triplets list | passage stringlengths 0 32.9k | label stringlengths 4 48 ⌀ | label_id int64 0 1k ⌀ | synonyms list | __index_level_1__ int64 312 64.1k ⌀ | __index_level_0__ int64 0 2.4k ⌀ |
|---|---|---|---|---|---|---|
[
"The Adventures of Anton",
"director",
"Wiktor Biegański"
] | The Adventures of Anton (Polish:Przygody pana Antoniego) is a 1913 Polish silent comedy film directed by Wiktor Biegański and starring Antoni Siemaszko and Wanda Jarszewska. It is likely that the film and Biegański's previous production were never put on general release. | director | 145 | [
"filmmaker",
"movie director",
"film director",
"motion picture director",
"cinema director"
] | null | null |
[
"The Adventures of Anton",
"instance of",
"film"
] | The Adventures of Anton (Polish:Przygody pana Antoniego) is a 1913 Polish silent comedy film directed by Wiktor Biegański and starring Antoni Siemaszko and Wanda Jarszewska. It is likely that the film and Biegański's previous production were never put on general release. | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Adventures of Anton",
"genre",
"silent film"
] | The Adventures of Anton (Polish:Przygody pana Antoniego) is a 1913 Polish silent comedy film directed by Wiktor Biegański and starring Antoni Siemaszko and Wanda Jarszewska. It is likely that the film and Biegański's previous production were never put on general release. | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"The Adventures of Anton",
"genre",
"comedy film"
] | The Adventures of Anton (Polish:Przygody pana Antoniego) is a 1913 Polish silent comedy film directed by Wiktor Biegański and starring Antoni Siemaszko and Wanda Jarszewska. It is likely that the film and Biegański's previous production were never put on general release. | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Les pêcheurs de perles",
"form of creative work",
"opera"
] | It was Bizet's winning entry in a competition organised by the celebrated composer Jacques Offenbach, and gained him a cash award, a gold medal, and a performance of the prize work at the Théâtre des Bouffes-Parisiens. In 1857 Bizet was awarded the prestigious Prix de Rome, and as a result spent most of the following t... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Les pêcheurs de perles",
"genre",
"opera"
] | Les pêcheurs de perles (The Pearl Fishers) is an opera in three acts by the French composer Georges Bizet, to a libretto by Eugène Cormon and Michel Carré. It was premiered on 30 September 1863 at the Théâtre Lyrique in Paris, and was given 18 performances in its initial run. Set in ancient times on the island of Ceylo... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Les pêcheurs de perles",
"instance of",
"dramatico-musical work"
] | It was Bizet's winning entry in a competition organised by the celebrated composer Jacques Offenbach, and gained him a cash award, a gold medal, and a performance of the prize work at the Théâtre des Bouffes-Parisiens. In 1857 Bizet was awarded the prestigious Prix de Rome, and as a result spent most of the following t... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Romance of the Western Chamber",
"language of work or name",
"Chinese"
] | Romance of the Western Chamber (traditional Chinese: 西廂記; simplified Chinese: 西厢记; pinyin: Xīxiāng Jì; Wade–Giles: Hsi-hsiang-chi), also translated as The Story of the Western Wing, The West Chamber, Romance of the Western Bower and similar titles, is one of the most famous Chinese dramatic works. It was written by the... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Romance of the Western Chamber",
"author",
"Wang Shifu"
] | Romance of the Western Chamber (traditional Chinese: 西廂記; simplified Chinese: 西厢记; pinyin: Xīxiāng Jì; Wade–Giles: Hsi-hsiang-chi), also translated as The Story of the Western Wing, The West Chamber, Romance of the Western Bower and similar titles, is one of the most famous Chinese dramatic works. It was written by the... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Romance of the Western Chamber",
"instance of",
"literary work"
] | Romance of the Western Chamber (traditional Chinese: 西廂記; simplified Chinese: 西厢记; pinyin: Xīxiāng Jì; Wade–Giles: Hsi-hsiang-chi), also translated as The Story of the Western Wing, The West Chamber, Romance of the Western Bower and similar titles, is one of the most famous Chinese dramatic works. It was written by the... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Das Kapital",
"main subject",
"capitalism"
] | Das Kapital, also known as Capital: A Critique of Political Economy or sometimes simply Capital (German: Das Kapital. Kritik der politischen Ökonomie, pronounced [das kapiˈtaːl kʁɪˈtiːk deːɐ poˈliːtɪʃn̩ økonoˈmiː]; 1867–1883), is a foundational theoretical text in materialist philosophy, critique of political economy a... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Das Kapital",
"main subject",
"political economy"
] | Das Kapital, also known as Capital: A Critique of Political Economy or sometimes simply Capital (German: Das Kapital. Kritik der politischen Ökonomie, pronounced [das kapiˈtaːl kʁɪˈtiːk deːɐ poˈliːtɪʃn̩ økonoˈmiː]; 1867–1883), is a foundational theoretical text in materialist philosophy, critique of political economy a... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Das Kapital",
