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= The Remix ( Lady Gaga album ) =
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The Remix is a remix album by American recording artist Lady Gaga . Released in Japan on March 3 , 2010 , it contains remixes of the songs from her first studio album , The Fame ( 2008 ) , and her third extended play , The Fame Monster ( 2009 ) . A revised version of the track list was prepared for release in additional markets , beginning with Mexico on May 3 , 2010 . A number of recording artists have produced the songs , including Pet Shop Boys , Passion Pit and The Sound of Arrows . The remixed versions feature both uptempo and downtempo compositions , with altered vocals from Gaga .
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The album received mixed reviews from contemporary critics , but some noted how Gaga was able to sell the songs from The Fame in new and novel ways . It reached the top of charts in Greece and the Dance / Electronic Albums chart of Billboard magazine in the United States . In other nations , The Remix charted within the top ten in Belgium ( Flanders and Wallonia region ) , Canada , Ireland , Japan , Mexico , the United Kingdom and the Billboard 200 chart of United States , while reaching the top @-@ twenty in others . It was certified platinum in Japan and Brazil and received gold certification in Belgium and Russia . Worldwide the album has sold over 500 @,@ 000 copies , and it is among the best @-@ selling remix albums of all time .
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= = Background = =
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On April 15 , 2010 , The Guardian reported that a number of artists , including Pet Shop Boys , Passion Pit and rock musician Marilyn Manson , have contributed to a remix album by Lady Gaga , titled The Remix . The remixes included in the package had been previously released alongside Gaga 's single releases in the past years . The album was originally released in Japan on March 3 , 2010 , containing sixteen of the remixes . The revised version , consisting of seventeen remixes , was released on May 3 , 2010 , the first market being Mexico . Manson features on the Chew Fu remix of " LoveGame " , while Passion Pit remixed " Telephone " and Pet Shop Boys remixed " Eh , Eh ( Nothing Else I Can Say ) " . Other artists who remixed Gaga 's songs included Alphabeat , Frankmusik , Stuart Price , Monarchy and Robots to Mars . The album was released in the United Kingdom on May 10 , 2010 and featured a different artwork for that region . The US release of the album was announced by Interscope Records in July 2010 and it was released on August 3 , 2010 .
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= = Composition = =
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Chuck Campbell from the California Chronicle felt that the main " trick " adopted by the producers behind The Remix , was to preserve the integrity of Gaga 's nuances in her songs , at the same time bringing something new to her music . The second song in the track list , the " LLG vs GLG Radio Mix " of " Poker Face " , features a computerized chanting of the " mum @-@ mum @-@ mum @-@ mah " hook of the song . Stuart Price remixed " Paparazzi " into an electronic version , changing the original mid @-@ tempo composition of the song . New vocals were added on top of the song , giving it a jungle @-@ like vibe , according to Nicki Escuerdo from Phoenix New Times . She also felt that the remix of " LoveGame " featuring Manson , changed the original composition by " giving the originally innocent and fun song an almost demonic quality " . According to Campbell , The Monarchy Stylites remix of " Dance in the Dark " " pump [ ed ] extra oomph " into the song , with addition of drum beats . Richard Vission 's remix of " Just Dance " introduced an elastic rhythm in the song , while Frankmusik changed the soft composition of " Eh , Eh ( Nothing Else I Can Say ) " to a more upbeat one , also manipulating Gaga 's vocals in the process . Campbell also added that the Passion Pit remix of " Telephone " felt like a " theatrical set up for a song that feels like it 's going somewhere , but never does " ; the remix consists of synths , with a thumping beat accompanying the song . Sound of Arrows remixed " Alejandro " , changing the dark nature of its music into a bright , summery jam while " Bad Romance " was remixed by Starsmith , making it a complete dance track .
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= = Critical reception = =
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Upon its release , the album met with mixed reviews . At Metacritic it holds an aggregate score of 54 out of 100 points , indicating generally mixed or average reviews . Simon Cage from the Daily Express gave the album three out of five stars and felt that although she " has a winning way with ostentatious hats " , Gaga 's true talent lies in selling the same album over and over again . " It ’ s great but ... enough already ! " Music critic J. D. Considine , while reviewing the album for The Globe and Mail , complimented the piano and voice version of " Poker Face " adding that the latter was " the smartest track on her newest remix album " . He felt that the song " brings out her inner Elton John . And yes , this move , too , is probably just another bit of calculated image management , but that doesn ’ t make it any less brilliant . " Robert Copsey from Digital Spy noted that the release of The Remix was a more natural progression than music labels trying to " cash @-@ in " by releasing something not associated with the artist . He complimented the remixers featured in the album , calling them " as vital to keeping the singer 's music fresh as her Haus Of GaGa designers are to her image . "
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Stephen Thomas Erlewine from Allmusic gave the album three out of five stars , but felt that the track list could have been shortened . Erlewine complimented some of the remixes , including those by Pet Shop Boys and Space Cowboy , adding that The Remix " is not an essential addition to Gaga ’ s canon goes without saying ... but there ’ s glitz and glamour to enjoy here . " Mark Beech , reviewing the album for Bloomberg Television , noticed that the already familiar tracks from Gaga " are given a new sheen by the Pet Shop Boys and sometime Madonna producer Stuart Price . " Nicki Escudero from Phoenix New Times gave a positive review saying that the songs featured in The Remix can be a great addition during workouts , as well as staple dance floor music . She listed the Chew Fu remix of " LoveGame " as a highlight from the album . Monica Herrera from Billboard complimented the album saying " Gaga has employed a collection of more @-@ than @-@ capable producers to make her dance @-@ ready smashes from The Fame and The Fame Monster even more danceworthy . " Giving it three out of five stars , Caryn Ganz from Rolling Stone noted an uneven sequencing among the tracks in The Remix . She felt that the Passion Pit remix of " Telephone " was the best remix on the album .
