONE>", "sing%2:36:01::", "person%1:03:00::", "<NONE>", "<NONE>", "voice%1:10:00::", "glorious%3:00:00::", "<NONE>" ]
[ "<NONE>", "person%1:03:00", "<NONE>", "sing%2:36:01", "person%1:03:00", "<NONE>", "<NONE>", "voice%1:10:00", "glorious%3:00:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "2", "3", "<NONE>", "4", "6", "5", "<NONE>" ]
[ "<NONE>", "0.336", "<NONE>", "0.546", "0.427", "<NONE>", "0.236", "0.247", "0.301", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
His bel canto style gave the performance a special distinction .
<NONE>
<NONE>
[ "Son", "style", "bel", "canto", "a", "donné", "à", "la", "performance", "une", "distinction", "spéciale", "." ]
[ "<NONE>", "<NONE>", "bel_canto%1:04:00::", "bel_canto%1:04:00::", "<NONE>", "give%2:36:01::", "<NONE>", "<NONE>", "performance%1:10:00::", "<NONE>", "distinction%1:26:00::", "special%3:00:01:specific:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "bel_canto%1:04:00", "bel_canto%1:04:00", "<NONE>", "give%2:36:01", "<NONE>", "<NONE>", "performance%1:10:00", "<NONE>", "distinction%1:26:00", "special%3:00:01:specific:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "2", "<NONE>", "4", "7", "5", "6", "<NONE>", "9", "8", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.399", "0.406", "<NONE>", "0.371", "0.259", "0.209", "0.374", "<NONE>", "0.251", "0.312", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
The remainder of the cast fulfilled its assignments no more than satisfactorily just as the old production and limited stage direction proved only serviceable .
<NONE>
<NONE>
[ "Le", "reste", "de", "la", "distribution", "n&apos;", "a", "rempli", "ses", "tâches", "que", "de", "façon", "satisfaisante", ",", "tout", "comme", "l&apos;", "ancienne", "production", "et", "la", "direction", "limitée", "de", "la", "scène", "se", "sont", "avérées", "seulement", "utilisables", "." ]
[ "<NONE>", "remainder%1:24:00::", "<NONE>", "<NONE>", "cast%1:14:00::", "<NONE>", "<NONE>", "fulfill%2:36:00::", "<NONE>", "assignment%1:04:00::", "<NONE>", "<NONE>", "<NONE>", "satisfactorily%4:02:00::", "<NONE>", "<NONE>", "just%4:02:05::", "<NONE>", "old%3:00:01::", "production%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "stage_direction%1:10:00::", "stage_direction%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "prove%2:42:00::", "only%4:02:02::", "serviceable%3:00:00::", "<NONE>" ]
[ "<NONE>", "remainder%1:24:00", "<NONE>", "<NONE>", "cast%1:14:00", "<NONE>", "<NONE>", "fulfill%2:36:00", "<NONE>", "assignment%1:04:00", "<NONE>", "<NONE>", "<NONE>", "satisfactorily%4:02:00", "<NONE>", "<NONE>", "just%4:02:05", "<NONE>", "old%3:00:01", "production%1:10:00", "<NONE>", "<NONE>", "<NONE>", "stage_direction%1:10:00", "stage_direction%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "prove%2:42:00", "only%4:02:02", "serviceable%3:00:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "<NONE>", "4", "<NONE>", "<NONE>", "5", "6", "7", "<NONE>", "<NONE>", "<NONE>", "11", "<NONE>", "13", "12", "<NONE>", "15", "16", "<NONE>", "17", "<NONE>", "20", "19", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "21", "22", "23", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Miss Sutherland first sang Lucia at Covent Garden in 1959 .
<NONE>
<NONE>
[ "Mlle", "Sutherland", "chante", "pour", "la", "première", "fois", "Lucia", "au", "Covent", "Garden", "en", "1959", "." ]
[ "person%1:03:00::", "person%1:03:00::", "sing%2:36:01::", "person%1:03:00::", "first%4:02:02::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "location%1:03:00::", "location%1:03:00::", "<NONE>", "<NONE>", "<NONE>" ]
[ "person%1:03:00", "person%1:03:00", "sing%2:36:01", "person%1:03:00", "first%4:02:02", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "location%1:03:00", "location%1:03:00", "<NONE>", "<NONE>", "<NONE>" ]
[ "0", "1", "3", "4", "2", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "6", "7", "<NONE>", "9", "<NONE>" ]
[ "0.522", "0.317", "0.497", "0.341", "0.490", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.342", "0.352", "<NONE>", "0.456", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
(The first Metropolitan Opera broadcast on Dec. 9 will introduce her as Lucia .)
<NONE>
<NONE>
[ "Le", "premier", "Metropolitan", "Opera", ",", "diffusé", "le", "9", "décembre", ",", "la", "présentera", "comme", "Lucia", ".", ")" ]
[ "<NONE>", "<NONE>", "group%1:03:00::", "group%1:03:00::", "<NONE>", "broadcast%1:10:00::", "<NONE>", "<NONE>", "dec%1:28:00::", "<NONE>", "<NONE>", "<NONE>", "introduce%2:32:00::", "person%1:03:00::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "group%1:03:00", "group%1:03:00", "<NONE>", "broadcast%1:10:00", "<NONE>", "<NONE>", "dec%1:28:00", "<NONE>", "<NONE>", "<NONE>", "introduce%2:32:00", "person%1:03:00", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "3", "<NONE>", "4", "5", "<NONE>", "6", "<NONE>", "<NONE>", "10", "9", "12", "13", "13" ]
[ "<NONE>", "<NONE>", "0.331", "0.298", "<NONE>", "0.210", "0.201", "<NONE>", "0.308", "<NONE>", "<NONE>", "0.219", "0.286", "0.366", "0.339", "0.391" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
She has since turned to Bellini , whose opera `` Beatrice di Tenda '' in a concert version with the American Opera Society introduced her to New York last season .
