id string | question string | answer string | documents list |
|---|---|---|---|
(No_Pussyfooting)_2722078 | What information does the article about '(No Pussyfooting)' provide on 'Production'? | in Aspic album earlier that year. The track employed the same technique as "The Heavenly Music Corporation" except Fripp played to a background electronic loop created by Eno on VCS3. Fripp and Eno took the tapes of "Swastika Girls" to British record producer George Martin's AIR Studios at Oxford Circus to continue mix... | [
"(No Pussyfooting) β Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722079 | Summarize the 'Release and reception' part of '(No Pussyfooting)'. | Released in November 1973, (No Pussyfooting) failed to chart in either the US or UK. Island Records actively opposed it. The album was released in the same year that Eno recorded his more rock-based solo album Here Come the Warm Jets. Eno was attempting to launch a solo career, having left Roxy Music, and his managemen... | [
"(No Pussyfooting) β Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722075 | Describe the content of the article about '(No Pussyfooting)'. | (No Pussyfooting) is the debut studio album by the British duo Fripp & Eno, released in 1973. (No Pussyfooting) was the first of three major collaborations between the musicians, growing out of Brian Eno's early tape delay looping experiments and Robert Fripp's "Frippertronics" electric guitar technique. (No Pussyfooti... | [
"(No Pussyfooting) β Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722085 | Summarize the 'Remastered edition (2008)' part of '(No Pussyfooting)'. | Gear, John played the entire album - backwards, showing that the "tails out" notice was disregarded. Eno had been listening to Peel's show and phoned the BBC demanding to speak with him, but the receptionist took exception to his tone and hung up on him, and the playback continued unabated. After the second track, Peel... | [
"(No Pussyfooting) β Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(No_Pussyfooting)_2722076 | Summarize the 'Production' part of '(No Pussyfooting)'. | Brian Eno invited Robert Fripp to his London home studio in September 1972. Eno was experimenting with a tape system developed by Terry Riley and Pauline Oliveros where two reel-to-reel tape recorders were set up side by side. Sounds recorded on the first deck would be played back by the second deck, and then routed ba... | [
"(No Pussyfooting) β Remastered edition (2008)\n\nThe double CD remastered edition adds variations to the track list: 24 bit remaster by Simon Heyworth and Robert Fripp. This edition also divides \"Heavenly\" into five CD tracks and \"Swastika Girls\" into two. The inclusion of the reversed versions is based on the... |
(Not_Just)_Knee_Deep_3756636 | Reconstruct the content about 'Personnel' from the article on '(Not Just) Knee Deep'. | Lead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter "Junie" Morrison ; Keyboards: Walter "Junie" Morrison ; Drums: William "Bootsy" Collins ; Percussion: Larry Fratangelo ; Background vocals: Larry Heckstall, Sheila Horne, Ron Ford, Jeanette... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756637 | Based on the article about '(Not Just) Knee Deep', describe the 'Sampled in other music' section. | The song has been heavily sampled by many artists. Hip hop group De La Soul sampled the intro to the song in their hit "Me Myself and I", which reached #34 on the Billboard Pop Charts and #1 on the R&B Charts. Also LL Cool J ("Nitro"), Everlast ("Never Missin A Beat"), Tone LΕc ("Funky Cold Medina"), MC Hammer & Deion ... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756634 | Reconstruct the content from the article about '(Not Just) Knee Deep'. | "(Not Just) Knee Deep" is a funk song, with a running time of 15 minutes, 21 seconds, on Side 1 of Funkadelic's 1979 album Uncle Jam Wants You. | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756639 | What information does the article about '(Not Just) Knee Deep' provide on 'Appearances in other media'? | Featured in the 1979 episode of Diff'rent Strokes "The Rivals" (Season 2; Episode 10) ; Frequently played by Paul Shaffer and The World's Most Dangerous Band as bumper music on episodes of Late Night with David Letterman (1982-1993). The song was the basis of an extended sketch, aired on 20 October 1983, in which Lette... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756638 | What information does the article about '(Not Just) Knee Deep' provide on 'Sampled in other music'? | sampled the song in "Funkin' Lesson". It was also interpolated in the song "Get Away" by Bobby Brown. In 2014, it was sampled in Jessie J's "Seal Me with a Kiss". EPMD sampled it in their song "Gold Digger", and Digital Underground used it in two of their songs, "Kiss You Back" and "Bran Nu Swetta". Rapper 2Pac sampled... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756635 | Explain what '(Not Just) Knee Deep' covers in the 'Song information' section. | An edited version of the song, appearing as Side A on the single release, reached number one on the Billboard Black Singles chart. The song was written by George Clinton (credited on some releases as "George Clinton, Jr."); the recording was arranged by Walter "Junie" Morrison and produced by Clinton under the alias "D... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not_Just)_Knee_Deep_3756640 | Reconstruct the content about 'Appearances in other media' from the article on '(Not Just) Knee Deep'. | played by Kel Mitchell, to change the station. Ed finds a station playing this song, and the patients subsequently dance to it. ; Featured in the 2001 movie The Wash. ; Featured in the 2003 video game True Crime: Streets of LA. ; Performed by George Clinton and the P-Funk All Stars on the FOX television series New York... | [
"(Not Just) Knee Deep β Personnel\n\nLead vocals: George Clinton, Garry Shider, Walter Morrison, Jessica Cleaves, PhilippΓ© Wynne ; Lead guitar: Michael Hampton, Walter \"Junie\" Morrison ; Keyboards: Walter \"Junie\" Morrison ; Drums: William \"Bootsy\" Collins ; Percussion: Larry Fratangelo ; Background vocals: La... |
(Not)_The_Love_of_My_Life_17765038 | Reconstruct the content about 'Critical reception' from the article on '(Not) The Love of My Life'. | In a retrospective review of Rouge, Skylar de Paul from The Daily Californian said: "(Not) The Love of My Life" continues following Yunaβs emotional growth. Each lyric is enunciated like spoken word, showing she wants to make her message clear: The person sheβs singing to is not really "the one"". Adriane Pontecorvo fr... | [
"(Not) The Love of My Life β Critical reception\n\nIn a retrospective review of Rouge, Skylar de Paul from The Daily Californian said: \"(Not) The Love of My Life\" continues following Yunaβs emotional growth. Each lyric is enunciated like spoken word, showing she wants to make her message clear: The person sheβs s... |
(Not)_The_Love_of_My_Life_17765037 | Based on the article about '(Not) The Love of My Life', describe the 'Music video' section. | """(Not) The Love Of My Life" tells a story of a bride in the midst of getting ready for her wedding but is second guessing her decision to settle down. I went back to Malaysia and wanted to collaborate again with my friend and traditional Indian choreographer Harshini Sukumaran whom Iβve worked with in the "Forevermor... | [
"(Not) The Love of My Life β Critical reception\n\nIn a retrospective review of Rouge, Skylar de Paul from The Daily Californian said: \"(Not) The Love of My Life\" continues following Yunaβs emotional growth. Each lyric is enunciated like spoken word, showing she wants to make her message clear: The person sheβs s... |