"based on",
"A Contribution to the Critique of Political Economy"
] | Themes
In Das Kapital (1867), Marx proposes that the motivating force of capitalism is in the exploitation of labor, whose unpaid work is the ultimate source of surplus value. The owner of the means of production is able to claim the right to this surplus value because they are legally protected by the ruling regime th... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Das Kapital",
"main subject",
"economic theory"
] | Themes
In Das Kapital (1867), Marx proposes that the motivating force of capitalism is in the exploitation of labor, whose unpaid work is the ultimate source of surplus value. The owner of the means of production is able to claim the right to this surplus value because they are legally protected by the ruling regime th... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Das Kapital",
"has part(s)",
"Capital, Volume I"
] | Themes
In Das Kapital (1867), Marx proposes that the motivating force of capitalism is in the exploitation of labor, whose unpaid work is the ultimate source of surplus value. The owner of the means of production is able to claim the right to this surplus value because they are legally protected by the ruling regime th... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Das Kapital",
"has part(s)",
"Capital, Volume II"
] | Das Kapital, also known as Capital: A Critique of Political Economy or sometimes simply Capital (German: Das Kapital. Kritik der politischen Ökonomie, pronounced [das kapiˈtaːl kʁɪˈtiːk deːɐ poˈliːtɪʃn̩ økonoˈmiː]; 1867–1883), is a foundational theoretical text in materialist philosophy, critique of political economy a... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Das Kapital",
"has part(s)",
"Capital, Volume III"
] | Wage-labour is the basic "cell-form" (trade unit) of a capitalist society. Moreover, because commerce as a human activity implied no morality beyond that required to buy and sell goods and services, the growth of the market system made discrete entities of the economic, the moral, and the legal spheres of human activit... | has part(s) | 19 | [
"contains",
"comprises",
"includes",
"consists of",
"has components"
] | null | null |
[
"Das Kapital",
"instance of",
"written work"
] | Themes
In Das Kapital (1867), Marx proposes that the motivating force of capitalism is in the exploitation of labor, whose unpaid work is the ultimate source of surplus value. The owner of the means of production is able to claim the right to this surplus value because they are legally protected by the ruling regime th... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Barbara Frietchie (1924 film)",
"genre",
"drama film"
] | Barbara Frietchie is a 1924 American silent war drama film about an old woman who helps out soldiers during the American Civil War. It is based on the play of the same name by Clyde Fitch that had starred Julia Marlowe at the turn of the century which in turn was taken from the real-life story of Barbara Fritchie. Ther... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Barbara Frietchie (1924 film)",
"genre",
"silent film"
] | Barbara Frietchie is a 1924 American silent war drama film about an old woman who helps out soldiers during the American Civil War. It is based on the play of the same name by Clyde Fitch that had starred Julia Marlowe at the turn of the century which in turn was taken from the real-life story of Barbara Fritchie. Ther... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"The Old Musician",
"depicts",
"child"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Old Musician",
"depicts",
"violin"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Old Musician",
"creator",
"Édouard Manet"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | creator | 76 | [
"author",
"originator",
"designer",
"founder",
"producer"
] | null | null |
[
"The Old Musician",
"collection",
"National Gallery of Art"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"The Old Musician",
"location",
"National Gallery of Art"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | location | 29 | [
"place",
"position",
"site",
"locale",
"spot"
] | null | null |
[
"The Old Musician",
"made from material",
"oil paint"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | made from material | 98 | [
"constructed from material",
"fabricated from material",
"composed of material",
"formed from material",
"manufactured from material"
] | null | null |
[
"The Old Musician",
"depicts",
"musician"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"The Old Musician",
"instance of",
"painting"
] | The Old Musician is an 1862 oil painting on canvas by French painter Édouard Manet, produced during the period when the artist was influenced by Spanish art. The painting also betrays the influence of Gustave Courbet. This work is one of Manet's largest paintings and is now conserved at the National Gallery of Art in W... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Aeneid",
"characters",
"Anchises"
] | So raptly, everywhere, father and son
Wandered the airy plain and viewed it all.
