id string | question string | answer string | documents list |
|---|---|---|---|
(Last_Night)_I_Didn't_Get_to_Sleep_at_All_29858531 | Summarize the following section from the article on '(Last Night) I Didn't Get to Sleep at All'. | "(Last Night) I Didn't Get to Sleep at All" is a song written by Tony Macaulay and performed by The 5th Dimension with instrumental backing from L.A. session musicians from the Wrecking Crew. The song appeared on the band's album Individually and Collectively, produced by Bones Howe and arranged by Bill Holman. The son... | [
"(Last Night) I Didn't Get to Sleep at All — Composition and recording\n\ndemo of the song to the Carpenters. \"They said they loved it and they'd do it. [Later] I got a phone call about 2 o'clock in the morning that woke me up (they hadn't figured out the time change between here and America). They said 'Oh, we ca... |
(Last_Night)_I_Didn't_Get_to_Sleep_at_All_29858532 | Describe the 'Composition and recording' section of the article about '(Last Night) I Didn't Get to Sleep at All'. | Tony Macaulay began work on the song while in Tokyo for the World Popular Song Festival of 1972. He met fellow attendees the Carpenters and was inspired to write a song emulating their hit "We've Only Just Begun" (Macaulay: "I liked the feel of that, the shuffle feel of it"). Macaulay recalls that due to changing time ... | [
"(Last Night) I Didn't Get to Sleep at All — Composition and recording\n\ndemo of the song to the Carpenters. \"They said they loved it and they'd do it. [Later] I got a phone call about 2 o'clock in the morning that woke me up (they hadn't figured out the time change between here and America). They said 'Oh, we ca... |
(Last_Night)_I_Didn't_Get_to_Sleep_at_All_29858534 | What does the article about '(Last Night) I Didn't Get to Sleep at All' say regarding 'Chart performance'? | In the United States, the song reached No. 2 on the adult contemporary chart, No. 8 on the Billboard Hot 100 chart, and No. 28 on the R&B chart in 1972. It became the group's sixth and final platinum record. In Canada, it spent a week at No. 6 on the RPM 100 in July 1972. | [
"(Last Night) I Didn't Get to Sleep at All — Composition and recording\n\ndemo of the song to the Carpenters. \"They said they loved it and they'd do it. [Later] I got a phone call about 2 o'clock in the morning that woke me up (they hadn't figured out the time change between here and America). They said 'Oh, we ca... |
(Last_Night)_I_Heard_You_Crying_in_Your_Sleep_9670191 | Describe the content of the article about '(Last Night) I Heard You Crying in Your Sleep'. | "(Last Night) I Heard You Crying in Your Sleep" is a song written and recorded by Hank Williams on MGM Records. It was released as the B-side of "Move It on Over" in 1947. | [
"(Last Night) I Heard You Crying in Your Sleep\n\n\"(Last Night) I Heard You Crying in Your Sleep\" is a song written and recorded by Hank Williams on MGM Records. It was released as the B-side of \"Move It on Over\" in 1947.",
"(Last Night) I Heard You Crying in Your Sleep — Background\n\nHank Williams recorded ... |
(Last_Night)_I_Heard_You_Crying_in_Your_Sleep_9670192 | What does the article about '(Last Night) I Heard You Crying in Your Sleep' say regarding 'Background'? | Hank Williams recorded "(Last Night) I Heard You Crying in Your Sleep" at his first MGM recording session after releasing a few sides with Sterling Records. Despite its bouncy tempo, the song contains somber lyrics about a heartbroken man who has come to realize that the woman he loves has never loved him. Making the s... | [
"(Last Night) I Heard You Crying in Your Sleep\n\n\"(Last Night) I Heard You Crying in Your Sleep\" is a song written and recorded by Hank Williams on MGM Records. It was released as the B-side of \"Move It on Over\" in 1947.",
"(Last Night) I Heard You Crying in Your Sleep — Background\n\nHank Williams recorded ... |
(Last_Night)_I_Heard_You_Crying_in_Your_Sleep_9670194 | Reconstruct the content about 'Cover versions' from the article on '(Last Night) I Heard You Crying in Your Sleep'. | George Jones recorded the song for United Artists in 1962. ; The song appears on Cal Smith's 1968 LP At Home with Cal Smith. ; Roy Orbison cut the song for his 1970 Williams tribute Hank Williams the Roy Orbison Way. | [
"(Last Night) I Heard You Crying in Your Sleep\n\n\"(Last Night) I Heard You Crying in Your Sleep\" is a song written and recorded by Hank Williams on MGM Records. It was released as the B-side of \"Move It on Over\" in 1947.",
"(Last Night) I Heard You Crying in Your Sleep — Background\n\nHank Williams recorded ... |
(Lay_Your_Head_on_My)_Pillow_32750615 | Reconstruct the content about 'Music video' from the article on '(Lay Your Head on My) Pillow'. | A music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have "giggled a lot" during the 14-hour shoot. It was reshot after BET, MTV, and other cable outlets requested them to minimize the nu... | [
"(Lay Your Head on My) Pillow — Music video\n\nA music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have \"giggled a lot\" during the 14-hour shoot. It was reshot after BET, MTV, and ... |
(Lay_Your_Head_on_My)_Pillow_32750616 | What information does the article about '(Lay Your Head on My) Pillow' provide on 'Personnel'? | Gerry Brown – mixing ; Ed Eckstine – executive producer ; Timothy Christian Riley – composer, drummer ; Tony! Toni! Toné! – producer ; D'wayne Wiggins – composer, guitarist ; Raphael Wiggins – bassist, composer Credits are adapted from the single's 7-inch pressing (Wing #858260-7). | [
"(Lay Your Head on My) Pillow — Music video\n\nA music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have \"giggled a lot\" during the 14-hour shoot. It was reshot after BET, MTV, and ... |
(Lay_Your_Head_on_My)_Pillow_32750613 | Summarize the following section from the article on '(Lay Your Head on My) Pillow'. | "(Lay Your Head on My) Pillow" is a song by American R&B group Tony! Toni! Toné!. It was released by Mercury and Polygram Records on January 11, 1994, as the third single from their 1993 album Sons of Soul. The midtempo love ballad was written and produced by the group and recorded at Paradise Recording Studio in Sacra... | [
"(Lay Your Head on My) Pillow — Music video\n\nA music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have \"giggled a lot\" during the 14-hour shoot. It was reshot after BET, MTV, and ... |
(Lay_Your_Head_on_My)_Pillow_32750614 | What information does the article about '(Lay Your Head on My) Pillow' provide on 'Music and lyrics'? | Tony! Toni! Toné! recorded the song for their third album Sons of Soul, which was recorded and released in 1993. The song was produced and written by the group—drummer Timothy Christian Riley, guitarist D'wayne Wiggins, and bassist Raphael Wiggins. A midtempo love ballad, "(Lay Your Head on My) Pillow" features tender,... | [
"(Lay Your Head on My) Pillow — Music video\n\nA music video for the song was released in February 1994. It featured the group members, along with several supporting actors, appearing nude. Members of the video crew were reported to have \"giggled a lot\" during the 14-hour shoot. It was reshot after BET, MTV, and ... |
(Le)_Poisson_Rouge_26687328 | Summarize the following section from the article on '(Le) Poisson Rouge'. | have known who Messiaen was – sat in rapt silence, and roared their approval at the end." Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of "popular and art cultures" in music, film, theater, dance, and fine art. The v... | [
