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(Sittin'_On)_The_Dock_of_the_Bay_21138168 | From the article on '(Sittin' On) The Dock of the Bay', restate the 'Later versions' content. | "The Dock of the Bay" has been hugely popular, even after its stay at the top of the charts. The song has been recorded by many artists, from Redding's peers, like Glen Campbell, Cher, Peggy Lee, David Allan Coe, Bob Dylan, Don Partridge, Percy Sledge, Dee Clark, and Sam & Dave, to artists in various genres, including ... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138162 | Summarize the 'Personnel' part of '(Sittin' On) The Dock of the Bay'. | Otis Redding – vocals ; Booker T. Jones – keyboards ; Steve Cropper – guitar ; Donald Dunn – bass guitar ; Al Jackson Jr. – drums ; Wayne Jackson – trumpet, trombone ; Andrew Love – saxophone | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138160 | Describe the 'Origins' section of the article about '(Sittin' On) The Dock of the Bay'. | song is somewhat different in style from most of Redding's other recordings. While discussing the song with his wife, Redding stated that he had wanted to "be a little different" with "The Dock of the Bay" and "change his style". There were concerns that "The Dock of the Bay" had too much of a pop feel for an Otis Redd... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138165 | Explain what '(Sittin' On) The Dock of the Bay' covers in the 'Legacy' section. | Redding's body of work at the time of his death was immense, including a backlog of archived recordings as well as those created in November and December 1967, just before his death. In mid-1968, Stax Records severed its distribution contract with Atlantic Records, which retained the label's back catalog and the rights... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138161 | What does the article about '(Sittin' On) The Dock of the Bay' say regarding 'Origins'? | heard before it fades, however it is unclear who performed it. Some sources claim Sam Taylor, a guitarist/bandleader for Redding during the 1960s, overdubbed Redding's original, weaker whistle. Cropper, however, insists that Redding's original whistle was used on the final cut. Redding continued to tour after the recor... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138157 | Summarize the 'Origins' part of '(Sittin' On) The Dock of the Bay'. | While on tour with the Bar-Kays in August 1967, Redding wrote the first verse of the song, under the abbreviated title "Dock of the Bay," on a houseboat at Commodore Seaplane slips in Sausalito, California. He had completed his famed performance at the Monterey Pop Festival just weeks earlier. While touring in support ... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Sittin'_On)_The_Dock_of_the_Bay_21138158 | Summarize the 'Origins' part of '(Sittin' On) The Dock of the Bay'. | 1990 interview on NPR's Fresh Air, Cropper explained the origins of the song: "Otis was one of those the kind of guy who had 100 ideas. [...] He had been in San Francisco doing The Fillmore. And the story that I got he was renting boathouse or stayed at a boathouse or something and that's where he got the idea of the s... | [
"(Sittin' On) The Dock of the Bay — Origins\n\nare about him. [...] Otis didn't really write about himself but I did. Songs like \"Mr. Pitiful,\" \"Fa-Fa-Fa-Fa-Fa (Sad Song)\"; they were about Otis and Otis' life. \"Dock of the Bay\" was exactly that: \"I left my home in Georgia, headed for the Frisco Bay\" was all... |
(Someone's_Always_Telling_You_How_To)_Behave_18291300 | Based on the article about '(Someone's Always Telling You How To) Behave', describe the 'Composition' section. | The group wrote and recorded "Behave" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's lawsuit against The Face magazine for intoning he was gay, as well as ... | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Someone's_Always_Telling_You_How_To)_Behave_18291303 | Based on the article about '(Someone's Always Telling You How To) Behave', describe the 'Reception' section. | In a review for AllMusic, Whitener wrote that the song "marks an interesting point of transition for the group" as they shifted from independent to more mainstream-minded music, and praised the song for "combin(ing) lyric and hardcore dance sensibilities" and for its "beautiful, and amusing" chorus. He also commended t... | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Someone's_Always_Telling_You_How_To)_Behave_18291299 | What information does the article about '(Someone's Always Telling You How To) Behave' provide? | "(Someone's Always Telling You How To) Behave" is a song by British rock group Chumbawamba. The song, which incorporates elements of rock and dance, criticizes homophobia in pop and rock music. The group recorded it in late summer 1992 but struggled to reach an agreement with their distributor, Southern Records, over t... | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Someone's_Always_Telling_You_How_To)_Behave_18291302 | From the article on '(Someone's Always Telling You How To) Behave', restate the 'Release' content. | Initially, the group had planned to release the single through their then-label and distributor, Southern Records. However, on their website, Chumbawamba reflected that the single had been "not much loved by" the label, which was reluctant to release the song as a CD single (preferring to stick to a twelve-inch release... | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Someone's_Always_Telling_You_How_To)_Behave_18291301 | Summarize the 'Release' part of '(Someone's Always Telling You How To) Behave'. | The single was commercially released in the United Kingdom by the group's own newly-formed record label, Agit Prop Records, in November 1992 as both a twelve-inch and a CD single. The release featured the label catalog number 666. In addition to the single mix, the single release featured a B-side titled "Misbehave", t... | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Someone's_Always_Telling_You_How_To)_Behave_18291305 | What information does the article about '(Someone's Always Telling You How To) Behave' provide on 'Credits'? | Engineering (Tracks 1, 4, and 5) — Paul Ferguson ; Engineering (Tracks 2 and 3) — Paul Harding ; Photography — Paula Solloway ; Production — Chumbawamba Adapted from album liner notes | [
"(Someone's Always Telling You How To) Behave — Composition\n\nThe group wrote and recorded \"Behave\" in response to multiple recent instances in which gay British pop stars were subjected to homophobic attacks or made homophobic comments. In the single's liner notes, the group singled out singer Jason Donovan's l... |
(Something_Inside)_So_Strong_22042392 | Summarize the following section from the article on '(Something Inside) So Strong'. | "(Something Inside) So Strong" is a song written and recorded by British singer-songwriter Labi Siffre. Released as a single in 1987, it was one of the biggest successes of his career, peaking at number four on the UK Singles Chart. The song was written in 1984, inspired by a television documentary on Apartheid South A... | [
"(Something Inside) So Strong\n\n\"(Something Inside) So Strong\" is a song written and recorded by British singer-songwriter Labi Siffre. Released as a single in 1987, it was one of the biggest successes of his career, peaking at number four on the UK Singles Chart. The song was written in 1984, inspired by a tele... |
(Something_Inside)_So_Strong_22042395 | Describe the 'Barry from EastEnders version' section of the article about '(Something Inside) So Strong'. | A 2014 rendition of "(Something Inside) So Strong" by the British actor Shaun Williamson (aka Barry from EastEnders) was performed live at the 2014 World Indoor Bowls Championship, After being televised live nationally, it became a popular meme and was notably mashed up in video form with two successive U.S. presidenti... | [
