triplets list | passage stringlengths 0 32.9k | label stringlengths 4 48 ⌀ | label_id int64 0 1k ⌀ | synonyms list | __index_level_1__ int64 312 64.1k ⌀ | __index_level_0__ int64 0 2.4k ⌀ |
|---|---|---|---|---|---|---|
[
"Diana and Her Companions",
"owned by",
"Mauritshuis"
] | Diana and Her Companions (Dutch: Diana en haar Nimfen or Diana en haar gezellinnen) is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with s... | owned by | 24 | [
"possessed by",
"belonging to",
"controlled by",
"under ownership of",
"held by"
] | null | null |
[
"Diana and Her Companions",
"collection",
"Mauritshuis"
] | Diana and Her Companions (Dutch: Diana en haar Nimfen or Diana en haar gezellinnen) is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with s... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"Diana and Her Companions",
"depicts",
"Diana"
] | Description
The scene
The painting depicts the Greek and Roman goddess Diana ("Artemis" in Ancient Greece) with four of her companions. She wears a loose fitting, yellow dress with an animal-skin sash and, on her head, a diadem with a symbol of the crescent moon. As she sits on a rock, a nymph washes her left foot. Ano... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Diana and Her Companions",
"genre",
"mythological painting"
] | Description
The scene
The painting depicts the Greek and Roman goddess Diana ("Artemis" in Ancient Greece) with four of her companions. She wears a loose fitting, yellow dress with an animal-skin sash and, on her head, a diadem with a symbol of the crescent moon. As she sits on a rock, a nymph washes her left foot. Ano... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Diana and Her Companions",
"depicts",
"nymph"
] | Diana and Her Companions (Dutch: Diana en haar Nimfen or Diana en haar gezellinnen) is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with s... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Diana and Her Companions",
"movement",
"Dutch Golden Age painting"
] | The similarities between Vermeer's painting and Rembrandt's style are close enough that the work was attributed to Rembrandt's student, Nicolaes Maes when auctioned in 1876. Vermeer's signature on the painting had been altered, making it look like Maes'. During a restoration the original signature of J. v. Meer was fa... | movement | 87 | [
"motion",
"activity",
"progression",
"advancement",
"mobility"
] | null | null |
[
"Diana and Her Companions",
"instance of",
"painting"
] | Description
The scene
The painting depicts the Greek and Roman goddess Diana ("Artemis" in Ancient Greece) with four of her companions. She wears a loose fitting, yellow dress with an animal-skin sash and, on her head, a diadem with a symbol of the crescent moon. As she sits on a rock, a nymph washes her left foot. Ano... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Virgin and Child with Saint Anne (Masaccio)",
"collection",
"Uffizi Gallery"
] | John T. Spike, Masaccio, Rizzoli libri illustrati, Milano 2002 ISBN 88-7423-007-9
AA.VV., Galleria degli Uffizi, collana I Grandi Musei del Mondo, Roma 2003.