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= = Chart performance = =
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Following the album 's release in Japan , it debuted at number nine on the Oricon Albums Chart . On the issue dated May 17 , 2010 , the album moved to a new peak of number seven and has since been certified platinum by the Recording Industry Association of Japan ( RIAJ ) for shipments of 250 @,@ 000 copies . In Australia , The Remix entered the ARIA Albums Chart at its peak position of number 12 on May 16 , 2010 , remaining on the chart for a total of five weeks . In the United Kingdom , the album debuted at number three on the official UK Albums Chart dated May 22 , 2010 , and has sold 166 @,@ 440 copies according to the Official Charts Company , being certified gold by the British Phonographic Industry ( BPI ) . Across Europe , the album debuted at seven on the European Top 100 Albums chart of Billboard . The Remix also reached the top of the charts in Greece , while attaining top @-@ ten positions in Belgium ( Flanders and Wallonia ) , Czech Republic , Ireland , the Netherlands and New Zealand .
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In the United States , The Remix charted at number six on the Billboard 200 dated August 21 , 2010 , with 39 @,@ 000 copies sold . It became Gaga 's third top ten album on the Billboard 200 . It also debuted at number one on Billboard 's Dance / Electronic Albums making this Gaga 's third number one entry on the chart . The same week , her studio albums The Fame and The Fame Monster were at positions two and three respectively . Billboard chart manager Keith Caulfield noted that Gaga became the first act to occupy the chart 's top three positions , in its nine @-@ year history . She additionally charted on the Billboard 200 with The Fame at number 12 and The Fame Monster at number 27 , marking the first time an artist placed three concurrent titles in the top 30 since 1993 , when Garth Brooks last achieved the feat on the January 23 , 1993 , chart by placing four sets in the top 30 : The Chase at number two , Beyond the Season at number 23 , Ropin ' the Wind at number 26 and No Fences at number 29 . According to Nielsen SoundScan , The Remix has sold 314 @,@ 000 copies in US as of April 2016 . In Canada , the album debuted at number five on the Canadian Albums Chart issue dated May 22 , 2010 , and remained on the chart for a total of ten weeks . The Remix has sold more than 500 @,@ 000 copies worldwide , and it is among the best @-@ selling remix albums of all time .
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= = Track listings = =
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= = Credits and personnel = =
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Credits adapted from the liner notes of UK pressings of The Remix . Track numbers correspond to international ( non @-@ US and Japan ) pressings .
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= = Charts = =
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= = Certifications = =
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= = Release history = =
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= Architecture of the Song dynasty =
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The architecture of the Song dynasty ( 960 – 1279 ) was noted for its towering Buddhist pagodas , enormous stone and wooden bridges , lavish tombs , and extravagant palaces . Although literary works on architecture existed beforehand , architectural writing blossomed during the Song dynasty , maturing into a more professional form that described dimensions and working materials in a concise , organized manner . In addition to the examples still standing , depictions in Song artwork , architectural drawings , and illustrations in published books all aid modern historians in understanding the architecture of the period .
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The professions of architect , master craftsman , carpenter , and structural engineer did not have the high status of the Confucian scholar @-@ officials during the dynastic era . Architectural knowledge had been passed down orally for thousands of years , usually from craftsman fathers to their sons . There were also government agencies and schools for construction , building , and engineering . The Song dynasty 's building manuals aided not only the various private workshops , but also the craftsmen employed by the central government .
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= = City and palace = =
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The layout of ancient Chinese capitals , such as Bianjing , capital of the Northern Song , followed the guidelines in Kao Gong Ji , which specified a square city wall with several gates on each side and passageways for the emperor . The outer city of ancient Bianjing was built during the reign of Emperor Shenzong to a rectangular plan , almost square in proportions , about 6 km ( 3 @.@ 7 mi ) from north to south and 7 km ( 4 @.@ 3 mi ) from west to east . The south wall had three gates , with Nanxun Gate in the center , Chenzhou Gate to the east , and Dailou Gate to the west . The other walls had four gates each : in the east wall were Dongshui Gate ( at the southern end ) , Xinsong Gate , Xinchao Gate , and North @-@ East Water Gate ; in the west wall Xinzheng Gate , West Water Gate , Wansheng Gate , and Guzi Gate ; and in the north wall Chenqiao Gate ( at the eastern end ) , Fengqiu Gate , New Wild Jujube Gate and Weizhou Gate . The gates in the center of each of the four sides were reserved for the emperor ; these gates had straight passages and only two sets of doors , while the other city gates had zigzag passages and were guarded by three sets of doors .
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The Song artist Zhang Zeduan 's painting Along the River During the Qingming Festival depicts the Dongshui Gate in detail : the building on top had a five @-@ ridged roof with a shallow slope in the Song dynasty style , supported prominently by two sets of brackets ( dougong ) . The lower bracket assembly rested on the city gate to form a wooden foundation , while the upper assembly supported the roof , similar to the dougong in an extant Song building , the Goddess Temple in Taiyuan . This method of using bracket assemblies to support superstructure was specified in Li Jie 's 12th @-@ century building manual Yingzao Fashi as pingzuo ( literally " flat base " ) .
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The city wall itself was built with rammed earth , a technique also detailed in Yingzao Fashi , vol . III , " Standards for Moat , Stronghold and Masonry Work " :
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Foundation : For every square chi , apply two dan of earth ; on top of it lay a mixture of broken brick , tile and crushed stones , also two dan . For every five @-@ cun layer of earth , two men , standing face to face , should tamp six times with pestles , each man pounding three times on a dent ; then tamp four times on each dent , two men again standing face to face , each pounding twice on the same dent ; then tamp two more times , each man pounding once . Following this , tamp the surface with pestles or stamp with feet randomly to even out the surface . Every five @-@ cun layer of earth should be compressed to three cun ; every three @-@ cun layer of brick and stone to one and a half cun .
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Rammed @-@ earth walls during this time were tapered : the thickness of the wall is greatest at the base and decreases steadily with increasing height , as detailed in Li Jie 's book .