<NONE>
<NONE>
[ "Depuis", ",", "elle", "s&apos;", "est", "tournée", "vers", "Bellini", ",", "dont", "l&apos;", "opéra", "&quot;", "Beatrice", "di", "Tenda", "&quot;", ",", "en", "version", "concert", "avec", "l&apos;", "American", "Opera", "Society", ",", "l&apos;", "a", "présentée", "à", "New", "York", "la", "saison", "dernière", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "opera%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "concert%1:10:00::", "<NONE>", "<NONE>", "group%1:03:00::", "group%1:03:00::", "group%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "introduce%2:32:00::", "<NONE>", "new_york%1:15:01::", "new_york%1:15:01::", "last%3:00:00:past:00", "season%1:28:02::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "opera%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "concert%1:10:00", "<NONE>", "<NONE>", "group%1:03:00", "group%1:03:00", "group%1:03:00", "<NONE>", "<NONE>", "<NONE>", "introduce%2:32:00", "<NONE>", "new_york%1:15:01", "new_york%1:15:01", "last%3:00:00:past:00", "season%1:28:02", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
She will sing `` La Sonambula '' with it here next week .
<NONE>
<NONE>
[ "Elle", "va", "chanter", "le", "film", "La", "Sonambula", ",", "avec", "elle", "ici", "la", "semaine", "prochaine", "." ]
[ "<NONE>", "<NONE>", "sing%2:36:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "here%4:02:00::", "<NONE>", "week%1:28:00::", "next%3:00:00:succeeding:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "sing%2:36:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "here%4:02:00", "<NONE>", "week%1:28:00", "next%3:00:00:succeeding:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "<NONE>", "3", "<NONE>", "5", "6", "<NONE>", "8", "9", "<NONE>", "11", "10", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.389", "<NONE>", "0.527", "<NONE>", "0.32", "0.511", "<NONE>", "0.232", "0.195", "<NONE>", "0.406", "0.258", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Anyone for musical Ping-pong ?
<NONE>
<NONE>
[ "N&apos;", "importe", "qui", "pour", "le", "Pingpong", "musical", "?" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "musical%3:01:00::", "ping-pong%1:04:00::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "musical%3:01:00", "ping-pong%1:04:00", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "1", "2", "3", "<NONE>", "4" ]
[ "<NONE>", "<NONE>", "<NONE>", "0.315", "0.308", "0.298", "<NONE>", "0.334" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
It 's really quite fun - as long as you like games .
<NONE>
<NONE>
[ "C&apos;", "est", "vraiment", "très", "amusant", "-", "tant", "que", "vous", "aimez", "les", "jeux", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "game%1:04:01::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "game%1:04:01", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "<NONE>", "4", "<NONE>", "5", "7", "<NONE>", "10", "<NONE>", "11", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.423", "<NONE>", "0.298", "<NONE>", "0.233", "0.211", "<NONE>", "0.547", "<NONE>", "0.458", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
You will need a stereo music system , with speakers preferably placed at least seven or eight feet apart , and one or more of the new London `` Phase 4 '' records .
<NONE>
<NONE>
[ "Vous", "aurez", "besoin", "d&apos;", "un", "système", "de", "musique", "stéréo", ",", "les", "haut", "@-@", "parleurs", "étant", "placés", "de", "préférence", "à", "au", "moins", "sept", "ou", "huit", "pieds", "l&apos;", "un", "de", "l&apos;", "autre", ",", "et", "un", "ou", "plusieurs", "des", "nouveaux", "enregistrements", "de", "la", "Phase", "4", "de", "London", "." ]
[ "<NONE>", "<NONE>", "need%2:42:00::", "<NONE>", "<NONE>", "system%1:06:00::", "music%1:09:00::", "<NONE>", "stereo%1:06:00::", "<NONE>", "<NONE>", "speaker%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "preferably%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "at_least%4:02:00::", "seven%3:00:00:cardinal:00", "<NONE>", "eight%3:00:00:cardinal:00", "foot%1:23:00::", "<NONE>", "apart%4:02:03::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "one%1:23:00::", "<NONE>", "more%3:00:02::", "<NONE>", "new%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "4%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "need%2:42:00", "<NONE>", "<NONE>", "system%1:06:00", "music%1:09:00", "<NONE>", "stereo%1:06:00", "<NONE>", "<NONE>", "speaker%1:06:00", "<NONE>", "<NONE>", "<NONE>", "preferably%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "at_least%4:02:00", "seven%3:00:00:cardinal:00", "<NONE>", "eight%3:00:00:cardinal:00", "foot%1:23:00", "<NONE>", "apart%4:02:03", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "one%1:23:00", "<NONE>", "more%3:00:02", "<NONE>", "new%3:00:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "4%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "3", "<NONE>", "6", "5", "<NONE>", "4", "<NONE>", "8", "9", "<NONE>", "<NONE>", "<NONE>", "10", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "13", "14", "15", "16", "17", "<NONE>", "18", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "20", "21", "22", "23", "<NONE>", "26", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "30", "31", "<NONE>", "28" ]
[ "<NONE>", "<NONE>", "0.335", "0.218", "<NONE>", "0.167", "0.217", "<NONE>", "0.260", "<NONE>", "0.208", "0.344", "<NONE>", "<NONE>", "<NONE>", "0.215", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.298", "0.214", "0.224", "0.239", "0.255", "<NONE>", "0.319", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.165", "0.171", "0.237", "0.244", "<NONE>", "0.189", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "0.270", "0.339", "<NONE>", "0.417" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
There are 12 of these to choose from , all of them of popular music except for the star release , Pass in Review (SP 44001).