(Not)_The_Love_of_My_Life_17765036 | Summarize the following section from the article on '(Not) The Love of My Life'. | "(Not) The Love of My Life" is a song by Malaysian singer-songwriter Yuna, released as the fourth single from her fourth international album (her seventh overall), Rouge. The song was co-written by Yuna, Alexandra Govere and Robin Hannibal and released on August 22, 2019 by Verve Forecast Records. | [
"(Not) The Love of My Life β Critical reception\n\nIn a retrospective review of Rouge, Skylar de Paul from The Daily Californian said: \"(Not) The Love of My Life\" continues following Yunaβs emotional growth. Each lyric is enunciated like spoken word, showing she wants to make her message clear: The person sheβs s... |
(Nothing_But)_Flowers_20579034 | Describe the 'Music video' section of the article about '(Nothing But) Flowers'. | The song's music video featured innovative uses of typography by graphic designer Tibor Kalman. The band performs in the video with an expanded lineup featuring Marr, MacColl, Brice Wassy, Yves N'Djock and Abdou M'Boup, all of whom performed on the studio recording of the song. The music video was directed by Sandy McL... | [
"(Nothing But) Flowers β Music video\n\nThe song's music video featured innovative uses of typography by graphic designer Tibor Kalman. The band performs in the video with an expanded lineup featuring Marr, MacColl, Brice Wassy, Yves N'Djock and Abdou M'Boup, all of whom performed on the studio recording of the son... |
(Nothing_But)_Flowers_20579033 | Reconstruct the content from the article about '(Nothing But) Flowers'. | "(Nothing But) Flowers" is a song by rock band Talking Heads. It appears on the band's final album Naked, released in 1988. It was released as the album's second single. In addition to the band, the song features Kirsty MacColl on backup vocals and Johnny Marr, formerly of The Smiths, on lead guitar. It peaked at numbe... | [
"(Nothing But) Flowers β Music video\n\nThe song's music video featured innovative uses of typography by graphic designer Tibor Kalman. The band performs in the video with an expanded lineup featuring Marr, MacColl, Brice Wassy, Yves N'Djock and Abdou M'Boup, all of whom performed on the studio recording of the son... |
(Nothing_But)_Flowers_20579035 | Summarize the '2010 TED Conference' part of '(Nothing But) Flowers'. | David Byrne performed a briefer version of the song at the 2010 TED conference accompanied by Thomas Dolby on keyboard and the string quartet ETHEL. | [
"(Nothing But) Flowers β Music video\n\nThe song's music video featured innovative uses of typography by graphic designer Tibor Kalman. The band performs in the video with an expanded lineup featuring Marr, MacColl, Brice Wassy, Yves N'Djock and Abdou M'Boup, all of whom performed on the studio recording of the son... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806624 | Describe the 'Jo Stafford' section of the article about '(Now and Then There's) A Fool Such as I'. | The recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart. | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806625 | Explain what '(Now and Then There's) A Fool Such as I' covers in the 'Elvis Presley' section. | A recording by Elvis Presley was a platinum record. Initially released as B-side to "I Need Your Love Tonight", it reached number one in the UK as an A-side single. Presley's recording reached number two in the United States. The song was recorded on June 10, 1958 at RCA's Studio B, Nashville, while Presley was on leav... | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806622 | Describe the content of the article about '(Now and Then There's) A Fool Such as I'. | "(Now and Then There's) A Fool Such as I" is a popular song written by Bill Trader and was published in 1952. Recorded as a single by Hank Snow it peaked at number four on the US country charts early in 1953. Since the original Snow version, "Fool Such as I"βas the song is sometimes knownβhas been recorded and released... | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806627 | Describe the 'Bob Dylan' section of the article about '(Now and Then There's) A Fool Such as I'. | In 1967, Bob Dylan recorded the song during the Basement Tape sessions. For many years never officially released, the recording had been widely bootlegged, and was finally released November 4, 2014, on The Bootleg Series Vol. 11: The Basement Tapes Complete. Dylan recorded the song again in April 1969; that version was... | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806629 | Explain what '(Now and Then There's) A Fool Such as I' covers in the 'Baillie & the Boys' section. | In 1990, Baillie & the Boys released the song from the band's album The Lights of Home. This version, released under the title "Fool Such as I", peaked at No. 5 on the Billboard Hot Country Singles chart. It was the trio's last Top 10 hit on the country charts. | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806628 | What does the article about '(Now and Then There's) A Fool Such as I' say regarding 'Rodney Crowell'? | Rodney Crowell covered the song in 1979. The release was not a success, peaking at No. 90 in the Billboard country charts. It was his second charting single after "Elvira" in the previous year which barely scraped the bottom of the charts as well. Both songs were included in his debut album Ain't Living Long Like This. | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Now_and_Then_There's)_A_Fool_Such_as_I_16806626 | Reconstruct the content about 'Petula Clark' from the article on '(Now and Then There's) A Fool Such as I'. | Petula Clark's French language version titled "Prends mon Coeur", was more successful in France (number 9, 1960 ) than Presley's version. | [
"(Now and Then There's) A Fool Such as I β Jo Stafford\n\nThe recording by Jo Stafford was released by Columbia Records as catalog number 39930. It reached the Billboard Best Seller chart on February 28, 1953, at number twenty, its only week on the chart.",
"(Now and Then There's) A Fool Such as I β Elvis Presley... |
(Old_Dogs,_Children_and)_Watermelon_Wine_24521877 | What information does the article about '(Old Dogs, Children and) Watermelon Wine' provide? | "(Old Dogs, Children And) Watermelon Wine" is a song written and recorded by American country music artist Tom T. Hall. It was released in November 1972 as the second and final single from the album, The Storyteller. The song was Hall's third number one on the U.S. country singles chart and earned him his second nomina... | [
"(Old Dogs, Children and) Watermelon Wine\n\n\"(Old Dogs, Children And) Watermelon Wine\" is a song written and recorded by American country music artist Tom T. Hall. It was released in November 1972 as the second and final single from the album, The Storyteller. The song was Hall's third number one on the U.S. cou... |
(Old_Dogs,_Children_and)_Watermelon_Wine_24521879 | Based on the article about '(Old Dogs, Children and) Watermelon Wine', describe the 'Covers' section. | The song has been covered by artists such as Frankie Laine, George Burns, John Prine and Mac Wiseman, and Ferlin Husky. Alf Robertson recorded the song in 1977 in Swedish as Hundar och ungar och hembryggt Γ€ppelvin (Swedish for Dogs and children and home brewed apple wine), with new lyrics by himself. and with the song ... | [
"(Old Dogs, Children and) Watermelon Wine\n\n\"(Old Dogs, Children And) Watermelon Wine\" is a song written and recorded by American country music artist Tom T. Hall. It was released in November 1972 as the second and final single from the album, The Storyteller. The song was Hall's third number one on the U.S. cou... |
(Old_Dogs,_Children_and)_Watermelon_Wine_24521878 | Based on the article about '(Old Dogs, Children and) Watermelon Wine', describe the 'Content' section. | The song is a true account of Hall's experience at the 1972 Democratic National Convention, where he had a conversation with an old porter (janitor) at a Miami Beach hotel. The porter appraises his own life by concluding that the only worthwhile things are the three listed in the song's title. | [
