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In May 2016 it was revealed that Fowler would return to the pitch to play for England in Soccer Aid , a charity football match in aid of UNICEF , alongside Jamie Carragher .
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= = International career = =
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Fowler earned his first cap for England on 27 March 1996 , coming on as a 76th @-@ minute substitute in the 1 – 0 friendly win against Bulgaria at Wembley Stadium . On 24 April , he won his second cap and made his first start for England in the 0 – 0 draw with Croatia . Despite only having 3 caps to his name , England...
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Fowler did not feature during England 's qualifying campaign for the 1998 FIFA World Cup , mainly due to a serious knee ligament injury , and thus missed out on Glenn Hoddle 's 22 @-@ man squad for the tournament . He did , however , manage to score his first goal for his country on 29 March 1997 , netting the second ...
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On 9 June 1999 , Fowler played in his first competitive game for England in nearly three years , starting in the 1 – 1 draw with Bulgaria during Euro 2000 qualifying . Kevin Keegan named Fowler in the preliminary squad for Euro 2000 , and after featuring in the three warm @-@ up games against Brazil , Ukraine , and Ma...
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Fowler scored his fourth goal for England on 25 May 2001 , netting the second goal in the 4 – 0 friendly win against Mexico at Pride Park , Derby . On 5 September , he scored his first competitive goal for England in the 2 – 0 win against Albania at St James ' Park , Newcastle . This was during qualifying for the 2002...
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= = Coaching career = =
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= = = Milton Keynes Dons = = =
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On returning to England , Fowler has worked with League One side Milton Keynes Dons on an ad @-@ hoc basis to assist the club 's coaching staff . On 7 April 2011 , Bury confirmed that Fowler would join their coaching staff for one week to assist Richie Barker . Fowler briefly coached Liverpool 's strikers in April 201...
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= = = Muangthong United = = =
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Muangthong took action and sacked Henrique Calisto as head coach . A statement on the Muangthong website read : " The Board have appointed Robbie Fowler as the acting Head Coach and terminate the contract of Portuguese boss Henrique Calisto . The contract is until the end of the season and the team must adapt to long ...
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= = = Liverpool Academy = = =
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In October 2013 it was announced that Fowler would be taking up a coaching role with Liverpool FC at the academy .
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On 9 September 2014 , it was revealed Fowler had applied for the vacant head coach / manager job at his former club Leeds United .
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= = Style of play = =
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A prolific goal @-@ scorer , Fowler was a quick and opportunistic striker , with good technical ability . Although naturally left @-@ footed , he possessed an accurate , powerful shot from both inside and outside the area with both feet ; he was also effective in the air . Despite his reputation as a " goal @-@ poache...
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= = Personal life = =
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Fowler married wife Kerrie on 9 June 2001 in the town of Duns in Scotland . Together they have three daughters named Madison , Jaya , and Mackenzie , and one son , Jacob .
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Fowler is a supporter of Liverpool F.C. and regularly attends matches at Anfield . He does media work for Abu Dhabi Sports Channel , Sky Sports and ITV .
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In association with long term friend Steve McManaman , Fowler has invested in several racehorses through a chattily named company The Macca and Growler Partnership , most notably 2003 Queen Elizabeth the Queen Mother Celebration Chase runner @-@ up Seebald . In 2005 , Fowler was listed as one of the 1 @,@ 000 wealthie...
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On 2 September 2005 , Fowler released a book called Fowler : My Autobiography , about his time as a footballer and the issues surrounding him . Since his transfer to Liverpool he has updated it and included a section about his return to Anfield . Excerpts published in newspapers included criticism of the England manag...
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In June 2008 , Fowler participated alongside McManaman in Steve Nash and Claudio Reyna 's Showdown in Chinatown , an 8 @-@ on @-@ 8 charity soccer game at Sara D. Roosevelt Park in Manhattan with McManaman making five of the goals , including one for Fowler .
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In 2011 , Fowler and McManaman participated in a Select World XI against Chechen dictator Ramzan Kadyrov and his select XI in a public relations fundraiser in the war @-@ torn nation 's capital of Grozny . The match caused much press bewilderment in the western world , mainly due to Kadyrov 's abysmal human rights rec...
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Fowler is a cousin of boxer and 2014 Commonwealth Games gold medallist Antony Fowler .
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= = Career statistics = =
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= = Managerial statistics = =
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= = Honours = =
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= = = Club = = =
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Liverpool
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FA Cup : 2000 – 01
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League Cup : 1994 – 95 , 2000 – 01
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FA Charity Shield : 2001
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UEFA Cup : 2000 – 01
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UEFA Super Cup : 2001
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= = = International = = =
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England
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UEFA European Under @-@ 18 Football Championship : 1993
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= = = Individual = = =
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PFA Young Player of the Year Award : 1995 , 1996
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UEFA Fair Play Award : 1997
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Alan Hardaker Trophy : 2001
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North Queensland Fury Player of the Year : 2010
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North Queensland Fury Golden Boot : 2010
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North Queensland Fury Players ' Player of the Year : 2010
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Perth Glory Golden Boot : 2011
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Premier League Player of the Month : December 1995 , January 1996
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= Ode on Indolence =
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The " Ode on Indolence " is one of five odes composed by English poet John Keats in the spring of 1819 . The others were " Ode on a Grecian Urn " , " Ode on Melancholy " , " Ode to a Nightingale " and " Ode to Psyche " . The poem describes the state of indolence , otherwise known as laziness , and was written during a...