"(Le) Poisson Rouge\n\nhave known who Messiaen was – sat in rapt silence, and roared their approval at the end.\" Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of \"popular and art cultures\" in music, film, theat... |
(Le)_Poisson_Rouge_26687327 | Summarize the following section from the article on '(Le) Poisson Rouge'. | (Le) Poisson Rouge (often referred to as LPR) is a music venue and multimedia art cabaret in New York City founded in 2008 by Justin Kantor and David Handler on the former site of the Village Gate at 158 Bleecker Street. The performance space was designed and engineered by John Storyk/WSDG. It has become known for its ... | [
"(Le) Poisson Rouge\n\nhave known who Messiaen was – sat in rapt silence, and roared their approval at the end.\" Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of \"popular and art cultures\" in music, film, theat... |
(Le)_Poisson_Rouge_26687329 | From the article on '(Le) Poisson Rouge', restate the 'Awards' content. | 2013 Guest of a Guest's Best NYC Venues to Discover New Musicians ; 2012 & 2013 DownBeat magazine's Great Jazz Rooms of the World ; 2012 Foursquare: New York's Best Music Venues 2012 ; 2012 iRockaes Top 50 Live Streaming Sources ; 2011 ASCAP's Victor Herbert Award for excellence in programming ; 2011 Lonely Planet Best... | [
"(Le) Poisson Rouge\n\nhave known who Messiaen was – sat in rapt silence, and roared their approval at the end.\" Kantor and Handler, both graduates of Manhattan School of Music, founded LPR with the stated desire of creating a venue that would foster the fusion of \"popular and art cultures\" in music, film, theat... |
(Let_Me_Be_Your)_Teddy_Bear_22143972 | Reconstruct the content about 'Personnel' from the article on '(Let Me Be Your) Teddy Bear'. | Elvis Presley – lead vocal, percussion ; Scotty Moore – lead guitar ; Dudley Brooks, Hoyt Hawkins, or Gordon Stoker – piano ; Bill Black – double bass ; D.J. Fontana – drums ; The Jordanaires – backing vocals ; Walter Scharf – producer ; Thorne Nogar – engineer | [
"(Let Me Be Your) Teddy Bear — Personnel\n\nElvis Presley – lead vocal, percussion ; Scotty Moore – lead guitar ; Dudley Brooks, Hoyt Hawkins, or Gordon Stoker – piano ; Bill Black – double bass ; D.J. Fontana – drums ; The Jordanaires – backing vocals ; Walter Scharf – producer ; Thor... |
(Let_Me_Be_Your)_Teddy_Bear_22143974 | Summarize the 'Cover versions' part of '(Let Me Be Your) Teddy Bear'. | album Les Grays Mud (1982) ; Cliff Richard on his limited release album Rock 'n' Roll Silver (1983). ; Tanya Tucker on the compilation It's Now or Never: The Tribute to Elvis (1994) ; ZZ Top on their album XXX (1999) ; Donna Loren on her EP Donna Does Elvis in Hawaii (2010) ; The Residents on their album The King & Eye... | [
"(Let Me Be Your) Teddy Bear — Personnel\n\nElvis Presley – lead vocal, percussion ; Scotty Moore – lead guitar ; Dudley Brooks, Hoyt Hawkins, or Gordon Stoker – piano ; Bill Black – double bass ; D.J. Fontana – drums ; The Jordanaires – backing vocals ; Walter Scharf – producer ; Thor... |
(Let_Me_Be_Your)_Teddy_Bear_22143971 | Summarize the 'Presley single' part of '(Let Me Be Your) Teddy Bear'. | The song was a U.S. No. 1 hit for during the summer of 1957, staying at No. 1 for seven weeks, the third of the four Presley had that year. "(Let Me Be Your) Teddy Bear" would also hit No. 1 on the R&B Best Sellers List, becoming his fourth No. 1 on that chart. The song also reached No. 1 on the country charts for a si... | [
"(Let Me Be Your) Teddy Bear — Personnel\n\nElvis Presley – lead vocal, percussion ; Scotty Moore – lead guitar ; Dudley Brooks, Hoyt Hawkins, or Gordon Stoker – piano ; Bill Black – double bass ; D.J. Fontana – drums ; The Jordanaires – backing vocals ; Walter Scharf – producer ; Thor... |
(Let_Me_Be_Your)_Teddy_Bear_22143973 | Reconstruct the content about 'Cover versions' from the article on '(Let Me Be Your) Teddy Bear'. | Barry Frank (Let Me Be Your) Teddy Bear" and "I'm Gonna Sit Right Down and Write Myself a Letter" on Bell Records (1957) ; Peter Kraus released a version in German titled "Teddybär" (1957) ; Johnny Hallyday recorded a home demo version in French titled "Ton Petit Ours En Peluche" (1959) ; Jerry Kennedy on his LP "Danci... | [
"(Let Me Be Your) Teddy Bear — Personnel\n\nElvis Presley – lead vocal, percussion ; Scotty Moore – lead guitar ; Dudley Brooks, Hoyt Hawkins, or Gordon Stoker – piano ; Bill Black – double bass ; D.J. Fontana – drums ; The Jordanaires – backing vocals ; Walter Scharf – producer ; Thor... |
(Let's_Get_Together)_One_Last_Time_16802781 | What does the article about '(Let's Get Together) One Last Time' say regarding 'Track listings'? | 7" vinyl single ; "(Let's Get Together) One Last Time" – 2:27 ; "Hardly a Day Goes By" – 2:40 | [
"(Let's Get Together) One Last Time — Track listings\n\n7\" vinyl single ; \"(Let's Get Together) One Last Time\" – 2:27 ; \"Hardly a Day Goes By\" – 2:40",
"(Let's Get Together) One Last Time — Background and reception\n\n\"Let's Get Together\" was first recorded in December 1976 at the Columbia Recording Studio... |
(Let's_Get_Together)_One_Last_Time_16802780 | What information does the article about '(Let's Get Together) One Last Time' provide on 'Background and reception'? | "Let's Get Together" was first recorded in December 1976 at the Columbia Recording Studio in Nashville, Tennessee. Additional tracks were recorded during this session, which would ultimately become part of Wynette's studio album Let's Get Together. The session was produced by Billy Sherrill. The song reached number 6 o... | [
"(Let's Get Together) One Last Time — Track listings\n\n7\" vinyl single ; \"(Let's Get Together) One Last Time\" – 2:27 ; \"Hardly a Day Goes By\" – 2:40",
"(Let's Get Together) One Last Time — Background and reception\n\n\"Let's Get Together\" was first recorded in December 1976 at the Columbia Recording Studio... |
(Let's_Get_Together)_One_Last_Time_16802779 | Summarize the following section from the article on '(Let's Get Together) One Last Time'. | "(Let's Get Together) One Last Time" is a song written by Billy Sherrill and George Richey, and recorded by American country music artist Tammy Wynette. It was released in January 1977 as the first single from the album Let's Get Together. | [
"(Let's Get Together) One Last Time — Track listings\n\n7\" vinyl single ; \"(Let's Get Together) One Last Time\" – 2:27 ; \"Hardly a Day Goes By\" – 2:40",
"(Let's Get Together) One Last Time — Background and reception\n\n\"Let's Get Together\" was first recorded in December 1976 at the Columbia Recording Studio... |
(Like_A)_Nightmare_31572053 | Summarize the following section from the article on '(Like A) Nightmare'. | It was Like A Nightmare, ; To know my love you didn’t share, ; Like A Nightmare, ; To see you in a love affair. "(Like A) Nightmare" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it became the second and last off... | [
"(Like A) Nightmare\n\nIt was Like A Nightmare, ; To know my love you didn’t share, ; Like A Nightmare, ; To see you in a love affair. \"(Like A) Nightmare\" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it b... |
(Like_A)_Nightmare_31572056 | Summarize the 'Personnel' part of '(Like A) Nightmare'. | Lead vocals by Ann Bogan ; Background vocals by The Andantes: Jackie Hicks, Marlene Barrow, and Louvain Demps ; Instrumentation by The Funk Brothers | [