After Anchises had conducted him
To every region and had fired his love
Of glory in the years to come, he spoke
Of wars that he might fight, of Laurentines,
And of Latinus' city, then of how
He might avoid or bear each toil to come. | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Aeneid",
"characters",
"Creusa"
] | Neptune takes notice: although he himself is no friend of the Trojans, he is infuriated by Juno's intrusion into his domain, and stills the winds and calms the waters, after making sure that the winds would not bother the Trojans again, lest they be punished more harshly than they were this time. The fleet takes shelte... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Aeneid",
"instance of",
"literary work"
] | The Aeneid ( ih-NEE-id; Latin: Aenē̆is [ae̯ˈneːɪs] or [ˈae̯neɪs]) is a Latin epic poem, written by Virgil between 29 and 19 BC, that tells the legendary story of Aeneas, a Trojan who fled the fall of Troy and travelled to Italy, where he became the ancestor of the Romans. It comprises 9,896 lines in dactylic hexameter.... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Fiesole Altarpiece",
"instance of",
"painting"
] | History
The altarpiece is among the earliest known works by Fra Angelico. It was originally commissioned for the high altar in the convent's church, but was later moved to a side altar where it is currently visible.
In 1501 Lorenzo di Credi repainted the background, which was probably gilded, with a more modern landsca... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Triumph of Time and Truth",
"language of work or name",
"English"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career:The Triumph of Time and Truth, HWV 71
In March 1757, possibly without much involvement from the blind and aging Handel, the oratorio was further expan... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"The Triumph of Time and Truth",
"composer",
"George Frideric Handel"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career:Il trionfo del Tempo e della Verità (The Triumph of Time and Truth), HWV 46b
Revised and expanded into three sections in March 1737, the work also had... | composer | 142 | [
"author",
"songwriter",
"creator",
"maker",
"writer"
] | null | null |
[
"The Triumph of Time and Truth",
"genre",
"oratorio"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career:Il trionfo del Tempo e del Disinganno (The Triumph of Time and Disillusion), HWV 46a
Handel’s very first oratorio, composed in spring 1707, to an Ital... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"The Triumph of Time and Truth",
"based on",
"Il trionfo del Tempo e del Disinganno"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career:Il trionfo del Tempo e del Disinganno (The Triumph of Time and Disillusion), HWV 46a
Handel’s very first oratorio, composed in spring 1707, to an Ital... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"The Triumph of Time and Truth",
"based on",
"Il trionfo del Tempo e della Verità"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career: | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"The Triumph of Time and Truth",
"instance of",
"musical work/composition"
] | The Triumph of Time and Truth is the final name of an oratorio by George Frideric Handel produced in three different versions across fifty years of the composer’s career: | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"A Christmas Carol",
"country of origin",
"England"
] | Stave one
A Christmas Carol opens on a bleak, cold Christmas Eve in London, seven years after the death of Ebenezer Scrooge's business partner, Jacob Marley. Scrooge, an ageing miser, dislikes Christmas and refuses a dinner invitation from his nephew Fred. He turns away two men who seek a donation from him to provide f... | country of origin | 80 | [
"place of origin",
"homeland",
"native land",
"motherland",
"fatherland"
] | null | null |
[
"A Christmas Carol",
"publisher",
"Chapman and Hall London"
] | Writing history
By mid-1843 Dickens began to suffer from financial problems. Sales of Martin Chuzzlewit were falling off, and his wife, Catherine, was pregnant with their fifth child. Matters worsened when Chapman & Hall, his publishers, threatened to reduce his monthly income by £50 if sales dropped further. He began ... | publisher | 135 | [
"publishing house",
"imprint",
"press",
"company",
"printer"
] | null | null |
[
"A Christmas Carol",
"followed by",
"The Chimes"
] | I have not the least doubt that if these Vagabonds can be stopped they must. ... Let us be the sledge-hammer in this, or I shall be beset by hundreds of the same crew when I come out with a long story.
