id string | question string | answer string | documents list |
|---|---|---|---|
(They_Long_to_Be)_Close_to_You_25068219 | From the article on '(They Long to Be) Close to You', restate the 'Other notable versions' content. | recorded a second version for her 1972 album Dionne. ; In 1972, Stevie Wonder covered the song on talk box in a medley with the Jackson 5's "Never Can Say Goodbye" on a live television appearance on the David Frost show. ; In 1976 another hit version was released by B. T. Express, peaking at number 31 on the R&B chart.... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068215 | Summarize the 'Carpenters version' part of '(They Long to Be) Close to You'. | finished product was a 4-minute, 36-second long song. When A&M Records decided to remove the extended coda and release it as a 3-minute, 40-second long single in May 1970, it became A&M's biggest hit since Alpert's "This Guy's in Love with You" from 1968. Billboard ranked it as the number two song for 1970. "(They Long... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068216 | Describe the 'Composition' section of the article about '(They Long to Be) Close to You'. | Richard had originally written the flugelhorn solo part for Herb Alpert, but when he was unavailable, Chuck Findley was brought in. Richard later commented: "Chuck didn't play it that way at first, but I worked with him and he nailed it. A lot of people thought it was Herb – Bacharach thought so, too. But it's the way ... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068218 | Describe the 'Other notable versions' section of the article about '(They Long to Be) Close to You'. | Diana Ross recorded a version for her 1970 album Everything Is Everything and performed it on her TV special Diana! the following year. ; This song was on Isaac Hayes' 1971 album Black Moses. ; In 1971, Tina Charles performed a live version of the song on an episode of the BBC comedy series The Two Ronnies. ; Bobby Wom... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068217 | Based on the article about '(They Long to Be) Close to You', describe the 'Personnel' section. | Karen Carpenter – lead and backing vocals ; Richard Carpenter – backing vocals, piano, Wurlitzer electronic piano, harpsichord, orchestration ; Joe Osborn – bass ; Hal Blaine – drums ; Chuck Findley – trumpet ; Bob Messenger – flute ; uncredited – vibraphone | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068221 | Reconstruct the content about 'Other notable versions' from the article on '(They Long to Be) Close to You'. | on the film's soundtrack. ; An uptempo version by Herb Alpert & the Tijuana Brass was recorded in 1969, but not released until 2005, when it was included on the rarities compilation album Lost Treasures. ; In 2014, the young English singer, arranger, composer, producer, and multi-instrumentalist Jacob Collier covered t... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068220 | Summarize the 'Other notable versions' part of '(They Long to Be) Close to You'. | on No Need to Argue: The Complete Sessions 1994–1995. This version originally appeared on the tribute album If I Were a Carpenter. ; In 2001, the Argentinian band Dancing Mood released a version of the song featuring Mimi Maura as their third song of their first album. ; In 2002, Carl Doy released a orchestral version ... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(This_Ain't)_No_Thinkin'_Thing_9691555 | Based on the article about '(This Ain't) No Thinkin' Thing', describe the 'Content' section. | "(This Ain't) No Thinkin' Thing" is in the key of A minor, with a vocal range from C4 to E5. The verses use a pattern of G-F-C three times, followed by an F and E chord for one bar each. The refrain uses a pattern of Am-F-G-Am twice, followed by C, G, F and E and another Am-F-G-Am progression. The solos between verses ... | [
"(This Ain't) No Thinkin' Thing — Content\n\n\"(This Ain't) No Thinkin' Thing\" is in the key of A minor, with a vocal range from C4 to E5. The verses use a pattern of G-F-C three times, followed by an F and E chord for one bar each. The refrain uses a pattern of Am-F-G-Am twice, followed by C, G, F and E and anoth... |
(This_Ain't)_No_Thinkin'_Thing_9691556 | Describe the 'Music video' section of the article about '(This Ain't) No Thinkin' Thing'. | The music video for this song features Adkins singing the song with his band at a concert, as well as him performing the song beneath a sunset orange backdrop, with an acoustic guitar. This video was directed by Michael Merriman. | [
"(This Ain't) No Thinkin' Thing — Content\n\n\"(This Ain't) No Thinkin' Thing\" is in the key of A minor, with a vocal range from C4 to E5. The verses use a pattern of G-F-C three times, followed by an F and E chord for one bar each. The refrain uses a pattern of Am-F-G-Am twice, followed by C, G, F and E and anoth... |
(This_Ain't)_No_Thinkin'_Thing_9691557 | From the article on '(This Ain't) No Thinkin' Thing', restate the 'Chart performance' content. | This song debuted at number 44 on the Hot Country Singles & Tracks chart dated January 25, 1997. Having charted for 20 weeks on that chart, it also became his first Number One single on the country chart dated April 5, 1997. It would remain his only Number One hit until ten years later, when he topped the country chart... | [
"(This Ain't) No Thinkin' Thing — Content\n\n\"(This Ain't) No Thinkin' Thing\" is in the key of A minor, with a vocal range from C4 to E5. The verses use a pattern of G-F-C three times, followed by an F and E chord for one bar each. The refrain uses a pattern of Am-F-G-Am twice, followed by C, G, F and E and anoth... |
(This_Ain't)_No_Thinkin'_Thing_9691554 | Reconstruct the content from the article about '(This Ain't) No Thinkin' Thing'. | "(This Ain't) No Thinkin' Thing" is a song written by Tim Nichols and Mark D. Sanders and recorded by American country music singer Trace Adkins. It was released in January 1997 as the third single from his debut album Dreamin' Out Loud. It reached the top of the Billboard Hot Country Singles & Tracks chart, marking hi... | [
"(This Ain't) No Thinkin' Thing — Content\n\n\"(This Ain't) No Thinkin' Thing\" is in the key of A minor, with a vocal range from C4 to E5. The verses use a pattern of G-F-C three times, followed by an F and E chord for one bar each. The refrain uses a pattern of Am-F-G-Am twice, followed by C, G, F and E and anoth... |
(Till)_I_Kissed_You_16455233 | What does the article about '(Till) I Kissed You' say regarding 'Reggae versions'? | The song has been a popular choice for reggae artists and several covers have been recorded including those by: Nan McClean, Delroy Jones, Dobbie Dobson and Al Campbell. In 1975 Jimmy London topped the charts in Jamaica with his version of the song and subsequently scored highly on reggae charts abroad. In the early 90... | [
"(Till) I Kissed You — Reggae versions\n\nThe song has been a popular choice for reggae artists and several covers have been recorded including those by: Nan McClean, Delroy Jones, Dobbie Dobson and Al Campbell. In 1975 Jimmy London topped the charts in Jamaica with his version of the song and subsequently scored h... |
(Till)_I_Kissed_You_16455231 | What information does the article about '(Till) I Kissed You' provide? | "(Till) I Kissed You" is a song written by Don Everly of The Everly Brothers. It was released as a single in 1959 and peaked at No. 4 on the Billboard Hot 100. Chet Atkins played guitar on this record and Jerry Allison played drums. Recorded 7 July 1959 at RCA Victor Studio, Nashville, Tennessee, and issued as a single... | [
