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... a spoof comedy that carries its share of laughs -- sometimes a chuckle , sometimes a guffaw and , to my great pleasure , the occasional belly laugh .
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instantly forgettable and
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the original was n't a good movie
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guys would probably be duking it out with the queen of the damned for the honor .
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about the human need for monsters to blame for all that
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cruel , misanthropic stuff with only weak claims to surrealism and black comedy
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phony humility barely camouflaging grotesque narcissism
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great fun , full of the kind of energy it 's documenting
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fuels the self-destructiveness of many young people
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a retread story , bad writing , and
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, you 're in luck .
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low-rent --
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his most personal work yet .
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the type of dumbed-down exercise in stereotypes that gives the ( teen comedy ) genre a bad name .
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the animated sequences are well done and perfectly constructed to convey a sense of childhood imagination and creating adventure out of angst .
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little action , almost no suspense or believable tension , one-dimensional characters up the wazoo and sets that
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ultimate collapse during the film 's final ( restored ) third
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we hate ( madonna ) within the film 's first five minutes , and she lacks the skill or presence to regain any ground
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who instantly transform themselves into a believable mother/daughter pair
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a decent attempt
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is a feast for the eyes
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that should have been the ultimate imax trip
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an electric pencil sharpener
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an elegant and sly deadpan
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its formidable arithmetic of cameras and souls
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tie together beautifully
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should have been a more compelling excuse to pair susan sarandon and goldie hawn .
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perfectly
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trial movie
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is never especially clever and often is rather pretentious .
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the large-format film is well suited to capture these musicians in full regalia and the incredible imax sound system lets you feel the beat down to your toes .
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well integrated
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light the candles , bring out the cake and do n't fret about the calories because there 's precious little substance in birthday girl -- it 's simply , and surprisingly , a nice , light treat .
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scenes so true and heartbreaking
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the man who bilked unsuspecting moviegoers
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wise , wizened
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find millions of eager fans
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as one of the cleverest , most deceptively amusing comedies of the year
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it may not be particularly innovative
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musical number
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the most compelling performance
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is in his element
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coolness
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playful paranoia
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are sometimes bracing
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that i usually dread encountering the most
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brussels
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the film is essentially juiceless .
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truly egregious
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vision is beginning to feel
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you would n't want to live waydowntown , but it is a hilarious place to visit .
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the problem is that the movie has no idea of it is serious or not .
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a fascinating character 's story
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that you had already seen that movie
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derailed by a failure to seek and strike just the right tone
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as obvious as telling a country skunk
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glamorous
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largely devoid
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the tortured and self-conscious material
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a much needed kick , making `` die another day '' one of the most entertaining bonds in years
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its promising cast of characters
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involving the various silbersteins that it feels more like the pilot episode of a tv series than a feature film
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sing beautifully and
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pan nalin 's exposition is beautiful and mysterious , and the interviews that follow , with the practitioners of this ancient indian practice , are as subtle and as enigmatic .
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wildly incompetent
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the off-center humor is a constant , and the ensemble gives it a buoyant delivery
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the brain
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you 've got to admire ... the intensity with which he 's willing to express his convictions
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coherent rhythm
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crap on a leash -- far too polite to scale the lunatic heights of joe dante 's similarly styled gremlins
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in freshening the play
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an evil , monstrous lunatic
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an insult to every family whose mother has suffered through the horrible pains of a death by cancer
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their contrast
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conventional ,
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terrific date movie
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, you 'll swear that you 've seen it all before , even if you 've never come within a mile of the longest yard .
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i had a dream that a smart comedy would come along to rescue me from a summer of teen-driven , toilet-humor codswallop , and
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is a masterpiece of elegant wit and artifice .
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transcend
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riveted with every painful nuance , unexpected flashes of dark comedy and the character 's gripping humanity
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weepy
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grand as the lord of the rings
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play out realistically if not always fairly
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provides amélie 's audrey tautou with another fabuleux destin -- i.e. , a banal spiritual quest
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to the idiocy of its last frames
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mandy moore leaves a positive impression
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aimed mainly at little kids but with plenty of entertainment value to keep grown-ups from squirming in their seats .
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deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered .
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of a really solid woody allen film
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hogwash
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a heart , mind or humor of its own
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lightweight
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no doubt the filmmaker is having fun with it all
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of male hustlers
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trite and overused
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with a flimsy ending
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drags , underscoring the obvious
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as sexy beast
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sustained fest of self-congratulation between actor and director that leaves scant place for the viewer
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