Two days after the release of the Parley version, Dickens sued on the basis of copyright infringement and won. The pub... | followed by | 17 | [
"succeeded by",
"later followed by",
"came after"
] | null | null |
[
"Dominus ac Redemptor",
"author",
"Clement XIV"
] | Dominus ac Redemptor (Lord and Redeemer) is the papal brief promulgated on 21 July 1773 by which Pope Clement XIV suppressed the Society of Jesus. The Society was restored in 1814 by Pius VII.Context
For a few years Clement XIV tried to placate the opposition to the Jesuits by treating them harshly. He refused to meet ... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Dominus ac Redemptor",
"instance of",
"papal bull"
] | Dominus ac Redemptor (Lord and Redeemer) is the papal brief promulgated on 21 July 1773 by which Pope Clement XIV suppressed the Society of Jesus. The Society was restored in 1814 by Pius VII.Context
For a few years Clement XIV tried to placate the opposition to the Jesuits by treating them harshly. He refused to meet ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Dominus ac Redemptor",
"main subject",
"Suppression of the Society of Jesus"
] | Dominus ac Redemptor (Lord and Redeemer) is the papal brief promulgated on 21 July 1773 by which Pope Clement XIV suppressed the Society of Jesus. The Society was restored in 1814 by Pius VII.Context
For a few years Clement XIV tried to placate the opposition to the Jesuits by treating them harshly. He refused to meet ... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Dominus ac Redemptor",
"language of work or name",
"Ecclesiastical Latin"
] | Dominus ac Redemptor (Lord and Redeemer) is the papal brief promulgated on 21 July 1773 by which Pope Clement XIV suppressed the Society of Jesus. The Society was restored in 1814 by Pius VII. | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"The Procuress (Vermeer)",
"location",
"Gemäldegalerie Alte Meister"
] | The Procuress (Dutch: De koppelaarster) is a 1656 oil-on-canvas painting by the then 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his ear... | location | 29 | [
"place",
"position",
"site",
"locale",
"spot"
] | null | null |
[
"The Procuress (Vermeer)",
"collection",
"Staatliche Kunstsammlungen Dresden"
] | The Procuress (Dutch: De koppelaarster) is a 1656 oil-on-canvas painting by the then 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his ear... | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"The Procuress (Vermeer)",
"instance of",
"painting"
] | The Procuress (Dutch: De koppelaarster) is a 1656 oil-on-canvas painting by the then 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his ear... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Boule de Suif",
"language of work or name",
"French"
] | Boule de Suif (French pronunciation: [bul də sɥif]), translated variously as Dumpling, Butterball, Ball of Fat, or Ball of Lard, is a famous short story by the late 19th-century French writer Guy de Maupassant, first published on 15/16 April 1880. It is arguably his most famous short story and is the title story for h... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Boule de Suif",
"form of creative work",
"short story"
] | Boule de Suif (French pronunciation: [bul də sɥif]), translated variously as Dumpling, Butterball, Ball of Fat, or Ball of Lard, is a famous short story by the late 19th-century French writer Guy de Maupassant, first published on 15/16 April 1880. It is arguably his most famous short story and is the title story for h... | form of creative work | 126 | [
"artistic creation",
"creative composition",
"artistic production",
"work of art",
"creative piece"
] | null | null |
[
"Boule de Suif",
"published in",
"Les Soirées de Médan"
] | Publication history
It was first published in 1880 in Les Soirées de Médan, a collection of Naturalist short stories dealing with the Franco-Prussian war. | published in | 141 | [
"printed in",
"released in",
"issued in",
"distributed in",
"made available in"
] | null | null |
[
"Boule de Suif",
"instance of",
"literary work"