<NONE>
<NONE>
[ "Il", "y", "en", "a", "12", "parmi", "lesquels", "choisir", ",", "tous", "de", "la", "musique", "populaire", "à", "l&apos;", "exception", "de", "la", "star", "release", ",", "Pass", "in", "Review", "." ]
[ "<NONE>", "<NONE>", "be%2:42:00::", "<NONE>", "12%1:23:00::", "<NONE>", "<NONE>", "<NONE>", "choose%2:31:00::", "<NONE>", "<NONE>", "<NONE>", "popular_music%1:10:00::", "popular_music%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "star%3:00:00:major:06", "release%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "be%2:42:00", "<NONE>", "12%1:23:00", "<NONE>", "<NONE>", "<NONE>", "choose%2:31:00", "<NONE>", "<NONE>", "<NONE>", "popular_music%1:10:00", "popular_music%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "star%3:00:00:major:06", "release%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "<NONE>", "2", "<NONE>", "3", "<NONE>", "6", "9", "<NONE>", "12", "14", "13", "<NONE>", "<NONE>", "15", "<NONE>", "17", "18", "19", "20", "21", "22", "23", "24" ]
[ "<NONE>", "<NONE>", "0.180", "<NONE>", "0.236", "<NONE>", "0.169", "<NONE>", "0.181", "0.196", "<NONE>", "0.192", "0.219", "0.307", "<NONE>", "<NONE>", "0.330", "<NONE>", "0.168", "0.218", "0.365", "0.217", "0.214", "0.261", "0.286", "0.450" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
This features the marching songs of several nations , recorded as though the various national bands were marching by your reviewing stand .
<NONE>
<NONE>
[ "On", "y", "retrouve", "les", "chansons", "de", "plusieurs", "nations", ",", "enregistrées", "comme", "si", "les", "diverses", "fanfares", "nationales", "marchaient", "par", "votre", "stand", "de", "révision", "." ]
[ "<NONE>", "feature%2:42:00::", "<NONE>", "<NONE>", "<NONE>", "song%1:10:00::", "march%1:10:01::", "nation%1:14:00::", "<NONE>", "record%2:32:01::", "<NONE>", "<NONE>", "<NONE>", "various%3:00:00:individual:00", "band%1:14:02::", "national%3:01:00::", "march%2:38:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "reviewing_stand%1:06:00::", "<NONE>" ]
[ "<NONE>", "feature%2:42:00", "<NONE>", "<NONE>", "<NONE>", "song%1:10:00", "march%1:10:01", "nation%1:14:00", "<NONE>", "record%2:32:01", "<NONE>", "<NONE>", "<NONE>", "various%3:00:00:individual:00", "band%1:14:02", "national%3:01:00", "march%2:38:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "reviewing_stand%1:06:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "<NONE>", "<NONE>", "4", "3", "7", "<NONE>", "9", "10", "11", "<NONE>", "13", "15", "14", "17", "18", "19", "<NONE>", "<NONE>", "20", "<NONE>" ]
[ "<NONE>", "0.286", "<NONE>", "<NONE>", "<NONE>", "0.308", "0.189", "0.262", "<NONE>", "0.261", "0.186", "0.294", "<NONE>", "0.243", "0.335", "0.287", "0.274", "0.234", "0.236", "<NONE>", "<NONE>", "0.378", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Complete with crowd effects , interruptions by jet planes , and sundry other touches of realism , this disc displays London 's new technique to the best effect .
<NONE>
<NONE>
[ "Complété", "par", "des", "effets", "de", "foule", ",", "des", "interruptions", "par", "des", "avions", "à", "réaction", "et", "d&apos;", "autres", "touches", "de", "réalisme", ",", "ce", "disque", "présente", "la", "nouvelle", "technique", "de", "Londres", "au", "meilleur", "effet", "." ]
[ "<NONE>", "<NONE>", "effect%1:09:00::", "<NONE>", "<NONE>", "crowd%1:14:00::", "<NONE>", "<NONE>", "interruption%1:04:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "jet_plane%1:06:00::", "<NONE>", "<NONE>", "other%3:00:00::", "touch%1:07:01::", "<NONE>", "realism%1:07:00::;realism%1:14:00::", "<NONE>", "<NONE>", "disc%1:06:01::", "<NONE>", "display%2:39:00::", "new%3:00:00::", "technique%1:09:00::", "<NONE>", "<NONE>", "<NONE>", "good%3:00:01::", "effect%1:07:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "effect%1:09:00", "<NONE>", "<NONE>", "crowd%1:14:00", "<NONE>", "<NONE>", "interruption%1:04:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "jet_plane%1:06:00", "<NONE>", "<NONE>", "other%3:00:00", "touch%1:07:01", "<NONE>", "realism%1:07:00", "<NONE>", "<NONE>", "disc%1:06:01", "<NONE>", "display%2:39:00", "new%3:00:00", "technique%1:09:00", "<NONE>", "<NONE>", "<NONE>", "good%3:00:01", "effect%1:07:00", "<NONE>" ]
[ "<NONE>", "1", "3", "<NONE>", "<NONE>", "2", "4", "<NONE>", "5", "6", "<NONE>", "<NONE>", "<NONE>", "7", "<NONE>", "10", "12", "13", "<NONE>", "15", "16", "17", "18", "<NONE>", "19", "22", "23", "<NONE>", "<NONE>", "21", "26", "27", "<NONE>" ]
[ "<NONE>", "0.243", "0.171", "<NONE>", "<NONE>", "0.257", "0.256", "<NONE>", "0.297", "0.259", "<NONE>", "<NONE>", "<NONE>", "0.347", "<NONE>", "0.190", "0.136", "0.284", "<NONE>", "0.404", "0.167", "0.216", "0.352", "<NONE>", "0.239", "0.198", "0.282", "<NONE>", "<NONE>", "0.297", "0.134", "0.222", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
All of the jackets carry a fairly technical and detailed explanation of this new recording program .