"(Something Inside) So Strong\n\n\"(Something Inside) So Strong\" is a song written and recorded by British singer-songwriter Labi Siffre. Released as a single in 1987, it was one of the biggest successes of his career, peaking at number four on the UK Singles Chart. The song was written in 1984, inspired by a tele... |
(Something_Inside)_So_Strong_22042393 | Reconstruct the content about 'The Rosa Parks Tribute Singers version' from the article on '(Something Inside) So Strong'. | In 1995, Verity Records released Verity Records Presents: A Tribute to Mrs. Rosa Parks. A cover version performed by a chorus of gospel singers, including Fred Hammond (who produced the track), Yolanda Adams, Shirley Caesar, Daryl Coley and Vanessa Bell Armstrong, was the first track. | [
"(Something Inside) So Strong\n\n\"(Something Inside) So Strong\" is a song written and recorded by British singer-songwriter Labi Siffre. Released as a single in 1987, it was one of the biggest successes of his career, peaking at number four on the UK Singles Chart. The song was written in 1984, inspired by a tele... |
(Still_a)_Weirdo_3309863 | Describe the content of the article about '(Still a) Weirdo'. | "(Still a) Weirdo" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talks about still the same (wei... | [
"(Still a) Weirdo\n\n\"(Still a) Weirdo\" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talk... |
(Still_a)_Weirdo_3309865 | Describe the 'Reception' section of the article about '(Still a) Weirdo'. | Nick Levine from Digital Spy gave a positive review and rated the song with 4 stars out of 5. He says that "in the decidedly less jazzy hands of KT Tunstall, it becomes a sweetly self-deprecating and quietly optimistic little ditty about accepting your faults and making the best of it. 'I don't always get it right, but... | [
"(Still a) Weirdo\n\n\"(Still a) Weirdo\" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talk... |
(Still_a)_Weirdo_3309868 | Summarize the 'Music video' part of '(Still a) Weirdo'. | The music video premiered on 17 August 2010, on Channel 4. It was directed by Paul Minor and was shot in Columbia, Tennessee, and shows Tunstall in the 1960s, walking around a town with her guitar. | [
"(Still a) Weirdo\n\n\"(Still a) Weirdo\" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talk... |
(Still_a)_Weirdo_3309866 | From the article on '(Still a) Weirdo', restate the 'Reception' content. | slice of Beatlesy clever-pop that recalls Elliott Smith". Greg Kot from Entertainment Weekly said,:"Tunstall keeps enough off-kilter grit in her voice to make the claim in "(Still a) Weirdo" stick". Victoria Dillingham from musicOMH gave an extremely positive review for the song, saying: "The pre-released single "(Stil... | [
"(Still a) Weirdo\n\n\"(Still a) Weirdo\" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talk... |
(Still_a)_Weirdo_3309864 | Based on the article about '(Still a) Weirdo', describe the 'Background' section. | The song was described as a "heartfelt piece of self-assessment". Tunstall explained to MusicRemedy.com that the lyrics of this song are some of her most personal. "It's one of those rare moments where you can see yourself objectively and look into your own emotional machinery and realize what you are." | [
"(Still a) Weirdo\n\n\"(Still a) Weirdo\" is a song by Scottish recording artist KT Tunstall. It was released as the UK lead single from her third studio album Tiger Suit (2010), on 19 September 2010. Written by Tunstall herself and Greg Kurstin, and produced by Kurstin, the song is an acoustic rock ballad and talk... |
(Straight_to_Your_Heart)_Like_a_Cannonball_192659 | Reconstruct the content from the article about '(Straight to Your Heart) Like a Cannonball'. | "(Straight to Your Heart) Like a Cannonball" is a song written by Van Morrison that was first released on his 1971 album Tupelo Honey. It was also released as the third single from the album but did not chart. | [
"(Straight to Your Heart) Like a Cannonball\n\n\"(Straight to Your Heart) Like a Cannonball\" is a song written by Van Morrison that was first released on his 1971 album Tupelo Honey. It was also released as the third single from the album but did not chart.",
"(Straight to Your Heart) Like a Cannonball — Recepti... |
(Straight_to_Your_Heart)_Like_a_Cannonball_192663 | What information does the article about '(Straight to Your Heart) Like a Cannonball' provide on 'Reception'? | Billboard chose "(Straight to Your Heart) Like a Cannonball" as a recommended pop single when the single was released. Nonetheless, "(Straight to Your Heart) Like a Cannonball" failed to make the Billboard Hot 100, topping out on the Bubbling Under Hot 100 chart at #119. Windsor Star critic John Laycock praised the "ch... | [
"(Straight to Your Heart) Like a Cannonball\n\n\"(Straight to Your Heart) Like a Cannonball\" is a song written by Van Morrison that was first released on his 1971 album Tupelo Honey. It was also released as the third single from the album but did not chart.",
"(Straight to Your Heart) Like a Cannonball — Recepti... |
(Straight_to_Your_Heart)_Like_a_Cannonball_192660 | Based on the article about '(Straight to Your Heart) Like a Cannonball', describe the 'Lyrics and music' section. | The lyrics of "(Straight to Your Heart) Like a Cannonball" propose taking advantage of nature to solve one's problems. An example is the opening verse "Well you know sometimes it gets so hard/And everything don't seem to rhyme/I take a walk out in my backyard and go/Do do loo do do, do do loo, do do." The lyrics show c... | [
"(Straight to Your Heart) Like a Cannonball\n\n\"(Straight to Your Heart) Like a Cannonball\" is a song written by Van Morrison that was first released on his 1971 album Tupelo Honey. It was also released as the third single from the album but did not chart.",
"(Straight to Your Heart) Like a Cannonball — Recepti... |
(Straight_to_Your_Heart)_Like_a_Cannonball_192662 | Based on the article about '(Straight to Your Heart) Like a Cannonball', describe the 'Recording' section. | "(Straight to Your Heart) Like a Cannonball" was recorded at Wally Heider Studios in San Francisco, California, during the first set of recording sessions for Tupelo Honey. | [
"(Straight to Your Heart) Like a Cannonball\n\n\"(Straight to Your Heart) Like a Cannonball\" is a song written by Van Morrison that was first released on his 1971 album Tupelo Honey. It was also released as the third single from the album but did not chart.",
"(Straight to Your Heart) Like a Cannonball — Recepti... |
(T)error_20169347 | Summarize the 'Awards and nominations' part of '(T)error'. | Won ; The National Academy of Television Arts and Sciences – Emmy for Outstanding Investigative Documentary (2017) ; Sundance – Special Jury Prize for Breakout First Feature (2015) ; Full Frame Documentary Film Festival – Grand Jury Prize (2015) ; International Documentary Association – Lyric R. Cabral and David Felix ... | [
"(T)error — Awards and nominations\n\nWon ; The National Academy of Television Arts and Sciences – Emmy for Outstanding Investigative Documentary (2017) ; Sundance – Special Jury Prize for Breakout First Feature (2015) ; Full Frame Documentary Film Festival – Grand Jury Prize (2015) ; International Documentary Asso... |
(T)error_20169344 | Reconstruct the content from the article about '(T)error'. | (T)error —stylized as (T)ERROR — is a 2015 American documentary film directed by Lyric R. Cabral and David Felix Sutcliffe. The film follows undercover FBI informant Saeed "Shariff" Torres as he engages in a sting operation targeting a Muslim man named Khalifah Ali Al-Akili as well as Tarik Shah. The film won the Speci... | [
