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br-c02
Pass in Review practically guarantees enjoyment , and is a dramatic demonstration of the potentialities of any stereo music system .
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br-c02
Many Hollywood films manage somehow to be authentic , but not realistic .
<NONE>
<NONE>
[ "Beaucoup", "de", "films", "hollywoodiens", "réussissent", "à", "être", "authentiques", ",", "mais", "pas", "réalistes", "." ]
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br-c02
Strange , but true - authenticity and realism often are n't related at all .
<NONE>
<NONE>
[ "Étrangement", ",", "mais", "vrai", "-", "l&apos;", "authenticité", "et", "le", "réalisme", "sont", "souvent", "liés", "au", "domaine", "." ]
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br-c02
Almost every film bearing the imprimatur of Hollywood is physically authentic - in fact , impeccably so .
<NONE>
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br-c02
In any given period piece the costumes , bric-a-brac , vehicles , and decor , bear the stamp of unimpeachable authenticity .
<NONE>
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br-c02
The major studios maintain a cadre of film librarians and research specialists who look to this matter .
<NONE>
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br-c02
During the making recently of an important Biblical film , some 40 volumes of research material and sketches not only of costumes and interiors , but of architectural developments , sports arenas , vehicles , and other paraphernalia were compiled , consulted , and complied with .
<NONE>
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br-c02
But , alas , the authenticity seems to stop at the set 's edge .
<NONE>
<NONE>
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br-c02
The drama itself - and this seems to be lavishly true of Biblical drama - often has hardly any relationship with authenticity at all .
<NONE>
<NONE>
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br-c02
The storyline , in sort , is wildly unrealistic .
<NONE>
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br-c02
Thus , in `` The Story of Ruth '' we have Ruth , Naomi , and Boaz and sets that are meticulously authentic .
<NONE>
<NONE>
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br-c02
But except for a vague adherence to the basic storyline - i.e. , that Ruth remained with Naomi and finally wound up with Boaz - the film version has little to do with the Bible .
<NONE>
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br-c02
And in the new `` King of Kings '' the plot involves intrigues and twists and turns that cannot be traced to the Gospels .
<NONE>
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br-c02
Earlier this month Edward R. Murrow , director of the United States Information Agency , came to Hollywood and had dinner with more than 100 leaders of the motion picture industry .
<NONE>
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br-c02
He talked about unauthentic storylines too .
<NONE>
<NONE>
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br-c02
He intimated that they were n't doing the country much good in the Cold War .
<NONE>
<NONE>
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br-c02
And to an industry that prides itself on authenticity , he urged greater realism .
<NONE>
<NONE>
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br-c02
`` in many corners of the globe '' , he said , `` the major source of impressions about this country are in the movies they meet .
<NONE>
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br-c02
Would we want a future-day Gibbon or Macaulay recounting the saga of America with movies as his prime source of knowledge ?
<NONE>
<NONE>
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br-c02
Yet for much of the globe , Hollywood is just that - prime , if not sole , source of knowledge .
<NONE>
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br-c02
If a man totally ignorant of America were to judge our land and its civilization based on Hollywood alone , what conclusions do you think he might come to ?
<NONE>
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br-c04
The Theatre-By-The-Sea , Matunuck , presents `` King of Hearts '' by Jean Kerr and Eleanor Brooke .
<NONE>
<NONE>
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br-c04
Directed by Michael Murray; settings by William David Roberts .
<NONE>
<NONE>
[ "Réalisé", "par", "Michael", "Murray.", "réglages", "par", "William", "David", "Roberts", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
The cast:
<NONE>
<NONE>
[ "Le", "cas", ":" ]
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[ "<NONE>", "cast%1:14:00", "cast%1:14:00" ]
[ "<NONE>", "1", "1" ]
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[ "<NONE>", "<NONE>", "<NONE>" ]
br-c04
Producer John Holmes has chosen a delightful comedy for his season 's opener at Matunuck in Jean Kerr 's `` King of Hearts '' .