"(Till) I Kissed You — Reggae versions\n\nThe song has been a popular choice for reggae artists and several covers have been recorded including those by: Nan McClean, Delroy Jones, Dobbie Dobson and Al Campbell. In 1975 Jimmy London topped the charts in Jamaica with his version of the song and subsequently scored h... |
(Till)_I_Kissed_You_16455232 | Describe the 'Connie Smith version' section of the article about '(Till) I Kissed You'. | "(Till) I Kissed You" was covered by American country music artist Connie Smith on her 1976 album The Song We Fell in Love To. Released in January 1976, it was the album's second single. Smith's version peaked at No. 10 on the Billboard Hot Country Singles chart. It also reached No. 1 on the RPM Country Tracks chart in... | [
"(Till) I Kissed You — Reggae versions\n\nThe song has been a popular choice for reggae artists and several covers have been recorded including those by: Nan McClean, Delroy Jones, Dobbie Dobson and Al Campbell. In 1975 Jimmy London topped the charts in Jamaica with his version of the song and subsequently scored h... |
(Turn_On)_The_Music_Machine_23525176 | From the article on '(Turn On) The Music Machine', restate the 'Side one' content. | 1) "Talk Talk" - 1:56 ; 2) "Trouble" - 2:11 ; 3) "Cherry, Cherry" (Neil Diamond) - 3:12 ; 4) "Taxman" (George Harrison) - 2:33 ; 5) "Some Other Drum" - 2:29 ; 6) "Masculine Intuition" - 2:08 | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525170 | What does the article about '(Turn On) The Music Machine' say regarding 'Background'? | Fronted by their innovative songwriter and lead vocalist Sean Bonniwell, the Music Machine became a radio favorite as a result of their rebellious proto-punk song "Talk Talk", which reached number 15 on the Billboard Hot 100 in mid-1966. "Talk Talk", along with the B-side "Come on In", was rigorously rehearsed by the g... | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525172 | Explain what '(Turn On) The Music Machine' covers in the 'Background' section. | of the remaining tracks were penned by Bonniwell, including the melodically complex "Trouble", the reflective ballad "Some Other Drum", which hinted at the musical direction the group would later take, and "Wrong", a song written in a similar style to "Talk Talk". Perhaps the most accomplished piece other than "Talk Ta... | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525173 | Explain what '(Turn On) The Music Machine' covers in the 'Background' section. | can play the song". (Turn On) The Music Machine was released on December 31, 1966 and reached number 76 on the Billboard 200. The Music Machine's second single from the album, "The People in Me", was distributed in January 1967, and managed to chart at number 66. Over the years, the album has been considered a garage r... | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525169 | Summarize the following section from the article on '(Turn On) The Music Machine'. | (Turn On) The Music Machine is the debut album by the American garage rock band the Music Machine, and was released on Original Sound Records on December 31, 1966. It arrived just months after the group's hit single, "Talk Talk", propelled to number 15 on the national charts. Although the album was hastily recorded to ... | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525174 | Based on the article about '(Turn On) The Music Machine', describe the 'Background' section. | all of the songs". Critic Doug Sheppard praised Bonniwell's lyrical style, saying it "transcends the typical boy-girl theme of the day by instead favoring more introspective, psychological matter". In his article The Psychedelic Experience, Brian Hogg wrote the album "naturally features the group's hit single, as well ... | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(Turn_On)_The_Music_Machine_23525177 | Describe the 'Side two' section of the article about '(Turn On) The Music Machine'. | 1) "The People in Me" - 2:53 ; 2) "See See Rider" (Ma Rainey, Lena Arant) - 2:29 ; 3) "Wrong" - 2:16 ; 4) "96 Tears" (Rudy Martinez) - 2:17 ; 5) "Come on In" - 2:54 ; 6) "Hey Joe" (Billy Roberts) - 4:12 | [
"(Turn On) The Music Machine — Side one\n\n1) \"Talk Talk\" - 1:56 ; 2) \"Trouble\" - 2:11 ; 3) \"Cherry, Cherry\" (Neil Diamond) - 3:12 ; 4) \"Taxman\" (George Harrison) - 2:33 ; 5) \"Some Other Drum\" - 2:29 ; 6) \"Masculine Intuition\" - 2:08",
"(Turn On) The Music Machine — Background\n\nFronted by their inno... |
(U)SIM_interface_31797662 | What does the article about '(U)SIM interface' say regarding 'Type approval for mobile terminals'? | Before mobile network operators select new handset types to be offered to their customers, they want to be sure the new handset will support all features and work in combination with new and existing UICCs. Hence, they request the manufacturers to perform those test cases defined by the standardisation bodies. Therefor... | [
"(U)SIM interface — Type approval for mobile terminals\n\nBefore mobile network operators select new handset types to be offered to their customers, they want to be sure the new handset will support all features and work in combination with new and existing UICCs. Hence, they request the manufacturers to perform th... |
(U)SIM_interface_31797659 | Summarize the following section from the article on '(U)SIM interface'. | The (U)SIM interface is the connecting point of the mobile phone and the UICC with its SIM or USIM application. | [
"(U)SIM interface — Type approval for mobile terminals\n\nBefore mobile network operators select new handset types to be offered to their customers, they want to be sure the new handset will support all features and work in combination with new and existing UICCs. Hence, they request the manufacturers to perform th... |
(U)SIM_interface_31797660 | Explain what '(U)SIM interface' covers in the 'Standardisation of the (U)SIM interface' section. | ETSI TS 102 221 - UICC-Terminal interface; Physical and logical characteristics ; 3GPP TS 31.101 - UICC-terminal interface; Physical and logical characteristics ; 3GPP TS 31.102 - Characteristics of the Universal Subscriber Identity Module (USIM) application The UICC with the SIM or USIM application plays an important ... | [
"(U)SIM interface — Type approval for mobile terminals\n\nBefore mobile network operators select new handset types to be offered to their customers, they want to be sure the new handset will support all features and work in combination with new and existing UICCs. Hence, they request the manufacturers to perform th... |
(U)SIM_interface_31797661 | What does the article about '(U)SIM interface' say regarding 'Standardisation of test scenarios'? | ETSI TS 102 230 - Physical, electrical and logical test specification ; 3GPP TS 31.121 - Universal Subscriber Identity Module (USIM) application test specification To ensure that actual implementations of such standardised features are interoperable, the standardisation bodies also create so called test specifications.... | [
"(U)SIM interface — Type approval for mobile terminals\n\nBefore mobile network operators select new handset types to be offered to their customers, they want to be sure the new handset will support all features and work in combination with new and existing UICCs. Hence, they request the manufacturers to perform th... |
