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pitch-perfect holden
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the last kiss will probably never achieve the popularity of my big fat greek wedding
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a phlegmatic bore ,
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's a feel-good movie about which you can actually feel good
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see this piece of crap
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with a certain degree of wit and dignity
1
could restage the whole thing in your bathtub .
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groaners
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third time 's the charm ... yeah , baby !
1
's almost impossible not to be swept away by the sheer beauty of his images
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rampant adultery
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gives out
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to avoid being recognized as the man who bilked unsuspecting moviegoers
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torture and
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is a movie that makes it possible for the viewer to doze off for a few minutes or make several runs to the concession stand and/or restroom and not feel as if he or she has missed anything .
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gives ample opportunity for large-scale action and suspense , which director shekhar kapur supplies with tremendous skill
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sounds , and feels more like an extended , open-ended poem than a traditionally structured story
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plenty of baggage
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awkwardly paced
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of the self-esteem of employment and the shame of losing a job
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for a guy who has waited three years with breathless anticipation for a new hal hartley movie to pore over , no such thing is a big letdown .
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constricted
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a certain sexiness
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in the shameless self-caricature of ` analyze this ' ( 1999 ) and ` analyze that , ' promised ( or threatened ) for later this year
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jeffrey tambor 's performance as the intelligent jazz-playing exterminator is oscar-worthy .
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feels as if the movie is more interested in entertaining itself than in amusing us
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a walk to remember ''
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is a gentle film with dramatic punch , a haunting ode to humanity
1
sexy , violent , self-indulgent and maddening
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fascinates
1
robert harmon 's less-is-more approach delivers real bump-in - the-night chills -- his greatest triumph is keeping the creepy crawlies hidden in the film 's thick shadows
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like the excruciating end of days , collateral damage presents schwarzenegger as a tragic figure , but sympathy really belongs with any viewer forced to watch him try out so many complicated facial expressions
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the movie is such a blip on the year 's radar screen that it 's tempting just to go with it for the ride .
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new favorite musical
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marginal intelligence
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to the core of what it actually means to face your fears , to be a girl in a world of boys , to be a boy truly in love with a girl , and
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superlative
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well-formed satire
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simultaneously harrowing and uplifting
1
does n't deliver a great story , nor is the action as gripping as in past seagal films .
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a stunning fusion of music and images
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fast-paced
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, tavernier 's film bounds along with the rat-a-tat energy of `` his girl friday , '' maintaining a light touch while tackling serious themes .
1
this listless feature
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too-frosty exterior
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i enjoyed barbershop
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so boring
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intriguing , provocative stuff
1
unknowable
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is depressing , ruthlessly pained and depraved
1
eee for excitement
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stiff and schmaltzy and clumsily
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punching people in the stomach again
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there is n't much to it .
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's so simple and precise that anything discordant would topple the balance
1
certainly the big finish was n't something galinsky and hawley could have planned for ... but part of being a good documentarian is being there when the rope snaps .
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it 's all stitched together with energy , intelligence and verve , enhanced by a surplus of vintage archive footage .
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deals with first love sweetly
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like an all-star salute
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's still damn funny stuff
1
a head-turner
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highly-praised disappointments i
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that it is nearly impossible to look at or understand
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insightful writer/director
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some kid who ca n't act , only echoes of jordan , and weirdo actor crispin glover screwing things up old school
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of the rarest kinds of films
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is an elegantly balanced movie -- every member of the ensemble has something fascinating to do -- that does n't reveal even a hint of artifice .
1
a truly , truly bad movie
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bad of a movie
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found myself strangely moved by even the corniest and most hackneyed contrivances .
1
determined , ennui-hobbled slog
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too erotic nor very thrilling
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mesmerizing
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something of a public service -- shedding light on a group of extremely talented musicians who might otherwise go unnoticed and underappreciated by music fans
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more ambitious
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is seriously compromised by that
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in the end there is one word that best describes this film : honest .
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, it revigorates the mind to see a feature that concentrates on people , a project in which the script and characters hold sway .
1
progressed as nicely as ` wayne
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a warm and well-told tale
1
cuba gooding jr. valiantly mugs his way through snow dogs , but even his boisterous energy fails to spark this leaden comedy
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to our basest desires
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the footage of the rappers at play and the prison interview with suge knight are just two of the elements that will grab you .
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sordid and
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if this is cinema
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i simply ca n't recommend it enough .
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powerful and telling story
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suffers from two fatal ailments -- a dearth of vitality and a story that 's shapeless and uninflected .
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can not disguise the slack complacency of ( godard 's ) vision , any more than the gorgeous piano and strings on the soundtrack can drown out the tinny self-righteousness of his voice .
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have a new favorite musical
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the film 's intimate camera work and searing performances
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a matter of plumbing arrangements and mind games , of no erotic or sensuous charge
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is dark , brooding and slow ,
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would require the patience of job to get through this interminable , shapeless documentary about the swinging subculture .
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a well-executed spy-thriller .
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the art direction is often exquisite
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an alternately raucous and sappy ethnic sitcom ... you 'd be wise to send your regrets .
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that the movie has no idea of it is serious or
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speak for it while it forces you to ponder anew what a movie can be .
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as bad as you think , and
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