<NONE>
<NONE>
[ "Le", "réalisateur", "John", "Holmes", "a", "choisi", "une", "comédie", "délicieuse", "pour", "son", "spectacle", "de", "la", "saison", "à", "Matunuck", ",", "dans", "le", "cadre", "de", "l&apos;", "émission", "King", "of", "Hearts", ",", "de", "Jean", "Kerr", "." ]
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br-c04
The dialogue is sharp , witty and candid - typical `` do n't eat the daisies '' material - which has stamped the author throughout her books and plays , and it was obvious that the Theatre-by-the-Sea audience liked it .
<NONE>
<NONE>
[ "Le", "dialogue", "est", "vif", ",", "plein", "d&apos;", "esprit", "et", "sincère", "-", "le", "style", "typique", "de", "l&apos;", "industrie", "alimentaire", "mange", "le", "matériel", "des", "marguerites", "-", "qui", "a", "estampillé", "l&apos;", "auteur", "tout", "au", "long", "de", "ses", "livres", "et", "de", "ses", "pièces", "de", "théâtre", ",", "et", "il", "était", "évident", "que", "le", "public", "de", "Theatre-by-the-Sea", "l&apos;", "aimait", "." ]
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br-c04
The story is of a famous strip cartoonist , an arty individual , whose specialty is the American boy and who adopts a 10 - year old to provide him with fresh idea material .
<NONE>
<NONE>
[ "L&apos;", "histoire", "est", "celle", "d&apos;", "un", "célèbre", "dessinateur", "de", "bande", ",", "un", "homme", "arty", ",", "dont", "la", "spécialité", "est", "le", "garçon", "américain", "et", "qui", "adopte", "un", "enfant", "de", "10", "ans", "pour", "lui", "fournir", "des", "idées", "nouvelles", "." ]
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br-c04
This is when his troubles begin , not to mention a fledgling artist who he hires , and who turns out to have ideas of his own , with particular respect to the hero 's sweetheart secretary .
<NONE>
<NONE>
[ "C&apos;", "est", "à", "ce", "moment", "que", "ses", "problèmes", "commencent", ",", "sans", "parler", "d&apos;", "un", "jeune", "artiste", "qu&apos;", "il", "embauche", ",", "et", "qui", "se", "révèle", "avoir", "des", "idées", "qui", "lui", "sont", "propres", ",", "avec", "un", "respect", "particulier", "pour", "le", "secrétaire", "du", "charançon", "du", "héros", "." ]
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br-c04
John Heffernan , playing Larry Larkin , the cartoonist , carries the show in marvelous fashion .
<NONE>
<NONE>
[ "John", "Heffernan", ",", "jouant", "avec", "Larry", "Larkin", ",", "le", "caricaturiste", ",", "tient", "le", "spectacle", "de", "façon", "merveilleuse", "." ]
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br-c04
His portrayal of an edgy head-in-the-clouds artist is virtually flawless .
<NONE>
<NONE>
[ "Son", "portrait", "d&apos;", "un", "artiste", "brumeux", "à", "la", "tête", "d&apos;", "un", "nuage", "est", "pratiquement", "sans", "faille", "." ]
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br-c04
This may be unfortunate , perhaps , from the standpoint of David Hedison , Providence 's contribution to Hollywood , who is appearing by special arrangement with 20th Century-Fox .
<NONE>
<NONE>
[ "Cela", "peut", "être", "malheureux", ",", "peut", "@-@", "être", ",", "du", "point", "de", "vue", "de", "David", "Hedison", ",", "la", "contribution", "de", "Providence", "à", "Hollywood", ",", "qui", "fait", "l&apos;", "objet", "d&apos;", "une", "entente", "spéciale", "avec", "20th", "Century-", "Fox", "." ]
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br-c04
Not that Mr. Hedison does not make the most of his role .
<NONE>
<NONE>
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br-c04
He does , and more .
<NONE>
<NONE>
[ "Il", "le", "fait", ",", "et", "plus", "encore", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "more%3:00:01::", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "more%3:00:01", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "1", "<NONE>", "3", "4", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "0.496", "<NONE>", "0.300", "0.437", "<NONE>", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
But the book is written around a somewhat dizzy cartoonist , and it has to be that way .
<NONE>
<NONE>
[ "Mais", "le", "livre", "est", "écrit", "autour", "d&apos;", "un", "caricaturiste", "un", "peu", "étourdissant", ",", "et", "il", "doit", "en", "être", "ainsi", "." ]
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br-c04
A word should be said for Gary Morgan , a Broadway youngsters who , as the adopted son , makes life miserable for nearly everybody and Larkin in particular .