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During the Song dynasty , the city of Bianjing had three enclosures : the outer city wall , the inner city wall , and the palace at the center . The inner city was rectangular , with three doors on each side . The palace enclosure was also rectangular , with a watch tower on each of the four corners . It had four main gates : Xihua Gate to the west , Donghua Gate to the east , Gongchen Gate to the north , and Xuande Gate , also known as Duan Gate or Xuandelou , at the south . Xuande Gate had five @-@ paneled doors , painted red and decorated with gold tacks ; its walls were lavishly decorated with dragon , phoenix and floating @-@ cloud patterns to match the carved beams , painted rafters and glazed @-@ tile roof . There were also two glazed dragons , each biting an end of the rooftop ridge , its tail pointing to the sky . The symbolic function of these chi wei was explained in Yingzao Fashi :
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There is a dragon in the East Sea , whose tail ( wei ) is similar to that of a sparrow @-@ hawk ( chi ) ; it stirs up waves and causes rainfall , so people put its likeness on the rooftop to prevent fire . However , they misnamed it " sparrow @-@ hawk tail " ( chi wei ) .
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Running southward from Xuande Gate was the Imperial Boulevard , about two hundred paces wide , with the Imperial Corridors on either side . Merchants opened shops in the Corridors until 1112 , when they were banned . Two rows of black fencing were placed at the center of the boulevard as a barrier to pedestrians and carriages . Along the inner sides of the fences ran the brick @-@ lined Imperial Water Furrows , filled with lotus . About 400 m ( 1 @,@ 300 ft ) south from Xuande Gate , the Bian River intercepted the Imperial Boulevard , which crossed it over the stone Zhou Bridge , balustraded and flat @-@ decked . This design of a boulevard with a stone bridge crossing a river was later imitated in the Forbidden City . During spring and summer , mingled peach , plum , pear and apricot trees adorned the banks of the Bian with a variety of flowers .
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= = Buddhist pagodas = =
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Following the reign of the Han dynasty , ( 202 BC – 220 AD ) , the idea of the Buddhist stupa entered Chinese culture , as a means to house and protect scriptural sutras . During the Southern and Northern Dynasties period , the distinctive Chinese pagoda was developed , its predecessors being the tall watch towers and towering residential apartments of the Han dynasty ( as inferred from models in Han @-@ era tombs ) . During the Sui ( 581 – 618 ) and Tang ( 618 – 907 ) periods , Chinese pagodas were developed from purely wooden structures to use articulated stone and brick , which could more easily survive fires caused by lightning or arson and were less susceptible to decay . The earliest brick pagoda that remains extant is the Songyue Pagoda , built in 523 , and a typical example of a Tang @-@ era stone pagoda is the Giant Wild Goose Pagoda , constructed in 652 . Although Buddhist influences on China waned after the late Tang period , numerous Buddhist pagoda towers were built during the Song dynasty . Tall Chinese pagodas were often built in the countryside rather than within a city 's walls , largely to avoid competition with the cosmic @-@ imperial authority embodied in the cities ' drum- and gate @-@ towers . The Giant Wild Goose Pagoda , built in a city ward of what was southeastern Chang 'an , is among the exceptions .
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The Iron Pagoda of Youguo Temple in Kaifeng earned it name from the iron @-@ grey color of the glazed bricks forming the tower . Originally built of wood by the architect Yu Hao , it was struck by lightning and burned down in 1044 , during the Northern Song period . In 1049 the pagoda was rebuilt as it appears today , under the order of Emperor Renzong of Song . This 13 @-@ story pagoda , structured on an octagonal base , is 56 @.@ 88 meters ( 186 @.@ 6 ft ) tall . Its glazed tile bricks feature carved artwork of dancing figures , solemn ministers , and Buddhist themes ( see gallery below ) .
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The period also featured true cast @-@ iron pagodas , such as the Iron Pagoda of Yuquan Temple ( Jade Springs Temple ) , Dangyang , Hubei Province . Built in 1061 , it incorporates 53 @,@ 848 kg ( 118 @,@ 715 lb ) of cast iron and stands 21 @.@ 28 m ( 69 @.@ 8 ft ) tall . Imitating contemporary wooden , stone , and brick pagodas , the pagoda features sloping eaves and an octagonal base . Another iron pagoda was constructed in 1105 , Jining , Shandong , and was cast layer by layer in octagonal sections , standing 78 feet high . Several such cast iron pagodas exist in China today .
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The Liuhe Pagoda , or Six Harmonies Pagoda , is another example of Song @-@ era pagoda architecture . It is located in the Southern Song capital of Hangzhou , in Zhejiang Province , at the foot of Yuelun Hill facing the Qiantang River . Although the original was destroyed in 1121 , the current tower was erected in 1156 and fully restored by 1165 . It stands 59 @.@ 89 m ( 196 @.@ 5 ft ) tall , and was constructed from a red brick frame with 13 stages of wooden eaves . Because of its size , the pagoda served as a permanent lighthouse to aid sailors at night ( as described in Hangzhou Fu Zhi ) .
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The Zhengjue Temple Pagoda in Pengxian County of Sichuan Province ( near Chengdu ) is a brick pagoda that was built between 1023 and 1026 , according to inscriptions running along its first storey . It has a square base on a sumeru pedestal , thirteen stories totaling 28 m ( 92 ft ) in height , and multiple layers of eaves similar in style to the earlier Tang pagodas of Chang 'an , the Giant Wild Goose Pagoda and the Small Wild Goose Pagoda .
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Wood @-@ and @-@ brick hybrid pagodas were also built . The first four floors of the octagonal , 42 m ( 138 ft ) Lingxiao Pagoda of 1045 are brick ( with wooden eaves ) , while from the fifth floor up it is entirely made of wood . Even pagodas made of stone or brick featured architectural elements that were typical of Chinese wooden buildings ; for example the Pizhi Pagoda , built from 1056 to 1063 , uses the dougong brackets typical of wooden architecture to hold up pent , shingled roofs and tiers . Both of these pagodas feature interior staircases , although the Lingxiao Pagoda 's only reaches to the fourth floor , and the Pizhi Pagoda 's to the fifth . However , the Pizhi Pagoda features winding exterior stairs that provide access to the ninth and topmost floor .