"(Like A) Nightmare\n\nIt was Like A Nightmare, ; To know my love you didn’t share, ; Like A Nightmare, ; To see you in a love affair. \"(Like A) Nightmare\" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it b... |
(Like_A)_Nightmare_31572055 | Summarize the following section from the article on '(Like A) Nightmare'. | lead on the previous single's A-side; Lamont Dozier, of Holland–Dozier–Holland, lead its B-side.) Motown did little to promote the single and it was quickly withdrawn, and thus did not chart. The group would continue to back the labels acts in the studio until the labels move to Los Angeles in 1972. The Andantes would ... | [
"(Like A) Nightmare\n\nIt was Like A Nightmare, ; To know my love you didn’t share, ; Like A Nightmare, ; To see you in a love affair. \"(Like A) Nightmare\" is a 1964 single recorded by The Andantes for the V.I.P. (Motown) label. Written and composed by Motown's main production team Holland–Dozier–Holland, it b... |
(Lil)_Green_Patch_2966640 | Summarize the 'Dissolution' part of '(Lil) Green Patch'. | Rumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announced they were canceling all other games ... | [
"(Lil) Green Patch — Dissolution\n\nRumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announ... |
(Lil)_Green_Patch_2966639 | What does the article about '(Lil) Green Patch' say regarding 'Controversy'? | Playdom acquired the independent Green Patch team in November 2009. While Green Patch benefited from the huge increase in Facebook members going on concurrently, many of these new Facebook users were unfamiliar with independent organizations such as Causes.com used to provide accountability for charitable contributions... | [
"(Lil) Green Patch — Dissolution\n\nRumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announ... |
(Lil)_Green_Patch_2966637 | Summarize the following section from the article on '(Lil) Green Patch'. | (Lil) Green Patch was a Facebook application developed by Ashish Dixit and David King that simulated a small garden on a Facebook user's profile. By tending their and their friends' gardens, the Facebook users were able to raise money for The Nature Conservancy to save the rainforest. In September 2008, it was rated as... | [
"(Lil) Green Patch — Dissolution\n\nRumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announ... |
(Lil)_Green_Patch_2966638 | Explain what '(Lil) Green Patch' covers in the 'Popularity and area of rainforest saved' section. | In the first quarter of 2008, (Lil) Green Patch users raised over $15,000 in donations, which was enough to save more than 13600000 sqft of rainforest. The application was then among the 15 most popular Facebook applications, with 350,000 active users. In June 2008, it was one of the top ten most installed applications... | [
"(Lil) Green Patch — Dissolution\n\nRumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announ... |
(Lil)_Green_Patch_2966641 | From the article on '(Lil) Green Patch', restate the 'Inspiration for a New Genre' content. | (Lil) Green Patch has been described as the "granddaddy of green Facebook apps" and its game play and art style have inspired many other similar applications. | [
"(Lil) Green Patch — Dissolution\n\nRumors, speculation and controversy also surround the surprise cancellation of the still popular (Lil) Green Patch just 6 months after Playdom acquired the Green Patch team and the month immediately prior to the announcement of Playdom's acquisition by Disney. Playdom also announ... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255630 | Describe the 'Background' section of the article about '(Loneliness Made Me Realize) It's You That I Need'. | the group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until "Cloud Nine". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfield, who would now be partnered with Barrett Strong for the next five yea... | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255633 | From the article on '(Loneliness Made Me Realize) It's You That I Need', restate the 'Cover versions' content. | Ruffin's brother, Jimmy Ruffin, had previously covered this song in 1965, though his version would not be released until 2014. | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255632 | Describe the 'Chart performance' section of the article about '(Loneliness Made Me Realize) It's You That I Need'. | "(Loneliness Made Me Realize) It's You That I Need" is one of the small handful of pre-psychedelic era songs the group recorded that had more than two members singing lead at one point, and the only one that charted. It peaked on the Billboard Hot 100 singles chart at number 14 and the Billboard R&B chart at number 3. | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255631 | What does the article about '(Loneliness Made Me Realize) It's You That I Need' say regarding 'Personnel'? | Lead and background vocals by David Ruffin (whole song), Paul Williams, Eddie Kendricks, Melvin Franklin, and Otis Williams (last verse) ; Instrumentation by The Funk Brothers | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255628 | Reconstruct the content from the article about '(Loneliness Made Me Realize) It's You That I Need'. | "(Loneliness Made Me Realize) It's You That I Need" is a 1963 song that became a 1967 hit single recorded by the Temptations for the Gordy (Motown) label, produced and co-written by Norman Whitfield. Billboard described the single as a "groovy rocker" that "is loaded with excitement and another top vocal workout." | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Loneliness_Made_Me_Realize)_It's_You_That_I_Need_27255629 | Describe the 'Background' section of the article about '(Loneliness Made Me Realize) It's You That I Need'. | As the song's narrator, Temptations lead singer David Ruffin tells his former love that since they broke up he can only think of her and no one else, and since he can't find someone else to love he has an unbearable loneliness in his heart. This is one of the rare pre-1968 singles to feature the group members singing a... | [
"(Loneliness Made Me Realize) It's You That I Need — Background\n\nthe group's 1967 album The Temptations with a Lot o' Soul. The single would be the last one with all group members singing lead until \"Cloud Nine\". It would also be the last single in which lyricist Eddie Holland would be teamed with Norman Whitfi... |
(Love_Is)_Thicker_Than_Water_3090098 | Based on the article about '(Love Is) Thicker Than Water', describe the 'Aftermath' section. | As evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' "Stayin' Alive" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' "Night Fever", which in turn was displaced eight weeks later by Yvonne Elliman's "If I Can't Have You". S... | [
"(Love Is) Thicker Than Water — Aftermath\n\nAs evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' \"Stayin' Alive\" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' \"Night Fever\", which in turn was displaced eight wee... |
(Love_Is)_Thicker_Than_Water_3090096 | Summarize the 'Writing and recording' part of '(Love Is) Thicker Than Water'. | "(Love Is) Thicker Than Water" was written by Barry Gibb in Bermuda with Andy Gibb credited as co-writer. Andy Gibb later revealed writing a song with Barry: I did one song with Barry, 'Thicker Than Water' which I thought was good", Gibb explains, "Even though it says on the credits 'B. & A. Gibb', it is really Barry's... | [