<NONE>
<NONE>
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br-c04
And for his playmate , Francis Coletta of West Warwick , who has a bit part , Billy .
<NONE>
<NONE>
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br-c04
On the whole , audiences will like this performance .
<NONE>
<NONE>
[ "Dans", "l&apos;", "ensemble", ",", "les", "auditoires", "apprécieront", "cette", "performance", "." ]
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br-c04
It is a tremendous book , lively , constantly moving , and the Matunuck cast does well by it .
<NONE>
<NONE>
[ "C&apos;", "est", "un", "livre", "formidable", ",", "animé", ",", "constamment", "en", "mouvement", ",", "et", "le", "moulage", "de", "Matunuck", "fait", "bien", "." ]
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br-c04
The Newport Playhouse presents `` Epitaph For George Dillon '' by John Osborne and Anthony Creighton , directed by Wallace Gray .
<NONE>
<NONE>
[ "Le", "Newport", "Playhouse", "présente", "le", "livre", "Epitaph", "For", "George", "Dillon", ",", "réalisé", "par", "John", "Osborne", "et", "Anthony", "Creighton", ",", "dirigé", "par", "Wallace", "Gray", "." ]
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br-c04
The cast:
<NONE>
<NONE>
[ "Le", "cas", ":" ]
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br-c04
The angriest young man in Newport last night was at the Playhouse , where `` Epitaph for George Dillon '' opened as the jazz festival closed .
<NONE>
<NONE>
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br-c04
For the hero of this work by John Osborne and Anthony Creighton is a chap embittered by more than the lack of beer during a jam session .
<NONE>
<NONE>
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br-c04
He 's mad at a world he did not make .
<NONE>
<NONE>
[ "Il", "s&apos;", "ennuie", "devant", "un", "monde", "qu&apos;", "il", "n&apos;", "a", "pas", "fait", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "mad%3:00:00:angry:00", "<NONE>", "world%1:17:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "make%2:36:00::", "<NONE>" ]
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br-c04
Furthermore , he 's something of a scoundrel , an artist whose mind and feelings are all finger-tips .
<NONE>
<NONE>
[ "De", "plus", ",", "il", "fait", "quelque", "chose", "d&apos;", "un", "scoundrel", ",", "un", "artiste", "dont", "l&apos;", "esprit", "et", "les", "sentiments", "sont", "tous", "les", "doigts", "." ]
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br-c04
This is in contrast to the family with whom he boards .
<NONE>
<NONE>
[ "Cela", "contraste", "avec", "la", "famille", "avec", "laquelle", "il", "se", "trouve", "." ]
[ "<NONE>", "<NONE>", "contrast%1:24:00::", "<NONE>", "family%1:14:02::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "board%2:42:00::", "<NONE>" ]
[ "<NONE>", "<NONE>", "contrast%1:24:00", "<NONE>", "family%1:14:02", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "board%2:42:00", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
They not only think and feel cliches but live cliches as well .
<NONE>
<NONE>
[ "Non", "seulement", "ils", "pensent", "et", "se", "sentent", "des", "cliches", ",", "mais", "ils", "vivent", "aussi", "des", "cliches", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "think%2:31:00::", "<NONE>", "<NONE>", "feel%2:39:01::", "<NONE>", "cliche%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "live%2:42:06::", "<NONE>", "<NONE>", "cliche%1:10:00::", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
It is into this household , one eroded by irritations that have tortured the souls out of its people , that George Dillon enters at the beginning of the play .
<NONE>
<NONE>
[ "C&apos;", "est", "dans", "cette", "maison", ",", "érodée", "par", "des", "irritations", "qui", "ont", "arraché", "les", "âmes", "à", "son", "peuple", ",", "que", "George", "Dillon", "entre", "au", "début", "de", "la", "pièce", "." ]
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br-c04
An unsuccessful playwright and actor , he has faith only in himself and in a talent he is not sure exists .
<NONE>
<NONE>
[ "dramaturge", "et", "comédien", "qui", "échoue", ",", "il", "n&apos;", "a", "foi", "que", "dans", "lui", "@-@", "même", "et", "dans", "un", "talent", "dont", "il", "n&apos;", "est", "pas", "sûr", "qu&apos;", "il", "existe", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
By the end of the third act , the artist is dead but the body lingers on , a shell among other shells .