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Although the Pagoda of Fogong Temple is the tallest extant wooden pagoda , the tallest Chinese pagoda built in the dynastic era that remains standing is the Liaodi Pagoda . Completed in 1055 , it is 84 meters ( 276 ft ) tall , with an octagonal base on a large platform , surpassing the 69 @-@ meter ( 226 ft ) Qianxun Pagoda , which had held the record since its construction in the 9th century by the Kingdom of Dali . Although the Liaodi Pagoda served its religious purpose as a Buddhist landmark in the Kaiyuan Monastery of Ding County , Hebei province , its great height gave it another valuable function , as a military watch tower that was used to observe movements of the Liao enemy . Beside their utility in surveillance , pagoda towers could also serve as astronomical observatories ; one such is the Gaocheng Astronomical Observatory , built in 1276 and still standing today .
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Yunyan pagoda
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= = Temples = =
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It was not uncommon for wealthy or powerful families to facilitate the construction of large temple complexes , usually by donating a portion of their family estate to a Buddhist sect . Often the land already contained buildings that could be re @-@ purposed for religions use . The Fei ( 費 ) family of the town of Jinze , located just west of Shanghai , converted a mansion on their property into a Buddhist sutra @-@ recitiation hall , and later built several other religious buildings around the hall . This spurred a boom in temple construction in the area , causing Jinze to become a major center of the White Lotus sect of Buddhism , which in turn spurred the construction of more temples and lead the town to become a significant location within the Song . The nearby town of Nanxiang gained prominence shortly after the fall of the Song in large part to the construction of temples and other religious buildings , which spanned the entire Song empire .
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Apart from stimulating the development of urban areas , temples and religious buildings featured a number of unique aesthetic and structural features . The Temple of the Saintly Mother ( 圣母殿 ) and the Hall of Sacrifice of the Jin Temple ( 晋祠 ) , located in a southeastern suburb of Taiyuan City , Shanxi province , are extant examples of early Song architecture . The Temple of the Saintly Mother is the main building of the Jin Temple , first built in the period between 1023 and 1032 and renovated in 1102 . It has a double @-@ eaved roof with nine ridges , and two dragon @-@ heads with wide @-@ open jaws biting the ends of the main ridge . The roof is supported by massive dougong brackets corresponding to drawings in Yingzao Fashi . The eaves of the Temple of the Saintly Mother curve upward slightly at each end , a characteristic of Song architecture . The columns of the façade , decorated with dragons that coil around the shafts , become progressively taller with increasing distance to either side of the central pair . The building has a porch around it , the sole example of such a structure ; another unique feature of the site is a cross @-@ shaped bridge that leads to the Goddess Temple .
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The Trinity Hall of Xuan Miao Temple ( 玄妙观 ) , situated in the heart of Suzhou city , is another example of Song architecture . In 1982 , it was established as a National Heritage Site by the Chinese government .
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The Jingling Palace ( 景灵宫 , Jingling Gong ) , a temple to the legendary Yellow Emperor located near modern @-@ day Qufu , was built in the 11th century . It was subsequently destroyed near the end of the Yuan dynasty . However , several other structures in Shou Qiu , the complex that Jingling Palace was situated in , remain intact . Two giant tortoise @-@ borne steles flank what was the entrance to the palace . One of the two steles , the Stele of the Sorrow of 10 @,@ 000 , is at 52 meters ( 171 ft ) high , the tallest unmarked stele in the country . A large pyramid constructed of rounded stone blocks , the symbolic tomb of the Yellow Emperor 's son Shaohao , is located outside the Shou Qiu complex . Another important large tortoise @-@ borne stele of the same period has been preserved at the Dai Miao of Mount Tai .
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= = Bridges = =
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Bridges over waterways had been known in China since the ancient Zhou dynasty . During the Song dynasty , large trestle bridges were constructed , such as that built by Zhang Zhongyan in 1158 . There were also large bridges made entirely of stone , like the Ba Zi Bridge of Shaoxing , built in 1256 and still standing today . Bridges with pavilions crowning their central spans were often featured in such paintings as the landscapes of Xia Gui ( 1195 – 1224 ) . Long , covered corridor bridges , like the 12th @-@ century Rainbow Bridge in Wuyuan , Jiangxi province , which has wide stone @-@ based piers and a wooden superstructure , were also built .
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While serving as an administrator for Hangzhou , the poet Su Shi ( 1037 – 1101 ) had a large pedestrian causeway built across the West Lake , which still bears his name : Sudi ( 蘇堤 ) . In 1221 , the Taoist traveler Qiu Changchun visited Genghis Khan in Samarkand , describing various Chinese bridges encountered on the way there through the Tian Shan Mountains , east of Yining . The historian Joseph Needham quotes him as saying :
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[ The road had ] " no less than 48 timber bridges of such width that two carts can drive over them side by side " . It had been built by Chang Jung [ Zhang Rong ] and the other engineers of the Chagatai some years before . The wooden trestles of Chinese bridges from the − 3rd century [ BC ] onwards were no doubt similar to those supposed to have been employed in Julius Caesar 's bridge of − 55 [ BC ] across the Rhine , or drawn by Leonardo , or found in use in Africa . But where in + 13th century [ AD ] Europe could a two @-@ lane highway like Chang Jung 's have been found ?
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In Fujian Province , enormous beam bridges were built during the Song dynasty . Some of these were as long as 1 @,@ 220 m ( 4 @,@ 000 ft ) , with individual spans of up to 22 m ( 72 ft ) in length ; their construction necessitated moving massive stones of 203 t ( 203 @,@ 000 kg ) . No names of the engineers were recorded or appear in the inscriptions on the bridges , which give only the names of local officials who sponsored them and oversaw their construction and repair . However , there might have been an engineering school in Fujian , headed by a prominent engineer known as Cai Xiang ( 1012 – 1067 ) , who had risen to the position of governmental prefect in Fujian . Between 1053 and 1059 , he planned and supervised the construction of the large Wanan Bridge ( once called the Luoyang Bridge ) near Quanzhou ( on the border of the present @-@ day Luojiang District and Huai 'an County . This bridge , a stone structure similar to a number of other bridges found in Fujian , still stands , and features ship @-@ like piers bound to their bases using mucilage from oysters as an adhesive . It is 731 m ( 2 @,@ 398 ft ) in length , 5 m ( 16 ft ) in width , and 7 m ( 23 ft ) in height . Another famous bridge near Quanzhou , the Anping Bridge , was constructed between 1138 and 1151 .