<NONE>
<NONE>
[ "Toutes", "les", "vestes", "contiennent", "une", "explication", "assez", "technique", "et", "détaillée", "de", "ce", "nouveau", "programme", "d&apos;", "enregistrement", "." ]
[ "<NONE>", "<NONE>", "jacket%1:06:01::", "carry%2:31:12::", "<NONE>", "explanation%1:10:00::", "<NONE>", "technical%3:01:03::", "<NONE>", "detailed%3:00:00:careful:00", "<NONE>", "<NONE>", "new%3:00:00::", "program%1:09:00::", "<NONE>", "recording%1:04:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "jacket%1:06:01", "carry%2:31:12", "<NONE>", "explanation%1:10:00", "<NONE>", "technical%3:01:03", "<NONE>", "detailed%3:00:00:careful:00", "<NONE>", "<NONE>", "new%3:00:00", "program%1:09:00", "<NONE>", "recording%1:04:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "3", "4", "5", "10", "<NONE>", "7", "8", "9", "11", "12", "13", "15", "<NONE>", "14", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.396", "0.229", "0.179", "0.215", "<NONE>", "0.307", "0.222", "0.310", "0.166", "0.197", "0.275", "0.222", "<NONE>", "0.393", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
No reference is made to the possibility of recording other than popular music in this manner , and it would not seem to lend itself well to serious music .
<NONE>
<NONE>
[ "Aucune", "mention", "n&apos;", "est", "faite", "de", "la", "possibilité", "d&apos;", "enregistrer", "autrement", "que", "de", "la", "musique", "populaire", "de", "cette", "manière", ",", "et", "elle", "ne", "semble", "pas", "se", "prêter", "bien", "à", "la", "musique", "sérieuse", "." ]
[ "<NONE>", "reference%1:10:02::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "possibility%1:09:03::", "<NONE>", "record%2:32:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "popular_music%1:10:00::", "popular_music%1:10:00::", "<NONE>", "<NONE>", "manner%1:07:02::", "<NONE>", "<NONE>", "<NONE>", "seem%2:39:00::", "not%4:02:00::", "<NONE>", "<NONE>", "lend%2:42:00::", "well%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "serious_music%1:10:00::", "<NONE>" ]
[ "<NONE>", "reference%1:10:02", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "possibility%1:09:03", "<NONE>", "record%2:32:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "popular_music%1:10:00", "popular_music%1:10:00", "<NONE>", "<NONE>", "manner%1:07:02", "<NONE>", "<NONE>", "<NONE>", "seem%2:39:00", "not%4:02:00", "<NONE>", "<NONE>", "lend%2:42:00", "well%4:02:00", "<NONE>", "<NONE>", "<NONE>", "serious_music%1:10:00", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "<NONE>", "2", "4", "<NONE>", "6", "<NONE>", "8", "<NONE>", "10", "<NONE>", "<NONE>", "12", "11", "<NONE>", "14", "15", "<NONE>", "17", "<NONE>", "21", "20", "<NONE>", "<NONE>", "23", "25", "26", "<NONE>", "<NONE>", "27", "<NONE>" ]
[ "<NONE>", "0.225", "<NONE>", "<NONE>", "0.127", "0.163", "<NONE>", "0.242", "<NONE>", "0.264", "<NONE>", "0.289", "<NONE>", "<NONE>", "0.229", "0.349", "<NONE>", "0.169", "0.241", "<NONE>", "0.207", "<NONE>", "0.163", "0.163", "<NONE>", "<NONE>", "0.203", "0.153", "0.203", "<NONE>", "<NONE>", "0.373", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Directionality is greatly exaggerated most of the time; but when the sounds of the two speakers are allowed to mix , there is excellent depth and dimension to the music .
<NONE>
<NONE>
[ "La", "directionalité", "est", "beaucoup", "exagérée", "la", "plupart", "du", "temps", ";", "mais", "lorsque", "les", "sons", "des", "deux", "locuteurs", "sont", "mélangés", ",", "il", "y", "a", "une", "excellente", "profondeur", "et", "une", "excellente", "dimension", "de", "la", "musique", "." ]
[ "<NONE>", "directionality%1:07:00::", "<NONE>", "greatly%4:02:00::", "exaggerate%2:41:00::", "<NONE>", "<NONE>", "<NONE>", "time%1:11:00::", "time%1:11:00::", "<NONE>", "<NONE>", "<NONE>", "sound%1:10:00::", "<NONE>", "two%1:23:00::", "speaker%1:18:00::", "<NONE>", "mix%2:30:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03::", "excellent%3:00:00:superior:02", "depth%1:07:00::", "<NONE>", "<NONE>", "dimension%1:09:00::", "<NONE>", "<NONE>", "<NONE>", "music%1:09:00::", "<NONE>" ]
[ "<NONE>", "directionality%1:07:00", "<NONE>", "greatly%4:02:00", "exaggerate%2:41:00", "<NONE>", "<NONE>", "<NONE>", "time%1:11:00", "time%1:11:00", "<NONE>", "<NONE>", "<NONE>", "sound%1:10:00", "<NONE>", "two%1:23:00", "speaker%1:18:00", "<NONE>", "mix%2:30:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "be%2:42:03", "excellent%3:00:00:superior:02", "depth%1:07:00", "<NONE>", "<NONE>", "dimension%1:09:00", "<NONE>", "<NONE>", "<NONE>", "music%1:09:00", "<NONE>" ]
[ "<NONE>", "0", "<NONE>", "2", "3", "<NONE>", "4", "<NONE>", "7", "7", "8", "9", "<NONE>", "11", "<NONE>", "14", "15", "<NONE>", "19", "<NONE>", "<NONE>", "21", "<NONE>", "22", "23", "24", "<NONE>", "25", "26", "<NONE>", "<NONE>", "<NONE>", "29", "<NONE>" ]
[ "<NONE>", "0.332", "<NONE>", "0.170", "0.208", "<NONE>", "0.268", "<NONE>", "0.201", "0.221", "0.290", "0.272", "<NONE>", "0.265", "<NONE>", "0.203", "0.304", "<NONE>", "0.259", "<NONE>", "<NONE>", "0.152", "<NONE>", "0.208", "0.247", "0.249", "<NONE>", "0.221", "0.238", "<NONE>", "<NONE>", "<NONE>", "0.284", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
You definitely hear some of the instruments close up and others farther back , with the difference in placement apparently more distinct than would result from the nearer instruments merely being louder than the ones farther back .