(Un)well_192621 | Reconstruct the content about 'Reception' from the article on '(Un)well'. | a 30-minute format rather than the 50 minutes per episode used. ; Writing for Culture Whisper, Sarah Joan Ross gave the series three stars out of five. The series "does effectively expose a few of the darker sides of the wellness industry", but the scientific analysis does not go very deep. The testimonies of clients w... | [
"(Un)well — Reception\n\na 30-minute format rather than the 50 minutes per episode used. ; Writing for Culture Whisper, Sarah Joan Ross gave the series three stars out of five. The series \"does effectively expose a few of the darker sides of the wellness industry\", but the scientific analysis does not go very dee... |
(Un)well_192620 | What information does the article about '(Un)well' provide on 'Reception'? | so many pseudoscientific claims to stand unchecked, it practically endorses many of the practices it aims to denounce." ; Writing for The Daily Beast, Laura Bradley worried that despite using interviews with genuine experts, the series risks promoting the conspiracy theorists and health gurus it also presents: "As much... | [
"(Un)well — Reception\n\na 30-minute format rather than the 50 minutes per episode used. ; Writing for Culture Whisper, Sarah Joan Ross gave the series three stars out of five. The series \"does effectively expose a few of the darker sides of the wellness industry\", but the scientific analysis does not go very dee... |
(Un)well_192617 | What information does the article about '(Un)well' provide? | Through interviews with practitioners, consumers and experts, the series questions the efficacy and safety of six treatments offered by the "wellness" industry. Presented without a narrator, the audience is left to make up their own minds about the information presented. | [
"(Un)well — Reception\n\na 30-minute format rather than the 50 minutes per episode used. ; Writing for Culture Whisper, Sarah Joan Ross gave the series three stars out of five. The series \"does effectively expose a few of the darker sides of the wellness industry\", but the scientific analysis does not go very dee... |
(Un)well_192619 | Describe the 'Reception' section of the article about '(Un)well'. | as scientific studies, perhaps even more so." Hall worries that viewers, seduced by slickly-produced testimonials, will be motivated to try the treatment presented, even though it is likely ineffective and possibly dangerous. ; Jonathan Jarry of the Office for Science and Society says the series "observes but never jud... | [
"(Un)well — Reception\n\na 30-minute format rather than the 50 minutes per episode used. ; Writing for Culture Whisper, Sarah Joan Ross gave the series three stars out of five. The series \"does effectively expose a few of the darker sides of the wellness industry\", but the scientific analysis does not go very dee... |
(Until)_Your_Love_Broke_Through_30685072 | What information does the article about '(Until) Your Love Broke Through' provide on 'Other versions'? | Phil Keaggy recorded the song on his 1977 album, Love Broke Thru and later on the live album, How the West was One (1977). ; Keith Green recorded it on his debut album, For Him Who Has Ears to Hear (1977). ; Debby Boone recorded it on her debut album, You Light Up My Life (1977). ; Randy Stonehill recorded the song, wi... | [
"(Until) Your Love Broke Through — Other versions\n\nPhil Keaggy recorded the song on his 1977 album, Love Broke Thru and later on the live album, How the West was One (1977). ; Keith Green recorded it on his debut album, For Him Who Has Ears to Hear (1977). ; Debby Boone recorded it on her debut album, You Light U... |
(Until)_Your_Love_Broke_Through_30685070 | Summarize the following section from the article on '(Until) Your Love Broke Through'. | "(Until) Your Love Broke Through" is a song recorded by American-Australian singer Marcia Hines. The song was written by Keith Green, Randy Stonehill and Todd Fishkind and produced by Robie Porter and released in December 1976 as the third single from Hines' second studio album, Shining (1976). | [
"(Until) Your Love Broke Through — Other versions\n\nPhil Keaggy recorded the song on his 1977 album, Love Broke Thru and later on the live album, How the West was One (1977). ; Keith Green recorded it on his debut album, For Him Who Has Ears to Hear (1977). ; Debby Boone recorded it on her debut album, You Light U... |
(Until)_Your_Love_Broke_Through_30685071 | Based on the article about '(Until) Your Love Broke Through', describe the 'Track listing' section. | 7" Single (MS-502) ; Side A "(Until) Your Love Broke Through" (Keith Green, Randy Stonehill & Todd Fishkind) - 3:15 ; Side B "Whatever Goes Around" (Al Sharp) - 2:56 | [
"(Until) Your Love Broke Through — Other versions\n\nPhil Keaggy recorded the song on his 1977 album, Love Broke Thru and later on the live album, How the West was One (1977). ; Keith Green recorded it on his debut album, For Him Who Has Ears to Hear (1977). ; Debby Boone recorded it on her debut album, You Light U... |
(Untitled)_(2009_film)_20735342 | Explain what '(Untitled) (2009 film)' covers in the 'Box office' section. | The film premiered in the United States on October 23. It opened in theaters and grossed in its first weekend $18,002. | [
"(Untitled) (2009 film) — Box office\n\nThe film premiered in the United States on October 23. It opened in theaters and grossed in its first weekend $18,002.",
"(Untitled) (2009 film) — Director\n\nJonathan Parker's debut film Bartleby (2001), an updated retelling of the classic Herman Melville tale \"Bartleby, ... |
(Untitled)_(2009_film)_20735339 | From the article on '(Untitled) (2009 film)', restate the 'Director' content. | Jonathan Parker's debut film Bartleby (2001), an updated retelling of the classic Herman Melville tale "Bartleby, the Scrivener", was nominated for the Grand Prize at the Deauville Film Festival and was selected to be the opening night film of New York's New Directors/New Films Festival. A musician in his youth, Parker... | [
"(Untitled) (2009 film) — Box office\n\nThe film premiered in the United States on October 23. It opened in theaters and grossed in its first weekend $18,002.",
"(Untitled) (2009 film) — Director\n\nJonathan Parker's debut film Bartleby (2001), an updated retelling of the classic Herman Melville tale \"Bartleby, ... |
(Untitled)_(2009_film)_20735340 | What does the article about '(Untitled) (2009 film)' say regarding 'Reviews'? | The film received generally mixed reviews from critics. The review aggregator Rotten Tomatoes reported that 65% of critics have given the film a positive review based on 40 reviews, with an average rating of 5.99/10. The site's critics consensus reads, "This satire on the art world is at times both clever and shallow, ... | [
"(Untitled) (2009 film) — Box office\n\nThe film premiered in the United States on October 23. It opened in theaters and grossed in its first weekend $18,002.",
"(Untitled) (2009 film) — Director\n\nJonathan Parker's debut film Bartleby (2001), an updated retelling of the classic Herman Melville tale \"Bartleby, ... |
(Untitled)_(2009_film)_20735341 | From the article on '(Untitled) (2009 film)', restate the 'Reviews' content. | best movie satires, there's a solid core of truth Informing director Jonathan Parker's (Untitled), which takes on the New York art and music worlds smart and funny in one swoop." Stephen Holden of The New York Times wrote, "If (Untitled) shrewdly hedges its bets about the value of it all, it is ultimately on the side o... | [
