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an ambitious movie
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been slimed in the name of high art
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the gifted pearce
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does a disservice to the audience and to the genre
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souvlaki can you take before indigestion sets in
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the humor wry and
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the script , the gags , the characters are all direct-to-video stuff , and
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of two fine actors , morgan freeman and ashley judd
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guide a loose , poorly structured film through the pitfalls of incoherence and redundancy
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, those who do will have found a cult favorite to enjoy for a lifetime .
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how horrible
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relatively nothing
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moore provides an invaluable service by sparking debate and encouraging thought .
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a riveting story well told .
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he 's made a film that 's barely shocking , barely interesting and most of all , barely anything
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's something poignant about an artist of 90-plus years taking the effort to share his impressions of life and loss and time and art with us .
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a chuckle
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tries-so-hard-to-be-cool
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deeply unsettling experience
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with lots of somber blues and pinks
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technically
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really rather special
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some remarkable achival film about how shanghai ( of all places ) served jews who escaped the holocaust .
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the piano teacher is not an easy film .
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if you believe that the shocking conclusion is too much of a plunge or
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pretends to expose the life of male hustlers
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improvement
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's exactly the kind of movie toback 's detractors always accuse him of making .
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logic and misuse of two fine actors , morgan freeman and ashley judd
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uncompromising film
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fudges fact and fancy with such confidence that we feel as if we 're seeing something purer than the real thing
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most exciting action films
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modest masterpiece .
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's exploitive without being insightful .
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by now intolerable
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most audacious , outrageous ,
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seen this summer
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not a trace of humanity or empathy
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humor and
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eloquently about the symbiotic relationship between art and life
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miyazaki has created such a vibrant , colorful world
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well-edited
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a refreshing change from the usual whoopee-cushion effort aimed at the youth market .
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left a few crucial things out ,
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through , however , having sucked dry the undead action flick formula , blade ii mutates into a gross-out monster movie with effects that are more silly than scary .
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the solid filmmaking
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its hawaiian setting , the science-fiction trimmings and
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pan nalin 's exposition is beautiful and mysterious
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aspires to be more than another `` best man '' clone by weaving a theme throughout this funny film
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the film 's mid-to-low budget is betrayed by the surprisingly shoddy makeup work .
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slaloming through its hackneyed elements with enjoyable ease
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monsoon wedding
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may be the first cartoon ever to look as if it were being shown on the projection television screen of a sports bar .
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does n't try to surprise us with plot twists , but rather seems to enjoy its own transparency
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keep you watching , as will the fight scenes
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one of the best-sustained ideas i have ever seen on the screen
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's no good answer to that one .
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word ` dog '
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bungle their way through the narrative as if it were a series of bible parables and not an actual story .
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that are repeatedly undercut by the brutality of the jokes , most at women 's expense
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show this movie to reviewers before its opening , afraid of the bad reviews they thought they 'd earn
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his difficult , endless work
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they will have a showdown , but , by then , your senses are as mushy as peas and you do n't care who fires the winning shot .
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was going to be really awful
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anchor the film in a very real and amusing give-and-take
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have reinvigorated the romance genre
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dizzy , confused , and totally disorientated
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than losers
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soulless and -- even more damning -- virtually joyless ,
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worst sin
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the leads are so unmemorable , despite several attempts at lengthy dialogue scenes , that one eventually resents having to inhale this gutter romancer 's secondhand material .
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quickly becomes a tiresome cliché
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on losers in a gone-to-seed hotel
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rote drivel
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i know i should n't have laughed , but
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it employs changes that fit it well rather than ones that were imposed for the sake of commercial sensibilities
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highly watchable , giggly little story
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that was followed by the bad idea
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the film 's conclusion powerful and satisfying
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wore out its welcome with audiences several years ago
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has only a fleeting grasp of how to develop them
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big round eyes and
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of bewitched that takes place during spring break
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gracious
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sketch inspired by the works of john waters and todd solondz , rather than a fully developed story
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the worst movies of the year
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the intoxicating fumes and
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is that , even in all its director 's cut glory , he 's made a film that 's barely shocking , barely interesting and most of all , barely anything
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has stepped into the mainstream of filmmaking with an assurance worthy of international acclaim
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, and unforgettable characters
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a vehicle to showcase the canadian 's inane ramblings
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has not a trace of humanity or empathy
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is really , really stupid
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so in love with its overinflated mythology that it no longer recognizes the needs of moviegoers for real characters and compelling plots .
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bad run
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offers a desperately ingratiating performance .
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its leaden acting , dull exposition and
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a soulless hunk of exploitative garbage
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transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
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this bold move works
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