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Other examples of Song bridges include Guyue Bridge , a stone arch bridge in Yiwu , Zhejiang Province . The bridge was built in 1213 , the sixth year of the Jiading Era in the Southern Song dynasty . Song @-@ era pontoon bridges include the Dongjin Bridge , 400 m ( 1 ⁄ 4 mi ) long , which may still be seen today .
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= = Tombs of the Northern Song emperors = =
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Located southwest of Gongyi city in Gongxian County , Henan province , the large tombs of the Northern Song number about one thousand , including individual tombs for Song emperors , empresses , princes , princesses , consorts , and members of the extended family . The complex extends approximately 7 km ( 4 @.@ 3 mi ) from east to west and 8 km ( 5 @.@ 0 mi ) from north to south . The construction of the complex began in 963 AD , during the reign of the first Song ruler , Emperor Taizu of Song , whose father is also buried at the site . The only Northern Song emperors not buried there are Emperor Huizong of Song and Emperor Qinzong of Song , who died in captivity after the Jurchen invasion of northern China in 1127 . Lining the spirit ways of the tomb complex are hundreds of Song sculptures and statues of tigers , rams , lions , horses with grooms , horned beasts and mythical creatures , government officials , military generals , foreign ambassadors , and others featured in an enormous display of Song @-@ era artwork .
| 81c99607b62126627d4ffc7d751c8bb5 | 6,865 |
The layout and style of the Song tombs resemble those found in the contemporary Tangut kingdom of the Western Xia , which also had an auxiliary burial site associated with each tomb . At the center of each burial site is a truncated pyramidal tomb , each having once been guarded by a four @-@ walled enclosure with four centered gates and four corner towers . About 100 km ( 62 mi ) from Gongxian is the Baisha Tomb , which contains " elaborate facsimiles in brick of Chinese timber frame construction , from door lintels to pillars and pedestals to bracket sets , that adorn interior walls . " The Baisha Tomb has two large separate chambers with conical ceilings ; a large staircase leads down to the entrance doors of the subterranean tomb .
| 4b8c2654dd1805a775d9ef476903b8d8 | 6,866 |
= = Literature = =
| e1f1c7eb3d5ed3690b731bcddef99f5f | 6,868 |
During the Song dynasty , previous works on architecture were brought to more sophisticated levels of description , as in Yili Shigong , written by Li Ruogui in 1193 AD . One of the most definitive works , however , was the earlier Mu Jing ( " Timberwork Manual " ) , ascribed to Yu Hao and written sometime between 965 and 995 . Yu Hao was responsible for the construction of a wooden pagoda tower in Kaifeng , which was destroyed by lightning and replaced by the brick Iron Pagoda soon after . In his time , books on architecture were still considered a lowly scholarly achievement due to the craft 's status , so Mu Jing was not even recorded in the official court bibliography . Although the book itself was lost to history , the scientist and statesman Shen Kuo wrote of Yu 's work extensively in his Dream Pool Essays of 1088 , praising it as a work of architectural genius , saying that no one in his own time could reproduce such a work . Shen Kuo singled out , among other passages , a scene in which Yu Hao gives advice to another artisan @-@ architect about slanting struts in order to brace a pagoda against the wind , and a passage in which Yu Hao describes the three sections of a building , the area above the crossbeams , the area above ground , and the foundation , and then proceeds to provide proportional ratios and construction techniques for each section .
| 74319d562c53473af0cc328fa35399ad | 6,870 |
Several years later Li Jie ( 李誡 ; 1065 – 1110 ) published Yingzao Fashi ( " Treatise on Architectural Methods " or " State Building Standards " ) . Although similar books came before it , such as Yingshan Ling ( " National Building Law " ) of the early Tang dynasty ( 618 – 907 ) , Li 's book is the earliest technical manual on Chinese architecture to have survived in full .
| b969c118c9f58e53fb239c785d42fe8d | 6,871 |
= = = Yingzao Fashi = = =
| 45cc6d4968703cab6525a38883acaeeb | 6,873 |
Yingzao Fashi is a technical treatise on architecture and craftsmanship written by Li Jie , an architect and official at the Directorate of Buildings and Construction . Li completed the book in 1100 , and presented it to Emperor Zhezong of Song in the last year of his reign . His successor , Emperor Huizong of Song , had Li 's treatise officially published three years later , in 1103 , for the benefit of foremen , architects , and literate craftsmen . The book was intended to provide standard regulations , to not only the engineering agencies of the central government , but also the many workshops and artisan families throughout China who could benefit from using a well @-@ written government manual on building practices .
| 693bd5ffee89e29b0e8df63bb921e1c6 | 6,875 |
Yingzao Fashi included building codes and regulations , accounting information , descriptions of construction materials , and classification of crafts . In its 34 chapters , the book outlined units of measurement , and the construction of moats , fortifications , stonework , and woodwork . For the latter , it included specifications for making bracketing units with inclined arms and joints for columns and beams . It also provided specifications for wood carving , drilling , sawing , bamboo work , tiling , wall building , and decoration . The book contained recipes for decorative paints , glazes , and coatings , also listing proportions for mixing mortars used in masonry , . brickwork , and manufacture of glazed tiles , illustrating practices and standards with drawings . His book outlined structural carpentry in great detail , providing standard dimensional measurements for all components used ; . here he developed a standard eight @-@ grade system for sizing timber elements , known as the cai @-@ fen system of units , which could be universally applied in buildings . About 8 % of Li Jie 's book was derived from pre @-@ existing written material on architecture , while the majority of the book documented the inherited traditions of craftsmen and architects . The Yingzao Fashi provided a full glossary of technical terms that included mathematical formulae , building proportions , and construction techniques , and discussed the implications of the local topography for construction at a particular site . He also estimated the monetary costs of hiring laborers of different skill levels from various crafts on the basis of a day 's work , in addition to the price of the materials they would need and according to the season in which they were to be employed .