"(T)error — Awards and nominations\n\nWon ; The National Academy of Television Arts and Sciences – Emmy for Outstanding Investigative Documentary (2017) ; Sundance – Special Jury Prize for Breakout First Feature (2015) ; Full Frame Documentary Film Festival – Grand Jury Prize (2015) ; International Documentary Asso... |
(T)error_20169346 | Describe the 'Critical reception' section of the article about '(T)error'. | The film was received positively by critics. It received a 91% Fresh rating on Rotten Tomatoes based on 33 reviews. It also received a score of 73 (generally favorable) on Metacritic, based on 12 reviews. The consensus according to Rotten Tomatoes being "(T)ERROR should dishearten and disturb viewers concerned with the... | [
"(T)error — Awards and nominations\n\nWon ; The National Academy of Television Arts and Sciences – Emmy for Outstanding Investigative Documentary (2017) ; Sundance – Special Jury Prize for Breakout First Feature (2015) ; Full Frame Documentary Film Festival – Grand Jury Prize (2015) ; International Documentary Asso... |
(T)error_20169345 | Reconstruct the content about 'Background' from the article on '(T)error'. | Co-director Cabral was a student living in Harlem when her downstairs neighbor of four years, Saeed Torres, disappeared in May 2005. Cabral's investigation into his disappearance eventually became the subject of her film. Shortly before Torres' disappearance, Sutcliffe and Cabral met at an afterschool arts program, whe... | [
"(T)error — Awards and nominations\n\nWon ; The National Academy of Television Arts and Sciences – Emmy for Outstanding Investigative Documentary (2017) ; Sundance – Special Jury Prize for Breakout First Feature (2015) ; Full Frame Documentary Film Festival – Grand Jury Prize (2015) ; International Documentary Asso... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309272 | Reconstruct the content from the article about '(Tell Me) Have You Ever Seen Me?'. | "(Tell Me) Have You Ever Seen Me?" (also known as "Tell Me Have You Ever Seen Me?" or "Have You Ever Seen Me?") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently had a working title of "Mystery" in 1966. Init... | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309277 | Based on the article about '(Tell Me) Have You Ever Seen Me?', describe the 'Personnel' section. | Steve Marriott - acoustic guitar, lead vocals ; Ronnie Lane - bass guitar, backing vocals ; Ian McLagan - hammond organ, mellotron, backing vocals ; Kenney Jones - drums, percussion | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309273 | Explain what '(Tell Me) Have You Ever Seen Me?' covers in the 'Song profile' section. | In an interview for Saturday Club, Ronnie Lane stated that he came up with the song after listening to some tracks off of the group's eponymous debut album in reverse. It was recorded in the same sessions as "My Mind's Eye", "That Man", and "Yesterday, Today and Tomorrow". Footage of them recording the backing instrume... | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309279 | Describe the 'Other versions' section of the article about '(Tell Me) Have You Ever Seen Me?'. | The Stillroven covered it as "Have You Ever Seen Me" and released it as a single in 1968. It became the group's final single release before their breakup. ; A cover appears on Gumball's 1992 extended play Wisconsin Hayride. | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309274 | What does the article about '(Tell Me) Have You Ever Seen Me?' say regarding 'Song profile'? | 2 June 1967 when the compilation album From the Beginning was released, this album contains unreleased recordings and other hit recordings from the band's earlier output. This version was released by Decca and is thought to be a demo for British singer Chris Farlowe. A revamped version was included as the opening track... | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309276 | Explain what '(Tell Me) Have You Ever Seen Me?' covers in the 'Song profile' section. | in German music magazine Musikexpress' list of "the 700 best songs of all time" at a position of number 568, where they write that "Marriott is in his best form". It was later featured on Here Come the Nice: The Immediate Years 1967-1969 on 27 January 2014. The Immediate version "(Tell Me) Have You Ever Seen Me?" also ... | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(Tell_Me)_Have_You_Ever_Seen_Me?_14309275 | Based on the article about '(Tell Me) Have You Ever Seen Me?', describe the 'Song profile' section. | track. The Decca rendering was released exclusively in mono sound (as with all Small Faces' work on Decca), while the Immediate one was mixed in both stereo and mono. There are thought to exist 4 versions of the song, these are the two aforementioned versions, one on the deluxe edition of From the Beginning, and the la... | [
"(Tell Me) Have You Ever Seen Me?\n\n\"(Tell Me) Have You Ever Seen Me?\" (also known as \"Tell Me Have You Ever Seen Me?\" or \"Have You Ever Seen Me?\") is a song by English rock band Small Faces. It has a complicated release history and was issued by both Decca and Immediate Records in 1967. The track apparently... |
(The_Angels_Wanna_Wear_My)_Red_Shoes_156297 | Reconstruct the content about 'Release and reception' from the article on '(The Angels Wanna Wear My) Red Shoes'. | actually threatened to push 'Red Shoes' into the singles charts". Despite the greater visibility, the single failed to chart. "(The Angels Wanna Wear My) Red Shoes" received positive reception from music critics. Pitchfork praised the song as "the catchiest pop song on My Aim Is True" while Rolling Stone praised the so... | [
"(The Angels Wanna Wear My) Red Shoes — Release and reception\n\nactually threatened to push 'Red Shoes' into the singles charts\". Despite the greater visibility, the single failed to chart. \"(The Angels Wanna Wear My) Red Shoes\" received positive reception from music critics. Pitchfork praised the song as \"the... |
(The_Angels_Wanna_Wear_My)_Red_Shoes_156298 | Explain what '(The Angels Wanna Wear My) Red Shoes' covers in the 'Release and reception' section. | inspirations for his jangly guitar sound. He explained, "They had this big, jangly guitar sound, which is what I'd been wanting to get into for a long while. All of a sudden the radio's on and there's this huge guitar sound coming out, like sending out a big Rickenbacker 12-string or something. And I thought, 'Ah, my t... | [
"(The Angels Wanna Wear My) Red Shoes — Release and reception\n\nactually threatened to push 'Red Shoes' into the singles charts\". Despite the greater visibility, the single failed to chart. \"(The Angels Wanna Wear My) Red Shoes\" received positive reception from music critics. Pitchfork praised the song as \"the... |
(The_Angels_Wanna_Wear_My)_Red_Shoes_156294 | Reconstruct the content about 'Background' from the article on '(The Angels Wanna Wear My) Red Shoes'. | I had there and play the song until I imprinted it in my memory. I had no tape recorder. I had no way other than repetition to drill it into my head so I wouldn't lose it." The Wall Street Journal described the song as "a surrealist tale about an imagined jilting and the appearance of earthbound angels offering the sin... | [
"(The Angels Wanna Wear My) Red Shoes — Release and reception\n\nactually threatened to push 'Red Shoes' into the singles charts\". Despite the greater visibility, the single failed to chart. \"(The Angels Wanna Wear My) Red Shoes\" received positive reception from music critics. Pitchfork praised the song as \"the... |