<NONE>
<NONE>
[ "À", "la", "fin", "du", "troisième", "acte", ",", "l&apos;", "artiste", "est", "mort", ",", "mais", "le", "corps", "reste", "sur", ",", "une", "coquille", "parmi", "d&apos;", "autres", "coquillages", "." ]
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br-c04
Not altogether a successful play , `` Epitaph for George Dillon '' overcomes through sheer vitality and power what in a lesser work might be crippling .
<NONE>
<NONE>
[ "Ce", "n&apos;", "est", "pas", "tout", "un", "jeu", "réussi", ",", "le", "rythme", "Epitaph", "pour", "George", "Dillon", ",", "qui", "vient", "de", "la", "vitalité", "et", "de", "la", "puissance", ",", "ce", "qui", ",", "dans", "un", "travail", "moindre", ",", "pourrait", "être", "paralysant", "." ]
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br-c04
It is awfully talky , for instance , and not all of the talk is terribly impressive .
<NONE>
<NONE>
[ "Par", "exemple", ",", "il", "est", "très", "talentueux", ",", "et", "tous", "les", "discours", "ne", "sont", "pas", "vraiment", "impressionnants", "." ]
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[ "<NONE>", "6", "<NONE>", "<NONE>", "<NONE>", "1", "3", "8", "<NONE>", "<NONE>", "10", "13", "<NONE>", "9", "14", "15", "16", "<NONE>" ]
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br-c04
But it strikes sparks on occasion and their light causes all else to be forgotten .
<NONE>
<NONE>
[ "Mais", "il", "frappe", "les", "étincelles", "à", "l&apos;", "occasion", "et", "leur", "lumière", "fait", "que", "tout", "le", "reste", "doit", "être", "oublié", "." ]
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br-c04
There is a fine second act , as an example , one in which Samuel Groom , as Dillon , has an opportunity to blaze away in one impassioned passage after another .
<NONE>
<NONE>
[ "Il", "y", "a", "un", "beau", "deuxième", "acte", ",", "par", "exemple", ",", "un", "acte", "dans", "lequel", "Samuel", "Groom", ",", "en", "tant", "que", "Dillon", ",", "a", "l&apos;", "occasion", "de", "s&apos;", "envoler", "dans", "un", "passage", "passionné", "après", "l&apos;", "autre", "." ]
[ "<NONE>", "<NONE>", "<NONE>", "be%2:42:00::", "<NONE>", "second%3:00:00:ordinal:00", "act%1:10:00::", "<NONE>", "<NONE>", "example%1:09:01::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00::", "person%1:03:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "person%1:03:00::", "<NONE>", "have%2:40:04::", "<NONE>", "opportunity%1:26:00::", "<NONE>", "<NONE>", "blaze_away%2:36:00::", "<NONE>", "<NONE>", "one%3:00:00:cardinal:00", "passage%1:10:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
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br-c04
This is an exciting young actor to watch .
<NONE>
<NONE>
[ "C&apos;", "est", "un", "jeune", "acteur", "passionnant", "à", "regarder", "." ]
[ "be%2:42:03::", "<NONE>", "<NONE>", "young%3:00:00::", "actor%1:18:00::", "exciting%3:00:00::", "<NONE>", "watch%2:39:00::", "<NONE>" ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
Just as exciting but in a more technically proficient way is Laura Stuart , whose complete control of her every movement is lovely to watch .
<NONE>
<NONE>
[ "Tout", "aussi", "excitante", ",", "mais", "d&apos;", "une", "manière", "plus", "technique", "est", "Laura", "Stuart", ",", "dont", "le", "contrôle", "complet", "de", "chaque", "mouvement", "est", "agréable", "à", "regarder", "." ]
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br-c04
Miss Stuart is as intensely vibrant as one could wish , almost an icy shriek threatening to explode at any moment .
<NONE>
<NONE>
[ "Mlle", "Stuart", "est", "aussi", "vibrante", "qu&apos;", "on", "pourrait", "le", "souhaiter", ",", "presque", "un", "rideau", "glacé", "menaçant", "d&apos;", "exploser", "à", "tout", "moment", "." ]
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br-c04
Also fine are Sue Lawless , as a mother more protective and belligerent than a female spider and just as destructive , Harold Cherry , as her scratchy spouse , and Hildy Weissman , as a vegetable in human form .