"(Love Is) Thicker Than Water — Aftermath\n\nAs evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' \"Stayin' Alive\" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' \"Night Fever\", which in turn was displaced eight wee... |
(Love_Is)_Thicker_Than_Water_3090097 | From the article on '(Love Is) Thicker Than Water', restate the 'Writing and recording' content. | Water', he said 'That's great!' and then he came up with 'Love is higher than a mountain' and he just went on from there, but the title was totally my idea. "(Love Is) Thicker than Water" was recorded in October 1976 at the Criteria Studios in Miami, Florida, during the same time as "I Just Want to Be Your Everything".... | [
"(Love Is) Thicker Than Water — Aftermath\n\nAs evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' \"Stayin' Alive\" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' \"Night Fever\", which in turn was displaced eight wee... |
(Love_Is)_Thicker_Than_Water_3090095 | Summarize the following section from the article on '(Love Is) Thicker Than Water'. | "(Love Is) Thicker Than Water" is a song performed by Andy Gibb, released in September 1977 as the second and final single from his debut album, Flowing Rivers. The song was his second single that topped the US Billboard Hot 100. It was mainly written by Barry Gibb, with help from Andy Gibb. The B-side of this song was... | [
"(Love Is) Thicker Than Water — Aftermath\n\nAs evidence of the Gibb brothers' U.S. chart domination in 1978, atop the March 4, 1978 Hot 100 the Bee Gees' \"Stayin' Alive\" was displaced by this song, which in turn was displaced two weeks later by the Bee Gees' \"Night Fever\", which in turn was displaced eight wee... |
(Love_Moves_in)_Mysterious_Ways_6728226 | What information does the article about '(Love Moves in) Mysterious Ways' provide? | "(Love Moves in) Mysterious Ways" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film The Butcher's Wife, starring Demi Moore and... | [
"(Love Moves in) Mysterious Ways\n\n\"(Love Moves in) Mysterious Ways\" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film T... |
(Love_Moves_in)_Mysterious_Ways_6728230 | What does the article about '(Love Moves in) Mysterious Ways' say regarding 'Nina version'? | Music video Release history "Love Moves in Mysterious Ways" is the first single from Filipino singer Nina's third album Nina Live!. It was released in February 2005 by Warner Music, along with the live album. The song was part of the Nina Live! recording session on 30 January 2005 at the PHI Resto and Bar, Metrowalk in... | [
"(Love Moves in) Mysterious Ways\n\n\"(Love Moves in) Mysterious Ways\" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film T... |
(Love_Moves_in)_Mysterious_Ways_6728231 | From the article on '(Love Moves in) Mysterious Ways', restate the 'Other versions' content. | The song was covered by Taiwanese singer Winnie Hsin as "叛逃的愛麗絲" (Pàntáo de àilì sī) on her Mandarin album 花時間 (Huā shíjiān) in 1992. ; The song was released by Michael English on his album Hope in 1993. ; The song was also covered by Filipino band MYMP for their 2005 album Versions. ; Christian Bautista also covered t... | [
"(Love Moves in) Mysterious Ways\n\n\"(Love Moves in) Mysterious Ways\" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film T... |
(Love_Moves_in)_Mysterious_Ways_6728229 | Summarize the 'Track listing' part of '(Love Moves in) Mysterious Ways'. | CD single ; 1) "(Love Moves in) Mysterious Ways" ; 2) "Happy Ever After" ; 3) "Manhattan Skyline" ; 4) "One of the Boys" | [
"(Love Moves in) Mysterious Ways\n\n\"(Love Moves in) Mysterious Ways\" is a song by British singer-songwriter Julia Fordham, from her 1991 album Swept. The song was released as a single in 1992 and reached number 19 in the UK Singles Chart, becoming her highest charting single there. It features in the 1991 film T... |
(Love)_Compared_with_You_14878600 | From the article on '(Love) Compared with You', restate the 'Personnel' content. | Cockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing vocal arrangement ; John G. Perry - backing ... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878592 | What does the article about '(Love) Compared with You' say regarding 'Background'? | Following the UK Top 50 entry of Love's a Prima Donna's second single, "(I Believe) Love's a Prima Donna", plans were made for "(Love) Compared with You" to be released as the third single in the UK. However, EMI Records decided to cancel the release at the last minute. Although the UK release was scrapped, EMI chose t... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878599 | From the article on '(Love) Compared with You', restate the 'Track listing' content. | 7" single ; 1) "(Love) Compared with You (Stereo)" - 3:33 ; 2) "Too Much Tenderness" - 4:16 7" single (American promo) ; 1) "(Love) Compared with You (Stereo)" - 3:33 ; 2) "(Love) Compared with You (Mono)" - 3:33 | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878594 | Reconstruct the content about 'Release' from the article on '(Love) Compared with You'. | "(Love) Compared with You" was released by EMI Records on 7" vinyl in America only. The B-side, "Too Much Tenderness", was written and produced by Harley, and also taken from Love's a Prima Donna. For its release as a single, "(Love) Compared with You" was cut down by almost a minute. A promotional edition of the singl... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878601 | From the article on '(Love) Compared with You', restate the '2020 re-recording' content. | In 2020, Harley released a new recording of the song as the opening track on his sixth solo studio album Uncovered. This version, re-titled "Compared with You (Your Eyes Don't Seem to Age)", features a newly-written third verse, replacing the original's repeat of the first verse. Harley revealed to BBC Radio 2's Johnni... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878593 | From the article on '(Love) Compared with You', restate the 'Background' content. | for the track. Speaking to Melody Maker's Harvey Kubernik in February 1977, Harley spoke of the song, revealing: ""(Love) Compared with You" is the first out-and-out love song I've written. I'd been trying for three years." In 2010, Harley supported the Children in Need charity by auctioning a personal mini-concert at ... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878597 | What information does the article about '(Love) Compared with You' provide on 'Critical reception'? | along with the title track, as the album's best cuts. In a 1976 issue of the EMI Records Weekly News magazine Music Talk, Rex Anderson compared the song with the title track: ""(Love) Compared with You" is the first real highpoint of the album and possibly one of the best things Steve has written to date. It contrasts ... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878591 | What information does the article about '(Love) Compared with You' provide? | "(Love) Compared with You" is a song by the British rock band Steve Harley & Cockney Rebel, which was released in 1976 as the third and final single from the band's fifth studio album Love's a Prima Donna. Released as a single in America only, the song was written and produced by Harley. | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878595 | Summarize the 'Promotion' part of '(Love) Compared with You'. | The song has been performed live during Harley and the band's concerts over the years. As a result, live versions of the song have been recorded and released. A version appeared on the band's 1977 live album Face to Face: A Live Recording, while an acoustic version later appeared on Harley's 1999 album Stripped to the ... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Love)_Compared_with_You_14878596 | Reconstruct the content about 'Critical reception' from the article on '(Love) Compared with You'. | Upon release, Paul Phillips of National RockStar magazine reviewed Love's a Prima Donna and highlighted "(Love) Compared with You" and "Carry Me Again" as "two tracks which work, not because they are simple songs, but because they are simply presented". Geoff Barton of Sounds described the song as "balladic" and highli... | [