] | Boule de Suif (French pronunciation: [bul də sɥif]), translated variously as Dumpling, Butterball, Ball of Fat, or Ball of Lard, is a famous short story by the late 19th-century French writer Guy de Maupassant, first published on 15/16 April 1880. It is arguably his most famous short story and is the title story for h... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ballade des pendus",
"instance of",
"poem"
] | The Ballade des pendus, literally "ballad of the hanged", also known as Epitaphe Villon or Frères humains, is the best-known poem by François Villon. It is commonly acknowledged, although not clearly established, that Villon wrote it in prison while he awaited his execution. It was published posthumously in 1489 by Ant... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Ballade des pendus",
"author",
"François Villon"
] | The Ballade des pendus, literally "ballad of the hanged", also known as Epitaphe Villon or Frères humains, is the best-known poem by François Villon. It is commonly acknowledged, although not clearly established, that Villon wrote it in prison while he awaited his execution. It was published posthumously in 1489 by Ant... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Ballade des pendus",
"country of origin",
"France"
] | The Ballade des pendus, literally "ballad of the hanged", also known as Epitaphe Villon or Frères humains, is the best-known poem by François Villon. It is commonly acknowledged, although not clearly established, that Villon wrote it in prison while he awaited his execution. It was published posthumously in 1489 by Ant... | country of origin | 80 | [
"place of origin",
"homeland",
"native land",
"motherland",
"fatherland"
] | null | null |
[
"Ballade des pendus",
"genre",
"ballad"
] | The Ballade des pendus, literally "ballad of the hanged", also known as Epitaphe Villon or Frères humains, is the best-known poem by François Villon. It is commonly acknowledged, although not clearly established, that Villon wrote it in prison while he awaited his execution. It was published posthumously in 1489 by Ant... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Il falegname di Livonia",
"instance of",
"dramatico-musical work"
] | Il falegname di Livonia, o Pietro il grande, czar delle Russie (The Livonian Carpenter, or Peter the Great, Tsar of the Russias) is an 1819 opera buffa in two acts with music by Gaetano Donizetti set to a libretto by Gherardo Bevilacqua-Aldobrandini. The libretto was based in part on Felice Romani's libretto for Giovan... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Politics (Aristotle)",
"genre",
"treatise"
] | Politics (Greek: Πολιτικά, Politiká) is a work of political philosophy by Aristotle, a 4th-century BC Greek philosopher.
The end of the Nicomachean Ethics declared that the inquiry into ethics necessarily follows into politics, and the two works are frequently considered to be parts of a larger treatise—or perhaps conn... | genre | 85 | [
"category",
"style",
"type",
"kind",
"class"
] | null | null |
[
"Politics (Aristotle)",
"author",
"Aristotle"
] | Politics (Greek: Πολιτικά, Politiká) is a work of political philosophy by Aristotle, a 4th-century BC Greek philosopher.
The end of the Nicomachean Ethics declared that the inquiry into ethics necessarily follows into politics, and the two works are frequently considered to be parts of a larger treatise—or perhaps conn... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Politics (Aristotle)",
"main subject",
"politics"
] | Politics (Greek: Πολιτικά, Politiká) is a work of political philosophy by Aristotle, a 4th-century BC Greek philosopher.
The end of the Nicomachean Ethics declared that the inquiry into ethics necessarily follows into politics, and the two works are frequently considered to be parts of a larger treatise—or perhaps conn... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Politics (Aristotle)",
"language of work or name",
"Ancient Greek"
] | Politics (Greek: Πολιτικά, Politiká) is a work of political philosophy by Aristotle, a 4th-century BC Greek philosopher.