<NONE>
<NONE>
[ "Sue", "Lawless", ",", "en", "tant", "que", "mère", "plus", "protectrice", "et", "belligérante", "qu&apos;", "une", "araignée", "de", "sexe", "féminin", "et", "tout", "aussi", "destructrice", ",", "Harold", "Cherry", ",", "en", "tant", "que", "sa", "gratte", "épouse", ",", "et", "Hildy", "Weissman", ",", "comme", "un", "légume", "sous", "forme", "humaine", "." ]
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br-c04
Wallace Gray has directed a difficult play here , usually well , but with just a bit too much physical movement in the first act for my taste .
<NONE>
<NONE>
[ "Wallace", "Gray", "a", "dirigé", "un", "jeu", "difficile", "ici", ",", "généralement", "bien", ",", "mais", "avec", "juste", "un", "peu", "trop", "de", "mouvement", "physique", "dans", "le", "premier", "acte", "pour", "mon", "goût", "." ]
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br-c04
Still , his finale is put together with taste and a most sensitive projection of that pale sustenance , despair .
<NONE>
<NONE>
[ "Malgré", "tout", ",", "sa", "finale", "est", "mêlée", "de", "goût", "et", "d&apos;", "une", "projection", "très", "sensible", "de", "cette", "subtilité", "et", "de", "ce", "désespoir", "." ]
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br-c04
The Warwick Musical Theater presents `` Where's Charley ? ''
<NONE>
<NONE>
[ "Le", "Theater", "Musical", "de", "Warwick", "présente", "le", "site", "Web", "de", "la", "société", "Charley", "?" ]
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br-c04
with music and lyrics by Frank Loesser , directed by Christopher Hewett , choreography by Peter Conlow , musical direction by Samuel Matlowsky .
<NONE>
<NONE>
[ "avec", "de", "la", "musique", "et", "des", "paroles", "de", "Frank", "Loesser", ",", "réalisé", "par", "Christopher", "Hewett", ",", "chorégraphie", "de", "Peter", "Conlow", ",", "direction", "musicale", "de", "Samuel", "Matlowsky", "." ]
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br-c04
The cast:
<NONE>
<NONE>
[ "Le", "cas", ":" ]
[ "<NONE>", "cast%1:14:00::", "cast%1:14:00::" ]
[ "<NONE>", "cast%1:14:00", "cast%1:14:00" ]
[ "<NONE>", "1", "1" ]
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[ "<NONE>", "<NONE>", "<NONE>" ]
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br-c04
Everybody fell in love with Amy again last night at the Warwick Musical Theater , and Shelley Berman was to blame .
<NONE>
<NONE>
[ "Tout", "le", "monde", "est", "tombé", "de", "nouveau", "amoureux", "d&apos;", "Amy", "hier", "soir", "au", "Warwick", "Musical", "Theater", ",", "et", "Shelley", "Berman", "a", "été", "blâmé", "." ]
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br-c04
One of the finest soft shoe tunes ever invented , `` Once in Love with Amy '' is also , of course , one of the most tantalizingly persistent of light love lyrics to come out of American musical comedy in our era .
<NONE>
<NONE>
[ "L&apos;", "un", "des", "plus", "beaux", "airs", "de", "chaussures", "douces", "jamais", "inventé", ",", "le", "&quot;", "Once", "in", "Love", "with", "Amy", "&quot;", "est", "aussi", ",", "bien", "sûr", ",", "l&apos;", "une", "des", "paroles", "d&apos;", "amour", "léger", "les", "plus", "terriblement", "persistantes", "de", "la", "comédie", "musicale", "américaine", "de", "notre", "époque", "." ]
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br-c04
So the audience last night was all ears and eyes just after Act 2 , got a rousing opening chorus , `` Where's Charley ? ''
<NONE>
<NONE>
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br-c04
, and Berman sifted out all alone on the stage with the ambling chords and beat of the song just whispering into being .
<NONE>
<NONE>
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br-c04
It is greatly to Berman 's credit that he made no attempt to outdo Ray Bolger .