<NONE>
<NONE>
[ "Vous", "entendez", "certainement", "certains", "des", "instruments", "se", "refermer", "et", "d&apos;", "autres", "plus", "loin", "en", "arrière", ",", "avec", "la", "différence", "de", "placement", "apparemment", "plus", "distincte", "que", "celle", "qui", "résulterait", "du", "fait", "que", "les", "instruments", "plus", "proches", "sont", "simplement", "plus", "forts", "que", "les", "instruments", "plus", "éloignés", "." ]
[ "<NONE>", "hear%2:39:00::", "definitely%4:02:00::", "<NONE>", "<NONE>", "instrument%1:06:00::", "<NONE>", "close_up%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "back%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "difference%1:07:00::", "<NONE>", "placement%1:07:00::", "apparently%4:02:00::", "more%4:02:00::", "distinct%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "result%2:42:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "instrument%1:06:00::", "<NONE>", "<NONE>", "be%2:42:03::", "<NONE>", "<NONE>", "loud%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "far%4:02:00::", "<NONE>", "back%4:02:00::" ]
[ "<NONE>", "hear%2:39:00", "definitely%4:02:00", "<NONE>", "<NONE>", "instrument%1:06:00", "<NONE>", "close_up%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "back%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "difference%1:07:00", "<NONE>", "placement%1:07:00", "apparently%4:02:00", "more%4:02:00", "distinct%3:00:00", "<NONE>", "<NONE>", "<NONE>", "result%2:42:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "instrument%1:06:00", "<NONE>", "<NONE>", "be%2:42:03", "<NONE>", "<NONE>", "loud%3:00:00", "<NONE>", "<NONE>", "<NONE>", "far%4:02:00", "<NONE>", "back%4:02:00" ]
[ "<NONE>", "2", "1", "<NONE>", "<NONE>", "6", "<NONE>", "7", "9", "<NONE>", "10", "<NONE>", "<NONE>", "12", "<NONE>", "13", "14", "<NONE>", "16", "17", "18", "19", "20", "21", "22", "<NONE>", "<NONE>", "24", "25", "<NONE>", "<NONE>", "26", "28", "<NONE>", "27", "30", "<NONE>", "<NONE>", "31", "<NONE>", "33", "34", "35", "<NONE>", "36" ]
[ "<NONE>", "0.261", "0.177", "<NONE>", "<NONE>", "0.252", "<NONE>", "0.296", "0.249", "<NONE>", "0.291", "<NONE>", "<NONE>", "0.375", "<NONE>", "0.140", "0.301", "<NONE>", "0.233", "0.175", "0.255", "0.229", "0.297", "0.242", "0.188", "<NONE>", "<NONE>", "0.188", "0.173", "<NONE>", "<NONE>", "0.135", "0.241", "<NONE>", "0.228", "0.211", "<NONE>", "<NONE>", "0.234", "<NONE>", "0.132", "0.146", "0.167", "<NONE>", "0.254" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
This is a characteristic of good stereo recording and one of its tremendous advantages over monaural sound .
<NONE>
<NONE>
[ "C&apos;", "est", "une", "caractéristique", "d&apos;", "un", "bon", "enregistrement", "stéréo", "et", "l&apos;", "un", "de", "ses", "énormes", "avantages", "par", "rapport", "au", "son", "monaural", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "characteristic%1:09:00::", "<NONE>", "<NONE>", "good%3:00:01::", "recording%1:06:00::", "stereo%1:06:00::", "<NONE>", "<NONE>", "one%1:23:00::", "<NONE>", "<NONE>", "tremendous%3:00:00:large:00", "advantage%1:07:00::", "<NONE>", "<NONE>", "<NONE>", "sound%1:10:00::", "monaural%3:00:00::", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "3", "<NONE>", "<NONE>", "5", "7", "6", "8", "<NONE>", "9", "<NONE>", "11", "12", "13", "<NONE>", "14", "<NONE>", "16", "15", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
London explains that the very distinct directional effect in the Phase 4 series is due in large part to their novel methods of microphoning and recording the music on a number of separate tape channels .
<NONE>
<NONE>
[ "London", "explique", "que", "l&apos;", "effet", "directionnel", "très", "distinct", "dans", "la", "série", "de", "la", "Phase", "4", "est", "dû", "en", "grande", "partie", "à", "leurs", "nouvelles", "méthodes", "de", "microphonage", "et", "d&apos;", "enregistrement", "de", "la", "musique", "sur", "un", "certain", "nombre", "de", "canaux", "de", "bande", "distincts", "." ]
[ "<NONE>", "explain%2:32:00::", "<NONE>", "<NONE>", "effect%1:09:00::", "directional%3:01:00::", "very%4:02:00::", "distinct%3:00:00:different:00", "<NONE>", "<NONE>", "<NONE>", "series%1:14:00::", "<NONE>", "phase%1:28:00::", "4%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "large%3:00:00::", "<NONE>", "<NONE>", "novel%3:00:00:original:00", "method%1:09:00::", "<NONE>", "microphoning%1:22:00::", "<NONE>", "<NONE>", "recording%1:04:00::", "<NONE>", "<NONE>", "music%1:09:00::", "<NONE>", "<NONE>", "<NONE>", "number%1:07:00::", "separate%3:00:00::", "channel%1:10:00::", "tape%1:06:01::", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "explain%2:32:00", "<NONE>", "<NONE>", "effect%1:09:00", "directional%3:01:00", "very%4:02:00", "distinct%3:00:00:different:00", "<NONE>", "<NONE>", "<NONE>", "series%1:14:00", "<NONE>", "phase%1:28:00", "4%3:00:00:cardinal:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "large%3:00:00", "<NONE>", "<NONE>", "novel%3:00:00:original:00", "method%1:09:00", "<NONE>", "microphoning%1:22:00", "<NONE>", "<NONE>", "recording%1:04:00", "<NONE>", "<NONE>", "music%1:09:00", "<NONE>", "<NONE>", "<NONE>", "number%1:07:00", "separate%3:00:00", "channel%1:10:00", "tape%1:06:01", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "<NONE>", "2", "7", "6", "4", "5", "8", "<NONE>", "<NONE>", "12", "<NONE>", "10", "11", "<NONE>", "14", "<NONE>", "15", "16", "<NONE>", "18", "20", "21", "22", "23", "24", "<NONE>", "25", "<NONE>", "<NONE>", "27", "<NONE>", "28", "<NONE>", "30", "32", "34", "33", "<NONE>", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
These are then mixed by their sound engineers with the active co-operation of the musical staff and combined into the final two channels which are impressed on the record .