"(Untitled) (2009 film) — Box office\n\nThe film premiered in the United States on October 23. It opened in theaters and grossed in its first weekend $18,002.",
"(Untitled) (2009 film) — Director\n\nJonathan Parker's debut film Bartleby (2001), an updated retelling of the classic Herman Melville tale \"Bartleby, ... |
(Untitled)_Blue_Lady_2565160 | Summarize the 'Description' part of '(Untitled) Blue Lady'. | The sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries of South Asia. The buxom female form is also... | [
"(Untitled) Blue Lady — Description\n\nThe sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries o... |
(Untitled)_Blue_Lady_2565161 | Describe the 'Description' section of the article about '(Untitled) Blue Lady'. | referred to as "Kunti", after a woman in the Adivasi community in Bastar, India that was part of Altaf's inspiration for the artwork. In this case, the woman was declared a witch and put on display to be humiliated in public. Altaf describes this real-life woman, Kunti, as a normal, confident woman, who was dehumanized... | [
"(Untitled) Blue Lady — Description\n\nThe sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries o... |
(Untitled)_Blue_Lady_2565159 | What information does the article about '(Untitled) Blue Lady' provide? | South Asian art. In 2003, (Untitled) The Blue Lady was exhibited at Talwar Gallery in New York City, which currently represents Altaf, in her first solo exhibition in the United States entitled In Response To.... The sculpture was installed alongside other human figures, similar in their monumental scale and brilliant ... | [
"(Untitled) Blue Lady — Description\n\nThe sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries o... |
(Untitled)_Blue_Lady_2565158 | Describe the content of the article about '(Untitled) Blue Lady'. | Untitled, more commonly referred to as The Blue Lady, 1999–2002, is a carved teakwood, metal, and indigo sculpture by Mumbai-based artist Navjot Altaf. The artwork represents a goddess of fertility and is painted bright blue, a traditional Hindu colour symbolizing divinity. The larger than life sculpture is also ... | [
"(Untitled) Blue Lady — Description\n\nThe sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries o... |
(Untitled)_Blue_Lady_2565162 | What information does the article about '(Untitled) Blue Lady' provide on 'Description'? | carved the torso and head as one piece, while the arms and legs have been carved separately. The body of the sculpture is not clothed, but bare. Her hands are stretched in mudra; one fist clenched, thumb outside fist, and the other hand open. This symbolizes that she has knowledge in the grasped hand, and has the abili... | [
"(Untitled) Blue Lady — Description\n\nThe sculpture explores contrasting ideas in South Asian culture while providing a contemporary take on traditional South Asian art. The wood from which the statue is crafted, along with the indigo blue colour that it is painted, are symbolic nods to the handicraft industries o... |
(Up_A)_Lazy_River_27895592 | What does the article about '(Up A) Lazy River' say regarding 'Recorded versions'? | Acker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wills and his Texas Playboys (1947) ; Bobby Dari... | [
"(Up A) Lazy River — Recorded versions\n\nAcker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wi... |
(Up_A)_Lazy_River_27895593 | Reconstruct the content about 'Recorded versions' from the article on '(Up A) Lazy River'. | Annie Ross (1981) ; Glenn Miller and his orchestra ; Hank Thompson (1972) Harry Connick Jr. (1988) ; Harry James and his orchestra ; Hoagy Carmichael (1930) ; Hugh and Karl Farr ; Julia Lee ; Kay Starr ; Kenny Ball ; Leon Redbone ; Les Brown and his Band of Renown ; Les Paul Trio ; Louis Armstrong and his orchestra (19... | [
"(Up A) Lazy River — Recorded versions\n\nAcker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wi... |
(Up_A)_Lazy_River_27895591 | Reconstruct the content from the article about '(Up A) Lazy River'. | "(Up A) Lazy River" is a popular tune and song by Hoagy Carmichael and Sidney Arodin, published in 1930. The melody is by Arodin, arranged and with words modified by Carmichael. It is considered a jazz standard and pop standard, and has been recorded by many artists as listed below. | [
"(Up A) Lazy River — Recorded versions\n\nAcker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wi... |
(Up_A)_Lazy_River_27895595 | From the article on '(Up A) Lazy River', restate the 'Popular culture' content. | The song was stored in music box format in a permanent outdoor display in Cathedral Park under the St. John's Bridge in Portland, Oregon. 20170220kwtcathprkstatue.jpg20170220HoagyMusicBoxCathPrk.jpg ; A bit of the song is played by Carmichael in the 1946 Oscar-winning film The Best Years of Our Lives. ; "(Up A) Lazy Ri... | [
"(Up A) Lazy River — Recorded versions\n\nAcker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wi... |
(Up_A)_Lazy_River_27895594 | Describe the 'Recorded versions' section of the article about '(Up A) Lazy River'. | Harris and his orchestra (1932) ; Ray Anthony ; Rex Allen (1961) ; Rickie Lee Jones ; Roberta Sherwood (Sepia CD Sepia 1099 - orig rec: 1956) ; Rockapella ; Rosemary Clooney (1956) ; Rusty Draper (1957) ; Sam Butera and The Witnesses ; Sammy Davis Jr. (1963) ; Si Zentner and his orchestra (1961) ; Svend Asmussen ; Tenn... | [
"(Up A) Lazy River — Recorded versions\n\nAcker Bilk ; Adam Faith (1963) ; Art Mooney and his orchestra (vocal: Cathy Ryan and The Clover Leafs) (1952) ; Benny Goodman and his orchestra (vocal: Helen Forrest) (1941) ; Betty Johnson (1950) ; Bing Crosby & Louis Armstrong for their 1960 album Bing & Satchmo. ; Bob Wi... |
(Victoriaville)_1992_1923264 | Describe the content of the article about '(Victoriaville) 1992'. | (Victoriaville) 1992 is a live album by composer and saxophonist Anthony Braxton recorded at the Festival International de Musique Actuelle de Victoriaville in Canada in 1992 and released on the Victo label. | [
"(Victoriaville) 1992\n\n(Victoriaville) 1992 is a live album by composer and saxophonist Anthony Braxton recorded at the Festival International de Musique Actuelle de Victoriaville in Canada in 1992 and released on the Victo label.",
"(Victoriaville) 1992 — Track listing\n\n1) \"Composition No 159+ (131+30+147)\... |
(Victoriaville)_1992_1923266 | Explain what '(Victoriaville) 1992' covers in the 'Track listing' section. | 1) "Composition No 159+ (131+30+147)" – 10:41 ; 2) "Composition No 148+ (108a+139+147)" – 20:32 ; 3) "Composition No 161" – 12:53 ; 4) "Composition No 158+ (108c+147)" – 15:04 ; 5) "Impressions" (John Coltrane) – 6:45 All compositions by Anthony Braxton except where noted. | [
"(Victoriaville) 1992\n\n(Victoriaville) 1992 is a live album by composer and saxophonist Anthony Braxton recorded at the Festival International de Musique Actuelle de Victoriaville in Canada in 1992 and released on the Victo label.",
"(Victoriaville) 1992 — Track listing\n\n1) \"Composition No 159+ (131+30+147)\... |