(The_Angels_Wanna_Wear_My)_Red_Shoes_156293 | Reconstruct the content about 'Background' from the article on '(The Angels Wanna Wear My) Red Shoes'. | "(The Angels Wanna Wear My) Red Shoes" was written by Costello on a train travelling from London to Liverpool in 1976. Costello reportedly sketched out the song in the final ten minutes of the trip; he later described this sudden inspiration as "startling". Costello recalled, "I wrote it in 10 minutes on a train out of... | [
"(The Angels Wanna Wear My) Red Shoes — Release and reception\n\nactually threatened to push 'Red Shoes' into the singles charts\". Despite the greater visibility, the single failed to chart. \"(The Angels Wanna Wear My) Red Shoes\" received positive reception from music critics. Pitchfork praised the song as \"the... |
(The_Angels_Wanna_Wear_My)_Red_Shoes_156292 | Describe the content of the article about '(The Angels Wanna Wear My) Red Shoes'. | "(The Angels Wanna Wear My) Red Shoes" is a song written and recorded by Elvis Costello for his 1977 debut album My Aim Is True. Written by Costello on a train ride to Liverpool in 1976, the song features lyrics, according to Costello, about "romantic disappointment". The song features Byrds-inspired music with an intr... | [
"(The Angels Wanna Wear My) Red Shoes — Release and reception\n\nactually threatened to push 'Red Shoes' into the singles charts\". Despite the greater visibility, the single failed to chart. \"(The Angels Wanna Wear My) Red Shoes\" received positive reception from music critics. Pitchfork praised the song as \"the... |
(The_Best_Part_of)_Breakin'_Up_20408818 | Based on the article about '(The Best Part of) Breakin' Up', describe the 'Original recording' section. | The group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song "Chapel of Love" in early 1964, but Spector refused to release it. "It doesn't sound like a hit," he told the group, so The Dixie Cups recorded their version of the song, which peaked at number one on the Billboard top 100, a position never h... | [
"(The Best Part of) Breakin' Up — Original recording\n\nThe group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song \"Chapel of Love\" in early 1964, but Spector refused to release it. \"It doesn't sound like a hit,\" he told the group, so The Dixie Cups recorded their version of the song, which p... |
(The_Best_Part_of)_Breakin'_Up_20408820 | From the article on '(The Best Part of) Breakin' Up', restate the 'Cover versions' content. | The song was a no. 25 UK Singles Chart hit for The Symbols in 1968. In 1982, American singer Roni Griffith hit number two on the US Dance Club Songs chart for two weeks with her Hi-NRG version of the song, produced by American record producer Bobby Orlando. The Devil Dogs covered the song on their eponymous debut album... | [
"(The Best Part of) Breakin' Up — Original recording\n\nThe group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song \"Chapel of Love\" in early 1964, but Spector refused to release it. \"It doesn't sound like a hit,\" he told the group, so The Dixie Cups recorded their version of the song, which p... |
(The_Best_Part_of)_Breakin'_Up_20408817 | What information does the article about '(The Best Part of) Breakin' Up' provide on 'Original recording'? | With the British invasion in full force during 1964, many of the previous American groups from the late 1950s/early 1960s found their popularity beginning to seriously wane. For the Ronettes, however, 1964 proved to be their biggest year. While none of their singles matched the success of their 1963 classic "Be My Baby... | [
"(The Best Part of) Breakin' Up — Original recording\n\nThe group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song \"Chapel of Love\" in early 1964, but Spector refused to release it. \"It doesn't sound like a hit,\" he told the group, so The Dixie Cups recorded their version of the song, which p... |
(The_Best_Part_of)_Breakin'_Up_20408816 | What information does the article about '(The Best Part of) Breakin' Up' provide? | "(The Best Part of) Breaking Up" is a song written by Phil Spector, Pete Andreoli and Vince Poncia. It was first recorded by The Ronettes, produced by Phil Spector and arranged by Jack Nitzsche with Ronnie Spector on lead vocals and with backing vocals by Nedra Talley and Estelle Bennett, ably abetted by Darlene Love a... | [
"(The Best Part of) Breakin' Up — Original recording\n\nThe group had recorded the Phil Spector, Jeff Barry, and Ellie Greenwich song \"Chapel of Love\" in early 1964, but Spector refused to release it. \"It doesn't sound like a hit,\" he told the group, so The Dixie Cups recorded their version of the song, which p... |
(The_EP)_13711150 | Summarize the 'Guest musicians' part of '(The EP)'. | Cale Parks on vibraphone ; Bob Hoffnar on pedal steel ; Jen Tabor on cello and violin ; Paul Koob on vioobrophone [sic] (vibraphone) and violoncello | [
"(The EP) — Guest musicians\n\nCale Parks on vibraphone ; Bob Hoffnar on pedal steel ; Jen Tabor on cello and violin ; Paul Koob on vioobrophone [sic] (vibraphone) and violoncello",
"(The EP)\n\n(the ep) is an EP, the third release by Mike Kinsella under the name Owen. It was released on May 4, 2004, on Polyvinyl... |
(The_EP)_13711149 | Summarize the following section from the article on '(The EP)'. | (the ep) is an EP, the third release by Mike Kinsella under the name Owen. It was released on May 4, 2004, on Polyvinyl Records. On April 17, 2004, "In the Morning, Before Work" was made available for download. | [
"(The EP) — Guest musicians\n\nCale Parks on vibraphone ; Bob Hoffnar on pedal steel ; Jen Tabor on cello and violin ; Paul Koob on vioobrophone [sic] (vibraphone) and violoncello",
"(The EP)\n\n(the ep) is an EP, the third release by Mike Kinsella under the name Owen. It was released on May 4, 2004, on Polyvinyl... |
(The_EP)_13711151 | Describe the 'Vinyl pressing' section of the article about '(The EP)'. | In addition to being released on by Polyvinyl Records, it was also pressed on translucent yellow vinyl by Mi Amante Records. | [
"(The EP) — Guest musicians\n\nCale Parks on vibraphone ; Bob Hoffnar on pedal steel ; Jen Tabor on cello and violin ; Paul Koob on vioobrophone [sic] (vibraphone) and violoncello",
"(The EP)\n\n(the ep) is an EP, the third release by Mike Kinsella under the name Owen. It was released on May 4, 2004, on Polyvinyl... |
(The_Legend_of)_Miss_Baltimore_Crabs_3800077 | What does the article about '(The Legend of) Miss Baltimore Crabs' say regarding 'Critical reception'? | Reviewing a stage production, Curtain Up wrote "Van Cleave is a powerhouse recounting "The Legend of Miss Baltimore Crabs"". Reviewing the film, BBC wrote "Michelle Pfeiffer is deliciously icy as scheming TV mogul Velma Von Tusselle, cha-cha-cha-ing in ("The Legend of) Miss Baltimore Crabs".". Reviewing a stage version... | [
"(The Legend of) Miss Baltimore Crabs — Critical reception\n\nReviewing a stage production, Curtain Up wrote \"Van Cleave is a powerhouse recounting \"The Legend of Miss Baltimore Crabs\"\". Reviewing the film, BBC wrote \"Michelle Pfeiffer is deliciously icy as scheming TV mogul Velma Von Tusselle, cha-cha-cha-ing... |
(The_Legend_of)_Miss_Baltimore_Crabs_3800075 | Describe the 'Synopsis' section of the article about '(The Legend of) Miss Baltimore Crabs'. | Velma Von Tussle recounts how she won a beauty pageant when she was younger, which she clearly considers to be her proudest moment. Velma recounts her tales of sleeping to the top and not being afraid to play dirty. She later interrogates Tracy, eventually kicking her out of The Corny Collins Show audition. | [
"(The Legend of) Miss Baltimore Crabs — Critical reception\n\nReviewing a stage production, Curtain Up wrote \"Van Cleave is a powerhouse recounting \"The Legend of Miss Baltimore Crabs\"\". Reviewing the film, BBC wrote \"Michelle Pfeiffer is deliciously icy as scheming TV mogul Velma Von Tusselle, cha-cha-cha-ing... |