<NONE>
<NONE>
[ "Ceux", "@-@", "ci", "sont", "ensuite", "mélangés", "par", "leurs", "ingénieurs", "du", "son", "avec", "la", "coopération", "active", "du", "personnel", "musical", "et", "combinés", "dans", "les", "deux", "derniers", "canaux", "qui", "sont", "impressionnés", "sur", "le", "disque", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "mix%2:30:02::", "<NONE>", "<NONE>", "<NONE>", "sound%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "cooperation%1:04:01::", "active%3:00:02::", "<NONE>", "<NONE>", "musical%3:01:00::", "<NONE>", "combine%2:30:02::", "<NONE>", "<NONE>", "two%1:23:00::", "final%3:00:00:closing:00", "channel%1:10:00::", "<NONE>", "<NONE>", "impress%2:35:00::", "<NONE>", "<NONE>", "record%1:06:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "mix%2:30:02", "<NONE>", "<NONE>", "<NONE>", "sound%1:10:00", "<NONE>", "<NONE>", "<NONE>", "cooperation%1:04:01", "active%3:00:02", "<NONE>", "<NONE>", "musical%3:01:00", "<NONE>", "combine%2:30:02", "<NONE>", "<NONE>", "two%1:23:00", "final%3:00:00:closing:00", "channel%1:10:00", "<NONE>", "<NONE>", "impress%2:35:00", "<NONE>", "<NONE>", "record%1:06:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "1", "<NONE>", "3", "4", "5", "<NONE>", "6", "<NONE>", "8", "9", "11", "10", "12", "<NONE>", "14", "16", "17", "18", "<NONE>", "21", "20", "22", "23", "24", "25", "26", "<NONE>", "28", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
In some of the numbers the instrumental parts have even been recorded at different times and then later combined on the master tape to produce special effects .
<NONE>
<NONE>
[ "Dans", "certains", "des", "nombres", ",", "les", "pièces", "instrumentales", "ont", "même", "été", "enregistrées", "à", "des", "moments", "différents", "et", "ensuite", "combinées", "sur", "la", "bande", "maîtresse", "pour", "produire", "des", "effets", "spéciaux", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "number%1:10:04::", "<NONE>", "<NONE>", "<NONE>", "instrumental%3:01:00::", "have%2:41:00::", "even%4:02:00::", "<NONE>", "record%2:32:01::", "<NONE>", "different%3:00:00::", "<NONE>", "<NONE>", "<NONE>", "then%4:02:00::", "combine%2:30:02::", "<NONE>", "<NONE>", "<NONE>", "tape%1:06:01::", "<NONE>", "produce%2:36:02::", "special_effect%1:09:00::", "<NONE>", "special_effect%1:09:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "number%1:10:04", "<NONE>", "<NONE>", "<NONE>", "instrumental%3:01:00", "have%2:41:00", "even%4:02:00", "<NONE>", "record%2:32:01", "<NONE>", "different%3:00:00", "<NONE>", "<NONE>", "<NONE>", "then%4:02:00", "combine%2:30:02", "<NONE>", "<NONE>", "<NONE>", "tape%1:06:01", "<NONE>", "produce%2:36:02", "special_effect%1:09:00", "<NONE>", "special_effect%1:09:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "4", "<NONE>", "5", "<NONE>", "6", "8", "9", "<NONE>", "11", "<NONE>", "13", "<NONE>", "<NONE>", "15", "16", "18", "19", "<NONE>", "<NONE>", "22", "23", "24", "26", "<NONE>", "25", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Some clue to the character of London 's approach in these discs may be gained immediately from the fact that ten of the 12 titles include the word `` percussion '' or `` percussive '' .
<NONE>
<NONE>
[ "Le", "fait", "que", "dix", "des", "12", "titres", "comprennent", "le", "mot", "&quot;", "rythme", "percussion", "&quot;", "ou", "le", "mot", "&quot;", "rythme", "percussive", "&quot;", "est", "un", "indice", "du", "caractère", "de", "l&apos;", "approche", "de", "Londres", "dans", "ces", "disques", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "ten%1:23:00::", "12%3:00:00:cardinal:00", "title%1:10:01::", "include%2:42:00::", "<NONE>", "word%1:10:00::", "<NONE>", "<NONE>", "percussion%1:04:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "percussive%3:01:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "character%1:09:00::", "<NONE>", "<NONE>", "approach%1:04:02::", "<NONE>", "<NONE>", "group%1:03:00::", "<NONE>", "disc%1:06:01::", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "ten%1:23:00", "12%3:00:00:cardinal:00", "title%1:10:01", "include%2:42:00", "<NONE>", "word%1:10:00", "<NONE>", "<NONE>", "percussion%1:04:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "percussive%3:01:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "character%1:09:00", "<NONE>", "<NONE>", "approach%1:04:02", "<NONE>", "<NONE>", "group%1:03:00", "<NONE>", "disc%1:06:01", "<NONE>" ]
[ "<NONE>", "17", "19", "<NONE>", "20", "23", "24", "25", "<NONE>", "27", "<NONE>", "28", "29", "30", "<NONE>", "<NONE>", "<NONE>", "32", "<NONE>", "33", "34", "<NONE>", "35", "<NONE>", "2", "4", "<NONE>", "<NONE>", "8", "7", "<NONE>", "6", "10", "11", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Drums , xylophones , castanets , and other percussive instruments are reproduced remarkably well .