"(Old Dogs, Children and) Watermelon Wine\n\n\"(Old Dogs, Children And) Watermelon Wine\" is a song written and recorded by American country music artist Tom T. Hall. It was released in November 1972 as the second and final single from the album, The Storyteller. The song was Hall's third number one on the U.S. cou... |
(Our_Love)_Don't_Throw_It_All_Away_32957113 | Reconstruct the content from the article about '(Our Love) Don't Throw It All Away'. | "(Our Love) Don't Throw It All Away" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third single by Andy Gibb from his second studio al... | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Our_Love)_Don't_Throw_It_All_Away_32957115 | Based on the article about '(Our Love) Don't Throw It All Away', describe the 'Personnel' section. | Andy Gibb β lead vocals ; Barry Gibb β backing vocals ; Joey Murcia β guitar ; Tim Renwick β guitar ; George Bitzer β Keyboards, synthesizer ; Paul Harris β keyboards ; Harold Cowart β bass ; Joe Lala β percussion ; Ron Ziegler β drums ; Whit Sidener β horns ; Ken Faulk β horns ; Bill Purse β horns ; Neil Bonsanti β ho... | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Our_Love)_Don't_Throw_It_All_Away_32957116 | Based on the article about '(Our Love) Don't Throw It All Away', describe the 'Bee Gees' version' section. | The Bee Gees version of the song, the first one created, was recorded in 1977 during the sessions for Saturday Night Fever but was not released until the compilation Bee Gees Greatest 1979. Barry and Maurice Gibb are the only members of the Bee Gees to appear on the recording. Barry wrote the lyrics while Weaver compos... | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Our_Love)_Don't_Throw_It_All_Away_32957117 | Based on the article about '(Our Love) Don't Throw It All Away', describe the 'Personnel' section. | Barry Gibb β vocals, guitar ; Maurice Gibb β bass ; Blue Weaver β keyboards, orchestral arrangement ; Dennis Bryon β drums ; Joe Lala β percussion | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Our_Love)_Don't_Throw_It_All_Away_32957118 | What information does the article about '(Our Love) Don't Throw It All Away' provide on 'Other versions'? | Jennifer Love Hewitt also covered the song on her 1996 self-titled album. ; Barbra Streisand recorded her rendition of the song in 2005 off her album Guilty Pleasures, which had Barry Gibb on the album cover with her. On Streisand's version, Barry Gibb is heard singing also the chorus. | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Our_Love)_Don't_Throw_It_All_Away_32957114 | Summarize the 'Andy Gibb's version' part of '(Our Love) Don't Throw It All Away'. | The song was Andy Gibb's fifth single to reach the US Top 10; the single reached #9 on the Billboard Hot 100 chart and #2 on the Adult Contemporary chart. When Andy Gibb was going to record it, Barry reworked on the song adding the middle eight that was not on the original Bee Gees' version, as Blue Weaver recalls, "Wh... | [
"(Our Love) Don't Throw It All Away\n\n\"(Our Love) Don't Throw It All Away\" is a song penned by Barry Gibb and Blue Weaver and recorded by the Bee Gees in 1977 on the Saturday Night Fever sessions but was not released until Bee Gees Greatest (1979). A different version was released in September 1978 as the third ... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287947 | Describe the 'Overview' section of the article about '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)'. | band felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from the studio, and it subsequently became one of Lynyrd S... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287951 | Summarize the 'Personnel' part of '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)'. | Lynyrd Skynyrd ; Ronnie Van Zant β lead vocals, lyrics ; Gary Rossington β lead guitar (tracks 2β5, 7); rhythm guitar (1, 6, 8); slide guitar (8) ; Allen Collins β lead guitar (1, 4, 8); rhythm guitar (2, 3, 5β7); acoustic guitar (8) ; Ed King β bass (all tracks except 2, 6); guitar fills (2, during piano solo); lead g... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287945 | From the article on '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)', restate the 'Overview' content. | sessions. Ex-Strawberry Alarm Clock guitarist Ed King had been impressed with the band after an earlier incarnation of Lynyrd Skynyrd had opened for Strawberry Alarm Clock in Florida circa 1970. He told vocalist Ronnie Van Zant to keep him in mind if he ever needed a guitarist, and he was invited to replace Wilkeson as... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287948 | Based on the article about '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)', describe the 'Cover art' section. | The cover photograph was taken on Main Street in Jonesboro, Georgia and shows, from left to right, Leon Wilkeson (seated), Billy Powell (seated), Ronnie Van Zant, Gary Rossington (seated), Bob Burns, Allen Collins and Ed King. The photo was the last in a long day of shooting for the album cover, and Rossington vomited ... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287946 | Summarize the 'Overview' part of '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)'. | would become their trademark "Three Guitar Army" along with Allen Collins and Gary Rossington. Wilkeson was back in the band by the time the band shot the cover photo for the album, and appears on the cover, as well as being acknowledged in the liner notes. Atlanta Rhythm Section drummer and friend of the band Robert N... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287944 | What does the article about '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)' say regarding 'Overview'? | Most of the songs on the album had been in the band's live repertoire for some time. The band found a rural rehearsal space near Jacksonville, Florida which they nicknamed "Hell House" due to the long hours spent there jamming in the intense Florida heat, and it was there that they composed and ran through the songs en... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Pronounced_'LΔh-'nΓ©rd_'Skin-'nΓ©rd)_29287943 | What information does the article about '(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd)' provide? | (Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) is the debut album by American rock band Lynyrd Skynyrd, released in 1973. Several of the album's songs remain among the band's most well-known: "Gimme Three Steps", "Simple Man", "Tuesday's Gone", and "Free Bird", the latter of which launched the band to national stardom. The album ... | [
"(Pronounced 'LΔh-'nΓ©rd 'Skin-'nΓ©rd) β Overview\n\nband felt differently on both counts and could not change Kooper's mind. Ultimately, Van Zant escorted the producer outside to his car and ordered him to remain there until the song was recorded. The band recorded the song on their own with the producer absent from... |
(Q,r)_model_11753379 | Based on the article about '(Q,r) model', describe the 'Total cost function and optimal reorder point' section. | } The total cost is given by the sum of setup costs, purchase order cost, backorders cost and inventory carrying cost: And solve for G(r) and Q. | [
"(Q,r) model β Variables\n\n= average on-hand inventory level",
"(Q,r) model β Backorder cost approach\n\nThe annual backorder cost is proportional to backorder level:",
"(Q,r) model β Total cost function and optimal reorder point\n\n} The total cost is given by the sum of setup costs, purchase order cost, back... |