(The_Legend_of)_Miss_Baltimore_Crabs_3800074 | Reconstruct the content from the article about '(The Legend of) Miss Baltimore Crabs'. | (The Legend of) Miss Baltimore Crabs is a song from the 2002 musical Hairspray. It is sung by Velma Von Tussle, the producer of The Corny Collins Show. | [
"(The Legend of) Miss Baltimore Crabs — Critical reception\n\nReviewing a stage production, Curtain Up wrote \"Van Cleave is a powerhouse recounting \"The Legend of Miss Baltimore Crabs\"\". Reviewing the film, BBC wrote \"Michelle Pfeiffer is deliciously icy as scheming TV mogul Velma Von Tusselle, cha-cha-cha-ing... |
(The_Legend_of)_Miss_Baltimore_Crabs_3800078 | What does the article about '(The Legend of) Miss Baltimore Crabs' say regarding 'Critical reception'? | aren't missed at all; the first is the closest thing to a clinker in the show, an uninspired attempt to musicalize the comic villainess Velma Von Tussle". CinePhillyist described it as "Michelle Pfeiffer's funny and more than a little dirty [number]". Similarly, EY Jacksonville called it "one of the funniest numbers in... | [
"(The Legend of) Miss Baltimore Crabs — Critical reception\n\nReviewing a stage production, Curtain Up wrote \"Van Cleave is a powerhouse recounting \"The Legend of Miss Baltimore Crabs\"\". Reviewing the film, BBC wrote \"Michelle Pfeiffer is deliciously icy as scheming TV mogul Velma Von Tusselle, cha-cha-cha-ing... |
(The_Man_Who_Shot)_Liberty_Valance_22025188 | Reconstruct the content from the article about '(The Man Who Shot) Liberty Valance'. | the law alone. Further along we learn how the law-book toting hero falls in love with a girl who, when he is forced to confront Valance, waits alone and prays, knowing that: "When two men go and face (or "fight") each other, only one returns". The song was ranked No. 36 in the Western Writers of America's list of the t... | [
"(The Man Who Shot) Liberty Valance\n\nthe law alone. Further along we learn how the law-book toting hero falls in love with a girl who, when he is forced to confront Valance, waits alone and prays, knowing that: \"When two men go and face (or \"fight\") each other, only one returns\". The song was ranked No. 36 in... |
(The_Man_Who_Shot)_Liberty_Valance_22025186 | Summarize the following section from the article on '(The Man Who Shot) Liberty Valance'. | "(The Man Who Shot) Liberty Valance" is a song written by Burt Bacharach and Hal David, which was released by Gene Pitney in 1962. It spent 13 weeks on the Billboard Hot 100 chart, peaking at No. 4, while reaching No. 2 on Canada's CHUM Hit Parade, and No. 4 on New Zealand's "Lever Hit Parade". Although it was not used... | [
"(The Man Who Shot) Liberty Valance\n\nthe law alone. Further along we learn how the law-book toting hero falls in love with a girl who, when he is forced to confront Valance, waits alone and prays, knowing that: \"When two men go and face (or \"fight\") each other, only one returns\". The song was ranked No. 36 in... |
(The_Man_Who_Shot)_Liberty_Valance_22025187 | What information does the article about '(The Man Who Shot) Liberty Valance' provide? | be included in the film; one of the orchestra members told him that the movie had been released. Session drummer Gary Chester plays on the recording. The Pitney and the Jimmie Rodgers version of the song is noted for a solo violin that plays in the upper register. Both versions are noteworthy for the chorus, where a qu... | [
"(The Man Who Shot) Liberty Valance\n\nthe law alone. Further along we learn how the law-book toting hero falls in love with a girl who, when he is forced to confront Valance, waits alone and prays, knowing that: \"When two men go and face (or \"fight\") each other, only one returns\". The song was ranked No. 36 in... |
(The)_New_Release_18632942 | Reconstruct the content about 'Critical response' from the article on '(The) New Release'. | Allmusic's Michael Gallucci criticizes the album, declaring, "Plenty of other bands do this stuff a whole lot better and with much more conviction." | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632938 | What information does the article about '(The) New Release' provide on 'Musical style'? | Whereas the band's major label debut, Introduction to Mayhem, boasted strong hip hop tendencies, (the) New Release demonstrated a broader variety with bluesy vocals, saxophone, and piano scattered throughout. Regarding the band's new musical direction, Bobby Burns stated "I just grew very, very sick of the whole music ... | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632939 | Describe the 'Promotion and touring' section of the article about '(The) New Release'. | By mid-May, Primer 55 announced the title and release date of their upcoming album as well as its lead single. A tentative track listing was announced in June but later modified. The band released various tracks from (the) New Release, including a rough mix of its upcoming single, on their official website in the month... | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632945 | Describe the 'Production' section of the article about '(The) New Release'. | Rob Caggiano — mixing ; Frank Gargiulo — art direction, design, photography ; Matt James — vocal producer ; Michael Messier — engineer ; Rick Patrick — creative director ; Steve Regina — producer, engineer, mixing ; J.P. Sheganoski — engineer | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632936 | Describe the content of the article about '(The) New Release'. | (the) New Release is the second and final studio album by American nu metal band Primer 55. Released on August 14, 2001, the album peaked at number one on the Billboard Heatseekers chart and number 102 on the Billboard 200. It had one single, "This Life," which peaked at number 37 on Mainstream Rock Tracks. This would ... | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632937 | Describe the 'Recording' section of the article about '(The) New Release'. | Primer 55 had underdone various lineup changes preceding and during the recording process of (the) New Release. After the band's first eighteen months of touring, guitarist Bobby Burns started writing the band's second major label album. He played all guitars and bass in the studio and brought in ex-Helmet drummer John... | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_New_Release_18632944 | What information does the article about '(The) New Release' provide on 'Musicians'? | Jason Luttrell – vocals ; Sam Albright — saxophone ; Bobby Burns — bass, guitar, backing vocals, mandocello, programming ; Preston Nash — drums, programming ; John Stanier — drums ; Eddie Wohl — piano, programming, producer, Rhodes piano, mixing | [
"(The) New Release — Critical response\n\nAllmusic's Michael Gallucci criticizes the album, declaring, \"Plenty of other bands do this stuff a whole lot better and with much more conviction.\"",
"(The) New Release — Musical style\n\nWhereas the band's major label debut, Introduction to Mayhem, boasted strong hip ... |
(The)_Rock_and_Roll_Waltz_8926354 | Describe the content of the article about '(The) Rock and Roll Waltz'. | "(The) Rock and Roll Waltz" is a popular song with music by Shorty Allen and lyrics by Roy Alfred in 1955, although the identity of the lyricist is in dispute. Other sources cite a Dick Ware, Dick Wise, or Dick Wine. As the title suggests this novelty song is a waltz in triple metre, but it also contains a bass riff th... | [
"(The) Rock and Roll Waltz\n\n\"(The) Rock and Roll Waltz\" is a popular song with music by Shorty Allen and lyrics by Roy Alfred in 1955, although the identity of the lyricist is in dispute. Other sources cite a Dick Ware, Dick Wise, or Dick Wine. As the title suggests this novelty song is a waltz in triple metre,... |