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The poem is an example of Keats 's break from the structure of the classical form . It follows the poet 's contemplation of a morning spent in idleness . Three figures are presented β€” Ambition , Love and Poesy β€” dressed in " placid sandals " and " white robes " . The narrator examines each using a series of questions ...
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= = Background = =
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By the spring of 1819 , Keats had left his poorly paid position as a surgeon at Guy 's Hospital , Southwark , London , to devote himself to poetry . On 12 May 1819 , he abandoned this plan after receiving a request for financial assistance from his brother , George . Unable to help , Keats was torn by guilt and despai...
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In a letter to his brother dated 19 March 1819 , Keats discussed indolence as a subject . He may have written the ode as early as March , but the themes and stanza forms suggest May or June 1819 ; when it is known he was working on " Ode on a Grecian Urn " , " Ode on Melancholy " , " Ode to a Nightingale " and " Ode t...
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Keats 's notes and papers do not reveal the precise dating of the 1819 odes . Literary scholars have proposed several different orders of composition , arguing that the poems form a sequence within their structures . In The Consecrated Urn , Bernard Blackstone observes that " Indolence " has been variously thought the...
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= = Structure = =
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" Ode on Indolence " relies on ten line stanzas with a rhyme scheme that begins with a Shakespearian quatrain ( ABAB ) and ends with a Miltonic sestet ( CDECDE ) . This pattern is used in " Ode on Melancholy " , " Ode to a Nightingale " and " Ode on a Grecian Urn " , which further unifies the poems in their structure ...
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The poem contains a complicated use of assonance ( the repetition of vowel sounds ) , as evident in line 19 , " O why did ye not melt , and leave my sense " , where the pairs ye / leave and melt / sense share vowel sounds . A more disorganized use of assonance appears in line 31 , " A third time pass 'd they by , and ...
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Keats occasionally inverts the accent of the first two syllables of each line or a set of syllables within the middle of a line . 2 @.@ 3 % of the internal syllables are inverted in the " Ode on Indolence " , whereas only 0 @.@ 4 % of the internal syllables of his other poems contain such inversions .
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= = Poem = =
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The poem relies on a first @-@ person narration style similar to " Ode to Psyche " . It begins with a classical scene from an urn in a similar manner to " Ode on a Grecian Urn " , but the scene in " Indolence " is allegorical . The opening describes three figures that operate as three fates :
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One morn before me were three figures seen ,
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With bowed necks , and joined hands , side @-@ faced ;
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And one behind the other stepp 'd serene ,
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In placid sandals , and in white robes graced ;
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They pass 'd , like figures on a marble urn
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When shifted round to see the other side ;
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They came again , as , when the urn once more
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Is shifted round , the first seen shades return ;
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And they were strange to me , as may betide
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With vases , to one deep in Phidian lore . ( Lines 1 – 10 )
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The figures remain mysterious as they circle around the narrator . Eventually they turn towards him and it is revealed that they are Ambition , Love , and Poesy , the themes of the poem :
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A third time pass 'd they by , and , passing , turn 'd
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Each one the face a moment whiles to me ;
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Then faded , and to follow them I burn 'd
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And ached for wings , because I knew the three :
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The first was a fair Maid , and Love her name ;
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The second was Ambition , pale of cheek ,
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And ever watchful with fatigued eye ;
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The last , whom I love more , the more of blame
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Is heap 'd upon her , maiden most unmeek , β€”
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I knew to be my demon Poesy . ( Lines 31 – 40 )
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The poet wishes to be with the three figures , but he is unable to join them . The poem transitions into the narrator providing reasons why he would not need the three figures and does so with ambition and love , but he cannot find a reason to dismiss poesy :
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They faded , and , forsooth ! I wanted wings :
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O folly ! What is Love ? and where is it ?
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And for that poor Ambition β€” it springs
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From a man 's little heart 's short fever @-@ fit ;
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For Poesy ! β€” no , β€” she has not a joy , β€”
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At least for me , β€” so sweet as drowsy noons ,
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And evenings steep 'd in honied indolence ;
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O , for an age so shelter 'd from annoy ,
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That I may never know how change the moons ,
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Or hear the voice of busy common @-@ sense ! ( lines 41 – 50 )
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Concluding the poem , the narrator argues that the figures should be treated as figures , and that he would not be misled by them :
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So , ye three ghosts , adieu ! Ye cannot raise
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My head cool @-@ bedded in the flowery grass ;
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For I would not be dieted with praise ,
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A pet @-@ lamb in a sentimental farce !
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Fade softly from my eyes , and be once more
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In masque @-@ like figures on the dreary urn ;
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Farewell ! I yet have visions for the night ,
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And for the day faint visions there is store ;
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