(Victoriaville)_1992_1923265 | Describe the 'Reception' section of the article about '(Victoriaville) 1992'. | The Allmusic review by Brian Olewnick stated: "Unlike many of the other documented recordings of this group, the material, with the exception of the closing track, consisted entirely of (at the time) recently composed pieces. Since much of Braxton's writing in the early '90s involved the exploration of very fluid and e... | [
"(Victoriaville) 1992\n\n(Victoriaville) 1992 is a live album by composer and saxophonist Anthony Braxton recorded at the Festival International de Musique Actuelle de Victoriaville in Canada in 1992 and released on the Victo label.",
"(Victoriaville) 1992 — Track listing\n\n1) \"Composition No 159+ (131+30+147)\... |
(Victoriaville)_1992_1923267 | Based on the article about '(Victoriaville) 1992', describe the 'Personnel' section. | Anthony Braxton – alto saxophone, soprano saxophone, sopranino saxophone ; Marilyn Crispell – piano ; Mark Dresser – bass ; Gerry Hemingway – drums, percussion | [
"(Victoriaville) 1992\n\n(Victoriaville) 1992 is a live album by composer and saxophonist Anthony Braxton recorded at the Festival International de Musique Actuelle de Victoriaville in Canada in 1992 and released on the Victo label.",
"(Victoriaville) 1992 — Track listing\n\n1) \"Composition No 159+ (131+30+147)\... |
(Waiting_For)_The_Ghost_Train_27518429 | Reconstruct the content from the article about '(Waiting For) The Ghost Train'. | "(Waiting For) The Ghost-Train" is a single by Madness. Released in 1986 shortly after the band announced they were to split, it was their last single prior to reforming in 1992. It spent nine weeks in the UK charts, peaking at number 18. The song first appeared on an album on the band's 1986's Utter Madness greatest h... | [
"(Waiting For) The Ghost Train\n\n\"(Waiting For) The Ghost-Train\" is a single by Madness. Released in 1986 shortly after the band announced they were to split, it was their last single prior to reforming in 1992. It spent nine weeks in the UK charts, peaking at number 18. The song first appeared on an album on th... |
(Waiting_For)_The_Ghost_Train_27518432 | Summarize the '12": Virgin / JAZZ 9 12 (UK)' part of '(Waiting For) The Ghost Train'. | Side one ; 1) "(Waiting For) The Ghost-Train" - 3:41 ; 2) "Maybe in Another Life" - 2:59 ; Side two ; 1) "Seven Year Scratch" - 8:39 | [
"(Waiting For) The Ghost Train\n\n\"(Waiting For) The Ghost-Train\" is a single by Madness. Released in 1986 shortly after the band announced they were to split, it was their last single prior to reforming in 1992. It spent nine weeks in the UK charts, peaking at number 18. The song first appeared on an album on th... |
(Waiting_For)_The_Ghost_Train_27518430 | What information does the article about '(Waiting For) The Ghost Train' provide on 'Critical reception'? | Upon its release, Anna Martin of Number One stated: "Reminiscent of the classic sound of "Grey Day" and "The Sun and the Rain", the chorus follows in the great tradition of sing-a-long-ability and ends in a big, sweeping crescendo that signals the end." Simon Mills of Smash Hits related the song to the band's recent ma... | [
"(Waiting For) The Ghost Train\n\n\"(Waiting For) The Ghost-Train\" is a single by Madness. Released in 1986 shortly after the band announced they were to split, it was their last single prior to reforming in 1992. It spent nine weeks in the UK charts, peaking at number 18. The song first appeared on an album on th... |
(We_Ain't_Got)_Nothin'_Yet_7469381 | Describe the 'The Spectres version' section of the article about '(We Ain't Got) Nothin' Yet'. | "(We Ain't Got) Nothin' Yet" is a single released by the British Rock band The Spectres (a predecessor of Status Quo) in 1967. | [
"(We Ain't Got) Nothin' Yet — The Spectres version\n\n\"(We Ain't Got) Nothin' Yet\" is a single released by the British Rock band The Spectres (a predecessor of Status Quo) in 1967.",
"(We Ain't Got) Nothin' Yet\n\n\"(We Ain't Got) Nothin' Yet\" is a song by the American rock band Blues Magoos, released in Octob... |
(We_Ain't_Got)_Nothin'_Yet_7469380 | What information does the article about '(We Ain't Got) Nothin' Yet' provide? | "(We Ain't Got) Nothin' Yet" is a song by the American rock band Blues Magoos, released in October 1966. It was a chart hit in the United States in February 1967. It was written by Ron Gilbert, Ralph Scala and Mike Esposito. The Vox Continental organ riff was closely based on guitarist James Burton's riff to Ricky Nels... | [
"(We Ain't Got) Nothin' Yet — The Spectres version\n\n\"(We Ain't Got) Nothin' Yet\" is a single released by the British Rock band The Spectres (a predecessor of Status Quo) in 1967.",
"(We Ain't Got) Nothin' Yet\n\n\"(We Ain't Got) Nothin' Yet\" is a song by the American rock band Blues Magoos, released in Octob... |
(We_Are)_Nexus_15879726 | Describe the 'Releases' section of the article about '(We Are) Nexus'. | Top 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after "It Feels So Good (Flatdisk Electro Mix)" hit #3 on the "Fusion Top 100" list. In the same week, Nexus became the #1 Breakout Artist of the Week on the Billboar... | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879725 | From the article on '(We Are) Nexus', restate the 'Releases' content. | The first production released by (We Are) Nexus was a cover of Sonique's 1998 Trance hit classic "It Feels So Good." It was released by Shotgun Productions on the 13th of August, 2013, as an EP. The "It Feels So Good EP" consisted of an original cover track produced by Nexus, titled "It Feels So Good (Original Mix)" an... | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879729 | Describe the 'Carmen Rainier' section of the article about '(We Are) Nexus'. | Carmen Rainier was born in Scarborough, ME. Upon moving to Southern California at the age of nine, she began acting, forming a teen acting group in Los Angeles during high school and acting in local community productions such as Tony Kushner's Angels in America. Leaving college after her sophomore year, Rainier spent m... | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879724 | What information does the article about '(We Are) Nexus' provide on 'Formation'? | Gunn and Rainier met in 2010 in Santa Barbara, CA and began working together immediately on an album for Gunn's World music career, Thirty-One Nights, released in September 2012. They began producing dance music together in 2012 and (We Are) Nexus was formed. | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879728 | Summarize the 'Nick Gunn' part of '(We Are) Nexus'. | Nicholas Graham Gunn was born in Rochester, Kent in South East England. He enjoyed playing the flute, and studied with the prestigious Royal Academy of Music from age seven till age eleven, when his family moved to Southern California. After moving to Southern California Gunn continued his classical flute studies under... | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879727 | Describe the 'Releases' section of the article about '(We Are) Nexus'. | the Top 50 of Billboards Dance/Electronic Songs the week of October 26, 2013. (We Are) Nexus' "It Feels So Good" peaked on Billboards Dance Club Songs and Dance/Electronic Songs charts the week of November 4, 2013 at #14 and #40, respectively. In addition to releasing the "It Feels So Good" EP on 13 August 2013, Nexus ... | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Are)_Nexus_15879723 | What information does the article about '(We Are) Nexus' provide? | (We Are) Nexus is an American Electro-Pop act consisting of composer/producer Nick Gunn and lyricists/vocalist Carmen Rainier. The group officially formed in late 2012 in Chicago, IL. | [