<NONE>
<NONE>
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br-c04
He dropped his earlier and delightful hamming , which is about the only way to handle the old war horse called `` Charley's Aunt '' , and let himself go with as an appealing an `` Amy '' as anybody could ask .
<NONE>
<NONE>
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br-c04
In brief , Berman played himself and not Bolger .
<NONE>
<NONE>
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br-c04
The big audience started applauding even before he had finished .
<NONE>
<NONE>
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br-c04
The whole production this week is fresh and lively .
<NONE>
<NONE>
[ "Toute", "la", "production", "de", "cette", "semaine", "est", "fraîche", "et", "vivante", "." ]
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br-c04
The costumes are stunning evocations of the voluminous gowns and picture hats of the Gibson Girl days .
<NONE>
<NONE>
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br-c04
The ballet work is on the nose , especially in the opening number by `` The New Ashmolean Marching Society and Students ' Conservatory Band '' , along with a fiery and sultry Brazilian fantasia later .
<NONE>
<NONE>
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br-c04
Berman , whose fame has rested in recent years on his skills as a night club monologist , proved himself very much at home in musical comedy .
<NONE>
<NONE>
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br-c04
Sparrow size Virginia Gibson , with sparkling blue eyes and a cheerful smile , made a suitably perky Amy , while Melisande Congdon , as the real aunt , was positively monumental in the very best Gibson Girl manner .
<NONE>
<NONE>
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br-c04
All told , `` Where's Charley ? '' ought not to be missed .
<NONE>
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br-c04
It has a fast pace , excellent music , expert direction , and not only a good comedian , but an appealing person in his own right , Mr. Berman .
<NONE>
<NONE>
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br-c04
The Broadway Theater League of Rhode Island presents C. Edwin Knill 's and Martin Tahse 's production of `` Fiorello ! ''
<NONE>
<NONE>
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br-c04
at Veterans Memorial Auditorium .
<NONE>
<NONE>
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br-c04
The book is by Jerome Weidman and George Abbott , music by Jerry Bock , lyrics by Sheldon Harnick , choreography by Peter Gennaro , scenery , costumes and lighting by William and Jean Eckart , musical direction by Jack Elliott , and the production was directed by Mr. Abbott .
<NONE>
<NONE>
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br-c04
The cast:
<NONE>
<NONE>
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br-c04
This is one of the happier events of the season .
<NONE>
<NONE>
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br-c04
The company which performed the Pulitzer Prize musical here last night and will repeat it twice today is full of bounce , the politicians are in fine voice , the chorines evoke happy memories , and the Little Flower rides to break a lance again .
<NONE>
<NONE>
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br-c04
I saw `` Fiorello ! '' performed in New York by the original cast and I think this company is every bit as good , and perhaps better .
<NONE>
<NONE>
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br-c04
Certainly in the matter of principals there is nothing lacking .
<NONE>
<NONE>
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br-c04
Bob Carroll may not bear quite as close a physical resemblance to LaGuardia as Tom Bosley does , but I was amazed at the way he became more and more Fiorello as the evening progressed , until one had to catch one's self up and remember that this was n't really LaGuardia come back among us again .
<NONE>
<NONE>
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br-c04
Then Rudy Bond was simply grand as Ben , the distraught Republican Party district chieftain .
<NONE>
<NONE>
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br-c04
And Paul Lipson , as Morris , the faithful one who never gets home to his Shirley 's dinner , was fine , too .
<NONE>
<NONE>
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br-c04
As for the ladies , they were full of charm , and sincerity , and deep and abiding affection for this hurrying driving , honest , little man .
<NONE>
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br-c04
Charlotte Fairchild was excellent as the loyal Marie , who became the second Mrs. LaGuardia , singing and acting with remarkable conviction .
<NONE>
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br-c04
Jen Nelson , as Thea , his first wife , managed to make that short role impressive .
<NONE>
<NONE>
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br-c04
And little Zeme North , a Dora with real spirit and verve , was fascinating whether she was singing of her love for Floyd , the cop who becomes sewer commissioner and then is promoted into garbage , or just dancing to display her exuberant feelings .
