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you wo n't care
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until you feel fully embraced by this gentle comedy
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the proper conviction
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a sexy , peculiar and always entertaining costume drama set in renaissance spain , and the fact that it 's based on true events
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lots of cute animals and clumsy people
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the rotting underbelly of middle america
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is in a class by itself
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warmth and humor
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the mainstream of filmmaking with an assurance worthy of international acclaim
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is so slovenly done , so primitive in technique , that it ca n't really be called animation .
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vulgarity , sex scenes , and
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powerful , inflammatory film
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the nicest thing
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a great companion piece
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is hard to conceive anyone else in their roles .
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utterly static
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unbelievable naïveté and arbitrary flashbacks
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an intimacy
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's episode of behind the music
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so recognizable and true that , as in real life , we 're never sure how things will work out
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wonder why paul thomas anderson ever had the inclination to make the most sincere and artful movie in which adam sandler will probably ever appear
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is n't tough to take as long as you 've paid a matinee price
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it 's simply crude and unrelentingly exploitative
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keep you wide awake and ...
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, long-suffering but cruel
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as inept as big-screen remakes of the avengers and the wild wild west .
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anarchy
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stuffy and
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destroy is also a creative urge
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satisfy the boom-bam crowd without a huge sacrifice of character and mood
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when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable
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kinda dumb
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personable , amusing cast
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a heartbreakingly thoughtful minor classic
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bouncy score
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antwone fisher certainly does the trick of making us care about its protagonist and celebrate his victories
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cause you to bite your tongue to keep from laughing at the ridiculous dialog or the oh-so convenient plot twists
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illustrates why the whole is so often less than the sum of its parts in today 's hollywood
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chabrol 's most intense psychological mysteries
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hollywood ending is the most disappointing woody allen movie ever .
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and it 's a lousy one at that .
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confidence
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a fine-looking film with a bouncy score
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low-brow
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should 've been so much more even if it was only made for teenage boys and wrestling fans
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enter
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problems and
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nothing about the film -- with the possible exception of elizabeth hurley 's breasts -- is authentic .
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elegantly appointed
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flashy , overlong soap
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half-assed
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the characterizations and dialogue lack depth or complexity , with the ironic exception of scooter .
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satin rouge is not a new , or inventive , journey , but it 's encouraging to see a three-dimensional , average , middle-aged woman 's experience of self-discovery handled with such sensitivity
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awkward version
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is actually quite entertaining
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, obvious , preposterous , the movie will likely set the cause of woman warriors back decades .
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a hugely rewarding experience that 's every bit as enlightening , insightful and entertaining as grant 's two best films
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can still be smarter than any 50 other filmmakers still at work
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this nasty comedy
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respect to just one of those underrated professionals who deserve but rarely receive it
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wildly incompetent but brilliantly named half past dead -- or for seagal
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giddy and whimsical and relevant today
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it won -- and wins still
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it 's a rather listless amble down the middle of the road , where the thematic ironies are too obvious and the sexual politics too smug .
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the real turns magical
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it is one in which fear and frustration are provoked to intolerable levels
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both gripping and compelling
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in private
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lil bow wow takes the cake
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-- in the title role --
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skip the film
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satirical touches
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it 's dark but has wonderfully funny moments ; you care about the characters ; and the action and special effects are first-rate .
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's fairly solid -- not to mention well edited so that it certainly does n't feel like a film that strays past the two and a half mark
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whose view of america , history and the awkwardness of human life is generous and deep
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is one big , dumb action movie .
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that 's a bad sign when they 're supposed to be having a collective heart attack
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padded .
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technically sumptuous but
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beautifully read
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of a movie , a vampire soap opera that does n't make much
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graphic sex may be what 's attracting audiences to unfaithful , but gripping performances by lane and gere are what will keep them awake
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it 's not particularly well made
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an inelegant combination of two unrelated shorts that falls far short of the director 's previous work in terms of both thematic content and narrative strength
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adorably ditsy but
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a greater knowledge
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the film has the uncanny ability to right itself precisely when you think it 's in danger of going wrong .
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deeper and more engaging .
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oscar winners
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i think it was plato who said , ' i think , therefore i know better than to rush to the theater for this one . '
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shallow and glib
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a future they wo n't much care about
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a movie full of surprises
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after several scenes of this tacky nonsense , you 'll be wistful for the testosterone-charged wizardry of jerry bruckheimer productions , especially because half past dead is like the rock on a wal-mart budget .
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by its modest , straight-ahead standards , undisputed scores a direct hit .
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settles into clichés
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terrifying angst
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, wilde 's play is a masterpiece of elegant wit and artifice .
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written by somebody else
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takes its sweet time building to a climax that 's scarcely a surprise by the time
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