Pierluigi De Vecchi ed Elda Cerchiari, I tempi dell'arte, volume 2, Bompiani, Milano 1999. ISBN 88-451-7212-0 | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"Odyssey",
"characters",
"Penelope"
] | The Odyssey (; Ancient Greek: Ὀδύσσεια, romanized: Odýsseia) is one of two major ancient Greek epic poems attributed to Homer. It is one of the oldest extant works of literature still widely read by modern audiences. As with the Iliad, the poem is divided into 24 books. It follows the Greek hero Odysseus, king of Ithac... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Odyssey",
"characters",
"Circe"
] | After the cannibalistic Laestrygonians destroyed all of his ships except his own, Odysseus sailed on and reached the island of Aeaea, home of witch-goddess Circe. She turned half of his men into swine with drugged cheese and wine. Hermes warned Odysseus about Circe and gave Odysseus an herb called moly, making him resi... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Ido",
"based on",
"Esperanto"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Ido",
"writing system",
"Latin script"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | writing system | 136 | [
"Script",
"Alphabet",
"Orthography",
"Characters",
"Writing scheme"
] | null | null |
[
"Ido",
"instance of",
"constructed language"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ido",
"instance of",
"Esperantido"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ido",
"instance of",
"planned language"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ido",
"instance of",
"international auxiliary language"
] | Ido () is a constructed language derived from Reformed Esperanto, and similarly designed with the goal of being a universal second language for people of diverse backgrounds. To function as an effective international auxiliary language, Ido was specifically designed to be grammatically, orthographically, and lexicograp... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Also sprach Zarathustra",
"based on",
"Thus Spoke Zarathustra"
] | Structure
The piece is divided into nine sections played with only three definite pauses. Strauss named the sections after selected chapters of Friedrich Nietzsche's novel Thus Spoke Zarathustra:"Sonnenaufgang" (Sunrise)
"Von den Hinterweltlern" (Of the Backworldsmen)
"Von der großen Sehnsucht" (Of the Great Longing)
"... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Jiyun",
"editor",
"Ding Du"
] | The Jiyun (Chi-yun; simplified Chinese: 集韵; traditional Chinese: 集韻; pinyin: Jíyùn; Wade–Giles: Chi2-yün4; lit. Collected Rimes) is a Chinese rime dictionary published in 1037 during the Song Dynasty. The chief editor Ding Du (丁度) and others expanded and revised the Guangyun. It is possible, according to Teng and Bigge... | editor | 137 | [
"scribe",
"redactor",
"corrector",
"copy editor",
"proofreader"
] | null | null |
[
"Interlingue",
"writing system",
"Latin script"
] | Grammar
Alphabet
Interlingue is written with 26 Latin letters: a, b, c, d, e, f, g, h, i, j, k, l, m, n, o, p, q, r, s, t, u, v, w, x, y, and z. The names of the letters are a, be, ce, de, e, ef, ge, ha, i, jot, ka, el, em, en, o, pe, qu, er, es, te, u, ve, duplic ve, ix, ypsilon, and zet. Accents are written on the fi... | writing system | 136 | [
"Script",
"Alphabet",
"Orthography",
"Characters",
"Writing scheme"
] | null | null |
[
"Interlingue",
"discoverer or inventor",
"Edgar de Wahl"
] | Interlingue ([interˈliŋɡwe]; ISO 639 ie, ile), originally Occidental ([oktsidenˈtaːl]), is an international auxiliary language created in 1922 and renamed in 1949. Its creator, Edgar de Wahl, sought to achieve maximal grammatical regularity and natural character. The vocabulary is based on pre-existing words from vario... | discoverer or inventor | 110 | [
"discoverer",
"inventor",
"creator",
"pioneer",
"innovator"
] | null | null |
[
"Interlingue",
"creator",
"Edgar de Wahl"
] | Interlingue ([interˈliŋɡwe]; ISO 639 ie, ile), originally Occidental ([oktsidenˈtaːl]), is an international auxiliary language created in 1922 and renamed in 1949. Its creator, Edgar de Wahl, sought to achieve maximal grammatical regularity and natural character. The vocabulary is based on pre-existing words from vario... | creator | 76 | [
"author",
"originator",
"designer",
"founder",
"producer"
] | null | null |
[
"The Trial",
"language of work or name",
"German"
] | The Trial (German: Der Process, previously Der Proceß, Der Prozeß and Der Prozess) is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the natu... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"The Trial",
"form of creative work",
"novel"
] | The Trial (German: Der Process, previously Der Proceß, Der Prozeß and Der Prozess) is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the natu... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"The Trial",
"instance of",
"unfinished novel"
] | The Trial (German: Der Process, previously Der Proceß, Der Prozeß and Der Prozess) is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the natu... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Trial",
"characters",
"Josef K."