(The)_Rock_and_Roll_Waltz_8926355 | Describe the content of the article about '(The) Rock and Roll Waltz'. | her rock and roll records; only, having no frame of reference, the couple tries to waltz to the music. The Kay Starr recording of the song, made in 1955, reached number one on the Billboard singles chart in 1956, staying there for six weeks. The recording was released by RCA Victor as catalog number 47-6359. It was Kay... | [
"(The) Rock and Roll Waltz\n\n\"(The) Rock and Roll Waltz\" is a popular song with music by Shorty Allen and lyrics by Roy Alfred in 1955, although the identity of the lyricist is in dispute. Other sources cite a Dick Ware, Dick Wise, or Dick Wine. As the title suggests this novelty song is a waltz in triple metre,... |
(The)_Rock_and_Roll_Waltz_8926356 | Describe the content of the article about '(The) Rock and Roll Waltz'. | staff at RCA Victor brought it to her, it was a marked departure from what she usually recorded. The song turned out to be a number one hit, a million seller, and one of the early songs of the rock and roll era. The track also spent one week at No. 1 in the UK Singles Chart in March 1956. Other artists who recorded thi... | [
"(The) Rock and Roll Waltz\n\n\"(The) Rock and Roll Waltz\" is a popular song with music by Shorty Allen and lyrics by Roy Alfred in 1955, although the identity of the lyricist is in dispute. Other sources cite a Dick Ware, Dick Wise, or Dick Wine. As the title suggests this novelty song is a waltz in triple metre,... |
(Theme_from)_Valley_of_the_Dolls_32342914 | What information does the article about '(Theme from) Valley of the Dolls' provide? | "(Theme from) Valley of the Dolls" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick. Actress Barbara Parkins, who starred in the motion picture, suggested that Warwick be considered to sing the film's theme song. Th... | [
"(Theme from) Valley of the Dolls\n\n\"(Theme from) Valley of the Dolls\" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick. Actress Barbara Parkins, who starred in the motion picture, suggested that Warwick be c... |
(Theme_from)_Valley_of_the_Dolls_32342915 | Reconstruct the content from the article about '(Theme from) Valley of the Dolls'. | of the first position by "Love is Blue" by Paul Mauriat and "(Sittin' On) The Dock of the Bay" by Otis Redding) and #1 on 4 March 1968 on WLS. It also reached #2 on the Easy Listening charts in early 1968, #2 on the Cash Box Top 100 and #1 on the Record World chart. The song was the B-side of another million selling tu... | [
"(Theme from) Valley of the Dolls\n\n\"(Theme from) Valley of the Dolls\" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick. Actress Barbara Parkins, who starred in the motion picture, suggested that Warwick be c... |
(Theme_from)_Valley_of_the_Dolls_32342917 | Summarize the 'Cover versions' part of '(Theme from) Valley of the Dolls'. | Gladys Knight & the Pips – album Silk N' Soul (1968) ; Andy Williams – album Honey (1968) ; Jack Jones – album Where is Love? (1968, RCA) ; John Davidson - album Goin’ Places (1968) ; Dorothy Ashby – album ''Afro-Harping (1968) ; Gábor Szabó – album Bacchanal (1968, Skye Records) ; The Chopsticks – album Some Day (1970... | [
"(Theme from) Valley of the Dolls\n\n\"(Theme from) Valley of the Dolls\" is a 1967 song by André and Dory Previn, composed for the film version of the Jacqueline Susann novel Valley of the Dolls, and recorded by Dionne Warwick. Actress Barbara Parkins, who starred in the motion picture, suggested that Warwick be c... |
(Themes_from)_The_Man_with_the_Golden_Arm_5333099 | What information does the article about '(Themes from) The Man with the Golden Arm' provide? | "(Themes from) The Man with the Golden Arm" is a song written by Elmer Bernstein and performed by Richard Maltby & His Orchestra. It reached number 14 on the Billboard chart in 1956. It was featured in the 1955 film The Man with the Golden Arm. | [
"(Themes from) The Man with the Golden Arm\n\n\"(Themes from) The Man with the Golden Arm\" is a song written by Elmer Bernstein and performed by Richard Maltby & His Orchestra. It reached number 14 on the Billboard chart in 1956. It was featured in the 1955 film The Man with the Golden Arm.",
"(Themes from) The ... |
(Themes_from)_The_Man_with_the_Golden_Arm_5333101 | Reconstruct the content about 'Other versions' from the article on '(Themes from) The Man with the Golden Arm'. | Eddie Calvert released a version as a single in 1956, but it did not chart. ; Jonah Jones released a version on his 1957 EP Muted Jazz. ; Jimmy McGriff released a version as the B-side to his 1964 single "Topkapi". ; Billy Strange released a version as the B-side to his 1965 single "Raunchy". ; Bill Evans released a ve... | [
"(Themes from) The Man with the Golden Arm\n\n\"(Themes from) The Man with the Golden Arm\" is a song written by Elmer Bernstein and performed by Richard Maltby & His Orchestra. It reached number 14 on the Billboard chart in 1956. It was featured in the 1955 film The Man with the Golden Arm.",
"(Themes from) The ... |
(Themes_from)_The_Man_with_the_Golden_Arm_5333100 | Reconstruct the content about 'Other charting versions' from the article on '(Themes from) The Man with the Golden Arm'. | Bernstein released a version in 1956 that reached number 16 in the U.S. ; Billy May released a version in 1956 that reached number 9 on the UK Singles Chart and number 49 in the U.S. ; Dick Jacobs released a version in 1956 that reached number 22 in the U.S. ; Les Elgart released a version in 1956 that reached number 5... | [
"(Themes from) The Man with the Golden Arm\n\n\"(Themes from) The Man with the Golden Arm\" is a song written by Elmer Bernstein and performed by Richard Maltby & His Orchestra. It reached number 14 on the Billboard chart in 1956. It was featured in the 1955 film The Man with the Golden Arm.",
"(Themes from) The ... |
(There'll_Be_Bluebirds_Over)_The_White_Cliffs_of_Dover_23445499 | Describe the content of the article about '(There'll Be Bluebirds Over) The White Cliffs of Dover'. | "(There'll Be Bluebirds Over) The White Cliffs of Dover" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular World War II tunes. | [
"(There'll Be Bluebirds Over) The White Cliffs of Dover\n\n\"(There'll Be Bluebirds Over) The White Cliffs of Dover\" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular... |
(There'll_Be_Bluebirds_Over)_The_White_Cliffs_of_Dover_23445501 | From the article on '(There'll Be Bluebirds Over) The White Cliffs of Dover', restate the 'World War II performances' content. | The song was made most famous by Vera Lynn and sung to troops during the war. It was a top ten hit in America for Kate Smith in 1942, and Glenn Miller recorded a version in November 1941. Jimmie Baker frequently performed it in Europe during the war, and the song was sung by the vocal group The King's Men on a 3 Februa... | [
"(There'll Be Bluebirds Over) The White Cliffs of Dover\n\n\"(There'll Be Bluebirds Over) The White Cliffs of Dover\" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular... |
(There'll_Be_Bluebirds_Over)_The_White_Cliffs_of_Dover_23445502 | Reconstruct the content about 'Later performances' from the article on '(There'll Be Bluebirds Over) The White Cliffs of Dover'. | The song is the terrace anthem of the supporters of Dover Athletic F.C. The Checkers, an American group, released an R&B version of the song in 1953 which became very popular. Other artists who have recorded the song include Connie Francis, Bing Crosby, Ray Conniff, Jim Reeves, Acker Bilk, The Righteous Brothers (a hit... | [
"(There'll Be Bluebirds Over) The White Cliffs of Dover\n\n\"(There'll Be Bluebirds Over) The White Cliffs of Dover\" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular... |
