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this is cinema
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the bottom line , at least in my opinion , is imposter makes a better short story than it does a film .
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should stick to his day job
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played-out
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to watch witherspoon 's talents wasting away inside unnecessary films like legally blonde and sweet home abomination , i mean , alabama
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stupid ,
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tacky and
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a neat premise
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this a moving experience for people who have n't read the book
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both times
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a difficult time
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this is the one .
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the movie turns out to be ( assayas ' ) homage to the gallic ` tradition of quality , ' in all its fusty squareness .
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interlocked stories drowned by all too clever complexity
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the concept behind kung pow : enter the fist is hilarious
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a markedly inactive film
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the action sequences are fun and reminiscent of combat scenes from the star wars series .
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an extraordinary poignancy ,
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it will warm your heart ,
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normally , rohmer 's talky films fascinate me , but when he moves his setting to the past , and relies on a historical text , he loses the richness of characterization that makes his films so memorable
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delivers
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drive past -- even if it chiefly inspires you to drive a little faster
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got ten little indians meets friday the 13th by way of clean and sober , filmed on the set of carpenter 's the thing and loaded with actors you 're most likely to find on the next inevitable incarnation of the love boat
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that it 's hardly watchable
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of the greatest date movies in years
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the melodramatic aspects start to overtake the comedy
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a bit of a cheat in the end
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like a docu-drama but builds its multi-character story with a flourish .
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by taylor 's cartoonish performance and the film 's ill-considered notion
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the cinema world 's great visual stylists
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is able to visualize schizophrenia
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success
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more than their unique residences
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is the one
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teddy bears ' picnic ranks among the most pitiful directing
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of a mixed bag , with enough negatives
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sexiness
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a captivating coming-of-age story that may also be the first narrative film to be truly informed by the wireless
1
skeptics
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the opulent lushness
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a lovably
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thought-provoking and stylish
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that 's exactly what these two people need to find each other
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to call this one an eventual cult classic would be an understatement ,
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she lacks the skill or presence to regain any ground
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sketches
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artificial structure
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an intriguing look at the french film industry during the german occupation ; its most delightful moments come when various characters express their quirky inner selves .
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i laughed throughout the movie
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derivative and hammily acted .
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long and relentlessly saccharine
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happy ending
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a really funny movie
1
maguire makes it a comic book with soul
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terrible events
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`` freaky friday , '' it 's not .
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great monster movie
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driven by appealing leads
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are forced to reflect that its visual imagination is breathtaking
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as rewarding
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loneliness and the chilly anonymity of the environments where so many of us spend so much of our time
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for the uncompromising knowledge that the highest power of all is the power of love
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a mostly magnificent directorial career
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sit near the back
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you should avoid this like the dreaded king brown snake .
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is uncompromising , difficult and unbearably beautiful .
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neither original
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in metropolis you hate to tear your eyes away from the images long enough to read the subtitles
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assured
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is how the film knows what 's unique and quirky about canadians
1
too stagey , talky -- and long -- for its own good .
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elaborate
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a distinct rarity , and an event
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eats , meddles , argues , laughs , kibbitzes and fights
1
rich in shadowy metaphor and as sharp as a samurai sword
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some genuine spontaneity
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it 's exploitive without being insightful .
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that sink it faster than a leaky freighter
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been held hostage by generic scripts that seek to remake sleepless in seattle again and again
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utilizes the idea of making kahlo 's art a living , breathing part of the movie , often catapulting the artist into her own work
1
pleasing at its best moments
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little room for engaging , imaginative filmmaking in its nearly 2 1/2
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gold
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overall , cletis tout is a winning comedy that excites the imagination and tickles the funny bone .
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contrived situations
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he 's unlikely to become a household name on the basis of his first starring vehicle .
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invite some genuine spontaneity into the film
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it must be labeled ` hip ' , ` innovative ' and ` realistic '
1
instead of letting the laughs come as they may , lawrence unleashes his trademark misogyny -- er , comedy -- like a human volcano or an overflowing septic tank , take your pick .
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as claustrophic , suffocating and chilly
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of the plot and a powerfully evocative mood combining heated sexuality with a haunting sense of malaise
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cold porridge with only the odd enjoyably chewy lump
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eloquent , reflective and beautifully
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up a storm as a fringe feminist conspiracy theorist named dirty dick
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attack
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the first mistake , i suspect , is casting shatner as a legendary professor and kunis as a brilliant college student -- where 's pauly shore as the rocket scientist ?
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its characterization of hitler and
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however , robert rodriguez adorns his family-film plot with an elegance and maturity that even most contemporary adult movies are lacking .
1
a tone that 's alternately melancholic , hopeful and strangely funny
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earnestness
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