"(We Are) Nexus — Releases\n\nTop 100 Dance Chart its first weekend out. During the week of September 16th, Nexus gained recognition from online dance music radio station Fusion Radio after \"It Feels So Good (Flatdisk Electro Mix)\" hit #3 on the \"Fusion Top 100\" list. In the same week, Nexus became the #1 Break... |
(We_Do_It)_Primo_27866015 | Reconstruct the content about 'Promotion' from the article on '(We Do It) Primo'. | Before the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at "The Cherrytree Pop Alternative Tour". The tour came to many countries including Canada and parts of Europe. Carr also did v... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866013 | What does the article about '(We Do It) Primo' say regarding 'Music video'? | The music video for "(We Do It) Primo" was directed by Nate Weaver. The video starts with Carr in her neighborhood, singing the song. In the background are different people riding bikes and skateboards. Frankmusik makes an appearance in the video as one of these people. Carr goes onto various green screens and differen... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866009 | Reconstruct the content from the article about '(We Do It) Primo'. | "(We Do It) Primo" is a song by American recording artist Colette Carr. The song was written by Carr, and produced by Frankmusik. "(We Do It) Primo" was released on May 11, 2011 by Interscope as the first single from Carr's debut album Skitszo. The song was written about just having fun and a good time. "(We Do It) Pri... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866011 | Summarize the 'Critical reception' part of '(We Do It) Primo'. | "(We Do It) Primo" was met with mainly positive reviews. Freewired.com called it "an addictive summer-y beat The Prophet Blog gave the song a mixed review saying, "the hook is a total earworm" and called Carr "a badly dressed Ke$ha". He did, however called the song's melody "uplifting". Popjustice.com called it "variou... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866010 | What does the article about '(We Do It) Primo' say regarding 'Background and composition'? | The song was written by Carr, by herself. It was described by many as " a total summer track" and a "total party tune." It samples Keane's song, "Somewhere Only We Know". "(We Do It) Primo" was released internationally on May 11, 2011 as a CD single. "I wanted to cry of excitement. It's just the beginning," said Carr. ... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866016 | What does the article about '(We Do It) Primo' say regarding 'Formats and track listings'? | CD ; 1) "(We Do It) Primo" – 3:12 ; Digital EP ; 1) "(We Do It) Primo" (Jump Smokers Extended Remix) – 4:43 ; 2) "(We Do It) Primo" (Alex Armes Remix) – 5:15 ; 3) "(We Do It) Primo" (Dave Aude Remix) – 7:25 ; 4) "(We Do It) Primo" (DJ Dan Remix) – 5:12 ; 5) "(We Do It) Primo" (Ming Remix) – 4:14 | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866012 | What does the article about '(We Do It) Primo' say regarding 'Chart performance'? | Despite being released internationally, "(We Do It) Primo" failed to chart. The song gained 250,000 song plays in its first week. This got Carr the top spot on Billboard's Uncharted Chart. "My fans got my back. I feel like I could put out a country album and they'd still support it," said Carr. | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Do_It)_Primo_27866014 | From the article on '(We Do It) Primo', restate the 'Music video' content. | the sparklers. The main purpose of the video was to introduce Carr and her unique style. The video for "(We Do It) Primo" was premiered on Vevo on May 18, 2011. Colette Carr called the video "purposly sloppy". MusicIsMyKingSizeBed.com called the video "freshy fresh" and called Carr "a star in the making." Like the song... | [
"(We Do It) Primo — Promotion\n\nBefore the song's release, Colette uploaded a 30-second preview to her YouTube channel, hoping it would attract people to buy the song. Carr performed the song as her closing number of her act at \"The Cherrytree Pop Alternative Tour\". The tour came to many countries including Cana... |
(We_Don't_Need_This)_Fascist_Groove_Thang_10138888 | What information does the article about '(We Don't Need This) Fascist Groove Thang' provide on 'Reception and chart performance'? | Despite being banned by the BBC, "(We Don't Need This) Fascist Groove Thang" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, and was a minor dance hit in the U.S., reaching number 29 on the Billboard Dance Music... | [
"(We Don't Need This) Fascist Groove Thang — Reception and chart performance\n\nDespite being banned by the BBC, \"(We Don't Need This) Fascist Groove Thang\" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, ... |
(We_Don't_Need_This)_Fascist_Groove_Thang_10138891 | What does the article about '(We Don't Need This) Fascist Groove Thang' say regarding 'Cover versions'? | The Fire Engines covered this song on a Peel session dated 23 February 1981 German dark wave project Deine Lakaien featured a cover on the 1999 CD Maxi "Into My Arms" (as "(We Don't Need This) Fascist Groove Thing") American indie rock band Poster Children covered the song on their 2004 EP On the Offensive. American ne... | [
"(We Don't Need This) Fascist Groove Thang — Reception and chart performance\n\nDespite being banned by the BBC, \"(We Don't Need This) Fascist Groove Thang\" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, ... |
(We_Don't_Need_This)_Fascist_Groove_Thang_10138886 | What information does the article about '(We Don't Need This) Fascist Groove Thang' provide? | "(We Don't Need This) Fascist Groove Thang" is a song by British synth-pop band Heaven 17. It was their debut single, released on 6 March 1981, also acting as the lead single from their debut studio album, Penthouse and Pavement (1981). It was a minor hit in the UK in 1981, despite being banned by the BBC. It was also ... | [
"(We Don't Need This) Fascist Groove Thang — Reception and chart performance\n\nDespite being banned by the BBC, \"(We Don't Need This) Fascist Groove Thang\" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, ... |
(We_Don't_Need_This)_Fascist_Groove_Thang_10138889 | Based on the article about '(We Don't Need This) Fascist Groove Thang', describe the 'Personnel' section. | Glenn Gregory – Vocals ; Ian Craig Marsh – Synthesisers ; Martyn Ware – Synthesisers, Linn LM-1 and Backing Vocals Malcolm Veale – Synthesisers ; Josie James – Vocals ; John Wilson – Bass, rhythm guitar Heaven 17: with: | [
"(We Don't Need This) Fascist Groove Thang — Reception and chart performance\n\nDespite being banned by the BBC, \"(We Don't Need This) Fascist Groove Thang\" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, ... |
(We_Don't_Need_This)_Fascist_Groove_Thang_10138887 | Explain what '(We Don't Need This) Fascist Groove Thang' covers in the 'Details and ban by the BBC' section. | "(We Don't Need This) Fascist Groove Thang" was written by Heaven 17 members Martyn Ware, Ian Craig Marsh and Glenn Gregory and included on their 1981 debut album Penthouse and Pavement. It was the first single released by the band. In the lyrics fascism and racism are described in an ironic fashion, using the lexicon ... | [
