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, you should be able to find better entertainment .
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someone , stop eric schaeffer before he makes another film .
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off-puttingly
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manages to accomplish what few sequels can --
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a rather simplistic one : grief drives her , love drives him
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keep my attention
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it lacks a strong narrative
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nails hard
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into a sane and breathtakingly creative film
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of relationships in such a straightforward , emotionally honest manner that by the end
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as one of the great films about movie love
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smart , funny and just honest enough to provide the pleasures of a slightly naughty , just-above-average off - broadway play .
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-- lots of boring talking heads , etc. --
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it 's a long way from orwell 's dark , intelligent warning cry ( 1984 ) to the empty stud knockabout of equilibrium , and what once was conviction is now affectation
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charismatic and tragically
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entertaining
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joys
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dull , inconsistent , dishonest female bonding
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the free-wheeling noir spirit
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an elegant film with often surprising twists and an intermingling of naiveté and sophistication
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instead of a witty expose on the banality and hypocrisy of too much kid-vid , we get an ugly , mean-spirited lashing out by an adult who 's apparently been forced by his kids to watch too many barney videos .
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the lively intelligence of the artists and their perceptiveness about their own situations
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as an all-inclusive world where uptight , middle class bores like antonia can feel good about themselves
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an affection for the period
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that rare film whose real-life basis is , in fact , so interesting that no embellishment is needed .
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excellent cast
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in short , is n't nearly as funny as it thinks it is
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that asks you to not only suspend your disbelief but your intelligence as well
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this movie has the usual impossible stunts ... but it has just as many scenes that are lean and tough enough to fit in any modern action movie
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the acting is robotically italicized ,
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goes straight to video
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a reasonably entertaining sequel to 1994 's surprise family hit that may strain adult credibility .
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could have written a more credible script , though with the same number of continuity errors
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, it rises in its courageousness , and comedic employment .
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a revealing look at the collaborative process and a timely , tongue-in-cheek profile of the corporate circus that is the recording industry in the current climate of mergers and downsizing
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to congratulate himself for having the guts to confront it
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cinema history as the only movie ever
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's too much forced drama in this wildly uneven movie , about a young man 's battle with his inescapable past and uncertain future in a very shapable but largely unfulfilling present
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allows us to be transported into the life of wladyslaw szpilman , who is not only a pianist , but a good human being
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( jeff 's ) gorgeous , fluid compositions
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suspenseful enough for older kids but not too scary
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has n't progressed as nicely as ` wayne
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a thoughtful movie
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yeah
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movie love
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a rancorous curiosity : a movie without an apparent audience
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exploiting molestation for laughs
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smooth and professional
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has no reason to exist , other than to employ hollywood kids and people who owe favors to their famous parents .
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are the difference between this and countless other flicks about guys and dolls
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this is one of mr. chabrol 's subtlest works , but also one of his most uncanny .
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you should never , ever , leave a large dog alone with a toddler
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for two directors with far less endearing disabilities
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confusing
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still have to see this !
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beguiling freshness
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the next inevitable incarnation of the love boat
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an `` ambitious failure
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loosely tied series
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falls victim to that everlasting conundrum experienced by every human who ever lived : too much to do , too little time to do it in .
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is to reduce everything he touches to a shrill , didactic cartoon
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for pretentious arts majors
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same stuff
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ends up slapping its target audience in the face by shooting itself in the foot
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since the empire strikes back ... a majestic achievement , an epic of astonishing grandeur and surprising emotional depth
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hawke 's film , a boring , pretentious waste of nearly two hours , does n't tell you anything except that the chelsea hotel today is populated by whiny , pathetic , starving and untalented artistes .
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shame on writer/director vicente aranda
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to great performances
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a time machine , a journey back to your childhood , when cares melted away in the dark theater
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not only better than its predecessor , it may rate as the most magical and most fun family fare of this or any recent holiday season .
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visceral and dangerously honest revelations about the men and machines behind the curtains of our planet
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of matthew shepard
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laughed throughout the movie
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for all its brilliant touches , dragon loses its fire midway , nearly flickering out by its perfunctory conclusion .
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straining to produce another smash
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immense imax screen
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as cleverly plotted as the usual suspects
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fun , and host to some truly excellent sequences
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, you should avoid this like the dreaded king brown snake .
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please not only the fanatical adherents on either side , but also people who know nothing about the subject
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abject suffering
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absurd collection
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squint to avoid noticing some truly egregious lip-non-synching
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you feel good ,
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peppering the pages with memorable zingers
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the real thing
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has all the dramatic weight of a raindrop
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, you 're gon na like this movie .
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trusts the story it sets out to tell
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hollywood disregard
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offers piercing domestic drama with spikes of sly humor
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it 's all surface psychodramatics .
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director paul cox 's unorthodox , abstract approach
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for all its brilliant touches
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recognize it
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the great minds of our times
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the chateau has one very funny joke and a few other decent ones , but
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howard and his co-stars all give committed performances , but
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intriguing look
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glorified
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