<NONE>
<NONE>
[ "Les", "tambours", ",", "les", "xylophones", ",", "les", "castanets", "et", "d&apos;", "autres", "instruments", "percussifs", "sont", "remarquablement", "bien", "reproduits", "." ]
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[ "<NONE>", "drum%1:06:00", "<NONE>", "<NONE>", "xylophone%1:06:00", "<NONE>", "<NONE>", "castanets%1:06:00", "<NONE>", "<NONE>", "other%3:00:00", "<NONE>", "percussive_instrument%1:06:00", "<NONE>", "remarkably%4:02:00", "well%4:02:00", "reproduce%2:36:00", "<NONE>" ]
[ "<NONE>", "0", "1", "<NONE>", "2", "<NONE>", "<NONE>", "4", "6", "<NONE>", "7", "<NONE>", "8", "<NONE>", "12", "13", "11", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
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br-c02
Only too often , however , you have the feeling that you are sitting in a room with some of the instruments lined up on one wall to your left and others facing them on the wall to your right .
<NONE>
<NONE>
[ "Mais", "trop", "souvent", ",", "vous", "avez", "le", "sentiment", "que", "vous", "êtes", "assis", "dans", "une", "pièce", "avec", "certains", "des", "instruments", "alignés", "sur", "un", "mur", "à", "votre", "gauche", "et", "d&apos;", "autres", "les", "faisant", "face", "sur", "le", "mur", "à", "votre", "droite", "." ]
[ "<NONE>", "however%4:02:00::", "often%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "feeling%1:09:03::", "<NONE>", "<NONE>", "<NONE>", "sit%2:35:00::", "<NONE>", "<NONE>", "room%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "instrument%1:06:00::", "line_up%2:42:00::", "<NONE>", "one%3:00:00:cardinal:00", "wall%1:06:00::", "<NONE>", "<NONE>", "left%1:15:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "face%2:42:00::", "<NONE>", "<NONE>", "wall%1:06:00::", "<NONE>", "<NONE>", "right%1:15:00::", "<NONE>" ]
[ "<NONE>", "however%4:02:00", "often%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "feeling%1:09:03", "<NONE>", "<NONE>", "<NONE>", "sit%2:35:00", "<NONE>", "<NONE>", "room%1:06:00", "<NONE>", "<NONE>", "<NONE>", "instrument%1:06:00", "line_up%2:42:00", "<NONE>", "one%3:00:00:cardinal:00", "wall%1:06:00", "<NONE>", "<NONE>", "left%1:15:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "face%2:42:00", "<NONE>", "<NONE>", "wall%1:06:00", "<NONE>", "<NONE>", "right%1:15:00", "<NONE>" ]
[ "<NONE>", "4", "2", "<NONE>", "6", "<NONE>", "<NONE>", "9", "<NONE>", "11", "<NONE>", "13", "<NONE>", "15", "16", "<NONE>", "18", "<NONE>", "21", "22", "<NONE>", "25", "26", "27", "<NONE>", "29", "30", "<NONE>", "31", "<NONE>", "<NONE>", "32", "34", "35", "36", "37", "<NONE>", "39", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
They are definitely in the same room with you , but your head starts to swing as though you were sitting on the very edge of a tennis court watching a spirited volley .
<NONE>
<NONE>
[ "Ils", "sont", "certainement", "dans", "la", "même", "pièce", "que", "vous", ",", "mais", "votre", "tête", "commence", "à", "tourner", "comme", "si", "vous", "étiez", "assis", "sur", "le", "bord", "d&apos;", "un", "court", "de", "tennis", "en", "regardant", "une", "volée", "en", "spirale", "." ]
[ "<NONE>", "<NONE>", "definitely%4:02:00::", "<NONE>", "<NONE>", "same%3:00:02::", "room%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "head%1:08:00::", "start%2:30:00::", "<NONE>", "swing%2:38:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "sit%2:35:00::", "<NONE>", "<NONE>", "very%4:02:00::", "edge%1:15:00::", "<NONE>", "<NONE>", "<NONE>", "tennis_court%1:06:00::", "<NONE>", "watch%2:39:00::", "<NONE>", "volley%1:04:01::", "<NONE>", "spirited%3:00:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "definitely%4:02:00", "<NONE>", "<NONE>", "same%3:00:02", "room%1:06:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "head%1:08:00", "start%2:30:00", "<NONE>", "swing%2:38:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "sit%2:35:00", "<NONE>", "<NONE>", "very%4:02:00", "edge%1:15:00", "<NONE>", "<NONE>", "<NONE>", "tennis_court%1:06:00", "<NONE>", "watch%2:39:00", "<NONE>", "volley%1:04:01", "<NONE>", "spirited%3:00:00", "<NONE>" ]
[ "<NONE>", "<NONE>", "2", "<NONE>", "4", "5", "6", "7", "8", "<NONE>", "10", "11", "12", "13", "14", "15", "16", "17", "<NONE>", "<NONE>", "20", "<NONE>", "21", "23", "24", "26", "<NONE>", "<NONE>", "27", "<NONE>", "29", "30", "32", "<NONE>", "31", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
The Percussive Twenties (SP 44006) stirs pleasant memories with well-known songs of that day , and Johnny Keating 's Kombo gives forth with tingling jazz in Percussive Moods (SP 44005).
<NONE>
<NONE>
[ "The", "Percussive", "Twenties", "(", "Les", "années", "percutantes", ")", ",", "le", "jeu", "de", "rôle", "44006-", "suscite", "des", "souvenirs", "agréables", "avec", "des", "chansons", "bien", "connues", "de", "ce", "jour", "@-@", "là", ",", "et", "Johnny", "Keating", ",", "de", "son", "côté", ",", "Kombo", ",", "raconte", "en", "bricolant", "le", "jazz", "dans", "Percussive", "Moods", "." ]
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[ "<NONE>", "percussive%3:01:00", "twenties%1:28:01", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "pleasant%3:00:00", "<NONE>", "<NONE>", "song%1:10:00", "<NONE>", "well-known%3:00:00:known:00", "<NONE>", "<NONE>", "day%1:28:03", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00", "person%1:03:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "give_forth%2:29:00", "<NONE>", "<NONE>", "<NONE>", "jazz%1:10:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "1", "2", "3", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "4", "<NONE>", "<NONE>", "<NONE>", "6", "8", "<NONE>", "10", "<NONE>", "9", "<NONE>", "12", "13", "<NONE>", "<NONE>", "14", "15", "16", "17", "18", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "19", "20", "<NONE>", "22", "29", "24", "<NONE>", "<NONE>", "26", "27", "28" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
Big Band Percussion (SP 44002) seemed one of the least attractive discs - the arrangements just did n't have so much character as the others .