"(We Don't Need This) Fascist Groove Thang — Reception and chart performance\n\nDespite being banned by the BBC, \"(We Don't Need This) Fascist Groove Thang\" reached number 45 on the UK singles chart. It debuted on that chart on 21 March 1981 and peaked one week later. The single peaked at number 72 in Australia, ... |
(We_Want)_The_Same_Thing_21705909 | Based on the article about '(We Want) The Same Thing', describe the 'Single remix' section. | The single version of "(We Want) The Same Thing" is drastically different from the original version found on the album Runaway Horses. While the album version has a heavily accented punk rock staccato sound, the single version was changed into a powerful pop anthem; one of her most successful to date. The intro of the ... | [
"(We Want) The Same Thing — Single remix\n\nThe single version of \"(We Want) The Same Thing\" is drastically different from the original version found on the album Runaway Horses. While the album version has a heavily accented punk rock staccato sound, the single version was changed into a powerful pop anthem; one... |
(We_Want)_The_Same_Thing_21705908 | Summarize the following section from the article on '(We Want) The Same Thing'. | "(We Want) The Same Thing" is a song by American singer Belinda Carlisle. Written by Rick Nowels and Ellen Shipley, it was produced by Nowels for Carlisle's third album Runaway Horses (1989). It was released as the album's fifth single in the United Kingdom, on October 2, 1990. To help promote the single in the United ... | [
"(We Want) The Same Thing — Single remix\n\nThe single version of \"(We Want) The Same Thing\" is drastically different from the original version found on the album Runaway Horses. While the album version has a heavily accented punk rock staccato sound, the single version was changed into a powerful pop anthem; one... |
(We_Want)_The_Same_Thing_21705910 | What does the article about '(We Want) The Same Thing' say regarding 'Track listing'? | CD single ; 1) "(We Want) The Same Thing" (summer remix) — 4:17 ; 2) "Circle in the Sand" (sandblast multi-mix) ; 3) "Shades of Michaelangelo" — 5:50 12 inch Record ; 1) "(We Want) The Same Thing" (extended summer remix) — 5:13 ; 2) "Circle in the Sand" (sandblast multi-mix) 7 inch Record ; 1) "(We Wa... | [
"(We Want) The Same Thing — Single remix\n\nThe single version of \"(We Want) The Same Thing\" is drastically different from the original version found on the album Runaway Horses. While the album version has a heavily accented punk rock staccato sound, the single version was changed into a powerful pop anthem; one... |
(What_Can_I_Say)_To_Make_You_Love_Me_7891684 | Summarize the 'Release' part of '(What Can I Say) To Make You Love Me'. | The song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States. | [
"(What Can I Say) To Make You Love Me — Release\n\nThe song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States.",
"(What Can I Say) To Make You Love Me\n\n\"(What Can I Say) To Make You Love Me\" is a song written by Ji... |
(What_Can_I_Say)_To_Make_You_Love_Me_7891683 | Summarize the following section from the article on '(What Can I Say) To Make You Love Me'. | "(What Can I Say) To Make You Love Me" is a song written by Jimmy Jam and Terry Lewis and recorded by American recording artist Alexander O'Neal. It is the fifth single from the singer's second solo album, Hearsay (1987). The song's distinctive backing vocals were performed by Lisa Keith. Following the successful chart... | [
"(What Can I Say) To Make You Love Me — Release\n\nThe song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States.",
"(What Can I Say) To Make You Love Me\n\n\"(What Can I Say) To Make You Love Me\" is a song written by Ji... |
(What_Can_I_Say)_To_Make_You_Love_Me_7891685 | What information does the article about '(What Can I Say) To Make You Love Me' provide on 'Track listing'? | 12" Single (Tabu 652852 6) ; 1) "(What Can I Say) To Make You Love Me" 4:25 ; 2) "A Broken Heart Can Mend" 3:40 ; 3) " You Were Meant To Be My Lady (Not My Girl) (Extended Dance Remix)" 9:50 12" Single Promo (Tabu ZAS 1429) ; 1) "(What Can I Say) To Make You Love Me (Hateful Club Mix)" 6:47 ; 2) "(What Can I Say) To Ma... | [
"(What Can I Say) To Make You Love Me — Release\n\nThe song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States.",
"(What Can I Say) To Make You Love Me\n\n\"(What Can I Say) To Make You Love Me\" is a song written by Ji... |
(What_Can_I_Say)_To_Make_You_Love_Me_7891686 | Describe the 'Personnel' section of the article about '(What Can I Say) To Make You Love Me'. | Alexander O'Neal - lead vocals ; Jimmy Jam - drum and keyboard programming, keyboards, percussion ; Terry Lewis - percussion, backing vocals ; Lisa Keith - backing vocals Credits are adapted from the album's liner notes. | [
"(What Can I Say) To Make You Love Me — Release\n\nThe song O'Neal's eleventh top 40 single which reached #27 in the UK Singles Chart in July 1988, and #68 on the R&B chart in O'Neal's native United States.",
"(What Can I Say) To Make You Love Me\n\n\"(What Can I Say) To Make You Love Me\" is a song written by Ji... |
(What_Is)_Love?_24104039 | Summarize the following section from the article on '(What Is) Love?'. | "(What Is) Love?" is a song recorded by American entertainer Jennifer Lopez. Originally entitled "What Is Love?", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later included on Lopez's seventh stu... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What_Is)_Love?_24104041 | What does the article about '(What Is) Love?' say regarding 'Leak and release'? | "What Is Love?" was leaked onto the internet in May 2009. Wynter Gordon, the co-writer of "What Is Love?", expressed her dismay at the "unfinished and unmastered" song's leak in a post on her official MySpace blog. She stated: "I wrote this song from a deep place in my heart. If the world was gonna hear it, I wanted th... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What_Is)_Love?_24104044 | What does the article about '(What Is) Love?' say regarding 'Credits and personnel'? | Jim Annunziato – audio engineer, vocal recording engineer ; Anesha Birchett – background vocals ; Mike "Handz" Donaldson – mixing engineer ; Emile Dernst II (D'Mile) – songwriter, producer ; Eric Eylands – assistant audio engineer ; Kuk Harrell – vocal producer, vocal recording engineer ; Shani Gonzales – additional A&... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What_Is)_Love?_24104043 | Reconstruct the content about '"What Is Love? (Part II)"' from the article on '(What Is) Love?'. | During the first album listening party for Love? in 2009, Rap-Up magazine revealed that Jean-Baptiste had produced a second version of the song called "What Is Love? (Part II)". It was considered for included on the album but ultimately did not make the final track listing. It samples the "club-friendly" riff of Edwin ... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What_Is)_Love?_24104042 | Summarize the 'Critical response' part of '(What Is) Love?'. | The song received a positive review from Digital Spy's Robert Copsey, who although stating that it isn't any "we haven't heard before," Lopez carries "it off with her unrivalled glamour and effortless sophistication." He concluded by stating that the song was worthy of a standalone release. Monica Herrera from Billboar... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What_Is)_Love?_24104040 | Based on the article about '(What Is) Love?', describe the 'Writing and production' section. | "(What Is) Love?" written by Diana "Wynter" Gordon and Emile "D'Mile" Dernst; the latter who also produced the song. Lopez's vocals for the song were recorded and produced by Kuk Harrell, with recording assistance from Jim Annunziato and Josh Gudwin at Conway Studios in Hollywood, California. Annunziato and Eric Eyland... | [
