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snagged an oscar nomination
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this is a movie that refreshes the mind and spirit along with the body , so
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fans of the modern day hong kong action film finally have the worthy successor to a better tomorrow and the killer which they have been patiently waiting for .
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in a very real and amusing give-and-take
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sorvino
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easily the most thoughtful fictional examination of the root
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some kind of goofy grandeur
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with an utterly incompetent conclusion
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obscure the message
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a lot smarter and more unnerving than the sequels
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twisted sense
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one of the most splendid
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's a funny no-brainer
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this engaging mix
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neatly and effectively
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whether or not you buy mr. broomfield 's findings , the film acquires an undeniable entertainment value as the slight , pale mr. broomfield continues to force himself on people and into situations that would make lesser men run for cover .
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feels universal
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it seems impossible that an epic four-hour indian musical about a cricket game could be this good ,
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... a guiltless film for nice evening out .
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it all plays out ... like a high-end john hughes comedy , a kind of elder bueller 's time out .
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sophisticated and unsentimental treatment
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) fondness for fancy split-screen , stuttering editing and pompous references to wittgenstein and kirkegaard
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this movie is to be cherished .
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some buoyant human moments
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's affecting , amusing , sad and reflective .
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match his ambition
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the gum stuck under my seat trying to sneak out of the theater
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the whiney characters bugged me
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certainly does the trick of making us care about its protagonist and celebrate his victories
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its director could ever have dreamed
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with such good humor
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innocent and
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being able to creep the living hell out of you
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equally great robin williams performance
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impersonal and abstract
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's an entertaining and informative documentary
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... somehow manages to escape the shackles of its own clichés to be the best espionage picture to come out in weeks .
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a dull , simple-minded and stereotypical tale of drugs ,
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an inexpressible and drab wannabe looking for that exact niche
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's splash without the jokes .
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both leads are up to the task
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del toro maintains a dark mood that makes the film seem like something to endure instead of enjoy .
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swept away '' is the one hour and thirty-three minutes
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not only of one man 's quest to be president , but of how that man single-handedly turned a plane full of hard-bitten , cynical journalists into what was essentially , by campaign 's end , an extended publicity department
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a more confused , less interesting and more sloppily made film could possibly come down the road in 2002
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navigate spaces both large ... and small ... with considerable aplomb
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long and eventful
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jolt you out of your seat a couple of times , give you a few laughs , and
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is visually smart ,
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credit director ramsay for taking the sometimes improbable story and making it
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unfilmable '' novels
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pull us deep into the girls ' confusion and pain as they struggle tragically to comprehend the chasm of knowledge that 's opened between them .
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creeping into the second half
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some special qualities
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the gentle comic treatment of adolescent sturm und drang
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achieve a shock-you-into-laughter intensity of almost dadaist proportions .
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to the serbs themselves
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more tiring than anything .
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, you 're desperate for the evening to end .
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deals with its subject matter in a tasteful , intelligent manner , rather than forcing us to endure every plot contrivance that the cliché-riddled genre can offer
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personality
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perfect movie
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succeeds in delivering a dramatic slap in the face that 's simultaneously painful and refreshing
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far more energy
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gets clunky on the screen
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full of holes and completely lacking in chills
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of a film that are still looking for a common through-line
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fun for kids of any age
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what i like about men with brooms and what is kind of special is how the film knows what 's unique and quirky about canadians
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soon-to-be-forgettable
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personal
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the script by vincent r. nebrida ... tries to cram too many ingredients into one small pot .
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demonstrating vividly
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just such a dungpile that you 'd swear you
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a superfluous sequel ... plagued by that old familiar feeling of ` let 's get this thing over with ' : everyone has shown up at the appointed time and place , but visible enthusiasm is mighty hard to find .
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leaves vague impressions and a nasty aftertaste but little clear memory of its operational mechanics
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unimaginative screenwriter 's
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terrible , banal dialogue ; convenient , hole-ridden plotting ; superficial characters
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dead-on in election
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opera-ish story
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as ugly as the shabby digital photography and
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ticking time bombs and other hollywood-action cliches
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brings a youthful , out-to-change-the-world aggressiveness to the project , as if she 's cut open a vein and bled the raw film stock
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lasker 's canny , meditative script distances sex and love , as byron and luther
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randall wallace
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fun ,
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succumbs to the trap of the maudlin or tearful
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missing a beat
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manages to maintain both a level of sophisticated intrigue and human-scale characters that suck the audience in .
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the film ultimately offers nothing more than people in an urban jungle needing other people to survive ...
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that sends you out of the theater feeling
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curiously stylized
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a gracious , eloquent film that by its end offers a ray of hope to the refugees able to look ahead and resist living in a past
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, it will probably be a talky bore .
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to be mildly amusing
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through crap like this
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brought something fresher
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they sometimes still can be made
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`` the dangerous lives of altar boys '' has flaws ,
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more like a travel-agency video targeted at people who like to ride bikes
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