(There'll_Be_Bluebirds_Over)_The_White_Cliffs_of_Dover_23445500 | Based on the article about '(There'll Be Bluebirds Over) The White Cliffs of Dover', describe the 'Background' section. | The song was written about a year after the Royal Air Force and German Luftwaffe aircraft had been fighting over southern England, including the white cliffs of Dover, in the Battle of Britain. Nazi Germany had conquered much of Europe and in 1941 was still bombing Britain. With neither America nor the Soviet Union hav... | [
"(There'll Be Bluebirds Over) The White Cliffs of Dover\n\n\"(There'll Be Bluebirds Over) The White Cliffs of Dover\" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular... |
(There'll_Be_Bluebirds_Over)_The_White_Cliffs_of_Dover_23445503 | Explain what '(There'll Be Bluebirds Over) The White Cliffs of Dover' covers in the 'Later performances' section. | with the longest title, including brackets. The Jive Aces released a swing version in 2005 (similar to Acker Bilk's arrangement). On 18 February 2009, a story in The Daily Telegraph announced that Dame Vera Lynn was suing the British National Party (BNP) for using her version of "The White Cliffs of Dover" on an anti-i... | [
"(There'll Be Bluebirds Over) The White Cliffs of Dover\n\n\"(There'll Be Bluebirds Over) The White Cliffs of Dover\" is a popular World War II song composed in 1941 by Walter Kent to lyrics by Nat Burton. Made famous in Vera Lynn's 1942 version, it was one of Lynn's best-known recordings and among the most popular... |
(There's_A)_Fire_in_the_Night_10054950 | What does the article about '(There's A) Fire in the Night' say regarding 'Music video'? | A video of the song, directed by David Hogan and depicting the band camping in a forest at night, has aired on The Nashville Network, CMT and Great American Country. It is not the original video, however. The original video, released in 1984, featured partial nudity and what writer Edward Morris described as a "bizarre... | [
"(There's A) Fire in the Night — Music video\n\nA video of the song, directed by David Hogan and depicting the band camping in a forest at night, has aired on The Nashville Network, CMT and Great American Country. It is not the original video, however. The original video, released in 1984, featured partial nudity a... |
(There's_A)_Fire_in_the_Night_10054949 | Reconstruct the content about 'Single and album edits' from the article on '(There's A) Fire in the Night'. | A slightly early fade on the single version is the only difference between the single and album versions of "(There's a) Fire in the Night". | [
"(There's A) Fire in the Night — Music video\n\nA video of the song, directed by David Hogan and depicting the band camping in a forest at night, has aired on The Nashville Network, CMT and Great American Country. It is not the original video, however. The original video, released in 1984, featured partial nudity a... |
(There's_A)_Fire_in_the_Night_10054948 | Describe the content of the article about '(There's A) Fire in the Night'. | "(There's A) Fire in the Night" is a song written by Bob Corbin, and recorded by American country music band Alabama. It was released in October 1984 as the fourth and final single from the band's album Roll On. The song became the group's 15th straight No. 1 single on the Billboard magazine Hot Country Singles chart i... | [
"(There's A) Fire in the Night — Music video\n\nA video of the song, directed by David Hogan and depicting the band camping in a forest at night, has aired on The Nashville Network, CMT and Great American Country. It is not the original video, however. The original video, released in 1984, featured partial nudity a... |
(There's_Gotta_Be)_More_to_Life_795914 | Explain what '(There's Gotta Be) More to Life' covers in the 'Chart performance' section. | "(There's Gotta Be) More to Life" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The song also had received worldwide success. The song debuted at nu... | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's_Gotta_Be)_More_to_Life_795915 | Describe the 'Chart performance' section of the article about '(There's Gotta Be) More to Life'. | song jumped from number 38 to number 9, and after two weeks in the top 10, dropped to number 12; however, the next week, it re-entered the top 10, and after five weeks ascending the top 10, it reached its peak of number 3. It then stayed another two weeks in the top 10 before slowly dropping down the chart, staying 18 ... | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's_Gotta_Be)_More_to_Life_795917 | Reconstruct the content about 'Track listings' from the article on '(There's Gotta Be) More to Life'. | 1) "(There's Gotta Be) More to Life" (Album Version) ; 2) "(There's Gotta Be) More to Life" (JN Radio Edit) ; 3) "(There's Gotta Be) More to Life" (Global Soul Radio Edit) ; 4) "(There's Gotta Be) More to Life" (Goodandevil/Ruff Ryders Remix) ; 5) "(There's Gotta Be) More to Life" (Briss Remix) ; 6) "(There's Gotta Be)... | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's_Gotta_Be)_More_to_Life_795916 | Reconstruct the content about 'Music video' from the article on '(There's Gotta Be) More to Life'. | The video is directed by Dave Meyers. Throughout the video, Orrico portrays a number of women with different yet hectic lives: a poor mother in debt, a member of a busking band, a long-distance marathon runner, a supermodel, a diner waitress, a businesswoman, a gang member, and a high-level thief. The video ends with O... | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's_Gotta_Be)_More_to_Life_795912 | Summarize the 'Composition' part of '(There's Gotta Be) More to Life'. | "(There's Gotta Be) More to Life" conveys a message about a person wanting more from their life. Writing for musicOMH, Bill Lehane observed that the track is "concerned with troubles of faith and gradually introduce [listeners] to the idea that this is, in fact, a record of deeply religious music." | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's_Gotta_Be)_More_to_Life_795911 | Reconstruct the content from the article about '(There's Gotta Be) More to Life'. | "(There's Gotta Be) More to Life" is a song by American recording artist Stacie Orrico from her self-titled second studio album. The song was released as the album's second single in the United States in July 2003. "More to Life" was written by Sabelle Breer, Kevin Kadish, Lucy Woodward, Harvey Mason Jr. and Damon Thom... | [
"(There's Gotta Be) More to Life — Chart performance\n\n\"(There's Gotta Be) More to Life\" peaked at number 30 on the US Billboard Hot 100, becoming Orrico's biggest single to date in the country. The song also peaked at number 5 on the US Billboard Pop Songs, and number 31 on the US Billboard Adult Top 40. The so... |