] | The Trial (German: Der Process, previously Der Proceß, Der Prozeß and Der Prozess) is a novel written by Franz Kafka in 1914 and 1915 and published posthumously on 26 April 1925. One of his best known works, it tells the story of Josef K., a man arrested and prosecuted by a remote, inaccessible authority, with the natu... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Integrated Authority File",
"operator",
"German National Library"
] | The Gemeinsame Normdatei (translated as Integrated Authority File, also known as the Universal Authority File) or GND is an international authority file for the organisation of personal names, subject headings and corporate bodies from catalogues. It is used mainly for documentation in libraries and increasingly also b... | operator | 139 | [
"controller",
"manager",
"supervisor",
"administrator",
"coordinator"
] | null | null |
[
"Gospel of John",
"has part(s)",
"John 1"
] | Structure and content
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus' final night with his disciples and the passion and resurrection, sometimes called the Book of Glory (13:1–20:31); ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Gospel of John",
"has part(s)",
"John 20"
] | Structure and content
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus' final night with his disciples and the passion and resurrection, sometimes called the Book of Glory (13:1–20:31); ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Gospel of John",
"has part(s)",
"John 13"
] | Structure and content
The majority of scholars see four sections in the Gospel of John: a prologue (1:1–18); an account of the ministry, often called the "Book of Signs" (1:19–12:50); the account of Jesus' final night with his disciples and the passion and resurrection, sometimes called the Book of Glory (13:1–20:31); ... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"characters",
"Sita"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Ramayana",
"characters",
"Ravana"
] | Jain versions
Jain versions of the Ramayana can be found in the various Jain agamas like Saṅghadāsagaṇī Vāchaka's Vasudevahiṇḍī (circa 4th century CE), Ravisena's Padmapurana (story of Padmaja and Rama, Padmaja being the name of Sita), Hemacandra's Trisastisalakapurusa charitra (hagiography of 63 illustrious persons), ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Ramayana",
"characters",
"Rama"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Ramayana",
"characters",
"Kaikeyi"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Ramayana",
"has part(s)",
"Sundara Kanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"has part(s)",
"Uttarakanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"has part(s)",
"Yuddhakanda"
] | Yuddha Kanda
Also known as Lanka Kanda, this book describes the war between the army of Rama and the army of Ravana. Having received Hanuman's report on Sita, Rama and Lakshmana proceed with their allies towards the shore of the southern sea. There they are joined by Ravana's renegade brother Vibhishana. The apes named... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"instance of",
"literary work"
] | Textual characteristics
Genre
The Ramayana belongs to the genre of Itihasa, narratives of past events (purāvṛtta), which includes the Mahabharata, the Puranas, and the Ramayana. The genre also includes teachings on the goals of human life. It depicts the duties of relationships, portraying ideal characters like the ide... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ramayana",
"part of",
"Itihasa"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | part of | 15 | [
"a component of",
"a constituent of",
"an element of",
"a fragment of",
"a portion of"
] | null | null |
[
"Ramayana",
"has part(s)",
"Ayodhya Kanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"has part(s)",
"Balakanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"has part(s)",
"Aranyakanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Ramayana",
"has part(s)",
"Kishkindhakanda"
] | The Rāmāyaṇa (; Sanskrit: रामायणम्, IAST: Rāmāyaṇam) is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas (history), the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Scipio Africanus Freeing Massiva (painting)",
"collection",
"Walters Art Museum"
] | Off the Wall
In 2012 Scipio Africanus Freeing Massiva was featured in Off the Wall, an open-air exhibition on the streets of Baltimore, Maryland. A reproduction of the painting, the original is part of The Walters Art Museum collection, was on display at the Clarence M. Mitchell, Jr. Courthouse. The National Gallery i... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"Newton's laws of motion",
"named after",
"Isaac Newton"
] | Newton's laws of motion are three basic laws of classical mechanics that describe the relationship between the motion of an object and the forces acting on it. These laws can be paraphrased as follows:A body remains at rest, or in motion at a constant speed in a straight line, unless acted upon by a force.