The end of the Nicomachean Ethics declared that the inquiry into ethics necessarily follows into politics, and the two works are frequently considered to be parts of a larger treatise—or perhaps conn... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Journey to the West",
"language of work or name",
"Chinese"
] | Journey to the West (Chinese: 西遊記; pinyin: Xī Yóu Jì; Wade–Giles: Hsi1 Yu2 Chi4) is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is regarded as one of the greatest Classic Chinese Novels, and has been described as arguably the most popular literary work in East... | language of work or name | 125 | [
"language",
"dialect",
"jargon"
] | null | null |
[
"Journey to the West",
"author",
"Wu Cheng'en"
] | Journey to the West (Chinese: 西遊記; pinyin: Xī Yóu Jì; Wade–Giles: Hsi1 Yu2 Chi4) is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en. It is regarded as one of the greatest Classic Chinese Novels, and has been described as arguably the most popular literary work in East... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Journey to the West",
"characters",
"Zhu Bajie"
] | Zhu Bajie or Pigsy
Zhu Bajie (豬八戒, literally "Pig of the Eight Prohibitions") is also known as Zhu Wuneng ("Pig Awakened to Power"), and given the name "Monk Pig", "Piggy", "Pigsy", or just simply "Pig" in English.
Once an immortal who was the Marshal of the Heavenly Canopy commanding 100,000 naval soldiers of the Milk... | characters | 128 | [
"roles",
"protagonists",
"personalities",
"figures",
"casts"
] | null | null |
[
"Journey to the West",
"followed by",
"A Supplement to the Journey to the West"
] | Sequels
The brief satirical novel Xiyoubu (西遊補, "A Supplement to the Journey to the West," c. 1640) follows Sun Wukong as he is trapped in a magical dream world created by the Qing Fish Demon, the embodiment of desire (情, qing). Sun travels back and forth through time, during which he serves as the adjunct King of Hell... | followed by | 17 | [
"succeeded by",
"later followed by",
"came after"
] | null | null |
[
"Romance of the Three Kingdoms",
"main subject",
"history of China"
] | Romance of the Three Kingdoms (traditional Chinese: 三國演義; simplified Chinese: 三国演义; pinyin: Sānguó Yǎnyì) is a 14th-century historical novel attributed to Luo Guanzhong. It is set in the turbulent years towards the end of the Han dynasty and the Three Kingdoms period in Chinese history, starting in 184 AD and ending wi... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Romance of the Three Kingdoms",
"based on",
"Records of the Three Kingdoms"
] | Historical accuracy
The novel draws from Chen Shou's Records of the Three Kingdoms as the main historical source. Other major influences include Liu Yiqing's A New Account of the Tales of the World (Shishuo Xinyu), published in 430, and the Sanguozhi Pinghua, a chronological collection of eighty fictional sketches star... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Romance of the Three Kingdoms",
"author",
"Luo Guanzhong"
] | Romance of the Three Kingdoms (traditional Chinese: 三國演義; simplified Chinese: 三国演义; pinyin: Sānguó Yǎnyì) is a 14th-century historical novel attributed to Luo Guanzhong. It is set in the turbulent years towards the end of the Han dynasty and the Three Kingdoms period in Chinese history, starting in 184 AD and ending wi... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Romance of the Three Kingdoms",
"instance of",
"written work"
] | Historical accuracy
The novel draws from Chen Shou's Records of the Three Kingdoms as the main historical source. Other major influences include Liu Yiqing's A New Account of the Tales of the World (Shishuo Xinyu), published in 430, and the Sanguozhi Pinghua, a chronological collection of eighty fictional sketches star... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Romance of the Three Kingdoms",
"based on",
"Sanguozhi Pinghua"
] | Origins and versions
Stories about the heroes of the Three Kingdoms were the basis of entertainment dating back to the Sui and Tang dynasty (6th–10th centuries). By the Song dynasty (10th–13th centuries), there were several records of professional oral storytellers who specialized in the Three Kingdoms hero cycles. Th... | based on | 133 | [
"derived from",
"inspired by",
"modeled after",
"constructed from",
"built upon"
] | null | null |
[
"Water Margin",
"author",
"Shi Nai'an"
] | Shi Nai'an
Many scholars believe that the first 70 chapters were indeed written by Shi Nai'an; however the authorship of the final 30 chapters is often questioned, with some speculating that it was instead written by Luo Guanzhong, who may have been a student of Shi. Another theory, which first appeared in Gao Ru's Bai... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"Water Margin",
"instance of",
"literary work"
] | Authorship
Since fiction was not at first a prestigious genre in the Chinese literary world, authorship of early novels was not attributed and may be unknowable. The authorship of Water Margin is still in some sense uncertain, and the text in any case derived from many sources and involved many editorial hands. While t... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"The Legend of Sleepy Hollow",
"author",
"Washington Irving"
] | "The Legend of Sleepy Hollow" is a short story by American author Washington Irving, contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Written while Irving was living abroad in Birmingham, England, "The Legend of Sleepy Hollow" was first published in 1820.