(Q,r)_model_11753374 | Reconstruct the content from the article about '(Q,r) model'. | The (Q,r) model is a class of models in inventory theory. A general (Q,r) model can be extended from both the EOQ model and the base stock model | [
"(Q,r) model β Variables\n\n= average on-hand inventory level",
"(Q,r) model β Backorder cost approach\n\nThe annual backorder cost is proportional to backorder level:",
"(Q,r) model β Total cost function and optimal reorder point\n\n} The total cost is given by the sum of setup costs, purchase order cost, back... |
(Q,r)_model_11753381 | Based on the article about '(Q,r) model', describe the 'Stockout cost approach' section. | cellpadding ; border ; border colour = #A3A3BF ; background colour = #E6EEFF}} The total cost is given by the sum of setup costs, purchase order cost, stockout cost and inventory carrying cost: | [
"(Q,r) model β Variables\n\n= average on-hand inventory level",
"(Q,r) model β Backorder cost approach\n\nThe annual backorder cost is proportional to backorder level:",
"(Q,r) model β Total cost function and optimal reorder point\n\n} The total cost is given by the sum of setup costs, purchase order cost, back... |
(Q,r)_model_11753375 | Summarize the 'Assumptions' part of '(Q,r) model'. | 1) Products can be analyzed individually ; 2) Demands occur one at a time (no batch orders) ; 3) Unfilled demand is back-ordered (no lost sales) ; 4) Replenishment lead times are fixed and known ; 5) Replenishments are ordered one at a time ; 6) Demand is modeled by a continuous probability distribution ; 7) There is a... | [
"(Q,r) model β Variables\n\n= average on-hand inventory level",
"(Q,r) model β Backorder cost approach\n\nThe annual backorder cost is proportional to backorder level:",
"(Q,r) model β Total cost function and optimal reorder point\n\n} The total cost is given by the sum of setup costs, purchase order cost, back... |
(Rap)_Superstar_21212803 | Reconstruct the content from the article about '(Rap) Superstar'. | "(Rap) Superstar" is a single by American hip hop group Cypress Hill. The song was released as the lead single from the group's fifth album, Skull & Bones. It was originally released as a double A-side with its rock counterpart on February 29, 2000 in the UK. An individual release was available starting sometime in Apr... | [
"(Rap) Superstar\n\n\"(Rap) Superstar\" is a single by American hip hop group Cypress Hill. The song was released as the lead single from the group's fifth album, Skull & Bones. It was originally released as a double A-side with its rock counterpart on February 29, 2000 in the UK. An individual release was availabl... |
(Rap)_Superstar_21212804 | From the article on '(Rap) Superstar', restate the 'Music video' content. | The music video for the song begins with a young man walking down the street, kicking a can. Walking up to a puddle, the man finds a ticket with "Rap Superstar" written on it. A fun house suddenly pops up and the man hands the ticket to Sen Dog, then enters. In one of the rooms, the man sees a group of women who dress ... | [
"(Rap) Superstar\n\n\"(Rap) Superstar\" is a single by American hip hop group Cypress Hill. The song was released as the lead single from the group's fifth album, Skull & Bones. It was originally released as a double A-side with its rock counterpart on February 29, 2000 in the UK. An individual release was availabl... |
(Reach_Up_for_The)_Sunrise_14478259 | What information does the article about '(Reach Up for The) Sunrise' provide on 'Covers, samples, & media references'? | At the end of an episode of Las Vegas, the band appeared, performing the song in the Montecito as was normal during the Second Season. , the Jason Nevins newly produced version of the song is used in the beginning sequence of the television programme Sunrise on Seven Network in Australia. It was also used in Telecom It... | [
"(Reach Up for The) Sunrise β Covers, samples, & media references\n\nAt the end of an episode of Las Vegas, the band appeared, performing the song in the Montecito as was normal during the Second Season. , the Jason Nevins newly produced version of the song is used in the beginning sequence of the television progra... |
(Reach_Up_for_The)_Sunrise_14478258 | Summarize the 'Personnel' part of '(Reach Up for The) Sunrise'. | Simon Le Bon β vocals ; Nick Rhodes β keyboards ; John Taylor β bass ; Andy Taylor β guitar, backing vocals ; Roger Taylor β drums Sally Boyden β backing vocals Don Gilmore β producer, engineer ; Duran Duran β producer ; Nile Rodgers β vocal producer ; Jason Nevins β additional producer, programming, engineer, mixer ; ... | [
"(Reach Up for The) Sunrise β Covers, samples, & media references\n\nAt the end of an episode of Las Vegas, the band appeared, performing the song in the Montecito as was normal during the Second Season. , the Jason Nevins newly produced version of the song is used in the beginning sequence of the television progra... |
(Reach_Up_for_The)_Sunrise_14478254 | Reconstruct the content from the article about '(Reach Up for The) Sunrise'. | "(Reach Up for The) Sunrise" is a song recorded by English pop rock band Duran Duran. It was released as the lead single from their eleventh studio album, Astronaut (2004) and their 31st single overall. It was the first single since "A View to a Kill" in 1985 to feature all five of the original members of the band. The... | [
"(Reach Up for The) Sunrise β Covers, samples, & media references\n\nAt the end of an episode of Las Vegas, the band appeared, performing the song in the Montecito as was normal during the Second Season. , the Jason Nevins newly produced version of the song is used in the beginning sequence of the television progra... |
(Reach_Up_for_The)_Sunrise_14478256 | Describe the 'Music video' section of the article about '(Reach Up for The) Sunrise'. | The video was directed by Michael and Mark Polish (aka the Polish Brothers), and featured each band member on their own journey across various landscapes, only to be joined together on a stage before an intense sunrise for the chorus. Each band member's storyline was filmed in a different film or digital format, creati... | [
"(Reach Up for The) Sunrise β Covers, samples, & media references\n\nAt the end of an episode of Las Vegas, the band appeared, performing the song in the Montecito as was normal during the Second Season. , the Jason Nevins newly produced version of the song is used in the beginning sequence of the television progra... |
(Red)_Christmas_EP_21038150 | What information does the article about '(Red) Christmas EP' provide on 'Background'? | The Killers have become recognized for their work with the Product Red campaign, headed by Bono and Bobby Shriver. Every year between 2006 and 2016, the band released a Christmas song in support of the campaign. Every single came out around December 1 (coinciding with World AIDS Day). As of the EP, they had released si... | [
"(Red) Christmas EP β Background\n\nThe Killers have become recognized for their work with the Product Red campaign, headed by Bono and Bobby Shriver. Every year between 2006 and 2016, the band released a Christmas song in support of the campaign. Every single came out around December 1 (coinciding with World AIDS ... |
(Red)_Christmas_EP_21038152 | Reconstruct the content about 'Commercial performance' from the article on '(Red) Christmas EP'. | The album debuted on the US Billboard 200 at number 85. It also opened on the Billboard Digital Albums chart at number 10, Rock Albums at number 11, and Alternative Albums at number nine. | [
"(Red) Christmas EP β Background\n\nThe Killers have become recognized for their work with the Product Red campaign, headed by Bono and Bobby Shriver. Every year between 2006 and 2016, the band released a Christmas song in support of the campaign. Every single came out around December 1 (coinciding with World AIDS ... |