When a body ... | named after | 11 | [
"called after",
"named for",
"honored after",
"called for"
] | null | null |
[
"The Woman in the Waves",
"depicts",
"woman"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Woman in the Waves",
"country of origin",
"France"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | country of origin | 80 | [
"place of origin",
"homeland",
"native land",
"motherland",
"fatherland"
] | null | null |
[
"The Woman in the Waves",
"depicts",
"armpit"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Woman in the Waves",
"depicts",
"nudity"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Woman in the Waves",
"creator",
"Gustave Courbet"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | creator | 76 | [
"author",
"originator",
"designer",
"founder",
"producer"
] | null | null |
[
"The Woman in the Waves",
"location",
"Metropolitan Museum of Art"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | location | 29 | [
"place",
"position",
"site",
"locale",
"spot"
] | null | null |
[
"The Woman in the Waves",
"exhibition history",
"Metropolitan Museum of Art"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | exhibition history | 132 | [
"exhibition record",
"exhibition chronology",
"exhibition itinerary",
"exhibition schedule",
"showcase history"
] | null | null |
[
"The Woman in the Waves",
"owned by",
"Metropolitan Museum of Art"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | owned by | 24 | [
"possessed by",
"belonging to",
"controlled by",
"under ownership of",
"held by"
] | null | null |
[
"The Woman in the Waves",
"collection",
"Metropolitan Museum of Art"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"The Woman in the Waves",
"depicts",
"nude"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Woman in the Waves",
"depicts",
"underarm hair"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Woman in the Waves",
"instance of",
"painting"
] | The Woman in the Waves (French - La Femme à la vague) is an 1868 painting by Gustave Courbet, now in the Metropolitan Museum of Art in New York.The picture is notable for its realistic flesh tones and trace of underarm hair.
The work is on view in the Metropolitan Museum's Gallery 811. | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Street Singer (Manet)",
"depicts",
"guitar"
] | Creation
One day in the early 1860s, Manet and French journalist Antonin Proust were taking a walk to the painter's studio. They saw a woman holding a guitar leaving a café. The artist was amazed by her look and immediately decided to create a painting of her. Manet spoke with the singer and asked her if she would pose... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Street Singer (Manet)",
"depicts",
"singer"
] | Description
Manet depicted an itinerant singer in fashionable contemporary dress leaving a cabaret by night, tightly holding a guitar and eating cherries. Victorine is depicted as a blonde, sharp, and plain young woman well known around the Pantheon Mountains. The features of her face are painted more sharply and slimm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Street Singer (Manet)",
"instance of",
"painting"
] | The Street Singer is an oil-on-canvas painting by Édouard Manet from 1862, depicting a female street musician standing near the entrance to a cabaret.The painting was inspired by a meeting between the artist and a street singer. Manet asked her to pose for him but she refused, so Manet asked a favorite model, Victorine... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Circe Offering the Cup to Ulysses",
"depicts",
"Odysseus"
] | Circe Offering the Cup to Ulysses is an oil painting in the Pre-Raphaelite style by John William Waterhouse that was created in 1891.The painting depicts a scene from the Odyssey. Circe, a sorceress, offers a cup to Odysseus (commonly Ulysses in English). In the cup is a potion. Circe seeks to bring Ulysses under her s... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"depicts",
"horse"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"main subject",
"Paris horse market"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"The Horse Fair",
"location",
"Metropolitan Museum of Art"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | location | 29 | [
"place",
"position",
"site",
"locale",
"spot"
] | null | null |
[
"The Horse Fair",
"depicts",
"equestrianism"
] | Exhibition
The painting was praised by the critics when it was first exhibited at the Paris Salon in May 1853. Several commented on the masculine nature of the work. Earlier, Bonheur had offered studies of two paintings to French Minister of Fine Arts Charles de Morny, Duke of Morny, for consideration of a state comm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"depicts",
"bridle"
] | Exhibition
The painting was praised by the critics when it was first exhibited at the Paris Salon in May 1853. Several commented on the masculine nature of the work. Earlier, Bonheur had offered studies of two paintings to French Minister of Fine Arts Charles de Morny, Duke of Morny, for consideration of a state comm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"depicts",
"fence"
] | Exhibition
The painting was praised by the critics when it was first exhibited at the Paris Salon in May 1853. Several commented on the masculine nature of the work. Earlier, Bonheur had offered studies of two paintings to French Minister of Fine Arts Charles de Morny, Duke of Morny, for consideration of a state comm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"depicts",
"Pitié-Salpêtrière Hospital"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"collection",
"European Paintings"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"The Horse Fair",