<NONE>
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br-c04
Such fascinating novelties in the score as the fugual treatment of `` On the Side of the Angels '' and `` Politics and Poker '' were handled splendidly , and I thought Rudy Bond and his band of tuneful ward-heelers made `` Little Tin Box '' even better than it was done by the New York cast; all the words of its clever lyrics came through with perfect clarity .
<NONE>
<NONE>
[ "Des", "nouveautés", "aussi", "fascinantes", "dans", "la", "partition", "que", "le", "traitement", "fugual", "de", "la", "chanson", "On", "the", "Side", "of", "the", "Angels", ",", "la", "Politics", "et", "le", "Poker", ",", "ont", "été", "traitées", "avec", "brio", ",", "et", "je", "pensais", "que", "Rudy", "Bond", "et", "son", "groupe", "d&apos;", "orgueilleuses", "lâches", "ont", "fait", "de", "la", "boîte", "de", "Little", "Tin", "le", "plus", "beau", "des", "genres", ",", "encore", "mieux", "que", "ce", "qui", "a", "été", "fait", "par", "la", "cascade", "de", "New", "York", ",", "tous", "les", "mots", "de", "ses", "paroles", "intelligentes", "sont", "passés", "avec", "une", "parfaite", "clarté", "." ]
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[ "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
br-c04
The party at Floyd 's penthouse gave the `` chorines '' a chance for a nostalgic frolic through all those hackneyed routines which have become a classic choreographic statement of the era 's nonsense .
<NONE>
<NONE>
[ "Le", "groupe", "du", "palais", "de", "justice", "de", "Floyd", "s&apos;", "est", "donné", "la", "chance", "à", "l&apos;", "homme", "de", "vivre", "dans", "une", "atmosphère", "nostalgique", "à", "travers", "toutes", "ces", "routines", "enchevêtrées", "qui", "sont", "devenues", "une", "déclaration", "chorégraphique", "classique", "de", "l", "&quot;", "époque", "et", "de", "l&apos;", "absurdité", "." ]
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br-c04
LaGuardia 's multi lingual rallies , when he is running for Congress , are well staged , and wind up in a wild Jewish folk-dance that is really great musical theater .
<NONE>
<NONE>
[ "LaGuardia", "fait", "des", "rassemblements", "multilingues", ",", "lorsqu&apos;", "il", "est", "candidat", "au", "Congrès", ",", "est", "bien", "organisé", "et", "se", "termine", "dans", "une", "folkdance", "juive", "sauvage", "qui", "est", "vraiment", "un", "grand", "théâtre", "musical", "." ]
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br-c04
Martin Tahse has established quite a reputation for himself as a successful stager of touring productions .
<NONE>
<NONE>
[ "Martin", "Tahse", "s&apos;", "est", "forgé", "une", "solide", "réputation", "en", "tant", "qu&apos;", "initiateur", "de", "productions", "itinérantes", "." ]
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br-c04
Not a corner has been visibly cut in this one .
<NONE>
<NONE>
[ "Pas", "un", "coin", "n&apos;", "a", "été", "visiblement", "coupé", "dans", "celui", "@-@", "ci", "." ]
[ "<NONE>", "<NONE>", "cut_corners%2:36:00::", "<NONE>", "<NONE>", "<NONE>", "visibly%4:02:00::", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
[ "<NONE>", "<NONE>", "cut_corners%2:36:00", "<NONE>", "<NONE>", "<NONE>", "visibly%4:02:00", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>", "<NONE>" ]
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br-c04
The sets are remarkably elaborate for a road-show that does n't pause long in any one place , and they are devised so that they shift with a minimum of interruption or obtrusiveness .
<NONE>
<NONE>
[ "Les", "décors", "sont", "remarquablement", "élaborés", "pour", "un", "roadshow", "qui", "fait", "une", "pause", "longue", "dans", "n&apos;", "importe", "quel", "endroit", ",", "et", "ils", "sont", "conçus", "de", "manière", "à", "ce", "qu&apos;", "ils", "se", "déplacent", "avec", "un", "minimum", "d&apos;", "interruption", "ou", "d&apos;", "oubli", "." ]
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br-c04
(Several times recently I have wondered whether shows were being staged for the sake of the script or just to entertain the audience with the spectacle of scenery being shifted right in front of their eyes .
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br-c04
I'm glad to say there 's none of that distraction in this `` Fiorello ! ''
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