(Red)_Christmas_EP_21038149 | Reconstruct the content from the article about '(Red) Christmas EP'. | (Red) Christmas EP, stylised as (RED) Christmas EP, is the first extended play (EP) by American rock band The Killers. It was released digitally on November 29, 2011, by Island Records. The EP features the band's yearly Christmas singles from 2006 to 2011. Proceeds from the sales from the (Red) Christmas EP have been d... | [
"(Red) Christmas EP β Background\n\nThe Killers have become recognized for their work with the Product Red campaign, headed by Bono and Bobby Shriver. Every year between 2006 and 2016, the band released a Christmas song in support of the campaign. Every single came out around December 1 (coinciding with World AIDS ... |
(Remember_Me)_I'm_the_One_Who_Loves_You_12378241 | Explain what '(Remember Me) I'm the One Who Loves You' covers in the 'Ernest Tubb version' section. | Ernest Tubb released a version of the song in 1950, which reached No. 5 on Billboards chart of "Most Played Juke Box Folk (Country & Western) Records" and No. 7 on Billboards chart of "Best-Selling Retail Folk (Country & Western) Records." | [
"(Remember Me) I'm the One Who Loves You β Ernest Tubb version\n\nErnest Tubb released a version of the song in 1950, which reached No. 5 on Billboards chart of \"Most Played Juke Box Folk (Country & Western) Records\" and No. 7 on Billboards chart of \"Best-Selling Retail Folk (Country & Western) Records.\"",
"(... |
(Remember_Me)_I'm_the_One_Who_Loves_You_12378239 | Describe the content of the article about '(Remember Me) I'm the One Who Loves You'. | "(Remember Me) I'm The One Who Loves You" is a song written and originally sung by Stuart Hamblen, which he released in 1950. The song was a hit for Ernest Tubb the same year, and Dean Martin in 1965. Johnny Cash also covered it on his 1957 debut album Johnny Cash with His Hot and Blue Guitar! | [
"(Remember Me) I'm the One Who Loves You β Ernest Tubb version\n\nErnest Tubb released a version of the song in 1950, which reached No. 5 on Billboards chart of \"Most Played Juke Box Folk (Country & Western) Records\" and No. 7 on Billboards chart of \"Best-Selling Retail Folk (Country & Western) Records.\"",
"(... |
(Remember_Me)_I'm_the_One_Who_Loves_You_12378242 | Describe the 'Dean Martin version' section of the article about '(Remember Me) I'm the One Who Loves You'. | In 1965, the song was released by Dean Martin. The song spent 7 weeks on the Billboard Hot 100 chart, peaking at No. 32, while reaching No. 7 on Billboards Easy Listening chart, and No. 14 on Canada's R.P.M. Play Sheet. | [
"(Remember Me) I'm the One Who Loves You β Ernest Tubb version\n\nErnest Tubb released a version of the song in 1950, which reached No. 5 on Billboards chart of \"Most Played Juke Box Folk (Country & Western) Records\" and No. 7 on Billboards chart of \"Best-Selling Retail Folk (Country & Western) Records.\"",
"(... |
(Remember_Me)_I'm_the_One_Who_Loves_You_(album)_19761079 | Summarize the following section from the article on '(Remember Me) I'm the One Who Loves You (album)'. | (Remember Me) I'm the One Who Loves You is a 1965 studio album by Dean Martin, produced by Jimmy Bowen and arranged by Ernie Freeman. The album was Martin's fifth album to appear in the Top 40, and peaked at number 12 on the Billboard Top LPs chart. The album's release in September 1965 corresponded with the debut of M... | [
"(Remember Me) I'm the One Who Loves You (album)\n\n(Remember Me) I'm the One Who Loves You is a 1965 studio album by Dean Martin, produced by Jimmy Bowen and arranged by Ernie Freeman. The album was Martin's fifth album to appear in the Top 40, and peaked at number 12 on the Billboard Top LPs chart. The album's re... |
(Remember_Me)_I'm_the_One_Who_Loves_You_(album)_19761080 | What does the article about '(Remember Me) I'm the One Who Loves You (album)' say regarding 'Reception'? | William Ruhlmann on AllMusic gave the album three stars out of five, commenting on the "Formula" developed by Bowen for Martin's sound, of "piano triplets, a 4/4 beat, swooping strings, a female chorus." Ruhlman added that "...The country market never bit at these records, but Martin had a clutch of material that sound... | [
"(Remember Me) I'm the One Who Loves You (album)\n\n(Remember Me) I'm the One Who Loves You is a 1965 studio album by Dean Martin, produced by Jimmy Bowen and arranged by Ernie Freeman. The album was Martin's fifth album to appear in the Top 40, and peaked at number 12 on the Billboard Top LPs chart. The album's re... |
(Ribulose-bisphosphate_carboxylase)-lysine_N-methyltransferase_21921242 | What does the article about '(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase' say regarding 'Transferase Family'? | This enzyme belongs to the family of transferases, specifically those transferring one-carbon group methyltransferases. The systematic name of this enzyme class is S-adenosyl-L-methionine:[3-phospho-D-glycerate-carboxy-lyase (dimerizing)]-lysine N6-methyltransferase. Other names in common use include rubisco methyltran... | [
"(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase β Transferase Family\n\nThis enzyme belongs to the family of transferases, specifically those transferring one-carbon group methyltransferases. The systematic name of this enzyme class is S-adenosyl-L-methionine:[3-phospho-D-glycerate-carboxy-lyase (di... |
(Ribulose-bisphosphate_carboxylase)-lysine_N-methyltransferase_21921241 | What information does the article about '(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase' provide? | S-adenosyl-L-methionine + [ribulose-1,5-bisphosphate carboxylase]-lysine S-adenosyl-L-homocysteine + [ribulose-1,5-bisphosphate carboxylase]-N6-methyl-L-lysine In enzymology, a [ribulose-bisphosphate carboxylase]-lysine N-methyltransferase is an enzyme that catalyzes the chemical reaction Thus, the two substrates of t... | [
"(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase β Transferase Family\n\nThis enzyme belongs to the family of transferases, specifically those transferring one-carbon group methyltransferases. The systematic name of this enzyme class is S-adenosyl-L-methionine:[3-phospho-D-glycerate-carboxy-lyase (di... |
(Ribulose-bisphosphate_carboxylase)-lysine_N-methyltransferase_21921243 | Reconstruct the content about 'Structural studies' from the article on '(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase'. | As of late 2007, 7 structures have been solved for this class of enzymes, with PDB accession codes, , , , , , and. | [
"(Ribulose-bisphosphate carboxylase)-lysine N-methyltransferase β Transferase Family\n\nThis enzyme belongs to the family of transferases, specifically those transferring one-carbon group methyltransferases. The systematic name of this enzyme class is S-adenosyl-L-methionine:[3-phospho-D-glycerate-carboxy-lyase (di... |
(Rock)_Superstar_21212807 | What does the article about '(Rock) Superstar' say regarding 'Music video'? | The song's music video is very similar to the previous single, "(Rap) Superstar", with the man picking up a ticket that says "Rock Superstar" on it. After giving the ticket to Sen Dog, the man enters into a fun house. A group of women dress up the man in a suit, before he wanders off. After seeing a testimony on a TV s... | [
"(Rock) Superstar β Music video\n\nThe song's music video is very similar to the previous single, \"(Rap) Superstar\", with the man picking up a ticket that says \"Rock Superstar\" on it. After giving the ticket to Sen Dog, the man enters into a fun house. A group of women dress up the man in a suit, before he wand... |