"depicts",
"horse rider"
] | Exhibition
The painting was praised by the critics when it was first exhibited at the Paris Salon in May 1853. Several commented on the masculine nature of the work. Earlier, Bonheur had offered studies of two paintings to French Minister of Fine Arts Charles de Morny, Duke of Morny, for consideration of a state comm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"collection",
"Metropolitan Museum of Art"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"The Horse Fair",
"depicts",
"rein"
] | Exhibition
The painting was praised by the critics when it was first exhibited at the Paris Salon in May 1853. Several commented on the masculine nature of the work. Earlier, Bonheur had offered studies of two paintings to French Minister of Fine Arts Charles de Morny, Duke of Morny, for consideration of a state comm... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Horse Fair",
"depicts",
"boulevard de l'Hôpital"
] | The Horse Fair is an oil-on-canvas painting by French artist Rosa Bonheur, begun in 1852 and first exhibited at the Paris Salon in 1853. The artist added some finishing touches in 1855. The large work measures 96.25 in × 199.5 in (244.5 cm × 506.7 cm).The painting depicts dealers selling horses at the horse market held... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Communist Manifesto",
"main subject",
"communism"
] | The Communist Manifesto (German: Kommunistisches Manifest), originally the Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 184... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"The Communist Manifesto",
"language of work or name",
"German"
] | Rise, 1872–1917
In the early 1870s, the Manifesto and its authors experienced a revival in fortunes. Hobsbawm identifies three reasons for this. The first is the leadership role Marx played in the International Workingmen's Association (aka the First International). Secondly, Marx also came into much prominence among s... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"The Communist Manifesto",
"main subject",
"socialism"
] | The Communist Manifesto (German: Kommunistisches Manifest), originally the Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 184... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"The Communist Manifesto",
"main subject",
"communist revolution"
] | The Communist Manifesto (German: Kommunistisches Manifest), originally the Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 184... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"The Communist Manifesto",
"instance of",
"written work"
] | The Communist Manifesto (German: Kommunistisches Manifest), originally the Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 184... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Communist Manifesto",
"genre",
"political manifesto"
] | The Communist Manifesto (German: Kommunistisches Manifest), originally the Manifesto of the Communist Party (German: Manifest der Kommunistischen Partei), is a political pamphlet written by German philosophers Karl Marx and Friedrich Engels. Commissioned by the Communist League and originally published in London in 184... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"God Save the King",
"language of work or name",
"English"
] | "God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the British Crown Dependencies, one of two national anthems of New Zealand since 1977, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it m... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"God Save the King",
"instance of",
"national anthem"
] | "God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the British Crown Dependencies, one of two national anthems of New Zealand since 1977, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it m... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"God Save the King",
"published in",
"The Gentleman's Magazine"
] | History
In The Oxford Companion to Music, Percy Scholes points out the similarities to an early plainsong melody, although the rhythm is very distinctly that of a galliard, and he gives examples of several such dance tunes that bear a striking resemblance to "God Save the King". Scholes quotes a keyboard piece by John ... | published in | 141 | [
"printed in",
"released in",
"issued in",
"distributed in",
"made available in"
] | null | null |
[
"God Save the King",
"country of origin",
"Great Britain"
] | "God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the British Crown Dependencies, one of two national anthems of New Zealand since 1977, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it m... | country of origin | 80 | [
"place of origin",
"homeland",
"native land",
"motherland",
"fatherland"
] | null | null |
[
"God Save the King",
"different from",
"God Save the Queen"
] | "God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the British Crown Dependencies, one of two national anthems of New Zealand since 1977, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it m... | different from | 12 | [
"not same as",
"not identical to",
"distinct from",
"separate from",
"unlike"
] | null | null |
[
"God Save the King",
"instance of",
"musical work/composition"
] | "God Save the King" (alternatively "God Save the Queen" when the British monarch is female) is the national anthem of the United Kingdom and the British Crown Dependencies, one of two national anthems of New Zealand since 1977, and the royal anthem of most Commonwealth realms. The author of the tune is unknown and it m... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"La Marseillaise",
"genre",
"song"
] | "La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine").
