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it can do even more damage
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imagination and insight
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its characterization of hitler and the contrived nature of its provocative conclusion
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run for your lives
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is there a group of more self-absorbed women than the mother and daughters featured in this film
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transcends their predicament
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revel in those visual in-jokes , as in the film 's verbal pokes at everything from the likes of miramax chief harvey weinstein 's bluff personal style to the stylistic rigors of denmark 's dogma movement
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a romantic comedy plotline straight from the ages
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delicious dialogue
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leigh is one of the rare directors who feels acting is the heart and soul of cinema .
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see familiar issues , like racism and homophobia , in a fresh way
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quietly hopeful
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tough to be startled when you 're almost dozing
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unbearable when it is n't merely offensive .
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saves it ... and makes it
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some real vitality and
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evocative shades
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capturing the opera 's drama and lyricism
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understated piece of filmmaking
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seagal ran out of movies years ago , and
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kids-cute
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find little new
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worst kind
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makes him the film 's moral compass
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though it goes further than both , anyone who has seen the hunger or cat people will find little new here ,
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of the upper class almost as much as they love themselves
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new
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is simple but absorbing .
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ready-made midnight movie
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interview with the assassin is structured less as a documentary and more as a found relic , and as such the film has a difficult time shaking its blair witch project real-time roots .
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a determined woman 's courage to find her husband in a war zone
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wonder of wonders -- a teen movie with a humanistic message .
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's a pretty woman
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lost and desolate
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's a film that 's destined to win a wide summer audience through word-of-mouth reviews and , not far down the line , to find a place among the studio 's animated classics .
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you love the music ,
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faced
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compellingly tap into a spiritual aspect of their characters ' suffering
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director tom dey demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon , but showtime 's uninspired send-up of tv cop show cliches mostly leaves him shooting blanks .
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this marvelous film
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did n't hollywood think of this sooner
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confection that 's pure entertainment
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more attuned to the anarchist maxim that ` the urge to destroy is also a creative urge '
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excellent latin actors of all ages
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to being lectured to by tech-geeks , if you 're up for that sort of thing
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an engaging , wide-eyed actress
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hard to imagine another director ever making his wife look so bad in a major movie
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soon becomes a questionable kind of inexcusable dumb innocence
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's a very very strong `` b + .
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exquisite , unfakable sense
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gets vivid , convincing performances from a fine cast
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of intelligence or invention
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cold , gray , antiseptic and
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even if the enticing prospect of a lot of nubile young actors in a film about campus depravity did n't fade amid the deliberate , tiresome ugliness , it would be rendered tedious by avary 's failure to construct a story with even a trace of dramatic interest .
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tired , talky
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its personable , amusing cast
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-- a retread story , bad writing , and the same old silliness
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a good shot
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to distance it from the pack of paint-by-number romantic comedies
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donovan ... squanders his main asset , jackie chan , and fumbles the vital action sequences
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guessing plot and
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as epic tragedy
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a seriously bad film
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are a little peculiar
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drags the film
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together ( time out and human resources ) establish mr. cantet as france 's foremost cinematic poet of the workplace .
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know why steven seagal is considered a star , nor why he keeps being cast in action films when none of them are ever any good
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if it 's filmed tosca that you want
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of the war
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it is a kind , unapologetic , sweetheart of a movie ,
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that wind-in-the-hair exhilarating
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pump life into overworked elements from eastwood 's dirty harry period
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the worst film
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a re-hash
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grittily beautiful film
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honest emotions
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intoxicating show
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nostalgic , twisty yarn
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does n't pummel us with phony imagery or music
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filled with unlikable , spiteful idiots
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unstoppable
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the flat dialogue
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's thanks to huston 's revelatory performance
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visual style
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fabulous
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gorgeous ,
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have been right at home as a nifty plot line in steven soderbergh 's traffic fails to arrive at any satisfying destination
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, lifeless
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is still fun and enjoyable and so aggressively silly that it 's more than a worthwhile effort
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an artistry
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encompassing
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weaving a theme
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for the under-7 crowd
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the perfect star vehicle
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... gives his best screen performance with an oddly winning portrayal of one of life 's ultimate losers .
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which they have been patiently waiting for
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, smartly played and smartly directed .
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seem weird and distanced
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with a visual style unique and inherent
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has about 3/4th the fun of its spry 2001 predecessor -- but it 's a rushed , slapdash , sequel-for-the-sake - of-a-sequel with less than half the plot and ingenuity .
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