(Rock)_Superstar_21212808 | What does the article about '(Rock) Superstar' say regarding 'Use in other media'? | The song is featured in the 2001 film Training Day. It was also in the film Little Nicky. The song is featured in the 2000 video game MTV Sports: Skateboarding featuring Andy Macdonald, released on PC and various consoles. The instrumental is used as an intro at the beginning of each hour on the nationally syndicated r... | [
"(Rock) Superstar β Music video\n\nThe song's music video is very similar to the previous single, \"(Rap) Superstar\", with the man picking up a ticket that says \"Rock Superstar\" on it. After giving the ticket to Sen Dog, the man enters into a fun house. A group of women dress up the man in a suit, before he wand... |
(Rock)_Superstar_21212806 | What information does the article about '(Rock) Superstar' provide? | "(Rock) Superstar" is the second single from Cypress Hill's fifth studio album Skull & Bones. It was originally released as a double A-side with its standard rap counterpart on February 29, 2000 in the UK. An individual release was available starting sometime in April. | [
"(Rock) Superstar β Music video\n\nThe song's music video is very similar to the previous single, \"(Rap) Superstar\", with the man picking up a ticket that says \"Rock Superstar\" on it. After giving the ticket to Sen Dog, the man enters into a fun house. A group of women dress up the man in a suit, before he wand... |
(Romance)_in_the_Digital_Age_2698005 | What does the article about '(Romance) in the Digital Age' say regarding 'Plot'? | The film is music focused, which according to Deadline, "a former emo musician who invites his ex-bandmates to his Christmas-themed wedding." While there a video of the fictional band Autumn in August performing the song P.S. Whatever, which in turn becomes a viral hit. | [
"(Romance) in the Digital Age β Plot\n\nThe film is music focused, which according to Deadline, \"a former emo musician who invites his ex-bandmates to his Christmas-themed wedding.\" While there a video of the fictional band Autumn in August performing the song P.S. Whatever, which in turn becomes a viral hit.",
... |
(Romance)_in_the_Digital_Age_2698006 | Reconstruct the content about 'Cast' from the article on '(Romance) in the Digital Age'. | Lauren Pritchard as Ellis Tillman ; Chris Warren Jr. as Marcellus Roberts ; Joe Murphy as Finn McGee ; Chris Viemeister as Casey Thayer ; Shabazz Green as Booker Roberts ; Jill Durso as Cameron ; Brian Myers as Pythagoras ; Lauren Moore as Michelle ; Joe D'Onofrio as Father Scott ; Lauren Adams as Rosa ; Virgil as Kony... | [
"(Romance) in the Digital Age β Plot\n\nThe film is music focused, which according to Deadline, \"a former emo musician who invites his ex-bandmates to his Christmas-themed wedding.\" While there a video of the fictional band Autumn in August performing the song P.S. Whatever, which in turn becomes a viral hit.",
... |
(Romance)_in_the_Digital_Age_2698008 | Describe the 'Release' section of the article about '(Romance) in the Digital Age'. | On June 7, 2017 it was announced by Deadline that the film had been acquired by Comedy Dynamics for global distribution. In August 2017 the film premiered at the Long Beach International Film Festival where it received the Joan Jett Music Award for "Best Music". On November 3, 2017 the film had a screening in New York ... | [
"(Romance) in the Digital Age β Plot\n\nThe film is music focused, which according to Deadline, \"a former emo musician who invites his ex-bandmates to his Christmas-themed wedding.\" While there a video of the fictional band Autumn in August performing the song P.S. Whatever, which in turn becomes a viral hit.",
... |
(Romance)_in_the_Digital_Age_2698007 | Explain what '(Romance) in the Digital Age' covers in the 'Production' section. | Shooting for the film began on February 27, 2016 in Long Beach, New York and wrapped on March 17 of the same year. The film was shot entirely in Long Beach and Amityville, New York, a Long Island suburb. Pickups for certain segments took place throughout 2016, with the final segment featuring Annet Mahendru wrapping up... | [
"(Romance) in the Digital Age β Plot\n\nThe film is music focused, which according to Deadline, \"a former emo musician who invites his ex-bandmates to his Christmas-themed wedding.\" While there a video of the fictional band Autumn in August performing the song P.S. Whatever, which in turn becomes a viral hit.",
... |
(S)-hydroxynitrile_lyase_27805741 | Describe the 'Natural Substrates of Hydroxynitrile Lyases' section of the article about '(S)-hydroxynitrile lyase'. | Acetone cyanohydrin has been determined to be the natural substrate of HbHNL, though HbHNL also shows activity with mandelonitrile, the natural substrate of PaHNL. The cleavage of mandelonitrile into benzaldehyde and cyanide is what produces the characteristic amaretto smell of almonds. The natural substrate of AtHNL i... | [
"(S)-hydroxynitrile lyase β Natural Substrates of Hydroxynitrile Lyases\n\nAcetone cyanohydrin has been determined to be the natural substrate of HbHNL, though HbHNL also shows activity with mandelonitrile, the natural substrate of PaHNL. The cleavage of mandelonitrile into benzaldehyde and cyanide is what produces... |
(S)-hydroxynitrile_lyase_27805739 | Reconstruct the content from the article about '(S)-hydroxynitrile lyase'. | an aliphatic (S)-hydroxynitrile an aromatic aldehyde + cyanide (S)-hydroxynitrile lyase (, (S)-cyanohydrin producing hydroxynitrile lyase, (S)-oxynitrilase, (S)-HbHNL, (S)-MeHNL, hydroxynitrile lyase, oxynitrilase, HbHNL, MeHNL, (S)-selective hydroxynitrile lyase, (S)-cyanohydrin carbonyl-lyase (cyanide forming), hydro... | [
"(S)-hydroxynitrile lyase β Natural Substrates of Hydroxynitrile Lyases\n\nAcetone cyanohydrin has been determined to be the natural substrate of HbHNL, though HbHNL also shows activity with mandelonitrile, the natural substrate of PaHNL. The cleavage of mandelonitrile into benzaldehyde and cyanide is what produces... |
(S)-iPr-PHOX_10810652 | Reconstruct the content from the article about '(S)-iPr-PHOX'. | (S)-iPr-PHOX, or (S)-2-[2-(diphenylphosphino)phenyl]-4-isopropyl-4,5-dihydrooxazole, is a chiral, bidentate, ligand derived from the amino alcohol valinol. It is part of a broader class of phosphinooxazolines ligands and has found application in asymmetric catalysis. | [
"(S)-iPr-PHOX β Uses\n\nIridium complexes incorporating (S)-iPr-PHOX have been used for asymmetric hydrogenation.",
"(S)-iPr-PHOX\n\n(S)-iPr-PHOX, or (S)-2-[2-(diphenylphosphino)phenyl]-4-isopropyl-4,5-dihydrooxazole, is a chiral, bidentate, ligand derived from the amino alcohol valinol. It is part of a broader c... |
(S)-iPr-PHOX_10810653 | Explain what '(S)-iPr-PHOX' covers in the 'Preparation' section. | IPr-PHOX.png (S)-iPr-PHOX is prepared using the amino alcohol valinol, which is derived from valine. The phosphine moiety may be introduced first, by a reaction between 2-bromobenzonitrile and chlorodiphenylphosphine; the oxazoline ring is then formed in a Witte Seeliger reaction. This yields an air stable zinc complex... | [
"(S)-iPr-PHOX β Uses\n\nIridium complexes incorporating (S)-iPr-PHOX have been used for asymmetric hydrogenation.",
"(S)-iPr-PHOX\n\n(S)-iPr-PHOX, or (S)-2-[2-(diphenylphosphino)phenyl]-4-isopropyl-4,5-dihydrooxazole, is a chiral, bidentate, ligand derived from the amino alcohol valinol. It is part of a broader c... |
(See_Inside)_28211197 | Reconstruct the content about 'Notes' from the article on '(See Inside)'. | "That's Where I Live" is the first Out of the Grey song (excluding instrumentals) to feature no prominent vocals by Christine DentΓ©. Scott DentΓ© sings all of the lead vocals, due to having written the song in a key too low to comfortably fit Christine's vocal range. ; Similarly, the sparse closing track "Joy" is one of... | [