"(Love) Compared with You — Personnel\n\nCockney Rebel ; Steve Harley - vocals, guitar, producer ; Jim Cregan - guitar, backing vocals ; Duncan Mackay - keyboards ; George Ford - bass, backing vocals ; Stuart Elliott - drums Additional personnel ; Lindsay Elliott - percussion ; Tony Rivers - backing vocals, backing... |
(Là)_Où_je_pars_4858941 | Based on the article about '(Là) Où je pars', describe the 'Personnel' section. | Recording ; Simon Hale – arranger ; Charles Mendiant – engineer, mixing, sound assistant ; Pete Schwier – mixing ; Raphaël Jonin – mastering ; Matthew Vaughan – programming Musicians ; Emmanuel Andre – violin ; Emmanuel Moire – piano, author, vocals ; Jean-Philippe Audin – cello ; David Braccini – violin ; Christophe B... | [
"(Là) Où je pars — Personnel\n\nRecording ; Simon Hale – arranger ; Charles Mendiant – engineer, mixing, sound assistant ; Pete Schwier – mixing ; Raphaël Jonin – mastering ; Matthew Vaughan – programming Musicians ; Emmanuel Andre – violin ; Emmanuel Moire – piano, author, vocals ; Jean-Philippe Audin – cello ; Da... |
(Là)_Où_je_pars_4858940 | Summarize the 'Track listing' part of '(Là) Où je pars'. | 1) "Celui que j'étais" (Lionel Florence, Emmanuel Moire) – 3:50 ; 2) "Le Sourire" (Guillon, Benoît Poher) – 3:56 ; 3) "Je vis deux fois" (Beucher, Guillon, Moire) – 3:29 ; 4) "Là où je pars" (Davide Esposito, Guillon) – 4:34 ; 5) "Ça me fait du bien" (Cowell) – 3:33 ; 6) "Rien ni personne" (Guillon, Janois, Rousseau) –... | [
"(Là) Où je pars — Personnel\n\nRecording ; Simon Hale – arranger ; Charles Mendiant – engineer, mixing, sound assistant ; Pete Schwier – mixing ; Raphaël Jonin – mastering ; Matthew Vaughan – programming Musicians ; Emmanuel Andre – violin ; Emmanuel Moire – piano, author, vocals ; Jean-Philippe Audin – cello ; Da... |
(Là)_Où_je_pars_4858939 | Summarize the following section from the article on '(Là) Où je pars'. | (Là) où je pars is the first solo album recorded by French singer Emmanuel Moire. It was first released on 13 November 2006, then on 21 May 2007 in its second version. Four tracks from the album were released as singles – "Le Sourire", "Ça me fait du bien", "Là où je pars" and "Si c'était ça la vie", but they were only... | [
"(Là) Où je pars — Personnel\n\nRecording ; Simon Hale – arranger ; Charles Mendiant – engineer, mixing, sound assistant ; Pete Schwier – mixing ; Raphaël Jonin – mastering ; Matthew Vaughan – programming Musicians ; Emmanuel Andre – violin ; Emmanuel Moire – piano, author, vocals ; Jean-Philippe Audin – cello ; Da... |
(Mama)_He_Treats_Your_Daughter_Mean_20916758 | Explain what '(Mama) He Treats Your Daughter Mean' covers in the 'Song Background' section. | According to Atlantic Records producer Herb Abramson, Lance wrote the song with his friend Wallace (the brother of the boxer Coley Wallace) after the pair had heard a blues singer on the street in Atlanta, Georgia, singing a mournful song that included the title in its lyrics. The song they heard may have been "One Dim... | [
"(Mama) He Treats Your Daughter Mean — Song Background\n\nAccording to Atlantic Records producer Herb Abramson, Lance wrote the song with his friend Wallace (the brother of the boxer Coley Wallace) after the pair had heard a blues singer on the street in Atlanta, Georgia, singing a mournful song that included the t... |
(Mama)_He_Treats_Your_Daughter_Mean_20916757 | Reconstruct the content from the article about '(Mama) He Treats Your Daughter Mean'. | "(Mama) He Treats Your Daughter Mean" is a song written by Johnny Wallace and Herbert J. Lance and recorded by Ruth Brown in 1952. It was Brown's third number-one record on the US Billboard R&B chart and her first pop chart hit. Brown re-recorded the song in 1962, when it made number 99 on the US pop chart. | [
"(Mama) He Treats Your Daughter Mean — Song Background\n\nAccording to Atlantic Records producer Herb Abramson, Lance wrote the song with his friend Wallace (the brother of the boxer Coley Wallace) after the pair had heard a blues singer on the street in Atlanta, Georgia, singing a mournful song that included the t... |
(Mama)_He_Treats_Your_Daughter_Mean_20916759 | From the article on '(Mama) He Treats Your Daughter Mean', restate the 'Cover Versions' content. | Anita Wood (1960) ; Sarah Vaughan (1962) ; Delaney & Bonnie (1970) ; Koko Taylor (1975) ; Susan Tedeschi (1998). The song was subsequently recorded by many others, including: | [
"(Mama) He Treats Your Daughter Mean — Song Background\n\nAccording to Atlantic Records producer Herb Abramson, Lance wrote the song with his friend Wallace (the brother of the boxer Coley Wallace) after the pair had heard a blues singer on the street in Atlanta, Georgia, singing a mournful song that included the t... |
(Margie's_At)_The_Lincoln_Park_Inn_11956064 | From the article on '(Margie's At) The Lincoln Park Inn', restate the 'Song plot' content. | The song is told first-person style through the eyes of a family man, who describes everyday domestic life in the verses of his song. However, this is all background, as the main subject of the song is about his recent adulterous relationship with a woman named Margie. The two, as the song's title implies, had a sexual... | [
"(Margie's At) The Lincoln Park Inn — Song plot\n\nThe song is told first-person style through the eyes of a family man, who describes everyday domestic life in the verses of his song. However, this is all background, as the main subject of the song is about his recent adulterous relationship with a woman named Mar... |
(Margie's_At)_The_Lincoln_Park_Inn_11956065 | What does the article about '(Margie's At) The Lincoln Park Inn' say regarding 'Cover versions'? | In addition to Bare and Hall, "The Lincoln Park Inn" (as the song is sometimes known) has also been recorded by country performers Johnny Darrell, Johnny Duncan, Jimmy C. Newman, Ray Price, The Statler Brothers, Cal Smith, Mel Tillis, and Jack White. | [
"(Margie's At) The Lincoln Park Inn — Song plot\n\nThe song is told first-person style through the eyes of a family man, who describes everyday domestic life in the verses of his song. However, this is all background, as the main subject of the song is about his recent adulterous relationship with a woman named Mar... |
(Margie's_At)_The_Lincoln_Park_Inn_11956063 | Summarize the following section from the article on '(Margie's At) The Lincoln Park Inn'. | "(Margie's At) The Lincoln Park Inn" is a song made famous by country music singer Bobby Bare. Written by Tom T. Hall, the song became a major hit for Bare in the spring of 1969, peaking at No. 4 on Billboard magazine's Hot Country Singles chart. | [
