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is frustratingly unconvincing
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chance to learn , to grow , to travel
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stiff and schmaltzy and clumsily directed .
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the kind of entertainment that parents love to have their kids see .
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it 's hard to imagine a more generic effort in the genre .
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under-rehearsed and
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the word that comes to mind , while watching eric rohmer 's tribute to a courageous scottish lady
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i killed my father
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topple
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the funniest moments
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liked it because it was so endlessly , grotesquely , inventive
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do n't have a clue on the park
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achieves some kind of goofy grandeur
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the subtle direction of first-timer hilary birmingham
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, it must have read ` seeking anyone with acting ambition but no sense of pride or shame . '
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hugh grant , who has a good line in charm , has never been more charming than in about a boy .
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everything we 've come to expect from movies nowadays .
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is a risky venture that never quite goes where you expect and often surprises you with unexpected comedy .
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drags it back
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genuinely moving and wisely unsentimental
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the plot remains as guarded as a virgin with a chastity belt
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resourceful hero
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's kinda dumb .
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juwanna mann is even more ludicrous than you 'd expect from the guy-in-a-dress genre
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serving sara '' has n't much more to serve than silly fluff
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occasion
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fussy
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has none of the crackle of `` fatal attraction '' , `` 9 1/2 weeks '' , or even `` indecent proposal '' ,
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stanley kwan has directed not only one of the best gay love stories ever made , but one of the best love stories of any stripe
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the audience when i saw this one was chuckling at all the wrong times , and that 's a bad sign when they 're supposed to be having a collective heart attack
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what 's most offensive is n't the waste of a good cast , but the film 's denial of sincere grief and mourning in favor of bogus spiritualism .
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suspenseful cliché
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ultimately undo him
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most sparkling
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too textbook to intrigue
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is visually smart , cleverly written
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horrible pains
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` funny
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altogether too slight to be called any kind of masterpiece
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does n't even seem like she tried
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maintaining consciousness just long enough
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oversimplification , superficiality and silliness
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to be going through the motions , beginning with the pale script
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rushed , slapdash
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can get past the taboo subject matter
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so real
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so many merchandised-to-the-max movies of this type
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a downward narcotized spiral
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that will strike a chord with anyone who 's ever
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authentically vague , but ultimately purposeless ,
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brilliance
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with a lighthearted glow , some impudent snickers , and a glorious dose of humankind 's liberating ability
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as their natural instinct for self-preservation
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that 's lived too long
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one in which fear and frustration are provoked to intolerable levels
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is less compelling than the circumstances of its making .
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its luckiest viewers will be seated next to one of those ignorant
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tiresome jokes
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better video-game-based
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to activate girlish tear ducts does n't mean it 's good enough for our girls
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to the empty stud knockabout of equilibrium
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humorous observations
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a single surprise
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presiding over the end of cinema as we know it and
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sometimes charming , sometimes infuriating , this argentinean ` dramedy ' succeeds mainly on the shoulders of its actors .
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though lan yu lacks a sense of dramatic urgency
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an artist who has been awarded mythic status in contemporary culture
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reading lines
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nudity
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classical actress
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of two actors who do everything humanly possible to create characters who are sweet and believable , and are defeated by a screenplay that forces them into bizarre , implausible behavior
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the visual panache , the comic touch ,
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the film is a very good viewing alternative for young women .
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's absolutely amazing how first-time director kevin donovan managed to find something new to add to the canon of chan
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with an undeniable energy
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despite the mild hallucinogenic buzz , is of overwhelming waste
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the man and
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sit and stare and turn away from one another instead of talking and
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hard put to find a movie character more unattractive or odorous ( than leon )
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what is almost certainly going to go down as the worst -- and only -- killer website movie of this or any other year
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so poorly paced you could fit all of pootie tang in between its punchlines
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that has no point and goes nowhere
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's remarkable procession of sweeping pictures that have reinvigorated the romance genre .
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director carl franklin , so crisp and economical in one false move , bogs down in genre cliches here .
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a web of dazzling entertainment
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hodgepodge .
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an acceptable way to pass a little over an hour with moviegoers ages
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that leads up to a strangely sinister happy ending
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the love of family
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improbable
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relies on subtle ironies and visual devices
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les
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extreme action-packed film
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a boring masquerade ball where normally good actors , even kingsley , are made to look bad .
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to keep you at the edge of your seat with its shape-shifting perils , political intrigue and brushes with calamity
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delivered dialogue and a heroine who comes across as both shallow and dim-witted
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actually makes the heart soar
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to wear over his head when he goes out into public , to avoid being recognized as the man who bilked unsuspecting moviegoers
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being insightful
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comes far closer than many movies to expressing the way many of us live -- someplace between consuming self-absorption and insistently demanding otherness
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