"(What Is) Love?\n\n\"(What Is) Love?\" is a song recorded by American entertainer Jennifer Lopez. Originally entitled \"What Is Love?\", the song appeared on the soundtrack to The Back-up Plan (2010), a film in which Lopez stars, version presented in Italy at the Sanremo Music Festival 2010. The song was later inc... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387341 | Explain what '(What's So Funny 'Bout) Peace, Love, and Understanding' covers in the 'Other recordings and performances' section. | Sharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. "We wanted to share something personal and universal. That we are all in this time together", Van Etten wrote about the cover. Van Etten in seen perfor... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387334 | Summarize the 'Brinsley Schwarz version' part of '(What's So Funny 'Bout) Peace, Love, and Understanding'. | Schwarz and released as a single; this version has been included in the following Lowe compilations: 2002's Anthology (along with the Elvis Costello version), 2009's Quiet Please... The New Best of Nick Lowe, 1991's Surrender to the Rhythm: The Best of Brinsley Schwarz, 1996's Naughty Rhythms: The Best of Pub Rock 1970... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387333 | From the article on '(What's So Funny 'Bout) Peace, Love, and Understanding', restate the 'Brinsley Schwarz version' content. | Nick Lowe had initially written the song while in the pub rock band Brinsley Schwarz. Nick Lowe has said that Judee Sill's "Jesus Was a Crossmaker" was an influence on the song. He explained the writing process, "I had the incredible foresight not to mess it up with any clever, stupid, clever lines. 'Just let the sligh... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387338 | What information does the article about '(What's So Funny 'Bout) Peace, Love, and Understanding' provide on 'Other recordings and performances'? | A version of the song was included on the soundtrack album for the film The Bodyguard, which sold 17 million copies in the United States alone. This version was performed by jazz singer Curtis Stigers (who also used it as a B-side to the single "Sleeping with the Lights On" from his eponymous debut album, which had bee... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387340 | Describe the 'Other recordings and performances' section of the article about '(What's So Funny 'Bout) Peace, Love, and Understanding'. | the Dixie Chicks, Eddie Vedder, Dave Matthews, and John Fogerty with Michael Stipe, Bonnie Raitt, Keb' Mo', and Jackson Browne. In 2008, it was also used as a group number, at the close of the Comedy Central special A Colbert Christmas: The Greatest Gift of All!, sung by Stephen Colbert, Elvis Costello, Willie Nelson, ... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387336 | Summarize the 'Elvis Costello & the Attractions version' part of '(What's So Funny 'Bout) Peace, Love, and Understanding'. | Elvis Costello and the Attractions recorded a cover of the song for the B-side of Nick Lowe's 1978 single "American Squirm", a version credited to "Nick Lowe and His Sound". At the time Lowe was Costello's producer, and produced this track as well. Lowe recalled of the process: "It was [Costello's] idea. I produced his... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_So_Funny_'Bout)_Peace,_Love,_and_Understanding_6387337 | What does the article about '(What's So Funny 'Bout) Peace, Love, and Understanding' say regarding 'Elvis Costello & the Attractions version'? | compilations over the years, as well as on the soundtrack to the film 200 Cigarettes. Live versions appeared on Rock and Roll Hall of Fame, Volume 7: 2002–2003, and 2012's The Return of the Spectacular Spinning Songbook, both by Elvis Costello and the Attractions. In 2004, Rolling Stone magazine ranked this version of ... | [
"(What's So Funny 'Bout) Peace, Love, and Understanding — Other recordings and performances\n\nSharon Van Etten and Queens of the Stone Age's Josh Homme released a cover of the song accompanied by an official video which was shot at the artists' respective homes. \"We wanted to share something personal and universa... |
(What's_the_Story)_Morning_Glory?_12783350 | Based on the article about '(What's the Story) Morning Glory?', describe the 'Tour' section. | album. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US tour dates and the entire Australia and New Zealan... | [
"(What's the Story) Morning Glory? — Tour\n\nalbum. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US t... |
(What's_the_Story)_Morning_Glory?_12783348 | Summarize the 'Tour' part of '(What's the Story) Morning Glory?'. | The band embarked on what would become a 103 show world tour in support of the album over a period of several months in 1995 and 1996. The tour started on 22 June 1995 with a pre-Glastonbury festival warm-up gig at the 1,400 capacity Bath Pavilion, which featured the debut of new drummer Alan White and several new song... | [
"(What's the Story) Morning Glory? — Tour\n\nalbum. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US t... |
(What's_the_Story)_Morning_Glory?_12783359 | Describe the 'Legacy' section of the article about '(What's the Story) Morning Glory?'. | Maybe. It has been pinpointed by music critics as a significant record in the timeline of British indie music, demonstrating just how far into the mainstream independent music had ventured. In 2005, John Harris noted the significance of the album and "Wonderwall" in particular to Britpop's legacy. "When (Oasis) release... | [
"(What's the Story) Morning Glory? — Tour\n\nalbum. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US t... |
(What's_the_Story)_Morning_Glory?_12783351 | From the article on '(What's the Story) Morning Glory?', restate the 'Tour' content. | at Knebworth House in front of a record 125,000 people each night; an event that would come to be acknowledged as the height of the Britpop phenomenon, with one journalist commenting; "(Knebworth) could be seen as the last great Britpop performance; nothing after would match its scale." At the time, the concerts were t... | [
"(What's the Story) Morning Glory? — Tour\n\nalbum. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US t... |
(What's_the_Story)_Morning_Glory?_12783357 | What does the article about '(What's the Story) Morning Glory?' say regarding 'Legacy'? | 300 Best Albums of 1985–2014". The album's enduring popularity within the UK was reflected when it won the British Album of 30 Years award at the 2010 Brit Awards. The award was voted by the public to decide the greatest Album of the Year winner in the history of the Brit Awards. The album was also included in the book... | [
"(What's the Story) Morning Glory? — Tour\n\nalbum. The band played a few dates, including an appearance on Late Show with David Letterman, as a four piece, before McGuigan was convinced to return for the group's Earls Court shows in early November. When the band broke up for a brief time in late 1996, several US t... |
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