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feels like a spectator and not a participant
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disturb
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churns up not one but two flagrantly fake thunderstorms to underscore the action
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often-hilarious
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that deserves recommendation
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easy to watch
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obvious , preposterous , the movie will likely set the cause of woman warriors back decades .
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of impossible disappearing/reappearing acts
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waste their time
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for idiots who do n't care what kind of sewage they shovel into their mental gullets to simulate sustenance
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witless , pointless , tasteless and idiotic .
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both a successful adaptation and an enjoyable film in its own right .
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too little excitement and zero compelling storyline
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family portrait of need , neurosis and nervy negativity is a rare treat that shows the promise of digital filmmaking .
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what makes this film special
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terribly obvious
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is a unique , well-crafted psychological study of grief
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show for their labor , living harmoniously , joined in song
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could very well clinch him this year 's razzie
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the endlessly repetitive scenes of embarrassment
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that both thrills the eye and
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funny
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each trailer park you drive past -- even if it chiefly inspires you to drive a little faster
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`` analyze that '' is one of those crass , contrived sequels that not only fails on its own , but makes you second-guess your affection for the original .
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casting excellent latin actors of all ages --
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disintegrates into a dreary , humorless soap opera
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coupling disgracefully written dialogue with flailing bodily movements
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performances all around are tops , with the two leads delivering oscar-caliber performances .
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crazy as hell marks an encouraging new direction for la salle .
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love story
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the film is flat .
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recommend secretary ,
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, wit and interesting characters
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, far more meaningful story
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many went to see the attraction for the sole reason that it was hot outside and there was air conditioning inside , and i do n't think that a.c. will help this movie one bit .
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has not spawned a single good film
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follow the same blueprint from hundreds of other films , sell it to the highest bidder and
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feel absolutely
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a satisfactory overview of the bizarre world of extreme athletes as several daredevils
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a powerful performance from mel gibson and a brutal 90-minute battle sequence that does everything but issue you a dog-tag and an m-16 .
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've never seen ( a remake ) do anything as stomach-turning as the way adam sandler 's new movie rapes , pillages and incinerates frank capra 's classic
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pathos-filled but ultimately life-affirming
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we 'll keep watching the skies for his next project
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that already-shallow
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a negligible work
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is smart
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sane and healthy
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a brutal and funny work .
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be in a contest to see who can out-bad-act the other
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evokes the blithe rebel fantasy with the kind of insouciance embedded in the sexy demise of james dean .
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closed
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as visually bland as a dentist 's waiting room
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tends to pile too many `` serious issues '' on its plate at times , yet remains fairly light , always entertaining , and smartly written .
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one good one
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is dreamy and evocative
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in boredom
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be sorry
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small but rewarding comedy
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bug-eyed mugging
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searching for its identity
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cutesy reliance
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delightful entree
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of the most exciting action films
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it makes you forgive every fake , dishonest , entertaining and , ultimately , more perceptive moment in bridget jones 's diary
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insanely hilarious
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possibly the worst film
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slightly pokey
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( lin chung 's ) voice is rather unexceptional
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whose jolly , fun-for-fun 's - sake communal spirit goes to the essence of broadway
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's more enjoyable than i expected ,
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fare , with enough creative energy and wit to entertain all ages
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miyazaki 's nonstop images are so stunning , and
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rich detail condensed
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deep down , i realized the harsh reality of my situation : i would leave the theater with a lower i.q. than when i had entered
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incredibly heavy-handed , manipulative dud
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is a tale worth catching
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it 's no lie
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film that loses sight of its own story
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of college dorm rooms , a subtlety that makes the silly , over-the-top coda especially disappointing
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coal is n't as easy to come by as it used to be and this would be a worthy substitute for naughty children 's stockings .
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traps audiences in a series of relentlessly nasty situations that we would pay a considerable ransom not to be looking at
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charms are immediately apparent
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had all its vital essence scooped out
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becomes a testament to faith
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putting the primitive murderer inside a high-tech space station unleashes a pandora 's box of special effects that run the gamut from cheesy to cheesier to cheesiest
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the movie is more interested in entertaining itself than in amusing us
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cynicism
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creepy stories
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have been benefited from a sharper , cleaner script before it went in front of the camera
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good news
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a routine crime
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the excruciating end of days
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a rather toothless take
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added disdain
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is all over the place , really
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it 's a talking head documentary , but a great one .
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small in scope ,
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troubled and determined homicide cop
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, it succeeds .
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encouraging
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