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shows us a slice of life that 's very different from our own and yet instantly recognizable .
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, you know the picture is in trouble .
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far less crass
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its and pieces of the hot chick are so hilarious
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brady
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one moment
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is as blasphemous and nonsensical as a luis buñuel film
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stylish psychological thriller
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right stuff
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bang-bang , shoot-em-up scene
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all the interesting developments
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innovative
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got a house full of tots -- do n't worry
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grating and tedious .
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that seagal 's overweight and out of shape
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into a classic genre
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so it 's not a brilliant piece of filmmaking , but
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dramatically forceful , and beautifully shot
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wrong with that
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has made a film that is an undeniably worthy and devastating experience .
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inconclusive ending
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is his best film yet
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it 's hard to like a film so cold and dead
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of the previous two
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a cloak of unsentimental , straightforward text
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sink the movie .
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the charisma and ability
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disturbance or detached pleasure
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recommend it for its originality
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neither protagonist has a distinguishable condition
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human impulses that grew hideously twisted
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something hip and transgressive
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green is ) the comedy equivalent of saddam hussein , and i 'm just about ready to go to the u.n. and ask permission for a preemptive strike .
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of the match that should be used to burn every print of the film
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its spirit of iconoclastic abandon -- however canned -- makes for unexpectedly giddy viewing .
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a rumor of angels does n't just slip --
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artsy and
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idling in neutral
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offer some modest amusements
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more hackneyed
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epic adventure
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it 's a hellish , numbing experience to watch , and
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ace ventura ' rip-off
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's really unclear
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heroine
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strong filmmaking requires a clear sense of purpose
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the big-screen scooby makes the silly original cartoon seem smart and well-crafted in comparison .
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ends up as a bitter pill
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viscerally repellent
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most plain , unimaginative
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most irresponsible
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a tiresome cliché
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exist only for its climactic setpiece
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disappointment coming
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` a ' list cast
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of the best of a growing strain of daring films
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rally to its cause ,
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finely crafted
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to speak about other than the fact that it is relatively short
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real women have curves wears its empowerment on its sleeve but even
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is ultimately thoughtful without having much dramatic impact
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the rich performances by friel -- and especially williams , an american actress who becomes fully english --
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in auteil 's less dramatic but equally incisive performance , he 's a charismatic charmer likely to seduce and conquer .
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's lovely and amazing
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it 's a mindless action flick with a twist -- far better suited to video-viewing than the multiplex .
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of a freshly painted rembrandt
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's definitely a step in the right direction .
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marvelous documentary touches -- ever so gracefully -- on the entire history of the yiddish theater , both in america and israel
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surprisingly sensitive
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misanthropic stuff
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somehow snagged an oscar nomination
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a step further , richer
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some episodes work , some do n't .
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one of those movies barely registering a blip on the radar screen of 2002
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is a masterpiece .
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just a bunch of good actors flailing around in a caper that 's neither original nor terribly funny
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to know your ice-t 's from your cool-j 's to realize that as far as these shootings are concerned , something is rotten in the state of california
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nohe has made a decent ` intro ' documentary , but he feels like a spectator and not a participant
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genuinely funny
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a bad way
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can be expected from a college comedy that 's target audience has n't graduated from junior high school
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captures the raw comic energy of one of our most flamboyant female comics .
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gives us episodic choppiness , undermining the story 's emotional thrust
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is solid
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exhibits the shallow sensationalism characteristic of soap opera ... more salacious telenovela than serious drama
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here 's a case of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior .
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efficiency and an affection for the period
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familiar and tired
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is completely lacking in charm and charisma , and
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rubbish
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short of true inspiration
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is shallow , offensive and redundant
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many bona fide groaners among too few laughs
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weak
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all too clever complexity
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small delights
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's too loud to shout insults at the screen
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a terrific screenplay and
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seems embarrassed
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revel in its splendor
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