| 50002c5068b61cc90b22e8110cad794b | 6,876 |
= = Architecture in Song artwork = =
| e4b35e1df7630bae0f7948ce93855f68 | 6,878 |
= Lost Horizons ( Lemon Jelly album ) =
| babc07e5021c672727b9a78f7b43fee5 | 6,882 |
Lost Horizons is the second studio album from the British electronic duo Lemon Jelly , released on 7 October 2002 . Released by XL Recordings and produced by Nick Franglen , the album generated two charting singles in the UK , " Space Walk " and " Nice Weather for Ducks " ; the latter has often been called the album 's stand @-@ out track . The album , which is built around a mix of organic instrumentation and idiosyncratic samples , was met with largely positive reviews by music critics , although it was somewhat critiqued due to its near @-@ constant mellowness .
| f0a9dba9c72319ed1c7a60c3c4b44124 | 6,884 |
In the United Kingdom , Lost Horizons peaked at number 20 on the Official Albums Chart , whereas in the United States , it peaked at number 24 on Billboard 's Top Electronic Albums component chart . The album 's two singles , " Space Walk " and " Nice Weather for Ducks " , were also successful , peaking on the UK Singles Chart , at number 36 and 16 respectively . The album , was nominated for the Mercury Music Prize in 2003 , was eventually certified gold by the British Phonographic Industry for shipments exceeding 100 @,@ 000 copies .
| 0594870e3e8297435054cb56cd6f0c62 | 6,885 |
= = Music = =
| c429b89aefeaccdb1e147d22dccd00b3 | 6,887 |
Lost Horizons opens with " Elements " , which " blends acoustic guitars , flugelhorns , synths , skittering breakbeat rhythms , a folksy harmonica , and ... a falsetto ' doo @-@ doo ' chorus " . Overlaying the music is a voiceover , courtesy of English actor John Standing , that lists the basic ' elements ' that make up the world : ash , metal , water , wood , fire , and ( eventually , later in the song ) sky . The second track , " Space Walk " , is set to a recording of Ed White 's 1965 space walk on the Gemini 4 mission . Franglen and Deakin chose to use the sample after listening to an album called Flight to the Moon ( 1969 ) ; the two were struck by how moving and emotive many of the tracks were . Deakin later said , " ' One small step ' leaves me cold , because it was so obviously scripted . But the spacewalk … even after hearing it so many times , it 's so vivid . "
| 276946218198fc27ffa5b50d1377fae6 | 6,889 |
" Ramblin ' Man " features a conversation between an interviewer ( the voice of Michael Deakin — father of Lemon Jelly 's Fred Deakin ) and " John the Ramblin ' Man " ( the voice of Standing ) , during which he lists various places from around the world , ranging from " from small Sussex villages to major world capitals . " When listed in the order in which the locations are narrated , the message " Bagpuss Sees All Things " is spelled out midway through the song ( from Brixton at four minutes ten seconds , to San José at four minutes 31 seconds ) using the first letter of each location . The fourth track , " Return to Patagonia " , features several jazz @-@ inspired elements .
| 1cfa35ff4a0d73326134381f681a5f06 | 6,890 |
The song " Nice Weather for Ducks " is built around a sample inspired by John Langstaff 's song " All the Ducks " . This song was based on the popular Dutch children 's song , " Alle eendjes zwemmen in het water " ( translated : " All the ducks are swimming in the water " ) . Franglen later said that he and Deakin were drawn to Langstaff 's recording because it " had a gentle madness to it , slightly unhinged " . The duo had attempted to clear Langstaff 's version for sampling , but were unable to . In the end , they had Enn Reitel re @-@ record the vocal snippet . Franglen , while noting that Reitel 's performance was good , said that once the sample was re @-@ recorded , its " edge disappeared " . " Experimental Number 6 " , arguably the album 's darkest track , features a faux field recording of a doctor documenting the side effects of an unnamed drug administered to a patient ; the recording tells how the patient progresses from normalcy , to an " overwhelming sense of well @-@ being and euphoria " , before eventually expiring . The album closes with " The Curse of Ka 'Zar " , which features " a two @-@ part harmony chorus and jazzy drum loop " .
| 491dd101bd477536d8e1f79b255d6143 | 6,891 |
= = Reception = =
| f8d79e3fcb54590ed5efe8209a7826d9 | 6,893 |
= = = Critical Reviews = = =
| 49c02d07f0bfb3ae5466503bc926781b | 6,896 |
Lost Horizons received mostly positive reviews from music critics , although several critics critiqued the album 's near @-@ constant mellowness . Stuart Mason of AllMusic called the album " a delightful but slightly faceless blend of lounge pop , subtle beats , found sound , with mellow jazz influences . " A reviewer for Entertainment.ie praised the band for approaching electronica from a new angle , writing , " this London @-@ based duo employ Playschool pianos , acoustic guitars and sprightly beats to create laid @-@ back instrumentals guaranteed to sooth even the most restless of souls . [ ... ] What really marks Lemon Jelly as exciting new talents is their quirky sense of humour , which they use to brighten up their sound with skilful [ sic ] use of nursery rhymes , brass bands and offbeat samples . Pascal Wyse of The Guardian wrote , " Everything is approachable and purely crafted , but Lost Horizons cheats banality with some choice quirks : Magnificent Seven strings , astronauts chatting , panoramic sound effects . " Chris Dahlen of Pitchfork Media felt that the album was a little too saccharine at times , but that it is " the perfect disc to throw on after your four @-@ disc Ultrachill Dub Groove Mix has put the whole party to sleep . It 's like eight flavors of ribbon candy , beach balls hitting the ground like hail , and a big plastic clown face that blows helium . "
| a6318849f0e1cdfcd922504689f42c34 | 6,898 |
Many reviews singled out " Nice Weather for Ducks " as the album 's stand @-@ out track . Mason selected the " dreamy , acoustic guitar @-@ based " song as one of the album 's highlights in his review . Dahlen described it as " the most likeable " on the album , and concluded that it is " a happy @-@ slappy lollipop of a song that nicely sums this record up : Sunny , bright , and vaguely irritating . " Wysel wrote , " When the flugelhorn arrives on ' Nice Weather for Ducks ' it is impossible to believe there is any evil in the world . " Conversely , several critics felt that " Experiment Number Six " did not fit with the mood of the rest of the album . Wysel called it a " pool of darkness " that " comes as quite a shock . " Dahlen felt that the song is " is the only break in the [ album 's ] mood . " While he enjoyed the song 's concept , calling it " so different and sinister that it 's more intriguing than the rest of the album " , he felt that it was " annoyingly displaced . " Hermann , on the other hand , called the track " clever " and " spooky " with " music ... so well crafted that [ the concept ] works " .