"(See Inside) β Notes\n\n\"That's Where I Live\" is the first Out of the Grey song (excluding instrumentals) to feature no prominent vocals by Christine DentΓ©. Scott DentΓ© sings all of the lead vocals, due to having written the song in a key too low to comfortably fit Christine's vocal range. ; Similarly, the spars... |
(See_Inside)_28211199 | Reconstruct the content about 'Personnel' from the article on '(See Inside)'. | Gloria DentΓ© β additional vocal stylings (9) ; Brown Bannister β flawed pitch wheel (2) Brown Bannister β producer at Sound Emporium, Nashville, Tennessee ; John Mays β executive producer ; Steve Bishir β recording, mixing (2, 8, 9, 10), reverb chamber (8) ; Eric Sarafin β mixing (1, 3-7) ; Hank Nirider β recording ass... | [
"(See Inside) β Notes\n\n\"That's Where I Live\" is the first Out of the Grey song (excluding instrumentals) to feature no prominent vocals by Christine DentΓ©. Scott DentΓ© sings all of the lead vocals, due to having written the song in a key too low to comfortably fit Christine's vocal range. ; Similarly, the spars... |
(See_Inside)_28211198 | Summarize the 'Personnel' part of '(See Inside)'. | Christine DentΓ© β lead vocals (1-6, 8, 9, 10), backing vocals (1-9) ; Scott DentΓ© β acoustic guitars (1-9), backing vocals (1-9), lead vocals (7) Phil Madeira β Hammond B3 organ (1, 4), Mellotron (4), electric guitar (7) ; Carl Marsh β Fairlight cello (1), concertina (7), string arrangements (10) ; Blair Masters β keyb... | [
"(See Inside) β Notes\n\n\"That's Where I Live\" is the first Out of the Grey song (excluding instrumentals) to feature no prominent vocals by Christine DentΓ©. Scott DentΓ© sings all of the lead vocals, due to having written the song in a key too low to comfortably fit Christine's vocal range. ; Similarly, the spars... |
(Set_This)_World_Ablaze_4782108 | Reconstruct the content about 'Personnel' from the article on '(Set This) World Ablaze'. | Killswitch Engage ; Adam Dutkiewicz β lead guitar, backing vocals ; Joel Stroetzel β rhythm guitar ; Mike D'Antonio β bass, artwork ; Howard Jones β lead vocals ; Justin Foley β drums ; Production ; Lex Halaby β director, photography ; Drew Lavyne β mastering ; Adam Dutkiewicz - mixing ; Chris Fortin β engineer ; Wayne... | [
"(Set This) World Ablaze β Personnel\n\nKillswitch Engage ; Adam Dutkiewicz β lead guitar, backing vocals ; Joel Stroetzel β rhythm guitar ; Mike D'Antonio β bass, artwork ; Howard Jones β lead vocals ; Justin Foley β drums ; Production ; Lex Halaby β director, photography ; Drew Lavyne β mastering ; Adam Dutkiewic... |
(Set_This)_World_Ablaze_4782109 | Reconstruct the content about 'Special features and trivia' from the article on '(Set This) World Ablaze'. | All of the band's music videos up to The End of Heartache (2004). ; "From The Bedroom To The Basement" β an 85-minute documentary on the rise of the band. Includes commentary from such people as Brian Fair from Shadows Fall, Randy Blythe from Lamb of God, Philip Labonte from All That Remains, Corey Taylor from Slipknot... | [
"(Set This) World Ablaze β Personnel\n\nKillswitch Engage ; Adam Dutkiewicz β lead guitar, backing vocals ; Joel Stroetzel β rhythm guitar ; Mike D'Antonio β bass, artwork ; Howard Jones β lead vocals ; Justin Foley β drums ; Production ; Lex Halaby β director, photography ; Drew Lavyne β mastering ; Adam Dutkiewic... |
(Set_This)_World_Ablaze_4782107 | Describe the 'Music videos' section of the article about '(Set This) World Ablaze'. | 1) "Life to Lifeless" ; 2) "My Last Serenade" ; 3) "Fixation on the Darkness" ; 4) "Rose of Sharyn" ; 5) "The End of Heartache" | [
"(Set This) World Ablaze β Personnel\n\nKillswitch Engage ; Adam Dutkiewicz β lead guitar, backing vocals ; Joel Stroetzel β rhythm guitar ; Mike D'Antonio β bass, artwork ; Howard Jones β lead vocals ; Justin Foley β drums ; Production ; Lex Halaby β director, photography ; Drew Lavyne β mastering ; Adam Dutkiewic... |
(Set_This)_World_Ablaze_4782106 | Reconstruct the content from the article about '(Set This) World Ablaze'. | (Set This) World Ablaze is the first live album by American metalcore band Killswitch Engage. The DVD is of a live show that was taped at The Palladium in Worcester, Massachusetts, United States, on July 25, 2005. It includes live tracks from Killswitch Engage, Alive or Just Breathing and The End of Heartache. Set This... | [
"(Set This) World Ablaze β Personnel\n\nKillswitch Engage ; Adam Dutkiewicz β lead guitar, backing vocals ; Joel Stroetzel β rhythm guitar ; Mike D'Antonio β bass, artwork ; Howard Jones β lead vocals ; Justin Foley β drums ; Production ; Lex Halaby β director, photography ; Drew Lavyne β mastering ; Adam Dutkiewic... |
(She_Was_A)_Hotel_Detective_27556558 | Describe the 'Music video' section of the article about '(She Was A) Hotel Detective'. | The music video for "(She Was A) Hotel Detective" was directed by Adam Bernstein. Some portions of the video show cartoons of the two Johns, animated by Joey Ahlbum. The video is split between these animated segments and segments of John Flansburgh and John Linnell performing the song in a dark room in front of a large... | [
"(She Was A) Hotel Detective β Music video\n\nThe music video for \"(She Was A) Hotel Detective\" was directed by Adam Bernstein. Some portions of the video show cartoons of the two Johns, animated by Joey Ahlbum. The video is split between these animated segments and segments of John Flansburgh and John Linnell pe... |
(She_Was_A)_Hotel_Detective_27556556 | Summarize the following section from the article on '(She Was A) Hotel Detective'. | "(She Was A) Hotel Detective" is a song and single by alternative rock band They Might Be Giants. It was released as a single two years after the release of They Might Be Giants, the album on which it originally appeared. The "Hotel Detective" title has become a somewhat recurring theme for the band. As in the single r... | [
"(She Was A) Hotel Detective β Music video\n\nThe music video for \"(She Was A) Hotel Detective\" was directed by Adam Bernstein. Some portions of the video show cartoons of the two Johns, animated by Joey Ahlbum. The video is split between these animated segments and segments of John Flansburgh and John Linnell pe... |
(She_Was_A)_Hotel_Detective_27556560 | Describe the 'Personnel' section of the article about '(She Was A) Hotel Detective'. | They Might Be Giants ; John Flansburgh β vocals, guitar ; John Linnell β vocals, bass saxophone, baritone saxophone, synthesizers, accordion Additional musicians ; Lt. Anne Moore β vocals ; Peter Pearmain Thomson β backup vocals Production ; Al Houghton β engineer ; Bill Krauss β producer ; Mark Marek β cover art ; Rit... | [
"(She Was A) Hotel Detective β Music video\n\nThe music video for \"(She Was A) Hotel Detective\" was directed by Adam Bernstein. Some portions of the video show cartoons of the two Johns, animated by Joey Ahlbum. The video is split between these animated segments and segments of John Flansburgh and John Linnell pe... |
(She_Was_A)_Hotel_Detective_27556557 | Reconstruct the content about '"Hotel Detective" series' from the article on '(She Was A) Hotel Detective'. | The song "(She Was A) Hotel Detective", which was written by John Flansburgh, first appeared on They Might Be Giants, the band's debut album. It was later followed up by "She Was a Hotel Detective", which appeared on an EP, Back to Skull, released in 1994. The sequel was written by John Linnell, "in the tradition of 'P... | [
"(She Was A) Hotel Detective β Music video\n\nThe music video for \"(She Was A) Hotel Detective\" was directed by Adam Bernstein. Some portions of the video show cartoons of the two Johns, animated by Joey Ahlbum. The video is split between these animated segments and segments of John Flansburgh and John Linnell pe... |