(There's)_Always_Something_There_to_Remind_Me_27170671 | What information does the article about '(There's) Always Something There to Remind Me' provide on 'R. B. Greaves version'? | "(There's) Always Something There to Remind Me" – as "Always Something There to Remind Me" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound Studio in 1969, with production by Ahmet Ertegun and Jackson Howe, Greaves' version ... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170670 | Based on the article about '(There's) Always Something There to Remind Me', describe the 'Sandie Shaw version' section. | and South Africa, Shaw's version of "...Always Something There to Remind Me" was also a hit in Australia (No. 16), Ireland (No. 7) and the Netherlands (No. 10), the track's success in the last territory not precluding hit status for the Dutch rendering by entitled "Ik moet altijd weer opnieuw aan je denken" (No. 12). ... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170673 | Summarize the 'Naked Eyes version' part of '(There's) Always Something There to Remind Me'. | in Bristol, Byrne and Fisher were signed to EMI Records in May 1982 and the track "Always Something There to Remind Me" was cut on 1 September 1982 in a session at Abbey Road Studios produced by Tony Mansfield. Byrne would recall: "The record was recorded at Abbey Road, and we were invited to a party downstairs, with P... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170676 | From the article on '(There's) Always Something There to Remind Me', restate the 'Critical reception' content. | A reviewer from Pan-European magazine Music & Media wrote, "The first thing she reminds you of is all the previous versions of this Burt Bacharach & Hal David song. Spirited and dancey as it is, it doesn't make a poor figure at all." Brad Beatnik from Music Week's RM Dance Update commented, "This unabashed house cover ... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170674 | What does the article about '(There's) Always Something There to Remind Me' say regarding 'Naked Eyes version'? | The cachet of entering the US Top 10 allowed the single, previously overlooked in its performers' United Kingdom homeland, to make a July 1983 UK chart debut, although it only rose to No. 59. "Always Something There to Remind Me" did afford Naked Eyes' Top 10 success in other countries besides the United States: Austra... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170668 | What information does the article about '(There's) Always Something There to Remind Me' provide? | "(There's) Always Something There to Remind Me" is a song written in the 1960s by songwriting team Burt Bacharach and Hal David. Originally recorded as a demo by Dionne Warwick in 1963, "(There's) Always Something There to Remind Me" first charted for Lou Johnson whose version reached No. 49 on the Billboard Hot 100 in... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170669 | Based on the article about '(There's) Always Something There to Remind Me', describe the 'Sandie Shaw version' section. | British impresario Eve Taylor heard Johnson's version while on a US visit scouting for material for her recent discovery Sandie Shaw, who consequently covered the song for the UK market. Rush-released in September 1964, the song was premiered by Shaw with a performance on Ready Steady Go!, the pop music TV program. The... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170672 | What information does the article about '(There's) Always Something There to Remind Me' provide on 'Naked Eyes version'? | Twenty years after its composition, "Always Something There to Remind Me" (so titled) reached the US Top 20 for the first time via a synthpop reinvention of the song by Naked Eyes which reached the Top 10 on the Billboard Hot 100 in the summer of 1983. Vocalist Pete Byrne and keyboardist Rob Fisher first cut "Always So... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_Always_Something_There_to_Remind_Me_27170675 | What does the article about '(There's) Always Something There to Remind Me' say regarding 'Tin Tin Out featuring Espiritu version'? | English electronic music duo Tin Tin Out recorded a house cover of the song titled "Always (Something There to Remind Me)" in 1995. The song features vocals by French singer Espiritu (aka Vanessa Quinones) and went to No. 14 on the UK Singles Chart and No. 1 on the UK Dance Singles Chart. A music video was made to acco... | [
"(There's) Always Something There to Remind Me — R. B. Greaves version\n\n\"(There's) Always Something There to Remind Me\" – as \"Always Something There to Remind Me\" – entered the US Top 40 for the first time via a version by R. B. Greaves which reached No. 27 in February 1970. Recorded at Muscle Shoals Sound St... |
(There's)_No_Gettin'_Over_Me_10773824 | Reconstruct the content about 'Critical reception' from the article on '(There's) No Gettin' Over Me'. | Thom Jurek of Allmusic wrote that "(There's) No Gettin' Over Me" — and the album from which it came — was "indicative of the times and the artists making hit records at the same time." Milsap's "urban country" style, as Jurek put it, was evident in the song, given its "sweet alto saxophone solo" and "chorus that reflec... | [
"(There's) No Gettin' Over Me — Critical reception\n\nThom Jurek of Allmusic wrote that \"(There's) No Gettin' Over Me\" — and the album from which it came — was \"indicative of the times and the artists making hit records at the same time.\" Milsap's \"urban country\" style, as Jurek put it, was evident in the son... |
(There's)_No_Gettin'_Over_Me_10773823 | Describe the content of the article about '(There's) No Gettin' Over Me'. | "(There's) No Gettin' Over Me" is a song written by Walt Aldridge and Tom Brasfield, and recorded by American country music singer Ronnie Milsap. It was released in June 1981 as the first single from the album There's No Gettin' Over Me. Known by many fans by its less grammatically correct title "There Ain't No Gettin'... | [
"(There's) No Gettin' Over Me — Critical reception\n\nThom Jurek of Allmusic wrote that \"(There's) No Gettin' Over Me\" — and the album from which it came — was \"indicative of the times and the artists making hit records at the same time.\" Milsap's \"urban country\" style, as Jurek put it, was evident in the son... |
(There's)_No_Gettin'_Over_Me_10773826 | Describe the 'Commercial performance' section of the article about '(There's) No Gettin' Over Me'. | His 18th No. 1 hit on the Billboard Hot Country Singles chart in August 1981, "(There's) No Gettin' Over Me" marked the apex of Milsap's popularity as a crossover artist, reaching No. 5 for 5 weeks on the Billboard Hot 100 chart and number two Hot Adult Contemporary Singles. A video was also produced of the song, and i... | [
"(There's) No Gettin' Over Me — Critical reception\n\nThom Jurek of Allmusic wrote that \"(There's) No Gettin' Over Me\" — and the album from which it came — was \"indicative of the times and the artists making hit records at the same time.\" Milsap's \"urban country\" style, as Jurek put it, was evident in the son... |
(They_Long_to_Be)_Close_to_You_25068222 | Reconstruct the content about 'In popular culture' from the article on '(They Long to Be) Close to You'. | In the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics "M-I-C-K-E-Y M-O-U-S-E" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Stevens in the second filmed episode of The Muppet Show. ; In the 19... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068214 | From the article on '(They Long to Be) Close to You', restate the 'Carpenters version' content. | In 1970, "(They Long To Be) Close To You" was released by the Carpenters on their album Close to You (1970) and became their breakthrough hit. The song stayed at number one on the Billboard Hot 100 for four weeks. "(They Long to Be) Close to You" was named Billboard's Song of the Summer for 1970. Bacharach and David ga... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
(They_Long_to_Be)_Close_to_You_25068213 | Describe the 'Background' section of the article about '(They Long to Be) Close to You'. | The song was first recorded by Richard Chamberlain and released as a single in 1963 as "They Long to Be Close to You". However, while the single's other side, "Blue Guitar", became a hit, "They Long to Be Close to You" did not. The tune was also recorded as a demo by Dionne Warwick in 1963, was re-recorded with a Burt ... | [
"(They Long to Be) Close to You — In popular culture\n\nIn the 1978 TV special Mickey's 50, on which The Carpenters made a guest appearance, Karen Carpenter sings the lyrics \"M-I-C-K-E-Y M-O-U-S-E\" to the opening bars of the song. ; In 1976, the song was performed by Kermit the Frog, Fozzie Bear and Connie Steven... |
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