| 82522737bff730104dfa7c5d04166634 | 6,899 |
= = = Sales and accolades = = =
| 46778c3feb66d7c4af3af4b5edbfbf2d | 6,901 |
In the UK , the album charted at number 20 on the Albums Chart . In the US , it peaked at number 24 on the Billboard Top Electronic Albums chart . In both cases , it was the first Lemon Jelly album to do so . The album 's two singles , " Space Walk " and " Nice Weather for Ducks " , also managed to chart on the UK Singles Chart , at number 36 and 16 respectively . Again , this was a first for the band . On 20 December 2002 the album was certified Silver . Almost six months later , on 22 July 2013 , it was certified gold , denoting shipments of over 100 @,@ 000 . In 2003 , the album was nominated for a Mercury Music Prize , although the album lost to Dizzee Rascal 's Boy in da Corner .
| 0dedfcd6fd2a9829f686d5268499a6e0 | 6,903 |
= = Track listing = =
| 72495df880382348360bb3e5f3082d84 | 6,905 |
= = Credits and personnel = =
| 8c01737c53763a916f2b3cdc47c769d8 | 6,908 |
= = Charts = =
| 90f35011b6980d435aa1b79c3f9a1227 | 6,911 |
= Fastra II =
| 38777b1ec51ef6ebf11e48c8ccd145c4 | 6,914 |
The Fastra II is a desktop supercomputer designed for tomography . It was built in late 2009 by the ASTRA ( All Scale Tomographic Reconstruction Antwerp ) group of researchers of the IBBT ( Interdisciplinary institute for BroadBand Technology ) VisionLab at the University of Antwerp and by Belgian computer shop Tones , in collaboration with Asus , a Taiwanese multinational computer product manufacturer , as the successor to the Fastra I ( built in 2008 ) .
| 0a653272c0d4ebfd77b639ddb29cb7e4 | 6,916 |
The Fastra II was determined to be over three times faster than the Fastra I , which in turn was slightly faster than a 512 @-@ core cluster . However , because of the number of GPUs in the computer , the system initially suffered from several issues , like the system refusing to reboot and overheating due to a lack of space between the video cards .
| 9bc16c502b2ab44a25591235290d0882 | 6,917 |
= = Development = =
| 424802451cd24f59c8607c235508ad76 | 6,919 |
The computer was built as a researching and demonstration project by the ASTRA group of researchers at the Vision Lab in the University of Antwerp in Belgium , one of the researchers being Joost Batenburg . Unlike other modern supercomputers such as the Cray Jaguar and the IBM Roadrunner , which cost millions of euros , the Fastra II only uses consumer hardware , costing € 6 @,@ 000 in total .
| 37999e211c6a0c86542cd4a790e67e7e | 6,921 |
The Fastra II 's predecessor , the Fastra I , has 4 dual @-@ GPU GeForce 9800 GX2 video cards , for a total of 8 GPUs . At that time , the ASTRA group needed a motherboard that had four PCI Express x16 slots with double @-@ spacing between each of them . The only such motherboard the ASTRA group could find at that time was the MSI K9A2 Platinum , which has four such slots . In 2009 , the Asus P6T7 WS Supercomputer motherboard , which the Fastra II uses , was released , which has seven PCI Express x16 slots . The Fastra II has six faster dual @-@ GPU GeForce GTX 295 video cards , and a single @-@ GPU GeForce GTX 275 , for a total of 13 GPUs . In the Fastra II , the GPUs mainly perform tomographic reconstruction . The technique which allows GPUs to perform general @-@ purpose tasks like this outside of gaming , instead of CPUs , is called GPGPU , general @-@ purpose computing on graphics processing units .
| 0004a353c4179ecf8cd16fa315ef35d3 | 6,922 |
Overheating caused by the lack of space between the video cards forces researchers using the FASTRA II to keep the side panel door open , so that the video cards can get regular air , decreasing the overall temperature inside the case .
| 0288fabcd6272fba102040d00ea9fa3b | 6,923 |
Due to the number of GPUs in the system , its initial boot was unsuccessful . This was because its motherboard uses a 32 bit BIOS , which only had approximately 3 GB of address space for the video cards . However , Asus managed to provide them a specialized BIOS that entirely skipped the address space allocation of the GTX 295 video cards . The BIOS @-@ replacement coreboot was not tested .
| a019d4d84a1675a97ef5b813f7c008a8 | 6,924 |
All seven PCI Express x16 slots in the Asus P6T7 motherboard were used in the building of the Fastra II computer . However , the video cards in the Fastra II are wide enough to require two such slots each . To solve this issue , the researchers came up with flexible PCI Express cables , and Tones developed a custom cage which allowed the video cards to suspend over the motherboard .