(She's_So)_Selfish_16687715 | Summarize the 'Censored version' part of '(She's So) Selfish'. | Capitol Records wanted to release "(She's So) Selfish" as a follow-up single from Get the Knack to "My Sharona" and "Good Girls Don't" in time for Christmas 1979. However, they could not do so unless some of the more "scatological" references were edited out. The band, having already edited out some lyrics for the sing... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687710 | What does the article about '(She's So) Selfish' say regarding 'Lyrics and music'? | When she takes you by the short hairs ; It's the only thing she'll leave you down there ; No fuck-a me fuck-a me today ; No fuck-a me fuck-a me today The music of "(She's So) Selfish" is based on a Bo Diddley-like riff. According to Averre, Fieger wrote most of "(She's So) Selfish" and Averre wrote the "release" sectio... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687714 | Reconstruct the content about 'Reception' from the article on '(She's So) Selfish'. | rant." The 3rd edition of The Rolling Stone Album Guide, music critic Robert Christgau and other critics commented on the song's nastiness, with authors Michael Uslan and Bruce Solomon calling it "by far the nastiest and most up-front cut on the album." Eric Siegel of The Sun claims that lines such as "It's just me me ... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687716 | Reconstruct the content about 'Other releases' from the article on '(She's So) Selfish'. | "(She's So) Selfish" was a staple of the Knack's live shows and was included in several of the band's live albums, generally towards the end of the set right before "My Sharona." It was included on the 2012 live album Havin' a Rave-Up! Live in Los Angeles, 1978, which was based on two concerts the band performed in Los... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687711 | Summarize the 'Lyrics and music' part of '(She's So) Selfish'. | Tribune, the song is about a "manipulative tease." Taking a line from the song, Ira Robbins and Michael Sandlin of Trouser Press describe the girl in the song as "rich bitch." Ultimate Classic Rock writer Dave Swanson included it as one of the Knack's "top shelf, hook-laden rockers" but acknowledged that it is "full of... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687709 | Summarize the following section from the article on '(She's So) Selfish'. | "(She's So) Selfish" is a hit song written by Doug Fieger and Berton Averre that was first released by the Knack on their #1 debut album Get the Knack in 1979. It also appeared on a number of live and compilation albums. It was intended for release as a single, but was prevented by its "scatological" lyrics. It was ins... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(She's_So)_Selfish_16687712 | Reconstruct the content about 'Reception' from the article on '(She's So) Selfish'. | The Associated Press, TV Guide and others identified "(She's So) Selfish" as one of the Knack's radio hits. Terry Atkinson of the Los Angeles Times calls it "one of the Knack's better songs." Mike Daily of The Age claims that it deserves equal credit with "My Sharona" for the success of Get the Knack. Audio magazine ca... | [
"(She's So) Selfish β Censored version\n\nCapitol Records wanted to release \"(She's So) Selfish\" as a follow-up single from Get the Knack to \"My Sharona\" and \"Good Girls Don't\" in time for Christmas 1979. However, they could not do so unless some of the more \"scatological\" references were edited out. The ba... |
(Sittin'_On)_The_Dock_of_the_Bay_21138159 | Describe the 'Origins' section of the article about '(Sittin' On) The Dock of the Bay'. | are about him. [...] Otis didn't really write about himself but I did. Songs like "Mr. Pitiful," "Fa-Fa-Fa-Fa-Fa (Sad Song)"; they were about Otis and Otis' life. "Dock of the Bay" was exactly that: "I left my home in Georgia, headed for the Frisco Bay" was all about him going out to San Francisco to perform." Together... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138172 | What does the article about '(Sittin' On) The Dock of the Bay' say regarding 'Michael Bolton version'? | Michael Bolton included the song on his 1987 album The Hunger. His version peaked number 11 on the Billboard Hot 100 and number 12 on the Album Rock Tracks chart. The version peaked number 77 on the UK Singles Chart on the week ending April 3, 1988, its third week on the Chart. Zelma Redding, Otis's widow, said she was... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138166 | Summarize the 'Legacy' part of '(Sittin' On) The Dock of the Bay'. | albums and anthologies sold well in America and abroad. Redding was especially successful in the United Kingdom, where The Dock of the Bay went to number one, becoming the first posthumous album to reach the top spot there. In 1999, BMI named the song as the sixth-most performed song of the twentieth century, with abou... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138163 | Summarize the 'Reception' part of '(Sittin' On) The Dock of the Bay'. | Phil Walden and Jim Stewart were among those who had doubts about the song, the sound, and the production. Redding accepted some of the criticisms and fine-tuned the song. He reversed the opening, which was Redding's whistling part, and put it at the end as suggested. "The Dock of the Bay" was released early in 1968 an... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138164 | From the article on '(Sittin' On) The Dock of the Bay', restate the 'Universal success' content. | "(Sittin' On) The Dock of the Bay" was released in January 1968, shortly after Redding's death. R&B stations quickly added the song to their playlists, which had been saturated with Redding's previous hits. The song shot to number one on the R&B charts in early 1968 and, starting in March, topped the pop charts for fou... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138170 | Explain what '(Sittin' On) The Dock of the Bay' covers in the 'Chart performance of other versions' section. | In addition to the original Otis Redding version, several other versions have charted on the Billboard Hot 100 in the United States. King Curtis's version charted for five weeks starting in March 1968 and peaked at number 84 (during the same month, the original was number one). A year later, Sergio Mendes & Brasil '66'... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138156 | What information does the article about '(Sittin' On) The Dock of the Bay' provide? | "(Sittin' On) The Dock of the Bay" is a song co-written by soul singer Otis Redding and guitarist Steve Cropper. It was recorded by Redding twice in 1967, including once just three days before his death in a plane crash. The song was released on Stax Records' Volt label in 1968, becoming the first ever posthumous singl... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138167 | Reconstruct the content about 'Legacy' from the article on '(Sittin' On) The Dock of the Bay'. | songs on the list, after "Respect" (in this case the version recorded by Aretha Franklin). Jim Morrison made reference to "Dock of the Bay" in the Doors' song "Runnin' Blue", written by Robby Krieger, from their 1969 album The Soft Parade. Morrison sings an a capella intro for the song, singing directly about Otis Redd... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138169 | What information does the article about '(Sittin' On) The Dock of the Bay' provide on 'Later versions'? | an acoustic set in 2008 and with Zach Myers in a 2014 EP) and Garth Brooks (for the 2013 Blue-Eyed Soul album in the Blame It All on My Roots: Five Decades of Influences compilation) as well as John Hartford on the Retrograss album with David Grisman and Mike Seeger (1999). Sammy Hagar released a version of the song as... | [
"(Sittin' On) The Dock of the Bay β Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
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