"(Margie's At) The Lincoln Park Inn — Song plot\n\nThe song is told first-person style through the eyes of a family man, who describes everyday domestic life in the verses of his song. However, this is all background, as the main subject of the song is about his recent adulterous relationship with a woman named Mar... |
(Marie's_the_Name)_His_Latest_Flame_2437919 | What information does the article about '(Marie's the Name) His Latest Flame' provide? | "(Marie's the Name) His Latest Flame" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released in June 1961. | [
"(Marie's the Name) His Latest Flame\n\n\"(Marie's the Name) His Latest Flame\" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released i... |
(Marie's_the_Name)_His_Latest_Flame_2437922 | Reconstruct the content about 'Cover versions' from the article on '(Marie's the Name) His Latest Flame'. | Several cover versions of this song have been recorded. These include a version by alternative-rock band The Smiths (as part of a live medley with their song - already heavily derivative of Presley's original - "Rusholme Ruffians", which can be found on the album Rank), punk band Misfits, the heavy-metal band Scorpions... | [
"(Marie's the Name) His Latest Flame\n\n\"(Marie's the Name) His Latest Flame\" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released i... |
(Marie's_the_Name)_His_Latest_Flame_2437920 | Explain what '(Marie's the Name) His Latest Flame' covers in the 'Elvis Presley recording' section. | The more successful and well-known recording by Elvis Presley was released in August 1961. The relatively intense tune, featuring a Bo Diddley beat, performed well on both pop and easy listening stations, reaching No. 4 on the Billboard Hot 100, and No. 2 on the Easy Listening chart, based (at the time) on the Top 100.... | [
"(Marie's the Name) His Latest Flame\n\n\"(Marie's the Name) His Latest Flame\" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released i... |
(Marie's_the_Name)_His_Latest_Flame_2437921 | Summarize the 'Personnel' part of '(Marie's the Name) His Latest Flame'. | Guitars, Scotty Moore, Neal Matthews ; Double Bass, Bob Moore ; Bass guitar, Hank Garland ; Drums, percussion, D. J. Fontana, Buddy Harman ; Piano, organ, Floyd Cramer, Gordon Stoker ; Vocals, The Jordanaires ; Claves, Boots Randolph Recorded in RCA Studio B, Nashville, Tennessee, June 26, 1961 | [
"(Marie's the Name) His Latest Flame\n\n\"(Marie's the Name) His Latest Flame\" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released i... |
(Marie's_the_Name)_His_Latest_Flame_2437923 | What does the article about '(Marie's the Name) His Latest Flame' say regarding 'Cover versions'? | scene with Danny Dean and Mike Ness on guitar, Chad Carrier on bass and Korky on drums, and featured on their Greatest Hits CD released in 2008, but changing the song title to "Latest Flame". Country/Americana artist JD Myers recorded it featuring James Burton on guitar, in 1997, on the Asylum Records album Like A Trai... | [
"(Marie's the Name) His Latest Flame\n\n\"(Marie's the Name) His Latest Flame\" is a song recorded in a hit version by Elvis Presley and published by Elvis Presley Music in 1961. It was written by Doc Pomus and Mort Shuman and first recorded by Del Shannon on the album Runaway With Del Shannon, which was released i... |
(Mesitylene)molybdenum_tricarbonyl_18067737 | What does the article about '(Mesitylene)molybdenum tricarbonyl' say regarding 'Synthesis'? | Mo(CO)6 + (CH3)3C6H3 → Mo(CO)3[(CH3)3C6H3] + 3 CO Py3Mo(CO)3 + (CH3)3C6H3 + 3BF3·O(C2H5)2 → [(CH3)3C6H3]Mo(CO)3 + 3PyBF3 (Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene: It can also be synthesized, with good yields by displacement of pyridine ligands of the ... | [
"(Mesitylene)molybdenum tricarbonyl — Synthesis\n\nMo(CO)6 + (CH3)3C6H3 → Mo(CO)3[(CH3)3C6H3] + 3 CO Py3Mo(CO)3 + (CH3)3C6H3 + 3BF3·O(C2H5)2 → [(CH3)3C6H3]Mo(CO)3 + 3PyBF3 (Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene: It can also be synthesized, with ... |
(Mesitylene)molybdenum_tricarbonyl_18067736 | Summarize the following section from the article on '(Mesitylene)molybdenum tricarbonyl'. | (Mesitylene)molybdenum tricarbonyl is an organomolybdenum compound derived from the aromatic compound mesitylene (1,3,5-trimethylbenzene) and molybdenum carbonyl. It exists as pale yellow crystals, which are soluble in organic solvents but decompose when in solution. It has been examined as a catalyst and reagent. | [
"(Mesitylene)molybdenum tricarbonyl — Synthesis\n\nMo(CO)6 + (CH3)3C6H3 → Mo(CO)3[(CH3)3C6H3] + 3 CO Py3Mo(CO)3 + (CH3)3C6H3 + 3BF3·O(C2H5)2 → [(CH3)3C6H3]Mo(CO)3 + 3PyBF3 (Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene: It can also be synthesized, with ... |
(Mesitylene)molybdenum_tricarbonyl_18067739 | What does the article about '(Mesitylene)molybdenum tricarbonyl' say regarding 'Reactions'? | (CH3O)3P + [(CH3)3C6H3]Mo(CO)3 → fac-[(CH3O)3P)3]Mo(CO)3 + (CH3)3C6H3 The arene can be displaced by the trimethylphosphite via a SN2 type mechanism to give the fac-tricarbonyltris(trimethyl phosphite)molybdenum. The tricarbonyl(mesitylene)molybdenum complex can be used an electron donor. Tricarbonyl(mesitylene)molybden... | [
"(Mesitylene)molybdenum tricarbonyl — Synthesis\n\nMo(CO)6 + (CH3)3C6H3 → Mo(CO)3[(CH3)3C6H3] + 3 CO Py3Mo(CO)3 + (CH3)3C6H3 + 3BF3·O(C2H5)2 → [(CH3)3C6H3]Mo(CO)3 + 3PyBF3 (Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene: It can also be synthesized, with ... |
(Mesitylene)molybdenum_tricarbonyl_18067738 | Reconstruct the content about 'Structure and properties' from the article on '(Mesitylene)molybdenum tricarbonyl'. | The mesitylene group is bonded to the molybdenum centre through delocalized π - electron ring. The aromaticity of the ligand is indicated by its ability to undergo Friedel-Crafts reactions, e.g. with acetyl chloride. Such reactions are slower on the tricarbonyl(mesitylene)molybdenum than benzene, which suggests that th... | [
"(Mesitylene)molybdenum tricarbonyl — Synthesis\n\nMo(CO)6 + (CH3)3C6H3 → Mo(CO)3[(CH3)3C6H3] + 3 CO Py3Mo(CO)3 + (CH3)3C6H3 + 3BF3·O(C2H5)2 → [(CH3)3C6H3]Mo(CO)3 + 3PyBF3 (Mesitylene)molybdenum tricarbonyl arises from the reaction of molybdenum hexacarbonyl with hot mesitylene: It can also be synthesized, with ... |