Alon... | author | 124 | [
"writer",
"novelist"
] | null | null |
[
"The Legend of Sleepy Hollow",
"published in",
"The Sketch Book of Geoffrey Crayon, Gent."
] | "The Legend of Sleepy Hollow" is a short story by American author Washington Irving, contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Written while Irving was living abroad in Birmingham, England, "The Legend of Sleepy Hollow" was first published in 1820.
Alon... | published in | 141 | [
"printed in",
"released in",
"issued in",
"distributed in",
"made available in"
] | null | null |
[
"The Legend of Sleepy Hollow",
"different from",
"Sleepy Hollow"
] | Adaptations
Film
The Headless Horseman (1922), a silent film directed by Edward Venturini and starring Will Rogers as Ichabod Crane. It was filmed on location in New York's Hudson River Valley.
The Adventures of Ichabod and Mr. Toad (1949), an animated adaptation directed by James Algar, Clyde Geronimi, and Jack Kinney... | different from | 12 | [
"not same as",
"not identical to",
"distinct from",
"separate from",
"unlike"
] | null | null |
[
"The Legend of Sleepy Hollow",
"instance of",
"literary work"
] | "The Legend of Sleepy Hollow" is a short story by American author Washington Irving, contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Written while Irving was living abroad in Birmingham, England, "The Legend of Sleepy Hollow" was first published in 1820.
Alon... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"woman"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"location",
"Metropolitan Museum of Art"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | location | 29 | [
"place",
"position",
"site",
"locale",
"spot"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"owned by",
"Metropolitan Museum of Art"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | owned by | 24 | [
"possessed by",
"belonging to",
"controlled by",
"under ownership of",
"held by"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"collection",
"Metropolitan Museum of Art"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | collection | 79 | [
"assemblage",
"accumulation",
"gathering",
"compilation",
"assortment"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"exhibition history",
"Salon des Refusés"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | exhibition history | 132 | [
"exhibition record",
"exhibition chronology",
"exhibition itinerary",
"exhibition schedule",
"showcase history"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"bullfighting"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"owned by",
"Édouard Manet"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | owned by | 24 | [
"possessed by",
"belonging to",
"controlled by",
"under ownership of",
"held by"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"Victorine Meurent"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter.See... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"bullring"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"bull"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"main subject",
"Spanish-style bullfighting"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter.See... | main subject | 130 | [
"focus",
"central theme",
"central topic",
"main theme",
"primary subject"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"instance of",
"painting"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter.See... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"Spanish costume"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter.See... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Mademoiselle V. in the Costume of an Espada",
"depicts",
"disguise"
] | Mademoiselle V. in the Costume of an Espada is an 1862 painting by Édouard Manet, now in the Metropolitan Museum of Art. Manet exhibited the painting with Déjeuner sur l'herbe and Young Man Dressed as a Majo at the Salon des Refusés in 1863. The subject of the painting is Victorine Meurent, dressed as a bullfighter. | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Philosopher in Meditation",
"depicts",
"stairs"
] | Subject matter
While the traditional title Philosopher in Meditation has to a large extent been responsible for the painting's popularity, it is iconographically untenable. The painting shows none of the conspicuous attributes of scholarship or philosophy—books, globe, scientific instruments, etc.—and the presence of a... | depicts | 134 | [
"illustrates",