The French National Convention ... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"La Marseillaise",
"instance of",
"national anthem"
] | "La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine").
The French National Convention ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"La Marseillaise",
"genre",
"march"
] | "La Marseillaise" is the national anthem of France. The song was written in 1792 by Claude Joseph Rouget de Lisle in Strasbourg after the declaration of war by France against Austria, and was originally titled "Chant de guerre pour l'Armée du Rhin" ("War Song for the Army of the Rhine").
The French National Convention ... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Dracula",
"characters",
"Jonathan Harker"
] | Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Hark... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Dracula",
"characters",
"Abraham Van Helsing"
] | Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Hark... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Dracula",
"characters",
"Arthur Holmwood"
] | Plot
Jonathan Harker, a newly qualified English solicitor, visits Count Dracula at his castle in the Carpathian Mountains to help the Count purchase a house near London. Ignoring the Count's warning, Harker wanders the castle at night and encounters three vampire women; Dracula rescues Harker, and gives the women a sma... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Dracula",
"genre",
"epistolary novel"
] | Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Hark... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Dracula",
"genre",
"horror fiction"
] | Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Hark... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Dracula",
"genre",
"Gothic fiction"
] | Influence
Dracula was not the first piece of literature to depict vampires, but the novel has nonetheless come to dominate both popular and scholarly treatments of vampire fiction. Count Dracula is the first character to come to mind when people discuss vampires. Dracula's succeeded by drawing together folklore, legen... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Dracula",
"instance of",
"literary work"
] | Style
Narrative
As an epistolary novel, Dracula is narrated through a series of documents. The novel's first four chapters are related as the journals of Jonathan Harker. Scholar David Seed notes that Harker's accounts function as an attempt to translocate the "strange" events of his visit to Dracula's castle into the ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Dracula",
"genre",
"vampire fiction"
] | Dracula is a novel by Bram Stoker, published in 1897. An epistolary novel, the narrative is related through letters, diary entries, and newspaper articles. It has no single protagonist, but opens with solicitor Jonathan Harker taking a business trip to stay at the castle of a Transylvanian nobleman, Count Dracula. Hark... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Hamlet",
"characters",
"Gertrude"
] | Characters
Plot
Act I
Prince Hamlet of Denmark is the son of the recently deceased King Hamlet, and nephew of King Claudius, his father's brother and successor. Claudius hastily married King Hamlet's widow, Gertrude, Hamlet's mother, and took the throne for himself. Denmark has a long-standing feud with neighbouring No... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Hamlet",
"characters",
"Polonius"
] | Dramatic structure
Modern editors have divided the play into five acts, and each act into scenes. The First Folio marks the first two acts only. The quartos do not have such divisions. The division into five acts follows Seneca, who in his plays, regularized the way ancient Greek tragedies contain five episodes, which ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Hamlet",
"characters",
"Rosencrantz and Guildenstern"
] | Dramatic structure
Modern editors have divided the play into five acts, and each act into scenes. The First Folio marks the first two acts only. The quartos do not have such divisions. The division into five acts follows Seneca, who in his plays, regularized the way ancient Greek tragedies contain five episodes, which ... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Hamlet",
"characters",
"Yorick"
] | The first Hamlet in color was a 1969 film directed by Tony Richardson with Nicol Williamson as Hamlet and Marianne Faithfull as Ophelia.
In 1990 Franco Zeffirelli, whose Shakespeare films have been described as "sensual rather than cerebral", cast Mel Gibson—then famous for the Mad Max and Lethal Weapon movies—in the t... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Hamlet",
"instance of",
"literary work"
] | The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet (), is a tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play, with 29,551 words. Set in Denmark, the play depicts Prince Hamlet and his attempts to exact revenge against his uncle, Claudius, who has m... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
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