(Miss)understood_9788097 | Based on the article about '(Miss)understood', describe the 'Music videos' section. | at the time. The PV for "Heaven" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in black and white. The music videos of "Bold & ... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788091 | Based on the article about '(Miss)understood', describe the 'Background and themes' section. | In 2005, after hearing demo tracks from band Sweetbox's then-upcoming album Addicted, Hamasaki "fell in love" with the songs and consequently asked Sweetbox's composer GEO if she could use some of the songs for her album. GEO agreed and gave Hamasaki permission to use "Bold & Delicious", "Pride", "Ladies Night", "In th... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788102 | What information does the article about '(Miss)understood' provide on 'Sales'? | In 2007, Avex reported that (Miss)understood sold 1,030,000 copies in Japan. (Miss)understood was certified million by RIAJ in sales and was recognized for having more than a million copies shipped to store. On the Oricon Charts, (Miss)understood failed to break a million-selling only a little under 900,000 in 2006, bu... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788092 | What information does the article about '(Miss)understood' provide on 'Composition'? | (Miss)understood is more musically diverse than My Story; Hamasaki incorporated a variety of musical styles including rock, dance-pop and funk. The album opens with "Bold & Delicious", a funk-infused dance track that utilises a gospel choir in the harmony. The song makes use of funk guitars. "Pride" is a ballad song th... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788090 | What information does the article about '(Miss)understood' provide? | single at the time since 1998's "Depend on You", selling only 133,000 copies. (Miss)understood was commercially successful, opening at number one in Japan (her eighth consecutive record to do so) with first-week sales of 653,830 copies. It went on to sell over 877,000 copies in Japan in its 31-week chart run, receiving... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788095 | From the article on '(Miss)understood', restate the 'Music videos' content. | explode (i.e. a bowl of fruit, a fish tank, walls, etc.). The video ends as Ayumi looks at the hotel, in one piece with no sort chaos that happened earlier. The PV of "Fairyland" was shot in Hawaii and is one of the most expensive music videos in the world, as well as being Japan's most expensive music video in terms o... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788096 | Based on the article about '(Miss)understood', describe the 'Music videos' section. | with a deck. Eventually, a fallen oil lamp causes the entire structure to burn. Images from earlier sequences showing the group having fun are interspersed through the burning of the house. The video ends with the camera moving away from Hamasaki singing solemnly as she watches the house burn. The PV of "Alterna" depic... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788101 | What does the article about '(Miss)understood' say regarding 'Music videos'? | in a house looking in and out of the window. The scene then cuts to her sitting at a bus stop, wearing a white-powered wig. A dog appears out of an alleyway. The dog and Ayumi stare at each other. During the mid-eight, rain has started to fall and the dog is no longer in the scene. Images of people passing the bus stop... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788100 | Explain what '(Miss)understood' covers in the 'Music videos' section. | braided black wig and face painted all in black (later revealed to be Ayumi herself) is seen dominating and whipping mannequins. The hotel room scenes have been compared by many to the 1995 indie film Four Rooms. In between the hotel room scenes there are other scenes of Ayumi dressed in a dictator's outfit and address... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788088 | What information does the article about '(Miss)understood' provide? | My Story, which had been primarily autobiographical. Where My Story had contained "musings about her past", Hamasaki wanted the lyricism on (Miss)understood to send a strong message to all women—to be a kind of "girls' talk" to give "moral support", while at the same time reminding women that there were times when they... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788099 | Based on the article about '(Miss)understood', describe the 'Music videos' section. | mini dress, and her legendary long blue leg muffs as she walks down a hotel hallway, trying to go into some of the rooms, and occasionally singing into a payphone. Scenes of different things happening in the rooms can be seen. In one room, a maid is mounted on a man and is whipping him. In another room, a woman dressed... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788098 | Based on the article about '(Miss)understood', describe the 'Music videos' section. | She is seen standing on the back of a moving truck driving through areas of New York City, evoking the iconic 1993 Björk music video for her single "Big Time Sensuality". Some shots feature "behind the scenes" material, showing footage of the truck driving around the city and film crew members. The video for "Pride" fe... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788093 | Explain what '(Miss)understood' covers in the 'Extras' section. | The initial pressings of the album included two photobooks—one for the CD version (entitled "Off My Day"), and another for the CD+DVD version (entitled "On My Way"). The DVD version included all PV's that were made for her 2005 releases (excluding "My Name's Women")—"Step You", "Is This Love?", "Fairyland", "Alterna", ... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788089 | What information does the article about '(Miss)understood' provide? | Japan and receiving a Platinum certification, selling 345,340 copies in its chart run. It was the nineteenth best-selling song in Japan in 2005, and Hamasaki's best-selling single that year. Second single "Fairyland" was released August 3, and debuted at number one in Japan. It sold 170,000 copies in its first week, th... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Miss)understood_9788087 | What information does the article about '(Miss)understood' provide? | (Miss)understood (stylized in all lowercase) is the seventh studio album by Japanese singer-songwriter Ayumi Hamasaki, released January 1, 2006 by Avex Trax. Hamasaki acted as the album's sole lyricist, as she had on all of her preceding albums. (Miss)understood marked new musical directions for Hamasaki: she explored ... | [
"(Miss)understood — Music videos\n\nat the time. The PV for \"Heaven\" features Ayumi singing alone in a subway. As she does, ghosts frequently pass by her. Near the end of the video, the spirits leave Ayumi and board on a train (implying their departure to heaven). The video is done entirely in one shot and in bla... |
(Much)_Wenlock_(UK_Parliament_constituency)_14824018 | What does the article about '(Much) Wenlock (UK Parliament constituency)' say regarding 'Boundaries'? | Much Wenlock's constituency boundaries ran from Leighton to just west of Dawley, to Ironbridge, and finally to just east of Madeley along the northern border; travelling eastwards, the boundaries ran from just east of Madeley to the bend in the River Severn, following the river thereafter. The far southern border, comm... | [
"(Much) Wenlock (UK Parliament constituency) — Members of Parliament\n\nConstituency created (1468) Constituency abolished (1885)",
"(Much) Wenlock (UK Parliament constituency) — Elections in the 1870s\n\nForester succeeded to the peerage, becoming Lord Forester and causing a by-election.",
"(Much) Wenlock (UK ... |
(My_Friends_Are_Gonna_Be)_Strangers_26150815 | From the article on '(My Friends Are Gonna Be) Strangers', restate the 'Background and writing' content. | it off and both proved to be in awe of the others' talents, with Haggard eventually recording several songs by Anderson he heard that night. He was particularly taken with "(My Friends Are Gonna Be) Strangers" and rushed into the studio to record it and planned it for a single release. After the track had been cut and ... | [
