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once playful and haunting ,
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can drown out the tinny self-righteousness of his voice
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episode ii --
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about morality and the choices we make underneath such a mountain of clichés and borrowed images
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goes by quickly
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as the old-hat province of male intrigue
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dated
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be like to be smack in the middle of a war zone armed with nothing but a camera
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above the globe in dazzling panoramic shots that make the most of the large-screen format , before swooping down on a string of exotic locales , scooping the whole world up in a joyous communal festival of rhythm
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could n't someone take rob schneider and have him switch bodies with a funny person ?
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neither amusing nor dramatic enough to sustain interest
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just do n't really care too much about this love story .
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gives give a solid , anguished performance that eclipses nearly everything else she 's ever done
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that manages to have a good time as it doles out pieces of the famous director 's life
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one that allows him to churn out one mediocre movie after another
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loses himself to the film 's circular structure to ever offer any insightful discourse on , well , love in the time of money
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talent and wit to elevate it beyond its formula to the level of classic romantic comedy to which it aspires
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acute writing and a host of splendid performances
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striking , quietly vulnerable personality
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most famous
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overproduced piece
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the ridiculous dialog or
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like its title character , esther kahn is unusual but unfortunately also irritating .
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ride around a pretty tattered old carousel
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transform themselves into a believable mother/daughter pair
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in a sick , twisted sort of way
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hooked on the delicious pulpiness of its lurid fiction .
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diverting and modest
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slight to be called any kind of masterpiece
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ache by the end of kung pow
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well-made
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balancing deafening battle scenes with quieter domestic scenes of women back home receiving war department telegrams
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sillier , not scarier
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it may as well be called `` jar-jar binks : the movie . ''
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an engrossing portrait of uncompromising artists trying to create something original against the backdrop
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flabby
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of its marks
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genuinely enthusiastic performances
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demonstrated a knack for mixing action and idiosyncratic humor in his charming 2000 debut shanghai noon
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bullock 's memorable first interrogation
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clarity and deeply
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video , and so devoid of artifice and purpose that it appears not to have been edited at all .
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regardless of race
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humble , teach and ultimately
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does a good job of establishing a time and place , and of telling a fascinating character 's story
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outrageous , ingenious
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so much to look at in metropolis you hate to tear your eyes away from the images long enough to read the subtitles
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littered with celluloid garbage
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no business going
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a gorgeously atmospheric meditation on life-changing chance encounters
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been lost in the translation this time
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, it misses a major opportunity to be truly revelatory about his psyche .
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imax sound system
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welcome to collinwood never catches fire .
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has a more colorful , more playful tone than his other films
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does n't work .
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her life half-asleep
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i could have looked into my future and saw how bad this movie was
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that as far as these shootings are concerned , something is rotten in the state of california
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, and beautifully shot
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repetitive and
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you are n't very bright
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relatively dry material
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a well-intentioned effort that 's still too burdened by the actor 's offbeat sensibilities for the earnest emotional core to emerge with any degree of accessibility .
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a pregnant premise being wasted by a script that takes few chances and manages to insult the intelligence of everyone in the audience
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is a finely written , superbly acted offbeat thriller .
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plot holes sink this ` sub '
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of emotionally and narratively complex filmmaking
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prevents
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recognized
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to admit that i am baffled by jason x.
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sweet , even delectable
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remember the last time i saw worse stunt editing or cheaper action movie production values than in extreme ops
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the premise of `` abandon '' holds promise , ... but
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dislikable
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the filmmakers come up with nothing original in the way of slapstick sequences
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something impressive and yet lacking about everything
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in the business
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reliable
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a mere excuse for the wan , thinly sketched story
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charming than in about a boy
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presume
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you love the music , and
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simply putters along looking for astute observations and coming up blank .
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any insights that have n't been thoroughly debated in the media
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unforced comedy-drama
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it 's definitely not made for kids or their parents , for that matter ,
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a monster
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would have a hard time sitting through this one
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the bottom of the barrel
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rich and full
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a peculiar malaise
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whimsical and relevant today
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terrific insider
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of the funniest motion
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a moving and stark reminder that the casualties of war reach much further than we imagine .
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one well-timed explosion in a movie can be a knockout ,
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has much to recommend it , even if the top-billed willis is not the most impressive player
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take me back to a time before i saw this movie
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sadly , ` garth ' has n't progressed as nicely as ` wayne . '
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