"portrays",
"represents",
"shows",
"exhibits"
] | null | null |
[
"Philosopher in Meditation",
"made from material",
"oil paint"
] | Description
Painted in oils on an oak panel measuring about 11 x 13 in. (28 x 34 cm), the painting depicts in slightly accelerated perspective two figures in a partially vaulted interior that is dominated by a wooden spiral staircase. The architecture includes stone, brick and wood, with arched elements (window, vault,... | made from material | 98 | [
"constructed from material",
"fabricated from material",
"composed of material",
"formed from material",
"manufactured from material"
] | null | null |
[
"Philosopher in Meditation",
"made from material",
"oak panel"
] | Description
Painted in oils on an oak panel measuring about 11 x 13 in. (28 x 34 cm), the painting depicts in slightly accelerated perspective two figures in a partially vaulted interior that is dominated by a wooden spiral staircase. The architecture includes stone, brick and wood, with arched elements (window, vault,... | made from material | 98 | [
"constructed from material",
"fabricated from material",
"composed of material",
"formed from material",
"manufactured from material"
] | null | null |
[
"Age of the universe",
"instance of",
"time interval"
] | Explanation
The Lambda-CDM concordance model describes the evolution of the universe from a very uniform, hot, dense primordial state to its present state over a span of about 13.77 billion years of cosmological time. This model is well understood theoretically and strongly supported by recent high-precision astronomic... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"EGS-zs8-1",
"instance of",
"Lyman-break galaxy"
] | EGS-zs8-1 is a high-redshift Lyman-break galaxy found at the northern constellation of Boötes. In May 2015, EGS-zs8-1 had the highest spectroscopic redshift of any known galaxy, meaning EGS-zs8-1 was the most distant and the oldest galaxy observed. In July 2015, EGS-zs8-1 was surpassed by EGSY8p7 (EGSY-2008532660). | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"NGC 3201",
"instance of",
"globular cluster"
] | Black holes
Because NGC 3201 is a less dense globular cluster, far from undergoing core collapse, it is believed to harbor a substantial black hole population in its core.
Indeed, a few black holes have been detected in this cluster, orbiting nearby stars.
In a study from 2022, the movement of stars near the cluster'... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"NGC 3201",
"discoverer or inventor",
"James Dunlop"
] | NGC 3201 (also known as Caldwell 79) is a low galactic latitude globular cluster in the southern constellation of Vela. It has a very low central concentration of stars. This cluster was discovered by James Dunlop on May 28, 1826 and listed in his 1827 catalogue. He described it as "a pretty large pretty bright round n... | discoverer or inventor | 110 | [
"discoverer",
"inventor",
"creator",
"pioneer",
"innovator"
] | null | null |
[
"Proxima Centauri",
"instance of",
"star"
] | Proxima Centauri is a small, low-mass star located 4.2465 light-years (1.3020 pc) away from the Sun in the southern constellation of Centaurus. Its Latin name means the 'nearest [star] of Centaurus'. It was discovered in 1915 by Robert Innes and is the nearest-known star to the Sun. With a quiescent apparent magnitude ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Proxima Centauri",
"instance of",
"flare star"
] | Proxima Centauri is a small, low-mass star located 4.2465 light-years (1.3020 pc) away from the Sun in the southern constellation of Centaurus. Its Latin name means the 'nearest [star] of Centaurus'. It was discovered in 1915 by Robert Innes and is the nearest-known star to the Sun. With a quiescent apparent magnitude ... | instance of | 5 | [
"type of",
"example of",
"manifestation of",
"representation of"
] | null | null |
[
"Proxima Centauri",
"discoverer or inventor",
"Robert T. A. Innes"
] | Observational history
In 1915, the Scottish astronomer Robert Innes, director of the Union Observatory in Johannesburg, South Africa, discovered a star that had the same proper motion as Alpha Centauri. He suggested that it be named Proxima Centauri (actually Proxima Centaurus). In 1917, at the Royal Observatory at the... | discoverer or inventor | 110 | [
"discoverer",
"inventor",
"creator",
"pioneer",
"innovator"
] | null | null |
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