"(My Friends Are Gonna Be) Strangers — Background and writing\n\nit off and both proved to be in awe of the others' talents, with Haggard eventually recording several songs by Anderson he heard that night. He was particularly taken with \"(My Friends Are Gonna Be) Strangers\" and rushed into the studio to record it... |
(My_Friends_Are_Gonna_Be)_Strangers_26150813 | Describe the content of the article about '(My Friends Are Gonna Be) Strangers'. | "(My Friends Are Gonna Be) Strangers" is a song written by Liz Anderson. Best remembered as American country music artist Merle Haggard's first national Top 10 record, it was also a Top 10 song concurrently for Roy Drusky. The song is also known as All My Friends Are Gonna Be Strangers, (From Now On) All My Friends Are... | [
"(My Friends Are Gonna Be) Strangers — Background and writing\n\nit off and both proved to be in awe of the others' talents, with Haggard eventually recording several songs by Anderson he heard that night. He was particularly taken with \"(My Friends Are Gonna Be) Strangers\" and rushed into the studio to record it... |
(My_Friends_Are_Gonna_Be)_Strangers_26150814 | From the article on '(My Friends Are Gonna Be) Strangers', restate the 'Background and writing' content. | Liz Anderson wrote the song circa 1964 and had sent it to Nashville producers. Her friend Bonnie Owens encouraged her to meet with Haggard (Owens' beau at the time) and pitch some of her songs to the newcomer. Anderson was reluctant to do so, having already had songs recorded by national artists and not particularly in... | [
"(My Friends Are Gonna Be) Strangers — Background and writing\n\nit off and both proved to be in awe of the others' talents, with Haggard eventually recording several songs by Anderson he heard that night. He was particularly taken with \"(My Friends Are Gonna Be) Strangers\" and rushed into the studio to record it... |
(My_Friends_Are_Gonna_Be)_Strangers_26150816 | Explain what '(My Friends Are Gonna Be) Strangers' covers in the 'Content' section. | The song's narrator is embittered by a deceitful lover, not only vowing to be through with love but trusting in anyone at all. | [
"(My Friends Are Gonna Be) Strangers — Background and writing\n\nit off and both proved to be in awe of the others' talents, with Haggard eventually recording several songs by Anderson he heard that night. He was particularly taken with \"(My Friends Are Gonna Be) Strangers\" and rushed into the studio to record it... |
(My_My)_Baby's_Gonna_Cry_12687993 | Reconstruct the content from the article about '(My My) Baby's Gonna Cry'. | "(My My) Baby's Gonna Cry" is a song recorded by pop music duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's album We Too Are One. "(My My) Baby's Gonna Cry" marked two firsts for Eurythmics: this was the only single from the band wh... | [
"(My My) Baby's Gonna Cry\n\n\"(My My) Baby's Gonna Cry\" is a song recorded by pop music duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's album We Too Are One. \"(My My) Baby's Gonna Cry\" marked two firsts for Eurythmics: this... |
(My_My)_Baby's_Gonna_Cry_12687994 | Summarize the 'CD Single' part of '(My My) Baby's Gonna Cry'. | 1) "(My My) Baby's Gonna Cry" (Single Version) - 3:58 ; 2) "(My My) Baby's Gonna Cry" (Remix) - 5:49 ; 3) "(My My) Baby's Gonna Cry" (Acoustic Version) - 2:43 | [
"(My My) Baby's Gonna Cry\n\n\"(My My) Baby's Gonna Cry\" is a song recorded by pop music duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's album We Too Are One. \"(My My) Baby's Gonna Cry\" marked two firsts for Eurythmics: this... |
(My_My)_Baby's_Gonna_Cry_12687995 | Reconstruct the content about '7" Single' from the article on '(My My) Baby's Gonna Cry'. | A: "(My My) Baby's Gonna Cry" (Single Version) - 3:58 ; B: "(My My) Baby's Gonna Cry" (Acoustic Version) - 2:43 | [
"(My My) Baby's Gonna Cry\n\n\"(My My) Baby's Gonna Cry\" is a song recorded by pop music duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's album We Too Are One. \"(My My) Baby's Gonna Cry\" marked two firsts for Eurythmics: this... |
(My_My)_Baby's_Gonna_Cry_12687996 | Based on the article about '(My My) Baby's Gonna Cry', describe the '12" Single/Cassette' section. | A1: "(My My) Baby's Gonna Cry" (Single Version) - 3:58 ; A2: "(My My) Baby's Gonna Cry" (Acoustic Version) - 2:43 ; B1: "(My My) Baby's Gonna Cry" (Single Version) - 3:58 ; B2: "(My My) Baby's Gonna Cry" (Acoustic Version) - 2:43 | [
"(My My) Baby's Gonna Cry\n\n\"(My My) Baby's Gonna Cry\" is a song recorded by pop music duo Eurythmics. It was written by group members Annie Lennox and David A. Stewart and produced by Stewart. The song appears on the duo's album We Too Are One. \"(My My) Baby's Gonna Cry\" marked two firsts for Eurythmics: this... |
(No_Pussyfooting)_2722084 | What does the article about '(No Pussyfooting)' say regarding 'Remastered edition (2008)'? | The double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides "Heavenly" into five CD tracks and "Swastika Girls" into two. The inclusion of the reversed versions is based on the incident where Fripp and Eno sent John Peel a copy of the... | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722080 | Based on the article about '(No Pussyfooting)', describe the 'Release and reception' section. | normal prices and was regarded as something of a novelty. In 1975, Robert Christgau, critic for The Village Voice, gave the album a B+ rating, calling it "the most enjoyable pop electronics since Terry Riley's A Rainbow in Curved Air" and that it was "...more visionary and more romantic than James Taylor could dream of... | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722087 | Explain what '(No Pussyfooting)' covers in the 'Personnel' section. | Brian Eno – synthesizer, keyboards, treatments, VCS 3 synthesizer ; Robert Fripp – electric and acoustic guitars Technical personnel ; Tony Arnold – remastering ; Arun Chakraverty – engineer, mastering ; Willie Christie – design, photography, cover design, cover art ; Brian Eno – producer ; Robert Fripp – producer, rem... | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722083 | From the article on '(No Pussyfooting)', restate the 'Release and reception' content. | Eno's management decided he was ready to go solo. They thought he had a far more glittering commercial career available to him than working with the progressive rock, left-field guitarist Robert Fripp, which now seems absurd. However, here are the ironies: David Bowie was a fan, I believe, of (No Pussyfooting); and I w... | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722086 | Describe the 'Legacy' section of the article about '(No Pussyfooting)'. | The album artwork influenced the music video set for The 1975's 2018 single, "Give Yourself a Try", and The Strokes's 2003 single "The End Has No End". Electronic music composer Kim Cascone uses the moniker Heavenly Music Corporation in tribute to Fripp & Eno. | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722081 | What does the article about '(No Pussyfooting)' say regarding 'Release and reception'? | view of "Swastika Girls", suggesting the loop system was abused with "too many disconnected sounds sharing the space, some discordant, some melodic... the resulting work lacks form and structure". Eric Tamm, the author of the Eno biography Brian Eno: His Music and the Vertical Color of Sound (1995) reacted similarly to... | [
"(No Pussyfooting) — Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
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