| b72728b37f4cb2b7a1869c5f24293cee | 6,925 |
= = Specifications and benchmarks = =
| da4d048e2c6f99718ece28e4bc400a80 | 6,927 |
Like the Fastra I , the Fastra II uses a Lian Li PC @-@ P80 Armorsuit case , which has 10 expansion slots . The motherboard in the Fastra II was at that time the only workstation motherboard that had seven full @-@ sized PCI Express x16 slots . The memory modules were initially six 2 GB modules , but were later upgraded to 4 GB each , for a total of 24 GB . Instead of an eighth dual @-@ GPU video card , the single @-@ GPU GTX 275 is in the computer because , out of all the video cards in the Fastra II , the GTX 275 is the only one the Fastra II 's BIOS can fully initialize . The total amount of GPUs is 13 . The video cards together bring 12 teraflops of computing power . Four of the six GTX 295 video cards have 2 PCBs , while the other two have only 1 PCB .
| 5d2bc150085907a240480b212ce8bc40 | 6,929 |
According to the benchmarks on its official website , the Fastra II is faster and more power efficient than its competitors , including the Fastra I and the Tesla C1060 video card . The benchmarks were performed on the Fastra II , the Fastra I , a 512 @-@ core cluster ( consisting of Opteron CPUs ) , an Nvidia Tesla C1060 workstation card on an Intel Core i7 940 CPU , and on an Intel Core i7 940 CPU itself . The Fastra II is over three times faster than the Fastra I in CT slice reconstruction speed . Although the Fastra II consumes more power than the Fastra I , it 's nearly 3 times as energy efficient as the Fastra I , and over 300 times as energy efficient as the 512 @-@ core cluster . The video cards run at 37 degrees Celsius when idle , and at 60 degrees Celsius at full load .
| e8a3a92c7f4ecc81cb57890542a4d8e6 | 6,930 |
= = Applications and reception = =
| c4605c4d7750efb36151ceed32c53d3d | 6,932 |
The operating system is CentOS , a community driven Linux distribution and Red Hat Enterprise Linux clone . The Fastra II received a positive public impression . Techie.com called it the " world 's most powerful desktop @-@ sized supercomputer " , describing it as a computer with " so much power in such a small space . " iTech News Net called it " the Most Powerful Desktop Supercomputer " .
| 0488a70ca83a0b442ba1ada48cdd56cb | 6,934 |
Fastra II relies on Nvidia 's Scalable Link Interface ( SLI ) and is therefore limited to the number of GPUs supported by it and also by the vendor respectively the free and open @-@ source device drivers . The Fastra II 's motherboard is designed for workstations , and it is mainly being used in hospitals for medical imaging .
| 3f9b34541ead746ace29c6e2b2e94588 | 6,935 |
It remains to be seen whether another Fastra featuring NVLink , first available with Pascal @-@ based GPUs , will be build .
| f4054ce524f17efa37b6e5dfca160f8d | 6,936 |
= USS Breese ( DD @-@ 122 ) =
| fb42d94cf463a144345cb0c6e7a14b1d | 6,939 |
USS Breese ( DD – 122 ) was a Wickes class destroyer in the United States Navy during World War I , and later redesignated , DM @-@ 18 in World War II . She was the only ship named for Captain Kidder Breese .
| bbb3977faf466f3e67cc75cd28c3b1b2 | 6,941 |
Commissioned as a destroyer in 1919 , she undertook a number of patrol and training duties along the East Coast of the United States until being decommissioned in 1922 . Overhauled in 1931 , she returned to service with the United States Pacific Fleet on training and patrol for the next 10 years . She was present during the attack on Pearl Harbor , and following this she supported several operations during the war , laying minefields and sweeping for mines in the Pacific . Following the end of the war , she was sold for scrap in 1946 and broken up .
| 09d73c71b5cedb06684f425c9c484904 | 6,942 |
= = Design and construction = =
| 21c1fe7eae77cc120400a18d09be7194 | 6,944 |
Breese was one of 111 Wickes @-@ class destroyers built by the United States Navy between 1917 and 1919 . She , along with ten of her sisters , were constructed at Newport News Shipbuilding shipyards in Newport News , Virginia using specifications and detail designs drawn up by Bath Iron Works .
| b3d0e0b5ef3d468cd5f3cfbf4a6a8f78 | 6,946 |
She had a standard displacement of 1 @,@ 213 tonnes ( 1 @,@ 194 long tons ; 1 @,@ 337 short tons ) an overall length of 314 feet 5 inches ( 95 @.@ 83 m ) , a beam of 31 feet 8 inches ( 9 @.@ 65 m ) and a draught of 9 feet 4 inches ( 2 @.@ 84 m ) . On trials , Harding reached a speed of 33 @.@ 2 knots ( 61 @.@ 5 km / h ; 38 @.@ 2 mph ) . She was armed with four 4 " / 50 caliber guns , two 3 " / 23 caliber guns , and twelve 21 @-@ inch torpedo tubes . She had a regular crew complement of 122 officers and enlisted men . She was driven by two Parsons or Westinghouse turbines , and powered by four Normand boilers .
| 5c0df200f1d7b5160d58fc9c1f5b7733 | 6,947 |
Specifics on Breese 's performance are not known , but she was one of the group of Wickes @-@ class destroyers known unofficially as the ' Liberty Type ' to differentiate them from the destroyers constructed from detail designs drawn up by Bethlehem , which used Curtis steam turbines and Yarrow boilers . The Bethlehem destroyers deteriorated badly in service , and in 1929 all 60 of this group were retired by the Navy . Actual performance of these ships was far below intended specifications especially in fuel economy , with most only able to make 2 @,@ 300 nautical miles ( 4 @,@ 300 km ; 2 @,@ 600 mi ) at 15 knots ( 28 km / h ; 17 mph ) instead of the design standard of 3 @,@ 100 nautical miles ( 5 @,@ 700 km ; 3 @,@ 600 mi ) at 20 knots ( 37 km / h ; 23 mph ) . The class also suffered problems with turning and weight . Ships such as Breese , however , performed better than this .
| ac34db8a117191be16877eb92e1424f5 | 6,948 |
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