<NONE>
<NONE>
[ "Big", "Band", "Percussion", "rythme", "SP", "44002)", "a", "semblé", "l&apos;", "un", "des", "disques", "les", "moins", "attrayants", "-", "les", "arrangements", "juste", "n&apos;", "avait", "pas", "de", "caractère", "tant", "que", "les", "autres", "." ]
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[ "<NONE>", "1", "2", "3", "3", "4", "<NONE>", "5", "<NONE>", "6", "7", "11", "11", "9", "10", "12", "<NONE>", "14", "15", "16", "<NONE>", "<NONE>", "17", "<NONE>", "21", "19", "22", "24", "<NONE>" ]
[ "<NONE>", "0.240", "0.284", "0.526", "0.284", "0.359", "<NONE>", "0.350", "<NONE>", "0.154", "0.150", "0.157", "0.148", "0.275", "0.294", "0.238", "<NONE>", "0.271", "0.225", "0.267", "<NONE>", "<NONE>", "0.273", "<NONE>", "0.240", "0.181", "0.119", "0.217", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
There is an extraordinary sense of presence in all of these recordings , apparently obtained at least in part by emphasizing the middle and high frequencies .
<NONE>
<NONE>
[ "Il", "y", "a", "un", "extraordinaire", "sentiment", "de", "présence", "dans", "tous", "ces", "enregistrements", ",", "apparemment", "obtenus", "au", "moins", "en", "partie", "en", "mettant", "l&apos;", "accent", "sur", "les", "fréquences", "moyennes", "et", "élevées", "." ]
[ "<NONE>", "<NONE>", "be%2:42:00::", "<NONE>", "extraordinary%3:00:00::", "sense%1:09:05::", "<NONE>", "presence%1:09:00::", "<NONE>", "all%3:00:00::", "<NONE>", "recording%1:06:00::", "<NONE>", "apparently%4:02:00::", "obtain%2:40:00::", "<NONE>", "at_least%4:02:00::", "<NONE>", "part%4:02:00::", "<NONE>", "<NONE>", "emphasize%2:32:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "high_frequency%1:07:00::", "<NONE>", "high_frequency%1:07:00::", "<NONE>" ]
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[ "<NONE>", "<NONE>", "1", "<NONE>", "3", "4", "5", "6", "7", "8", "10", "11", "<NONE>", "13", "14", "<NONE>", "16", "<NONE>", "18", "19", "<NONE>", "20", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "25", "23", "24", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
The penalty for this is noticeable in the big , bold , brilliant , but brassy piano sounds in Melody and Percussion for Two Pianos (SP 44007).
<NONE>
<NONE>
[ "La", "pénalité", "pour", "cela", "est", "perceptible", "dans", "le", "grand", ",", "audacieux", ",", "brillant", ",", "mais", "brassy", "des", "sons", "de", "piano", "dans", "Melody", "et", "Percussion", "pour", "Two", "Pianos", "." ]
[ "<NONE>", "penalty%1:07:00::", "<NONE>", "<NONE>", "<NONE>", "noticeable%3:00:00:perceptible:00", "<NONE>", "<NONE>", "big%3:00:00:loud:00", "<NONE>", "bold%3:00:00:conspicuous:00", "<NONE>", "brilliant%3:00:00:reverberant:00", "<NONE>", "<NONE>", "brassy%3:01:00::", "<NONE>", "sound%1:19:00::", "piano%1:06:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "penalty%1:07:00", "<NONE>", "<NONE>", "<NONE>", "noticeable%3:00:00:perceptible:00", "<NONE>", "<NONE>", "big%3:00:00:loud:00", "<NONE>", "bold%3:00:00:conspicuous:00", "<NONE>", "brilliant%3:00:00:reverberant:00", "<NONE>", "<NONE>", "brassy%3:01:00", "<NONE>", "sound%1:19:00", "piano%1:06:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c02
All of the releases , however , are recorded at a gratifyingly high level , with resultant masking of any surface noise .
<NONE>
<NONE>
[ "Cependant", ",", "tous", "les", "rejets", "sont", "enregistrés", "à", "un", "niveau", "étonnamment", "élevé", ",", "ce", "qui", "permet", "de", "masquer", "tout", "bruit", "de", "surface", "." ]
[ "<NONE>", "however%4:02:00::", "<NONE>", "<NONE>", "release%1:06:00::", "<NONE>", "record%2:32:01::", "<NONE>", "<NONE>", "level%1:07:00::", "gratifyingly%4:02:00::", "high%3:00:02::", "<NONE>", "<NONE>", "<NONE>", "resultant%3:00:00:subsequent:00", "<NONE>", "masking%1:04:00::", "any%3:00:00:some:00", "surface_noise%1:11:00::", "surface_noise%1:11:00::", "<NONE>", "<NONE>" ]
[ "<NONE>", "however%4:02:00", "<NONE>", "<NONE>", "release%1:06:00", "<NONE>", "record%2:32:01", "<NONE>", "<NONE>", "level%1:07:00", "gratifyingly%4:02:00", "high%3:00:02", "<NONE>", "<NONE>", "<NONE>", "resultant%3:00:00:subsequent:00", "<NONE>", "masking%1:04:00", "any%3:00:00:some:00", "surface_noise%1:11:00", "surface_noise%1:11:00", "<NONE>", "<NONE>" ]
[ "<NONE>", "5", "<NONE>", "<NONE>", "3", "<NONE>", "8", "<NONE>", "9", "13", "11", "12", "<NONE>", "15", "<NONE>", "16", "<NONE>", "17", "19", "21", "20", "<NONE>", "<NONE>" ]
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